1 00:00:04,200 --> 00:00:06,200 Speaker 1: Hey, and welcome to the short Stuff. I'm Josh and 2 00:00:06,200 --> 00:00:11,080 Speaker 1: there's Chuck and we're going short stuff. Architectural style, specifically 3 00:00:11,520 --> 00:00:15,960 Speaker 1: architectural style from the mid to late nineteenth century, specifically 4 00:00:16,440 --> 00:00:21,360 Speaker 1: in Manhattan on the Upper West Side, specifically about the Dakota. 5 00:00:21,840 --> 00:00:24,040 Speaker 2: That's right, Can I say something very quickly since this 6 00:00:24,160 --> 00:00:27,520 Speaker 2: is short stuff? Sure, right before we recorded, you said 7 00:00:27,560 --> 00:00:30,840 Speaker 2: Dakota Fanning, and that reminded me. I just got back 8 00:00:30,840 --> 00:00:35,920 Speaker 2: from New York and I had six celebrity sidings, one 9 00:00:35,960 --> 00:00:37,040 Speaker 2: of which was El Fanning. 10 00:00:37,479 --> 00:00:39,559 Speaker 1: Oh yeah, Yeah, she's. 11 00:00:39,360 --> 00:00:41,600 Speaker 2: In the lobby of a hotel. I go on that 12 00:00:41,680 --> 00:00:45,280 Speaker 2: hotel to pee. I'm always got my head on a 13 00:00:45,320 --> 00:00:48,240 Speaker 2: swivel in that town, especially in fancy hotel lobbies. Sure, 14 00:00:48,360 --> 00:00:50,160 Speaker 2: and I was like, hey, this's the code of Fanning. 15 00:00:50,200 --> 00:00:51,920 Speaker 2: And I was like, she was sitting with people. I 16 00:00:51,920 --> 00:00:53,880 Speaker 2: was like, there's got to be somebody else famous, went 17 00:00:53,880 --> 00:00:57,160 Speaker 2: to the bathroom, came out sitting next to Jessica Chastain. 18 00:00:58,240 --> 00:00:59,960 Speaker 3: Wow, pretty major siding. 19 00:01:00,520 --> 00:01:00,760 Speaker 1: Uh. 20 00:01:00,880 --> 00:01:03,319 Speaker 2: Then at one of my pavement shows, I saw uh 21 00:01:04,480 --> 00:01:07,479 Speaker 2: uh Noah Bombbach and Greta Gerwig. 22 00:01:09,959 --> 00:01:10,720 Speaker 3: Yeah they're married. 23 00:01:10,840 --> 00:01:13,160 Speaker 1: Okay, wow, say so couple? 24 00:01:13,760 --> 00:01:15,720 Speaker 2: Yeah, I mean he co wrote Barbie with her and 25 00:01:17,080 --> 00:01:19,080 Speaker 2: uh Dean Wareham of Luna. They're all good friends and 26 00:01:19,080 --> 00:01:21,000 Speaker 2: they were all together, so that was a three banger 27 00:01:21,040 --> 00:01:21,440 Speaker 2: in one. 28 00:01:22,200 --> 00:01:23,000 Speaker 3: And this uh. 29 00:01:23,040 --> 00:01:24,920 Speaker 2: This lady near me was jumping up and down like 30 00:01:24,959 --> 00:01:28,000 Speaker 2: screaming it uh at Greta Gerwig and she was very 31 00:01:28,040 --> 00:01:30,400 Speaker 2: sweet from up above in the balcony and like made 32 00:01:30,440 --> 00:01:32,760 Speaker 2: the little heart symbol and like said she loved her. 33 00:01:32,800 --> 00:01:34,640 Speaker 3: It was very sweete uh. 34 00:01:34,680 --> 00:01:37,200 Speaker 2: And then sat next to Tiffany Hattish on the on 35 00:01:37,240 --> 00:01:40,000 Speaker 2: the flight home. Wow, but she was a girl across 36 00:01:40,040 --> 00:01:40,679 Speaker 2: the asl from me. 37 00:01:40,880 --> 00:01:43,560 Speaker 1: Did you did you bugger the whole time? No? 38 00:01:43,680 --> 00:01:44,480 Speaker 3: I didn't say anything. 