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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to you, and that's what you really miss podcast.

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Speaker 2: It is podcast.

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Speaker 1: We are in completely opposite time zones. Kevin's about to

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Speaker 1: go have an evening out and I'm just getting my

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Speaker 1: day started.

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Speaker 2: The best part of waking up. Don't finish that, Yeah,

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Speaker 2: I won't.

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Speaker 1: Okay, this is season six, episode nine, child Star, which

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Speaker 1: is Fanny Josi Toda Josie Tota. But also, isn't that

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Speaker 1: funny because didn't Isn't that what ryansed to call Leah?

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Speaker 2: Yeah? Hm, I think that's probably yeah, a namesake.

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Speaker 1: Yeah, this Aaron on February twenty seven, fifteen, So we

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Speaker 1: were done with the show this point.

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Speaker 2: Wow.

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Speaker 1: And yeah, we were wrapping it up.

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Speaker 2: We had all gone on separate ways.

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Speaker 1: Well you were in London.

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Speaker 2: Yeah.

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Speaker 1: We had still been doing some press and things.

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Speaker 2: Oh yeah, you guys did Ellen.

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Speaker 1: We did Ellen, you were gone. We also did the

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Speaker 1: Family Equality Council, which we'll get to. That was really fun.

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Speaker 1: Let's talk about what song was number one?

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Speaker 2: Kevin Big Shocker Uptown Funk is still number one.

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Speaker 1: And also new number one movie though in the show

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Speaker 1: in this episode. That's right, new number one movie focus.

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Speaker 2: Focus on me?

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Speaker 1: Fuckus. I never saw this.

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Speaker 2: I didn't either, okay uh and.

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Speaker 1: Glee News this Week. On February twenty fourth, the music

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Speaker 1: Child Star EP was released. It was six tracks from

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Speaker 1: season six Episode nine was released for digital download only.

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Speaker 2: Also on February twenty fourth, the Glee Season six rap

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Speaker 2: party was held at Elevate Lounge nightclub in La. Did

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Speaker 2: you go to that?

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Speaker 1: I don't remember going to that.

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Speaker 2: I probably didn't wild, I mean, I didn't go.

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Speaker 3: You know.

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Speaker 1: I feel like I would have gone to the series finale.

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Speaker 2: I feel like you would have.

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Speaker 1: They were known not to be the best rap parties.

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Speaker 1: We know this, so.

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Speaker 2: Which is why Corey threw his own one year right exactly.

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Speaker 1: So I'm not sure that we went to this one.

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Speaker 1: But as I had mentioned, on February twenty eighth, Glee

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Speaker 1: was honored at the Family Equality Council's Los Angeles Awards dinner.

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Speaker 1: It was at the Beverly Hilton Hotel, and I think

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Speaker 1: Ryan had asked us to go. So Darren Cord, Me, Harry,

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Speaker 1: Leah Beca, Alex Dot and Josie were in attendance, and

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Speaker 1: we performed Dancing Queen. We performed Don't Stop and then

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Speaker 1: Alex performed I Will Survive.

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Speaker 2: Yeah, you guys performed yeah.

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Speaker 1: And we got ready at the Beverly Hilton. I remember

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Speaker 1: back in I getting ready in the hotel together and

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Speaker 1: they give us a room and then we performed and

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Speaker 1: it was like super fun and we hadn't done that

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Speaker 1: in a while where you're like dying, you know, like

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Speaker 1: it was really fun. It was fun.

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Speaker 2: Wow. Yeah, yeah, interesting, Ryan was there, you know, yeah,

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Speaker 2: Like who did the music? Was Chris Pooley there?

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Speaker 1: No, it wasn't the Gleave sound people. It was just

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Speaker 1: like track and a.

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Speaker 2: Mic got it bare bones.

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Speaker 1: Yeah yeah, yeah. It was like the family Equality people

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Speaker 1: had bike in house. Okay, Yeah, it wasn't like our people.

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Speaker 2: Okay. So this episode was directed by Hitchcock.

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Speaker 1: No wonder he took to these kids so much. He

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Speaker 1: was like writing on the show. He was very much

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Speaker 1: a leadership in a leadership position. And then also directing

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Speaker 1: Josie's first episode, Phineas's first episode like this was big

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Speaker 1: and I get it now, I get it now.

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Speaker 2: And Hitchcock has known Phineas's mom for a long time,

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Speaker 2: So right, what a small world, very small, very small.

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Speaker 2: All right, So we have Josie Toda in this episode,

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Speaker 2: Phineas in this episode, and it's all about the new kids.

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Speaker 1: This is the actual first time I've ever seen this episode.

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Speaker 1: I've not seen a clip from it, so I am

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Speaker 1: this was brand new, same and there was a lot

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Speaker 1: of top forty pop in this uh in this episode? Yeah,

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Speaker 1: Lose My Breath performed by.

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Speaker 2: Myron Crazy Friday, I'm in Love performed by Spencer in

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Speaker 2: the New directions.

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Speaker 1: I Want to Break Free perform I Mason.

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Speaker 2: And Uptown Funk one of the biggest songs of all

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Speaker 2: time and the number one song in the country at

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Speaker 2: this time, performed by the New directions.

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Speaker 1: Dam break Free that did with Everybody, Mayra Michel and Everybody.

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Speaker 2: Cool Kids performed by the New directions.

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Speaker 1: Which was very closer.

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Speaker 2: Yes, it was very closer, you know, yeah I do.

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Speaker 1: I was like, oh, I know this, okay? Or what's

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Speaker 1: the other one we did with the Carousel?

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Speaker 2: Yeah, yeah, yeah, yeah, yeah.

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Speaker 1: Wendy Stansler directed that episode. Okay. This episode was viewed

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Speaker 1: by one point sixty nine million people, the second lowest

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Speaker 1: number of viewers in Glee. Her story.

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Speaker 2: Yikes, this is the eighth episode where every member of

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Speaker 2: the New Direction sings a solo line, the others being

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Speaker 2: Pilot Brittany two point zero, Tina and the Sky Katie Gaga.

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Speaker 2: End of Towerque Homecoming The hurt Locker Part two.

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Speaker 1: This marks the first appearance of Myron and Alistair.

