WEBVTT - EDM with Dillon Francis

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<v Speaker 1>Norn Bergen, Ron Bergin talking and say anything ron Bergen.

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<v Speaker 1>Welcome to the Ron Burgundy Podcast. This is ron Burgundy.

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<v Speaker 1>Now listen. People always want to know who I am?

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<v Speaker 1>Who is he? This Ron Burgundy character, the myth, the legend,

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<v Speaker 1>the felon, And I'm not going to be shy, and

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<v Speaker 1>I'm gonna tell the folks who I am. Well, I'm

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<v Speaker 1>a man first, that's for sure. And I'm a news anchor. Second, yeah,

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<v Speaker 1>and then then third, I'm a responsible pet owner. And fourth,

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<v Speaker 1>I may let's see what I wrote here? Okay. Fourth,

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<v Speaker 1>I'm a musician. Yes, I'm a jazz flute wonder kind.

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<v Speaker 1>And five I'm a lover. That's it, folks, I'm a

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<v Speaker 1>man first, lover last. Actually, let's take that back. Let's

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<v Speaker 1>switch those. I want to be a love her first

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<v Speaker 1>and a man last. There you go done. Well, Uh,

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<v Speaker 1>that doesn't work either. Back to the drawing board. Roun.

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<v Speaker 1>You don't have to do this, but we know who

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<v Speaker 1>you are. I don't know why you're prioritizing traits about yourself.

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<v Speaker 1>Where do you think I should throw in Christian? I

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<v Speaker 1>don't know. Are you super Christian? Not really? But this

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<v Speaker 1>is all from my bumble profile. I'm just trying to

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<v Speaker 1>meet some nice women on this thing. But life on

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<v Speaker 1>these dating apps is wild. Girls will ignore you and

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<v Speaker 1>leave you in the gut or so to speak. Or

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<v Speaker 1>they'll say they want to keep in my deep. Wow,

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<v Speaker 1>that's very forward of them. Yeah, I know. It's like,

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<v Speaker 1>can I just say hello first? I don't want to

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<v Speaker 1>see your butt, you know, until the first date. Anyway,

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<v Speaker 1>all these dating apps ask you to describe yourself and

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<v Speaker 1>your interests, So here goes nothing. You're going to put

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<v Speaker 1>down lover and man and Christian and world class musician.

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<v Speaker 1>Are you going to mention that you have a son? Um?

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<v Speaker 1>I usually wait till I'm two months in and then

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<v Speaker 1>just bring my son on a date. Romantic surprises, women

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<v Speaker 1>love them. Speaking of love, we have a musician in

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<v Speaker 1>the house today known for his love songs. Many couples

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<v Speaker 1>get together after his shows. You probably know who I'm

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<v Speaker 1>talking about, uh Nick, If you don't mind, let's cue

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<v Speaker 1>up one of his songs. Ah, Yes, one of my

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<v Speaker 1>favorites to play over a romantic Italian dinner. Really, it

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<v Speaker 1>seems more like the music you hear at No, that's right.

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<v Speaker 1>D J. Dillon Francis is in the house to teach

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<v Speaker 1>us all about E. D M. The music of love. Nick,

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<v Speaker 1>can you play that that song that always makes me cry?

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<v Speaker 1>Tugs at the hard strings, doesn't it? Oh my goodness,

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<v Speaker 1>ring me out. I'm like a wet towel, just beats.

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<v Speaker 1>I know you feel the same, Carolina, right at all. Well,

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<v Speaker 1>let's give the heartbroken a second to recover from that.

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<v Speaker 1>And in the studio next is Dylan Francis. Bring a

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<v Speaker 1>box of tissues. Folks, welcome back to the Ron Burgundy Podcast.

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<v Speaker 1>This is Ron Burgundy, and of course I'm joined by

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<v Speaker 1>Captain fort Face a K. Carolina. Anyway, we are so excited.

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<v Speaker 1>How excited are we? Captain? I don't want that nickname,

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<v Speaker 1>but answer the questions? Good will you? Please give a

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<v Speaker 1>Ron Burgundy Podcast. Welcome to the man behind the motown sound,

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<v Speaker 1>Dylan Francis. Dylan, thank you for coming today. Thank you.

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<v Speaker 1>I'm gonna clap for myself. It's like a morning Zoo

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<v Speaker 1>c group it. Yes, Dylan, we really appreciate you. Know what.

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<v Speaker 1>I want to apologize right off, because I just happened

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<v Speaker 1>to look up and make eye contact with you, and

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<v Speaker 1>I can see you're You're in your early thirties. Yes,

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<v Speaker 1>I was clearly wrong about the whole Motown sound thing.

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<v Speaker 1>You had nothing to do with the Motown town. But

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<v Speaker 1>do you like motown music? I do. You don't know

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<v Speaker 1>if I could name any off the top of my head,

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<v Speaker 1>but um well, let's see scrill X is definitely the

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<v Speaker 1>biggest Motown beach boys. Were they not from Detroit? No? No, Well,

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<v Speaker 1>I guess we don't know anything about Eminem because of

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<v Speaker 1>the m Motown man. That's what the short from Motown.

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<v Speaker 1>He is from Michigan. That's where the eight mile talk

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<v Speaker 1>about eight mile? Right right? Have you seen it? I

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<v Speaker 1>would love to get it a deep dive on eight mile.

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<v Speaker 1>I think I'm the wrong guy. So let's start with

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<v Speaker 1>the basics. How did you get started? How did music

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<v Speaker 1>into your life? I mean from a young age. You know,

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<v Speaker 1>you have the radio just going so my parents, my

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<v Speaker 1>dad always listened to him. Actually, were you like listening

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<v Speaker 1>to like raffie music? No? No No, I was listening to

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<v Speaker 1>a lot of like one on one point one, Okay,

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<v Speaker 1>here is one on one. It was. It was all

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<v Speaker 1>the classics, and then my mom would would do one

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<v Speaker 1>or two points and it would be really funny if

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<v Speaker 1>my dad listened to that too, he did not, Um,

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<v Speaker 1>I just I kind of got into music through that,

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<v Speaker 1>and then, uh, like for actually working in music, I

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<v Speaker 1>think it was it was just through my friend playing

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<v Speaker 1>a lot of like dance music in his car and

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<v Speaker 1>I didn't know what it was, and I was really

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<v Speaker 1>into metal music and punk music at the time, and

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<v Speaker 1>then that's what I was like, what is this? Sounds

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<v Speaker 1>like the advanced version of that metal music is music?

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<v Speaker 1>I'm lost here. That sounds like two pieces of metal

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<v Speaker 1>scraping together. I guess you could say, so it's loud music. Okay,

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<v Speaker 1>it's it's a lot of a lot of so like

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<v Speaker 1>when someone's belting out the national anthem that's considered metal music.

