WEBVTT - Next Generation ("Child Star" S6 EP 9)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to you, and that's what you really miss podcast.

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<v Speaker 2>It is podcast.

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<v Speaker 1>We are in completely opposite time zones. Kevin's about to

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<v Speaker 1>go have an evening out and I'm just getting my

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<v Speaker 1>day started.

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<v Speaker 2>The best part of waking up. Don't finish that, Yeah,

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<v Speaker 2>I won't.

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<v Speaker 1>Okay, this is season six, episode nine, child Star, which

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<v Speaker 1>is Fanny Josi Toda Josie Tota. But also, isn't that

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<v Speaker 1>funny because didn't Isn't that what ryansed to call Leah?

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<v Speaker 2>Yeah? Hm, I think that's probably yeah, a namesake.

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<v Speaker 1>Yeah, this Aaron on February twenty seven, fifteen, So we

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<v Speaker 1>were done with the show this point.

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<v Speaker 2>Wow.

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<v Speaker 1>And yeah, we were wrapping it up.

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<v Speaker 2>We had all gone on separate ways.

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<v Speaker 1>Well you were in London.

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<v Speaker 2>Yeah.

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<v Speaker 1>We had still been doing some press and things.

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<v Speaker 2>Oh yeah, you guys did Ellen.

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<v Speaker 1>We did Ellen, you were gone. We also did the

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<v Speaker 1>Family Equality Council, which we'll get to. That was really fun.

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<v Speaker 1>Let's talk about what song was number one?

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<v Speaker 2>Kevin Big Shocker Uptown Funk is still number one.

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<v Speaker 1>And also new number one movie though in the show

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<v Speaker 1>in this episode. That's right, new number one movie focus.

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<v Speaker 2>Focus on me?

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<v Speaker 1>Fuckus. I never saw this.

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<v Speaker 2>I didn't either, okay uh and.

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<v Speaker 1>Glee News this Week. On February twenty fourth, the music

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<v Speaker 1>Child Star EP was released. It was six tracks from

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<v Speaker 1>season six Episode nine was released for digital download only.

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<v Speaker 2>Also on February twenty fourth, the Glee Season six rap

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<v Speaker 2>party was held at Elevate Lounge nightclub in La. Did

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<v Speaker 2>you go to that?

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<v Speaker 1>I don't remember going to that.

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<v Speaker 2>I probably didn't wild, I mean, I didn't go.

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<v Speaker 3>You know.

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<v Speaker 1>I feel like I would have gone to the series finale.

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<v Speaker 2>I feel like you would have.

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<v Speaker 1>They were known not to be the best rap parties.

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<v Speaker 1>We know this, so.

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<v Speaker 2>Which is why Corey threw his own one year right exactly.

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<v Speaker 1>So I'm not sure that we went to this one.

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<v Speaker 1>But as I had mentioned, on February twenty eighth, Glee

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<v Speaker 1>was honored at the Family Equality Council's Los Angeles Awards dinner.

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<v Speaker 1>It was at the Beverly Hilton Hotel, and I think

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<v Speaker 1>Ryan had asked us to go. So Darren Cord, Me, Harry,

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<v Speaker 1>Leah Beca, Alex Dot and Josie were in attendance, and

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<v Speaker 1>we performed Dancing Queen. We performed Don't Stop and then

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<v Speaker 1>Alex performed I Will Survive.

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<v Speaker 2>Yeah, you guys performed yeah.

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<v Speaker 1>And we got ready at the Beverly Hilton. I remember

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<v Speaker 1>back in I getting ready in the hotel together and

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<v Speaker 1>they give us a room and then we performed and

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<v Speaker 1>it was like super fun and we hadn't done that

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<v Speaker 1>in a while where you're like dying, you know, like

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<v Speaker 1>it was really fun. It was fun.

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<v Speaker 2>Wow. Yeah, yeah, interesting, Ryan was there, you know, yeah,

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<v Speaker 2>Like who did the music? Was Chris Pooley there?

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<v Speaker 1>No, it wasn't the Gleave sound people. It was just

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<v Speaker 1>like track and a.

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<v Speaker 2>Mic got it bare bones.

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<v Speaker 1>Yeah yeah, yeah. It was like the family Equality people

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<v Speaker 1>had bike in house. Okay, Yeah, it wasn't like our people.

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<v Speaker 2>Okay. So this episode was directed by Hitchcock.

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<v Speaker 1>No wonder he took to these kids so much. He

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<v Speaker 1>was like writing on the show. He was very much

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<v Speaker 1>a leadership in a leadership position. And then also directing

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<v Speaker 1>Josie's first episode, Phineas's first episode like this was big

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<v Speaker 1>and I get it now, I get it now.

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<v Speaker 2>And Hitchcock has known Phineas's mom for a long time,

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<v Speaker 2>So right, what a small world, very small, very small.

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<v Speaker 2>All right, So we have Josie Toda in this episode,

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<v Speaker 2>Phineas in this episode, and it's all about the new kids.

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<v Speaker 1>This is the actual first time I've ever seen this episode.

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<v Speaker 1>I've not seen a clip from it, so I am

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<v Speaker 1>this was brand new, same and there was a lot

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<v Speaker 1>of top forty pop in this uh in this episode? Yeah,

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<v Speaker 1>Lose My Breath performed by.

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<v Speaker 2>Myron Crazy Friday, I'm in Love performed by Spencer in

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<v Speaker 2>the New directions.

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<v Speaker 1>I Want to Break Free perform I Mason.

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<v Speaker 2>And Uptown Funk one of the biggest songs of all

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<v Speaker 2>time and the number one song in the country at

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<v Speaker 2>this time, performed by the New directions.

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<v Speaker 1>Dam break Free that did with Everybody, Mayra Michel and Everybody.

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<v Speaker 2>Cool Kids performed by the New directions.

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<v Speaker 1>Which was very closer.

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<v Speaker 2>Yes, it was very closer, you know, yeah I do.

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<v Speaker 1>I was like, oh, I know this, okay? Or what's

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<v Speaker 1>the other one we did with the Carousel?

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<v Speaker 2>Yeah, yeah, yeah, yeah, yeah.

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<v Speaker 1>Wendy Stansler directed that episode. Okay. This episode was viewed

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<v Speaker 1>by one point sixty nine million people, the second lowest

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<v Speaker 1>number of viewers in Glee. Her story.

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<v Speaker 2>Yikes, this is the eighth episode where every member of

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<v Speaker 2>the New Direction sings a solo line, the others being

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<v Speaker 2>Pilot Brittany two point zero, Tina and the Sky Katie Gaga.

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<v Speaker 2>End of Towerque Homecoming The hurt Locker Part two.

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<v Speaker 1>This marks the first appearance of Myron and Alistair.

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<v Speaker 2>This is the seventh and final episode of the series

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<v Speaker 2>where all the main characters present in the episode sing,

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<v Speaker 2>the first being Powered Madonna, the second being New New York,

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<v Speaker 2>and the third being Backup Planned, Fourth, Old Dog, New Tricks,

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<v Speaker 2>fifth the untitled richel Berry Project, and the sixth What

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<v Speaker 2>the World Needs Now.

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<v Speaker 1>Coincidentally, Rachel appears in all these episodes.

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<v Speaker 2>This is the first and only episode of the season

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<v Speaker 2>to not feature Darren and Chris my Gosh.

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<v Speaker 1>This is the first episode Blane has been since Get

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<v Speaker 1>This Season three, The Spanish Teacher fifty nine episodes.

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<v Speaker 2>I'll Go Get Your Money Booboo. This is the first

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<v Speaker 2>episode Kurt has been absent since season four Shooting Star

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<v Speaker 2>thirty two episodes ago.

