1 00:00:00,240 --> 00:00:08,560 Speaker 1: Norn Bergen, Ron Bergin talking and say anything ron Bergen. 2 00:00:08,920 --> 00:00:14,120 Speaker 1: Welcome to the Ron Burgundy Podcast. This is ron Burgundy. 3 00:00:14,200 --> 00:00:17,959 Speaker 1: Now listen. People always want to know who I am? 4 00:00:18,040 --> 00:00:23,040 Speaker 1: Who is he? This Ron Burgundy character, the myth, the legend, 5 00:00:23,680 --> 00:00:26,000 Speaker 1: the felon, And I'm not going to be shy, and 6 00:00:26,440 --> 00:00:28,880 Speaker 1: I'm gonna tell the folks who I am. Well, I'm 7 00:00:28,920 --> 00:00:34,640 Speaker 1: a man first, that's for sure. And I'm a news anchor. Second, yeah, 8 00:00:35,080 --> 00:00:40,479 Speaker 1: and then then third, I'm a responsible pet owner. And fourth, 9 00:00:40,880 --> 00:00:44,200 Speaker 1: I may let's see what I wrote here? Okay. Fourth, 10 00:00:44,200 --> 00:00:48,800 Speaker 1: I'm a musician. Yes, I'm a jazz flute wonder kind. 11 00:00:49,159 --> 00:00:52,760 Speaker 1: And five I'm a lover. That's it, folks, I'm a 12 00:00:52,800 --> 00:00:58,200 Speaker 1: man first, lover last. Actually, let's take that back. Let's 13 00:00:58,240 --> 00:01:00,680 Speaker 1: switch those. I want to be a love her first 14 00:01:01,080 --> 00:01:05,160 Speaker 1: and a man last. There you go done. Well, Uh, 15 00:01:05,840 --> 00:01:09,520 Speaker 1: that doesn't work either. Back to the drawing board. Roun. 16 00:01:10,280 --> 00:01:12,399 Speaker 1: You don't have to do this, but we know who 17 00:01:12,440 --> 00:01:15,880 Speaker 1: you are. I don't know why you're prioritizing traits about yourself. 18 00:01:16,600 --> 00:01:19,640 Speaker 1: Where do you think I should throw in Christian? I 19 00:01:19,680 --> 00:01:22,280 Speaker 1: don't know. Are you super Christian? Not really? But this 20 00:01:22,319 --> 00:01:25,880 Speaker 1: is all from my bumble profile. I'm just trying to 21 00:01:26,480 --> 00:01:29,320 Speaker 1: meet some nice women on this thing. But life on 22 00:01:29,360 --> 00:01:32,840 Speaker 1: these dating apps is wild. Girls will ignore you and 23 00:01:33,200 --> 00:01:35,280 Speaker 1: leave you in the gut or so to speak. Or 24 00:01:35,319 --> 00:01:39,960 Speaker 1: they'll say they want to keep in my deep. Wow, 25 00:01:40,000 --> 00:01:42,920 Speaker 1: that's very forward of them. Yeah, I know. It's like, 26 00:01:43,040 --> 00:01:45,080 Speaker 1: can I just say hello first? I don't want to 27 00:01:45,080 --> 00:01:48,960 Speaker 1: see your butt, you know, until the first date. Anyway, 28 00:01:49,000 --> 00:01:51,320 Speaker 1: all these dating apps ask you to describe yourself and 29 00:01:51,600 --> 00:01:55,640 Speaker 1: your interests, So here goes nothing. You're going to put 30 00:01:55,680 --> 00:02:00,480 Speaker 1: down lover and man and Christian and world class musician. 31 00:02:00,760 --> 00:02:03,920 Speaker 1: Are you going to mention that you have a son? Um? 32 00:02:03,960 --> 00:02:07,800 Speaker 1: I usually wait till I'm two months in and then 33 00:02:08,040 --> 00:02:12,079 Speaker 1: just bring my son on a date. Romantic surprises, women 34 00:02:12,200 --> 00:02:16,040 Speaker 1: love them. Speaking of love, we have a musician in 35 00:02:16,040 --> 00:02:19,960 Speaker 1: the house today known for his love songs. Many couples 36 00:02:19,960 --> 00:02:23,760 Speaker 1: get together after his shows. You probably know who I'm 37 00:02:23,800 --> 00:02:26,399 Speaker 1: talking about, uh Nick, If you don't mind, let's cue 38 00:02:26,440 --> 00:02:35,040 Speaker 1: up one of his songs. Ah, Yes, one of my 39 00:02:35,080 --> 00:02:39,240 Speaker 1: favorites to play over a romantic Italian dinner. Really, it 40 00:02:39,320 --> 00:02:45,600 Speaker 1: seems more like the music you hear at No, that's right. 41 00:02:45,880 --> 00:02:49,560 Speaker 1: D J. Dillon Francis is in the house to teach 42 00:02:49,639 --> 00:02:53,239 Speaker 1: us all about E. D M. The music of love. Nick, 43 00:02:53,240 --> 00:03:04,480 Speaker 1: can you play that that song that always makes me cry? 44 00:03:06,120 --> 00:03:11,240 Speaker 1: Tugs at the hard strings, doesn't it? Oh my goodness, 45 00:03:12,360 --> 00:03:16,840 Speaker 1: ring me out. I'm like a wet towel, just beats. 46 00:03:17,040 --> 00:03:20,640 Speaker 1: I know you feel the same, Carolina, right at all. Well, 47 00:03:20,840 --> 00:03:23,639 Speaker 1: let's give the heartbroken a second to recover from that. 48 00:03:24,360 --> 00:03:28,480 Speaker 1: And in the studio next is Dylan Francis. Bring a 49 00:03:28,560 --> 00:03:44,520 Speaker 1: box of tissues. Folks, welcome back to the Ron Burgundy Podcast. 50 00:03:44,800 --> 00:03:47,800 Speaker 1: This is Ron Burgundy, and of course I'm joined by 51 00:03:48,520 --> 00:03:54,320 Speaker 1: Captain fort Face a K. Carolina. Anyway, we are so excited. 52 00:03:54,360 --> 00:03:57,520 Speaker 1: How excited are we? Captain? I don't want that nickname, 53 00:03:57,680 --> 00:04:02,240 Speaker 1: but answer the questions? Good will you? Please give a 54 00:04:02,440 --> 00:04:06,960 Speaker 1: Ron Burgundy Podcast. Welcome to the man behind the motown sound, 55 00:04:07,880 --> 00:04:12,600 Speaker 1: Dylan Francis. Dylan, thank you for coming today. Thank you. 56 00:04:12,640 --> 00:04:15,400 Speaker 1: I'm gonna clap for myself. It's like a morning Zoo 57 00:04:15,400 --> 00:04:18,960 Speaker 1: c group it. Yes, Dylan, we really appreciate you. Know what. 58 00:04:19,000 --> 00:04:22,200 Speaker 1: I want to apologize right off, because I just happened 59 00:04:22,200 --> 00:04:24,840 Speaker 1: to look up and make eye contact with you, and 60 00:04:24,880 --> 00:04:27,160 Speaker 1: I can see you're You're in your early thirties. Yes, 61 00:04:27,279 --> 00:04:30,279 Speaker 1: I was clearly wrong about the whole Motown sound thing. 62 00:04:30,839 --> 00:04:32,680 Speaker 1: You had nothing to do with the Motown town. But 63 00:04:33,200 --> 00:04:35,960 Speaker 1: do you like motown music? I do. You don't know 64 00:04:36,000 --> 00:04:37,800 Speaker 1: if I could name any off the top of my head, 65 00:04:37,880 --> 00:04:42,560 Speaker 1: but um well, let's see scrill X is definitely the 66 00:04:42,560 --> 00:04:47,720 Speaker 1: biggest Motown beach boys. Were they not from Detroit? No? No, Well, 67 00:04:47,760 --> 00:04:51,839 Speaker 1: I guess we don't know anything about Eminem because of 68 00:04:51,920 --> 00:04:55,200 Speaker 1: the m Motown man. That's what the short from Motown. 