1 00:00:01,680 --> 00:00:04,720 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,080 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:11,960 --> 00:00:30,920 Speaker 1: to Disgraceland. The after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,000 --> 00:00:33,559 Speaker 1: a little thing we like to call the after party. 6 00:00:33,800 --> 00:00:36,080 Speaker 1: This is the show after the show, the party after 7 00:00:36,120 --> 00:00:38,400 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,440 --> 00:00:40,800 Speaker 1: episode of disgrace Land to the other, the backyard to 9 00:00:40,920 --> 00:00:44,519 Speaker 1: dig into the dirt. On this episode, we are talking 10 00:00:44,640 --> 00:00:50,680 Speaker 1: about the next season of Disgraceland. David Johansson, Bruce Springsteen again, 11 00:00:50,960 --> 00:00:54,400 Speaker 1: and of course your voicemails, text, dms and more, and 12 00:00:54,480 --> 00:00:57,760 Speaker 1: as always, a whole lot of rosie. All right, Discos, 13 00:00:58,160 --> 00:01:18,600 Speaker 1: let's get into it. Hello, Hello, Hello, and welcome to 14 00:01:18,640 --> 00:01:22,920 Speaker 1: the neverland of Disgraceland. It's trailer week, my peoples. This 15 00:01:23,000 --> 00:01:25,919 Speaker 1: past Tuesday we dropped on you the trailer for season 16 00:01:25,959 --> 00:01:29,320 Speaker 1: twelve of Disgraceland. Let's run through the episodes for this 17 00:01:29,440 --> 00:01:32,759 Speaker 1: upcoming season. All right, next week on May sixteenth, our 18 00:01:32,800 --> 00:01:35,039 Speaker 1: season twelfth premiere. I said it last week. You know 19 00:01:35,080 --> 00:01:38,920 Speaker 1: it's coming your way. Bruce Springsteen. All right, I say 20 00:01:38,959 --> 00:01:42,720 Speaker 1: this with all the humility. I can muster this is 21 00:01:42,760 --> 00:01:46,040 Speaker 1: the best episode of Disgraceland that we've ever produced. It's wacky, 22 00:01:46,200 --> 00:01:48,880 Speaker 1: it's out there. It's in the spirit of the Boss 23 00:01:48,960 --> 00:01:51,400 Speaker 1: and New Jersey and the Mafia and serial killers and 24 00:01:51,480 --> 00:01:54,400 Speaker 1: cool cars and bar fights and violence and romance and 25 00:01:54,440 --> 00:01:57,000 Speaker 1: religion and rock and roll and redemption and just about 26 00:01:57,000 --> 00:02:00,320 Speaker 1: every other piece of drama that scratches my itch. And 27 00:02:00,360 --> 00:02:04,000 Speaker 1: hopefully you're a collectivich as disc goes, I put my 28 00:02:04,200 --> 00:02:06,920 Speaker 1: backbone into this episode for you guys, as did the 29 00:02:06,960 --> 00:02:09,520 Speaker 1: team here at Double Evis. I cannot wait for you 30 00:02:09,560 --> 00:02:13,400 Speaker 1: to hear it something about Bruce Springsteen. Man, He's inspiring 31 00:02:14,000 --> 00:02:17,120 Speaker 1: inspired the hell out of me. Without giving too much away, 32 00:02:17,639 --> 00:02:21,280 Speaker 1: I'll say that this is not your typical disgrace Land episode, 33 00:02:21,639 --> 00:02:25,840 Speaker 1: and that this look at the Boss deals solely with Nebraska, 34 00:02:25,960 --> 00:02:28,840 Speaker 1: the album Nebraska. If you're a Springsteen fan, you'll know 35 00:02:28,880 --> 00:02:31,000 Speaker 1: what I'm talking about. If you're not, then go immediately 36 00:02:31,080 --> 00:02:34,000 Speaker 1: after you listen to this episode and find and listen 37 00:02:34,040 --> 00:02:38,560 Speaker 1: to Springsteen's record Nebraska. All right after the Boss episode, 38 00:02:38,600 --> 00:02:40,600 Speaker 1: we get into a dude that I believe is fascinating 39 00:02:40,639 --> 00:02:44,880 Speaker 1: and misunderstood and wildly entertaining. Young mister Justin Bieber. And 40 00:02:44,919 --> 00:02:47,239 Speaker 1: before all the classic rock and punk rock fans start 41 00:02:47,320 --> 00:02:49,880 Speaker 1: chirping at me on social media about covering someone so poppy, 42 00:02:49,960 --> 00:02:53,519 Speaker 1: I'll just say, reserve your judgment. Check this episode out. 43 00:02:53,720 --> 00:02:55,560 Speaker 1: It's not like I'm asking you to listen to a 44 00:02:55,720 --> 00:02:58,440 Speaker 1: Justin Bieber album. I'm asking you to listen to a 45 00:02:58,520 --> 00:03:01,760 Speaker 1: story about Justin. And there's a difference, and it's a 46 00:03:01,800 --> 00:03:03,400 Speaker 1: fucked up story, and I wouldn't cover it if I 47 00:03:03,440 --> 00:03:05,120 Speaker 1: didn't think you guys would get something from it. So 48 00:03:05,480 --> 00:03:07,760 Speaker 1: I've done this in the past. Taylor Swift, Britney Spears, 49 00:03:07,800 --> 00:03:10,160 Speaker 1: Cardi B and most of you liked those episodes, though 50 00:03:10,160 --> 00:03:12,520 Speaker 1: I do still get hate mail about the Cardi B yep, 51 00:03:12,639 --> 00:03:17,320 Speaker 1: to which I say, chill and all right, Bieber, nothing 52 00:03:17,360 --> 00:03:19,120 Speaker 1: you can do about it. He's coming your way right 53 00:03:19,160 --> 00:03:22,360 Speaker 1: after the Boss and following that Easy motherfucking e we 54 00:03:22,440 --> 00:03:25,040 Speaker 1: covered NWA, Yes, But even though that was a two parter. 55 00:03:25,520 --> 00:03:28,400 Speaker 1: I remember when I was researching the NWA episodes and 56 00:03:28,440 --> 00:03:32,200 Speaker 1: that story one of those stories, man, it was like, 57 00:03:32,280 --> 00:03:35,080 Speaker 1: this could be a whole season. And the Easy story 58 00:03:35,120 --> 00:03:37,200 Speaker 1: in particular is so incredible that at the very least, 59 00:03:37,240 --> 00:03:39,160 Speaker 1: I mean, look, we could do a whole season Easy 60 00:03:39,320 --> 00:03:42,080 Speaker 1: as well, and nwa, that's how much fucked up stuff 61 00:03:42,640 --> 00:03:46,960 Speaker 1: has gone on, how much drama there is. But Easy 62 00:03:47,000 --> 00:03:49,760 Speaker 1: deserved his own episode. So here you go. You're welcome America, 63 00:03:49,800 --> 00:03:51,720 Speaker 1: all right, I kid, but not really the Easy story. 64 00:03:51,760 --> 00:03:54,360 Speaker 1: It's awesome how he fell into the game on the 65 00:03:54,400 --> 00:03:57,240 Speaker 1: street and in the studio. Truly remarkable, and in the 66 00:03:57,320 --> 00:04:01,200 Speaker 1: end it's it's kind of heartbreaking. Sug night. One bad motherfucker, 67 00:04:01,240 --> 00:04:04,480 Speaker 1: That's all I'll say. But after Eric Wright, Disgraceland follows 68 00:04:04,560 --> 00:04:08,080 Speaker 1: up with Jeff Buckley, a personal favorite of mine. Jeff 69 00:04:08,080 --> 00:04:10,560 Speaker 1: Buckley was a one of a kind talent. His origin 70 00:04:10,640 --> 00:04:14,680 Speaker 1: story is not what you think. Cover bands, reggae, hardcore 71 00:04:14,840 --> 00:04:18,680 Speaker 1: all over the place, and it's as fascinating as his death. 