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<v Speaker 1>This is the first episode book Blane and Kurt have

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<v Speaker 1>been absent at the same time in season two Come

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<v Speaker 1>Back eighty one episodes ago.

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<v Speaker 2>This is the first ninth episode of a season to

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<v Speaker 2>not feature Rachel singing a duet. Wow, wowow, all right,

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<v Speaker 2>let's see if this some reason any better. A high strung,

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<v Speaker 2>demanding tween requests that the members of the new directions

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<v Speaker 2>perform at his part mitzvah, the Glee club must band

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<v Speaker 2>together for its first public appearance. Meanwhile, Spencer pushes Roderick

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<v Speaker 2>to lose weight. All right, yeah, yeah.

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<v Speaker 1>Yeah, I will say, aside from the weight thing, this

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<v Speaker 1>felt very Glee, y'alla season three or.

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<v Speaker 2>Four, Yes, like the overall episode or that story.

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<v Speaker 1>Yeah, yeah, yeah, yeah, yeah, no, the overall episode like

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<v Speaker 1>internal high low stakes, you know, like it just felt

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<v Speaker 1>like quintessential Glee, not at its finest, but at its core.

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<v Speaker 2>Yeah. It was the first time that it was like

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<v Speaker 2>weird for me to see other people doing, yes, what

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<v Speaker 2>we've done, and this is the first time like we're

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<v Speaker 2>not a part.

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<v Speaker 1>Of it for sure. I was like very removed, but

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<v Speaker 1>very I don't know how to explain it, but I could.

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<v Speaker 1>I know exactly what.

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<v Speaker 3>You mean, Like it wasn't bad, No, not at all.

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<v Speaker 3>This is strange, so strange, like like not what they're

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<v Speaker 3>doing was strange, like our reaction to no, exactly.

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<v Speaker 1>My feeling my feeling of it, like watching it being like,

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<v Speaker 1>oh I I used to.

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<v Speaker 2>Do that, but like recently, right because we were like,

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<v Speaker 2>you know, four of the last people to score, but.

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<v Speaker 1>We weren't there anymore, and they just kept going. It

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<v Speaker 1>was it's so weird. Okay, let's talk about it. So

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<v Speaker 1>there's a couple of things happening right now. Sue wants

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<v Speaker 1>the superintendent to sign the rack for Principle of the Year,

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<v Speaker 1>but she's now become beholden to the Superintendent's now for

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<v Speaker 1>you Myron for his bar mitzvah en barmitzvah performance quid

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<v Speaker 1>pro quote yeah you know, yeah, yeah, yeah, yeah exactly.

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<v Speaker 1>Now Myron shows up.

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<v Speaker 2>Well. Also, Sue doesn't explain any of this to the

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<v Speaker 2>new directions at first, it's just oh, I'll sign that,

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<v Speaker 2>but you need to do this for my nephew, and

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<v Speaker 2>then brings out Myron again without any explanation as to

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<v Speaker 2>like why they have to watch him, Like what what

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<v Speaker 2>does this have to do with us?

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<v Speaker 1>They just do it?

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<v Speaker 2>Yeah, and then Lyron performs a show stopping number a.

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<v Speaker 1>Full it's still in rehearsals, but curtain opens. This number

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<v Speaker 1>is insane crazy, I can't believe they threw Josie in

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<v Speaker 1>there like this in such a big way. I mean,

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<v Speaker 1>this episode is massive for Josie and like it is

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<v Speaker 1>so much to do. The numbers are huge, the dancing

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<v Speaker 1>is crazy, the lip sinking, it has to be there.

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<v Speaker 1>And she's thirteen, also.

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<v Speaker 2>Recording a Destiny's Child song.

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<v Speaker 1>Oh well, I know when I did jump and jump in.

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<v Speaker 1>He just wanted to see your reaction when I said

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<v Speaker 1>hands in.

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<v Speaker 2>Oh god, I'm sweating you as a grown ass adult

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<v Speaker 2>know how hard it is, never mind being thirteen.

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<v Speaker 1>Yeah, no, for sure, I mean this is this was hard.

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<v Speaker 2>You bring up a good point though, like everything Josie

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<v Speaker 2>had to do was hard. Also like the scenes they

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<v Speaker 2>like Josie command all of those scenes, so yes, yes, yes,

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<v Speaker 2>vocally yelling at people, also calling one of the dancers

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<v Speaker 2>a bitch.

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<v Speaker 1>I know it was crazy. I mean I get the

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<v Speaker 1>feeling like when Ian said, like we do all that,

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<v Speaker 1>we did all the things that we wanted to do,

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<v Speaker 1>or at least he did. This really felt like that.

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<v Speaker 1>This really emulated that feeling. But it was just so

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<v Speaker 1>I just felt for Josie because I would have been

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<v Speaker 1>hitting my pants and yet so good, I mean.

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<v Speaker 2>Not an ounce of fear in those eyes. So good.

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<v Speaker 1>It was so good, it's so funny, and she's so little,

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<v Speaker 1>so it's just like makes it even more. It just

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<v Speaker 1>hits even better. So Josie then becomes Myron, sorry, Myron

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<v Speaker 1>becomes like bosses everybody around and hires the new directions

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<v Speaker 1>to then perform at his bar mitzvah. And they're all like, Okay, well,

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<v Speaker 1>actually they're not. That's actually not true. That's actually not true.

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<v Speaker 1>But Rachel and Will, on the other side of things

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<v Speaker 1>are having this kind of Will is kind of mentoring Rachel, right,

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<v Speaker 1>He's mentoring her and saying like, you got to get

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<v Speaker 1>to know these kids really well, and she's like, I

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<v Speaker 1>don't know them really well because I'm talking too much.

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<v Speaker 2>It's classic Will though, because it's absolutely something Will would

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<v Speaker 2>agree to for no reason, like yeah, they should go

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<v Speaker 2>perform at this bar metza for free, and.

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<v Speaker 1>Yes, well it's like this is an opportunity.

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<v Speaker 2>Yeah, and so she does it. And the lesson this

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<v Speaker 2>week also sectionals is two weeks away.

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<v Speaker 1>I see it in Rachel's face. She's like, we're preparing

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<v Speaker 1>for secuals, like this is we don't have the time

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<v Speaker 1>for this.

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<v Speaker 2>No Will's back on the track. No preparing for sectionals

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<v Speaker 2>until the night before.

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<v Speaker 1>It's right picking the song out, set list out the

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<v Speaker 1>day before, maybe the morning up.

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<v Speaker 2>And also because Myron fired all of their backup dancers,

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<v Speaker 2>they now have yeah, all the teachers. There's net.

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<v Speaker 1>Which is funny because it's like Rachel, Sam, Will, Uh,

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<v Speaker 1>Sue and Sheldon.

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<v Speaker 2>A wild time, a wild time. But I like that,

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<v Speaker 2>you know, it felt almost like a caafella's getting everybody

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<v Speaker 2>back together.

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<v Speaker 1>Literally was like, was like did I press the wrong

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<v Speaker 1>episode when I looked up and saw that scene happening.

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<v Speaker 1>So Rachel tries to like hype up the environments then,

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<v Speaker 1>and it's like, oh, this is an opportunity to get

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<v Speaker 1>them performing in front of people and like get them

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<v Speaker 1>to like really band together. And I really I loved that.

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<v Speaker 1>Kitty pointed out. She's like, oh, isn't alumnus and I

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<v Speaker 1>walked through the door.

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<v Speaker 2>Yes, exactly, Yeah.