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<v Speaker 1>That's loud. Yes, it's more like it screaming, like you could,

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<v Speaker 1>like Katy Perry so close. But okay, well, none of

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<v Speaker 1>us are good at classifying music. UM so what are

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<v Speaker 1>we doing here? Honestly, Carolina, I mean you're supposed to

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<v Speaker 1>be driving the train here. I'm learning just as much

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<v Speaker 1>as you are. I mean maybe I'm less behind, but

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<v Speaker 1>let's talk about this. So working as an E D

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<v Speaker 1>M DJ, now that's the correct terminology, right, and produce

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<v Speaker 1>or I mean you you take a lot from different

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<v Speaker 1>musical influences, right, so, and I know now this, I

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<v Speaker 1>do know reggaeton yeah is a big is big for you,

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<v Speaker 1>right but but I read when you were younger you

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<v Speaker 1>were very into punk music. Yes, so I just said, yes,

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<v Speaker 1>you just said that. Yes, Okay, Shoot, somehow if lessened

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<v Speaker 1>this biz a long time without listening, um some of

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<v Speaker 1>the artists that inspired you, uh Pure Prairie League, Atlanta

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<v Speaker 1>Rhythm Section, Uh, Captain and to Neil, but not to Neil.

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<v Speaker 1>This is my bio. I'm just asking. I don't think

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<v Speaker 1>Captain ever. I don't think none, none of those groups,

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<v Speaker 1>neither of those two. Okay, scratch that off. Let me

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<v Speaker 1>get my pin scratch off. Done. So I imagine you

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<v Speaker 1>know a lot of being a producer and making electronic

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<v Speaker 1>music involves sitting in front of a computer. Yeah, a lot.

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<v Speaker 1>Do you feel you made a good decision there? Not?

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<v Speaker 1>Sometimes now got a bad back from it? Definitely? Okay? Right? Yeah?

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<v Speaker 1>Do you do you have one of those walking computer?

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<v Speaker 1>You know where you stand? You're supposed to like standing DUTs,

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<v Speaker 1>thank you, because sitting is supposed to kill us? Now

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<v Speaker 1>it is? Who said that? No? That's just the new studies.

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<v Speaker 1>Not supposed to sit, it's going to kill you. You're

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<v Speaker 1>not ever supposed to sit, never again. So the computer,

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<v Speaker 1>I mean the computer, it's it's I mean, it is

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<v Speaker 1>in someone. It's a very smart choice. It's easy to

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<v Speaker 1>carry around. He's very Do you ever do you ever

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<v Speaker 1>look at a guy, for instance, who plays like the

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<v Speaker 1>tuba and has to lug it all over the place

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<v Speaker 1>and think, nice job, idiot, I'm an international superstar DJ.

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<v Speaker 1>Just because I brought, you know, a laptop and you're

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<v Speaker 1>lugging around a tuba. Look some kind of absolutely um.

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<v Speaker 1>Sometimes I sit at the airport and I just wait,

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<v Speaker 1>wait for those people, for the tuba people, And I

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<v Speaker 1>look at them and I go, if you really new

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<v Speaker 1>wrong choice, buddy? This may be an obscure rest reference

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<v Speaker 1>to our listener for our list Oh my god, come on, Ron,

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<v Speaker 1>get it together. Ah. We were so lucky to have

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<v Speaker 1>you here today. And I thought it'd be a great

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<v Speaker 1>chance to tackle a subject on this show that's really

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<v Speaker 1>important to me. And you know what, Actually I'm gonna

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<v Speaker 1>I'm gonna backtrack here. I want to get to that

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<v Speaker 1>question later, but I want to ask you, Okay, let's

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<v Speaker 1>throw some names out here. Test Yes know him? Diplow

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<v Speaker 1>know him? Z is that? Yes? I know him? Is

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<v Speaker 1>that I'm supposed to say I know him? Or whatever

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<v Speaker 1>you want, whatever comes to your mind. This is kind

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<v Speaker 1>of a lightning round know him? Marshmallow, you know that

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<v Speaker 1>guy too? Cascade, Yep, Calvin Harris, David Guetta, Dead Mouse,

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<v Speaker 1>Sarah Huckabeat Sanders. I didn't know she was a DJ.

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<v Speaker 1>She is round underground. Yeah, mostly in conservative circles. A

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<v Speaker 1>lot of people going to those shows. Sure, I'd love

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<v Speaker 1>to actually huge R and yes is going after parties. Actually,

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<v Speaker 1>Ed Mayor Ed Coach loves it, really couches even though

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<v Speaker 1>he's dead. Now, are you saying the ghost of Ed

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<v Speaker 1>Coach loves Sarah Huckabats, Yeah he did. Let's sick a

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<v Speaker 1>moment of silence? Four departed New York Mayor Ed Cotch Nick.

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<v Speaker 1>Do you have any music you could play while we

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<v Speaker 1>take this moment of silence? Perfect? Thank you? Um let

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<v Speaker 1>me get back to this other topic saying about which,

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<v Speaker 1>like I said, so thankful to have you, thank you,

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<v Speaker 1>And I want to discuss something that's really important to

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<v Speaker 1>me and I think it would be helpful and education. Well, ah,

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<v Speaker 1>come on, Rod, what is it? I got the Monday

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<v Speaker 1>blas who last night I was down at the pier

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<v Speaker 1>sport fishing. You're not supposed to do that anymore? Well,

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<v Speaker 1>I love it. It's passion of mine. In fact, I

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<v Speaker 1>should have put it on the bumble thing sport fishing. Yeah,

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<v Speaker 1>I just got on bumble today. How how is it

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<v Speaker 1>we'll find out he's trying to get on Riya but

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<v Speaker 1>he's wait list. I'm waitlisted on Riya. I can hook

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<v Speaker 1>you up. You could jump me to the front of

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<v Speaker 1>the line. Yeah. Those all the names you listed are

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<v Speaker 1>that's what you were listing them for their exactly. We're

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<v Speaker 1>all on there. This is, you know, learning how to

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<v Speaker 1>be one of the great days in my life. Yes, Rya,

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<v Speaker 1>here we come, Ron Burgundy on riot. Um, so let's

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<v Speaker 1>discuss the topic how to care for the elderly. That's

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<v Speaker 1>a good one. Um, Dylan, your thoughts? Should we do

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<v Speaker 1>more for the elderly? Should we just do this topic now?

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<v Speaker 1>I mean maybe we should stick to music. No, Caroline,

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<v Speaker 1>that's so boring. When I heard Dylan Francis was coming in,

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<v Speaker 1>I thought, who better to tackle the subject of caring

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<v Speaker 1>for the elderly than Dylan Francis and E D M. Superstar.

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<v Speaker 1>It just felt right. And you know, I always like

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<v Speaker 1>to go with my gut. When when is my gut

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<v Speaker 1>ever been wrong? I none are coming to mind because

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<v Speaker 1>I'm so overwhel I'm actually paralyzed. Try and game just

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<v Speaker 1>one good, let's just start there, Dylan. A lot of

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<v Speaker 1>older people are confined to wheelchairs. We need to make

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<v Speaker 1>our world more wheelchair accessible in general, don't you think? Yeah,

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<v Speaker 1>I've who would say no to that? Always? I'm asking

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<v Speaker 1>the DJ here, so you agree. I agree that we

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<v Speaker 1>shouldn't do that. Shouldn't have controversial opinion. I have more

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<v Speaker 1>accessibility for wheelchairs. We should have should have it? Yes? Great?

