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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to Jericho. I'm Danielle Henderson,

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Speaker 1: and we're the best little film podcasts in Texas and

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Speaker 1: other states as well, and other countries too.

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Speaker 2: Yeah, truly, we have a wide reach. We have a

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Speaker 2: wide nets. We cast a wide net for these films

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Speaker 2: that we're talking about. But how are you doing this week?

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Speaker 1: I am fine. I'm just doing fine, chug it along summer.

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Speaker 1: I'm so excited about the summer episodes that we're doing.

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Speaker 1: We've been getting a lot of great feedback about them.

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Speaker 1: Were the bras are off, We're real loose with these.

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Speaker 1: I feel like I've.

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Speaker 2: Got the big iced coffee. Mm hm, I am.

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Speaker 1: I read.

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Speaker 2: One of the reviews that we got recently is that

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Speaker 2: this podcas as. It's funny, but it's for old people

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Speaker 2: who are out of touch because the way we talked

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Speaker 2: about coffee shops. So I'm old and out of touch

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Speaker 2: and ready to go.

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Speaker 1: Summer's chugging along. You know, we're having a good time.

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Speaker 1: I wanted to do like another kind of letterboxed update

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Speaker 1: because I have been in this like mood and I've

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Speaker 1: been watching like very specific films. For the past couple months,

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Speaker 1: I have been like on this like eighties action trash

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Speaker 1: kick and I know we talked a bit about it

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Speaker 1: during the blood Sport episode, but this is even like

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Speaker 1: blood Sport is like a really famous action movie that

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Speaker 1: would be kind of considered cult right because it was

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Speaker 1: a canon Films movie. I'm talking about stuff that is

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Speaker 1: below the surface, if you.

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Speaker 2: Know what I mean. Bloodsport is like a merchant ivory

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Speaker 2: film compared to what you've been watching.

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Speaker 1: Ah.

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Speaker 2: Absolutely, and Bloodsport kickoff this action trash watching or is

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Speaker 2: it just summer? Like what what got you into this? Yeah?

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Speaker 1: I you know, I don't actually remember because it's been

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Speaker 1: going on for a while, Like it's been this. I

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Speaker 1: mean it even kind of was starting in the spring.

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Speaker 1: I think I was literally just like wandering into my

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Speaker 1: local video store, which is called a Videodrome, and you know,

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Speaker 1: just sort of walking over to the section that's like

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Speaker 1: the action movie section, and I was like, Oh, what

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Speaker 1: is all this stuff? And so it's just started peeling

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Speaker 1: discs off the wall and I was like, Okay, so

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Speaker 1: I'm gonna watch a couple of these. So the first

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Speaker 1: one that I kind of started with. Was this movie

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Speaker 1: called I Have the Tiger from nineteen eighty six. It

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Speaker 1: does I know what you're already asking. Does it play

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Speaker 1: the famous song I Have the Tiger? It does?

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Speaker 2: Oh good, I'm pretty sure the whole movie was based

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Speaker 2: around the song. They're like, we have the song, why

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Speaker 2: don't we just come up with a movie.

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Speaker 1: Absolutely, I think they completely reverse engineered a movie to

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Speaker 1: fit the song. And it's it's a Gary Busey movie.

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Speaker 1: So this is like, you know, kind of it's it's

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Speaker 1: kind of like Gary Busey before you know, we know him,

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Speaker 1: I feel like, you know what I mean. So it

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Speaker 1: was kind of like it was this like kind of

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Speaker 1: you know how a lot of eighties action movies involved

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Speaker 1: like men who come home from Vietnam. That's kind of

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Speaker 1: what this was about. He was imprisoned and that he

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Speaker 1: he gets out and he discovers, you know, his entire

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Speaker 1: town and his family are being like rampaged by this

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Speaker 1: like motorcycle gang that seems very much like the motorcycle

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Speaker 1: gang from like Weird Science or something. You know, It's

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Speaker 1: like they all look like Mad Max characters.

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Speaker 2: Oh good, it's the biker from Raising Arizona.

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Speaker 1: Yes, absolutely, it's like you know those types that was

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Speaker 1: like kind of a stock villain care in eighties movies

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Speaker 1: and like yaff At Coto's in it, Seymour Cassel plays

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Speaker 1: this like sheriff in town who's just constantly sweating with

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Speaker 1: like an open shirt. I mean, it's just you know,

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Speaker 1: it's it's pretty pretty trashy. And then what else did

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Speaker 1: I say?

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Speaker 2: So?

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Speaker 1: Then I saw this, So I got kind of obsessed

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Speaker 1: with this guy. And I had seen his movies before,

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Speaker 1: but I think I sort of went on a tear

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Speaker 1: of this like producer director named James Glickenhouse, and if

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Speaker 1: you look up James Glickenhouse, he's pretty much now almost

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Speaker 1: exclusively like like a race car guy, like he's he

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Speaker 1: collects like racing cars and stuff, and he like he's

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Speaker 1: pretty much known for that. And it feels like his

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Speaker 1: movies are almost like second to all of this other

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Speaker 1: stuff that he does now. But like, wow, he made

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Speaker 1: kind of these really gritty, vigilante slash like you know,

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Speaker 1: I don't know, actiony kind of like revenge type of movies,

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Speaker 1: and a lot of them are, but like you know,

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Speaker 1: dirty cops and stuff like that, and it's just and

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Speaker 1: they're all just kind of like insane, like really over

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Speaker 1: the top action sequences where you're like, did someone die

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Speaker 1: when they blew up that cat thing? Or like you

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Speaker 1: know like like like you're like, oh, let's blow up this,

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Speaker 1: you know, dump truck and then you see like three

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Speaker 1: people flying through the air and you're like, are those

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Speaker 1: people on the set or they were just standing there?

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Speaker 1: But I saw so I saw this movie called Shakedown,

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Speaker 1: which I actually think that you would really enjoy because

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Speaker 1: it's around the same era. It's like Sam Elliott around

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Speaker 1: the same era of Roadhouse. So he still has the

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Speaker 1: hair from a Roadhouse.

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Speaker 2: Oh perfect, Yeah, that's all I need. Hot as fuck

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Speaker 2: in that movie.

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Speaker 1: Yes, So he's hot as fuck in in Shakedown, and

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Speaker 1: he and it's star is like him and Peter Weller,

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Speaker 1: who is RoboCop, and they're.

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Speaker 2: Kind of you don't tell me who Peter Weller?

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Speaker 1: Oh I know, could you? Didn't you talk about RoboCop

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Speaker 1: in that episode we did? Was that?

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Speaker 2: When am I not talking about robocops?

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Speaker 1: I mean truly truly, But it's like it's like one

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Speaker 1: of those like Buddy Lethal Weapony type of movies where

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Speaker 1: it's like Peter Weller is like a lawyer and Sam

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Speaker 1: Elliott is like an undercover police officer and they're trying

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Speaker 1: to like fight a corrupt cop within like the police

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Speaker 1: department of New York or wherever they're at. So it's

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Speaker 1: like one of those types of movies. There is a

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Speaker 1: scene where a person dies by roller coaster, ah, and

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Speaker 1: it truly is spectacular, Like I laughed so hard.

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Speaker 2: Did they die by being on the roller coaster or

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Speaker 2: being hit by the roller coaster?

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Speaker 1: Kind of both? Like somehow doubt they were on the

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Speaker 1: roller coaster and then the roller coaster flew off the

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Speaker 1: tracks and then crash into like Cody Island or whatever,

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Speaker 1: and then maybe the guy flies out and gets smashed

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Speaker 1: by the roller coaster. I don't really know, but yeah,

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Speaker 1: there's all. And there's also prior to that actual death,

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Speaker 1: there's a roller coaster fight sequence which felt dangerous, Like

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Speaker 1: it did feel fucking dangerous, Like I was just like,

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Speaker 1: is Sam Elliott actually on a moving roller coaster, like

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Speaker 1: getting into a fistfight.

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Speaker 2: Look, in the eighties, anything as possible. The rules the

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Speaker 2: rules were real loose.

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Speaker 1: Yeah, so yeah, and so that movie blew me away.

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Speaker 1: I also saw this movie called Siege, which I think

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Speaker 1: is sort of like less of the It was kind

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Speaker 1: of more of a thriller actually, and it was kind

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Speaker 1: of interesting because it was it's a Canadian film that

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Speaker 1: takes place in I want to say, it's like Nova

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Speaker 1: Scotia or something, but there was a police strike that

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Speaker 1: actually happened in Nova Scotia and there's footage. The actual

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Speaker 1: footage of that strike is in the film. So it's

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Speaker 1: kind of got like this historical component to it in

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Speaker 1: a weird way. But it's the reason why I watch

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Speaker 1: it because somebody had told me it was basically like

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Speaker 1: assault on Precinct thirteen, but at a gay bar ooh,

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Speaker 1: and I was like, well that's interesting. So yeah, it's

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Speaker 1: basically about like, you know, these homophobic street thugs who

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Speaker 1: are trying to kill gay men and they go into

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Speaker 1: a gay bar and then you know, they basically hold

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Speaker 1: it people hostage, but then like somebody escapes and then

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Speaker 1: they end up sort of like moving into this like

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Speaker 1: apartment complex where like all these like young people live

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Speaker 1: and then so it's like it becomes like the building

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Speaker 1: versus the street gang. It's kind of cool, like it

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Speaker 1: really happened. That part did not happen, okay, but it

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Speaker 1: happened in the film. It happened during a police strike,

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Speaker 1: which actually which did happen.

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Speaker 2: Yeah, I wonder if it was in Halifax. We have

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Speaker 2: a lot of listeners in Halifax.

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Speaker 1: Yeah, listen. If you know anything about this movie called

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Speaker 1: Siege from nineteen eighty three, please email us at I

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Speaker 1: sawge did pot at gmail dot com. But I actually

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Speaker 1: thought it was pretty cool considering you know what I mean,

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Speaker 1: and had a great soundtrack. So then I think from

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Speaker 1: that point, you know, you fall down these like rabbit holes.

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Speaker 1: So there was a character in the movie who was

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Speaker 1: played by this actor named Darryl Haney, and I've went

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Speaker 1: down a rabbit hole of this guy. You know, he

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Speaker 1: wrote a lot of scripts for Hollywood and then wrote

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Speaker 1: some books and stuff, and he's still alive and he's

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Speaker 1: you know, I think he's still working. But then he

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Speaker 1: wrote this movie called crime Zone from nineteen eighty nine.

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Speaker 1: So I went and rented Crime Zone and it was like,

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Speaker 1: I don't know what to say. No disrespect to you, sir,

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Speaker 1: No disrespect to you, mister Haney. But this movie was

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Speaker 1: kind of nuts. It was like a post apocalyptic like

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Speaker 1: RoboCop thing. Sherylyn fenn Is in it. David Carrodine is

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Speaker 1: in it, so it's you know, very sexy. It's a

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Speaker 1: sexy post apocalyptic scenario. That was interesting. What else? Oh,

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Speaker 1: and then I saw another James clicking House movie called

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Speaker 1: The Soldier from nineteen eighty two. And this movie starred

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Speaker 1: an actor who I pretty much have completely forgotten about

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Speaker 1: until I saw this movie, Ken Wall. Oh Wow, do

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Speaker 1: you remember Ken Wall?

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Speaker 2: Yeah? Didn't he move into directing.

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Speaker 1: I think he's retired completely now?

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Speaker 2: Oh oh, but.

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Speaker 1: Ken Wall from that show on CBS. Was it called

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Speaker 1: wise Guy?

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Speaker 2: Yeah? Wise Guy singular god? I believe. I believe if

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Speaker 2: my memory serves, it was one wise Guy.

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Speaker 1: Yeah. And maybe it was like more like late eighties

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Speaker 1: or something. But I think I was horny for Ken Wall,

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Speaker 1: like back in the day because he was hot as

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Speaker 1: hell in the soul.

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Speaker 2: I don't remember what he looks like. He kind of was.

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Speaker 1: Like he had a Clooney esque vibe to him.

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Speaker 2: I don't know if that was just the hair, like

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Speaker 2: light eyes, dark hair. Yep, yes, I remember.

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Speaker 1: If you google pictures of him, I mean, he was

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Speaker 1: real honky. I when I went on the subsequent kind

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Speaker 1: of internet dive about him, I mean I was I

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Speaker 1: read this thing about how like Tracy Lord's was like

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Speaker 1: he's like the hottest dude I ever slept.

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Speaker 2: With or something, a.

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Speaker 1: True compliment, truly, truly.

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Speaker 2: You know.

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Speaker 1: I think now I was reading something about how now

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Speaker 1: you know he retired from acting. I think maybe even

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Speaker 1: in the I want to say it was even in

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Speaker 1: the nineties, like he has been out of the public

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Speaker 1: eye for a while and then now he just like

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Speaker 1: rescues animals. I'm just like, oh, oh.

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Speaker 2: Yeah, that's incredibly sweet.

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Speaker 1: Yeah. I was like, okay, that's a good story there.

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Speaker 1: But yeah, so he was in this movie and it

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Speaker 1: was like, you know, as I mentioned, like a James

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Speaker 1: Glickenhouse movie, there was a lot of a lot of

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Speaker 1: people getting blown up and stuff. Like the first like

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Speaker 1: ten minutes of the film is so crazy. Not even

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Speaker 1: the first ten minutes. Let me saying this, the first

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Speaker 1: two minutes of the film is really crazy.

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Speaker 2: Holy word.

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Speaker 1: So I'll have to maybe post it on my Instagram

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Speaker 1: or something.

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Speaker 2: But yeah, Also, I'm looking at ken Wall right now,

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Speaker 2: and he married one of the Barbie Twins.

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Speaker 1: Want to be Barbie Twins.

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Speaker 2: There are these models who were called the Barbie Twins

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Speaker 2: in the eighties. Oh and he married. He's married to

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Speaker 2: one of them. Oh, it's wild. They're identical twins, and

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Speaker 2: they were like part of the playboy thing, and then

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Speaker 2: they I think they're part of like the Larry Flint

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Speaker 2: like suing Larry Flint. I see, I see. But yeah,

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Speaker 2: that's wild. She's a big animal activist too, So that

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Speaker 2: totally makes sense if they're still married. I think so

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Speaker 2: who knows? That's wild to eighties tastes that go great together.

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Speaker 1: Absolutely absolutely so. Then you know, just a few more,

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Speaker 1: I rewatched a movie called Hard Ticket to Hawaii. You

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Speaker 1: love that movie? Oh look, I can't even pretend I don't. Like.

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Speaker 1: I watched it for Scottie and Pete's podcasts because they

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Speaker 1: asked me to be on you know, an episode of

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Speaker 1: the Movies that made us gay. I believe that episode

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Speaker 1: is out right now if you want to go to

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Speaker 1: their Patreon page or their website. You know, we love them.

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Speaker 1: They've been guests on our pod before. They knew that

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Speaker 1: I liked the movie, and they were like, will you

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Speaker 1: be on this episode? And so watching it again was

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Speaker 1: just insane, Like I just was like, this film is

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Speaker 1: totally outrageous.

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Speaker 2: Set up for to have it on that podcast is fantastic,

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Speaker 2: Like their commentary has got to be off the wall.

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Speaker 1: Yes, and we had a lot to say about there's

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Speaker 1: actually like a drag character in Hard Ticket to Hawaii.

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Speaker 1: And then is it's very interesting that there's that that

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Speaker 1: there's a character in that type of film. If you've

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Speaker 1: seen the film, you'll know what I'm talking about. But

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Speaker 1: considering that, like it's pretty much like a softcore porn

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Speaker 1: featuring like Playboy playmates, you're like, oh, there's somebody in drag,

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Speaker 1: Like they're like a they're like spying on a restaurant

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Speaker 1: in drag. And then, of course, to end this fantastic

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Speaker 1: run of kind of eighties action trash, I saw Maniac Cop,

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Speaker 1: which it's another James Glickenhouse produced film because it was

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Speaker 1: and he didn't direct it, because it was directed by

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Speaker 1: William Lustig, who's a very famous cult movie director, and

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Speaker 1: was written by Larry Kohne, who you know everybody knows

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Speaker 1: from It's Alive and many many, many other things. But

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Speaker 1: Maniac Cop is so fun. Bruce Campbell, by the way, okay,

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Speaker 1: everybody talks about how Bruce Campbell as Ash in the

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Speaker 1: Evil Dead movies is like the hottest kind of cult

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Speaker 1: movie action horror star. But I gotta tell you, Bruce

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Speaker 1: Campbell and Maniac Cop is very cute.