0:14:50.840 --> 0:14:54.840
<v Speaker 1>Totally loved it. She's like, no, this is actually about

0:14:54.880 --> 0:14:57.240
<v Speaker 1>you guys, which is why when none of us were

0:14:57.240 --> 0:15:02.040
<v Speaker 1>actually there, like we were saying before it, it was like, oh, whoa,

0:15:03.320 --> 0:15:03.880
<v Speaker 1>this is the.

0:15:03.840 --> 0:15:06.240
<v Speaker 2>New class because this also would have been what the

0:15:06.320 --> 0:15:10.800
<v Speaker 2>show would be if it kept going, Yes, exactly because

0:15:10.880 --> 0:15:14.520
<v Speaker 2>obviously we would not be there all the time. So weird,

0:15:15.360 --> 0:15:18.920
<v Speaker 2>but also it made me like, see the vision, see

0:15:18.920 --> 0:15:21.840
<v Speaker 2>everything Ian was talking about, how it absolutely could just

0:15:22.360 --> 0:15:24.800
<v Speaker 2>keep going in mine of Degrassi in that way.

0:15:25.200 --> 0:15:29.440
<v Speaker 1>Yes. I saw an interview with Darren when he was

0:15:30.800 --> 0:15:35.280
<v Speaker 1>doing Tony Press and he had mentioned like, this is

0:15:35.320 --> 0:15:40.240
<v Speaker 1>so meaningful to him being a part of something special, No,

0:15:41.080 --> 0:15:46.680
<v Speaker 1>being a part of the inception of something that will

0:15:46.680 --> 0:15:49.120
<v Speaker 1>live on for many many years after him and in

0:15:49.160 --> 0:15:52.400
<v Speaker 1>the in that sense like maybe happy ending create the

0:15:53.160 --> 0:15:57.960
<v Speaker 1>years down the road, regional theaters, kids in schools. He's like,

0:15:58.000 --> 0:16:02.280
<v Speaker 1>I'm a part of the creation of that and I

0:16:02.320 --> 0:16:06.000
<v Speaker 1>can't help. But I was like, oh, right, we we

0:16:06.160 --> 0:16:14.520
<v Speaker 1>helped create build and then you know, like just formulate

0:16:14.600 --> 0:16:18.920
<v Speaker 1>that that model for people for Glee that could have

0:16:19.200 --> 0:16:23.000
<v Speaker 1>in theory had we not hit the you know, time button,

0:16:23.040 --> 0:16:28.440
<v Speaker 1>but like or had Glee not been moved to Fridays, uh,

0:16:30.840 --> 0:16:33.840
<v Speaker 1>you know like that that that resonated. I was like, oh, okay,

0:16:34.000 --> 0:16:37.800
<v Speaker 1>that feels like something that right, we built, we were

0:16:37.840 --> 0:16:38.360
<v Speaker 1>a part of that.

0:16:39.440 --> 0:16:39.880
<v Speaker 2>Totally.

0:16:40.400 --> 0:16:42.800
<v Speaker 1>It did feel weird, though, I'm not gonna lie to

0:16:42.840 --> 0:16:45.520
<v Speaker 1>watch it go on without us.

0:16:46.960 --> 0:16:48.920
<v Speaker 2>Yeah, I mean it felt weird, but I didn't like

0:16:50.800 --> 0:16:52.280
<v Speaker 2>there was no part of me I was like, oh

0:16:52.360 --> 0:16:53.320
<v Speaker 2>I wish we were doing that.

0:16:55.400 --> 0:16:59.840
<v Speaker 1>No, I didn't feel that way either. I can't pinpoint

0:17:00.000 --> 0:17:00.840
<v Speaker 1>how I feel about it.

0:17:00.880 --> 0:17:03.440
<v Speaker 2>I can't either, But it was just like that, it's

0:17:03.480 --> 0:17:06.800
<v Speaker 2>weird to see other people doing what, yes, that's right

0:17:06.960 --> 0:17:08.000
<v Speaker 2>doing you were just.

0:17:07.960 --> 0:17:12.040
<v Speaker 1>Doing and not being there but not really wanting to

0:17:12.040 --> 0:17:14.080
<v Speaker 1>be there, but also feeling weird that you're not there.

0:17:15.160 --> 0:17:19.280
<v Speaker 1>It's like, not envy or jealousy either. It's just very

0:17:19.440 --> 0:17:21.159
<v Speaker 1>strange to see.

0:17:21.000 --> 0:17:21.640
<v Speaker 2>Surreal.

0:17:21.920 --> 0:17:26.719
<v Speaker 1>Yeah, yeah, yeah, very surreal. Okay, So in this whole

0:17:27.119 --> 0:17:29.480
<v Speaker 1>thing that's happening with the glee club performing in the

0:17:29.520 --> 0:17:33.520
<v Speaker 1>bar Mitzvah, j Mason, Jane, and Madison are having this

0:17:33.640 --> 0:17:37.160
<v Speaker 1>crazy thing, this storyline, this is crazy.

0:17:37.359 --> 0:17:41.919
<v Speaker 2>Well, basically part of Shoe's suggestion to Rachel in the

0:17:41.960 --> 0:17:44.399
<v Speaker 2>beginning about getting to know these kids better and using

0:17:44.560 --> 0:17:48.159
<v Speaker 2>the bar Mitzvah as an opportunity for that. The lesson

0:17:48.200 --> 0:17:50.679
<v Speaker 2>for the week, she's again pulling a shoe coming up.

0:17:50.720 --> 0:17:53.959
<v Speaker 2>The lesson the day of is making them perform duets

0:17:53.960 --> 0:17:57.199
<v Speaker 2>with each other with music that you know they like

0:17:57.560 --> 0:18:00.000
<v Speaker 2>and perform at the bar Mitzvah.

0:18:00.680 --> 0:18:01.520
<v Speaker 1>So they're pairing up.

0:18:02.119 --> 0:18:06.120
<v Speaker 2>So they're pairing up, and there's this weird I don't

0:18:06.119 --> 0:18:09.200
<v Speaker 2>want to say love triangle because it's not a love triangle,

0:18:09.600 --> 0:18:13.200
<v Speaker 2>I hope not, but no, but there are some really

0:18:13.240 --> 0:18:14.080
<v Speaker 2>good jokes about that.

0:18:14.400 --> 0:18:15.200
<v Speaker 1>It's very funny.

0:18:15.720 --> 0:18:21.120
<v Speaker 2>But Mason clearly likes Jane and is trying to ask

0:18:21.160 --> 0:18:24.480
<v Speaker 2>her out, and then its twin Madison. Good old Laura

0:18:25.040 --> 0:18:28.240
<v Speaker 2>comes up and he's like, no, no, you're not doing

0:18:28.280 --> 0:18:31.959
<v Speaker 2>that right. And Mason doesn't know what to do because

0:18:32.000 --> 0:18:34.760
<v Speaker 2>he basically was raised by his twin sister, we come

0:18:34.800 --> 0:18:38.879
<v Speaker 2>to find out, and so he like has a you know,

0:18:39.200 --> 0:18:42.440
<v Speaker 2>a boys meeting in the locker room as you do,

0:18:43.000 --> 0:18:45.159
<v Speaker 2>which is a really funny scene. I don't know what

0:18:45.200 --> 0:18:48.919
<v Speaker 2>it is about the locker room, but the way the

0:18:49.000 --> 0:18:51.119
<v Speaker 2>guys on the show are always written, they're just a

0:18:51.240 --> 0:18:53.560
<v Speaker 2>little dumb, and it's always so funny.

0:18:53.480 --> 0:18:54.359
<v Speaker 1>In locker room.

