WEBVTT - All Roles Will Be Played By Lea DeLaria

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<v Speaker 1>So you're gonna be what executive producers, Yeah, but silent,

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<v Speaker 1>I have a pseudonym. I'll do rewrites and punch ups.

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<v Speaker 1>Robert g Yeah, Yeah. Executive produced by Robert We are

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<v Speaker 1>back with another Halloween Super Special, Bonus, Tricker, treat Um, Extravaganza,

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<v Speaker 1>Palusa episode, all of those things, all of them. This

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<v Speaker 1>week we're gonna be talking about that. What I'm doing

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<v Speaker 1>a drum roll. The Rocky Horror Picture Show one of

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<v Speaker 1>the best movies ever made. That's true. It's it's true

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<v Speaker 1>that it's I would even say it's like one of

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<v Speaker 1>the greatest cultural contributions ever made. Yeah, certainly for me.

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<v Speaker 1>And we will get into my origin story with Rocky

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<v Speaker 1>Horror France origin story and talk about what it meant

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<v Speaker 1>to us, why it's so good, why it may or

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<v Speaker 1>may not be viable to revisit um through a contemporary lens,

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<v Speaker 1>because this is like a virgin the show where we

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<v Speaker 1>give yesterday's pop culture today's takes. I'm rost damn you,

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<v Speaker 1>and I'm fran Toronto. Touch a touch A touch a

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<v Speaker 1>touch me. I want to be dudey she really got

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<v Speaker 1>that falsetto. And by that falsetto, I mean, her voice

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<v Speaker 1>is so thin that that's all she gets pretty much.

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<v Speaker 1>Must I want to set the scene for you. I

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<v Speaker 1>want to take you back in time. It is okay,

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<v Speaker 1>I'm eleven years old. Okay, I have just gotten my

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<v Speaker 1>braces on and I am in unimaginable pain. For some reason,

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<v Speaker 1>getting them on has just hit me harder than it

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<v Speaker 1>hits a lot of people. And I like can't get

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<v Speaker 1>out of bed. She's down back because I am in

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<v Speaker 1>so much pain. God. I tell my mom, Mom, I

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<v Speaker 1>need something to watch, and she's going to Costco with

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<v Speaker 1>my X step dad and she says, okay, I'm going

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<v Speaker 1>to bring you home. Some new VHS is bring And

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<v Speaker 1>when she comes home later, she says, you know, I

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<v Speaker 1>saw this and I thought you would like it. And

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<v Speaker 1>you know what she brought me? What did she bring

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<v Speaker 1>your rose? She brought me a VHS copy of The

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<v Speaker 1>Rocky Horror Picture Show. And over that weekend of torment,

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<v Speaker 1>with my teeth adjusting to being braced, I watched The

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<v Speaker 1>Rocky Horror Picture Show. I'm going to say upwards of

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<v Speaker 1>ten times, just over and over and over again. And honestly,

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<v Speaker 1>that anecdote perfectly distills the fact that the movie didn't

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<v Speaker 1>ands you to watch it again, like it is a

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<v Speaker 1>It is a film with like cathartic slapstick, really like

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<v Speaker 1>satisfying moments that I don't know, make you feel seen

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<v Speaker 1>as an outsider in any degree. It has musical numbers,

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<v Speaker 1>It has an absolutely bizarre ending that like totally discards

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<v Speaker 1>the movie in general, Like everything about it is rewatchable.

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<v Speaker 1>And I know, I say a lot on this podcast,

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<v Speaker 1>we talk a lot about think, we talk a lot

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<v Speaker 1>about formative pop culture and formative media. I would say

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<v Speaker 1>this is one of the things that really helped me

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<v Speaker 1>construct my own idea of myself and my taste and um,

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<v Speaker 1>my point of view and um, this movie is very

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<v Speaker 1>important to me. It's one that I have revisited time

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<v Speaker 1>and time again. I threw a rocky horror picture show

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<v Speaker 1>rave once when I was throwing parties. Um. And you know,

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<v Speaker 1>this is obviously not a singular experience. This is a

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<v Speaker 1>movie that is important to so many people. I mean

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<v Speaker 1>many generations, like so many different generations of this, especially

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<v Speaker 1>queer people, because this movie is so queer your t M.

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<v Speaker 1>And also, I would say the definition of a cult classic,

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<v Speaker 1>like the cult classic, when did you first see it,

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<v Speaker 1>and I think you were telling me you've only ever

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<v Speaker 1>seen it once. I think so, So here's the just

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<v Speaker 1>here's the discrims. I was trying to do some timelining

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<v Speaker 1>and like look on my Facebook to see if I

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<v Speaker 1>could not on your Facebook, because I was trying to figure,

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<v Speaker 1>um what I was when I saw this. Um but

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<v Speaker 1>the the Rocky Horror first came to me through Perks

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<v Speaker 1>of Being a Wallflower, which was a book that like

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<v Speaker 1>broke my whole world open. It was among the first

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<v Speaker 1>cultural objects to secularize my taste and for me to

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<v Speaker 1>see that the world of sin was the world for me,

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<v Speaker 1>and um like a lot of pop culture um it,

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<v Speaker 1>you know, really showcases rocky horror. Like Rocky Horror is

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<v Speaker 1>a big part of that story, and so my curiosity

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<v Speaker 1>led me to the movie and like all the kind

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<v Speaker 1>of things that come with it, because there's a lot

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<v Speaker 1>that comes with it, right. It started as a stage

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<v Speaker 1>play in London. It was released in seventy and then

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<v Speaker 1>was a critical flop, but it immediately pretty quickly, rather

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<v Speaker 1>not immediately, but pretty quickly, found a cult following that

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<v Speaker 1>would um yes, as a midnight movie that would then

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<v Speaker 1>turn it into like a national phenomenon where it screened

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<v Speaker 1>across theaters any time a year, especially on Halloween something.