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Speaker 2: This is the seventh and final episode of the series

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Speaker 2: where all the main characters present in the episode sing,

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Speaker 2: the first being Powered Madonna, the second being New New York,

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Speaker 2: and the third being Backup Planned, Fourth, Old Dog, New Tricks,

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Speaker 2: fifth the untitled richel Berry Project, and the sixth What

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Speaker 2: the World Needs Now.

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Speaker 1: Coincidentally, Rachel appears in all these episodes.

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Speaker 2: This is the first and only episode of the season

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Speaker 2: to not feature Darren and Chris my Gosh.

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Speaker 1: This is the first episode Blane has been since Get

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Speaker 1: This Season three, The Spanish Teacher fifty nine episodes.

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Speaker 2: I'll Go Get Your Money Booboo. This is the first

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Speaker 2: episode Kurt has been absent since season four Shooting Star

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Speaker 2: thirty two episodes ago.

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Speaker 1: This is the first episode book Blane and Kurt have

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Speaker 1: been absent at the same time in season two Come

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Speaker 1: Back eighty one episodes ago.

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Speaker 2: This is the first ninth episode of a season to

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Speaker 2: not feature Rachel singing a duet. Wow, wowow, all right,

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Speaker 2: let's see if this some reason any better. A high strung,

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Speaker 2: demanding tween requests that the members of the new directions

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Speaker 2: perform at his part mitzvah, the Glee club must band

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Speaker 2: together for its first public appearance. Meanwhile, Spencer pushes Roderick

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Speaker 2: to lose weight. All right, yeah, yeah.

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Speaker 1: Yeah, I will say, aside from the weight thing, this

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Speaker 1: felt very Glee, y'alla season three or.

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Speaker 2: Four, Yes, like the overall episode or that story.

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Speaker 1: Yeah, yeah, yeah, yeah, yeah, no, the overall episode like

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Speaker 1: internal high low stakes, you know, like it just felt

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Speaker 1: like quintessential Glee, not at its finest, but at its core.

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Speaker 2: Yeah. It was the first time that it was like

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Speaker 2: weird for me to see other people doing, yes, what

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Speaker 2: we've done, and this is the first time like we're

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Speaker 2: not a part.

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Speaker 1: Of it for sure. I was like very removed, but

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Speaker 1: very I don't know how to explain it, but I could.

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Speaker 1: I know exactly what.

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Speaker 3: You mean, Like it wasn't bad, No, not at all.

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Speaker 3: This is strange, so strange, like like not what they're

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Speaker 3: doing was strange, like our reaction to no, exactly.

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Speaker 1: My feeling my feeling of it, like watching it being like,

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Speaker 1: oh I I used to.

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Speaker 2: Do that, but like recently, right because we were like,

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Speaker 2: you know, four of the last people to score, but.

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Speaker 1: We weren't there anymore, and they just kept going. It

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Speaker 1: was it's so weird. Okay, let's talk about it. So

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Speaker 1: there's a couple of things happening right now. Sue wants

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Speaker 1: the superintendent to sign the rack for Principle of the Year,

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Speaker 1: but she's now become beholden to the Superintendent's now for

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Speaker 1: you Myron for his bar mitzvah en barmitzvah performance quid

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Speaker 1: pro quote yeah you know, yeah, yeah, yeah, yeah exactly.

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Speaker 1: Now Myron shows up.

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Speaker 2: Well. Also, Sue doesn't explain any of this to the

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Speaker 2: new directions at first, it's just oh, I'll sign that,

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Speaker 2: but you need to do this for my nephew, and

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Speaker 2: then brings out Myron again without any explanation as to

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Speaker 2: like why they have to watch him, Like what what

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Speaker 2: does this have to do with us?

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Speaker 1: They just do it?

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Speaker 2: Yeah, and then Lyron performs a show stopping number a.

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Speaker 1: Full it's still in rehearsals, but curtain opens. This number

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Speaker 1: is insane crazy, I can't believe they threw Josie in

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Speaker 1: there like this in such a big way. I mean,

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Speaker 1: this episode is massive for Josie and like it is

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Speaker 1: so much to do. The numbers are huge, the dancing

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Speaker 1: is crazy, the lip sinking, it has to be there.

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Speaker 1: And she's thirteen, also.

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Speaker 2: Recording a Destiny's Child song.

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Speaker 1: Oh well, I know when I did jump and jump in.

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Speaker 1: He just wanted to see your reaction when I said

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Speaker 1: hands in.

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Speaker 2: Oh god, I'm sweating you as a grown ass adult

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Speaker 2: know how hard it is, never mind being thirteen.

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Speaker 1: Yeah, no, for sure, I mean this is this was hard.

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Speaker 2: You bring up a good point though, like everything Josie

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Speaker 2: had to do was hard. Also like the scenes they

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Speaker 2: like Josie command all of those scenes, so yes, yes, yes,

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Speaker 2: vocally yelling at people, also calling one of the dancers

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Speaker 2: a bitch.

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Speaker 1: I know it was crazy. I mean I get the

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Speaker 1: feeling like when Ian said, like we do all that,

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Speaker 1: we did all the things that we wanted to do,

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Speaker 1: or at least he did. This really felt like that.

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Speaker 1: This really emulated that feeling. But it was just so

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Speaker 1: I just felt for Josie because I would have been

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Speaker 1: hitting my pants and yet so good, I mean.

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Speaker 2: Not an ounce of fear in those eyes. So good.

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Speaker 1: It was so good, it's so funny, and she's so little,

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Speaker 1: so it's just like makes it even more. It just

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Speaker 1: hits even better. So Josie then becomes Myron, sorry, Myron

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Speaker 1: becomes like bosses everybody around and hires the new directions

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Speaker 1: to then perform at his bar mitzvah. And they're all like, Okay, well,

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Speaker 1: actually they're not. That's actually not true. That's actually not true.

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Speaker 1: But Rachel and Will, on the other side of things

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Speaker 1: are having this kind of Will is kind of mentoring Rachel, right,

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Speaker 1: He's mentoring her and saying like, you got to get

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Speaker 1: to know these kids really well, and she's like, I

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Speaker 1: don't know them really well because I'm talking too much.

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Speaker 2: It's classic Will though, because it's absolutely something Will would

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Speaker 2: agree to for no reason, like yeah, they should go

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Speaker 2: perform at this bar metza for free, and.

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Speaker 1: Yes, well it's like this is an opportunity.

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Speaker 2: Yeah, and so she does it. And the lesson this

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Speaker 2: week also sectionals is two weeks away.