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Speaker 2: I'm gonna co sign that. Yeah, yeah, Bruce Campbell in

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Speaker 2: general during this time absolutely very top of the line.

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Speaker 1: Hunt yes, and and and to that point, like Sam

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Speaker 1: Raimi makes a cameo in it, which I forgot. I

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Speaker 1: gotta say, Maniac Cop is like it's this kind of

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Speaker 1: movie where like it somehow is more relevant as it

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Speaker 1: got older, like or you know what I mean, Like

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Speaker 1: it's it's now like there are times in the film

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Speaker 1: where you're like, oh, this is how people feel about

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Speaker 1: the police at this very moment. Like it's just it

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Speaker 1: hasn't it's only gotten kind of like more politically sharp,

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Speaker 1: I think over time. But that's all to say. I mean,

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Speaker 1: there's there's just some crazy moments in Maniac Cop.

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Speaker 2: And the Maniac Cop is like just the look of

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Speaker 2: the cop is hilarious.

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Speaker 1: Yes, and Tom Atkins is doing his tom Atkins thing,

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Speaker 1: being like a daddy, a daddy police officer. So there

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Speaker 1: so but it was just fun. It was just it's

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Speaker 1: so fun. But that's it. I mean, that's kind of

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Speaker 1: like what I've been up to in the past like

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Speaker 1: a couple months, a couple of weeks, and uh, that's

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Speaker 1: a lot. That's where my brain's been. Just a lot

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Speaker 1: of like a lot of people flying off of things,

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Speaker 1: and uh, a lot.

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Speaker 3: Of people being blown the fuck up, a lot of

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Speaker 3: bad guys, you know, having these like really sensational endings

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Speaker 3: to their lives.

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Speaker 1: It's it's it's really fun and very and very very summary.

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Speaker 1: So I'm I'm I'm in a good headspace after I

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Speaker 1: watched that. They're really fun.

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Speaker 2: That's I love that. That's your brain clearer, Like I

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Speaker 2: need to to go go ahead and swab the decks

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Speaker 2: of my brain with some people getting blown up and

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Speaker 2: murdered a lot.

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Speaker 1: I mean, maybe me and your grandma have more in

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Speaker 1: common than we ever thought.

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Speaker 2: I'm sure. I'm confident of this. Could not be more

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Speaker 2: confident of this. I need to get you here to

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Speaker 2: watch some movies with her before she shakes loose this

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Speaker 2: mortal coil. You would have say, so much fun. Also,

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Speaker 2: if I'm mistaken, was Nicholas winding Refin supposed to do

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Speaker 2: a remake of Meniac cop yep at some point, Like

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Speaker 2: it's been in the works for years and then it

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Speaker 2: was going to be a TV show, and then someone

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Speaker 2: else was. I don't know, I just remember that, like,

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Speaker 2: h he was kind of attached to a remake that

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Speaker 2: never seemed to happen or maybe isn't going to happen.

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Speaker 1: Yeah, no, Yeah, you're right about that, because I think

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Speaker 1: him and William Lustig are actually working together or were

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Speaker 1: working together.

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Speaker 2: I don't know why.

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Speaker 1: Yeah, process it's in, but.

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Speaker 2: I kind of whenever I see stuff like that. I

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Speaker 2: know that a lot of people don't like Nicholas winding Reffin,

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Speaker 2: but I do. I like his movies a lot, But

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Speaker 2: I always there's kind of a knee jerk reaction for

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Speaker 2: me whenever I see, like a guy who's clearly doing

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Speaker 2: a remake of one of his like hyper focused movies

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Speaker 2: from their childhood. I just feel like a lot of

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Speaker 2: women don't get the chance to do that. And it's

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Speaker 2: always a dude who's like, I felking love Rambo. I'm

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Speaker 2: remaking Rambo, And I'm like, why don't you have more

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Speaker 2: like women directors who are like I fucking love the

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Speaker 2: care Bears movie or whatever. Is like, maybe it's a

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Speaker 2: woman who loved Rambo, Like, just why don't we see

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Speaker 2: more of that. I just whenever I see those kinds

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Speaker 2: of reports, like I'm a big enough director now that

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Speaker 2: I can do whatever I want, and they always go

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Speaker 2: and remake something like Old Boy or whatever, And I'm like, why, why.

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Speaker 1: Yeah, you don't want to get you don't want to

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Speaker 1: teach me how to make movies because that's all I do.

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Speaker 1: Shit I'd be doing, I'd be doing a drag queen

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Speaker 1: version of Trevor's like thank you do it all kinds

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Speaker 1: of shit, And that's you're right, You're right about that.

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Speaker 1: It's it is like something that seems to be afforded

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Speaker 1: to men versus women. And I know that there are

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Speaker 1: female directors that do a lot of homage like type

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Speaker 1: of films like Anna Biller or something. She's kind of

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Speaker 1: the first person that comes to mind. But I'm also like,

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Speaker 1: there's like it seems like the scales are heavily tipped

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Speaker 1: in the guy's favor when it comes to stuff, and.

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Speaker 2: And especially when it comes to like straight up remakes.

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Speaker 2: Like most women I know. I know a lot of

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Speaker 2: women who love Meniac Cup and some of them have

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Speaker 2: like they're to be directors, editors. Just a lot of

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Speaker 2: women who are interested in the same shit. But I

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Speaker 2: don't think I just have the same leeway to make

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Speaker 2: the films that they loved as kids or they kind

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Speaker 2: of obsessed over as kids. And maybe that's for the better.

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Speaker 2: I think that maybe it's because a lot of these

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Speaker 2: roomakes are just unnecessary, which is also kind of my

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Speaker 2: my bone to pick with it. It's like, you don't

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Speaker 2: have to do this, like just just approved us how

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Speaker 2: much you love this movie. You can just say you

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Speaker 2: love this movie and leave it at that. But yeah,

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Speaker 2: I just thought that whenever I whenever I see or

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Speaker 2: whenever it comes across my eyes that maniac cop is

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Speaker 2: on the scene, I'm like, oh, yeah, there's supposed to

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Speaker 2: be a remake of that, and I'm pretty sure it's

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Speaker 2: going to be bad.

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Speaker 1: Yeah, TVD, I guess we'll see what happens. But yeah,

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Speaker 1: well that's a great that's a great list.

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Speaker 2: I'm excited to see what the next couple of months

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Speaker 2: are going to bring for you for your viewing. You're

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Speaker 2: viewing rabbit holes, but James James Glickenhouse is a hell

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Speaker 2: of a rabbit hole to go down.

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Speaker 1: What are you thinking right now? You think you want

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Speaker 1: to talk about this theme this week.

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Speaker 2: Oh yeah, of course, and there is a recurring theme.

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Speaker 2: I'm sure most of you guessed it, but our theme

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Speaker 2: this week is from Beneath You It Devours, which is

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Speaker 2: of course a nod to a Buffy the Vampire Slayer

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Speaker 2: TV show. I'm particularly thinking about Spike. I don't think

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Speaker 2: you watched Buffy, but like when Spike, there's this one

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Speaker 2: episode where it's this kind of recurring theme that people

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Speaker 2: just keep saying, from beneath you, it devours, and it's

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Speaker 2: like the big monster of the season. But there's one

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Speaker 2: scene where Spike says it and it's kind of hot,

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Speaker 2: and I'm like, whatever's coming for us? All right, Spike,

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Speaker 2: bring it on. H Yeah, it has.

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Speaker 1: Been a long time since we've done this one. Yeah.

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Speaker 1: And the last time we did it, yeah, so what

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Speaker 1: we did Graveyard Shift and Shud and I was like,

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Speaker 1: certainly we've done both. That the only two in movie history. No,

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Speaker 1: there's a lot more, a lot of films this. This

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Speaker 1: theme could recur forever.

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Speaker 2: This theme could be its own podcast. Yes, sure, once

401
00:22:19,160 --> 00:22:21,639
Speaker 2: you start digging into things that come up from below

402
00:22:21,680 --> 00:22:25,280
Speaker 2: to eat you or terrify you, it could be its

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Speaker 2: own podcast with multiple seasons.

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Speaker 1: Absolutely, And I know you're going first this week.

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Speaker 2: Yeah.

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Speaker 1: Can I just say it was an absolute fucking pleasure

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Speaker 1: to rewatch your film, like in a way that I

408
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Speaker 1: it made me so happy. It made me so happy,

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Speaker 1: I'll just say that.

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Speaker 2: And I had never seen your film before, and it

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Speaker 2: actually wasn't available for a while. Because you've been wanting

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Speaker 2: to do this film for a while, that would just

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Speaker 2: wasn't available. So if you're at all interested in watching

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Speaker 2: Millie film, watch it immediately because I have no idea

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Speaker 2: when it's gonna disappear again. We are going to have

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Speaker 2: a talk about the horniness level of this film.

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Speaker 1: Oh yes, I mean it is. I don't know what

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Speaker 1: I'm gonna I don't know what's gonna happen during my

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Speaker 1: section because I have it has been a very very

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Speaker 1: very very very long time since I've seen it, and

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Speaker 1: now I'm like, I don't even know what I think.

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Speaker 1: So we'll get into it.

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Speaker 2: I'm gonna go first and discuss a film, just a

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Speaker 2: little movie that was released in nineteen ninety The screenplays

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Speaker 2: by Brent Maddock and S. S. Wilson, and it was

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Speaker 2: directed by Ron Underwood. And my movie is Tremor's I'm like, hell,

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Speaker 2: are those things I'm gonna eat? Old? Stay showing? All right,

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Speaker 2: listen right off the bat. I'm just gonna give you

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Speaker 2: the one sentenced synopsis, which is two handymen in a

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Speaker 2: desolate desert town rally the troops and try not to

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Speaker 2: get at the fuck up by some giant sandworms. A okay,

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Speaker 2: and they are up against it. Now. These two handymen,

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Speaker 2: Valentine and Earl. Valle and Earl are esteemed dirt bags.

434
00:24:09,600 --> 00:24:13,800
Speaker 2: They are played by Kevin Bacon and Fred Ward, and

435
00:24:14,040 --> 00:24:17,560
Speaker 2: they will basically do any job for any resident of

436
00:24:17,600 --> 00:24:22,440
Speaker 2: this small town, which is called Perfection Valley, and Earl

437
00:24:22,520 --> 00:24:25,399
Speaker 2: is very organized and ambitious and Valentine just kind of

438
00:24:25,400 --> 00:24:27,320
Speaker 2: wants to know what's for breakfast, So Valle is just

439
00:24:27,400 --> 00:24:31,480
Speaker 2: chaos and Earl is very methodical and their working relationship,

440
00:24:32,040 --> 00:24:33,760
Speaker 2: but they're kind of sick of living hand and mouth,

441
00:24:34,520 --> 00:24:37,879
Speaker 2: and they decide that day to pack up their trailers

442
00:24:37,920 --> 00:24:40,560
Speaker 2: and leave Perfection Valley and head to Bixby, which is

443
00:24:40,600 --> 00:24:44,959
Speaker 2: like the nearest big city or big town, and on

444
00:24:45,040 --> 00:24:47,320
Speaker 2: their way. The beginning of the movie is you're kind

445
00:24:47,320 --> 00:24:50,280
Speaker 2: of following them on their way out of town, like

446
00:24:50,280 --> 00:24:52,159
Speaker 2: they're kind of packing and going through the motions. So

447
00:24:52,160 --> 00:24:56,439
Speaker 2: they run into Rohnda who's a seismology student. There's always

448
00:24:56,440 --> 00:25:00,080
Speaker 2: a seismology student in this town apparently, and she's getting

449
00:25:00,160 --> 00:25:04,800
Speaker 2: some strange readings. So that's the beginning, like the little

450
00:25:04,800 --> 00:25:06,959
Speaker 2: tip off that some shit's gonna go down. But then

451
00:25:07,000 --> 00:25:08,800
Speaker 2: on their way out of town, it starts to get

452
00:25:08,840 --> 00:25:12,879
Speaker 2: real weird. So first they see Edgar, who is the

453
00:25:12,920 --> 00:25:16,120
Speaker 2: local alcoholic, and he's just dead on an electrical poll,

454
00:25:16,200 --> 00:25:19,240
Speaker 2: just hanging out. And when they finally like they get

455
00:25:19,240 --> 00:25:21,159
Speaker 2: a doctor out there, and the doctor's like, oh, this

456
00:25:21,200 --> 00:25:23,320
Speaker 2: guy died of dehydration. He was up here for at

457
00:25:23,400 --> 00:25:25,160
Speaker 2: least three or four days, and they're like, what the fuck.

458
00:25:25,880 --> 00:25:27,960
Speaker 2: And then we go to the local store where we

459
00:25:28,040 --> 00:25:32,000
Speaker 2: meet Bert, who's the local conspiracy theorist played by Michael Gross,

460
00:25:32,160 --> 00:25:36,159
Speaker 2: the dad from Family Ties, Old Steven from Family Ties.

461
00:25:37,040 --> 00:25:43,360
Speaker 2: And let me tell you that there are six Tremors movies.

462
00:25:43,359 --> 00:25:46,199
Speaker 2: There are six more Tremors movies, and Michael Gross stars

463
00:25:46,200 --> 00:25:46,920
Speaker 2: and all of them.

464
00:25:47,520 --> 00:25:52,040
Speaker 1: Yes, it is crucial to this universe. He like, and

465
00:25:52,080 --> 00:25:55,200
Speaker 1: it's so great because I had only seen him in

466
00:25:55,200 --> 00:25:57,439
Speaker 1: a Family Ties. Yeah, So I'm like, I kind of

467
00:25:57,520 --> 00:26:00,399
Speaker 1: love like seeing him in this in this role, and

468
00:26:00,760 --> 00:26:05,080
Speaker 1: can I just tell you sidebar? In the movie, his

469
00:26:05,240 --> 00:26:11,879
Speaker 1: character wears an iconic hat. It's like a corduroy Atlanta

470
00:26:11,920 --> 00:26:16,440
Speaker 1: Hawks hat. And I am, obviously, as you know, I'm

471
00:26:16,440 --> 00:26:20,840
Speaker 1: a huge Hawks fan. I'm I'm an Atlanta gal. And

472
00:26:21,280 --> 00:26:24,639
Speaker 1: I am on the internet right now trying to find

473
00:26:25,160 --> 00:26:30,439
Speaker 1: like this hat, and I think I found one. No way,

474
00:26:30,760 --> 00:26:34,520
Speaker 1: somebody recreated it. It's on Etsy for like eighteen dollars,

475
00:26:34,560 --> 00:26:36,320
Speaker 1: but the shipping is like thirty.

476
00:26:36,040 --> 00:26:39,560
Speaker 2: Dollars, so, oh my god, they wanted it from Tasmania.

477
00:26:39,600 --> 00:26:40,040
Speaker 2: What the fuck?

478
00:26:40,280 --> 00:26:42,760
Speaker 1: I know? I was like thirty dollars for shipping. I'm like, oh,

479
00:26:42,760 --> 00:26:47,439
Speaker 1: that's how they get you. But I am very close

480
00:26:47,480 --> 00:26:50,639
Speaker 1: to pulling the trigger on this hat. It's like so perfect,

481
00:26:51,040 --> 00:26:53,720
Speaker 1: you gotta do it. Did you read? I mean, is

482
00:26:53,760 --> 00:26:57,359
Speaker 1: there any reason that you found in your research to

483
00:26:57,520 --> 00:27:00,119
Speaker 1: as to why he's wearing a Hawk's hat? I don't who.