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<v Speaker 1>It was. Everything was screened. It was screened weekly. I've

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<v Speaker 1>been to see the most most, I think regularly. It

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<v Speaker 1>was screened at what used to be Chelsea Cinemas UM

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<v Speaker 1>in Chelsea, I think the movie theater that's now the

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<v Speaker 1>Cinema Mark, and they used to play it every Friday

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<v Speaker 1>night at midnight Friday night or Saturday night. UM, and

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<v Speaker 1>I went a couple of times UM in college. UM

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<v Speaker 1>midnight screenings are. The hallmark of them is that they

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<v Speaker 1>have a cast who perform the musical UM in front

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<v Speaker 1>of the screen as it's going on. And then there's

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<v Speaker 1>also a long history of audience participation. There are you know,

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<v Speaker 1>callouts that are are now like uh, you know part

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<v Speaker 1>of legend that you know, the there are things that

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<v Speaker 1>the fans know to say while the movie is happening. Okay,

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<v Speaker 1>So for any virgins out there, and if you haven't

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<v Speaker 1>seen the Rocky Horror Picture Show, I don't know how

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<v Speaker 1>you found this podcast, but if you haven't seen it,

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<v Speaker 1>Rocky Horror Picture Show was created written by Richard O'Brien,

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<v Speaker 1>who some of you may know from things like He

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<v Speaker 1>Was the Villain and ever After, which we talked about recently.

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<v Speaker 1>It's about a young couple who are very square umm

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<v Speaker 1>yes um Brad and Janet played by Susan Surrandon Barry Bostwick.

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<v Speaker 1>They get engaged at the beginning of the film and

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<v Speaker 1>uh decided to go tell their old teacher that they're

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<v Speaker 1>engaged because they want to share the happy news with him.

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<v Speaker 1>A storm happens and they wind up at this spooky

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<v Speaker 1>castle where a party is going on, presided over by

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<v Speaker 1>Frankenfurd Dr frankenford Or, who is a trans sexual transvestite

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<v Speaker 1>from Transylvania, and it turns out he is actually an

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<v Speaker 1>alien um. He is a reanimating a bunch of corpses

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<v Speaker 1>into the perfect man. Everyone's fucking and sucking. There's lots

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<v Speaker 1>of musical numbers, and meat Loaf is there and I

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<v Speaker 1>forgot that beat is there. It is fun for the

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<v Speaker 1>whole family, except well America would not deem it quote

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<v Speaker 1>unquote family friendly but for our family, for my chosen family,

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<v Speaker 1>friendly for my Chosen Family by Rina sa Yama I

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<v Speaker 1>Chosen Family. So I will say this movie when I

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<v Speaker 1>first watched it really captured my imagination. I was a

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<v Speaker 1>little queer kid who didn't know they were queer or like,

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<v Speaker 1>didn't really understand what form their queerness was taking. I

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<v Speaker 1>only knew that I was weird, and that is what

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<v Speaker 1>I latched onto in this movie was the ecstasy of

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<v Speaker 1>being a fucking freak, which is I think what this

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<v Speaker 1>movie is at its core about. It's also really referential

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<v Speaker 1>of B horror movies that are they're all referenced in

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<v Speaker 1>the opening theme song Science Fiction Double Feature. Um, I

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<v Speaker 1>didn't get any of that when I was a kid.

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<v Speaker 1>I didn't get any of the Red for instance. I

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<v Speaker 1>didn't really understand the legacy of this movie. I just

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<v Speaker 1>understood that it was about being a freak, and I

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<v Speaker 1>wanted to be that kind of freak. Yeah, it is

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<v Speaker 1>exactly that. And I think that like Bred and Janet

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<v Speaker 1>are essentially corrupted right by Frankenfurter and his like exactly

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<v Speaker 1>it's about liberation but also corruption, and they're kind of

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<v Speaker 1>reticence or fear around this kind of transvestite. Is it

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<v Speaker 1>supposed to be like a convention almost like this party

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<v Speaker 1>that's happening at the castle or whatever. Yeah, there, he's

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<v Speaker 1>he's brought all of his you know, Transylvanian Contemporaries over

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<v Speaker 1>to see transsexual Comma Pennsylvania to see you know this

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<v Speaker 1>being he's created, and like watch his mastery of science

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<v Speaker 1>right and Tim Curry is the moment like this was

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<v Speaker 1>his breakout role. Shockingly, like he was, um the originator

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<v Speaker 1>of I guess the stage play, and he would go

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<v Speaker 1>on to do so many fucking weird ass roles somebody.

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<v Speaker 1>He's been in literally every sector of culture, and especially

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<v Speaker 1>if like camp t M is present, because Tim Curry

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<v Speaker 1>knows how to do a kind of like straightforward, like

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<v Speaker 1>kind of performance of camp. But like, but also the

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<v Speaker 1>thing that I think sets Rocky Horror apart from a

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<v Speaker 1>lot of movies that we would compare it to is

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<v Speaker 1>how sexy it is. Everyone in this movie is the

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<v Speaker 1>hottest they have ever been. Yeah, actually this movie is

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<v Speaker 1>it definitely the I think some of the scenes that

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<v Speaker 1>like really awakened my adolescent sexuality, um are when Frankenfurter

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<v Speaker 1>goes to visit both Brad and Janet in their rooms

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<v Speaker 1>and they both fucking I remember being scanned, alt, I

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<v Speaker 1>remember being aroused bisexual representation essentially or pan sexual or

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<v Speaker 1>who knows he's I mean it's funny. I think that

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<v Speaker 1>this movie is kind of lauded as something like deeply By,

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<v Speaker 1>but I personally think it's like more queer pan, not

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<v Speaker 1>that that really matters, but like and also, my god,

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<v Speaker 1>the Byes are going to be so mad at me

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<v Speaker 1>for saying that. Honestly, Like I'm a raising By. I

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<v Speaker 1>think it's a very By movie. Just it is a

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<v Speaker 1>very By movie. As a bisexual, I claim that it's

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<v Speaker 1>so hot and you watch Brad and Janet come into

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<v Speaker 1>their sexuality. I mean there's the whole song Touched Me

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<v Speaker 1>where Susan Surrandon is just like, oh, I want to fuck,

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<v Speaker 1>And it's funny because like her voice is like barely.

