WEBVTT - Dancing with…Cheryl Burke

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<v Speaker 1>Oh Hello, I am Danielle Fischel, whose name is not

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<v Speaker 1>only in the title of this show, but I'm also

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<v Speaker 1>a TV director, a podcaster, a mom of two, and

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<v Speaker 1>now called Tapanga by cool teen girls at my local Menchi'

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<v Speaker 1>yogurt shop thanks to Dancing with the Stars popularity on

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<v Speaker 1>TikTok and God bless them for that, and maybe, just

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<v Speaker 1>maybe they're following along with my journey thanks to this podcast,

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<v Speaker 1>where I am chronicling my entire process learning things like

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<v Speaker 1>the Argentine tango and what compression leggings are, all in

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<v Speaker 1>the hopes of holding a Len Goodman mirror Ball trophy

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<v Speaker 1>above my head like a seasoned hockey player finally drinking

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<v Speaker 1>champagne out of the Stanley Cup. And along the way,

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<v Speaker 1>I will be chatting with prose, former contestants, modern peers,

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<v Speaker 1>and absolute legends in hopes that the knowledge can get

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<v Speaker 1>me even closer to that final boss and unexpected victory.

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<v Speaker 1>And this week I say the word legend with extra emphasis.

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<v Speaker 1>She joined Dancing with the Stars in season two and

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<v Speaker 1>participated on the show for a whopping twenty five seasons,

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<v Speaker 1>setting her as the professional with the most seasons to

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<v Speaker 1>her name. She has two mirror Ball trophies to go

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<v Speaker 1>along with that distinction, and worth noting those victories were

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<v Speaker 1>in her first and second seasons, so learning curves be damned,

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<v Speaker 1>and now she will be making a triumphant return to

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<v Speaker 1>the ballroom to be guest judge for the upcoming Halloween Night,

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<v Speaker 1>a yearly tradition that constantly proves itself as one of

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<v Speaker 1>the most entertaining and sometimes unpredictable of the year. It

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<v Speaker 1>would be impossible to mention Dancing with the Stars as

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<v Speaker 1>a franchise without mentioning my guest this week. I'm honored

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<v Speaker 1>to be sitting with a pioneer of the competition, Cheryl Burke.

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<v Speaker 2>Hi. I was just gonna I was about to say

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<v Speaker 2>how impressed I am with you. Oh so impressed. I'm

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<v Speaker 2>an Argentine tango snob.

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<v Speaker 3>Are you thank you? Okay?

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<v Speaker 1>I really want to talk to you about it, because well,

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<v Speaker 1>for one thing, your opinion means a great deal to.

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<v Speaker 3>Me, and and two I have I have.

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<v Speaker 1>My feelings on it, but you know, I know, I

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<v Speaker 1>know absolutely nothing, and I know Pasha is like Argentine

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<v Speaker 1>tango is just his thing.

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<v Speaker 3>Also like similar to you, the.

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<v Speaker 2>Best partner for Argentine tango.

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<v Speaker 3>He really is.

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<v Speaker 1>I mean, he's I think he's just the best partner period.

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<v Speaker 1>But I mean, I just can't say enough wonderful things

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<v Speaker 1>about him.

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<v Speaker 2>But so I do.

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<v Speaker 1>I want to talk to you about the Argentine Okay,

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<v Speaker 1>but I'm going to save it for a little bit

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<v Speaker 1>later because I want to jump into right away this

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<v Speaker 1>very big announcement that you are returning to the Dancing

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<v Speaker 1>with the Stars ballroom. How excited are you to be

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<v Speaker 1>in a judge's chair for Halloween Night?

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<v Speaker 2>Oh my gosh, first of all, just to be in

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<v Speaker 2>the judge's chair, just to hear that. It's so surreal.

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<v Speaker 2>I you know, just a little backstory for any new fans,

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<v Speaker 2>because there are tons of them.

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<v Speaker 3>Oh yes, you know.

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<v Speaker 2>I started back in two thousand and six. I did

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<v Speaker 2>twenty a total of twenty six seasons, but including juniors,

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<v Speaker 2>so technically I guess I've only had twenty three partners

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<v Speaker 2>if you really want to analyze it. But it has

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<v Speaker 2>been such a my It's been two decades of my

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<v Speaker 2>life basically, right, So most of my life I've been

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<v Speaker 2>on the show, and I have, you know, gone through

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<v Speaker 2>it just emotionally. As far as now being a fan right,

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<v Speaker 2>because like though, of course you know, I retired, it

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<v Speaker 2>was my decision, It's still such an emotional journey, even

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<v Speaker 2>if I'm not a part of it anymore, and to

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<v Speaker 2>be able to come back, the show has really like

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<v Speaker 2>in a way, started over, but has a whole new

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<v Speaker 2>fan base and is so popular, and I'm just so

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<v Speaker 2>happy for the show. I've been back here behind my

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<v Speaker 2>screen just cheering everybody on because I know what it

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<v Speaker 2>takes and I know how grueling but yet how life

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<v Speaker 2>changing this experience is.

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<v Speaker 1>Absolutely well, they are lucky to have you in that

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<v Speaker 1>judge's chair. I'm so excited to see you there next week.

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<v Speaker 1>Having had Kim Johnson there two weeks ago and everyone

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<v Speaker 1>loved her in that fourth chair. I think you're going

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<v Speaker 1>to be able to bring the same thing she brought,

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<v Speaker 1>which is you have been on all sides of it.

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<v Speaker 1>You do know it from the inside. You have worked

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<v Speaker 1>with the celebs. You know what it takes to teach,

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<v Speaker 1>to win, to struggle, to sometimes disagree with your partner.

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<v Speaker 1>You know what it's like to you know, not have

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<v Speaker 1>control over your music, not have control over what your

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<v Speaker 1>production is that week, to have very strong thoughts about

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<v Speaker 1>things and not necessarily get your way and to have

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<v Speaker 1>very legitimate tips for all of us about what we

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<v Speaker 1>can be doing to improve because you have had to

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<v Speaker 1>teach twenty three partners and you won in your first two.

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<v Speaker 2>Seasons back in nineteen sixty two.

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<v Speaker 3>Don't do it.

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<v Speaker 2>Don't age like that, you know, Yes, I mean when

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<v Speaker 2>you put it like that, yeah, I know. I know

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<v Speaker 2>exactly what it's like. Even if the show has changed.

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<v Speaker 2>Obviously we all evolve, things evolve, but it's still back

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<v Speaker 2>to the foundation of what the show is, which, like

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<v Speaker 2>I said, is an emotional rollercoaster. But if you allow it,

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<v Speaker 2>if you surrender to the experience and trust the process

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<v Speaker 2>and just take it like literally one step at a time,

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<v Speaker 2>don't even think about the dance, like think about what's

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<v Speaker 2>what's your next one, your next step like, because you're

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<v Speaker 2>at the point now or Talloween night and you're getting

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<v Speaker 2>introduced to two dances and this ain't gonna get easier,

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<v Speaker 2>you know. But what is going to get easier is

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<v Speaker 2>you know what it's like. Now, you know what it's like,

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<v Speaker 2>And this is where you really have to trust the

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<v Speaker 2>process and literally just surrendered to Pasha, which is easy

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<v Speaker 2>to do because he knows what he's doing.

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<v Speaker 1>Yes, I've been saying trust the Pasha and trust the Pasha.

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<v Speaker 2>I love that.

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<v Speaker 3>It's a little spin on trust the process, but it works.

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<v Speaker 1>And I just I have, I have just when he

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<v Speaker 1>tells me to do something, I go okay, and and so.

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<v Speaker 3>How do I do that?

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<v Speaker 1>And you know, this last week was a was a

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<v Speaker 1>good experience, a good opportunity to show that because I've

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<v Speaker 1>never done lifts, aside from the.

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<v Speaker 3>Fact that I've never done any sort of dan.

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<v Speaker 2>You don't end in that dip every night, so we have.

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<v Speaker 3>Never been nose to the ground before like that.

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<v Speaker 2>So yeah, your nose to the girl round. He got

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<v Speaker 2>you well.

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<v Speaker 1>During rehearsal, we actually were we were millimeters from my

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<v Speaker 1>face hitting because even better, Yeah, I know, And I

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<v Speaker 1>was like, do it again, but but this time I

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<v Speaker 1>won't put my pands there because like, as you know,

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<v Speaker 1>you can have like a thousand thoughts go through your

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<v Speaker 1>head in such a short amount of time. And we

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<v Speaker 1>were spinning in the air and we had so much momentum.

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<v Speaker 1>And then I could tell based on the way he

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<v Speaker 1>rolled me that he did not actually have me.

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<v Speaker 3>And I was like, oh, the wood floor's going really goodly.

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<v Speaker 1>And and it got to about right here and he

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<v Speaker 1>was literally he's gripping my leg like this, and I.

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<v Speaker 2>Put wearing tights right, I was wearing slippering.

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<v Speaker 1>Yes, And the dress was you know that, like Mesh,

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<v Speaker 1>and you looked stunning.

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<v Speaker 3>Thank you so much, stunning. Thank you?

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<v Speaker 2>Who's doing your makeup this season?

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<v Speaker 3>Lois?

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<v Speaker 2>She's amazing. I mean they're all amazing.

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<v Speaker 3>They're all amazing you.

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<v Speaker 2>But Luis so underrated the Department of because.

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<v Speaker 3>Yet they're Emmy winning, And I agree with you.

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<v Speaker 2>I mean they need to win Oscar. I mean, not

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<v Speaker 2>like the show was Oscar worthy, but you know what

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<v Speaker 2>I'm saying. I know they're just like when whenever they

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<v Speaker 2>don't win, I'm just shocked.

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<v Speaker 3>Correct. That is the feeling is how do they not win?

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<v Speaker 3>Every years?

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<v Speaker 2>It's there to ask you a question. Yeah, did you

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<v Speaker 2>request Pasha?

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<v Speaker 1>I did not request Pasha. I actually requested someone else

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<v Speaker 1>and I didn't get my wish.

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<v Speaker 2>Okay, do you have any regrets?

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<v Speaker 3>Zero?

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<v Speaker 1>When you were on the show, was Halloween Night always

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<v Speaker 1>a favorite for you?

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<v Speaker 2>I am a passionate person.

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<v Speaker 1>Okay, because you don't know that about me, it comes

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<v Speaker 1>across and I love it.

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<v Speaker 2>I love those passionate, sultry, dark dances. I think that

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<v Speaker 2>there's something obviously I don't. You know, I never liked

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<v Speaker 2>to fake emotion when I perform. So this is why

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<v Speaker 2>I hate the jive for example, because I'm like, sometimes

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<v Speaker 2>I don't feel like I want to be all happy,

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<v Speaker 2>go lucky all the time. You know, it's easier for

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<v Speaker 2>me to find that like dark place for some reason.

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<v Speaker 2>But the dark I like to turn into fire and

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<v Speaker 2>like passion, especially the music. It's all about the music, right.

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<v Speaker 2>You can give me a you can give me a

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<v Speaker 2>passionate dance and then have like some campy song and

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<v Speaker 2>I'm just like, oh what I waste? Like you said,

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<v Speaker 2>we have no choice.

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<v Speaker 3>Sometimes sometimes you're just handed the song.

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<v Speaker 2>You're handed that a lot, and it is what it is,

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<v Speaker 2>just the process. But I love Halloweend for that now.

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<v Speaker 2>I don't like getting scared, like I the Oscar movie

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<v Speaker 2>in my head sometimes because I you know, I live

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<v Speaker 2>alone with my with my French feet, and I mean

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<v Speaker 2>it would be shocking if I ever put this to

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<v Speaker 2>pen or to paper, my thoughts of like what could

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<v Speaker 2>happen to me at night? And just like I can't

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<v Speaker 2>even watch like it's the music. I've realized it's the music.

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<v Speaker 3>It is the music.

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<v Speaker 2>The action, it's the music.

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<v Speaker 1>If you mute a scary movie, you can watch it

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<v Speaker 1>without any emotion at all.

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<v Speaker 3>You're like, oh, oh, yeah.

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<v Speaker 2>But David Arquette did Dancing with the staras he took

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<v Speaker 2>all of us to Hollywood Horror Nights, and I wore

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<v Speaker 2>air pods or I don't even know there was air

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<v Speaker 2>pods back then, but anyway, I wore headphones headphones and

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<v Speaker 2>literally people just kept popping out. I mean, I was like,

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<v Speaker 2>I was totally fine. It's the music.

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<v Speaker 3>It's music, really smart, really smart.

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<v Speaker 1>If I get asked to go to those things with

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<v Speaker 1>friends all the time, and I'm like, guys, I don't

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<v Speaker 1>want to.

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<v Speaker 3>Be the fuddy duddy, but I don't want to do that.

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<v Speaker 1>I don't like spending any time of my leg jumping

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<v Speaker 1>out of my skin, with my cortisol spiking and like

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<v Speaker 1>my heart racing. I don't want that. That does not

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<v Speaker 1>sound like an enjoyable Is anyone interested in going for

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<v Speaker 1>a meal?