69 00:04:56,440 --> 00:05:00,440 Speaker 1: He is from Michigan. That's where the eight mile talk 70 00:05:00,520 --> 00:05:05,080 Speaker 1: about eight mile? Right right? Have you seen it? I 71 00:05:05,120 --> 00:05:07,600 Speaker 1: would love to get it a deep dive on eight mile. 72 00:05:08,880 --> 00:05:12,520 Speaker 1: I think I'm the wrong guy. So let's start with 73 00:05:12,560 --> 00:05:15,279 Speaker 1: the basics. How did you get started? How did music 74 00:05:15,400 --> 00:05:18,400 Speaker 1: into your life? I mean from a young age. You know, 75 00:05:18,440 --> 00:05:21,240 Speaker 1: you have the radio just going so my parents, my 76 00:05:21,320 --> 00:05:26,040 Speaker 1: dad always listened to him. Actually, were you like listening 77 00:05:26,080 --> 00:05:28,640 Speaker 1: to like raffie music? No? No No, I was listening to 78 00:05:28,720 --> 00:05:31,240 Speaker 1: a lot of like one on one point one, Okay, 79 00:05:32,400 --> 00:05:33,560 Speaker 1: here is one on one. It was. It was all 80 00:05:33,600 --> 00:05:35,720 Speaker 1: the classics, and then my mom would would do one 81 00:05:35,800 --> 00:05:37,120 Speaker 1: or two points and it would be really funny if 82 00:05:37,160 --> 00:05:40,520 Speaker 1: my dad listened to that too, he did not, Um, 83 00:05:40,640 --> 00:05:42,600 Speaker 1: I just I kind of got into music through that, 84 00:05:42,720 --> 00:05:47,520 Speaker 1: and then, uh, like for actually working in music, I 85 00:05:47,560 --> 00:05:51,240 Speaker 1: think it was it was just through my friend playing 86 00:05:51,279 --> 00:05:53,000 Speaker 1: a lot of like dance music in his car and 87 00:05:53,040 --> 00:05:54,920 Speaker 1: I didn't know what it was, and I was really 88 00:05:54,960 --> 00:05:57,880 Speaker 1: into metal music and punk music at the time, and 89 00:05:57,880 --> 00:05:59,679 Speaker 1: then that's what I was like, what is this? Sounds 90 00:05:59,720 --> 00:06:05,000 Speaker 1: like the advanced version of that metal music is music? 91 00:06:05,600 --> 00:06:10,880 Speaker 1: I'm lost here. That sounds like two pieces of metal 92 00:06:10,960 --> 00:06:14,960 Speaker 1: scraping together. I guess you could say, so it's loud music. Okay, 93 00:06:17,200 --> 00:06:18,960 Speaker 1: it's it's a lot of a lot of so like 94 00:06:19,000 --> 00:06:23,480 Speaker 1: when someone's belting out the national anthem that's considered metal music. 95 00:06:24,000 --> 00:06:30,679 Speaker 1: That's loud. Yes, it's more like it screaming, like you could, 96 00:06:30,720 --> 00:06:35,760 Speaker 1: like Katy Perry so close. But okay, well, none of 97 00:06:35,800 --> 00:06:40,840 Speaker 1: us are good at classifying music. UM so what are 98 00:06:40,839 --> 00:06:45,719 Speaker 1: we doing here? Honestly, Carolina, I mean you're supposed to 99 00:06:45,720 --> 00:06:48,480 Speaker 1: be driving the train here. I'm learning just as much 100 00:06:48,520 --> 00:06:51,880 Speaker 1: as you are. I mean maybe I'm less behind, but 101 00:06:51,960 --> 00:06:55,200 Speaker 1: let's talk about this. So working as an E D 102 00:06:55,400 --> 00:06:59,880 Speaker 1: M DJ, now that's the correct terminology, right, and produce 103 00:07:00,080 --> 00:07:02,799 Speaker 1: or I mean you you take a lot from different 104 00:07:03,440 --> 00:07:07,440 Speaker 1: musical influences, right, so, and I know now this, I 105 00:07:07,480 --> 00:07:12,280 Speaker 1: do know reggaeton yeah is a big is big for you, 106 00:07:12,360 --> 00:07:14,280 Speaker 1: right but but I read when you were younger you 107 00:07:14,320 --> 00:07:18,440 Speaker 1: were very into punk music. Yes, so I just said, yes, 108 00:07:18,560 --> 00:07:22,280 Speaker 1: you just said that. Yes, Okay, Shoot, somehow if lessened 109 00:07:22,320 --> 00:07:25,720 Speaker 1: this biz a long time without listening, um some of 110 00:07:25,760 --> 00:07:29,640 Speaker 1: the artists that inspired you, uh Pure Prairie League, Atlanta 111 00:07:29,720 --> 00:07:34,080 Speaker 1: Rhythm Section, Uh, Captain and to Neil, but not to Neil. 112 00:07:35,200 --> 00:07:39,720 Speaker 1: This is my bio. I'm just asking. I don't think 113 00:07:40,360 --> 00:07:44,760 Speaker 1: Captain ever. I don't think none, none of those groups, 114 00:07:44,840 --> 00:07:49,280 Speaker 1: neither of those two. Okay, scratch that off. Let me 115 00:07:49,320 --> 00:07:54,320 Speaker 1: get my pin scratch off. Done. So I imagine you 116 00:07:54,320 --> 00:07:57,320 Speaker 1: know a lot of being a producer and making electronic 117 00:07:57,400 --> 00:08:00,560 Speaker 1: music involves sitting in front of a computer. Yeah, a lot. 118 00:08:01,320 --> 00:08:03,840 Speaker 1: Do you feel you made a good decision there? Not? 119 00:08:03,960 --> 00:08:07,680 Speaker 1: Sometimes now got a bad back from it? Definitely? Okay? Right? Yeah? 120 00:08:07,840 --> 00:08:09,920 Speaker 1: Do you do you have one of those walking computer? 121 00:08:10,480 --> 00:08:13,520 Speaker 1: You know where you stand? You're supposed to like standing DUTs, 122 00:08:13,520 --> 00:08:16,040 Speaker 1: thank you, because sitting is supposed to kill us? Now 123 00:08:16,200 --> 00:08:19,440 Speaker 1: it is? Who said that? No? That's just the new studies. 124 00:08:19,600 --> 00:08:21,840 Speaker 1: Not supposed to sit, it's going to kill you. You're 125 00:08:21,840 --> 00:08:26,600 Speaker 1: not ever supposed to sit, never again. So the computer, 126 00:08:26,600 --> 00:08:28,520 Speaker 1: I mean the computer, it's it's I mean, it is 127 00:08:28,560 --> 00:08:30,360 Speaker 1: in someone. It's a very smart choice. It's easy to 128 00:08:30,400 --> 00:08:33,079 Speaker 1: carry around. He's very Do you ever do you ever 129 00:08:33,080 --> 00:08:35,200 Speaker 1: look at a guy, for instance, who plays like the 130 00:08:35,240 --> 00:08:37,640 Speaker 1: tuba and has to lug it all over the place 131 00:08:37,679 --> 00:08:41,199 Speaker 1: and think, nice job, idiot, I'm an international superstar DJ. 132 00:08:41,720 --> 00:08:44,240 Speaker 1: Just because I brought, you know, a laptop and you're 133 00:08:44,280 --> 00:08:48,400 Speaker 1: lugging around a tuba. Look some kind of absolutely um. 134 00:08:48,520 --> 00:08:50,360 Speaker 1: Sometimes I sit at the airport and I just wait, 135 00:08:50,400 --> 00:08:52,599 Speaker 1: wait for those people, for the tuba people, And I 136 00:08:52,640 --> 00:08:55,720 Speaker 1: look at them and I go, if you really new 137 00:08:56,120 --> 00:09:00,560 Speaker 1: wrong choice, buddy? This may be an obscure rest reference 138 00:09:00,640 --> 00:09:04,880 Speaker 1: to our listener for our list Oh my god, come on, Ron, 139 00:09:05,760 --> 00:09:10,040 Speaker 1: get it together. Ah. We were so lucky to have 140 00:09:10,120 --> 00:09:12,600 Speaker 1: you here today. And I thought it'd be a great 141 00:09:12,679 --> 00:09:17,200 Speaker 1: chance to tackle a subject on this show that's really 142 00:09:17,480 --> 00:09:21,200 Speaker 1: important to me. And you know what, Actually I'm gonna 143 00:09:21,200 --> 00:09:23,040 Speaker 1: I'm gonna backtrack here. I want to get to that 144 00:09:23,120 --> 00:09:27,840 Speaker 1: question later, but I want to ask you, Okay, let's 145 00:09:27,840 --> 00:09:32,040 Speaker 1: throw some names out here. Test Yes know him? Diplow 146 00:09:32,760 --> 00:09:35,520 Speaker 1: know him? Z is that? Yes? I know him? Is 147 00:09:35,559 --> 00:09:37,640 Speaker 1: that I'm supposed to say I know him? Or whatever 148 00:09:37,679 --> 00:09:39,480 Speaker 1: you want, whatever comes to your mind. This is kind 149 00:09:39,480 --> 00:09:42,680 Speaker 1: of a lightning round know him? Marshmallow, you know that 150 00:09:42,720 --> 00:09:49,680 Speaker 1: guy too? Cascade, Yep, Calvin Harris, David Guetta, Dead Mouse, 151 00:09:51,200 --> 00:09:55,760 Speaker 1: Sarah Huckabeat Sanders. I didn't know she was a DJ. 152 00:09:56,200 --> 00:10:03,559 Speaker 1: She is round underground. Yeah, mostly in conservative circles. A 153 00:10:03,600 --> 00:10:06,480 Speaker 1: lot of people going to those shows. Sure, I'd love 154 00:10:06,520 --> 00:10:14,160 Speaker 1: to actually huge R and yes is going after parties. Actually, 155 00:10:14,720 --> 00:10:21,400 Speaker 1: Ed Mayor Ed Coach loves it, really couches even though 156 00:10:21,480 --> 00:10:24,400 Speaker 1: he's dead. Now, are you saying the ghost of Ed 157 00:10:24,480 --> 00:10:32,079 Speaker 1: Coach loves Sarah Huckabats, Yeah he did. Let's sick a 158 00:10:32,120 --> 00:10:41,880 Speaker 1: moment of silence? Four departed New York Mayor Ed Cotch Nick. 159 00:10:41,960 --> 00:10:43,480 Speaker 1: Do you have any music you could play while we 160 00:10:43,520 --> 00:10:54,040 Speaker 1: take this moment of silence? Perfect? Thank you? Um let 161 00:10:54,040 --> 00:10:56,600 Speaker 1: me get back to this other topic saying about which, 162 00:10:56,880 --> 00:10:59,440 Speaker 1: like I said, so thankful to have you, thank you, 163 00:10:59,480 --> 00:11:02,280 Speaker 1: And I want to discuss something that's really important to 164 00:11:02,280 --> 00:11:07,959 Speaker 1: me and I think it would be helpful and education. Well, ah, 165 00:11:08,000 --> 00:11:11,000 Speaker 1: come on, Rod, what is it? I got the Monday 166 00:11:11,040 --> 00:11:15,559 Speaker 1: blas who last night I was down at the pier 167 00:11:16,320 --> 00:11:18,840 Speaker 1: sport fishing. You're not supposed to do that anymore? Well, 168 00:11:19,520 --> 00:11:21,839 Speaker 1: I love it. It's passion of mine. In fact, I 169 00:11:21,880 --> 00:11:27,040 Speaker 1: should have put it on the bumble thing sport fishing. Yeah, 170 00:11:27,080 --> 00:11:30,800 Speaker 1: I just got on bumble today. How how is it 171 00:11:31,160 --> 00:11:33,640 Speaker 1: we'll find out he's trying to get on Riya but 172 00:11:33,679 --> 00:11:36,880 Speaker 1: he's wait list. I'm waitlisted on Riya. I can hook 173 00:11:36,920 --> 00:11:38,760 Speaker 1: you up. You could jump me to the front of 174 00:11:38,760 --> 00:11:41,920 Speaker 1: the line. Yeah. Those all the names you listed are 175 00:11:41,960 --> 00:11:44,160 Speaker 1: that's what you were listing them for their exactly. We're 176 00:11:44,200 --> 00:11:46,920 Speaker 1: all on there. This is, you know, learning how to 177 00:11:46,920 --> 00:11:50,400 Speaker 1: be one of the great days in my life. Yes, Rya, 178 00:11:50,559 --> 00:11:56,840 Speaker 1: here we come, Ron Burgundy on riot. Um, so let's 179 00:11:57,120 --> 00:12:00,640 Speaker 1: discuss the topic how to care for the elderly. That's 180 00:12:00,640 --> 00:12:04,000 Speaker 1: a good one. Um, Dylan, your thoughts? Should we do 181 00:12:04,080 --> 00:12:07,880 Speaker 1: more for the elderly? Should we just do this topic now? 182 00:12:07,920 --> 00:12:10,200 Speaker 1: I mean maybe we should stick to music. No, Caroline, 183 00:12:10,240 --> 00:12:13,280 Speaker 1: that's so boring. When I heard Dylan Francis was coming in, 184 00:12:13,360 --> 00:12:16,120 Speaker 1: I thought, who better to tackle the subject of caring 185 00:12:16,160 --> 00:12:19,760 Speaker 1: for the elderly than Dylan Francis and E D M. Superstar. 186 00:12:19,880 --> 00:12:22,600 Speaker 1: It just felt right. And you know, I always like 187 00:12:22,640 --> 00:12:25,160 Speaker 1: to go with my gut. When when is my gut 188 00:12:25,200 --> 00:12:29,680 Speaker 1: ever been wrong? I none are coming to mind because 189 00:12:29,679 --> 00:12:32,599 Speaker 1: I'm so overwhel I'm actually paralyzed. Try and game just 190 00:12:32,720 --> 00:12:35,560 Speaker 1: one good, let's just start there, Dylan. A lot of 191 00:12:35,600 --> 00:12:38,600 Speaker 1: older people are confined to wheelchairs. We need to make 192 00:12:38,600 --> 00:12:43,520 Speaker 1: our world more wheelchair accessible in general, don't you think? Yeah, 193 00:12:43,800 --> 00:12:48,559 Speaker 1: I've who would say no to that? Always? I'm asking 194 00:12:49,120 --> 00:12:53,840 Speaker 1: the DJ here, so you agree. I agree that we 195 00:12:53,880 --> 00:13:00,200 Speaker 1: shouldn't do that. Shouldn't have controversial opinion. I have more 196 00:13:00,280 --> 00:13:05,760 Speaker 1: accessibility for wheelchairs. We should have should have it? Yes? Great? 197 00:13:07,080 --> 00:13:09,640 Speaker 1: And also if you're if you're in a wheelchair, have 198 00:13:09,760 --> 00:13:12,600 Speaker 1: fun with it, Yes, have fun with it, especially like 199 00:13:12,640 --> 00:13:17,240 Speaker 1: the motorized ones. Yeah, the rascals. Yeah, the rascals, Well, 200 00:13:17,240 --> 00:13:20,080 Speaker 1: a jazzy that's what they're called. They're jazzys. They're also 201 00:13:20,120 --> 00:13:25,840 Speaker 1: called jazzys. That's another like the rascal Rascal. I um, 202 00:13:25,880 --> 00:13:30,920 Speaker 1: I'm a bit of a rascal. Yes, And I volunteer 203 00:13:31,240 --> 00:13:33,160 Speaker 1: at a nursing home once in a while. And I 204 00:13:33,160 --> 00:13:34,839 Speaker 1: don't like to make a big deal out of it, 205 00:13:35,160 --> 00:13:38,680 Speaker 1: But it really lightens up people's faces when they see 206 00:13:39,000 --> 00:13:42,240 Speaker 1: old Ron Burgundy come into a visit. Do you find 207 00:13:42,320 --> 00:13:44,959 Speaker 1: that with your fans they're happy to see you at 208 00:13:45,040 --> 00:13:47,520 Speaker 1: meet and greets? Yeah? Do you do a lot of 209 00:13:47,520 --> 00:13:51,360 Speaker 1: meet and greets sometimes? Is it? How many people would 210 00:13:51,360 --> 00:13:56,480 Speaker 1: that be? Uh? Like, you know, like in one meet 211 00:13:56,480 --> 00:13:59,200 Speaker 1: and greet for like the show, So after the show 212 00:13:59,240 --> 00:14:01,000 Speaker 1: you'll meet with five hundred people. I mean I I 213 00:14:01,040 --> 00:14:04,160 Speaker 1: used to like, go out to the home. How do 214 00:14:04,200 --> 00:14:05,559 Speaker 1: you how do you have the energy to talk to 215 00:14:05,600 --> 00:14:11,240 Speaker 1: five d people? Let's give him hugs? Wow? I would 216 00:14:11,280 --> 00:14:13,959 Speaker 1: limit it to five five Ron would limit it to 217 00:14:14,000 --> 00:14:17,480 Speaker 1: five and say only ladies please, which was kind of insulting. 