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<v Speaker 1>They're like, but she's still so good. And I think

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<v Speaker 1>Susan Surrandon was like terrified of singing in public, like

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<v Speaker 1>as an actress, and this was like really challenging for her,

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<v Speaker 1>but like you can't tell it all, Like she's so good.

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<v Speaker 1>She's this movie, I think more than any movie ever

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<v Speaker 1>made Fox. It really does. And I think that sexual

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<v Speaker 1>irreverence that you're alluding to is something that's really missing

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<v Speaker 1>from a lot of their movies that are inspired by

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<v Speaker 1>it or um or like reference it, like, you know,

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<v Speaker 1>Beetle Juice is very horny, but I was just like,

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<v Speaker 1>when I was watching, I was like, oh, Beetle Juice

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<v Speaker 1>borrowed a lot from Rocky Horror, you know what I mean?

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<v Speaker 1>Like there are tropes that exist from Rocky Horror that

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<v Speaker 1>I think are now in a lot of future kind

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<v Speaker 1>of horror camp classics, um. But at the same time,

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<v Speaker 1>Rocky Horror was in and of itself trying to uh

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<v Speaker 1>put a spin on existing cliches. It's like it also

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<v Speaker 1>regard it also is trying to be legitimately, uh a

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<v Speaker 1>horror sci fi movie. Like there are parts of it

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<v Speaker 1>that I actually think are kind of scary, and you know,

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<v Speaker 1>I think it straddles the line between knowing camp and

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<v Speaker 1>accidental camp, and that it is reveling in its own campus.

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<v Speaker 1>But it also is trying to be what it's saying

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<v Speaker 1>it is, which is, you know, a sci fi film,

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<v Speaker 1>a sci fi musical, um, and all of those elements

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<v Speaker 1>just work so well together in a way that I

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<v Speaker 1>don't think anything else since except maybe something like Okay,

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<v Speaker 1>I would say the sort of sexless version of Rocky

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<v Speaker 1>Horror is um Little Shop of Horrors. Yeah, yeah, yeah,

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<v Speaker 1>I've never seen it, but I know, yeah, it's you know,

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<v Speaker 1>Little Shop is romantic where Rocky horror Fox exactly literally Fox.

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<v Speaker 1>And I also think that, um, the raw sexual energy

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<v Speaker 1>in it to me is so radical because of like

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<v Speaker 1>our very first reactions to it, Like there's something like

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<v Speaker 1>holy scandalizing and all at the same time arousing when

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<v Speaker 1>you watch it, no matter what gender or orientation you are.

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<v Speaker 1>And I think that it's because this movie has like

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<v Speaker 1>now mainstream appeal because of its cult classic like Allure.

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<v Speaker 1>You will see sisht people talk about this movie and

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<v Speaker 1>talk about loving it or talking about how it made

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<v Speaker 1>them question their sexuality or things like that. And like, well,

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<v Speaker 1>just frankenfurn In and of himself. The fact that this

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<v Speaker 1>fem presenting man, transvestite, whatever, this person, this gender deviant

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<v Speaker 1>who's anything and everything can be the sex symbol that

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<v Speaker 1>this film revolves around, and a sex symbol that is

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<v Speaker 1>endured for generations to both queer and hat people alike,

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<v Speaker 1>is so powerful. Yeah, And like in this in seventy five,

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<v Speaker 1>we did not have this conversation about like mad the

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<v Speaker 1>appeal of mainstream like gender fluidity, right, I mean, we

0:14:56.240 --> 0:14:58.880
<v Speaker 1>were kind of starting to have it with David Bowie,

0:14:59.240 --> 0:15:01.960
<v Speaker 1>and I don't think this movie could exist without David Bowie,

0:15:02.360 --> 0:15:04.480
<v Speaker 1>which I when we were reading about this film, I

0:15:04.520 --> 0:15:08.080
<v Speaker 1>found out that the makeup artist Pierre LaRouche, who did

0:15:08.160 --> 0:15:11.240
<v Speaker 1>the makeup for Rocky Horror, was the makeup artist who

0:15:11.280 --> 0:15:15.280
<v Speaker 1>did the iconic light people on bowie S face period. Amazing.

0:15:28.280 --> 0:15:32.440
<v Speaker 1>I know this is like cliche to say, but it

0:15:32.440 --> 0:15:34.800
<v Speaker 1>really was ahead of its time in so many different

0:15:34.960 --> 0:15:37.800
<v Speaker 1>ahead of its time, but also is very much of

0:15:37.840 --> 0:15:40.560
<v Speaker 1>its time. Yeah, I think that that really. I want

0:15:40.560 --> 0:15:42.360
<v Speaker 1>to know why you think that. I think what I

0:15:42.520 --> 0:15:45.560
<v Speaker 1>when I was watching it, like the word TRANSVESTI I

0:15:45.600 --> 0:15:47.680
<v Speaker 1>think is like very of this time, you know what

0:15:47.720 --> 0:15:51.840
<v Speaker 1>I mean. The idea of transnis or how people were

0:15:51.880 --> 0:15:55.840
<v Speaker 1>talking about fluidity I think is encapsulated really well in

0:15:55.880 --> 0:15:58.000
<v Speaker 1>this in this movie. I think it's of it. I

0:15:58.040 --> 0:16:00.000
<v Speaker 1>think it's of its time for a couple of different reasons.

0:16:00.080 --> 0:16:04.600
<v Speaker 1>Ends One is the time period at seven. Um, we

0:16:04.680 --> 0:16:07.760
<v Speaker 1>know that culture kind of works in these twenty cycles,

0:16:07.800 --> 0:16:10.240
<v Speaker 1>so the seventies looking back at the fifties like that

0:16:10.280 --> 0:16:12.400
<v Speaker 1>makes a lot of sense. Um, it's the same kind

0:16:12.400 --> 0:16:16.320
<v Speaker 1>of thing you see with Greece. Greece is also the

0:16:16.360 --> 0:16:19.160
<v Speaker 1>seventies looking back at the fifties from obviously a different

0:16:19.160 --> 0:16:22.480
<v Speaker 1>point of view, which the guy that plays Brad originated

0:16:22.720 --> 0:16:26.080
<v Speaker 1>the lead in Greece. Oh, Barry Boss right, that's cool.