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Speaker 1: I see it in Rachel's face. She's like, we're preparing

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Speaker 1: for secuals, like this is we don't have the time

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Speaker 1: for this.

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Speaker 2: No Will's back on the track. No preparing for sectionals

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Speaker 2: until the night before.

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Speaker 1: It's right picking the song out, set list out the

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Speaker 1: day before, maybe the morning up.

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Speaker 2: And also because Myron fired all of their backup dancers,

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Speaker 2: they now have yeah, all the teachers. There's net.

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Speaker 1: Which is funny because it's like Rachel, Sam, Will, Uh,

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Speaker 1: Sue and Sheldon.

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Speaker 2: A wild time, a wild time. But I like that,

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Speaker 2: you know, it felt almost like a caafella's getting everybody

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Speaker 2: back together.

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Speaker 1: Literally was like, was like did I press the wrong

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Speaker 1: episode when I looked up and saw that scene happening.

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Speaker 1: So Rachel tries to like hype up the environments then,

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Speaker 1: and it's like, oh, this is an opportunity to get

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Speaker 1: them performing in front of people and like get them

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Speaker 1: to like really band together. And I really I loved that.

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Speaker 1: Kitty pointed out. She's like, oh, isn't alumnus and I

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Speaker 1: walked through the door.

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Speaker 2: Yes, exactly, Yeah.

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Speaker 1: Totally loved it. She's like, no, this is actually about

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Speaker 1: you guys, which is why when none of us were

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Speaker 1: actually there, like we were saying before it, it was like, oh, whoa,

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Speaker 1: this is the.

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Speaker 2: New class because this also would have been what the

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Speaker 2: show would be if it kept going, Yes, exactly because

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Speaker 2: obviously we would not be there all the time. So weird,

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Speaker 2: but also it made me like, see the vision, see

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Speaker 2: everything Ian was talking about, how it absolutely could just

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Speaker 2: keep going in mine of Degrassi in that way.

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Speaker 1: Yes. I saw an interview with Darren when he was

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Speaker 1: doing Tony Press and he had mentioned like, this is

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Speaker 1: so meaningful to him being a part of something special, No,

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Speaker 1: being a part of the inception of something that will

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Speaker 1: live on for many many years after him and in

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Speaker 1: the in that sense like maybe happy ending create the

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Speaker 1: years down the road, regional theaters, kids in schools. He's like,

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Speaker 1: I'm a part of the creation of that and I

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Speaker 1: can't help. But I was like, oh, right, we we

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Speaker 1: helped create build and then you know, like just formulate

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Speaker 1: that that model for people for Glee that could have

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Speaker 1: in theory had we not hit the you know, time button,

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Speaker 1: but like or had Glee not been moved to Fridays, uh,

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Speaker 1: you know like that that that resonated. I was like, oh, okay,

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Speaker 1: that feels like something that right, we built, we were

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Speaker 1: a part of that.

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Speaker 2: Totally.

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Speaker 1: It did feel weird, though, I'm not gonna lie to

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Speaker 1: watch it go on without us.

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Speaker 2: Yeah, I mean it felt weird, but I didn't like

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Speaker 2: there was no part of me I was like, oh

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Speaker 2: I wish we were doing that.

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Speaker 1: No, I didn't feel that way either. I can't pinpoint

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Speaker 1: how I feel about it.

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Speaker 2: I can't either, But it was just like that, it's

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Speaker 2: weird to see other people doing what, yes, that's right

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Speaker 2: doing you were just.

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Speaker 1: Doing and not being there but not really wanting to

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Speaker 1: be there, but also feeling weird that you're not there.

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Speaker 1: It's like, not envy or jealousy either. It's just very

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Speaker 1: strange to see.

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Speaker 2: Surreal.

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Speaker 1: Yeah, yeah, yeah, very surreal. Okay, So in this whole

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Speaker 1: thing that's happening with the glee club performing in the

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Speaker 1: bar Mitzvah, j Mason, Jane, and Madison are having this

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Speaker 1: crazy thing, this storyline, this is crazy.

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Speaker 2: Well, basically part of Shoe's suggestion to Rachel in the

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Speaker 2: beginning about getting to know these kids better and using

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Speaker 2: the bar Mitzvah as an opportunity for that. The lesson

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Speaker 2: for the week, she's again pulling a shoe coming up.

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Speaker 2: The lesson the day of is making them perform duets

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Speaker 2: with each other with music that you know they like

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Speaker 2: and perform at the bar Mitzvah.

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Speaker 1: So they're pairing up.

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Speaker 2: So they're pairing up, and there's this weird I don't

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Speaker 2: want to say love triangle because it's not a love triangle,

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Speaker 2: I hope not, but no, but there are some really

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Speaker 2: good jokes about that.

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Speaker 1: It's very funny.

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Speaker 2: But Mason clearly likes Jane and is trying to ask

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Speaker 2: her out, and then its twin Madison. Good old Laura

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Speaker 2: comes up and he's like, no, no, you're not doing

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Speaker 2: that right. And Mason doesn't know what to do because

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Speaker 2: he basically was raised by his twin sister, we come

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Speaker 2: to find out, and so he like has a you know,

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Speaker 2: a boys meeting in the locker room as you do,

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Speaker 2: which is a really funny scene. I don't know what

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Speaker 2: it is about the locker room, but the way the

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Speaker 2: guys on the show are always written, they're just a

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Speaker 2: little dumb, and it's always so funny.

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Speaker 1: In locker room.

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Speaker 2: Yeah, because it goes, you know, Mason brings up his

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Speaker 2: point what he wants. He wants Roderick to do do

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Speaker 2: it with Madison or ask Madison out. So she's distracted

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Speaker 2: and he's like no, bah, and then it quickly turns

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Speaker 2: into what everybody about Spencer and Roderick, right, and not

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Speaker 2: even about Mason, Jane or Madison. It was such a

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Speaker 2: good scene.

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Speaker 1: It was a really good scene, but what.

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Speaker 2: Comes of it is even better, Like you know, finally

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Speaker 2: Mason goes off on Madison, breaks that tension and then

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Speaker 2: performs brave Frey again.

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Speaker 1: Also to them in the cafeteria, that scene where Madison,

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Speaker 1: where Laura is going cuckoo banantopeance on Mason and about

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Speaker 1: the diarrhea. It's so funny and Laura is just so

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Speaker 1: sweet and to see her play this role and so

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Speaker 1: cuckoo and like very up in the clouds, it's just

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Speaker 1: so funny. Like they're both like them.

