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Speaker 1: Hey, you United Kingdomonians, blokes and blokettes. This is Rory

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Speaker 1: and Maul and we are coming to London's Earth Theater

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Speaker 1: November fifth.

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Speaker 2: Yes, first time across the pond from me. I'm excited.

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Speaker 1: Yes, I'm excited to first not first time across the pond,

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Speaker 1: first time going across the pond and people were actually

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Speaker 1: waiting to see me.

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Speaker 2: Yes, first time with the work visa.

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Speaker 1: Yes, we will be at the Earth Theater November fifth

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Speaker 1: and London, looking forward to it. Hope to see you

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Speaker 1: all soon. Get your tickets now. If not, it's gonna

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Speaker 1: be a fucking pissfest when we get there, going.

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Speaker 2: Nuts, no worry. And next day, Hi, it's me which

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Speaker 2: which song is that?

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Speaker 3: It's anti Hero? Oh that was listen.

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Speaker 2: It's my first time hearing it.

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Speaker 3: So that's your first time hearing that.

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Speaker 2: Taylor, so's wrong, I think toilet im I'm a swifty

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Speaker 2: now though, I'm a swift swifter, got joints. Yeah, she

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Speaker 2: got watch's all over Billboard table swifts.

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Speaker 3: Well, we never doubt you can never doubt her pin.

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Speaker 3: We know she's an amazing writer.

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Speaker 2: It's just funny to say about You can never doubt

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Speaker 2: that swift.

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Speaker 1: Pen and pin moves so swiftly if you will, right WHOA,

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Speaker 1: Come on, y'all, don't even see it.

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Speaker 2: Be sure you don't write for her.

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Speaker 1: Man listen, man, Welcome to a new episode of the

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Speaker 1: new Rory and Mall Podcast. I am All, I'm Rory,

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Speaker 1: and we are back.

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Speaker 3: Happy Halloween. You Gouling's goblins, monster zombies, Zombies with no conscience,

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Speaker 3: Zombies with no conscience.

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Speaker 2: I think my costume today is gonna be a zombie

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Speaker 2: with a conscience with the content. Yeah, like, I'm gonna

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Speaker 2: tell the other zombies like, hey, maybe we shouldn't like

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Speaker 2: the zans eat the rest of these people. What about this?

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Speaker 2: I thought it was the bat salts.

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Speaker 1: Oh oh, those are the real zombies. Zombies.

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Speaker 4: Yeah, that's like a Florida zombie.

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Speaker 1: Hi, it's me.

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Speaker 3: What key is that?

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Speaker 1: I don't know? Probably middle Well.

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Speaker 2: I think I think I'm gonna contribute to these these

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Speaker 2: Taylor Swift streams.

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Speaker 1: Yo, that Taylor Swift. Listen. She owns the top ten

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Speaker 1: right now.

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Speaker 2: Yeah, Taylor's Taylor dating these days? Now? I get its

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Speaker 2: Savage and Drake.

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Speaker 1: Is she single? I don't know? Is she dating anybody?

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Speaker 1: Is she linked to anybody right now?

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Speaker 2: Is she linked to anyone?

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Speaker 1: You know, they always like to link somebody to somebody.

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Speaker 3: Her boyfriend is Joe Alwen, Who's Joe.

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Speaker 2: I think she's just finding herself right now. I was

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Speaker 2: really trying to get you to know her because, like

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Speaker 2: in so many relationships, she felt like she lost herself

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Speaker 2: and I didn't even know she was. That's why she said, Hi,

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Speaker 2: it's me to herself in the mirror.

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Speaker 1: Yeah, finally she opened the door and it was her.

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Speaker 4: He's an actor.

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Speaker 1: Shout out to Taylor Swift. Amazing fucking numbers her first week,

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Speaker 1: second week probably gonna do the same. Yeah, she owns

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Speaker 1: the top ten.

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Speaker 2: I think Drake and twenty one should maybe push another two.

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Speaker 1: Yeah, it might. You might as well just wait to Thanksgiving.

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Speaker 3: Bro.

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Speaker 2: Do we think it'll be a drink in twenty one

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Speaker 2: Savage show at the Apollo instead of just a Drake show?

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Speaker 2: Because we we predicted, like b side Drake for that,

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Speaker 2: we just might. We might get a lot of.

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Speaker 1: Twenty one and Nah, I think it'll be just Drake.

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Speaker 2: Where are you and Drake and a tear down the

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Speaker 2: city after.

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Speaker 1: I'll probably take we probably go to Amy Roofs gotta

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Speaker 1: take Drake to Amy Roofs. Gotta go to Hunt sixteenth Street. Yeah,

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Speaker 1: then we probably go to Melbour's stop by melt.

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Speaker 2: It's a lot of calories.

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Speaker 1: Yeah yeah, no, yeah, get some get some desserted Melbourns.

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Speaker 3: You know what I'm saying.

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Speaker 1: Take him to the barbershop. You gotta get shape up.

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Speaker 1: Gotta get Drake good, good hall of shape up. Take

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Speaker 1: him to the juice boggle. Josh se might take this

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Speaker 1: before the show. Yeah, it's before we're going. It's it's

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Speaker 1: in the fifteen block radius.

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Speaker 2: The the amount of saturated fats in that plan, I

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Speaker 2: think he'd be a little sluggish on stage. That feels

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Speaker 2: like an after show.

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Speaker 1: It's gonna be the B sides.

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Speaker 3: I guess.

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Speaker 1: So he hasn't done those in a while though, Yeah,

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Speaker 1: that's true. Yeah, he can't have too much sweet potato pie.

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Speaker 2: And the last time he performed those records, he tours

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Speaker 2: a c l on stage.

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Speaker 1: Yeah, but we're gonna take He's gonna take Drake and around Hollow,

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Speaker 1: get him, Uh, get him a good hall of day

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Speaker 1: at around hallm Yeah, you know, I mean, you gotta

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Speaker 1: do that.

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Speaker 2: Maybe jumping in to a crypt set or something.

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Speaker 1: We're not trying to jump the biggest artists in the world.

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Speaker 2: You know, David's is gonna try go over here.

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Speaker 1: Davis definitely Drake on crip like, yo, come come to

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Speaker 1: come to Kingdome, we go jump.

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Speaker 2: But because Drake is such a hard work and a perfectionist,

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Speaker 2: I really think he'd be like, no, don't bless me

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Speaker 2: and beat the ship out of me real.

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Speaker 1: Quick, exactly. He wanted to be a real crip. Yeah, man,

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Speaker 1: I'm a swifty. I don't know about you guys, but

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Speaker 1: you might want to get on board this train.

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Speaker 2: That's who you need to take to Harlem.

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Speaker 1: Taylor Swift, Oh god, I would love to take Tailor Swift.

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Speaker 2: I've been on a few now. There's a lot of

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Speaker 2: Tailor Swifts up there.

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Speaker 3: Yeah.

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Speaker 1: Now you changed, the neighbors changed, they'll look at her.

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Speaker 4: North Harlem is nothing.

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Speaker 3: First of all, I would never call it no Han

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Speaker 3: they called that No, no, no, no, no, It's always Harlem.

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Speaker 1: I don't care about what they're trying to do. Gentrification

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Speaker 1: is hall.

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Speaker 2: I mean, I hear. Morning Side Heights is a lovely area.

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Speaker 1: It's it's coming to the neighbor. It is so lovely.

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Speaker 1: You got to come to visit.

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Speaker 3: I gotta come visit.

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Speaker 1: How was your weekend?

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Speaker 2: Man? It was cool? Quiet, very much so, yeah, very

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Speaker 2: very much so. I saw that there was a lot

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Speaker 2: going on in the city. I took the train. I

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Speaker 2: was curious.

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Speaker 1: I try to get you keep your New York legs.

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Speaker 2: Yeah, man, come on, take the subway.

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Speaker 1: I haven't. I haven't rode the subway since before the

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Speaker 1: pandemic probably, Like really, it's been a while. Yeah, damn,

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Speaker 1: it's been a while since I rode the train last,

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Speaker 1: like right before the pandemic.

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Speaker 3: Probably was the last time I rode the train.

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Speaker 2: Wasn't a lot of costumes on the train. I assumed

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Speaker 2: that this was on Saturday during the day. I was like, Oh,

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Speaker 2: everyone's probably gonna be out, like bar hopping in costumes.

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Speaker 2: Wasn't many people on the train with costumes?

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Speaker 3: Everybody was as Yeah, I was kind of disappointed.

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Speaker 1: Walking riding bikes, scooters.

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Speaker 2: Hoping to see some ass on the train. But no,

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Speaker 2: as just almost a week Yeah, this is on Saturday.

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Speaker 3: Was it early?

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Speaker 2: It was like three pm? Oh, you're not gonna early.

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Speaker 2: But it was really nice at night. I figured people

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Speaker 2: would do the day thing.

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Speaker 3: You know, She's but with the eat come out at

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Speaker 3: That's what the kol cooks claim.

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Speaker 1: I was gonna say, the sheets come out at high.

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Speaker 1: It's me.

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Speaker 2: I think one of they all clan him.

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Speaker 3: I think I want to ride the subway and when

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Speaker 3: the door opens, just sitting that in the random.

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Speaker 2: Purcha's face, and you know what's fine, No one would

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Speaker 2: that no excuse me, sir, move You can just turn

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Speaker 2: their air pods and business as usual.

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Speaker 1: Like nobody cares that the middle you have to that's middle.

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Speaker 1: You have to really become a different type of person

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Speaker 1: riding the subway in New York City, Like you have

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Speaker 1: to have your air pods just so nobody would try

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Speaker 1: to talk to you, even if they're not on, even

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Speaker 1: the AirPods are dead. Just putting me in your ears.

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Speaker 1: That determs at least forty percent.

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Speaker 3: Of crime, does it?

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Speaker 2: I feel like they still yell at you. Then they

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Speaker 2: just talk a little louder.

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Speaker 1: I remember one time I had some air pods on.

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Speaker 1: This is when the air pos still had like the wire.

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Speaker 1: I mean, well I think they would call it air pos.

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Speaker 3: It weren't the earphones, okay, so fuck it.

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Speaker 1: Whatever. So I had some some headphones on and A

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Speaker 1: guy was on the train and he was I know,

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Speaker 1: he was talking to me, and I feel like a

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Speaker 1: bitch every day that I think I want to find

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Speaker 1: that guy squab. We got a knee round two. He

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Speaker 1: started saying something, right, I knock him the fuck out?

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Speaker 2: Oh what I mean?

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Speaker 1: That's definitely But obviously obviously he wasn't in his right mind.

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Speaker 1: So I'm like, but I know you felt like he

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Speaker 1: felt like he was punking me. Have you never like these?

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Speaker 1: I wasn't listening to anything. I just had him in

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Speaker 1: just so. Nobody tried to talk to me, and he

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Speaker 1: talking crazy to me.

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Speaker 4: We're looking at each other.

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Speaker 1: No, but he was sitting there was nobody on our side.

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Speaker 2: He couldn't feel him being talked to.

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Speaker 4: You.

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Speaker 1: It's like, you know, you could look through somebody like

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Speaker 1: so you know how the like the wall of the

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Speaker 1: train is like that. It's that I don't want to

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Speaker 1: call it a luminum or tighten whatever it is, but

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Speaker 1: you can see through it. You can see the reflection.

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Speaker 1: So I'm sitting there and I'm looking He's sitting on

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Speaker 1: this side, and I could tell he's looking towards me

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Speaker 1: and he's just going he going crazy, like he talking

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Speaker 1: to me crazy, like I knock you the fuck out.

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Speaker 1: I'm just like just.

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Speaker 5: That low grizy Yeah, but I kept I kept, always

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Speaker 5: kept a little pocket knife on me, and I'm just like.

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Speaker 3: Yo, am I gonna have to use this today?

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Speaker 2: Yeah, because you.

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Speaker 1: Don't want to stab somebody like that's that's you know,

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Speaker 1: to run upon somebody and stab somebody.

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Speaker 3: It takes a different.

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Speaker 2: Type of in and then you get their blood on you.

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Speaker 1: Yeah, And I'm just I'm just like, I don't want

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Speaker 1: to have to go to.

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Speaker 2: Tennis shot before they don't feel good, not cool.

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Speaker 1: Yeah, I'm just like I don't want to have to

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Speaker 1: do this as guy's obviously out of his mind, like

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Speaker 1: you know whatever, whatever. But that's part of Rodney n Y.

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Speaker 1: You got to prepare for those type of encounters.

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Speaker 2: But that's really it's not even New York specific. I

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Speaker 2: feel like everyone's running to homeless people that are very

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Speaker 2: aggressive and yelling that they are going to harm people,

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Speaker 2: and we just walked by, like all right, that's homeless.

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Speaker 2: Have you ever seen one like start shadow boxing and

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Speaker 2: you realize that they might they telling the truth, like

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Speaker 2: like just the way he even squared, like how it

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Speaker 2: shoulders I'm like, oh, that's a that's a stance.

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Speaker 1: No, I know, I actually know a dude from hauling

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Speaker 1: that rods the subways. He's a little bugged out, and

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Speaker 1: I don't want to is that offensive bugged out?

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Speaker 2: Probably to bugs.

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Speaker 1: Yeah, I mean he's a little he's a little office rocker.

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Speaker 2: That's that's offensive to rocking chairs.

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Speaker 1: Damn.

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Speaker 3: Okay, he's a little not well. I don't know, I

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Speaker 3: know up a couple of wells, you know, upstate. Damn

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Speaker 3: the water, disrespecting the water.

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Speaker 1: Okay, So he's just basing right now. He's just a

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Speaker 1: little damn Okay. So he's just one of those people

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Speaker 1: that's just maybe not all the way together.

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Speaker 2: You people, people, damn, just you people us.

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Speaker 4: Fuck.

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Speaker 1: I just want to tell my truth.

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Speaker 2: He was living his truth. How about that he was

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Speaker 2: living his truth.

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Speaker 1: But he's a he's a he's a former boxer and

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Speaker 1: he can really fight. But if you see him, you

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Speaker 1: could tell like, Okay, this is how a guy that

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Speaker 1: rides the train he's got you know whatever. And I

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Speaker 1: saw him one day on the train and I saw

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Speaker 1: a guy getting ready to get into it with him.

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Speaker 1: Now I'm all the way in the other end, and

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Speaker 1: I'm like, home, he don't even know what's great at

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Speaker 1: trying to fight this, like he.

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Speaker 2: Used to really box for muscle memory and reactions are

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Speaker 2: still there.

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Speaker 1: I'm just like, please, don't get into a fight with this. Yeah,

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Speaker 1: you're gonna lose, You're gonna get hurt bad, and it's

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Speaker 1: just gonna be like a bad start to your day.

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Speaker 1: But I say that to say yes right in the

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Speaker 1: NYC subways like you did this weekend. I think I

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Speaker 1: want to do it. I think I need to get.

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Speaker 3: My subway legs back.

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Speaker 1: I forgot how long the trains take to get from

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Speaker 1: twenty fifty to fifty ninethtet. I know the eight trainers

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Speaker 1: will express.

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Speaker 3: It usually took about twelve, Like it takes a minute

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Speaker 3: now for real, it takes a minute to get there.

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Speaker 3: I don't know what fifty nine eight train. Yes, it

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Speaker 3: takes a minute. It's not expressed the war it's expressed,

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Speaker 3: but that it takes a minute just to get there.

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Speaker 3: Sometimes it just pauses at the station for like a good.

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Speaker 1: That was like the most dangerous you know at that time.

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Speaker 1: That's when because once you locked in from twenty fifth Street,

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Speaker 1: whoever's in your car, Yeah, you gotta deal with them

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Speaker 1: till you get the fifty ninth street. Like it's crazy,

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Speaker 1: how just you just know what to prepare for, Like,

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Speaker 1: all right, who's in this cart right now? Because these

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Speaker 1: doors are not going to open for another eight minutes

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Speaker 1: at least.

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Speaker 3: Question, I mean, what was the longest you guys have

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Speaker 3: ever been stuck inside of a train? You know how

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Speaker 3: like you get stuck in the.

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Speaker 1: Oh, probably like maybe forty minutes one time?

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Speaker 2: Yeah, probably in the hour.

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Speaker 1: What did you do? Sat there, sat there and prayed, yeah,

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Speaker 1: and try not to make eye contact, and it was

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Speaker 1: wondering where are the fucking subway entertainers when you need them?

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Speaker 4: Yeah?

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Speaker 2: They would really killing.

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Speaker 1: Yeah, they would make the time fly right now if

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Speaker 1: they were dancing, like, I would love this. I would

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Speaker 1: join in right now forty minutes I'm just sitting here,

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Speaker 1: like where are they at all?

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Speaker 3: Yeah? Showtime would be crazy, me doing Showtime. Yeah, I

290
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Speaker 3: think I'm gonna do that.

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Speaker 1: I think we start riding subways, get my Showtime ship off.

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Speaker 1: We should pod on the subway one day. I'm down

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Speaker 1: that let's go to let's go to your platform and

294
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Speaker 1: just you.

295
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Speaker 2: Can get light and I'll just be like your friend

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Speaker 2: next to the boombox that just like hits play claps.

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Speaker 1: Yeah yeah, and then.

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Speaker 2: I'll go around with the hat and collect while you're

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Speaker 2: while you're trying to get over your leg or some ship.

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00:11:34,120 --> 00:11:35,120
Speaker 2: You know, they've got to that move.

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Speaker 1: The subway entertators have gotten really good now. They used

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Speaker 1: all the pole. I mean, they really use the space.

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00:11:40,000 --> 00:11:43,319
Speaker 2: They can do a backflip standing on a crowded spast

304
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Speaker 2: They can do a backflip in like they should be

305
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Speaker 2: in Ocean's eleven.

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Speaker 1: Yeah, like like, sir, you are in the wrong business.

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Speaker 1: You can do a backflip on a moving train. Aryson,

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Speaker 1: you should be in Soul twenty twenty four. You should be.

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Speaker 2: I just those kids are selling themselves short. They need

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Speaker 2: to go to the circus. They need to rob a bank.

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Speaker 1: Speaking of kids, I didn't see any Halloween uh festivities

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Speaker 1: outside of your home, are you not.

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Speaker 3: That's just construction everywhere.

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Speaker 2: Yeah right, they're gonna fall into a sinkhole.

315
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Speaker 1: Like somebody should tie balloon to the uh remember like

316
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Speaker 1: it was it it? Yes, tied balloon to the sewer.

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Speaker 2: Another uh, scary character that I would have punted over

318
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Speaker 2: the fence if they came anywhere he wasn't he wasn't small.

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Speaker 2: It was a grown ass man.

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Speaker 1: Grown a big man.

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Speaker 2: And what was this? Was there a small clown?

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Speaker 1: Now it was like one of the kids that he

323
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Speaker 1: had kidnapp followed. Okay, he was now one of his workers. Yeah,

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Speaker 1: all right, so we are back. Some things happened over

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Speaker 1: the weekend. It was a lot of festivities, a lot

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Speaker 1: of Halloween parties, a lot of costumes, a lot of

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Speaker 1: couple costumes. Uh so adding our lovely engineer, our lovely uh.

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Speaker 3: Somebody's phone?

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00:12:56,679 --> 00:12:58,000
Speaker 1: Okay, is that the ice?

330
00:12:58,080 --> 00:13:00,719
Speaker 3: Is that ice? No?

331
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Speaker 1: Outside?

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Speaker 3: I don't do that.

333
00:13:03,080 --> 00:13:06,600
Speaker 2: Call you and your girlfriend? I think they call?

334
00:13:06,800 --> 00:13:09,200
Speaker 1: Yeah, is a nice guy, you can call it?

335
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Speaker 2: Just come downstairs, turn himself in.

336
00:13:10,720 --> 00:13:13,520
Speaker 1: Yeah, like, come on, you got me. So you and

337
00:13:13,559 --> 00:13:16,480
Speaker 1: your girlfriend were Leelo and Stitch. Yeah, how do you feel?

338
00:13:16,480 --> 00:13:19,040
Speaker 1: Did you did you want to participate? Or you force,

339
00:13:19,160 --> 00:13:20,640
Speaker 1: like every other man in a relationship, to do things

340
00:13:20,640 --> 00:13:21,280
Speaker 1: that you don't want to do.

341
00:13:21,400 --> 00:13:24,760
Speaker 3: Any guy who's in a relationship is automatically forced into

342
00:13:24,840 --> 00:13:28,160
Speaker 3: being the dumbest ship Halloween. If you're in a couple's costume,

343
00:13:28,240 --> 00:13:31,439
Speaker 3: like she gets to be Leelo and have her ass out. Yeah,

344
00:13:31,600 --> 00:13:32,840
Speaker 3: I gotta be dumb ass Stitch.

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Speaker 4: Yeah, you were still throwing ass though I.

346
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Speaker 3: Was still throwing ass though, that's all my close friends.

347
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Speaker 3: Julian A.

348
00:13:38,040 --> 00:13:40,000
Speaker 2: Right, so he's one of your close friends. How did

349
00:13:40,000 --> 00:13:42,280
Speaker 2: this conversation? Did she like sit you down? Did she

350
00:13:42,320 --> 00:13:44,280
Speaker 2: maybe make your favorite meal?

351
00:13:44,679 --> 00:13:44,839
Speaker 3: No?

352
00:13:45,600 --> 00:13:47,320
Speaker 2: Did she give you some head like? How did she

353
00:13:47,360 --> 00:13:52,320
Speaker 2: start the conversation with, Hey, you're gonna be Stitch first?

354
00:13:52,800 --> 00:13:53,120
Speaker 2: Which one?

355
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Speaker 3: It's guilt tripping, it's always guilty.

356
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Speaker 2: Was there more options?

357
00:13:58,640 --> 00:13:58,920
Speaker 6: Yes?

358
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Speaker 3: She wanted did you over see a goofy movie? Yes? Yes,

359
00:14:02,200 --> 00:14:06,160
Speaker 3: she wanted me to be the big dude with the

360
00:14:06,200 --> 00:14:06,760
Speaker 3: big dude.

361
00:14:09,679 --> 00:14:12,400
Speaker 2: Listen, we know you're in some ship man, but she

362
00:14:12,440 --> 00:14:12,960
Speaker 2: wants me to be.

363
00:14:13,280 --> 00:14:15,040
Speaker 3: Probably we're going to be a character in that movie.

364
00:14:15,320 --> 00:14:19,520
Speaker 3: There was that. There was Maui from Wuana. That's racist.

365
00:14:19,600 --> 00:14:21,600
Speaker 2: That's kind of racist though I thought was a little

366
00:14:21,640 --> 00:14:23,120
Speaker 2: racist because you're swing, But yeah.

367
00:14:25,040 --> 00:14:28,640
Speaker 3: He's an alien to fit. What do you an?

368
00:14:28,680 --> 00:14:30,280
Speaker 2: I legal one?

369
00:14:31,320 --> 00:14:33,760
Speaker 1: I feel like we should edit that. Why that's just me.

370
00:14:35,320 --> 00:14:37,760
Speaker 1: I'm all about taking a vote. Voter can vote be out.

371
00:14:39,760 --> 00:14:40,120
Speaker 2: I don't know.

372
00:14:40,160 --> 00:14:42,280
Speaker 3: I couldn't think of other ones. But yeah, that was

373
00:14:42,680 --> 00:14:45,200
Speaker 3: she So basically she was just like oh yeah, Like

374
00:14:45,200 --> 00:14:47,280
Speaker 3: what are you know? What it is? She's like, what

375
00:14:47,360 --> 00:14:49,440
Speaker 3: are we going to be this Halloween? I was like, oh,

376
00:14:49,640 --> 00:14:50,080
Speaker 3: that's a trick.

377
00:14:50,880 --> 00:14:53,520
Speaker 1: Never, it's never we. It's about what is she going

378
00:14:53,600 --> 00:14:55,160
Speaker 1: to be following? And what are you going to be

379
00:14:55,160 --> 00:14:55,800
Speaker 1: her side kicks?

380
00:14:56,800 --> 00:14:57,480
Speaker 3: And that's the point.

381
00:14:57,600 --> 00:14:58,480
Speaker 4: What did you want to be?

382
00:14:58,800 --> 00:15:03,720
Speaker 3: I' I don't really man, Yeah, man, he just wanted

383
00:15:03,760 --> 00:15:06,200
Speaker 3: to be a mast It's very simple.

384
00:15:05,960 --> 00:15:07,400
Speaker 1: What we want to be. I just want to be

385
00:15:07,440 --> 00:15:09,160
Speaker 1: a man. I want to be heard, That's what I

386
00:15:09,160 --> 00:15:10,880
Speaker 1: want to be. How am I heard? Can I be heard?

387
00:15:11,440 --> 00:15:14,880
Speaker 1: Can I be seen? I actually have something to say?

