1
00:00:01,800 --> 00:00:04,479
Speaker 1: And that's what you really missed with Jenna.

2
00:00:04,519 --> 00:00:07,320
Speaker 2: And Kevin an iHeartRadio.

3
00:00:06,640 --> 00:00:10,960
Speaker 1: Podcast, Welcome to You, and That's what you Really miss

4
00:00:11,039 --> 00:00:16,079
Speaker 1: podcast guest edition, Hello Kevin.

5
00:00:16,040 --> 00:00:21,360
Speaker 2: Hello Jenna. Today we have someone that it's like a

6
00:00:21,400 --> 00:00:26,160
Speaker 2: TV connoisseur, is a TV genius, a pop culture genius.

7
00:00:26,200 --> 00:00:29,120
Speaker 2: Really knows a lot more than us, Yes, a lot

8
00:00:29,160 --> 00:00:31,600
Speaker 2: more than us, and I thank him for it so

9
00:00:31,640 --> 00:00:34,320
Speaker 2: we don't have to do the work. You're not familiar

10
00:00:34,400 --> 00:00:38,720
Speaker 2: with Mike's Mike on YouTube. He has made these incredible

11
00:00:38,720 --> 00:00:41,639
Speaker 2: series of videos where he watches an entire series and

12
00:00:41,720 --> 00:00:50,560
Speaker 2: recaps every single episode and these gigantic, gigantic things.

13
00:00:48,920 --> 00:00:51,960
Speaker 1: Really really incredible. It's a lot of work, a long time,

14
00:00:52,040 --> 00:00:54,280
Speaker 1: but also so clever, so funny.

15
00:00:54,440 --> 00:00:57,400
Speaker 2: Knows the ins and outs of everything, has opinions on

16
00:00:57,480 --> 00:01:00,240
Speaker 2: everything based off of storylines. It's right.

17
00:01:00,520 --> 00:01:03,760
Speaker 1: The Glee one is really wonderful and he's just a

18
00:01:03,880 --> 00:01:06,319
Speaker 1: great person to chat with.

19
00:01:06,520 --> 00:01:08,240
Speaker 2: So if you haven't seen it, you need to go

20
00:01:08,280 --> 00:01:13,200
Speaker 2: watch as recaps he did after this all six seasons

21
00:01:13,200 --> 00:01:19,040
Speaker 2: because he's wonderful. So all the way from Melbourne, Australia,

22
00:01:19,640 --> 00:01:20,920
Speaker 2: here's Mike from Mike's Mike.

23
00:01:22,200 --> 00:01:27,399
Speaker 3: Hi, Hello, this is so iconic. The fact that I'm

24
00:01:27,400 --> 00:01:28,880
Speaker 3: even talking to both of you.

25
00:01:29,400 --> 00:01:33,039
Speaker 2: I mean, massive fanages. When we first started talking about

26
00:01:33,080 --> 00:01:35,920
Speaker 2: doing this show and like what would it be like

27
00:01:36,000 --> 00:01:38,520
Speaker 2: and who would we have on? You were one of

28
00:01:38,520 --> 00:01:40,520
Speaker 2: my very first suggestions, like we have to get him

29
00:01:40,560 --> 00:01:45,880
Speaker 2: on here. Oh my god, because the amount of people. Oh,

30
00:01:46,000 --> 00:01:48,320
Speaker 2: I had so many people send it to me. And

31
00:01:48,360 --> 00:01:51,640
Speaker 2: then like when you first did it, like when I

32
00:01:51,720 --> 00:01:56,760
Speaker 2: originally oh yeah, and not because like like oh, watches

33
00:01:56,800 --> 00:01:59,360
Speaker 2: it's so bad. It's that's not you know, it's you're

34
00:01:59,440 --> 00:02:03,720
Speaker 2: very good, so luckily, and also watching it's like, oh, yes,

35
00:02:03,800 --> 00:02:06,520
Speaker 2: you are distilling all the things that this is how

36
00:02:06,520 --> 00:02:06,880
Speaker 2: we feel.

37
00:02:07,080 --> 00:02:12,600
Speaker 3: Think it's funny because the first person that I met

38
00:02:12,680 --> 00:02:14,600
Speaker 3: from one of the shows that I talked about was

39
00:02:14,639 --> 00:02:18,919
Speaker 3: meeting Lucy Hale pretty Little Liars, and she had no

40
00:02:19,000 --> 00:02:21,200
Speaker 3: idea about the stuff that I'd done, but someone else

41
00:02:21,200 --> 00:02:23,840
Speaker 3: had introduced me to her as this guy has spoken

42
00:02:23,880 --> 00:02:26,680
Speaker 3: about your show for multiple hours on the internet, and

43
00:02:26,760 --> 00:02:30,519
Speaker 3: she spoke to me she was like, like, you probably

44
00:02:30,600 --> 00:02:32,040
Speaker 3: know more about the show than I do.

45
00:02:33,120 --> 00:02:36,160
Speaker 2: Well, I was actually thinking about I was going to

46
00:02:36,200 --> 00:02:38,760
Speaker 2: text Ashley Benson today be like have you watched these

47
00:02:40,720 --> 00:02:43,720
Speaker 2: I didn't want to open that can of worms, of.

48
00:02:43,520 --> 00:02:46,760
Speaker 3: Course, and kind of worms Pretty Lives was for sure.

49
00:02:47,320 --> 00:02:49,359
Speaker 1: You couldn't text her in time.

50
00:02:49,720 --> 00:02:51,919
Speaker 2: I might have to this, like you have to watch these.

51
00:02:52,120 --> 00:02:55,080
Speaker 2: So okay, first of all, thank you for being here,

52
00:02:55,639 --> 00:02:57,840
Speaker 2: of course, and I know we just started talking about it,

53
00:02:57,880 --> 00:03:01,000
Speaker 2: but you have an incredible YouTube channel and you started

54
00:03:01,000 --> 00:03:06,320
Speaker 2: doing these, not just the season recap, like an entire series,

55
00:03:07,080 --> 00:03:11,200
Speaker 2: first of all seasons. How why I don't understand how

56
00:03:11,240 --> 00:03:11,640
Speaker 2: you did that.

57
00:03:12,280 --> 00:03:13,080
Speaker 1: You're very smart.

58
00:03:13,600 --> 00:03:15,079
Speaker 2: Oh yeah, very smart.

59
00:03:14,960 --> 00:03:16,240
Speaker 3: Thank you, thank you, thank you.

60
00:03:16,800 --> 00:03:20,000
Speaker 2: But your first one you did was Pretty Little Liars? Yes,

61
00:03:20,040 --> 00:03:21,080
Speaker 2: where exactly where did.

62
00:03:21,000 --> 00:03:23,200
Speaker 1: The idea come from to do it?

63
00:03:24,040 --> 00:03:28,000
Speaker 3: So I this was you have to know the times.

64
00:03:28,080 --> 00:03:31,720
Speaker 3: This was twenty twenty one, twenty twenty two, and I

65
00:03:31,800 --> 00:03:34,520
Speaker 3: live in Melbourne and we were in the longest lockdown

66
00:03:34,520 --> 00:03:38,800
Speaker 3: in the world. Yeah, and I live by myself. Oh okay,

67
00:03:39,280 --> 00:03:43,880
Speaker 3: got enough station enough Yeah, So like the context is set,

68
00:03:43,880 --> 00:03:47,960
Speaker 3: and I was like very by myself and had multiple

69
00:03:47,960 --> 00:03:52,400
Speaker 3: hours every day where I was like, hmm, well now,

70
00:03:53,000 --> 00:03:55,560
Speaker 3: and then I was thinking, like I like talking about

71
00:03:55,960 --> 00:03:58,040
Speaker 3: stuff that I watch on YouTube. At this point, I'd

72
00:03:58,080 --> 00:04:03,240
Speaker 3: been making videos but about reality TV, and like occasionally

73
00:04:03,240 --> 00:04:05,720
Speaker 3: like older movies and that kind of thing. And then

74
00:04:05,720 --> 00:04:09,400
Speaker 3: I thought, maybe I should try talking about my favorite

75
00:04:09,400 --> 00:04:13,360
Speaker 3: TV shows, but rather than just like picking specific things

76
00:04:13,400 --> 00:04:15,080
Speaker 3: to talk about, I'm just going to talk about all

77
00:04:15,120 --> 00:04:18,440
Speaker 3: of it and do like a full recap, like multiple

78
00:04:18,480 --> 00:04:21,360
Speaker 3: season recap all at once, because I hadn't really seen

79
00:04:21,400 --> 00:04:23,919
Speaker 3: anything like that on YouTube at that point, and I

80
00:04:23,920 --> 00:04:25,719
Speaker 3: was like, I've got time, and when else in my

81
00:04:25,760 --> 00:04:28,279
Speaker 3: life am I gonna have multiple months of just like

82
00:04:29,320 --> 00:04:31,200
Speaker 3: guilt free exactly?

83
00:04:31,640 --> 00:04:31,919
Speaker 1: Right?

84
00:04:32,240 --> 00:04:34,159
Speaker 3: So then I started with Pretty the Liars because that

85
00:04:34,240 --> 00:04:39,039
Speaker 3: was like my number one show when I was in

86
00:04:39,080 --> 00:04:42,120
Speaker 3: twenty ten, so like Year ten, which was that was

87
00:04:42,160 --> 00:04:44,200
Speaker 3: actually the most convenient thing about me growing up was

88
00:04:44,240 --> 00:04:48,680
Speaker 3: I was in the grade that the year was, yeah,

89
00:04:48,720 --> 00:04:50,240
Speaker 3: like two thousand and nine, and I was in Year

90
00:04:50,360 --> 00:04:51,480
Speaker 3: night Like I loved to.

91
00:04:51,800 --> 00:04:52,760
Speaker 2: Like it so easy.

92
00:04:54,400 --> 00:04:57,600
Speaker 3: Actually we were too, but just fake high school. Well

93
00:04:57,800 --> 00:05:00,840
Speaker 3: I geat that's like how convenience was that we were

94
00:05:00,880 --> 00:05:01,240
Speaker 3: all in it.

95
00:05:01,360 --> 00:05:03,920
Speaker 2: We didn't know it at the time, so really told

96
00:05:03,960 --> 00:05:09,680
Speaker 2: later that we weren't a droiding. So then then, yeah, I.

97
00:05:09,600 --> 00:05:12,960
Speaker 3: Mean so two thousand and there was an overlap there.

98
00:05:13,000 --> 00:05:17,160
Speaker 3: Twenty ten pretty realized and Glee were both arians same

99
00:05:17,200 --> 00:05:18,839
Speaker 3: time because two thousand and nine.

100
00:05:18,720 --> 00:05:22,120
Speaker 2: Right, yeah, And I had been friends with Ashley Benson

101
00:05:22,360 --> 00:05:25,039
Speaker 2: since I was like fifteen or something, and so she

102
00:05:26,040 --> 00:05:30,280
Speaker 2: and I she was on another show called Eastwick, yeah,

103
00:05:30,320 --> 00:05:33,240
Speaker 2: the Witches of east Wick or something, and when Glee

104
00:05:33,320 --> 00:05:35,480
Speaker 2: first started and that got canceled, and she was all bummed,

105
00:05:35,480 --> 00:05:37,080
Speaker 2: and then she immediately got pretty little liars and I

106
00:05:37,120 --> 00:05:40,320
Speaker 2: was like, actually, we're killing it. Look at us, like

107
00:05:40,440 --> 00:05:44,479
Speaker 2: who would have thought? Yeah, it was very strange.

108
00:05:44,760 --> 00:05:47,080
Speaker 3: Did he continue like being friends while bus stars were

109
00:05:47,080 --> 00:05:50,200
Speaker 3: airing and everything? And oh yeah, and friends been like

110
00:05:50,320 --> 00:05:51,000
Speaker 3: going like this.

111
00:05:52,160 --> 00:05:56,600
Speaker 2: Yeah. I mean she at the time was like dating

112
00:05:57,000 --> 00:05:58,760
Speaker 2: my best friend and so.

113
00:05:58,760 --> 00:06:02,800
Speaker 3: We're all we're all still friends. So yeah, yeah, awesome. Yeah,

114
00:06:02,800 --> 00:06:06,200
Speaker 3: So love that you covered our two shows first, which

115
00:06:06,240 --> 00:06:10,000
Speaker 3: is great. Selfishly, I mean the most crucial shows on TV, Like,

116
00:06:10,120 --> 00:06:12,680
Speaker 3: let's be s you said it, I didn't. I only

117
00:06:12,720 --> 00:06:18,000
Speaker 3: talk about important shows, please, I covered the most important media.

118
00:06:19,880 --> 00:06:21,880
Speaker 3: So I started with Privitive Lies because that was like

119
00:06:22,080 --> 00:06:26,320
Speaker 3: my favorite show. And then once I covered Privitle Lies,

120
00:06:26,400 --> 00:06:29,559
Speaker 3: mind you, because I these takes such a ridiculous amount

121
00:06:29,560 --> 00:06:32,400
Speaker 3: of time to make, So I was writing a script

122
00:06:32,880 --> 00:06:37,800
Speaker 3: and recording and editing for like probably three months. They're huge.

123
00:06:38,160 --> 00:06:38,920
Speaker 1: They're massive.

124
00:06:39,960 --> 00:06:42,760
Speaker 3: I try and make them, so it seems like they

125
00:06:42,800 --> 00:06:45,400
Speaker 3: were almost effortless or it's like I just got up

126
00:06:45,400 --> 00:06:46,240
Speaker 3: and started talking.

127
00:06:46,480 --> 00:06:46,839
Speaker 1: You did.

128
00:06:47,400 --> 00:06:49,080
Speaker 2: It looks like it was all done in an afternoon,

129
00:06:49,200 --> 00:06:51,719
Speaker 2: Like you, how did you remember all this? Yeah?

