1 00:00:03,920 --> 00:00:09,399 Speaker 1: It's that time time, time, time, luck and load. 2 00:00:11,240 --> 00:00:13,360 Speaker 2: So Michael Varry Show is. 3 00:00:13,280 --> 00:00:13,880 Speaker 3: On the air. 4 00:00:16,480 --> 00:00:16,960 Speaker 2: Replace. 5 00:00:17,079 --> 00:00:20,880 Speaker 4: We went the carry and the sense of joy. I 6 00:00:20,920 --> 00:00:24,120 Speaker 4: know it's incredibly disappointing now, and look candidly, it's it's 7 00:00:24,120 --> 00:00:28,479 Speaker 4: a bit scary because there's a very different vision that's 8 00:00:28,520 --> 00:00:29,800 Speaker 4: being put out there. 9 00:00:30,000 --> 00:00:32,479 Speaker 1: And tonight we're getting some new details about that Trump 10 00:00:32,520 --> 00:00:35,320 Speaker 1: Trudeau dinner from two people who were at the table. 11 00:00:35,400 --> 00:00:39,320 Speaker 1: We are told that when Trudeau told President elect Trump 12 00:00:39,520 --> 00:00:43,400 Speaker 1: that new tariffs would kill the Canadian economy, Trump joked 13 00:00:43,479 --> 00:00:46,640 Speaker 1: to him that if Canada can't survive without ripping off 14 00:00:46,640 --> 00:00:48,960 Speaker 1: the US to the tune of one hundred billion dollars 15 00:00:49,000 --> 00:00:52,560 Speaker 1: a year, then maybe Canada should become the fifty first 16 00:00:52,760 --> 00:01:18,720 Speaker 1: state and Trudeau could become it's got. 17 00:01:19,360 --> 00:01:19,840 Speaker 2: Replace. 18 00:01:19,959 --> 00:01:23,760 Speaker 4: We went the carrying and the sense of joy. I 19 00:01:23,800 --> 00:01:27,080 Speaker 4: know it's incredibly disappointing now and look candidly, it's a 20 00:01:27,080 --> 00:01:31,360 Speaker 4: bit scary because there's a very different vision, uh that's 21 00:01:31,400 --> 00:01:32,640 Speaker 4: being put out there. 22 00:01:33,560 --> 00:01:35,920 Speaker 5: President Trump looked at at the Taliban leader and said this, 23 00:01:37,640 --> 00:01:40,480 Speaker 5: I want to leave Afghanistan, but it's going to be 24 00:01:40,480 --> 00:01:44,720 Speaker 5: a conditions based withdraw and translator translated, and he said 25 00:01:44,880 --> 00:01:48,840 Speaker 5: if you harm a hair on a single American, I'm 26 00:01:48,840 --> 00:01:49,600 Speaker 5: going to kill you. 27 00:01:51,360 --> 00:01:55,040 Speaker 2: And translator goes, and Trump goes, tell. 28 00:01:57,320 --> 00:01:58,120 Speaker 6: Tell her what I said. 29 00:01:58,800 --> 00:02:02,640 Speaker 5: Reached in his pocket, pulled out a satellite photo of 30 00:02:02,640 --> 00:02:05,680 Speaker 5: the leader, the leader of the Taliban's home, and handed 31 00:02:05,680 --> 00:02:06,040 Speaker 5: it to him. 32 00:02:06,040 --> 00:02:44,720 Speaker 2: Shut up, got up and walked off the groun. A 33 00:02:44,800 --> 00:02:49,720 Speaker 2: friend of mine's daughter brought a friend of hers home 34 00:02:49,760 --> 00:02:54,399 Speaker 2: with her after school. My friend asked the girl if 35 00:02:54,400 --> 00:02:57,680 Speaker 2: somebody would be picking her up or if he needed 36 00:02:57,680 --> 00:03:01,280 Speaker 2: to drop her back off to her house, and she 37 00:03:01,440 --> 00:03:08,360 Speaker 2: said her great great great great great grandfather would be. 38 00:03:09,960 --> 00:03:13,560 Speaker 2: And my friend said, that's amazing. How has he lived 39 00:03:13,560 --> 00:03:16,760 Speaker 2: so long? His daughter said, oh, she has a stutter. 40 00:03:16,840 --> 00:03:17,040 Speaker 3: Dad. 41 00:03:23,080 --> 00:03:25,760 Speaker 2: Nurse says to the doctor, Doctor, there's an invisible man 42 00:03:25,800 --> 00:03:28,800 Speaker 2: in the waiting room. Doctor replies, tell him, I can't 43 00:03:28,840 --> 00:03:35,960 Speaker 2: sin him. One snowman says to the other, does this 44 00:03:36,000 --> 00:03:46,880 Speaker 2: smell like carrots in here? You like carrots trong? You 45 00:03:46,960 --> 00:03:55,320 Speaker 2: like carrot juice? Remember the carotini? That was a terrible drink, 46 00:03:56,720 --> 00:03:59,880 Speaker 2: But to matt Bryce's credit, we asked him to make it. 47 00:04:00,120 --> 00:04:04,240 Speaker 2: He did. You wouldn't believe how many dings sold. I 48 00:04:04,280 --> 00:04:08,920 Speaker 2: don't remember thousands, soul thousands. I said, what do people 49 00:04:08,920 --> 00:04:11,760 Speaker 2: think of it? He said, they hate it. It wasn't 50 00:04:11,760 --> 00:04:15,320 Speaker 2: the point. The point wasn't. Look if carrot juice tasted 51 00:04:15,360 --> 00:04:17,359 Speaker 2: good in the martini, somebody would have put it in 52 00:04:17,440 --> 00:04:21,880 Speaker 2: a drink before Carotini had the game winning hit. Little 53 00:04:21,920 --> 00:04:23,160 Speaker 2: known fact. I don't know if I told you. I 54 00:04:23,200 --> 00:04:24,960 Speaker 2: don't know if you were with me or not. But 55 00:04:25,040 --> 00:04:27,719 Speaker 2: I went to the next game like that next night, 56 00:04:28,839 --> 00:04:34,280 Speaker 2: and it's one out, bottom of the ninth and who 57 00:04:34,360 --> 00:04:36,800 Speaker 2: should be who should be put in as a pinch hitter? Again? 