484
00:27:00,440 --> 00:27:03,640
Speaker 2: I did not find any research about it. But what

485
00:27:03,760 --> 00:27:07,120
Speaker 2: my guess is is that this town in general is perfection.

486
00:27:07,359 --> 00:27:09,560
Speaker 2: Valley Place seems to be made up of a bunch,

487
00:27:09,800 --> 00:27:11,600
Speaker 2: like a lot of locals, but it seems to be

488
00:27:11,600 --> 00:27:13,399
Speaker 2: made up of a bunch of people who are moving

489
00:27:13,440 --> 00:27:17,520
Speaker 2: there specifically for like peace and quiet. And my guess

490
00:27:17,680 --> 00:27:20,480
Speaker 2: is that because Bert and his wife Heather, who's played

491
00:27:20,480 --> 00:27:26,359
Speaker 2: by Reba McIntyre, are such like early prototype conspiracy theorists,

492
00:27:26,560 --> 00:27:29,800
Speaker 2: they moved there specifically so they could build their bunker

493
00:27:30,119 --> 00:27:33,080
Speaker 2: because they have like, you know, the guns and the

494
00:27:33,119 --> 00:27:35,840
Speaker 2: weapons and the water and the like. They have everything

495
00:27:35,880 --> 00:27:38,320
Speaker 2: they need to ride out the apocalypse, and that's where

496
00:27:38,359 --> 00:27:40,280
Speaker 2: they chose to do it. So it wouldn't surprise me

497
00:27:40,320 --> 00:27:42,919
Speaker 2: if he was like from Atlanta or that was just

498
00:27:43,000 --> 00:27:46,280
Speaker 2: like his team and they moved there so they could

499
00:27:46,280 --> 00:27:48,920
Speaker 2: live out their wildest conspiracy theorist dreams.

500
00:27:49,280 --> 00:27:54,040
Speaker 1: Oh like that is probably actually the entire reason. Like

501
00:27:54,160 --> 00:27:57,960
Speaker 1: it's it, you know, when you put it into that context,

502
00:27:57,960 --> 00:28:00,680
Speaker 1: I'm like, Oh, these are people that are like definitely

503
00:28:01,040 --> 00:28:04,600
Speaker 1: trying to go off the grid. They're like doing their

504
00:28:05,080 --> 00:28:11,440
Speaker 1: you know, kind of Waco esque like military style bunker

505
00:28:11,520 --> 00:28:13,919
Speaker 1: with guns, and I'm like, oh, yeah, this might he

506
00:28:14,000 --> 00:28:16,600
Speaker 1: may not be from Atlanta. Actually, let's get serious, he

507
00:28:16,640 --> 00:28:21,240
Speaker 1: is not from Atlanta. He's probably from like I don't know,

508
00:28:21,800 --> 00:28:26,879
Speaker 1: like Brooks County, Georgia or something like some real real

509
00:28:27,040 --> 00:28:27,720
Speaker 1: down south.

510
00:28:28,000 --> 00:28:29,880
Speaker 2: But that's still his team. That's still his team.

511
00:28:30,000 --> 00:28:34,359
Speaker 1: Yeah, well yeah, it's the only professional sports team within

512
00:28:34,960 --> 00:28:36,720
Speaker 1: you know, three states.

513
00:28:36,760 --> 00:28:43,440
Speaker 2: So but yeah, he's that guy for sure. And he's hilarious.

514
00:28:43,640 --> 00:28:46,160
Speaker 2: And it's also weird to see him without facial hair,

515
00:28:46,320 --> 00:28:50,280
Speaker 2: like his whole face and demeanor changes from Steven and

516
00:28:50,320 --> 00:28:54,440
Speaker 2: family ties to Bert. Like it just him not having

517
00:28:54,480 --> 00:28:58,160
Speaker 2: facial hair changes him into a different actor for me. Yeah,

518
00:28:58,200 --> 00:28:59,800
Speaker 2: and that was like that in the nineties too, Like

519
00:28:59,840 --> 00:29:02,920
Speaker 2: the first time I saw him in Tremors, I was like, whoa,

520
00:29:03,880 --> 00:29:06,760
Speaker 2: who is this dude? Because this is not the Michael

521
00:29:06,760 --> 00:29:09,640
Speaker 2: Gross that I've come to know, right, So I kind

522
00:29:09,640 --> 00:29:11,960
Speaker 2: of love that move. But he's hilarious in this movie.

523
00:29:12,000 --> 00:29:15,400
Speaker 2: And Reeva McIntyre is also deeply funny and actually a

524
00:29:15,400 --> 00:29:18,280
Speaker 2: pretty good actor. I gotta say, yeah.

525
00:29:18,040 --> 00:29:20,960
Speaker 1: I mean obviously like she was in a TV show

526
00:29:21,080 --> 00:29:21,640
Speaker 1: right at some.

527
00:29:21,680 --> 00:29:23,720
Speaker 2: Point later own TV show.

528
00:29:24,040 --> 00:29:27,800
Speaker 1: Yeah, she's great. Uh. They are kind of a great

529
00:29:27,840 --> 00:29:30,040
Speaker 1: little couple, despite the fact that you know, if you

530
00:29:30,120 --> 00:29:33,240
Speaker 1: really they probably are not aligned with the two of

531
00:29:33,280 --> 00:29:37,040
Speaker 1: us politically. Maybe they're characters, but like as a as

532
00:29:37,080 --> 00:29:39,360
Speaker 1: a couple in a movie, they're great.

533
00:29:39,720 --> 00:29:42,320
Speaker 2: And then we also have Chang who is the store

534
00:29:42,360 --> 00:29:44,880
Speaker 2: owner who's always looking to make a buck. I fucking

535
00:29:44,960 --> 00:29:47,200
Speaker 2: love Chang. He's played by an actor that you would

536
00:29:47,240 --> 00:29:51,240
Speaker 2: one hundred percent recognize because he's been in so many things,

537
00:29:51,320 --> 00:29:55,160
Speaker 2: Victor Wong, classic eighties actor. He's been in so just wonderful,

538
00:29:55,200 --> 00:29:58,680
Speaker 2: wonderful actor, and he's fucking hilarious in this movie. And

539
00:29:58,720 --> 00:30:00,040
Speaker 2: you kind of get to just like meet some some

540
00:30:00,120 --> 00:30:02,400
Speaker 2: of the kids in the town. One of the kids

541
00:30:02,440 --> 00:30:06,600
Speaker 2: is Mindy, who you will recognize from Jurassic Park, and

542
00:30:06,680 --> 00:30:09,600
Speaker 2: she is always on a pogo stick, just totally adorable

543
00:30:09,600 --> 00:30:12,480
Speaker 2: little kid. And then you have Melvin, who's played by

544
00:30:12,520 --> 00:30:15,320
Speaker 2: Bobby Jacobe and you'll recognize him from again, a bunch

545
00:30:15,360 --> 00:30:17,880
Speaker 2: of eighties things. He was a character actor and a

546
00:30:17,920 --> 00:30:20,720
Speaker 2: lot of TV shows, and he is such a pain

547
00:30:20,760 --> 00:30:23,120
Speaker 2: in the fucking ass. He's like very boy who Cried Wolf,

548
00:30:23,160 --> 00:30:26,480
Speaker 2: but he's just always fucking with people. So the minute

549
00:30:26,480 --> 00:30:28,880
Speaker 2: these worms get on the scene, he's like always pretending

550
00:30:28,880 --> 00:30:32,240
Speaker 2: to be like in peril, And it's just very funny

551
00:30:32,280 --> 00:30:34,080
Speaker 2: how they have no patience with this kid, Like they're

552
00:30:34,080 --> 00:30:36,959
Speaker 2: not even pretending to give a shit about this kid.

553
00:30:36,960 --> 00:30:38,440
Speaker 2: They're like, we will fuck you up if you do

554
00:30:38,480 --> 00:30:40,720
Speaker 2: that again, like everyone is mad at this kid. It's

555
00:30:40,800 --> 00:30:43,080
Speaker 2: kind of fucking great. And then we have again like

556
00:30:43,120 --> 00:30:46,280
Speaker 2: the doctor and his wife Megan, and you know, all

557
00:30:46,280 --> 00:30:48,560
Speaker 2: these people kind of end up at this general store.

558
00:30:48,600 --> 00:30:52,320
Speaker 2: It's like the store in town. And so as Val

559
00:30:52,360 --> 00:30:54,320
Speaker 2: and Earle are trying to make their way out of town,

560
00:30:54,960 --> 00:30:58,040
Speaker 2: we see that there's this rancher and his sheep are

561
00:30:58,080 --> 00:31:01,400
Speaker 2: all eaten, and Val Earl kind of happened upon them.

562
00:31:01,880 --> 00:31:04,200
Speaker 2: They find this dude just he's just a face in

563
00:31:04,240 --> 00:31:06,720
Speaker 2: the ground, like he's just dead in a hole under

564
00:31:06,800 --> 00:31:09,800
Speaker 2: his own hat, and they're like, what the fuck. So

565
00:31:09,840 --> 00:31:12,719
Speaker 2: they kind of turn around and try to warn the people,

566
00:31:12,760 --> 00:31:15,560
Speaker 2: and they're like something's going on, So they warn't these roadworkers,

567
00:31:15,600 --> 00:31:17,760
Speaker 2: and the roadworkers are like, huh what, we don't care,

568
00:31:18,400 --> 00:31:21,600
Speaker 2: and then they get eaten immediately and like their heads

569
00:31:21,600 --> 00:31:24,160
Speaker 2: are all crushed in their fucking helmets and shit, and

570
00:31:25,120 --> 00:31:29,560
Speaker 2: they that eating. The eating of these these roadworkers causes

571
00:31:29,600 --> 00:31:32,240
Speaker 2: an avalanche that blocks the only road into and out

572
00:31:32,240 --> 00:31:35,160
Speaker 2: of town, and then Val and Earl get their trucks

573
00:31:35,160 --> 00:31:37,120
Speaker 2: stuck as they're trying to back away, and they're like

574
00:31:37,120 --> 00:31:39,800
Speaker 2: what the fuck, Like they're kind of arguing about his drive.

575
00:31:39,880 --> 00:31:42,600
Speaker 2: VAL's driving and he's like, it ain't me, and sure enough,

576
00:31:42,600 --> 00:31:44,440
Speaker 2: it isn't because when they pull back into the general

577
00:31:44,480 --> 00:31:47,479
Speaker 2: store and look under the truck, they realize that they

578
00:31:47,640 --> 00:31:50,840
Speaker 2: ripped in half a monster, like one of these warn't

579
00:31:50,880 --> 00:31:54,200
Speaker 2: worms who was biting onto the axle with his teeth,

580
00:31:54,240 --> 00:31:57,640
Speaker 2: which is fucking hilarious, and that's what was trying to

581
00:31:57,640 --> 00:32:00,960
Speaker 2: pull them back into the earth. And we realized that, like,

582
00:32:01,480 --> 00:32:04,520
Speaker 2: these fucking worms mean business. So the doctor and his

583
00:32:04,560 --> 00:32:08,000
Speaker 2: wife die soon after this, and he gets completely ed up,

584
00:32:08,160 --> 00:32:10,960
Speaker 2: like immediately, he just gets up, dragged through the ground.

585
00:32:11,240 --> 00:32:13,240
Speaker 2: And then his wife, Megan, tries to get in the

586
00:32:13,280 --> 00:32:15,440
Speaker 2: car so she can be safe, and the worms are

587
00:32:15,440 --> 00:32:18,960
Speaker 2: all like slamming their snot bodies up against the windows,

588
00:32:19,040 --> 00:32:22,120
Speaker 2: and she thinks she's safe for a minute, and then

589
00:32:22,160 --> 00:32:24,120
Speaker 2: they just eat the car. They're just like, fuck you,

590
00:32:24,120 --> 00:32:26,000
Speaker 2: We'll just take the whole fucking thing down. We'll get

591
00:32:26,040 --> 00:32:28,600
Speaker 2: you somehow. Like these worms mean fucking business, and they're

592
00:32:28,640 --> 00:32:31,400
Speaker 2: smart and they learn, which is so weird.

593
00:32:31,560 --> 00:32:31,760
Speaker 1: Now.

594
00:32:31,840 --> 00:32:34,400
Speaker 2: The thing I found fascinating about these worms is where

595
00:32:34,400 --> 00:32:37,280
Speaker 2: did they come from? We don't know. It's never explained.

596
00:32:37,320 --> 00:32:38,000
Speaker 2: Nobody cares.

597
00:32:39,120 --> 00:32:44,720
Speaker 1: I appreciate that actually, Like I was so glad because

598
00:32:44,720 --> 00:32:46,719
Speaker 1: you know how it is in these types of films

599
00:32:46,760 --> 00:32:49,600
Speaker 1: where okay, so you've got the seismologist, right, she's like

600
00:32:49,640 --> 00:32:53,400
Speaker 1: the only character that has any science background whatsoever. I

601
00:32:53,440 --> 00:32:55,600
Speaker 1: was just really and a lot of these types of

602
00:32:55,640 --> 00:32:59,760
Speaker 1: films you invariably have this like scene where the science

603
00:32:59,800 --> 00:33:03,360
Speaker 1: is like goes to like her headquarters and there's like

604
00:33:03,400 --> 00:33:07,280
Speaker 1: a research you know, sequence where they're like, here's I

605
00:33:07,280 --> 00:33:09,960
Speaker 1: found out what these things are. Here's exactly what they

606
00:33:10,000 --> 00:33:12,640
Speaker 1: where they come from, Here's what they do, here's how

607
00:33:12,680 --> 00:33:14,880
Speaker 1: to kill them. And so it gives you that kind

608
00:33:14,920 --> 00:33:17,920
Speaker 1: of like plot information about these creatures.

609
00:33:18,000 --> 00:33:18,200
Speaker 2: Right.

610
00:33:18,880 --> 00:33:21,400
Speaker 1: I love that that that Treveror's does not do that

611
00:33:21,440 --> 00:33:24,520
Speaker 1: Tremor's is just like you're just gonna have to that's

612
00:33:24,520 --> 00:33:26,400
Speaker 1: just gonna have to be a mystery, folks.

613
00:33:26,480 --> 00:33:29,760
Speaker 2: Absolutely, And even in the film, the character of Ronda

614
00:33:29,800 --> 00:33:32,040
Speaker 2: says that she's like, why do you keep asking me

615
00:33:32,080 --> 00:33:34,640
Speaker 2: about these things? Like I don't know anything about them

616
00:33:34,800 --> 00:33:38,240
Speaker 2: more than you do. I'm a seismologist, I'm not a wormologist, like.

617
00:33:38,480 --> 00:33:41,800
Speaker 1: Right right, yes, absolutely, and and so I think that

618
00:33:41,880 --> 00:33:47,400
Speaker 1: creates more terror, you know, and when you don't know

619
00:33:47,720 --> 00:33:51,479
Speaker 1: and you can't figure out how what they're gonna do

620
00:33:51,720 --> 00:33:54,200
Speaker 1: or how to destroy them. Well, that's great.

621
00:33:54,480 --> 00:33:56,680
Speaker 2: Kind of the joy of the movie is watching the

622
00:33:56,800 --> 00:34:01,280
Speaker 2: characters discover what these worms actually are. So we're back

623
00:34:01,320 --> 00:34:04,800
Speaker 2: at the store and Chang is making the kids pose

624
00:34:04,880 --> 00:34:07,600
Speaker 2: with the half monster, like the ripped off monster. He's like,

625
00:34:07,880 --> 00:34:10,080
Speaker 2: bring that thing inside. Let's get some pictures that we're

626
00:34:10,080 --> 00:34:12,680
Speaker 2: gonna make some money off of this. And I, as

627
00:34:12,760 --> 00:34:15,200
Speaker 2: I talked about and attack the block. I always love

628
00:34:15,239 --> 00:34:17,480
Speaker 2: it when people are like, oh, an alien, a monster,

629
00:34:17,680 --> 00:34:19,640
Speaker 2: let's make some dough like now the time.

630
00:34:20,320 --> 00:34:22,640
Speaker 1: Yeah, so there.

