WEBVTT - Actually Interesting NFTs

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<v Speaker 1>I'm Stacy Marie Ishmael, Managing editor of Crypto for Bloomberg News,

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<v Speaker 1>and this is Bloomberg Crypto at Daily Bloomberg I Heart Podcast.

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<v Speaker 1>It's Thursday, August eleven. Non fungible tokens, better known as

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<v Speaker 1>n f t s, really burst onto the pop culture

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<v Speaker 1>scene in but they've been around since at least two

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<v Speaker 1>thousand and fourteen. Despite current market conditions, new tokens and

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<v Speaker 1>collections are still being launched every day, including by luxury

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<v Speaker 1>brands like Gucci and Prada. Tiffany's, the iconic retailer, even

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<v Speaker 1>announced a jewelry partnership with Crypto Punks, one of the

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<v Speaker 1>biggest and most popular collections. That partnership means that Tiffany

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<v Speaker 1>is going to sell pendants based on those Crypto Punk

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<v Speaker 1>and f T s for around fifty thou dollars each.

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<v Speaker 1>During July Bloomberg Live Cryptosummit right here in New York City,

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<v Speaker 1>I spoke with industry leaders about why they're confident that

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<v Speaker 1>n f t s will continue to be perceived as

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<v Speaker 1>valuable and as useful. Up next, my conversation with Avery Acnemy,

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<v Speaker 1>who's the president of Veyner. Three n s are something

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<v Speaker 1>that people can understand immediately. They understand a piece of art,

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<v Speaker 1>they understand a digital collectible. Helen High, Executive VP and

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<v Speaker 1>head of Charity at Finance. In my opinion, this is

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<v Speaker 1>lowering the barrier for artists entering into the world. This

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<v Speaker 1>is a technological render song and digital artists people pleaser

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<v Speaker 1>sometimes known as Emily Yatton, the wonderful youth of blockchain technology,

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<v Speaker 1>can be um utilized for a much more. When we

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<v Speaker 1>were first thinking about this panel, n FC prices were higher,

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<v Speaker 1>is what I would say, And I wanted to start

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<v Speaker 1>by reading from the statements that the CEO of Open

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<v Speaker 1>Sea put out when they had to let go their team.

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<v Speaker 1>And there's one thing in here that I that I

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<v Speaker 1>want to pull out because I think it's very relevant

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<v Speaker 1>to what we're all going to talk about, and it's this.

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<v Speaker 1>During this winter, I expect we'll see an explosion in

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<v Speaker 1>innovation and utility across n f T s. With the

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<v Speaker 1>hard but important changes that we meet today, we're in

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<v Speaker 1>an even better position to capture what will soon become

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<v Speaker 1>the largest market on the planet. Now is our time

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<v Speaker 1>to build. Winter is our time to build. I highlighted

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<v Speaker 1>the words you know innovation and utility, because I feel

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<v Speaker 1>like there's a certainly a perception, perhaps a misperception depends

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<v Speaker 1>on your perspective, that all n f T s are

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<v Speaker 1>are overvalued pictures of apes or things that celebrities will

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<v Speaker 1>shill on their Instagrams and then denial later to what

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<v Speaker 1>we're hoping to achieve. This panel is more of a

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<v Speaker 1>discussion around the real potential possibility of what we like

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<v Speaker 1>to say, the underlying technology, but also actual use cases.

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<v Speaker 1>Welcome to the stage, Vainer three, President avery An Any

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<v Speaker 1>Finance Executive, ICE resident and head of charity Helen High

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<v Speaker 1>and digital artists people please her with Bloomberg's stacy Marie Ishmael,

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<v Speaker 1>I want to start with you, Helen. One of the

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<v Speaker 1>perhaps stranger things to happen in the first couple of

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<v Speaker 1>days after Russia invaded Ukraine was this outpouring of crypto

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<v Speaker 1>philanthropy that ultimately resulted in several hundreds of millions of

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<v Speaker 1>dollars being raised to support the States of Ukraine, but

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<v Speaker 1>also their soldiers and also their their populous, to the

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<v Speaker 1>extent that Ukraine's digital minister was like talking about, Hey,

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<v Speaker 1>we're going to mince and sell our own and FT

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<v Speaker 1>and you know, the chariteable arm of finance was one

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<v Speaker 1>of the entities that was very present in all those conversations.