388
00:15:14,960 --> 00:15:16,080
Speaker 1: Is a mike right there? If you have anything to

389
00:15:16,120 --> 00:15:20,880
Speaker 1: say to Mars? You good? It's our lovely, lovely sister

390
00:15:20,920 --> 00:15:24,160
Speaker 1: baby d right there, sister, Yeah, it's our sister baby D.

391
00:15:24,480 --> 00:15:26,880
Speaker 2: I mean, if I were to be something for Halloween

392
00:15:27,000 --> 00:15:28,920
Speaker 2: and I promises in a transgit anything, I would like

393
00:15:29,000 --> 00:15:30,400
Speaker 2: to be a woman so that day wouldn't have any

394
00:15:30,440 --> 00:15:32,120
Speaker 2: responsibilities or have to pay bills or.

395
00:15:34,120 --> 00:15:34,760
Speaker 3: He's so good to.

396
00:15:36,240 --> 00:15:36,520
Speaker 4: Homes.

397
00:15:36,640 --> 00:15:40,720
Speaker 3: Yeah, there isn't a day where we with all the

398
00:15:40,800 --> 00:15:43,440
Speaker 3: double standard ship we have and everything like there has

399
00:15:43,480 --> 00:15:45,480
Speaker 3: to be like a like a switch day listen as

400
00:15:45,520 --> 00:15:47,360
Speaker 3: I get older, like why I want to be courted

401
00:15:47,400 --> 00:15:48,320
Speaker 3: one day at the bar?

402
00:15:48,520 --> 00:15:52,000
Speaker 1: Listen as I get older and as the years go by,

403
00:15:52,280 --> 00:15:53,760
Speaker 1: I understand, Caitlyn.

404
00:15:53,520 --> 00:15:55,680
Speaker 2: Jenner, you just said yes, well you didn't have a

405
00:15:55,760 --> 00:15:57,760
Speaker 2: chance to Steve an answer. I really love.

406
00:15:57,960 --> 00:15:59,760
Speaker 3: I was like, no, well I almost didn't go to

407
00:15:59,840 --> 00:16:02,680
Speaker 3: the festivities we went to because I was working other.

408
00:16:02,600 --> 00:16:05,240
Speaker 2: Ones getting money to pay the bills, and she was

409
00:16:05,240 --> 00:16:06,120
Speaker 2: out basically.

410
00:16:06,000 --> 00:16:07,840
Speaker 3: Right because I went to a Do you guys know

411
00:16:07,840 --> 00:16:09,080
Speaker 3: what a nine am banger is?

412
00:16:09,440 --> 00:16:10,480
Speaker 1: With a nine am banger?

413
00:16:10,720 --> 00:16:12,160
Speaker 2: Yeah, I went to the Morning sec.

414
00:16:12,320 --> 00:16:12,520
Speaker 1: Yeah.

415
00:16:12,520 --> 00:16:15,040
Speaker 3: So it's a party that starts at nine am. Okay, yeah,

416
00:16:15,080 --> 00:16:17,880
Speaker 3: so people like pregame at like six am. Then getting

417
00:16:17,880 --> 00:16:20,080
Speaker 3: the people that really do this. Yeah, there's a whole

418
00:16:20,080 --> 00:16:20,520
Speaker 3: big ass.

419
00:16:20,600 --> 00:16:23,080
Speaker 1: There was a lot of people. Wait, people are drinking

420
00:16:23,080 --> 00:16:24,640
Speaker 1: alcoholics six am in the morning.

421
00:16:24,680 --> 00:16:28,000
Speaker 3: Yes, the pregame for the nine party that's called that though?

422
00:16:28,240 --> 00:16:30,400
Speaker 3: Is that the one that that is? Probably there was

423
00:16:30,440 --> 00:16:30,800
Speaker 3: one that.

424
00:16:30,800 --> 00:16:34,040
Speaker 2: Was like a like palooza type ship that they started

425
00:16:34,080 --> 00:16:36,320
Speaker 2: I think at like six am. We even like talked

426
00:16:36,320 --> 00:16:37,640
Speaker 2: about partnering them to.

427
00:16:37,560 --> 00:16:38,960
Speaker 4: Do it was biscuits and gravy.

428
00:16:39,360 --> 00:16:40,720
Speaker 2: No, that's grits and biscuits.

429
00:16:41,400 --> 00:16:46,320
Speaker 3: Anyway, this guy's hungry.

430
00:16:47,160 --> 00:16:49,000
Speaker 1: And now we worked from a sponsored Quaker.

431
00:16:52,400 --> 00:16:54,040
Speaker 2: What that logo is offensive?

432
00:16:54,080 --> 00:16:56,840
Speaker 3: But go ahead. I mean, I don't even know if

433
00:16:57,000 --> 00:16:59,240
Speaker 3: they still have the man on the actual logo. He's

434
00:16:59,280 --> 00:17:03,080
Speaker 3: still there there, I'm okay, absolutely, But yes, So I

435
00:17:03,120 --> 00:17:05,200
Speaker 3: had to get there by like eight thirty to set

436
00:17:05,240 --> 00:17:07,240
Speaker 3: up because I was doing a Love for DJ DJ.

437
00:17:07,440 --> 00:17:08,720
Speaker 1: People were drinking at six and.

438
00:17:08,640 --> 00:17:10,480
Speaker 3: People are drinking at six am getting ready for this

439
00:17:10,600 --> 00:17:11,240
Speaker 3: nine am bangers.

440
00:17:11,280 --> 00:17:12,120
Speaker 2: It's really not.

441
00:17:12,040 --> 00:17:13,800
Speaker 1: People crying out for help, you know that right now?

442
00:17:13,800 --> 00:17:16,240
Speaker 3: They're all They all seem great to me, did they? Yeah?

443
00:17:16,280 --> 00:17:20,000
Speaker 3: There was as being thrown. Yeah, oh my gosh.

444
00:17:19,920 --> 00:17:20,840
Speaker 2: Heart throbbing the community.

445
00:17:20,880 --> 00:17:23,320
Speaker 3: Oh man, him and Bundy and I was there the

446
00:17:23,359 --> 00:17:26,159
Speaker 3: whole time, dressed up looking nice, you know, with a

447
00:17:26,200 --> 00:17:29,560
Speaker 3: camera recording every opportunity of it. Well, Bobby Schmurder was there.

448
00:17:29,840 --> 00:17:31,800
Speaker 3: He was there for that nine am banger. He was

449
00:17:31,880 --> 00:17:33,360
Speaker 3: He performed like two thirty pm.

450
00:17:33,600 --> 00:17:35,320
Speaker 2: Well Bobby has been in a routinea waking up at

451
00:17:35,359 --> 00:17:38,000
Speaker 2: six am per time, so yeah, you know this is normal.

452
00:17:38,040 --> 00:17:40,719
Speaker 3: So he was ready for that. Yes, anyways, costumes, so

453
00:17:40,880 --> 00:17:43,159
Speaker 3: I didn't really have any other options. I saw somebody

454
00:17:43,440 --> 00:17:45,240
Speaker 3: dressed as a hookah. I was a bear from when

455
00:17:45,240 --> 00:17:48,600
Speaker 3: I came to see you guys might hookah yeah, Dominican, yes,

456
00:17:48,920 --> 00:17:51,360
Speaker 3: got it, of course. Yeah. You know the girls got

457
00:17:51,400 --> 00:17:54,920
Speaker 3: to be like aliens and ship like that or toy stores.

458
00:17:54,640 --> 00:17:56,040
Speaker 2: That when they're as snaked and just put on like

459
00:17:56,080 --> 00:17:59,879
Speaker 2: alien ears. I'm alien and then I'm a whore.

460
00:18:00,160 --> 00:18:03,119
Speaker 1: I your leader, Take me through your leader.

461
00:18:03,560 --> 00:18:05,800
Speaker 3: Why does he have your leader an accent?

462
00:18:09,920 --> 00:18:14,320
Speaker 1: That's a Dominican alien immigrant. Take me through your leader,

463
00:18:15,280 --> 00:18:16,320
Speaker 1: Take me through your leader.

464
00:18:16,440 --> 00:18:17,720
Speaker 2: Well, all right, we'll take it a bad bunny in

465
00:18:17,720 --> 00:18:18,080
Speaker 2: a second.

466
00:18:18,080 --> 00:18:21,720
Speaker 1: Relax, he's on stage. But once he's done, I.

467
00:18:21,680 --> 00:18:26,160
Speaker 3: Promise Jesus Christ. Anyways, I met up with her. I

468
00:18:26,200 --> 00:18:28,479
Speaker 3: was she was lie low and people were asking her

469
00:18:28,480 --> 00:18:30,679
Speaker 3: where Stitch was. So you know that was an issue

470
00:18:30,720 --> 00:18:32,560
Speaker 3: for a good hour. That's just her way of letting

471
00:18:32,600 --> 00:18:35,960
Speaker 3: them know who's who's Who's her bitch? Okay, I was

472
00:18:36,040 --> 00:18:39,040
Speaker 3: hoping I wouldn't be her bitch, her bitch. I mean

473
00:18:39,080 --> 00:18:41,240
Speaker 3: for that day, I were a good bitch aka life partner,

474
00:18:42,760 --> 00:18:45,320
Speaker 3: A great bitch that day. You stayed in because you

475
00:18:45,400 --> 00:18:47,320
Speaker 3: have to, you have to be their servant. That day.

476
00:18:47,359 --> 00:18:49,600
Speaker 1: Absolutely, what are those? So did you have sex with

477
00:18:49,640 --> 00:18:50,560
Speaker 1: your costumes on? After?

478
00:18:51,000 --> 00:18:51,880
Speaker 3: Uh?

479
00:18:53,000 --> 00:18:57,360
Speaker 4: Ew yes? Sick ass motherfucker.

480
00:18:57,480 --> 00:18:59,320
Speaker 2: That's the creepiest smile. If Evers said, we.

481
00:18:59,320 --> 00:19:02,560
Speaker 3: Didn't do it in care, but you wore the costume.

482
00:19:02,920 --> 00:19:04,520
Speaker 2: I don't think I've seen the loan stitch, but how

483
00:19:04,560 --> 00:19:05,800
Speaker 2: would that have worked in character?

484
00:19:08,000 --> 00:19:08,600
Speaker 3: I don't want to do it.

485
00:19:08,880 --> 00:19:09,760
Speaker 1: They throw your leader.

486
00:19:10,040 --> 00:19:11,679
Speaker 3: That's not why does stitch out like that?

487
00:19:11,760 --> 00:19:13,280
Speaker 2: Now? Your character doesn't even speak.

488
00:19:13,720 --> 00:19:14,359
Speaker 1: He does speak.

489
00:19:16,359 --> 00:19:22,840
Speaker 2: What, let's say he had to practice in the mirror. Yeah,

490
00:19:23,680 --> 00:19:24,640
Speaker 2: that's what gets her going.

491
00:19:25,880 --> 00:19:29,800
Speaker 1: Ready, That's something that's that's that's another whole like thing though,

492
00:19:29,800 --> 00:19:32,000
Speaker 1: Like you have to if you have a in a

493
00:19:32,040 --> 00:19:35,520
Speaker 1: relationship and Halloween, you have to lean into the character

494
00:19:35,560 --> 00:19:38,320
Speaker 1: that your girlfriend wants you to be. She takes control.

495
00:19:38,440 --> 00:19:40,800
Speaker 1: She she has to be the one that's like, listen,

496
00:19:40,840 --> 00:19:43,520
Speaker 1: this is what you're gonna be, and you have to

497
00:19:43,560 --> 00:19:44,480
Speaker 1: stay character all night.

498
00:19:44,840 --> 00:19:47,080
Speaker 3: But why might why must I be a necessory? I'm

499
00:19:47,080 --> 00:19:47,520
Speaker 3: a human?

500
00:19:47,600 --> 00:19:49,480
Speaker 1: Well, you're an accession in real life, to you, to you,

501
00:19:49,600 --> 00:19:50,040
Speaker 1: to your lady.

502
00:19:50,080 --> 00:19:51,879
Speaker 2: You didn't know this true.

503
00:19:51,960 --> 00:19:53,560
Speaker 1: You're an accessory. You're not a man. You thought you

504
00:19:53,560 --> 00:19:54,000
Speaker 1: were a man.

505
00:19:54,119 --> 00:19:56,000
Speaker 3: I am a man. You thought that flat below your

506
00:19:56,040 --> 00:19:58,320
Speaker 3: belly button was a major man? I am a man.

507
00:19:58,400 --> 00:19:59,960
Speaker 1: Just think that little door knob below your bell.

508
00:20:00,119 --> 00:20:06,760
Speaker 3: But I'm a man. Oh, Bean, my bean, It's just.

509
00:20:06,800 --> 00:20:09,040
Speaker 1: It's just a bigger click. You know that, right, Bean

510
00:20:09,200 --> 00:20:10,840
Speaker 1: would love to say that it's just a bigger click.

511
00:20:13,800 --> 00:20:16,119
Speaker 3: You guys never dressed up. It was the significant other before.

512
00:20:16,320 --> 00:20:16,719
Speaker 2: Say it one.

513
00:20:16,880 --> 00:20:18,640
Speaker 3: No, you never dress up with a significant other before

514
00:20:18,720 --> 00:20:20,920
Speaker 3: for Halloween. No, I don't think so. No, you've always

515
00:20:20,920 --> 00:20:24,640
Speaker 3: been single for Halloween. No, I'm single right before Halloween.

516
00:20:24,800 --> 00:20:26,560
Speaker 2: Oh okay, he does the way people used to do,

517
00:20:26,600 --> 00:20:27,879
Speaker 2: like Valentine's Day, let me break up?

518
00:20:28,000 --> 00:20:28,080
Speaker 3: Right?

519
00:20:28,119 --> 00:20:29,680
Speaker 1: But he does that for the week before. I just

520
00:20:29,680 --> 00:20:30,560
Speaker 1: start come in the house.

521
00:20:30,600 --> 00:20:34,680
Speaker 3: I start arguing about petty shit, like there's no more

522
00:20:34,720 --> 00:20:37,639
Speaker 3: Captain Crunch, candy Corn trying to poison me.

523
00:20:37,720 --> 00:20:40,000
Speaker 1: I can't do this ship. I'm I need space.

524
00:20:40,080 --> 00:20:41,680
Speaker 2: Do you think you'll put your foot down next year

525
00:20:42,800 --> 00:20:43,480
Speaker 2: for all of us?

526
00:20:43,720 --> 00:20:45,240
Speaker 1: No? I signed the old man kind.

527
00:20:45,560 --> 00:20:47,480
Speaker 3: No, I signed up for this all right, So no,

528
00:20:47,560 --> 00:20:48,119
Speaker 3: I know what it is.

529
00:20:48,160 --> 00:20:49,119
Speaker 1: That's why don't you.

530
00:20:49,160 --> 00:20:51,119
Speaker 2: How about you come up with the costumes.

531
00:20:51,640 --> 00:20:53,680
Speaker 6: Let's stop lying and pretending you didn't enjoy it. I'm

532
00:20:53,680 --> 00:20:55,600
Speaker 6: tired of men pretending that they don't enjoy the things

533
00:20:55,600 --> 00:20:57,120
Speaker 6: that they do with their girlfriends when they get around.

534
00:20:57,119 --> 00:20:58,800
Speaker 1: Don't let her project, don't let her project.

535
00:20:58,920 --> 00:21:00,680
Speaker 2: If this feels very specif person.

536
00:21:00,560 --> 00:21:03,600
Speaker 6: Yeah, no, you guys enjoy doing that kind of ship

537
00:21:03,680 --> 00:21:04,440
Speaker 6: and you just don't want to.

538
00:21:04,640 --> 00:21:07,520
Speaker 1: We are crying, Hi, it's me.

539
00:21:09,840 --> 00:21:11,960
Speaker 2: That's what he does on the inside. So you really

540
00:21:11,960 --> 00:21:15,400
Speaker 2: think Edin his whole life was just dreaming of being

541
00:21:15,480 --> 00:21:18,639
Speaker 2: Stitch and walking behind his girlfriend at a bobby.

542
00:21:18,720 --> 00:21:20,560
Speaker 1: You thought he stood on that line to get his

543
00:21:20,680 --> 00:21:24,119
Speaker 1: passport in his visa for years to be allowed in

544
00:21:24,160 --> 00:21:26,840
Speaker 1: this country, to the American dream rory.

545
00:21:26,920 --> 00:21:28,920
Speaker 6: When you were growing up, did you dream of going

546
00:21:28,920 --> 00:21:30,640
Speaker 6: to Home Goods and having a ball? But you going

547
00:21:30,680 --> 00:21:32,000
Speaker 6: Home Goods and you have a ball, don't you?

548
00:21:32,400 --> 00:21:32,760
Speaker 2: Terrible?

549
00:21:33,840 --> 00:21:34,639
Speaker 6: A terrible example.

550
00:21:34,680 --> 00:21:36,159
Speaker 2: And I feel like that's racist because I don't think

551
00:21:36,160 --> 00:21:36,960
Speaker 2: he wants to be Stitch.

552
00:21:37,280 --> 00:21:41,280
Speaker 3: Yeah, that's all. What were you following?

553
00:21:41,840 --> 00:21:43,800
Speaker 6: I actually didn't wear a costume. I just had a

554
00:21:43,880 --> 00:21:45,400
Speaker 6: cute little Halloween themed out.

555
00:21:45,560 --> 00:21:47,760
Speaker 1: I saw that dress. Girl, he was wearing that dress.

556
00:21:47,800 --> 00:21:48,600
Speaker 4: That was a costume.

557
00:21:48,640 --> 00:21:50,080
Speaker 1: He was wearing that dress.

558
00:21:50,119 --> 00:21:51,080
Speaker 4: You had the balloon?

559
00:21:51,160 --> 00:21:53,080
Speaker 2: It was something that showed the cheeks.

560
00:21:53,960 --> 00:21:55,160
Speaker 1: Well, the marriage shows her cheeks.

561
00:21:56,000 --> 00:21:57,480
Speaker 6: I actually do not show my cheeks.

562
00:21:57,480 --> 00:22:02,520
Speaker 1: Thomar, close friends is between us your close friends.

563
00:22:02,560 --> 00:22:04,560
Speaker 6: I took. I took way worse pictures and I sent

564
00:22:04,640 --> 00:22:06,320
Speaker 6: one to Rory at like tuy and was like, does

565
00:22:06,359 --> 00:22:08,160
Speaker 6: this picture make me a whore? And he was like, yeah,

566
00:22:08,240 --> 00:22:09,160
Speaker 6: I'm okay, I won't.

567
00:22:09,560 --> 00:22:13,199
Speaker 2: I thought that was a great male friend advice, great answer.

568
00:22:13,840 --> 00:22:16,400
Speaker 3: Yes even if she didn't, Yes, you look like a whore.

569
00:22:16,520 --> 00:22:17,920
Speaker 3: Go in the house and change.

570
00:22:20,000 --> 00:22:22,080
Speaker 1: Wait, I think that costume of the year goes to

571
00:22:22,160 --> 00:22:23,440
Speaker 1: uh goes to Diddy.

572
00:22:23,480 --> 00:22:27,160
Speaker 2: Though before we get there, let's let's stay on relationships

573
00:22:27,200 --> 00:22:28,320
Speaker 2: and costumes for a second.

574
00:22:28,400 --> 00:22:29,400
Speaker 3: Can you see me right now?

575
00:22:30,960 --> 00:22:31,720
Speaker 2: I can see through you?

576
00:22:31,760 --> 00:22:33,480
Speaker 1: Okay, at this point I didn't feel seen.

577
00:22:35,520 --> 00:22:39,399
Speaker 2: Demeris. Would you let your hypothetical man tell you you

578
00:22:39,440 --> 00:22:43,240
Speaker 2: can't wear a specific costume out in these streets.

579
00:22:43,440 --> 00:22:45,200
Speaker 6: I don't date men that would let me, that would

580
00:22:45,240 --> 00:22:47,880
Speaker 6: ever say that kind of thing to me, because I'm me.

581
00:22:47,880 --> 00:22:48,880
Speaker 2: So okay do that?

582
00:22:49,160 --> 00:22:52,080
Speaker 6: She's no, I just don't.

583
00:22:52,119 --> 00:22:56,280
Speaker 2: D She puts him in as chefs and says, hey,

584
00:22:56,280 --> 00:22:58,000
Speaker 2: go parade around around town.

585
00:22:58,480 --> 00:23:00,840
Speaker 1: Damaras definitely put a leash on a du walked around

586
00:23:00,840 --> 00:23:01,200
Speaker 1: the town.

587
00:23:01,240 --> 00:23:03,800
Speaker 2: Oh for sure, definitely all right in your group chat?

588
00:23:03,840 --> 00:23:06,879
Speaker 2: Then is that a thing where women have their boyfriends

589
00:23:06,960 --> 00:23:08,320
Speaker 2: say like you can't Yeah.

590
00:23:08,320 --> 00:23:10,040
Speaker 6: One of where of my friends has been arguing with

591
00:23:10,160 --> 00:23:12,240
Speaker 6: her boyfriend for the past month over her costume.

592
00:23:12,800 --> 00:23:15,400
Speaker 3: Wait, he saw the costume before Halloween and was telling

593
00:23:15,480 --> 00:23:17,680
Speaker 3: her she couldn't wear that? Yes, what was it?

594
00:23:17,920 --> 00:23:18,560
Speaker 2: Did he pay for it?

595
00:23:18,640 --> 00:23:19,479
Speaker 3: She was? Uh?

596
00:23:20,920 --> 00:23:21,320
Speaker 6: She was?

597
00:23:21,520 --> 00:23:24,920
Speaker 2: She was character, she was she was a whore with cats.

598
00:23:25,280 --> 00:23:27,720
Speaker 6: But it included her wearing a onesie even though she

599
00:23:27,760 --> 00:23:31,320
Speaker 6: wore like sheer tights underneath, and included her wearing a onesie.

600
00:23:31,320 --> 00:23:35,280
Speaker 6: And she has a fat ass, so her ass wasn't

601
00:23:35,320 --> 00:23:36,840
Speaker 6: out per se, but you could see her shape.

602
00:23:36,920 --> 00:23:38,760
Speaker 2: Yes, okay, is he allowed to go out as a

603
00:23:38,760 --> 00:23:42,439
Speaker 2: star tender kind of she was going to work? Is

604
00:23:42,520 --> 00:23:45,760
Speaker 2: he then allowed to go out on Halloween? No draws, grace,

605
00:23:45,800 --> 00:23:48,720
Speaker 2: weatpants and and just parade around town and.

606
00:23:48,640 --> 00:23:50,240
Speaker 1: Say Hi, it's me.

607
00:23:51,520 --> 00:23:53,200
Speaker 6: He would look stupid, she looked hot.

608
00:23:53,200 --> 00:23:56,200
Speaker 1: He would look stupid, he would I would.

609
00:23:56,240 --> 00:23:57,840
Speaker 3: I would want to do something cool though, like if

610
00:23:57,880 --> 00:23:59,080
Speaker 3: I had you know, I mean, I would want to

611
00:23:59,080 --> 00:23:59,600
Speaker 3: do something cool.

612
00:24:00,119 --> 00:24:00,199
Speaker 4: Up.

613
00:24:02,840 --> 00:24:04,280
Speaker 2: Hmmm, Laurie Harvey and Michael B.

614
00:24:04,400 --> 00:24:04,640
Speaker 4: Jordan.

615
00:24:04,760 --> 00:24:07,640
Speaker 2: Mmm, I could see you pulling off Michael B. Damn,

616
00:24:07,800 --> 00:24:09,720
Speaker 2: I got which Michael B shoulders?

617
00:24:10,119 --> 00:24:12,639
Speaker 1: More shoulders I like when people address them.

618
00:24:12,640 --> 00:24:13,960
Speaker 2: You could be lawyer Michael B. He didn't have a

619
00:24:13,960 --> 00:24:14,719
Speaker 2: lot of shoulders that one.

620
00:24:14,800 --> 00:24:15,240
Speaker 3: Oh yeah.

621
00:24:15,440 --> 00:24:16,640
Speaker 2: Or you could be Wallace from the Wire.

622
00:24:20,680 --> 00:24:21,159
Speaker 3: I don't know.

623
00:24:21,720 --> 00:24:23,120
Speaker 1: I don't know, but I would want to do something

624
00:24:23,160 --> 00:24:27,399
Speaker 1: that I saw. Somebody had a Friday theme party. I

625
00:24:27,440 --> 00:24:28,960
Speaker 1: thought that was I thought that was dope.

626
00:24:28,760 --> 00:24:31,119
Speaker 2: Like the movie Friday. Yeah, everybody next Friday.

627
00:24:31,119 --> 00:24:32,760
Speaker 1: Everybody came in as a character Pinky.

628
00:24:34,200 --> 00:24:36,840
Speaker 3: Yeah, you would have been Debo.

629
00:24:37,320 --> 00:24:39,840
Speaker 1: That's exactly, Yeah, that's exactly who you are.