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<v Speaker 2>Are you hungry a good old conversation?

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<v Speaker 4>Yeah?

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<v Speaker 2>Right right, Like I know, I agree, And by the way,

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<v Speaker 2>if you want to take it further, like imagine. I mean,

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<v Speaker 2>it's so easy now a days just to you know,

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<v Speaker 2>be that person who goes crazy. I'm not even gonna

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<v Speaker 2>put it out there. All you have to do is

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<v Speaker 2>like wear a screen mask and you're screwed, like you never.

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<v Speaker 3>Know, correct, you never You're right.

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<v Speaker 1>I don't want to put myself in at any situations

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<v Speaker 1>where that becomes easier. I want to talk to you

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<v Speaker 1>specifically about some of your own Halloween dances, mainly your

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<v Speaker 1>Oingo Boingo performance with Jan Pablo to Dead Man's Party.

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<v Speaker 2>Oh my god, do you remember God? Of course I

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<v Speaker 2>remember it. I'm gonna be Cleopatra. Halloween nights are again. Yes,

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<v Speaker 2>I want. I want to be able to get that

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<v Speaker 2>head piece, but I don't think I can.

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<v Speaker 1>Oh, it's reach out to Oh really, I was gonna say,

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<v Speaker 1>reach out to Danielle.

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<v Speaker 3>Maybe they still at it somewhere.

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<v Speaker 2>I know. I see what my stylence comes up with.

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<v Speaker 2>But it's so weird like that, I don't have fittings.

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<v Speaker 2>Like the whole thing. It's gonna be like home, going home,

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<v Speaker 2>but it's also going to be like, Wow, this is

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<v Speaker 2>a different perspective, which I'm so excited to, uh experience.

0:11:50.240 --> 0:11:53.120
<v Speaker 1>Totally do you remember, well, I guess, I guess. You

0:11:53.160 --> 0:11:56.360
<v Speaker 1>know remember those otfs where remember those?

0:11:56.440 --> 0:11:59.920
<v Speaker 2>Of course, I remember those those master interviews. I basically

0:12:00.120 --> 0:12:02.400
<v Speaker 2>interview myself. When I got COVID and I danced for

0:12:02.480 --> 0:12:06.240
<v Speaker 2>my living room, I had to do my own master interview.

0:12:06.280 --> 0:12:07.240
<v Speaker 3>How did that happen?

0:12:07.280 --> 0:12:09.120
<v Speaker 1>I mean, how did that work when you got COVID

0:12:09.120 --> 0:12:11.119
<v Speaker 1>and then you were dancing from your living room?

0:12:11.800 --> 0:12:15.920
<v Speaker 2>I don't know, because it was actually I was like,

0:12:15.960 --> 0:12:18.439
<v Speaker 2>oh wait, I could do different jobs on this show,

0:12:18.640 --> 0:12:20.560
<v Speaker 2>not just teach. I was like I could be the

0:12:20.600 --> 0:12:25.280
<v Speaker 2>set director, I could be a field producer. Probably. I

0:12:25.360 --> 0:12:27.960
<v Speaker 2>just felt like it was really fun. Though. What wasn't

0:12:28.000 --> 0:12:31.240
<v Speaker 2>fun was being like out of breath of two seconds

0:12:31.320 --> 0:12:34.920
<v Speaker 2>right exactly and yeah, and having to teach. What they

0:12:34.920 --> 0:12:37.240
<v Speaker 2>didn't show was the next week we had two dances

0:12:37.280 --> 0:12:40.360
<v Speaker 2>and I had to teach my partner Cody via Zoom

0:12:40.640 --> 0:12:42.360
<v Speaker 2>both dances because he was still in New York and

0:12:42.360 --> 0:12:43.720
<v Speaker 2>he couldn't fly because he had COVID.

0:12:44.040 --> 0:12:51.000
<v Speaker 1>Oh my gosh, teaching via Zoom dance drive.

0:12:51.960 --> 0:12:53.120
<v Speaker 3>Wow, never forget it.

0:12:53.679 --> 0:12:56.679
<v Speaker 1>There's some different dances too, like on opposite ends of

0:12:56.720 --> 0:12:57.559
<v Speaker 1>the spundrooms.

0:12:58.000 --> 0:13:00.959
<v Speaker 2>Well, we still had COVID now, oh, God of luck.

0:13:01.040 --> 0:13:04.079
<v Speaker 3>Yeah, but that is really bad. How did dancing?

0:13:04.080 --> 0:13:06.320
<v Speaker 1>Would the stars first enter your life? How did they

0:13:06.360 --> 0:13:08.160
<v Speaker 1>reach out to you and ask you to come be

0:13:08.280 --> 0:13:08.640
<v Speaker 1>a pro?

0:13:09.960 --> 0:13:12.520
<v Speaker 2>I was a competitor, so I had just turned pro

0:13:12.679 --> 0:13:15.440
<v Speaker 2>in the industry of ballroom dancing, and I was living

0:13:15.440 --> 0:13:19.959
<v Speaker 2>in Harlem at the time with my dance partner, Slush Boyfriend,

0:13:20.480 --> 0:13:25.240
<v Speaker 2>and I was We went to compete in a competition

0:13:25.360 --> 0:13:29.880
<v Speaker 2>in Los Angeles called the California Open, and I remember

0:13:29.920 --> 0:13:32.800
<v Speaker 2>seeing Season one had just wrapped, and I of course

0:13:32.880 --> 0:13:36.000
<v Speaker 2>watched it, you know, because it had like Charlotta Jorgensen,

0:13:36.120 --> 0:13:40.080
<v Speaker 2>who was I think she won with John and Hurley. Yeah, no, Kelly, No,

0:13:40.800 --> 0:13:46.120
<v Speaker 2>she won first anyway, whoa Anyway, then I saw Louis Yeah,

0:13:46.160 --> 0:13:49.800
<v Speaker 2>like I said, nineteen sixty one, Louie was on and

0:13:49.840 --> 0:13:51.640
<v Speaker 2>I was like, oh, this is not going to last long.

0:13:51.720 --> 0:13:55.080
<v Speaker 2>I said, this is kind of cheesy. I was like, hey,

0:13:55.160 --> 0:13:57.000
<v Speaker 2>but more power to them, but I'll never do it.

0:13:57.080 --> 0:13:58.920
<v Speaker 2>I had, like I was at the height of my career.

0:13:59.080 --> 0:14:03.199
<v Speaker 2>So you know, in the industry, the judges, the adjudicators,

0:14:03.200 --> 0:14:06.160
<v Speaker 2>they expect your partnerships to last long, right, So when

0:14:06.200 --> 0:14:08.680
<v Speaker 2>you always constantly switch or you pause and then you

0:14:08.760 --> 0:14:10.599
<v Speaker 2>come back, you kind of start all over again, and

0:14:11.080 --> 0:14:14.640
<v Speaker 2>that is a longer journey. And I felt like I

0:14:14.760 --> 0:14:16.440
<v Speaker 2>was literally at the peak of my career and I

0:14:16.480 --> 0:14:18.960
<v Speaker 2>did not. I would have never because someone did ask me,

0:14:19.120 --> 0:14:21.360
<v Speaker 2>just like casually, like would you ever do that? I'm like, no,

0:14:21.640 --> 0:14:24.800
<v Speaker 2>unless my partner decides to leave me, Like no, I wouldn't.

0:14:25.840 --> 0:14:27.840
<v Speaker 2>And I also knew it was going to be temporary,

0:14:28.040 --> 0:14:30.800
<v Speaker 2>but same with my dance career, but not as temporary.

0:14:30.800 --> 0:14:32.440
<v Speaker 2>I didn't think it was going to last twenty six

0:14:32.600 --> 0:14:34.440
<v Speaker 2>or sorry, I didn't think it was gonna last however

0:14:34.480 --> 0:14:36.240
<v Speaker 2>many seasons? How many seasons? Is it?

0:14:36.320 --> 0:14:40.280
<v Speaker 3>Thirty four and twenty years?

0:14:40.360 --> 0:14:43.480
<v Speaker 2>Yeah, I can't wait till they celebrate the hundredth season.

0:14:43.640 --> 0:14:45.120
<v Speaker 2>We're all going to come in with walkers.

0:14:45.400 --> 0:14:47.880
<v Speaker 3>Oh god.

0:14:49.120 --> 0:14:52.000
<v Speaker 2>But yeah, So they saw me compete, and I think

0:14:52.000 --> 0:14:54.240
<v Speaker 2>they wanted to recruit more dancers for season two because

0:14:54.240 --> 0:14:57.400
<v Speaker 2>they only had six couples for season one. Then they

0:14:57.600 --> 0:15:00.960
<v Speaker 2>jumped up to seas twelve couples. And so I went

0:15:01.000 --> 0:15:04.840
<v Speaker 2>in for an interview. Okay, so I don't I had

0:15:04.880 --> 0:15:08.120
<v Speaker 2>no voice, like not like meaning like you asked me

0:15:08.160 --> 0:15:11.280
<v Speaker 2>what my favorite color was, no idea I had no identity,

0:15:11.360 --> 0:15:14.960
<v Speaker 2>poor little Cheryl, I had no identity. You know, I

0:15:15.120 --> 0:15:18.800
<v Speaker 2>was very much okay, I guess, with just not being

0:15:18.840 --> 0:15:20.920
<v Speaker 2>a leader in that sense, like this is the ballroom.

0:15:21.080 --> 0:15:24.240
<v Speaker 2>This was no longer, but this was I would say

0:15:24.240 --> 0:15:26.960
<v Speaker 2>that ballroom industry words. It was a man's the world.

0:15:27.080 --> 0:15:29.760
<v Speaker 2>Not so much now at all. But you know, my

0:15:29.800 --> 0:15:32.480
<v Speaker 2>partner was like twelve years my senior, and it's like

0:15:32.720 --> 0:15:34.640
<v Speaker 2>I he was used to being a pro. I had

0:15:34.640 --> 0:15:38.200
<v Speaker 2>just turned pro. So like I didn't think for myself ever. Ever,

0:15:39.080 --> 0:15:40.960
<v Speaker 2>So when I had to cut in and do an interview,

0:15:41.000 --> 0:15:45.640
<v Speaker 2>when my little pink fringe spaghetti like fringe costume with

0:15:45.680 --> 0:15:52.280
<v Speaker 2>my short little hair, I was so nervous I could

0:15:52.280 --> 0:15:54.960
<v Speaker 2>barely talk. I had like a little mousey voice. So

0:15:55.040 --> 0:15:57.840
<v Speaker 2>I do credit Dancing with the Stars for giving me

0:15:57.920 --> 0:15:58.400
<v Speaker 2>my voice.

0:15:58.760 --> 0:16:03.760
<v Speaker 1>Wow were you at the time twenty gosh so young?

0:16:04.760 --> 0:16:06.720
<v Speaker 2>I know, I was twenty one. I auditioned and then

0:16:06.760 --> 0:16:10.720
<v Speaker 2>I started when I was twenty one. My goodness, forty one.

0:16:10.760 --> 0:16:15.280
<v Speaker 1>Now, I mean, what a beautiful story and relationship then

0:16:15.360 --> 0:16:19.080
<v Speaker 1>that you liked All relationships a bit of a roller coaster,

0:16:19.200 --> 0:16:23.120
<v Speaker 1>I'm sure highs and lows, but what a yeah, like anything,

0:16:23.160 --> 0:16:25.600
<v Speaker 1>But what an amazing thing to be able to look

0:16:25.680 --> 0:16:30.000
<v Speaker 1>back at twenty year old you and recognize a totally

0:16:30.040 --> 0:16:34.560
<v Speaker 1>different person totally and to say, while of course hopefully

0:16:34.560 --> 0:16:38.400
<v Speaker 1>giving yourself a lot of credit, of course, but to say,

0:16:39.040 --> 0:16:41.840
<v Speaker 1>had not if not for this show coming into my

0:16:41.920 --> 0:16:44.200
<v Speaker 1>life at twenty, who knows how long it could have

0:16:44.240 --> 0:16:47.320
<v Speaker 1>taken for you to break out of a very male

0:16:47.400 --> 0:16:50.400
<v Speaker 1>dominated space and to start to find your voice. So

0:16:50.520 --> 0:16:53.840
<v Speaker 1>what a gift that was, and what a beautiful thing

0:16:53.880 --> 0:16:56.400
<v Speaker 1>that you're even able to recognize it and acknowledge it.

0:16:56.720 --> 0:16:59.600
<v Speaker 2>That's so yeah, absolutely, I mean, like the I had

0:16:59.600 --> 0:17:01.880
<v Speaker 2>to I had to speak up for myself, like there

0:17:01.920 --> 0:17:03.880
<v Speaker 2>was no there was no way around it. Though. It

0:17:03.920 --> 0:17:05.680
<v Speaker 2>took me a couple of years, but it was like

0:17:05.880 --> 0:17:07.679
<v Speaker 2>it was training one on one, like I had to

0:17:07.680 --> 0:17:08.760
<v Speaker 2>do this. I was on a show.