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<v Speaker 1>Can you talk more about what actually cryptophilanthropy is and

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<v Speaker 1>not just in like the sam bankment freed wait fantastic today.

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<v Speaker 1>If you want to donate hundred dollars to somebody, let's

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<v Speaker 1>say Ukraine or Africa, give me a number, how much

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<v Speaker 1>do you think out of your hundred dollars will be

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<v Speaker 1>and in the hand of the beneficiaries probably ninety were

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<v Speaker 1>not even even talking about corruptions. So that's the reality.

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<v Speaker 1>This is white technology actually add values into this because

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<v Speaker 1>crypto fundamentally it's transparency and it's trackable. Four years ago

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<v Speaker 1>when we started by Next Charity, we were doing project

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<v Speaker 1>in Africa doing lunches. Out of the hundred dollars without need,

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<v Speaker 1>nineties three percent of them turn into the food down

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<v Speaker 1>children's played. The other seven percent are the local cost.

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<v Speaker 1>So this is why technology can really bringing real values

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<v Speaker 1>into the society. One of the things we worked with

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<v Speaker 1>the United Nations to offer is the refugee Crypto card.

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<v Speaker 1>Offer them a cryptal i D and then they actually

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<v Speaker 1>they can receive cryptos from even one dollars you know

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<v Speaker 1>everything around the world. I want to ask you about

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<v Speaker 1>that because dona think five dollars in crypto can also

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<v Speaker 1>cost you five dollars in crypto right Like there, there

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<v Speaker 1>are still significances and complexity for a lot of folks

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<v Speaker 1>associated with these things. What has to change about the

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<v Speaker 1>ecosystem in order to make what you're describing more of

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<v Speaker 1>a reality. Infrastructure and education are the two most important fundamentals.

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<v Speaker 1>I think when we were doing the project, even in Africa.

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<v Speaker 1>Today we're talking about in the traditional world, we're talking

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<v Speaker 1>about financial inclusions for generations, and even we're looking at

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<v Speaker 1>what actually happened for the certain industrial revolution, which is

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<v Speaker 1>internet based. The world didn't become a better place. One

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<v Speaker 1>percent of the population is holding ninety percent of the

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<v Speaker 1>global wealth. This is actually why blockchain is so popular,

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<v Speaker 1>because people believe with the folks in revolution, that the

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<v Speaker 1>financial system is going to change get rid of a

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<v Speaker 1>lot of the intermediaries. This is why blockchain is going

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<v Speaker 1>to play a far more important real in the society

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<v Speaker 1>to achieve the final free trance of values. With scriptal

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<v Speaker 1>everything is possible, everything is possible, Everything is not yet practical,

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<v Speaker 1>And I want talk to somebody who spends a lot

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<v Speaker 1>of time in like the practical elements of this space.

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<v Speaker 1>So people, please a You've had an interesting career. Um.

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<v Speaker 1>You when we were talking in the green room, you

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<v Speaker 1>said that one of the things you've really done is

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<v Speaker 1>trying to push the boundaries of crypto and art, and

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<v Speaker 1>in your most recent project, Shibilia, you had a very

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<v Speaker 1>interesting medium boost, very based be like, well, most of

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<v Speaker 1>this is like speculation and none of it makes sense

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<v Speaker 1>and it's not sustainable long term. However, here are the

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<v Speaker 1>interesting things. What for you? Are those actually interesting things

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<v Speaker 1>in an environment perhaps less right now, but in an