0:18:54.520 --> 0:18:57.720
<v Speaker 2>Yeah, because it goes, you know, Mason brings up his

0:18:57.760 --> 0:19:00.680
<v Speaker 2>point what he wants. He wants Roderick to do do

0:19:00.760 --> 0:19:03.560
<v Speaker 2>it with Madison or ask Madison out. So she's distracted

0:19:03.600 --> 0:19:06.359
<v Speaker 2>and he's like no, bah, and then it quickly turns

0:19:06.359 --> 0:19:10.399
<v Speaker 2>into what everybody about Spencer and Roderick, right, and not

0:19:10.480 --> 0:19:13.879
<v Speaker 2>even about Mason, Jane or Madison. It was such a

0:19:13.880 --> 0:19:14.359
<v Speaker 2>good scene.

0:19:14.480 --> 0:19:16.320
<v Speaker 1>It was a really good scene, but what.

0:19:16.320 --> 0:19:20.080
<v Speaker 2>Comes of it is even better, Like you know, finally

0:19:20.240 --> 0:19:27.440
<v Speaker 2>Mason goes off on Madison, breaks that tension and then

0:19:27.480 --> 0:19:30.560
<v Speaker 2>performs brave Frey again.

0:19:30.359 --> 0:19:34.960
<v Speaker 1>Also to them in the cafeteria, that scene where Madison,

0:19:35.160 --> 0:19:39.880
<v Speaker 1>where Laura is going cuckoo banantopeance on Mason and about

0:19:39.880 --> 0:19:43.520
<v Speaker 1>the diarrhea. It's so funny and Laura is just so

0:19:44.400 --> 0:19:48.000
<v Speaker 1>sweet and to see her play this role and so

0:19:48.640 --> 0:19:52.800
<v Speaker 1>cuckoo and like very up in the clouds, it's just

0:19:52.920 --> 0:19:56.600
<v Speaker 1>so funny. Like they're both like them.

0:19:56.400 --> 0:19:59.400
<v Speaker 2>They're both so different from their characters that it's really

0:19:59.400 --> 0:19:59.960
<v Speaker 2>fun to watch.

0:20:00.160 --> 0:20:03.320
<v Speaker 1>Yeah, really really fun. They're really funny together too, like

0:20:03.400 --> 0:20:08.600
<v Speaker 1>really good chemistry and so yes, so Madison Mason was break.

0:20:08.440 --> 0:20:10.680
<v Speaker 2>Free, which is great.

0:20:11.119 --> 0:20:12.919
<v Speaker 1>I love this number.

0:20:14.600 --> 0:20:17.359
<v Speaker 2>Love this number, just a good old little Freddie Mercury,

0:20:17.440 --> 0:20:18.680
<v Speaker 2>real quick, good luck.

0:20:18.920 --> 0:20:21.439
<v Speaker 1>And I loved that this was the number that I

0:20:21.600 --> 0:20:24.040
<v Speaker 1>was like, oh, it took me back to old Glee.

0:20:24.119 --> 0:20:27.120
<v Speaker 1>I was like, oh, yeah, we are here, we are.

0:20:27.400 --> 0:20:32.119
<v Speaker 1>There's like a love triangle there's some weird sibling rivalry.

0:20:32.359 --> 0:20:33.880
<v Speaker 2>There's like we.

0:20:33.760 --> 0:20:36.480
<v Speaker 1>Were performing on the stage. The production is big, even

0:20:36.520 --> 0:20:38.720
<v Speaker 1>though it shouldn't really be, like you know, it just

0:20:38.720 --> 0:20:40.800
<v Speaker 1>felt like all the good things of Glad.

0:20:42.400 --> 0:20:45.200
<v Speaker 2>And then throwing the looks to the side of the stage.

0:20:45.200 --> 0:20:48.240
<v Speaker 1>Totally roving study camp. It was good. It was really

0:20:48.280 --> 0:20:53.200
<v Speaker 1>really good. I really like this number. But it culminates

0:20:53.240 --> 0:20:57.760
<v Speaker 1>to them Madison talking with Mason. It's really sweet conversation.

0:20:57.880 --> 0:21:00.280
<v Speaker 1>I really like the scene. And again, I really really

0:21:00.520 --> 0:21:03.760
<v Speaker 1>liked I really like the arc of these characters, and

0:21:03.840 --> 0:21:09.000
<v Speaker 1>I'm really growing to like love these characters, these quirky

0:21:09.000 --> 0:21:13.600
<v Speaker 1>little guys, like.

0:21:11.640 --> 0:21:12.920
<v Speaker 2>Like I just want to know more about that.

0:21:13.040 --> 0:21:14.960
<v Speaker 1>Yeah, And I'm like I'm just thinking like, oh, this

0:21:15.119 --> 0:21:19.040
<v Speaker 1>is it. Like it's sad, you know, because they really

0:21:19.040 --> 0:21:22.480
<v Speaker 1>fit in really well, and they're it just like they're

0:21:22.520 --> 0:21:26.280
<v Speaker 1>grounded but elevated. Like it's just it all works. But

0:21:26.359 --> 0:21:29.240
<v Speaker 1>the scene where they are having their little heart's heart

0:21:29.280 --> 0:21:32.880
<v Speaker 1>was really sweet and you could see like, oh, Laura

0:21:32.960 --> 0:21:37.080
<v Speaker 1>and Billy are actors and singers and they can do

0:21:37.160 --> 0:21:39.240
<v Speaker 1>it all, and wow, these kids are really talented.

0:21:40.280 --> 0:21:42.800
<v Speaker 2>And that's the other thing. It's like I think whenever

0:21:42.840 --> 0:21:45.160
<v Speaker 2>we've had new people come on start. Sorry to beat

0:21:45.160 --> 0:21:49.399
<v Speaker 2>a dead horse here, but we've always been in those

0:21:49.640 --> 0:21:52.240
<v Speaker 2>scenes and so, like you said, like sort of setting

0:21:52.280 --> 0:21:55.720
<v Speaker 2>an example and like these kids no one needs us.

0:21:56.640 --> 0:22:00.159
<v Speaker 2>They're fine and better than us. And it's so satisfy

0:22:00.280 --> 0:22:03.400
<v Speaker 2>to watch of like, oh yeah, look at them crushing

0:22:03.400 --> 0:22:07.320
<v Speaker 2>this and like controlling this scene totally totally and like

0:22:07.520 --> 0:22:10.720
<v Speaker 2>coming into this, like we've said with everybody, like a

0:22:10.720 --> 0:22:14.439
<v Speaker 2>hard time to come into a show, and yeah, just

0:22:14.600 --> 0:22:15.240
<v Speaker 2>smashed it.

0:22:15.640 --> 0:22:15.840
<v Speaker 1>Yep.

0:22:16.560 --> 0:22:21.800
<v Speaker 2>Yeah. Now the other story with the new kids, God

0:22:22.520 --> 0:22:29.959
<v Speaker 2>was a little more complicated. There's Spencer Roderick and Alistair

0:22:30.880 --> 0:22:37.760
<v Speaker 2>Alistair Alistair. I don't know that every time I meet

0:22:37.760 --> 0:22:39.800
<v Speaker 2>someone with that name, I always feel like I'm pronouncing

0:22:39.800 --> 0:22:40.080
<v Speaker 2>it wrong.

0:22:40.240 --> 0:22:41.800
<v Speaker 1>Potato but data.

0:22:46.560 --> 0:22:51.159
<v Speaker 2>So look, Glee can't get away from the fat jokes.

0:22:51.520 --> 0:22:52.160
<v Speaker 1>We just can't.

