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Speaker 1: What up, everyone, It's Eric Andre. Welcome back to Bombing,

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Speaker 1: where I talk with friends, comedians, musicians, and other creative

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Speaker 1: people about their worst moments on stage and just stinking

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Speaker 1: it up in front of a live audience. I hope

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Speaker 1: you're having a good week. I hung out with the

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Speaker 1: hilarious Jay Jorden and we talked about doing stand up

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Speaker 1: in New York City and the most unconventional spaces to perform.

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Speaker 1: He has a very silly story about doing stand up

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Speaker 1: at a lecture hall with a podium being a stage,

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Speaker 1: and more stuff unravels from his tales on the road.

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Speaker 1: As always, please subscribe to the podcast to get new

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Speaker 1: episodes every week, rated five stars and on Apple Podcasts.

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Speaker 1: Subscribed to Big Money Players Diamond to get exclusive clips

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Speaker 1: plus add free episodes weekly. Let's get into it.

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Speaker 2: Oh bollyoh with Eric Andre.

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Speaker 1: Okay, ladies and gentlemen. You know him as a comedian,

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Speaker 1: a writer, an actor, an activist, an artist, a sex symbol.

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Speaker 2: All right.

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Speaker 1: He's from the economically depressed state of Mississippi, Jared and

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Speaker 1: everybody generally depressed as well. You don't just have this,

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Speaker 1: you said, I've never been to Mississippi, so I'm talking shit.

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Speaker 1: It might be it might be a it might be Valhalla.

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Speaker 3: I think Mississippi is I just know Mississippi burning. It's

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Speaker 3: emblematic of everything about America. William Faukner has a quote

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Speaker 3: where says, to know a place like Mississippi is to

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Speaker 3: know America, or something to that end.

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Speaker 1: Does he know William Faulkner, He was fucking prick. He

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Speaker 1: knew he was very dead. But from Mississippi. Okay, shout out.

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Speaker 2: No.

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Speaker 3: I think that, like every every issue that we have

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Speaker 3: in America is magnified and also kind of like on

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Speaker 3: a grander scale in Mississippi in what sense, in the

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Speaker 3: sense that like, are you worried about gun violence? Mississippi

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Speaker 3: is a place where you can actually look at the

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Speaker 3: effects of gun violence. Are you worried about minority rule

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Speaker 3: by white people having power for centuries over black and

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Speaker 3: brown people. Mississippi is a great example of that. Are

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Speaker 3: you worried about our economic income disparity, where like the

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Speaker 3: top percent have so much more than the rest of

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Speaker 3: the country. Mississippi is an example of that. Are you

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Speaker 3: worried about abortion rights being taken away? Mississippi's example of that.

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Speaker 3: Are you worried about.

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Speaker 1: Well, it seems like a real fun place. Have you

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Speaker 1: they're a health nut, yes.

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Speaker 3: I mean my favorite. My favorite healthy snack in Mississippi

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Speaker 3: is compi with corn syr.

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Speaker 1: That is like diabetes and a bite, a couple of bites.

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Speaker 1: I got a sweet to you got a sweet tooth.

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Speaker 1: Now you're in great shape, especially for Mississippi. Like God,

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Speaker 1: damn Chisel, I think you have peptides. I saw Kumel

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Speaker 1: in person, and he's jealous. He's thick, he's thinking enough

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Speaker 1: for the Chippendale show. But he thinking, he's thinking up

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Speaker 1: for the Chippendale Show. And if you watch it, he's

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Speaker 1: not a stripper. He's a boss.

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Speaker 2: I know. That's it.

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Speaker 1: That's a that's a wild thing. Should I start doing peptides?

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Speaker 2: No?

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Speaker 3: I think as I drink and then I get pudgy.

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Speaker 3: What do you what you like drinking? Drinking is your vice?

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Speaker 3: Yeah so the so the calories from the drinks is

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Speaker 3: what you think.

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Speaker 1: And I like cocktails like sweet cock good you good.

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Speaker 1: It's too conestly.

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Speaker 3: I think that makes you a feminist icon because you're

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Speaker 3: not beholden to these male sensibilities that people spouse.

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Speaker 1: You can drink grain, drink, you drink a pink drink.

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Speaker 1: I'm drinking pink. Don't drink a cosmo right now?

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Speaker 2: Hell yeah?

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Speaker 1: You no hesitation? Are the cosmos here? Do you drink?

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Speaker 2: Yeah? I drink.

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Speaker 1: I don't drink a lot. You're right now? No, how

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Speaker 1: old are you? Is that rough a birthday? You're like

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Speaker 1: thirty twenty nine? It's very sweet. You're young. I love

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Speaker 1: this conversation. You're like, I'm sixty fist.

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Speaker 3: Yeah, that's what I can tell about Mississippi. I was

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Speaker 3: there when they spread the water holes.

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Speaker 1: Is on us? I'm marched. Listen, look ahead, young blood.

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Speaker 1: I was it with doctor. Could you could tell me anything?

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Speaker 1: You can tell me you're twenty one or fifty five.

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Speaker 3: I'm the same age as a euphoria teen, That's what

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Speaker 3: I'll say.

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Speaker 1: So you're young. No, I'm the.

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Speaker 3: Same age as like, I'm the same age as the

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Speaker 3: people they cast as teenagers.

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Speaker 1: So I'm in my thirties. Okay, that's great. But is Zendaya?

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Speaker 3: I think she's late twenties. Do you look to her

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Speaker 3: for Yeah? Because I want to. I want to fuck

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Speaker 3: Tom Hollands. Yeah, that's is that your celebrity crush. No's

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Speaker 3: like white guys on your race. No, my celebrity crush.

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Speaker 3: If there's a person who literally could like make me

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Speaker 3: go to my husband, Sorry, I have to leave. Zendia

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Speaker 3: is on the list well because she is so much

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Speaker 3: bigger than sexuality, and.

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Speaker 1: She is beauty.

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Speaker 2: I get that.

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Speaker 3: Do you understand you put a garment on her? There's

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Speaker 3: that famous photo of her Michael B. Jordan wearing the

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Speaker 3: same suit, and she looks so much better than him.

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Speaker 1: Yeah, he had tube buff No, I don't say that

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Speaker 1: might be on the list? Is he number two? He

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Speaker 1: stared into the center of my penis one time. Tell

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Speaker 1: the story behind this, Okay, So I was making bad

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Speaker 1: trip in Atlanta, Georgia, and so Michael B. Jordan has

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Speaker 1: seen into your urethra. Yeah, and it was an accident.

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Speaker 1: The window to the soul, that's right. Lest people think

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Speaker 1: it's the eyes, No, no, no, it's.

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Speaker 3: Not.

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Speaker 1: Starts. I went to the Four Seasons to you know,

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Speaker 1: making that movie is very stressful, So I went to

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Speaker 1: the Four Seasons on a weekend. I did not expect

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Speaker 1: this story to start at the four season. Yeah, that

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Speaker 1: started the Four Seasons. So I was at the Spa

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Speaker 1: in the men's section of the spa, clothing optional. Sauna,

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Speaker 1: steam room. I'm in the sauna. I'm there forever. Yeah,

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Speaker 1: I'm bopping between the steam room the sauna whatever, and

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Speaker 1: no one's there everything, nobody's there, and I'm like, you

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Speaker 1: know what, no one's been here for like an hour.

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Speaker 2: So comfortable.

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Speaker 1: And then i just take off my bathroom. I'm spread

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Speaker 1: eagle in the sauna. Yes, lo and behold the sauna

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Speaker 1: the way the doors face a glass door, and I'm

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Speaker 1: like sitting right there. It's a small sauna, spread eagle.

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Speaker 1: No one's there forever. All of a sudden, movie star

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Speaker 1: Apollo Creed whatever he plays, Michael B. Jordan comes around

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Speaker 1: the corner and like walks and then he looks and

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Speaker 1: makes eye contact with me. He looks down at my dick.

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Speaker 1: He looks back into my eyes and then he just

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Speaker 1: reversed moon walks out of the spot. Didn't get undrug,

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Speaker 1: didn't He just was like, nope, oh my god, he left.