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<v Speaker 1>environment where there was so much kind of like speculative activity. Yeah, personally,

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<v Speaker 1>you know, I've felt that the n f T space

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<v Speaker 1>for the past um year and a half at least

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<v Speaker 1>has been more stagnant on just sort of you know,

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<v Speaker 1>speculative assets and focusing on you know, floor prices and

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<v Speaker 1>who's the next person who's going to buy um this

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<v Speaker 1>n f T and the price goes up. But you know,

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<v Speaker 1>the floor price that you're seeing is not actually what

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<v Speaker 1>every asset is worth, because once somebody sells them, the

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<v Speaker 1>floor point price goes down. So just because you have

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<v Speaker 1>the asset doesn't mean that you, um, you know, have

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<v Speaker 1>actually that much ethereum in your or value. And so

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<v Speaker 1>this really got me thinking, you know, why have we

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<v Speaker 1>created a culture where everyone is so obsessed with this

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<v Speaker 1>floor price when we the wonderful use of blockchain technology

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<v Speaker 1>can be UM utilized for a much more And part

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<v Speaker 1>of the UM socibia is kind of like decentralized Netflix

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<v Speaker 1>slash Kickstarter. So just to translate that some practice, UM,

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<v Speaker 1>the example that you use in that post was you

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<v Speaker 1>are creating a story. That story might have two arcs.

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<v Speaker 1>Somebody could choose to back one arc versus another arc

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<v Speaker 1>by making decisions on a blockchain by saying, you know,

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<v Speaker 1>I'm going to buy an n f T that's for

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<v Speaker 1>door number one. Somebody else might buy an n f

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<v Speaker 1>T for door number two, and then they can fight

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<v Speaker 1>it out creatively that way. UM. Yeah, And so you know,

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<v Speaker 1>in this way, I think the community feels like not

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<v Speaker 1>only are they financially supporting the creation of this i P,

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<v Speaker 1>but also that they have us say and where the

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<v Speaker 1>direction is going, and UM makes it more sort of

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<v Speaker 1>inclusive and collaborative. And this sort of goes back to

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<v Speaker 1>last summer where I helped crowdfund the Ethereum documentary by

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<v Speaker 1>selling a serious amount of teas and then we raised

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<v Speaker 1>over two million dollars in forty eight hours, and just

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<v Speaker 1>like that, the documentary was funded. And if anybody has

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<v Speaker 1>ever tried to fundraise in the film industry or anything,

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<v Speaker 1>you would know that it's usually a multi year long process.

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<v Speaker 1>And similar to what Helen was saying, there's all this

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<v Speaker 1>you know, paperwork and bank wires and everything that's involved.

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<v Speaker 1>And so this is a wonderful um opportunity that Krypto

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<v Speaker 1>can open up for us. And this is something that

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<v Speaker 1>I'm personally more interested in, and I definitely feel like

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<v Speaker 1>more people will start to see this sort of value

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<v Speaker 1>as we're headed towards a more bearer market and people

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<v Speaker 1>are focusing on things beyond just speculation. So one of

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<v Speaker 1>the polls that we did on Twitter, we asked the

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<v Speaker 1>question what would have to change about n f T

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<v Speaker 1>s to kind of like bring them back, And one

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<v Speaker 1>of the things that people identified was security features, which

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<v Speaker 1>is to say, like not constantly getting hacked, not having

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<v Speaker 1>not you know, having the verified Instagram accounts of boardy

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<v Speaker 1>be compromised. And then people connect their wallets to it

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<v Speaker 1>and lose all their n f t s or otherwise

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<v Speaker 1>engaged in fishing scams. And I raised that because everything

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<v Speaker 1>that you all are describing is operating in like this

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<v Speaker 1>almost like a countervailing wind of an environment, where like,

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<v Speaker 1>here's a really interesting idea for philanthropy, here's a really

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<v Speaker 1>interesting idea for creative fundraising. And then a bunch of

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<v Speaker 1>people are there like what if we made your lives

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<v Speaker 1>really difficult? How are you and you know, if we're

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<v Speaker 1>able to get your kind of perspective on this, like

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<v Speaker 1>what are the kinds of things that you are seeing

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<v Speaker 1>that is countering those difficulties. Yeah, that's a great question.