58 00:04:36,920 --> 00:04:41,800 Speaker 2: Was Carotini ripped it? I mean on a line he 59 00:04:42,080 --> 00:04:47,320 Speaker 2: got hold of a ball, hard line drive the right fielder. 60 00:04:47,400 --> 00:04:49,360 Speaker 2: I don't think he moved one foot. It was right 61 00:04:49,480 --> 00:04:52,640 Speaker 2: to him, but he got hold of one. You know, 62 00:04:52,720 --> 00:04:56,640 Speaker 2: we didn't talk about the game. The UTA and M game. 63 00:04:59,279 --> 00:05:02,719 Speaker 2: There's a story that has emerged which you may have seen, 64 00:05:04,279 --> 00:05:06,560 Speaker 2: but in case you haven't, two Texas A and M 65 00:05:06,600 --> 00:05:11,359 Speaker 2: fans were arrested at Saturday's game at Kyle Field for 66 00:05:11,600 --> 00:05:18,120 Speaker 2: criminal trespassing. According to arrest affidavits, the two men had 67 00:05:18,160 --> 00:05:23,839 Speaker 2: pictures of themselves as ID photos with fake names on 68 00:05:23,960 --> 00:05:28,000 Speaker 2: the ID. Both men were booked in the Brass County 69 00:05:28,080 --> 00:05:31,880 Speaker 2: jail for criminal trespass and released the next day. These 70 00:05:31,880 --> 00:05:35,800 Speaker 2: guys are legends. The two men arrested were twenty two 71 00:05:35,920 --> 00:05:41,600 Speaker 2: year old Julian Carrione and twenty one year old Logan Scalise. 72 00:05:43,279 --> 00:05:45,360 Speaker 2: He's got to be related to Steve Scalize. That's too 73 00:05:45,440 --> 00:05:49,120 Speaker 2: rare a name not to wasn't the only arrest at 74 00:05:49,120 --> 00:05:51,960 Speaker 2: the stadium. After the game started, Popo arrested a Grand 75 00:05:51,960 --> 00:05:54,239 Speaker 2: Prairie man who got into the game without a ticket. 76 00:05:55,360 --> 00:06:00,320 Speaker 2: Oriobos Akio, twenty two, was charged with criminal trespass and 77 00:06:00,400 --> 00:06:04,120 Speaker 2: resisting arrest. He was released from jail after posting bonds 78 00:06:04,160 --> 00:06:07,760 Speaker 2: totaling eight thousand dollars. Popo also arrested a man for 79 00:06:07,839 --> 00:06:10,480 Speaker 2: selling two fake tickets for nine hundred dollars and throwing 80 00:06:10,520 --> 00:06:13,920 Speaker 2: away five more fake tickets. The arrest report said the 81 00:06:13,960 --> 00:06:16,400 Speaker 2: officer recognized the tickets as fake because the back of 82 00:06:16,440 --> 00:06:21,839 Speaker 2: the tickets contained University of Texas logos. Yeah, goober, But 83 00:06:21,960 --> 00:06:25,000 Speaker 2: the reason I told you the story is the two 84 00:06:25,080 --> 00:06:29,400 Speaker 2: men who were posing as construction workers to get in. 85 00:06:29,440 --> 00:06:35,000 Speaker 2: Have you seen this story? They had hard hats, reflective vests, 86 00:06:36,040 --> 00:06:41,320 Speaker 2: and fake credentials. It's what names were used on their 87 00:06:41,320 --> 00:06:47,360 Speaker 2: fake credentials that make this story worth noting. One of 88 00:06:47,400 --> 00:06:54,599 Speaker 2: them was mister mccachinner mc COCKI N E. R. First 89 00:06:54,680 --> 00:07:01,440 Speaker 2: named Duncan. The other man last name was as crack 90 00:07:02,000 --> 00:07:09,720 Speaker 2: a Z crac, first name Harry. Can you imagine how 91 00:07:09,800 --> 00:07:16,040 Speaker 2: much fun they had coming up with their names and 92 00:07:16,080 --> 00:07:20,440 Speaker 2: getting them printed on their credentials and showing them to 93 00:07:20,520 --> 00:07:25,960 Speaker 2: their buddies. I mean they just cackled, you know, they 94 00:07:26,200 --> 00:07:30,880 Speaker 2: just laughed and laughed. They will laugh about that for 95 00:07:31,000 --> 00:07:37,600 Speaker 2: the rest of their lives. Was it worth getting arrested? Yeah? Probably, 96 00:07:38,640 --> 00:07:41,840 Speaker 2: because that's a story that when your kids are in 97 00:07:41,920 --> 00:07:46,280 Speaker 2: high school and they think dad's lame, you go, well, 98 00:07:46,480 --> 00:07:48,680 Speaker 2: why don't you look up this name right here and 99 00:07:48,720 --> 00:07:50,880 Speaker 2: see if the guy that pops up in the arrest 100 00:07:50,920 --> 00:07:54,760 Speaker 2: report looks familiar. If you're the judge and these two 101 00:07:54,800 --> 00:07:59,320 Speaker 2: guys come