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<v Speaker 1>And also if you're if you're in a wheelchair, have

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<v Speaker 1>fun with it, Yes, have fun with it, especially like

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<v Speaker 1>the motorized ones. Yeah, the rascals. Yeah, the rascals, Well,

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<v Speaker 1>a jazzy that's what they're called. They're jazzys. They're also

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<v Speaker 1>called jazzys. That's another like the rascal Rascal. I um,

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<v Speaker 1>I'm a bit of a rascal. Yes, And I volunteer

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<v Speaker 1>at a nursing home once in a while. And I

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<v Speaker 1>don't like to make a big deal out of it,

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<v Speaker 1>But it really lightens up people's faces when they see

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<v Speaker 1>old Ron Burgundy come into a visit. Do you find

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<v Speaker 1>that with your fans they're happy to see you at

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<v Speaker 1>meet and greets? Yeah? Do you do a lot of

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<v Speaker 1>meet and greets sometimes? Is it? How many people would

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<v Speaker 1>that be? Uh? Like, you know, like in one meet

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<v Speaker 1>and greet for like the show, So after the show

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<v Speaker 1>you'll meet with five hundred people. I mean I I

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<v Speaker 1>used to like, go out to the home. How do

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<v Speaker 1>you how do you have the energy to talk to

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<v Speaker 1>five d people? Let's give him hugs? Wow? I would

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<v Speaker 1>limit it to five five Ron would limit it to

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<v Speaker 1>five and say only ladies please, which was kind of insulting.

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<v Speaker 1>But um, so, you know, I just find that going

0:14:21.960 --> 0:14:24.280
<v Speaker 1>to nursing homes is just a small way to give

0:14:24.320 --> 0:14:27.280
<v Speaker 1>back to the community, and in particularly with the elderly

0:14:27.320 --> 0:14:30.840
<v Speaker 1>folks I deal with um And I have this one

0:14:30.880 --> 0:14:38.320
<v Speaker 1>gentleman I see regularly. He's a retired lieutenant colonel. He's

0:14:38.360 --> 0:14:42.120
<v Speaker 1>a veteran, purple heart, the whole deal, a true American hero.

0:14:42.400 --> 0:14:44.840
<v Speaker 1>And last weekend I rigged up his motorized wheelchair with

0:14:44.920 --> 0:14:48.880
<v Speaker 1>the engine from an old nineteen seventy Corvette Stingray LT

0:14:49.080 --> 0:14:52.040
<v Speaker 1>one and I must have got that sucker going up

0:14:52.040 --> 0:14:56.520
<v Speaker 1>to around one mile maybe maybe hundred and thirty. Isn't

0:14:56.520 --> 0:15:00.520
<v Speaker 1>that awesome? He was. He went on the away, he

0:15:00.560 --> 0:15:02.800
<v Speaker 1>went on the freeway. He loved it, and he said

0:15:02.840 --> 0:15:05.600
<v Speaker 1>thanks for bringing me back to the glory days. He

0:15:05.640 --> 0:15:09.240
<v Speaker 1>didn't I feel like he loved it. I was against

0:15:09.240 --> 0:15:12.440
<v Speaker 1>the idea, but then when I saw him on it, right, Okay, yeah,

0:15:12.560 --> 0:15:14.560
<v Speaker 1>I mean I would just assume that that would cause

0:15:15.200 --> 0:15:17.320
<v Speaker 1>I mean, he was just irreparable. Damna. He came back

0:15:17.680 --> 0:15:23.760
<v Speaker 1>hard or kidney failure, yeah, um, he had a he

0:15:23.840 --> 0:15:27.280
<v Speaker 1>had a little bit of kidney failure. Okay, he said

0:15:27.280 --> 0:15:28.760
<v Speaker 1>it was worth the whole thing. I mean, he was

0:15:28.800 --> 0:15:31.400
<v Speaker 1>just risen around the grounds of the nursing home as

0:15:31.440 --> 0:15:33.840
<v Speaker 1>the time of his life. People, the people in charge

0:15:33.840 --> 0:15:36.440
<v Speaker 1>of the facility got a little uptight with me, but

0:15:36.560 --> 0:15:41.000
<v Speaker 1>I just said, hey, I'm Ron Burgundy. Yeah that was it. Yeah,

0:15:41.280 --> 0:15:44.960
<v Speaker 1>that was my only reson. Did they say please stop?

0:15:45.000 --> 0:15:46.720
<v Speaker 1>They said please stop, and we're gonna have to call

0:15:46.800 --> 0:15:50.520
<v Speaker 1>the police, and law enforcement did show up. So Dylan Frances,

0:15:50.600 --> 0:15:55.600
<v Speaker 1>what ways do you try to give back to the community. Um,

0:15:55.640 --> 0:16:00.240
<v Speaker 1>I mean I donate money to parks and l a

0:16:00.320 --> 0:16:03.560
<v Speaker 1>trying to get more parks and then just parks of

0:16:03.640 --> 0:16:07.880
<v Speaker 1>general dog parks, just parks, just just making sure we

0:16:07.960 --> 0:16:10.080
<v Speaker 1>have actually, like you know, because I've been we need

0:16:10.160 --> 0:16:12.360
<v Speaker 1>open spaces. Yeah, I've been in the UK. They have

0:16:12.400 --> 0:16:16.160
<v Speaker 1>really nice parks we just don't have. And then I

0:16:16.240 --> 0:16:19.600
<v Speaker 1>give a lot to Music Cares, which is a music

0:16:19.880 --> 0:16:24.360
<v Speaker 1>organization that for the arts and it actually exists. Yes,

0:16:24.480 --> 0:16:28.240
<v Speaker 1>it's not a it's not a fake charity. Run has

0:16:28.280 --> 0:16:31.680
<v Speaker 1>been interested in creating a charity just you should. I

0:16:31.680 --> 0:16:34.280
<v Speaker 1>would donate to it. Well it's called more Spaghetti, Okay,

0:16:34.320 --> 0:16:38.040
<v Speaker 1>I wouldn't take it that it's just about more spaghetti

0:16:38.680 --> 0:16:41.240
<v Speaker 1>for people. We don't have to get into it. I

0:16:41.280 --> 0:16:45.600
<v Speaker 1>actually I actually kind of feed the elderly more spaghetti. Yeah,

0:16:45.640 --> 0:16:47.800
<v Speaker 1>I mean if they don't know, if they necessarily need

0:16:47.840 --> 0:16:49.480
<v Speaker 1>more spaghetti. I feel like if you do it too

0:16:49.640 --> 0:16:52.720
<v Speaker 1>for homeless people though, that's fantastic. Well maybe that's what

0:16:52.760 --> 0:16:55.240
<v Speaker 1>we'll do. Yeah, maybe that's a good idea, after we