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Speaker 1: Could I say something that is such a bro response

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Speaker 1: is just like oh oh oh, oh, okay, bad your

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Speaker 1: I didn't known't even it wasn't even my bad. It

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Speaker 1: was like, look, it was like eye contact, dick, eye contact,

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Speaker 1: eye contact?

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Speaker 3: Can I tell you what my response would have been.

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Speaker 3: I would have looked at your dick without seeing your

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Speaker 3: face and went.

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Speaker 1: But so, Zendayah, would you put them in that order?

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Speaker 1: Zendaya first, Zendayah. Michael B.

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Speaker 3: Jordan is somewhere in the top five. I also, who's

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Speaker 3: like I'm trying to think of like a.

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Speaker 1: Young like white guys. I think like Steve Lazy young cut.

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Speaker 3: No. Steve Lazy has that quote where he said he

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Speaker 3: sees black man and his brother so he can't hook

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Speaker 3: up with him. No, no, I will listen, put it

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Speaker 3: in my face. That's the craziest thing you can say.

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Speaker 3: You can be like, I'm currently dating and or fucking

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Speaker 3: a white guy, but you can't be like in this

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Speaker 3: other race, I only see you as ken could never what.

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Speaker 1: I think he's figuring it out. He also, I think

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Speaker 1: he also.

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Speaker 3: I think Steve Lazy that was also around the time

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Speaker 3: probably where he was like in the internet, like the group,

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Speaker 3: and like he probably was just saying wow. Yeah, he

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Speaker 3: was probably saying wow ship and never thought it would

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Speaker 3: blow up up. So then when you have a year

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Speaker 3: like he did last year, everything comes back out. I think, yeah, yeah, yeah,

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Speaker 3: I'm trying to think of who else is the celebrity

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Speaker 3: that wouldn't get me in trouble if I was.

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Speaker 1: Like, oh, they're so fucking hot. Oh okay, nobody can

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Speaker 1: say whatever you want. Okay, So this is do you

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Speaker 1: know who Manny? No? Man thinking?

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Speaker 3: You know who managed Decento is? He's so hot he managed?

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Speaker 3: Manny is just like, no, it's not r looking up

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Speaker 3: Ronda Santas in those boots, in those he was just

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Speaker 3: wear those boots, my girl, Ronda is Manny Manny j

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Speaker 3: A C I N t oh I. He was an actor,

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Speaker 3: he was on the place. He's he with a Latin name.

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Speaker 3: And how Philippines work, that's what assumes very handsome, right.

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Speaker 3: He looks cut, he looks drawn. Yeah, yeah, ok we

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Speaker 3: look at that jawline. I wanted to slice my jorder.

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Speaker 3: That is, he's so hot, he's barbied.

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Speaker 1: Now, do you have an understanding with your husband? Do

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Speaker 1: you get a do you get as if something like

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Speaker 1: that can't? Can I say something? Hell, motherfucking is that

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Speaker 1: a fifty to fifty even split? I don't believe what.

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Speaker 3: I will let you know right now. And because you

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Speaker 3: said no one's listening to this podcast, I will tell you.

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Speaker 3: There are people who aren't even super famous that I

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Speaker 3: feel like I can get a pass with.

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Speaker 1: Really, yes, I mean and does it work the same

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Speaker 1: way though? Will you give him the same and there's

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Speaker 1: no jealousy or no jealousy all? In fact, what do

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Speaker 1: you guys communicate?

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Speaker 3: In fact as a queer couple, we don't even say

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Speaker 3: we're open. We just say we're mature, we're adults. Now,

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Speaker 3: we're realistic.

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Speaker 1: It's an easier that's an easier pitch, okay to dudes

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Speaker 1: and a girl more often, what did you say? That

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Speaker 1: used to be.

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Speaker 3: That used to be the case, and now straight women

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Speaker 3: are starting to chill at because of TikTok?

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Speaker 1: You think so?

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Speaker 3: No, I think one day people will be able to

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Speaker 3: be a bit more honest with their desires and their

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Speaker 3: need for You know, listen, love is a great song,

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Speaker 3: but every great song needs a remix?

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Speaker 1: Do you understand?

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Speaker 2: With a recondre with Aridre?

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Speaker 1: Now you're a big QAnon guy, right, I'm a huge

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Speaker 1: QAnon guy.

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Speaker 2: Yeah?

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Speaker 1: Huge? I love it. I can't get nothing because from Mississippi.

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Speaker 3: Oh yeah, and I'm here to tell you about because

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Speaker 3: I will say this in regards to QAnon as a

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Speaker 3: queer stand up who like is having like a little

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Speaker 3: bit of fun success. I'm upset that I haven't been

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Speaker 3: invited to the obligatory bisexual orgies in Hollywood yet.

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Speaker 1: Yeah.

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Speaker 3: The funniest part about everyone being like, you know, when

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Speaker 3: you get to the Hollywood, they're gonna make you do

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Speaker 3: gay stuff. My response was always like make they're.

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Speaker 1: Gonna make me. Might be now, when you first moved

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Speaker 1: to New York as a Mississippian, where you're like intimidated,

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Speaker 1: I was.

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Speaker 3: So I didn't know there was this, I'll say, the

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Speaker 3: most Mississippi thing ever. I didn't know there were so

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Speaker 3: many different types of Mexican people, but it was you.

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Speaker 1: Know what happened, Like, oh lord, so what happened?

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Speaker 3: Yeah, I've some family from Louisiana. But what happened is

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Speaker 3: that I went to school in Mississippi, and then I

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Speaker 3: went to.

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Speaker 1: Which I don't know if you can believe it, they

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Speaker 1: got them.

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Speaker 3: We went to school in Mississippi and then went to school

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Speaker 3: in someplace very different, Alabama. And then because I had

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Speaker 3: like a BFA and an MFA and acting, I moved

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Speaker 3: here and signed with the horrible agency and.

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Speaker 1: They did not care about me. At all.

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Speaker 3: They sent me to the worst auditions and then I

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Speaker 3: started doing stand up because I wanted to, Like I

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Speaker 3: done stand up a little bit in Mississippi, but did

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Speaker 3: you stand up in Mississippi and Alabama? Back in the day,

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Speaker 3: it was like maybe you get to do a show

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Speaker 3: a month, right, and they'll be like, oh, when's your

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Speaker 3: next show. You'll be like in a couple of months,

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Speaker 3: I think I'm going to get to host this benefit, right,

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Speaker 3: like it's never.

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Speaker 1: But then you got here and you were pounding the pavement.

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Speaker 3: Well you get here and I signed out like we

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Speaker 3: had this. There was a really cool website back in

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Speaker 3: the day, free mics dot Com, where you could just

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Speaker 3: find where all the open mics were in the city,

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Speaker 3: some of them free.

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Speaker 1: Someone were like drinking, you know with the site. When

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Speaker 1: I first moved here twenty years agow what it was called?

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Speaker 1: Chuckle Monkey?

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Speaker 3: No no, no, no, can I say new favorite slur?

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Speaker 1: New favorite slur? My god, I was like, chuckle monk,

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Speaker 1: chuckle monk, oh right right that end?

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Speaker 3: Mm, I don't even want to see the image. I

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Speaker 3: don't even want to see the image. Why is this

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Speaker 3: monkey dressed like Richard pryor.

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Speaker 1: A chuckle headsho no, Benveren, that's chicken George. All right, bombing,

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Speaker 1: let's talk about the premise of this fucking podcast. What's

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Speaker 1: the worst you ever bombed? You could do this in

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Speaker 1: any order? Okay, where't you ever bomb? Wor'st bomb you

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Speaker 1: ever witnessed? Most wasted you've been on stage? Okay, worst

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Speaker 1: I've ever bombed? There's two.

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Speaker 3: So like you don't want to count some of the

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Speaker 3: early ones, but there was this one Ken Okay, So

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Speaker 3: like you have like a couple of good mics, a

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Speaker 3: couple of good like hot bar shows you. I went

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Speaker 3: up on one show early. I want to say, this

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Speaker 3: had to be like twenty sixteen Mississippi. No, no, no.