130
00:06:51,760 --> 00:06:53,480
Speaker 3: People were like like, you must have like such a

131
00:06:53,520 --> 00:06:56,919
Speaker 3: good memory of that. Maybe it's a script right, like

132
00:06:57,000 --> 00:06:59,000
Speaker 3: it's all written down one hundred percent. You're just a

133
00:06:59,080 --> 00:07:01,560
Speaker 3: very good actor. Yeah, oh well, thank you, thank you.

134
00:07:01,720 --> 00:07:04,600
Speaker 2: Unlike some of the acting on both of our shows,

135
00:07:04,960 --> 00:07:08,000
Speaker 2: Oh no, I love if the if there's ever a

136
00:07:08,040 --> 00:07:10,000
Speaker 2: scene where like the acting makes me think like this

137
00:07:10,440 --> 00:07:12,520
Speaker 2: even better because to me, that makes it like stick

138
00:07:12,520 --> 00:07:13,240
Speaker 2: out in my brain more.

139
00:07:13,280 --> 00:07:15,120
Speaker 3: I'm like, yeah, that's iconic. That's what you call it,

140
00:07:15,240 --> 00:07:20,760
Speaker 3: like iconic pop culture history. So yeah, like multiple months

141
00:07:20,800 --> 00:07:25,720
Speaker 3: without uploading on YouTube, which, like the way social media works,

142
00:07:25,960 --> 00:07:28,560
Speaker 3: or at least worked, was if you weren't uploading for

143
00:07:28,640 --> 00:07:31,080
Speaker 3: months and you came back and you uploaded something, if

144
00:07:31,080 --> 00:07:33,040
Speaker 3: it didn't bang immediately.

145
00:07:32,560 --> 00:07:36,720
Speaker 1: You're done, right, So this week, yeah.

146
00:07:36,560 --> 00:07:39,400
Speaker 3: And it didn't so like the first like it up,

147
00:07:39,440 --> 00:07:43,760
Speaker 3: I uploaded it and it was just like Okay, everyone's crickets, like,

148
00:07:43,960 --> 00:07:45,960
Speaker 3: well what did you do? Like why did you do this?

149
00:07:46,600 --> 00:07:49,360
Speaker 3: And then like after I think maybe three months, it

150
00:07:49,440 --> 00:07:52,080
Speaker 3: started to pick up. And now I think the Privittle

151
00:07:52,080 --> 00:07:56,120
Speaker 3: Liars series is at fifteen million views. The first part

152
00:07:56,160 --> 00:07:58,320
Speaker 3: of Glee is nearly at four million views.

153
00:07:58,520 --> 00:08:01,600
Speaker 1: Yeah, so it took three months to watch and notate

154
00:08:01,720 --> 00:08:04,400
Speaker 1: and script and edit like at the same time, and.

155
00:08:04,360 --> 00:08:07,080
Speaker 2: Then shoot it. There's a costume you have, like all

156
00:08:07,120 --> 00:08:09,360
Speaker 2: those little things you're putting for like best songs and

157
00:08:09,400 --> 00:08:12,680
Speaker 2: moments and things like you have a whole board. I've

158
00:08:12,720 --> 00:08:15,200
Speaker 2: got the board here. It's like the Serial Killer board

159
00:08:15,240 --> 00:08:16,239
Speaker 2: but for pop culture.

160
00:08:16,720 --> 00:08:19,480
Speaker 3: Oh my god. Okay, so when this is only my

161
00:08:19,520 --> 00:08:23,200
Speaker 3: old apartments, I've moved apartments tragically. But when I was

162
00:08:23,360 --> 00:08:25,640
Speaker 3: in my old apartment, I had a rent inspection and

163
00:08:25,680 --> 00:08:28,520
Speaker 3: I didn't tell them what I did for my work.

164
00:08:29,200 --> 00:08:31,880
Speaker 3: So I had this like Glee board as soon as

165
00:08:31,920 --> 00:08:33,400
Speaker 3: you walk in the door, and then I had this

166
00:08:33,480 --> 00:08:37,400
Speaker 3: privile lines like murder wall, and then like the lady

167
00:08:37,440 --> 00:08:40,840
Speaker 3: goes through and she comes back, She's like like what

168
00:08:40,840 --> 00:08:43,000
Speaker 3: what is this? Like do you have? Like what do

169
00:08:43,040 --> 00:08:45,360
Speaker 3: we am I supposed to like tell someone about this.

170
00:08:45,679 --> 00:08:47,600
Speaker 3: I'm like, oh no, it's fine, Like, it's definitely fine.

171
00:08:47,640 --> 00:08:49,880
Speaker 3: It's just like what I do for work. And she's like, oh,

172
00:08:51,120 --> 00:08:52,920
Speaker 3: it's like it's public, you can watch it.

173
00:08:52,920 --> 00:08:53,600
Speaker 2: It's fine.

174
00:08:53,920 --> 00:08:57,000
Speaker 3: Yeah, But I'm just like, if I was her and

175
00:08:57,040 --> 00:08:59,720
Speaker 3: I saw that, I would also be like, what is this?

176
00:09:00,120 --> 00:09:01,120
Speaker 3: Like what is happening here?

177
00:09:01,600 --> 00:09:02,760
Speaker 2: You need to get him out of here?

178
00:09:03,200 --> 00:09:05,080
Speaker 3: At least I wasn't drilling holes in the walls, so

179
00:09:05,120 --> 00:09:06,680
Speaker 3: she can't complain, Right, That's.

180
00:09:06,559 --> 00:09:08,480
Speaker 1: True, Sonna, you're very extensive whiteboard.

181
00:09:08,920 --> 00:09:11,800
Speaker 2: Yeah, you're just making people happy. You're providing great entertainment.

182
00:09:12,640 --> 00:09:14,760
Speaker 3: So true. And I should have told her that and

183
00:09:14,840 --> 00:09:16,560
Speaker 3: they should have given me a rent reduction for that.

184
00:09:17,600 --> 00:09:28,760
Speaker 3: You are culture. So you did pretty little Liars and

185
00:09:28,760 --> 00:09:32,679
Speaker 3: then you did Glee. Ye in between that time of

186
00:09:32,760 --> 00:09:34,960
Speaker 3: deciding that you were going to do Glee. I know

187
00:09:35,040 --> 00:09:37,959
Speaker 3: you said it in your script in your video, but like,

188
00:09:38,520 --> 00:09:40,120
Speaker 3: was it that easy to just be like, well, I

189
00:09:40,120 --> 00:09:41,199
Speaker 3: think it's Glee next?

190
00:09:41,400 --> 00:09:44,680
Speaker 1: Or was this more? Were there other shows in contention

191
00:09:44,880 --> 00:09:46,840
Speaker 1: to be the second one that you did?

192
00:09:47,800 --> 00:09:52,360
Speaker 3: So I have a list of shows that I sort

193
00:09:52,360 --> 00:09:55,640
Speaker 3: of have ready to start working on at any moment,

194
00:09:56,240 --> 00:09:59,280
Speaker 3: but I kind of wait until I start saying like

195
00:09:59,280 --> 00:10:02,360
Speaker 3: a little bit of track action all that particular show

196
00:10:02,400 --> 00:10:06,720
Speaker 3: and Glee is an interesting one because Glee never leaves

197
00:10:06,960 --> 00:10:11,160
Speaker 3: the social lexicon ever. I'm sure you would know about that,

198
00:10:11,320 --> 00:10:14,320
Speaker 3: but it's just like always there's always clips sliding around,

199
00:10:14,440 --> 00:10:18,480
Speaker 3: always like moments trending on Twitter, TikTok, YouTube, everything, so

200
00:10:18,760 --> 00:10:22,920
Speaker 3: like it's always there. But then I think the reason

201
00:10:22,920 --> 00:10:25,760
Speaker 3: why I picked it over, say, gossip Girl, because gosp

202
00:10:25,840 --> 00:10:26,760
Speaker 3: Girl was the other one I was going to do

203
00:10:26,800 --> 00:10:31,400
Speaker 3: at that point in time, was so I watched the

204
00:10:31,480 --> 00:10:34,520
Speaker 3: pilot of both of them, and then I was like, oh,

205
00:10:35,080 --> 00:10:37,880
Speaker 3: the Glee pilot is just like probably one of my

206
00:10:37,880 --> 00:10:41,640
Speaker 3: favorite episodes of TV ever. Yeah, so I have to

207
00:10:41,679 --> 00:10:45,280
Speaker 3: talk about Glee. So then I started watching season one again.

208
00:10:45,320 --> 00:10:48,880
Speaker 1: I was like, oh, yeah, absolutely, and then by season

209
00:10:48,880 --> 00:10:50,760
Speaker 1: four you're like, oh man, why did I do this?

210
00:10:51,400 --> 00:10:55,160
Speaker 3: Okay, well, so I did season one to three together, right,

211
00:10:56,040 --> 00:10:58,200
Speaker 3: and I was like, this is so good, like I'm

212
00:10:58,280 --> 00:11:00,720
Speaker 3: loving it and everyone's like hell yeah. But then like

213
00:11:00,800 --> 00:11:02,120
Speaker 3: people come up to me on the stream and be like,

214
00:11:02,200 --> 00:11:06,200
Speaker 3: I loved your Glee season one to three video. That's

215
00:11:06,240 --> 00:11:08,920
Speaker 3: where I stopped. I can't remember happened in season four, five, six,

216
00:11:08,960 --> 00:11:13,079
Speaker 3: and I was like, it did happen in season right,

217
00:11:13,120 --> 00:11:14,920
Speaker 3: but then when I watched it, I remembered it all.

218
00:11:14,960 --> 00:11:17,839
Speaker 3: But it's some kind of like I don't know what,

219
00:11:17,960 --> 00:11:20,719
Speaker 3: like a Mendela effect where everyone's like they go to

220
00:11:20,760 --> 00:11:25,400
Speaker 3: New York and then they're like, what happens next? Yeah,

221
00:11:25,440 --> 00:11:28,000
Speaker 3: so season one, two and three, I was like all

222
00:11:28,040 --> 00:11:29,840
Speaker 3: the things that I could really remember really well, and

223
00:11:29,880 --> 00:11:31,360
Speaker 3: then four five and six was almost like I was

224
00:11:31,360 --> 00:11:33,520
Speaker 3: watching the show for the first time again, which was fun.

225
00:11:33,640 --> 00:11:36,000
Speaker 2: So that's what we've been saying, and we're really like

226
00:11:36,120 --> 00:11:38,280
Speaker 2: personally very excited to get to four five and six

227
00:11:38,320 --> 00:11:43,520
Speaker 2: because zero recollection. I have no idea that we were

228
00:11:43,559 --> 00:11:47,199
Speaker 2: there and we don't remember, so Lord knows.

229
00:11:47,480 --> 00:11:53,480
Speaker 1: Yeah, it all turns into one really long episode.

230
00:11:53,080 --> 00:11:56,360
Speaker 3: Do you think of it in plot lines or do

231
00:11:56,400 --> 00:11:58,520
Speaker 3: you think of it in like I was doing this

232
00:11:58,600 --> 00:12:01,040
Speaker 3: on this day, Da da da da da uh Yeah.

233
00:12:01,480 --> 00:12:06,920
Speaker 1: Yeah, yeah, more memories based seasons because the plotlines were

234
00:12:06,960 --> 00:12:11,560
Speaker 1: so inconsistent, as you know, and there were just so

235
00:12:11,640 --> 00:12:14,920
Speaker 1: many turns of different relationships and yeah, there was not

236
00:12:15,600 --> 00:12:19,120
Speaker 1: a very streamlined thing for our characters at least, and

237
00:12:19,160 --> 00:12:21,760
Speaker 1: so it's hard to kind of keep track that way.

238
00:12:21,880 --> 00:12:24,320
Speaker 3: Especially specific things that happen in order.

239
00:12:25,000 --> 00:12:29,040
Speaker 1: Yeah, I mean like yeah, seasons wise, it makes sense,

240
00:12:29,080 --> 00:12:32,280
Speaker 1: like the first one obviously within the baby and you

241
00:12:32,320 --> 00:12:36,960
Speaker 1: know the whole Shelby that it's those season arcs are

242
00:12:37,360 --> 00:12:39,719
Speaker 1: able to We're able to track better or like by

243
00:12:39,760 --> 00:12:41,959
Speaker 1: the prom right you're like, oh that year was that

244
00:12:42,040 --> 00:12:44,640
Speaker 1: prom yeah? Or that Christmas episode? We don't speak of

245
00:12:44,679 --> 00:12:46,640
Speaker 1: a Christmas episodes in front of you though, Can we

246
00:12:46,880 --> 00:12:47,480
Speaker 1: talk about that?

247
00:12:48,880 --> 00:12:51,720
Speaker 2: No, we're going so it's going so well. We didn't

248
00:12:51,760 --> 00:12:53,040
Speaker 2: have to bring that up so early.

249
00:12:53,080 --> 00:12:54,600
Speaker 3: Why did you have to say something like.

250
00:12:56,559 --> 00:12:59,520
Speaker 1: Can we have a question that I have a controversial question? Okay,

251
00:12:59,559 --> 00:13:02,839
Speaker 1: you cannot like the Christmas epens. I'm totally I'm bored

252
00:13:02,880 --> 00:13:06,280
Speaker 1: with that. Do you not like the Christmas music?

253
00:13:10,120 --> 00:13:13,439
Speaker 3: Okay? So I have a complicated relationship with Christmas music

254
00:13:13,559 --> 00:13:14,199
Speaker 3: in general.

255
00:13:14,440 --> 00:13:16,040
Speaker 1: Okay, fair enough, fair enough.

256
00:13:16,559 --> 00:13:20,920
Speaker 3: My mom runs Michael Bubley into the ground. So like

257
00:13:20,960 --> 00:13:23,319
Speaker 3: when it's Christmas time, it is all I used to

258
00:13:23,360 --> 00:13:26,360
Speaker 3: hear was Michael Bible and I'd be like, okay, this,

259
00:13:26,480 --> 00:13:27,200
Speaker 3: I've had enough.