631
00:34:22,880 --> 00:34:25,040
Speaker 2: But this is where we also realize that they're completely

632
00:34:25,080 --> 00:34:26,920
Speaker 2: cut off, and they realize that they're cut off, and

633
00:34:26,960 --> 00:34:30,040
Speaker 2: somebody's finally like, hey, can we maybe use some horses

634
00:34:30,239 --> 00:34:34,400
Speaker 2: to ride to Bixby and get some help, And Earl

635
00:34:34,400 --> 00:34:37,040
Speaker 2: and Val decide to decide to go, and they have

636
00:34:37,120 --> 00:34:39,799
Speaker 2: this really cute like they play Rochambo throughout the movie

637
00:34:39,800 --> 00:34:42,000
Speaker 2: to decide who's going to do things. But they're both

638
00:34:42,040 --> 00:34:45,879
Speaker 2: going on these horses, and this scene has one of

639
00:34:45,920 --> 00:34:49,319
Speaker 2: the best lines. I mean, for the duration of my

640
00:34:49,520 --> 00:34:52,560
Speaker 2: career as a screenwriter, I will never write anything that

641
00:34:52,600 --> 00:34:55,640
Speaker 2: makes me laugh. This hard because as they're getting on

642
00:34:55,680 --> 00:35:00,640
Speaker 2: the horses, Chang says, hey, earl, here's some Swisch cheese

643
00:35:00,640 --> 00:35:02,719
Speaker 2: and some bullets. And I do not know why that

644
00:35:02,760 --> 00:35:06,000
Speaker 2: line makes me laugh so fucking hard. And it's such

645
00:35:06,080 --> 00:35:08,680
Speaker 2: a throwaway line and it's said almost quietly, but it

646
00:35:08,760 --> 00:35:11,560
Speaker 2: is fucking hilarious, and it is this movie to a t.

647
00:35:11,719 --> 00:35:14,160
Speaker 2: Here's some Swiss cheese and some bullets, Like, we love you,

648
00:35:14,200 --> 00:35:16,759
Speaker 2: take care of yourself. Maybe try shooting at these worms.

649
00:35:16,800 --> 00:35:18,360
Speaker 2: We don't know what's going on. You might survive, you

650
00:35:18,440 --> 00:35:21,919
Speaker 2: might not, but it is fucking hilarious. And then they're like, oh, yeah,

651
00:35:22,000 --> 00:35:24,040
Speaker 2: can you also go check on the grad student? Like,

652
00:35:24,040 --> 00:35:25,920
Speaker 2: maybe go get that grad student from the middle of

653
00:35:25,960 --> 00:35:27,640
Speaker 2: the desert while these worms are acting up?

654
00:35:28,080 --> 00:35:28,400
Speaker 1: Yeah.

655
00:35:28,520 --> 00:35:30,920
Speaker 2: Again, Like the subtle humor of this movie is what

656
00:35:31,040 --> 00:35:33,439
Speaker 2: I love about it because it's also a horror movie,

657
00:35:33,440 --> 00:35:36,400
Speaker 2: it's also an action movie, but it's just hilarious. It's

658
00:35:36,480 --> 00:35:39,480
Speaker 2: just purely funny. And Kevin Bacon in particular, is very

659
00:35:39,760 --> 00:35:42,440
Speaker 2: very funny in this movie. Yes, fred Ward plays kind

660
00:35:42,480 --> 00:35:45,000
Speaker 2: of a character that we're used to seeing him play,

661
00:35:45,040 --> 00:35:47,960
Speaker 2: like kind of a gruff guy, but he's also very funny.

662
00:35:48,120 --> 00:35:49,800
Speaker 1: You know, I feel about fred Ward.

663
00:35:50,840 --> 00:35:53,640
Speaker 2: We have to post that text, that exchange that we had,

664
00:35:54,040 --> 00:35:56,719
Speaker 2: that should be the Wednesday post for this week, that

665
00:35:56,760 --> 00:35:58,000
Speaker 2: should be the post for tomorrow.

666
00:35:58,480 --> 00:36:01,600
Speaker 1: Yes, I will, I will. I'll put myself out there

667
00:36:01,640 --> 00:36:04,440
Speaker 1: on that post because I I texted you something filthy

668
00:36:04,560 --> 00:36:07,320
Speaker 1: about it, to be quite honest. But I but that

669
00:36:07,880 --> 00:36:11,120
Speaker 1: is the thing too, that has changed. This is how

670
00:36:11,120 --> 00:36:14,240
Speaker 1: I know I've gotten older. This is this is growth.

671
00:36:14,840 --> 00:36:17,680
Speaker 1: When I first saw Tremors, I was in love with

672
00:36:17,760 --> 00:36:23,600
Speaker 1: Kevin Bacon right when I saw Tremors. This week, I'm

673
00:36:23,600 --> 00:36:29,760
Speaker 1: in love with fred Ward period growth. That is growth

674
00:36:30,480 --> 00:36:35,680
Speaker 1: that I am. I am horny for fred Ward and Tremors.

675
00:36:36,000 --> 00:36:38,440
Speaker 1: I'm sorry, and just I just am like there are

676
00:36:38,480 --> 00:36:41,160
Speaker 1: parts where he's kind of like standing there in his

677
00:36:41,360 --> 00:36:47,799
Speaker 1: jeans and his bugle boy jeans and the desert or

678
00:36:47,800 --> 00:36:52,600
Speaker 1: whatever bugle boys, excuse me, are those bugle boy jeans

679
00:36:52,640 --> 00:36:56,359
Speaker 1: you're wearing, and he's just kind of like he's got

680
00:36:56,360 --> 00:36:57,200
Speaker 1: his like hip out.

681
00:36:57,280 --> 00:37:00,400
Speaker 2: I'm like, damn, well, this this combines a lot of

682
00:37:00,440 --> 00:37:03,840
Speaker 2: things that you appreciate in a man, which is a

683
00:37:03,920 --> 00:37:07,120
Speaker 2: little bit jockey, yes, a little bit older, a little

684
00:37:07,120 --> 00:37:13,920
Speaker 2: bit gruff, a little craggy, very deserty, a little bit survivalist. Yes,

685
00:37:14,600 --> 00:37:16,440
Speaker 2: like he's got it all going on in this movie.

686
00:37:16,440 --> 00:37:20,960
Speaker 2: So this is not surprising to me at all. And

687
00:37:21,040 --> 00:37:24,080
Speaker 2: I'm still on Kevin Bacon. Kevin Bacon is only attractive

688
00:37:24,120 --> 00:37:26,480
Speaker 2: to me when he has longer hair. I'm sorry, He's

689
00:37:26,560 --> 00:37:28,920
Speaker 2: just the proof is in the pudding. I've seen him

690
00:37:28,920 --> 00:37:31,440
Speaker 2: in eight hundred movies at this point. He is only

691
00:37:31,520 --> 00:37:33,160
Speaker 2: hot to me when he has long hair.

692
00:37:33,640 --> 00:37:36,560
Speaker 1: Yeah, oh I got I mean listen, not to disparage

693
00:37:36,600 --> 00:37:40,399
Speaker 1: my previous crush, because you know, like there's that It's

694
00:37:40,440 --> 00:37:42,920
Speaker 1: towards the end of the film Morning when he's wearing

695
00:37:42,960 --> 00:37:45,640
Speaker 1: that kind of like white cowboy shirt with the sleeves

696
00:37:45,719 --> 00:37:49,320
Speaker 1: rolled up and he's got his like little straw hat on. Yeah,

697
00:37:49,480 --> 00:37:51,719
Speaker 1: I was like, damn, he's so cute in this.

698
00:37:52,560 --> 00:37:55,719
Speaker 2: He's very cute in this and very funny. And again

699
00:37:55,760 --> 00:37:58,719
Speaker 2: he has recently said, like as of January this year,

700
00:37:58,920 --> 00:38:01,759
Speaker 2: even has said that he would come back to Tremors.

701
00:38:01,800 --> 00:38:03,919
Speaker 2: Like everyone's like it's time to get Kevin Bacon back

702
00:38:03,960 --> 00:38:06,399
Speaker 2: and the Tremors franchise, and he's like, yeah, I'll come back.

703
00:38:06,719 --> 00:38:08,520
Speaker 2: Like he just seems really funny and cool with it,

704
00:38:08,560 --> 00:38:11,640
Speaker 2: like he knows this movie is great. As he said,

705
00:38:11,640 --> 00:38:13,160
Speaker 2: he'd come back, and I think he should, and I

706
00:38:13,160 --> 00:38:15,160
Speaker 2: think he'd be even hotter now, as long as he

707
00:38:15,239 --> 00:38:16,880
Speaker 2: keeps his hair a little bit long, little on the

708
00:38:16,920 --> 00:38:17,840
Speaker 2: shaggy side.

709
00:38:17,719 --> 00:38:19,520
Speaker 1: A little greasy, a little greasy.

710
00:38:20,360 --> 00:38:22,400
Speaker 2: So they realize they're completely cut off. They get on

711
00:38:22,440 --> 00:38:26,439
Speaker 2: these horses, try to get the grand student, and shit

712
00:38:26,480 --> 00:38:29,000
Speaker 2: pops off immediately. They get chased by these fucking worms

713
00:38:29,640 --> 00:38:31,640
Speaker 2: and it's a big worm they like, they see them

714
00:38:31,640 --> 00:38:33,799
Speaker 2: big en and they're like, oh shit. But that's how

715
00:38:33,800 --> 00:38:36,040
Speaker 2: they figure out that these things live underground. And again

716
00:38:36,080 --> 00:38:38,879
Speaker 2: it's like the pacing of the film kind of you're

717
00:38:38,920 --> 00:38:41,680
Speaker 2: discovering information in real time with the characters, which I

718
00:38:41,800 --> 00:38:44,439
Speaker 2: kind of adore. So they'd run away from this thing

719
00:38:44,480 --> 00:38:49,400
Speaker 2: and they jump into this like crevice and the worm

720
00:38:49,480 --> 00:38:51,800
Speaker 2: kills itself by running into a cement wall trying to

721
00:38:51,880 --> 00:38:55,120
Speaker 2: chase them, and Kevin Bacon just looks at it and goes,

722
00:38:55,320 --> 00:38:58,960
Speaker 2: fuck you. And it is so fucking funny and weird

723
00:38:59,640 --> 00:39:01,880
Speaker 2: as this she's just hanging out of this like dripping

724
00:39:01,960 --> 00:39:04,400
Speaker 2: blood and just hanging out. This is the other thing

725
00:39:04,400 --> 00:39:07,280
Speaker 2: I appreciate, this appreciate about this movie. It's pretty gory,

726
00:39:07,600 --> 00:39:11,440
Speaker 2: Like it's very gory. So Ronda shows up and she's like,

727
00:39:11,440 --> 00:39:14,640
Speaker 2: what the fuck's going on? And she sees this worm

728
00:39:15,000 --> 00:39:16,680
Speaker 2: and is like, what the fuck this is the most

729
00:39:16,719 --> 00:39:21,600
Speaker 2: important zoological discovery of the century. Meanwhile, VAL's up top

730
00:39:21,640 --> 00:39:23,160
Speaker 2: and he's like, hey, I found the ass in like

731
00:39:23,200 --> 00:39:26,440
Speaker 2: he's just such a goon throughout, and she's like, this

732
00:39:26,480 --> 00:39:28,719
Speaker 2: is an important zoological discovery and he's like, yeah, look

733
00:39:28,719 --> 00:39:32,360
Speaker 2: at the butt. So she decides to tell them that

734
00:39:32,440 --> 00:39:35,400
Speaker 2: based on her readings, there's at least three more of

735
00:39:35,440 --> 00:39:38,520
Speaker 2: these things, and they're trying to figure out again in

736
00:39:38,560 --> 00:39:40,440
Speaker 2: a scene that is so funny, they're trying to figure

737
00:39:40,480 --> 00:39:43,239
Speaker 2: out what these things are and she's like, I don't know.

738
00:39:43,239 --> 00:39:46,279
Speaker 2: They could be a million years old, and VAL's like

739
00:39:46,320 --> 00:39:48,560
Speaker 2: they could be out of space. And then Earl's like

740
00:39:48,680 --> 00:39:51,480
Speaker 2: or the government built them, like they just the personalities

741
00:39:51,520 --> 00:39:53,800
Speaker 2: that come out in their discussion of where these worms

742
00:39:53,840 --> 00:39:56,640
Speaker 2: could have come from is very, very funny. But they're

743
00:39:56,680 --> 00:39:59,640
Speaker 2: stuck on this rock because they're realizing that the worms

744
00:39:59,640 --> 00:40:02,960
Speaker 2: can hear them through sonic vibrations. They can't see, but

745
00:40:03,000 --> 00:40:05,520
Speaker 2: they can hear them through vibrations. So every time they

746
00:40:05,520 --> 00:40:08,440
Speaker 2: try to step on the ground. The things pop up,

747
00:40:08,560 --> 00:40:12,200
Speaker 2: and we also realize that the big worm is the monster.

748
00:40:12,360 --> 00:40:14,080
Speaker 2: The little worms, like the one that grabbed onto the

749
00:40:14,160 --> 00:40:16,839
Speaker 2: axle of the truck is like it's tongue, Like it's

750
00:40:16,840 --> 00:40:19,799
Speaker 2: got like a million little worms as a tongue and

751
00:40:19,800 --> 00:40:22,120
Speaker 2: it's just grasping. So this thing can do some serious

752
00:40:22,120 --> 00:40:26,960
Speaker 2: fucking damage. But they decide RNDA Genius decides to pull

753
00:40:27,040 --> 00:40:30,600
Speaker 2: Vault back to her truck is to get back to

754
00:40:30,640 --> 00:40:32,719
Speaker 2: the general store to hang out with the rest of

755
00:40:32,719 --> 00:40:34,759
Speaker 2: the people and let them know what's going on. And

756
00:40:34,800 --> 00:40:36,520
Speaker 2: the rest of the movie is basically them trying to

757
00:40:36,560 --> 00:40:42,080
Speaker 2: outwit and kill the remaining three worms. Yeah, and it's

758
00:40:42,640 --> 00:40:45,000
Speaker 2: just great. It's just I mean, they're on the roof.

759
00:40:45,400 --> 00:40:47,799
Speaker 2: We've got fucking Melvin acting like a dick and then

760
00:40:47,840 --> 00:40:50,800
Speaker 2: actually getting kind of wrapped up in one of these worms.

761
00:40:50,800 --> 00:40:54,160
Speaker 2: Like it's just a fun fucking movie. You know, You've

762
00:40:54,160 --> 00:40:56,520
Speaker 2: got Mindy the little girls hoping on her pogo stick

763
00:40:56,560 --> 00:40:58,800
Speaker 2: in one very tense scene where they're trying to be quiet,

764
00:40:58,800 --> 00:41:00,520
Speaker 2: and then you just hear her like creak e pogo

765
00:41:00,520 --> 00:41:04,040
Speaker 2: stick coming down the road, and it's just got all

766
00:41:04,080 --> 00:41:06,520
Speaker 2: the makings of like everything that makes a classic horror

767
00:41:06,520 --> 00:41:09,160
Speaker 2: movie great, everything that makes a classic action movie great.

768
00:41:09,680 --> 00:41:09,960
Speaker 1: It is.

769
00:41:10,040 --> 00:41:12,279
Speaker 2: It's just fun. It's a fun summer movie. It's a

770
00:41:12,320 --> 00:41:14,920
Speaker 2: fun family movie. I remember watching. I don't know if

771
00:41:15,000 --> 00:41:18,279
Speaker 2: kids these days can handle trameras, but we definitely it

772
00:41:18,320 --> 00:41:20,280
Speaker 2: was marketed as a kid's movie essentially.

773
00:41:20,320 --> 00:41:21,000
Speaker 1: Yeah, it's like PG.

774
00:41:21,120 --> 00:41:24,719
Speaker 2: Thirteen, so yeah, no, So we definitely saw it.

775
00:41:24,719 --> 00:41:29,880
Speaker 1: Fun for the whole family and gory and bloody.