72 00:04:19,080 --> 00:04:21,760 Speaker 1: From there, you asked for the ladies, Okay, I'm trying 73 00:04:21,760 --> 00:04:24,080 Speaker 1: to deliver on the ladies. I've said it before, I'll 74 00:04:24,080 --> 00:04:26,039 Speaker 1: say it again. Women just do not behave in the 75 00:04:26,040 --> 00:04:28,680 Speaker 1: same fucked up, transgressive, criminal minded ways as men do. 76 00:04:29,040 --> 00:04:30,960 Speaker 1: As it pertains to the world of music and music 77 00:04:31,040 --> 00:04:36,680 Speaker 1: history anyway. And then there's Little Kim. This one was 78 00:04:36,720 --> 00:04:39,560 Speaker 1: a long time coming. Little Kim episode from Little Kim. 79 00:04:39,640 --> 00:04:42,880 Speaker 1: We go to Aerosmith, a band I swore I'd never 80 00:04:43,000 --> 00:04:47,280 Speaker 1: cover because I fucking hate Aerosmith. I mean I love Aerosmith, 81 00:04:47,440 --> 00:04:50,080 Speaker 1: I mean I hate Aerosmith. I don't know, man, I'm confused. 82 00:04:50,120 --> 00:04:51,640 Speaker 1: Do I love Aerosmith or do the way I despise 83 00:04:51,680 --> 00:04:53,680 Speaker 1: him with the power of a thousand burning songs? Maybe 84 00:04:53,680 --> 00:04:57,040 Speaker 1: someday I'll figure this out. Did producing this episode on 85 00:04:57,080 --> 00:04:59,760 Speaker 1: the so called bad Boys of Boston Puke helped me 86 00:04:59,800 --> 00:05:04,520 Speaker 1: work through my feelings about Aerosmith? I don't know. You 87 00:05:04,560 --> 00:05:07,520 Speaker 1: gotta listen to find out. More jazz artists Jake. More 88 00:05:07,600 --> 00:05:10,719 Speaker 1: jazz artists hate Jake. Why don't you produce more episodes 89 00:05:10,760 --> 00:05:14,040 Speaker 1: on the junked out jazz players of the twentieth century? Well, 90 00:05:14,080 --> 00:05:16,720 Speaker 1: you asked, and we answered. We covered Miles Davis a 91 00:05:16,760 --> 00:05:20,600 Speaker 1: couple of seasons ago. Did Chuck Baker? I'll get to 92 00:05:20,920 --> 00:05:24,640 Speaker 1: my guy train soon enough. And Charlie Parker fucked up story? 93 00:05:24,800 --> 00:05:28,039 Speaker 1: What a fucked up dude. But in the meantime, we're 94 00:05:28,080 --> 00:05:30,920 Speaker 1: releasing an awesome episode on Sonny Rowlins For all you 95 00:05:31,040 --> 00:05:33,000 Speaker 1: heads out there, any major dude will tell you that 96 00:05:33,040 --> 00:05:35,840 Speaker 1: this episode is going to blow your gord and from there, 97 00:05:36,000 --> 00:05:38,400 Speaker 1: from there, from there, from there, we give you another artist, 98 00:05:38,440 --> 00:05:42,000 Speaker 1: another woman, Ariana Grande in the bombing at her show 99 00:05:42,120 --> 00:05:44,840 Speaker 1: in Manchester, England. This one reads like a seventies thriller 100 00:05:44,880 --> 00:05:47,880 Speaker 1: slash disaster movie. I'm super proud of the work that 101 00:05:47,960 --> 00:05:50,119 Speaker 1: the team here did on this episode at Double Elvis, 102 00:05:50,160 --> 00:05:51,120 Speaker 1: and I know you guys are gonna be on the 103 00:05:51,200 --> 00:05:54,039 Speaker 1: edge of your seats for this one. What else? Who else? 104 00:05:54,080 --> 00:05:57,080 Speaker 1: We got new order? How about that new order? Merle Haggard. 105 00:05:57,120 --> 00:06:00,000 Speaker 1: Merle Haggard both kinds of music, drugged out synth pop 106 00:06:00,080 --> 00:06:02,920 Speaker 1: from the UK and hardcore truberter x con Bakersfield Country. 107 00:06:03,160 --> 00:06:05,680 Speaker 1: That's the promise the two New Order of Merle Haggard 108 00:06:05,720 --> 00:06:08,839 Speaker 1: episodes will keep. And finally we are rounding season twelve 109 00:06:08,960 --> 00:06:11,720 Speaker 1: out with a full episode on Velvet Underground. I had 110 00:06:11,760 --> 00:06:13,680 Speaker 1: to do it. I had to give the Velvets their 111 00:06:13,680 --> 00:06:17,240 Speaker 1: own proper episode or Disgraceland after dedicating two episodes to 112 00:06:17,320 --> 00:06:20,800 Speaker 1: the largely fictionalized Lou Reed origin story. I thought it 113 00:06:20,839 --> 00:06:23,400 Speaker 1: was only fair to the diehard Velvets fans out there, 114 00:06:23,440 --> 00:06:27,440 Speaker 1: So Velvet Underground coming your way, rounding out season twelve. 115 00:06:27,560 --> 00:06:31,000 Speaker 1: So that's it. Bruce Beebe's easy motherfucking e Jeff buck Lee. 116 00:06:31,080 --> 00:06:33,279 Speaker 1: Oh I forgot Jimmy Jimmy Hendricks. We did a whole 117 00:06:33,279 --> 00:06:35,000 Speaker 1: season on Jimmy for twenty seven Club, but we never 118 00:06:35,040 --> 00:06:37,520 Speaker 1: touched the sky here in Disgraceland with a Jimmy episode, 119 00:06:37,520 --> 00:06:40,320 Speaker 1: So here you go. Jimmy Hendricks has entered the chat 120 00:06:40,520 --> 00:06:42,520 Speaker 1: along with little Miss Strange and like I said, little 121 00:06:42,560 --> 00:06:46,200 Speaker 1: Kim Aerosmith, who, by the way, just announced their final 122 00:06:46,240 --> 00:06:50,440 Speaker 1: tour coincidence, I think not. Also Sunny rawlins Ariana Grande 123 00:06:50,560 --> 00:06:54,240 Speaker 1: New Order, Mister Merle Haggard and the Velvet Underground six 124 00:06:54,360 --> 00:06:57,240 Speaker 1: one seven nine zero six six six three eight. Let 125 00:06:57,279 --> 00:06:59,040 Speaker 1: me know what you think of the season twelve lineup 126 00:06:59,120 --> 00:07:01,120 Speaker 1: and who you want to hear featured in future seasons 127 00:07:01,120 --> 00:07:03,800 Speaker 1: of Disgrace lam I need to drink some tea back 128 00:07:03,839 --> 00:07:27,360 Speaker 1: in a couple seconds. Guys, I miss you. Call me, 129 00:07:27,800 --> 00:07:31,040 Speaker 1: text me, but for real call me. I need to 130 00:07:31,120 --> 00:07:33,680 Speaker 1: hear your lovely voices six one seven nine zer was 131 00:07:33,720 --> 00:07:36,800 Speaker 1: six six six three eight. Let's hear what Disco Diane 132 00:07:36,800 --> 00:07:37,320 Speaker 1: had to say. 133 00:07:38,200 --> 00:07:42,000 Speaker 2: Hey, Jake Diane from the three one three, thank you 134 00:07:42,040 --> 00:07:44,680 Speaker 2: so much for reminding me of the del Fuegos. I 135 00:07:44,720 --> 00:07:48,160 Speaker 2: had forgotten about them, and this morning it was a 136 00:07:48,200 --> 00:07:53,640 Speaker 2: really uh, a nice blast from the past. Also, I 137 00:07:53,680 --> 00:07:56,920 Speaker 2: agree with the Springsteen thing because I was not a 138 00:07:56,960 --> 00:08:01,080 Speaker 2: fan at all. I hated born in the USA, and 139 00:08:01,120 --> 00:08:05,680 Speaker 2: then I worked for a company where we repaired radios 140 00:08:05,880 --> 00:08:08,760 Speaker 2: and stuck in one of the radios was the Nebraska 141 00:08:08,840 --> 00:08:13,040 Speaker 2: CD and I listened to it and that suit changed 142 00:08:13,080 --> 00:08:17,560 Speaker 2: my life. I love that album so much. It is 143 00:08:17,600 --> 00:08:21,640 Speaker 2: so dark and so cool. It inspired me to go 144 00:08:21,760 --> 00:08:24,440 Speaker 2: back and listen to a lot of his other stuff. 