0:16:55.280 --> 0:16:59.680
<v Speaker 1>take a little bit off the top. Yeah, do you

0:16:59.680 --> 0:17:03.600
<v Speaker 1>have parents and they must be awfully proud of what

0:17:03.640 --> 0:17:07.080
<v Speaker 1>you've accomplished. Yeah, my grandma is and what do they

0:17:07.119 --> 0:17:10.480
<v Speaker 1>make of your music? I mean, she definitely if I

0:17:10.520 --> 0:17:12.560
<v Speaker 1>played it for her, she wouldn't know it was my music,

0:17:12.920 --> 0:17:14.399
<v Speaker 1>and she would probably be like, I don't want to

0:17:14.400 --> 0:17:17.760
<v Speaker 1>hear this, but she's proud, So they enjoy it or

0:17:18.280 --> 0:17:22.240
<v Speaker 1>I don't think so, Okay, maybe some of them. There's

0:17:22.280 --> 0:17:25.200
<v Speaker 1>there's probably a you know, maybe two that I could

0:17:25.240 --> 0:17:27.200
<v Speaker 1>play her that she would be fine. Like what I mean,

0:17:27.280 --> 0:17:30.600
<v Speaker 1>what portion of fandom do you think you have in

0:17:30.640 --> 0:17:34.160
<v Speaker 1>the elderly community? Oh man? I mean I could look

0:17:34.200 --> 0:17:37.440
<v Speaker 1>at my analytics on Twitter or or Instagram and it

0:17:37.440 --> 0:17:39.879
<v Speaker 1>would be an interesting study. I I could look right

0:17:39.920 --> 0:17:41.760
<v Speaker 1>to see. Let's look right now. Let's look right now.

0:17:41.840 --> 0:17:45.679
<v Speaker 1>Let's see how many octogenarians you have who consider themselves fans.

0:17:46.480 --> 0:17:48.720
<v Speaker 1>Let's see who love to get down to the beats

0:17:49.040 --> 0:17:53.440
<v Speaker 1>um so that you can access Yeah, I'm not accessing

0:17:53.480 --> 0:17:58.199
<v Speaker 1>it right now. Sixty four? We got one? Okay, sixty

0:17:58.280 --> 0:18:03.000
<v Speaker 1>five plus I guess what, so one percent? These are

0:18:03.000 --> 0:18:11.879
<v Speaker 1>the real one percenters, octogenarians who love d M while

0:18:11.920 --> 0:18:15.560
<v Speaker 1>they're doing uh, you know, water aerobics at the pool.

0:18:15.680 --> 0:18:20.679
<v Speaker 1>Yeah h thanks to them, thank you s m H. Right, Yeah,

0:18:20.800 --> 0:18:27.040
<v Speaker 1>what do you think that means smh. Surely must help

0:18:27.960 --> 0:18:29.880
<v Speaker 1>is what I always thought it man, it means shake

0:18:29.960 --> 0:18:33.000
<v Speaker 1>my head, but it's okay. Shake Why would you want

0:18:33.000 --> 0:18:42.919
<v Speaker 1>to shake your head? Sma smack? Am I right? Big time? Small? Yeah,

0:18:43.680 --> 0:18:50.440
<v Speaker 1>let's talk about cholesterol medication lipatore good for controlling cholesterol levels?

0:18:50.480 --> 0:18:54.040
<v Speaker 1>Or should people change their diets as well? I I

0:18:54.240 --> 0:18:58.000
<v Speaker 1>legally I am not allowed to comment because the last

0:18:58.040 --> 0:19:01.280
<v Speaker 1>time I did, right, I got okay because I don't

0:19:01.320 --> 0:19:05.560
<v Speaker 1>know the specifics about to be able to common senses.

0:19:06.600 --> 0:19:11.120
<v Speaker 1>Put down the cheeseburger, yes, or pick up the lipertur Yes,

0:19:11.720 --> 0:19:14.879
<v Speaker 1>that's both some people need. But who knows. I'm I

0:19:14.920 --> 0:19:17.000
<v Speaker 1>don't know what the right answer is. I'm not a doctor.

0:19:17.640 --> 0:19:21.560
<v Speaker 1>If you're listening, what about molly? Do you ever take

0:19:21.600 --> 0:19:25.640
<v Speaker 1>that stuff when I was younger? Should senior citizens take ecstasy?

0:19:27.119 --> 0:19:32.520
<v Speaker 1>Mn't think so. It's pretty rough, but it's interesting. I

0:19:32.560 --> 0:19:35.280
<v Speaker 1>wonder of your one per centers, if they're just riding

0:19:35.359 --> 0:19:38.720
<v Speaker 1>the molly train all day long, they could be What

0:19:38.760 --> 0:19:42.560
<v Speaker 1>do you think about this? I just thought of this idea,

0:19:42.600 --> 0:19:45.359
<v Speaker 1>so forgive me if it's not fleshed out. How about

0:19:45.359 --> 0:19:49.560
<v Speaker 1>a DJ school for senior citizens? M would that be

0:19:49.720 --> 0:19:53.520
<v Speaker 1>something you'd be interested in setting up. Um, just get

0:19:53.520 --> 0:19:56.120
<v Speaker 1>a bunch of octogenarians in a room, teach them about

0:19:56.200 --> 0:20:00.320
<v Speaker 1>beat matching, cross fader, curve control, get some loops going,

0:20:00.600 --> 0:20:03.959
<v Speaker 1>make some beats that honestly sounds like my own personal

0:20:04.040 --> 0:20:08.399
<v Speaker 1>helpload it to SoundCloud. Not interested? Not How do you

0:20:08.720 --> 0:20:10.399
<v Speaker 1>where did you learn those words? How do you know

0:20:10.520 --> 0:20:12.919
<v Speaker 1>so much about DJ technique? Well, Carolina, you don't know

0:20:13.000 --> 0:20:16.680
<v Speaker 1>everything about me. Okay, When I was doing cable news

0:20:16.680 --> 0:20:19.399
<v Speaker 1>in New York City in the eighties, actually befriended Grand

0:20:19.440 --> 0:20:22.639
<v Speaker 1>Master Flash for a period of time, and he showed

0:20:22.720 --> 0:20:25.280
<v Speaker 1>me a couple of things on the ones and twos,

0:20:25.440 --> 0:20:30.040
<v Speaker 1>and it's nothing like what Dylan can do here. But

0:20:30.040 --> 0:20:32.840
<v Speaker 1>but the Flash and I did put out a single

0:20:32.880 --> 0:20:39.240
<v Speaker 1>around three called news Funk two thousand. Quite serious? Can

0:20:39.280 --> 0:20:42.400
<v Speaker 1>we hear it? I thought you'd never ask DJ Dillon Frances,

0:20:42.440 --> 0:20:45.880
<v Speaker 1>Thank you, Carolina didn't ask me. Well, I didn't even know. Nick.