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Speaker 3: This was in New York, so the New York bombs

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Speaker 3: hit different.

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Speaker 2: Oh they're tough.

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Speaker 1: It was in the East Village, I believe it was

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Speaker 1: twenty seventeen. I went up.

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Speaker 3: A woman who was in town from LA was kind

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Speaker 3: of at this like produced Mike, and she like was

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Speaker 3: talking to me and she was like, oh, I can't

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Speaker 3: wait to watch your set because we had like a

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Speaker 3: good conversation, which she stayed. I went up on stage.

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Speaker 3: Who first joke nothing?

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Speaker 1: Second joke? Was nothing. The venue. I think it's closed

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Speaker 1: since it was a comedy club or a bar. It

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Speaker 1: was a bar, okay, okay.

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Speaker 3: So it was like already gonna not be the best show,

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Speaker 3: but like crickets from a bar, and like people were there,

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Speaker 3: and people were there like watching, so it was a

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Speaker 3: bigger crowd than they usually had, and so she was

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Speaker 3: there from my la.

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Speaker 1: We just had a good conversation in a bar. I

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Speaker 1: was turning.

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Speaker 3: I was like, oh yeah, I'm actually like really enjoyed

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Speaker 3: doing comedy in New York right now.

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Speaker 1: This is so cool. Oh my god, I made it

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Speaker 1: so much worse.

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Speaker 3: I talked about like not having anything in my bank

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Speaker 3: account in a way that was just so unfunny, and

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Speaker 3: I was like, okay, but then I couldn't be like,

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Speaker 3: but look at these rich motherfuckers because I know they weren't,

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Speaker 3: so it wh like it wasn't I wasn't being relatable.

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Speaker 3: I just was not being funny. I just like through that.

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Speaker 3: And then I like tried to sing and that also

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Speaker 3: like didn't work. No, it was embarrassing. Yes, I tried

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Speaker 3: to like make a joke about that bomb, about the

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Speaker 3: bombs that were currently happening on the show.

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Speaker 1: People before you on the show doing okay, yes, oh

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Speaker 1: that's rough. Yeah, everyone was bombing. You could write it off,

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Speaker 1: but every well it was and then you're distinking.

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Speaker 3: It was one of those It was one of those

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Speaker 3: places where like I wouldn't go down that street to

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Speaker 3: that bar for like a good month because I was like, man,

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Speaker 3: I don't even I don't got to put myself through that.

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Speaker 1: I don't got to reopen that wound. How did you

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Speaker 1: end the set? Well, probably with like.

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Speaker 3: Well just because like you don't have anything, you like

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Speaker 3: have like a couple of heaters, and like when those

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Speaker 3: work's see, okay, that's the crazy part. So that's like

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Speaker 3: twenty seventeen. So like twenty nineteen, I'm on like this

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Speaker 3: tiny little college tour that I got from doing Naka,

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Speaker 3: which is like yo, didn'mal a bunch of college and

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Speaker 3: some of the shows are like great. Some of the

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Speaker 3: shows though at these colleges they say, oh, you're going

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Speaker 3: to do a show? Are you ready for this? At

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Speaker 3: this time? So I want everyone it's the afternoon. I

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Speaker 3: had a show at one pm at a college. I

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Speaker 3: want to say it was in Missouri. It was somewhere

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Speaker 3: in the midwest. Because I was driving to three different

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Speaker 3: shows the over like a five day period. I go

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Speaker 3: to do a show in one of their smaller lecture halls,

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Speaker 3: so I'm not even on a stage.

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Speaker 1: I'm like in a lecture.

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Speaker 3: Hall with a slightly elevated surface with a lectern and

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Speaker 3: a podium like a classroom.

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Speaker 1: Yes, it was a classroom. The amount of people in there,

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Speaker 1: twelve twelve people in the daytime to see me do

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Speaker 1: an hour of comedy at a podium. At a podium,

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Speaker 1: are you overhead projector?

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Speaker 2: Eric?

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Speaker 1: I could hear the spit in people's mouths? Yeah? Do

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Speaker 1: you know this sound? Yeah? What are those twelve people doing?

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Speaker 2: Though?

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Speaker 1: I questioned them a little bit, but what do they want?

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Speaker 3: Because the school was probably like there's a comedian and

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Speaker 3: they're like tonight, They're like no, no, no.

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Speaker 1: Don't worry this afternoon. What.

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Speaker 3: Yeah, there's gonna be some subway sandwiches afterwards. Do you

342
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Speaker 3: have a sable whole thing? You gotta save a whole thing,

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Speaker 3: get the sandwich, Okay, So you just gotta wait them out.

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Speaker 1: So you gotta wait them out. The first joke doesn't

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Speaker 1: go well, and then you're like, great, I have fifty

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Speaker 1: seven minutes. The thing you say is like, what's up?

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Speaker 1: I could do you want to do?

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Speaker 3: I just need to say roll for this class, they

349
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Speaker 3: just need to like talk to y'all what's happening? And

350
00:17:42,960 --> 00:17:46,560
Speaker 3: like the chuckles there are also so light because there's

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Speaker 3: no way for a group of twelve people in the

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Speaker 3: afternoon to jell enough to last as like a unit.

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Speaker 1: There's no hive mind, there's no synchronous no, there's no cohesion.

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Speaker 1: It's so just like moment in them stopping and so

355
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Speaker 1: like those are the worst shows that are college shows.

356
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Speaker 1: College shows are the worst shows.

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Speaker 3: I love the college shows that I've done recently, and

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Speaker 3: I love doing college shows when they're big enough crowds

359
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Speaker 3: and when like everything goes right. But for that particular

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Speaker 3: college show.

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Speaker 1: Oh well they're produced by college children, so they're not

362
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Speaker 1: gonna be But once again, it's are rough.

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Speaker 3: Let me tell every college student listening, bring Jay to

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Speaker 3: your campus at night, at.

365
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Speaker 1: Night, in a venue where there's where there's a stage.

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Speaker 1: Because I used to perform in the cafeterias, the cafetoriums, Yeah,

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Speaker 1: while people were ordering chicken nuggs.

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Speaker 3: The caffatorirea, gymnasiums, oh, there was like because like sometimes

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Speaker 3: there's like that fun happy accident. Like one time, me

370
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Speaker 3: and ze Nab Johnson, who's like this black Muslim woman

371
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Speaker 3: from Harlem and my queer Mississippi ass performed in Utah

372
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Speaker 3: and we.

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Speaker 1: Were like, oh it was great, it was wonderful. But

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Speaker 1: this ship in Missouri in the fucking afternoon for twelve

375
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Speaker 1: people and they wanted me to stay afterwards and eat

376
00:19:05,880 --> 00:19:09,120
Speaker 1: sandwiches with them. Yeah, I'm embarrassed. It's that cool. Are

377
00:19:09,119 --> 00:19:12,760
Speaker 1: you kidding me? That's that cool. Yeah, we've all been there.

378
00:19:12,800 --> 00:19:15,600
Speaker 1: Those shows make you, They made you the man you

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Speaker 1: are today, because like for an hour, that's the other thing.

380
00:19:18,800 --> 00:19:22,480
Speaker 3: Like when you bomb in the city, maybe you bomb

381
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Speaker 3: for ten minutes, you bomb for twelve minutes, you get

382
00:19:25,359 --> 00:19:28,360
Speaker 3: out of there, uskadado, Right. You know, there's a lot

383
00:19:28,440 --> 00:19:30,680
Speaker 3: you can do right for for an hour.

384
00:19:30,880 --> 00:19:33,479
Speaker 1: An hour is it's the longest hour of your life.

385
00:19:33,600 --> 00:19:36,760
Speaker 1: But at that point halfway through, you just got to

386
00:19:36,800 --> 00:19:39,200
Speaker 1: do crowd work, right or something, or just you talk

387
00:19:39,280 --> 00:19:39,600
Speaker 1: to them.