145 00:08:24,600 --> 00:08:26,440 Speaker 3: And the man's a genius. 146 00:08:27,120 --> 00:08:29,680 Speaker 2: Anyway, Thanks so much, have a great day. 147 00:08:30,000 --> 00:08:33,520 Speaker 1: Bye, you got it, Diane. For those of you who 148 00:08:33,559 --> 00:08:38,000 Speaker 1: don't know, I mentioned the Del Fuegos previously because we 149 00:08:38,200 --> 00:08:41,079 Speaker 1: have this interview coming up with Warren Saintes, who is 150 00:08:41,080 --> 00:08:43,559 Speaker 1: in the Del Fuegos. He's now an author, still a musician. 151 00:08:44,040 --> 00:08:46,280 Speaker 1: Del Fuego is a re car of course, not together anymore. 152 00:08:46,320 --> 00:08:49,760 Speaker 1: But Warren writes books and he has a best seller 153 00:08:49,840 --> 00:08:52,800 Speaker 1: on Tom Petty. He's got a book that just came 154 00:08:52,840 --> 00:08:56,360 Speaker 1: out on Bruce Springsteen. As I record this, it's like 155 00:08:56,440 --> 00:08:59,520 Speaker 1: Three Days in the Wild, probably already on the bestseller list. 156 00:08:59,520 --> 00:09:03,160 Speaker 1: It's called Deliver Me from Nowhere, and it is about 157 00:09:03,320 --> 00:09:06,680 Speaker 1: Springsteen's recording of Nebraska, and it's about that record. So 158 00:09:06,800 --> 00:09:10,200 Speaker 1: I thought, Hey, I'm gonna get in touch with mister 159 00:09:10,240 --> 00:09:13,760 Speaker 1: del Fuego, Warren Zanes. I love the del Fuegos. I 160 00:09:13,800 --> 00:09:15,760 Speaker 1: could talk to him for an hour about the del 161 00:09:15,760 --> 00:09:20,440 Speaker 1: Fuego's about the record Boston Mass But it being sort 162 00:09:20,440 --> 00:09:24,120 Speaker 1: of a Springsteen time here in Disgraceland, it only made sense. 163 00:09:24,160 --> 00:09:28,720 Speaker 1: So that interview is coming up. It'll be here next week. 164 00:09:28,760 --> 00:09:31,200 Speaker 1: It'll be the bonus episode, the bonus after party episode. 165 00:09:31,200 --> 00:09:34,400 Speaker 1: In the next after party episode, my interview with Warren Zanes. 166 00:09:34,679 --> 00:09:36,679 Speaker 1: If you're reading the book, like I said previously, if 167 00:09:36,679 --> 00:09:39,640 Speaker 1: you got any questions for Warren, or you're you know, 168 00:09:39,679 --> 00:09:42,679 Speaker 1: if you're just you're Springsteen head and you got Nebraska 169 00:09:42,800 --> 00:09:46,559 Speaker 1: question six one seven nine zero six six six three eight, 170 00:09:47,160 --> 00:09:49,880 Speaker 1: and I'll ask Warren. I'll ask him on the on 171 00:09:49,960 --> 00:09:52,160 Speaker 1: the interview, we do an after party. All right, let's 172 00:09:52,160 --> 00:09:54,280 Speaker 1: do another voicemail. Let's hear from Jennifer. 173 00:09:55,520 --> 00:09:58,960 Speaker 4: Jake Jennifer from seven to five seven. Absolutely love the 174 00:09:59,000 --> 00:10:01,559 Speaker 4: show and the new per perspective you've given me on music. 175 00:10:01,600 --> 00:10:03,480 Speaker 4: I always thought I was a huge music fan. But 176 00:10:03,520 --> 00:10:06,280 Speaker 4: you've taught me there's even more I could know. Anyway, 177 00:10:06,840 --> 00:10:11,840 Speaker 4: A huge government Mule fan would love if you could 178 00:10:11,920 --> 00:10:14,880 Speaker 4: dive into Alan Woody a little bit. I've never known 179 00:10:14,960 --> 00:10:18,320 Speaker 4: much about him. I only discovered Government Mule shortly before 180 00:10:18,360 --> 00:10:20,560 Speaker 4: his death. You know, he also played a lot with 181 00:10:20,600 --> 00:10:21,840 Speaker 4: the Almond Brothers back. 182 00:10:21,679 --> 00:10:22,160 Speaker 3: In the day. 183 00:10:23,160 --> 00:10:24,640 Speaker 4: I know he's not a front man. He was a 184 00:10:24,679 --> 00:10:27,720 Speaker 4: bass player. But you don't always take on just the easy, 185 00:10:28,200 --> 00:10:31,000 Speaker 4: easy story. So wondering if that's something you would ever 186 00:10:31,120 --> 00:10:33,280 Speaker 4: dive into. Thank you, peace. 187 00:10:33,080 --> 00:10:39,520 Speaker 1: Out, Thanks Jennifer. I know almost nothing about Government Mule. Uh, 188 00:10:39,840 --> 00:10:43,120 Speaker 1: thanks for the recommendation. Government Mule fans? Where do I start, Jennifer? 189 00:10:43,120 --> 00:10:44,640 Speaker 1: Where do I start? Hit me up? Six one seven 190 00:10:44,720 --> 00:10:46,520 Speaker 1: nine er A six six sixty three eight? What Government 191 00:10:46,600 --> 00:10:48,640 Speaker 1: Mule record do I start with? Are there any books? 192 00:10:48,760 --> 00:10:49,120 Speaker 1: Let me know? 193 00:10:49,160 --> 00:10:49,599 Speaker 4: I got to know. 194 00:10:50,640 --> 00:10:54,000 Speaker 1: All right, let's to another voicemail. Let's check out this 195 00:10:54,080 --> 00:10:55,600 Speaker 1: voicemail from the two two eight. 196 00:10:56,600 --> 00:10:59,920 Speaker 3: Hey, this is Scott on the Gulf Coast of Mississippi. 197 00:11:01,160 --> 00:11:05,040 Speaker 3: I don't think you have done anything on the original 198 00:11:05,120 --> 00:11:11,560 Speaker 3: guitarist for Fleetwood Mac. I believe his name was Peter Green. 199 00:11:12,720 --> 00:11:14,959 Speaker 3: I grew up in a musical family. My father was 200 00:11:14,960 --> 00:11:18,400 Speaker 3: an entertainment agent and he was the one that told 201 00:11:18,440 --> 00:11:22,240 Speaker 3: me about him. I don't know all the stories, and 202 00:11:22,320 --> 00:11:25,440 Speaker 3: I think it may make an interesting story. He was 203 00:11:25,480 --> 00:11:32,960 Speaker 3: before Lindsey Buckingham and Stevie Nicks joined Tell Me what 204 00:11:33,040 --> 00:11:33,360 Speaker 3: to Think. 205 00:11:34,120 --> 00:11:37,719 Speaker 1: Thank you, hey, Scott, Thanks for the message, my man. 206 00:11:37,760 --> 00:11:40,680 Speaker 1: We did two episodes on Fleetwood Mac and part one 207 00:11:40,800 --> 00:11:44,400 Speaker 1: deals almost entirely with mister Peter Green. You can check 208 00:11:44,440 --> 00:11:48,520 Speaker 1: those out. Also. I didn't know this until recently, but 209 00:11:48,679 --> 00:11:52,520 Speaker 1: Kirk Hammett from Metallica now owns Peter Green's Les Paul 210 00:11:52,800 --> 00:11:55,160 Speaker 1: and uses it frequently on stage and in the studio. 