before you and you say would you like 102 00:07:59,400 --> 00:08:03,840 Speaker 2: to be referred to by your alias or by your 103 00:08:04,080 --> 00:08:07,720 Speaker 2: Christian name? I mean you have to get a kick 104 00:08:07,760 --> 00:08:10,520 Speaker 2: out of that. There was the thing about it is 105 00:08:11,040 --> 00:08:14,880 Speaker 2: today it's considered Oh it's such a serious thing. That's 106 00:08:14,880 --> 00:08:18,480 Speaker 2: the kind of stuff in my dad's generation that I mean, 107 00:08:18,480 --> 00:08:23,520 Speaker 2: that's American graffiti stuff, right, that's Porky's. That's Fast Times 108 00:08:23,560 --> 00:08:27,200 Speaker 2: at Richmond High. That that's the sort of stuff that 109 00:08:27,440 --> 00:08:30,440 Speaker 2: people used to do with their jeans rolled up and 110 00:08:30,480 --> 00:08:35,679 Speaker 2: they're in their white T shirt looking like James Dean 111 00:08:35,800 --> 00:08:38,040 Speaker 2: with their black horned grim glasses. That's what my dad 112 00:08:38,080 --> 00:08:41,640 Speaker 2: looked like, and their hair brike creamed back, and they 113 00:08:41,760 --> 00:08:45,679 Speaker 2: played pranks and had fun and it was relatively harmless. 114 00:08:46,360 --> 00:08:51,160 Speaker 2: Relatively anyway. If one of you knows those two legends, 115 00:08:51,240 --> 00:08:53,400 Speaker 2: ask them to call it seven one three nine nine 116 00:08:53,520 --> 00:08:54,360 Speaker 2: nine one thousand. 117 00:08:56,960 --> 00:09:14,120 Speaker 6: Stop right there. 118 00:09:16,960 --> 00:09:19,640 Speaker 2: I can think of no song for which this is 119 00:09:19,760 --> 00:09:27,080 Speaker 2: more the case. Great opening and the minute Ann Wilson 120 00:09:27,160 --> 00:09:31,840 Speaker 2: begins singing, the song goes off cliff. The song does 121 00:09:31,880 --> 00:09:37,800 Speaker 2: not go up from there. That song opens with about 122 00:09:37,840 --> 00:09:43,720 Speaker 2: ten seconds of a great guitar opening and then goes 123 00:09:43,760 --> 00:09:48,400 Speaker 2: downhill and before you go. But I like Anne Wilson. 124 00:09:48,400 --> 00:09:50,320 Speaker 2: I bet there's something about Ann Wilson you don't know. 125 00:09:51,880 --> 00:09:54,800 Speaker 2: Do you know that she stopped recording, She stopped performing 126 00:09:54,840 --> 00:09:58,400 Speaker 2: the song in Do you know that she stopped performing 127 00:09:58,400 --> 00:10:04,640 Speaker 2: in concert? She said it's sent a bad message, So 128 00:10:04,720 --> 00:10:10,560 Speaker 2: she simply stopped performing the song. Oh wait, maybe that 129 00:10:10,640 --> 00:10:13,080 Speaker 2: was Hit Me with your best shot. Yeah it was. 130 00:10:13,160 --> 00:10:16,679 Speaker 2: Never mind, it wasn't Barracuda. But the song goes downhill 131 00:10:16,720 --> 00:10:22,880 Speaker 2: from there. I don't I don't dislike Ann Wilson. I 132 00:10:23,000 --> 00:10:27,960 Speaker 2: just don't think the song gets better. After a very 133 00:10:28,240 --> 00:10:33,480 Speaker 2: very strong opening, FBI crime data has been adjusted. Here 134 00:10:33,520 --> 00:10:41,199 Speaker 2: we go again. Up until October, they were telling us 135 00:10:42,440 --> 00:10:46,800 Speaker 2: that violent crime in America was down two point two percent. 136 00:10:48,240 --> 00:10:57,360 Speaker 2: Well it turns out it wasn't and we knew it wasn't. 137 00:10:58,000 --> 00:11:04,319 Speaker 2: Violent crime is actually up four point five percent. Instead 138 00:11:04,320 --> 00:11:06,360 Speaker 2: of being up four point five percent, they said it 139 00:11:06,400 --> 00:11:08,360 Speaker 2: was down two point two percent, which is a six 140 00:11:08,520 --> 00:11:20,800 Speaker 2: point seven percent swing that doesn't happen on accident. This 141 00:11:20,880 --> 00:11:27,720 Speaker 2: is what our government has become. We know that this 142 00:11:28,000 --> 00:11:36,000 Speaker 2: data is important. We know that people base their opinions 143 00:11:37,559 --> 00:11:44,080 Speaker 2: on either are they are they personally a crime victim 144 00:11:45,240 --> 00:11:51,360 Speaker 2: or do they know someone who is, Or they see 145 00:11:51,559 --> 00:11:55,319 Speaker 2: a data point like that and go, well, okay, I 146 00:11:55,920 --> 00:11:59,319 Speaker 2: guess I guess we're doing better. And then the President 147 00:11:59,320 --> 00:12:02,640 Speaker 2: comes out and takes some sort of credit, but in 148 00:12:02,640 --> 00:12:06,599 Speaker 2: fact quite the opposite. Mayor Johnson of the City of 149 00:12:06,679 --> 00:12:10,600 Speaker 2: Chicago announcing a three hundred million dollar property tax hike 150 00:12:11,559 --> 00:12:15,840 Speaker 2: as part of his twenty twenty five budget. Three hundred 151 00:12:16,360 --> 00:12:25,600 Speaker 2: million dollars of a property tax hike and it's all 152 00:12:25,679 --> 00:12:31,160 Speaker 2: going to illegal alien services. So the City of Houston 153 00:12:32,320 --> 00:12:34,760 Speaker 2: has announced I believe it's one hundred million dollar project. 