0:16:26.160 --> 0:16:27.800
<v Speaker 1>I used to I had such a crush on him

0:16:28.000 --> 0:16:30.680
<v Speaker 1>and his little tidy whities. Um. I also think it's

0:16:30.800 --> 0:16:32.440
<v Speaker 1>very of its time for all the reasons we've said

0:16:32.440 --> 0:16:35.640
<v Speaker 1>it's you know, it was the first time where people

0:16:35.680 --> 0:16:40.800
<v Speaker 1>like Bowie, these like gender less icons were really at

0:16:40.800 --> 0:16:43.320
<v Speaker 1>the forefront of pop culture. But not even just Bowie.

0:16:43.360 --> 0:16:46.040
<v Speaker 1>I think this was the era where rock and roll

0:16:46.360 --> 0:16:51.400
<v Speaker 1>was really progressive in a way that it hadn't been before.

0:16:51.880 --> 0:16:54.640
<v Speaker 1>This was the era of you know, like seventies, not

0:16:54.800 --> 0:16:57.640
<v Speaker 1>glam rock. That's yeah, this is the era of seventies

0:16:57.640 --> 0:17:02.680
<v Speaker 1>glam rocks and so and Frankenfurd is a villain who

0:17:02.760 --> 0:17:05.280
<v Speaker 1>is a rock star. And that's why I think it's

0:17:05.280 --> 0:17:08.200
<v Speaker 1>I think about so specifically of its time. I mean

0:17:08.560 --> 0:17:11.320
<v Speaker 1>the way that he enters the movie, the way he

0:17:11.440 --> 0:17:14.760
<v Speaker 1>enters the movie is like he's a rock, He's like Jagger. Yeah,

0:17:14.800 --> 0:17:20.920
<v Speaker 1>he's like Jagger, Yeah, and he's got que Christina. Um yeah,

0:17:21.000 --> 0:17:23.840
<v Speaker 1>I um it's funny because I I um, I never

0:17:23.960 --> 0:17:26.920
<v Speaker 1>I never made that connection. That's so so um, I'm

0:17:26.960 --> 0:17:29.600
<v Speaker 1>so glad you said that. I feel like there is

0:17:29.640 --> 0:17:31.960
<v Speaker 1>a world where like um, and that's why, like me,

0:17:32.119 --> 0:17:33.840
<v Speaker 1>that's why meat Loaf is in the movie. You know,

0:17:33.960 --> 0:17:37.000
<v Speaker 1>it's it's this is a rock this is a rock musical.

0:17:37.119 --> 0:17:40.560
<v Speaker 1>This music musicals of the time. You know, this was

0:17:40.640 --> 0:17:43.520
<v Speaker 1>the era of like Rogers and Hammerstein, and you know

0:17:43.800 --> 0:17:47.040
<v Speaker 1>it's like like all the kind of classic musicals and

0:17:47.080 --> 0:17:50.679
<v Speaker 1>I guess hair we had hair, but apparently this was

0:17:50.880 --> 0:17:54.080
<v Speaker 1>like very much an outlier for musicals. Apparently it also

0:17:54.160 --> 0:17:57.560
<v Speaker 1>wasn't written like that. Um immediately that like, when they

0:17:57.560 --> 0:17:59.480
<v Speaker 1>wrote the movie version, they had caught a lot of

0:17:59.480 --> 0:18:01.320
<v Speaker 1>the songs, but then the script they wrote was only

0:18:01.359 --> 0:18:03.600
<v Speaker 1>like forty minutes long, and so they were like, we

0:18:03.640 --> 0:18:06.760
<v Speaker 1>need more like music and dance sequences. And the songs

0:18:06.840 --> 0:18:10.959
<v Speaker 1>are so good. I mean, the time warp is obviously iconic,

0:18:11.000 --> 0:18:13.479
<v Speaker 1>and it wasn't in the first cut, the first draft

0:18:13.600 --> 0:18:17.280
<v Speaker 1>science fiction double feature. Those lips, um, that mouth that

0:18:17.400 --> 0:18:22.320
<v Speaker 1>belongs to the actress who plays Magenta. Um, you know,

0:18:22.560 --> 0:18:25.480
<v Speaker 1>meat Loaf's number is great. I thought met Low. I

0:18:25.480 --> 0:18:28.040
<v Speaker 1>think I still think meat Loaf is really hot in

0:18:28.080 --> 0:18:31.919
<v Speaker 1>this movie. Um, I don't even remember. I watched it

0:18:31.920 --> 0:18:33.760
<v Speaker 1>so long ago. I don't even remember his presence in

0:18:33.760 --> 0:18:37.800
<v Speaker 1>the film. I only reremembered it from researching it. But yeah,

0:18:37.840 --> 0:18:41.200
<v Speaker 1>I guess Sweet transvest I is a banger. I love

0:18:41.280 --> 0:18:43.760
<v Speaker 1>Planet Shmanett Janet, which is the song that happens as

0:18:43.760 --> 0:18:47.680
<v Speaker 1>Frankenfurter is chasing Janet through the house. Um, touch a touch,

0:18:47.720 --> 0:18:50.600
<v Speaker 1>A touch me, don't dream it be it. I think

0:18:50.600 --> 0:18:55.119
<v Speaker 1>it is like an aphorism that will transcend century, wild

0:18:55.160 --> 0:18:59.600
<v Speaker 1>and untamed thing. I mean, it's just it's so good.