630
00:24:39,840 --> 00:24:45,560
Speaker 2: Would have to be Roach then, yes, oh my god, yes,

631
00:24:45,680 --> 00:24:46,480
Speaker 2: rest peace of Roach.

632
00:24:47,240 --> 00:24:50,480
Speaker 1: His name isn't Roach, I mean, but yes, yes, here's

633
00:24:50,520 --> 00:24:52,600
Speaker 1: in Kids, right actor, Yes, the actor that played Roach.

634
00:24:52,880 --> 00:24:54,720
Speaker 6: But as we've been saying here for a time, we

635
00:24:55,320 --> 00:24:57,320
Speaker 6: have not come up with a creative constant.

636
00:24:57,880 --> 00:25:01,320
Speaker 2: It just just ran into it Kids, the movie that's dope.

637
00:25:01,960 --> 00:25:05,960
Speaker 2: AIDS excuse me, yeah, we would like we will walk

638
00:25:05,960 --> 00:25:10,000
Speaker 2: around with like positive tests and like AIDS awareness pamphlets.

639
00:25:10,440 --> 00:25:11,560
Speaker 3: I don't know about that one.

640
00:25:11,720 --> 00:25:15,720
Speaker 2: No, we get spread awareness, that spread awareness awareness. It

641
00:25:15,720 --> 00:25:18,800
Speaker 2: would be a fun but conscious type of costume where

642
00:25:18,800 --> 00:25:21,359
Speaker 2: we would inform everyone at the party, because you know,

643
00:25:21,400 --> 00:25:24,440
Speaker 2: sometimes after Halloween parties people get a little promiscuist because

644
00:25:24,440 --> 00:25:27,240
Speaker 2: it's Halloween and costumes and all that, be like, hey,

645
00:25:27,240 --> 00:25:28,160
Speaker 2: are you aware of aids?

646
00:25:28,240 --> 00:25:29,480
Speaker 4: Pop the Chewy got you?

647
00:25:29,640 --> 00:25:31,800
Speaker 2: Yeah? You know? My god, what.

648
00:25:31,800 --> 00:25:33,320
Speaker 1: About d Wade and Gabby Union?

649
00:25:34,440 --> 00:25:36,040
Speaker 3: Sure you can do that, it's cool.

650
00:25:36,119 --> 00:25:36,440
Speaker 1: Good way.

651
00:25:36,440 --> 00:25:37,080
Speaker 3: The same thing.

652
00:25:39,480 --> 00:25:41,920
Speaker 2: I was gonna say, who would be there?

653
00:25:42,280 --> 00:25:42,480
Speaker 4: Right?

654
00:25:43,760 --> 00:25:47,240
Speaker 3: That's an eddit point, Please God, Jesus Christ, I'm gonna

655
00:25:47,240 --> 00:25:47,760
Speaker 3: just bleep that.

656
00:25:47,920 --> 00:25:53,719
Speaker 4: Yeah, yeah, that's great. That's a great joke, all right.

657
00:25:53,720 --> 00:25:57,040
Speaker 2: The thing with certain Halloween costumes outside of the obvious,

658
00:25:57,040 --> 00:25:59,560
Speaker 2: that could ruin my career. Anytime I would think about

659
00:25:59,560 --> 00:26:01,520
Speaker 2: being some for Halloween. Halloween, all I could hear in

660
00:26:01,520 --> 00:26:03,480
Speaker 2: my head was my dad saying, like, I just gonna

661
00:26:03,720 --> 00:26:04,720
Speaker 2: dress up as another man.

662
00:26:05,320 --> 00:26:08,160
Speaker 1: Yeah they put that on the like put that.

663
00:26:08,119 --> 00:26:09,520
Speaker 2: On as himself.

664
00:26:09,680 --> 00:26:13,000
Speaker 1: Yeah yeah, man, look I just like the movie dad.

665
00:26:13,640 --> 00:26:14,720
Speaker 1: I thought it was a great flick.

666
00:26:14,960 --> 00:26:17,720
Speaker 2: My dad gave me ship during the Jersey era. Wear

667
00:26:17,720 --> 00:26:21,840
Speaker 2: another man's name on your bad I'm like, man, yeah,

668
00:26:22,960 --> 00:26:25,080
Speaker 2: I'm tend and I like, iverson, let me the fuck alone.

669
00:26:25,240 --> 00:26:35,280
Speaker 1: Like so Diddy dressed up as the joker, and I

670
00:26:35,320 --> 00:26:37,040
Speaker 1: gotta say I got admitted.

671
00:26:36,840 --> 00:26:37,400
Speaker 2: He committed.

672
00:26:37,600 --> 00:26:40,640
Speaker 1: He did a great fucking job and joker like that

673
00:26:40,720 --> 00:26:44,080
Speaker 1: was impressive. I'm not sure if I would have known

674
00:26:44,119 --> 00:26:46,399
Speaker 1: that that was Diddy if I had bumped into him

675
00:26:46,440 --> 00:26:49,560
Speaker 1: in La around like that. He really really did a

676
00:26:49,560 --> 00:26:54,240
Speaker 1: great job. His mannerisms, Uh, he just he really leaned

677
00:26:54,280 --> 00:26:57,680
Speaker 1: into that joker role a little too much.

678
00:26:57,680 --> 00:26:58,680
Speaker 3: I think a little too much.

679
00:26:58,680 --> 00:27:01,000
Speaker 1: He was joking a little too much. And I don't

680
00:27:01,000 --> 00:27:03,600
Speaker 1: think that people knew it was Again, I wouldn't have known.

681
00:27:05,200 --> 00:27:06,919
Speaker 1: Michael J. Ferguson, him and Mike puffing.

682
00:27:06,960 --> 00:27:07,320
Speaker 3: Michael J.

683
00:27:07,400 --> 00:27:08,280
Speaker 1: Ferguson had a.

684
00:27:08,240 --> 00:27:13,240
Speaker 3: Little a little little little crosses, no frequencies, like did

685
00:27:13,240 --> 00:27:15,480
Speaker 3: he say just the frequencies are a little off and was.

686
00:27:15,720 --> 00:27:18,160
Speaker 2: Two Bit looked like he was dressed as two Bit.

687
00:27:18,920 --> 00:27:21,159
Speaker 2: That was his costume, was his character. He was in

688
00:27:21,320 --> 00:27:23,120
Speaker 2: real life and he was acting the same way.

689
00:27:23,320 --> 00:27:26,520
Speaker 1: No gimmicks, This is really me fresh album. Yeah, just

690
00:27:26,520 --> 00:27:29,160
Speaker 1: did my push up and him and him and Diddy

691
00:27:29,200 --> 00:27:31,720
Speaker 1: had a little, you know, a little exchange of frequencies

692
00:27:31,720 --> 00:27:33,760
Speaker 1: and it was good to see that they got it,

693
00:27:33,880 --> 00:27:35,400
Speaker 1: you know, they got I don't think I don't think

694
00:27:35,400 --> 00:27:36,639
Speaker 1: two bits knew it was Diddy.

695
00:27:36,800 --> 00:27:37,280
Speaker 2: I don't either.

696
00:27:37,320 --> 00:27:37,760
Speaker 3: I don't think.

697
00:27:38,160 --> 00:27:40,040
Speaker 1: I don't think he knew that that was Diddy at first.

698
00:27:40,080 --> 00:27:42,400
Speaker 1: I think he thought it was some guy out in LA.

699
00:27:42,480 --> 00:27:44,320
Speaker 1: Everybody was out, I know, it was a big Halloween

700
00:27:44,320 --> 00:27:47,000
Speaker 1: party at tow and he probably thought it was just

701
00:27:47,000 --> 00:27:48,920
Speaker 1: some guy that you know, was dressed up as a

702
00:27:49,000 --> 00:27:51,359
Speaker 1: joker and got a little too close to him and

703
00:27:51,520 --> 00:27:52,360
Speaker 1: was talking.

704
00:27:52,040 --> 00:27:53,600
Speaker 3: And he probably was like, your dog, I don't know.

705
00:27:53,600 --> 00:27:55,200
Speaker 2: You you know what I mean, like and don't laugh in

706
00:27:55,240 --> 00:27:57,359
Speaker 2: my face like that. Yeah, I don't care how committed

707
00:27:57,400 --> 00:28:00,479
Speaker 2: you are. How did it even start though? Was it

708
00:28:00,480 --> 00:28:03,280
Speaker 2: that part of the video or just just the.

709
00:28:02,520 --> 00:28:05,480
Speaker 3: Puff probably just was, you know, just being the jokers,

710
00:28:05,520 --> 00:28:07,240
Speaker 3: just being the joker, being the joker, having a good

711
00:28:07,280 --> 00:28:11,240
Speaker 3: time walking up on people, you know, whatever, whatever, And

712
00:28:11,600 --> 00:28:12,000
Speaker 3: Michael J.

713
00:28:12,160 --> 00:28:14,840
Speaker 1: Ferguson just didn't respond to it because he probably, like

714
00:28:14,880 --> 00:28:16,879
Speaker 1: I said, I don't think, maybe he did, but I

715
00:28:16,880 --> 00:28:19,479
Speaker 1: don't think that he knew that was Diddy. And but

716
00:28:19,560 --> 00:28:22,320
Speaker 1: you know, they they they spoke, They had an exchange

717
00:28:22,400 --> 00:28:24,760
Speaker 1: and you know, Puff told him you know, Chank, come

718
00:28:24,800 --> 00:28:27,440
Speaker 1: to the after party, change your frequencies. I'm gonna start

719
00:28:27,480 --> 00:28:29,800
Speaker 1: saying that that's that's just it's not that we're just

720
00:28:29,880 --> 00:28:30,280
Speaker 1: change your.

721
00:28:30,560 --> 00:28:32,119
Speaker 2: He also said he taking me out of my energy.

722
00:28:32,160 --> 00:28:34,720
Speaker 2: I'm love. Yeah, like but he said it taking me

723
00:28:34,760 --> 00:28:36,120
Speaker 2: off threatening, taking me.

724
00:28:36,080 --> 00:28:41,080
Speaker 1: Off my frequency. I'm love. Ye watch, I'll kill you.

725
00:28:41,120 --> 00:28:41,960
Speaker 1: Don't ever speak to me.

726
00:28:42,360 --> 00:28:44,440
Speaker 4: I mean that's kind of waving a gun in his face.

727
00:28:44,560 --> 00:28:46,120
Speaker 1: Yeah, I'm the gun.

728
00:28:46,280 --> 00:28:48,200
Speaker 3: I'm the Joker. The Jokers all love you know that.

729
00:28:49,040 --> 00:28:52,040
Speaker 1: But but did he killed that role, killed that costume,

730
00:28:53,680 --> 00:28:54,960
Speaker 1: staying character.

731
00:28:55,040 --> 00:28:58,240
Speaker 2: Don't play with me on Halloween, Like why specifically it's Halloween.

732
00:28:58,240 --> 00:28:58,719
Speaker 2: You know it's my name?

733
00:28:58,840 --> 00:29:00,440
Speaker 1: Sent him out here. Well, he said, I'm out here

734
00:29:00,440 --> 00:29:02,560
Speaker 1: with love. I'm out here. You know, I'm out here

735
00:29:02,560 --> 00:29:04,960
Speaker 1: with love. I'm out here having a good time. And

736
00:29:05,160 --> 00:29:06,640
Speaker 1: you know, I think they was just like I said,

737
00:29:06,640 --> 00:29:08,720
Speaker 1: I don't think Michael J. Ferguson knew that that was

738
00:29:08,760 --> 00:29:11,560
Speaker 1: Diddy and you know, but they got it together, they

739
00:29:11,600 --> 00:29:14,480
Speaker 1: got it right. And you know, but Puff killed that.

740
00:29:14,720 --> 00:29:16,920
Speaker 1: He did he killed every clip I've seen of him

741
00:29:16,960 --> 00:29:20,000
Speaker 1: that night. But Puff was really the fucking Joker that.

742
00:29:20,080 --> 00:29:23,960
Speaker 3: Night for sure. If you guys were do Batman joker?

743
00:29:24,000 --> 00:29:24,880
Speaker 3: Which one of you would be?

744
00:29:24,880 --> 00:29:27,360
Speaker 1: Which Batman a joker?

745
00:29:27,840 --> 00:29:28,000
Speaker 3: Why?

746
00:29:27,960 --> 00:29:30,640
Speaker 2: I would have to check. I mean my hair colors already.

747
00:29:30,640 --> 00:29:32,800
Speaker 2: Similar to think Rory could play a good joker, I

748
00:29:32,920 --> 00:29:33,360
Speaker 2: think I could.

749
00:29:33,560 --> 00:29:35,960
Speaker 3: Yeah, I think Rory would be a good joker.

750
00:29:36,360 --> 00:29:39,520
Speaker 2: Except I most probably more welcome at those steps in

751
00:29:39,600 --> 00:29:40,440
Speaker 2: the Bronx than I am.

752
00:29:40,560 --> 00:29:43,880
Speaker 1: Yeah, so definitely more welcome. God those steps. Let me

753
00:29:43,880 --> 00:29:45,520
Speaker 1: tell you there's it's not it's nothing to joke about

754
00:29:45,520 --> 00:29:45,760
Speaker 1: with those.

755
00:29:45,960 --> 00:29:47,880
Speaker 2: Don't TikTok on those steps, those steps a.

756
00:29:48,200 --> 00:29:50,120
Speaker 1: Joke at all. And then definitely don't go over there

757
00:29:50,120 --> 00:29:51,000
Speaker 1: after midnight.

758
00:29:50,680 --> 00:29:52,440
Speaker 4: When people getting robbed when they would go over there

759
00:29:52,480 --> 00:29:53,080
Speaker 4: to take that photo.

760
00:29:53,200 --> 00:29:55,239
Speaker 1: Absolutely people would get robbed before they was going over

761
00:29:55,240 --> 00:29:57,320
Speaker 1: there to take him photo. In Hybrid, right, yeah you

762
00:29:57,400 --> 00:30:00,520
Speaker 1: know that? Well, no, that's right on that's like, uh,

763
00:30:00,560 --> 00:30:03,400
Speaker 1: that's not high Bridge, that's uh, that's off of Jerome.

764
00:30:04,080 --> 00:30:05,880
Speaker 1: I think that's off of Jerome av And those are

765
00:30:05,880 --> 00:30:07,200
Speaker 1: the same steps.

766
00:30:07,000 --> 00:30:10,760
Speaker 3: It's on one sixty seven in Hybrid. Yezzuh.

767
00:30:11,080 --> 00:30:14,240
Speaker 2: What other costumes I saw? I saw North had the

768
00:30:14,400 --> 00:30:17,960
Speaker 2: Michael Jackson smooth Criminal hat one. I was jealous too.

769
00:30:18,120 --> 00:30:20,760
Speaker 2: I think Kim is one of the most trusting parents

770
00:30:21,120 --> 00:30:23,920
Speaker 2: of all time. I have an issue of when I

771
00:30:24,000 --> 00:30:26,360
Speaker 2: become a parent that I don't know if I want

772
00:30:26,360 --> 00:30:28,840
Speaker 2: to buy my kids really nice clothes because kids ruined shit.

773
00:30:29,280 --> 00:30:31,040
Speaker 2: And I know, I know it's a little older, but

774
00:30:31,040 --> 00:30:32,360
Speaker 2: she's still a kid and kids ruin shit.

775
00:30:32,480 --> 00:30:34,840
Speaker 1: Let kids be kids. Let them wear things, but not

776
00:30:34,880 --> 00:30:36,840
Speaker 1: the smooth not the smooth criminal hat.

777
00:30:36,920 --> 00:30:38,240
Speaker 2: No, that's going in a case.

778
00:30:38,360 --> 00:30:41,280
Speaker 1: And then it says, along with jacket, North also got

779
00:30:41,320 --> 00:30:43,360
Speaker 1: Michael's smooth criminal hat. It still has to make up

780
00:30:43,400 --> 00:30:46,800
Speaker 1: on it now, or to make up that North is

781
00:30:46,840 --> 00:30:50,680
Speaker 1: wearing because it looks the same, Like it's the same, right, Uh?

782
00:30:50,960 --> 00:30:54,480
Speaker 1: Damage that a bronzer? Is that what that's called?

783
00:30:55,320 --> 00:30:58,800
Speaker 2: I would say, I'm gonna say that Michael and North

784
00:30:58,800 --> 00:31:00,240
Speaker 2: don't have the same fency number.

785
00:31:00,160 --> 00:31:02,360
Speaker 1: But yeah, they definitely didn't have the same fantin number.

786
00:31:02,400 --> 00:31:05,320
Speaker 6: Do you guys think that they should leave these priceless

787
00:31:05,360 --> 00:31:08,440
Speaker 6: collectibles the fuck alone? Or because they bought them, Like

788
00:31:08,520 --> 00:31:09,760
Speaker 6: it's okay, they.

789
00:31:09,600 --> 00:31:10,440
Speaker 2: Bought them as they ship.

790
00:31:10,600 --> 00:31:12,560
Speaker 1: I mean, they bought them as theirs now, but I mean,

791
00:31:12,960 --> 00:31:13,800
Speaker 1: you know, I.

792
00:31:13,680 --> 00:31:16,200
Speaker 2: Want to hear that Wu Tang album, but that that

793
00:31:16,360 --> 00:31:18,600
Speaker 2: scumbag pharmacists bought it, so if we didn't get to

794
00:31:18,600 --> 00:31:19,120
Speaker 2: hear it, so you.

795
00:31:19,080 --> 00:31:21,280
Speaker 1: Never got those tracks, you know, I mean when you

796
00:31:21,640 --> 00:31:24,760
Speaker 1: obviously have you know, the money and the life that

797
00:31:24,920 --> 00:31:28,480
Speaker 1: Kim Kardashian has, you buy things like that, And I mean,

798
00:31:28,560 --> 00:31:28,880
Speaker 1: you know.

799
00:31:28,920 --> 00:31:30,440
Speaker 2: She's a she's a collector.

800
00:31:30,920 --> 00:31:32,720
Speaker 3: Yeah, she let her. Let her she's a hipster.

801
00:31:33,040 --> 00:31:35,680
Speaker 1: Let her kids wear some of the magic that Michael

802
00:31:35,760 --> 00:31:39,240
Speaker 1: Jackson possessed. I don't know, maybe feel that energy, I guess.

803
00:31:39,280 --> 00:31:39,600
Speaker 3: I don't know.

804
00:31:39,640 --> 00:31:41,560
Speaker 2: What did she wear Marilyn morose dress this year?

805
00:31:41,760 --> 00:31:42,440
Speaker 4: She ripped it.

806
00:31:42,720 --> 00:31:44,480
Speaker 6: She ripped Marilyn Monroe's like.

807
00:31:46,040 --> 00:31:47,800
Speaker 3: Because that was ripped already.

808
00:31:47,840 --> 00:31:50,760
Speaker 5: Yeah, Maryland didn't have a BBL, so the shape was

809
00:31:50,760 --> 00:31:51,880
Speaker 5: a little different in the dress.

810
00:31:51,960 --> 00:31:54,520
Speaker 6: She lost a bunch of weight to fit into the dress.

811
00:31:54,960 --> 00:31:58,120
Speaker 6: And then even still her ass is too big to

812
00:31:58,200 --> 00:32:01,000
Speaker 6: get into Maryland Monroe was dressed, so she ripped the dress.

813
00:32:01,080 --> 00:32:02,920
Speaker 2: Well, we never really saw because the dress only went

814
00:32:02,960 --> 00:32:05,200
Speaker 2: so high in that picture. We never really saw the cheeks.

815
00:32:05,840 --> 00:32:07,120
Speaker 1: Marylyn might have had some cheeks.

816
00:32:07,760 --> 00:32:08,520
Speaker 4: She was double cheeks.

817
00:32:08,760 --> 00:32:09,480
Speaker 2: Me pancake glass.

818
00:32:09,960 --> 00:32:15,680
Speaker 1: No she had she had she had thick legs by what, No, No,

819
00:32:15,720 --> 00:32:16,600
Speaker 1: she had Marylyn Moore had.

820
00:32:16,560 --> 00:32:19,040
Speaker 4: Thick legs, like we can't compare them to Kim's.

821
00:32:19,480 --> 00:32:21,640
Speaker 1: Well, I mean, I'm just saying Marilyn Monroe wasn't like

822
00:32:21,680 --> 00:32:22,840
Speaker 1: a skinny woman.

823
00:32:22,960 --> 00:32:26,760
Speaker 6: Like, but what we deemed skinny now, what they deemed

824
00:32:26,760 --> 00:32:28,520
Speaker 6: skinny back then is different. Like back in the day

825
00:32:28,560 --> 00:32:30,800
Speaker 6: they said that Jalo had a huge ass, and Jalo

826
00:32:30,920 --> 00:32:35,120
Speaker 6: did not have a huge ass, Like it's completely different standards.

827
00:32:35,160 --> 00:32:38,240
Speaker 1: I wouldn't say huge, but Jalo had a nice she

828
00:32:38,280 --> 00:32:40,520
Speaker 1: had a nice but real nice.

829
00:32:40,560 --> 00:32:42,160
Speaker 2: I'm just saying, if you go to and I want

830
00:32:42,160 --> 00:32:45,320
Speaker 2: no smoke behind, if you go watch the Booty Delicious video,

831
00:32:45,520 --> 00:32:48,920
Speaker 2: now you look at it differently than when we looked

832
00:32:48,960 --> 00:32:51,240
Speaker 2: at it. At that's opted Booty Delicious.

833
00:32:51,240 --> 00:32:52,720
Speaker 3: Go look at the Thong song video.

834
00:32:53,880 --> 00:32:55,200
Speaker 2: There's still there's some cheeks in there though.

835
00:32:55,240 --> 00:32:57,240
Speaker 1: Yeah, but it wasn't like that. It wasn't crazy like

836
00:32:57,320 --> 00:32:59,400
Speaker 1: how we thought it was back then. Like now it's

837
00:32:59,480 --> 00:32:59,840
Speaker 1: like the.

838
00:33:00,040 --> 00:33:02,120
Speaker 4: It was just Cisco running on top of everyone's head.

839
00:33:02,280 --> 00:33:05,520
Speaker 1: Yeah, it's just like it's not it's not classic videos.

840
00:33:05,560 --> 00:33:08,719
Speaker 1: But no, Maroll wasn't a skinny, skinny wom. She has

841
00:33:08,920 --> 00:33:14,120
Speaker 1: she has some curves, definitely have some curves. Anyways, Well,

842
00:33:15,040 --> 00:33:17,800
Speaker 1: congrating a happy Halloween to all of all of the

843
00:33:17,960 --> 00:33:21,200
Speaker 1: celebrities that dressed up and really leaned into these characters.

844
00:33:21,240 --> 00:33:23,240
Speaker 1: I saw a lot of really really good characters.

845
00:33:24,000 --> 00:33:26,000
Speaker 3: Just showed me that Lori Harvey Beyonce, I didn't see

846
00:33:26,000 --> 00:33:27,440
Speaker 3: that she she killed that.

847
00:33:28,240 --> 00:33:30,680
Speaker 2: I would like to know. Honestly, I didn't really care

848
00:33:30,680 --> 00:33:33,040
Speaker 2: about any celebrity Halloween ship. I just want to know

849
00:33:33,040 --> 00:33:35,560
Speaker 2: what Rihanna is going to be, and that's it. Whatever

850
00:33:35,600 --> 00:33:36,640
Speaker 2: Rihanna is what I'm interested in.

851
00:33:37,480 --> 00:33:39,480
Speaker 3: Yeah, did we see any Halloween picture of Rihanna?

852
00:33:40,560 --> 00:33:43,680
Speaker 2: You'll probably get some tonight because we're recording on Halloween.

853
00:33:44,320 --> 00:33:47,080
Speaker 2: There's that really celebrity Halloween party that you're going to tonight.

854
00:33:47,080 --> 00:33:48,080
Speaker 2: I'm sure Rihanna will be there.

855
00:33:48,080 --> 00:33:48,640
Speaker 1: I'll be there.

856
00:33:49,120 --> 00:33:49,760
Speaker 2: What are you gonna be?

857
00:33:50,600 --> 00:33:54,920
Speaker 3: We're gonna be a podcaster? Okay, oh gosh, yeah, but

858
00:33:55,200 --> 00:33:56,160
Speaker 3: I can't be a podcaster.

859
00:33:56,400 --> 00:33:57,720
Speaker 2: You could go as Asap Rocky.

860
00:33:59,040 --> 00:34:01,600
Speaker 1: I'm definitely not going with a sap there. Yeah, that's

861
00:34:01,800 --> 00:34:05,640
Speaker 1: that's just weird. Hey, I'm you just didn't doesn't hit

862
00:34:05,640 --> 00:34:05,840
Speaker 1: the thing.