0:17:09.119 --> 0:17:11.960
<v Speaker 1>Wow, So they hire you, and now you pretty much

0:17:12.200 --> 0:17:14.560
<v Speaker 1>immediately change your mind. You go, I'm you had gone

0:17:14.560 --> 0:17:16.960
<v Speaker 1>from saying I will never do that show to deciding

0:17:17.040 --> 0:17:18.800
<v Speaker 1>to accept doing the show.

0:17:18.840 --> 0:17:20.800
<v Speaker 3>How did that go over with your partner?

0:17:23.040 --> 0:17:23.240
<v Speaker 4>Right?

0:17:23.520 --> 0:17:27.359
<v Speaker 2>Yeah? Okay, So actually I was going to go back

0:17:27.440 --> 0:17:29.639
<v Speaker 2>to my partner to my Competitive Live after season two

0:17:29.720 --> 0:17:31.800
<v Speaker 2>because there was no pick up yet right away, at

0:17:31.880 --> 0:17:33.399
<v Speaker 2>least to season three. But we knew it was going

0:17:33.480 --> 0:17:35.960
<v Speaker 2>to happen. However, it was still another year right for

0:17:36.000 --> 0:17:39.800
<v Speaker 2>that to happen. So but because we were involved romantically,

0:17:39.800 --> 0:17:41.960
<v Speaker 2>it's just all I'll say, it's just got a little slucky,

0:17:42.200 --> 0:17:46.040
<v Speaker 2>got fettle messy and got messy and just didn't work unfortunately.

0:17:46.640 --> 0:17:50.760
<v Speaker 2>But again I'm grateful for everything in my life. Also

0:17:50.760 --> 0:17:51.800
<v Speaker 2>wouldn't be here today.

0:17:51.640 --> 0:17:52.679
<v Speaker 3>Right yeah.

0:17:52.960 --> 0:17:55.280
<v Speaker 1>Okay, So you then you end up going back to

0:17:55.320 --> 0:17:57.160
<v Speaker 1>the show. You win your first season, by the way,

0:17:57.280 --> 0:18:02.040
<v Speaker 1>hello incredible. You then go back after you did your

0:18:02.119 --> 0:18:06.160
<v Speaker 1>first season, did your mind kind of change about the show?

0:18:06.200 --> 0:18:08.840
<v Speaker 1>Did you then start to recognize like, I think they've

0:18:08.840 --> 0:18:09.720
<v Speaker 1>got something here?

0:18:09.920 --> 0:18:12.440
<v Speaker 2>I think it right away? Okay, it changed right away.

0:18:12.880 --> 0:18:15.520
<v Speaker 2>It changed from the moment because I mind you, Michael

0:18:15.600 --> 0:18:17.280
<v Speaker 2>was never to be on TV. I was going to

0:18:17.320 --> 0:18:21.080
<v Speaker 2>be a ballroom different. I was gonna if when I retired,

0:18:21.119 --> 0:18:25.199
<v Speaker 2>because you know, as women you retire probably thirties. I

0:18:25.240 --> 0:18:27.280
<v Speaker 2>was going to just dudicate like I was going to

0:18:27.400 --> 0:18:28.159
<v Speaker 2>let you know, right.

0:18:28.119 --> 0:18:29.879
<v Speaker 3>So old, so old got to retire.

0:18:30.560 --> 0:18:32.879
<v Speaker 2>But that's it is what it is. Especially as women,

0:18:33.000 --> 0:18:35.600
<v Speaker 2>men have a way longer of a career than women.

0:18:35.600 --> 0:18:37.840
<v Speaker 2>It's like athletes, right, Like you can only go so

0:18:38.000 --> 0:18:42.040
<v Speaker 2>long unfortunately, but within that time, you don't think about

0:18:42.080 --> 0:18:44.920
<v Speaker 2>what's next. You just are in it, you know. And

0:18:45.359 --> 0:18:49.080
<v Speaker 2>that is another conversation we'll have because there is that

0:18:49.200 --> 0:18:51.359
<v Speaker 2>missing piece where it's like, oh my god, now what

0:18:51.680 --> 0:18:54.200
<v Speaker 2>because I still have my whole life ahead of me exactly.

0:18:54.200 --> 0:18:56.399
<v Speaker 1>I know, I've retired from this thing I've been doing for,

0:18:56.640 --> 0:18:59.439
<v Speaker 1>by the way, twenty years, and now and now what

0:18:59.800 --> 0:19:00.320
<v Speaker 1>do I do?

0:19:00.400 --> 0:19:02.640
<v Speaker 3>What do I dedicate myself to? Yeah?

0:19:02.880 --> 0:19:06.720
<v Speaker 2>Really really learn how to set boundaries? Now what what

0:19:06.760 --> 0:19:07.520
<v Speaker 2>does that mean?

0:19:08.440 --> 0:19:08.920
<v Speaker 3>Totally?

0:19:09.240 --> 0:19:09.440
<v Speaker 2>God?

0:19:09.480 --> 0:19:09.600
<v Speaker 3>What?

0:19:09.760 --> 0:19:12.320
<v Speaker 1>Even just learning what a boundary is is like such

0:19:12.320 --> 0:19:15.480
<v Speaker 1>a learning curve when you're a young woman who has

0:19:15.920 --> 0:19:19.119
<v Speaker 1>basically been at the whim of adale and.

0:19:19.119 --> 0:19:21.080
<v Speaker 2>I literally just learned it.

0:19:21.200 --> 0:19:23.720
<v Speaker 1>I also just learned it. Well, feel like I just

0:19:23.800 --> 0:19:26.240
<v Speaker 1>learned it about ten years ago in my in my

0:19:27.080 --> 0:19:30.640
<v Speaker 1>mid in my early thirties, thirty fourish, I was like.

0:19:31.200 --> 0:19:35.800
<v Speaker 3>Oh, oh, oh, oh, oh, I've had no I've had

0:19:35.840 --> 0:19:36.680
<v Speaker 3>no boundaries.

0:19:37.000 --> 0:19:40.240
<v Speaker 2>Oh right, oh and I'm allowed no, no, it's a

0:19:40.240 --> 0:19:42.320
<v Speaker 2>complete sentence. Wait what yeah?

0:19:42.400 --> 0:19:43.440
<v Speaker 3>Yeah? Really crazy.

0:19:43.760 --> 0:19:45.800
<v Speaker 2>As long as you learn it, that's all that.

0:19:45.720 --> 0:19:49.600
<v Speaker 1>Matters, absolutely absolutely better late than ever. In your first season,

0:19:49.640 --> 0:19:51.560
<v Speaker 1>you were paired with one of my favorite people in

0:19:51.560 --> 0:19:56.879
<v Speaker 1>the world, Duliship. I love him so much. Uh, and

0:19:56.960 --> 0:20:00.439
<v Speaker 1>you win the mirror Ball. Did you always see from

0:20:00.560 --> 0:20:02.879
<v Speaker 1>day one as a contender or did that grow as

0:20:02.880 --> 0:20:03.520
<v Speaker 1>the season went on?

0:20:04.000 --> 0:20:07.520
<v Speaker 2>Well? No, But this is the thing. This is I

0:20:07.560 --> 0:20:09.919
<v Speaker 2>think this is why I was successful because it was

0:20:09.960 --> 0:20:13.119
<v Speaker 2>never about that. It was about I mean, for me,

0:20:13.200 --> 0:20:15.720
<v Speaker 2>it wasn't. Of course they gave you those lines, but

0:20:15.760 --> 0:20:18.040
<v Speaker 2>I just refuse to say those lines like I didn't

0:20:18.760 --> 0:20:23.280
<v Speaker 2>I for me, it was honestly about just improving a

0:20:23.320 --> 0:20:26.040
<v Speaker 2>little bit next week. It just that was it, Like

0:20:26.240 --> 0:20:29.879
<v Speaker 2>when I and I tried it every way possible. As

0:20:29.960 --> 0:20:33.480
<v Speaker 2>you can imagine, I have been mirror ball hungry one

0:20:33.520 --> 0:20:35.960
<v Speaker 2>season after I won my first two. That didn't work.

0:20:36.040 --> 0:20:38.360
<v Speaker 2>It just it doesn't work when you think too far

0:20:38.400 --> 0:20:40.080
<v Speaker 2>ahead of the game. And I knew this, and so

0:20:40.160 --> 0:20:42.719
<v Speaker 2>my job is to calm my partner done when my

0:20:42.720 --> 0:20:46.280
<v Speaker 2>partner gets too ahead of himself, right, and to really

0:20:46.880 --> 0:20:49.640
<v Speaker 2>and it forces you to be present because that's all

0:20:49.680 --> 0:20:52.280
<v Speaker 2>you can be. Yeah, because the future is going to

0:20:52.280 --> 0:20:55.320
<v Speaker 2>stress your out. Don't worry about it. There's nothing to

0:20:55.359 --> 0:20:56.800
<v Speaker 2>worry about, stop making things up.

0:20:57.480 --> 0:21:00.760
<v Speaker 1>There's also, when it all comes down to it, very

0:21:00.800 --> 0:21:04.760
<v Speaker 1>little within your control. And so let's just fun on

0:21:04.880 --> 0:21:08.160
<v Speaker 1>the things that are in our control, like what what

0:21:08.200 --> 0:21:11.240
<v Speaker 1>your next step is, what you're hurt, what you're gonna wear,

0:21:11.480 --> 0:21:12.440
<v Speaker 1>like you know.

0:21:12.480 --> 0:21:14.440
<v Speaker 3>Let's let's kind of ish.

0:21:14.840 --> 0:21:16.919
<v Speaker 1>Let's let's have a hand in the things we have

0:21:17.000 --> 0:21:19.879
<v Speaker 1>a hand in, and why we stress ourselves out about

0:21:19.960 --> 0:21:22.680
<v Speaker 1>all of the many things that are just completely out

0:21:22.720 --> 0:21:23.360
<v Speaker 1>of our control.

0:21:23.840 --> 0:21:26.440
<v Speaker 2>And this is where Pasha is amazing, because this is

0:21:26.119 --> 0:21:29.679
<v Speaker 2>what you know. He's very, very in tune and self

0:21:29.680 --> 0:21:31.680
<v Speaker 2>aware and I really appreciate that.

0:21:31.760 --> 0:21:35.480
<v Speaker 1>He really is. Danny calls him Buddha, and I'm yeah.

0:21:35.240 --> 0:21:37.480
<v Speaker 2>He's real. He really didn't hurt last night.

0:21:38.080 --> 0:21:40.879
<v Speaker 1>Uh not last night, but this week he was. He

0:21:41.080 --> 0:21:42.480
<v Speaker 1>was in a little bit of pain.

0:21:42.359 --> 0:21:44.240
<v Speaker 2>Okay, because it looked like a little bit he was

0:21:44.280 --> 0:21:46.600
<v Speaker 2>winsing last night during your remarks.

0:21:47.160 --> 0:21:49.680
<v Speaker 3>Yeah, we we both are really bad.

0:21:49.800 --> 0:21:52.439
<v Speaker 2>Sure, let me tell you this is the competition. This

0:21:52.480 --> 0:21:54.159
<v Speaker 2>is if this is in the comp like where you

0:21:54.200 --> 0:21:59.680
<v Speaker 2>are right now is where it's exhausted. It's like, okay, wait,

0:21:59.720 --> 0:22:03.320
<v Speaker 2>I'm feeling it. But honestly, after this week, it's going

0:22:03.359 --> 0:22:05.479
<v Speaker 2>to go byself fast, so and just really take just

0:22:05.880 --> 0:22:10.359
<v Speaker 2>enjoy this process. Maybe or maybe not next week. You

0:22:10.480 --> 0:22:12.000
<v Speaker 2>have to feel like this for two weeks, okay, But

0:22:12.160 --> 0:22:16.800
<v Speaker 2>after I promise and it's gonna get the two dances,

0:22:17.200 --> 0:22:19.560
<v Speaker 2>you will be okay. But again, don't worry about that.

0:22:19.840 --> 0:22:22.000
<v Speaker 3>I know it's not you to think about exactly.

0:22:22.160 --> 0:22:25.000
<v Speaker 2>You're not in control of it anyway, don't even worry.

0:22:25.240 --> 0:22:25.680
<v Speaker 3>Yeah.

0:22:25.920 --> 0:22:28.800
<v Speaker 1>Well, this this year, we have really seen some hot

0:22:28.840 --> 0:22:31.639
<v Speaker 1>topics throughout the season that have come up, partially because

0:22:31.680 --> 0:22:36.080
<v Speaker 1>there is such a whole new fan base to the show.

0:22:36.119 --> 0:22:39.720
<v Speaker 1>And one of the hot topics is the dichotomy between

0:22:39.840 --> 0:22:43.159
<v Speaker 1>those who have dance experience and those who do not.