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<v Speaker 1>So about a year and a half ago we started

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<v Speaker 1>it ter um like by Gary Fainer Tech. We started

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<v Speaker 1>to get really into the world of n f t s,

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<v Speaker 1>both through a collector perspective, launching Gary's project, which is

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<v Speaker 1>called The Friends, and then launching Painer n f T

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<v Speaker 1>which is a company that I run and just rebranded

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<v Speaker 1>to Dain Earth Eat. And the reason that we continue

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<v Speaker 1>to be extremely optimistic and excited about the space is

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<v Speaker 1>we believe that the consumer blockchain is going to revolutionize

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<v Speaker 1>not just the next iteration of the Internet, the next

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<v Speaker 1>iteration of consumer behavior. Um, we've talked about art, we've

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<v Speaker 1>talked about philanthropy being too sort of immediate use cases

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<v Speaker 1>which have propelled the early wave of n f t s.

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<v Speaker 1>I think gaming and sports and collectibles kind of is

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<v Speaker 1>included in some of the like examples of things that

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<v Speaker 1>have already hit. But beyond that, there's a lot more

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<v Speaker 1>that the n f t s can be. As as humans,

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<v Speaker 1>we spend it tremendous amount of our time on digital

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<v Speaker 1>devices and digital screens, and that number is only going

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<v Speaker 1>up up, up, But people don't actually own things in

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<v Speaker 1>their digital experiences. UM, maybe some of your kids play

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<v Speaker 1>roadblocks and you give them robots for their birthdays or

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<v Speaker 1>something like that, So that's or you're into gaming and

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<v Speaker 1>skins and um, those are examples where you can start

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<v Speaker 1>to pay money for things digitally and for those digital experiences,

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<v Speaker 1>but it's not interoperable. Like you haven't you have your

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<v Speaker 1>roadblocks within your existing that ecosystem. You can't take it

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<v Speaker 1>with you, uh two meta, you can't take it with

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<v Speaker 1>you to Fortnite. Those are all different experiences, and what

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<v Speaker 1>we think is that n f t s are really

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<v Speaker 1>the tip of the sphere for the broader web throe ecosystem.

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<v Speaker 1>N f t s are something that people can understand immediately.

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<v Speaker 1>They understand a piece of art, they understand a digital collectible,

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<v Speaker 1>they understand the concept of rarity um, and that then

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<v Speaker 1>sort of opens up the broader ecosystem of metaverse and

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<v Speaker 1>blockchain and crypto, which we think is going to be

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<v Speaker 1>really fundamental in the next iteration of how consumers use

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<v Speaker 1>the Internet. With that said, in the last eighteen months

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<v Speaker 1>has been a lot about speculation and hype and you know,

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<v Speaker 1>flipping and trading, and there's been a ton of activity

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<v Speaker 1>in that space that's cooled off tremendously in the past

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<v Speaker 1>couple of weeks. We actually think that's healthy for the

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<v Speaker 1>space to sort of take out some of that over

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<v Speaker 1>financialization that scares away mainstream consumers, makes them think that

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<v Speaker 1>crypto is incredibly speculative and risky and they're going to

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<v Speaker 1>get hacked. Because when you look at the broader ecosystem,

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<v Speaker 1>even within n f t s, there are like for example,

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<v Speaker 1>tess os Um and for example what Dapper has built,

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<v Speaker 1>offer solutions that are not as risky as sort of

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<v Speaker 1>ethereum main neet super expensive n f t s that's

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<v Speaker 1>what grabs the headlines. But the reality is that is