218 00:14:17,679 --> 00:14:21,920 Speaker 1: But um, so, you know, I just find that going 219 00:14:21,960 --> 00:14:24,280 Speaker 1: to nursing homes is just a small way to give 220 00:14:24,320 --> 00:14:27,280 Speaker 1: back to the community, and in particularly with the elderly 221 00:14:27,320 --> 00:14:30,840 Speaker 1: folks I deal with um And I have this one 222 00:14:30,880 --> 00:14:38,320 Speaker 1: gentleman I see regularly. He's a retired lieutenant colonel. He's 223 00:14:38,360 --> 00:14:42,120 Speaker 1: a veteran, purple heart, the whole deal, a true American hero. 224 00:14:42,400 --> 00:14:44,840 Speaker 1: And last weekend I rigged up his motorized wheelchair with 225 00:14:44,920 --> 00:14:48,880 Speaker 1: the engine from an old nineteen seventy Corvette Stingray LT 226 00:14:49,080 --> 00:14:52,040 Speaker 1: one and I must have got that sucker going up 227 00:14:52,040 --> 00:14:56,520 Speaker 1: to around one mile maybe maybe hundred and thirty. Isn't 228 00:14:56,520 --> 00:15:00,520 Speaker 1: that awesome? He was. He went on the away, he 229 00:15:00,560 --> 00:15:02,800 Speaker 1: went on the freeway. He loved it, and he said 230 00:15:02,840 --> 00:15:05,600 Speaker 1: thanks for bringing me back to the glory days. He 231 00:15:05,640 --> 00:15:09,240 Speaker 1: didn't I feel like he loved it. I was against 232 00:15:09,240 --> 00:15:12,440 Speaker 1: the idea, but then when I saw him on it, right, Okay, yeah, 233 00:15:12,560 --> 00:15:14,560 Speaker 1: I mean I would just assume that that would cause 234 00:15:15,200 --> 00:15:17,320 Speaker 1: I mean, he was just irreparable. Damna. He came back 235 00:15:17,680 --> 00:15:23,760 Speaker 1: hard or kidney failure, yeah, um, he had a he 236 00:15:23,840 --> 00:15:27,280 Speaker 1: had a little bit of kidney failure. Okay, he said 237 00:15:27,280 --> 00:15:28,760 Speaker 1: it was worth the whole thing. I mean, he was 238 00:15:28,800 --> 00:15:31,400 Speaker 1: just risen around the grounds of the nursing home as 239 00:15:31,440 --> 00:15:33,840 Speaker 1: the time of his life. People, the people in charge 240 00:15:33,840 --> 00:15:36,440 Speaker 1: of the facility got a little uptight with me, but 241 00:15:36,560 --> 00:15:41,000 Speaker 1: I just said, hey, I'm Ron Burgundy. Yeah that was it. Yeah, 242 00:15:41,280 --> 00:15:44,960 Speaker 1: that was my only reson. Did they say please stop? 243 00:15:45,000 --> 00:15:46,720 Speaker 1: They said please stop, and we're gonna have to call 244 00:15:46,800 --> 00:15:50,520 Speaker 1: the police, and law enforcement did show up. So Dylan Frances, 245 00:15:50,600 --> 00:15:55,600 Speaker 1: what ways do you try to give back to the community. Um, 246 00:15:55,640 --> 00:16:00,240 Speaker 1: I mean I donate money to parks and l a 247 00:16:00,320 --> 00:16:03,560 Speaker 1: trying to get more parks and then just parks of 248 00:16:03,640 --> 00:16:07,880 Speaker 1: general dog parks, just parks, just just making sure we 249 00:16:07,960 --> 00:16:10,080 Speaker 1: have actually, like you know, because I've been we need 250 00:16:10,160 --> 00:16:12,360 Speaker 1: open spaces. Yeah, I've been in the UK. They have 251 00:16:12,400 --> 00:16:16,160 Speaker 1: really nice parks we just don't have. And then I 252 00:16:16,240 --> 00:16:19,600 Speaker 1: give a lot to Music Cares, which is a music 253 00:16:19,880 --> 00:16:24,360 Speaker 1: organization that for the arts and it actually exists. Yes, 254 00:16:24,480 --> 00:16:28,240 Speaker 1: it's not a it's not a fake charity. Run has 255 00:16:28,280 --> 00:16:31,680 Speaker 1: been interested in creating a charity just you should. I 256 00:16:31,680 --> 00:16:34,280 Speaker 1: would donate to it. Well it's called more Spaghetti, Okay, 257 00:16:34,320 --> 00:16:38,040 Speaker 1: I wouldn't take it that it's just about more spaghetti 258 00:16:38,680 --> 00:16:41,240 Speaker 1: for people. We don't have to get into it. I 259 00:16:41,280 --> 00:16:45,600 Speaker 1: actually I actually kind of feed the elderly more spaghetti. Yeah, 260 00:16:45,640 --> 00:16:47,800 Speaker 1: I mean if they don't know, if they necessarily need 261 00:16:47,840 --> 00:16:49,480 Speaker 1: more spaghetti. I feel like if you do it too 262 00:16:49,640 --> 00:16:52,720 Speaker 1: for homeless people though, that's fantastic. Well maybe that's what 263 00:16:52,760 --> 00:16:55,240 Speaker 1: we'll do. Yeah, maybe that's a good idea, after we 264 00:16:55,280 --> 00:16:59,680 Speaker 1: take a little bit off the top. Yeah, do you 265 00:16:59,680 --> 00:17:03,600 Speaker 1: have parents and they must be awfully proud of what 266 00:17:03,640 --> 00:17:07,080 Speaker 1: you've accomplished. Yeah, my grandma is and what do they 267 00:17:07,119 --> 00:17:10,480 Speaker 1: make of your music? I mean, she definitely if I 268 00:17:10,520 --> 00:17:12,560 Speaker 1: played it for her, she wouldn't know it was my music, 269 00:17:12,920 --> 00:17:14,399 Speaker 1: and she would probably be like, I don't want to 270 00:17:14,400 --> 00:17:17,760 Speaker 1: hear this, but she's proud, So they enjoy it or 271 00:17:18,280 --> 00:17:22,240 Speaker 1: I don't think so, Okay, maybe some of them. There's 272 00:17:22,280 --> 00:17:25,200 Speaker 1: there's probably a you know, maybe two that I could 273 00:17:25,240 --> 00:17:27,200 Speaker 1: play her that she would be fine. Like what I mean, 274 00:17:27,280 --> 00:17:30,600 Speaker 1: what portion of fandom do you think you have in 275 00:17:30,640 --> 00:17:34,160 Speaker 1: the elderly community? Oh man? I mean I could look 276 00:17:34,200 --> 00:17:37,440 Speaker 1: at my analytics on Twitter or or Instagram and it 277 00:17:37,440 --> 00:17:39,879 Speaker 1: would be an interesting study. I I could look right 278 00:17:39,920 --> 00:17:41,760 Speaker 1: to see. Let's look right now. Let's look right now. 279 00:17:41,840 --> 00:17:45,679 Speaker 1: Let's see how many octogenarians you have who consider themselves fans. 280 00:17:46,480 --> 00:17:48,720 Speaker 1: Let's see who love to get down to the beats 281 00:17:49,040 --> 00:17:53,440 Speaker 1: um so that you can access Yeah, I'm not accessing 282 00:17:53,480 --> 00:17:58,199 Speaker 1: it right now. Sixty four? We got one? Okay, sixty 283 00:17:58,280 --> 00:18:03,000 Speaker 1: five plus I guess what, so one percent? These are 284 00:18:03,000 --> 00:18:11,879 Speaker 1: the real one percenters, octogenarians who love d M while 285 00:18:11,920 --> 00:18:15,560 Speaker 1: they're doing uh, you know, water aerobics at the pool. 286 00:18:15,680 --> 00:18:20,679 Speaker 1: Yeah h thanks to them, thank you s m H. Right, Yeah, 287 00:18:20,800 --> 00:18:27,040 Speaker 1: what do you think that means smh. Surely must help 288 00:18:27,960 --> 00:18:29,880 Speaker 1: is what I always thought it man, it means shake 289 00:18:29,960 --> 00:18:33,000 Speaker 1: my head, but it's okay. Shake Why would you want 290 00:18:33,000 --> 00:18:42,919 Speaker 1: to shake your head? Sma smack? Am I right? Big time? Small? Yeah, 291 00:18:43,680 --> 00:18:50,440 Speaker 1: let's talk about cholesterol medication lipatore good for controlling cholesterol levels? 