388
00:19:39,680 --> 00:19:43,639
Speaker 3: You just start commenting on everything. Yeah, you just start

389
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Speaker 3: laughing in real time about your plight.

390
00:19:47,280 --> 00:19:47,560
Speaker 2: Yeah.

391
00:19:47,680 --> 00:19:50,159
Speaker 1: I kind of like, look at if there's a clock

392
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Speaker 1: and I look at the like student activity board member

393
00:19:53,720 --> 00:19:56,120
Speaker 1: that has my paycheck in those Yeah, I'm like kind

394
00:19:56,119 --> 00:20:00,320
Speaker 1: of like checking in with them constantly. It's fifty five minutes, No,

395
00:20:01,760 --> 00:20:04,960
Speaker 1: it's forty five. What gets me that check in your pocket?

396
00:20:05,040 --> 00:20:08,320
Speaker 1: It gets me out there to my three connecting air

397
00:20:08,400 --> 00:20:08,920
Speaker 1: tran flow.

398
00:20:09,080 --> 00:20:11,560
Speaker 3: Oh my god, No, it was even crazy for me

399
00:20:11,600 --> 00:20:14,679
Speaker 3: because it was in a hotel, rented a car and

400
00:20:14,880 --> 00:20:18,159
Speaker 3: drove to all these different places to go back to

401
00:20:18,240 --> 00:20:20,040
Speaker 3: that hotel to then finally fly out.

402
00:20:20,040 --> 00:20:23,240
Speaker 1: So it was like a wasteland. It's so spacious, it's vast.

403
00:20:23,320 --> 00:20:25,240
Speaker 1: It's so vast that you were like, what did the

404
00:20:25,320 --> 00:20:28,600
Speaker 1: pioneers The pioneers needed to kill all the Native Americans

405
00:20:28,840 --> 00:20:33,560
Speaker 1: for what for? Like it was room for there was room.

406
00:20:34,600 --> 00:20:38,080
Speaker 1: We met a room. We don't need all of Montana,

407
00:20:38,240 --> 00:20:42,200
Speaker 1: you don't need we need two Dakotas. It's a wasteland.

408
00:20:42,560 --> 00:20:45,119
Speaker 3: I mean, like those are two bombs that like I

409
00:20:45,160 --> 00:20:50,160
Speaker 3: will never forget. They're like carved into my person traumatized,

410
00:20:50,480 --> 00:20:54,400
Speaker 3: not just traumatized, but learned so quickly what a.

411
00:20:54,359 --> 00:20:59,439
Speaker 1: Real bomb is because oh, you know that show, I

412
00:20:59,440 --> 00:21:00,920
Speaker 1: didn't feel like I did my best.

413
00:21:01,040 --> 00:21:04,360
Speaker 3: You were because you'll be thinking like a six out

414
00:21:04,359 --> 00:21:07,840
Speaker 3: of ten as a bomb, nah, like a true bomb bomb,

415
00:21:07,880 --> 00:21:10,560
Speaker 3: like silence, Oh yes, silence, wake you up.

416
00:21:11,080 --> 00:21:15,879
Speaker 1: Squeaky chairs, Yeah, people staring at you. The back of

417
00:21:15,920 --> 00:21:19,000
Speaker 1: your neck is hot, ears are hot. You' you like

418
00:21:19,440 --> 00:21:21,880
Speaker 1: people talk about shaking on camera and you go.

419
00:21:21,800 --> 00:21:24,159
Speaker 3: Whoa are you that nervous? You go, oh, yeah, this

420
00:21:24,240 --> 00:21:26,240
Speaker 3: is this is when people shake. Oh yeah, this is

421
00:21:26,280 --> 00:21:28,320
Speaker 3: when you go just start to be like what It's my.

422
00:21:28,280 --> 00:21:31,159
Speaker 1: Biggest fear of bombing on TV. Oh. I mean the

423
00:21:31,200 --> 00:21:33,680
Speaker 1: first time I did stand up on television, it was

424
00:21:33,760 --> 00:21:38,479
Speaker 1: live at Gotham, and I was so unbelievably nervous that

425
00:21:38,560 --> 00:21:41,760
Speaker 1: I was like blackout for the first half of my set.

426
00:21:42,160 --> 00:21:46,600
Speaker 1: Don't remember it completely, like under anesthesia, like propo fall,

427
00:21:46,680 --> 00:21:49,919
Speaker 1: like yea took prop fall before I was on stage,

428
00:21:49,960 --> 00:21:52,880
Speaker 1: don't remember completely. And I made the mistake of inviting

429
00:21:52,920 --> 00:21:56,080
Speaker 1: like all my like high school friends I grew up with. Yeah,

430
00:21:56,080 --> 00:21:59,159
Speaker 1: they're like in the front row too, which is like

431
00:21:59,480 --> 00:22:03,200
Speaker 1: just such this unbelievable added pressure that I would never

432
00:22:03,320 --> 00:22:04,119
Speaker 1: ever do again.

433
00:22:04,359 --> 00:22:04,679
Speaker 2: Yeah.

434
00:22:04,840 --> 00:22:07,240
Speaker 1: Yeah, it's an insane stand up comedy. It's not that

435
00:22:07,320 --> 00:22:09,399
Speaker 1: old either. It's like only ninety years old, right, How

436
00:22:09,400 --> 00:22:10,520
Speaker 1: old is stand up comedy.

437
00:22:10,640 --> 00:22:15,280
Speaker 3: I mean, if Budville like one hundred years old, true

438
00:22:15,359 --> 00:22:17,800
Speaker 3: true stand up comedy. If we're talking about like the

439
00:22:17,800 --> 00:22:19,320
Speaker 3: way that we all kind of look at it now,

440
00:22:19,400 --> 00:22:22,040
Speaker 3: like we'd have to say the sixties, so you're right,

441
00:22:22,160 --> 00:22:26,120
Speaker 3: I'm not that old, and then the fifty sixty years old, yeah,

442
00:22:26,160 --> 00:22:28,520
Speaker 3: because then like the seventies is like the ramp up

443
00:22:28,560 --> 00:22:30,760
Speaker 3: in the eighties is the explosion, and nineties like so

444
00:22:30,880 --> 00:22:34,600
Speaker 3: like it is weird to be like, oh, this thing

445
00:22:34,680 --> 00:22:37,360
Speaker 3: that we kind of see as like being here forever.

446
00:22:37,520 --> 00:22:40,880
Speaker 3: It definitely came out of a vaudevillian tradition, came out

447
00:22:40,880 --> 00:22:43,840
Speaker 3: of like it came out technically, it came out of

448
00:22:43,880 --> 00:22:49,159
Speaker 3: like mister show, I didn't do it, but okay, monkey.

449
00:22:50,480 --> 00:22:53,359
Speaker 1: For more answers, smash that subscribe button.

450
00:22:54,200 --> 00:22:57,000
Speaker 3: But like the wildest part is that stand up is

451
00:22:57,160 --> 00:23:01,480
Speaker 3: fairly young and it's still ever evolving and morphinge, and

452
00:23:01,520 --> 00:23:03,919
Speaker 3: like I'm this weird combination of like I have fairly

453
00:23:05,000 --> 00:23:08,159
Speaker 3: traditional set up punchline ship, but also people are like,

454
00:23:08,359 --> 00:23:11,080
Speaker 3: but you're you're queer, and I'm like yeah, and people

455
00:23:11,160 --> 00:23:13,360
Speaker 3: still will be like if you're a black person who

456
00:23:13,400 --> 00:23:16,480
Speaker 3: does stand up comedy in a certain way in certain rooms,

457
00:23:16,520 --> 00:23:18,320
Speaker 3: they'll be like this is groundbreak, and you'll be like.

458
00:23:18,280 --> 00:23:21,760
Speaker 1: No, no, this is just stand up. Stop stop thinking it's groundbreak. Yeah.

459
00:23:21,800 --> 00:23:25,120
Speaker 3: Yeah, you have to remove yourself from this logic. Yeah,

460
00:23:25,320 --> 00:23:27,919
Speaker 3: the groundbreaking. No no, no, I'm not the first person to

461
00:23:27,960 --> 00:23:28,840
Speaker 3: talk in front of people.