776
00:41:29,640 --> 00:41:31,759
Speaker 2: Which is great. It's discussing.

777
00:41:31,960 --> 00:41:34,719
Speaker 1: I like how spoiler alert I suppose, But you know

778
00:41:34,760 --> 00:41:40,160
Speaker 1: when when they the monster starts getting blown the fuck up,

779
00:41:41,520 --> 00:41:44,040
Speaker 1: it's like he's got that like marnera sauce blood.

780
00:41:44,280 --> 00:41:45,520
Speaker 2: Yeah, it's like bright pink.

781
00:41:46,040 --> 00:41:48,719
Speaker 1: Yeah. And they and they stink.

782
00:41:49,400 --> 00:41:52,320
Speaker 2: Yeah they I love that that little that little trailer

783
00:41:52,320 --> 00:41:55,360
Speaker 2: throughout the movie of like they stink dead or alive,

784
00:41:55,800 --> 00:41:56,560
Speaker 2: they smell like hell.

785
00:41:57,040 --> 00:41:59,880
Speaker 1: I feel like these are details that like kids really

786
00:42:00,080 --> 00:42:05,040
Speaker 1: sink their teeth into, like the grotesqueness of you know,

787
00:42:05,239 --> 00:42:10,080
Speaker 1: movie monsters. And then if it can somehow swerve into

788
00:42:10,120 --> 00:42:15,160
Speaker 1: the lane of like farts and poops, it's like perfect

789
00:42:15,320 --> 00:42:17,600
Speaker 1: for our brains at that time. Right.

790
00:42:18,480 --> 00:42:21,480
Speaker 2: The development of toilet Humor is crucial to childhood.

791
00:42:23,239 --> 00:42:26,680
Speaker 1: I do love the duo though. I love Kevin and Bacon.

792
00:42:27,160 --> 00:42:29,359
Speaker 1: Kevin and Bacon, What the fuck am I talking about? Kevin?

793
00:42:32,040 --> 00:42:37,120
Speaker 1: That's a country song, Kevin and Bacon out on, It's

794
00:42:37,200 --> 00:42:43,400
Speaker 1: a range. I love Kevin, Bacon and Fred Ward together.

795
00:42:43,640 --> 00:42:48,520
Speaker 1: Like the idea that they seem like completely believable business partners.

796
00:42:48,560 --> 00:42:50,600
Speaker 1: Did you think that? Like I was like, Okay, these

797
00:42:50,640 --> 00:42:54,759
Speaker 1: guys definitely run a handyman business, Like, yeah, they're like.

798
00:42:54,760 --> 00:42:56,759
Speaker 2: The guys I see around here who are like, all right,

799
00:42:56,840 --> 00:42:58,799
Speaker 2: you do this, I do that. We might as well

800
00:42:59,400 --> 00:43:02,560
Speaker 2: team up. And they're not exactly friends, but they're just

801
00:43:03,040 --> 00:43:04,320
Speaker 2: they have a good business together.

802
00:43:04,760 --> 00:43:08,560
Speaker 1: Yeah. But then even as actors, like these are actors

803
00:43:08,600 --> 00:43:11,960
Speaker 1: that are believable as like normal people living in the

804
00:43:12,000 --> 00:43:15,280
Speaker 1: desert too. Like I'm like, oh, this isn't like George

805
00:43:15,400 --> 00:43:18,680
Speaker 1: Clooney getting some dust on his face, you know. I mean,

806
00:43:18,680 --> 00:43:21,080
Speaker 1: this is like two guys that seem like they were

807
00:43:21,160 --> 00:43:23,479
Speaker 1: truly living in that community or whatever.

808
00:43:23,560 --> 00:43:26,319
Speaker 2: So you are against George Clooney today you were on

809
00:43:26,320 --> 00:43:28,200
Speaker 2: one with that, Say God.

810
00:43:28,040 --> 00:43:31,040
Speaker 1: I must like subconsciously like feel I don't know what

811
00:43:31,080 --> 00:43:31,640
Speaker 1: am I doing.

812
00:43:31,840 --> 00:43:36,920
Speaker 2: Did you read something about him I don't know. Did

813
00:43:36,960 --> 00:43:39,719
Speaker 2: you get drunk on his tequila last night?

814
00:43:40,120 --> 00:43:43,279
Speaker 1: I know, maybe I have a cast Amigos hangover. I

815
00:43:43,320 --> 00:43:43,680
Speaker 1: don't know.

816
00:43:45,000 --> 00:43:46,279
Speaker 2: You're out late, you're out late?

817
00:43:46,440 --> 00:43:50,200
Speaker 1: Goodness, I was, But yeah, I don't know. I really

818
00:43:50,239 --> 00:43:53,320
Speaker 1: do love Tremors, and I like it's still so fun,

819
00:43:53,960 --> 00:43:59,160
Speaker 1: so entertaining. Everybody in the movie is charming. Everybody is charming, yes, ree,

820
00:43:59,280 --> 00:44:03,080
Speaker 1: but can act? I mean, it's great. Isn't a great film?

821
00:44:03,719 --> 00:44:04,320
Speaker 1: From Beneath You?

822
00:44:04,400 --> 00:44:06,399
Speaker 2: At Devours? We don't care where these worms came from,

823
00:44:06,400 --> 00:44:07,600
Speaker 2: but they're coming to eat you up.

824
00:44:08,080 --> 00:44:11,719
Speaker 1: Yeah, that's about this movie is probably the perfect representation

825
00:44:11,840 --> 00:44:20,440
Speaker 1: of our theme, whereas my movie is technically about the theme.

826
00:44:21,520 --> 00:44:24,640
Speaker 1: It is, of course it is, but whether or not

827
00:44:24,719 --> 00:44:26,600
Speaker 1: we see them enough is another question.

828
00:44:27,120 --> 00:44:30,800
Speaker 2: Yes, yeah, because you do see the tremor worms right away?

829
00:44:31,320 --> 00:44:35,240
Speaker 1: Yes, oh yeah, like we're gonna get into it. Okay.

830
00:44:35,400 --> 00:44:40,120
Speaker 1: So my movie for the theme from Beneath You, It Devours,

831
00:44:40,920 --> 00:44:43,640
Speaker 1: is a movie from nineteen eighty one. It was written

832
00:44:43,680 --> 00:44:49,880
Speaker 1: by Thomas C. Chapman, David O'Malley and Jim Kof, directed

833
00:44:49,920 --> 00:44:53,719
Speaker 1: by James L. Conway, and it's called The Bogins.

834
00:44:54,320 --> 00:44:57,880
Speaker 2: There Is No Escape The Buggins.

835
00:44:58,600 --> 00:45:04,080
Speaker 1: So it's been a minute since I've seen The Bugains. Okay,

836
00:45:05,239 --> 00:45:09,160
Speaker 1: I'm actually sure if I've seen the whole thing now

837
00:45:09,200 --> 00:45:13,640
Speaker 1: that i'm thinking about it. But before this, yeah, I'm

838
00:45:13,640 --> 00:45:16,720
Speaker 1: not sure if I saw the first part of the film.

839
00:45:17,320 --> 00:45:19,520
Speaker 1: I always see the end of it. I don't know.

840
00:45:20,360 --> 00:45:23,880
Speaker 1: It's been a really, really long time. But I have

841
00:45:23,920 --> 00:45:28,840
Speaker 1: to say, if you're looking for like a good eighties

842
00:45:28,920 --> 00:45:34,400
Speaker 1: slasher monster type movie, the Bougains is kind of a

843
00:45:34,560 --> 00:45:40,000
Speaker 1: mid film, I gotta say. And to me, I feel

844
00:45:40,000 --> 00:45:43,640
Speaker 1: like this movie is a lot more like almost like

845
00:45:43,800 --> 00:45:50,840
Speaker 1: fifties science fiction films where nothing happens for a very long.

846
00:45:50,719 --> 00:45:52,640
Speaker 2: Time except the sis.

847
00:45:53,200 --> 00:45:56,400
Speaker 1: Yeah, and then some cool stuff at the end. That

848
00:45:56,400 --> 00:45:59,399
Speaker 1: that's kind of how I feel like The Bugans. Mate.

849
00:45:59,640 --> 00:46:01,920
Speaker 1: Being eight in the early eighties, you know, you would think, oh,

850
00:46:01,960 --> 00:46:05,359
Speaker 1: it's gonna be like you know, it's more subdued than

851
00:46:05,360 --> 00:46:07,239
Speaker 1: I think a lot of those types of movies in

852
00:46:07,280 --> 00:46:11,279
Speaker 1: that era. So, and that's not to say that this

853
00:46:11,400 --> 00:46:14,440
Speaker 1: movie isn't charming generally, you know what I mean. Like

854
00:46:14,520 --> 00:46:17,239
Speaker 1: I the thing about it is that everybody who's in

855
00:46:17,320 --> 00:46:20,799
Speaker 1: this movie is a great actor. Yeah, they filmed this

856
00:46:21,080 --> 00:46:27,160
Speaker 1: like partially in Utah. And you know, the location is great,

857
00:46:27,200 --> 00:46:31,080
Speaker 1: the acting is great, the clothes are great. But you

858
00:46:31,200 --> 00:46:33,880
Speaker 1: will be waiting a long time to see a Boogain

859
00:46:35,200 --> 00:46:39,919
Speaker 1: And for me, I want to see one sooner rather

860
00:46:40,000 --> 00:46:40,479
Speaker 1: than later.

861
00:46:40,840 --> 00:46:42,959
Speaker 2: Absolutely, So just.

862
00:46:42,880 --> 00:46:44,720
Speaker 1: Want to prepare anybody for that.

863
00:46:45,000 --> 00:46:47,040
Speaker 2: Also, or give me some history, like, give me something

864
00:46:47,080 --> 00:46:48,120
Speaker 2: about what a boogain is.

865
00:46:48,719 --> 00:46:52,640
Speaker 1: Yes, absolutely, yeah, a little a little TVD of that

866
00:46:52,719 --> 00:46:53,920
Speaker 1: gets fleshed out either.

867
00:46:54,560 --> 00:46:56,759
Speaker 2: But and I know, I'm sure you'll talk about this,

868
00:46:56,880 --> 00:47:01,799
Speaker 2: but you do have this sinister creepiness of this one

869
00:47:01,880 --> 00:47:05,239
Speaker 2: old guy who just is hanging around. You're like, is

870
00:47:05,280 --> 00:47:07,960
Speaker 2: he a boogin? Like, what the fuck he knows something?

871
00:47:08,480 --> 00:47:12,760
Speaker 1: I have an entire five paragraph essay about this character.

872
00:47:13,960 --> 00:47:18,239
Speaker 1: So prepare yourselves. But I also want to say up

873
00:47:18,239 --> 00:47:22,080
Speaker 1: top two, listen, if you hate spoilers, you're gonna have

874
00:47:22,120 --> 00:47:24,239
Speaker 1: to come back next week because I'm definitely gonna give

875
00:47:24,239 --> 00:47:28,120
Speaker 1: away some of the ending of this movie because quite frankly,

876
00:47:28,200 --> 00:47:30,759
Speaker 1: the best part of the film happens within the last

877
00:47:30,760 --> 00:47:32,120
Speaker 1: like ten to fifteen minutes of the film.

878
00:47:32,320 --> 00:47:34,359
Speaker 2: Yeah, and I don't think it's a spoiler. I think

879
00:47:34,360 --> 00:47:36,520
Speaker 2: that it's still worth watching the movie. If even if

880
00:47:36,520 --> 00:47:38,080
Speaker 2: you know what that scene is.

881
00:47:38,360 --> 00:47:41,440
Speaker 1: Yes. Plus, this movie is forty two years old, and

882
00:47:41,480 --> 00:47:43,280
Speaker 1: I feel like that's a very long time for people

883
00:47:43,360 --> 00:47:46,760
Speaker 1: to have seen it. I mean, maybe that's an excuse,

884
00:47:46,840 --> 00:47:48,399
Speaker 1: but I'm just saying, if you really just don't want

885
00:47:48,400 --> 00:47:51,560
Speaker 1: to know, turn me off. We'll see you next week. Okay,

886
00:47:51,560 --> 00:47:55,040
Speaker 1: But I'm from here on out, Spoilers will happen. Okay.

887
00:47:56,080 --> 00:47:58,120
Speaker 1: I won't give a one sentence synopsis because I think

888
00:47:58,120 --> 00:48:00,520
Speaker 1: I'm just gonna roll out everything all at one. It's

889
00:48:00,560 --> 00:48:03,040
Speaker 1: this is gonna be a very different way of talking

890
00:48:03,080 --> 00:48:06,400
Speaker 1: about a film. I maybe who knows, but the opening

891
00:48:06,440 --> 00:48:09,080
Speaker 1: of this film is essentially the opening credits to the

892
00:48:09,120 --> 00:48:14,040
Speaker 1: TV show Cheers. Okay. There's a lot of historical photography

893
00:48:14,719 --> 00:48:19,560
Speaker 1: of like miners, not young people, but the people that

894
00:48:19,600 --> 00:48:24,520
Speaker 1: go into the ground. And there's all like old timey

895
00:48:24,560 --> 00:48:30,759
Speaker 1: newspaper clippings happening. It's very like the old wallpaper at

896
00:48:30,800 --> 00:48:36,600
Speaker 1: Wendy's type of thing. Imagine this vibe.

897
00:48:36,680 --> 00:48:39,560
Speaker 2: Okay, It's that when people used to go and get

898
00:48:39,560 --> 00:48:43,240
Speaker 2: those cipiotone pictures with their families where they're all dressed

899
00:48:43,320 --> 00:48:44,480
Speaker 2: up in old timey clothes.

900
00:48:46,440 --> 00:48:48,200
Speaker 1: I have one of those. Have you did you ever

901
00:48:48,239 --> 00:48:49,960
Speaker 1: take one millie?

902
00:48:49,960 --> 00:48:52,080
Speaker 2: Of course not. You know, my goddamn family wouldn't pay

903
00:48:52,080 --> 00:48:52,680
Speaker 2: for something like that.

904
00:48:53,320 --> 00:48:56,280
Speaker 1: Yeah, I went to when I when my family briefly

905
00:48:56,320 --> 00:48:59,160
Speaker 1: lived in Chicago, we went to the Museum of Science

906
00:48:59,160 --> 00:49:01,080
Speaker 1: and Industry and I where there's a picture of me

907
00:49:01,120 --> 00:49:03,279
Speaker 1: and my mom and my dad. This was before my

908
00:49:03,400 --> 00:49:05,760
Speaker 1: sister was born, when I was an only child.

909
00:49:06,400 --> 00:49:08,239
Speaker 2: The good old days, the the good old days.

910
00:49:08,280 --> 00:49:12,000
Speaker 1: And we were in some like old western buggy like

911
00:49:12,040 --> 00:49:19,680
Speaker 1: a stagecoach thing like what I guess I have one

912
00:49:19,719 --> 00:49:20,480
Speaker 1: of those photos.

913
00:49:21,160 --> 00:49:24,280
Speaker 2: Oh God, in Chicago. I fucking love it. I fucking

914
00:49:24,320 --> 00:49:24,640
Speaker 2: love it.

915
00:49:25,120 --> 00:49:29,040
Speaker 1: So But what you learn through this old timey sequence

916
00:49:29,120 --> 00:49:34,080
Speaker 1: is that there was a mine at some point they

917
00:49:34,120 --> 00:49:36,640
Speaker 1: found silver down there and it was you know, it

918
00:49:36,680 --> 00:49:40,720
Speaker 1: was it was prosperous for the town. Then they found

919
00:49:40,760 --> 00:49:44,360
Speaker 1: something else down there. It killed a bunch of people,

920
00:49:45,120 --> 00:49:46,319
Speaker 1: and then they sealed it off.

921
00:49:47,280 --> 00:49:50,960
Speaker 2: That sequence is so great because it's like we struck gold. Yeah,

922
00:49:51,200 --> 00:49:53,640
Speaker 2: like we found silver, oh, no something. Oh, it just

923
00:49:53,719 --> 00:49:55,759
Speaker 2: keeps getting more and more dire and then they're like

924
00:49:55,800 --> 00:49:56,719
Speaker 2: the mine's closed.