211 00:11:55,360 --> 00:11:58,440 Speaker 1: Pretty awesome connection there, and check out the new Metallica 212 00:11:58,520 --> 00:12:01,120 Speaker 1: record It's good. It's good, all right. Thanks to the 213 00:12:01,160 --> 00:12:03,640 Speaker 1: voicemail six one seven nine zero six six six three eight, 214 00:12:03,720 --> 00:12:05,160 Speaker 1: drop me a line, leave me a message, send me 215 00:12:05,200 --> 00:12:08,079 Speaker 1: a text. You guys, we have this new bonus episode 216 00:12:08,120 --> 00:12:10,559 Speaker 1: called the Rap Party that's in the bad Lands. Feed 217 00:12:10,640 --> 00:12:13,440 Speaker 1: got to subscribe over there for bad Lands wherever podcasts 218 00:12:13,440 --> 00:12:18,280 Speaker 1: are available, search bad Lands like follow subscribe all that. 219 00:12:18,600 --> 00:12:21,720 Speaker 1: We got this whole other conversation happening over there in 220 00:12:21,760 --> 00:12:24,160 Speaker 1: the bonus episodes and the Rap Party. Like I said, 221 00:12:24,160 --> 00:12:26,560 Speaker 1: we're I'm answering your calls and your text over there, 222 00:12:26,600 --> 00:12:29,040 Speaker 1: just like I am here. If you call me, if 223 00:12:29,080 --> 00:12:32,560 Speaker 1: you text me, now, you have twice the opportunity to 224 00:12:32,600 --> 00:12:35,840 Speaker 1: be heard in the episode, to be answered in the episode. 225 00:12:36,080 --> 00:12:38,000 Speaker 1: But over in the Rap Party, it's all movie content. 226 00:12:38,200 --> 00:12:40,280 Speaker 1: So all the movie and TV stuff we were doing 227 00:12:40,280 --> 00:12:41,839 Speaker 1: here in the after party, we're not doing here anymore. 228 00:12:41,840 --> 00:12:43,640 Speaker 1: We're doing over in the rap Party. Call me over 229 00:12:43,679 --> 00:12:48,319 Speaker 1: there with your film, TV questions, recommendations, stories, whatever, it 230 00:12:48,320 --> 00:12:50,120 Speaker 1: will show up in the Rap Party. Same number six 231 00:12:50,240 --> 00:12:52,960 Speaker 1: one seven nine zero six six six three eight. All right, 232 00:12:53,040 --> 00:12:57,240 Speaker 1: let's do some texts, all right. On the last after party, 233 00:12:57,480 --> 00:13:01,199 Speaker 1: we got into this conversation about who the hop pop 234 00:13:01,240 --> 00:13:05,760 Speaker 1: stars of the eighties were, and this this comes in 235 00:13:05,800 --> 00:13:07,760 Speaker 1: from the nine three seven bill from the nine three 236 00:13:07,840 --> 00:13:11,320 Speaker 1: seven Top five eighties pop stars, Michael Jackson, Prince Madonna, 237 00:13:11,360 --> 00:13:15,280 Speaker 1: Whitney Houston, Cindy Lapper. Cindy was everywhere in the eighties 238 00:13:15,320 --> 00:13:19,360 Speaker 1: and time after time and true Color is both brilliant. Yeah, 239 00:13:19,440 --> 00:13:22,800 Speaker 1: you know that's uh. I did not. I did not 240 00:13:23,000 --> 00:13:25,360 Speaker 1: mention Cindy Lapper, and I probably should have, although I 241 00:13:25,400 --> 00:13:28,640 Speaker 1: don't know if she cracks my top five. The texter 242 00:13:28,679 --> 00:13:30,400 Speaker 1: goes on to say, keeping on theme, what am I 243 00:13:30,400 --> 00:13:33,600 Speaker 1: listening to? Hardline? According to Terrence Trent Darby? What a 244 00:13:33,640 --> 00:13:36,640 Speaker 1: genius album? I remember Terrence Trent Derby. He had a 245 00:13:36,679 --> 00:13:40,880 Speaker 1: single wishing Well, which I thought was awesome. And I 246 00:13:40,920 --> 00:13:43,360 Speaker 1: think I had whatever record that was on her cassette 247 00:13:43,400 --> 00:13:45,360 Speaker 1: back in the day, and I dug it, and I've 248 00:13:45,440 --> 00:13:49,280 Speaker 1: just sort of forgotten about Terrence Trent Derby nine three seven. 249 00:13:49,400 --> 00:13:52,920 Speaker 1: Thank you for the reminder here, all right, another text 250 00:13:52,920 --> 00:13:54,840 Speaker 1: for the five oh three Today, I had a drive 251 00:13:54,920 --> 00:13:56,680 Speaker 1: all over the fucking place and I had time to 252 00:13:56,720 --> 00:13:59,480 Speaker 1: listen to the Tom Petty episode Super Fun Trip. I 253 00:13:59,559 --> 00:14:02,160 Speaker 1: knew who he was when I was twelve, so ninety three. 254 00:14:02,240 --> 00:14:04,920 Speaker 1: It was absolutely in love with his music. Saw m 255 00:14:05,040 --> 00:14:08,480 Speaker 1: in oh one gil Coliseum, Corvallis, Oregon. Glad I got 256 00:14:08,480 --> 00:14:10,840 Speaker 1: to witness the band. Love your work, Thank you, and 257 00:14:10,920 --> 00:14:13,920 Speaker 1: thank You're melotron all right, five oh three, you got it. 258 00:14:14,720 --> 00:14:18,400 Speaker 1: Five oh three is referencing the recently previously exclusive Tom 259 00:14:18,440 --> 00:14:21,040 Speaker 1: Petty episode that we put out last week. You can 260 00:14:21,160 --> 00:14:24,560 Speaker 1: check that out all right. From the nine oh one, 261 00:14:24,960 --> 00:14:28,800 Speaker 1: they started off with a question mark something good. I 262 00:14:28,880 --> 00:14:31,840 Speaker 1: bought a new guitar something also good. We have a 263 00:14:31,880 --> 00:14:34,640 Speaker 1: son in the army who was coming home in July 264 00:14:34,800 --> 00:14:38,960 Speaker 1: from South Korea. Just thought i'd share. Well, that's awesome. 265 00:14:39,040 --> 00:14:41,720 Speaker 1: Nine oh one. Congrats to you and thank you. Thank 266 00:14:41,760 --> 00:14:46,600 Speaker 1: your son for his service. Very cool. Glad you digging Disgraceland. 267 00:14:47,160 --> 00:14:49,400 Speaker 1: Let's get in here, let's see here. What do we got? 268 00:14:49,440 --> 00:14:52,520 Speaker 1: What do we got? Hey? Jake just got done listening 269 00:14:52,560 --> 00:14:55,440 Speaker 1: to the new Richard Pryor Badlands episode, and damn that 270 00:14:55,560 --> 00:14:57,360 Speaker 1: was just insane and one of my new favorites. Any 271 00:14:57,400 --> 00:14:59,920 Speaker 1: update on a piece about Steve Orrayvaughn you mentioned possibly doing. 272 00:15:00,240 --> 00:15:02,040 Speaker 1: I feel like there's gotta be some deep dive stories 273 00:15:02,080 --> 00:15:05,160 Speaker 1: that could expose new listeners to his legend. Love all 274 00:15:05,160 --> 00:15:07,960 Speaker 1: the work truly helps make a day go by easier. 