260
00:13:27,679 --> 00:13:31,199
Speaker 2: I hate sweet, sultry melodic voices. It would seem.

261
00:13:31,000 --> 00:13:35,160
Speaker 3: So so then I immediately was like, oh my god,

262
00:13:35,280 --> 00:13:40,200
Speaker 3: Christmas music. But then Christmas TV it used to shit

263
00:13:40,280 --> 00:13:43,160
Speaker 3: me to no end. So be like on Pretty Little

264
00:13:43,200 --> 00:13:45,080
Speaker 3: Lives when they do it on Glee, when they do it,

265
00:13:45,160 --> 00:13:48,520
Speaker 3: I'd be like, oh my god, Like I think it

266
00:13:48,559 --> 00:13:53,880
Speaker 3: was because like Christmas in the States is snowy, right, yes,

267
00:13:54,480 --> 00:13:56,920
Speaker 3: and it could not be the absolute opposite, like it's

268
00:13:57,280 --> 00:14:02,320
Speaker 3: forty degrees yeah right right, that is hot. So when

269
00:14:02,360 --> 00:14:04,680
Speaker 3: I'm watching these Christmas episodes, I can't relate, Like you

270
00:14:04,720 --> 00:14:07,720
Speaker 3: guys are like singing in the snow and I'm like, oh,

271
00:14:07,760 --> 00:14:11,000
Speaker 3: like I'm sweating to death here, So maybe that's fly.

272
00:14:11,320 --> 00:14:18,280
Speaker 3: But yeah, the Christmas episodes just to know, but that's

273
00:14:18,280 --> 00:14:21,080
Speaker 3: more fun to film because they're like conceptual.

274
00:14:22,000 --> 00:14:25,160
Speaker 2: Yeah, and that way. Yeah, the conceptual episodes were fun

275
00:14:25,560 --> 00:14:30,560
Speaker 2: just because it was something different. I think being inside

276
00:14:30,600 --> 00:14:33,080
Speaker 2: of it, I like the Christmas episodes, maybe because I'm

277
00:14:33,080 --> 00:14:37,080
Speaker 2: biased towards like our arrangements of the songs, but I

278
00:14:37,120 --> 00:14:41,040
Speaker 2: do agree with you. Generally, when shows have a Christmas episode,

279
00:14:41,160 --> 00:14:44,240
Speaker 2: I hate it because like I want something that contributes

280
00:14:44,280 --> 00:14:47,160
Speaker 2: to the overall like plot of the show, and these

281
00:14:47,240 --> 00:14:50,080
Speaker 2: Christmas episodes are always like a weird one off and

282
00:14:50,360 --> 00:14:52,920
Speaker 2: take you out. Yeah, Like I don't need that this

283
00:14:53,040 --> 00:14:54,760
Speaker 2: is not the same world that we've been living in.

284
00:14:55,320 --> 00:14:59,200
Speaker 3: To me, the one exception is Gossip Girl Thanksgiving episodes.

285
00:15:00,000 --> 00:15:03,280
Speaker 3: It's like, that's just like when they're like there's always

286
00:15:03,320 --> 00:15:06,000
Speaker 3: like a dinner party, and they're always like the culmination

287
00:15:06,240 --> 00:15:08,440
Speaker 3: of the plot point and it all comes out like

288
00:15:08,480 --> 00:15:11,600
Speaker 3: at a dinner party. To me, that's like excellent because

289
00:15:11,600 --> 00:15:13,640
Speaker 3: I'm like, cool, it's a themed episode, but also it's

290
00:15:13,680 --> 00:15:16,480
Speaker 3: relevant to what we just went through in the plot,

291
00:15:16,640 --> 00:15:19,000
Speaker 3: Whereas sometimes, as you said, with the Christmas episode, it'll

292
00:15:19,000 --> 00:15:22,160
Speaker 3: just be like the like most drama happens, and then

293
00:15:22,240 --> 00:15:25,560
Speaker 3: suddenly it's like la la la Christmas and then the

294
00:15:25,560 --> 00:15:28,680
Speaker 3: next episode is back to like being with the drama.

295
00:15:28,720 --> 00:15:32,640
Speaker 2: And Thanksgiving also is not what Christmas is, so like

296
00:15:32,640 --> 00:15:36,880
Speaker 2: the whole episode is not like everyone's getting to a meal, right,

297
00:15:37,000 --> 00:15:40,280
Speaker 2: And that's basically it as opposed to every single scene

298
00:15:40,720 --> 00:15:43,920
Speaker 2: being dressed up like something Christmas related and talking about

299
00:15:43,960 --> 00:15:49,040
Speaker 2: Christmas something related. So Christmas is overwhelming. It's another character.

300
00:15:49,840 --> 00:15:53,080
Speaker 3: Yeah, well, I mean one Christmas episode, I'd be like okay,

301
00:15:53,240 --> 00:15:56,600
Speaker 3: but then it's like a multiple Christmas episodes one perst season.

302
00:15:56,680 --> 00:16:00,720
Speaker 3: I'm like, we've done Christmas, Like let mo on.

303
00:16:01,520 --> 00:16:03,520
Speaker 2: I do have to say it's also weird filming Christmas

304
00:16:03,600 --> 00:16:08,160
Speaker 2: episodes because you're obviously filming it way in advance of Christmas. Yeah,

305
00:16:08,240 --> 00:16:10,400
Speaker 2: and we're all get you in the mood, and it

306
00:16:10,400 --> 00:16:14,680
Speaker 2: doesn't get cold in La, so like we're wearing all

307
00:16:14,680 --> 00:16:17,960
Speaker 2: these like big well I was wearing these sweaters and

308
00:16:18,000 --> 00:16:21,280
Speaker 2: big puffy coats and love to sweat up. Oh my god,

309
00:16:22,720 --> 00:16:24,680
Speaker 2: I smelled so bad every day.

310
00:16:25,200 --> 00:16:26,440
Speaker 3: Est. Do you have any of this?

311
00:16:27,280 --> 00:16:28,640
Speaker 2: I do? Yeah?

312
00:16:28,640 --> 00:16:30,280
Speaker 1: Which one? Did you keep? The dinosaur one?

313
00:16:31,480 --> 00:16:34,320
Speaker 3: No, I have like a like a bird, there's like

314
00:16:34,360 --> 00:16:40,320
Speaker 3: a and then I have like a Yeah, I kept

315
00:16:40,440 --> 00:16:44,520
Speaker 3: some of the more expensive ones, right as you should. Well,

316
00:16:44,640 --> 00:16:46,400
Speaker 3: there's one I've tried to wear out in public, but

317
00:16:46,440 --> 00:16:49,880
Speaker 3: it is just on wool, and I feel like heat

318
00:16:49,880 --> 00:16:50,600
Speaker 3: stroke every time.

319
00:16:51,400 --> 00:16:54,200
Speaker 1: I never cold enough to wear for forever.

320
00:16:55,800 --> 00:16:59,400
Speaker 3: Do you keep any of your like Tina clothes? You know?

321
00:16:59,480 --> 00:17:01,600
Speaker 1: I did, and then I got rid of them over time,

322
00:17:01,720 --> 00:17:04,359
Speaker 1: I think. But I do have a T shirt of

323
00:17:04,400 --> 00:17:09,040
Speaker 1: Tina's that's like it looks like the colonial kind of

324
00:17:10,440 --> 00:17:12,879
Speaker 1: uniform from back in the day, but it's just a

325
00:17:12,920 --> 00:17:14,240
Speaker 1: T shirt, so it's just a graphic.

326
00:17:14,440 --> 00:17:16,960
Speaker 3: And then it must be season one then, because I think.

327
00:17:17,720 --> 00:17:21,879
Speaker 1: Yes, totally, totally, and then I did have some of

328
00:17:21,920 --> 00:17:24,960
Speaker 1: her jewelry I was able to keep from season one,

329
00:17:25,119 --> 00:17:28,160
Speaker 1: the long like chains with the little lockets on them

330
00:17:28,280 --> 00:17:29,040
Speaker 1: and things like that.

331
00:17:29,200 --> 00:17:33,159
Speaker 3: So I loved Tina's sort of like costume progression.

332
00:17:33,600 --> 00:17:36,159
Speaker 2: Oh yeah, it's definitely the most interesting out of I

333
00:17:36,160 --> 00:17:39,160
Speaker 2: think all the characters, like Tina actually had a whole journey.

334
00:17:39,600 --> 00:17:44,679
Speaker 1: Oh yeah, sometimes more if you were given a picture

335
00:17:44,720 --> 00:17:47,080
Speaker 1: of Tina, you'd be like, oh, this was around this time.

336
00:17:47,440 --> 00:17:50,160
Speaker 3: Yeah, I think it's interesting because the characters had something

337
00:17:50,200 --> 00:17:54,560
Speaker 3: like that. No, besides the but she cuts a.

338
00:17:54,560 --> 00:17:57,679
Speaker 1: Hippy or the cheerios exactly, it's haircuts too. I know,

339
00:17:57,880 --> 00:18:02,240
Speaker 1: like if I have bangs. I'm in season four three

340
00:18:02,320 --> 00:18:06,439
Speaker 1: four h no four, it was four or five that

341
00:18:06,480 --> 00:18:13,080
Speaker 1: I had season right right, And then yes, Tina's outfits

342
00:18:13,119 --> 00:18:15,600
Speaker 1: were actually at one point, I remember being in this

343
00:18:15,720 --> 00:18:19,359
Speaker 1: like lace corset top that was like up to my neck,

344
00:18:19,400 --> 00:18:21,640
Speaker 1: and I'm thinking, something has to change if we're going

345
00:18:21,640 --> 00:18:24,600
Speaker 1: to be in this for six years. And that's when

346
00:18:24,600 --> 00:18:27,560
Speaker 1: I started wearing the black dresses. It was a white

347
00:18:28,040 --> 00:18:33,720
Speaker 1: lace like coarsity long sleeve top with a brown belt,

348
00:18:33,760 --> 00:18:36,320
Speaker 1: and I was wearing a red lip, and I remember

349
00:18:36,359 --> 00:18:39,040
Speaker 1: I had like all the stewelry, and I thought, I

350
00:18:39,080 --> 00:18:42,080
Speaker 1: can't sustain that. This is not sustainable.

351
00:18:43,720 --> 00:18:43,960
Speaker 3: Change.

352
00:18:44,320 --> 00:18:46,399
Speaker 1: Yes, we went with little black dresses for a while

353
00:18:46,480 --> 00:18:50,359
Speaker 1: before she got into her color block moment. Yes I

354
00:18:50,400 --> 00:18:53,720
Speaker 1: love those. Yes, yes, she's really coming into her own

355
00:18:53,760 --> 00:18:59,960
Speaker 1: man anyway, But it's enough about Tina, and there's.

356
00:18:59,760 --> 00:19:02,400
Speaker 2: Never enough about Tina. As we've learned from watching the show.

357
00:19:02,440 --> 00:19:03,200
Speaker 2: There's never enough.

358
00:19:03,520 --> 00:19:06,119
Speaker 3: Wow, Absolutely, I think I in my Glee recap, I

359
00:19:06,160 --> 00:19:09,119
Speaker 3: was like digging into the show multiple times. I was like,

360
00:19:09,520 --> 00:19:12,760
Speaker 3: and then we have Tina's one plot line from season one.

361
00:19:13,240 --> 00:19:15,320
Speaker 3: But then that's what I liked about four, five, and six.

362
00:19:15,520 --> 00:19:18,600
Speaker 3: There was so many more Tina and Artie plot lines. Yes,

363
00:19:18,640 --> 00:19:20,560
Speaker 3: I guess because a lot of the main characters had

364
00:19:20,600 --> 00:19:21,159
Speaker 3: left the school.

365
00:19:21,560 --> 00:19:23,560
Speaker 2: Try the show got bad because there was more of us.

366
00:19:25,359 --> 00:19:25,560
Speaker 1: Well.

367
00:19:25,600 --> 00:19:29,760
Speaker 3: I actually a question about that, because when I was

368
00:19:29,800 --> 00:19:33,639
Speaker 3: watching season one and season two, I thought everyone was

369
00:19:33,720 --> 00:19:36,720
Speaker 3: the same age, like everyone was in the same year group.

370
00:19:36,920 --> 00:19:41,280
Speaker 3: Then in season three suddenly it's like, oh, half the

371
00:19:41,359 --> 00:19:44,160
Speaker 3: cohort is graduating, the other half is in the year below.

372
00:19:44,480 --> 00:19:48,399
Speaker 3: When you were filming, did you know from the start

373
00:19:48,520 --> 00:19:49,960
Speaker 3: that they weren't in the same year group.

374
00:19:50,280 --> 00:19:54,400
Speaker 2: Now we didn't know into the audience, now I knew it, okay, Yeah.

375
00:19:54,080 --> 00:19:58,000
Speaker 1: Because the writers realized, oh crap, we can't have everybody

376
00:19:58,000 --> 00:20:00,240
Speaker 1: going to New York and we don't want to lose everybody,

377
00:20:00,520 --> 00:20:02,800
Speaker 1: so we're just gonna have to keep people behind.

378
00:20:03,280 --> 00:20:06,360
Speaker 2: Yeah. Yeah, Like when the end of season two, when

379
00:20:06,400 --> 00:20:08,960
Speaker 2: all of a sudden, out of nowhere, Rachel starts talking

380
00:20:08,960 --> 00:20:16,119
Speaker 2: about graduating next year, and that's when we were like, oh,

381
00:20:16,000 --> 00:20:21,240
Speaker 2: who else we're all graduating? Do we have jobs? What's happening? Yeah?