154 00:12:34,800 --> 00:12:37,520 Speaker 2: I can't find the story. I'll find it in the moment. 155 00:12:39,440 --> 00:12:48,600 Speaker 2: To deal with homelessness, and my immediate thought is do 156 00:12:48,640 --> 00:12:52,280 Speaker 2: we have a homeless problem? Yeah, there is a homeless problem. 157 00:12:52,400 --> 00:12:54,120 Speaker 2: It's been a homeless problem since I was on city 158 00:12:54,120 --> 00:12:58,200 Speaker 2: council and long before. It feels like it's much worse. 159 00:12:59,559 --> 00:13:02,480 Speaker 2: You've got the tent cities under the if you've been 160 00:13:02,600 --> 00:13:08,120 Speaker 2: down to Pierce Elevated, that's an entire colony of homeless people. 161 00:13:08,760 --> 00:13:12,960 Speaker 2: And can you imagine what's going on in there? One 162 00:13:13,080 --> 00:13:16,440 Speaker 2: need'll be in passed from person to person, every kind 163 00:13:16,480 --> 00:13:27,440 Speaker 2: of disease, sexual, just grow tesque filth under there, and imagine, 164 00:13:27,480 --> 00:13:29,920 Speaker 2: which ain't that hard to do? You blow a tower 165 00:13:30,040 --> 00:13:32,920 Speaker 2: right there? Can you imagine having to get out right there? 166 00:13:34,040 --> 00:13:39,400 Speaker 2: My goodness alive. It is awful, It is terrible. It 167 00:13:39,440 --> 00:13:42,000 Speaker 2: should never have been allowed to get that bad, but 168 00:13:42,080 --> 00:13:45,840 Speaker 2: nobody wanted to address it. Well, there's a supreme court 169 00:13:45,960 --> 00:13:50,480 Speaker 2: ruling now that says homeless people no longer have some 170 00:13:50,720 --> 00:13:53,680 Speaker 2: right to lay around in the public spaces and pee 171 00:13:53,760 --> 00:14:00,199 Speaker 2: everywhere and poop everywhere, and defile the public spaces and 172 00:14:00,679 --> 00:14:05,480 Speaker 2: basically be a nuisance to society. So you gotta you 173 00:14:05,520 --> 00:14:09,800 Speaker 2: can arrest those people now and presumably put them in 174 00:14:09,880 --> 00:14:13,760 Speaker 2: some kind of facility, because nobody wants to put them 175 00:14:13,760 --> 00:14:18,920 Speaker 2: in jail that's too expensive, so you create a facility. 176 00:14:19,000 --> 00:14:21,600 Speaker 2: The problem is, and I learned this when I really 177 00:14:21,680 --> 00:14:23,880 Speaker 2: dug in to try to understand homelessness, and I will 178 00:14:23,880 --> 00:14:26,000 Speaker 2: tell you it's the most difficult public policy issue I 179 00:14:26,000 --> 00:14:31,000 Speaker 2: ever confronted. It's almost unsolvable. You can deal with the symptoms, 180 00:14:32,520 --> 00:14:35,040 Speaker 2: but when you find out And I went for rides 181 00:14:35,400 --> 00:14:41,200 Speaker 2: with the various homeless groups, and it turns out you 182 00:14:41,240 --> 00:14:44,800 Speaker 2: pull up on these people and whether it's cold outside 183 00:14:44,880 --> 00:14:47,000 Speaker 2: or or so hot that you don't want to be 184 00:14:47,320 --> 00:14:50,800 Speaker 2: outside the air conditioned van, they don't want to come 185 00:14:50,840 --> 00:14:54,960 Speaker 2: with you. They don't want a cot in three hots 186 00:14:55,760 --> 00:15:00,320 Speaker 2: because they don't want any rules. And by rule, I 187 00:15:00,360 --> 00:15:04,560 Speaker 2: mean don't show your weeder belly, but put your underwear 188 00:15:04,560 --> 00:15:08,880 Speaker 2: back on. They don't want to be under any sort 189 00:15:09,000 --> 00:15:13,520 Speaker 2: of and you can trace these numbers back to when 190 00:15:13,560 --> 00:15:18,160 Speaker 2: Reagan unloaded the insane asylums. So you had people that 191 00:15:18,160 --> 00:15:20,440 Speaker 2: we used to keep in a bed and keep medicated 192 00:15:20,480 --> 00:15:25,280 Speaker 2: and hope nobody noticed that they were locked away in 193 00:15:25,360 --> 00:15:29,520 Speaker 2: a psych word, and the Reagan administration said, that's not right. 194 00:15:29,800 --> 00:15:32,400 Speaker 2: Can't do that. You got to let them out. And 195 00:15:32,440 --> 00:15:34,520 Speaker 2: when they let them out, these are not people who 196 00:15:34,520 --> 00:15:36,720 Speaker 2: function in society. So they went under the bridge and 197 00:15:36,760 --> 00:15:43,600 Speaker 2: started causing problems. So I think, to its credit, perhaps 198 00:15:44,000 --> 00:15:45,920 Speaker 2: I'll take him at his word. Whit Myer's trying to 199 00:15:45,920 --> 00:15:48,760 Speaker 2: solve the problem. I think he's trying to clean up downtown. 