0:22:52.320 --> 0:22:54.800
<v Speaker 2>Coming into this podcast, we knew there were going to

0:22:54.840 --> 0:22:56.919
<v Speaker 2>be things that didn't age well, and we even created

0:22:56.920 --> 0:23:02.040
<v Speaker 2>a section for it. And as it's been going and context,

0:23:02.200 --> 0:23:05.480
<v Speaker 2>not as many things are as bad like I thought

0:23:05.520 --> 0:23:07.760
<v Speaker 2>We're going to be bad, Right, there's obviously things that

0:23:07.760 --> 0:23:10.560
<v Speaker 2>don't age well and bad jokes that you know are

0:23:10.640 --> 0:23:15.480
<v Speaker 2>just defensive or for sure, whatever, but when you're watching

0:23:15.560 --> 0:23:19.679
<v Speaker 2>one hundred and twenty episodes, there's sort of fewer and

0:23:19.800 --> 0:23:28.200
<v Speaker 2>far farer, more far between than I think we initially projected, right, yeah, yeah, However,

0:23:29.760 --> 0:23:36.600
<v Speaker 2>the fat jokes have almost been like the most constant, offensive,

0:23:36.840 --> 0:23:37.560
<v Speaker 2>unfunny thing.

0:23:38.280 --> 0:23:40.520
<v Speaker 1>It's kind of like in Friends with Fat Monica, like

0:23:40.600 --> 0:23:43.639
<v Speaker 1>it's just constant and it doesn't it's the worst of

0:23:43.680 --> 0:23:46.320
<v Speaker 1>the worst. I mean, it's not the worst of the worst,

0:23:46.320 --> 0:23:47.960
<v Speaker 1>but it's the worst of the worst it.

0:23:48.960 --> 0:23:50.720
<v Speaker 2>You know, because it's sustained.

0:23:51.080 --> 0:23:51.240
<v Speaker 3>You know.

0:23:51.280 --> 0:23:54.560
<v Speaker 2>The other one said worst jokes like one off jokes,

0:23:54.800 --> 0:23:57.879
<v Speaker 2>but like this, I don't know why this one is

0:23:57.880 --> 0:24:01.280
<v Speaker 2>sustained so hard. And then you have these people come

0:24:01.320 --> 0:24:06.080
<v Speaker 2>onto the show and like this is all their storyline is.

0:24:06.240 --> 0:24:09.080
<v Speaker 1>Well, it's something, it's always something.

0:24:09.359 --> 0:24:14.040
<v Speaker 2>It though like everything tater tots, and it was like,

0:24:14.160 --> 0:24:20.520
<v Speaker 2>can she get a different storyline totally? And it's it's it's.

0:24:20.400 --> 0:24:22.679
<v Speaker 1>Just it was it's a little no no, it is

0:24:22.720 --> 0:24:28.120
<v Speaker 1>strange and it's it's just it feels. It was disappointing

0:24:28.240 --> 0:24:38.880
<v Speaker 1>in the way that like no, Noah is so wildly

0:24:39.040 --> 0:24:41.480
<v Speaker 1>talented with the best voice suddenly.

0:24:42.840 --> 0:24:44.640
<v Speaker 2>And naturally like a good actor.

0:24:45.480 --> 0:24:50.920
<v Speaker 1>Very good, really lovable character, very sweet and charming like,

0:24:52.000 --> 0:25:00.280
<v Speaker 1>and it's got it's overshadowed by this one thing, which you,

0:25:00.600 --> 0:25:02.240
<v Speaker 1>I think is what you were kind of.

0:25:02.280 --> 0:25:04.879
<v Speaker 2>Well, it's like you're immediately like the only storyline you

0:25:04.920 --> 0:25:06.680
<v Speaker 2>can give him is right.

0:25:06.800 --> 0:25:13.879
<v Speaker 1>Right, exactly. It's like it's disappointing. But I will say

0:25:15.119 --> 0:25:20.879
<v Speaker 1>everybody should be represented on television, like everybody, right, because

0:25:20.920 --> 0:25:25.400
<v Speaker 1>like that's the real world, not the Hollywood world. And

0:25:26.920 --> 0:25:30.119
<v Speaker 1>I think it's disappointing because we don't. We're not we

0:25:30.119 --> 0:25:33.400
<v Speaker 1>don't need to be defined by the things that are

0:25:33.440 --> 0:25:39.159
<v Speaker 1>not societal norms, right, or what we're what is considered

0:25:39.240 --> 0:25:44.160
<v Speaker 1>to be attractive, beautiful, normal.

0:25:44.280 --> 0:25:46.120
<v Speaker 2>And no other character on the show is like being

0:25:46.160 --> 0:25:50.960
<v Speaker 2>picked on for their appearance in that way.

0:25:49.640 --> 0:25:52.680
<v Speaker 1>Right, I mean to be fair, Like back in the day,

0:25:53.280 --> 0:25:55.080
<v Speaker 1>it was only Asian jokes.

0:25:56.240 --> 0:26:07.639
<v Speaker 2>Oh, let me fully take that back, Jesus Christy, I

0:26:07.680 --> 0:26:10.639
<v Speaker 2>didn't mean to just erase that.

0:26:11.119 --> 0:26:12.800
<v Speaker 1>No, no, you're not erasing it at all.

0:26:13.080 --> 0:26:14.399
<v Speaker 2>But currently, No, I did.

0:26:14.880 --> 0:26:19.120
<v Speaker 1>Currently, but currently because because Tina did become something more

0:26:19.240 --> 0:26:21.840
<v Speaker 1>like I actually did get more storylines and it wasn't

0:26:21.960 --> 0:26:23.000
<v Speaker 1>about being aged.

0:26:23.119 --> 0:26:24.840
<v Speaker 2>But until then, it was a lot.

0:26:24.680 --> 0:26:31.280
<v Speaker 1>Of very early on. I mean, Takedown was it was everything.

0:26:31.480 --> 0:26:36.200
<v Speaker 1>It was just on the surface, everything that was obvious.

0:26:36.680 --> 0:26:43.359
<v Speaker 1>So for Noah, I feel like it we shouldn't have

0:26:43.400 --> 0:26:46.240
<v Speaker 1>to be defined by that, right because I was like, Wow,

0:26:46.840 --> 0:26:50.359
<v Speaker 1>having the representation of Noah, who is not what you

0:26:50.359 --> 0:26:53.399
<v Speaker 1>would normally see at that time in Hollywood on a

0:26:53.440 --> 0:26:59.240
<v Speaker 1>TV show, having one having showcasing his incredible talents is exciting.

0:27:01.040 --> 0:27:03.679
<v Speaker 1>And I was like, finally we're we're you know, like

0:27:03.720 --> 0:27:06.840
<v Speaker 1>and Glee does that in so many other ways that like,

0:27:06.960 --> 0:27:11.320
<v Speaker 1>I'm not I'm not watching over what Glee has done,

0:27:11.520 --> 0:27:15.560
<v Speaker 1>you know what I mean. But in this case, for

0:27:15.560 --> 0:27:18.320
<v Speaker 1>for Noah, it was disappointing because I was like, had

0:27:18.320 --> 0:27:21.440
<v Speaker 1>the storyline maybe perhaps brought up his weight and wasn't

0:27:21.480 --> 0:27:27.439
<v Speaker 1>centered around his weight and the fat jokes like, and

0:27:27.480 --> 0:27:29.920
<v Speaker 1>he had responded in a different way. And I guess

0:27:29.920 --> 0:27:32.680
<v Speaker 1>that's what the difference is between twenty you know, two

0:27:32.760 --> 0:27:36.600
<v Speaker 1>thousand and yeah, fifteen. In twenty twenty five, it would

0:27:36.640 --> 0:27:42.920
<v Speaker 1>have been actually more I don't know, acceptable or yeah.