292 00:18:50,480 --> 00:18:54,040 Speaker 1: Or should people change their diets as well? I I 293 00:18:54,240 --> 00:18:58,000 Speaker 1: legally I am not allowed to comment because the last 294 00:18:58,040 --> 00:19:01,280 Speaker 1: time I did, right, I got okay because I don't 295 00:19:01,320 --> 00:19:05,560 Speaker 1: know the specifics about to be able to common senses. 296 00:19:06,600 --> 00:19:11,120 Speaker 1: Put down the cheeseburger, yes, or pick up the lipertur Yes, 297 00:19:11,720 --> 00:19:14,879 Speaker 1: that's both some people need. But who knows. I'm I 298 00:19:14,920 --> 00:19:17,000 Speaker 1: don't know what the right answer is. I'm not a doctor. 299 00:19:17,640 --> 00:19:21,560 Speaker 1: If you're listening, what about molly? Do you ever take 300 00:19:21,600 --> 00:19:25,640 Speaker 1: that stuff when I was younger? Should senior citizens take ecstasy? 301 00:19:27,119 --> 00:19:32,520 Speaker 1: Mn't think so. It's pretty rough, but it's interesting. I 302 00:19:32,560 --> 00:19:35,280 Speaker 1: wonder of your one per centers, if they're just riding 303 00:19:35,359 --> 00:19:38,720 Speaker 1: the molly train all day long, they could be What 304 00:19:38,760 --> 00:19:42,560 Speaker 1: do you think about this? I just thought of this idea, 305 00:19:42,600 --> 00:19:45,359 Speaker 1: so forgive me if it's not fleshed out. How about 306 00:19:45,359 --> 00:19:49,560 Speaker 1: a DJ school for senior citizens? M would that be 307 00:19:49,720 --> 00:19:53,520 Speaker 1: something you'd be interested in setting up. Um, just get 308 00:19:53,520 --> 00:19:56,120 Speaker 1: a bunch of octogenarians in a room, teach them about 309 00:19:56,200 --> 00:20:00,320 Speaker 1: beat matching, cross fader, curve control, get some loops going, 310 00:20:00,600 --> 00:20:03,959 Speaker 1: make some beats that honestly sounds like my own personal 311 00:20:04,040 --> 00:20:08,399 Speaker 1: helpload it to SoundCloud. Not interested? Not How do you 312 00:20:08,720 --> 00:20:10,399 Speaker 1: where did you learn those words? How do you know 313 00:20:10,520 --> 00:20:12,919 Speaker 1: so much about DJ technique? Well, Carolina, you don't know 314 00:20:13,000 --> 00:20:16,680 Speaker 1: everything about me. Okay, When I was doing cable news 315 00:20:16,680 --> 00:20:19,399 Speaker 1: in New York City in the eighties, actually befriended Grand 316 00:20:19,440 --> 00:20:22,639 Speaker 1: Master Flash for a period of time, and he showed 317 00:20:22,720 --> 00:20:25,280 Speaker 1: me a couple of things on the ones and twos, 318 00:20:25,440 --> 00:20:30,040 Speaker 1: and it's nothing like what Dylan can do here. But 319 00:20:30,040 --> 00:20:32,840 Speaker 1: but the Flash and I did put out a single 320 00:20:32,880 --> 00:20:39,240 Speaker 1: around three called news Funk two thousand. Quite serious? Can 321 00:20:39,280 --> 00:20:42,400 Speaker 1: we hear it? I thought you'd never ask DJ Dillon Frances, 322 00:20:42,440 --> 00:20:45,880 Speaker 1: Thank you, Carolina didn't ask me. Well, I didn't even know. Nick. 323 00:20:46,040 --> 00:20:49,200 Speaker 1: Do you have news funk? Nick? You always have news 324 00:20:49,280 --> 00:20:52,359 Speaker 1: Fun two thousand? Loaded up? Ready to go? All right, 325 00:20:52,440 --> 00:20:55,479 Speaker 1: let's take okay, let's take a ride. Here. It is 326 00:20:55,920 --> 00:21:22,440 Speaker 1: from news Funk two thousand. Brod bro Bro bro bro 327 00:21:23,760 --> 00:21:40,800 Speaker 1: Bro one glast three two one blast too hot? See? Wow? 328 00:21:41,040 --> 00:21:46,920 Speaker 1: Was that not? That was interesting? What? It never made 329 00:21:46,920 --> 00:21:49,520 Speaker 1: it on the radio except for a couple of college 330 00:21:49,520 --> 00:21:52,359 Speaker 1: station Yeah. Why was it called news Funk two thousand? 331 00:21:52,920 --> 00:21:57,560 Speaker 1: Beak um, Yeah, it's not very newsy? Yeah, I think 332 00:21:57,600 --> 00:21:59,720 Speaker 1: it was. What did it sound anything like the two 333 00:21:59,720 --> 00:22:01,840 Speaker 1: thous I think we were trying to predict what the 334 00:22:01,840 --> 00:22:04,920 Speaker 1: two thousand sound was going to be like and wasn't that. 335 00:22:05,080 --> 00:22:09,480 Speaker 1: It wasn't It wasn't this. But the drum machine was cool. Right, 336 00:22:10,160 --> 00:22:16,879 Speaker 1: that's the best part. Um. I wish you Why are 337 00:22:16,920 --> 00:22:22,400 Speaker 1: you laughing so much? It's maybe it's flattering. I feel 338 00:22:22,400 --> 00:22:25,080 Speaker 1: like I never want to play it again. It's producing emotion. 339 00:22:25,160 --> 00:22:27,920 Speaker 1: It's good. Absolutely, there you go. That absolutely is the 340 00:22:27,960 --> 00:22:31,399 Speaker 1: way to take that. Okay, Well, I feel like you 341 00:22:31,400 --> 00:22:33,000 Speaker 1: guys are making fun of me, but whatever, I have 342 00:22:33,119 --> 00:22:37,040 Speaker 1: enough self esteem to know that Ron, you can do 343 00:22:37,119 --> 00:22:39,360 Speaker 1: whatever you want. In news Funk two thousand, you took 344 00:22:39,400 --> 00:22:42,320 Speaker 1: a chance, and um, you know that's what life is 345 00:22:42,320 --> 00:22:45,400 Speaker 1: all about. You took an artistic chance and it went. 346 00:22:45,600 --> 00:22:47,840 Speaker 1: I'm not going to be made to feel no, I 347 00:22:47,960 --> 00:22:52,080 Speaker 1: went somewhere. It went exactly, thank you. In fact, that 348 00:22:52,200 --> 00:22:54,119 Speaker 1: was one of the reviews of news Funk two thousand. 