863
00:34:05,880 --> 00:34:08,840
Speaker 2: Because people do dress up as celebrities obviously for Halloween,

864
00:34:08,920 --> 00:34:11,800
Speaker 2: it would be funny to watch like a non celebrity

865
00:34:11,800 --> 00:34:14,399
Speaker 2: go to one of these parties dressed as the celebrity. Yeah,

866
00:34:14,440 --> 00:34:18,600
Speaker 2: and like seeing that interaction. No, I'm you.

867
00:34:18,600 --> 00:34:24,359
Speaker 1: You can't tell Nah, not really, but happy Halloween. Don't

868
00:34:24,400 --> 00:34:25,080
Speaker 1: knock on my door?

869
00:34:25,120 --> 00:34:29,239
Speaker 3: Please? Why not? I don't have any candy the only

870
00:34:29,360 --> 00:34:31,440
Speaker 3: thing though, and I won't be home, so please, I'm

871
00:34:31,480 --> 00:34:32,080
Speaker 3: knocking on my door.

872
00:34:33,840 --> 00:34:36,680
Speaker 2: Speaking of which, the Rihanna put out a record for

873
00:34:36,760 --> 00:34:37,360
Speaker 2: Black Panther.

874
00:34:37,520 --> 00:34:39,880
Speaker 1: Rihanna put out a record. She had the Internet in

875
00:34:39,880 --> 00:34:43,319
Speaker 1: the frenzy when she posted the video with the r

876
00:34:44,160 --> 00:34:48,400
Speaker 1: I thought she was doing a tribute to Rough Riders. Yes,

877
00:34:49,000 --> 00:34:51,080
Speaker 1: but listen, man, it was for a single. Lift Me

878
00:34:51,200 --> 00:34:53,560
Speaker 1: Up is the name of it. Can we be honest?

879
00:34:53,560 --> 00:34:55,680
Speaker 2: That we allowed to be honest? I'm part of the Navy,

880
00:34:55,719 --> 00:34:57,880
Speaker 2: but I feel like I can be honest in the navy.

881
00:34:57,640 --> 00:34:59,440
Speaker 1: Be honest in the Navy. How do you feel about it?

882
00:35:01,239 --> 00:35:02,600
Speaker 4: Did they lift you up? No?

883
00:35:03,760 --> 00:35:06,279
Speaker 2: I think in the movie I'll probably be like, oh,

884
00:35:06,280 --> 00:35:09,799
Speaker 2: I get it, But just by itself, it's not something

885
00:35:09,840 --> 00:35:12,560
Speaker 2: I'm running to go back and listen to.

886
00:35:12,760 --> 00:35:14,719
Speaker 1: I've seen a lot of people they were kind of

887
00:35:15,640 --> 00:35:19,239
Speaker 1: disappointed in it being a ballot movie though, I think

888
00:35:19,239 --> 00:35:20,200
Speaker 1: people thought it was going to.

889
00:35:20,200 --> 00:35:21,239
Speaker 2: Because of the tribute.

890
00:35:21,560 --> 00:35:23,279
Speaker 1: Well yeah, but I think people thought it was going

891
00:35:23,360 --> 00:35:25,719
Speaker 1: to be a little more up tempo, have a little

892
00:35:25,760 --> 00:35:27,520
Speaker 1: more movement to it.

893
00:35:28,400 --> 00:35:29,319
Speaker 3: But I like it.

894
00:35:29,440 --> 00:35:30,239
Speaker 2: Did you dance to it?

895
00:35:30,760 --> 00:35:30,880
Speaker 3: No?

896
00:35:30,920 --> 00:35:34,160
Speaker 1: I didn't dance to it. I listen interpreted.

897
00:35:34,360 --> 00:35:35,879
Speaker 2: You know the dance they do a church rain.

898
00:35:35,840 --> 00:35:38,120
Speaker 1: Dance that you're kind of racist when they catch the

899
00:35:38,160 --> 00:35:38,680
Speaker 1: Holy Ghost.

900
00:35:38,760 --> 00:35:41,040
Speaker 2: Well that not that one, but you know, like when

901
00:35:41,040 --> 00:35:42,640
Speaker 2: they do like the Talent show portion of church.

902
00:35:43,320 --> 00:35:45,720
Speaker 1: Oh, that's when they want to raise funds, more funds

903
00:35:45,719 --> 00:35:46,480
Speaker 1: after taking times.

904
00:35:46,760 --> 00:35:48,600
Speaker 2: Yeah, they're taking twenty percent of my check.

905
00:35:49,640 --> 00:35:50,080
Speaker 3: More funds.

906
00:35:50,120 --> 00:35:51,160
Speaker 1: We need new paint.

907
00:35:51,200 --> 00:35:53,560
Speaker 2: God is telling me the twenty dollars out there right now.

908
00:35:54,400 --> 00:35:56,239
Speaker 1: Somebody has it right here. I feel it.

909
00:35:56,280 --> 00:35:56,920
Speaker 2: The Lord.

910
00:35:58,719 --> 00:36:00,600
Speaker 1: Move the basket on this side over here.

911
00:36:04,080 --> 00:36:05,680
Speaker 2: So what what do you really think? You like it?

912
00:36:05,760 --> 00:36:06,879
Speaker 2: It's like you gonna listen to it again.

913
00:36:06,920 --> 00:36:07,920
Speaker 1: I like it. I mean I'm not.

914
00:36:08,080 --> 00:36:09,800
Speaker 2: I'm didn't make a playlist.

915
00:36:10,080 --> 00:36:11,080
Speaker 3: You really like it? Though?

916
00:36:11,200 --> 00:36:11,839
Speaker 1: I liked the song?

917
00:36:12,040 --> 00:36:12,279
Speaker 3: Yeah?

918
00:36:12,480 --> 00:36:13,600
Speaker 4: How many times you heard it?

919
00:36:14,040 --> 00:36:15,560
Speaker 1: I listened to it probably about four.

920
00:36:15,400 --> 00:36:18,160
Speaker 2: Times, four times in a row, or like it was

921
00:36:18,239 --> 00:36:21,080
Speaker 2: just throughout the weekend, Like damn, that that Rihanna on No.

922
00:36:21,160 --> 00:36:22,560
Speaker 1: I listened to it when it first came out. I

923
00:36:22,600 --> 00:36:24,640
Speaker 1: listened to it like three or four times. I just

924
00:36:24,640 --> 00:36:27,040
Speaker 1: had it because after that it's the I think, just

925
00:36:27,080 --> 00:36:28,879
Speaker 1: the instrumental plays right after that.

926
00:36:29,160 --> 00:36:31,279
Speaker 3: Yes, I downloaded it. It was an instrumental. Right after that.

927
00:36:31,280 --> 00:36:32,520
Speaker 3: That's I just let that ship play.

928
00:36:32,560 --> 00:36:37,239
Speaker 4: You downloaded it, Yeah, you're six purchase, No, just downloaded it.

929
00:36:37,239 --> 00:36:38,759
Speaker 2: Okay for someone you're on the plane, like, you don't

930
00:36:38,760 --> 00:36:39,120
Speaker 2: need to worry.

931
00:36:39,760 --> 00:36:41,520
Speaker 1: Rihanna song one day he won day hear what's going on?

932
00:36:41,920 --> 00:36:43,960
Speaker 2: But yeah, it's an instrumental. If you want to put

933
00:36:43,960 --> 00:36:46,520
Speaker 2: some bars on it, I don't. It's not really like Yo,

934
00:36:46,600 --> 00:36:48,880
Speaker 2: Meek just remixed Munch like you got to remix to

935
00:36:48,920 --> 00:36:49,400
Speaker 2: lift me up?

936
00:36:49,440 --> 00:36:50,920
Speaker 1: Yeah, but this ain't really It ain't really like it

937
00:36:50,920 --> 00:36:52,080
Speaker 1: didn't speak to me like that.

938
00:36:52,480 --> 00:36:56,800
Speaker 2: It would be your first lift me up or like Harlem,

939
00:36:57,080 --> 00:36:57,680
Speaker 2: lift me up?

940
00:36:58,640 --> 00:36:59,480
Speaker 4: Who'd you lift up?

941
00:37:00,400 --> 00:37:04,640
Speaker 2: Something with weight lifted? But at the weight I shifted somewhere.

942
00:37:10,239 --> 00:37:12,560
Speaker 2: Once the weight was lifted. That weight was lifted, like

943
00:37:12,600 --> 00:37:14,000
Speaker 2: I know where you could go with this ship man.

944
00:37:14,200 --> 00:37:17,440
Speaker 1: Then the energy was shifted. I get it, but I

945
00:37:17,520 --> 00:37:20,120
Speaker 1: liked it. I understand I've seen the some people saying

946
00:37:20,120 --> 00:37:22,919
Speaker 1: it wasn't expecting a ballad, and you know, some people

947
00:37:22,960 --> 00:37:26,600
Speaker 1: don't feel like Rihanna is the ballad voice or whatever.

948
00:37:26,760 --> 00:37:28,920
Speaker 1: I mean. I like the song. I'm not going to

949
00:37:29,000 --> 00:37:30,640
Speaker 1: be playing it much, but I like it.

950
00:37:30,680 --> 00:37:31,480
Speaker 3: I'm not mad at it.

951
00:37:31,520 --> 00:37:35,240
Speaker 1: And I do know that in the movie, I'm pretty

952
00:37:35,239 --> 00:37:37,680
Speaker 1: sure they have a scene where the Black Panther died

953
00:37:38,120 --> 00:37:41,040
Speaker 1: recipes Chadwick Boseman, I'm pretty sure it will make more

954
00:37:41,120 --> 00:37:41,799
Speaker 1: sense in that.

955
00:37:42,360 --> 00:37:45,400
Speaker 2: I think so too, But I'd rather see the scenes

956
00:37:45,440 --> 00:37:47,840
Speaker 2: with it, yeah, than soundtracking.

957
00:37:47,920 --> 00:37:49,759
Speaker 1: And I do think the soundtrack is gonna be dope.

958
00:37:50,760 --> 00:37:55,040
Speaker 1: I'm I'm guessing that they they really put some some real,

959
00:37:55,160 --> 00:38:00,160
Speaker 1: real money and real music heavy people behind it. I'm

960
00:38:00,160 --> 00:38:02,120
Speaker 1: thinking that if Rihanna is the first single.

961
00:38:02,160 --> 00:38:04,280
Speaker 2: Yeah, and she has nothing, has to be the next.

962
00:38:04,120 --> 00:38:05,040
Speaker 1: Right, she has another one?

963
00:38:06,000 --> 00:38:07,400
Speaker 2: You said, who has to be next Eminem?

964
00:38:07,480 --> 00:38:11,200
Speaker 4: Right? If they the real Black Panther.

965
00:38:11,120 --> 00:38:13,720
Speaker 1: Fit, if they got Imine on this Black Panther, wouldn't

966
00:38:13,719 --> 00:38:15,880
Speaker 1: that be such like a movie thing to do?

967
00:38:15,920 --> 00:38:18,839
Speaker 2: Though some movie company be like, well, let's get Eminem.

968
00:38:18,440 --> 00:38:19,360
Speaker 4: Here in Jack Carlow.

969
00:38:20,760 --> 00:38:24,200
Speaker 2: Jack Jack Carlo is definitely on this Definitely, he's doing

970
00:38:24,239 --> 00:38:25,640
Speaker 2: the intro a thousand percent.

971
00:38:25,719 --> 00:38:27,400
Speaker 4: Jack Harlow's on he's the voice of Wakanda.

972
00:38:27,520 --> 00:38:31,200
Speaker 2: Absolutely, it's Jack the face of kidding Jack feature in

973
00:38:31,239 --> 00:38:31,680
Speaker 2: Doja Cat.

974
00:38:31,800 --> 00:38:36,040
Speaker 1: Yeah, gotta love it. But yeah, I like to lift

975
00:38:36,080 --> 00:38:38,000
Speaker 1: me up song, but I do. I understand why some

976
00:38:38,000 --> 00:38:40,120
Speaker 1: people were kind of people was ready to shake as

977
00:38:40,200 --> 00:38:41,839
Speaker 1: they thought it was gonna be some afro beat ship.

978
00:38:42,239 --> 00:38:45,319
Speaker 2: You know, just just pop pop ballads are always kind

979
00:38:45,320 --> 00:38:46,640
Speaker 2: of hit or miss. When me speaking of emon, like,

980
00:38:46,760 --> 00:38:49,000
Speaker 2: remember when eminem and Beyonce did that ballad like a

981
00:38:49,000 --> 00:38:51,239
Speaker 2: few years ago, and it was just like we didn't

982
00:38:51,239 --> 00:38:53,560
Speaker 2: need this on you guys. Yeah, walk on the water

983
00:38:53,719 --> 00:38:54,200
Speaker 2: or some ship.

984
00:38:54,800 --> 00:38:57,160
Speaker 1: Listen. I understand, I get it. I understand you know

985
00:38:57,400 --> 00:39:00,000
Speaker 1: that some of the negative feedback on it. I understand

986
00:39:00,520 --> 00:39:02,880
Speaker 1: why people feel that way, but I do I'm not

987
00:39:02,960 --> 00:39:03,560
Speaker 1: mad at the song.

988
00:39:05,000 --> 00:39:07,640
Speaker 2: Well, Sissa put out an actual good song.

989
00:39:07,840 --> 00:39:08,160
Speaker 1: She did.

990
00:39:08,840 --> 00:39:10,239
Speaker 3: She's a put out dope record.

991
00:39:10,840 --> 00:39:11,200
Speaker 2: Listen.

992
00:39:12,120 --> 00:39:13,520
Speaker 1: And I don't know why I thought that this was

993
00:39:13,560 --> 00:39:15,600
Speaker 1: another song from the soundtrack.

994
00:39:15,960 --> 00:39:18,120
Speaker 2: No, they just when I heard it was on the headlines,

995
00:39:18,160 --> 00:39:21,200
Speaker 2: Rihanna siss it back, and you just assumed that, Yeah, yeah,

996
00:39:21,200 --> 00:39:23,640
Speaker 2: that's what she's been teasing this record for a little while.

997
00:39:23,680 --> 00:39:24,120
Speaker 1: I like it.

998
00:39:24,880 --> 00:39:30,080
Speaker 2: I know fans were waiting for shirts specifically, but I'm

999
00:39:30,080 --> 00:39:32,720
Speaker 2: excited for the album, not only because Sissa hasn't missed

1000
00:39:32,719 --> 00:39:34,759
Speaker 2: with these three records, four records she's put out since.

1001
00:39:35,680 --> 00:39:38,480
Speaker 2: Outside of her being one of my favorite artists, I'm

1002
00:39:38,520 --> 00:39:41,439
Speaker 2: just waiting to see when she's finally gonna take some accountability.

1003
00:39:41,760 --> 00:39:43,160
Speaker 2: It's the fourth record in a row.

1004
00:39:44,040 --> 00:39:46,680
Speaker 3: You guysn't taken any I think I think Sissa is

1005
00:39:46,680 --> 00:39:49,160
Speaker 3: probably one of the most toxic writers of all time.

1006
00:39:50,880 --> 00:39:53,360
Speaker 2: That's someone that loves toxic music. And I think Sissa

1007
00:39:53,400 --> 00:39:58,160
Speaker 2: has an incredible pen, probably top five pens in my

1008
00:39:58,239 --> 00:40:01,880
Speaker 2: opinion currently. But she's just one of the most toxic

1009
00:40:01,880 --> 00:40:05,400
Speaker 2: writers ever. Did she She takes no accountability? Friends, I

1010
00:40:05,480 --> 00:40:07,520
Speaker 2: used to think Janey was the one that never took accountability.

1011
00:40:07,520 --> 00:40:12,359
Speaker 2: Scissa took the no accountability baton and dead sprinted down

1012
00:40:12,360 --> 00:40:16,479
Speaker 2: the last one hundred meters She usain bolted that last

1013
00:40:16,480 --> 00:40:17,359
Speaker 2: accountability run.

1014
00:40:17,400 --> 00:40:18,680
Speaker 1: How do you feel? How you feel about the song

1015
00:40:18,760 --> 00:40:19,319
Speaker 1: or do you I love it?

1016
00:40:19,440 --> 00:40:21,680
Speaker 2: Yeah, I think it's great. Sissa has not missed with

1017
00:40:21,680 --> 00:40:22,799
Speaker 2: with any of these records.

1018
00:40:23,760 --> 00:40:24,760
Speaker 3: Dark Child did this.

1019
00:40:26,200 --> 00:40:29,440
Speaker 2: I don't know what that is. Great, Yeah, love Dark Child, Okay,

1020
00:40:30,560 --> 00:40:32,279
Speaker 2: I liked the record cool.

1021
00:40:32,600 --> 00:40:36,640
Speaker 1: But Sissy, I mean sisit does she has sys a missed.

1022
00:40:38,239 --> 00:40:41,520
Speaker 2: Uh not since Control. I think there was some stuff

1023
00:40:41,560 --> 00:40:44,400
Speaker 2: when she was still like, you know, getting into her

1024
00:40:44,719 --> 00:40:46,759
Speaker 2: artichy bag of who she was on those EPs. There

1025
00:40:46,800 --> 00:40:48,520
Speaker 2: was a few joints that I didn't particularly like. But

1026
00:40:49,120 --> 00:40:51,560
Speaker 2: I think since Control, I don't. I can't think of

1027
00:40:51,600 --> 00:40:54,680
Speaker 2: a bad Sister song since Control, or even an average one.

1028
00:40:55,640 --> 00:40:56,680
Speaker 2: I think they're all incredible.

1029
00:40:56,680 --> 00:41:00,560
Speaker 1: I think Scissa is just, you know, she's in her

1030
00:41:01,320 --> 00:41:03,960
Speaker 1: in her zone, in her world. She doesn't you know,

1031
00:41:03,960 --> 00:41:05,640
Speaker 1: you don't hear from Sis unless she wants you to

1032
00:41:05,640 --> 00:41:08,160
Speaker 1: hear from her. You really don't even see Sis unless

1033
00:41:08,400 --> 00:41:10,399
Speaker 1: she wants you to see her. And I think when

1034
00:41:10,520 --> 00:41:12,880
Speaker 1: artists do that, I think that that's when they're at

1035
00:41:12,880 --> 00:41:15,759
Speaker 1: their best. It's like they kind of like tune out

1036
00:41:15,760 --> 00:41:17,719
Speaker 1: all the other noise. They don't really care about what

1037
00:41:18,440 --> 00:41:21,719
Speaker 1: is going on and what's popular, Like they stay in

1038
00:41:21,760 --> 00:41:24,600
Speaker 1: their zone. They do what they do, And to me,

1039
00:41:24,680 --> 00:41:27,640
Speaker 1: Sissa hasn't missed, like you said, since Control, any song

1040
00:41:27,760 --> 00:41:31,399
Speaker 1: she's put out. We were talking about the Black Panther

1041
00:41:31,920 --> 00:41:35,839
Speaker 1: Black panther soundtrack from the first movie You know her.

1042
00:41:36,440 --> 00:41:39,080
Speaker 1: This record on Yeah she killed that. She just Siss

1043
00:41:39,280 --> 00:41:42,080
Speaker 1: is in her her zone. She does she does with

1044
00:41:42,120 --> 00:41:44,560
Speaker 1: Sisster that she's not trying to be nobody else, not

1045
00:41:44,600 --> 00:41:48,040
Speaker 1: trying to sound like nobody else. And this record is

1046
00:41:48,239 --> 00:41:50,279
Speaker 1: another one to add to the list for me from

1047
00:41:50,280 --> 00:41:51,400
Speaker 1: Sissy for sure.

1048
00:41:52,920 --> 00:41:54,439
Speaker 2: Actually, a lot of good music came out this weekend.

1049
00:41:54,800 --> 00:41:58,240
Speaker 2: That's Smino album I'm ready to say is a candidate

1050
00:41:58,280 --> 00:42:03,120
Speaker 2: for album say it. I'm going even I'm going even further.

1051
00:42:03,360 --> 00:42:06,640
Speaker 2: Four days, I'm going even further rap album of the Year,

1052
00:42:06,920 --> 00:42:10,080
Speaker 2: Album of the year been okay.

1053
00:42:10,280 --> 00:42:14,200
Speaker 3: Four long days, it's only been it's only been ninety

1054
00:42:14,239 --> 00:42:15,760
Speaker 3: six hours.

1055
00:42:15,800 --> 00:42:18,239
Speaker 2: Please, you're just saying that because you're a swiftye and

1056
00:42:18,280 --> 00:42:20,399
Speaker 2: she has the top ten and you only care about

1057
00:42:20,440 --> 00:42:21,080
Speaker 2: Taylor right now?

1058
00:42:21,160 --> 00:42:25,839
Speaker 1: Hi, HiT's me Listen. This Smino album is dope.

1059
00:42:26,280 --> 00:42:26,759
Speaker 3: I'm with you.

1060
00:42:26,880 --> 00:42:29,040
Speaker 1: I love Smino. I think he's super talented. I think

1061
00:42:29,040 --> 00:42:31,640
Speaker 1: he's underrated still, I think this.

1062
00:42:31,640 --> 00:42:33,560
Speaker 2: Is the one where he's gonna get it just too funny.

1063
00:42:33,600 --> 00:42:37,240
Speaker 1: This album is this album's incredible.

1064
00:42:36,760 --> 00:42:39,879
Speaker 2: Album of the Year candidates across animal genre.

1065
00:42:39,640 --> 00:42:43,080
Speaker 1: Period sounds great. I love the feature out to shouts

1066
00:42:43,080 --> 00:42:46,000
Speaker 1: Adoci shouts A lucky day, My god.

1067
00:42:46,080 --> 00:42:49,239
Speaker 2: Reggie's on the Felix A lucky day, went crazy on that.

1068
00:42:49,760 --> 00:42:51,840
Speaker 3: Listen great project.

1069
00:42:52,120 --> 00:42:55,400
Speaker 2: Jermaine Cole Jermaine is on there, fat Man Scoop is

1070
00:42:55,440 --> 00:42:55,759
Speaker 2: on there.

1071
00:42:55,880 --> 00:42:59,680
Speaker 1: I mean, listen, listen. I love the album little Oozy.

1072
00:43:00,120 --> 00:43:00,839
Speaker 4: The records is great.

1073
00:43:00,920 --> 00:43:02,280
Speaker 1: I love the album.

1074
00:43:02,600 --> 00:43:06,200
Speaker 3: It's been four days though. Gentlemen and baby D who

1075
00:43:06,640 --> 00:43:12,239
Speaker 3: sometimes goes by gentlemen, gentleman D.

1076
00:43:12,440 --> 00:43:13,080
Speaker 1: Yeah, gentlemen D.

1077
00:43:15,040 --> 00:43:19,920
Speaker 3: Great project sounds great, love it. I can't go as

1078
00:43:19,960 --> 00:43:21,839
Speaker 3: far as you've gone. You have to get I'm there,

1079
00:43:21,920 --> 00:43:22,640
Speaker 3: have to get out the car.

1080
00:43:22,920 --> 00:43:25,360
Speaker 2: And here's the thing. If time does pass and I

1081
00:43:25,360 --> 00:43:29,080
Speaker 2: feel differently, I'm not gonna admit it, stand back around.

1082
00:43:29,200 --> 00:43:30,080
Speaker 2: I've gotta stand.

1083
00:43:30,360 --> 00:43:32,319
Speaker 3: I still think that's why I said, don't say it,

1084
00:43:32,440 --> 00:43:33,560
Speaker 3: but but I'm not.

1085
00:43:33,800 --> 00:43:34,080
Speaker 1: Listen.

1086
00:43:34,200 --> 00:43:36,840
Speaker 2: Great project, it's been it's been a very long time.

1087
00:43:37,840 --> 00:43:41,600
Speaker 3: Great writing, the lyrics, all the music, the transition. It's

1088
00:43:41,640 --> 00:43:43,000
Speaker 3: just you could tell they took their time.

1089
00:43:43,040 --> 00:43:44,800
Speaker 2: It's been a long time since this album.

1090
00:43:44,960 --> 00:43:45,880
Speaker 1: This is art Rory.

1091
00:43:45,960 --> 00:43:48,840
Speaker 2: Immediately I've been like, no, I know it's music. Is

1092
00:43:48,840 --> 00:43:53,040
Speaker 2: are If you'll go the definition. I haven't had an

1093
00:43:53,040 --> 00:43:57,719
Speaker 2: album like Paul's hit me immediately in a long time.

1094
00:43:58,440 --> 00:44:00,759
Speaker 2: This Meno album is one of those. To me, it's

1095
00:44:00,760 --> 00:44:04,279
Speaker 2: spoke to you. Yeah, I get it. I love it,

1096
00:44:04,440 --> 00:44:08,000
Speaker 2: and we can take some more time and fully break

1097
00:44:08,040 --> 00:44:10,880
Speaker 2: down and digest the album. But I have it already

1098
00:44:11,640 --> 00:44:13,040
Speaker 2: as an Album of the Year candidate.

1099
00:44:13,440 --> 00:44:15,880
Speaker 1: I'm not I'm listening. I know why you say that

1100
00:44:15,920 --> 00:44:16,640
Speaker 1: this needs.