200 00:15:50,080 --> 00:15:53,800 Speaker 2: And maybe part of the reason is I suspect some 201 00:15:53,960 --> 00:16:00,520 Speaker 2: of the downtown landowners recognized the devaluation. It's hard to 202 00:16:00,600 --> 00:16:04,520 Speaker 2: get people to come back into downtown right now, And 203 00:16:04,560 --> 00:16:08,520 Speaker 2: in talking to downtown landowners and brokers and people who 204 00:16:08,560 --> 00:16:16,080 Speaker 2: make money off of tendancy in downtown Houston, it's a real, 205 00:16:16,880 --> 00:16:21,840 Speaker 2: real tough putt to get people who stopped coming into 206 00:16:21,880 --> 00:16:25,720 Speaker 2: downtown to come back into downtown. And if you are 207 00:16:25,760 --> 00:16:29,520 Speaker 2: a tenant and you you know you've got ten thousand 208 00:16:29,560 --> 00:16:33,320 Speaker 2: square foot of space that you've you've made out as 209 00:16:33,360 --> 00:16:37,880 Speaker 2: bullpen and cubicles for your management team, and your employees 210 00:16:38,080 --> 00:16:41,960 Speaker 2: would much prefer to work where they live in Katie 211 00:16:42,400 --> 00:16:44,560 Speaker 2: or the Woodlands. You've got a lot of people that 212 00:16:44,600 --> 00:16:47,520 Speaker 2: live in the Woodlands and we're working in downtown Houston. 213 00:16:48,040 --> 00:16:52,680 Speaker 2: And when COVID happened, we had a cultural transformation. The 214 00:16:52,880 --> 00:16:58,120 Speaker 2: idea became acceptable that you don't have to go into 215 00:16:58,160 --> 00:17:02,800 Speaker 2: an office. And it's not just lazy kids. There are 216 00:17:02,840 --> 00:17:05,960 Speaker 2: a lot of people who suddenly realized and the thought 217 00:17:06,080 --> 00:17:10,120 Speaker 2: was just never there, that you know what, I don't 218 00:17:10,160 --> 00:17:12,679 Speaker 2: have to go into the office. I can be just 219 00:17:12,680 --> 00:17:15,520 Speaker 2: as productive doing what I do. Before you say, that's 220 00:17:15,560 --> 00:17:19,720 Speaker 2: not true. Not every job requires that you go into 221 00:17:19,760 --> 00:17:22,760 Speaker 2: an office. And a lot of people were going to 222 00:17:22,840 --> 00:17:27,080 Speaker 2: an office because that was the pattern consistently of what 223 00:17:27,240 --> 00:17:31,080 Speaker 2: they had always done. And it would be weird, how 224 00:17:31,080 --> 00:17:34,119 Speaker 2: come Bob never comes into the office. Now, all of 225 00:17:34,160 --> 00:17:38,840 Speaker 2: a sudden, nobody's going into the office and works still 226 00:17:38,840 --> 00:17:42,840 Speaker 2: getting done because Bob never really actually interacts with anybody anyway. 227 00:17:43,480 --> 00:17:46,000 Speaker 2: So the idea that you're sitting at home in shorts 228 00:17:46,000 --> 00:17:50,359 Speaker 2: and bare feet and a T shirt and still sending 229 00:17:50,400 --> 00:17:54,119 Speaker 2: the same number of pointless, stupid emails and now you 230 00:17:54,280 --> 00:17:57,000 Speaker 2: just do zoom meetings instead of everybody going into the 231 00:17:57,000 --> 00:18:01,800 Speaker 2: conference room. And the company recognized, wait, the cost savings 232 00:18:02,200 --> 00:18:06,040 Speaker 2: of reducing our footprint. So my guess is the biggest 233 00:18:06,359 --> 00:18:10,480 Speaker 2: entity pushing for a change is the midtown and downtown 234 00:18:10,560 --> 00:18:16,200 Speaker 2: residents and the owners property owners, because the downtown problem 235 00:18:16,320 --> 00:18:19,040 Speaker 2: is a very bad problem, and it becomes much worse 236 00:18:19,040 --> 00:18:23,520 Speaker 2: at night when these nocturnal nuts come out. But here's 237 00:18:23,560 --> 00:18:29,399 Speaker 2: the problem. Anytime you attach cash to a problem, you 238 00:18:29,640 --> 00:18:32,600 Speaker 2: actually subsidize the problem because these organizations are going to 239 00:18:32,680 --> 00:18:34,760 Speaker 2: grow used to this and they can't live without it, 240 00:18:35,200 --> 00:18:36,840 Speaker 2: and that I think makes it worse. 241 00:18:39,080 --> 00:18:40,720 Speaker 6: This is the Michael Berry. 