39 00:01:44,760 --> 00:01:46,840 Speaker 1: Were you like, hey, Tiffany, you remember this one joke 40 00:01:46,880 --> 00:01:48,360 Speaker 1: you told that was hilarious. 41 00:01:48,960 --> 00:01:50,400 Speaker 3: She's great though. She's very pretty too. 42 00:01:50,680 --> 00:01:52,200 Speaker 1: Yeah, yes, she is wonderful. 43 00:01:52,480 --> 00:01:53,160 Speaker 3: I like that voice. 44 00:01:53,160 --> 00:01:55,960 Speaker 2: So she got that sort of a low voice, kind 45 00:01:55,960 --> 00:01:58,880 Speaker 2: of like this, I am Tiffany Hattish. 46 00:01:59,200 --> 00:02:02,840 Speaker 1: That's okay, all right, we gotta go because we're talking 47 00:02:03,160 --> 00:02:05,800 Speaker 1: the Dakota here, not Dakota Fanning or l Fanning. 48 00:02:06,360 --> 00:02:08,639 Speaker 2: No, the apartment building in New York City. 49 00:02:08,480 --> 00:02:11,560 Speaker 1: That's right, the one where John Lennon was shot in 50 00:02:11,639 --> 00:02:14,320 Speaker 1: front of Yeah, he's lived there at the time. 51 00:02:14,360 --> 00:02:16,240 Speaker 2: No, no, no, he lived there, and he was shot on 52 00:02:16,280 --> 00:02:17,640 Speaker 2: the sidewalk outside the Dakota. 53 00:02:18,200 --> 00:02:22,400 Speaker 1: So that's not the only reason that Dakota is famous, 54 00:02:22,400 --> 00:02:25,160 Speaker 1: although it's probably the biggest reason that Dakota is famous. 55 00:02:25,800 --> 00:02:29,040 Speaker 1: One of the reasons that Dakota is famous is because 56 00:02:29,080 --> 00:02:31,160 Speaker 1: it was one of the first apartment buildings in New 57 00:02:31,240 --> 00:02:34,640 Speaker 1: York City, like they didn't do apartments back then. And 58 00:02:34,840 --> 00:02:37,400 Speaker 1: even more spectacular than that it being one of the 59 00:02:37,400 --> 00:02:41,239 Speaker 1: first apartment buildings is that it was plunk down in 60 00:02:41,280 --> 00:02:44,520 Speaker 1: the Upper West Side at a time when Central Park West, 61 00:02:45,000 --> 00:02:49,560 Speaker 1: one of the most what is it, white heeled, high heeled, 62 00:02:50,240 --> 00:02:55,240 Speaker 1: well healed, well healed, like bits of stretches of real 63 00:02:55,360 --> 00:02:59,959 Speaker 1: estate in the world, was a dirt road still and nowheres. 64 00:02:59,440 --> 00:03:03,600 Speaker 2: Fill nowhere, yep. Nobody wanted to go up that far. 65 00:03:03,680 --> 00:03:05,160 Speaker 2: They were like, there's nothing up there. 66 00:03:05,520 --> 00:03:06,600 Speaker 3: That's right to hay seeds. 67 00:03:06,960 --> 00:03:10,400 Speaker 1: And in fact, it was so far out that the 68 00:03:10,440 --> 00:03:12,880 Speaker 1: guy who built the Dakota, who will meet in the second, 69 00:03:13,000 --> 00:03:16,840 Speaker 1: Edward Cabot Clark, bought it from an industrialist whose wife 70 00:03:16,840 --> 00:03:20,359 Speaker 1: threatened to divorce him if he built their house out there. 