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<v Speaker 1>going to be a tiny fraction of the total user

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<v Speaker 1>base of how people interact with n f T s

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<v Speaker 1>in the future. So people these are I want to

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<v Speaker 1>get back to this idea of art because art markets

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<v Speaker 1>are also prone to speculative frenzy of different kinds. How

0:12:30.360 --> 0:12:33.520
<v Speaker 1>are you finding both as an artist but somebody who's

0:12:33.559 --> 0:12:37.280
<v Speaker 1>working on art funding, the differences between you know, the

0:12:37.320 --> 0:12:40.640
<v Speaker 1>traditional fine art markets and this sort of web three

0:12:40.720 --> 0:12:43.839
<v Speaker 1>ecosystem in which you're increasingly operising. I just think that,

0:12:43.960 --> 0:12:45.720
<v Speaker 1>you know, in the past, maybe there has been some

0:12:45.800 --> 0:12:48.160
<v Speaker 1>kind of stigma against digital art or people just don't

0:12:48.280 --> 0:12:50.960
<v Speaker 1>see it as real art, and now, you know, I

0:12:50.960 --> 0:12:53.480
<v Speaker 1>think there there's sort of more acceptance to it because

0:12:53.480 --> 0:12:55.680
<v Speaker 1>at the end of the day, art is subjective and

0:12:55.679 --> 0:12:59.240
<v Speaker 1>it's all about just expressing yourself through different mediums, right,

0:12:59.559 --> 0:13:02.800
<v Speaker 1>and so people with digital art just do it on

0:13:02.840 --> 0:13:05.600
<v Speaker 1>a computer versus u in the traditional art market. In

0:13:05.679 --> 0:13:08.560
<v Speaker 1>terms of the speculation, um parts, I think that's just

0:13:08.600 --> 0:13:12.400
<v Speaker 1>always going to be part of something that is inherently subjective.

0:13:12.440 --> 0:13:16.840
<v Speaker 1>It's very very hard to what makes an a beautiful exactly.

0:13:17.040 --> 0:13:20.560
<v Speaker 1>But um but I think what I personally find interesting

0:13:20.559 --> 0:13:22.880
<v Speaker 1>and this is just some personal passionate mine is the

0:13:22.920 --> 0:13:25.720
<v Speaker 1>concept of storytelling and you can do that through digital

0:13:25.760 --> 0:13:29.360
<v Speaker 1>art or you know, traditional art. Stay tuned for more

0:13:29.400 --> 0:13:31.959
<v Speaker 1>of our conversation about n f t S, originally recorded

0:13:31.960 --> 0:13:34.760
<v Speaker 1>in July during the Bloomberg Live Crypto Summit in New York.

0:13:41.280 --> 0:13:43.720
<v Speaker 1>If I'm an artist, I want to steal my aunt,

0:13:43.800 --> 0:13:47.400
<v Speaker 1>I need to find the art gallery committing of my

0:13:47.520 --> 0:13:50.680
<v Speaker 1>next ten years innings and then make sure they accepted me.

0:13:50.720 --> 0:13:54.000
<v Speaker 1>And then there's a potential maybe I'm becoming to be known.

0:13:54.360 --> 0:13:57.040
<v Speaker 1>So that's actually a very difficult journey. I mean, the

0:13:57.080 --> 0:14:00.200
<v Speaker 1>probability of successful it is also very very small. But

0:14:00.240 --> 0:14:04.040
<v Speaker 1>today this ant is very different. For for example, in Binus,

0:14:04.080 --> 0:14:06.520
<v Speaker 1>while we build a centralized platform, we only charge one

0:14:06.520 --> 0:14:09.319
<v Speaker 1>percent of the fee as a platform, everybody you can

0:14:09.360 --> 0:14:12.000
<v Speaker 1>exhibit art you know in there, and actually it's not

0:14:12.080 --> 0:14:14.880
<v Speaker 1>Binus determine the price of your art. It's actually the

0:14:14.880 --> 0:14:18.280
<v Speaker 1>market drives of the art. So in my opinion, this

0:14:18.360 --> 0:14:22.160
<v Speaker 1>is lowering the barrier for artists entering into the world.