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Speaker 2: They're both so different from their characters that it's really

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Speaker 2: fun to watch.

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Speaker 1: Yeah, really really fun. They're really funny together too, like

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Speaker 1: really good chemistry and so yes, so Madison Mason was break.

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Speaker 2: Free, which is great.

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Speaker 1: I love this number.

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Speaker 2: Love this number, just a good old little Freddie Mercury,

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Speaker 2: real quick, good luck.

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Speaker 1: And I loved that this was the number that I

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Speaker 1: was like, oh, it took me back to old Glee.

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Speaker 1: I was like, oh, yeah, we are here, we are.

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Speaker 1: There's like a love triangle there's some weird sibling rivalry.

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Speaker 2: There's like we.

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Speaker 1: Were performing on the stage. The production is big, even

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Speaker 1: though it shouldn't really be, like you know, it just

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Speaker 1: felt like all the good things of Glad.

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Speaker 2: And then throwing the looks to the side of the stage.

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Speaker 1: Totally roving study camp. It was good. It was really

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Speaker 1: really good. I really like this number. But it culminates

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Speaker 1: to them Madison talking with Mason. It's really sweet conversation.

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Speaker 1: I really like the scene. And again, I really really

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Speaker 1: liked I really like the arc of these characters, and

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Speaker 1: I'm really growing to like love these characters, these quirky

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Speaker 1: little guys, like.

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Speaker 2: Like I just want to know more about that.

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Speaker 1: Yeah, And I'm like I'm just thinking like, oh, this

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Speaker 1: is it. Like it's sad, you know, because they really

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Speaker 1: fit in really well, and they're it just like they're

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Speaker 1: grounded but elevated. Like it's just it all works. But

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Speaker 1: the scene where they are having their little heart's heart

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Speaker 1: was really sweet and you could see like, oh, Laura

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Speaker 1: and Billy are actors and singers and they can do

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Speaker 1: it all, and wow, these kids are really talented.

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Speaker 2: And that's the other thing. It's like I think whenever

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Speaker 2: we've had new people come on start. Sorry to beat

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Speaker 2: a dead horse here, but we've always been in those

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Speaker 2: scenes and so, like you said, like sort of setting

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Speaker 2: an example and like these kids no one needs us.

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Speaker 2: They're fine and better than us. And it's so satisfy

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Speaker 2: to watch of like, oh yeah, look at them crushing

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Speaker 2: this and like controlling this scene totally totally and like

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Speaker 2: coming into this, like we've said with everybody, like a

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Speaker 2: hard time to come into a show, and yeah, just

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Speaker 2: smashed it.

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Speaker 1: Yep.

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Speaker 2: Yeah. Now the other story with the new kids, God

365
00:22:22,520 --> 00:22:29,959
Speaker 2: was a little more complicated. There's Spencer Roderick and Alistair

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Speaker 2: Alistair Alistair. I don't know that every time I meet

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Speaker 2: someone with that name, I always feel like I'm pronouncing

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Speaker 2: it wrong.

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Speaker 1: Potato but data.

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Speaker 2: So look, Glee can't get away from the fat jokes.

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Speaker 1: We just can't.

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Speaker 2: Coming into this podcast, we knew there were going to

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Speaker 2: be things that didn't age well, and we even created

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Speaker 2: a section for it. And as it's been going and context,

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Speaker 2: not as many things are as bad like I thought

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Speaker 2: We're going to be bad, Right, there's obviously things that

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Speaker 2: don't age well and bad jokes that you know are

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Speaker 2: just defensive or for sure, whatever, but when you're watching

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Speaker 2: one hundred and twenty episodes, there's sort of fewer and

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Speaker 2: far farer, more far between than I think we initially projected, right, yeah, yeah, However,

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Speaker 2: the fat jokes have almost been like the most constant, offensive,

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Speaker 2: unfunny thing.

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Speaker 1: It's kind of like in Friends with Fat Monica, like

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Speaker 1: it's just constant and it doesn't it's the worst of

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Speaker 1: the worst. I mean, it's not the worst of the worst,

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Speaker 1: but it's the worst of the worst it.

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Speaker 2: You know, because it's sustained.

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Speaker 3: You know.

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Speaker 2: The other one said worst jokes like one off jokes,

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Speaker 2: but like this, I don't know why this one is

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Speaker 2: sustained so hard. And then you have these people come

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Speaker 2: onto the show and like this is all their storyline is.

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Speaker 1: Well, it's something, it's always something.

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Speaker 2: It though like everything tater tots, and it was like,

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Speaker 2: can she get a different storyline totally? And it's it's it's.

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Speaker 1: Just it was it's a little no no, it is

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Speaker 1: strange and it's it's just it feels. It was disappointing

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Speaker 1: in the way that like no, Noah is so wildly

399
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Speaker 1: talented with the best voice suddenly.

400
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Speaker 2: And naturally like a good actor.

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Speaker 1: Very good, really lovable character, very sweet and charming like,

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00:24:52,000 --> 00:25:00,280
Speaker 1: and it's got it's overshadowed by this one thing, which you,

403
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Speaker 1: I think is what you were kind of.

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00:25:02,280 --> 00:25:04,879
Speaker 2: Well, it's like you're immediately like the only storyline you

405
00:25:04,920 --> 00:25:06,680
Speaker 2: can give him is right.

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Speaker 1: Right, exactly. It's like it's disappointing. But I will say

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00:25:15,119 --> 00:25:20,879
Speaker 1: everybody should be represented on television, like everybody, right, because

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00:25:20,920 --> 00:25:25,400
Speaker 1: like that's the real world, not the Hollywood world. And

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Speaker 1: I think it's disappointing because we don't. We're not we

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Speaker 1: don't need to be defined by the things that are

411
00:25:33,440 --> 00:25:39,159
Speaker 1: not societal norms, right, or what we're what is considered

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00:25:39,240 --> 00:25:44,160
Speaker 1: to be attractive, beautiful, normal.

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Speaker 2: And no other character on the show is like being

414
00:25:46,160 --> 00:25:50,960
Speaker 2: picked on for their appearance in that way.

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Speaker 1: Right, I mean to be fair, Like back in the day,

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Speaker 1: it was only Asian jokes.