0:22:43.480 --> 0:22:46.640
<v Speaker 1>I would love to hear your opinion, since you started

0:22:46.720 --> 0:22:50.320
<v Speaker 1>so early in the show when I feel like correct

0:22:50.359 --> 0:22:53.600
<v Speaker 1>me if I'm wrong. Very early on, one of the

0:22:53.600 --> 0:22:56.880
<v Speaker 1>hooks of the show was that people were supposed to

0:22:56.960 --> 0:23:00.560
<v Speaker 1>not have dance experience when they came on to the show,

0:23:00.680 --> 0:23:03.840
<v Speaker 1>But since then it's evolved over time. What is your

0:23:03.880 --> 0:23:07.800
<v Speaker 1>opinion on previous dance experience coming into Dancing with the Stars.

0:23:08.960 --> 0:23:11.719
<v Speaker 2>I don't I believe every season there's always a dancer

0:23:11.880 --> 0:23:15.840
<v Speaker 2>there's always this is nothing new as far as dance

0:23:15.920 --> 0:23:19.679
<v Speaker 2>experience goes. It doesn't necessarily work in your favor, Like

0:23:19.760 --> 0:23:23.800
<v Speaker 2>if you've actually watched the show, I mean, I can

0:23:23.920 --> 0:23:28.159
<v Speaker 2>name tons of people who should have won, because this

0:23:28.359 --> 0:23:30.520
<v Speaker 2>is also not purely a dance competition.

0:23:30.800 --> 0:23:34.520
<v Speaker 3>Obviously obviously not yeah so and if.

0:23:34.440 --> 0:23:36.399
<v Speaker 2>That was the case, the show maybe would have not

0:23:36.480 --> 0:23:40.560
<v Speaker 2>continued on if the public had no say in the votes, right,

0:23:40.680 --> 0:23:44.000
<v Speaker 2>Like this is engaging, This is an engaging show, and

0:23:44.080 --> 0:23:47.600
<v Speaker 2>we must work together or not. Like you know, you

0:23:47.680 --> 0:23:50.080
<v Speaker 2>have an opinion, you can vote, You guys are at

0:23:50.119 --> 0:23:52.560
<v Speaker 2>what a hundred million votes? That's insanity?

0:23:52.800 --> 0:23:53.200
<v Speaker 3>Crazy?

0:23:54.400 --> 0:23:56.560
<v Speaker 2>Is the voting system? I don't know if you would know,

0:23:56.640 --> 0:23:59.119
<v Speaker 2>but is it different? Because like you have ten you

0:23:59.119 --> 0:24:02.040
<v Speaker 2>can vote ten times no matter what, or only once

0:24:02.320 --> 0:24:03.080
<v Speaker 2>per fione line.

0:24:03.240 --> 0:24:07.320
<v Speaker 1>No, you can vote twenty times per so twenty times

0:24:07.480 --> 0:24:12.000
<v Speaker 1>ten on the internet, ten via text, and for as

0:24:12.040 --> 0:24:13.120
<v Speaker 1>many couples as you want.

0:24:13.440 --> 0:24:15.440
<v Speaker 2>So I could vote, like let's say I did ten

0:24:15.480 --> 0:24:17.600
<v Speaker 2>for you last night, I can also do ten.

0:24:17.440 --> 0:24:20.680
<v Speaker 1>For correct correct, And then you could go on your

0:24:20.680 --> 0:24:23.280
<v Speaker 1>computer and you could vote ten for Dylan and ten.

0:24:23.160 --> 0:24:27.080
<v Speaker 2>For me on your American idol from back exactly.

0:24:27.200 --> 0:24:29.639
<v Speaker 1>So that's where it is, like, you know, fifty million

0:24:29.720 --> 0:24:33.920
<v Speaker 1>votes in one night, exactly, it's not fifty million people

0:24:34.640 --> 0:24:35.960
<v Speaker 1>or yeah.

0:24:35.680 --> 0:24:36.359
<v Speaker 3>It's it.

0:24:36.600 --> 0:24:39.680
<v Speaker 1>It's okay, Yeah, that's one of the reasons it's able

0:24:39.760 --> 0:24:40.840
<v Speaker 1>to be so high.

0:24:41.080 --> 0:24:44.320
<v Speaker 2>Like, holy, one hundred million people. You guys are.

0:24:44.320 --> 0:24:47.480
<v Speaker 3>Killing it exactly. The ratings are good, but they're not

0:24:47.640 --> 0:24:49.640
<v Speaker 3>bad good right, Yeah.

0:24:49.440 --> 0:24:52.440
<v Speaker 2>But they've always wanted this younger demographic and now they're

0:24:52.440 --> 0:24:52.880
<v Speaker 2>getting it.

0:24:53.119 --> 0:24:53.399
<v Speaker 3>Yeah.

0:24:53.480 --> 0:24:56.280
<v Speaker 1>I think social media had a lot to do with that,

0:24:56.520 --> 0:25:00.640
<v Speaker 1>for sure. I also I'm a I'm a Dallas Boys fan.

0:25:00.760 --> 0:25:05.760
<v Speaker 1>So you had Emmitt Smith and one with Emmitt Smith

0:25:06.240 --> 0:25:09.159
<v Speaker 1>throwing all the theories about the fact that you know,

0:25:09.359 --> 0:25:14.520
<v Speaker 1>Drew lache one because he was musical or had boy band,

0:25:14.600 --> 0:25:17.080
<v Speaker 1>throwing that right out the window.

0:25:17.119 --> 0:25:20.960
<v Speaker 2>Okay, here's a perfect example. Mario Lopez, Hello, we beat him.

0:25:21.080 --> 0:25:24.000
<v Speaker 2>Like what, it's not a dance competition, Mario was a

0:25:24.000 --> 0:25:25.720
<v Speaker 2>better dancer, Like, let's just be.

0:25:25.840 --> 0:25:29.159
<v Speaker 1>Real, yep, but it is. It's such a it is

0:25:29.400 --> 0:25:32.800
<v Speaker 1>again those things you can't control. You can't control how

0:25:33.600 --> 0:25:34.080
<v Speaker 1>you are.

0:25:33.960 --> 0:25:35.000
<v Speaker 3>Perceived by others.

0:25:35.359 --> 0:25:38.399
<v Speaker 2>And now, but you know what you can do is

0:25:38.440 --> 0:25:43.120
<v Speaker 2>you understand why people rally behind people is because like psychologically,

0:25:43.880 --> 0:25:48.040
<v Speaker 2>you see you want to see struggle. Yeah, yeah, like

0:25:48.400 --> 0:25:50.160
<v Speaker 2>or else there just why would anyone root for you

0:25:50.600 --> 0:25:53.560
<v Speaker 2>if there's no if there's not ever any struggle. So

0:25:53.600 --> 0:25:55.080
<v Speaker 2>if they don't show it in your package, it's your

0:25:55.280 --> 0:25:57.960
<v Speaker 2>job to show it and your social media.

0:25:58.160 --> 0:25:59.960
<v Speaker 3>Really smart, really smart.

0:26:00.960 --> 0:26:03.439
<v Speaker 1>I would like to also mention your third season on

0:26:03.480 --> 0:26:06.200
<v Speaker 1>the show is no slouch. After winning your first two seasons.

0:26:06.280 --> 0:26:10.600
<v Speaker 1>You took Iron Zering to fourth place. What is it

0:26:10.760 --> 0:26:15.440
<v Speaker 1>about these competitors or Christian de la Fuente, Ocho Cinco,

0:26:15.600 --> 0:26:18.360
<v Speaker 1>Rob Kardashian, Cody Rigsby. What did they all have in

0:26:18.400 --> 0:26:21.879
<v Speaker 1>common that helped that helped you bring them to the

0:26:21.880 --> 0:26:22.720
<v Speaker 1>place you brought them.

0:26:23.440 --> 0:26:26.840
<v Speaker 2>Oh, I don't think they've had they had anything in common.

0:26:27.080 --> 0:26:30.720
<v Speaker 2>I really don't. I don't think so, because for example,

0:26:30.880 --> 0:26:33.160
<v Speaker 2>Christian de la Fuente broke his arm on live TV

0:26:33.240 --> 0:26:35.440
<v Speaker 2>and dropped me on my head. And so that's I mean,

0:26:35.840 --> 0:26:38.080
<v Speaker 2>I don't know if you want to that struggle right there.

0:26:38.119 --> 0:26:40.520
<v Speaker 2>So people are going to rally behind that, right So

0:26:40.560 --> 0:26:44.360
<v Speaker 2>we made the final. Jack Osborne, he's just a beautiful

0:26:44.640 --> 0:26:47.840
<v Speaker 2>person and that helps when I really like you as

0:26:47.840 --> 0:26:50.960
<v Speaker 2>a person, you know, I think I am invested in

0:26:51.000 --> 0:26:54.120
<v Speaker 2>a different way. It's not just a job, okay for me, right,

0:26:54.160 --> 0:26:56.440
<v Speaker 2>So I think that's also important, just because I can't

0:26:56.440 --> 0:26:59.879
<v Speaker 2>fake it. I'm really bad at it everything with bo

0:27:00.119 --> 0:27:02.240
<v Speaker 2>talks and all. You'll see it on my face. Like

0:27:02.280 --> 0:27:04.280
<v Speaker 2>if I don't like so, I can't. I can't do it.

0:27:04.320 --> 0:27:04.920
<v Speaker 2>I can't lie.

0:27:05.080 --> 0:27:07.520
<v Speaker 3>I am exactly exactly the same way.

0:27:07.680 --> 0:27:11.800
<v Speaker 1>I if I'm thinking something, it's gonna be on my face,

0:27:11.840 --> 0:27:14.800
<v Speaker 1>and it's it is both a blessing and a curse.

0:27:15.359 --> 0:27:15.960
<v Speaker 2>It's a curse.

0:27:16.160 --> 0:27:17.399
<v Speaker 3>It's a curse. It is a curse.

0:27:17.440 --> 0:27:19.720
<v Speaker 1>I mean, you're right, I consider it a blessing because

0:27:19.760 --> 0:27:23.639
<v Speaker 1>I do pride myself on authenticity and so you know,

0:27:24.359 --> 0:27:26.320
<v Speaker 1>I guess it's just a part of that.

0:27:26.440 --> 0:27:27.200
<v Speaker 3>It goes with it.

0:27:27.240 --> 0:27:30.520
<v Speaker 1>But boy, that times handle it though. No, that that

0:27:30.680 --> 0:27:32.920
<v Speaker 1>is true for sure. You're not gonna be everyone's favorite.

0:27:33.119 --> 0:27:35.479
<v Speaker 2>No, but I know I have to say, I just

0:27:36.280 --> 0:27:39.280
<v Speaker 2>I think maybe the common denominator back then at least.

0:27:39.280 --> 0:27:42.240
<v Speaker 2>It's just that I only know ballroom. That's my expertise.

0:27:42.359 --> 0:27:44.960
<v Speaker 2>I'm not gonna pretend I do contemporary because I would

0:27:45.240 --> 0:27:47.440
<v Speaker 2>beg to never get contemporary. I was like, you guys

0:27:47.480 --> 0:27:50.439
<v Speaker 2>want to watch a skit. Do you want to watch SNL,

0:27:51.000 --> 0:27:52.320
<v Speaker 2>then give me contemporary.

0:27:52.600 --> 0:27:54.920
<v Speaker 1>Honestly, I kind of want to see an SNL skit

0:27:55.000 --> 0:27:55.840
<v Speaker 1>as a contemporary.

0:27:55.920 --> 0:27:56.879
<v Speaker 3>I'm not gonna lie.

0:27:57.160 --> 0:27:59.960
<v Speaker 2>I feel like my old contemporaries. It'll make It'll just

0:28:00.080 --> 0:28:00.960
<v Speaker 2>get feel rolling.

0:28:01.119 --> 0:28:02.800
<v Speaker 3>Did you ever get outside help?

0:28:03.760 --> 0:28:06.480
<v Speaker 2>Of course, you can take the ballroom dances right, even

0:28:06.520 --> 0:28:09.919
<v Speaker 2>every every week I would make my partners go to

0:28:09.960 --> 0:28:12.920
<v Speaker 2>another studio that I would rent at nighttime and walk

0:28:12.960 --> 0:28:16.200
<v Speaker 2>his out to death. Absolutely, if you allowed it, I

0:28:16.240 --> 0:28:18.320
<v Speaker 2>would do it now. The person who didn't allow it

0:28:18.480 --> 0:28:21.520
<v Speaker 2>set boundary. Speaking of Emmett Smith, was like, I'm giving

0:28:21.520 --> 0:28:23.760
<v Speaker 2>you four hours, my friend, and that's.

0:28:23.560 --> 0:28:24.840
<v Speaker 3>It, right.

0:28:24.880 --> 0:28:26.800
<v Speaker 1>He's like, look, whatever you can do in these four

0:28:26.800 --> 0:28:27.920
<v Speaker 1>hours is what you get.

0:28:28.000 --> 0:28:30.280
<v Speaker 2>It's a miracle. And we were flying back and forth

0:28:30.320 --> 0:28:32.120
<v Speaker 2>to Dallas at the time, so that was hard.