925
00:49:57,120 --> 00:50:00,520
Speaker 1: Yes. It's kind of like the credit seque. It's like, well,

926
00:50:00,560 --> 00:50:04,120
Speaker 1: if you didn't pay attention to this, you will literally

927
00:50:04,160 --> 00:50:06,040
Speaker 1: not know what happens for the rest of the film.

928
00:50:06,120 --> 00:50:09,359
Speaker 1: So oh a good. But so then you know, of course,

929
00:50:09,360 --> 00:50:11,600
Speaker 1: the beginning of the movie is in present day, okay,

930
00:50:11,640 --> 00:50:14,040
Speaker 1: And so you have this other group of miners, two

931
00:50:14,120 --> 00:50:17,080
Speaker 1: of whom are young and horny and two of whom

932
00:50:17,200 --> 00:50:21,200
Speaker 1: are old men. Okay, that go down into this you

933
00:50:21,200 --> 00:50:25,480
Speaker 1: know now abandoned mine to just check it out, you know,

934
00:50:25,560 --> 00:50:28,560
Speaker 1: to see what's going on down there. And in this

935
00:50:28,680 --> 00:50:32,799
Speaker 1: first few minutes you get introduced to this stock movie

936
00:50:32,920 --> 00:50:37,400
Speaker 1: character who's hanging out. Danielle alluded to him just a

937
00:50:37,440 --> 00:50:43,640
Speaker 1: moment ago, but I am dubbing him the well intentioned

938
00:50:43,760 --> 00:50:48,600
Speaker 1: but creepy old man as most are. I'm calling him

939
00:50:48,600 --> 00:50:50,680
Speaker 1: the whibcom for schwartz.

940
00:50:51,880 --> 00:50:52,720
Speaker 2: Ah.

941
00:50:53,040 --> 00:50:56,040
Speaker 1: And he's a stock character because we've seen this character

942
00:50:56,120 --> 00:50:58,520
Speaker 1: in many other films, right. He's like old man Marley

943
00:50:58,719 --> 00:51:02,640
Speaker 1: in Home Alone. He is like Judd from Pet Cemetery.

944
00:51:02,760 --> 00:51:05,680
Speaker 1: He is the dude in the film who everyone thinks

945
00:51:05,760 --> 00:51:08,480
Speaker 1: is like a grizzled serial killer, but he's actually just

946
00:51:08,480 --> 00:51:11,359
Speaker 1: trying to protect people or warn the town of some

947
00:51:11,560 --> 00:51:12,960
Speaker 1: evil or something like that.

948
00:51:13,080 --> 00:51:16,560
Speaker 2: Right, But he's so creepy, he's so like, if you're

949
00:51:16,560 --> 00:51:19,080
Speaker 2: gonna try to and this character, like you said, pops

950
00:51:19,160 --> 00:51:20,960
Speaker 2: up a lot. If you're gonna trying to warn people

951
00:51:21,000 --> 00:51:24,280
Speaker 2: about shit, don't just creep around for most of the movie,

952
00:51:24,520 --> 00:51:26,680
Speaker 2: like jump in and be like, hey, some shit's going on.

953
00:51:27,239 --> 00:51:32,439
Speaker 1: Yeah, And really, he doesn't even become the full Wibcom

954
00:51:32,520 --> 00:51:36,120
Speaker 1: until like he's basically trying to blow things up. So

955
00:51:36,160 --> 00:51:39,319
Speaker 1: it's like if he had just like paced himself and

956
00:51:39,480 --> 00:51:42,439
Speaker 1: gave a little bit of information of what is going

957
00:51:42,480 --> 00:51:44,960
Speaker 1: on in the town, then it wouldn't be so creepy.

958
00:51:45,000 --> 00:51:46,719
Speaker 1: But since he saved it all for like a really

959
00:51:46,760 --> 00:51:51,040
Speaker 1: crucial part, he's just a creep you know. And that's

960
00:51:51,080 --> 00:51:53,880
Speaker 1: effectively what he does is that the Wibcom kind of

961
00:51:53,880 --> 00:51:56,959
Speaker 1: shows up and he's just like telling people, Hey, keep

962
00:51:57,000 --> 00:51:59,960
Speaker 1: this mind caved in. There's some evil down there, don't

963
00:52:00,719 --> 00:52:03,720
Speaker 1: I wrote don't disturb this boog?

964
00:52:04,719 --> 00:52:18,400
Speaker 2: No, you did it. Don't disturb this boog? Do you

965
00:52:18,400 --> 00:52:20,480
Speaker 2: remember that video we haven't me driving but when I

966
00:52:20,520 --> 00:52:26,920
Speaker 2: first got my car. Oh God, that is the best

967
00:52:26,920 --> 00:52:30,920
Speaker 2: thing you've ever said on this podcast. Don't disturb this boog.

968
00:52:34,320 --> 00:52:38,680
Speaker 1: That is an inside joke. But if you somehow get

969
00:52:38,719 --> 00:52:41,319
Speaker 1: the reference, God bless you. But anyway, I I had

970
00:52:41,320 --> 00:52:43,120
Speaker 1: to do that for you. I just had to do.

971
00:52:43,040 --> 00:52:45,000
Speaker 2: That for you. Bless bless up.

972
00:52:46,160 --> 00:52:50,719
Speaker 1: But so every character ignores this guy, this webcom and

973
00:52:50,719 --> 00:52:53,720
Speaker 1: then that you know, guess what. They end up blowing

974
00:52:53,800 --> 00:52:56,640
Speaker 1: up the mine to see what's in there, and they

975
00:52:56,680 --> 00:52:58,200
Speaker 1: find bones down there.

976
00:52:58,440 --> 00:53:03,359
Speaker 2: I mean not good, right, They're like, here's a lake

977
00:53:03,520 --> 00:53:04,480
Speaker 2: and some bones.

978
00:53:05,320 --> 00:53:10,880
Speaker 1: Yes, so not good? Not good? Where do you find that?

979
00:53:11,960 --> 00:53:15,440
Speaker 1: So then a lady apparently gets killed at her house

980
00:53:16,000 --> 00:53:19,920
Speaker 1: by something that's subterranean. Okay, we have no idea what

981
00:53:20,120 --> 00:53:24,839
Speaker 1: it is. All we know is that the whibcom comes by,

982
00:53:26,000 --> 00:53:28,040
Speaker 1: just like the old lady from the banshees of in

983
00:53:28,160 --> 00:53:32,840
Speaker 1: a Sharon, just to say that something ominous is afoot.

984
00:53:33,040 --> 00:53:36,799
Speaker 1: That's like again, like a thing that no one's he's

985
00:53:36,880 --> 00:53:39,120
Speaker 1: just like if he shows up, that means it's evil.

986
00:53:39,160 --> 00:53:41,560
Speaker 1: Something evil's happening, but we don't see it. We don't

987
00:53:41,600 --> 00:53:42,759
Speaker 1: know what it is yet, right.

988
00:53:42,840 --> 00:53:45,279
Speaker 2: He only leaves his house to tell you to be

989
00:53:45,320 --> 00:53:46,920
Speaker 2: a portent of death.

990
00:53:50,239 --> 00:53:54,720
Speaker 1: So this lady who has died in her house somehow

991
00:53:54,800 --> 00:53:58,919
Speaker 1: also owns an Airbnb I guess. And then the two

992
00:53:59,000 --> 00:54:05,000
Speaker 1: horny miners from you know, the mind sight are like

993
00:54:05,160 --> 00:54:10,440
Speaker 1: renting her house for the weekend. Good. No, no, This woman,

994
00:54:10,560 --> 00:54:15,640
Speaker 1: by the way, was never found, so we just assume

995
00:54:16,480 --> 00:54:20,680
Speaker 1: that are that she's under the house right because a

996
00:54:20,760 --> 00:54:23,960
Speaker 1: subterranean creature pulled her under there and then the doors

997
00:54:24,000 --> 00:54:27,360
Speaker 1: were just open, and so they're like, oh, here's the

998
00:54:27,400 --> 00:54:29,640
Speaker 1: house we're renting, and everyone's like, okay, well the doors

999
00:54:29,640 --> 00:54:33,520
Speaker 1: are open because she was in there and got pulled down.

1000
00:54:33,560 --> 00:54:35,839
Speaker 1: So it's like that thing where they're like, okay, uh,

1001
00:54:35,880 --> 00:54:39,640
Speaker 1: here's our rental house. They've got some girls coming, you know.

1002
00:54:40,239 --> 00:54:44,920
Speaker 1: One of the guys is this character named Roger, and

1003
00:54:45,600 --> 00:54:48,360
Speaker 1: he's like booed up with one of the women named Jessica.

1004
00:54:48,480 --> 00:54:51,960
Speaker 1: And like all they do for the first like twenty

1005
00:54:53,040 --> 00:54:55,759
Speaker 1: possibly thirty minutes of the film is they just talk

1006
00:54:55,800 --> 00:54:59,760
Speaker 1: about doing it in this rental house while they're single

1007
00:54:59,800 --> 00:55:02,440
Speaker 1: for friends are staying there.

1008
00:55:02,600 --> 00:55:05,799
Speaker 2: For the weekend, and they're like making jokes and she's

1009
00:55:05,880 --> 00:55:06,960
Speaker 2: jumping on the bed like I.

1010
00:55:06,880 --> 00:55:11,239
Speaker 1: Gotta test it out. Yeah, And as a person who

1011
00:55:11,280 --> 00:55:14,560
Speaker 1: has been in this position many times in her life,

1012
00:55:15,280 --> 00:55:18,760
Speaker 1: this is why I do not share Airbnbs with couples period.

1013
00:55:19,239 --> 00:55:22,840
Speaker 1: I'm like, y'all get your own place I'm gonna stay alone.

1014
00:55:23,160 --> 00:55:25,719
Speaker 2: In order for me to stay in an airbnb with

1015
00:55:25,760 --> 00:55:29,480
Speaker 2: a couple, it would have to be a fucking mansion, yes,

1016
00:55:29,680 --> 00:55:34,480
Speaker 2: hahah that they are paying for because they are paying

1017
00:55:34,719 --> 00:55:37,600
Speaker 2: to insulate everyone from their sounds.

1018
00:55:38,040 --> 00:55:40,560
Speaker 1: Yes, it's gonna have to be a castle in Ireland

1019
00:55:40,560 --> 00:55:43,000
Speaker 1: with stone walls. I don't want to hear none of y'all.

1020
00:55:43,239 --> 00:55:44,759
Speaker 1: And I'm not even saying I don't want to hear

1021
00:55:44,760 --> 00:55:46,360
Speaker 1: you fucking. I don't want to hear you fighting.

1022
00:55:46,640 --> 00:55:47,680
Speaker 2: I don't hear you shitting.

1023
00:55:48,080 --> 00:55:51,920
Speaker 1: Yeah, I don't want to hear y'all watch TikTok together

1024
00:55:52,000 --> 00:55:57,000
Speaker 1: in bed, Like I'm not doing that in my age.

1025
00:55:57,440 --> 00:56:01,200
Speaker 1: So I'm like, I immediately felt these other two people

1026
00:56:01,440 --> 00:56:06,520
Speaker 1: who absolutely indicted in this horniness, okay.

1027
00:56:06,440 --> 00:56:08,160
Speaker 2: And they also tried to do that thing of like,

1028
00:56:08,200 --> 00:56:10,000
Speaker 2: well maybe you two will hook up, and I'm like,

1029
00:56:10,040 --> 00:56:12,680
Speaker 2: don't do that, don't do that. Yeah, we don't need

1030
00:56:12,680 --> 00:56:14,120
Speaker 2: to do that. You need to hook me up so

1031
00:56:14,160 --> 00:56:17,239
Speaker 2: you can fuck this person. Yeah, just rent me a

1032
00:56:17,320 --> 00:56:18,040
Speaker 2: mansion and go.

1033
00:56:18,040 --> 00:56:24,240
Speaker 1: In your wing exactly, exactly. Well, and Jessica, the woman

1034
00:56:24,280 --> 00:56:26,680
Speaker 1: I just spoke about, she also brings her dog on

1035
00:56:26,760 --> 00:56:29,319
Speaker 1: the trip, and I want to talk a lot about

1036
00:56:29,320 --> 00:56:29,800
Speaker 1: this dog.

1037
00:56:29,920 --> 00:56:31,960
Speaker 2: Oh, I do as well, because I'm pretty sure it's

1038
00:56:32,040 --> 00:56:34,080
Speaker 2: ninety nine percent of the reason you chose the movie

1039
00:56:34,200 --> 00:56:39,160
Speaker 2: is because this dog looks like Sophie. This is Sophie's grandma.

1040
00:56:38,400 --> 00:56:41,799
Speaker 1: Sophie's grandma's and this gum, this dog looks exactly like

1041
00:56:41,840 --> 00:56:42,280
Speaker 1: my dog.

1042
00:56:42,920 --> 00:56:44,680
Speaker 2: Except this dog is a fucking prick.

1043
00:56:45,239 --> 00:56:51,839
Speaker 1: Okay, this dog is unreal. Ah, this this dog is

1044
00:56:51,880 --> 00:56:59,279
Speaker 1: a full fledged actor. Like how where did they find

1045
00:56:59,320 --> 00:57:03,279
Speaker 1: this dog? It's like the Laurence Olivier of.

1046
00:57:03,280 --> 00:57:07,680
Speaker 2: Dog move over a dog from the artist.

1047
00:57:08,600 --> 00:57:12,640
Speaker 1: Yes, I was like, the dog might be the most

1048
00:57:12,680 --> 00:57:14,600
Speaker 1: compelling character in this movie.

1049
00:57:14,920 --> 00:57:17,040
Speaker 2: Absolutely, the dog had me fucking riveted.

1050
00:57:17,560 --> 00:57:22,400
Speaker 1: Yes, I actually gotta be honest, I wish the movie

1051
00:57:22,520 --> 00:57:25,800
Speaker 1: was two hours of this dog doing literally anything.

1052
00:57:26,280 --> 00:57:29,480
Speaker 2: No dialogue, just follow this fucking pup around. Yeah, watch

1053
00:57:29,560 --> 00:57:34,680
Speaker 2: him cause havoc my fa And right from jump, they

1054
00:57:34,760 --> 00:57:36,400
Speaker 2: let him out to pee when they're on their way,

1055
00:57:37,000 --> 00:57:39,000
Speaker 2: and he fucking runs away and they're all looking for him,

1056
00:57:39,200 --> 00:57:41,080
Speaker 2: driving themselves crazy, And they go back to the car

1057
00:57:41,120 --> 00:57:42,400
Speaker 2: and he's just sitting on top of the car, like

1058
00:57:42,400 --> 00:57:44,880
Speaker 2: what's up, bitch yep, And like this.

1059
00:57:44,840 --> 00:57:48,320
Speaker 1: Dog is somehow communicating terror. There's like moments where the

1060
00:57:48,360 --> 00:57:52,040
Speaker 1: dog is fucked off somewhere in the house is doing something,

1061
00:57:52,120 --> 00:57:53,680
Speaker 1: and then all of a sudden, this like creepy noise

1062
00:57:55,000 --> 00:57:57,440
Speaker 1: sound happens, and then the dog does like the snap

1063
00:57:57,560 --> 00:57:59,360
Speaker 1: turn of the head, being like what was that?

1064
00:58:00,080 --> 00:58:05,000
Speaker 2: Ah, And the dog has more believable facial expressions.

1065
00:58:04,520 --> 00:58:07,240
Speaker 1: To some of the actors exactly, I was like, damn,

1066
00:58:07,280 --> 00:58:11,400
Speaker 1: this dog is good. I'm glad she brought the dog,

1067
00:58:11,480 --> 00:58:14,640
Speaker 1: to be honest. But it's like, because here's the other thing.