462
00:23:29,000 --> 00:23:31,600
Speaker 1: Yeah, how are you? How have you done like coming

463
00:23:31,680 --> 00:23:35,639
Speaker 1: up at like black shows like black Here's here's a

464
00:23:35,680 --> 00:23:40,400
Speaker 1: crazy part. Black rooms love confidence a lot of people.

465
00:23:40,760 --> 00:23:44,520
Speaker 1: I mean, if we talk when I was coming up

466
00:23:44,600 --> 00:23:47,679
Speaker 1: so much, if we talk about the famous for capone,

467
00:23:47,720 --> 00:23:53,800
Speaker 1: it was not a pleasure apperance. I'm gonna see you

468
00:23:53,880 --> 00:23:55,800
Speaker 1: on like a Who's a.

469
00:23:57,840 --> 00:23:58,040
Speaker 2: Dude?

470
00:23:58,200 --> 00:23:59,680
Speaker 1: Who's the dude? Uh?

471
00:24:00,200 --> 00:24:03,119
Speaker 3: To teach the motherfucking k you you know T K.

472
00:24:03,240 --> 00:24:03,880
Speaker 3: Kirkland show.

473
00:24:05,119 --> 00:24:09,600
Speaker 1: That's too black for me? Only half that flew over

474
00:24:09,640 --> 00:24:14,520
Speaker 1: my head. Give me Anthony Brown reference or something brown.

475
00:24:14,600 --> 00:24:18,560
Speaker 3: Here's okay. So here's the thing. I think that like

476
00:24:18,720 --> 00:24:23,680
Speaker 3: black rooms, they make you work, and so like there.

477
00:24:23,680 --> 00:24:26,320
Speaker 1: Was like a hood room. Yeah, like like like a

478
00:24:26,359 --> 00:24:30,240
Speaker 1: mother like a hood room where it's like they say,

479
00:24:30,359 --> 00:24:32,480
Speaker 1: is motherucking chocolate night like that kind of ship.

480
00:24:32,560 --> 00:24:37,160
Speaker 3: Yeah, we're like listen, okay, I've done okay because from

481
00:24:37,160 --> 00:24:38,480
Speaker 3: Mississippi and also like.

482
00:24:38,760 --> 00:24:40,760
Speaker 1: Because I'm a book floor.

483
00:24:41,240 --> 00:24:45,600
Speaker 3: Well, if you're like, here's if you're queer black people,

484
00:24:46,040 --> 00:24:49,000
Speaker 3: if you can play with it and play around it

485
00:24:49,040 --> 00:24:51,359
Speaker 3: and about it and have jokes about it, black people

486
00:24:51,359 --> 00:24:53,840
Speaker 3: be like, oh, at least this motherfucker knows. It's when

487
00:24:53,880 --> 00:24:56,399
Speaker 3: people like start to get cagey. It's when people like

488
00:24:56,440 --> 00:24:59,040
Speaker 3: really don't know themselves. Like one of my favorite jokes

489
00:24:59,080 --> 00:25:01,120
Speaker 3: that work so well Black rooms as that go, I'm

490
00:25:01,119 --> 00:25:04,440
Speaker 3: a black queer man also known as a gospel choir direcord.

491
00:25:04,720 --> 00:25:06,479
Speaker 1: Like they you know what I mean?

492
00:25:07,840 --> 00:25:11,520
Speaker 3: Yeah, there's always going to be because like people forget,

493
00:25:11,560 --> 00:25:14,520
Speaker 3: Like I went to a ninety black high school. Like

494
00:25:14,920 --> 00:25:18,280
Speaker 3: my ship growing up was like I was like watching

495
00:25:18,680 --> 00:25:21,920
Speaker 3: Laguna Beach in secret, but like all my so many

496
00:25:21,960 --> 00:25:24,880
Speaker 3: of my homeboys were like, just you won't watch Paid

497
00:25:24,880 --> 00:25:29,040
Speaker 3: in full. I was like, I love Cameron, Cameron jobs,

498
00:25:29,840 --> 00:25:31,720
Speaker 3: dip Set, dip set all day, baby.

499
00:25:31,840 --> 00:25:34,000
Speaker 1: Have you I mean you're in Dipsett's neighborhood. Have you

500
00:25:34,080 --> 00:25:36,120
Speaker 1: run into them? No? Person I see the most.

501
00:25:36,520 --> 00:25:39,359
Speaker 3: The person I see the most is Dave East, who's

502
00:25:39,400 --> 00:25:40,840
Speaker 3: a rapper from East Harlem.

503
00:25:41,240 --> 00:25:43,959
Speaker 1: I'm in Harlem. Who else is up there ice spice.

504
00:25:44,600 --> 00:25:47,320
Speaker 3: She's northern me. That's like one third. That's grand concourse,

505
00:25:47,520 --> 00:25:49,480
Speaker 3: she's up there. Do you like ice spice?

506
00:25:49,520 --> 00:25:50,360
Speaker 2: I love ice spic.

507
00:25:50,560 --> 00:25:53,440
Speaker 1: Are you excited for a light skinned renaissance?

508
00:25:53,440 --> 00:25:54,280
Speaker 2: Are you excited?

509
00:25:55,720 --> 00:25:58,320
Speaker 1: I would wait for yes, sindbads and bad health. So

510
00:25:58,400 --> 00:26:02,240
Speaker 1: we need something. We need ice spice to And it

511
00:26:02,400 --> 00:26:05,760
Speaker 1: is wild that like she truly got dead eyes though

512
00:26:05,800 --> 00:26:07,760
Speaker 1: I would I feel like she's in North Korean hostage

513
00:26:07,760 --> 00:26:10,359
Speaker 1: a little bit. No, I got those Selena Gomez dead inside.

514
00:26:10,520 --> 00:26:13,800
Speaker 3: I think it's so crazy. She truly brought munch people

515
00:26:14,000 --> 00:26:16,120
Speaker 3: like people who know about the word. So many people

516
00:26:16,119 --> 00:26:17,960
Speaker 3: shouldn't even know where the fucking munch is. Tell me

517
00:26:18,000 --> 00:26:18,720
Speaker 3: what a monch is?

518
00:26:18,760 --> 00:26:22,360
Speaker 1: A month? This is what I would say. A month is.

519
00:26:22,440 --> 00:26:27,040
Speaker 3: A monch is a man who, with the press of

520
00:26:27,040 --> 00:26:30,720
Speaker 3: a button will come and do anything for you as

521
00:26:30,760 --> 00:26:32,840
Speaker 3: a girl who's like got it on lock. If he's

522
00:26:32,880 --> 00:26:34,359
Speaker 3: just a month, he's like just a guy who like

523
00:26:34,400 --> 00:26:36,000
Speaker 3: you can be like I need you come eat this pussy.

524
00:26:36,320 --> 00:26:37,720
Speaker 1: He'll show up like that. You'd be like I need

525
00:26:37,720 --> 00:26:39,000
Speaker 1: a new bag like that.

526
00:26:39,880 --> 00:26:44,760
Speaker 3: Paint me monch, eric Andre, Are you ready for this

527
00:26:44,800 --> 00:26:51,359
Speaker 3: Deadline article? Eric Andre comes out as a munch. Jordan Poole,

528
00:26:52,080 --> 00:26:56,000
Speaker 3: the NBA player, apparently allegedly spend like I want to say,

529
00:26:56,000 --> 00:26:58,440
Speaker 3: like five hundred thousand dollars on like days with Ice.

530
00:26:58,480 --> 00:27:02,640
Speaker 3: Spice and Cam and Mace were like man, she from

531
00:27:02,680 --> 00:27:03,080
Speaker 3: the Bronx.

532
00:27:03,080 --> 00:27:05,760
Speaker 1: She would have made with a slice of pizza. Come on, yeah,

533
00:27:05,800 --> 00:27:10,119
Speaker 1: you don't have to do that. That's insane. That's fucking outrageous.