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Speaker 2: Oh, let me fully take that back, Jesus Christy, I

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Speaker 2: didn't mean to just erase that.

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Speaker 1: No, no, you're not erasing it at all.

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Speaker 2: But currently, No, I did.

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00:26:14,880 --> 00:26:19,120
Speaker 1: Currently, but currently because because Tina did become something more

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Speaker 1: like I actually did get more storylines and it wasn't

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Speaker 1: about being aged.

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Speaker 2: But until then, it was a lot.

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Speaker 1: Of very early on. I mean, Takedown was it was everything.

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00:26:31,480 --> 00:26:36,200
Speaker 1: It was just on the surface, everything that was obvious.

427
00:26:36,680 --> 00:26:43,359
Speaker 1: So for Noah, I feel like it we shouldn't have

428
00:26:43,400 --> 00:26:46,240
Speaker 1: to be defined by that, right because I was like, Wow,

429
00:26:46,840 --> 00:26:50,359
Speaker 1: having the representation of Noah, who is not what you

430
00:26:50,359 --> 00:26:53,399
Speaker 1: would normally see at that time in Hollywood on a

431
00:26:53,440 --> 00:26:59,240
Speaker 1: TV show, having one having showcasing his incredible talents is exciting.

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00:27:01,040 --> 00:27:03,679
Speaker 1: And I was like, finally we're we're you know, like

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00:27:03,720 --> 00:27:06,840
Speaker 1: and Glee does that in so many other ways that like,

434
00:27:06,960 --> 00:27:11,320
Speaker 1: I'm not I'm not watching over what Glee has done,

435
00:27:11,520 --> 00:27:15,560
Speaker 1: you know what I mean. But in this case, for

436
00:27:15,560 --> 00:27:18,320
Speaker 1: for Noah, it was disappointing because I was like, had

437
00:27:18,320 --> 00:27:21,440
Speaker 1: the storyline maybe perhaps brought up his weight and wasn't

438
00:27:21,480 --> 00:27:27,439
Speaker 1: centered around his weight and the fat jokes like, and

439
00:27:27,480 --> 00:27:29,920
Speaker 1: he had responded in a different way. And I guess

440
00:27:29,920 --> 00:27:32,680
Speaker 1: that's what the difference is between twenty you know, two

441
00:27:32,760 --> 00:27:36,600
Speaker 1: thousand and yeah, fifteen. In twenty twenty five, it would

442
00:27:36,640 --> 00:27:42,920
Speaker 1: have been actually more I don't know, acceptable or yeah.

443
00:27:42,920 --> 00:27:47,240
Speaker 2: But here's the thing. You have the Spencer character who

444
00:27:47,520 --> 00:27:53,280
Speaker 2: is unabashedly right we keep saying, postmodern gay, unapologetic about it,

445
00:27:53,480 --> 00:27:57,399
Speaker 2: totally we're seeing not the article that right, yes, And

446
00:27:57,440 --> 00:27:59,399
Speaker 2: so it's like, Okay, you have an opportunity here with

447
00:27:59,480 --> 00:28:04,520
Speaker 2: Roderick to like give him something totally totally and not

448
00:28:04,680 --> 00:28:06,919
Speaker 2: just be like a punching bag for somebody else. And

449
00:28:06,960 --> 00:28:12,480
Speaker 2: the only reason Spencer's nice to him is because Rodrick. Yes,

450
00:28:13,920 --> 00:28:16,240
Speaker 2: And like, I think it ends up being like really sweet.

451
00:28:16,640 --> 00:28:24,000
Speaker 1: Yeah, yeah, the whole storyline of the rope and then

452
00:28:24,160 --> 00:28:29,600
Speaker 1: him with the rig rope at the end. I was like,

453
00:28:30,560 --> 00:28:34,200
Speaker 1: I want Noah to win. I want Roderick to win.

454
00:28:34,480 --> 00:28:36,200
Speaker 1: I just don't want him to win in this way.

455
00:28:36,320 --> 00:28:38,920
Speaker 1: I was like, I can't watch this.

456
00:28:39,320 --> 00:28:41,800
Speaker 2: I had flashbacks to like some Nickelodeon show in the

457
00:28:41,880 --> 00:28:45,120
Speaker 2: nineties where like climbing a rope was like the big

458
00:28:45,160 --> 00:28:46,760
Speaker 2: thing of the episode.

459
00:28:46,280 --> 00:28:48,480
Speaker 1: Probably like a Miley like uh.

460
00:28:48,320 --> 00:28:53,920
Speaker 2: No that before that, like pet and peat Oh my god,

461
00:28:53,960 --> 00:28:55,280
Speaker 2: I think it was Pete and Pete.

462
00:28:55,320 --> 00:28:57,560
Speaker 1: Really, I feel like I know this episode.

463
00:28:58,240 --> 00:29:05,000
Speaker 2: It my god, Jenna, the deep cockles bowels of my

464
00:29:05,080 --> 00:29:06,720
Speaker 2: brain folds.

465
00:29:06,760 --> 00:29:10,280
Speaker 1: Yeah, right, like it's still there. Yeah, it might be.

466
00:29:10,800 --> 00:29:11,240
Speaker 1: It might be.

467
00:29:11,520 --> 00:29:13,360
Speaker 2: I think it might be that. I think it might

468
00:29:13,400 --> 00:29:17,000
Speaker 2: be too, And like I liked that low stakes of

469
00:29:17,240 --> 00:29:19,719
Speaker 2: like oh, it's the high school. You have to climb

470
00:29:19,760 --> 00:29:21,720
Speaker 2: the rope, but it felt so nineties.

471
00:29:22,600 --> 00:29:24,480
Speaker 1: It did, but it also had to do with his

472
00:29:24,640 --> 00:29:27,360
Speaker 1: weight now with the rope, like you know what I mean,

473
00:29:27,480 --> 00:29:30,760
Speaker 1: it wasn't overcoming fears or it wasn't overcoming something.

474
00:29:30,840 --> 00:29:31,400
Speaker 4: It was.

475
00:29:34,160 --> 00:29:35,520
Speaker 2: It's like physical ability.

476
00:29:35,680 --> 00:29:39,160
Speaker 1: Yeah, yeah, because of his weight. Like it just felt

477
00:29:39,200 --> 00:29:41,800
Speaker 1: like I don't I want no part of this. I

478
00:29:41,840 --> 00:29:43,120
Speaker 1: want no part of this at all.