0:20:46.040 --> 0:20:49.200
<v Speaker 1>Do you have news funk? Nick? You always have news

0:20:49.280 --> 0:20:52.359
<v Speaker 1>Fun two thousand? Loaded up? Ready to go? All right,

0:20:52.440 --> 0:20:55.479
<v Speaker 1>let's take okay, let's take a ride. Here. It is

0:20:55.920 --> 0:21:22.440
<v Speaker 1>from news Funk two thousand. Brod bro Bro bro bro

0:21:23.760 --> 0:21:40.800
<v Speaker 1>Bro one glast three two one blast too hot? See? Wow?

0:21:41.040 --> 0:21:46.920
<v Speaker 1>Was that not? That was interesting? What? It never made

0:21:46.920 --> 0:21:49.520
<v Speaker 1>it on the radio except for a couple of college

0:21:49.520 --> 0:21:52.359
<v Speaker 1>station Yeah. Why was it called news Funk two thousand?

0:21:52.920 --> 0:21:57.560
<v Speaker 1>Beak um, Yeah, it's not very newsy? Yeah, I think

0:21:57.600 --> 0:21:59.720
<v Speaker 1>it was. What did it sound anything like the two

0:21:59.720 --> 0:22:01.840
<v Speaker 1>thous I think we were trying to predict what the

0:22:01.840 --> 0:22:04.920
<v Speaker 1>two thousand sound was going to be like and wasn't that.

0:22:05.080 --> 0:22:09.480
<v Speaker 1>It wasn't It wasn't this. But the drum machine was cool. Right,

0:22:10.160 --> 0:22:16.879
<v Speaker 1>that's the best part. Um. I wish you Why are

0:22:16.920 --> 0:22:22.400
<v Speaker 1>you laughing so much? It's maybe it's flattering. I feel

0:22:22.400 --> 0:22:25.080
<v Speaker 1>like I never want to play it again. It's producing emotion.

0:22:25.160 --> 0:22:27.920
<v Speaker 1>It's good. Absolutely, there you go. That absolutely is the

0:22:27.960 --> 0:22:31.399
<v Speaker 1>way to take that. Okay, Well, I feel like you

0:22:31.400 --> 0:22:33.000
<v Speaker 1>guys are making fun of me, but whatever, I have

0:22:33.119 --> 0:22:37.040
<v Speaker 1>enough self esteem to know that Ron, you can do

0:22:37.119 --> 0:22:39.360
<v Speaker 1>whatever you want. In news Funk two thousand, you took

0:22:39.400 --> 0:22:42.320
<v Speaker 1>a chance, and um, you know that's what life is

0:22:42.320 --> 0:22:45.400
<v Speaker 1>all about. You took an artistic chance and it went.

0:22:45.600 --> 0:22:47.840
<v Speaker 1>I'm not going to be made to feel no, I

0:22:47.960 --> 0:22:52.080
<v Speaker 1>went somewhere. It went exactly, thank you. In fact, that

0:22:52.200 --> 0:22:54.119
<v Speaker 1>was one of the reviews of news Funk two thousand.

0:22:55.400 --> 0:23:01.120
<v Speaker 1>This song went somewhere. One of the call newspapers said,

0:23:01.800 --> 0:23:04.000
<v Speaker 1>well it went somewhere. What were some of the other

0:23:04.440 --> 0:23:07.959
<v Speaker 1>if there? If you could name off? Very negative, very yeah, okay,

0:23:08.160 --> 0:23:12.840
<v Speaker 1>very negative. Sorry. Um let me ask you this. Do

0:23:12.880 --> 0:23:17.399
<v Speaker 1>you meditate? Um? I used to, and then well it

0:23:17.440 --> 0:23:21.200
<v Speaker 1>was when I was younger and my dad made me wow, okay,

0:23:21.240 --> 0:23:24.920
<v Speaker 1>which is really counterproductive to meditating. Why would you make

0:23:24.960 --> 0:23:29.840
<v Speaker 1>someone forceful meditation? So he's like, son, for the last

0:23:29.880 --> 0:23:33.760
<v Speaker 1>time you got to meditate, it was it's six o'clock

0:23:33.800 --> 0:23:38.919
<v Speaker 1>meditation time. Sounded exactly like that. I just got flashbacks, Dylan,

0:23:39.040 --> 0:23:43.520
<v Speaker 1>for Christ's sake? Did you meditate? Was that kind of

0:23:43.520 --> 0:23:48.480
<v Speaker 1>the wow? So? So you never felt relaxed? No? No,

0:23:49.200 --> 0:23:51.920
<v Speaker 1>The reason we had to meditate was we it was

0:23:51.960 --> 0:23:55.080
<v Speaker 1>so that we could watch TV. So it was a tradeoff.

0:23:55.160 --> 0:23:57.520
<v Speaker 1>It was a trade off meditate. And how long was

0:23:57.560 --> 0:24:00.320
<v Speaker 1>the meditation period supposed to? Like an hour and hour?

0:24:01.520 --> 0:24:03.879
<v Speaker 1>A lot of breathing experts. Now I'm on your side,

0:24:04.960 --> 0:24:08.600
<v Speaker 1>maybe fifteen minutes. My dad still wakes up and at

0:24:09.400 --> 0:24:11.680
<v Speaker 1>every morning. Did you find it helped you so much?

0:24:11.760 --> 0:24:12.879
<v Speaker 1>Or were you just say it was too much of

0:24:12.880 --> 0:24:17.920
<v Speaker 1>a punishment. I'm a as a little kid. Your mind exactly.

0:24:18.080 --> 0:24:20.080
<v Speaker 1>I mean, my mind is going a mile a minute

0:24:20.119 --> 0:24:25.400
<v Speaker 1>right now. I try to meditate every morning and I can't. Immediately,

0:24:25.880 --> 0:24:28.720
<v Speaker 1>I started thinking about eight Mile, the movie eight Mile,

0:24:29.560 --> 0:24:31.679
<v Speaker 1>and how we have to save the people from the

0:24:31.760 --> 0:24:34.000
<v Speaker 1>nuclear reactor mailt down to three mile Oland. That's not

0:24:34.040 --> 0:24:36.520
<v Speaker 1>what the movie was about, though. Gosh, I wish we

0:24:36.560 --> 0:24:38.760
<v Speaker 1>could watch it right now and have this debate. It's

0:24:38.840 --> 0:24:41.200
<v Speaker 1>not I guess we're going to have to agree to disagree.

0:24:41.359 --> 0:24:44.719
<v Speaker 1>It's not what the movie is about though. Even well, anyway,

0:24:44.720 --> 0:24:47.520
<v Speaker 1>when I meditate, that's those are the images that I'm

0:24:47.520 --> 0:24:51.160
<v Speaker 1>pouring through my mind. It's like a carnival of horrors

0:24:51.160 --> 0:24:56.240
<v Speaker 1>in my brain no matter what I do. So, so

0:24:56.400 --> 0:24:58.600
<v Speaker 1>what do you do now to relax your mind and

0:24:59.040 --> 0:25:02.480
<v Speaker 1>clear your head? Cause I'm sure you have a hectic schedule. Um,

0:25:02.560 --> 0:25:04.919
<v Speaker 1>I take you know, take naps or something like that.