0:19:00.000 --> 0:19:03.400
<v Speaker 1>Your O'Brien is a genius. There also there so there

0:19:03.440 --> 0:19:06.520
<v Speaker 1>was a sequel to Rocky Horror called Shock Treatment that

0:19:06.640 --> 0:19:11.000
<v Speaker 1>was not as when it came out. It just like

0:19:11.160 --> 0:19:16.280
<v Speaker 1>it never achieved the kind of cult status moment I

0:19:16.160 --> 0:19:18.159
<v Speaker 1>I it wasn't. It was in theater. There were no

0:19:18.280 --> 0:19:23.119
<v Speaker 1>DVDs then, um, and it has had um, you know,

0:19:23.560 --> 0:19:28.440
<v Speaker 1>different theatrical runs. I saw it on Broadway, UM when

0:19:28.480 --> 0:19:31.520
<v Speaker 1>I was a teenager. It was at Circle in the Square,

0:19:31.760 --> 0:19:34.159
<v Speaker 1>and my grandparents when I was a kid, used to

0:19:34.240 --> 0:19:36.120
<v Speaker 1>bring my brother and I into the city and would

0:19:36.119 --> 0:19:38.800
<v Speaker 1>take us two shows. That's how I saw Phantom of

0:19:38.840 --> 0:19:41.439
<v Speaker 1>the opera and you get your gun, and you know,

0:19:41.480 --> 0:19:43.000
<v Speaker 1>they wanted to take us to a show, and I

0:19:43.160 --> 0:19:46.880
<v Speaker 1>insisted on Rocky Horror, and like they were very much

0:19:47.000 --> 0:19:51.400
<v Speaker 1>like no, and I was like, I will cry and

0:19:51.440 --> 0:19:54.120
<v Speaker 1>scream until you get us tickets to see the show.

0:19:54.160 --> 0:19:59.840
<v Speaker 1>That sounds familiar. Um, I'm learning a lot about how

0:20:00.240 --> 0:20:03.200
<v Speaker 1>I really have been the same woman. Let's let's be clear.

0:20:03.280 --> 0:20:06.400
<v Speaker 1>I've learned nothing. These are things that I've known. But

0:20:06.400 --> 0:20:09.040
<v Speaker 1>but I actually okay, maybe a tangent um, what did

0:20:09.080 --> 0:20:11.840
<v Speaker 1>you What did you think of? Uh? As we're talking

0:20:11.840 --> 0:20:16.600
<v Speaker 1>about things that reference or are in conversation with Rocky Horror,

0:20:16.680 --> 0:20:18.880
<v Speaker 1>did you like the Person Being wall Flower movie? Yeah?

0:20:18.880 --> 0:20:20.720
<v Speaker 1>I do you did? I feel like it was one

0:20:20.760 --> 0:20:23.240
<v Speaker 1>of those rare, like actually good like book at it.

0:20:23.240 --> 0:20:24.960
<v Speaker 1>It's a really good book adaptation. I think a lot

0:20:25.000 --> 0:20:28.240
<v Speaker 1>of that is because of how involved um the writer

0:20:29.080 --> 0:20:32.120
<v Speaker 1>that he directed it, right, I mean no Ezra Miller. No,

0:20:32.200 --> 0:20:34.480
<v Speaker 1>I mean no Asur Miller. But Ezra Miller is really

0:20:34.480 --> 0:20:36.760
<v Speaker 1>good in the movie. I think it's actually maybe Ezra

0:20:36.880 --> 0:20:39.959
<v Speaker 1>Miller's best role. Although I haven't seen him. We need

0:20:40.000 --> 0:20:42.440
<v Speaker 1>to talk about I haven't seen it either. Do people

0:20:42.480 --> 0:20:44.960
<v Speaker 1>like that? Yeah? I think people like it. Yeah, okay,

0:20:44.960 --> 0:20:47.760
<v Speaker 1>we should see that. I don't. I don't know if

0:20:47.840 --> 0:21:14.560
<v Speaker 1>we're not doing Sorry, I didn't mean in some ways

0:21:14.640 --> 0:21:19.480
<v Speaker 1>there is some overlap with frankenfurther well okay, Um, Honestly,

0:21:19.720 --> 0:21:22.240
<v Speaker 1>Ezra would be great as bring Inferter, but would not

0:21:22.280 --> 0:21:26.719
<v Speaker 1>be my pick for I don't support a reboot in

0:21:26.760 --> 0:21:31.159
<v Speaker 1>any way, shape or form. Okay. See, I actually um disagree.

0:21:31.240 --> 0:21:33.840
<v Speaker 1>And I think that this is one of those rare

0:21:33.920 --> 0:21:38.880
<v Speaker 1>cultural objects that would have a fluency in the modern day.

0:21:39.200 --> 0:21:43.159
<v Speaker 1>And I think the story itself would benefit from a

0:21:43.240 --> 0:21:48.480
<v Speaker 1>more contemporary idea of gender deviance without being too emphas

0:21:48.520 --> 0:21:53.240
<v Speaker 1>I actually completely disagree, and and I think that so

0:21:53.359 --> 0:21:56.400
<v Speaker 1>much of what makes this movie special is that it's

0:21:56.720 --> 0:22:01.040
<v Speaker 1>not bothered by any of that, and that's why it

0:22:01.119 --> 0:22:05.480
<v Speaker 1>was so transgressive at the time and why it remains transgressive.

0:22:05.640 --> 0:22:09.439
<v Speaker 1>And it's not super concerned about defining things. And I

0:22:09.480 --> 0:22:14.520
<v Speaker 1>think any reboot of this would be so preoccupied with

0:22:14.920 --> 0:22:19.239
<v Speaker 1>defining these characters unless I wrote it, sure, um, I

0:22:19.359 --> 0:22:22.239
<v Speaker 1>and I would write it like I would love. I

0:22:22.359 --> 0:22:26.199
<v Speaker 1>just I think every time we have tried as a

0:22:26.240 --> 0:22:30.720
<v Speaker 1>culture to update or revisit Rocky Horror, it has always sucked.