275 00:15:08,080 --> 00:15:10,920 Speaker 1: Rock on, Casey. Some of you might be asking, what 276 00:15:11,080 --> 00:15:14,880 Speaker 1: is this Richard Pryor episode. I've searched the Disgraceland feed. 277 00:15:14,960 --> 00:15:18,920 Speaker 1: I see nothing on Richard Pryor. What are people talking about? Well, 278 00:15:19,600 --> 00:15:21,840 Speaker 1: Richard Pryor was not a musician. That's true. He was not. 279 00:15:22,000 --> 00:15:24,120 Speaker 1: He was a comedian and an actor. And we have 280 00:15:24,200 --> 00:15:27,600 Speaker 1: this whole other podcast. It's called bad Lands, and that 281 00:15:27,760 --> 00:15:30,680 Speaker 1: is in its own feed. You can search any podcast 282 00:15:30,760 --> 00:15:36,800 Speaker 1: players Spotify, Apple Podcasts, iHeart, Amazon, wherever you get your podcasts, Stitcher, 283 00:15:37,120 --> 00:15:40,320 Speaker 1: whatever you know. You just search it. Bad Lands. Boom 284 00:15:40,440 --> 00:15:44,400 Speaker 1: comes up and woila. You got like a gazillion episodes 285 00:15:44,760 --> 00:15:48,560 Speaker 1: on actors, comedians, even some athletes. Me behind the mic 286 00:15:48,600 --> 00:15:51,600 Speaker 1: telling these stories, just like I do for Disgraceland, same show, 287 00:15:52,160 --> 00:15:55,600 Speaker 1: just not musicians. Okay, but that doesn't happen in Disgraceland. 288 00:15:55,720 --> 00:15:58,840 Speaker 1: It happens in bad Lands. So subscribe to bad Lands 289 00:15:58,880 --> 00:16:00,480 Speaker 1: and you even get a new bonus. So just like 290 00:16:00,520 --> 00:16:02,920 Speaker 1: this every week. Okay, you got it. You gotta figure 291 00:16:02,920 --> 00:16:04,800 Speaker 1: it out. I believe in you guys. You got it. 292 00:16:04,840 --> 00:16:07,480 Speaker 1: All right, Let's do some dm shall we. You guys 293 00:16:07,480 --> 00:16:09,720 Speaker 1: want to leave me of text though or voicemail six 294 00:16:09,720 --> 00:16:11,440 Speaker 1: point seven nine oh six six six three eight to 295 00:16:11,560 --> 00:16:16,960 Speaker 1: DM me on Twitter, Facebook, Instagram, TikTok at, disgray slam pod. 296 00:16:17,480 --> 00:16:20,520 Speaker 1: Let's do some Instagram dms. Let me pull them up here. 297 00:16:20,600 --> 00:16:23,400 Speaker 1: I got them organized on my phone, all right. This 298 00:16:23,480 --> 00:16:26,880 Speaker 1: one is from Alan Chalfont, who says, hey man, this 299 00:16:26,960 --> 00:16:29,640 Speaker 1: is Alan. I messaged you before in the text line 300 00:16:29,680 --> 00:16:33,120 Speaker 1: telling you about my business, bread Truck Records. Well, I 301 00:16:33,280 --> 00:16:39,840 Speaker 1: fucking did it, man, three exclamation points. Yeah. This guy Alan, 302 00:16:39,920 --> 00:16:42,600 Speaker 1: texting me said he was starting a business, had some 303 00:16:42,720 --> 00:16:45,800 Speaker 1: questions or not even really just like, hey, I'm starting 304 00:16:45,840 --> 00:16:48,000 Speaker 1: this business. You know it's a bread truck Records. It's 305 00:16:48,000 --> 00:16:50,960 Speaker 1: gonna be cool, blah blah. I was like, fucking do it, man. 306 00:16:51,040 --> 00:16:53,200 Speaker 1: Sounds awesome. So he's saying, I fucking did it man. 307 00:16:53,240 --> 00:16:54,920 Speaker 1: It is done and ready to go and do events. 308 00:16:55,280 --> 00:16:56,720 Speaker 1: I want to get the word out there as much 309 00:16:56,760 --> 00:16:59,160 Speaker 1: as possible. I know that advertising is not free, and 310 00:16:59,240 --> 00:17:00,920 Speaker 1: I totally get it, but I'm hoping maybe there's something 311 00:17:00,960 --> 00:17:03,280 Speaker 1: we can do. All right, well, this is it, bread 312 00:17:03,280 --> 00:17:07,040 Speaker 1: truck Records. This is Alan Chalfont on Instagram. A L 313 00:17:07,160 --> 00:17:09,640 Speaker 1: A n C h A L F A n T. 314 00:17:10,560 --> 00:17:14,320 Speaker 1: It's a bread truck with records. Need I say anything else? 315 00:17:14,560 --> 00:17:17,159 Speaker 1: Search this dude out, help support his business, tell him 316 00:17:17,160 --> 00:17:20,520 Speaker 1: disgrace lan Sanchie. Let's do another one here. This one 317 00:17:21,000 --> 00:17:26,040 Speaker 1: is from the rock Trail Running and he goes on 318 00:17:26,080 --> 00:17:28,840 Speaker 1: to say, all right, man, you got me. Not a 319 00:17:28,840 --> 00:17:32,320 Speaker 1: Bruce Springsteen fan at all, but the Nebraska album is 320 00:17:32,400 --> 00:17:36,320 Speaker 1: absolutely amazing and I've listened to it four times since lunch. 321 00:17:36,800 --> 00:17:39,480 Speaker 1: Thanks for all that you do. Cheers, you got it, 322 00:17:39,560 --> 00:17:42,040 Speaker 1: you got it. Rock Trail Running. I told you I 323 00:17:42,080 --> 00:17:45,480 Speaker 1: wouldn't fuck with you about Bruce Springsteen's Nebraska. It's a 324 00:17:45,480 --> 00:17:47,920 Speaker 1: great record, too good to fuck with. All right, let's 325 00:17:47,920 --> 00:17:52,760 Speaker 1: do some Facebook messages, all right? On Instagram, James Doyle writes, 326 00:17:52,800 --> 00:17:57,159 Speaker 1: and he's coming in hot. I just unfortunately listened to 327 00:17:57,200 --> 00:18:02,080 Speaker 1: the episode on Oscar Pistorius. Okay, so occasionally we do 328 00:18:02,200 --> 00:18:08,359 Speaker 1: these sports figures in bad Lands. Okay. Oscar Pistorius was 329 00:18:08,359 --> 00:18:12,280 Speaker 1: an Olympic runner. Okay, it's a bad Lands episode that 330 00:18:12,760 --> 00:18:15,320 Speaker 1: James is talking about. I just unfortunately listened to the 331 00:18:15,359 --> 00:18:18,040 Speaker 1: episode on Oscar Pistorius and had to stop at the 332 00:18:18,080 --> 00:18:20,960 Speaker 1: part where he had run over a dog. Describing the 333 00:18:21,040 --> 00:18:25,120 Speaker 1: dog pulling itself away by its front legs is too much, Jake. 334 00:18:25,760 --> 00:18:28,440 Speaker 1: You can tell us about humans, the pieces of shit. 335 00:18:28,520 --> 00:18:31,160 Speaker 1: They are being run over by cars all day long. 336 00:18:31,480 --> 00:18:34,080 Speaker 1: It shouldn't result in anyone having an iota of anxiety, because, 337 00:18:34,119 --> 00:18:35,959 Speaker 1: as your show has proven, there is no such thing 338 00:18:36,000 --> 00:18:39,440 Speaker 1: as an innocent person. However, animals are very different. I 339 00:18:39,440 --> 00:18:42,879 Speaker 1: wouldn't mind disemboweling Oscar Pistorius with his own bladed legs 340 00:18:42,880 --> 00:18:45,679 Speaker 1: after hearing about and running over that dog. I've enjoyed 341 00:18:45,680 --> 00:18:48,240 Speaker 1: your show up until now, but I'm done and out 342 00:18:48,520 --> 00:18:52,040 Speaker 1: word of advice. People are perpetual shit bags and nobody 343 00:18:52,040 --> 00:18:54,600 Speaker 1: cares what happens to them, So stick to that topic 344 00:18:54,800 --> 00:19:02,320 Speaker 1: and leave the animal abuse out. Okay, man, Listen James 345 00:19:03,200 --> 00:19:07,159 Speaker 1: a couple things he's right about the dogs. And I 346 00:19:07,200 --> 00:19:12,360 Speaker 1: had this exact experience last night when I was watching Signs, 347 00:19:12,840 --> 00:19:15,840 Speaker 1: the beginning of the movie with the German shepherd. I 348 00:19:15,960 --> 00:19:17,919 Speaker 1: just literally I was thinking about it. I was like, 349 00:19:18,000 --> 00:19:20,359 Speaker 1: why does this make me feel so fucking bad? I 350 00:19:20,400 --> 00:19:24,560 Speaker 1: can watch humans get disemboweled as as our friend James 351 00:19:24,560 --> 00:19:27,399 Speaker 1: here says all day long and horror movies and fucking 352 00:19:27,480 --> 00:19:29,480 Speaker 1: mafia and whatever, and like, you know, I see a 353 00:19:29,520 --> 00:19:31,840 Speaker 1: dog die and I'm like, oh God, I'm shutting the 354 00:19:31,880 --> 00:19:36,520 Speaker 1: shit off. So he's right about that, and but he's 355 00:19:36,560 --> 00:19:40,480 Speaker 1: not right about First of all, the show does not 356 00:19:40,680 --> 00:19:45,320 Speaker 1: prove that no one is innocent. Certainly people are innocent. 357 00:19:45,840 --> 00:19:52,320 Speaker 1: Everybody sins and everyone deserves forgiveness everyone, full stop. And 358 00:19:52,760 --> 00:19:56,480 Speaker 1: just I mean, James, you're very angry man. People are 359 00:19:56,480 --> 00:20:00,840 Speaker 1: not perpetual ship bags uh, and people do care what 360 00:20:00,960 --> 00:20:04,119 Speaker 1: happens to other people. A lot of empathy in this world, 361 00:20:04,520 --> 00:20:10,520 Speaker 1: a lot of love and light. Man, it just conquers 362 00:20:10,560 --> 00:20:13,720 Speaker 1: the dark. And I hope James Doyle you get in 363 00:20:13,760 --> 00:20:17,120 Speaker 1: touch with that light. All right, let's move on. Let's 364 00:20:17,119 --> 00:20:21,520 Speaker 1: do some more angry for angry for Facebook angry angry. 365 00:20:21,680 --> 00:20:25,080 Speaker 1: We need something that's cleansing here. Let's see what Brian 366 00:20:25,160 --> 00:20:26,960 Speaker 1: Metz has to say. Hey, Jake, been with you since 367 00:20:27,000 --> 00:20:28,560 Speaker 1: season three. You want to thank you for all the 368 00:20:28,560 --> 00:20:30,760 Speaker 1: work you put into making my work day more pleasurable. 369 00:20:31,200 --> 00:20:34,200 Speaker 1: I consume everything Disgrace Land twenty Seven'club bad Lands, Dead 370 00:20:34,200 --> 00:20:35,920 Speaker 1: and Gone, etc. I love it all. I was wondering 371 00:20:36,000 --> 00:20:39,080 Speaker 1: if you have ever considered covering Lane Stay. You have 372 00:20:39,119 --> 00:20:40,879 Speaker 1: a knack of really getting into the depth of the 373 00:20:40,880 --> 00:20:42,639 Speaker 1: subject and would love to get his story through the 374 00:20:42,640 --> 00:20:45,439 Speaker 1: eyes of Jake Brennan. I really deep dive Lane and 375 00:20:45,440 --> 00:20:47,000 Speaker 1: still feel like so much of a story is still 376 00:20:47,040 --> 00:20:50,280 Speaker 1: a mistakes for probably do brother. All right, Brian Metz, Well, listen, 377 00:20:50,640 --> 00:20:54,000 Speaker 1: another thing that I was actually thinking about last night. 378 00:20:55,200 --> 00:20:57,520 Speaker 1: I've mentioned to you guys in previous episode about this 379 00:20:58,240 --> 00:21:01,480 Speaker 1: treasure trove of music videos that I found on the 380 00:21:01,560 --> 00:21:06,520 Speaker 1: Samsung TV Plus app. There's this ninety station and last night. 381 00:21:06,840 --> 00:21:08,320 Speaker 1: Now it's become this thing with my wife and I do. 382 00:21:08,359 --> 00:21:11,120 Speaker 1: We just watched music videos like it's fucking nineteen ninety four. 383 00:21:11,200 --> 00:21:14,600 Speaker 1: That's all we do. It's kind of fucking awesome, and 384 00:21:14,640 --> 00:21:17,280 Speaker 1: we just calm. We call it Beavis and butt heading. 385 00:21:17,320 --> 00:21:20,640 Speaker 1: We just like comment on the videos and make ourselves laugh. 386 00:21:20,640 --> 00:21:23,119 Speaker 1: We're not trying to do it. It's just this natural, innate 387 00:21:23,200 --> 00:21:25,560 Speaker 1: instinct that we learned as kids. It just comes out 388 00:21:25,560 --> 00:21:29,159 Speaker 1: of us. And Alison Chain's video came on and my 389 00:21:29,280 --> 00:21:33,800 Speaker 1: wife was cringing. My wife. My wife hates the aside 390 00:21:33,800 --> 00:21:38,600 Speaker 1: from Nirvana, she can't stand any of the Seattle grunge stuff. 391 00:21:38,920 --> 00:21:42,920 Speaker 1: She fucking despises, like that whole thing that Eddie vedder 392 00:21:43,000 --> 00:21:46,960 Speaker 1: Lane stately thing. So I was like, you know, people 393 00:21:47,000 --> 00:21:49,400 Speaker 1: request this a lot, they request an episode on this, Dude, 394 00:21:49,440 --> 00:21:50,800 Speaker 1: I think I'm gonna do it, And she was just 395 00:21:50,800 --> 00:21:54,679 Speaker 1: like completely not interested. So that of course makes me 396 00:21:54,760 --> 00:21:56,560 Speaker 1: more interested, just so I could fuck with her and 397 00:21:56,600 --> 00:22:01,240 Speaker 1: be blasting alis In Chains all week while I'm researching it. So, Brian, 398 00:22:01,359 --> 00:22:03,480 Speaker 1: I think I think your answers are going to your 399 00:22:03,640 --> 00:22:05,359 Speaker 1: your question is going to be answered here and we're 400 00:22:05,400 --> 00:22:07,840 Speaker 1: gonna get into analys and chains, saying pretty damn soon, 401 00:22:08,800 --> 00:22:13,919 Speaker 1: Let's do one more here. I'm gonna flip over to 402 00:22:13,960 --> 00:22:17,359 Speaker 1: the Twitter machine for a second. Stay with me, people, 403 00:22:18,119 --> 00:22:18,800 Speaker 1: stay with me. 404 00:22:20,320 --> 00:22:20,760 Speaker 4: All right? 