242 00:18:40,560 --> 00:18:52,560 Speaker 2: Show, all right. This song plays into the. 243 00:18:52,480 --> 00:18:55,520 Speaker 6: Story I'm about to tell, the. 244 00:18:55,560 --> 00:18:58,800 Speaker 2: Lockedest song in your head and whatever your reaction is 245 00:18:58,880 --> 00:19:05,560 Speaker 2: to jukebox hero and just a quick background to give 246 00:19:05,600 --> 00:19:13,320 Speaker 2: you the story properly. Chance McClain of Heritage Film and 247 00:19:13,400 --> 00:19:16,879 Speaker 2: dear friend, contributor of some of our parodies, some of 248 00:19:16,920 --> 00:19:20,280 Speaker 2: our music, writes a lot of it, writes a lot 249 00:19:20,320 --> 00:19:23,200 Speaker 2: of stuff that we end up using, and contributes to 250 00:19:23,240 --> 00:19:24,840 Speaker 2: the show in many ways. He's the one that makes 251 00:19:24,840 --> 00:19:28,720 Speaker 2: the films or your your parents or your grandparents and 252 00:19:28,760 --> 00:19:31,960 Speaker 2: he's very very good at it, very very talented as 253 00:19:32,080 --> 00:19:37,359 Speaker 2: a storyteller documentarian, and his business is just boomed because 254 00:19:37,359 --> 00:19:39,000 Speaker 2: of it. And yes, I take a lot of credit 255 00:19:39,040 --> 00:19:44,480 Speaker 2: because it was my genius idea. And you know what's funny, 256 00:19:44,920 --> 00:19:47,280 Speaker 2: The very first heritage film he ever did was my father, 257 00:19:49,080 --> 00:19:51,400 Speaker 2: and he sat out in the driveway with my father. 258 00:19:51,480 --> 00:19:53,199 Speaker 2: He said it. He set up we lived and we 259 00:19:53,280 --> 00:19:56,360 Speaker 2: lived in New Memorial Park at the time, very leafy, 260 00:19:57,080 --> 00:20:03,920 Speaker 2: beautiful tree everywhere, and he's set this shot up out 261 00:20:03,960 --> 00:20:08,239 Speaker 2: in the driveway and he got my dad, who's not 262 00:20:08,280 --> 00:20:10,639 Speaker 2: My dad's not a big talker and a real loud guy, 263 00:20:11,240 --> 00:20:15,160 Speaker 2: and my mom was kind of overbearing personality compared to him, 264 00:20:15,320 --> 00:20:18,000 Speaker 2: and so my dad just does never talk that much. 265 00:20:18,040 --> 00:20:23,160 Speaker 2: He does more now because he's widowed. And my mom 266 00:20:23,280 --> 00:20:27,480 Speaker 2: goes inside and he gets it. He does the whole thing. 267 00:20:28,040 --> 00:20:32,159 Speaker 2: And I arrive after they've been there for maybe two hours. 268 00:20:32,200 --> 00:20:34,199 Speaker 2: I figured to be over by then, and I go 269 00:20:34,320 --> 00:20:36,080 Speaker 2: walking in the house and I said, oh, I see 270 00:20:36,119 --> 00:20:39,320 Speaker 2: that chance. He's doing the interview with dad. And my 271 00:20:39,400 --> 00:20:41,720 Speaker 2: mom says, he's been out there with your dad for 272 00:20:41,760 --> 00:20:45,439 Speaker 2: over two hours. I said, I must have been. I 273 00:20:45,440 --> 00:20:48,399 Speaker 2: was surprised because I mean, it's not like my dad. 274 00:20:48,840 --> 00:20:54,760 Speaker 2: I said, wow, And she said, Michael, I've never seen 275 00:20:54,800 --> 00:20:57,480 Speaker 2: your dad. Your dad's not talked this much in fifty 276 00:20:57,560 --> 00:21:00,520 Speaker 2: years as he has in the last two hours. What 277 00:21:00,560 --> 00:21:02,240 Speaker 2: was he talking about? She said, I have no idea. 278 00:21:02,400 --> 00:21:04,400 Speaker 2: I just can't believe he's talking like a Chance can 279 00:21:04,440 --> 00:21:06,840 Speaker 2: get people. So he's telling his life story, right. So 280 00:21:06,880 --> 00:21:10,400 Speaker 2: now we have it on. So I said to her, well, 281 00:21:10,440 --> 00:21:12,320 Speaker 2: we're gonna do you next. No, I'm not gonna do it. 282 00:21:13,480 --> 00:21:16,560 Speaker 2: And once a year, it's probably been ten years now, 283 00:21:16,960 --> 00:21:19,000 Speaker 2: I'd say, mom, you got you gotta do that. We 284 00:21:19,080 --> 00:21:21,200 Speaker 2: gotta do that harritage film. Chance just reminded me we 285 00:21:21,240 --> 00:21:23,640 Speaker 2: got to do your heritage film. Ah, I'm not gonna 286 00:21:23,640 --> 00:21:28,200 Speaker 2: do that. And she never did. Ah that gummt Now 287 00:21:28,240 --> 00:21:32,560 Speaker 2: I really wish she had, But it happens. So Chance's daughter, 288 00:21:33,840 --> 00:21:39,119 Speaker 2: her name is Abigail gun gu n n E because 289 00:21:39,119 --> 00:21:43,320 Speaker 2: that's a family name from from his wife. Here's family 290 00:21:43,640 --> 00:21:48,440 Speaker 2: going back, like there was a gun photography in Orange. 