0:22:30.880 --> 0:22:33.439
<v Speaker 1>Well who woa wha, Well, let's not. I mean, I

0:22:33.480 --> 0:22:37.399
<v Speaker 1>think just reboots in general, like usually are in the

0:22:37.440 --> 0:22:40.119
<v Speaker 1>hands of people that don't know any trans people and

0:22:40.160 --> 0:22:43.160
<v Speaker 1>they're trying to have conversations about transniss. And I think

0:22:43.200 --> 0:22:45.840
<v Speaker 1>that you know, Laverne Cox playing Frank Inverter in a

0:22:45.880 --> 0:22:50.080
<v Speaker 1>live edition of whatever that nobody saw is like I

0:22:50.080 --> 0:22:52.439
<v Speaker 1>feel like it like barely counts. And also like it's so,

0:22:52.720 --> 0:22:54.639
<v Speaker 1>how did you feel about Like when I heard the

0:22:54.640 --> 0:22:57.000
<v Speaker 1>announcement of like Laverne being in this, I was like,

0:22:57.080 --> 0:23:00.000
<v Speaker 1>she's gonna be awesome, like dancer, you know, Triple Threat

0:23:00.119 --> 0:23:02.480
<v Speaker 1>can really do a role like that. But I was like,

0:23:02.960 --> 0:23:05.119
<v Speaker 1>there's no way that was her idea. You know, I

0:23:05.160 --> 0:23:07.639
<v Speaker 1>didn't think any of those things, and I actually thought

0:23:07.720 --> 0:23:12.080
<v Speaker 1>it was It showed very much And this is funny

0:23:12.440 --> 0:23:14.840
<v Speaker 1>considering that we were just talking about Silence of the Lambs.

0:23:15.040 --> 0:23:17.480
<v Speaker 1>It shows very much the way that the cists had

0:23:17.520 --> 0:23:22.879
<v Speaker 1>people making those decisions think about the spectrum of transmiss

0:23:22.920 --> 0:23:24.560
<v Speaker 1>and that they don't think about it and they think

0:23:24.640 --> 0:23:28.520
<v Speaker 1>that a black woman is the same thing as a

0:23:28.560 --> 0:23:33.960
<v Speaker 1>transvestite who uses he him pronounce um. All that being said,

0:23:34.400 --> 0:23:39.359
<v Speaker 1>I really really really really really really really don't think

0:23:39.840 --> 0:23:43.639
<v Speaker 1>that Rocky Horror can be rebooted or should be rebooted, unless,

0:23:43.680 --> 0:23:47.720
<v Speaker 1>of course I do it. Okay, so um in fran

0:23:47.800 --> 0:23:52.640
<v Speaker 1>Toronto's Rocky Horror reboot coming to Amazon Prime. Let's say

0:23:53.520 --> 0:23:56.960
<v Speaker 1>not Amazon, Brian Bles, Okay, I want to hear who

0:23:57.359 --> 0:23:59.880
<v Speaker 1>you Okay, let's I'm gonna I think it's giving Peacock.

0:24:00.080 --> 0:24:04.479
<v Speaker 1>I think Peacock would know it is I. I you know,

0:24:04.600 --> 0:24:11.200
<v Speaker 1>I think that honestly, um uh for Franken Further, let's work.

0:24:11.280 --> 0:24:13.400
<v Speaker 1>Let's work our way up there. We got we gotta start.

0:24:13.480 --> 0:24:16.320
<v Speaker 1>Let's that's the hardest role, Okay, Brad and Janet. Brad

0:24:16.359 --> 0:24:18.960
<v Speaker 1>and Janet um. One of the first kind of like

0:24:19.520 --> 0:24:22.000
<v Speaker 1>normal people I was thinking of was who's the like

0:24:22.200 --> 0:24:25.920
<v Speaker 1>blonde from Riverdale who was in Hustlers who was so good?

0:24:26.440 --> 0:24:30.199
<v Speaker 1>Lily Lily Lily Reinhart would be a good Janet. But

0:24:30.240 --> 0:24:33.000
<v Speaker 1>I'm also gonna introduce the concept to you what if

0:24:33.040 --> 0:24:35.800
<v Speaker 1>they're not assists head couple? What if they're a gay

0:24:35.880 --> 0:24:40.119
<v Speaker 1>mail couple. Because that's because we have to think about

0:24:40.119 --> 0:24:42.800
<v Speaker 1>how we're not only updating the cast, we're updating what

0:24:42.840 --> 0:24:45.040
<v Speaker 1>the movie is trying to say and poke at So

0:24:45.119 --> 0:24:50.040
<v Speaker 1>I think in this updated version they are a cis gay. Yeah, okay,

0:24:50.080 --> 0:24:54.080
<v Speaker 1>So it's Patrick Harris and David Burton. Now they're too old. Um,

0:24:54.160 --> 0:24:55.960
<v Speaker 1>you still have to be kind of young. It is

0:24:56.080 --> 0:25:01.800
<v Speaker 1>um Um Michael Jury. No, still Andrew Reynolds and still old.

0:25:02.160 --> 0:25:05.600
<v Speaker 1>We gotta think we gotta twenty something gay. Andrew Reynolds

0:25:05.640 --> 0:25:09.239
<v Speaker 1>is thirties, like late thirties. Yeah, Andrew Reynolds is like

0:25:09.400 --> 0:25:14.400
<v Speaker 1>old like and Andrew Reynolds doesn't need to be in anything. Okay, Well,

0:25:14.440 --> 0:25:18.960
<v Speaker 1>if they're assists gay, Oh it's Bowen. I actually think

0:25:19.000 --> 0:25:22.560
<v Speaker 1>Bowen would be well yeah, okay, okay, I think Bone

0:25:22.560 --> 0:25:25.240
<v Speaker 1>would be good as a riff raff. Um No, let

0:25:25.240 --> 0:25:28.200
<v Speaker 1>me wait, I I really want to find the right game.

0:25:28.600 --> 0:25:32.960
<v Speaker 1>Definitely belongs in the rebuild. Okay, wait, um what's his name? Um?

0:25:33.040 --> 0:25:37.640
<v Speaker 1>Who was in Pokemon? Oh we didn't watch um who

0:25:37.680 --> 0:25:41.600
<v Speaker 1>was in Detective Pikachu? Not Um Logan Lerman? No, Justice

0:25:41.640 --> 0:25:47.320
<v Speaker 1>Smith Okay, Justice Smith as bradd the kind of stick

0:25:47.320 --> 0:25:51.480
<v Speaker 1>in the mud. And then Janet's kind of liberated. And

0:25:51.520 --> 0:25:56.439
<v Speaker 1>then Janet is Frankie Grande. It's actually a throttle. It's

0:25:56.480 --> 0:26:00.679
<v Speaker 1>a gay Frankie Grande and then I'm the third in No,

0:26:00.800 --> 0:26:03.280
<v Speaker 1>you can't be in the movie, you're the writer director.