534
00:27:11,920 --> 00:27:16,679
Speaker 3: NBA players, That's what happens. I've never dated the NBA player,

535
00:27:16,880 --> 00:27:19,520
Speaker 3: but you could. None of them are out, doesn't mean

536
00:27:19,520 --> 00:27:21,879
Speaker 3: you can't take them. Jason Collins is the only is

537
00:27:21,960 --> 00:27:25,000
Speaker 3: the only one that was ever a little gay was

538
00:27:25,080 --> 00:27:28,240
Speaker 3: gay and he I hate to say this about Jason Collins. Listen,

539
00:27:28,280 --> 00:27:31,720
Speaker 3: I love what you did for diversity and visibility, but he.

540
00:27:31,720 --> 00:27:35,400
Speaker 1: Wasn't even that good. So it is hard. That's mean

541
00:27:36,000 --> 00:27:39,840
Speaker 1: I shouldn't say it out.

542
00:27:43,320 --> 00:27:44,280
Speaker 2: With Aricdre.

543
00:27:52,880 --> 00:27:56,720
Speaker 1: With Aricdre, what's the worst bomb you ever witnessed? Is

544
00:27:56,760 --> 00:27:58,439
Speaker 1: there one that you have that you witnessed that was

545
00:27:58,440 --> 00:28:02,000
Speaker 1: a fucking to name the person if they're your friend or.

546
00:28:04,200 --> 00:28:08,280
Speaker 4: You can call them mister and missus. Okay, this is uh,

547
00:28:08,320 --> 00:28:10,359
Speaker 4: this is something on front street. I won't put them

548
00:28:10,359 --> 00:28:14,200
Speaker 4: on front street, Sloan. No, I've never seen bomb.

549
00:28:14,520 --> 00:28:16,800
Speaker 3: The scariest thing I've seen Dulce do is I've seen

550
00:28:16,840 --> 00:28:19,919
Speaker 3: someone like try to be overly familiar with Dulce and

551
00:28:20,160 --> 00:28:23,760
Speaker 3: she didn't know them and she shouldn't shipped down quick.

552
00:28:24,119 --> 00:28:26,000
Speaker 1: Someone like came in I think for a kiss and

553
00:28:26,040 --> 00:28:30,000
Speaker 1: she was like no, no, no, you have to earn

554
00:28:30,560 --> 00:28:33,640
Speaker 1: earn that kiss. I was like, the bomb with her?

555
00:28:33,720 --> 00:28:35,960
Speaker 1: They bombed, Yeah, that thing they got banned with her?

556
00:28:36,359 --> 00:28:37,240
Speaker 1: Who did you see?

557
00:28:37,280 --> 00:28:38,160
Speaker 2: Who did you see? Bomb?

558
00:28:38,560 --> 00:28:42,959
Speaker 3: Have you ever seen someone not read the room? And

559
00:28:43,080 --> 00:28:46,240
Speaker 3: so I've seen and this is something that like I'll

560
00:28:46,280 --> 00:28:50,480
Speaker 3: actually talk about. I've seen a person who really wanted

561
00:28:50,840 --> 00:28:55,760
Speaker 3: to do their club set in a non club space

562
00:28:56,200 --> 00:28:58,840
Speaker 3: in Brooklyn because it.

563
00:28:58,720 --> 00:29:01,160
Speaker 1: Was like a hipster audience and they want to not

564
00:29:01,240 --> 00:29:03,200
Speaker 1: just hipster like they want a little bit looser.

565
00:29:03,360 --> 00:29:07,120
Speaker 3: They wanted things that were a bit more kind of

566
00:29:07,120 --> 00:29:11,160
Speaker 3: like idiosyncratic. Yeah, a little tall tea, but like it's

567
00:29:11,200 --> 00:29:14,880
Speaker 3: truly just they just wanted a bit more authenticity. And

568
00:29:14,960 --> 00:29:18,680
Speaker 3: this person came so polished and so buttoned and just

569
00:29:18,760 --> 00:29:21,440
Speaker 3: really wanted to get that type five out and like

570
00:29:21,800 --> 00:29:25,760
Speaker 3: punchlines that I know probably work in midtown, and that

571
00:29:25,880 --> 00:29:28,000
Speaker 3: work for certain audiences.

572
00:29:28,400 --> 00:29:29,680
Speaker 1: Just I saw a.

573
00:29:29,640 --> 00:29:33,480
Speaker 3: Lot of people with dyed hair just be like boo

574
00:29:35,080 --> 00:29:37,160
Speaker 3: because they just didn't accept that this crowd was gonna

575
00:29:37,160 --> 00:29:37,760
Speaker 3: be a little different.

576
00:29:37,800 --> 00:29:40,160
Speaker 1: They kind of like a right wing kind of guy.

577
00:29:40,240 --> 00:29:41,960
Speaker 1: Or it wasn't the right wing. I don't eve think.

578
00:29:42,040 --> 00:29:45,240
Speaker 3: I think he's definitely like, no, it wasn't political, but

579
00:29:45,320 --> 00:29:48,480
Speaker 3: like it was so the opposite of what they want.

580
00:29:48,560 --> 00:29:52,800
Speaker 3: This crowd wanted in a way that was almost disrespectful.

581
00:29:52,840 --> 00:29:54,840
Speaker 1: They wanted R and B and he was playing country.

582
00:29:55,000 --> 00:29:57,000
Speaker 3: Not only they I don't even think they wanted R

583
00:29:57,040 --> 00:29:59,680
Speaker 3: and B. They wanted the B side of a band

584
00:29:59,720 --> 00:30:03,239
Speaker 3: that you've never heard, right, And he was playing Top forty, right,

585
00:30:03,400 --> 00:30:07,400
Speaker 3: he want just playing Top forty. He was playing Top

586
00:30:07,480 --> 00:30:10,760
Speaker 3: forty from like a year ago, so they will get it.

587
00:30:10,880 --> 00:30:17,040
Speaker 3: Sebastian Maniscalco, it was it was again and and we've

588
00:30:17,080 --> 00:30:18,280
Speaker 3: never heard from him since.

589
00:30:18,480 --> 00:30:21,080
Speaker 1: Yeah, who was it? Just tell us I can't tell

590
00:30:21,120 --> 00:30:23,960
Speaker 1: you hell no, no, no, no, no, no. I just I just

591
00:30:24,040 --> 00:30:25,760
Speaker 1: love the fact that that hot guys.

592
00:30:26,120 --> 00:30:30,280
Speaker 3: I'm trying to think of the what's some hot guys? Oh,

593
00:30:30,400 --> 00:30:33,120
Speaker 3: I've seen not a bomb, but it was like silly.

594
00:30:33,160 --> 00:30:35,040
Speaker 3: One time Jim Gaffigan dropped in to do a show

595
00:30:35,040 --> 00:30:37,160
Speaker 3: and sent up New York and I was hosting, and

596
00:30:37,320 --> 00:30:39,560
Speaker 3: he fell hard.

597
00:30:41,480 --> 00:30:45,840
Speaker 1: Yeah, and like walking up to the stage.

598
00:30:46,080 --> 00:30:50,400
Speaker 3: Yeah, I mean I got a picture of him getting up.

599
00:30:50,760 --> 00:30:54,360
Speaker 3: It's like, because I just want you to know something

600
00:30:54,640 --> 00:30:56,520
Speaker 3: like boom, he's a tall guy too.

601
00:30:56,760 --> 00:30:57,800
Speaker 1: He's a tall man.

602
00:30:58,040 --> 00:31:00,680
Speaker 3: He'll say it. He's a he's a bit a girl man.

603
00:31:01,920 --> 00:31:04,840
Speaker 3: And listen, he was slowing it up to like you know,

604
00:31:05,240 --> 00:31:07,560
Speaker 3: that's what I'm It was not fake.

605
00:31:08,120 --> 00:31:10,320
Speaker 1: There are people who thought it was fake. That ship

606
00:31:10,520 --> 00:31:11,520
Speaker 1: was very real.