0:27:42.920 --> 0:27:47.240
<v Speaker 2>But here's the thing. You have the Spencer character who

0:27:47.520 --> 0:27:53.280
<v Speaker 2>is unabashedly right we keep saying, postmodern gay, unapologetic about it,

0:27:53.480 --> 0:27:57.399
<v Speaker 2>totally we're seeing not the article that right, yes, And

0:27:57.440 --> 0:27:59.399
<v Speaker 2>so it's like, Okay, you have an opportunity here with

0:27:59.480 --> 0:28:04.520
<v Speaker 2>Roderick to like give him something totally totally and not

0:28:04.680 --> 0:28:06.919
<v Speaker 2>just be like a punching bag for somebody else. And

0:28:06.960 --> 0:28:12.480
<v Speaker 2>the only reason Spencer's nice to him is because Rodrick. Yes,

0:28:13.920 --> 0:28:16.240
<v Speaker 2>And like, I think it ends up being like really sweet.

0:28:16.640 --> 0:28:24.000
<v Speaker 1>Yeah, yeah, the whole storyline of the rope and then

0:28:24.160 --> 0:28:29.600
<v Speaker 1>him with the rig rope at the end. I was like,

0:28:30.560 --> 0:28:34.200
<v Speaker 1>I want Noah to win. I want Roderick to win.

0:28:34.480 --> 0:28:36.200
<v Speaker 1>I just don't want him to win in this way.

0:28:36.320 --> 0:28:38.920
<v Speaker 1>I was like, I can't watch this.

0:28:39.320 --> 0:28:41.800
<v Speaker 2>I had flashbacks to like some Nickelodeon show in the

0:28:41.880 --> 0:28:45.120
<v Speaker 2>nineties where like climbing a rope was like the big

0:28:45.160 --> 0:28:46.760
<v Speaker 2>thing of the episode.

0:28:46.280 --> 0:28:48.480
<v Speaker 1>Probably like a Miley like uh.

0:28:48.320 --> 0:28:53.920
<v Speaker 2>No that before that, like pet and peat Oh my god,

0:28:53.960 --> 0:28:55.280
<v Speaker 2>I think it was Pete and Pete.

0:28:55.320 --> 0:28:57.560
<v Speaker 1>Really, I feel like I know this episode.

0:28:58.240 --> 0:29:05.000
<v Speaker 2>It my god, Jenna, the deep cockles bowels of my

0:29:05.080 --> 0:29:06.720
<v Speaker 2>brain folds.

0:29:06.760 --> 0:29:10.280
<v Speaker 1>Yeah, right, like it's still there. Yeah, it might be.

0:29:10.800 --> 0:29:11.240
<v Speaker 1>It might be.

0:29:11.520 --> 0:29:13.360
<v Speaker 2>I think it might be that. I think it might

0:29:13.400 --> 0:29:17.000
<v Speaker 2>be too, And like I liked that low stakes of

0:29:17.240 --> 0:29:19.719
<v Speaker 2>like oh, it's the high school. You have to climb

0:29:19.760 --> 0:29:21.720
<v Speaker 2>the rope, but it felt so nineties.

0:29:22.600 --> 0:29:24.480
<v Speaker 1>It did, but it also had to do with his

0:29:24.640 --> 0:29:27.360
<v Speaker 1>weight now with the rope, like you know what I mean,

0:29:27.480 --> 0:29:30.760
<v Speaker 1>it wasn't overcoming fears or it wasn't overcoming something.

0:29:30.840 --> 0:29:31.400
<v Speaker 4>It was.

0:29:34.160 --> 0:29:35.520
<v Speaker 2>It's like physical ability.

0:29:35.680 --> 0:29:39.160
<v Speaker 1>Yeah, yeah, because of his weight. Like it just felt

0:29:39.200 --> 0:29:41.800
<v Speaker 1>like I don't I want no part of this. I

0:29:41.840 --> 0:29:43.120
<v Speaker 1>want no part of this at all.

0:29:43.400 --> 0:29:47.080
<v Speaker 2>It also was weird because Will witnesses Spencer being awful

0:29:47.160 --> 0:29:50.840
<v Speaker 2>to roder and then when he like, he doesn't really

0:29:50.880 --> 0:29:53.600
<v Speaker 2>call him out on it, he just makes them partner together,

0:29:55.120 --> 0:29:57.480
<v Speaker 2>and it's like, bro, like, why are we always rinning

0:29:57.560 --> 0:30:01.280
<v Speaker 2>out this stuff? Slide yeah, nothing else. You don't get

0:30:01.280 --> 0:30:03.080
<v Speaker 2>away with anything else.

0:30:02.880 --> 0:30:06.960
<v Speaker 1>Now, but like and and then even at the end

0:30:06.960 --> 0:30:12.000
<v Speaker 1>when Roderick's like thanking him for like like I'm I'm

0:30:12.000 --> 0:30:16.360
<v Speaker 1>eating better and I'm right, I sometimes I have a

0:30:16.440 --> 0:30:18.320
<v Speaker 1>cheeto or something, I.

0:30:18.160 --> 0:30:26.719
<v Speaker 2>Was like, oh no, no, no, no, no justice for Roderick.

0:30:27.360 --> 0:30:31.080
<v Speaker 1>Justice for Roderick. So all to say, I don't even

0:30:31.200 --> 0:30:33.520
<v Speaker 1>really want to get into that storyline because it's I

0:30:33.600 --> 0:30:34.640
<v Speaker 1>just don't want to give it air.

0:30:34.840 --> 0:30:37.000
<v Speaker 2>I mean, we gave it a lot of air.

0:30:37.160 --> 0:30:38.560
<v Speaker 1>We did give it a lot of air, but in

0:30:38.600 --> 0:30:43.320
<v Speaker 1>the airing our agreemances. Yeah, you know, but I.

0:30:43.240 --> 0:30:45.760
<v Speaker 2>Liked everybody was great.

0:30:46.120 --> 0:30:54.360
<v Speaker 1>Everybody is beautifully yes, and and and Marshall or Spencer

0:30:54.760 --> 0:31:04.200
<v Speaker 1>and uh Alistair Ali Star Alistair a star, We're really cute,

0:31:04.920 --> 0:31:07.360
<v Speaker 1>cute and never stuff And he's on the show. Had

0:31:07.440 --> 0:31:11.160
<v Speaker 1>no idea he was on it. Wemberwin Billy and started

0:31:11.160 --> 0:31:12.840
<v Speaker 1>coming up and you were like, you know, Phinney's was

0:31:12.880 --> 0:31:15.080
<v Speaker 1>on our show, and I was like, boot was he?

0:31:15.600 --> 0:31:16.440
<v Speaker 1>That's embarrassing.

0:31:17.600 --> 0:31:21.960
<v Speaker 2>I also, you know, it's like two young straight dudes

0:31:22.040 --> 0:31:25.920
<v Speaker 2>kissing and good for them. It was stigmatized. I know.

0:31:26.000 --> 0:31:29.600
<v Speaker 2>It's not like I don't want to, I know, but

0:31:29.760 --> 0:31:33.719
<v Speaker 2>it was really like they committed and I appreciate it.

0:31:35.640 --> 0:31:39.640
<v Speaker 2>And Marshall, as horrible as Spencer was during this episode,

0:31:39.680 --> 0:31:43.360
<v Speaker 2>Marshall was so good.

0:31:43.880 --> 0:31:48.000
<v Speaker 1>No, They're really all very good and like good chemistry,

0:31:48.480 --> 0:31:54.600
<v Speaker 1>great performances, believable, like honest, it was really sweet. And

0:31:54.720 --> 0:31:58.320
<v Speaker 1>Michael Hitchcock getting all of that out of these new guys,

0:31:58.360 --> 0:32:02.160
<v Speaker 1>like we're so was very very good.