405 00:22:20,920 --> 00:22:24,240 Speaker 1: Running May nine on Twitter says, after listening to the 406 00:22:24,240 --> 00:22:27,680 Speaker 1: Tom Petty episode, I highly recommend this and it's Wildflowers 407 00:22:27,720 --> 00:22:34,800 Speaker 1: by Tom Petty. Let's keep moving here. At Willow Raven Rights, 408 00:22:34,880 --> 00:22:38,159 Speaker 1: what are your favorite music related YouTube series? And response 409 00:22:38,280 --> 00:22:42,040 Speaker 1: to that Whosker Mood excuse me? In response to that 410 00:22:42,240 --> 00:22:46,840 Speaker 1: at Whosker Mold Rights. Disgraceland Pod on YouTube. Guys, you 411 00:22:46,880 --> 00:22:49,200 Speaker 1: know this. We have a YouTube Okay, we have a 412 00:22:49,240 --> 00:22:54,160 Speaker 1: YouTube channel. It's Disgraceland. Tons of video content, music, true crime, 413 00:22:54,280 --> 00:22:56,520 Speaker 1: just in video format and not podcast format. Go to 414 00:22:56,600 --> 00:23:01,960 Speaker 1: YouTube dot com slash at disgracelam pod and subscribe. All right, 415 00:23:02,440 --> 00:23:05,200 Speaker 1: all right, what are we doing. That's a lot of voicemails, 416 00:23:05,240 --> 00:23:07,040 Speaker 1: that's a lot of text, that's a lot of dms. 417 00:23:07,840 --> 00:23:10,000 Speaker 1: All right, I reminded you about bad Lands. That's back, 418 00:23:10,080 --> 00:23:12,520 Speaker 1: you know, subscribe over there. New season, it's a live 419 00:23:12,560 --> 00:23:15,040 Speaker 1: it's kicking. You gotta subscribe in the bad Lands Feed. 420 00:23:15,960 --> 00:23:17,639 Speaker 1: This is all the news. It gives me fits at 421 00:23:17,680 --> 00:23:19,919 Speaker 1: the moment. Anyways, Right now, I'm gonna drink some more 422 00:23:19,960 --> 00:23:36,480 Speaker 1: tea and I will be back after this. So the 423 00:23:36,520 --> 00:23:39,160 Speaker 1: recommendations part. This is the recommendation's part, the part where 424 00:23:39,160 --> 00:23:42,040 Speaker 1: we recommend the things that need recommending, the recommendations part. 425 00:23:42,160 --> 00:23:45,399 Speaker 1: All right, what I'm reading, what I'm listening to, and 426 00:23:45,440 --> 00:23:47,920 Speaker 1: what music content I am watching. As we laid down 427 00:23:47,960 --> 00:23:50,280 Speaker 1: the New World Order last week, you guys know that 428 00:23:50,320 --> 00:23:53,240 Speaker 1: what I'm watching for movies and for television, that's all 429 00:23:53,280 --> 00:23:55,879 Speaker 1: happening over in the Wrap Party bonus episode. Now in 430 00:23:55,920 --> 00:23:59,359 Speaker 1: the bad Lands Feed. Get over there and subscribe. And 431 00:23:59,359 --> 00:24:01,280 Speaker 1: if you have movie your tv Rex, you can still 432 00:24:01,280 --> 00:24:03,040 Speaker 1: call me. In fact, I encourage you to call me. 433 00:24:03,040 --> 00:24:05,000 Speaker 1: Six one seven nine. There were six six sixty three 434 00:24:05,040 --> 00:24:07,159 Speaker 1: eight with your movie and tv Rex. We got a 435 00:24:07,200 --> 00:24:10,280 Speaker 1: bunch of new calls in I appreciate it. A lot 436 00:24:10,280 --> 00:24:12,920 Speaker 1: of those will be answered, those voicemails, those texts in 437 00:24:13,000 --> 00:24:14,560 Speaker 1: the bad Lands Fee. You got to get this bad 438 00:24:14,640 --> 00:24:18,600 Speaker 1: Lands conversation cooking like this, yere disgrace and convo cooks. 439 00:24:18,720 --> 00:24:22,040 Speaker 1: All right, back to my recommendations for music related content 440 00:24:22,080 --> 00:24:24,760 Speaker 1: that I'm watching. I told you guys about the Samsung 441 00:24:24,840 --> 00:24:29,359 Speaker 1: TV app again. I swear they're not sponsoring the show. 442 00:24:29,760 --> 00:24:31,920 Speaker 1: I'm just kind of addicted to the video. The music 443 00:24:32,000 --> 00:24:34,160 Speaker 1: video channels on that there's two, there's an eight three. 444 00:24:34,240 --> 00:24:36,399 Speaker 1: Actually there's an eighties one, a nineties one in a 445 00:24:36,480 --> 00:24:43,480 Speaker 1: rock one. They're called like excite xite Eighties, Excite nineties. 446 00:24:44,000 --> 00:24:47,760 Speaker 1: So I've been watching the hell out of it. And Hey, 447 00:24:47,800 --> 00:24:49,119 Speaker 1: I don't know if I've ever told you guys this, 448 00:24:49,200 --> 00:24:53,560 Speaker 1: but the song easy Lover by Philip Bailey and Phil 449 00:24:53,640 --> 00:24:58,760 Speaker 1: Collins is my fucking jam. I love this song. I 450 00:24:58,800 --> 00:25:01,439 Speaker 1: listened to it almost every week. This is kind of 451 00:25:01,440 --> 00:25:03,920 Speaker 1: a new thing. It's about it's about twelve months old, 452 00:25:04,359 --> 00:25:07,480 Speaker 1: maybe two years old. Actually, you know, the sun's out, 453 00:25:07,760 --> 00:25:10,800 Speaker 1: windows down. I'm going to that song. I don't know why. 454 00:25:10,880 --> 00:25:13,320 Speaker 1: I know why. It's fucking great. It's a great song, 455 00:25:13,720 --> 00:25:18,560 Speaker 1: great great song. Shees an easy love, you know what 456 00:25:18,560 --> 00:25:22,080 Speaker 1: I'm talking about. So we're watching this video channel the 457 00:25:22,080 --> 00:25:25,720 Speaker 1: other night and this video comes on Philip Bailey and 458 00:25:25,760 --> 00:25:30,920 Speaker 1: Phil Collins. My god, I was so fucking excited, and 459 00:25:31,119 --> 00:25:34,760 Speaker 1: it's the video is so much cheesier than I could 460 00:25:34,760 --> 00:25:37,520 Speaker 1: have hoped for. First of all, just the fact that 461 00:25:37,520 --> 00:25:39,960 Speaker 1: Phil Collins was a major pop star is mind blowing 462 00:25:40,000 --> 00:25:42,440 Speaker 1: to me. I mean, I get it, talent coming out 463 00:25:42,440 --> 00:25:45,199 Speaker 1: the wazoo, But who went, oh yeah, we're gonna take 464 00:25:45,200 --> 00:25:48,160 Speaker 1: the drummer from Genesis and make him a pop star. 465 00:25:50,040 --> 00:25:53,040 Speaker 1: I'm at Urkin, that's who. And it worked. But Philip Bailey, 466 00:25:53,640 --> 00:25:55,760 Speaker 1: I never knew Philip Bailey was the singer for Earth 467 00:25:55,760 --> 00:25:58,760 Speaker 1: Wind and Fire. I thought Philip Bailey was like some young, hot, 468 00:25:59,160 --> 00:26:03,280 Speaker 1: like up and coming dude, who you know. Phil Collins 469 00:26:03,400 --> 00:26:06,639 Speaker 1: was given a break to for whatever reason, as like 470 00:26:06,640 --> 00:26:08,040 Speaker 1: a favorite Ahmed or something. 471 00:26:08,280 --> 00:26:08,639 Speaker 4: I don't know. 472 00:26:08,680 --> 00:26:11,159 Speaker 1: We had this whole career in the seventies singing for 473 00:26:11,200 --> 00:26:14,160 Speaker 1: Earth Wind and Fire. No wonder he's throwing fucking high 474 00:26:14,240 --> 00:26:17,440 Speaker 1: Heat and easy Lover. He's crushing it. But the video, 475 00:26:18,359 --> 00:26:21,640 Speaker 1: the video is amazing because they're in it and they're 476 00:26:21,680 --> 00:26:24,159 Speaker 1: being goofy, and the song's great, and that's awesome. But 477 00:26:25,160 --> 00:26:31,400 Speaker 1: someone fucking got the horrible slash amazing idea to use 478 00:26:32,000 --> 00:26:36,879 Speaker 1: the vocal audio of them singing during the filming of 479 00:26:36,920 --> 00:26:41,320 Speaker 1: the video the harmonies, and then to overlay that on 480 00:26:41,400 --> 00:26:45,200 Speaker 1: the actual audio album track that plays under the video. 