607
00:31:11,640 --> 00:31:14,400
Speaker 3: And Jim Gabbigan is so funny, but like you could

608
00:31:14,400 --> 00:31:17,000
Speaker 3: tell because like physical bit term really is things. So

609
00:31:17,040 --> 00:31:20,080
Speaker 3: when he fell, some people were like, there's Jim being

610
00:31:20,160 --> 00:31:25,600
Speaker 3: Jim again. But like people want to know, were like, no, what,

611
00:31:25,600 --> 00:31:28,120
Speaker 3: what what's going on? He got really pissed at me

612
00:31:28,160 --> 00:31:31,080
Speaker 3: one time I was at I was at some bar.

613
00:31:31,920 --> 00:31:33,560
Speaker 1: I want a full list of all the people who

614
00:31:33,600 --> 00:31:36,800
Speaker 1: have gotten really pissed at you. Gosh, how much time

615
00:31:36,880 --> 00:31:38,640
Speaker 1: do you get Are you ready to laugh? Look at

616
00:31:38,720 --> 00:31:43,680
Speaker 1: look at that? Oh oh my god, are you ready

617
00:31:43,720 --> 00:31:47,280
Speaker 1: for that? That's also me telling the crowd not to laugh.

618
00:31:48,480 --> 00:31:53,280
Speaker 1: He's like, yeah, just like fell that.

619
00:31:54,080 --> 00:31:59,480
Speaker 3: He posted it too, he because and then people were like, Jay,

620
00:31:59,640 --> 00:32:01,720
Speaker 3: do you think think it was a fault. I was like,

621
00:32:01,800 --> 00:32:05,520
Speaker 3: if he's that good at physical comedy, he should he

622
00:32:05,520 --> 00:32:08,080
Speaker 3: he'd be in every movie doing that. It was like

623
00:32:08,200 --> 00:32:11,320
Speaker 3: Chris Pratt level. I mean it was like Chris Farley level,

624
00:32:11,400 --> 00:32:18,040
Speaker 3: Like yeah, Pratt fall for God, but so amiliated and

625
00:32:18,120 --> 00:32:21,080
Speaker 3: like he I think he like said one joke. He

626
00:32:21,160 --> 00:32:23,120
Speaker 3: was like, no, I'll just stay down here because like,

627
00:32:23,160 --> 00:32:24,880
Speaker 3: keep in mind, I also have to step.

628
00:32:24,560 --> 00:32:28,720
Speaker 1: Over him to get he got. It's just small stage,

629
00:32:29,240 --> 00:32:33,040
Speaker 1: It's this big. We're on the Umberost side. It was wild.

630
00:32:33,080 --> 00:32:35,720
Speaker 3: These people like erupted. When I said Jim Gafian was

631
00:32:35,760 --> 00:32:37,280
Speaker 3: going to do the show, he comes up.

632
00:32:41,320 --> 00:32:42,920
Speaker 1: He got really angry at me one time and it

633
00:32:42,960 --> 00:32:46,520
Speaker 1: was an accidental like I went to this show and

634
00:32:47,240 --> 00:32:50,840
Speaker 1: uh it was like a small show downtown Lower East Side,

635
00:32:51,320 --> 00:32:53,760
Speaker 1: and I went and there was only one seat in

636
00:32:53,800 --> 00:32:56,160
Speaker 1: the back available. I wanted to sit amongst the comics.

637
00:32:56,200 --> 00:32:59,800
Speaker 1: The comics were lurking in the back and Pete Holmes

638
00:33:00,120 --> 00:33:01,719
Speaker 1: was there, A bunch of comedians were there, and like

639
00:33:01,760 --> 00:33:03,840
Speaker 1: I went to sit in the one available seat and

640
00:33:03,880 --> 00:33:06,480
Speaker 1: everyone was like, oh, that's Gappulkin seat. Oh, don't take

641
00:33:06,480 --> 00:33:07,640
Speaker 1: that seat, that's Cappulkin seat.

642
00:33:07,800 --> 00:33:07,960
Speaker 2: Oh.

643
00:33:08,000 --> 00:33:10,360
Speaker 1: And they were all like weirdly kissing his ass, and

644
00:33:10,400 --> 00:33:12,640
Speaker 1: I was like, whatever, we're at a bar. He didn't

645
00:33:12,640 --> 00:33:15,480
Speaker 1: claim the seat, like he's walking around like let me sit.

646
00:33:15,600 --> 00:33:18,040
Speaker 1: I was like huh. And then so when I got

647
00:33:18,480 --> 00:33:22,120
Speaker 1: and then when he walked back, I went to him

648
00:33:22,160 --> 00:33:24,160
Speaker 1: and he thought I was fucking with him. He had

649
00:33:24,160 --> 00:33:26,440
Speaker 1: no context. I was like, is this your seat? Is

650
00:33:26,600 --> 00:33:29,320
Speaker 1: this your seat, sir? Sir, I'm so sorry I took

651
00:33:29,360 --> 00:33:34,080
Speaker 1: your seat. But he's like he didn't know the setup. Yeah, yeah,

652
00:33:34,120 --> 00:33:36,920
Speaker 1: he didn't say he didn't hear them like weirdly brown

653
00:33:37,040 --> 00:33:39,719
Speaker 1: nosing him and like like like bounding to his feet.

654
00:33:39,880 --> 00:33:42,040
Speaker 1: So he just thought I was like being some prick

655
00:33:42,160 --> 00:33:44,240
Speaker 1: for some reason. And he was like he looked at

656
00:33:44,240 --> 00:33:46,200
Speaker 1: me like what the fuck is your.

657
00:33:47,560 --> 00:33:48,080
Speaker 2: Nah ship?

658
00:33:48,880 --> 00:33:52,800
Speaker 1: And he's big, he's got like big needy hands, like

659
00:33:52,880 --> 00:33:54,880
Speaker 1: he like he might not be fast, but if he

660
00:33:54,960 --> 00:34:03,240
Speaker 1: got like one, yeah, yeah gonna have to. So I

661
00:34:03,280 --> 00:34:05,200
Speaker 1: hope he's not so mad at me, but I think

662
00:34:05,320 --> 00:34:08,000
Speaker 1: like five seconds later he forgot that whole thing happened. Good.

663
00:34:08,600 --> 00:34:10,680
Speaker 1: He already gets into it goes into a rage. So

664
00:34:10,760 --> 00:34:13,120
Speaker 1: he told me he goes into rage. Who I kind

665
00:34:13,120 --> 00:34:16,400
Speaker 1: of like that seething anger, seething dark anger.

666
00:34:16,719 --> 00:34:19,480
Speaker 3: I feel like a lot of comics probably either go

667
00:34:19,600 --> 00:34:24,359
Speaker 3: into rage are just like become silly.

668
00:34:24,480 --> 00:34:25,560
Speaker 1: Yeah, they either.

669
00:34:25,440 --> 00:34:28,759
Speaker 3: Scream or they just start laughing at everything. Like it's

670
00:34:28,800 --> 00:34:29,959
Speaker 3: the two sides of the coin.

671
00:34:30,080 --> 00:34:34,279
Speaker 1: I think I'm on the last the laugh. Yeah, that's

672
00:34:34,320 --> 00:34:37,720
Speaker 1: a good place to be. Yeah, seating rage was before therapy,

673
00:34:37,840 --> 00:34:39,080
Speaker 1: but there's still there's still.

674
00:34:39,719 --> 00:34:44,640
Speaker 3: I'll I'll like scream if like it's the last resort

675
00:34:44,719 --> 00:34:46,640
Speaker 3: because I don't even think it's violent. I just think

676
00:34:46,680 --> 00:34:49,640
Speaker 3: it's a show that like you get it out well.

677
00:34:49,680 --> 00:34:52,759
Speaker 3: Because one time, me and my friend were walking to

678
00:34:52,920 --> 00:34:55,560
Speaker 3: our train and this group of kids was like, hey,

679
00:34:55,600 --> 00:34:57,040
Speaker 3: do you guys have any weed. We're like, we'll have

680
00:34:57,040 --> 00:34:58,880
Speaker 3: any weed. And like when I say kids, I mean

681
00:34:58,920 --> 00:35:01,160
Speaker 3: like teenagers. So I feel bad screaming at them and

682
00:35:01,160 --> 00:35:01,879
Speaker 3: they asked us again.