349 00:22:55,400 --> 00:23:01,120 Speaker 1: This song went somewhere. One of the call newspapers said, 350 00:23:01,800 --> 00:23:04,000 Speaker 1: well it went somewhere. What were some of the other 351 00:23:04,440 --> 00:23:07,959 Speaker 1: if there? If you could name off? Very negative, very yeah, okay, 352 00:23:08,160 --> 00:23:12,840 Speaker 1: very negative. Sorry. Um let me ask you this. Do 353 00:23:12,880 --> 00:23:17,399 Speaker 1: you meditate? Um? I used to, and then well it 354 00:23:17,440 --> 00:23:21,200 Speaker 1: was when I was younger and my dad made me wow, okay, 355 00:23:21,240 --> 00:23:24,920 Speaker 1: which is really counterproductive to meditating. Why would you make 356 00:23:24,960 --> 00:23:29,840 Speaker 1: someone forceful meditation? So he's like, son, for the last 357 00:23:29,880 --> 00:23:33,760 Speaker 1: time you got to meditate, it was it's six o'clock 358 00:23:33,800 --> 00:23:38,919 Speaker 1: meditation time. Sounded exactly like that. I just got flashbacks, Dylan, 359 00:23:39,040 --> 00:23:43,520 Speaker 1: for Christ's sake? Did you meditate? Was that kind of 360 00:23:43,520 --> 00:23:48,480 Speaker 1: the wow? So? So you never felt relaxed? No? No, 361 00:23:49,200 --> 00:23:51,920 Speaker 1: The reason we had to meditate was we it was 362 00:23:51,960 --> 00:23:55,080 Speaker 1: so that we could watch TV. So it was a tradeoff. 363 00:23:55,160 --> 00:23:57,520 Speaker 1: It was a trade off meditate. And how long was 364 00:23:57,560 --> 00:24:00,320 Speaker 1: the meditation period supposed to? Like an hour and hour? 365 00:24:01,520 --> 00:24:03,879 Speaker 1: A lot of breathing experts. Now I'm on your side, 366 00:24:04,960 --> 00:24:08,600 Speaker 1: maybe fifteen minutes. My dad still wakes up and at 367 00:24:09,400 --> 00:24:11,680 Speaker 1: every morning. Did you find it helped you so much? 368 00:24:11,760 --> 00:24:12,879 Speaker 1: Or were you just say it was too much of 369 00:24:12,880 --> 00:24:17,920 Speaker 1: a punishment. I'm a as a little kid. Your mind exactly. 370 00:24:18,080 --> 00:24:20,080 Speaker 1: I mean, my mind is going a mile a minute 371 00:24:20,119 --> 00:24:25,400 Speaker 1: right now. I try to meditate every morning and I can't. Immediately, 372 00:24:25,880 --> 00:24:28,720 Speaker 1: I started thinking about eight Mile, the movie eight Mile, 373 00:24:29,560 --> 00:24:31,679 Speaker 1: and how we have to save the people from the 374 00:24:31,760 --> 00:24:34,000 Speaker 1: nuclear reactor mailt down to three mile Oland. That's not 375 00:24:34,040 --> 00:24:36,520 Speaker 1: what the movie was about, though. Gosh, I wish we 376 00:24:36,560 --> 00:24:38,760 Speaker 1: could watch it right now and have this debate. It's 377 00:24:38,840 --> 00:24:41,200 Speaker 1: not I guess we're going to have to agree to disagree. 378 00:24:41,359 --> 00:24:44,719 Speaker 1: It's not what the movie is about though. Even well, anyway, 379 00:24:44,720 --> 00:24:47,520 Speaker 1: when I meditate, that's those are the images that I'm 380 00:24:47,520 --> 00:24:51,160 Speaker 1: pouring through my mind. It's like a carnival of horrors 381 00:24:51,160 --> 00:24:56,240 Speaker 1: in my brain no matter what I do. So, so 382 00:24:56,400 --> 00:24:58,600 Speaker 1: what do you do now to relax your mind and 383 00:24:59,040 --> 00:25:02,480 Speaker 1: clear your head? Cause I'm sure you have a hectic schedule. Um, 384 00:25:02,560 --> 00:25:04,919 Speaker 1: I take you know, take naps or something like that. 385 00:25:04,960 --> 00:25:07,760 Speaker 1: And I just I enjoy working. I'm very thankful for 386 00:25:07,920 --> 00:25:10,040 Speaker 1: Do you wake up and you just like boom, I've 387 00:25:10,040 --> 00:25:13,480 Speaker 1: got a new beat, a new rhythm, a new a 388 00:25:13,520 --> 00:25:15,800 Speaker 1: new song in my head. It's either that or like 389 00:25:16,000 --> 00:25:19,960 Speaker 1: video ideas for for like music videos the visual expression 390 00:25:20,080 --> 00:25:24,040 Speaker 1: of what you've already done. You But yeah, it's like that, 391 00:25:24,400 --> 00:25:26,600 Speaker 1: or it's just sitting down in front of the computer 392 00:25:26,640 --> 00:25:29,399 Speaker 1: and then kind of just you know, chipping away at whatever. 393 00:25:29,920 --> 00:25:32,560 Speaker 1: I imagine you travel a lot for your work. How 394 00:25:32,560 --> 00:25:34,360 Speaker 1: many how many dates a year are you on the road? 395 00:25:35,280 --> 00:25:39,639 Speaker 1: Probably like a hundred and forty something, hundred and fifty something, 396 00:25:39,680 --> 00:25:43,840 Speaker 1: pretty extensive. A lot of traveling, A lot of traveling. 397 00:25:44,560 --> 00:25:48,160 Speaker 1: Back to the elderly. Speaking of traveling, you know, and 398 00:25:48,320 --> 00:25:50,600 Speaker 1: though I work with the elderly, sometimes I do kind 399 00:25:50,600 --> 00:25:52,439 Speaker 1: of resent the fact that they're able to get on 400 00:25:52,440 --> 00:25:55,080 Speaker 1: a plane before me, just because they're old and needs 401 00:25:55,119 --> 00:25:58,719 Speaker 1: special assistance, you know, especially when I'm flying first class, 402 00:25:58,760 --> 00:26:01,919 Speaker 1: as I'm sure you do all the time. Don't you 403 00:26:01,960 --> 00:26:05,160 Speaker 1: think first class passengers and elderly people should be able 404 00:26:05,200 --> 00:26:09,800 Speaker 1: to peacefully board an airplane at the same time, don't they. 405 00:26:09,960 --> 00:26:14,439 Speaker 1: I mean, Ron has pushed me over when we've boarded 406 00:26:14,440 --> 00:26:17,000 Speaker 1: a plan at the same time. I mean, I'll help 407 00:26:17,040 --> 00:26:20,320 Speaker 1: an old lady put her bag in the overhead compartment, 408 00:26:20,400 --> 00:26:22,560 Speaker 1: but but I'm going to put my bag up first, 409 00:26:22,960 --> 00:26:25,360 Speaker 1: you know, it's understandable. Then I'll help the old bag 410 00:26:25,400 --> 00:26:28,720 Speaker 1: of bones. Imagine you do the same right down, I 411 00:26:28,760 --> 00:26:31,320 Speaker 1: think I would put her bag first, not mine. Chivalry 412 00:26:31,640 --> 00:26:34,800 Speaker 1: is not dead. Last time we got on a plane together, 413 00:26:34,920 --> 00:26:36,480 Speaker 1: you kicked me in the back of the knees and 414 00:26:36,520 --> 00:26:41,040 Speaker 1: said go faster because you were so slow. Do you 415 00:26:41,080 --> 00:26:47,119 Speaker 1: remember how I got all the passengers to chant, hurry up, Caralida, 416 00:26:47,359 --> 00:26:54,040 Speaker 1: hurry up, caral It was crazy, hilarious. It was hilarious. 417 00:26:55,000 --> 00:26:56,719 Speaker 1: I would have I would have loved to see that. 418 00:26:57,640 --> 00:27:00,280 Speaker 1: I'm sorry to interrupted. I just the elderly have no 419 00:27:00,359 --> 00:27:02,400 Speaker 1: idea what we're trying to do here at this episode. 420 00:27:02,400 --> 00:27:05,159 Speaker 1: We have a great guest with a fascinating career, and 421 00:27:05,200 --> 00:27:08,080 Speaker 1: you're just kind of like shoehorning this vague idea about 422 00:27:08,080 --> 00:27:11,560 Speaker 1: helping the elderly. I'm bringing my journalistic point of view, 423 00:27:12,040 --> 00:27:14,440 Speaker 1: and that's what people tune in for. You know, there's 424 00:27:14,480 --> 00:27:17,160 Speaker 1: at least six or seven shows where people just ask 425 00:27:17,280 --> 00:27:21,359 Speaker 1: the same old, boring question. This is the Ron Burgundy podcast. 