1101
00:44:16,400 --> 00:44:18,920
Speaker 2: To be in Grammy shit for Album of the Year,

1102
00:44:19,040 --> 00:44:20,040
Speaker 2: not rap album of the Year.

1103
00:44:20,080 --> 00:44:22,440
Speaker 1: Listen when I when I listen to it, I let

1104
00:44:22,440 --> 00:44:23,959
Speaker 1: it play a couple of times, and I'm like, damn,

1105
00:44:23,960 --> 00:44:27,520
Speaker 1: this shit is and it's like, what's fifteen tracks.

1106
00:44:27,480 --> 00:44:29,279
Speaker 2: But it's like fifty minutes long.

1107
00:44:29,360 --> 00:44:31,359
Speaker 1: Yeah, but it's not it's not like it's not too

1108
00:44:31,440 --> 00:44:33,600
Speaker 1: much music though, it's not like a super long album.

1109
00:44:33,680 --> 00:44:36,240
Speaker 1: It's like, Damn, this shit is really like it's fifteen tracks,

1110
00:44:36,239 --> 00:44:39,520
Speaker 1: but it's it's it's not a long album. Yeah, the

1111
00:44:39,800 --> 00:44:43,360
Speaker 1: the lyrics, the music, you know, it's just just a

1112
00:44:43,400 --> 00:44:46,160
Speaker 1: really really good album, really good album. I'm not mad

1113
00:44:46,200 --> 00:44:47,759
Speaker 1: at you, Rory for saying what you're saying, but I

1114
00:44:47,760 --> 00:44:49,480
Speaker 1: can't say that yet. It's only been four days, but

1115
00:44:49,920 --> 00:44:52,640
Speaker 1: this is a really really, really good album. Shout out

1116
00:44:52,640 --> 00:44:56,120
Speaker 1: to Smino for sure. Support Smino too, man, because he's

1117
00:44:56,160 --> 00:44:58,440
Speaker 1: just one of those artists I think that you know,

1118
00:44:59,440 --> 00:45:02,239
Speaker 1: you put out projects like this and you know it's

1119
00:45:02,280 --> 00:45:04,799
Speaker 1: in this climate. It shows that they are still true

1120
00:45:04,920 --> 00:45:07,960
Speaker 1: artists out here, people who still pay attention very details.

1121
00:45:08,040 --> 00:45:08,879
Speaker 2: Sound like everybody else.

1122
00:45:09,000 --> 00:45:11,399
Speaker 1: Yeah, not trying to sound like everybody else, do their

1123
00:45:11,440 --> 00:45:16,239
Speaker 1: own thing. Still dope cool, saying the right shit. It

1124
00:45:16,440 --> 00:45:20,759
Speaker 1: just sounds good. So yeah, shout out to Smino. The

1125
00:45:20,800 --> 00:45:23,759
Speaker 1: title of the album is Love for Rent, Love for Wrench.

1126
00:45:23,840 --> 00:45:27,080
Speaker 1: I love that title, Love for Rent, Smino, amazing job

1127
00:45:27,200 --> 00:45:30,040
Speaker 1: to the entire team that worked on this project. Amazing job.

1128
00:45:31,200 --> 00:45:33,000
Speaker 1: And this is this is a really really good album.

1129
00:45:33,040 --> 00:45:34,600
Speaker 1: It's one of my favorite albums so far. I can't

1130
00:45:34,600 --> 00:45:36,560
Speaker 1: say album, but do your candidate yet? No, you just

1131
00:45:36,560 --> 00:45:38,720
Speaker 1: said it, but it's one of my personal favorite albums

1132
00:45:38,760 --> 00:45:39,600
Speaker 1: that came out this year.

1133
00:45:39,960 --> 00:45:42,520
Speaker 2: Well, I think you're only saying that because you were

1134
00:45:42,760 --> 00:45:45,799
Speaker 2: heavily involved, if not the face of division, working on

1135
00:45:45,840 --> 00:45:48,080
Speaker 2: My Karma. So is that maybe why there's somewhat a

1136
00:45:48,080 --> 00:45:48,960
Speaker 2: bit of a rival here.

1137
00:45:49,400 --> 00:45:52,960
Speaker 1: No, No, it's a totally different project. Shout out to

1138
00:45:52,960 --> 00:45:55,920
Speaker 1: the Division. Though I like this album a lot. A

1139
00:45:56,000 --> 00:45:58,600
Speaker 1: couple of tracks, I was kind of like, okay, but

1140
00:45:59,760 --> 00:46:02,359
Speaker 1: over roll, really good album. I just love the tire

1141
00:46:02,600 --> 00:46:03,560
Speaker 1: the tire track.

1142
00:46:03,680 --> 00:46:04,319
Speaker 4: Oh yes, great.

1143
00:46:04,440 --> 00:46:04,920
Speaker 3: Yeah.

1144
00:46:04,920 --> 00:46:07,120
Speaker 2: I don't want to anyone say that that R and

1145
00:46:07,120 --> 00:46:10,279
Speaker 2: B is dead. Traditional R and B is in around.

1146
00:46:10,480 --> 00:46:13,719
Speaker 1: This is a traditional R and B album. Shout out

1147
00:46:13,760 --> 00:46:15,320
Speaker 1: to beat Cox, Shout out to Jermaine Duprie.

1148
00:46:15,560 --> 00:46:17,600
Speaker 2: Not to say it's been nineteen been missing a bit.

1149
00:46:17,760 --> 00:46:19,560
Speaker 2: This is refreshing to hear this type of R and

1150
00:46:19,560 --> 00:46:19,879
Speaker 2: B again.

1151
00:46:19,920 --> 00:46:23,080
Speaker 1: But this is this is another good album, good project.

1152
00:46:23,840 --> 00:46:27,920
Speaker 2: The Daniels interlude Daniels kind of a scumback.

1153
00:46:30,040 --> 00:46:32,440
Speaker 1: Working on my faith are faithful?

1154
00:46:33,160 --> 00:46:36,200
Speaker 2: All right, He's stay faithful. He definitely took some accountability there.

1155
00:46:36,560 --> 00:46:37,799
Speaker 1: Yeah all right.

1156
00:46:37,840 --> 00:46:39,640
Speaker 2: He was kind of working on his karma on this.

1157
00:46:39,840 --> 00:46:42,320
Speaker 2: On this album, it was a lot of gas lighting

1158
00:46:42,320 --> 00:46:44,240
Speaker 2: and then a lot of my bad for gas lighting.

1159
00:46:44,680 --> 00:46:47,240
Speaker 1: Bro on what song is it? The first The first

1160
00:46:47,320 --> 00:46:49,160
Speaker 1: bar was we fucking the night?

1161
00:46:50,360 --> 00:46:53,840
Speaker 2: Yeah it was he wrong, fat Man Scooby said that before.

1162
00:46:53,640 --> 00:46:57,799
Speaker 1: Too, But I was just like, okay, that's how you

1163
00:46:57,840 --> 00:47:00,960
Speaker 1: feel to bring it record. I love it. I love

1164
00:47:01,040 --> 00:47:03,680
Speaker 1: the vibe. They went back to the nineties vibe with

1165
00:47:04,080 --> 00:47:08,480
Speaker 1: kind of like the Bay City vibe. You could tell

1166
00:47:08,600 --> 00:47:11,680
Speaker 1: JD was all over that. Oh that's JD's vibe right there.

1167
00:47:12,520 --> 00:47:14,800
Speaker 1: This is a really good album though, stay faithful with uh?

1168
00:47:14,920 --> 00:47:16,360
Speaker 1: Is that the record? No?

1169
00:47:16,680 --> 00:47:18,480
Speaker 3: What's Up with Jacket Edge? Loved that record?

1170
00:47:19,520 --> 00:47:22,000
Speaker 1: Uh tied one of my favorite songs on the album.

1171
00:47:23,120 --> 00:47:25,000
Speaker 1: I think Daniel's in thelude the shit he was saying

1172
00:47:25,000 --> 00:47:26,560
Speaker 1: on there, I was kind of I wanted to text

1173
00:47:26,640 --> 00:47:29,560
Speaker 1: him like I didn't know what perspective he was writing from,

1174
00:47:29,560 --> 00:47:33,279
Speaker 1: Like was it him his mom had it had a

1175
00:47:34,200 --> 00:47:36,600
Speaker 1: new relationship and the dude treated him like shit? Or

1176
00:47:36,640 --> 00:47:39,000
Speaker 1: was he writing from the girl's perspective. I have to

1177
00:47:39,040 --> 00:47:42,239
Speaker 1: go back and like, kind I meant to text Daniel like,

1178
00:47:42,320 --> 00:47:44,680
Speaker 1: you know, he lost me kind of on that. But

1179
00:47:45,640 --> 00:47:47,319
Speaker 1: good album though, Man, this is a really good album.

1180
00:47:47,440 --> 00:47:50,279
Speaker 1: R and B is not Dead Division proved that I.

1181
00:47:50,360 --> 00:47:53,319
Speaker 2: Do on a Patreon or next episode, I'm gonna pick

1182
00:47:53,560 --> 00:47:56,800
Speaker 2: maybe two songs from this to do some some breakdowns.

1183
00:47:57,320 --> 00:48:00,000
Speaker 2: We have to get into some of this writing, okay,

1184
00:48:00,040 --> 00:48:02,120
Speaker 2: cause there there is there's some some debates to be

1185
00:48:02,160 --> 00:48:08,160
Speaker 2: half on what the pen just overall perspectives of men

1186
00:48:08,160 --> 00:48:09,160
Speaker 2: and working on their karma.

1187
00:48:09,760 --> 00:48:12,600
Speaker 1: Oh, I got you, I got you. We're following that's

1188
00:48:12,640 --> 00:48:14,520
Speaker 1: all working on my karma.

1189
00:48:14,600 --> 00:48:18,759
Speaker 2: Division available now West Side gun ten I'm not gonna

1190
00:48:18,760 --> 00:48:22,040
Speaker 2: say what it's what. It's the tenth of.

1191
00:48:23,160 --> 00:48:24,600
Speaker 1: Hitlermez thought it.

1192
00:48:24,560 --> 00:48:27,680
Speaker 2: Was convenient that now this one is called ten No.

1193
00:48:27,719 --> 00:48:31,120
Speaker 3: It's called Hitler wiz Ermez ten No.

1194
00:48:31,239 --> 00:48:32,719
Speaker 2: The album's called ten oh it is.

1195
00:48:32,680 --> 00:48:36,120
Speaker 3: Called Okay, well, Hitler wun. What's wrong with saying Hitler

1196
00:48:36,120 --> 00:48:37,959
Speaker 3: woods Armes tune. We don't want to say Hitler.

1197
00:48:38,120 --> 00:48:39,359
Speaker 2: Just say it's just not a really good time.

1198
00:48:39,880 --> 00:48:40,200
Speaker 3: Okay?

1199
00:48:40,920 --> 00:48:41,839
Speaker 4: Was it ever a good time?

1200
00:48:42,000 --> 00:48:42,600
Speaker 5: For no?

1201
00:48:43,800 --> 00:48:47,000
Speaker 2: But I just take specifically right now because I even

1202
00:48:47,000 --> 00:48:53,120
Speaker 2: saw CNN tweet something about rappers infatuation with Hitler announced

1203
00:48:53,120 --> 00:48:54,080
Speaker 2: the rappers fault.

1204
00:48:55,440 --> 00:48:59,640
Speaker 1: Listen man whatever, uh, Westside Gunn put out another project.

1205
00:49:02,200 --> 00:49:03,839
Speaker 1: I ain't gonna lie when he start talking about he's

1206
00:49:03,840 --> 00:49:07,080
Speaker 1: the hardest working dude in rap. It's hard to debate that, bro.

1207
00:49:07,280 --> 00:49:09,200
Speaker 3: Yeah, like it's hard to debate that.

1208
00:49:09,560 --> 00:49:09,759
Speaker 4: Listen.

1209
00:49:09,800 --> 00:49:11,840
Speaker 1: A lot of you niggas gotta star respecting Stove.

1210
00:49:11,680 --> 00:49:12,480
Speaker 3: God a little bit more.

1211
00:49:12,800 --> 00:49:16,319
Speaker 1: I'm gonna just say that, like star respecting stove God,

1212
00:49:17,080 --> 00:49:20,359
Speaker 1: he's he's rapping better than a lot of y'all. He's

1213
00:49:20,440 --> 00:49:23,239
Speaker 1: rapping a lot better than a lot of y'all. Uh,

1214
00:49:23,880 --> 00:49:27,040
Speaker 1: west Side Gun is working. He's putting out a lot

1215
00:49:27,120 --> 00:49:29,759
Speaker 1: of good music. I don't know how to fuck he

1216
00:49:29,840 --> 00:49:30,919
Speaker 1: getting all these features done.

1217
00:49:31,800 --> 00:49:36,319
Speaker 2: I think I'm ready to give another hot take from

1218
00:49:36,440 --> 00:49:39,720
Speaker 2: Paris on. I think west Side makes the best albums

1219
00:49:39,760 --> 00:49:42,520
Speaker 2: out of the Griselda crew. I don't as far as

1220
00:49:42,640 --> 00:49:46,000
Speaker 2: replay value and music, I think west Side has the

1221
00:49:46,160 --> 00:49:47,839
Speaker 2: best albums for sure.

1222
00:49:48,360 --> 00:49:50,120
Speaker 1: I don't think that's a wild take though.

1223
00:49:50,160 --> 00:49:52,359
Speaker 2: Because it's getting it's I'm really starting to get carried

1224
00:49:52,360 --> 00:49:56,040
Speaker 2: as how he keeps making this level of music so quickly,

1225
00:49:56,520 --> 00:49:58,600
Speaker 2: Like this album is incredible. I know it's gonna sound

1226
00:49:58,600 --> 00:50:00,239
Speaker 2: because we talk. We've been talking about Riselda for fucking

1227
00:50:00,280 --> 00:50:01,879
Speaker 2: Everan's like here they go again, stating his own things.

1228
00:50:02,400 --> 00:50:04,120
Speaker 2: I at one point want to be like, yeah, maybe

1229
00:50:04,160 --> 00:50:06,560
Speaker 2: it's time, Like they're starting to slept. Every time west

1230
00:50:06,560 --> 00:50:08,520
Speaker 2: Side puts out an album is fucking incredible and has

1231
00:50:08,560 --> 00:50:10,480
Speaker 2: mad replay value and it brings the best out of

1232
00:50:10,480 --> 00:50:14,040
Speaker 2: every feature. Buster went fucking nuts, but he did. But

1233
00:50:14,320 --> 00:50:16,960
Speaker 2: Wes West just has the most and quality went crazy.

1234
00:50:17,080 --> 00:50:20,480
Speaker 1: I think I think what West does best is he

1235
00:50:22,239 --> 00:50:25,399
Speaker 1: he doesn't if it sounds, it sounds it's gonna sound

1236
00:50:25,440 --> 00:50:28,200
Speaker 1: a little crazy. I don't think that he really gives

1237
00:50:28,239 --> 00:50:32,320
Speaker 1: it much thought. I think he just trusts well with

1238
00:50:32,400 --> 00:50:35,400
Speaker 1: the features. I think he just trusts his ear and

1239
00:50:35,440 --> 00:50:40,799
Speaker 1: what he likes. And he has a relationship with people. Yeah,

1240
00:50:41,320 --> 00:50:43,000
Speaker 1: and he pulls them in on certain things where he

1241
00:50:43,120 --> 00:50:44,160
Speaker 1: knows this is your.

1242
00:50:44,400 --> 00:50:47,400
Speaker 3: Comfort zone, like this is a layup for you been

1243
00:50:47,480 --> 00:50:47,920
Speaker 3: my favorite.

1244
00:50:47,960 --> 00:50:49,040
Speaker 1: I don't think that he overthinks.

1245
00:50:49,080 --> 00:50:50,040
Speaker 3: He just doesn't overthink it.

1246
00:50:50,160 --> 00:50:52,800
Speaker 2: My favorite from Rocky in a While, like ship, my

1247
00:50:52,880 --> 00:50:57,280
Speaker 2: favorite from Killer Mike in a While. Yeah, everyone sounds.

1248
00:50:57,160 --> 00:51:01,200
Speaker 1: Incredible, crazy all bust the ghosts face, Rayconner stove sooga.

1249
00:51:01,840 --> 00:51:03,920
Speaker 2: I was I was actually upset to see that you

1250
00:51:04,000 --> 00:51:07,399
Speaker 2: weren't on the Griselda Posse cut the outro red death.

1251
00:51:07,400 --> 00:51:10,759
Speaker 1: I was waiting as paying man. You know, I got

1252
00:51:11,120 --> 00:51:12,920
Speaker 1: I got this verse in my phone that's been here

1253
00:51:13,000 --> 00:51:15,279
Speaker 1: for me. I gotta tweak the verses every now and then,

1254
00:51:15,320 --> 00:51:18,239
Speaker 1: because you know, the slang changes every six months.

1255
00:51:18,320 --> 00:51:20,240
Speaker 3: Now, got to change it whips.

1256
00:51:20,320 --> 00:51:22,640
Speaker 1: Yeah, Like, come on, man, I got I could get

1257
00:51:22,640 --> 00:51:23,800
Speaker 1: my ship off you're playing.

1258
00:51:24,000 --> 00:51:26,759
Speaker 2: But yes, ten as in just the number ten, not

1259
00:51:26,920 --> 00:51:32,920
Speaker 2: anything before it. Please go check that out.

1260
00:51:33,520 --> 00:51:36,200
Speaker 1: West Side Gun album ten available now.

1261
00:51:37,719 --> 00:51:39,880
Speaker 2: And I think as far as music I listened to

1262
00:51:40,000 --> 00:51:42,840
Speaker 2: over the weekend, that was it. I'm not sure anything

1263
00:51:42,880 --> 00:51:43,920
Speaker 2: else came out, but that was.

1264
00:51:44,120 --> 00:51:45,799
Speaker 1: Oh no, There's a lot of a lot of music

1265
00:51:45,880 --> 00:51:51,040
Speaker 1: came out this week and uh, Cutthroat Bill, Kodak, Black

1266
00:51:52,120 --> 00:51:56,000
Speaker 1: Cut Throw Bill Volume one. Y'all know how I feel

1267
00:51:56,000 --> 00:51:57,520
Speaker 1: about Kodak. I ain't got a shit it no more.

1268
00:51:57,560 --> 00:52:00,960
Speaker 1: I think he's a lot better than people think he is.

1269
00:52:01,040 --> 00:52:03,440
Speaker 1: He's a way better artist than people think he is.

1270
00:52:04,440 --> 00:52:07,680
Speaker 1: In his cutthroat this Cutthroat of Bill Volume one.

1271
00:52:08,560 --> 00:52:11,800
Speaker 2: Was this promoted well? You think, just with the lemo

1272
00:52:12,080 --> 00:52:15,000
Speaker 2: artists that Kodak is and having one of the biggest

1273
00:52:15,040 --> 00:52:17,759
Speaker 2: records out, I feel like I would have seen more

1274
00:52:17,880 --> 00:52:19,120
Speaker 2: about a project coming out.

1275
00:52:19,560 --> 00:52:22,200
Speaker 1: I don't think it was promoted heavy, but I don't

1276
00:52:22,239 --> 00:52:25,319
Speaker 1: think he meant for it to be promoted super heavy.

1277
00:52:25,440 --> 00:52:25,600
Speaker 3: Why.

1278
00:52:26,239 --> 00:52:26,600
Speaker 1: I don't know.

1279
00:52:27,000 --> 00:52:29,120
Speaker 2: I don't think Kodak wild want to promote shit, not that.

1280
00:52:29,160 --> 00:52:30,759
Speaker 1: He wouldn't want to, but I just think that he

1281
00:52:31,040 --> 00:52:34,000
Speaker 1: just is one of those artists that feels like he

1282
00:52:34,080 --> 00:52:35,480
Speaker 1: can just put his shit out and it's gonna do.

1283
00:52:35,520 --> 00:52:36,960
Speaker 1: It's gonna do whether he promoted it or not. He

1284
00:52:37,040 --> 00:52:40,120
Speaker 1: has that building audience, he has that built in following

1285
00:52:41,000 --> 00:52:43,880
Speaker 1: that it's like, you know, it is what it is, Like,

1286
00:52:43,880 --> 00:52:45,880
Speaker 1: I'm gonna put out some good music and let the

1287
00:52:45,960 --> 00:52:48,239
Speaker 1: music speak for itself. I don't gotta go heavy on

1288
00:52:48,280 --> 00:52:50,560
Speaker 1: the promotion. Or maybe this was something that he just

1289
00:52:50,640 --> 00:52:53,200
Speaker 1: wanted to put out his cut through Bill Volume. Whey

1290
00:52:53,239 --> 00:52:55,000
Speaker 1: may look at it like it's not even a real album.

1291
00:52:55,080 --> 00:52:57,480
Speaker 1: Maybe it's just like a kind of a mixtape type

1292
00:52:57,480 --> 00:52:57,680
Speaker 1: of thing.

1293
00:52:57,800 --> 00:53:01,080
Speaker 5: This was his last project with Htlanta, so maybe from

1294
00:53:01,160 --> 00:53:04,960
Speaker 5: that well they had they had no incentive to put

1295
00:53:05,000 --> 00:53:07,120
Speaker 5: any money behind this or any effort. He signed a

1296
00:53:07,160 --> 00:53:09,120
Speaker 5: deal with Capital, so he's he's leaving.

1297
00:53:09,040 --> 00:53:14,399
Speaker 1: Cat out of the deal. Thirty million, Yeah, Jesus shout

1298
00:53:14,440 --> 00:53:17,120
Speaker 1: out the shout out the Kodak black Man. I'm just

1299
00:53:17,680 --> 00:53:20,680
Speaker 1: I'm just happy to see him just focused and creating

1300
00:53:20,760 --> 00:53:23,160
Speaker 1: and you know, kind of staying away from the bullshit,

1301
00:53:23,160 --> 00:53:26,000
Speaker 1: staying out of the bullshit. I'm starting to see a

1302
00:53:26,000 --> 00:53:27,880
Speaker 1: lot more people in the industry take to him and

1303
00:53:28,560 --> 00:53:30,399
Speaker 1: you know, kind of like lean on him a little

1304
00:53:30,400 --> 00:53:33,960
Speaker 1: bit and you know, just welcome him, because for a

1305
00:53:34,000 --> 00:53:35,759
Speaker 1: while it seemed like, you know, he was the kid

1306
00:53:35,840 --> 00:53:37,920
Speaker 1: that people knew was talented, like he's a little bit

1307
00:53:37,920 --> 00:53:41,000
Speaker 1: of a headache, he might be an issue. He seemed

1308
00:53:41,000 --> 00:53:43,120
Speaker 1: to kind of be putting that behind him and and

1309
00:53:43,280 --> 00:53:45,759
Speaker 1: moving in a different direction now, which is which is

1310
00:53:45,800 --> 00:53:47,560
Speaker 1: dope and just letting the talent and the art speak

1311
00:53:47,600 --> 00:53:49,760
Speaker 1: for itself. So shout out to Coda that Black Cutthroat

1312
00:53:49,760 --> 00:53:51,920
Speaker 1: bill volume more available available Now.

1313
00:53:52,360 --> 00:53:56,040
Speaker 2: I want to start with saying free Gunner. That's where

1314
00:53:56,040 --> 00:53:56,600
Speaker 2: I want to start.

1315
00:53:56,600 --> 00:54:02,680
Speaker 1: And wait, I'm not let yes, free Gunner, but I

1316
00:54:02,800 --> 00:54:04,759
Speaker 1: didn't like my segue. Yeah, I was just laughing at

1317
00:54:04,920 --> 00:54:05,680
Speaker 1: what you want to start with.

1318
00:54:05,800 --> 00:54:08,160
Speaker 2: Okay, guys, Yes, I want to start with saying free Gunner.

1319
00:54:08,440 --> 00:54:08,560
Speaker 4: Huh.

1320
00:54:08,960 --> 00:54:10,680
Speaker 3: I did see that Chloe anything in his books?

1321
00:54:10,680 --> 00:54:11,799
Speaker 1: You send him something I have If.

1322
00:54:11,719 --> 00:54:13,880
Speaker 2: You give me the address, I will happily put some

1323
00:54:14,000 --> 00:54:15,160
Speaker 2: money on his JP.

1324
00:54:15,360 --> 00:54:15,480
Speaker 3: Man.

1325
00:54:15,560 --> 00:54:17,960
Speaker 2: Yeah, it's I hit him on corlingks.

1326
00:54:18,080 --> 00:54:18,360
Speaker 3: Okay.