382
00:20:21,520 --> 00:20:24,960
Speaker 2: And so then it's slowly because I know Ian Brennan,

383
00:20:24,960 --> 00:20:28,600
Speaker 2: who is one of the writers and creator, he was

384
00:20:28,600 --> 00:20:31,320
Speaker 2: saying he was trying to avoid doing that from the beginning,

385
00:20:31,720 --> 00:20:33,320
Speaker 2: to just sort of keep it as like you don't

386
00:20:33,320 --> 00:20:38,800
Speaker 2: really know where they are, yeah, so you can't place them,

387
00:20:39,040 --> 00:20:41,480
Speaker 2: but somebody committed to something.

388
00:20:41,560 --> 00:20:46,520
Speaker 1: And then well, the issue is our regionals are and

389
00:20:46,600 --> 00:20:51,159
Speaker 1: the nationals every year were time stamped, and so in

390
00:20:51,280 --> 00:20:56,440
Speaker 1: order to go through a competition cycle every year, we

391
00:20:56,440 --> 00:20:59,560
Speaker 1: were being time stamped, and so that was I think

392
00:20:59,560 --> 00:21:03,080
Speaker 1: that's why FT us up with the with the ages.

393
00:21:03,440 --> 00:21:07,480
Speaker 3: But it's okay, I think there was a specific point.

394
00:21:07,720 --> 00:21:10,720
Speaker 3: I'm trying to remember both its in season two or three.

395
00:21:10,800 --> 00:21:14,720
Speaker 3: I think maybe at the start of season three when

396
00:21:15,920 --> 00:21:18,879
Speaker 3: some of you are all like you're in a home

397
00:21:19,040 --> 00:21:23,879
Speaker 3: ic class together mm hmm, and I think it's Mercedes, Tina,

398
00:21:25,000 --> 00:21:27,960
Speaker 3: and Ardie and you're all in the same class. And

399
00:21:28,000 --> 00:21:30,320
Speaker 3: then like the later on, it's like Mercedes is graduating,

400
00:21:30,400 --> 00:21:31,920
Speaker 3: but both of you aren't. And I'm like, then, why

401
00:21:31,920 --> 00:21:33,600
Speaker 3: are you in the same home ed class, Like what's

402
00:21:33,640 --> 00:21:35,840
Speaker 3: going on? Where's the consistency? This is great.

403
00:21:35,920 --> 00:21:38,119
Speaker 2: We need all these notes from you because we just

404
00:21:38,160 --> 00:21:41,720
Speaker 2: finished season two. We're about to start season three, so

405
00:21:42,200 --> 00:21:44,159
Speaker 2: having these sort of things to look forward to. Of

406
00:21:44,880 --> 00:21:47,200
Speaker 2: those things, okay, we'll hear a list.

407
00:21:47,720 --> 00:21:49,680
Speaker 3: Oh my god, I have like a full on list here,

408
00:21:49,720 --> 00:21:50,760
Speaker 3: Like it's serious.

409
00:21:51,280 --> 00:21:52,760
Speaker 1: I bet, I bet you have a list.

410
00:21:52,840 --> 00:21:53,840
Speaker 2: Of course, you've come prepared.

411
00:21:54,000 --> 00:21:56,240
Speaker 3: The first thing I wrote down when I was thinking

412
00:21:56,240 --> 00:21:59,080
Speaker 3: of like season two moments, because I know you just

413
00:21:59,119 --> 00:22:01,200
Speaker 3: finished season two, right, yeah, yes.

414
00:22:01,119 --> 00:22:03,440
Speaker 2: I would like to know your thoughts in season two. Well.

415
00:22:06,040 --> 00:22:10,080
Speaker 3: Of course, the most important thing to me from season

416
00:22:10,080 --> 00:22:16,119
Speaker 3: two is when Sue punches the announcer and then it's

417
00:22:16,520 --> 00:22:20,040
Speaker 3: never brought up ever again. Be on that one second

418
00:22:20,080 --> 00:22:23,199
Speaker 3: scene and that like that is my favorite thing. I

419
00:22:23,200 --> 00:22:27,400
Speaker 3: think probably a badly because it's like they announced new

420
00:22:27,440 --> 00:22:31,800
Speaker 3: directions as like I think it was they did the

421
00:22:31,920 --> 00:22:33,040
Speaker 3: directions win something.

422
00:22:33,320 --> 00:22:35,520
Speaker 2: Yeah, they beat her team.

423
00:22:35,200 --> 00:22:38,080
Speaker 3: Yes, that's right. And then like she just runs over

424
00:22:38,280 --> 00:22:41,440
Speaker 3: and knocks out this old lady like full on king here,

425
00:22:41,800 --> 00:22:44,240
Speaker 3: and everyone's like, oh, and then that's it.

426
00:22:44,359 --> 00:22:44,760
Speaker 2: That's it.

427
00:22:45,000 --> 00:22:46,400
Speaker 1: Never got no repercussion.

428
00:22:46,480 --> 00:22:49,280
Speaker 2: We had that reaction too. I had zero recollection of

429
00:22:49,320 --> 00:22:52,520
Speaker 2: that happening. And like the suit as crazy shit every

430
00:22:52,560 --> 00:22:54,800
Speaker 2: episode almost right where you're used to like, oh, push

431
00:22:54,840 --> 00:22:58,520
Speaker 2: an old lady down the stairs. Fine, cool, that happened,

432
00:22:58,520 --> 00:23:02,800
Speaker 2: and I literally gasped, and then the episode ended. Wait

433
00:23:02,840 --> 00:23:06,399
Speaker 2: a second, we're not nobody needs to talk about okay, cool,

434
00:23:06,680 --> 00:23:07,359
Speaker 2: keep it moving.

435
00:23:07,920 --> 00:23:09,679
Speaker 3: Like I loved that there was so much going on

436
00:23:09,720 --> 00:23:11,680
Speaker 3: that they can just be like, we don't need to

437
00:23:11,720 --> 00:23:14,760
Speaker 3: talk about it, we don't need to talk about it.

438
00:23:15,160 --> 00:23:22,399
Speaker 3: And then I've also got my headband and classic the

439
00:23:22,440 --> 00:23:27,040
Speaker 3: Barber Streisand when Kurt's trying to inspire Rachel and then

440
00:23:27,080 --> 00:23:30,520
Speaker 3: she's like did you bring Barbra Streisand and then no,

441
00:23:30,560 --> 00:23:31,680
Speaker 3: this is a mall in Ohio.

442
00:23:32,080 --> 00:23:34,200
Speaker 1: This is very funny the writing.

443
00:23:35,320 --> 00:23:37,879
Speaker 3: The writing is so excellent and like there's like witty

444
00:23:37,960 --> 00:23:41,400
Speaker 3: kind of jokes. I just love them so much. Then

445
00:23:41,440 --> 00:23:45,760
Speaker 3: there was the episode nineteen revealed that Lord Tubbington smokes, Yeah,

446
00:23:47,080 --> 00:23:49,119
Speaker 3: and they can eat cheese because he's on Atkins.

447
00:23:49,560 --> 00:23:50,320
Speaker 1: Yeah.

448
00:23:50,359 --> 00:23:52,880
Speaker 2: The specificity of these notes, I I appreciate it.

449
00:23:53,040 --> 00:23:58,280
Speaker 3: Oh yeah, there's like very fine detail. Then there was

450
00:23:58,560 --> 00:24:01,240
Speaker 3: obviously the entire Brittany episode of Britney Brittany.

451
00:24:01,359 --> 00:24:04,600
Speaker 2: Yes, because you talk about that, how you love those

452
00:24:04,600 --> 00:24:07,960
Speaker 2: sort of like when we do a themed episode, not Christmas,

453
00:24:07,960 --> 00:24:11,200
Speaker 2: but with about an artist that those episodes were always

454
00:24:12,720 --> 00:24:18,080
Speaker 2: very good or just wild. The audience liked them.

455
00:24:16,960 --> 00:24:20,479
Speaker 3: Yeah, I think because they continued the plot, but then

456
00:24:20,520 --> 00:24:24,800
Speaker 3: they also themed, so there'll be multiple songs from an artist,

457
00:24:24,920 --> 00:24:28,840
Speaker 3: but then it's somehow done that each song is still

458
00:24:28,880 --> 00:24:31,480
Speaker 3: relevant to the plot. Yeah, a different part of the plot.

459
00:24:31,760 --> 00:24:36,800
Speaker 3: Which it's interesting to me because do you know if

460
00:24:37,320 --> 00:24:40,560
Speaker 3: the plots came first or the music came first, like

461
00:24:40,560 --> 00:24:41,640
Speaker 3: we usually the plots.

462
00:24:41,800 --> 00:24:45,440
Speaker 1: Usually the plots, with the exception of some songs I'm

463
00:24:45,480 --> 00:24:48,160
Speaker 1: sure because of Ryan right.

464
00:24:48,720 --> 00:24:50,800
Speaker 2: Usually, but those episodes I don't know.

465
00:24:50,760 --> 00:24:53,080
Speaker 1: Though, Oh, I see what you're saying.

466
00:24:53,520 --> 00:24:56,800
Speaker 2: The episodes. Yeah, I think the theme episodes, it might

467
00:24:56,840 --> 00:24:57,480
Speaker 2: have been like.

468
00:24:58,359 --> 00:25:01,879
Speaker 1: Well, we have to do these, right, yeah, and then no,

469
00:25:01,960 --> 00:25:03,120
Speaker 1: you're right, Kevin, You're right.

470
00:25:03,359 --> 00:25:05,440
Speaker 2: I think it's probably a mix of those, a mix

471
00:25:05,440 --> 00:25:07,639
Speaker 2: of both for the themed episodes, because it's sort of like,

472
00:25:08,000 --> 00:25:09,879
Speaker 2: here are the ten songs, how can we make some

473
00:25:09,920 --> 00:25:12,280
Speaker 2: of these fit? And then like, oh, actually that one

474
00:25:12,280 --> 00:25:14,600
Speaker 2: would be better now that you have a plot sort

475
00:25:14,640 --> 00:25:17,359
Speaker 2: of loosely formed around some of these other songs.

476
00:25:17,920 --> 00:25:20,920
Speaker 3: And what about for like newer music, like, for example,

477
00:25:22,080 --> 00:25:25,440
Speaker 3: the episode from season four which is about like applause

478
00:25:25,520 --> 00:25:29,480
Speaker 3: and raw that came out pretty soon after those songs

479
00:25:29,480 --> 00:25:33,320
Speaker 3: came out, So yeah, you would have to have been

480
00:25:33,400 --> 00:25:36,600
Speaker 3: working on that the second those songs came out. Yeah,

481
00:25:36,640 --> 00:25:40,400
Speaker 3: So then yea, our turnaround was tight. We were yeah

482
00:25:40,880 --> 00:25:43,720
Speaker 3: shooting I mean three weeks after we would wrap an

483
00:25:43,720 --> 00:25:46,960
Speaker 3: episode it was on TV, So it could be.

484
00:25:49,480 --> 00:25:52,879
Speaker 2: Somewhat, I think, yeah, somewhat. I think ours is a

485
00:25:52,880 --> 00:25:57,640
Speaker 2: little tighter because our episodes were so jam packed full

486
00:25:57,640 --> 00:26:00,159
Speaker 2: of stuff, it took us longer to shoot it.

487
00:26:00,359 --> 00:26:05,560
Speaker 1: Sometimes the shooting to air is similar on other TV shows,

488
00:26:05,600 --> 00:26:08,040
Speaker 1: but what's not as similar as well? I can't speak

489
00:26:08,040 --> 00:26:10,879
Speaker 1: for the shows. But for Glee, it was like sometimes

490
00:26:10,880 --> 00:26:14,640
Speaker 1: they were writing the episode while we were sure heated,

491
00:26:15,600 --> 00:26:20,120
Speaker 1: and so it was in real time almost because they

492
00:26:20,119 --> 00:26:23,920
Speaker 1: were so backed up because the three creators were writing

493
00:26:24,040 --> 00:26:26,600
Speaker 1: from season one to three, just three of them wrote

494
00:26:26,800 --> 00:26:29,600
Speaker 1: all those scripts. It was like, there's only so much

495
00:26:29,640 --> 00:26:32,840
Speaker 1: that they could manufacture in that short amount of time.

496
00:26:32,960 --> 00:26:36,960
Speaker 1: So sometimes they were writing as they went and so

497
00:26:37,560 --> 00:26:39,440
Speaker 1: that's probably why some of these hits.

498
00:26:39,720 --> 00:26:41,840
Speaker 2: And I also think that labels at that point were

499
00:26:41,840 --> 00:26:45,720
Speaker 2: also like pitching the singles by some of these artists

500
00:26:45,720 --> 00:26:50,320
Speaker 2: to Ryan Badan so interesting, so they would get to

501
00:26:50,359 --> 00:26:52,080
Speaker 2: hear some of these songs before they came out.

502
00:26:52,359 --> 00:26:53,520
Speaker 3: Yes, was that fun?

503
00:26:54,280 --> 00:26:54,760
Speaker 1: Oh yeah?

504
00:26:55,359 --> 00:26:58,840
Speaker 3: I'm like, did you get to hear them?

505
00:26:59,160 --> 00:27:03,080
Speaker 1: No? Ryan would tell us. He'd be like, I heard this, sir,

506
00:27:03,760 --> 00:27:05,000
Speaker 1: I heard the new Gaga.

507
00:27:06,240 --> 00:27:07,680
Speaker 3: Spare listen please.

508
00:27:07,720 --> 00:27:11,880
Speaker 2: Yeah, literally cornering them in the like fake McKinley high,

509
00:27:12,320 --> 00:27:14,720
Speaker 2: always being like, so what did it sound like?

510
00:27:15,200 --> 00:27:21,960
Speaker 1: What's the second singles? Yes? Yes, so what do you

511
00:27:22,000 --> 00:27:25,159
Speaker 1: have a recap that you're going to do next?