1068
00:58:14,920 --> 00:58:16,960
Speaker 1: So there's this dog in the house, but then there's

1069
00:58:17,000 --> 00:58:19,360
Speaker 1: these other two in the house, like you mentioned. Their

1070
00:58:19,440 --> 00:58:23,960
Speaker 1: characters are named Trish and Mark. Okay, And even though

1071
00:58:24,160 --> 00:58:28,360
Speaker 1: we hate when couples force single people to try to

1072
00:58:28,480 --> 00:58:33,440
Speaker 1: hook up in a vacation scenario, they actually do get together.

1073
00:58:33,480 --> 00:58:36,440
Speaker 1: They end up liking each other, and then the film

1074
00:58:36,960 --> 00:58:40,040
Speaker 1: decides to kind of focus on their full courtship, which

1075
00:58:40,080 --> 00:58:44,720
Speaker 1: is like an interesting choice. Like and maybe in lieu

1076
00:58:44,920 --> 00:58:47,640
Speaker 1: of showing a bougain, maybe I don't know.

1077
00:58:48,520 --> 00:58:50,920
Speaker 2: I think in they head they had the budget to

1078
00:58:51,000 --> 00:58:53,600
Speaker 2: make the bogain, but they clearly they didn't have the

1079
00:58:53,600 --> 00:58:55,760
Speaker 2: budget to show it a lot, Like maybe it was

1080
00:58:55,800 --> 00:58:59,120
Speaker 2: a very fragile bogain and we only got one shot

1081
00:58:59,160 --> 00:58:59,640
Speaker 2: with this thing.

1082
00:59:00,360 --> 00:59:04,040
Speaker 1: Yeah yeah, And I you know, I'm not necessarily complaining

1083
00:59:04,080 --> 00:59:07,320
Speaker 1: about this. I mean, first of all, like Mark kind

1084
00:59:07,360 --> 00:59:10,680
Speaker 1: of comes across as like an eighties Seth Rogan type.

1085
00:59:10,960 --> 00:59:15,120
Speaker 1: He's very like self effacing and charming, and Trish kind

1086
00:59:15,120 --> 00:59:19,680
Speaker 1: of has this like Cindy Williams vibe to her, you know,

1087
00:59:20,080 --> 00:59:22,680
Speaker 1: and they're both like everybody in the film is kind

1088
00:59:22,680 --> 00:59:25,880
Speaker 1: of wearing this like eighties like app ray Ski Whear

1089
00:59:26,240 --> 00:59:28,440
Speaker 1: type of stuff. So it's cute. Like there's a lot

1090
00:59:28,440 --> 00:59:31,720
Speaker 1: of like puffy vests, a lot of like you know,

1091
00:59:32,240 --> 00:59:35,520
Speaker 1: fair Isle sweater type things, and like they're very charming

1092
00:59:35,600 --> 00:59:38,640
Speaker 1: actors and their courtship. You're like, oh, I'm pulling for

1093
00:59:38,680 --> 00:59:41,960
Speaker 1: these two. They're cute together, but I also do need

1094
00:59:42,000 --> 00:59:44,280
Speaker 1: to see a boogain please, Like I need to see

1095
00:59:44,280 --> 00:59:45,160
Speaker 1: a boogain.

1096
00:59:45,440 --> 00:59:48,440
Speaker 2: Also, and not just like a fingernail of a bogin

1097
00:59:48,560 --> 00:59:49,280
Speaker 2: or a tendril.

1098
00:59:49,760 --> 00:59:55,960
Speaker 1: Yes, And here's the thing. At some point me watching

1099
00:59:55,960 --> 00:59:57,880
Speaker 1: this film, I started looking at my watch and I

1100
00:59:57,920 --> 01:00:00,000
Speaker 1: was like, I'm clocking this shit. When are we gonna

1101
01:00:00,000 --> 01:00:02,800
Speaker 1: to see a boogain? Right? Like, let's let's put the time,

1102
01:00:04,080 --> 01:00:07,400
Speaker 1: the timecode on the screen, and let's get it toime.

1103
01:00:07,760 --> 01:00:10,520
Speaker 2: So you have one of those big wooden hourglasses. I

1104
01:00:10,840 --> 01:00:13,760
Speaker 2: just turn it over. You're like tick fucking talk.

1105
01:00:14,840 --> 01:00:20,480
Speaker 1: I have like the giant like network news like cloth

1106
01:00:20,560 --> 01:00:24,240
Speaker 1: with like the red numbers that are doing like milliseconds seconds,

1107
01:00:24,520 --> 01:00:26,880
Speaker 1: you know, Like I'm like, when is this boogin gonna

1108
01:00:26,880 --> 01:00:32,080
Speaker 1: show up? And the first boogin appearance of one boogin

1109
01:00:32,200 --> 01:00:34,600
Speaker 1: happens fifty minutes in.

1110
01:00:34,600 --> 01:00:38,640
Speaker 2: The film, which is an hour and a half film.

1111
01:00:38,800 --> 01:00:41,919
Speaker 1: A little unreasonable for me. I just have to say,

1112
01:00:42,120 --> 01:00:44,560
Speaker 1: but you see like a little tiny tip of a

1113
01:00:44,600 --> 01:00:48,480
Speaker 1: tentacle or something like that, and and the unfortunately this

1114
01:00:48,760 --> 01:00:55,040
Speaker 1: sequence involves the very charismatic and charming dog, and we

1115
01:00:55,320 --> 01:00:57,520
Speaker 1: we just hate to see it. We hate to see

1116
01:00:57,560 --> 01:01:04,720
Speaker 1: that this beautiful creature that we just now are so

1117
01:01:04,960 --> 01:01:10,480
Speaker 1: invested in is now, you know, possibly meeting his timely

1118
01:01:10,600 --> 01:01:14,080
Speaker 1: death by this tiny little tip of a thing. Okay.

1119
01:01:14,760 --> 01:01:19,560
Speaker 1: And it wasn't until timestamp one hour and twelve minutes

1120
01:01:19,600 --> 01:01:22,800
Speaker 1: that we actually see a boogain finger like a full fingernail,

1121
01:01:23,080 --> 01:01:24,800
Speaker 1: And I was like, damn, that is a long time.

1122
01:01:25,640 --> 01:01:29,120
Speaker 2: And the fingernail is the murder weapon essentially, essentially his

1123
01:01:29,160 --> 01:01:30,480
Speaker 2: fingernails ripping people up.

1124
01:01:31,000 --> 01:01:33,080
Speaker 1: Yeah, and we're like, what is this attached to? We

1125
01:01:33,160 --> 01:01:36,440
Speaker 1: don't know, We have no idea yet, and so then

1126
01:01:36,480 --> 01:01:38,320
Speaker 1: it kind of the whole movie kind of rolls out

1127
01:01:38,520 --> 01:01:41,880
Speaker 1: slowly with this thing, because you know this is a

1128
01:01:41,920 --> 01:01:44,520
Speaker 1: horror movie. You do have a shower saying with a

1129
01:01:44,600 --> 01:01:47,720
Speaker 1: lady and a towel who gets attacked. Of course it's Jessica,

1130
01:01:48,320 --> 01:01:52,240
Speaker 1: the horny Lady. Right from the beginning of the film.

1131
01:01:52,560 --> 01:01:56,439
Speaker 1: She gets pulled into some kind of floor ducked which

1132
01:01:56,480 --> 01:01:59,160
Speaker 1: is where the dog was pulled from, because it was

1133
01:01:59,200 --> 01:02:02,800
Speaker 1: like from neath you it devours, right, So she goes

1134
01:02:02,840 --> 01:02:05,560
Speaker 1: to the floor ducks and there's like a grill. I mean,

1135
01:02:05,800 --> 01:02:07,479
Speaker 1: I used to live in a house that have those

1136
01:02:07,520 --> 01:02:10,920
Speaker 1: floor ducks with the grills on top, and I was

1137
01:02:11,080 --> 01:02:15,000
Speaker 1: so ready for boog and action at this point that

1138
01:02:15,120 --> 01:02:17,040
Speaker 1: I actually thought it was gonna like I thought they

1139
01:02:17,040 --> 01:02:20,840
Speaker 1: were gonna basically like pull her body through the great

1140
01:02:20,920 --> 01:02:22,479
Speaker 1: holes and it was gonna be like one of those

1141
01:02:23,080 --> 01:02:25,920
Speaker 1: Plato sets where you like put the Plato in the

1142
01:02:25,960 --> 01:02:27,560
Speaker 1: thing and then you press down. It makes that like

1143
01:02:27,720 --> 01:02:29,920
Speaker 1: sausage star.

1144
01:02:29,960 --> 01:02:35,000
Speaker 2: A Plato Fun Factory was on my fucking Christmas list

1145
01:02:35,120 --> 01:02:38,160
Speaker 2: every year, my goddamn life, and there's no way my

1146
01:02:38,240 --> 01:02:40,840
Speaker 2: family was gonna buy it for me. My Grandma's like,

1147
01:02:40,960 --> 01:02:42,960
Speaker 2: make a star with your bare hands, and I'm like,

1148
01:02:43,000 --> 01:02:45,640
Speaker 2: you don't get it. This is a fucking sausage star.

1149
01:02:45,800 --> 01:02:48,640
Speaker 2: This is a sausage rainbow. And she was like, fuck you,

1150
01:02:49,160 --> 01:02:52,560
Speaker 2: we don't have Plato Fun Factory money. So I'm fully

1151
01:02:52,560 --> 01:02:55,560
Speaker 2: aware of what you're talking about, because as an adult,

1152
01:02:55,600 --> 01:02:57,640
Speaker 2: I still I would buy one for myself today if

1153
01:02:57,640 --> 01:03:01,880
Speaker 2: I could, if I could find one, I wanted to

1154
01:03:01,880 --> 01:03:06,800
Speaker 2: see this bitch go through this like a fucking sausage like. Yes,

1155
01:03:07,600 --> 01:03:11,240
Speaker 2: like an old timey meat grinder. Ye, see these fucking

1156
01:03:11,680 --> 01:03:13,680
Speaker 2: limbs getting shredded through these squares.

1157
01:03:14,280 --> 01:03:16,840
Speaker 1: Yes, the bougain has got like a hand crank. That's

1158
01:03:16,920 --> 01:03:24,160
Speaker 1: just like be like And this was truly I'm not

1159
01:03:24,200 --> 01:03:27,200
Speaker 1: trying to be gruesome. I'm just saying, in my desperation

1160
01:03:27,400 --> 01:03:31,880
Speaker 1: for something crazy to happen, I was like, do something gnarly.

1161
01:03:32,120 --> 01:03:33,240
Speaker 1: We're ready for it.

1162
01:03:33,400 --> 01:03:36,000
Speaker 2: I is be ready for an arm to be ripped off,

1163
01:03:36,200 --> 01:03:40,080
Speaker 2: and like, show us a stump show us, a stump

1164
01:03:40,080 --> 01:03:45,320
Speaker 2: show us a disgusting bad special effects eighties stump, but

1165
01:03:45,440 --> 01:03:47,480
Speaker 2: rip that arm off. Yeah.

1166
01:03:47,520 --> 01:03:51,400
Speaker 1: I was like, maybe the dog comes back radioactive, And yes,

1167
01:03:51,520 --> 01:03:55,080
Speaker 1: the dog is doing the hand crank, get me put

1168
01:03:55,200 --> 01:03:58,400
Speaker 1: the owner through the sausage star machine like something.

1169
01:03:58,840 --> 01:04:02,520
Speaker 2: Maybe the dog is a fun boogin. It's got tentacle

1170
01:04:02,960 --> 01:04:06,760
Speaker 2: instead of pause, like give me something I needed it.

1171
01:04:07,360 --> 01:04:11,200
Speaker 1: So the dog is craking.

1172
01:04:11,400 --> 01:04:13,920
Speaker 2: He's like, I told you I was smart. Work this

1173
01:04:14,000 --> 01:04:16,200
Speaker 2: fucking mechanical contraption.

1174
01:04:16,680 --> 01:04:21,960
Speaker 1: It's little paws are like crescent moons over the hand

1175
01:04:22,600 --> 01:04:24,840
Speaker 1: frank thing, and he's like like what I can do?

1176
01:04:25,240 --> 01:04:28,280
Speaker 2: Look at me and his eyes are glowing red and

1177
01:04:28,320 --> 01:04:34,000
Speaker 2: bleeding down his fur. It's blood eyes and crescent hands.

1178
01:04:35,560 --> 01:04:37,960
Speaker 1: Yeah. Well, at this point we we know little to

1179
01:04:38,040 --> 01:04:41,640
Speaker 1: nothing about these booguans, so anything could have happened. Literally,

1180
01:04:41,680 --> 01:04:42,560
Speaker 1: anything could have happened.

1181
01:04:42,640 --> 01:04:44,600
Speaker 2: You could have had a family of red actors shown

1182
01:04:44,680 --> 01:04:45,760
Speaker 2: up and been a bogin.

1183
01:04:48,280 --> 01:04:52,680
Speaker 1: So here's what does happen though. So Trish comes home,

1184
01:04:53,120 --> 01:04:56,760
Speaker 1: finds that the dog is gone, Chesca's gone. She goes

1185
01:04:56,800 --> 01:04:58,520
Speaker 1: down into the basement of this house to try to

1186
01:04:58,560 --> 01:05:01,840
Speaker 1: look for people, and then suddenly this tentacle makes this

1187
01:05:02,000 --> 01:05:06,360
Speaker 1: like whoop jaw sound while grabbing her leg from like

1188
01:05:06,480 --> 01:05:11,240
Speaker 1: under the staircase, and that effectively pushes her down the

1189
01:05:11,280 --> 01:05:14,680
Speaker 1: stairs so hard that she like takes out the entire railing.

1190
01:05:15,080 --> 01:05:18,280
Speaker 1: And it was only then that I was like, finally

1191
01:05:19,040 --> 01:05:20,080
Speaker 1: we got something.

1192
01:05:20,720 --> 01:05:23,440
Speaker 2: Yes, oh God.

1193
01:05:24,120 --> 01:05:27,040
Speaker 1: And this is basically when it gets going. And like

1194
01:05:27,080 --> 01:05:30,840
Speaker 1: I said, this is very very late in the game, right,

1195
01:05:31,280 --> 01:05:34,040
Speaker 1: But what ends up happening is that you know, Mark

1196
01:05:34,160 --> 01:05:37,840
Speaker 1: suddenly shows up to find Trish, There's a cop that

1197
01:05:37,960 --> 01:05:41,240
Speaker 1: suddenly is there. They all get trapped in the basement

1198
01:05:41,320 --> 01:05:44,600
Speaker 1: with the Bougain and then you finally get to see

1199
01:05:44,640 --> 01:05:51,600
Speaker 1: the like baby bougain head. Like it's like this is

1200
01:05:51,640 --> 01:05:54,760
Speaker 1: the opposite of your film, where like when you see

1201
01:05:54,800 --> 01:05:57,760
Speaker 1: the face of this thing, it looks like your like

1202
01:05:57,840 --> 01:06:01,440
Speaker 1: the tremors. Sandworms have gin nor as like butthole heads

1203
01:06:01,480 --> 01:06:05,200
Speaker 1: that like have things things coming out of it. The

1204
01:06:05,240 --> 01:06:10,400
Speaker 1: Bougain is this tiny little baby head. It's like, Wow,

1205
01:06:10,640 --> 01:06:14,240
Speaker 1: that's that's what we've been waiting for, especially.

1206
01:06:13,840 --> 01:06:15,840
Speaker 2: Because this old man's been running around like I will

1207
01:06:15,840 --> 01:06:18,920
Speaker 2: blow this fucking town up to protect you from the

1208
01:06:18,920 --> 01:06:20,720
Speaker 2: Bogain and you're like that boogin is the size of

1209
01:06:20,760 --> 01:06:21,240
Speaker 2: my foot.