0:25:04.960 --> 0:25:07.760
<v Speaker 1>And I just I enjoy working. I'm very thankful for

0:25:07.920 --> 0:25:10.040
<v Speaker 1>Do you wake up and you just like boom, I've

0:25:10.040 --> 0:25:13.480
<v Speaker 1>got a new beat, a new rhythm, a new a

0:25:13.520 --> 0:25:15.800
<v Speaker 1>new song in my head. It's either that or like

0:25:16.000 --> 0:25:19.960
<v Speaker 1>video ideas for for like music videos the visual expression

0:25:20.080 --> 0:25:24.040
<v Speaker 1>of what you've already done. You But yeah, it's like that,

0:25:24.400 --> 0:25:26.600
<v Speaker 1>or it's just sitting down in front of the computer

0:25:26.640 --> 0:25:29.399
<v Speaker 1>and then kind of just you know, chipping away at whatever.

0:25:29.920 --> 0:25:32.560
<v Speaker 1>I imagine you travel a lot for your work. How

0:25:32.560 --> 0:25:34.360
<v Speaker 1>many how many dates a year are you on the road?

0:25:35.280 --> 0:25:39.639
<v Speaker 1>Probably like a hundred and forty something, hundred and fifty something,

0:25:39.680 --> 0:25:43.840
<v Speaker 1>pretty extensive. A lot of traveling, A lot of traveling.

0:25:44.560 --> 0:25:48.160
<v Speaker 1>Back to the elderly. Speaking of traveling, you know, and

0:25:48.320 --> 0:25:50.600
<v Speaker 1>though I work with the elderly, sometimes I do kind

0:25:50.600 --> 0:25:52.439
<v Speaker 1>of resent the fact that they're able to get on

0:25:52.440 --> 0:25:55.080
<v Speaker 1>a plane before me, just because they're old and needs

0:25:55.119 --> 0:25:58.719
<v Speaker 1>special assistance, you know, especially when I'm flying first class,

0:25:58.760 --> 0:26:01.919
<v Speaker 1>as I'm sure you do all the time. Don't you

0:26:01.960 --> 0:26:05.160
<v Speaker 1>think first class passengers and elderly people should be able

0:26:05.200 --> 0:26:09.800
<v Speaker 1>to peacefully board an airplane at the same time, don't they.

0:26:09.960 --> 0:26:14.439
<v Speaker 1>I mean, Ron has pushed me over when we've boarded

0:26:14.440 --> 0:26:17.000
<v Speaker 1>a plan at the same time. I mean, I'll help

0:26:17.040 --> 0:26:20.320
<v Speaker 1>an old lady put her bag in the overhead compartment,

0:26:20.400 --> 0:26:22.560
<v Speaker 1>but but I'm going to put my bag up first,

0:26:22.960 --> 0:26:25.360
<v Speaker 1>you know, it's understandable. Then I'll help the old bag

0:26:25.400 --> 0:26:28.720
<v Speaker 1>of bones. Imagine you do the same right down, I

0:26:28.760 --> 0:26:31.320
<v Speaker 1>think I would put her bag first, not mine. Chivalry

0:26:31.640 --> 0:26:34.800
<v Speaker 1>is not dead. Last time we got on a plane together,

0:26:34.920 --> 0:26:36.480
<v Speaker 1>you kicked me in the back of the knees and

0:26:36.520 --> 0:26:41.040
<v Speaker 1>said go faster because you were so slow. Do you

0:26:41.080 --> 0:26:47.119
<v Speaker 1>remember how I got all the passengers to chant, hurry up, Caralida,

0:26:47.359 --> 0:26:54.040
<v Speaker 1>hurry up, caral It was crazy, hilarious. It was hilarious.

0:26:55.000 --> 0:26:56.719
<v Speaker 1>I would have I would have loved to see that.

0:26:57.640 --> 0:27:00.280
<v Speaker 1>I'm sorry to interrupted. I just the elderly have no

0:27:00.359 --> 0:27:02.400
<v Speaker 1>idea what we're trying to do here at this episode.

0:27:02.400 --> 0:27:05.159
<v Speaker 1>We have a great guest with a fascinating career, and

0:27:05.200 --> 0:27:08.080
<v Speaker 1>you're just kind of like shoehorning this vague idea about

0:27:08.080 --> 0:27:11.560
<v Speaker 1>helping the elderly. I'm bringing my journalistic point of view,

0:27:12.040 --> 0:27:14.440
<v Speaker 1>and that's what people tune in for. You know, there's

0:27:14.480 --> 0:27:17.160
<v Speaker 1>at least six or seven shows where people just ask

0:27:17.280 --> 0:27:21.359
<v Speaker 1>the same old, boring question. This is the Ron Burgundy podcast.

0:27:21.400 --> 0:27:24.000
<v Speaker 1>The audience is paying top dollar for the show, and

0:27:24.000 --> 0:27:26.879
<v Speaker 1>they expect something more. We're not. Well, people get the

0:27:26.880 --> 0:27:29.520
<v Speaker 1>show for free. It doesn't cost anything to downline, Wait what,

0:27:29.720 --> 0:27:32.480
<v Speaker 1>that's a huge mistake. We should fix that. Immediately. Even

0:27:32.760 --> 0:27:35.600
<v Speaker 1>with you bringing your journalistic point of view, you're also

0:27:35.640 --> 0:27:38.920
<v Speaker 1>talking about hooking up corvette engines to their wheelchairs. Yes,

0:27:39.000 --> 0:27:42.320
<v Speaker 1>I am old people, and I think you're you're suggesting

0:27:42.320 --> 0:27:45.440
<v Speaker 1>giving molly to senior You're never too older, party, don't

0:27:45.440 --> 0:27:48.320
<v Speaker 1>be ages. Back me up here, Dylan. I just think

0:27:48.359 --> 0:27:51.680
<v Speaker 1>that what you're saying is your responsible and possibly a

0:27:51.680 --> 0:27:53.399
<v Speaker 1>little dean and I think what you're saying is a

0:27:53.440 --> 0:27:57.159
<v Speaker 1>real snooze. And my new best friend Dylan Frances agrees.

0:27:57.240 --> 0:27:59.160
<v Speaker 1>I mean, honestly, if I was an old person, I'd

0:27:59.200 --> 0:28:01.639
<v Speaker 1>probably be doing a molly we I mean, here's the thing.

0:28:01.680 --> 0:28:04.240
<v Speaker 1>We have so much to learn from people who are

0:28:04.280 --> 0:28:07.080
<v Speaker 1>older than us. I think we can all agree on that, right,

0:28:08.560 --> 0:28:11.480
<v Speaker 1>But it's also important to listen to young voices as well.