481 00:26:46,240 --> 00:26:50,720 Speaker 1: It makes absolutely no sense, but it's fucking so dumb. 482 00:26:50,840 --> 00:26:53,680 Speaker 1: It's cool. And the other thing, there's actually a point 483 00:26:53,680 --> 00:26:55,480 Speaker 1: too where they're just like in the middle of the 484 00:26:55,560 --> 00:27:01,240 Speaker 1: video where they're like they're rehearsing for the video. It's 485 00:27:01,320 --> 00:27:04,920 Speaker 1: kind of meta. There's like they're talking, and they put 486 00:27:04,960 --> 00:27:07,120 Speaker 1: that in the videos too, right over the track, right 487 00:27:07,160 --> 00:27:11,200 Speaker 1: over the track. It's fucking great. Google Easy Lover by 488 00:27:11,240 --> 00:27:14,439 Speaker 1: Philip Bailey one L P H I L I P. 489 00:27:14,880 --> 00:27:18,600 Speaker 1: Bailey and Phil Collins, and uh, let me know what 490 00:27:18,640 --> 00:27:22,480 Speaker 1: you think, America, it's fucking great. I love I love 491 00:27:23,160 --> 00:27:27,200 Speaker 1: this song and the video does not disappoint. I finally 492 00:27:27,240 --> 00:27:30,399 Speaker 1: get to watch David Johansson's Personality Crisis one night only 493 00:27:30,520 --> 00:27:35,000 Speaker 1: on Showtime. That's Scorsese and his buddy. They're directed. Damn good, 494 00:27:35,600 --> 00:27:38,439 Speaker 1: really great. And then that sent me back for what 495 00:27:38,480 --> 00:27:41,280 Speaker 1: I'm listening to. It sent me to the self titled 496 00:27:41,320 --> 00:27:45,240 Speaker 1: David Johanson album, the one with Funky but Chic on it. 497 00:27:45,240 --> 00:27:48,000 Speaker 1: It's just a great fucking record. This is a This 498 00:27:48,040 --> 00:27:49,879 Speaker 1: record came to me late. I'm not gonna pretend I've 499 00:27:49,880 --> 00:27:51,840 Speaker 1: been into this record for decades. I haven't. It's probably 500 00:27:51,880 --> 00:27:54,800 Speaker 1: been about ten, No, not even that long five years 501 00:27:54,800 --> 00:27:58,720 Speaker 1: maybe awesome album? What am I reading? I've told you 502 00:27:58,760 --> 00:28:01,159 Speaker 1: this already. It's it's the Warren Zan's book. You know this, 503 00:28:02,160 --> 00:28:04,560 Speaker 1: deliver me from nowhere. We're gonna get into this fully 504 00:28:04,640 --> 00:28:06,720 Speaker 1: next week with when Warren comes on the on the 505 00:28:06,760 --> 00:28:12,280 Speaker 1: pod here the after party. Guys, your recommendations, I need them. 506 00:28:12,320 --> 00:28:15,000 Speaker 1: Six one seven nine, there were six six, six three eight. 507 00:28:15,200 --> 00:28:18,240 Speaker 1: Maybe perhaps some book recommendations, you know, you know, fuck that. 508 00:28:18,760 --> 00:28:23,960 Speaker 1: I want eighties and nineties music video recommendations. All right, 509 00:28:24,600 --> 00:28:28,760 Speaker 1: get on YouTube and after you subscribe to Disgraceland YouTube 510 00:28:28,760 --> 00:28:32,040 Speaker 1: dot com, slash at Disgraceland pod search some eighties and 511 00:28:32,119 --> 00:28:35,960 Speaker 1: nineties music videos that that fire up the old nostalgia 512 00:28:36,040 --> 00:28:38,840 Speaker 1: machine for you. And uh, let me know which ones 513 00:28:38,880 --> 00:28:40,360 Speaker 1: you love and we'll talk about them here. All right. 514 00:28:40,360 --> 00:28:41,880 Speaker 1: I'm gonna take a quick break. I'll be back in 515 00:28:41,880 --> 00:29:07,360 Speaker 1: a minute. All right, let's recap, shall we. Number one 516 00:29:07,440 --> 00:29:10,200 Speaker 1: disgrace Line episode subjects for season twelve have been released. 517 00:29:10,240 --> 00:29:12,200 Speaker 1: Call me six one seven nine zero six six six 518 00:29:12,280 --> 00:29:13,960 Speaker 1: three eight and let me know what you think. Give 519 00:29:14,000 --> 00:29:16,840 Speaker 1: me your suggestions on who we should cover next. Number 520 00:29:16,880 --> 00:29:20,480 Speaker 1: two Bruce Springsteen's Nebraska is up next on Tuesday, May 521 00:29:20,560 --> 00:29:24,000 Speaker 1: sixteenth in Disgraceland. I can't wait for you guys to 522 00:29:24,000 --> 00:29:26,920 Speaker 1: hear this three my interview with Warren Zan's, author of 523 00:29:26,960 --> 00:29:29,520 Speaker 1: Delivering Me from Nowhere. A new book about Bruce Springsteen's 524 00:29:29,520 --> 00:29:31,920 Speaker 1: Nebraska is coming in the next after party on May 525 00:29:31,960 --> 00:29:36,360 Speaker 1: eighteenth for send me your Bruce Springsteen questions questions from 526 00:29:36,360 --> 00:29:40,520 Speaker 1: my upcoming interview with Warren Zanes your eighties and nineties 527 00:29:41,160 --> 00:29:44,160 Speaker 1: video rex six one seven nine zero six six six 528 00:29:44,240 --> 00:29:46,000 Speaker 1: three eight, along with any other questions you thought you 529 00:29:46,040 --> 00:29:48,480 Speaker 1: might have. Number five bad Lands is back, Baby, new 530 00:29:48,480 --> 00:29:52,280 Speaker 1: full episodes every Wednesday, and bonus rap party episodes every Friday. 531 00:29:52,720 --> 00:29:56,160 Speaker 1: Go to the Badlands Feed, subscribe wherever you get your episodes. 532 00:29:57,360 --> 00:30:01,360 Speaker 1: Richard Pryor just happened a couple weeks ago. Farley is 533 00:30:01,360 --> 00:30:03,680 Speaker 1: is the current f and I think James Dean's coming 534 00:30:03,760 --> 00:30:04,160 Speaker 1: up after that. 535 00:30:04,200 --> 00:30:04,520 Speaker 2: All right? 536 00:30:04,760 --> 00:30:07,960 Speaker 1: My moment of bliss from New Jersey in honor of 537 00:30:08,000 --> 00:30:12,800 Speaker 1: the boss Man himself, me reading you the phone book 538 00:30:14,720 --> 00:30:22,240 Speaker 1: Goldberg Harry eleven Bellevue Terrace, Carlswood six zero four Goldberg, 539 00:30:22,760 --> 00:30:31,520 Speaker 1: Jack Haddenfield Dash four two five Gomez Joseph Haddenfeld Dash 540 00:30:31,560 --> 00:30:36,480 Speaker 1: two nine seven w one Gondolph Frank Al Octagon Road 541 00:30:36,880 --> 00:30:40,800 Speaker 1: Camp Dash four nine oh one Ville gone Gloff al 542 00:30:41,040 --> 00:30:45,040 Speaker 1: one Reverend three five four one penn Aff Dash Mcville 543 00:30:45,120 --> 00:30:50,360 Speaker 1: Dash three four Author Goods Jesse Gloucester Dash three three 544 00:30:50,520 --> 00:30:54,400 Speaker 1: good Man good Fellow, Arthur Call Squad Dash three one 545 00:30:54,480 --> 00:31:00,240 Speaker 1: four five Wesley Goodman, William considerably North Broadway Gloss, Stay 546 00:31:00,320 --> 00:31:03,040 Speaker 1: on the dash one oh hey, go work on Harry 547 00:31:03,160 --> 00:31:07,360 Speaker 1: Camp eleven dollars to terrace calls we got six zero 548 00:31:07,800 --> 00:31:13,080 Speaker 1: four gold War one Jack Haddenfield Dash four two five 549 00:31:13,200 --> 00:31:18,000 Speaker 1: four good go Mitis Joseph one hundred den around, quit 550 00:31:18,200 --> 00:31:20,240 Speaker 1: talking and start mixing. 551 00:31:20,440 --> 00:31:20,680 Speaker 3: Could