0:28:32.359 --> 0:28:33.600
<v Speaker 3>Oh my gosh.

0:28:33.640 --> 0:28:35.800
<v Speaker 1>I have thought about that a couple of times because

0:28:35.800 --> 0:28:38.120
<v Speaker 1>there were there were a couple of people that were

0:28:38.120 --> 0:28:40.160
<v Speaker 1>talking about flying back and forth, and I was like,

0:28:40.960 --> 0:28:43.520
<v Speaker 1>before you start the show, they tell you we will

0:28:43.560 --> 0:28:44.840
<v Speaker 1>work around your schedule.

0:28:44.880 --> 0:28:46.360
<v Speaker 3>And so when you when you.

0:28:46.280 --> 0:28:49.200
<v Speaker 1>Don't know what you're in for, do you think, oh,

0:28:49.240 --> 0:28:51.880
<v Speaker 1>apparently I could have like a normal job and.

0:28:51.960 --> 0:28:54.200
<v Speaker 3>Also do dancing with Yeah.

0:28:54.400 --> 0:28:59.840
<v Speaker 1>Yeah, nope, no, not if you want to. Yeah, I'm

0:29:00.000 --> 0:29:01.480
<v Speaker 1>I'm not doing any of that. I gave up everything.

0:29:01.480 --> 0:29:04.360
<v Speaker 1>I've abandoned my family I had, I canceled all my work.

0:29:04.680 --> 0:29:07.920
<v Speaker 1>I barely I barely sleep. I twenty three hours of my.

0:29:07.920 --> 0:29:10.680
<v Speaker 3>Day dancing with the stars. Listen.

0:29:11.360 --> 0:29:13.200
<v Speaker 1>If there's one thing I love to do, it's grind.

0:29:13.320 --> 0:29:16.320
<v Speaker 1>So I'm fine, I'm finding the time. But it's truly

0:29:17.120 --> 0:29:19.280
<v Speaker 1>I did laugh. I have laughed so many times at

0:29:19.320 --> 0:29:21.000
<v Speaker 1>the thought where I was like, oh, well, I could

0:29:21.040 --> 0:29:23.920
<v Speaker 1>be directing this week, but oh unfortunately the taping is

0:29:23.960 --> 0:29:25.400
<v Speaker 1>also where what.

0:29:25.360 --> 0:29:28.960
<v Speaker 2>Are you kidding me? A thing that's also my drug

0:29:29.000 --> 0:29:30.040
<v Speaker 2>of choice, the hustle.

0:29:30.440 --> 0:29:32.840
<v Speaker 3>Oh boy, that for sure is mine as well.

0:29:33.080 --> 0:29:34.760
<v Speaker 2>Can I ask you what your dances are this week?

0:29:34.920 --> 0:29:36.760
<v Speaker 3>Yes, we are doing a Viennese waltz.

0:29:37.160 --> 0:29:40.680
<v Speaker 2>Ooh oh, You're gonna be fine. This is the easiest dance.

0:29:40.760 --> 0:29:43.280
<v Speaker 1>I'm so excited and we're doing it to Die with

0:29:43.360 --> 0:29:45.800
<v Speaker 1>a Smile by Bruno Mars and Lady Gaga.

0:29:45.920 --> 0:29:47.760
<v Speaker 2>Oh aren't you always doing team dances?

0:29:47.840 --> 0:29:49.400
<v Speaker 3>Is we're doing a marathon dance?

0:29:49.480 --> 0:29:52.800
<v Speaker 2>We have to do oh that's the worst we have

0:29:52.840 --> 0:29:53.080
<v Speaker 2>to do.

0:29:53.240 --> 0:29:59.600
<v Speaker 3>Hustle, Hustle and jive how oh no, sorry, Hustle and

0:29:59.680 --> 0:30:00.320
<v Speaker 3>Lindy Hop.

0:30:00.560 --> 0:30:01.760
<v Speaker 2>Okay, that makes more sense.

0:30:01.840 --> 0:30:02.800
<v Speaker 3>Hustle and Lindy Hop.

0:30:03.040 --> 0:30:05.120
<v Speaker 2>Oh like, how are they cuting the music? I know?

0:30:06.720 --> 0:30:09.640
<v Speaker 1>So yeah, So the first the first two minutes is hustle,

0:30:09.920 --> 0:30:11.640
<v Speaker 1>where there's going to be nine of us on the grid,

0:30:12.000 --> 0:30:13.800
<v Speaker 1>and then they're gonna get rid of five and then

0:30:13.800 --> 0:30:15.560
<v Speaker 1>there will be four people your mouth.

0:30:15.400 --> 0:30:19.680
<v Speaker 2>Like, literally watch it. There's lists involved and everything in Hustle.

0:30:20.360 --> 0:30:22.880
<v Speaker 2>Oh yeah, there's lifts in Lindy and Hustles and you

0:30:22.880 --> 0:30:24.600
<v Speaker 2>guys are all sharing the floor for the first time.

0:30:24.680 --> 0:30:27.440
<v Speaker 2>So this is where you, for the women's celebrities, trust

0:30:27.520 --> 0:30:29.600
<v Speaker 2>your partners because you don't want to get knocked in

0:30:29.600 --> 0:30:30.640
<v Speaker 2>the mouth quite literally.

0:30:30.840 --> 0:30:34.120
<v Speaker 3>Oh my gosh. Well also, I just want to, like, you.

0:30:34.160 --> 0:30:37.520
<v Speaker 2>Know, just savor your energy, right, like don't don't went

0:30:37.560 --> 0:30:39.800
<v Speaker 2>on bam, thank you ma'am. And then you're like, so

0:30:39.880 --> 0:30:42.760
<v Speaker 2>it's stamina. It's really about that. Yeah, you can last

0:30:42.840 --> 0:30:44.240
<v Speaker 2>the longest doing.

0:30:44.000 --> 0:30:45.400
<v Speaker 3>A minute and a half long dance.

0:30:45.440 --> 0:30:47.080
<v Speaker 1>At the end of it, you're only a minute and

0:30:47.120 --> 0:30:49.640
<v Speaker 1>a half. No, No, the normal dances like right now.

0:30:49.720 --> 0:30:51.160
<v Speaker 1>Like last night was a minute and a half and

0:30:51.160 --> 0:30:52.200
<v Speaker 1>at the end of a minute and a half, I

0:30:52.200 --> 0:30:52.800
<v Speaker 1>can't breathe.

0:30:52.960 --> 0:30:54.880
<v Speaker 3>I have no fluid in my mouth at all. It's

0:30:54.880 --> 0:30:57.960
<v Speaker 3>like where did all the saliva go? I can't waltz.

0:30:57.960 --> 0:30:59.360
<v Speaker 2>You have You're good, You're good.

0:30:59.400 --> 0:31:00.880
<v Speaker 3>I know this. We is going to be this week's

0:31:00.920 --> 0:31:01.440
<v Speaker 3>three steps.

0:31:01.440 --> 0:31:03.200
<v Speaker 2>There's only three steps maximum.

0:31:03.440 --> 0:31:06.280
<v Speaker 1>And we've got like, we've got some cool some cool

0:31:06.280 --> 0:31:08.440
<v Speaker 1>things we want to do, some cool tricks, and we have.

0:31:09.440 --> 0:31:12.000
<v Speaker 1>We've been really working on backstory, Like we've got a

0:31:12.000 --> 0:31:14.800
<v Speaker 1>great backstory, which the only way anyone's going to understand

0:31:14.840 --> 0:31:16.680
<v Speaker 1>the backstories if we set it up in our package.

0:31:16.720 --> 0:31:19.680
<v Speaker 1>So tomorrow or tonight is our master interview. So we've

0:31:19.920 --> 0:31:21.360
<v Speaker 1>talked about how we're going to set it up so

0:31:21.400 --> 0:31:23.600
<v Speaker 1>that people understand what the story is when they watch it.

0:31:23.680 --> 0:31:27.600
<v Speaker 2>Yeah, all I can say is transitions are key, more

0:31:27.640 --> 0:31:28.800
<v Speaker 2>important than anything else.

0:31:29.120 --> 0:31:32.480
<v Speaker 3>Okay, transitions for specifically this dance, for.

0:31:32.520 --> 0:31:36.080
<v Speaker 2>This dance specifically, yes, but also for every dance moving forward.

0:31:36.320 --> 0:31:40.200
<v Speaker 2>Just as much attention you put to the tricks in

0:31:40.240 --> 0:31:43.680
<v Speaker 2>the flash, Yeah, you'll get there. It's never about that.

0:31:43.920 --> 0:31:46.800
<v Speaker 2>It's about how you get out and get in in yeah,

0:31:46.840 --> 0:31:47.760
<v Speaker 2>you know, in the trick, right.

0:31:47.760 --> 0:31:49.040
<v Speaker 3>I thought that was a really good note.

0:31:49.080 --> 0:31:51.480
<v Speaker 1>It was like the first thing John M two said

0:31:51.560 --> 0:31:53.760
<v Speaker 1>last night, it's so true all judging and he was

0:31:53.840 --> 0:31:55.400
<v Speaker 1>like the transitions, and I was like.

0:31:55.400 --> 0:31:57.800
<v Speaker 2>Oh, the devil's in the detail, and that's what we mean,

0:31:58.000 --> 0:32:01.600
<v Speaker 2>the details in the transitions. It's about the actual that

0:32:01.720 --> 0:32:03.360
<v Speaker 2>uh at the you know what I mean? Like no

0:32:03.360 --> 0:32:04.080
<v Speaker 2>one cares about that.

0:32:04.320 --> 0:32:20.000
<v Speaker 1>Oh I love this advice. The word stacked has been

0:32:20.000 --> 0:32:25.280
<v Speaker 1>thrown around NonStop this year. Have you been impressed by

0:32:25.480 --> 0:32:30.400
<v Speaker 1>this season's contestants compared to Yeah, okay.

0:32:30.080 --> 0:32:35.400
<v Speaker 2>Yes, look I believe that there is a beautiful mix

0:32:35.560 --> 0:32:40.920
<v Speaker 2>right of people with yes dance experience, but also imagine

0:32:40.960 --> 0:32:44.840
<v Speaker 2>if no one had dance experience, Okay, especially going into

0:32:45.080 --> 0:32:50.040
<v Speaker 2>a seasoned show. This show is it's a machine and

0:32:50.480 --> 0:32:53.360
<v Speaker 2>we need that, like we need the mix now for

0:32:53.440 --> 0:32:57.080
<v Speaker 2>any new fans thinking that people pick their music, like

0:32:57.200 --> 0:32:59.840
<v Speaker 2>Mark Ballas does not pick his music, you know, and

0:33:01.160 --> 0:33:05.520
<v Speaker 2>it is what it is. There's no favoritism, believe me. Okay, yeah,

0:33:05.840 --> 0:33:08.320
<v Speaker 2>like if anyone knows, it's me like, it's just it's not.

0:33:08.400 --> 0:33:11.280
<v Speaker 2>It may look like that, but that's all in your head.

0:33:11.400 --> 0:33:14.240
<v Speaker 2>This is not happening, and believe me, standards in practice,

0:33:14.280 --> 0:33:16.000
<v Speaker 2>the show wouldn't go on for as long as it's

0:33:16.000 --> 0:33:18.720
<v Speaker 2>been going on if there was favoritism, Like that makes

0:33:18.760 --> 0:33:19.240
<v Speaker 2>no sense.

0:33:19.640 --> 0:33:23.000
<v Speaker 1>Yeah, when I interviewed Ezrasosa, he was saying, and I

0:33:23.000 --> 0:33:24.920
<v Speaker 1>thought it was a really great way of thinking about

0:33:24.920 --> 0:33:28.880
<v Speaker 1>it for these newer fans. If something feels like favoritism,

0:33:29.360 --> 0:33:32.880
<v Speaker 1>it might be that the pro, because of all of

0:33:32.920 --> 0:33:36.280
<v Speaker 1>the experience that they have, is using all of the

0:33:36.320 --> 0:33:40.080
<v Speaker 1>tools in their tool belt in a better way than

0:33:40.160 --> 0:33:45.680
<v Speaker 1>another pro might be. That is not unsaved. That's not favoritism,

0:33:46.160 --> 0:33:47.120
<v Speaker 1>it's experience.

0:33:47.160 --> 0:33:50.000
<v Speaker 2>It can't even manipulate the music department like you can't

0:33:50.080 --> 0:33:52.000
<v Speaker 2>like it just so happens that they haven't done this

0:33:52.120 --> 0:33:54.320
<v Speaker 2>dance to this song that everyone loves like it's just

0:33:54.360 --> 0:33:55.560
<v Speaker 2>a Cohen's it really is.