1327
00:54:19,560 --> 00:54:21,799
Speaker 2: I saw that Chloe put out a single and video

1328
00:54:23,000 --> 00:54:27,440
Speaker 2: on Friday as well, and Demris informed me that it

1329
00:54:27,560 --> 00:54:31,640
Speaker 2: was inspired and written for Gunner. M hm. I then

1330
00:54:31,960 --> 00:54:34,520
Speaker 2: thought about what's in the chorus, and Chloe's kind of

1331
00:54:34,520 --> 00:54:38,080
Speaker 2: a fucking asshole. What you say if you're if I'm

1332
00:54:38,120 --> 00:54:42,040
Speaker 2: in jail on a FED case, don't sing anything that

1333
00:54:42,120 --> 00:54:45,279
Speaker 2: has to do with guard or at the door about me.

1334
00:54:46,840 --> 00:54:49,239
Speaker 2: I asked myself, why can't we be closer? Because I'm

1335
00:54:49,280 --> 00:54:50,160
Speaker 2: fighting a FED case.

1336
00:54:51,400 --> 00:54:53,160
Speaker 3: That's why we can't be closer. Right now?

1337
00:54:54,080 --> 00:54:57,399
Speaker 2: You crave those long nights of me. Yeah, I'm in jail, Chloe,

1338
00:54:57,480 --> 00:54:58,399
Speaker 2: there's no women in here.

1339
00:54:58,880 --> 00:55:00,239
Speaker 3: You can leave your guard at the door. Or no,

1340
00:55:00,480 --> 00:55:03,240
Speaker 3: there's a guard at the door. I can't his rounds

1341
00:55:03,239 --> 00:55:06,560
Speaker 3: every thirty minutes he comes with the door. It's not

1342
00:55:06,680 --> 00:55:07,520
Speaker 3: a door, it's to sell.

1343
00:55:08,360 --> 00:55:10,000
Speaker 2: And don't say I'm rough around the edges while I'm

1344
00:55:10,000 --> 00:55:10,319
Speaker 2: in prison.

1345
00:55:12,040 --> 00:55:14,439
Speaker 1: Yeah, well I actually no, you need to say that, like, yeah,

1346
00:55:14,440 --> 00:55:16,800
Speaker 1: I'm rough. Let these niggas know I ain't polished. I

1347
00:55:16,840 --> 00:55:17,799
Speaker 1: ain't with the polished shit.

1348
00:55:18,400 --> 00:55:21,200
Speaker 2: It can go down. Nothing is intimidating saying he's a

1349
00:55:21,239 --> 00:55:22,239
Speaker 2: little rough around the edges.

1350
00:55:24,719 --> 00:55:26,759
Speaker 1: But then go to the verse though, laying on your

1351
00:55:26,840 --> 00:55:28,480
Speaker 1: chest in my bed? Now, who's she talking to?

1352
00:55:29,400 --> 00:55:30,920
Speaker 2: They? Yo? They always find someone else when you get

1353
00:55:30,960 --> 00:55:31,239
Speaker 2: locked up.

1354
00:55:31,239 --> 00:55:35,160
Speaker 1: Who's who she she laying on Drew Ski's chests.

1355
00:55:36,080 --> 00:55:37,200
Speaker 6: Y'all are so annoying.

1356
00:55:37,320 --> 00:55:39,880
Speaker 1: I haven't seen that what Chloe said laying on your

1357
00:55:39,960 --> 00:55:41,280
Speaker 1: chest in my bed now before?

1358
00:55:42,600 --> 00:55:44,960
Speaker 3: Oh so then say that. I'm thinking like it was

1359
00:55:45,040 --> 00:55:46,520
Speaker 3: inspired by He's going he's not.

1360
00:55:46,560 --> 00:55:47,080
Speaker 2: With it right now?

1361
00:55:47,280 --> 00:55:49,640
Speaker 6: This song is is she just released it, but she

1362
00:55:49,760 --> 00:55:50,160
Speaker 6: teased it.

1363
00:55:50,239 --> 00:55:52,480
Speaker 2: Okay, we'll read the room though afterwards?

1364
00:55:52,600 --> 00:55:54,479
Speaker 3: Okay, what do you mean read the room?

1365
00:55:54,640 --> 00:55:57,000
Speaker 2: Maybe these lyrics aren't the best for her man.

1366
00:55:56,920 --> 00:56:00,600
Speaker 5: That's slocked up, or maybe put like a warning title card,

1367
00:56:00,680 --> 00:56:01,960
Speaker 5: warning like hey, Roe.

1368
00:56:02,440 --> 00:56:04,359
Speaker 2: You listening to nas one love?

1369
00:56:05,640 --> 00:56:05,839
Speaker 4: Yeah?

1370
00:56:06,440 --> 00:56:10,000
Speaker 2: Now, tells them what's going on in the hood, said

1371
00:56:10,000 --> 00:56:12,399
Speaker 2: he's gonna put money on the books, tells about baby

1372
00:56:12,440 --> 00:56:17,080
Speaker 2: motherfucking the unfortunate tragedy of Jerome's niece. Uh says, hey

1373
00:56:17,200 --> 00:56:18,200
Speaker 2: do you see Cormega there?

1374
00:56:18,760 --> 00:56:19,120
Speaker 3: What's up?

1375
00:56:19,160 --> 00:56:21,840
Speaker 2: Are y'all together? Like he's just trying to find information

1376
00:56:21,920 --> 00:56:24,640
Speaker 2: and keep their heads up and everything. Chloe is just

1377
00:56:24,920 --> 00:56:27,040
Speaker 2: suggesting there's a guard at the door, and she can't

1378
00:56:27,080 --> 00:56:29,560
Speaker 2: figure out why they're not together, like I don't talk

1379
00:56:29,600 --> 00:56:31,000
Speaker 2: to the da Chloe, you have power, and.

1380
00:56:31,040 --> 00:56:32,560
Speaker 3: She likes how he's rough around the edges.

1381
00:56:34,280 --> 00:56:37,120
Speaker 2: Where does this rank in free the guy's songs.

1382
00:56:37,480 --> 00:56:40,040
Speaker 3: Oh this is right up there, this top of the list,

1383
00:56:40,680 --> 00:56:41,359
Speaker 3: top of the list.

1384
00:56:42,560 --> 00:56:44,359
Speaker 1: I'm glad baby he put me on this. I didn't

1385
00:56:44,360 --> 00:56:47,080
Speaker 1: even hear this record. And that's why we have baby

1386
00:56:47,120 --> 00:56:47,319
Speaker 1: d here.

1387
00:56:47,360 --> 00:56:48,839
Speaker 2: She gets Loto should have let him know. I feel

1388
00:56:48,840 --> 00:56:51,520
Speaker 2: like Lotto probably knows has been through a situation where

1389
00:56:51,520 --> 00:56:53,319
Speaker 2: maybe maybe your man was in jail. She should have been.

1390
00:56:53,520 --> 00:56:54,680
Speaker 2: Chloe is ain't the best.

1391
00:56:54,760 --> 00:56:55,520
Speaker 1: I'll take it from here.

1392
00:56:55,960 --> 00:56:56,400
Speaker 3: I got it.

1393
00:56:56,760 --> 00:57:02,279
Speaker 1: I got it from here. Chloe, Damn, why are you frying?

1394
00:57:02,320 --> 00:57:03,440
Speaker 6: You happy? I'll put you onto it.

1395
00:57:03,520 --> 00:57:04,600
Speaker 3: You just said you ain't like the song.

1396
00:57:04,920 --> 00:57:05,520
Speaker 1: I didn't say that.

1397
00:57:05,880 --> 00:57:06,759
Speaker 3: I said I didn't like it.

1398
00:57:07,360 --> 00:57:09,400
Speaker 1: No, I said I'm not. I'm not with the like

1399
00:57:09,920 --> 00:57:14,279
Speaker 1: the Chloe like the over sexual dancing like it's just

1400
00:57:14,400 --> 00:57:16,480
Speaker 1: the video. She was just trying to shaking ass too hard.

1401
00:57:16,840 --> 00:57:18,120
Speaker 1: You see when she was walking with the girls.

1402
00:57:18,160 --> 00:57:19,480
Speaker 4: You're trying to distract the guards.

1403
00:57:19,760 --> 00:57:20,640
Speaker 3: Yeah, trying to do.

1404
00:57:22,120 --> 00:57:22,840
Speaker 1: You see where they took it.

1405
00:57:22,920 --> 00:57:25,440
Speaker 3: I didn't take it there. No, But she can sing.

1406
00:57:25,480 --> 00:57:26,680
Speaker 3: Chloe can sing. She's talented.

1407
00:57:26,720 --> 00:57:28,080
Speaker 2: I like her, give her some time. She's young.

1408
00:57:28,520 --> 00:57:30,840
Speaker 1: Yeah, that's why I can't, you know, go but so

1409
00:57:30,960 --> 00:57:38,280
Speaker 1: hard on it all right, Roy, So some more news

1410
00:57:38,320 --> 00:57:39,800
Speaker 1: in the podcast Coach over the weekend.

1411
00:57:40,480 --> 00:57:43,080
Speaker 2: We're just we're just a messy bunch, yeah podcast.

1412
00:57:43,600 --> 00:57:45,560
Speaker 1: That's what happens once money gets involved, you know how

1413
00:57:45,560 --> 00:57:46,840
Speaker 1: it happens. You want to know who your friends all

1414
00:57:46,880 --> 00:57:47,640
Speaker 1: put money on the table.

1415
00:57:47,880 --> 00:57:48,080
Speaker 2: Yeah.

1416
00:57:48,440 --> 00:57:53,200
Speaker 1: Uh So the math hof of podcast uh has been

1417
00:57:53,240 --> 00:57:58,000
Speaker 1: in the news this weekend. Uh The co host producer

1418
00:57:59,160 --> 00:58:01,080
Speaker 1: whatever you want to call it, gentlemen Heinecken and Esso,

1419
00:58:01,200 --> 00:58:02,840
Speaker 1: has been announced that they are no longer a part

1420
00:58:02,920 --> 00:58:06,640
Speaker 1: of the podcast after it was reported that math Howfa

1421
00:58:06,760 --> 00:58:12,120
Speaker 1: signed a deal with a Revolt TV. And that was

1422
00:58:12,200 --> 00:58:15,800
Speaker 1: unfortunate to hear because you know, we kind of feel like,

1423
00:58:16,400 --> 00:58:19,480
Speaker 1: you know, we crawled to everybody else co walk, we

1424
00:58:19,600 --> 00:58:22,520
Speaker 1: were the example of how not to do business and

1425
00:58:22,560 --> 00:58:26,520
Speaker 1: how things shouldn't go down, right, So don't I don't

1426
00:58:26,600 --> 00:58:28,200
Speaker 1: not speaking in the situation because I really don't know

1427
00:58:28,240 --> 00:58:29,080
Speaker 1: what happened over there.

1428
00:58:29,440 --> 00:58:32,920
Speaker 2: I tried to keep up over the weekend and try

1429
00:58:32,960 --> 00:58:34,600
Speaker 2: to figure out exactly what was going on, because I

1430
00:58:34,680 --> 00:58:36,800
Speaker 2: know all sides did a lot of press and talked

1431
00:58:36,800 --> 00:58:39,520
Speaker 2: to a lot of people. From what I saw, one

1432
00:58:39,560 --> 00:58:41,959
Speaker 2: side was suggesting Math sign a two point seven million

1433
00:58:41,960 --> 00:58:43,720
Speaker 2: dollar deal with Revolt and was trying to get rid

1434
00:58:43,760 --> 00:58:46,439
Speaker 2: of them before he had to pay anyone. I saw

1435
00:58:46,520 --> 00:58:50,520
Speaker 2: one side, the other side math saying there is no deal,

1436
00:58:50,600 --> 00:58:52,560
Speaker 2: that never happened. I don't know what the fuck they're

1437
00:58:52,600 --> 00:58:53,040
Speaker 2: talking about.

1438
00:58:53,600 --> 00:58:56,000
Speaker 1: Well, heineken Esso was on social media and they said

1439
00:58:56,040 --> 00:58:59,400
Speaker 1: that they alleged that math Hoffa wanted to keep the

1440
00:58:59,520 --> 00:59:03,800
Speaker 1: alleged UH money from the Revolt deal to himself. I

1441
00:59:03,880 --> 00:59:06,360
Speaker 1: think I responded in one of the comments, just tell

1442
00:59:06,400 --> 00:59:08,640
Speaker 1: them you want you wanted to keep all the Revolt

1443
00:59:08,680 --> 00:59:13,360
Speaker 1: money to yourself. It's cool, So it's.

1444
00:59:14,880 --> 00:59:15,280
Speaker 3: I don't know.

1445
00:59:16,400 --> 00:59:19,000
Speaker 1: I don't know either. I don't know what I don't

1446
00:59:19,000 --> 00:59:21,560
Speaker 1: see what's going on. But I did see an interview

1447
00:59:21,600 --> 00:59:24,080
Speaker 1: that I think he did with with with Choke no joke.

1448
00:59:24,880 --> 00:59:28,760
Speaker 1: He did a Instagram live. I guess with him. Yeah,

1449
00:59:30,640 --> 00:59:33,560
Speaker 1: and Map said that and heine can try to me

1450
00:59:33,640 --> 00:59:36,320
Speaker 1: and you him yes, Rory and Maul him, Hey, Math,

1451
00:59:37,040 --> 00:59:37,800
Speaker 1: what you mean by that?

1452
00:59:38,000 --> 00:59:38,760
Speaker 3: What do you mean by that?

1453
00:59:39,160 --> 00:59:39,760
Speaker 2: I was curious.

1454
00:59:39,800 --> 00:59:42,400
Speaker 1: I didn't know what what you mean by one of

1455
00:59:42,480 --> 00:59:44,760
Speaker 1: the Rory and Maul what that means? You mean you

1456
00:59:44,880 --> 00:59:46,240
Speaker 1: just turned me into a verb money. I don't know

1457
00:59:46,280 --> 00:59:49,520
Speaker 1: what that I don't. I don't know what Rory and

1458
00:59:49,600 --> 00:59:51,520
Speaker 1: maul you. I don't know what the verb me Yeah,

1459
00:59:51,560 --> 00:59:53,760
Speaker 1: don't don't turn me into a verb verb. It's already

1460
00:59:53,760 --> 00:59:56,080
Speaker 1: a battle rap. If you want a battle verb, you

1461
00:59:56,120 --> 00:59:58,440
Speaker 1: go battle verb. But what you what you mean by that?

1462
00:59:58,560 --> 00:59:59,000
Speaker 3: What do you mean?

1463
01:00:00,000 --> 01:00:01,800
Speaker 1: What you mean? I don't know what with you and

1464
01:00:01,880 --> 01:00:05,120
Speaker 1: that other what they're talking about behind the scenes. But

1465
01:00:06,360 --> 01:00:07,680
Speaker 1: what you mean by that? What do you mean?

1466
01:00:07,840 --> 01:00:09,840
Speaker 3: Because I ain't Mall, ain't did nothing to nobody.

1467
01:00:10,000 --> 01:00:11,760
Speaker 1: Mall kept it all. I kept it solid all the

1468
01:00:11,800 --> 01:00:14,520
Speaker 1: way through. Like so whatever Rory and mald he mean,

1469
01:00:15,400 --> 01:00:16,840
Speaker 1: I would love to come talk to you and and

1470
01:00:16,920 --> 01:00:19,120
Speaker 1: and find out what you meant by that. But I

1471
01:00:19,200 --> 01:00:22,280
Speaker 1: didn't do nothing. Uh, it is what it is. I've said,

1472
01:00:22,280 --> 01:00:24,439
Speaker 1: I've stated it before. I don't no need to state

1473
01:00:24,480 --> 01:00:27,160
Speaker 1: it again. I'm hoping that's not what happened with you

1474
01:00:27,360 --> 01:00:29,720
Speaker 1: and and your and your fella's over there.

1475
01:00:29,840 --> 01:00:32,120
Speaker 3: But yeah, I don't know what Rory.

1476
01:00:31,880 --> 01:00:36,400
Speaker 1: And mauled him meant. But I mean if if if

1477
01:00:36,440 --> 01:00:37,840
Speaker 1: they tried to Rory and Mall you, then you and

1478
01:00:37,920 --> 01:00:40,479
Speaker 1: the wrong bro you did something wrong in that case.

1479
01:00:40,680 --> 01:00:42,240
Speaker 2: I just want to know where Mecca stands and all this.

1480
01:00:43,160 --> 01:00:48,480
Speaker 1: Yeah, Mexican KND quiet man, say something, mex say something,

1481
01:00:48,720 --> 01:00:52,920
Speaker 1: say something, yeah, like pick aside, say something.

1482
01:00:52,720 --> 01:00:53,880
Speaker 2: But shout out to Macma.

1483
01:00:54,240 --> 01:00:55,960
Speaker 1: You shout out to make sure out the Math. I'm

1484
01:00:56,000 --> 01:00:58,920
Speaker 1: hoping the situation Isn't you know what s SO is

1485
01:00:58,960 --> 01:01:01,439
Speaker 1: saying it is that Math wanted to keep the money

1486
01:01:01,520 --> 01:01:04,000
Speaker 1: to himself. I don't know what type of agreement that

1487
01:01:05,240 --> 01:01:07,040
Speaker 1: that those gentlemen had. I'm not in their business.

1488
01:01:07,080 --> 01:01:07,360
Speaker 3: I don't know.

1489
01:01:07,400 --> 01:01:11,720
Speaker 1: I'm just responded to Monigga Math seeing Rory and Maldon.

1490
01:01:11,760 --> 01:01:14,040
Speaker 1: I don't know what that means. I mean, me and

1491
01:01:14,120 --> 01:01:16,960
Speaker 1: Math have our own thing. He knows it's always been

1492
01:01:17,000 --> 01:01:19,640
Speaker 1: nothing but love between us and cool energy between us.

1493
01:01:19,720 --> 01:01:22,240
Speaker 3: So I don't I don't know what. You know what

1494
01:01:22,400 --> 01:01:22,920
Speaker 3: he meant by that?

1495
01:01:23,080 --> 01:01:25,200
Speaker 1: But what do you mean by that? It's fucked up

1496
01:01:25,200 --> 01:01:27,800
Speaker 1: to hear that, you know, another group, another crew of

1497
01:01:27,880 --> 01:01:29,640
Speaker 1: friends or what seemed again, I don't even know what

1498
01:01:29,720 --> 01:01:32,800
Speaker 1: their relationship is before this podcast thing or would seemed

1499
01:01:32,840 --> 01:01:35,160
Speaker 1: to be a good thing that they had has come

1500
01:01:35,240 --> 01:01:38,480
Speaker 1: to an end over what seems to be a revolt

1501
01:01:38,600 --> 01:01:41,720
Speaker 1: deal or you know what that's so it's saying Math

1502
01:01:41,800 --> 01:01:43,320
Speaker 1: wanted to keep the money to himself.

1503
01:01:43,600 --> 01:01:44,360
Speaker 3: This, that and the third.

1504
01:01:45,160 --> 01:01:45,280
Speaker 6: Uh.

1505
01:01:45,480 --> 01:01:48,640
Speaker 1: You know, it is what it is, Unlike unlike you

1506
01:01:48,720 --> 01:01:50,960
Speaker 1: know other situation where you say, oh, you know the

1507
01:01:51,000 --> 01:01:53,120
Speaker 1: business going in there. You know, Rory and myself had

1508
01:01:53,160 --> 01:01:55,800
Speaker 1: our business take care of. Somebody just didn't hold up

1509
01:01:55,840 --> 01:01:57,920
Speaker 1: their end of the business, which they've never done a

1510
01:01:58,000 --> 01:01:59,600
Speaker 1: day in their life when it comes to any business

1511
01:01:59,600 --> 01:02:01,840
Speaker 1: that they've ever done with anybody. So we should have

1512
01:02:01,880 --> 01:02:03,520
Speaker 1: known that, We should have saw the signs before that.

1513
01:02:03,640 --> 01:02:05,800
Speaker 1: But again, it's all good. Life goes on. Life is beautiful.

1514
01:02:06,160 --> 01:02:08,320
Speaker 1: I laugh because I'm scared of my own anger.

1515
01:02:08,960 --> 01:02:10,480
Speaker 3: I laugh because life is beautiful.

1516
01:02:10,640 --> 01:02:12,680
Speaker 1: So got to keep it like that, you know what

1517
01:02:12,680 --> 01:02:12,840
Speaker 1: I mean.

1518
01:02:12,840 --> 01:02:15,080
Speaker 2: Anytime you feel that, just look over at Baisley. Yeah,

1519
01:02:15,160 --> 01:02:16,080
Speaker 2: puts life in perspective.

1520
01:02:16,160 --> 01:02:18,320
Speaker 1: Yeah, got to just just chill man. It's all good.

1521
01:02:18,640 --> 01:02:21,160
Speaker 1: Listen man as so Heineken. Y'all brothers would be good.

1522
01:02:21,600 --> 01:02:24,680
Speaker 1: Laying on your feet. They print money every single fucking day.

1523
01:02:24,840 --> 01:02:28,080
Speaker 1: Go get it. Learn from you know, your mistakes, Learn

1524
01:02:28,200 --> 01:02:30,880
Speaker 1: from the people that you was around, that you call friends,

1525
01:02:30,960 --> 01:02:34,000
Speaker 1: that you call homies. Go get to the bag. Life

1526
01:02:34,160 --> 01:02:38,320
Speaker 1: is beautiful. You know, life is amazing, and you know this,

1527
01:02:38,480 --> 01:02:41,120
Speaker 1: this podcast and things should be something that we do

1528
01:02:41,280 --> 01:02:43,800
Speaker 1: to have fun. And you know, obviously money is involved

1529
01:02:43,840 --> 01:02:48,080
Speaker 1: because it's a billion dollar business now. But yeah, man,

1530
01:02:48,240 --> 01:02:50,240
Speaker 1: just you know, just just just learn from it, man,

1531
01:02:50,360 --> 01:02:53,360
Speaker 1: learn from it and move forward and know that and

1532
01:02:53,520 --> 01:02:56,120
Speaker 1: trust that you will land on your feet and that

1533
01:02:56,320 --> 01:02:59,040
Speaker 1: this isn't the end. This is just a detour to

1534
01:02:59,200 --> 01:03:01,720
Speaker 1: something greater, to something bigger, to something you know that

1535
01:03:02,120 --> 01:03:04,320
Speaker 1: was meant to be. All of this is already written.

1536
01:03:05,000 --> 01:03:07,080
Speaker 1: None of this is by accident, none of this is

1537
01:03:07,160 --> 01:03:10,200
Speaker 1: by you know, coincidence. This is all part of a

1538
01:03:10,280 --> 01:03:13,640
Speaker 1: plan bigger than that. So just live and learn from it.

1539
01:03:13,920 --> 01:03:15,920
Speaker 1: It's unfortunate to see it go down though, because I

1540
01:03:16,240 --> 01:03:20,280
Speaker 1: do funk with the math Hof for podcasts, and we

1541
01:03:20,320 --> 01:03:21,480
Speaker 1: got to go in there and sit down and talk

1542
01:03:21,480 --> 01:03:23,080
Speaker 1: because Math, you know, he's been trying to get us

1543
01:03:23,080 --> 01:03:24,960
Speaker 1: over there. We've been talking about he said it said

1544
01:03:24,960 --> 01:03:28,720
Speaker 1: we were scared of the barbershop. I need to cut

1545
01:03:28,760 --> 01:03:29,960
Speaker 1: I need to shave up, so it does look like

1546
01:03:30,000 --> 01:03:32,360
Speaker 1: I'm scared of a barber shop. But nah, Math, we're

1547
01:03:32,360 --> 01:03:34,000
Speaker 1: coming over there to talk to you and we're gonna

1548
01:03:34,000 --> 01:03:36,560
Speaker 1: talk about this. Rory and Malden, what what you mean

1549
01:03:36,640 --> 01:03:39,120
Speaker 1: by that? Yeah, what that means with that, with that,

1550
01:03:39,280 --> 01:03:42,240
Speaker 1: with that head line and your text about what are

1551
01:03:42,240 --> 01:03:44,480
Speaker 1: you over there? Line in your ear about because he's

1552
01:03:44,480 --> 01:03:46,520
Speaker 1: a liar and he don't like you. He never liked you,

1553
01:03:46,640 --> 01:03:48,440
Speaker 1: so don't don't try to be buddy buddy now, he

1554
01:03:48,560 --> 01:03:51,280
Speaker 1: never liked you. I'm telling you, he never liked you.

1555
01:03:51,400 --> 01:03:52,960
Speaker 1: All your niggas over there sitting down, so he never

1556
01:03:53,040 --> 01:03:53,720
Speaker 1: likes your niggas.

1557
01:03:54,400 --> 01:04:01,000
Speaker 7: Just being real, But yeah, man, Elon musk Elon walking

1558
01:04:01,080 --> 01:04:04,720
Speaker 7: to fucking Twitter headquarters with a sink, with a sink

1559
01:04:05,360 --> 01:04:09,120
Speaker 7: and said, let that sink in anytime you dropped forty

1560
01:04:09,160 --> 01:04:10,960
Speaker 7: four billion and walking in the front door with a sink,

1561
01:04:11,000 --> 01:04:12,120
Speaker 7: a porcelain sink in your hand.