71 00:03:20,400 --> 00:03:21,880 Speaker 1: And he's like, all right, I'll just get rid of 72 00:03:21,880 --> 00:03:22,519 Speaker 1: his piece of land. 73 00:03:22,560 --> 00:03:24,680 Speaker 2: Then yeah, she's like, I want to live down here 74 00:03:24,720 --> 00:03:26,280 Speaker 2: where it's posh in Alphabet City. 75 00:03:26,600 --> 00:03:29,320 Speaker 1: You know what's funny is you remember if you go 76 00:03:29,360 --> 00:03:31,200 Speaker 1: read our book, there's a whole chapter on Keeping Up 77 00:03:31,240 --> 00:03:33,760 Speaker 1: with the Joneses, and it talks a lot about this 78 00:03:33,880 --> 00:03:36,760 Speaker 1: part of New York history where there are all sorts 79 00:03:36,800 --> 00:03:40,800 Speaker 1: of nowheresvills around that today are just like incredibly famous 80 00:03:41,120 --> 00:03:42,080 Speaker 1: and expensive. 81 00:03:42,600 --> 00:03:43,800 Speaker 3: That's right, all right. 82 00:03:43,840 --> 00:03:46,480 Speaker 2: So the Dakota, like you said, people were not living 83 00:03:46,480 --> 00:03:48,920 Speaker 2: in apartments at the time. They were living in brownstones, 84 00:03:48,960 --> 00:03:54,280 Speaker 2: which were single family homes, and there were a couple, 85 00:03:54,360 --> 00:03:57,160 Speaker 2: like a couple started to spring up in the eighteen seventies. 86 00:03:57,880 --> 00:04:01,160 Speaker 2: They weren't great. They were kind of like you think 87 00:04:01,200 --> 00:04:03,520 Speaker 2: of New York apartments. They were small, they didn't have 88 00:04:03,560 --> 00:04:08,760 Speaker 2: a lot of light. People didn't love renting and living 89 00:04:08,800 --> 00:04:12,400 Speaker 2: in them. And along came this guy, Edward Cabot Clark 90 00:04:12,400 --> 00:04:14,600 Speaker 2: that you mentioned. He was the president of the Singer 91 00:04:14,680 --> 00:04:18,000 Speaker 2: Sewing Machine company. So he was loaded and he got 92 00:04:18,000 --> 00:04:23,080 Speaker 2: together with an architect named Henry Janeway Hardenberg a great name, 93 00:04:23,200 --> 00:04:26,039 Speaker 2: and to get into real estate. And the first thing 94 00:04:26,040 --> 00:04:29,280 Speaker 2: they built which is sadly not there anymore. Is kind 95 00:04:29,279 --> 00:04:32,240 Speaker 2: of a prototype for the Dakota called the Van Corlier, 96 00:04:32,800 --> 00:04:36,279 Speaker 2: a red brick, five story, thirty six apartment building that 97 00:04:36,440 --> 00:04:39,120 Speaker 2: was on Seventh between fifty fifth and fifty six. 98 00:04:39,920 --> 00:04:44,040 Speaker 1: Yeah, and it immediately improved on its predecessors because the 99 00:04:44,120 --> 00:04:47,720 Speaker 1: rooms were larger, the apartments themselves were larger. There was 100 00:04:47,720 --> 00:04:50,200 Speaker 1: a courtyard, so there was plenty of like natural light 101 00:04:50,440 --> 00:04:55,080 Speaker 1: and air, had elevators apparently which we talk in like 102 00:04:55,120 --> 00:05:00,360 Speaker 1: the eighteen eighties, eighteen seventies, and there was also I 103 00:05:00,400 --> 00:05:03,799 Speaker 1: think a what was there, Oh, there was a ramp 104 00:05:03,800 --> 00:05:07,080 Speaker 1: that went beneath it. So then you didn't have to 105 00:05:07,160 --> 00:05:10,880 Speaker 1: silly your family reputation by accepting deliveries out there in public. 