0:14:22.200 --> 0:14:25.200
<v Speaker 1>And also it's going to benefit the people who appreciate

0:14:25.240 --> 0:14:32.400
<v Speaker 1>that this is a technology who render song I do

0:14:32.600 --> 0:14:35.120
<v Speaker 1>find that and everyone to ask you this because like

0:14:35.120 --> 0:14:39.280
<v Speaker 1>the history of Inner it's really about community, right, So

0:14:39.360 --> 0:14:42.840
<v Speaker 1>like when Gary van Intertruck was like wine and then

0:14:42.920 --> 0:14:46.320
<v Speaker 1>he had a media agency and was doing community management

0:14:46.760 --> 0:14:49.000
<v Speaker 1>like whatever, the sort of the platform through which he's

0:14:49.000 --> 0:14:52.760
<v Speaker 1>expected he's expressing his various ideas. There's always been this

0:14:52.800 --> 0:14:55.880
<v Speaker 1>idea of an ecosystem of community, a sense of solidarity

0:14:55.960 --> 0:14:58.800
<v Speaker 1>for it for a particular in group. What about that

0:14:59.120 --> 0:15:02.000
<v Speaker 1>are you seeing or is infusing as it were like

0:15:02.120 --> 0:15:04.200
<v Speaker 1>Zanners three? Because what I'm hearing from both Hell and

0:15:04.360 --> 0:15:07.560
<v Speaker 1>people Pleaser is this idea of doing something or participating

0:15:07.600 --> 0:15:11.160
<v Speaker 1>in something bigger than you, whatever the financial incentives might be.

0:15:11.440 --> 0:15:14.880
<v Speaker 1>That's a very ustute observation that community and has been

0:15:14.920 --> 0:15:17.800
<v Speaker 1>critical to Veneer's journey over the last like twelve years

0:15:17.800 --> 0:15:20.480
<v Speaker 1>of of having the Vada company. Um and I think

0:15:20.480 --> 0:15:22.760
<v Speaker 1>that what you're also getting at as cultural relevance. It's

0:15:22.800 --> 0:15:25.800
<v Speaker 1>like where people are actually paying attention is where we've

0:15:25.800 --> 0:15:28.840
<v Speaker 1>structured a lot of our business opportunity. And certainly, like

0:15:28.880 --> 0:15:31.560
<v Speaker 1>without a doubt, there's a community around sort of crypto

0:15:31.560 --> 0:15:34.480
<v Speaker 1>traders and there's obviously varying levels of stabbiness within there

0:15:34.720 --> 0:15:37.760
<v Speaker 1>there's also a community around n f T collectors UM,

0:15:37.760 --> 0:15:39.640
<v Speaker 1>people who collect n f T s. Of course, some

0:15:39.840 --> 0:15:43.040
<v Speaker 1>for sort of trading and that hobbyist activity, some because

0:15:43.040 --> 0:15:46.280
<v Speaker 1>they're passionate around certain groups of artists or certain groups

0:15:46.400 --> 0:15:50.440
<v Speaker 1>of you know, intellectual property owners. Whether we're talking about Nickelodeon,

0:15:50.520 --> 0:15:53.400
<v Speaker 1>or we're talking about MLB, or we're talking about Gary vs.

0:15:53.440 --> 0:15:56.880
<v Speaker 1>V Friends, there are communities around each of these programs.