0:26:03.400 --> 0:26:06.199
<v Speaker 1>I mean, we'll see, we'll we'll get there. Um, I

0:26:06.240 --> 0:26:09.480
<v Speaker 1>think honestly immediately for Rocky, I was thinking like Lee

0:26:09.520 --> 0:26:13.920
<v Speaker 1>Pace or maybe little not too old Little Nas. Little

0:26:13.960 --> 0:26:17.000
<v Speaker 1>Nas is really good. Pace would also, like Rocky, doesn't

0:26:17.000 --> 0:26:20.560
<v Speaker 1>have to be young Lee Pace for me could be Eddie.

0:26:20.600 --> 0:26:23.520
<v Speaker 1>He could be the meat loaf character. Oh yeah, I forgot,

0:26:23.640 --> 0:26:25.720
<v Speaker 1>But I also think that should be a woman. Well

0:26:25.720 --> 0:26:29.360
<v Speaker 1>what about also think that should be like like, um

0:26:29.359 --> 0:26:37.280
<v Speaker 1>fucking what's her name? From Orange is the New Black? Uh?

0:26:37.840 --> 0:26:42.960
<v Speaker 1>I love Leodelarias so much, I think, and the narrator

0:26:43.240 --> 0:26:48.959
<v Speaker 1>um is played by Jean Smart. Oh perfect, that's perfect, Okay, okay,

0:26:49.080 --> 0:26:51.840
<v Speaker 1>Um Magenta, I feel like it has to be someone

0:26:51.840 --> 0:26:58.240
<v Speaker 1>who can really do weird, an iconic redhead. Oh, Halle Bailey,

0:27:00.840 --> 0:27:05.679
<v Speaker 1>what's the Oh it's caper Land. It would be she

0:27:05.720 --> 0:27:08.160
<v Speaker 1>needs more like paper Land and John Early are Magenta

0:27:08.160 --> 0:27:10.040
<v Speaker 1>and riff raff. Well, not to go back, but I

0:27:10.040 --> 0:27:11.720
<v Speaker 1>think that John and Kate would actually be an amazing

0:27:11.720 --> 0:27:17.400
<v Speaker 1>braton Janet and John plays Janet. Yeah, but I think

0:27:17.400 --> 0:27:19.560
<v Speaker 1>they make so much more sense as Magenta and riff Raff.

0:27:19.680 --> 0:27:22.159
<v Speaker 1>Yeah yeah, yeah, they just don't have enough lines. But

0:27:22.160 --> 0:27:24.359
<v Speaker 1>they are perfect. But they do the time warp. They

0:27:24.560 --> 0:27:27.600
<v Speaker 1>are they and they actually are in most of the movie.

0:27:27.720 --> 0:27:29.640
<v Speaker 1>They are they are there. Okay, okay, I love that.

0:27:29.840 --> 0:27:34.840
<v Speaker 1>Um Columbia, what was that Columbia? Oh, who's Columbia? I

0:27:34.840 --> 0:27:37.000
<v Speaker 1>don't remember the character. She's the top dancing one who's

0:27:37.040 --> 0:27:42.760
<v Speaker 1>in love with Eddie by Leahia. All the roles will

0:27:42.800 --> 0:27:47.480
<v Speaker 1>be played by Leo Dlaria and all Delira and all

0:27:47.640 --> 0:27:51.479
<v Speaker 1>Leo Dlaria reboot of Rocky Hormon. Jenda is actually in

0:27:51.520 --> 0:27:55.280
<v Speaker 1>the works with Loretta Ls incorporated. Like Magenda, let's get

0:27:55.480 --> 0:27:58.960
<v Speaker 1>let's get a transactress in there. I think Magenta played

0:27:59.000 --> 0:28:05.920
<v Speaker 1>by a trans dance sir someone, Um, maybe Jesse James

0:28:05.960 --> 0:28:09.879
<v Speaker 1>Keetle from the Queer Folk reboot. She's really good. She's

0:28:09.920 --> 0:28:12.280
<v Speaker 1>she's she's kind of she's a little she's kind of

0:28:12.280 --> 0:28:16.120
<v Speaker 1>a more serious. Oh no, Patty Harrison is Columbia. Oh

0:28:16.160 --> 0:28:20.520
<v Speaker 1>my god, bad dance. She she figured out she would

0:28:20.560 --> 0:28:24.880
<v Speaker 1>do a kind of Pearl esque tap tap moment. You know, Um,

0:28:24.920 --> 0:28:26.840
<v Speaker 1>that's what I see for her. Okay, well, I don't

0:28:26.880 --> 0:28:29.680
<v Speaker 1>remember any of the other character. And then Frankenfurter it's

0:28:29.760 --> 0:28:31.639
<v Speaker 1>kind of the only one. Oh, and we also have

0:28:31.680 --> 0:28:33.960
<v Speaker 1>to do Dr Scott. The only thing I could well,

0:28:34.160 --> 0:28:38.560
<v Speaker 1>Doctor Scott remind me of that character us the wheelchair. Oh,

0:28:38.640 --> 0:28:42.480
<v Speaker 1>he's in a wheelchair. So could it be um Alison Stoker,

0:28:42.680 --> 0:28:45.520
<v Speaker 1>Alie Stoker? Yeah, I love that she would be great

0:28:45.880 --> 0:28:48.760
<v Speaker 1>or um Yeah, no, Alie Stoker would be good. And

0:28:48.800 --> 0:28:51.720
<v Speaker 1>she's already does you know Broadway? Okay, so now we

0:28:51.800 --> 0:28:56.160
<v Speaker 1>just have to cast Frankenfurter. Um Ezra Miller. Know, the

0:28:56.160 --> 0:28:57.720
<v Speaker 1>only thing I could think of was Alan Cumming, but