0:32:03.200 --> 0:32:08.080
<v Speaker 2>I as much as I hated the Roderick storyline, yeah,

0:32:08.120 --> 0:32:15.160
<v Speaker 2>what I liked in this section overall was how Spencer

0:32:15.360 --> 0:32:19.680
<v Speaker 2>is sort of insane, where in one breath he's awful

0:32:20.800 --> 0:32:24.360
<v Speaker 2>to Roderick and saying all these horrible things, and then

0:32:24.400 --> 0:32:28.480
<v Speaker 2>he's also so unabashedly like flirty and like down bad

0:32:28.560 --> 0:32:31.560
<v Speaker 2>for this guy totally and it is so funny.

0:32:31.920 --> 0:32:35.680
<v Speaker 1>Yes, it's like oh the Jacqueline hide.

0:32:36.080 --> 0:32:39.320
<v Speaker 2>Yeah in the seconds, yes, and it's like I like

0:32:39.400 --> 0:32:44.240
<v Speaker 2>it walking down the hallway and singing and watching him and.

0:32:43.720 --> 0:32:46.080
<v Speaker 1>Oh yeah, also his number so good.

0:32:46.400 --> 0:32:49.760
<v Speaker 2>Yeah, how bad he is at flirting really great.

0:32:50.560 --> 0:32:54.720
<v Speaker 1>I like that too too because it's like the football

0:32:56.080 --> 0:32:58.600
<v Speaker 1>it's like breaking all the norms of like the football player.

0:32:58.800 --> 0:33:03.239
<v Speaker 1>He's gay, he's he's not, he has no game, like

0:33:03.280 --> 0:33:03.920
<v Speaker 1>I like see.

0:33:03.920 --> 0:33:06.000
<v Speaker 2>That was what was nice too. It's like Roderick was

0:33:06.040 --> 0:33:09.480
<v Speaker 2>actually commenting on how bad his game was, Like Roderick

0:33:10.880 --> 0:33:13.960
<v Speaker 2>has some other character here. There's some other things going.

0:33:13.800 --> 0:33:20.760
<v Speaker 1>On totally totally, and just also Noah being a really

0:33:20.760 --> 0:33:26.560
<v Speaker 1>good like intuitive actor for being so brand new like

0:33:26.640 --> 0:33:28.360
<v Speaker 1>all of them, it's very impressive.

0:33:36.920 --> 0:33:39.960
<v Speaker 2>There's that sweet little scene at the end finally, because

0:33:41.080 --> 0:33:46.040
<v Speaker 2>Spencer's just blowing it with alistair at every turn, and

0:33:46.200 --> 0:33:52.080
<v Speaker 2>then Roderick wings Wingman's him hard and gets Alistair to

0:33:52.120 --> 0:33:57.160
<v Speaker 2>come to the bar mitzvah and watch his performance and

0:33:57.440 --> 0:34:00.320
<v Speaker 2>admits that he was good and really hot.

0:34:01.520 --> 0:34:06.320
<v Speaker 1>Yeah, yeah, it's cute. It's cute. They're both really cute.

0:34:06.880 --> 0:34:11.640
<v Speaker 2>And now we got more boys kissing. Non fucks. We

0:34:11.680 --> 0:34:15.200
<v Speaker 2>had a double gay wedding last episode. In this episode,

0:34:15.200 --> 0:34:18.560
<v Speaker 2>we got two new gays kissing. Keep it going, the

0:34:18.600 --> 0:34:21.520
<v Speaker 2>gay agenda is alive and well on Glee. Still keep

0:34:21.560 --> 0:34:22.000
<v Speaker 2>it moving.

0:34:22.320 --> 0:34:24.360
<v Speaker 1>Let's keep keep moving the needle.

0:34:25.040 --> 0:34:29.400
<v Speaker 2>Okay, see, you win some, you lose.

0:34:30.160 --> 0:34:34.439
<v Speaker 1>And you lose them. Also, when at the end when

0:34:35.120 --> 0:34:41.280
<v Speaker 1>Sue reveals that she's like been like a slave to Myron,

0:34:41.360 --> 0:34:46.759
<v Speaker 1>and then Myron is now in school with them in

0:34:46.800 --> 0:34:50.960
<v Speaker 1>the glee club, and that scene where he steps on

0:34:52.280 --> 0:34:54.440
<v Speaker 1>the foot was he did he step on suitan?

0:34:54.640 --> 0:34:55.359
<v Speaker 2>He kicks her shin.

0:34:55.640 --> 0:35:00.160
<v Speaker 1>He kicks her shin. It is so ridiculous and funny

0:35:00.239 --> 0:35:02.000
<v Speaker 1>and like inappropriate, but I loved it.

0:35:02.120 --> 0:35:06.680
<v Speaker 2>I also loved how Will was excited that there was

0:35:06.719 --> 0:35:10.160
<v Speaker 2>another not being freaked out that there was a little

0:35:10.280 --> 0:35:13.759
<v Speaker 2>kid in high school now. He was like, oh no,

0:35:13.840 --> 0:35:16.759
<v Speaker 2>there's another new talented member of the glee club and

0:35:16.800 --> 0:35:19.719
<v Speaker 2>that's great, and Rachel. It's nice having Rachel there because

0:35:19.719 --> 0:35:24.120
<v Speaker 2>she's sort of like the reaction for the audience, like

0:35:24.160 --> 0:35:28.040
<v Speaker 2>that's what we're thinking, because she's like, that doesn't seem right,

0:35:28.280 --> 0:35:38.200
<v Speaker 2>that's weird, Sue. Back in the hurt Locker, back again.

0:35:38.280 --> 0:35:40.759
<v Speaker 1>I was like, did I click over to be down

0:35:40.800 --> 0:35:44.279
<v Speaker 1>there a different episode? Yeah, back in the hurt locker

0:35:44.440 --> 0:35:49.000
<v Speaker 1>locker and spending the last few weeks of her professional

0:35:49.000 --> 0:35:51.160
<v Speaker 1>life fulfilling what is her destiny.

0:35:51.560 --> 0:35:53.479
<v Speaker 2>It's the last few weeks of her professional life because

0:35:53.480 --> 0:35:55.600
<v Speaker 2>she said she's retiring. Also, I don't feel like they

0:35:55.640 --> 0:35:58.680
<v Speaker 2>made a big enough deal about that. But she's back

0:35:58.680 --> 0:36:00.600
<v Speaker 2>in the hurt Locker and she's like, they can bury

0:36:00.640 --> 0:36:03.000
<v Speaker 2>me in here, but like return to her mission to

0:36:03.040 --> 0:36:08.120
<v Speaker 2>once and for all bring everybody down. Yes, yes, she's

0:36:08.120 --> 0:36:08.920
<v Speaker 2>a sad lady.

0:36:09.600 --> 0:36:11.920
<v Speaker 1>So she's about her and we're about to.

0:36:13.880 --> 0:36:16.399
<v Speaker 2>Go, which is fun. I do enjoy that.

0:36:16.560 --> 0:36:17.360
<v Speaker 1>No, I love it.

0:36:17.360 --> 0:36:19.520
<v Speaker 2>It's it's I mean, the greatest hits.

0:36:20.200 --> 0:36:23.200
<v Speaker 1>Also, let's bring it back full circle. You know where

0:36:23.200 --> 0:36:26.040
<v Speaker 1>we started. Let's just take it back to the beginning.