1562
01:04:12,360 --> 01:04:14,720
Speaker 1: Listen, you a guy that I gotta say, I respect that.

1563
01:04:15,080 --> 01:04:17,400
Speaker 1: I mean, I just a different level of you know,

1564
01:04:17,560 --> 01:04:20,360
Speaker 1: humor and fucking gangster that you know. I hope to

1565
01:04:20,440 --> 01:04:22,280
Speaker 1: one day be able to buy a company for forty

1566
01:04:22,320 --> 01:04:24,040
Speaker 1: four billion and walk in with a sink in my hand.

1567
01:04:24,160 --> 01:04:25,400
Speaker 2: It would have been cool if he went in with

1568
01:04:25,480 --> 01:04:28,400
Speaker 2: like on some Ari gold shit, except instead of a

1569
01:04:28,440 --> 01:04:30,959
Speaker 2: paintball gun, he brought his flamethroat flamethrower. Yeah, that would

1570
01:04:30,960 --> 01:04:32,880
Speaker 2: have been nice. But you know what the sink joke,

1571
01:04:32,920 --> 01:04:34,880
Speaker 2: I get it, Yeah, I just want to know how far,

1572
01:04:35,120 --> 01:04:37,840
Speaker 2: like where he had to park his tesla? Did he

1573
01:04:37,920 --> 01:04:40,320
Speaker 2: find parking right out front? Or did he carry the

1574
01:04:40,320 --> 01:04:42,800
Speaker 2: sink a few blocks? Did he pay the park he looked?

1575
01:04:42,840 --> 01:04:43,960
Speaker 2: At what point is the joke you go?

1576
01:04:44,240 --> 01:04:45,680
Speaker 1: I don't know this is worth I didn't think it through. Well,

1577
01:04:45,680 --> 01:04:49,240
Speaker 1: it was like when when when our our guy Julian

1578
01:04:49,400 --> 01:04:51,400
Speaker 1: was fucking Atlas for Halloween, he had to carry that

1579
01:04:51,480 --> 01:04:54,120
Speaker 1: fucking medicine ball around his back. He didn't think it

1580
01:04:54,120 --> 01:04:56,720
Speaker 1: all the way through. Yeah, so Elon, he didn't think

1581
01:04:56,720 --> 01:04:58,400
Speaker 1: the porcelain sink through because if you look at that

1582
01:04:58,480 --> 01:05:00,600
Speaker 1: video closely, or he was looking at that shit down

1583
01:05:00,600 --> 01:05:02,200
Speaker 1: on one of them couches immediately.

1584
01:05:01,880 --> 01:05:03,440
Speaker 2: Do you think you think it was a lows? Was

1585
01:05:03,480 --> 01:05:04,320
Speaker 2: it a low situation?

1586
01:05:04,840 --> 01:05:07,680
Speaker 1: He defo, definitely, that looked like a lows. Like a lows.

1587
01:05:07,720 --> 01:05:09,480
Speaker 1: I know a low sink when I see one that

1588
01:05:09,600 --> 01:05:11,720
Speaker 1: looked like a low sink. Elon walked in there with.

1589
01:05:12,800 --> 01:05:14,840
Speaker 1: But I just thought it was funny. I think Elon

1590
01:05:15,040 --> 01:05:16,600
Speaker 1: is you know, he has his own sense of humor,

1591
01:05:17,320 --> 01:05:19,680
Speaker 1: and I mean, you know, listen you just dropped forty

1592
01:05:19,680 --> 01:05:21,240
Speaker 1: four billion. Why not walk through the front door with

1593
01:05:21,320 --> 01:05:24,120
Speaker 1: fucking a porcelain sinking And nobody's ever done it before.

1594
01:05:25,360 --> 01:05:26,040
Speaker 3: So it is what it is.

1595
01:05:26,160 --> 01:05:29,520
Speaker 2: Dropped it. But this is going to get interesting with this.

1596
01:05:29,680 --> 01:05:31,480
Speaker 3: Oh, it's going to get very interesting. Twitter shit, this

1597
01:05:31,600 --> 01:05:32,840
Speaker 3: is going to get very interesting.

1598
01:05:33,040 --> 01:05:34,800
Speaker 2: Can we pull up the stats of what happened? Since

1599
01:05:35,320 --> 01:05:37,680
Speaker 2: five hundred percent increase in the use of the N words.

1600
01:05:37,720 --> 01:05:41,040
Speaker 1: That means Rory was going crazy on his Twitter on.

1601
01:05:41,120 --> 01:05:43,680
Speaker 3: My burner account, just ers left and right, Rory and

1602
01:05:43,840 --> 01:05:46,800
Speaker 3: his burden was going crazy like they can't delete me now.

1603
01:05:47,800 --> 01:05:49,680
Speaker 2: I was just quoting turning that James Lyrics.

1604
01:05:49,720 --> 01:05:52,960
Speaker 1: No, I get him. In his first in his first

1605
01:05:53,040 --> 01:05:55,000
Speaker 1: day on the job, Elon must fired the CEO, the

1606
01:05:55,080 --> 01:05:57,160
Speaker 1: CFO and head of legal at Twitter.

1607
01:05:57,480 --> 01:05:58,120
Speaker 2: He went nuts.

1608
01:05:58,160 --> 01:06:00,600
Speaker 1: He's making changes effectively immediately.

1609
01:06:01,720 --> 01:06:03,560
Speaker 2: Now did they get in the way? Did like head

1610
01:06:03,600 --> 01:06:05,040
Speaker 2: of legal fuck with him? Because I know it took

1611
01:06:05,040 --> 01:06:07,600
Speaker 2: a while for him to acquire Twitter. There was always

1612
01:06:07,600 --> 01:06:09,440
Speaker 2: some shit going on. Is that because of legal or

1613
01:06:09,480 --> 01:06:09,960
Speaker 2: the owners?

1614
01:06:10,000 --> 01:06:11,280
Speaker 5: So I think he had to raise I think he

1615
01:06:11,360 --> 01:06:13,840
Speaker 5: ended up raising around seventeen billions, So I think it

1616
01:06:13,960 --> 01:06:16,600
Speaker 5: was more about him getting the capital.

1617
01:06:16,240 --> 01:06:17,160
Speaker 3: To go with the deal.

1618
01:06:17,520 --> 01:06:19,360
Speaker 2: Well, damn, what the CEO and CFO do to him?

1619
01:06:20,240 --> 01:06:21,920
Speaker 1: Hey, I think he's just trying to move him out

1620
01:06:21,960 --> 01:06:24,080
Speaker 1: and bring his own people. You know, if I own

1621
01:06:24,120 --> 01:06:26,200
Speaker 1: the company now and I got my guys that I

1622
01:06:26,280 --> 01:06:29,200
Speaker 1: want to put these in these positions, why not. You know,

1623
01:06:29,280 --> 01:06:30,080
Speaker 1: it's a nice business.

1624
01:06:30,440 --> 01:06:32,640
Speaker 2: We don't really know much about Elon's crew though, outside

1625
01:06:32,680 --> 01:06:35,640
Speaker 2: of Kanye, Like, he doesn't really wrap his crew like that.

1626
01:06:35,880 --> 01:06:37,000
Speaker 2: He's definitely on a Steve job.

1627
01:06:37,040 --> 01:06:37,240
Speaker 4: Shit.

1628
01:06:37,360 --> 01:06:40,200
Speaker 2: Yeah, I wish we knew more of like his friends

1629
01:06:40,400 --> 01:06:43,200
Speaker 2: that we know he's going to put here, Like we

1630
01:06:43,320 --> 01:06:45,960
Speaker 2: know when you know Jane Dame got the deal, Cameron

1631
01:06:46,080 --> 01:06:49,400
Speaker 2: was going to become vice president. Who's his camer.

1632
01:06:50,720 --> 01:06:51,120
Speaker 1: Kanye.

1633
01:06:53,840 --> 01:06:58,959
Speaker 2: No, but Yay, just bought the competitor, the racist Twitter.

1634
01:06:59,400 --> 01:07:02,479
Speaker 2: Well even though Twitter can, they're both Twitter, the extra

1635
01:07:02,600 --> 01:07:03,160
Speaker 2: racist Twitter.

1636
01:07:03,960 --> 01:07:06,480
Speaker 1: Elon tweeted, if I had a dollar for every time

1637
01:07:06,560 --> 01:07:08,800
Speaker 1: someone asked me if Trump is coming back on this platform,

1638
01:07:09,240 --> 01:07:11,560
Speaker 1: Twitter would be minting money. Elon, I'm sorry, that's me.

1639
01:07:11,600 --> 01:07:13,600
Speaker 2: From say how many dollars did he get from you?

1640
01:07:13,760 --> 01:07:13,960
Speaker 1: Yeah?

1641
01:07:14,160 --> 01:07:15,080
Speaker 3: The Elon, that was me.

1642
01:07:15,160 --> 01:07:18,240
Speaker 1: I'm gonna just confess that with me asking is Trump

1643
01:07:18,320 --> 01:07:20,800
Speaker 1: coming back on this platform? Do you give him?

1644
01:07:21,640 --> 01:07:22,680
Speaker 2: Do you give Donnie a follow?

1645
01:07:23,560 --> 01:07:25,480
Speaker 3: Yeah? Hell yeah? Absolutely?

1646
01:07:25,920 --> 01:07:27,600
Speaker 1: Or what it's entertainment.

1647
01:07:27,640 --> 01:07:29,760
Speaker 2: It's going to be retweeted anyways. It's not like you're

1648
01:07:29,760 --> 01:07:30,200
Speaker 2: gonna miss it.

1649
01:07:30,360 --> 01:07:32,320
Speaker 1: But I got I gotta follow him. I gotta follow him.

1650
01:07:32,320 --> 01:07:33,720
Speaker 1: I gotta, I gotta, I gotta be the first to

1651
01:07:33,760 --> 01:07:34,960
Speaker 1: see it. I want to see what he's saying.

1652
01:07:35,040 --> 01:07:35,960
Speaker 2: Do you think he'll follow back?

1653
01:07:36,960 --> 01:07:37,400
Speaker 3: He should?

1654
01:07:37,920 --> 01:07:39,640
Speaker 1: I mean, I've only supported the guy and got him

1655
01:07:39,640 --> 01:07:40,280
Speaker 1: into the White House.

1656
01:07:40,640 --> 01:07:44,280
Speaker 2: Wow, I mean it is stormed when never mind? Yeah,

1657
01:07:46,400 --> 01:07:48,320
Speaker 2: do you think maybe Trump is like a follow Friday

1658
01:07:48,440 --> 01:07:51,200
Speaker 2: or like, I don't think he's team followed. Obama was

1659
01:07:51,240 --> 01:07:53,960
Speaker 2: team followback though it was little be the base guy

1660
01:07:54,080 --> 01:07:57,040
Speaker 2: and Obama that we they were the most generous. I

1661
01:07:57,080 --> 01:07:58,240
Speaker 2: feel like with the ring Spirits too.

1662
01:07:58,240 --> 01:08:00,600
Speaker 1: At one point that was her father that wasn't here

1663
01:08:01,080 --> 01:08:01,880
Speaker 1: Your dad followed me?

1664
01:08:02,040 --> 01:08:05,800
Speaker 2: Yeah, that was that was who you were, DMO mister, I.

1665
01:08:05,880 --> 01:08:07,800
Speaker 1: Never DM Britney Spears account.

1666
01:08:09,120 --> 01:08:12,000
Speaker 2: Do you think Trump being his DMS for Absolutely?

1667
01:08:13,200 --> 01:08:15,160
Speaker 1: Trump definitely be he gotta he put that dude rag

1668
01:08:15,240 --> 01:08:17,360
Speaker 1: on a night he lay down. He definitely be in

1669
01:08:17,439 --> 01:08:20,280
Speaker 1: bed on his fucking Twitter are you kidding me. That's Trump.

1670
01:08:20,479 --> 01:08:21,479
Speaker 1: That's Trump behind those.

1671
01:08:21,560 --> 01:08:22,559
Speaker 2: He does have to protect the hair.

1672
01:08:23,200 --> 01:08:24,160
Speaker 1: You gotta lay down the piece.

1673
01:08:24,200 --> 01:08:24,519
Speaker 4: You know that.

1674
01:08:26,280 --> 01:08:28,439
Speaker 2: He also wants to bring Vine back, or is polling

1675
01:08:28,439 --> 01:08:28,879
Speaker 2: to see.

1676
01:08:28,680 --> 01:08:30,120
Speaker 3: If we should bring I know he was going crazy

1677
01:08:30,120 --> 01:08:32,040
Speaker 3: and you showed that because you loved I.

1678
01:08:32,080 --> 01:08:33,599
Speaker 2: Wasn't really on it. I would just see the clips

1679
01:08:33,640 --> 01:08:35,760
Speaker 2: that everyone else will post. But now I think I

1680
01:08:35,880 --> 01:08:36,839
Speaker 2: was more of a what's.

1681
01:08:36,640 --> 01:08:38,759
Speaker 1: The difference between Vine and TikTok?

1682
01:08:39,320 --> 01:08:41,200
Speaker 6: So Vine, if I wasn't mistake it only had you

1683
01:08:41,280 --> 01:08:42,360
Speaker 6: only had six seconds?

1684
01:08:42,479 --> 01:08:43,240
Speaker 3: Was it six seconds?

1685
01:08:43,439 --> 01:08:44,439
Speaker 1: Got quick?

1686
01:08:44,680 --> 01:08:46,880
Speaker 6: It had to be very quick. It might not be six,

1687
01:08:47,000 --> 01:08:48,960
Speaker 6: it might be sixteen. I can't remember, but it was

1688
01:08:49,200 --> 01:08:52,160
Speaker 6: very quick on Vine. In TikTok, now they allow you

1689
01:08:52,240 --> 01:08:55,160
Speaker 6: have to do I think like three minutes on TikTok.

1690
01:08:56,840 --> 01:08:59,320
Speaker 1: I saw elon tweet that finally, now we can say

1691
01:08:59,360 --> 01:09:02,719
Speaker 1: that carbs are amazing skiing on a platform.

1692
01:09:02,760 --> 01:09:03,439
Speaker 3: That's what he tweeted.

1693
01:09:03,520 --> 01:09:05,240
Speaker 2: Were we not allowed to say that?

1694
01:09:05,680 --> 01:09:08,240
Speaker 1: You said, Finally, the truth that carbs are amazing can

1695
01:09:08,280 --> 01:09:12,200
Speaker 1: be set on this platform. Free hashtags so brave, Fresh

1696
01:09:12,280 --> 01:09:14,639
Speaker 1: baked bread and pastries are some of the great joys

1697
01:09:14,640 --> 01:09:17,240
Speaker 1: of life. Listen when you dropped forty four billion. This

1698
01:09:17,360 --> 01:09:19,200
Speaker 1: is just this just shows you where Elon is thatch,

1699
01:09:19,240 --> 01:09:19,599
Speaker 1: but he's.

1700
01:09:19,520 --> 01:09:22,200
Speaker 2: Thinking talking to you. You vegan focks. You ruined the platform.

1701
01:09:22,320 --> 01:09:25,439
Speaker 3: Vegans can eat past We have vegan pastries.

1702
01:09:25,520 --> 01:09:27,120
Speaker 2: Trama, I mean, but you guys ruined Twitter?

1703
01:09:27,439 --> 01:09:30,920
Speaker 1: Did we? I think we did? Comedy is now legal?

1704
01:09:31,040 --> 01:09:33,200
Speaker 3: How do you not like this guy? Comedy is now

1705
01:09:33,280 --> 01:09:34,040
Speaker 3: legal on Twitter?

1706
01:09:34,479 --> 01:09:35,160
Speaker 1: How do you not like?

1707
01:09:35,320 --> 01:09:38,720
Speaker 2: Were they all right? Was Twitter really taking shit down

1708
01:09:38,800 --> 01:09:38,960
Speaker 2: like that?

1709
01:09:39,280 --> 01:09:39,320
Speaker 4: No?

1710
01:09:39,800 --> 01:09:40,760
Speaker 2: I don't remember.

1711
01:09:40,600 --> 01:09:43,360
Speaker 6: Twitter outspeech like hate, like hate hate speed.

1712
01:09:43,479 --> 01:09:44,360
Speaker 4: Yeah, but that's comedy.

1713
01:09:46,040 --> 01:09:48,679
Speaker 1: Some of the greatest comedy comes from fifty times.

1714
01:09:48,720 --> 01:09:49,439
Speaker 6: It's not comedy.

1715
01:09:49,880 --> 01:09:50,400
Speaker 4: He's tweeting it.

1716
01:09:50,479 --> 01:09:52,840
Speaker 1: It depends on Richard Prior is tweeting it. If Prior

1717
01:09:52,880 --> 01:09:56,439
Speaker 1: is tweeting it is comedy. Know that nigga nigga, nig nigga,

1718
01:09:56,479 --> 01:09:59,400
Speaker 1: nig nigga, nigga a nigga nigga.

1719
01:10:00,920 --> 01:10:03,559
Speaker 3: Matter of fact, we me sport it right now? Sport?

1720
01:10:03,920 --> 01:10:04,719
Speaker 2: What's going on in sport?

1721
01:10:04,760 --> 01:10:05,719
Speaker 1: Five hundred percent?

1722
01:10:06,040 --> 01:10:08,040
Speaker 2: You get this, You're gonna get it up.

1723
01:10:08,640 --> 01:10:10,519
Speaker 1: You're gonna give it a man.

1724
01:10:10,600 --> 01:10:13,920
Speaker 2: Those Lakers, they figure out who's.

1725
01:10:13,640 --> 01:10:15,120
Speaker 4: Speaking of it was just.

1726
01:10:16,640 --> 01:10:20,080
Speaker 1: Their Twitter advertisers. The reason I acquiet Twitter is because

1727
01:10:20,120 --> 01:10:22,679
Speaker 1: it is important to the future of civilization.

1728
01:10:22,360 --> 01:10:24,160
Speaker 3: To have a common digital town square.

1729
01:10:25,560 --> 01:10:29,160
Speaker 6: He's right, Yeah, we got to have a common digit

1730
01:10:29,360 --> 01:10:31,320
Speaker 6: kind of like the digital town square.

1731
01:10:31,479 --> 01:10:33,679
Speaker 1: Listen, Elon is not able to drop forty four billion

1732
01:10:33,760 --> 01:10:35,320
Speaker 1: by being an idiot. He's going to make sense.

1733
01:10:35,320 --> 01:10:38,080
Speaker 3: Sometimes people just have their reservations about them, but I

1734
01:10:38,160 --> 01:10:38,720
Speaker 3: understand them.

1735
01:10:38,720 --> 01:10:42,600
Speaker 1: He's I think he's not. He's not the prototypical billionaire.

1736
01:10:42,880 --> 01:10:46,240
Speaker 1: He's wealthy, and he wants to do this is like

1737
01:10:46,320 --> 01:10:47,240
Speaker 1: a toy for him.

1738
01:10:47,240 --> 01:10:49,320
Speaker 6: He just wants to trying to back out of it,

1739
01:10:49,360 --> 01:10:51,680
Speaker 6: but he had already promised to do it, so now

1740
01:10:51,760 --> 01:10:52,800
Speaker 6: that he's there, But I think he.

1741
01:10:52,840 --> 01:10:54,640
Speaker 3: Tried to back out of it for other reasons though.

1742
01:10:54,720 --> 01:10:56,160
Speaker 3: I think it was some shit behind the scenes.

1743
01:10:56,280 --> 01:10:58,479
Speaker 2: And now you can call him an Indian giver on

1744
01:10:58,600 --> 01:10:59,560
Speaker 2: this platform.

1745
01:11:00,000 --> 01:11:06,080
Speaker 1: Without being uh, that's racist. But it's it's the digital

1746
01:11:06,120 --> 01:11:07,760
Speaker 1: town square level getting shit off.

1747
01:11:08,200 --> 01:11:11,240
Speaker 2: I am minding my business. I'm not verified on to

1748
01:11:11,280 --> 01:11:13,120
Speaker 2: the Seahawks. We don't even really know if that's really

1749
01:11:13,200 --> 01:11:13,439
Speaker 2: meant to me.

1750
01:11:13,479 --> 01:11:15,040
Speaker 1: How you know that what you mean by that?

1751
01:11:15,720 --> 01:11:16,599
Speaker 6: What I mean?

1752
01:11:16,640 --> 01:11:17,760
Speaker 1: What you mean? But he was at the game.

1753
01:11:17,960 --> 01:11:18,840
Speaker 4: No, I wasn't at that one.

1754
01:11:18,880 --> 01:11:19,560
Speaker 1: What you mean by that?

1755
01:11:20,200 --> 01:11:22,760
Speaker 2: Are you going to keep a keep your verified check

1756
01:11:22,800 --> 01:11:24,920
Speaker 2: by paying twenty dollars a month? What you mean by that?

1757
01:11:25,479 --> 01:11:28,559
Speaker 2: I mean they're you gonna pay twenty dollars to keep

1758
01:11:28,600 --> 01:11:29,360
Speaker 2: your verified check?

1759
01:11:29,479 --> 01:11:30,040
Speaker 3: But what you mean?

1760
01:11:30,200 --> 01:11:31,559
Speaker 1: I'm not even verified on Twitter?

1761
01:11:32,439 --> 01:11:33,599
Speaker 2: Is that for Twitter? For Instagram?

1762
01:11:33,760 --> 01:11:34,040
Speaker 1: Twitter?

1763
01:11:34,240 --> 01:11:36,240
Speaker 2: Twitter? Oh I'm not verified either.

1764
01:11:36,320 --> 01:11:36,840
Speaker 1: He knows Twitter.

1765
01:11:37,160 --> 01:11:39,160
Speaker 2: I don't want to be verified on Twitter because maybe

1766
01:11:39,200 --> 01:11:41,080
Speaker 2: I can have the excuse that that's not me tweeting.

1767
01:11:41,160 --> 01:11:41,920
Speaker 3: Yeah I got hacked.

1768
01:11:42,080 --> 01:11:43,320
Speaker 2: You know, it's an imposter.

1769
01:11:43,160 --> 01:11:44,960
Speaker 1: Paying twenty dollars a month for a blue check? So

1770
01:11:45,040 --> 01:11:46,840
Speaker 1: that does that mean that anybody can have a blue

1771
01:11:46,880 --> 01:11:48,240
Speaker 1: check if they're willing to pay twenty dolls a month?

1772
01:11:48,320 --> 01:11:50,519
Speaker 1: Or the ones that are already verified or that get

1773
01:11:50,640 --> 01:11:53,240
Speaker 1: verified in order to keep their verification have to pay

1774
01:11:53,280 --> 01:11:53,599
Speaker 1: a fee.

1775
01:11:53,680 --> 01:11:55,840
Speaker 2: I think it's probably the keep to keep it, to

1776
01:11:55,920 --> 01:11:57,720
Speaker 2: keep the fee. But imagine, like I mean to keep

1777
01:11:57,800 --> 01:12:00,400
Speaker 2: like branted when I got verified on Instagram just popped

1778
01:12:00,479 --> 01:12:00,880
Speaker 2: up one day?

1779
01:12:01,040 --> 01:12:01,240
Speaker 3: Yeah?

1780
01:12:02,280 --> 01:12:04,120
Speaker 2: Does that mean Elon is just gonna start sending us

1781
01:12:04,120 --> 01:12:07,920
Speaker 2: twenty dollars bills without our our consent? Like, now you

1782
01:12:07,960 --> 01:12:09,679
Speaker 2: gotta check. Now you owe me twenty dollars. I didn't

1783
01:12:09,680 --> 01:12:09,920
Speaker 2: ask for this.

1784
01:12:10,000 --> 01:12:11,479
Speaker 1: Now they're gonna do what they're gonna do with Rosbie.

1785
01:12:11,560 --> 01:12:13,439
Speaker 1: They're gonna text you when your twenty dollars is do, like,

1786
01:12:13,479 --> 01:12:14,960
Speaker 1: listen if you still want to be verified.

1787
01:12:15,280 --> 01:12:18,599
Speaker 2: Yeah, but I asked. I asked for my Verizon to work.

1788
01:12:18,960 --> 01:12:20,679
Speaker 2: I didn't ask for a blue You can't just throw

1789
01:12:20,840 --> 01:12:22,280
Speaker 2: a blue check on my account now and be like

1790
01:12:22,360 --> 01:12:22,800
Speaker 2: y talk.

1791
01:12:23,840 --> 01:12:27,320
Speaker 1: Well, the influencers have twenty dollars a month. I guessing don't.

1792
01:12:27,520 --> 01:12:28,320
Speaker 3: I'll be surprised.