0:15:56.880 --> 0:15:59.160
<v Speaker 1>And what I think is different this time around versus

0:15:59.200 --> 0:16:01.520
<v Speaker 1>what we saw and Web too, which was the fostering

0:16:01.560 --> 0:16:04.240
<v Speaker 1>of a community on social media and enabling people to

0:16:04.440 --> 0:16:07.880
<v Speaker 1>communicate globally across the world someone they may have never met,

0:16:08.160 --> 0:16:11.080
<v Speaker 1>having a direct one to one communication with a brand

0:16:11.240 --> 0:16:14.840
<v Speaker 1>or celebrity that they like, UM or an athlete. This time,

0:16:14.920 --> 0:16:17.760
<v Speaker 1>when you participate in this n f T ecosystem, that

0:16:17.800 --> 0:16:24.800
<v Speaker 1>you actually have aligned incentives. Back to the example that

0:16:25.040 --> 0:16:27.920
<v Speaker 1>Helen was just giving for that Latin American artist, if

0:16:27.920 --> 0:16:30.640
<v Speaker 1>that Latin American artist had, you know, had a group

0:16:30.720 --> 0:16:32.800
<v Speaker 1>of collectors, they would probably interact with them at different

0:16:32.880 --> 0:16:35.520
<v Speaker 1>art shows, even if they're very successful, and you know,

0:16:35.560 --> 0:16:37.480
<v Speaker 1>the first pieces would have sold for hundreds and a

0:16:37.520 --> 0:16:40.160
<v Speaker 1>thousand and ten thousand but if that you know, first

0:16:40.200 --> 0:16:42.800
<v Speaker 1>Genesis piece that originally sold for hundred was selling for

0:16:42.840 --> 0:16:46.120
<v Speaker 1>a million, that Latin American artist doesn't benefit from that.

0:16:46.720 --> 0:16:50.160
<v Speaker 1>UM and n f t s unlock this ability for

0:16:50.320 --> 0:16:53.960
<v Speaker 1>collectors and creators do have aligned incentives, and of course

0:16:54.040 --> 0:16:57.040
<v Speaker 1>that strengthens the bonds. But community um of people who

0:16:57.120 --> 0:17:02.080
<v Speaker 1>are passionate around a specific subject, our hobby UM tokenized

0:17:02.120 --> 0:17:05.000
<v Speaker 1>hobbyism is going to be something that we increasingly be

0:17:05.160 --> 0:17:08.120
<v Speaker 1>very interesting coming up, like more and more, whether you're

0:17:08.200 --> 0:17:10.479
<v Speaker 1>really into a game or you're really into an artist,

0:17:10.760 --> 0:17:13.400
<v Speaker 1>a group of collectors having a form to engage and

0:17:13.840 --> 0:17:16.800
<v Speaker 1>all sort of being in the wave together of benefiting

0:17:16.800 --> 0:17:20.280
<v Speaker 1>from appreciation or depreciation is the case may be, UM,

0:17:20.320 --> 0:17:22.360
<v Speaker 1>I think that this is a really interesting use case

0:17:22.400 --> 0:17:26.359
<v Speaker 1>for that community to actually have aligned financial incentives in

0:17:26.400 --> 0:17:29.960
<v Speaker 1>the future. What about n f t s, what about

0:17:30.119 --> 0:17:32.879
<v Speaker 1>these conversations about the environment and the ecosystems? Like have

0:17:33.080 --> 0:17:37.080
<v Speaker 1>to actually change in order to better address these pretty

0:17:37.160 --> 0:17:42.680
<v Speaker 1>robust criticisms. Maybe I will start with two things, regulation

0:17:42.880 --> 0:17:46.119
<v Speaker 1>and education. We really think that actually the regulation is

0:17:46.160 --> 0:17:50.240
<v Speaker 1>actually going to bring more successful rotation for the whole industry.