0:28:11.880 --> 0:28:15.359
<v Speaker 1>You're a young fellow. Your voice is valid and I

0:28:15.400 --> 0:28:18.600
<v Speaker 1>want you to know that. So, Dylan, if you use

0:28:18.640 --> 0:28:21.320
<v Speaker 1>your voice right now, say whatever you want, even if

0:28:21.359 --> 0:28:27.879
<v Speaker 1>it's gibberish. Uh, put on the spot? Really, there you go,

0:28:28.040 --> 0:28:32.680
<v Speaker 1>that's it, put on the spot. But the good nailed

0:28:32.680 --> 0:28:35.439
<v Speaker 1>it right. It's important. That's important to say that and

0:28:35.480 --> 0:28:39.800
<v Speaker 1>get that out of there. Yeah, I would have said

0:28:40.880 --> 0:28:45.680
<v Speaker 1>I didn't want to offer you that. I mean, honestly,

0:28:45.680 --> 0:28:48.120
<v Speaker 1>what I said is not even I mean it's probably

0:28:48.160 --> 0:28:51.480
<v Speaker 1>on the same on part of with with that gibberish,

0:28:51.640 --> 0:28:53.680
<v Speaker 1>because it didn't do anything. No no, no, no no, no no.

0:28:54.000 --> 0:28:57.480
<v Speaker 1>But your words have power. I I just thought I

0:28:57.480 --> 0:28:59.880
<v Speaker 1>was put on the spot, and I thought it was

0:29:00.080 --> 0:29:03.240
<v Speaker 1>pure poetry. Thank you. You could weave that into a

0:29:03.280 --> 0:29:12.400
<v Speaker 1>song potentially, be I liked it with the lower challenge

0:29:12.400 --> 0:29:22.600
<v Speaker 1>to be on the spot, on the spot, put on

0:29:22.600 --> 0:29:26.360
<v Speaker 1>the spot, Carolina, hurry, you're asked on the airplane. You're

0:29:26.360 --> 0:29:30.240
<v Speaker 1>backing up the line. That doesn't Carolina with your eight

0:29:30.280 --> 0:29:35.680
<v Speaker 1>steamer trunks, those are yours, just going your phoenix? They

0:29:35.760 --> 0:29:38.800
<v Speaker 1>are mine, But it's part of your job description, right.

0:29:39.640 --> 0:29:42.400
<v Speaker 1>I travel with a lot of hat boxes and steamer trunks,

0:29:42.920 --> 0:29:45.880
<v Speaker 1>eight steamer trunks. Well, I bring a lot of my

0:29:45.920 --> 0:29:48.200
<v Speaker 1>own food wherever I go. Do you bring your own

0:29:48.200 --> 0:29:50.240
<v Speaker 1>food wherever you go? You're happy to eat. I'm happy

0:29:50.280 --> 0:29:53.800
<v Speaker 1>to eat wherever you bring your own food. I do

0:29:54.920 --> 0:29:59.840
<v Speaker 1>a lot of meat that we don't refrigerate because butchered meat.

0:30:00.480 --> 0:30:03.600
<v Speaker 1>It's like sides of beef, and a lot of bread,

0:30:03.920 --> 0:30:07.600
<v Speaker 1>a lot of bread products. It's understandable and cheese. Do

0:30:07.640 --> 0:30:12.800
<v Speaker 1>you know that the French make over two cheeses? No,

0:30:13.040 --> 0:30:19.080
<v Speaker 1>I didn't know that. I just learned that just right now. No, No,

0:30:19.160 --> 0:30:21.040
<v Speaker 1>I just it was a fact that popped into my head.

0:30:22.920 --> 0:30:30.960
<v Speaker 1>Bon that's a musician, Bona bon eva. I don't even

0:30:31.000 --> 0:30:33.680
<v Speaker 1>think he's French. I don't think he is either, but

0:30:33.720 --> 0:30:36.800
<v Speaker 1>I thank you. That's the correct pronunciation. I learned that

0:30:36.840 --> 0:30:44.040
<v Speaker 1>today too. Thank you from Nick Um Dylan. Uh. I

0:30:44.080 --> 0:30:46.040
<v Speaker 1>don't know what else to say, but thank you for

0:30:46.120 --> 0:30:49.320
<v Speaker 1>joining us, thanks for having me. I think I think

0:30:49.360 --> 0:30:52.880
<v Speaker 1>this was a spirited and productive conversation and we learned

0:30:52.880 --> 0:30:55.040
<v Speaker 1>a lot from it. Do do you have anything you

0:30:55.080 --> 0:30:58.760
<v Speaker 1>want to plug? Um? Sure? Keep in mind, we have

0:30:58.840 --> 0:31:01.400
<v Speaker 1>no idea when this is the Yeah, I think I

0:31:01.440 --> 0:31:03.840
<v Speaker 1>think I'll have a new song out within the future

0:31:03.920 --> 0:31:06.880
<v Speaker 1>with Lovely the Band. In the future. Yeah, in the future.

0:31:07.360 --> 0:31:09.960
<v Speaker 1>It's like soon, so it'll probably already be out. I

0:31:10.000 --> 0:31:11.440
<v Speaker 1>want them to go listen. I mean, this could hear

0:31:11.480 --> 0:31:14.000
<v Speaker 1>from six months from now. That's perfect fine. Yeah, yeah,

0:31:14.600 --> 0:31:17.200
<v Speaker 1>because I once plugged my house party on my podcast

0:31:17.240 --> 0:31:20.080
<v Speaker 1>and no one. Yeah, I mean this is fine because

0:31:20.120 --> 0:31:24.280
<v Speaker 1>the song exists forever for exactly, so if it just

0:31:24.440 --> 0:31:27.160
<v Speaker 1>is promoting this song. That's totally fine. So go listen,

0:31:27.240 --> 0:31:31.600
<v Speaker 1>Jalon Francisco, go listen to the song that change your mind.

0:31:31.720 --> 0:31:34.479
<v Speaker 1>Change your mind with Lovely the Band. Lovely the Band,

0:31:35.120 --> 0:31:39.880
<v Speaker 1>listen now listen now perfect you are getting sleepy. Also,

0:31:40.000 --> 0:31:43.160
<v Speaker 1>I'm very excited to see the numbers of on my

0:31:43.200 --> 0:31:45.800
<v Speaker 1>answer if you get boost boost I think I think

0:31:46.040 --> 0:31:49.200
<v Speaker 1>I'll send you a screenshot. Did you report back to

0:31:49.440 --> 0:31:52.880
<v Speaker 1>if this has had any effect on your Absolutely that would.

0:31:53.840 --> 0:31:56.160
<v Speaker 1>The thing that's that's that's a bummer though, is you

0:31:56.200 --> 0:32:00.800
<v Speaker 1>know the octogenarian number. They only have sixty I plus

0:32:00.840 --> 0:32:04.000
<v Speaker 1>on here. They don't actually cater to that. Well maybe

0:32:04.000 --> 0:32:06.200
<v Speaker 1>they can fix that. Well maybe there might be a

0:32:06.200 --> 0:32:12.440
<v Speaker 1>real movement to make that adjustment right now technological adjustment. Um,

0:32:12.480 --> 0:32:15.239
<v Speaker 1>well terrific and uh you know, I'd like to take

0:32:15.280 --> 0:32:16.640
<v Speaker 1>the time to plug that. I will be at the

0:32:16.720 --> 0:32:19.920
<v Speaker 1>San Diego Va Hospital every other Sunday if you have

0:32:19.960 --> 0:32:22.400
<v Speaker 1>a wheelchair and you'd like it hooked up to a

0:32:22.480 --> 0:32:24.360
<v Speaker 1>drone to see if we can try and do that

0:32:24.440 --> 0:32:26.400
<v Speaker 1>and get it up in the air. Just come find

0:32:26.440 --> 0:32:31.040
<v Speaker 1>your friend Ron Burgundy. I don't care what the administrators say.