512
00:27:26,160 --> 00:27:28,960
Speaker 3: So I'm doing Gossip Girl at the moment. I'm up

513
00:27:29,000 --> 00:27:33,320
Speaker 3: to season three and I'm also lost. I'm up to

514
00:27:33,359 --> 00:27:36,359
Speaker 3: season two are you doing simultaneously?

515
00:27:37,359 --> 00:27:42,040
Speaker 1: Yeah, that's a wild you were You're chaotic, that's crazy.

516
00:27:42,880 --> 00:27:44,320
Speaker 2: Your brain is a crazy place.

517
00:27:45,160 --> 00:27:49,480
Speaker 3: I since I started doing the recaps, like so much

518
00:27:49,560 --> 00:27:54,119
Speaker 3: has changed, just in terms of like YouTube and like

519
00:27:54,200 --> 00:27:57,040
Speaker 3: I nearly had a million subscribers, which is so insanely

520
00:27:57,480 --> 00:27:59,119
Speaker 3: to me because I never would have thought that I

521
00:27:59,119 --> 00:28:00,000
Speaker 3: would ever get to that point.

522
00:28:00,080 --> 00:28:02,800
Speaker 2: It is hard to do that. Congrats on building amazing,

523
00:28:02,880 --> 00:28:03,800
Speaker 2: thank you, thank you.

524
00:28:05,640 --> 00:28:10,000
Speaker 3: But then I'm also trying to pivot into like writing writing,

525
00:28:10,920 --> 00:28:14,840
Speaker 3: so I'm like working on like scripts while I'm doing these,

526
00:28:14,960 --> 00:28:16,680
Speaker 3: and I'm like, I don't know how much more time

527
00:28:16,720 --> 00:28:20,240
Speaker 3: I have to do these kind of deep dives. So

528
00:28:20,280 --> 00:28:22,400
Speaker 3: I'm like, while I still have the time, I'm doing

529
00:28:22,440 --> 00:28:24,879
Speaker 3: my favorite shows. So I have gossip Girl, Lost, and

530
00:28:24,920 --> 00:28:26,879
Speaker 3: then Desperate Housewives.

531
00:28:27,200 --> 00:28:33,600
Speaker 1: Oh my god, last time. I have some thoughts on Oh.

532
00:28:33,560 --> 00:28:35,320
Speaker 3: Yeah, I feel free to talk about it.

533
00:28:35,280 --> 00:28:38,520
Speaker 2: I love it. Do you think? I'm also wondering if

534
00:28:39,080 --> 00:28:43,200
Speaker 2: you doing this for Lost will help everyone else figure

535
00:28:43,200 --> 00:28:44,320
Speaker 2: out what happened?

536
00:28:44,520 --> 00:28:46,880
Speaker 3: I think so, but I think we've lost. There's like

537
00:28:47,080 --> 00:28:49,880
Speaker 3: a misconception of the ending. People think the ending is

538
00:28:49,920 --> 00:28:51,600
Speaker 3: one thing, but that is not what happened like they're

539
00:28:51,600 --> 00:28:54,840
Speaker 3: in purgatory. I'm like, no, they're absolutely not right. Because

540
00:28:54,840 --> 00:28:57,320
Speaker 3: a lot of people didn't watch the ending. Then the

541
00:28:57,400 --> 00:28:59,720
Speaker 3: reporting around the ending was that it was purgatory and

542
00:28:59,760 --> 00:29:02,920
Speaker 3: it was bad. So then everyone just assumes that's what happened.

543
00:29:03,560 --> 00:29:05,240
Speaker 2: Right, that's why you're on the case.

544
00:29:05,800 --> 00:29:08,360
Speaker 3: Yeah, so someone has to talk about it.

545
00:29:08,360 --> 00:29:12,520
Speaker 2: Has helped to inform your writing super helpfully.

546
00:29:13,320 --> 00:29:16,440
Speaker 3: I definitely definitely think so, because at least when I'm

547
00:29:16,480 --> 00:29:19,200
Speaker 3: writing like pros or writing plot lines, I feel like

548
00:29:19,200 --> 00:29:21,920
Speaker 3: I have strong plot lines because I've analyzed so much

549
00:29:21,960 --> 00:29:25,200
Speaker 3: media now that I know what I like in terms

550
00:29:25,200 --> 00:29:29,840
Speaker 3: of plot lines and arcs and pacing and that kind

551
00:29:29,880 --> 00:29:32,840
Speaker 3: of thing. The trickiest thing for me is dialogue, which

552
00:29:32,880 --> 00:29:36,000
Speaker 3: is why I think I liked Glee so much, is

553
00:29:36,040 --> 00:29:42,479
Speaker 3: because the dialogue is so fast and it's so Yeah,

554
00:29:42,680 --> 00:29:45,280
Speaker 3: it's silly, but it's also believable because sometimes when I

555
00:29:45,360 --> 00:29:47,120
Speaker 3: watch something and be like, I would never say something

556
00:29:47,200 --> 00:29:52,880
Speaker 3: like that, right, yeah, But then in Glee it's silly

557
00:29:53,000 --> 00:29:55,000
Speaker 3: enough that if you ever get a point where it's

558
00:29:55,000 --> 00:29:58,400
Speaker 3: like I wouldn't say that, what's like the show is

559
00:29:58,440 --> 00:29:59,960
Speaker 3: so silly, like the point that they even talking about

560
00:30:00,000 --> 00:30:02,280
Speaker 3: doesn't even make sense. Yeah, So then I think that's

561
00:30:02,640 --> 00:30:05,720
Speaker 3: That's one of the things that I've try to include

562
00:30:05,760 --> 00:30:08,760
Speaker 3: in my writing is like if I'm being silly, then

563
00:30:08,760 --> 00:30:11,520
Speaker 3: I'm being silly and I'm leaning into it, or if

564
00:30:11,560 --> 00:30:15,080
Speaker 3: I'm trying to be serious than trying to make the

565
00:30:15,080 --> 00:30:16,560
Speaker 3: dialogue as believable as possible.

566
00:30:16,920 --> 00:30:19,360
Speaker 2: Yeah, I think like the genre helps with that. Like,

567
00:30:19,400 --> 00:30:21,080
Speaker 2: I think Glee gets away with a lot of that

568
00:30:21,200 --> 00:30:25,400
Speaker 2: because it's satire and so these characters can say crazy

569
00:30:25,440 --> 00:30:28,280
Speaker 2: as things can get away with them, right, Yeah, because

570
00:30:28,280 --> 00:30:32,040
Speaker 2: they're also like funny and witty. Because when you have

571
00:30:32,080 --> 00:30:36,120
Speaker 2: a show that's supposed to be like real life and

572
00:30:36,200 --> 00:30:38,160
Speaker 2: super normal and then somebody says, like that's not how

573
00:30:38,240 --> 00:30:41,520
Speaker 2: people talk, no exactly, they like I would never say that,

574
00:30:41,600 --> 00:30:44,600
Speaker 2: but like Glee, nobody's really talking like how these people talk.

575
00:30:44,920 --> 00:30:47,120
Speaker 3: So it's like caricatures of people almost.

576
00:30:47,240 --> 00:30:48,440
Speaker 2: Yeah, right exactly.

577
00:30:48,520 --> 00:30:50,880
Speaker 3: When I was talking about Glee dialogue, there was something

578
00:30:50,880 --> 00:30:52,800
Speaker 3: in season three that I wanted to point out. Yes,

579
00:30:52,880 --> 00:30:55,480
Speaker 3: let's talk about season three. I can get us excited.

580
00:30:56,120 --> 00:30:57,680
Speaker 3: I've got like a full list, but I'm going to

581
00:30:57,720 --> 00:30:59,840
Speaker 3: pick this specific one. Can you watch it too?

582
00:31:00,160 --> 00:31:00,400
Speaker 2: After?

583
00:31:01,200 --> 00:31:06,400
Speaker 3: Absolutely? Yeah? So Ross Washington, one of my favorite characters

584
00:31:06,440 --> 00:31:10,400
Speaker 3: in Glee, comes in in season three and her lines

585
00:31:11,120 --> 00:31:13,960
Speaker 3: I think my favorite because she says to Sue, You're

586
00:31:14,000 --> 00:31:15,760
Speaker 3: not going to give birth to a child. You're going

587
00:31:15,760 --> 00:31:21,320
Speaker 3: to give birth to a Grandchild's like, Sue, you are

588
00:31:21,400 --> 00:31:25,200
Speaker 3: old as a hill. That's like one of my favorite

589
00:31:25,240 --> 00:31:28,680
Speaker 3: like dishes. I was like, you are old as a hill.

590
00:31:29,240 --> 00:31:34,040
Speaker 2: I think we used that, Like I remember us like line.

591
00:31:34,000 --> 00:31:39,560
Speaker 1: Yeah, wasn't Leaks? Oh she was? Are you kidding me?

592
00:31:39,800 --> 00:31:42,800
Speaker 2: It was so weird and surreal, like in all the

593
00:31:42,840 --> 00:31:46,960
Speaker 2: best ways because she was so cool. Yeah she should have,

594
00:31:47,000 --> 00:31:49,080
Speaker 2: but it was just exactly how you'd want her to be.

595
00:31:49,680 --> 00:31:55,280
Speaker 3: Yeah, character like I have a gold medal in individual

596
00:31:55,360 --> 00:31:57,000
Speaker 3: synchronized swimming, Like.

597
00:31:57,320 --> 00:31:59,680
Speaker 2: What that's all Ian Brennant.

598
00:32:00,680 --> 00:32:04,920
Speaker 3: So like it's just so funny and smart.

599
00:32:05,240 --> 00:32:07,719
Speaker 2: Yeah, and I also love that they gave her like

600
00:32:09,080 --> 00:32:12,360
Speaker 2: when Ryan comes and like presents an idea to us,

601
00:32:12,640 --> 00:32:14,320
Speaker 2: and it's like, Nini Leaks is going to be on

602
00:32:14,360 --> 00:32:18,720
Speaker 2: the show, Like what do you say? Okay?

603
00:32:18,840 --> 00:32:22,160
Speaker 1: Yeah, shes awesome, right, okay?

604
00:32:22,240 --> 00:32:25,760
Speaker 2: Acted, and she had all of the well also like

605
00:32:26,240 --> 00:32:29,160
Speaker 2: you got to act to be on Housewives, Like it's

606
00:32:29,200 --> 00:32:32,680
Speaker 2: a whole but then they gave her monologues like they

607
00:32:32,680 --> 00:32:35,480
Speaker 2: would give Naya or they would give Jane, and she's

608
00:32:35,520 --> 00:32:38,800
Speaker 2: saying this crazy ship and she's nailing it so good

609
00:32:39,640 --> 00:32:41,240
Speaker 2: Brian's delivery.

610
00:32:41,800 --> 00:32:46,680
Speaker 3: Yes, I wish the more Housewives crossover somehow.

611
00:32:45,680 --> 00:32:47,800
Speaker 1: And then then we get really crazy.

612
00:32:48,160 --> 00:32:51,000
Speaker 3: It's like, I like any kind of Housewives crossover, like

613
00:32:51,120 --> 00:32:57,000
Speaker 3: the Lady Gaga g u I film, when the real

614
00:32:57,000 --> 00:32:59,480
Speaker 3: Housewives at Beverly Hills are just randomly in the music

615
00:32:59,560 --> 00:33:02,560
Speaker 3: video Love that, Love Love Love That.

616
00:33:02,560 --> 00:33:05,520
Speaker 2: That is like culture on Cultures Castle.

617
00:33:06,360 --> 00:33:08,720
Speaker 3: And it's like being able. If you know all the layers, you're.

618
00:33:08,560 --> 00:33:10,360
Speaker 1: Like, yeah, yes, exactly.

619
00:33:10,520 --> 00:33:12,920
Speaker 3: Spending so much time watching TV and media has led

620
00:33:12,920 --> 00:33:15,000
Speaker 3: to this point and I feel justified that I know

621
00:33:15,080 --> 00:33:20,400
Speaker 3: all these people. So okay. My season three list of

622
00:33:20,560 --> 00:33:24,239
Speaker 3: points to keep an eye out for. First one is

623
00:33:24,720 --> 00:33:25,880
Speaker 3: Quinn's pink hair era.

624
00:33:27,040 --> 00:33:27,240
Speaker 1: Yes.

625
00:33:27,760 --> 00:33:30,440
Speaker 3: When I wrote my script, I called this her edgy

626
00:33:30,480 --> 00:33:33,600
Speaker 3: skater of pink hair, computer science, costsport, a pro arca

627
00:33:33,800 --> 00:33:40,160
Speaker 3: enjoyer era, and I loved that. I thought she was

628
00:33:40,400 --> 00:33:42,400
Speaker 3: slaying in every sense the word.

629
00:33:43,040 --> 00:33:43,240
Speaker 2: Yes.

630
00:33:44,320 --> 00:33:47,840
Speaker 3: Then we have Sue running for Congress on the anti

631
00:33:48,000 --> 00:33:50,680
Speaker 3: arts platform to destroy the Glee.

632
00:33:50,480 --> 00:33:52,560
Speaker 1: Club destroy the Glee Club.

633
00:33:52,720 --> 00:33:55,080
Speaker 2: Little did she know the entire Republican Party would also

634
00:33:55,160 --> 00:33:56,800
Speaker 2: take up her platform.

635
00:33:58,880 --> 00:34:05,160
Speaker 3: Because obviously they would destroy destroy. I just like the delivery,

636
00:34:05,240 --> 00:34:09,959
Speaker 3: so good, and then the Trouble Turnes. Now love the Troublees.

637
00:34:10,239 --> 00:34:13,759
Speaker 3: We love justice for trouble Tes. Absolutely. I could talk

638
00:34:13,760 --> 00:34:17,560
Speaker 3: about Trouble Turnes for hours. The Candy Man, Oh my god.