291 00:21:48,440 --> 00:21:51,520 Speaker 2: Some people may remember. I tend to forget. Not everybody's 292 00:21:51,560 --> 00:21:56,119 Speaker 2: from Orange. Y'all. Remember on sixth on sixteenth Street there 293 00:21:56,400 --> 00:21:58,639 Speaker 2: before prom you'd go to Gun Photography. It was g 294 00:21:58,800 --> 00:22:01,959 Speaker 2: U n n E. Do you remember it's next to 295 00:22:02,040 --> 00:22:05,040 Speaker 2: where the pawnshop is now. It's across the street from 296 00:22:05,080 --> 00:22:07,080 Speaker 2: the old Hinky and Pe lots that became the Kroger's 297 00:22:07,480 --> 00:22:10,480 Speaker 2: caddy corner from the Church's Chicken. You know, Michael Kat's 298 00:22:10,520 --> 00:22:14,680 Speaker 2: law office, right next to Spankey's. It's about two over 299 00:22:15,000 --> 00:22:17,240 Speaker 2: from there, same side of the street as the old 300 00:22:17,440 --> 00:22:21,520 Speaker 2: original Taco bell uh same side of the street as 301 00:22:21,760 --> 00:22:25,480 Speaker 2: Superior Tire Tim Hughes's tire joint. If you remember that 302 00:22:26,320 --> 00:22:28,880 Speaker 2: across from the other pawn there's about eight pawn shops 303 00:22:29,119 --> 00:22:31,280 Speaker 2: in a three block. That's a bad sign for a 304 00:22:31,400 --> 00:22:34,399 Speaker 2: for a town. Ramon, that's not a That is not 305 00:22:34,960 --> 00:22:37,760 Speaker 2: a sign that you're on the up. You're not. You're 306 00:22:37,800 --> 00:22:41,600 Speaker 2: not in ascendants at that point. You're your house is 307 00:22:41,640 --> 00:22:45,879 Speaker 2: not in ascendants anyway. So his daughter's real name is Abby, 308 00:22:46,040 --> 00:22:47,679 Speaker 2: we call her Gun. She went to A and M. 309 00:22:47,760 --> 00:22:50,480 Speaker 2: She graduated, She works with him now. She's even more 310 00:22:50,480 --> 00:22:52,240 Speaker 2: talented than he is, if you can believe that. There's 311 00:22:52,240 --> 00:22:54,960 Speaker 2: a lot of a lot of weird, wicked artistic talent. 312 00:22:55,480 --> 00:23:00,920 Speaker 2: So he says, El Tassino, you were talking about Barracuda, 313 00:23:01,000 --> 00:23:04,320 Speaker 2: starting strong and then tailing off. I was driving with 314 00:23:04,440 --> 00:23:07,720 Speaker 2: Gun last night and I let her DJ. That's the 315 00:23:07,840 --> 00:23:11,280 Speaker 2: McCain parlance for who controls the music in the cyber 316 00:23:11,320 --> 00:23:13,680 Speaker 2: truck or other more lame vehicle we happen to be in. 317 00:23:14,400 --> 00:23:16,600 Speaker 2: She fiddles with the phone for a second, reaches over 318 00:23:16,640 --> 00:23:19,240 Speaker 2: and turns the volume up to like seven, and out 319 00:23:19,280 --> 00:23:23,040 Speaker 2: of the eleven well placed, perfectly tuned Tesla speakers comes 320 00:23:23,600 --> 00:23:29,720 Speaker 2: Foreigner's Jukebox Hero impressive Gun. That song is fantastic, pillar 321 00:23:29,840 --> 00:23:32,959 Speaker 2: to post and it gets no love. But the story's 322 00:23:33,000 --> 00:23:36,840 Speaker 2: not over. The Foreigner song fades out, when what to 323 00:23:36,920 --> 00:23:41,960 Speaker 2: my wondering years wondering years should appear? But enter by 324 00:23:42,080 --> 00:23:45,560 Speaker 2: God Sandman by Metallica. Hell, Yes, now you can understand 325 00:23:45,560 --> 00:23:49,639 Speaker 2: these daughters about twenty four. Put this into perspective, Abby Gun, 326 00:23:49,840 --> 00:23:54,680 Speaker 2: What is this playlist? Says I. That is my hype playlist, 327 00:23:54,760 --> 00:23:58,760 Speaker 2: Dad says she. The playlist was mostly eighties rock songs. 328 00:23:59,280 --> 00:24:01,919 Speaker 2: There were a few more. More are modern bangers like 329 00:24:02,000 --> 00:24:04,640 Speaker 2: wrecking Ball by Miley total Oh, I have to tell 330 00:24:04,680 --> 00:24:08,560 Speaker 2: you that Chance loves Miley. Cyrus said it's yeah, and 331 00:24:08,640 --> 00:24:12,399 Speaker 2: we appreciate Power by Grimes, Another total banger. This is 332 00:24:12,440 --> 00:24:16,600 Speaker 2: him saying not me, but was mostly old rock. Don't 333 00:24:16,600 --> 00:24:19,440 Speaker 2: Stop Me Now by Queen. There's a banger right there. 334 00:24:19,920 --> 00:24:23,080 Speaker 2: Welcome to the Jungle by gn R White, Wedding by 335 00:24:23,119 --> 00:24:26,440 Speaker 2: Billy Idol, that's a Russell Ye barrosong, Living on a 336 00:24:26,480 --> 00:24:29,000 Speaker 2: Prayer by bon Jovi. But the one song on the 337 00:24:29,040 --> 00:24:32,120 Speaker 2: list that I absolutely love that your barracouta bit made 338 00:24:32,200 --> 00:24:37,080 Speaker 2: me think of was acdc's Thunderstruck. What now there is 339 00:24:37,200 --> 00:24:41,520 Speaker 2: not the same delta between starts awesome and ends laying Oh, oh, 340 00:24:41,520 --> 00:24:44,560 Speaker 2: he's right, Okay, I thought I thought he was saying 341 00:24:44,600 --> 00:24:47,200 Speaker 2: it starts strung, because Thunderstruck is one of the greatest 342 00:24:47,200 --> 00:24:50,360 Speaker 2: songs start to finish, pillar to post. Thunderstruck is badass 343 