106 00:05:11,200 --> 00:05:12,960 Speaker 1: You could go down to the basement and meet the 107 00:05:13,040 --> 00:05:16,719 Speaker 1: delivery driver to keep them to take whatever they gave you. 108 00:05:17,240 --> 00:05:19,920 Speaker 2: Yeah, and it was just nicer overall. I think there 109 00:05:20,000 --> 00:05:23,560 Speaker 2: was an intercom system and you know, like Spanish tile. 110 00:05:23,600 --> 00:05:25,640 Speaker 3: It was just a step up for sure. 111 00:05:26,200 --> 00:05:30,400 Speaker 2: And all of a sudden in eighteen seventy eight they 112 00:05:30,400 --> 00:05:33,559 Speaker 2: rented out very quickly, and so Clark was like, all right, 113 00:05:33,920 --> 00:05:35,880 Speaker 2: it turns out if you build it nice enough, they 114 00:05:35,920 --> 00:05:38,920 Speaker 2: will come and apartments can be a real thing. And 115 00:05:39,000 --> 00:05:42,480 Speaker 2: like you said, bought that property or I guess it 116 00:05:42,520 --> 00:05:44,760 Speaker 2: was just land at the time, right, yeah, bought this 117 00:05:44,920 --> 00:05:50,960 Speaker 2: land from Jacob Henry Schiff way way uptown and decided 118 00:05:51,000 --> 00:05:55,640 Speaker 2: to build his second sort of dream property there. 119 00:05:55,839 --> 00:05:58,320 Speaker 1: Yep, which would be the Dakota. And I say that 120 00:05:58,400 --> 00:06:02,720 Speaker 1: we pause from stage break and then return and begin 121 00:06:02,839 --> 00:06:04,400 Speaker 1: talking about the Dakota some more. 122 00:06:05,320 --> 00:06:10,560 Speaker 3: And Tiffany Hattish right after this, stoffy jaws. 123 00:06:11,880 --> 00:06:38,000 Speaker 1: Sho, stff you a job, job, So Chuck, we're talking 124 00:06:38,000 --> 00:06:39,800 Speaker 1: about the Dakota now starting now. 125 00:06:41,200 --> 00:06:41,640 Speaker 3: Okay. 126 00:06:41,920 --> 00:06:47,599 Speaker 1: So, if the vancourtlier was an advancement based on the 127 00:06:47,600 --> 00:06:50,880 Speaker 1: stuff that came a few years before it, the Dakota 128 00:06:51,080 --> 00:06:55,479 Speaker 1: was an even better advancement improvement based on the van courtlier. 129 00:06:56,279 --> 00:07:01,000 Speaker 1: It had big apartments, big rooms, yard, lots of light, 130 00:07:01,880 --> 00:07:04,560 Speaker 1: ramp underneath and all that stuff. But it was also 131 00:07:04,720 --> 00:07:07,680 Speaker 1: like even more luxuriously designed. Like if you came over 132 00:07:07,680 --> 00:07:11,000 Speaker 1: to someone's apartment, you couldn't see through down the hallway 133 00:07:11,040 --> 00:07:14,120 Speaker 1: to every single room. The walls were kind of like 134 00:07:14,200 --> 00:07:17,680 Speaker 1: designed around so that you couldn't like there was a 135 00:07:17,760 --> 00:07:20,680 Speaker 1: separation between your visitors and the living part of the 136 00:07:20,720 --> 00:07:24,080 Speaker 1: apartment or the sleeping part, you know, the family part, 137 00:07:24,120 --> 00:07:26,400 Speaker 1: I guess is what you'd call it. Just little details 138 00:07:26,520 --> 00:07:29,600 Speaker 1: like that. Another big detail was that it had its 139 00:07:29,600 --> 00:07:32,360 Speaker 1: own power plant that generated electricity for it in the 140 00:07:32,400 --> 00:07:33,520 Speaker 1: eighteen seventies. 