0:33:55.680 --> 0:33:58.200
<v Speaker 1>But like for example with Mark last night and popular,

0:33:58.640 --> 0:34:02.719
<v Speaker 1>Mark having being a musician, was able to sit with

0:34:02.800 --> 0:34:05.880
<v Speaker 1>the music department, but everyone can, you know, totally, that's

0:34:05.920 --> 0:34:07.880
<v Speaker 1>my point. But he knows how to do it. I'm

0:34:07.880 --> 0:34:10.560
<v Speaker 1>not saying it's fair. I'm saying that's a tool in

0:34:10.600 --> 0:34:13.839
<v Speaker 1>his tool belt as a musician and a dancer to

0:34:13.920 --> 0:34:17.560
<v Speaker 1>say here's how I think this would sound the greatest.

0:34:17.760 --> 0:34:21.680
<v Speaker 1>And if someone else doesn't have that ability, that's not unfair.

0:34:21.960 --> 0:34:26.600
<v Speaker 1>That's why should Mark not use his skills to help

0:34:27.239 --> 0:34:30.279
<v Speaker 1>make his dance come alive. There's that's creative.

0:34:30.360 --> 0:34:32.399
<v Speaker 2>And even if you don't like I have, I mean

0:34:32.440 --> 0:34:34.040
<v Speaker 2>I played, I was forced to play the piano when

0:34:34.080 --> 0:34:36.200
<v Speaker 2>I was younger. But that's as far as it goes.

0:34:36.800 --> 0:34:40.399
<v Speaker 3>I mean you could still work with totally.

0:34:39.960 --> 0:34:44.080
<v Speaker 2>The orchestra, the band. I mean they actually want that now.

0:34:44.360 --> 0:34:47.520
<v Speaker 2>It's about I think some of the maybe new newer

0:34:47.600 --> 0:34:50.440
<v Speaker 2>dancers might just be a little shy, and that's okay,

0:34:50.840 --> 0:34:53.840
<v Speaker 2>like to ask you know, you know you don't want to.

0:34:54.440 --> 0:34:56.680
<v Speaker 2>I just know that. Like everyone's like on their best

0:34:56.719 --> 0:34:58.719
<v Speaker 2>behavior too, and then we don't want to extra any

0:34:58.719 --> 0:35:02.239
<v Speaker 2>Everyone wants to be a team, of course, and I

0:35:02.360 --> 0:35:06.160
<v Speaker 2>think that it'll you know, it'll happen like as you

0:35:06.360 --> 0:35:09.719
<v Speaker 2>experienced the show and you know, as the pros come back,

0:35:09.840 --> 0:35:13.000
<v Speaker 2>like it's you can't take the experience away from somebody though.

0:35:13.360 --> 0:35:15.160
<v Speaker 2>And that's the thing. We even know. I even know

0:35:15.160 --> 0:35:17.120
<v Speaker 2>what's in their storage as far as props go, So

0:35:17.200 --> 0:35:19.600
<v Speaker 2>like I'm like, okay, wait, we can use this from

0:35:19.880 --> 0:35:21.080
<v Speaker 2>storage That's.

0:35:20.880 --> 0:35:23.520
<v Speaker 1>My point is that you having a wealth of knowledge

0:35:23.560 --> 0:35:26.279
<v Speaker 1>and experience and being and knowing that you can ask

0:35:26.400 --> 0:35:29.399
<v Speaker 1>for it is not an unfair advantage.

0:35:29.440 --> 0:35:33.520
<v Speaker 2>It just ask what's the worst that could happen? They say, no, exactly, Okay.

0:35:33.760 --> 0:35:34.440
<v Speaker 3>Absolutely.

0:35:34.920 --> 0:35:39.000
<v Speaker 1>Another very hot topic this year is online discourse. We

0:35:39.080 --> 0:35:42.360
<v Speaker 1>have entered an era where the thin line between being

0:35:42.480 --> 0:35:49.160
<v Speaker 1>a big sam and engaging in toxic discourse has never

0:35:49.360 --> 0:35:54.560
<v Speaker 1>been thinner. Yeah, what have been your thoughts watching along

0:35:55.000 --> 0:35:59.160
<v Speaker 1>as the show hits new social media milestones, both good

0:35:59.239 --> 0:35:59.800
<v Speaker 1>and bad.

0:36:00.160 --> 0:36:05.399
<v Speaker 2>Reading the comments, I mean, also just personally right, I've

0:36:05.440 --> 0:36:08.480
<v Speaker 2>noticed that it's been on a whole other level. Now,

0:36:08.560 --> 0:36:10.680
<v Speaker 2>I remember back in two thousand and six, we weren't

0:36:10.680 --> 0:36:12.760
<v Speaker 2>dealing with social media. We were dealing with the message boards.

0:36:13.040 --> 0:36:16.480
<v Speaker 2>You were just as cruel. Actually, my mother would send

0:36:16.480 --> 0:36:18.200
<v Speaker 2>me them. I'm like, first of all, don't do that

0:36:18.600 --> 0:36:22.040
<v Speaker 2>one thing too. Yeah, let's just keep that to yourself,

0:36:22.160 --> 0:36:26.120
<v Speaker 2>thank you. But it is nasty, you know, the way

0:36:26.160 --> 0:36:29.200
<v Speaker 2>that people get dehumanized and the way people believe that

0:36:29.239 --> 0:36:33.120
<v Speaker 2>they are allowed to do that to others. Yes, what

0:36:33.280 --> 0:36:36.799
<v Speaker 2>kills me is women doing this to other women, right,

0:36:36.960 --> 0:36:42.040
<v Speaker 2>you know, and that and if my platform turns into

0:36:42.200 --> 0:36:45.600
<v Speaker 2>me trying to knock some sense into people and talking

0:36:45.640 --> 0:36:47.640
<v Speaker 2>about how we need to support each other rather than

0:36:47.680 --> 0:36:50.160
<v Speaker 2>go against each other. And I sound like a broken record,

0:36:50.200 --> 0:36:52.239
<v Speaker 2>so be it, because not everybody will stick up for

0:36:52.280 --> 0:36:55.000
<v Speaker 2>themselves in that sense. And it's a real thing. It's

0:36:55.000 --> 0:36:57.160
<v Speaker 2>a real thing. And whether you want to call it

0:36:57.239 --> 0:37:02.560
<v Speaker 2>bullying or just complete just it's shocking. It is shocking.

0:37:03.160 --> 0:37:05.839
<v Speaker 2>And I can't even block enough people. It's just too

0:37:05.840 --> 0:37:08.360
<v Speaker 2>many of them now, there's just too many. And so

0:37:08.640 --> 0:37:11.200
<v Speaker 2>that's what's sad is that the younger generation they're watching this.

0:37:11.480 --> 0:37:14.400
<v Speaker 2>Of course they're watching and but you know, like you

0:37:14.440 --> 0:37:17.680
<v Speaker 2>can't control everything, but you know, I will continue to

0:37:18.280 --> 0:37:21.120
<v Speaker 2>control what I can, which is my social media platform.

0:37:21.200 --> 0:37:23.239
<v Speaker 2>I mean, get off my platform first of all, if

0:37:23.239 --> 0:37:26.960
<v Speaker 2>you're gonna, if you're so, you know, And the way

0:37:26.960 --> 0:37:28.799
<v Speaker 2>that they come at the show as well, it's like,

0:37:31.520 --> 0:37:35.239
<v Speaker 2>you know, look, I appreciate the passion behind these TikTokers

0:37:36.280 --> 0:37:38.719
<v Speaker 2>make and you can see their engagement goes up. So

0:37:38.760 --> 0:37:40.640
<v Speaker 2>they can see their engagement goes up when they talk

0:37:40.680 --> 0:37:43.120
<v Speaker 2>about it, and they're going to have controversial opinions now

0:37:43.120 --> 0:37:45.160
<v Speaker 2>whether or not they believe it or whether or not

0:37:45.200 --> 0:37:47.640
<v Speaker 2>they're feeding into the engagement in the numbers is a

0:37:47.640 --> 0:37:52.480
<v Speaker 2>whole nother conversation. These people are not experts, No, they're not.

0:37:52.520 --> 0:37:54.640
<v Speaker 2>They're just saying something very controversial. They have a great

0:37:54.680 --> 0:37:57.360
<v Speaker 2>hook in their video and people are watching from beginning

0:37:57.360 --> 0:37:59.960
<v Speaker 2>to end. And that's about it. That's what you can

0:38:00.160 --> 0:38:03.239
<v Speaker 2>take from it, because you can't take anything unless this

0:38:03.280 --> 0:38:06.680
<v Speaker 2>person's a professional ballroom dancer. It's nonsense. It's nonsense.

0:38:07.160 --> 0:38:07.400
<v Speaker 3>You know.

0:38:07.600 --> 0:38:11.160
<v Speaker 1>I have a very good friend who is also a

0:38:11.280 --> 0:38:14.880
<v Speaker 1>very public figure, and one of the things he's talked

0:38:14.920 --> 0:38:18.000
<v Speaker 1>about and has has actually done in the past is

0:38:18.760 --> 0:38:22.880
<v Speaker 1>when someone leaves a really nasty comment or sends a

0:38:22.920 --> 0:38:30.040
<v Speaker 1>really nasty DM, replying, Wow, that really hurt my feelings.

0:38:30.440 --> 0:38:34.440
<v Speaker 1>That was hard for me to read, and I'm I

0:38:34.440 --> 0:38:36.280
<v Speaker 1>don't know if that's what you wanted me to feel,

0:38:36.280 --> 0:38:38.080
<v Speaker 1>but it really was very tough for me to read.

0:38:38.160 --> 0:38:45.480
<v Speaker 1>And every single time the response is I didn't think

0:38:45.520 --> 0:38:46.520
<v Speaker 1>you would even see this.

0:38:46.760 --> 0:38:49.239
<v Speaker 3>I didn't know. I'm so sorry. I am actually a

0:38:49.239 --> 0:38:54.040
<v Speaker 3>big fan. Every time the yeah.

0:38:53.800 --> 0:38:58.400
<v Speaker 1>It's really you know, in this in this world of

0:38:59.520 --> 0:39:02.440
<v Speaker 1>feeling like social media has made us more connected, I

0:39:02.520 --> 0:39:07.239
<v Speaker 1>think we are more isolated and alone than we've ever been.

0:39:07.880 --> 0:39:11.000
<v Speaker 1>And I think a large majority of those really nasty

0:39:11.040 --> 0:39:13.920
<v Speaker 1>comments or cries for a cries for help.

0:39:15.239 --> 0:39:18.000
<v Speaker 2>And it and in a negative, nasty way, they're finding

0:39:18.000 --> 0:39:22.480
<v Speaker 2>community within that. And look, there's also the beautiful side

0:39:22.480 --> 0:39:26.000
<v Speaker 2>of social media. Yeah right, there's also community. I mean

0:39:26.040 --> 0:39:28.000
<v Speaker 2>I used to be so good at stopping myself from

0:39:28.040 --> 0:39:31.520
<v Speaker 2>I never scrolled ever in my life, so like until recently,

0:39:31.840 --> 0:39:34.800
<v Speaker 2>until and then you know, obviously you need to respond

0:39:34.880 --> 0:39:38.360
<v Speaker 2>to people, and it's it's harder to I mean, you

0:39:38.360 --> 0:39:42.080
<v Speaker 2>can put this care content thing up, like I TikTok

0:39:42.120 --> 0:39:45.160
<v Speaker 2>what's bad now? Instagram is so bad right now? And

0:39:45.760 --> 0:39:48.360
<v Speaker 2>oh yeah for me it is. Yeah, And I actually

0:39:48.440 --> 0:39:51.480
<v Speaker 2>stopped posting on TikTok ily post like once a week randomly.

0:39:51.880 --> 0:39:53.360
<v Speaker 2>I used to do this day like it was like

0:39:53.440 --> 0:39:56.640
<v Speaker 2>multiple times a day. But I just don't trust. I

0:39:56.640 --> 0:39:58.440
<v Speaker 2>don't feel safe.

0:39:58.719 --> 0:40:01.759
<v Speaker 3>Yeah, do you have a social media team or is

0:40:01.760 --> 0:40:02.360
<v Speaker 3>it just you?

0:40:02.520 --> 0:40:05.600
<v Speaker 2>One person who takes care of my YouTube only? Okay, okay,

0:40:05.800 --> 0:40:07.840
<v Speaker 2>editing that is, I do everything else. But it's a

0:40:07.880 --> 0:40:08.520
<v Speaker 2>full time job.

0:40:08.640 --> 0:40:10.799
<v Speaker 3>I mean obviously, yes, it is a full time job.

0:40:10.840 --> 0:40:11.680
<v Speaker 3>It's a full time job.

0:40:11.719 --> 0:40:14.719
<v Speaker 1>And I was just wondering because I know you and

0:40:14.760 --> 0:40:18.040
<v Speaker 1>I just have both talked about how authenticity is important

0:40:18.040 --> 0:40:21.240
<v Speaker 1>to us, and yet I also understand that the reading

0:40:21.280 --> 0:40:24.000
<v Speaker 1>of the comments is not good for our mental health.

0:40:24.360 --> 0:40:25.680
<v Speaker 3>And yet it's impossible to.