1210
01:06:21,640 --> 01:06:27,960
Speaker 1: Yeah, and eating the CoP's face, which is lovely, but

1211
01:06:28,000 --> 01:06:31,360
Speaker 1: the head is so small it just looks like it's cute,

1212
01:06:31,440 --> 01:06:33,080
Speaker 1: and it's like, you know what it did? You know

1213
01:06:33,120 --> 01:06:37,640
Speaker 1: what it was? Everybody go right now and google pictures

1214
01:06:37,760 --> 01:06:43,880
Speaker 1: of Godzilla's son. Just just go to Google and look

1215
01:06:43,920 --> 01:06:45,560
Speaker 1: that up right now. That's what this boog. It looks

1216
01:06:45,560 --> 01:06:50,720
Speaker 1: like this, like cute little baby version of a creature.

1217
01:06:51,080 --> 01:06:53,800
Speaker 1: Oh no, And this is what We've been waiting on

1218
01:06:53,800 --> 01:06:57,600
Speaker 1: it for over an hour. And this is all happening

1219
01:06:57,600 --> 01:06:59,560
Speaker 1: in like the last seven minutes of this film, which

1220
01:06:59,640 --> 01:07:02,240
Speaker 1: is pretty much bullshit, I have to say. Just as

1221
01:07:02,280 --> 01:07:05,000
Speaker 1: like I was like waiting for this to happen. Then

1222
01:07:05,040 --> 01:07:07,280
Speaker 1: this other thing happens where the basement kind of catches

1223
01:07:07,320 --> 01:07:10,800
Speaker 1: on fire very quickly, and then they have to escape

1224
01:07:11,040 --> 01:07:13,800
Speaker 1: and they do it out of this hash that goes

1225
01:07:13,920 --> 01:07:15,520
Speaker 1: into the haunted mine.

1226
01:07:17,160 --> 01:07:21,280
Speaker 2: How did that work? Ps? The mine is connected to

1227
01:07:21,360 --> 01:07:23,840
Speaker 2: every house in town. At some point, the old guy

1228
01:07:23,880 --> 01:07:26,560
Speaker 2: says that, like it runs under every house or something like, Eric,

1229
01:07:26,600 --> 01:07:29,920
Speaker 2: what how did no one in any iteration of this

1230
01:07:30,000 --> 01:07:32,240
Speaker 2: town decide to seal some of that shit off? Well?

1231
01:07:32,280 --> 01:07:33,920
Speaker 1: And like that's what I kept thinking too, because I

1232
01:07:33,960 --> 01:07:37,400
Speaker 1: was like, these guys work in the mine. Did they

1233
01:07:37,480 --> 01:07:39,480
Speaker 1: just get a house that was next door to the

1234
01:07:39,520 --> 01:07:41,120
Speaker 1: mine they were about to blow up? That doesn't make

1235
01:07:41,120 --> 01:07:44,520
Speaker 1: any sense. It took no time at all from them

1236
01:07:44,560 --> 01:07:49,360
Speaker 1: to be from the basement portion to the place where

1237
01:07:49,400 --> 01:07:52,080
Speaker 1: the skulls were. I was like, this is so weird. Yes,

1238
01:07:52,200 --> 01:07:55,400
Speaker 1: like how does this work? But I, you know, don't

1239
01:07:55,400 --> 01:07:57,520
Speaker 1: ask a lot of questions when it comes to things

1240
01:07:57,600 --> 01:08:01,880
Speaker 1: like this, as we know. And in spite of all

1241
01:08:01,920 --> 01:08:03,800
Speaker 1: this terror, and in spite of the end of the movie,

1242
01:08:03,800 --> 01:08:05,440
Speaker 1: I mean, I still wanted them to go back and

1243
01:08:05,480 --> 01:08:10,240
Speaker 1: get the boogain and uh, maybe adopt the bogain Like

1244
01:08:10,280 --> 01:08:12,320
Speaker 1: I was just like, why this is too cute? Like

1245
01:08:13,200 --> 01:08:15,560
Speaker 1: these this is a new couple. You know, I don't

1246
01:08:15,600 --> 01:08:17,600
Speaker 1: know if they're thinking about having kids yet, but you know,

1247
01:08:17,640 --> 01:08:20,760
Speaker 1: maybe she can't conceive or maybe his his sperm doesn't work.

1248
01:08:20,920 --> 01:08:24,519
Speaker 1: What if they just like domesticated this thing and it's

1249
01:08:24,600 --> 01:08:26,840
Speaker 1: and it becomes like ALF. It's like an ALF thing,

1250
01:08:26,960 --> 01:08:28,200
Speaker 1: Like it becomes a sitcom.

1251
01:08:28,479 --> 01:08:33,880
Speaker 2: You know, replace the dog with the Bogaine and show

1252
01:08:33,960 --> 01:08:39,160
Speaker 2: me the bogains to electric boogain Loo and it's just like, no,

1253
01:08:39,360 --> 01:08:44,200
Speaker 2: you did a baby, show me a Boogin in a

1254
01:08:44,240 --> 01:08:49,320
Speaker 2: dog bed. But the fuck eating dry food and wantting

1255
01:08:49,320 --> 01:08:52,919
Speaker 2: wet food, getting some fucking chicky nuggies and some snacks

1256
01:08:53,080 --> 01:08:55,000
Speaker 2: when he's good, when he doesn't eat people with his

1257
01:08:55,080 --> 01:09:02,440
Speaker 2: fucking fingernails. You have to hide it from the landlord.

1258
01:09:02,720 --> 01:09:04,160
Speaker 2: Oh no, we don't have a pet. We have a

1259
01:09:04,160 --> 01:09:09,320
Speaker 2: fucking Bougain. You wrap it up, you swaddle it like

1260
01:09:09,360 --> 01:09:11,639
Speaker 2: a baby. That pretend the landlord doesn't.

1261
01:09:11,439 --> 01:09:12,000
Speaker 1: Know you have a pet.

1262
01:09:15,160 --> 01:09:16,120
Speaker 2: I broke Millie.

1263
01:09:16,120 --> 01:09:16,760
Speaker 1: I broke her.

1264
01:09:16,880 --> 01:09:22,599
Speaker 2: Milly's like on the floor. Boogins two could be an

1265
01:09:22,600 --> 01:09:27,080
Speaker 2: eighty sitcom, just saying my two dad, my two Bogains.

1266
01:09:27,400 --> 01:09:31,160
Speaker 1: I think we know. My photoshop skills are terrible. Okay,

1267
01:09:31,560 --> 01:09:34,280
Speaker 1: I'm going to have to figure out how to make

1268
01:09:35,920 --> 01:09:40,920
Speaker 1: the Criterion disc cover of Bougains two Electric Boogin.

1269
01:09:40,520 --> 01:09:43,760
Speaker 2: Loo, and then we have to make it, and then

1270
01:09:43,800 --> 01:09:47,280
Speaker 2: we have to release it. I will find the funding.

1271
01:09:47,560 --> 01:09:50,880
Speaker 1: Where it's just like a family photo of Trish and

1272
01:09:50,960 --> 01:09:55,120
Speaker 1: Mark and this like baby Bougain.

1273
01:09:55,479 --> 01:09:57,439
Speaker 2: And the old guys, the old guys in the background.

1274
01:09:57,520 --> 01:10:01,839
Speaker 2: He's their neighbor. Can't believe they domesticated a Boogain.

1275
01:10:03,240 --> 01:10:06,000
Speaker 1: He's like the guy from the fence and like Home Improvement.

1276
01:10:06,080 --> 01:10:08,840
Speaker 1: He's just like, hey, guys, I'm here to just provide

1277
01:10:08,880 --> 01:10:13,920
Speaker 1: you some creepy lessons. I'm just a former webcom who's

1278
01:10:14,000 --> 01:10:19,840
Speaker 1: now a nice, folksy neighbor. Oh my god, I truly

1279
01:10:19,880 --> 01:10:22,400
Speaker 1: have nothing to say about the rest of this film.

1280
01:10:22,439 --> 01:10:27,479
Speaker 1: That's it, Like, that is it. That is the end

1281
01:10:27,800 --> 01:10:28,920
Speaker 1: of this of my section.

1282
01:10:29,360 --> 01:10:32,120
Speaker 2: You just gotta watch it. You just gotta watch it.

1283
01:10:32,840 --> 01:10:33,839
Speaker 2: Oh my god.

1284
01:10:33,960 --> 01:10:44,560
Speaker 1: I have not laughed that hard since Dante's Peak. I

1285
01:10:44,560 --> 01:10:45,439
Speaker 1: I'm that's it for me.

1286
01:10:45,600 --> 01:10:49,519
Speaker 2: The sizzling legs, Well, we're I'm so glad you brought

1287
01:10:49,520 --> 01:10:53,920
Speaker 2: this movie to the Pod because it was a necessary viewing.

1288
01:10:54,040 --> 01:10:56,680
Speaker 2: And it is so funny and weird, and it's one

1289
01:10:56,720 --> 01:10:58,559
Speaker 2: of those movies that, like, again, this is the kind

1290
01:10:58,560 --> 01:11:00,800
Speaker 2: of thing you used to excel at with Underground, is

1291
01:11:00,840 --> 01:11:04,559
Speaker 2: just showing us the weirder underbelly of film life.

1292
01:11:06,920 --> 01:11:11,360
Speaker 1: Well, and it is also interesting too about the types

1293
01:11:11,400 --> 01:11:15,240
Speaker 1: of like you know when you watch science fiction or

1294
01:11:15,240 --> 01:11:18,479
Speaker 1: horror movies after a very very long stretch of time

1295
01:11:18,880 --> 01:11:22,320
Speaker 1: and just being like wow, like maybe this is not

1296
01:11:22,600 --> 01:11:24,959
Speaker 1: what I thought I mean with Trebor's with your film, obviously,

1297
01:11:25,080 --> 01:11:27,360
Speaker 1: I loved it even more. I think than I did

1298
01:11:27,360 --> 01:11:30,000
Speaker 1: in childhood. Yeah, Boogins was like, oh.

1299
01:11:30,080 --> 01:11:30,760
Speaker 2: What you know?

1300
01:11:30,960 --> 01:11:34,439
Speaker 1: Maybe now like there's I need a little bit more

1301
01:11:34,680 --> 01:11:39,000
Speaker 1: from this. But I also think it is like an

1302
01:11:39,120 --> 01:11:42,920
Speaker 1: enjoyable film, even the first like hour and some change

1303
01:11:42,960 --> 01:11:46,040
Speaker 1: where nothing happens you see not a Bougain in sight,

1304
01:11:46,720 --> 01:11:47,040
Speaker 1: but the.

1305
01:11:46,960 --> 01:11:48,720
Speaker 2: First hour they do a good job of building the

1306
01:11:48,720 --> 01:11:50,280
Speaker 2: suspense of like when am I going to see a

1307
01:11:50,280 --> 01:11:52,160
Speaker 2: Boogain right exactly?

1308
01:11:52,960 --> 01:11:57,040
Speaker 1: And then when it actually happens, you're like exploding in ecstasy,

1309
01:11:57,400 --> 01:11:59,559
Speaker 1: which I guess is a fun way to watch a film.

1310
01:11:59,560 --> 01:12:00,080
Speaker 1: Not gonna.

1311
01:12:02,040 --> 01:12:05,439
Speaker 2: Oh good, it was excellent, excellent, listen.

1312
01:12:05,720 --> 01:12:08,280
Speaker 1: I just love summer. We have so much fun on

1313
01:12:08,320 --> 01:12:12,439
Speaker 1: these episodes, And if you want to email us for

1314
01:12:12,479 --> 01:12:17,439
Speaker 1: any reason, please do so at Asach didpotatgmail dot com.

1315
01:12:17,800 --> 01:12:21,120
Speaker 2: And we have social media. We're on Instagram and Twitter

1316
01:12:21,240 --> 01:12:25,360
Speaker 2: at I sawpod on both, yes, and you.

1317
01:12:25,320 --> 01:12:27,479
Speaker 1: Know we got merch. Please go to the I Saw

1318
01:12:27,479 --> 01:12:29,400
Speaker 1: What She Did section of the Exactly Right shop to

1319
01:12:29,720 --> 01:12:30,280
Speaker 1: find it.

1320
01:12:30,840 --> 01:12:32,960
Speaker 2: And our bonus episodes are free now they are no

1321
01:12:33,000 --> 01:12:35,439
Speaker 2: longer behind the paywall. New ones come out the third

1322
01:12:35,520 --> 01:12:41,520
Speaker 2: Thursday of every month, and old episodes are trickling out constantly, yes, yes, yes.

1323
01:12:41,320 --> 01:12:46,800
Speaker 1: Well Danielle, woof, it's gonna be a fun one. Next week,

1324
01:12:46,800 --> 01:12:48,200
Speaker 1: why don't you tell them what the movies are?

1325
01:12:48,800 --> 01:12:52,640
Speaker 2: I cannot wait because next month we are doing a

1326
01:12:52,720 --> 01:12:57,200
Speaker 2: month long theme for the first time woo, and I

1327
01:12:57,200 --> 01:12:58,960
Speaker 2: feel like we could just tell you what the theme is,

1328
01:13:00,479 --> 01:13:03,120
Speaker 2: all right, Okay, do it because we're not going to

1329
01:13:03,160 --> 01:13:04,599
Speaker 2: make you guess because it's going to be the same

1330
01:13:04,640 --> 01:13:09,240
Speaker 2: theme all month. And we are doing hot movies, hot hot,

1331
01:13:09,400 --> 01:13:14,320
Speaker 2: hot movies for all of August, starting with next week,

1332
01:13:14,840 --> 01:13:18,519
Speaker 2: Hot Fuzz from two thousand and seven and Hot Shots

1333
01:13:18,560 --> 01:13:20,599
Speaker 2: from nineteen ninety one.

1334
01:13:23,240 --> 01:13:27,559
Speaker 1: Sizzling for the summer. I can't wait. I actually, I'm

1335
01:13:27,600 --> 01:13:30,559
Speaker 1: so excited to be doing a theme that's longer than

1336
01:13:30,560 --> 01:13:30,840
Speaker 1: a week.

1337
01:13:30,920 --> 01:13:31,840
Speaker 2: You know it.

1338
01:13:31,960 --> 01:13:34,360
Speaker 1: We've done it a couple of weeks, you know, we

1339
01:13:34,479 --> 01:13:36,040
Speaker 1: do Black History Month all that kind of stuff. But

1340
01:13:36,080 --> 01:13:39,679
Speaker 1: it's like, this is a one theme that unites movies

1341
01:13:39,720 --> 01:13:41,519
Speaker 1: over the course. I think it's going to be at

1342
01:13:41,600 --> 01:13:43,760
Speaker 1: least four six weeks.

1343
01:13:43,479 --> 01:13:45,439
Speaker 2: Maybe, yeah, yeah, five weeks. Yeah.

1344
01:13:45,600 --> 01:13:51,640
Speaker 1: Ooh, I'm excited. Okay, listen, Danielle, you crazy bitch. I

1345
01:13:51,680 --> 01:13:54,400
Speaker 1: love you so much. It is a fucking pleasure doing

1346
01:13:54,400 --> 01:13:55,240
Speaker 1: this podcast with you.

1347
01:13:55,640 --> 01:13:58,200
Speaker 2: I Love you too. Don't get it up by anything

1348
01:13:58,240 --> 01:14:02,240
Speaker 2: from underneath. Check those rates, check those toilets, check that sand.

1349
01:14:04,200 --> 01:14:15,040
Speaker 2: Don't get at up see your next word. This has

1350
01:14:15,040 --> 01:14:18,320
Speaker 2: been an exactly right production produced by Ksey O'Brien, mixed

1351
01:14:18,320 --> 01:14:21,240
Speaker 2: by Edson Choi. Our theme song is by Tom bry Fogel.

1352
01:14:21,560 --> 01:14:25,280
Speaker 2: Artwork by Garrett Ross. Our executive producers are Georgia Hartstart,

1353
01:14:25,360 --> 01:14:28,000
Speaker 2: Karen kile Gareff, and Daniel Kramer. You can follow us

1354
01:14:28,000 --> 01:14:30,920
Speaker 2: on Instagram and Twitter at I Saw pod, and you

1355
01:14:30,960 --> 01:14:33,160
Speaker 2: can email us at I Saw What You Did Pod

1356
01:14:33,280 --> 01:14:33,879
Speaker 2: at gmail