479
00:29:43,400 --> 00:29:47,080
Speaker 2: It also was weird because Will witnesses Spencer being awful

480
00:29:47,160 --> 00:29:50,840
Speaker 2: to roder and then when he like, he doesn't really

481
00:29:50,880 --> 00:29:53,600
Speaker 2: call him out on it, he just makes them partner together,

482
00:29:55,120 --> 00:29:57,480
Speaker 2: and it's like, bro, like, why are we always rinning

483
00:29:57,560 --> 00:30:01,280
Speaker 2: out this stuff? Slide yeah, nothing else. You don't get

484
00:30:01,280 --> 00:30:03,080
Speaker 2: away with anything else.

485
00:30:02,880 --> 00:30:06,960
Speaker 1: Now, but like and and then even at the end

486
00:30:06,960 --> 00:30:12,000
Speaker 1: when Roderick's like thanking him for like like I'm I'm

487
00:30:12,000 --> 00:30:16,360
Speaker 1: eating better and I'm right, I sometimes I have a

488
00:30:16,440 --> 00:30:18,320
Speaker 1: cheeto or something, I.

489
00:30:18,160 --> 00:30:26,719
Speaker 2: Was like, oh no, no, no, no, no justice for Roderick.

490
00:30:27,360 --> 00:30:31,080
Speaker 1: Justice for Roderick. So all to say, I don't even

491
00:30:31,200 --> 00:30:33,520
Speaker 1: really want to get into that storyline because it's I

492
00:30:33,600 --> 00:30:34,640
Speaker 1: just don't want to give it air.

493
00:30:34,840 --> 00:30:37,000
Speaker 2: I mean, we gave it a lot of air.

494
00:30:37,160 --> 00:30:38,560
Speaker 1: We did give it a lot of air, but in

495
00:30:38,600 --> 00:30:43,320
Speaker 1: the airing our agreemances. Yeah, you know, but I.

496
00:30:43,240 --> 00:30:45,760
Speaker 2: Liked everybody was great.

497
00:30:46,120 --> 00:30:54,360
Speaker 1: Everybody is beautifully yes, and and and Marshall or Spencer

498
00:30:54,760 --> 00:31:04,200
Speaker 1: and uh Alistair Ali Star Alistair a star, We're really cute,

499
00:31:04,920 --> 00:31:07,360
Speaker 1: cute and never stuff And he's on the show. Had

500
00:31:07,440 --> 00:31:11,160
Speaker 1: no idea he was on it. Wemberwin Billy and started

501
00:31:11,160 --> 00:31:12,840
Speaker 1: coming up and you were like, you know, Phinney's was

502
00:31:12,880 --> 00:31:15,080
Speaker 1: on our show, and I was like, boot was he?

503
00:31:15,600 --> 00:31:16,440
Speaker 1: That's embarrassing.

504
00:31:17,600 --> 00:31:21,960
Speaker 2: I also, you know, it's like two young straight dudes

505
00:31:22,040 --> 00:31:25,920
Speaker 2: kissing and good for them. It was stigmatized. I know.

506
00:31:26,000 --> 00:31:29,600
Speaker 2: It's not like I don't want to, I know, but

507
00:31:29,760 --> 00:31:33,719
Speaker 2: it was really like they committed and I appreciate it.

508
00:31:35,640 --> 00:31:39,640
Speaker 2: And Marshall, as horrible as Spencer was during this episode,

509
00:31:39,680 --> 00:31:43,360
Speaker 2: Marshall was so good.

510
00:31:43,880 --> 00:31:48,000
Speaker 1: No, They're really all very good and like good chemistry,

511
00:31:48,480 --> 00:31:54,600
Speaker 1: great performances, believable, like honest, it was really sweet. And

512
00:31:54,720 --> 00:31:58,320
Speaker 1: Michael Hitchcock getting all of that out of these new guys,

513
00:31:58,360 --> 00:32:02,160
Speaker 1: like we're so was very very good.

514
00:32:03,200 --> 00:32:08,080
Speaker 2: I as much as I hated the Roderick storyline, yeah,

515
00:32:08,120 --> 00:32:15,160
Speaker 2: what I liked in this section overall was how Spencer

516
00:32:15,360 --> 00:32:19,680
Speaker 2: is sort of insane, where in one breath he's awful

517
00:32:20,800 --> 00:32:24,360
Speaker 2: to Roderick and saying all these horrible things, and then

518
00:32:24,400 --> 00:32:28,480
Speaker 2: he's also so unabashedly like flirty and like down bad

519
00:32:28,560 --> 00:32:31,560
Speaker 2: for this guy totally and it is so funny.

520
00:32:31,920 --> 00:32:35,680
Speaker 1: Yes, it's like oh the Jacqueline hide.

521
00:32:36,080 --> 00:32:39,320
Speaker 2: Yeah in the seconds, yes, and it's like I like

522
00:32:39,400 --> 00:32:44,240
Speaker 2: it walking down the hallway and singing and watching him and.

523
00:32:43,720 --> 00:32:46,080
Speaker 1: Oh yeah, also his number so good.

524
00:32:46,400 --> 00:32:49,760
Speaker 2: Yeah, how bad he is at flirting really great.

525
00:32:50,560 --> 00:32:54,720
Speaker 1: I like that too too because it's like the football

526
00:32:56,080 --> 00:32:58,600
Speaker 1: it's like breaking all the norms of like the football player.

527
00:32:58,800 --> 00:33:03,239
Speaker 1: He's gay, he's he's not, he has no game, like

528
00:33:03,280 --> 00:33:03,920
Speaker 1: I like see.

529
00:33:03,920 --> 00:33:06,000
Speaker 2: That was what was nice too. It's like Roderick was

530
00:33:06,040 --> 00:33:09,480
Speaker 2: actually commenting on how bad his game was, Like Roderick

531
00:33:10,880 --> 00:33:13,960
Speaker 2: has some other character here. There's some other things going.

532
00:33:13,800 --> 00:33:20,760
Speaker 1: On totally totally, and just also Noah being a really

533
00:33:20,760 --> 00:33:26,560
Speaker 1: good like intuitive actor for being so brand new like

534
00:33:26,640 --> 00:33:28,360
Speaker 1: all of them, it's very impressive.