0:40:25.640 --> 0:40:27.680
<v Speaker 1>Get away from the idea that social media is now

0:40:27.719 --> 0:40:29.160
<v Speaker 1>a part of our jobs.

0:40:29.320 --> 0:40:30.600
<v Speaker 2>It's just isn't that crazy?

0:40:30.640 --> 0:40:32.080
<v Speaker 3>It's crazy, and there's no avoiding.

0:40:32.120 --> 0:40:35.799
<v Speaker 2>It's hard for the older generation who's commenting nasty as well,

0:40:35.960 --> 0:40:38.120
<v Speaker 2>to understand and wrap their head around it. Yeah, exactly.

0:40:38.120 --> 0:40:40.040
<v Speaker 2>You find a job of like this is man job? Thanks?

0:40:40.320 --> 0:40:43.160
<v Speaker 3>Yeah, thank you. I'm doing it. I promise I'm doing it.

0:40:43.560 --> 0:40:45.080
<v Speaker 2>I know, I know it doesn't look like I'm really

0:40:45.080 --> 0:40:46.880
<v Speaker 2>getting ready, but I am. Okay, so shut up, but

0:40:46.920 --> 0:40:47.879
<v Speaker 2>just listen to what I'm saying.

0:40:49.960 --> 0:40:50.640
<v Speaker 3>I want to know.

0:40:50.920 --> 0:40:53.040
<v Speaker 1>Going back to Dancing with the Stars, I want to

0:40:53.080 --> 0:40:54.640
<v Speaker 1>know what were your thoughts on Wicked Night.

0:40:55.480 --> 0:40:57.759
<v Speaker 2>I loved it? Yeah, I love John. I thought John

0:40:57.840 --> 0:40:58.560
<v Speaker 2>was a great addition.

0:40:58.640 --> 0:40:59.479
<v Speaker 3>Actually did too.

0:41:00.080 --> 0:41:02.040
<v Speaker 2>I just what do you love?

0:41:02.120 --> 0:41:02.200
<v Speaker 4>What?

0:41:02.440 --> 0:41:04.200
<v Speaker 2>Sorry? I hate to answer a question with a question

0:41:04.280 --> 0:41:07.680
<v Speaker 2>that I'm just curious. Do you have you found that?

0:41:07.760 --> 0:41:10.440
<v Speaker 2>What's helpful for you guys? As contestants standing there? What

0:41:10.480 --> 0:41:12.200
<v Speaker 2>would you like to hear from the judges.

0:41:12.800 --> 0:41:17.400
<v Speaker 1>I love to hear personally mm hm. Any sort of

0:41:17.480 --> 0:41:21.240
<v Speaker 1>feedback that is not going to be something that's only

0:41:22.040 --> 0:41:23.600
<v Speaker 1>attributable to that dance.

0:41:23.640 --> 0:41:25.000
<v Speaker 3>I'm never going to do that dance again.

0:41:25.000 --> 0:41:28.279
<v Speaker 1>I never know. I'm never going to do jive again ever,

0:41:28.640 --> 0:41:30.520
<v Speaker 1>for as long as I live, God willing.

0:41:31.000 --> 0:41:33.600
<v Speaker 3>And so if there's just like a.

0:41:33.560 --> 0:41:37.200
<v Speaker 1>Note about something that's very jive specific, just skip that one.

0:41:37.040 --> 0:41:39.160
<v Speaker 3>Because that's in my rear view mirror. I can't correct it.

0:41:39.440 --> 0:41:42.839
<v Speaker 1>But like Bruno during my jive did say that the

0:41:42.960 --> 0:41:45.640
<v Speaker 1>retraction of my kicks and flicks are going to come

0:41:45.640 --> 0:41:48.680
<v Speaker 1>into play in other dances, and sure enough it came

0:41:48.719 --> 0:41:50.200
<v Speaker 1>into play in the Argentine tango.

0:41:50.400 --> 0:41:51.279
<v Speaker 2>Oh Argentango.

0:41:51.400 --> 0:41:53.239
<v Speaker 1>Yeah, And so it was like it was something I

0:41:53.280 --> 0:41:55.479
<v Speaker 1>thought of when I was thinking about my my foot

0:41:55.520 --> 0:41:59.560
<v Speaker 1>retraction during some of those moves. When Kim gave me

0:41:59.600 --> 0:42:01.680
<v Speaker 1>the note of out, you know, practicing by putting a

0:42:01.719 --> 0:42:04.560
<v Speaker 1>pen in between my fingers to help me really and

0:42:04.600 --> 0:42:06.440
<v Speaker 1>I did, it was like both passion and I were

0:42:06.440 --> 0:42:10.359
<v Speaker 1>like that's a great idea, and so like that's that's

0:42:10.400 --> 0:42:13.000
<v Speaker 1>really good. When I was really I still struggle with

0:42:13.000 --> 0:42:16.200
<v Speaker 1>my shoulders and some Kim gave someone else. Imagine you

0:42:16.239 --> 0:42:18.799
<v Speaker 1>were carrying bags of cement. That's what you should see.

0:42:18.800 --> 0:42:22.239
<v Speaker 1>You want to feel like your hell kinds of very

0:42:22.600 --> 0:42:26.480
<v Speaker 1>direct that only, in my opinion, someone who's been a pro,

0:42:26.800 --> 0:42:28.759
<v Speaker 1>who's done it themselves can give.

0:42:29.520 --> 0:42:32.120
<v Speaker 3>You have taught you know you know what.

0:42:32.080 --> 0:42:33.560
<v Speaker 1>And you don't necessarily know what's going to work for

0:42:33.600 --> 0:42:36.960
<v Speaker 1>every person, but you have enough experience giving advice to

0:42:37.080 --> 0:42:41.840
<v Speaker 1>different types of celebrities. You have a wealth of knowledge

0:42:41.840 --> 0:42:44.960
<v Speaker 1>at your fingertips for what might be useful. That's why

0:42:45.080 --> 0:42:46.400
<v Speaker 1>one of the reasons I think you're going to be

0:42:46.520 --> 0:42:49.680
<v Speaker 1>such a fantastic addition to the judges.

0:42:49.480 --> 0:42:52.080
<v Speaker 2>Share thank you. You know, as I started the show

0:42:52.160 --> 0:42:54.839
<v Speaker 2>very young, so I didn't have a lot of teaching experience,

0:42:55.200 --> 0:42:57.719
<v Speaker 2>and it was interesting I involved when you asked if

0:42:57.760 --> 0:43:01.080
<v Speaker 2>I got help my my dance coach actually held my

0:43:01.120 --> 0:43:03.759
<v Speaker 2>hand through this process for the first few years of

0:43:03.920 --> 0:43:07.359
<v Speaker 2>learning just the language of trying to teach a pedestrian

0:43:07.640 --> 0:43:10.479
<v Speaker 2>what ballroom technique is without using the word because words

0:43:10.520 --> 0:43:12.680
<v Speaker 2>are just words, like you can call it whatever the

0:43:12.719 --> 0:43:15.360
<v Speaker 2>hell you want, just do it, execute it right, like

0:43:15.400 --> 0:43:19.759
<v Speaker 2>we're just trying to get the execution going. Another tip

0:43:19.800 --> 0:43:24.319
<v Speaker 2>for you instead of thinking of shoulders down, think of

0:43:24.520 --> 0:43:31.160
<v Speaker 2>your spine that goes it doesn't stop here, right, stops here?

0:43:31.480 --> 0:43:31.760
<v Speaker 3>Okay.

0:43:31.800 --> 0:43:36.240
<v Speaker 2>And you know those balconies, those balconies when your nipples

0:43:36.960 --> 0:43:41.720
<v Speaker 2>you want to think towards the balcony this way, still

0:43:41.719 --> 0:43:46.080
<v Speaker 2>thinking of heavy luggage or cement, right okay. And then

0:43:46.360 --> 0:43:51.319
<v Speaker 2>also if it's not nipples but everything like notice I'm

0:43:51.360 --> 0:43:56.640
<v Speaker 2>not just doing that. I'm going I'm expanding my my

0:43:56.760 --> 0:44:01.520
<v Speaker 2>rib cage is out. You want to not look up

0:44:01.560 --> 0:44:04.520
<v Speaker 2>to the balconies. Don't do that right right? Then then

0:44:04.560 --> 0:44:06.560
<v Speaker 2>this happens. Then this happens with you. You don't want

0:44:06.600 --> 0:44:08.400
<v Speaker 2>this happened, right, You don't want to work in nine

0:44:08.520 --> 0:44:09.080
<v Speaker 2>starts here?

0:44:09.840 --> 0:44:14.400
<v Speaker 1>Oh I love that okay, top of the head spine.

0:44:14.200 --> 0:44:16.080
<v Speaker 2>And you can hold it a little mini apple is

0:44:16.080 --> 0:44:18.319
<v Speaker 2>what Len Goodman said. He would say, like you see,

0:44:18.520 --> 0:44:22.719
<v Speaker 2>get that little little mini apple, grab it from the top.

0:44:23.080 --> 0:44:25.279
<v Speaker 3>That's here, right, yeah, so it's here.

0:44:25.719 --> 0:44:27.680
<v Speaker 2>You just want to, like, you know, start holding your

0:44:27.719 --> 0:44:28.960
<v Speaker 2>drinks like this, like you know.

0:44:29.320 --> 0:44:31.759
<v Speaker 3>The good news is I do. That has not been

0:44:31.800 --> 0:44:32.280
<v Speaker 3>my problem.

0:44:32.320 --> 0:44:35.800
<v Speaker 2>Remembering you looked great last night, that was a thank beautiful.

0:44:35.840 --> 0:44:36.960
<v Speaker 2>But that's a different that's different.

0:44:37.080 --> 0:44:37.800
<v Speaker 3>It's totally different.

0:44:37.840 --> 0:44:40.080
<v Speaker 1>No, what we did a foxtrot, so I have I

0:44:40.120 --> 0:44:42.040
<v Speaker 1>had when we did our my second week with the

0:44:42.080 --> 0:44:46.279
<v Speaker 1>fox Trot, I I was that that hand there. Thankfully,

0:44:46.400 --> 0:44:48.799
<v Speaker 1>it feels very natural. I'm very I'm very girly with

0:44:48.800 --> 0:44:49.440
<v Speaker 1>my pinkies.

0:44:50.840 --> 0:44:52.320
<v Speaker 2>I'm like constantly.

0:44:52.360 --> 0:44:54.800
<v Speaker 3>Still, that is so funny.

0:44:54.920 --> 0:44:57.360
<v Speaker 1>Well, you have given me so many I mean my

0:44:57.400 --> 0:44:59.200
<v Speaker 1>final question was if you had one piece of advice,

0:44:59.200 --> 0:45:02.239
<v Speaker 1>but I can't even You've given me so many incredible.

0:45:02.360 --> 0:45:05.520
<v Speaker 2>That's not my advice, my advice. I want you to

0:45:05.719 --> 0:45:10.080
<v Speaker 2>mess up more. I want to see raw, I really do.

0:45:10.160 --> 0:45:13.879
<v Speaker 2>I want to I because I can forgive that there's

0:45:13.880 --> 0:45:16.040
<v Speaker 2>no perfection. There's no such thing as what is perfect.

0:45:16.080 --> 0:45:18.680
<v Speaker 2>There was no such thing, no such thing. Unfortunately I

0:45:18.680 --> 0:45:22.719
<v Speaker 2>thought there was, but there isn't. And you were like

0:45:22.880 --> 0:45:25.600
<v Speaker 2>this was like you were in it. You were laser focused.

0:45:25.600 --> 0:45:28.319
<v Speaker 2>And I don't know what your music? What's your music again?

0:45:28.360 --> 0:45:30.480
<v Speaker 2>For me, Walt, is it romantic or not romantic?

0:45:30.480 --> 0:45:33.480
<v Speaker 3>I with a smile, Lady Lady Gagon Bruno mars.

0:45:33.360 --> 0:45:36.080
<v Speaker 2>Okay, So I mean, are you does it make you

0:45:36.120 --> 0:45:38.600
<v Speaker 2>feel like because like I want you to embody this music.

0:45:38.920 --> 0:45:41.600
<v Speaker 2>You need to know this music inside and out, like

0:45:41.800 --> 0:45:44.200
<v Speaker 2>you could literally start it from the random spot and

0:45:44.239 --> 0:45:47.560
<v Speaker 2>you know exactly what you're doing one and two, you

0:45:47.760 --> 0:45:49.920
<v Speaker 2>just like you need to feel it because I need

0:45:49.960 --> 0:45:52.680
<v Speaker 2>to see that. I need to see your emotion through motion.