0:28:57.760 --> 0:29:00.440
<v Speaker 1>I think that's way too obvious. Yeah, and like also

0:29:00.760 --> 0:29:06.000
<v Speaker 1>too old. I think we need someone with you. We

0:29:06.080 --> 0:29:09.080
<v Speaker 1>need I think you need to think. This is what's

0:29:09.080 --> 0:29:13.040
<v Speaker 1>the problem with casting Laverne Cox. I do love. You

0:29:13.080 --> 0:29:16.160
<v Speaker 1>need to think rock star, rock star. And it can't

0:29:16.280 --> 0:29:20.560
<v Speaker 1>be Harry Styles. And it can't be Billy Porter. Billy

0:29:20.600 --> 0:29:24.760
<v Speaker 1>Porter is coming nowhere near this movie. He's not even

0:29:24.760 --> 0:29:29.680
<v Speaker 1>invited to the premier No, no, um, sorry Billy. Honestly,

0:29:29.800 --> 0:29:33.640
<v Speaker 1>Mary Styles. There's also actually you know what, maybe we

0:29:33.840 --> 0:29:38.560
<v Speaker 1>maybe maybe Little Nas should be Frankenfurter and we find

0:29:38.600 --> 0:29:41.400
<v Speaker 1>another bimbo to play rocky because I think Little Nas

0:29:41.680 --> 0:29:44.520
<v Speaker 1>is a rock star and he's great at being feminine.

0:29:44.560 --> 0:29:48.600
<v Speaker 1>He is an amazing, amazing comedic sensibility. He can dance

0:29:48.640 --> 0:29:51.760
<v Speaker 1>and sang. It's just that his voice to me, doesn't

0:29:51.840 --> 0:29:55.000
<v Speaker 1>lend itself to the octaves of the song. That but

0:29:55.040 --> 0:29:59.600
<v Speaker 1>maybe we we you know, take them down a little bit. Great. Yeah,

0:29:59.680 --> 0:30:01.920
<v Speaker 1>Little Sex can be Frankenfurter, sure, I can't think of

0:30:01.960 --> 0:30:04.400
<v Speaker 1>any of the other thing is that, like franken Furter

0:30:04.600 --> 0:30:10.480
<v Speaker 1>is like an irreplaceable, magnanimous, like singular character, and Little

0:30:10.560 --> 0:30:13.120
<v Speaker 1>Nas is also a kind of once in a lifetime

0:30:13.360 --> 0:30:14.920
<v Speaker 1>actor person, you know what I mean. I mean he's

0:30:14.960 --> 0:30:16.840
<v Speaker 1>not an actor, not actor, not an actor, but he

0:30:16.880 --> 0:30:19.000
<v Speaker 1>would he's but he can but he you know, did

0:30:19.040 --> 0:30:21.800
<v Speaker 1>that like little Morey thing. Yeah, the more things. He

0:30:21.920 --> 0:30:24.320
<v Speaker 1>was brilliant. His music video is so good, his m

0:30:24.600 --> 0:30:27.800
<v Speaker 1>his like video game partnership that he's doing. I just

0:30:27.840 --> 0:30:30.800
<v Speaker 1>think still with Little nos X, we're still veering a

0:30:30.800 --> 0:30:36.200
<v Speaker 1>little into ABC Family Live musical territory because he's so mainstream.

0:30:36.320 --> 0:30:38.680
<v Speaker 1>Yeah yeah, yeah, yeah, that's true. But I do think

0:30:38.720 --> 0:30:40.480
<v Speaker 1>it'd be good, but we can't. It will not be

0:30:40.520 --> 0:30:42.520
<v Speaker 1>a live musical and it will not be on the AES. Okay,

0:30:42.520 --> 0:30:45.800
<v Speaker 1>so now who's going to be Rocky since we've recast

0:30:46.240 --> 0:30:51.320
<v Speaker 1>some hot bimbo, it could just be Timothy Slamy, Okay,

0:30:51.520 --> 0:30:54.440
<v Speaker 1>it could just Timmy. Timmy would sure No, Timmy would

0:30:54.440 --> 0:30:56.760
<v Speaker 1>want to be Frankenfurter, which and he can't with that

0:30:57.240 --> 0:31:03.240
<v Speaker 1>backless pant suit cannot be with this lu and outfit

0:31:03.320 --> 0:31:14.040
<v Speaker 1>for Venice Is and Taylor Loft fit Um. This has

0:31:14.080 --> 0:31:18.360
<v Speaker 1>been another special Halloween bonus f um. We will be

0:31:18.400 --> 0:31:22.680
<v Speaker 1>doing spooky topics this entire month, but you can continue

0:31:22.720 --> 0:31:25.800
<v Speaker 1>to send us suggestions if you want through Instagram, d

0:31:25.960 --> 0:31:28.240
<v Speaker 1>m s or wherever you find us. You can leave

0:31:28.280 --> 0:31:30.680
<v Speaker 1>us a review on Apple Podcasts or rating on Spotify.

0:31:30.840 --> 0:31:33.600
<v Speaker 1>It helps us so much. I'm your co host Fran

0:31:33.640 --> 0:31:35.560
<v Speaker 1>Toronto and you can find me at Friends, squitch Go

0:31:35.760 --> 0:31:38.720
<v Speaker 1>wherever you want on social and I'm rosdom You you

0:31:38.720 --> 0:31:41.200
<v Speaker 1>can find me at Rose Dominue wherever you want, and

0:31:41.680 --> 0:31:43.840
<v Speaker 1>come back this Thursday because we'll be back with another

0:31:44.080 --> 0:31:47.920
<v Speaker 1>regular episode, news and main topic. You can subscribe to

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0:31:50.000 --> 0:31:52.560
<v Speaker 1>I Heart Radio production. Our producer is Phoebe Unter, with

0:31:52.640 --> 0:31:55.560
<v Speaker 1>support from Lindsay Hoffman, Julian Weller, Just Crane Chitch and

0:31:55.640 --> 0:32:00.280
<v Speaker 1>Nikki Etour until next week, See you later. Virgions by

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<v Speaker 1>t