683
00:35:01,920 --> 00:35:03,520
Speaker 1: I was like, we'll have any weeks and then they

684
00:35:03,600 --> 00:35:07,040
Speaker 1: like touched my friend and I was like, what the

685
00:35:07,200 --> 00:35:08,480
Speaker 1: fuck are y'all doing?

686
00:35:08,719 --> 00:35:12,719
Speaker 3: Yeah, because like we're nice dudes, some crazy person's gonna

687
00:35:12,719 --> 00:35:13,160
Speaker 3: beat the ship.

688
00:35:13,200 --> 00:35:15,520
Speaker 1: Out of y'all. I'm like screaming at these kids to

689
00:35:15,560 --> 00:35:18,000
Speaker 1: teach them a lesson. Yeah, lesson. Do you have to

690
00:35:18,040 --> 00:35:19,160
Speaker 1: keep those teenagers online?

691
00:35:19,160 --> 00:35:20,680
Speaker 2: They're gonna bowl over you if you don't.

692
00:35:20,840 --> 00:35:24,719
Speaker 3: Yeah, yeah, you hear that. Spare the rod, spoil the child, Mississippi.

693
00:35:26,800 --> 00:35:31,480
Speaker 3: Beat your Kids? Can that be a sound drop? Can

694
00:35:31,520 --> 00:35:33,680
Speaker 3: we put that on the board show?

695
00:35:33,840 --> 00:35:38,120
Speaker 1: Key, there we go. That's still gonna be the intro

696
00:35:38,239 --> 00:35:44,040
Speaker 1: and outro of every episode. Beat your Kids? Anything else?

697
00:35:45,000 --> 00:35:48,120
Speaker 3: Everyone, don't be afraid to bomb, don't pursue it, don't

698
00:35:48,280 --> 00:35:49,399
Speaker 3: don't don't chase it.

699
00:35:49,560 --> 00:35:53,480
Speaker 1: But them, shit's gonna happen. It happens to the best people.

700
00:35:53,600 --> 00:35:54,600
Speaker 1: They're just really famous.

701
00:35:55,000 --> 00:35:57,600
Speaker 3: The Chris Rock story about him like hearing Martin Lawrence

702
00:35:57,680 --> 00:36:00,200
Speaker 3: like destroy before him in Chicago, and.

703
00:36:00,120 --> 00:36:01,279
Speaker 1: He's like, what's going on?

704
00:36:01,320 --> 00:36:03,680
Speaker 3: It's crazy, And he goes out and he bombs because

705
00:36:03,719 --> 00:36:07,280
Speaker 3: like Martin Lawrence had basically like laughed the crowd into exhaustion.

706
00:36:07,760 --> 00:36:08,840
Speaker 1: He's like, god damn.

707
00:36:08,920 --> 00:36:11,400
Speaker 3: And that's one of the most I mean, that's a

708
00:36:11,440 --> 00:36:13,800
Speaker 3: bomb that led to it an illustrious career.

709
00:36:14,200 --> 00:36:16,520
Speaker 1: That was his first early bomb, that.

710
00:36:16,560 --> 00:36:18,759
Speaker 3: Was like a bomber that's now no I think he

711
00:36:18,800 --> 00:36:20,759
Speaker 3: was established enough to like do a show, but you

712
00:36:20,800 --> 00:36:23,839
Speaker 3: know how like sometimes famous people and it happens now

713
00:36:23,920 --> 00:36:26,720
Speaker 3: because everyone is part of the reason why they're yonder pouches,

714
00:36:27,000 --> 00:36:30,399
Speaker 3: like you know, anyone working on a new hour that's

715
00:36:30,520 --> 00:36:32,920
Speaker 3: of note. You kind of are like you almost have

716
00:36:33,000 --> 00:36:35,839
Speaker 3: to be like, hey, some of this shit ain't hidden yet.

717
00:36:35,880 --> 00:36:38,960
Speaker 3: And then some crowds are like, that motherfucker wasn't as funny?

718
00:36:39,160 --> 00:36:40,759
Speaker 3: Is that thing he worked on for three years?

719
00:36:41,000 --> 00:36:41,719
Speaker 1: How dare you?

720
00:36:42,000 --> 00:36:44,760
Speaker 3: And you're like, well, that's You're part of the process

721
00:36:44,760 --> 00:36:46,479
Speaker 3: of me coming up with something new in the next

722
00:36:46,520 --> 00:36:47,279
Speaker 3: three years.

723
00:36:47,280 --> 00:36:49,600
Speaker 1: So we're working on this together.

724
00:36:49,800 --> 00:36:53,160
Speaker 3: Yeah, But I mean I think that like if I

725
00:36:53,239 --> 00:36:56,600
Speaker 3: learned anything, no college shows in the daytime ever, because

726
00:36:56,640 --> 00:36:58,239
Speaker 3: that shit sticks with me.

727
00:36:58,800 --> 00:36:59,840
Speaker 1: Like someone could.

728
00:36:59,640 --> 00:37:01,279
Speaker 3: Be like, oh, Jay, I love your tonight show set,

729
00:37:01,280 --> 00:37:04,359
Speaker 3: and I'd be like, but what about that college show.

730
00:37:04,400 --> 00:37:05,160
Speaker 1: In the daytime.

731
00:37:05,160 --> 00:37:07,120
Speaker 3: I'm at one time, I can still see the face

732
00:37:07,160 --> 00:37:09,800
Speaker 3: of this very round white face of this guy wearing

733
00:37:09,840 --> 00:37:12,640
Speaker 3: a hoodie and he shook his head at one point

734
00:37:12,760 --> 00:37:14,200
Speaker 3: during my show, and I was like, I'm there with

735
00:37:14,239 --> 00:37:14,600
Speaker 3: your brother.

736
00:37:15,280 --> 00:37:17,200
Speaker 1: I'm black. People shouldn't be on.

737
00:37:17,160 --> 00:37:20,920
Speaker 3: Stage, You're right, I ain't crushing it. God, just this

738
00:37:21,120 --> 00:37:25,200
Speaker 3: round midwestern face. Oh, I'll never forget it.

739
00:37:26,200 --> 00:37:29,880
Speaker 1: Well, Jay, thank you, thank you. This is fun. Yeah,

740
00:37:30,080 --> 00:37:31,360
Speaker 1: come back Anytime.

741
00:37:34,160 --> 00:37:35,120
Speaker 2: With Eric Andre.

742
00:37:35,560 --> 00:37:37,359
Speaker 1: Bombing with Eric Andre is brought to you by Will

743
00:37:37,360 --> 00:37:41,440
Speaker 1: Ferrell's Big Money Players Network and iHeart Podcasts. Executive produced

744
00:37:41,440 --> 00:37:45,680
Speaker 1: by Hans Sani and Olivia Aguilar, Edited and sound designed

745
00:37:45,719 --> 00:37:49,279
Speaker 1: by Andy Harris. Our artist by Dylan Vanderberg. And if

746
00:37:49,280 --> 00:37:51,440
Speaker 1: you want to confess to your own bombing moments or

747
00:37:51,480 --> 00:37:53,600
Speaker 1: give us a shout out, go rate us five stars

748
00:37:53,640 --> 00:37:55,880
Speaker 1: and drop a review on your podcast app of choice

749
00:37:56,040 --> 00:37:58,200
Speaker 1: right about your own stories of bombing at life. If

750
00:37:58,200 --> 00:38:00,759
Speaker 1: you're on Apple Podcasts, you can also subscribed to Big

751
00:38:00,800 --> 00:38:03,600
Speaker 1: Winny Players Diamond to get exclusive bonus content with every

752
00:38:03,640 --> 00:38:06,920
Speaker 1: episode and listen to all my episodes ad free. The

753
00:38:06,960 --> 00:38:10,080
Speaker 1: guests on Bombing with Eric Andre were recorded before the

754
00:38:10,160 --> 00:38:14,040
Speaker 1: SAG after strike. Bye, Beat your Kids,