639
00:34:17,719 --> 00:34:20,680
Speaker 1: We also Sugar Mater soon, Oh my.

640
00:34:20,600 --> 00:34:26,600
Speaker 3: God, I love I love Sugar was my favorite new character.

641
00:34:26,360 --> 00:34:29,320
Speaker 1: In season three, Yes, definitely, because.

642
00:34:29,200 --> 00:34:32,839
Speaker 3: Who else we have? We had Rory Flanagan, Oh sweet,

643
00:34:33,680 --> 00:34:37,200
Speaker 3: and then Joe comes in in the second half of

644
00:34:37,239 --> 00:34:42,880
Speaker 3: season three, and then we just the best, Like I

645
00:34:42,920 --> 00:34:46,000
Speaker 3: wish we had more Sugar in the show always.

646
00:34:46,640 --> 00:34:49,239
Speaker 2: I don't think they realized I was like a gigantic

647
00:34:49,600 --> 00:34:53,799
Speaker 2: fan of Vanessa Lenji's who plays show, because I grew

648
00:34:53,880 --> 00:34:56,640
Speaker 2: up watching the show called American Dreams. And she was

649
00:34:56,680 --> 00:34:59,799
Speaker 2: like the best friend. Yes, and she said, I did

650
00:34:59,840 --> 00:35:01,920
Speaker 2: not I know she was cast in Glee and you

651
00:35:01,960 --> 00:35:07,239
Speaker 2: are gagged, fully starstruck, and then she comes in. I'm

652
00:35:07,280 --> 00:35:09,640
Speaker 2: just We're on stage like in the auditorium, and I'm like,

653
00:35:10,520 --> 00:35:12,600
Speaker 2: oh my god, and I remember some of the other

654
00:35:12,600 --> 00:35:16,680
Speaker 2: people being like, who is this? Who is this new person? Like,

655
00:35:16,800 --> 00:35:20,399
Speaker 2: not another one? We already have Cord and Darren. Can

656
00:35:20,440 --> 00:35:22,960
Speaker 2: we just like stop it? And then I was like,

657
00:35:23,239 --> 00:35:24,080
Speaker 2: it's Vaness.

658
00:35:25,440 --> 00:35:27,839
Speaker 1: I give her so many props for coming in and

659
00:35:27,840 --> 00:35:33,839
Speaker 1: doing that audition for a Yeah, the bad edition in

660
00:35:33,960 --> 00:35:36,600
Speaker 1: the choir room, Like that must have been so hard

661
00:35:37,239 --> 00:35:40,799
Speaker 1: with how like the success of the show and then

662
00:35:40,840 --> 00:35:44,279
Speaker 1: having to come in and act a complete ass like she.

663
00:35:44,520 --> 00:35:47,480
Speaker 1: I mean, she she doesn't care because that's who she is.

664
00:35:47,560 --> 00:35:50,880
Speaker 1: She's so good, uninhibited, but she also.

665
00:35:51,000 --> 00:35:53,839
Speaker 2: Made us have to raise our game because she is

666
00:35:54,000 --> 00:35:58,120
Speaker 2: so committed, like she's an actor like she and the rest.

667
00:35:58,200 --> 00:36:00,640
Speaker 2: You know, you get comfy third season, you're like coasting,

668
00:36:01,160 --> 00:36:04,000
Speaker 2: like I played this character now for forty four episodes whatever,

669
00:36:04,880 --> 00:36:07,439
Speaker 2: and she comes to You're like, oh shit, she's doing

670
00:36:07,480 --> 00:36:07,759
Speaker 2: a job.

671
00:36:07,800 --> 00:36:08,759
Speaker 1: We gotta strap it up.

672
00:36:09,120 --> 00:36:13,160
Speaker 3: Yeah, that's so iconic. I just I remember like when

673
00:36:13,200 --> 00:36:15,520
Speaker 3: she first came in and the outfits, I feel like,

674
00:36:16,200 --> 00:36:19,200
Speaker 3: sort of like Tina's outfits. How that was sort of

675
00:36:19,200 --> 00:36:23,160
Speaker 3: like you could pick a sugar outfit. And I love that.

676
00:36:23,280 --> 00:36:25,000
Speaker 3: I love when characters have that sort.

677
00:36:24,760 --> 00:36:28,719
Speaker 1: Of reable style distinguishable Yeah, exactly.

678
00:36:29,280 --> 00:36:34,759
Speaker 3: And then also her lines were like they kind of

679
00:36:34,760 --> 00:36:38,200
Speaker 3: feel like a precursor to Scream Queens. Oh yeah, Like

680
00:36:38,200 --> 00:36:40,440
Speaker 3: I feel like she would do well in Scream Queens.

681
00:36:40,480 --> 00:36:43,160
Speaker 1: Totally, totally, totally.

682
00:36:42,719 --> 00:36:46,759
Speaker 2: Because she was this marriage almost between like the severity

683
00:36:47,080 --> 00:36:53,920
Speaker 2: of a Sue Santana and the obliviousness.

684
00:36:52,800 --> 00:36:55,960
Speaker 1: Of Brittany, like Brittany yeah, yes, yeah.

685
00:36:55,920 --> 00:36:59,960
Speaker 3: Like a Chanelle Oberlin esque yes sort of character.

686
00:37:00,080 --> 00:37:00,520
Speaker 1: Totally.

687
00:37:00,840 --> 00:37:03,560
Speaker 3: No, that's a very good point. Very so loved her,

688
00:37:03,680 --> 00:37:08,080
Speaker 3: loved the trouble tones. Then, so there was another line

689
00:37:08,080 --> 00:37:09,400
Speaker 3: that I had to point out here. So this is

690
00:37:09,440 --> 00:37:16,279
Speaker 3: when Sue pivots her standing to not only cut arts,

691
00:37:16,280 --> 00:37:20,760
Speaker 3: but to put spending towards special education, and she says,

692
00:37:21,400 --> 00:37:23,120
Speaker 3: I think that may be a better use of school

693
00:37:23,160 --> 00:37:25,359
Speaker 3: funds than flying the glee club to New York without

694
00:37:25,360 --> 00:37:27,360
Speaker 3: a set list, only to lose at National's with the

695
00:37:27,400 --> 00:37:30,960
Speaker 3: song they made up the night before, which that completely

696
00:37:31,080 --> 00:37:33,400
Speaker 3: encompassed all the issues that I had with the end

697
00:37:33,400 --> 00:37:38,799
Speaker 3: of season two. Yeah, because I got so shitty when

698
00:37:38,840 --> 00:37:42,520
Speaker 3: they're just like, we're in New York and we're writing songs,

699
00:37:42,520 --> 00:37:43,920
Speaker 3: I'm like, what do you mean you're writing songs? You

700
00:37:43,920 --> 00:37:45,560
Speaker 3: should have the songs down, you should be practicing you

701
00:37:45,560 --> 00:37:47,279
Speaker 3: should be ready weeks ago.

702
00:37:48,080 --> 00:37:50,600
Speaker 1: Yeah, still get no.

703
00:37:50,920 --> 00:37:53,160
Speaker 2: She was just like, not only am I going to

704
00:37:53,200 --> 00:37:58,000
Speaker 2: fly these kids there, they're going to have to do

705
00:37:58,040 --> 00:37:59,799
Speaker 2: it because I get other dreams. I'm going to go

706
00:37:59,800 --> 00:38:01,399
Speaker 2: sing on a stage like.

707
00:38:01,440 --> 00:38:04,120
Speaker 3: What like don't piss me off full Shooster. And then

708
00:38:04,160 --> 00:38:07,440
Speaker 3: like there was I think it was end of season yeah,

709
00:38:07,520 --> 00:38:11,680
Speaker 3: end of season two where he's like, we're gonna do

710
00:38:11,840 --> 00:38:13,919
Speaker 3: what got the Glee Club to this point talking about

711
00:38:13,920 --> 00:38:16,400
Speaker 3: getting to regionals to add to Nationals, and he's like,

712
00:38:16,440 --> 00:38:20,839
Speaker 3: which is singing original songs? Like when have you sung

713
00:38:20,840 --> 00:38:23,520
Speaker 3: an original song before? Like two episodes ago? Like that's

714
00:38:23,520 --> 00:38:25,799
Speaker 3: not what got you to Nationals? Like do what you

715
00:38:25,840 --> 00:38:29,920
Speaker 3: know best? Guys, like get it together, do some journey, yeah, literally,

716
00:38:29,960 --> 00:38:32,920
Speaker 3: do some journey. Just the timeline. I was like, I

717
00:38:32,960 --> 00:38:35,080
Speaker 3: think season three is when I realized the timeline means

718
00:38:35,120 --> 00:38:39,359
Speaker 3: nothing easily. This is so lost. Season four like you're

719
00:38:39,400 --> 00:38:41,800
Speaker 3: doing sideways time jumps like nothing matters.

720
00:38:42,680 --> 00:38:44,799
Speaker 2: Yeah. I think once you realize, you're like we have

721
00:38:44,840 --> 00:38:47,680
Speaker 2: to write twenty two episodes all right, yeah fuck it?

722
00:38:48,080 --> 00:38:51,000
Speaker 3: Yeah, or just like even oh my god, it's all

723
00:38:51,040 --> 00:38:55,319
Speaker 3: coming back to it now. So season two, when in

724
00:38:55,360 --> 00:38:59,200
Speaker 3: the finale, the new directions come twelve, yeah, and then

725
00:38:59,200 --> 00:39:01,680
Speaker 3: like we didn't qualify for the next round. But then

726
00:39:01,920 --> 00:39:05,359
Speaker 3: in season three at Nationals, it's just suddenly like, oh,

727
00:39:05,400 --> 00:39:08,000
Speaker 3: we're at Nationals and we won. Yeah, and it's like,

728
00:39:08,040 --> 00:39:08,879
Speaker 3: what happened to the round?

729
00:39:10,200 --> 00:39:13,040
Speaker 2: Don't do ask questions? What are you? You know better

730
00:39:13,040 --> 00:39:13,640
Speaker 2: than to do that?

731
00:39:22,440 --> 00:39:25,160
Speaker 1: Okay, So I have a question for you. Okay, when

732
00:39:25,160 --> 00:39:28,480
Speaker 1: you were watching the show and based on everything that

733
00:39:28,719 --> 00:39:34,640
Speaker 1: your evaluation, now, when do you think glee Club takes place?

734
00:39:35,239 --> 00:39:38,360
Speaker 1: Is it during school? After school?

735
00:39:38,560 --> 00:39:40,960
Speaker 3: Oh? My god? Okay, I have thoughts on this. So,

736
00:39:41,120 --> 00:39:44,560
Speaker 3: like this is one of my issues. When I'm watching

737
00:39:44,719 --> 00:39:47,120
Speaker 3: a school based show, I'm like, when are you doing

738
00:39:47,320 --> 00:39:49,719
Speaker 3: the school? Like when are you doing the classes? So

739
00:39:50,120 --> 00:39:52,280
Speaker 3: in my head when I was watching, I was like, Okay,

740
00:39:52,520 --> 00:39:57,239
Speaker 3: glee Club happens after school. But then the plot points

741
00:39:57,360 --> 00:39:59,719
Speaker 3: they'll be at glee Club and then they'll go to

742
00:39:59,760 --> 00:40:00,719
Speaker 3: the criteria and.

743
00:40:00,680 --> 00:40:03,040
Speaker 1: Have lunch and then like bell will ring, the.

744
00:40:02,920 --> 00:40:06,160
Speaker 3: Bell will ring. I'm like, where are you going? Like

745
00:40:06,400 --> 00:40:08,759
Speaker 3: what is happening? Where are you going? So I was like, okay, cool,

746
00:40:08,800 --> 00:40:11,000
Speaker 3: So then maybe glee club is like a class during

747
00:40:11,000 --> 00:40:14,160
Speaker 3: the day. So then I'm like, is that like a

748
00:40:14,200 --> 00:40:17,479
Speaker 3: free period or it's like an assigned period in their

749
00:40:17,600 --> 00:40:20,879
Speaker 3: like timetable to be like I've got a glee club now,

750
00:40:21,200 --> 00:40:23,000
Speaker 3: and then if that's the case, what about the other

751
00:40:23,080 --> 00:40:25,719
Speaker 3: kids who aren't in glee do they get this kind

752
00:40:25,760 --> 00:40:29,719
Speaker 3: of like I'm going to glee club? Like, yeah, what

753
00:40:29,800 --> 00:40:32,520
Speaker 3: do you think I think it's I thought it was

754
00:40:32,560 --> 00:40:39,080
Speaker 3: after school because like the points in season I think

755
00:40:39,120 --> 00:40:43,239
Speaker 3: season one, when they're in glee club and then they're

756
00:40:43,280 --> 00:40:45,480
Speaker 3: singing in the hallways and the hallways are quiet, so

757
00:40:45,480 --> 00:40:48,080
Speaker 3: I'm like, it's after school. But then in season two,

758
00:40:48,360 --> 00:40:52,120
Speaker 3: in season three, they're singing in the hallways and people

759
00:40:52,120 --> 00:40:52,680
Speaker 3: are there.

760
00:40:53,280 --> 00:41:00,600
Speaker 1: And I'm like, it's also confusing because people quit glee club,

761
00:41:01,000 --> 00:41:03,560
Speaker 1: so if it were a class, you couldn't just.

762
00:41:03,840 --> 00:41:08,480
Speaker 3: It's kind of quite like Italian class.

763
00:41:08,239 --> 00:41:13,879
Speaker 1: Right exactly. But then they'll talk about it like it's

764
00:41:13,920 --> 00:41:17,040
Speaker 1: an elective and they you know, they've moved their schedule, Like,

765
00:41:17,080 --> 00:41:19,360
Speaker 1: doesn't Finn say something about it, Kevin.