141 00:07:33,960 --> 00:07:34,760 Speaker 3: Yeah, not bad. 142 00:07:35,480 --> 00:07:38,480 Speaker 2: The kitchens had little balconies so if you had stinky 143 00:07:38,480 --> 00:07:41,960 Speaker 2: stuff like garbage that you couldn't get down, or maybe 144 00:07:41,960 --> 00:07:43,880 Speaker 2: even stinky food or something, you could put it just 145 00:07:43,960 --> 00:07:46,680 Speaker 2: right outside the kitchen, which was something that a lot 146 00:07:46,720 --> 00:07:50,560 Speaker 2: of places didn't have. They had a boiler, so they 147 00:07:50,600 --> 00:07:53,880 Speaker 2: had insulated pipes bringing steam and hot water into the building, 148 00:07:54,640 --> 00:07:57,760 Speaker 2: which was a big innovation at the time. And they 149 00:07:57,760 --> 00:08:01,840 Speaker 2: had tennis courts, they had croquet courts. It was a 150 00:08:01,880 --> 00:08:04,600 Speaker 2: real gym. It still is. It's one of my favorite 151 00:08:04,640 --> 00:08:07,080 Speaker 2: buildings in New York. Oh yeah, every time I go 152 00:08:07,200 --> 00:08:09,760 Speaker 2: up there to Central Park, at least, I try to 153 00:08:09,840 --> 00:08:13,200 Speaker 2: pop out on that area and just go go give 154 00:08:13,200 --> 00:08:16,200 Speaker 2: it a look because it's a beautiful building. It's sort 155 00:08:16,200 --> 00:08:18,880 Speaker 2: of a mishmash of styles. It's been called you know, 156 00:08:18,960 --> 00:08:22,520 Speaker 2: French Renaissance or got German, Gothic, or even Victorian, and 157 00:08:22,560 --> 00:08:24,160 Speaker 2: it's kind of a little bit of everything. 158 00:08:24,240 --> 00:08:25,240 Speaker 3: But it's beautiful. 159 00:08:25,880 --> 00:08:27,680 Speaker 1: I don't think I've ever seen it in person. If 160 00:08:27,680 --> 00:08:29,320 Speaker 1: I have, I didn't realize it. 161 00:08:29,760 --> 00:08:32,040 Speaker 3: You may have. It's lovely. It's right there on a corner. 162 00:08:32,559 --> 00:08:37,520 Speaker 1: So here's the thing. When Edward Cabot Clark was creating 163 00:08:37,640 --> 00:08:41,560 Speaker 1: the Dakota, he was widely derided for it. They called 164 00:08:41,559 --> 00:08:44,960 Speaker 1: it Clark's folly because people were deeply insensitive in the 165 00:08:45,040 --> 00:08:48,360 Speaker 1: nineteenth century. And the reason why they call it that 166 00:08:48,400 --> 00:08:52,160 Speaker 1: is because again, it's in the middle of nowhere, and 167 00:08:52,960 --> 00:08:55,640 Speaker 1: people aren't really into apartments like we said, they live 168 00:08:55,679 --> 00:08:59,200 Speaker 1: in like three story brownstones, like they live in homes. 169 00:08:59,280 --> 00:09:01,839 Speaker 1: They don't live apartments. The people who lived in apartments, 170 00:09:02,120 --> 00:09:04,840 Speaker 1: as far as this house Stuff Works article points out, 171 00:09:05,040 --> 00:09:08,800 Speaker 1: were widows, widowers, and people who were waiting for their 172 00:09:08,840 --> 00:09:11,720 Speaker 1: wealthy relatives to die so they could inherit their house. 