535
00:33:36,920 --> 00:33:39,960
Speaker 2: There's that sweet little scene at the end finally, because

536
00:33:41,080 --> 00:33:46,040
Speaker 2: Spencer's just blowing it with alistair at every turn, and

537
00:33:46,200 --> 00:33:52,080
Speaker 2: then Roderick wings Wingman's him hard and gets Alistair to

538
00:33:52,120 --> 00:33:57,160
Speaker 2: come to the bar mitzvah and watch his performance and

539
00:33:57,440 --> 00:34:00,320
Speaker 2: admits that he was good and really hot.

540
00:34:01,520 --> 00:34:06,320
Speaker 1: Yeah, yeah, it's cute. It's cute. They're both really cute.

541
00:34:06,880 --> 00:34:11,640
Speaker 2: And now we got more boys kissing. Non fucks. We

542
00:34:11,680 --> 00:34:15,200
Speaker 2: had a double gay wedding last episode. In this episode,

543
00:34:15,200 --> 00:34:18,560
Speaker 2: we got two new gays kissing. Keep it going, the

544
00:34:18,600 --> 00:34:21,520
Speaker 2: gay agenda is alive and well on Glee. Still keep

545
00:34:21,560 --> 00:34:22,000
Speaker 2: it moving.

546
00:34:22,320 --> 00:34:24,360
Speaker 1: Let's keep keep moving the needle.

547
00:34:25,040 --> 00:34:29,400
Speaker 2: Okay, see, you win some, you lose.

548
00:34:30,160 --> 00:34:34,439
Speaker 1: And you lose them. Also, when at the end when

549
00:34:35,120 --> 00:34:41,280
Speaker 1: Sue reveals that she's like been like a slave to Myron,

550
00:34:41,360 --> 00:34:46,759
Speaker 1: and then Myron is now in school with them in

551
00:34:46,800 --> 00:34:50,960
Speaker 1: the glee club, and that scene where he steps on

552
00:34:52,280 --> 00:34:54,440
Speaker 1: the foot was he did he step on suitan?

553
00:34:54,640 --> 00:34:55,359
Speaker 2: He kicks her shin.

554
00:34:55,640 --> 00:35:00,160
Speaker 1: He kicks her shin. It is so ridiculous and funny

555
00:35:00,239 --> 00:35:02,000
Speaker 1: and like inappropriate, but I loved it.

556
00:35:02,120 --> 00:35:06,680
Speaker 2: I also loved how Will was excited that there was

557
00:35:06,719 --> 00:35:10,160
Speaker 2: another not being freaked out that there was a little

558
00:35:10,280 --> 00:35:13,759
Speaker 2: kid in high school now. He was like, oh no,

559
00:35:13,840 --> 00:35:16,759
Speaker 2: there's another new talented member of the glee club and

560
00:35:16,800 --> 00:35:19,719
Speaker 2: that's great, and Rachel. It's nice having Rachel there because

561
00:35:19,719 --> 00:35:24,120
Speaker 2: she's sort of like the reaction for the audience, like

562
00:35:24,160 --> 00:35:28,040
Speaker 2: that's what we're thinking, because she's like, that doesn't seem right,

563
00:35:28,280 --> 00:35:38,200
Speaker 2: that's weird, Sue. Back in the hurt Locker, back again.

564
00:35:38,280 --> 00:35:40,759
Speaker 1: I was like, did I click over to be down

565
00:35:40,800 --> 00:35:44,279
Speaker 1: there a different episode? Yeah, back in the hurt locker

566
00:35:44,440 --> 00:35:49,000
Speaker 1: locker and spending the last few weeks of her professional

567
00:35:49,000 --> 00:35:51,160
Speaker 1: life fulfilling what is her destiny.

568
00:35:51,560 --> 00:35:53,479
Speaker 2: It's the last few weeks of her professional life because

569
00:35:53,480 --> 00:35:55,600
Speaker 2: she said she's retiring. Also, I don't feel like they

570
00:35:55,640 --> 00:35:58,680
Speaker 2: made a big enough deal about that. But she's back

571
00:35:58,680 --> 00:36:00,600
Speaker 2: in the hurt Locker and she's like, they can bury

572
00:36:00,640 --> 00:36:03,000
Speaker 2: me in here, but like return to her mission to

573
00:36:03,040 --> 00:36:08,120
Speaker 2: once and for all bring everybody down. Yes, yes, she's

574
00:36:08,120 --> 00:36:08,920
Speaker 2: a sad lady.

575
00:36:09,600 --> 00:36:11,920
Speaker 1: So she's about her and we're about to.

576
00:36:13,880 --> 00:36:16,399
Speaker 2: Go, which is fun. I do enjoy that.

577
00:36:16,560 --> 00:36:17,360
Speaker 1: No, I love it.

578
00:36:17,360 --> 00:36:19,520
Speaker 2: It's it's I mean, the greatest hits.

579
00:36:20,200 --> 00:36:23,200
Speaker 1: Also, let's bring it back full circle. You know where

580
00:36:23,200 --> 00:36:26,040
Speaker 1: we started. Let's just take it back to the beginning.

581
00:36:26,520 --> 00:36:28,960
Speaker 2: That's right, Jenna, the very beginning.

582
00:36:29,560 --> 00:36:34,399
Speaker 1: Now, let's creation performances. Where's my wrath?

583
00:36:37,040 --> 00:36:37,279
Speaker 2: Yeah?

584
00:36:37,400 --> 00:36:44,120
Speaker 1: Sure, Friday, I am in love. Hey, hey, I want

585
00:36:44,120 --> 00:36:47,960
Speaker 1: to break free A plus Uptown Funk.

586
00:36:49,440 --> 00:36:54,960
Speaker 4: A A minus minus break free.

587
00:36:56,040 --> 00:37:00,239
Speaker 2: Break Free was crazy. It was really crazy, like a

588
00:37:00,280 --> 00:37:02,239
Speaker 2: bee plus yeah, B.

589
00:37:02,239 --> 00:37:08,280
Speaker 1: Plus cool kids, I'm gonna give it a bee. A bee.

590
00:37:09,600 --> 00:37:11,040
Speaker 2: Got a B minus.

591
00:37:11,400 --> 00:37:13,760
Speaker 1: Okay, fine, let's do TARTI.

592
00:37:13,600 --> 00:37:21,320
Speaker 2: Takes cringe moments all of Oh, Roderick, Roderick. And yeah

593
00:37:21,360 --> 00:37:23,880
Speaker 2: there were some weird Jewish jokes in there.