766
00:41:19,239 --> 00:41:21,520
Speaker 2: Yeah, there's football practice that has to happen at the

767
00:41:21,560 --> 00:41:24,080
Speaker 2: same time as glee club, but football practice obviously does

768
00:41:24,120 --> 00:41:25,799
Speaker 2: not happen during school hours.

769
00:41:25,840 --> 00:41:29,840
Speaker 1: After school, Yeah, I don't know this. It is very

770
00:41:29,880 --> 00:41:31,319
Speaker 1: confusing and contradictory.

771
00:41:31,840 --> 00:41:38,239
Speaker 2: I think, well, Jenna asked Ian because we thought this

772
00:41:38,280 --> 00:41:40,960
Speaker 2: would be like, okay the official opinion like from the

773
00:41:41,000 --> 00:41:48,320
Speaker 2: horse's mouth, and Ian said it was during school, but okay,

774
00:41:48,480 --> 00:41:56,080
Speaker 2: there's just so much evidence against it. Yeah, so I

775
00:41:56,080 --> 00:42:01,480
Speaker 2: I think it's both where there's also you know, so

776
00:42:01,480 --> 00:42:04,480
Speaker 2: many people that watch the show were also like you

777
00:42:04,560 --> 00:42:09,360
Speaker 2: have to suspend disbelief, like it's happening in an alternate

778
00:42:09,719 --> 00:42:11,120
Speaker 2: time zone, like who.

779
00:42:10,880 --> 00:42:14,440
Speaker 1: Knows, right, I don't know, Kevin, I don't know.

780
00:42:15,120 --> 00:42:18,160
Speaker 3: But then also like if it was happening during school,

781
00:42:18,239 --> 00:42:20,000
Speaker 3: that would make sense for season one and two, but

782
00:42:20,080 --> 00:42:22,240
Speaker 3: not for season three when they in different year groups,

783
00:42:22,600 --> 00:42:24,279
Speaker 3: like they would not be free at the same time.

784
00:42:24,600 --> 00:42:26,960
Speaker 2: Yeah, totally right. Well, I'm thinking too about like when

785
00:42:26,960 --> 00:42:31,400
Speaker 2: we were filming it, they would set it up like

786
00:42:31,680 --> 00:42:35,360
Speaker 2: actually was a class in school because the class starting,

787
00:42:35,400 --> 00:42:38,839
Speaker 2: you'd have like background actors in the hallway. Then once

788
00:42:38,880 --> 00:42:39,880
Speaker 2: the class started they'd go.

789
00:42:39,880 --> 00:42:45,320
Speaker 1: Away, right, But also like then why do we need funding,

790
00:42:45,719 --> 00:42:48,640
Speaker 1: Like if we're not an extra curricular, like we wouldn't

791
00:42:48,640 --> 00:42:50,840
Speaker 1: need funding if it was a class in school.

792
00:42:51,360 --> 00:42:53,680
Speaker 3: That's a good point, and that's always such an issue

793
00:42:53,680 --> 00:42:54,160
Speaker 3: in the plot.

794
00:42:54,560 --> 00:42:59,080
Speaker 2: No money, Well, no club is happening in school hours.

795
00:42:59,320 --> 00:43:01,520
Speaker 1: Club are as is what we're arguing here.

796
00:43:01,640 --> 00:43:08,680
Speaker 3: Glee class. It has to be the club for sure,

797
00:43:08,760 --> 00:43:12,880
Speaker 3: the club. I think, like, wait, were you in the

798
00:43:12,880 --> 00:43:16,200
Speaker 3: equivalent of glee club when you were in high school?

799
00:43:16,480 --> 00:43:20,759
Speaker 1: Yes, m not that, but it was after school. It

800
00:43:20,840 --> 00:43:25,160
Speaker 1: was at five pm. Who I did.

801
00:43:26,480 --> 00:43:29,920
Speaker 3: I was, so I was the opposite. So when we're

802
00:43:29,920 --> 00:43:32,320
Speaker 3: talking about me being the opposite of a morning person,

803
00:43:32,640 --> 00:43:36,000
Speaker 3: so what used to happen was my mom was a

804
00:43:36,080 --> 00:43:39,200
Speaker 3: school teacher and I would go to school with her,

805
00:43:39,360 --> 00:43:41,120
Speaker 3: and my high school was like near the primary school

806
00:43:41,160 --> 00:43:42,560
Speaker 3: that she taught at. But then I went get to

807
00:43:42,560 --> 00:43:45,879
Speaker 3: school at seven am, so I'd be at school at

808
00:43:45,920 --> 00:43:49,319
Speaker 3: seven am just like doing she just walking around going

809
00:43:49,320 --> 00:43:51,239
Speaker 3: to the library watching lust. I used to watch the

810
00:43:51,719 --> 00:43:52,840
Speaker 3: library before school.

811
00:43:53,239 --> 00:43:57,040
Speaker 1: Oh my gosh, oh, oh my gosh.

812
00:43:57,560 --> 00:43:59,720
Speaker 2: What I used to do? Oh you and all your friends?

813
00:44:00,080 --> 00:44:04,440
Speaker 3: Yeah, watching that. But then if I could have, if

814
00:44:04,520 --> 00:44:07,680
Speaker 3: I could sing, I would one would have joined. But

815
00:44:07,719 --> 00:44:10,160
Speaker 3: then also I went to an all boys' school. So

816
00:44:10,200 --> 00:44:13,239
Speaker 3: then when Dalton Academy pops me, like oh my god,

817
00:44:13,920 --> 00:44:17,680
Speaker 3: they were like, this is Dalton Academy. Everyone is so nice,

818
00:44:18,040 --> 00:44:20,920
Speaker 3: and even the people who are like a little bit

819
00:44:21,000 --> 00:44:24,480
Speaker 3: like whoa Like they're like enjoying the like club and

820
00:44:24,520 --> 00:44:26,560
Speaker 3: everyone's like, we respect you and you're so good at

821
00:44:26,600 --> 00:44:29,440
Speaker 3: singing and we love that. And I'm like, no, that

822
00:44:29,520 --> 00:44:33,040
Speaker 3: could not be further for the truth, that is not

823
00:44:33,080 --> 00:44:34,440
Speaker 3: the experience I had at all.

824
00:44:35,200 --> 00:44:40,239
Speaker 2: That's I mean watching this from Australia and watching the

825
00:44:40,400 --> 00:44:43,480
Speaker 2: high school experience that Glee is portraying, and then also Dalton,

826
00:44:44,200 --> 00:44:49,839
Speaker 2: how far off is that from what you've experienced so far?

827
00:44:50,120 --> 00:44:54,399
Speaker 3: Like so so so far, Like even just the cafeteria,

828
00:44:54,960 --> 00:44:57,560
Speaker 3: like we don't have that, Like we don't have like

829
00:44:57,640 --> 00:45:01,319
Speaker 3: a cafeteria in that sense. It's like anything like that

830
00:45:01,320 --> 00:45:05,279
Speaker 3: would just like take me out, like the seasons when

831
00:45:05,280 --> 00:45:07,359
Speaker 3: we're talking about to Christmas episodes would just take me out.

832
00:45:07,400 --> 00:45:11,120
Speaker 3: But then in terms of actual school stuff, like my

833
00:45:11,440 --> 00:45:15,760
Speaker 3: school that I went to was so sports sports, sports, sports, sport,

834
00:45:16,000 --> 00:45:18,360
Speaker 3: and then Nicky showed interest in anything besides sports, like

835
00:45:18,400 --> 00:45:21,280
Speaker 3: you're weird, weird? Am I going to come after you?

836
00:45:21,360 --> 00:45:23,440
Speaker 3: So then when Dalton comes in, they're like, we love

837
00:45:23,480 --> 00:45:27,520
Speaker 3: the arts. I'm like, what is this haven? Like based

838
00:45:27,560 --> 00:45:28,920
Speaker 3: off of right.

839
00:45:28,800 --> 00:45:31,719
Speaker 2: Ryan Murphy's dreams of what he wishes school would be.

840
00:45:31,760 --> 00:45:34,279
Speaker 1: Like, well, it's like when I would watch movies in

841
00:45:34,400 --> 00:45:36,960
Speaker 1: like when I was you know, in the nineties, when

842
00:45:36,960 --> 00:45:40,080
Speaker 1: I was a kid, and all the high schools would

843
00:45:40,080 --> 00:45:43,200
Speaker 1: be outside, Like it was so cool to me because

844
00:45:43,239 --> 00:45:45,000
Speaker 1: I grew up on the East Coast from New York,

845
00:45:45,040 --> 00:45:48,200
Speaker 1: where yeah, I have that because there's winter, so like

846
00:45:48,320 --> 00:45:51,160
Speaker 1: all these really cool fancy schools were like all the

847
00:45:51,160 --> 00:45:54,239
Speaker 1: hallways are outside, and you're like, this is like this

848
00:45:54,280 --> 00:45:56,000
Speaker 1: is my dream, but it's very Hollywood.

849
00:45:56,239 --> 00:45:58,200
Speaker 2: Oh yeah, California. Yeah, when I moved to LA and

850
00:45:58,200 --> 00:46:01,120
Speaker 2: went to high school, like what is this? Why walking outside?

851
00:46:01,480 --> 00:46:02,160
Speaker 1: I love it.

852
00:46:02,480 --> 00:46:06,040
Speaker 2: I'm like, first of all, it could rain, which it didn't,

853
00:46:06,640 --> 00:46:09,120
Speaker 2: and I'm used to being under like berated by fluorescent

854
00:46:09,200 --> 00:46:09,719
Speaker 2: lighting for.

855
00:46:10,239 --> 00:46:11,840
Speaker 1: Eight hours a day. Exactly.

856
00:46:11,920 --> 00:46:14,640
Speaker 3: Very strange when you say it outside, do you mean

857
00:46:15,440 --> 00:46:17,480
Speaker 3: the hallways is like sprawling?

858
00:46:17,920 --> 00:46:20,839
Speaker 1: Yeah, and the hallways were exterior, so like they come

859
00:46:20,880 --> 00:46:23,520
Speaker 1: out of your classroom and you're like technically outside it's

860
00:46:23,520 --> 00:46:23,919
Speaker 1: like a court.

861
00:46:24,440 --> 00:46:25,440
Speaker 3: That's very Australian.

862
00:46:26,200 --> 00:46:29,840
Speaker 2: Really, I've watched several Australian teen shows and they you

863
00:46:29,840 --> 00:46:31,279
Speaker 2: look for me similar.

864
00:46:31,280 --> 00:46:33,520
Speaker 3: Wait what what Australian teen shows.

865
00:46:34,560 --> 00:46:37,600
Speaker 2: I used to watch this one about I don't remember

866
00:46:37,640 --> 00:46:39,200
Speaker 2: the names of any of them. I think it was

867
00:46:39,200 --> 00:46:44,640
Speaker 2: like Ballet Dancers. It was like probably early two thousands.

868
00:46:45,480 --> 00:46:48,840
Speaker 3: What about like H two O just dead Water the

869
00:46:49,480 --> 00:46:52,400
Speaker 3: one I I remember.

870
00:46:52,440 --> 00:46:55,239
Speaker 2: I watched a couple episodes of that one and that's

871
00:46:55,320 --> 00:46:57,839
Speaker 2: enough of that. Yeah, that wasn't for me, but I'm

872
00:46:57,880 --> 00:47:00,680
Speaker 2: like the Dancers. Yes, I'll watch this because definitely gay

873
00:47:00,719 --> 00:47:06,839
Speaker 2: characters in this age who I just said water as well?

874
00:47:07,280 --> 00:47:10,960
Speaker 2: I mean they have mermaids inherently exactly.

875
00:47:11,520 --> 00:47:16,080
Speaker 3: I mean the Australian TV I feel like, has had

876
00:47:16,080 --> 00:47:19,000
Speaker 3: a couple of wins recently in terms of high school content.

877
00:47:19,000 --> 00:47:22,960
Speaker 3: There's like Heartbreak high Heartbreak is great, just like take

878
00:47:23,120 --> 00:47:25,960
Speaker 3: is that? Has that taken off in the States.

879
00:47:26,560 --> 00:47:28,239
Speaker 1: I think it did well, you guys, but it did

880
00:47:28,280 --> 00:47:33,759
Speaker 1: really well. Yeah rightly, Yeah that's high school. Yeah, there

881
00:47:33,760 --> 00:47:35,800
Speaker 1: was an original heartbreak. It's sort of like what happened

882
00:47:35,840 --> 00:47:37,200
Speaker 1: with Degrassi, Like they brought it back.

883
00:47:37,880 --> 00:47:41,080
Speaker 3: Yeah, I mean they brought it back. They brought it back,

884
00:47:41,239 --> 00:47:43,400
Speaker 3: Like are they going to bring Lee back? They need

885
00:47:43,400 --> 00:47:44,080
Speaker 3: to bring Lee back?

886
00:47:46,160 --> 00:47:46,720
Speaker 2: Who knows?

887
00:47:46,960 --> 00:47:48,720
Speaker 1: I know, right, write down.

888
00:47:48,560 --> 00:47:53,200
Speaker 3: Some plot points that I would include if I was writing, you're.

889
00:47:53,280 --> 00:47:55,759
Speaker 2: The same amount for free, I don't know.

890
00:47:55,960 --> 00:47:57,319
Speaker 1: Okay, give us one, give us one.

891
00:47:57,560 --> 00:48:00,640
Speaker 3: So this one is topical because I brought this up

892
00:48:00,680 --> 00:48:02,680
Speaker 3: in an interview with Choice of Art and he was like,

893
00:48:03,680 --> 00:48:08,120
Speaker 3: this is so random. So the song Rush, I would

894
00:48:08,120 --> 00:48:12,200
Speaker 3: say that rush would happen when the floor gets cleaned

895
00:48:13,120 --> 00:48:16,279
Speaker 3: and then the fumes are too strong and they hallucinate

896
00:48:17,040 --> 00:48:21,000
Speaker 3: and they sing. That's very I mean, it's reminiscent of

897
00:48:21,040 --> 00:48:26,959
Speaker 3: a puppet master correct, So it's referential, but it's also

898
00:48:27,080 --> 00:48:28,320
Speaker 3: current certainly.