173 00:09:12,320 --> 00:09:14,520 Speaker 1: And all of a sudden, Clark is like, no, no, 174 00:09:14,559 --> 00:09:18,520 Speaker 1: we're changing the game. Anyone who is anyone is going 175 00:09:18,559 --> 00:09:20,439 Speaker 1: to want to live in an apartment. And it turns 176 00:09:20,440 --> 00:09:21,920 Speaker 1: out his gamble paid off. He was right. 177 00:09:22,600 --> 00:09:26,600 Speaker 2: Yeah, he'd Sadly, he died before it was finished, so 178 00:09:26,760 --> 00:09:29,040 Speaker 2: he didn't get to see it come to fruition. But 179 00:09:29,080 --> 00:09:32,240 Speaker 2: It was certainly not his folly, because, like you said, 180 00:09:32,240 --> 00:09:35,120 Speaker 2: people lined up to rent these things or I guess 181 00:09:35,800 --> 00:09:37,280 Speaker 2: I don't know. Were they all rentals at the time. 182 00:09:37,280 --> 00:09:39,640 Speaker 2: I wonder if anyone were available for sale. 183 00:09:39,760 --> 00:09:41,400 Speaker 1: I think they were all rentals. 184 00:09:41,679 --> 00:09:44,080 Speaker 2: Okay, well people rented them, but they were people that 185 00:09:44,160 --> 00:09:47,000 Speaker 2: had money. They just weren't like robber barons who wanted 186 00:09:47,000 --> 00:09:50,200 Speaker 2: to live in mansions. They were sort of the early 187 00:09:50,360 --> 00:09:53,560 Speaker 2: New York, you know, upper class. They were people who 188 00:09:54,000 --> 00:09:56,720 Speaker 2: like were bank presidents and people who like the CEOs 189 00:09:56,760 --> 00:10:00,120 Speaker 2: of the time. Apparently the Adams sisters were heirs with 190 00:10:00,240 --> 00:10:01,800 Speaker 2: chewing gum fortune. 191 00:10:02,080 --> 00:10:02,760 Speaker 3: They live there. 192 00:10:02,920 --> 00:10:05,760 Speaker 1: What's that and that flavored tea berry? One of the 193 00:10:05,800 --> 00:10:07,880 Speaker 1: greatest gum flavors of all time? That's it? 194 00:10:09,040 --> 00:10:09,320 Speaker 3: Was it? 195 00:10:09,440 --> 00:10:10,000 Speaker 1: Tea berry? 196 00:10:10,920 --> 00:10:12,880 Speaker 3: Now? Are you kidding? Because I can't tell. 197 00:10:13,520 --> 00:10:16,680 Speaker 1: No, No, that's for real. It's like a kind of 198 00:10:16,720 --> 00:10:22,240 Speaker 1: salmon pink colored gum. No. No, the wrapper is okay, 199 00:10:23,040 --> 00:10:25,920 Speaker 1: it tastes like salmon too. No, it's a really delicate, 200 00:10:26,080 --> 00:10:29,160 Speaker 1: unique flavor and you could probably find it like cracker barrel. 201 00:10:29,160 --> 00:10:31,599 Speaker 1: Don't they have all sorts of old timey candies or 202 00:10:31,640 --> 00:10:33,200 Speaker 1: one of those rocket fizz places. 203 00:10:33,240 --> 00:10:34,760 Speaker 3: I have no idea anywhere that sells candy. 204 00:10:34,800 --> 00:10:37,560 Speaker 1: I'll bet they have tea berry stick gum and it's 205 00:10:37,600 --> 00:10:38,440 Speaker 1: really worth trying. 206 00:10:38,960 --> 00:10:41,079 Speaker 3: All right, O's a nice tip there, thanks. 