594
00:37:24,640 --> 00:37:27,640
Speaker 1: Yeah, with the and then I did like Rachel's like

595
00:37:28,200 --> 00:37:30,720
Speaker 1: true love for the barber, so though exciting.

596
00:37:30,920 --> 00:37:37,200
Speaker 2: That was great. Yeah, Madison also made some weird microaggressive

597
00:37:37,239 --> 00:37:41,720
Speaker 2: comment about Jane's hair. Yeah it felt like a little.

598
00:37:41,440 --> 00:37:47,520
Speaker 5: Racist, Yeah, not a little. Best dance move lose my breath,

599
00:37:47,920 --> 00:37:49,920
Speaker 5: lose my breath. Also, you know there was some good

600
00:37:50,000 --> 00:37:52,560
Speaker 5: dancing in that, the break dancing in Uptown Funk.

601
00:37:52,719 --> 00:37:55,640
Speaker 1: Oh yeah, yeah, yeah, for sure, bring out all those dancers.

602
00:37:56,480 --> 00:37:59,000
Speaker 1: Best song, I want to break free, Oh.

603
00:37:58,880 --> 00:38:04,080
Speaker 4: I want to break free down prop I mean the

604
00:38:04,080 --> 00:38:07,360
Speaker 4: the Myron's inhaler, the inhaler, but also the thing Myron

605
00:38:07,400 --> 00:38:10,360
Speaker 4: comes down in like from the ceiling.

606
00:38:12,320 --> 00:38:14,000
Speaker 2: Whatever that contraption is.

607
00:38:14,160 --> 00:38:20,400
Speaker 1: That that was really good. Uh, it's like the reverse toaster.

608
00:38:21,120 --> 00:38:21,399
Speaker 1: You know.

609
00:38:23,040 --> 00:38:24,080
Speaker 2: Performance pot the.

610
00:38:26,160 --> 00:38:30,680
Speaker 1: Best line are we going to saying? Are we gonna

611
00:38:30,719 --> 00:38:33,640
Speaker 1: about to announce another alumnus? Walking through the door really

612
00:38:33,760 --> 00:38:36,560
Speaker 1: hit hard for me. It was like, yeah, good for you, Kitty.

613
00:38:36,719 --> 00:38:40,520
Speaker 2: Yeah that was great. I agree with that one. Okay,

614
00:38:41,360 --> 00:38:42,719
Speaker 2: oh no performance MVP.

615
00:38:44,000 --> 00:38:49,440
Speaker 1: Josie and Billy Yeah, I mean and Marshall okay, all

616
00:38:49,480 --> 00:38:49,759
Speaker 1: of them?

617
00:38:50,040 --> 00:38:53,440
Speaker 2: The New Kids kid? All right, fine, the New Kids Okay?

618
00:38:53,440 --> 00:38:58,719
Speaker 2: Should we found a TikTok? Jenna doctor Doctor? This one

619
00:38:58,800 --> 00:39:04,759
Speaker 2: has six million views? Whoa Glee talk one says they

620
00:39:04,760 --> 00:39:08,160
Speaker 2: were doing tours in eleven Remember when Glee was so

621
00:39:08,280 --> 00:39:11,200
Speaker 2: popular that they even did a tour. Yeah, we did

622
00:39:11,239 --> 00:39:15,680
Speaker 2: a couple tours and it's clips of our tour. Even

623
00:39:15,719 --> 00:39:20,440
Speaker 2: made a movie about it. Yes, we have the Warblers performing.

624
00:39:23,480 --> 00:39:25,799
Speaker 2: I have met so many people here in London that

625
00:39:25,960 --> 00:39:29,840
Speaker 2: were at our shows. Jenna really yes, well, because we

626
00:39:29,880 --> 00:39:32,760
Speaker 2: did two weeks there so so many.

627
00:39:32,640 --> 00:39:38,000
Speaker 1: People the it's also streaming on HBO Max Now and

628
00:39:38,040 --> 00:39:40,080
Speaker 1: it's the extended version so Tina's in it.

629
00:39:41,239 --> 00:39:44,880
Speaker 2: Yeah, go watch that because that one so good.

630
00:39:45,120 --> 00:39:46,600
Speaker 1: I'm gonna watch it. I'm going to show him a

631
00:39:46,600 --> 00:39:49,960
Speaker 1: Matt you should I think she should like it.

632
00:39:50,000 --> 00:39:51,600
Speaker 2: I think she can you film her reaction?

633
00:39:51,880 --> 00:39:52,719
Speaker 1: Yeah, yeah, I will.

634
00:39:52,760 --> 00:39:54,880
Speaker 2: I will of you please, I want to see that

635
00:39:54,920 --> 00:39:55,800
Speaker 2: really or Facebook?

636
00:39:55,880 --> 00:39:56,000
Speaker 3: Mom?

637
00:39:57,200 --> 00:39:57,600
Speaker 2: Who's that?

638
00:39:57,680 --> 00:39:58,000
Speaker 1: Mommy?

639
00:39:58,040 --> 00:39:59,760
Speaker 2: I just wanted to show her dog days.

640
00:40:00,239 --> 00:40:02,239
Speaker 1: Okay, I'll show her dog days and I'll see what

641
00:40:02,320 --> 00:40:02,760
Speaker 1: she says.

642
00:40:04,000 --> 00:40:04,480
Speaker 2: Please.

643
00:40:06,320 --> 00:40:11,080
Speaker 1: Okay, we are at the Star. We are almost there.

644
00:40:11,680 --> 00:40:15,279
Speaker 2: But next up, very exciting, we have Josie Tode. Yeah,

645
00:40:15,640 --> 00:40:18,319
Speaker 2: talk to her about doing this insane thing when she was.

646
00:40:18,960 --> 00:40:24,160
Speaker 1: Page of thirteen exactly. Okay, thanks for joining us.

647
00:40:25,000 --> 00:40:28,080
Speaker 2: And that's what you really missed. Thanks for listening and

648
00:40:28,200 --> 00:40:30,799
Speaker 2: follow us on Instagram at and that's what you really

649
00:40:30,880 --> 00:40:33,000
Speaker 2: miss pod. Make sure to write us a review and

650
00:40:33,120 --> 00:40:35,040
Speaker 2: leave us five stars. See you next time,