0:32:32.080 --> 0:32:36.360
<v Speaker 1>Let's do this. Dylan it's been a pleasure. I'm actually

0:32:36.360 --> 0:32:38.600
<v Speaker 1>gonna show up for that. I'd love to go, Okay

0:32:38.720 --> 0:32:41.400
<v Speaker 1>every Sunday. Yeah, I'll be there, Beautiful. We'll be right

0:32:41.400 --> 0:32:56.360
<v Speaker 1>back with the Ron Burgundy Podcast. And we'd back the

0:32:56.440 --> 0:33:01.960
<v Speaker 1>Ron Burgundy Podcast. Welcome back, because back. I hope you

0:33:02.080 --> 0:33:04.760
<v Speaker 1>learned today that E d M can do so much.

0:33:05.520 --> 0:33:08.560
<v Speaker 1>It can bring you in a loved one closer when

0:33:08.600 --> 0:33:11.000
<v Speaker 1>you've been together for so long you grimace when you

0:33:11.040 --> 0:33:14.160
<v Speaker 1>see them across the room. It can help the elderly

0:33:14.360 --> 0:33:19.720
<v Speaker 1>find their groove. But it can't cure diabetes. That's important

0:33:19.760 --> 0:33:23.520
<v Speaker 1>to make clear. Carolina. Did you have a crush on

0:33:24.040 --> 0:33:27.760
<v Speaker 1>DJ Dillon Francis. Oh no, Remember I've been seeing that

0:33:27.880 --> 0:33:32.560
<v Speaker 1>printmaker I met at the Bonnie Very Show. Literally, don't

0:33:32.880 --> 0:33:36.360
<v Speaker 1>say another word, you'll make me toss the cookies I

0:33:36.400 --> 0:33:42.080
<v Speaker 1>eat for breakfast. Folks, Thanks for tuning in, Nick, play

0:33:42.120 --> 0:33:51.000
<v Speaker 1>me out with a slow one. The Ron Burgundy Podcast

0:33:51.080 --> 0:33:53.800
<v Speaker 1>is a production of I Heart Radio and Funnier Die.

0:33:54.280 --> 0:33:59.400
<v Speaker 1>I'm Ron Burgundy, the host, writer and executive producer. Carolina

0:33:59.440 --> 0:34:03.280
<v Speaker 1>Barlow is my co host, writer, and producer. Our producers

0:34:03.280 --> 0:34:06.720
<v Speaker 1>are Jack O'Brien, Nick Stump, Miles Gray, and Whitney o Deck.

0:34:07.440 --> 0:34:11.040
<v Speaker 1>Our executive producer is Mike Ferret. Our consulting producer is

0:34:11.120 --> 0:34:16.040
<v Speaker 1>Andrew Steele. Our coordinating producer is Colin McDougall. Our associate

0:34:16.080 --> 0:34:20.600
<v Speaker 1>producers are Anna Hosnier and Sophie Lichterman. Our writer is

0:34:20.680 --> 0:34:25.160
<v Speaker 1>Jake Vogelist. Our production coordinator is Hannah Jacobson. This episode

0:34:25.200 --> 0:34:28.719
<v Speaker 1>was engineered, mixed and edited by Nick Stuff Until next time.

0:34:29.200 --> 0:35:01.000
<v Speaker 1>Ms Ron Burgundy bron bron bron bron bro bro bro

0:35:01.360 --> 0:35:08.560
<v Speaker 1>bro This just is this just did this? Just did this?

0:35:08.880 --> 0:35:14.880
<v Speaker 1>Just did this? Just is this? Just is ro First

0:35:14.960 --> 0:35:23.680
<v Speaker 1>two thous rock rock rock too hot to bro bro

0:35:24.000 --> 0:35:27.920
<v Speaker 1>bro bro bro too hot bro bro bro bro bro

0:35:28.239 --> 0:35:32.640
<v Speaker 1>bro bro two hot bro bro bro bro bro bro

0:35:32.760 --> 0:35:38.959
<v Speaker 1>too hot bro bro bro bro bro brea to one

0:35:39.560 --> 0:35:46.480
<v Speaker 1>glass up three two one blast up, too hot, too hot,

0:35:47.920 --> 0:36:04.400
<v Speaker 1>too hot, rock too hot out, too hot out I

0:36:04.480 --> 0:36:10.880
<v Speaker 1>said too hot. Oh no I smell smoke, Oh no,

0:36:12.320 --> 0:36:16.720
<v Speaker 1>I smell smoke. No seriously no, I think there's literally

0:36:16.719 --> 0:36:19.480
<v Speaker 1>a fire in here here? Does there there? Does that

0:36:19.600 --> 0:36:21.359
<v Speaker 1>fire extinguish your work over there? Over there? But there?

0:36:21.960 --> 0:36:24.480
<v Speaker 1>What do you mean is you don't don't know? Is

0:36:24.520 --> 0:36:27.120
<v Speaker 1>it full or empty? Then we should get out of

0:36:27.160 --> 0:36:33.640
<v Speaker 1>here here, Holly, I got Now that's now it's not fire.

0:36:35.080 --> 0:36:38.440
<v Speaker 1>Oh it is too hot now it literally I'm just

0:36:38.480 --> 0:36:48.279
<v Speaker 1>saying that for a fact. By now now, oh it

0:36:48.400 --> 0:36:50.880
<v Speaker 1>was just a pipe, like, oh, you're just smoking your

0:36:50.920 --> 0:36:55.480
<v Speaker 1>pipe right there. I didn't see. God, that's a good

0:36:55.520 --> 0:37:00.640
<v Speaker 1>looking pipe. Is that near sham? Show? M can? I

0:37:00.680 --> 0:37:04.560
<v Speaker 1>hope you gotta like the weight of this thing. Hmm.

0:37:04.600 --> 0:37:07.360
<v Speaker 1>That's a good spilling tobacco. Is that apple? It's apple Blacker.

0:37:09.160 --> 0:37:13.040
<v Speaker 1>I love it, Apple's favorite tobacco. Yeah. I gotta finish

0:37:13.120 --> 0:37:30.920
<v Speaker 1>this song, thank you. Two too hot true do I?

0:37:31.200 --> 0:37:33.480
<v Speaker 1>I'm doing it for the song. No, I know there's

0:37:33.480 --> 0:37:44.840
<v Speaker 1>not a fire three two one blast stiff, too BlastOff,

0:37:45.120 --> 0:37:47.000
<v Speaker 1>too hot for two thousand