207 00:10:41,400 --> 00:10:44,320 Speaker 2: So the Dakota started a trend all of a sudden, 208 00:10:44,600 --> 00:10:47,600 Speaker 2: luxury apartment houses started popping up all over the place, 209 00:10:48,760 --> 00:10:51,319 Speaker 2: kind of in the same model, with like bigger rooms 210 00:10:51,320 --> 00:10:54,439 Speaker 2: and higher ceilings and stuff like that, and the Upper 211 00:10:54,480 --> 00:10:57,760 Speaker 2: West Side. It wasn't right then, but around the early 212 00:10:57,840 --> 00:11:01,760 Speaker 2: nineteen hundreds that really started to take off and really 213 00:11:01,880 --> 00:11:02,720 Speaker 2: changed the face. 214 00:11:02,480 --> 00:11:03,680 Speaker 3: Of New York. 215 00:11:03,720 --> 00:11:06,520 Speaker 2: You know, they started building up more after World War One, 216 00:11:06,559 --> 00:11:11,400 Speaker 2: obviously when New York said they could, and apartments became 217 00:11:11,520 --> 00:11:12,160 Speaker 2: the way to go. 218 00:11:12,880 --> 00:11:19,280 Speaker 1: Yeah. Eventually the Dakota started seeing a different clientele, not 219 00:11:19,840 --> 00:11:22,920 Speaker 1: you know, straits and squares like bank presidents, but like 220 00:11:23,040 --> 00:11:25,560 Speaker 1: stars like Lauren McCall and Judy Garland. 221 00:11:25,679 --> 00:11:26,360 Speaker 3: Wowie wow. 222 00:11:26,400 --> 00:11:29,360 Speaker 1: Of course Karloff too. That's pretty cool. Imagine living next 223 00:11:29,360 --> 00:11:31,720 Speaker 1: to him. And then of course two of the most 224 00:11:31,720 --> 00:11:34,960 Speaker 1: famous residents, John Lynn and Yoko oh No, who was 225 00:11:35,080 --> 00:11:38,280 Speaker 1: widely blamed for moving John Lenn to the Dakota, and 226 00:11:38,320 --> 00:11:41,520 Speaker 1: he would have lived had she not done that. Do 227 00:11:41,600 --> 00:11:45,680 Speaker 1: people say that probably somebody out there, okay, poking fun 228 00:11:45,720 --> 00:11:46,400 Speaker 1: at those people. 229 00:11:47,360 --> 00:11:48,480 Speaker 3: I think he loved the Dakota. 230 00:11:49,200 --> 00:11:50,800 Speaker 1: Yeah, that would seem to be as home as they 231 00:11:50,840 --> 00:11:52,640 Speaker 1: were there for like a dozen years, I think right 232 00:11:52,679 --> 00:11:53,280 Speaker 1: before he died. 233 00:11:54,200 --> 00:11:56,079 Speaker 2: I'm not sure how long he loved New York City though. 234 00:11:56,120 --> 00:11:58,120 Speaker 2: It was a great scene for both he and Yoko. 235 00:11:58,280 --> 00:11:58,520 Speaker 1: Yep. 236 00:11:59,360 --> 00:12:02,200 Speaker 2: Yeah, anything else, I got nothing else. Go check out 237 00:12:02,200 --> 00:12:03,840 Speaker 2: the Dakota if you're in New York. It's a great, 238 00:12:04,040 --> 00:12:04,880 Speaker 2: great looking building. 239 00:12:05,080 --> 00:12:08,240 Speaker 1: Yes it is. And since Chuck said that that means 240 00:12:08,240 --> 00:12:12,760 Speaker 1: short stuff out. 241 00:12:13,320 --> 00:12:16,200 Speaker 3: Stuff you should know is a production of iHeartRadio. For 242 00:12:16,280 --> 00:12:20,480 Speaker 3: more podcasts my Heart Radio, visit the iHeartRadio app, Apple Podcasts, 243 00:12:20,600 --> 00:12:22,439 Speaker 3: or wherever you listen to your favorite shows.