426 00:27:21,400 --> 00:27:24,000 Speaker 1: The audience is paying top dollar for the show, and 427 00:27:24,000 --> 00:27:26,879 Speaker 1: they expect something more. We're not. Well, people get the 428 00:27:26,880 --> 00:27:29,520 Speaker 1: show for free. It doesn't cost anything to downline, Wait what, 429 00:27:29,720 --> 00:27:32,480 Speaker 1: that's a huge mistake. We should fix that. Immediately. Even 430 00:27:32,760 --> 00:27:35,600 Speaker 1: with you bringing your journalistic point of view, you're also 431 00:27:35,640 --> 00:27:38,920 Speaker 1: talking about hooking up corvette engines to their wheelchairs. Yes, 432 00:27:39,000 --> 00:27:42,320 Speaker 1: I am old people, and I think you're you're suggesting 433 00:27:42,320 --> 00:27:45,440 Speaker 1: giving molly to senior You're never too older, party, don't 434 00:27:45,440 --> 00:27:48,320 Speaker 1: be ages. Back me up here, Dylan. I just think 435 00:27:48,359 --> 00:27:51,680 Speaker 1: that what you're saying is your responsible and possibly a 436 00:27:51,680 --> 00:27:53,399 Speaker 1: little dean and I think what you're saying is a 437 00:27:53,440 --> 00:27:57,159 Speaker 1: real snooze. And my new best friend Dylan Frances agrees. 438 00:27:57,240 --> 00:27:59,160 Speaker 1: I mean, honestly, if I was an old person, I'd 439 00:27:59,200 --> 00:28:01,639 Speaker 1: probably be doing a molly we I mean, here's the thing. 440 00:28:01,680 --> 00:28:04,240 Speaker 1: We have so much to learn from people who are 441 00:28:04,280 --> 00:28:07,080 Speaker 1: older than us. I think we can all agree on that, right, 442 00:28:08,560 --> 00:28:11,480 Speaker 1: But it's also important to listen to young voices as well. 443 00:28:11,880 --> 00:28:15,359 Speaker 1: You're a young fellow. Your voice is valid and I 444 00:28:15,400 --> 00:28:18,600 Speaker 1: want you to know that. So, Dylan, if you use 445 00:28:18,640 --> 00:28:21,320 Speaker 1: your voice right now, say whatever you want, even if 446 00:28:21,359 --> 00:28:27,879 Speaker 1: it's gibberish. Uh, put on the spot? Really, there you go, 447 00:28:28,040 --> 00:28:32,680 Speaker 1: that's it, put on the spot. But the good nailed 448 00:28:32,680 --> 00:28:35,439 Speaker 1: it right. It's important. That's important to say that and 449 00:28:35,480 --> 00:28:39,800 Speaker 1: get that out of there. Yeah, I would have said 450 00:28:40,880 --> 00:28:45,680 Speaker 1: I didn't want to offer you that. I mean, honestly, 451 00:28:45,680 --> 00:28:48,120 Speaker 1: what I said is not even I mean it's probably 452 00:28:48,160 --> 00:28:51,480 Speaker 1: on the same on part of with with that gibberish, 453 00:28:51,640 --> 00:28:53,680 Speaker 1: because it didn't do anything. No no, no, no no, no no. 454 00:28:54,000 --> 00:28:57,480 Speaker 1: But your words have power. I I just thought I 455 00:28:57,480 --> 00:28:59,880 Speaker 1: was put on the spot, and I thought it was 456 00:29:00,080 --> 00:29:03,240 Speaker 1: pure poetry. Thank you. You could weave that into a 457 00:29:03,280 --> 00:29:12,400 Speaker 1: song potentially, be I liked it with the lower challenge 458 00:29:12,400 --> 00:29:22,600 Speaker 1: to be on the spot, on the spot, put on 459 00:29:22,600 --> 00:29:26,360 Speaker 1: the spot, Carolina, hurry, you're asked on the airplane. You're 460 00:29:26,360 --> 00:29:30,240 Speaker 1: backing up the line. That doesn't Carolina with your eight 461 00:29:30,280 --> 00:29:35,680 Speaker 1: steamer trunks, those are yours, just going your phoenix? They 462 00:29:35,760 --> 00:29:38,800 Speaker 1: are mine, But it's part of your job description, right. 463 00:29:39,640 --> 00:29:42,400 Speaker 1: I travel with a lot of hat boxes and steamer trunks, 464 00:29:42,920 --> 00:29:45,880 Speaker 1: eight steamer trunks. Well, I bring a lot of my 465 00:29:45,920 --> 00:29:48,200 Speaker 1: own food wherever I go. Do you bring your own 466 00:29:48,200 --> 00:29:50,240 Speaker 1: food wherever you go? You're happy to eat. I'm happy 467 00:29:50,280 --> 00:29:53,800 Speaker 1: to eat wherever you bring your own food. I do 468 00:29:54,920 --> 00:29:59,840 Speaker 1: a lot of meat that we don't refrigerate because butchered meat. 469 00:30:00,480 --> 00:30:03,600 Speaker 1: It's like sides of beef, and a lot of bread, 470 00:30:03,920 --> 00:30:07,600 Speaker 1: a lot of bread products. It's understandable and cheese. Do 471 00:30:07,640 --> 00:30:12,800 Speaker 1: you know that the French make over two cheeses? No, 472 00:30:13,040 --> 00:30:19,080 Speaker 1: I didn't know that. I just learned that just right now. No, No, 473 00:30:19,160 --> 00:30:21,040 Speaker 1: I just it was a fact that popped into my head. 474 00:30:22,920 --> 00:30:30,960 Speaker 1: Bon that's a musician, Bona bon eva. I don't even 475 00:30:31,000 --> 00:30:33,680 Speaker 1: think he's French. I don't think he is either, but 476 00:30:33,720 --> 00:30:36,800 Speaker 1: I thank you. That's the correct pronunciation. I learned that 477 00:30:36,840 --> 00:30:44,040 Speaker 1: today too. Thank you from Nick Um Dylan. Uh. I 478 00:30:44,080 --> 00:30:46,040 Speaker 1: don't know what else to say, but thank you for 479 00:30:46,120 --> 00:30:49,320 Speaker 1: joining us, thanks for having me. I think I think 480 00:30:49,360 --> 00:30:52,880 Speaker 1: this was a spirited and productive conversation and we learned 481 00:30:52,880 --> 00:30:55,040 Speaker 1: a lot from it. Do do you have anything you 482 00:30:55,080 --> 00:30:58,760 Speaker 1: want to plug? Um? Sure? Keep in mind, we have 483 00:30:58,840 --> 00:31:01,400 Speaker 1: no idea when this is the Yeah, I think I 484 00:31:01,440 --> 00:31:03,840 Speaker 1: think I'll have a new song out within the future 485 00:31:03,920 --> 00:31:06,880 Speaker 1: with Lovely the Band. In the future. Yeah, in the future. 486 00:31:07,360 --> 00:31:09,960 Speaker 1: It's like soon, so it'll probably already be out. I 487 00:31:10,000 --> 00:31:11,440 Speaker 1: want them to go listen. I mean, this could hear 488 00:31:11,480 --> 00:31:14,000 Speaker 1: from six months from now. That's perfect fine. Yeah, yeah, 489 00:31:14,600 --> 00:31:17,200 Speaker 1: because I once plugged my house party on my podcast 490 00:31:17,240 --> 00:31:20,080 Speaker 1: and no one. Yeah, I mean this is fine because 491 00:31:20,120 --> 00:31:24,280 Speaker 1: the song exists forever for exactly, so if it just 492 00:31:24,440 --> 00:31:27,160 Speaker 1: is promoting this song. That's totally fine. So go listen, 493 00:31:27,240 --> 00:31:31,600 Speaker 1: Jalon Francisco, go listen to the song that change your mind. 494 00:31:31,720 --> 00:31:34,479 Speaker 1: Change your mind with Lovely the Band. Lovely the Band, 495 00:31:35,120 --> 00:31:39,880 Speaker 1: listen now listen now perfect you are getting sleepy. Also, 496 00:31:40,000 --> 00:31:43,160 Speaker 1: I'm very excited to see the numbers of on my 497 00:31:43,200 --> 00:31:45,800 Speaker 1: answer if you get boost boost I think I think 498 00:31:46,040 --> 00:31:49,200 Speaker 1: I'll send you a screenshot. Did you report back to 499 00:31:49,440 --> 00:31:52,880 Speaker 1: if this has had any effect on your Absolutely that would. 