0:45:53.239 --> 0:45:57.560
<v Speaker 1>So so good, and you're right, because like certain dances

0:45:57.600 --> 0:46:00.440
<v Speaker 1>I've had every week, there's something a little different helps

0:46:00.480 --> 0:46:03.640
<v Speaker 1>me with that particular dance. Some weeks it is all

0:46:03.680 --> 0:46:08.360
<v Speaker 1>about knowing the counts, knowing the count forward and backward,

0:46:08.680 --> 0:46:10.560
<v Speaker 1>and Pasha being able to say to me, we're going

0:46:10.600 --> 0:46:11.880
<v Speaker 1>to take it from this, We're going to take it

0:46:11.880 --> 0:46:16.480
<v Speaker 1>from the seven I've learned in I learned in week

0:46:16.800 --> 0:46:19.040
<v Speaker 1>during our tango week. So the first week, one of

0:46:19.080 --> 0:46:20.839
<v Speaker 1>the first things he said to me was, you're going

0:46:20.880 --> 0:46:23.680
<v Speaker 1>to start counting this and I was like me, and

0:46:23.719 --> 0:46:25.799
<v Speaker 1>he was like, I've been counting, start paying it if

0:46:25.800 --> 0:46:28.200
<v Speaker 1>you're not, if you haven't been, start paying attention. And

0:46:28.200 --> 0:46:29.840
<v Speaker 1>then I was like, can we do it together? And

0:46:29.840 --> 0:46:31.759
<v Speaker 1>then we would count the dance together, and by the

0:46:31.760 --> 0:46:34.239
<v Speaker 1>time the day was over, I was dancing the dance

0:46:34.320 --> 0:46:37.640
<v Speaker 1>and counting it solo from beginning to end, and so

0:46:38.800 --> 0:46:40.600
<v Speaker 1>I was able to do that then with my chatcha

0:46:40.640 --> 0:46:44.879
<v Speaker 1>and last night I was the most present I've ever

0:46:45.000 --> 0:46:47.360
<v Speaker 1>felt in my body. But I was dancing on the

0:46:47.360 --> 0:46:49.520
<v Speaker 1>show No Counts.

0:46:49.280 --> 0:46:51.560
<v Speaker 2>So this is what I was going to say. But

0:46:51.800 --> 0:46:55.560
<v Speaker 2>ballroom is between a man and a woman. Yeah in

0:46:55.600 --> 0:46:58.359
<v Speaker 2>your case, right, yeah, a partnership where the man in

0:46:58.400 --> 0:47:00.680
<v Speaker 2>your in your case and in anyone's case this season,

0:47:00.760 --> 0:47:04.359
<v Speaker 2>a man leads the woman follows. Or it should look

0:47:04.400 --> 0:47:08.719
<v Speaker 2>like this, right, huh you the counts shouldn't. I don't

0:47:08.719 --> 0:47:11.640
<v Speaker 2>think should be a priority. I just don't. I just don't. Now,

0:47:11.680 --> 0:47:13.719
<v Speaker 2>do you need to know your Yes, you must know

0:47:13.800 --> 0:47:17.200
<v Speaker 2>your forwards and backwards. It's vital. But I think that

0:47:17.280 --> 0:47:19.799
<v Speaker 2>because you have such a short amount of time, you

0:47:19.840 --> 0:47:23.280
<v Speaker 2>need to embody. You need to like this music. Whether

0:47:23.320 --> 0:47:26.000
<v Speaker 2>you love it or hate it is irrelevant. Like totally,

0:47:26.840 --> 0:47:28.880
<v Speaker 2>I need to I need to feel you, girl.

0:47:29.400 --> 0:47:29.800
<v Speaker 3>I love it.

0:47:30.040 --> 0:47:33.120
<v Speaker 2>I love it, and don't fake it. Don't find something

0:47:33.160 --> 0:47:36.440
<v Speaker 2>real in your life that you can incorporate, right, like

0:47:36.800 --> 0:47:37.600
<v Speaker 2>find that emotion.

0:47:38.520 --> 0:47:40.759
<v Speaker 1>Okay, I I lied. I have one more question for you,

0:47:40.800 --> 0:47:42.439
<v Speaker 1>and maybe it's a two Maybe it's a two parter.

0:47:42.719 --> 0:47:43.360
<v Speaker 2>That's fine.

0:47:43.719 --> 0:47:46.720
<v Speaker 1>We mentioned Mark Ballas, who's back on the dance floor

0:47:46.719 --> 0:47:49.680
<v Speaker 1>this year. He's a master of the trade as are you.

0:47:50.520 --> 0:47:56.200
<v Speaker 1>Is there ever a possibility Cheryl Burr would come back

0:47:56.480 --> 0:48:00.239
<v Speaker 1>to the dance floor as a pro I mean never

0:48:00.280 --> 0:48:04.000
<v Speaker 1>say never, okay, never said that.

0:48:03.480 --> 0:48:08.200
<v Speaker 2>As my body saying yes, please, let's do this now. No, okay,

0:48:09.320 --> 0:48:11.360
<v Speaker 2>I mean I still have my body. Woman like, she

0:48:11.520 --> 0:48:13.279
<v Speaker 2>comes here and I don't live in La anymore, so

0:48:13.280 --> 0:48:16.000
<v Speaker 2>I live about a couple hours away and she drives here.

0:48:16.600 --> 0:48:19.399
<v Speaker 2>I mean, mind you, I pay her, but I'm sure

0:48:20.000 --> 0:48:22.560
<v Speaker 2>she's the only reason why I don't have hip replacements

0:48:22.600 --> 0:48:25.200
<v Speaker 2>because she gets into my scar tissue. It's pretty bad.

0:48:25.280 --> 0:48:28.359
<v Speaker 2>It's from all the you know, dancing, not just on

0:48:28.400 --> 0:48:31.040
<v Speaker 2>the show, but all the years, my whole life.

0:48:31.400 --> 0:48:34.040
<v Speaker 1>Yeah, okay, the second part of that question, if there

0:48:34.120 --> 0:48:37.000
<v Speaker 1>was ever another All Star season, who do you think

0:48:37.040 --> 0:48:37.600
<v Speaker 1>you'd choose?

0:48:38.080 --> 0:48:40.160
<v Speaker 2>Jack Osborne or Rob Kardashiya.

0:48:40.320 --> 0:48:43.879
<v Speaker 3>Really yeah, oh I love it. I love it so much.

0:48:43.960 --> 0:48:45.520
<v Speaker 2>I just love them as human beings.

0:48:45.680 --> 0:48:47.960
<v Speaker 3>Yeah. Yeah, that's the thing you can't.

0:48:47.760 --> 0:48:50.000
<v Speaker 2>Actually, maybe Rob, Rob needs to get out of that

0:48:50.280 --> 0:48:54.120
<v Speaker 2>wherever he is. Where are you, Kardashia, Let's.

0:48:53.880 --> 0:48:55.120
<v Speaker 3>Go come on out, Rob.

0:48:55.160 --> 0:48:56.920
<v Speaker 2>He was so happy when he did the show, so

0:48:57.000 --> 0:48:58.319
<v Speaker 2>and I was so happy for him.

0:48:58.360 --> 0:49:00.960
<v Speaker 1>So yeah, that's such a beautiful thing you guys are

0:49:00.960 --> 0:49:01.920
<v Speaker 1>able to do for people.

0:49:01.960 --> 0:49:02.920
<v Speaker 3>Truly the pros.

0:49:03.040 --> 0:49:06.560
<v Speaker 1>I tell every one of them, you guys are really

0:49:06.840 --> 0:49:09.560
<v Speaker 1>the stars. I mean that is That's the thing people

0:49:09.600 --> 0:49:15.080
<v Speaker 1>don't know, Like the amount of patience and time and

0:49:15.239 --> 0:49:18.840
<v Speaker 1>effort and just the amount of giving you have to

0:49:18.880 --> 0:49:22.239
<v Speaker 1>do for the entire length of time that you're on

0:49:22.280 --> 0:49:25.080
<v Speaker 1>the show. It is just you're putting yourself on the

0:49:25.120 --> 0:49:27.319
<v Speaker 1>back burner. You're making sure you're not the one who

0:49:27.360 --> 0:49:29.239
<v Speaker 1>seems like the star of the dance. You have to

0:49:29.239 --> 0:49:31.279
<v Speaker 1>figure out their limitations, you have to figure out what

0:49:31.280 --> 0:49:31.799
<v Speaker 1>they're good at.

0:49:31.800 --> 0:49:33.440
<v Speaker 3>You have to highlight that. You have to choreograph in

0:49:33.480 --> 0:49:36.279
<v Speaker 3>the morning. You're up until late, like you're a therapist.

0:49:36.440 --> 0:49:39.640
<v Speaker 1>Sometimes you're you know, a physical therapist, to be like,

0:49:39.640 --> 0:49:40.400
<v Speaker 1>what's bothering you?

0:49:40.480 --> 0:49:41.560
<v Speaker 3>Here? Here's my person?

0:49:41.680 --> 0:49:42.279
<v Speaker 2>Have you done this?

0:49:42.480 --> 0:49:45.239
<v Speaker 1>Like the things you guys have to do and with

0:49:45.320 --> 0:49:48.720
<v Speaker 1>a smile and while being microphoned and on camera.

0:49:48.880 --> 0:49:50.920
<v Speaker 3>I don't know how. I really don't know how you

0:49:50.920 --> 0:49:51.360
<v Speaker 3>guys do it.

0:49:51.400 --> 0:49:53.880
<v Speaker 2>So sweet, But it's so sweet of you. Thank you

0:49:53.920 --> 0:49:56.279
<v Speaker 2>for noticing that, because a lot of people don't even

0:49:56.320 --> 0:49:56.799
<v Speaker 2>notice it.

0:49:56.920 --> 0:50:01.840
<v Speaker 1>No, it is you are all true remarkable people, and

0:50:02.920 --> 0:50:06.120
<v Speaker 1>the percentage of people who are even remotely capable of

0:50:06.160 --> 0:50:09.000
<v Speaker 1>it is very tiny, and so you were a master

0:50:09.120 --> 0:50:09.400
<v Speaker 1>at it.

0:50:09.480 --> 0:50:11.960
<v Speaker 3>And thank you for your service and for all of

0:50:12.000 --> 0:50:12.799
<v Speaker 3>your years.

0:50:12.960 --> 0:50:17.000
<v Speaker 1>And I cannot wait to see you in a judge's

0:50:17.080 --> 0:50:20.680
<v Speaker 1>chair next week and to hear all of your thoughts.

0:50:20.800 --> 0:50:23.240
<v Speaker 3>I know you're going to kill it. I'm so excited

0:50:23.239 --> 0:50:23.520
<v Speaker 3>for you.

0:50:24.080 --> 0:50:26.000
<v Speaker 2>Thank you. I'm just nervous. I don't know if I

0:50:26.040 --> 0:50:27.920
<v Speaker 2>can just say it in ten seconds, but hey, we're

0:50:27.920 --> 0:50:30.000
<v Speaker 2>going to try to talk sound by its starting now.

0:50:30.280 --> 0:50:32.400
<v Speaker 3>Yeah, you know what. I know you're capable of it.

0:50:32.480 --> 0:50:34.680
<v Speaker 1>You just did a fantastic interview with me, and you

0:50:34.880 --> 0:50:38.680
<v Speaker 1>are great on your own podcasts, you're great on social media,

0:50:39.320 --> 0:50:41.799
<v Speaker 1>you're you're wonderful. So we are lucky to have you

0:50:41.840 --> 0:50:43.160
<v Speaker 1>next week. I'm looking forward to it.

0:50:43.360 --> 0:50:46.520
<v Speaker 2>Thank you, and girl, you got this one step, just

0:50:46.640 --> 0:50:48.040
<v Speaker 2>one little step, one.

0:50:48.080 --> 0:50:49.040
<v Speaker 3>Little step at a time.

0:50:49.080 --> 0:50:51.480
<v Speaker 1>And next week, I just I'm gonna make sure you

0:50:51.520 --> 0:50:53.680
<v Speaker 1>feel it. That's my goal. I want you to feel it.

0:50:53.680 --> 0:50:55.520
<v Speaker 2>I feel it from I'm good.

0:50:55.840 --> 0:50:57.720
<v Speaker 1>I'm gonna I'm going to make you feel it. I promise,

0:50:57.760 --> 0:50:59.359
<v Speaker 1>I promise. I'm going to think about it all week

0:51:00.000 --> 0:51:00.520
<v Speaker 1>thank you so.

0:51:00.560 --> 0:51:03.680
<v Speaker 4>Much, Cheryl hell Pasha, I say hello, I most certainly

0:51:03.680 --> 0:51:09.840
<v Speaker 4>will okay, thank you byek you. Danielle with the Stars

0:51:10.080 --> 0:51:13.520
<v Speaker 4>Produced and hosted by Danielle Fischel. Executive producers Jensen Carp

0:51:13.560 --> 0:51:17.360
<v Speaker 4>and Amy Sugarman, Executive in charge of production, Danielle Romo, Producer,

0:51:17.560 --> 0:51:19.520
<v Speaker 4>editor and engineer Tara Sudbosch.

0:51:19.840 --> 0:51:21.280
<v Speaker 3>Theme song by Justin Siegel.

0:51:21.600 --> 0:51:25.600
<v Speaker 1>Follow us on Instagram at Danielle with Stars and vote

0:51:25.600 --> 0:51:25.799
<v Speaker 1>for me