0:17:50.280 --> 0:17:53.960
<v Speaker 1>So actually in bindus particular things Lastly, we actively work

0:17:54.000 --> 0:17:56.879
<v Speaker 1>up with regulators around the globe trying to develop the

0:17:57.440 --> 0:18:00.639
<v Speaker 1>regulation to ourselfs if we believe in a society, we

0:18:00.680 --> 0:18:03.600
<v Speaker 1>need to bring the whole penetration right, you're know, going up,

0:18:03.640 --> 0:18:06.359
<v Speaker 1>So that's very important. And education is very important. I

0:18:06.440 --> 0:18:08.600
<v Speaker 1>think today there's so much formal. Lots of people lost

0:18:08.600 --> 0:18:11.600
<v Speaker 1>money because of formal because people don't really understand the

0:18:11.680 --> 0:18:15.320
<v Speaker 1>underlying sub sets. So it's very important actually to do

0:18:15.359 --> 0:18:18.520
<v Speaker 1>the ducation, particularly is they use I think those two

0:18:18.560 --> 0:18:21.639
<v Speaker 1>things that very close to our heart. It is honestly

0:18:21.720 --> 0:18:24.560
<v Speaker 1>have stage genuinely interesting that most of the folks on

0:18:24.600 --> 0:18:26.520
<v Speaker 1>all of the panels they have been like, please regulate

0:18:26.560 --> 0:18:30.400
<v Speaker 1>me more. It's not something you may have expected coming

0:18:30.400 --> 0:18:32.840
<v Speaker 1>in today. All right, With that, thank you all. We

0:18:32.880 --> 0:18:35.560
<v Speaker 1>really appreciate you taking the time, like your friends, keeping

0:18:36.800 --> 0:18:40.240
<v Speaker 1>on the next episode of Bloomberg Crypto. The crypto universe

0:18:40.440 --> 0:18:43.520
<v Speaker 1>can be complex, can be unpredictable, but our job as

0:18:43.640 --> 0:18:46.320
<v Speaker 1>editors and reporters is to track every single one of

0:18:46.359 --> 0:18:49.760
<v Speaker 1>these developments and translate the most interesting and importance of

0:18:49.800 --> 0:18:53.800
<v Speaker 1>them into stories. Bloomberg Crypto senior editors Dave Lukta and

0:18:53.800 --> 0:18:56.760
<v Speaker 1>Anna Airera will join me for another edition of Friday

0:18:56.800 --> 0:18:58.960
<v Speaker 1>in the Editor's Room, we'll take a look at the

0:18:59.000 --> 0:19:01.760
<v Speaker 1>highs and lows of this week. Crypto discussed the biggest

0:19:01.800 --> 0:19:04.280
<v Speaker 1>stories that we're covering and give you a peek at

0:19:04.280 --> 0:19:10.080
<v Speaker 1>what's driving markets right now. This is Bloomberg Crypto, a

0:19:10.200 --> 0:19:13.560
<v Speaker 1>daily podcast from Bloomberg and I Heart Radio. For more

0:19:13.600 --> 0:19:16.280
<v Speaker 1>shows from I Heart Radio, visit the I Heart Radio app,

0:19:16.480 --> 0:19:20.600
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts. Send us

0:19:20.640 --> 0:19:23.479
<v Speaker 1>your comments, questions, or suggestions for the show to Crypto

0:19:23.560 --> 0:19:26.680
<v Speaker 1>at Bloomberg dot net or find us on Twitter. We're

0:19:26.720 --> 0:19:31.600
<v Speaker 1>at Crypto. The supervising producer of Bloomberg Crypto is Vicky

0:19:31.720 --> 0:19:35.880
<v Speaker 1>very Galina. Our senior producer is Janet Babin. Our producer

0:19:35.960 --> 0:19:40.640
<v Speaker 1>is Sharon Burriro Associate producer is Ty Butler. Desta wonder

0:19:40.720 --> 0:19:45.360
<v Speaker 1>At is our engineer. Original music by Leo Sidrin. I'm

0:19:45.400 --> 0:20:00.200
<v Speaker 1>Stacy Marie Schmal. We'll be back tomorrow.