500 00:31:53,840 --> 00:31:56,160 Speaker 1: The thing that's that's that's a bummer though, is you 501 00:31:56,200 --> 00:32:00,800 Speaker 1: know the octogenarian number. They only have sixty I plus 502 00:32:00,840 --> 00:32:04,000 Speaker 1: on here. They don't actually cater to that. Well maybe 503 00:32:04,000 --> 00:32:06,200 Speaker 1: they can fix that. Well maybe there might be a 504 00:32:06,200 --> 00:32:12,440 Speaker 1: real movement to make that adjustment right now technological adjustment. Um, 505 00:32:12,480 --> 00:32:15,239 Speaker 1: well terrific and uh you know, I'd like to take 506 00:32:15,280 --> 00:32:16,640 Speaker 1: the time to plug that. I will be at the 507 00:32:16,720 --> 00:32:19,920 Speaker 1: San Diego Va Hospital every other Sunday if you have 508 00:32:19,960 --> 00:32:22,400 Speaker 1: a wheelchair and you'd like it hooked up to a 509 00:32:22,480 --> 00:32:24,360 Speaker 1: drone to see if we can try and do that 510 00:32:24,440 --> 00:32:26,400 Speaker 1: and get it up in the air. Just come find 511 00:32:26,440 --> 00:32:31,040 Speaker 1: your friend Ron Burgundy. I don't care what the administrators say. 512 00:32:32,080 --> 00:32:36,360 Speaker 1: Let's do this. Dylan it's been a pleasure. I'm actually 513 00:32:36,360 --> 00:32:38,600 Speaker 1: gonna show up for that. I'd love to go, Okay 514 00:32:38,720 --> 00:32:41,400 Speaker 1: every Sunday. Yeah, I'll be there, Beautiful. We'll be right 515 00:32:41,400 --> 00:32:56,360 Speaker 1: back with the Ron Burgundy Podcast. And we'd back the 516 00:32:56,440 --> 00:33:01,960 Speaker 1: Ron Burgundy Podcast. Welcome back, because back. I hope you 517 00:33:02,080 --> 00:33:04,760 Speaker 1: learned today that E d M can do so much. 518 00:33:05,520 --> 00:33:08,560 Speaker 1: It can bring you in a loved one closer when 519 00:33:08,600 --> 00:33:11,000 Speaker 1: you've been together for so long you grimace when you 520 00:33:11,040 --> 00:33:14,160 Speaker 1: see them across the room. It can help the elderly 521 00:33:14,360 --> 00:33:19,720 Speaker 1: find their groove. But it can't cure diabetes. That's important 522 00:33:19,760 --> 00:33:23,520 Speaker 1: to make clear. Carolina. Did you have a crush on 523 00:33:24,040 --> 00:33:27,760 Speaker 1: DJ Dillon Francis. Oh no, Remember I've been seeing that 524 00:33:27,880 --> 00:33:32,560 Speaker 1: printmaker I met at the Bonnie Very Show. Literally, don't 525 00:33:32,880 --> 00:33:36,360 Speaker 1: say another word, you'll make me toss the cookies I 526 00:33:36,400 --> 00:33:42,080 Speaker 1: eat for breakfast. Folks, Thanks for tuning in, Nick, play 527 00:33:42,120 --> 00:33:51,000 Speaker 1: me out with a slow one. The Ron Burgundy Podcast 528 00:33:51,080 --> 00:33:53,800 Speaker 1: is a production of I Heart Radio and Funnier Die. 529 00:33:54,280 --> 00:33:59,400 Speaker 1: I'm Ron Burgundy, the host, writer and executive producer. Carolina 530 00:33:59,440 --> 00:34:03,280 Speaker 1: Barlow is my co host, writer, and producer. Our producers 531 00:34:03,280 --> 00:34:06,720 Speaker 1: are Jack O'Brien, Nick Stump, Miles Gray, and Whitney o Deck. 532 00:34:07,440 --> 00:34:11,040 Speaker 1: Our executive producer is Mike Ferret. Our consulting producer is 533 00:34:11,120 --> 00:34:16,040 Speaker 1: Andrew Steele. Our coordinating producer is Colin McDougall. Our associate 534 00:34:16,080 --> 00:34:20,600 Speaker 1: producers are Anna Hosnier and Sophie Lichterman. Our writer is 535 00:34:20,680 --> 00:34:25,160 Speaker 1: Jake Vogelist. Our production coordinator is Hannah Jacobson. This episode 536 00:34:25,200 --> 00:34:28,719 Speaker 1: was engineered, mixed and edited by Nick Stuff Until next time. 537 00:34:29,200 --> 00:35:01,000 Speaker 1: Ms Ron Burgundy bron bron bron bron bro bro bro 538 00:35:01,360 --> 00:35:08,560 Speaker 1: bro This just is this just did this? Just did this? 539 00:35:08,880 --> 00:35:14,880 Speaker 1: Just did this? Just is this? Just is ro First 540 00:35:14,960 --> 00:35:23,680 Speaker 1: two thous rock rock rock too hot to bro bro 541 00:35:24,000 --> 00:35:27,920 Speaker 1: bro bro bro too hot bro bro bro bro bro 542 00:35:28,239 --> 00:35:32,640 Speaker 1: bro bro two hot bro bro bro bro bro bro 543 00:35:32,760 --> 00:35:38,959 Speaker 1: too hot bro bro bro bro bro brea to one 544 00:35:39,560 --> 00:35:46,480 Speaker 1: glass up three two one blast up, too hot, too hot, 545 00:35:47,920 --> 00:36:04,400 Speaker 1: too hot, rock too hot out, too hot out I 546 00:36:04,480 --> 00:36:10,880 Speaker 1: said too hot. Oh no I smell smoke, Oh no, 547 00:36:12,320 --> 00:36:16,720 Speaker 1: I smell smoke. No seriously no, I think there's literally 548 00:36:16,719 --> 00:36:19,480 Speaker 1: a fire in here here? Does there there? Does that 549 00:36:19,600 --> 00:36:21,359 Speaker 1: fire extinguish your work over there? Over there? But there? 550 00:36:21,960 --> 00:36:24,480 Speaker 1: What do you mean is you don't don't know? Is 551 00:36:24,520 --> 00:36:27,120 Speaker 1: it full or empty? Then we should get out of 552 00:36:27,160 --> 00:36:33,640 Speaker 1: here here, Holly, I got Now that's now it's not fire. 553 00:36:35,080 --> 00:36:38,440 Speaker 1: Oh it is too hot now it literally I'm just 554 00:36:38,480 --> 00:36:48,279 Speaker 1: saying that for a fact. By now now, oh it 555 00:36:48,400 --> 00:36:50,880 Speaker 1: was just a pipe, like, oh, you're just smoking your 556 00:36:50,920 --> 00:36:55,480 Speaker 1: pipe right there. I didn't see. God, that's a good 557 00:36:55,520 --> 00:37:00,640 Speaker 1: looking pipe. Is that near sham? Show? M can? I 558 00:37:00,680 --> 00:37:04,560 Speaker 1: hope you gotta like the weight of this thing. Hmm. 559 00:37:04,600 --> 00:37:07,360 Speaker 1: That's a good spilling tobacco. Is that apple? It's apple Blacker. 560 00:37:09,160 --> 00:37:13,040 Speaker 1: I love it, Apple's favorite tobacco. Yeah. I gotta finish 561 00:37:13,120 --> 00:37:30,920 Speaker 1: this song, thank you. Two too hot true do I? 562 00:37:31,200 --> 00:37:33,480 Speaker 1: I'm doing it for the song. No, I know there's 563 00:37:33,480 --> 00:37:44,840 Speaker 1: not a fire three two one blast stiff, too BlastOff, 564 00:37:45,120 --> 00:37:47,000 Speaker 1: too hot for two thousand