1793
01:12:28,600 --> 01:12:30,479
Speaker 1: I'd be I would be surprised if somebody doesn't have

1794
01:12:30,479 --> 01:12:31,200
Speaker 1: twenty dollars a month.

1795
01:12:33,120 --> 01:12:34,080
Speaker 3: So yeah, man, I don't know.

1796
01:12:34,160 --> 01:12:36,440
Speaker 2: I think this is what's Trump's first tweet.

1797
01:12:38,200 --> 01:12:40,960
Speaker 1: Was just you're if that's done?

1798
01:12:41,080 --> 01:12:42,080
Speaker 3: Listen, that's his er.

1799
01:12:43,560 --> 01:12:45,559
Speaker 2: Yeah, the reel is back, the real is back.

1800
01:12:46,040 --> 01:12:48,519
Speaker 1: He got to play the real is back too, No,

1801
01:12:48,760 --> 01:12:51,000
Speaker 1: he does. He gotta play the rulers back. Oh my gosh,

1802
01:12:51,600 --> 01:12:56,120
Speaker 1: the rulers back there? How long do you think darn them?

1803
01:12:57,760 --> 01:12:58,960
Speaker 2: His hair just flowing in the wind.

1804
01:12:59,479 --> 01:13:02,680
Speaker 1: Well, let me times well, at least to me, it's

1805
01:13:02,720 --> 01:13:04,639
Speaker 1: a lot of motherfuckers on trying to sound.

1806
01:13:04,479 --> 01:13:07,519
Speaker 2: Like DT Trump, I help you out. Here's what you do.

1807
01:13:08,439 --> 01:13:10,559
Speaker 1: You're gonna need a wide lens because that's a very

1808
01:13:11,160 --> 01:13:14,599
Speaker 1: so Yeah, Donald Trump will be back on Twitter.

1809
01:13:14,680 --> 01:13:16,240
Speaker 3: I was happy to hear that. Well, well, I'm not

1810
01:13:16,320 --> 01:13:19,600
Speaker 3: ringing part of the digital town square. Let him in

1811
01:13:20,080 --> 01:13:20,960
Speaker 3: see what he has to say.

1812
01:13:21,680 --> 01:13:21,800
Speaker 6: Uh.

1813
01:13:22,040 --> 01:13:25,000
Speaker 1: In sports, the Giants finally lost the marriage because the

1814
01:13:25,040 --> 01:13:26,040
Speaker 1: marriage didn't go to the game.

1815
01:13:26,800 --> 01:13:27,040
Speaker 3: Damn.

1816
01:13:27,200 --> 01:13:29,720
Speaker 1: That's why they lost. But they are now six and two,

1817
01:13:30,720 --> 01:13:33,519
Speaker 1: still a great start to a season. The Knicks lost

1818
01:13:33,560 --> 01:13:35,519
Speaker 1: to Cleveland last night. Well, if you listen to this

1819
01:13:35,600 --> 01:13:38,960
Speaker 1: is Tuesday lost to Cleveland Sunday night after blowing the

1820
01:13:39,000 --> 01:13:41,280
Speaker 1: fourth quarter. League Kevin Love came off the bench and

1821
01:13:41,360 --> 01:13:46,599
Speaker 1: hit nine three pointers of some crazy shit like that. Uh, Julius,

1822
01:13:46,640 --> 01:13:50,360
Speaker 1: get a fucking hand up. Goddamn love you, but ship

1823
01:13:50,560 --> 01:13:54,479
Speaker 1: you can get out there. I'm a facetimon to laugh

1824
01:13:54,520 --> 01:13:55,920
Speaker 1: at him tonight after we finished.

1825
01:13:56,200 --> 01:13:57,559
Speaker 2: It's really encouraging to a friend that.

1826
01:13:59,200 --> 01:13:59,920
Speaker 1: I gotta laugh.

1827
01:14:00,000 --> 01:14:01,559
Speaker 3: Come on, Kevin Love came off the bench and hit

1828
01:14:01,640 --> 01:14:03,960
Speaker 3: with eight three or something like that, like, come onf

1829
01:14:04,520 --> 01:14:05,080
Speaker 3: fresh off the.

1830
01:14:05,120 --> 01:14:06,840
Speaker 2: Bench, fallim or something.

1831
01:14:06,880 --> 01:14:09,960
Speaker 1: Yeah, God damn, get a fucking hit, get out there.

1832
01:14:10,040 --> 01:14:13,040
Speaker 1: He's obviously he's on tonight. You know how like you

1833
01:14:13,120 --> 01:14:15,000
Speaker 1: hit three and I believe you. Niggas just say at

1834
01:14:15,000 --> 01:14:17,080
Speaker 1: the park hit three, I believe you. I'm at five.

1835
01:14:17,360 --> 01:14:19,000
Speaker 2: You need to get out and not worried about it.

1836
01:14:19,080 --> 01:14:21,599
Speaker 1: Yeah, like, come on, but the Knicks still look good.

1837
01:14:21,600 --> 01:14:23,920
Speaker 1: They shouldn't have lost that game to Cleveland, but they

1838
01:14:24,000 --> 01:14:26,599
Speaker 1: do look good. Pardon me, he he only hit six three,

1839
01:14:26,640 --> 01:14:29,200
Speaker 1: so I don't have to I take that back, Julius.

1840
01:14:29,200 --> 01:14:31,720
Speaker 1: I still love you, my dog. Goddamn, get a hand up.

1841
01:14:33,760 --> 01:14:36,040
Speaker 1: But you had the Knicks look good though they didn't

1842
01:14:36,040 --> 01:14:38,800
Speaker 1: look good Sunday night, but they still look good over all,

1843
01:14:39,680 --> 01:14:40,920
Speaker 1: Lakers got their first win.

1844
01:14:41,160 --> 01:14:42,280
Speaker 2: Oh you're celebrating tonight.

1845
01:14:42,960 --> 01:14:47,240
Speaker 1: Fuck god damn one in five.

1846
01:14:48,960 --> 01:14:51,280
Speaker 2: You think they're tanking for draft picks, right, that's.

1847
01:14:52,800 --> 01:14:55,479
Speaker 1: Yeah, you can't. We're definitely not tanking for We're just losing.

1848
01:14:55,880 --> 01:15:00,240
Speaker 1: We want to win these games. We're fucking losing. I

1849
01:15:00,320 --> 01:15:02,080
Speaker 1: still think that we need to make some moves, though.

1850
01:15:02,160 --> 01:15:03,880
Speaker 1: I think that we need to try to trade Anthony

1851
01:15:04,000 --> 01:15:06,920
Speaker 1: Davis while we can. He still has some value. Love

1852
01:15:06,960 --> 01:15:09,759
Speaker 1: Anthony Davis. Think he's obviously one of the most talented

1853
01:15:09,800 --> 01:15:12,120
Speaker 1: big men in the league, but he's always hurt, and

1854
01:15:12,360 --> 01:15:14,840
Speaker 1: if you're hurt, you're no good to the Lakers. So

1855
01:15:15,360 --> 01:15:19,760
Speaker 1: if we can try to move them, we should. I

1856
01:15:19,880 --> 01:15:22,519
Speaker 1: was kind of apprehensive about Russell Westbrook coming off the bench,

1857
01:15:22,720 --> 01:15:25,320
Speaker 1: but I think in this system, and in this case,

1858
01:15:25,840 --> 01:15:30,200
Speaker 1: it makes absolute sense, he's able to be himself. I

1859
01:15:30,240 --> 01:15:34,920
Speaker 1: don't think that he can coexist effectively alongside Lebron for

1860
01:15:35,080 --> 01:15:36,920
Speaker 1: most of the minutes on the floor only because Lebron

1861
01:15:37,040 --> 01:15:38,920
Speaker 1: is so bald dominant, and it's not a negative thing,

1862
01:15:39,240 --> 01:15:41,120
Speaker 1: but it's Lebron James and one of the greatest players

1863
01:15:41,120 --> 01:15:43,880
Speaker 1: ever obviously, so he's ball dominant, and I think that

1864
01:15:44,040 --> 01:15:47,000
Speaker 1: Russell needs to be He needs to be able to

1865
01:15:47,080 --> 01:15:50,080
Speaker 1: be free and be Russell. I think coming off the bench, well,

1866
01:15:50,080 --> 01:15:51,800
Speaker 1: I do feel like it's disrespectful that he's coming off

1867
01:15:51,840 --> 01:15:54,559
Speaker 1: the bench behind Pat Beverly. I think that he's obviously

1868
01:15:54,600 --> 01:15:57,120
Speaker 1: a better basketball player than Pat Beverley. No disrespect to

1869
01:15:57,160 --> 01:15:58,839
Speaker 1: Pat Beverley, but he's just not Russell Westbrook.

1870
01:16:00,479 --> 01:16:02,600
Speaker 3: But I understand it. In this system, I understand it.

1871
01:16:02,680 --> 01:16:04,800
Speaker 1: I get it. Let him come off the bench, let

1872
01:16:04,880 --> 01:16:06,640
Speaker 1: him be the guy that needs to score, push the

1873
01:16:07,080 --> 01:16:11,080
Speaker 1: push the ball, push the tempo. I get it. And

1874
01:16:11,200 --> 01:16:13,160
Speaker 1: it looked good last night. It worked last night. Russell

1875
01:16:13,160 --> 01:16:16,400
Speaker 1: had a good game. But we got to stop blaming Russ.

1876
01:16:16,439 --> 01:16:18,400
Speaker 1: I tweeted that ship stop blaming Russell Westbrook.

1877
01:16:18,400 --> 01:16:20,839
Speaker 3: It's not his fault. The system is just not designed

1878
01:16:20,920 --> 01:16:21,160
Speaker 3: for his.

1879
01:16:21,240 --> 01:16:23,880
Speaker 1: Style, his his style of play, the style of the

1880
01:16:23,920 --> 01:16:25,800
Speaker 1: type of player that he is. It's just not the

1881
01:16:25,880 --> 01:16:29,639
Speaker 1: system for him playing a lot alongside Lebron James. Lebron

1882
01:16:29,720 --> 01:16:32,479
Speaker 1: is so baald dominant, and it's just not Pause, it's

1883
01:16:32,520 --> 01:16:35,719
Speaker 1: just not He's not a good fit. Yeah, Pat Pause,

1884
01:16:35,960 --> 01:16:37,839
Speaker 1: it's not a good fit for Russell Westbrook.

1885
01:16:38,240 --> 01:16:40,120
Speaker 2: But hopefully this is just three times and the mirror

1886
01:16:40,160 --> 01:16:40,640
Speaker 2: who comes up?

1887
01:16:42,040 --> 01:16:44,120
Speaker 1: I can't say who comes out and get go cancel

1888
01:16:44,200 --> 01:16:48,840
Speaker 1: for that. Yeah, but we had some success last night.

1889
01:16:49,120 --> 01:16:51,160
Speaker 1: Russell looked good. He looked like he was having fun.

1890
01:16:51,560 --> 01:16:55,840
Speaker 1: He was smiling. We haven't seen him smiling what seems

1891
01:16:55,920 --> 01:16:56,759
Speaker 1: like two summers.

1892
01:16:56,920 --> 01:16:59,320
Speaker 2: What did you say about the Lakers that we continue

1893
01:16:59,360 --> 01:17:00,519
Speaker 2: to talk about it is one in.

1894
01:17:00,600 --> 01:17:03,759
Speaker 1: Five because we expect so much more from a Lebron

1895
01:17:03,920 --> 01:17:07,200
Speaker 1: James team, a Russell Westbrook team, Anthony Davis team.

1896
01:17:07,240 --> 01:17:08,599
Speaker 3: We just expect more than one five.

1897
01:17:08,680 --> 01:17:11,240
Speaker 1: Yes, but I just like the I just like the

1898
01:17:11,280 --> 01:17:13,680
Speaker 1: fact that Russell seems to be accepting this role off

1899
01:17:13,720 --> 01:17:14,000
Speaker 1: the bench.

1900
01:17:14,080 --> 01:17:15,439
Speaker 3: He seemed like he was having fun.

1901
01:17:16,080 --> 01:17:17,880
Speaker 1: Uh, Sunday night, he looked like he was, you know,

1902
01:17:18,479 --> 01:17:22,200
Speaker 1: back to some of his Russell Westbrook energy. And hopefully

1903
01:17:22,240 --> 01:17:24,640
Speaker 1: they build off for this and move forward and have

1904
01:17:24,880 --> 01:17:27,479
Speaker 1: a great season. I still don't have high hopes for us,

1905
01:17:27,840 --> 01:17:28,800
Speaker 1: just being real the.

1906
01:17:28,840 --> 01:17:29,800
Speaker 3: West anyone does.

1907
01:17:30,200 --> 01:17:33,519
Speaker 1: Yeah, the Western Conferences is too to too greative account.

1908
01:17:33,520 --> 01:17:35,000
Speaker 2: I think it's it's the conference's fault.

1909
01:17:35,320 --> 01:17:36,840
Speaker 1: Well, we can't get into We have to wory about

1910
01:17:36,840 --> 01:17:38,360
Speaker 1: getting into the playoffs. So this is what we this

1911
01:17:38,400 --> 01:17:39,280
Speaker 1: is what we're up against.

1912
01:17:39,439 --> 01:17:42,720
Speaker 2: So you know, I think you know, one in five

1913
01:17:43,040 --> 01:17:43,680
Speaker 2: you'll get up there.

1914
01:17:44,240 --> 01:17:46,720
Speaker 1: Yes, it's it's early, you know, that's that's that's what

1915
01:17:46,800 --> 01:17:50,360
Speaker 1: it was early. It's early strategy. We're trying to December

1916
01:17:50,479 --> 01:17:52,880
Speaker 1: be here, no time, and then it won't be early anymore.

1917
01:17:52,960 --> 01:17:55,320
Speaker 1: Brittany Grinder lost her appeal, right, did we speak about that?

1918
01:17:55,479 --> 01:17:57,479
Speaker 2: Does she have any more appeals that? Does Russia only

1919
01:17:57,560 --> 01:17:59,439
Speaker 2: give you? Something tells me Russia is not the most

1920
01:17:59,439 --> 01:17:59,840
Speaker 2: like appeal.

1921
01:18:00,439 --> 01:18:03,880
Speaker 1: Yes, I don't know, but it's uh, you know, it's

1922
01:18:03,920 --> 01:18:08,280
Speaker 1: it's unfortunate man's again. Laws and laws, laws of the land,

1923
01:18:08,280 --> 01:18:09,080
Speaker 1: the laws of the land.

1924
01:18:10,920 --> 01:18:12,320
Speaker 3: You know, it is what it is.

1925
01:18:12,640 --> 01:18:14,560
Speaker 1: The sentence is way too hard though. She should not

1926
01:18:14,680 --> 01:18:16,960
Speaker 1: be sentenced to nine years in prison.

1927
01:18:17,040 --> 01:18:18,080
Speaker 3: That's just like, come on man.

1928
01:18:18,400 --> 01:18:22,639
Speaker 1: Prayers to Brittany Grinder. Hopefully this sentence is overturned. Nine

1929
01:18:22,720 --> 01:18:26,160
Speaker 1: years is absolutely insane for a vappin. But again, I

1930
01:18:26,200 --> 01:18:28,400
Speaker 1: do understand. Laws of the land are laws of the land.

1931
01:18:31,520 --> 01:18:33,400
Speaker 2: Well, yeah, I think, uh, I think we cut thing.

1932
01:18:33,439 --> 01:18:35,000
Speaker 2: We'll be We'll be right back, will we.

1933
01:18:35,320 --> 01:18:35,519
Speaker 3: Yeah.

1934
01:18:36,000 --> 01:18:38,080
Speaker 1: Tickets on sale, man, God damn it. We are in

1935
01:18:38,280 --> 01:18:42,080
Speaker 1: London this weekend. We are at the Earth Theater in London.

1936
01:18:42,320 --> 01:18:43,400
Speaker 2: Yes, going up.

1937
01:18:44,240 --> 01:18:46,360
Speaker 1: We're having gonna we got some some some some things

1938
01:18:46,400 --> 01:18:49,600
Speaker 1: playing out there, some some events some uh you know,

1939
01:18:49,640 --> 01:18:52,000
Speaker 1: we're gonna run around the town and run them up.

1940
01:18:52,160 --> 01:18:52,880
Speaker 3: Yes, a little bit.

1941
01:18:53,560 --> 01:18:54,920
Speaker 1: Get some tea, you know, get some tea.

1942
01:18:55,040 --> 01:18:55,920
Speaker 4: Pub hopping you have.

1943
01:18:56,439 --> 01:18:57,559
Speaker 2: Give any lady friends out there.

1944
01:18:57,960 --> 01:18:59,800
Speaker 3: I have a lot of lady friends in London. I'm lying,

1945
01:18:59,840 --> 01:19:00,559
Speaker 3: it sounds good.

1946
01:19:00,600 --> 01:19:02,880
Speaker 2: Any any any non platonic ones.

1947
01:19:04,320 --> 01:19:06,840
Speaker 3: No, okay, all my relationships with my lady from when

1948
01:19:06,840 --> 01:19:08,799
Speaker 3: I say lady friend, it's platonic.

1949
01:19:09,000 --> 01:19:10,880
Speaker 1: Got you Okay, what I want to say my hose?

1950
01:19:11,080 --> 01:19:12,000
Speaker 2: What about when you fuck?

1951
01:19:12,439 --> 01:19:12,559
Speaker 3: Oh?

1952
01:19:12,600 --> 01:19:14,519
Speaker 1: It was my hose. That my bitches, that's my work,

1953
01:19:14,600 --> 01:19:15,120
Speaker 1: my trophies.

1954
01:19:15,560 --> 01:19:16,200
Speaker 3: Get you brecked up?

1955
01:19:17,360 --> 01:19:20,679
Speaker 1: No, Edden, you nasty fuck kicked the chew Uh London,

1956
01:19:20,720 --> 01:19:24,200
Speaker 1: November fifth, we are in Atlanta. November thirteenth, Happy birthday

1957
01:19:24,200 --> 01:19:28,719
Speaker 1: to Julian Uh. Then November eighteenth, we are in Dallas.

1958
01:19:29,240 --> 01:19:32,599
Speaker 1: November nineteenth, we are in I don't know these fucking dates.

1959
01:19:32,640 --> 01:19:32,960
Speaker 3: I don't know.

1960
01:19:33,760 --> 01:19:35,280
Speaker 2: I don't be on the screen.

1961
01:19:35,400 --> 01:19:37,360
Speaker 1: Leave me in the fucking teaches to take grenades ry.

1962
01:19:37,439 --> 01:19:40,280
Speaker 2: God damn, I didn't know I was supposed to memorize.

1963
01:19:40,320 --> 01:19:41,080
Speaker 4: The tourist editing.

1964
01:19:40,960 --> 01:19:43,759
Speaker 1: Doesn't speak English, he doesn't know. Pull up the fucking

1965
01:19:44,200 --> 01:19:46,320
Speaker 1: I got you, right, Mi Harmano.

1966
01:19:46,040 --> 01:19:49,839
Speaker 2: At the November fifth, we are in London. November thirteenth,

1967
01:19:49,920 --> 01:19:52,719
Speaker 2: we are in Atlanta. November nineteenth, we are in Dallas.

1968
01:19:53,400 --> 01:19:57,240
Speaker 2: November twentieth, we're in Houston, Texas. Then we're gonna celebrate

1969
01:19:57,840 --> 01:20:02,160
Speaker 2: us stealing the land from the Ende. And then December second, we.

1970
01:20:02,240 --> 01:20:04,360
Speaker 1: Are in New York City. We are in New York

1971
01:20:05,080 --> 01:20:07,680
Speaker 1: get your tickets now, New Rory in Mall dot com

1972
01:20:07,840 --> 01:20:08,240
Speaker 1: a math.

1973
01:20:08,320 --> 01:20:09,600
Speaker 3: What you mean by that? What do you mean by

1974
01:20:12,760 --> 01:20:13,200
Speaker 3: what math?

1975
01:20:13,320 --> 01:20:13,720
Speaker 2: Which I did?

1976
01:20:13,840 --> 01:20:14,000
Speaker 4: Math?

1977
01:20:14,080 --> 01:20:16,120
Speaker 1: Meant by that? They tried to Rory and Mall.

1978
01:20:16,240 --> 01:20:18,800
Speaker 4: What you mean that is the first time I heard

1979
01:20:18,840 --> 01:20:19,800
Speaker 4: that used as a verb.

1980
01:20:19,960 --> 01:20:21,840
Speaker 3: What the heck me and I fuck with math?

1981
01:20:21,920 --> 01:20:25,080
Speaker 1: That's what they get, like math, I'm coming up. I'm

1982
01:20:25,120 --> 01:20:27,160
Speaker 1: coming to the shop to get a shape up and

1983
01:20:27,400 --> 01:20:27,800
Speaker 1: have a talk.

1984
01:20:27,880 --> 01:20:28,360
Speaker 4: Let me shake.

1985
01:20:28,760 --> 01:20:31,320
Speaker 2: I watched him do three rounds explaining in detail what

1986
01:20:31,439 --> 01:20:33,400
Speaker 2: hollow the don did. You could have used your words

1987
01:20:33,439 --> 01:20:35,400
Speaker 2: a little bit more with what.

1988
01:20:35,640 --> 01:20:36,200
Speaker 1: Rory and Mall?

1989
01:20:36,280 --> 01:20:36,519
Speaker 4: What that?

1990
01:20:36,760 --> 01:20:37,720
Speaker 1: What you mean by that?

1991
01:20:37,840 --> 01:20:38,560
Speaker 3: What do you mean by that?

1992
01:20:39,240 --> 01:20:42,360
Speaker 1: He's not about to start saying that Rory and mauled. Yeah,

1993
01:20:43,520 --> 01:20:45,000
Speaker 1: asked for it, fucking.

1994
01:20:44,760 --> 01:20:46,600
Speaker 4: Accountant, ask for accountability?

1995
01:20:47,080 --> 01:20:50,960
Speaker 3: What the just be a very Can I see what

1996
01:20:51,040 --> 01:20:54,840
Speaker 3: I'm supposed to have quarterly, so that I'm making it

1997
01:20:55,000 --> 01:20:58,040
Speaker 3: so that I'm positive that I'm getting my percentage the

1998
01:20:58,200 --> 01:21:01,680
Speaker 3: funk I have, I'm older a sentence like what. I

1999
01:21:01,720 --> 01:21:04,679
Speaker 3: didn't ask for anything, crazy man, like the fucking dude.

2000
01:21:04,720 --> 01:21:06,479
Speaker 3: It was met with disrespect, so I said, I right

2001
01:21:06,520 --> 01:21:07,240
Speaker 3: piece them out.

2002
01:21:07,080 --> 01:21:09,080
Speaker 2: Like I said more. Anytime you feel those feelings, just

2003
01:21:09,120 --> 01:21:09,800
Speaker 2: look over a base.

2004
01:21:10,200 --> 01:21:12,880
Speaker 1: Yeah, you're right, Ba, I'm yelling and I shouldn't be.

2005
01:21:13,040 --> 01:21:14,479
Speaker 1: I should be using my inside voice.

2006
01:21:14,520 --> 01:21:16,800
Speaker 2: This is the future right here. You're right, this is

2007
01:21:16,840 --> 01:21:17,360
Speaker 2: the legacy.

2008
01:21:17,520 --> 01:21:17,880
Speaker 1: You're right.

2009
01:21:18,040 --> 01:21:18,519
Speaker 3: I'm sorry.

2010
01:21:19,720 --> 01:21:20,759
Speaker 2: All right, good example.

2011
01:21:20,920 --> 01:21:23,599
Speaker 1: We'll be back this week, uh to talk to y'all

2012
01:21:23,680 --> 01:21:28,400
Speaker 1: before we are in London, So yeah, man, enjoy your week,

2013
01:21:28,479 --> 01:21:31,400
Speaker 1: Be safe, happy Halloween. While we're recording on the Halloween, so.

2014
01:21:31,400 --> 01:21:34,519
Speaker 2: Happy in the world, check your candy for fentanyl.

2015
01:21:34,640 --> 01:21:36,920
Speaker 1: Yea fitanel is into Eminem's freezer eggs.

2016
01:21:37,120 --> 01:21:38,839
Speaker 3: The news told me, fuck.

2017
01:21:40,360 --> 01:21:46,719
Speaker 2: The Democrats, demon rats, Hunter Biden. Hunter Biden put fentanyl

2018
01:21:46,760 --> 01:21:48,439
Speaker 2: in the kick cat he I saw it.

2019
01:21:49,760 --> 01:21:55,519
Speaker 1: Was to give away. No fe crazy. We'll be back

2020
01:21:55,560 --> 01:21:57,040
Speaker 1: to talk to you in a couple of days. Be safe,

2021
01:21:57,080 --> 01:21:59,800
Speaker 1: have fun. I'm that nigga. He's just ginger peace.

2022
01:22:00,520 --> 01:22:02,120
Speaker 4: No Willian Mound