899
00:48:27,960 --> 00:48:33,279
Speaker 2: And also references the Brittany episode with the the g

900
00:48:34,080 --> 00:48:36,439
Speaker 2: and then the episode.

901
00:48:36,360 --> 00:48:37,840
Speaker 1: With the nothing.

902
00:48:38,560 --> 00:48:42,759
Speaker 3: I like it, and I'm nothing if not referential. And

903
00:48:42,960 --> 00:48:45,120
Speaker 3: the show is Dance Academy, the one I used to.

904
00:48:45,120 --> 00:48:50,000
Speaker 1: Watch, Yes, okay, okay before we let you go, because

905
00:48:50,040 --> 00:48:51,600
Speaker 1: we could do this for hours.

906
00:48:52,880 --> 00:48:54,400
Speaker 2: We're going to have to have you back there, by

907
00:48:54,400 --> 00:48:55,920
Speaker 2: the way, when we do more.

908
00:48:56,120 --> 00:48:58,200
Speaker 3: Absolutely, I feel so much to say you don't have

909
00:48:58,239 --> 00:49:00,640
Speaker 3: a choice. I know you have.

910
00:49:01,000 --> 00:49:04,160
Speaker 1: You are literally more information than us, so you should

911
00:49:04,160 --> 00:49:09,920
Speaker 1: be doing our podcast. What was your favorite song? Episode

912
00:49:10,120 --> 00:49:10,680
Speaker 1: and season?

913
00:49:12,000 --> 00:49:15,440
Speaker 3: My god, my god, my god? Okay song episode and season?

914
00:49:15,480 --> 00:49:18,799
Speaker 3: All right, look at my notes, Look at my notes.

915
00:49:18,840 --> 00:49:22,400
Speaker 3: Looking notes song, episode and season. Well, I have a

916
00:49:22,440 --> 00:49:26,880
Speaker 3: playlist which is called the Mike's Mike Lee Experience. Okay,

917
00:49:27,000 --> 00:49:29,560
Speaker 3: I love it, and I have all my favorite songs

918
00:49:29,640 --> 00:49:32,560
Speaker 3: on there, okay, and these are all from season one

919
00:49:32,600 --> 00:49:37,560
Speaker 3: to three, so give us. So I'm picking like some

920
00:49:37,600 --> 00:49:41,080
Speaker 3: favorites from this. Actually I have one that I know

921
00:49:41,120 --> 00:49:42,719
Speaker 3: you're going to be like, what, like, why is this

922
00:49:42,760 --> 00:49:46,120
Speaker 3: one of your favorites? But it's that I love New York,

923
00:49:46,440 --> 00:49:47,359
Speaker 3: New York, New York.

924
00:49:47,800 --> 00:49:48,840
Speaker 1: Oh my god.

925
00:49:49,080 --> 00:49:51,280
Speaker 2: Yeah, that is just the next question.

926
00:49:51,440 --> 00:49:54,319
Speaker 1: Why we just talked about this.

927
00:49:54,920 --> 00:50:00,160
Speaker 3: I think it's because Rachel has this like culmination and

928
00:50:00,320 --> 00:50:02,680
Speaker 3: of getting to New York, and we know this like

929
00:50:02,680 --> 00:50:04,879
Speaker 3: one of the things of her characters, like she has

930
00:50:04,920 --> 00:50:06,719
Speaker 3: to get to New York and then she's in New

931
00:50:06,800 --> 00:50:09,319
Speaker 3: York but everyone else is also there and then they're

932
00:50:09,360 --> 00:50:15,080
Speaker 3: singing and the like running up the stairs and stuff,

933
00:50:15,120 --> 00:50:18,040
Speaker 3: and it's just like it's perfect, and I'm like, it

934
00:50:18,120 --> 00:50:20,319
Speaker 3: makes me so happy because it's like.

935
00:50:21,400 --> 00:50:24,160
Speaker 1: The number is like the context of it, like the

936
00:50:24,280 --> 00:50:29,400
Speaker 1: actual watching the number important to agree with that, Okay, Okay, but.

937
00:50:29,400 --> 00:50:32,920
Speaker 3: Then that's very important if we're taking context out. Yeah,

938
00:50:33,040 --> 00:50:37,759
Speaker 3: then cell blocked tango. Oh yeah, I love cell Block

939
00:50:37,800 --> 00:50:39,799
Speaker 3: Tango that I.

940
00:50:40,080 --> 00:50:44,879
Speaker 1: Need that one in a while. I loved reporting that one.

941
00:50:44,840 --> 00:50:47,200
Speaker 3: And like the delivery on that it is so important, Like.

942
00:50:49,239 --> 00:50:51,160
Speaker 2: I showed up and watched them do that and that

943
00:50:51,239 --> 00:50:53,520
Speaker 2: ship was that was fun so good.

944
00:50:54,000 --> 00:50:56,160
Speaker 1: That was really fun. I can't wait for that one.

945
00:50:56,640 --> 00:51:00,600
Speaker 3: Yeah, I think season that's season three. Yeah, yeah, so

946
00:51:00,600 --> 00:51:06,480
Speaker 3: that's the song. Okay, episode love the Britney Britney one.

947
00:51:06,800 --> 00:51:12,600
Speaker 3: I think episode eighteen of season three and episode twenty

948
00:51:12,640 --> 00:51:18,160
Speaker 3: one of season three. So eighteen is the NADA Auditions, Okay,

949
00:51:18,560 --> 00:51:21,080
Speaker 3: when Rachel chokes and I loved that. I thought that

950
00:51:21,120 --> 00:51:22,280
Speaker 3: was really interesting writing.

951
00:51:22,719 --> 00:51:23,000
Speaker 2: Yep.

952
00:51:23,120 --> 00:51:26,440
Speaker 3: And then episode twenty one is Nationals with Lindsay Lohan.

953
00:51:27,360 --> 00:51:32,280
Speaker 1: Oh my god, we have so many stories season three.

954
00:51:32,400 --> 00:51:35,400
Speaker 3: Like I'm so excited for you guys to cover season

955
00:51:35,440 --> 00:51:39,600
Speaker 3: three because like season three is just like bang bang after.

956
00:51:40,560 --> 00:51:42,480
Speaker 2: I'm so excited to talk to you after season three

957
00:51:42,520 --> 00:51:44,279
Speaker 2: again to be like you were right.

958
00:51:44,880 --> 00:51:47,760
Speaker 1: I mean, also, kudos to you for for tracking Glee

959
00:51:47,760 --> 00:51:49,880
Speaker 1: because there are just so many damn characters. I was

960
00:51:49,920 --> 00:51:52,319
Speaker 1: watching your recap today like a little bit, and I

961
00:51:52,360 --> 00:51:55,120
Speaker 1: was just like, like, your board was full with just people.

962
00:51:55,200 --> 00:51:57,240
Speaker 1: It wasn't even like the other stuff that you do, it's.

963
00:51:57,120 --> 00:52:01,759
Speaker 3: Just take characters out. So it's like because like if

964
00:52:01,760 --> 00:52:03,960
Speaker 3: I take a character out, then it's like a line

965
00:52:04,040 --> 00:52:06,480
Speaker 3: won't make sense. Right, It's like a lot of the

966
00:52:06,560 --> 00:52:09,640
Speaker 3: characters pop up for one thing, and then they just disappear,

967
00:52:09,680 --> 00:52:11,759
Speaker 3: and they pop up seasons later, and.

968
00:52:11,800 --> 00:52:14,040
Speaker 2: So many characters disappear out of thin air.

969
00:52:14,640 --> 00:52:16,279
Speaker 3: Yeah, and then in four, five and sixty you have

970
00:52:16,360 --> 00:52:18,720
Speaker 3: the full new suite, But then all the other characters

971
00:52:18,719 --> 00:52:20,960
Speaker 3: are still like they'll randomly pop up. It's like, why

972
00:52:21,000 --> 00:52:21,960
Speaker 3: is Holly Holiday back?

973
00:52:22,000 --> 00:52:24,279
Speaker 1: Like that kind of a right, you're right, April Roads

974
00:52:24,320 --> 00:52:27,760
Speaker 1: comes back, everybody comes back. You're so right, We're sorry.

975
00:52:27,880 --> 00:52:30,560
Speaker 1: And then and then season what's your favorite season?

976
00:52:32,560 --> 00:52:38,879
Speaker 3: Okay, so I really thought hard about this, and it's

977
00:52:38,880 --> 00:52:42,400
Speaker 3: a really tough question for me because there's episodes in

978
00:52:42,520 --> 00:52:45,839
Speaker 3: season one, two, and three that I'm like, these are excellent.

979
00:52:48,200 --> 00:52:49,800
Speaker 3: I mean, what the favorite episode?

980
00:52:49,800 --> 00:52:49,960
Speaker 1: Thing?

981
00:52:50,040 --> 00:52:51,840
Speaker 3: Like, I have to include the pilot. I think the

982
00:52:51,880 --> 00:52:55,560
Speaker 3: pilot is possibly my favorite episode of the season, of

983
00:52:55,560 --> 00:52:58,520
Speaker 3: the of the series. It's just so well done. But

984
00:52:58,560 --> 00:53:03,399
Speaker 3: then season one, the budget wasn't high enough. Season two

985
00:53:04,760 --> 00:53:05,200
Speaker 3: it's going.

986
00:53:05,120 --> 00:53:10,239
Speaker 2: To be two or three. Wow, this has made me

987
00:53:10,360 --> 00:53:10,960
Speaker 2: very excited.

988
00:53:11,040 --> 00:53:14,040
Speaker 1: Yeah, yeah, okay, We're definitely gonna have move back at

989
00:53:14,040 --> 00:53:16,239
Speaker 1: the end of three when we're done, because it'll be

990
00:53:16,280 --> 00:53:18,040
Speaker 1: fresh in our minds. We'll have seen it for the

991
00:53:18,040 --> 00:53:21,879
Speaker 1: first time all of I don't have a look to say,

992
00:53:22,600 --> 00:53:25,719
Speaker 1: you will and I can't wait for your your evaluation

993
00:53:25,800 --> 00:53:26,680
Speaker 1: in season three.

994
00:53:27,640 --> 00:53:29,880
Speaker 2: Thank you so so much for getting up early to

995
00:53:29,920 --> 00:53:32,280
Speaker 2: talk about this the best.

996
00:53:32,760 --> 00:53:34,800
Speaker 1: It was so nice chatting with you. You're the best

997
00:53:35,000 --> 00:53:35,720
Speaker 1: and ready.

998
00:53:35,560 --> 00:53:36,279
Speaker 3: To seize the day.

999
00:53:36,800 --> 00:53:40,080
Speaker 2: If you don't subscribe, you have to go subscribe to everyone.

1000
00:53:40,080 --> 00:53:41,520
Speaker 2: Where to find you?

1001
00:53:41,520 --> 00:53:44,000
Speaker 3: You can find me at Mike's Mike, m I K

1002
00:53:44,440 --> 00:53:48,200
Speaker 3: s Space, m I C on YouTube, or just Michael Messenia,

1003
00:53:48,200 --> 00:53:52,279
Speaker 3: which is my full name, full name reveal that's on Instagram.

1004
00:53:52,320 --> 00:53:55,399
Speaker 2: Great, amazing, I mean, I can't wait. I can't wait

1005
00:53:55,400 --> 00:53:56,399
Speaker 2: for Gossip Girl and Lost.

1006
00:53:57,520 --> 00:54:01,359
Speaker 3: Thank you, good luck. Really yeah, that one was really

1007
00:54:01,360 --> 00:54:03,920
Speaker 3: taken out of me, but I appreciate it. I appreciate

1008
00:54:03,960 --> 00:54:09,320
Speaker 3: this God, thank you, Thank you. No worries.

1009
00:54:09,560 --> 00:54:13,080
Speaker 1: Uh well, there's not much more to say. No, we

1010
00:54:13,120 --> 00:54:16,000
Speaker 1: got schooled. But he's amazing. It is so much fun.

1011
00:54:16,200 --> 00:54:18,480
Speaker 2: We now have a rotating guest host.

1012
00:54:18,960 --> 00:54:21,840
Speaker 1: Correct, We have somebody who can just tell us like

1013
00:54:21,880 --> 00:54:23,280
Speaker 1: it is after each season.

1014
00:54:23,600 --> 00:54:26,239
Speaker 2: If Ian, Brad and Ryan don't answer our texts about

1015
00:54:26,320 --> 00:54:28,279
Speaker 2: questions for the show, we can just ask him a

1016
00:54:28,400 --> 00:54:32,080
Speaker 2: thousand person right, Yes, yeah, he knows everything. He will know,

1017
00:54:32,120 --> 00:54:35,839
Speaker 2: he has notes on it. Yeah. Thank you again Mike

1018
00:54:35,920 --> 00:54:39,799
Speaker 2: for joining us, Thank you everyone for listening. Go like

1019
00:54:39,920 --> 00:54:43,440
Speaker 2: and subscribe to his YouTube channel because he's absolutely brilliant.

1020
00:54:44,080 --> 00:54:49,000
Speaker 1: That's what you really missed, Oky.

1021
00:54:47,320 --> 00:54:52,319
Speaker 2: Bye, thanks for listening, and follow us on Instagram at

1022
00:54:52,320 --> 00:54:54,560
Speaker 2: and that's what you really miss pod. Make sure to

1023
00:54:54,560 --> 00:54:57,000
Speaker 2: write us a review and leave us five stars. See

1024
00:54:57,000 --> 00:54:57,520
Speaker 2: you next time,