0:36:26.520 --> 0:36:28.960
<v Speaker 2>That's right, Jenna, the very beginning.

0:36:29.560 --> 0:36:34.399
<v Speaker 1>Now, let's creation performances. Where's my wrath?

0:36:37.040 --> 0:36:37.279
<v Speaker 2>Yeah?

0:36:37.400 --> 0:36:44.120
<v Speaker 1>Sure, Friday, I am in love. Hey, hey, I want

0:36:44.120 --> 0:36:47.960
<v Speaker 1>to break free A plus Uptown Funk.

0:36:49.440 --> 0:36:54.960
<v Speaker 4>A A minus minus break free.

0:36:56.040 --> 0:37:00.239
<v Speaker 2>Break Free was crazy. It was really crazy, like a

0:37:00.280 --> 0:37:02.239
<v Speaker 2>bee plus yeah, B.

0:37:02.239 --> 0:37:08.280
<v Speaker 1>Plus cool kids, I'm gonna give it a bee. A bee.

0:37:09.600 --> 0:37:11.040
<v Speaker 2>Got a B minus.

0:37:11.400 --> 0:37:13.760
<v Speaker 1>Okay, fine, let's do TARTI.

0:37:13.600 --> 0:37:21.320
<v Speaker 2>Takes cringe moments all of Oh, Roderick, Roderick. And yeah

0:37:21.360 --> 0:37:23.880
<v Speaker 2>there were some weird Jewish jokes in there.

0:37:24.640 --> 0:37:27.640
<v Speaker 1>Yeah, with the and then I did like Rachel's like

0:37:28.200 --> 0:37:30.720
<v Speaker 1>true love for the barber, so though exciting.

0:37:30.920 --> 0:37:37.200
<v Speaker 2>That was great. Yeah, Madison also made some weird microaggressive

0:37:37.239 --> 0:37:41.720
<v Speaker 2>comment about Jane's hair. Yeah it felt like a little.

0:37:41.440 --> 0:37:47.520
<v Speaker 5>Racist, Yeah, not a little. Best dance move lose my breath,

0:37:47.920 --> 0:37:49.920
<v Speaker 5>lose my breath. Also, you know there was some good

0:37:50.000 --> 0:37:52.560
<v Speaker 5>dancing in that, the break dancing in Uptown Funk.

0:37:52.719 --> 0:37:55.640
<v Speaker 1>Oh yeah, yeah, yeah, for sure, bring out all those dancers.

0:37:56.480 --> 0:37:59.000
<v Speaker 1>Best song, I want to break free, Oh.

0:37:58.880 --> 0:38:04.080
<v Speaker 4>I want to break free down prop I mean the

0:38:04.080 --> 0:38:07.360
<v Speaker 4>the Myron's inhaler, the inhaler, but also the thing Myron

0:38:07.400 --> 0:38:10.360
<v Speaker 4>comes down in like from the ceiling.

0:38:12.320 --> 0:38:14.000
<v Speaker 2>Whatever that contraption is.

0:38:14.160 --> 0:38:20.400
<v Speaker 1>That that was really good. Uh, it's like the reverse toaster.

0:38:21.120 --> 0:38:21.399
<v Speaker 1>You know.

0:38:23.040 --> 0:38:24.080
<v Speaker 2>Performance pot the.

0:38:26.160 --> 0:38:30.680
<v Speaker 1>Best line are we going to saying? Are we gonna

0:38:30.719 --> 0:38:33.640
<v Speaker 1>about to announce another alumnus? Walking through the door really

0:38:33.760 --> 0:38:36.560
<v Speaker 1>hit hard for me. It was like, yeah, good for you, Kitty.

0:38:36.719 --> 0:38:40.520
<v Speaker 2>Yeah that was great. I agree with that one. Okay,

0:38:41.360 --> 0:38:42.719
<v Speaker 2>oh no performance MVP.

0:38:44.000 --> 0:38:49.440
<v Speaker 1>Josie and Billy Yeah, I mean and Marshall okay, all

0:38:49.480 --> 0:38:49.759
<v Speaker 1>of them?

0:38:50.040 --> 0:38:53.440
<v Speaker 2>The New Kids kid? All right, fine, the New Kids Okay?

0:38:53.440 --> 0:38:58.719
<v Speaker 2>Should we found a TikTok? Jenna doctor Doctor? This one

0:38:58.800 --> 0:39:04.759
<v Speaker 2>has six million views? Whoa Glee talk one says they

0:39:04.760 --> 0:39:08.160
<v Speaker 2>were doing tours in eleven Remember when Glee was so

0:39:08.280 --> 0:39:11.200
<v Speaker 2>popular that they even did a tour. Yeah, we did

0:39:11.239 --> 0:39:15.680
<v Speaker 2>a couple tours and it's clips of our tour. Even

0:39:15.719 --> 0:39:20.440
<v Speaker 2>made a movie about it. Yes, we have the Warblers performing.

0:39:23.480 --> 0:39:25.799
<v Speaker 2>I have met so many people here in London that

0:39:25.960 --> 0:39:29.840
<v Speaker 2>were at our shows. Jenna really yes, well, because we

0:39:29.880 --> 0:39:32.760
<v Speaker 2>did two weeks there so so many.

0:39:32.640 --> 0:39:38.000
<v Speaker 1>People the it's also streaming on HBO Max Now and

0:39:38.040 --> 0:39:40.080
<v Speaker 1>it's the extended version so Tina's in it.

0:39:41.239 --> 0:39:44.880
<v Speaker 2>Yeah, go watch that because that one so good.

0:39:45.120 --> 0:39:46.600
<v Speaker 1>I'm gonna watch it. I'm going to show him a

0:39:46.600 --> 0:39:49.960
<v Speaker 1>Matt you should I think she should like it.

0:39:50.000 --> 0:39:51.600
<v Speaker 2>I think she can you film her reaction?

0:39:51.880 --> 0:39:52.719
<v Speaker 1>Yeah, yeah, I will.

0:39:52.760 --> 0:39:54.880
<v Speaker 2>I will of you please, I want to see that

0:39:54.920 --> 0:39:55.800
<v Speaker 2>really or Facebook?

0:39:55.880 --> 0:39:56.000
<v Speaker 3>Mom?

0:39:57.200 --> 0:39:57.600
<v Speaker 2>Who's that?

0:39:57.680 --> 0:39:58.000
<v Speaker 1>Mommy?

0:39:58.040 --> 0:39:59.760
<v Speaker 2>I just wanted to show her dog days.

0:40:00.239 --> 0:40:02.239
<v Speaker 1>Okay, I'll show her dog days and I'll see what

0:40:02.320 --> 0:40:02.760
<v Speaker 1>she says.

0:40:04.000 --> 0:40:04.480
<v Speaker 2>Please.

0:40:06.320 --> 0:40:11.080
<v Speaker 1>Okay, we are at the Star. We are almost there.

0:40:11.680 --> 0:40:15.279
<v Speaker 2>But next up, very exciting, we have Josie Tode. Yeah,

0:40:15.640 --> 0:40:18.319
<v Speaker 2>talk to her about doing this insane thing when she was.

0:40:18.960 --> 0:40:24.160
<v Speaker 1>Page of thirteen exactly. Okay, thanks for joining us.

0:40:25.000 --> 0:40:28.080
<v Speaker 2>And that's what you really missed. Thanks for listening and

0:40:28.200 --> 0:40:30.799
<v Speaker 2>follow us on Instagram at and that's what you really

0:40:30.880 --> 0:40:33.000
<v Speaker 2>miss pod. Make sure to write us a review and

0:40:33.120 --> 0:40:35.040
<v Speaker 2>leave us five stars. See you next time,