00:24:50,400 --> 00:24:52,960 Speaker 2: all the way through. But my god, the start of 344 00:24:52,960 --> 00:24:57,359 Speaker 2: that song is so strong there is no way to 345 00:24:57,440 --> 00:25:00,960 Speaker 2: go but down, and yet it doesn't. So my question 346 00:25:01,080 --> 00:25:04,520 Speaker 2: to you, what is the song that starts extremely strong 347 00:25:05,040 --> 00:25:08,719 Speaker 2: and then goes off a cliff bat seven one three, nine, nine, nine, 348 00:25:08,760 --> 00:25:17,240 Speaker 2: one thousand with the Michael Berry So at what point 349 00:25:17,280 --> 00:25:21,920 Speaker 2: are you saying it died? You're saying the song dies 350 00:25:21,960 --> 00:25:26,120 Speaker 2: at twenty seconds in Hold On, Start It start the clause, 351 00:25:26,119 --> 00:25:26,640 Speaker 2: start the clock. 352 00:25:26,680 --> 00:25:46,880 Speaker 7: Okay, go, yeah, you're saying it. 353 00:25:46,880 --> 00:25:49,000 Speaker 2: It does off a cliff and hold on, keep on. 354 00:25:55,560 --> 00:25:59,080 Speaker 2: I disagree. Why do you say that because you really 355 00:25:59,160 --> 00:26:07,280 Speaker 2: like the openings. So, first of all, I'm really surprised 356 00:26:07,320 --> 00:26:28,800 Speaker 2: you would say that about a Beatles song. Who wrote it, 357 00:26:28,840 --> 00:26:34,679 Speaker 2: Paul or Johnson? It has a little more of the 358 00:26:34,920 --> 00:26:39,880 Speaker 2: edgy tone of the john Ony song. I mean, it's 359 00:26:39,920 --> 00:26:42,159 Speaker 2: not one of my favorite Beatles songs, but I'm not 360 00:26:42,200 --> 00:26:45,359 Speaker 2: the Beatles nut you are either, But it doesn't. But 361 00:26:45,440 --> 00:26:49,760 Speaker 2: I don't find that. I mean, I could give you 362 00:26:49,800 --> 00:26:53,200 Speaker 2: a hundred songs of Theirs that I think are overrated, 363 00:26:53,240 --> 00:26:55,119 Speaker 2: and I don't get what the Big to Do is, 364 00:26:55,160 --> 00:26:57,320 Speaker 2: but that doesn't. That's just kind of one of those 365 00:26:58,040 --> 00:27:05,080 Speaker 2: kind of very edgy, punchy songs that he writes. And 366 00:27:05,119 --> 00:27:08,080 Speaker 2: that and I actually I like the keys at the 367 00:27:08,119 --> 00:27:11,760 Speaker 2: beginning of that so and I like the combination. I 368 00:27:11,920 --> 00:27:15,399 Speaker 2: have only realized in the last couple of years how 369 00:27:15,480 --> 00:27:19,719 Speaker 2: much I like the combination of keys and guitar. And 370 00:27:19,760 --> 00:27:25,760 Speaker 2: what made me realize that was Freebird. That was the 371 00:27:25,840 --> 00:27:31,199 Speaker 2: moment where I said, wow, you take give me the 372 00:27:31,240 --> 00:27:34,760 Speaker 2: opening of it. If you take the keyboard out of 373 00:27:34,800 --> 00:27:38,119 Speaker 2: this or the piano out of this song? 374 00:27:41,240 --> 00:27:42,560 Speaker 6: You know who is? 375 00:27:49,280 --> 00:27:52,000 Speaker 2: So we think of that as a guitar song, right, 376 00:27:55,080 --> 00:28:03,920 Speaker 2: bring that up. And he's out of town in Dallas today. 377 00:28:03,960 --> 00:28:05,480 Speaker 2: So if we wanted to, we could just play the 378 00:28:05,480 --> 00:28:08,359 Speaker 2: whole segment again. Like in the old days. I missed 379 00:28:08,400 --> 00:28:12,879 Speaker 2: you see, nobody was listening back then. We could feel 380 00:28:12,920 --> 00:28:14,240 Speaker 2: so dangerous. 381 00:28:15,200 --> 00:28:15,560 Speaker 3: All right? 382 00:28:15,600 --> 00:28:20,120 Speaker 2: What is that song that starts strong? Rebird is definitely 383 00:28:20,119 --> 00:28:23,760 Speaker 2: not that. What is that song that starts strong and 384 00:28:23,800 --> 00:28:27,760 Speaker 2: then just falls off a cliff? Bad Vaughn. You're on 385 00:28:27,800 --> 00:28:28,760 Speaker 2: the Michael Berry Show. 386 00:28:31,080 --> 00:28:36,880 Speaker 3: Hello, Mike. The song that I feel is by Lionel 387 00:28:37,000 --> 00:28:41,640 Speaker 3: Richie say you say me? Uh? It gets into that 388 00:28:41,640 --> 00:28:44,000 Speaker 3: that groove and then all of a sudden, the tempo 389 00:28:44,200 --> 00:28:48,280 Speaker 3: changes real fast and it kind of scrambles your emotions 390 00:28:48,960 --> 00:28:52,560 Speaker 3: and then it goes back to that slow tempo you 391 00:28:52,600 --> 00:28:55,600 Speaker 3: know that the song started out with. And by the 392 00:28:55,640 --> 00:28:58,760 Speaker 3: time it does that, you're trying to sort out your 393 00:28:58,760 --> 00:29:01,200 Speaker 3: feelings again. You know, it's just. 394 00:29:02,000 --> 00:29:06,400 Speaker 2: Let's give it along. I will tell you I heard 395 00:29:06,840 --> 00:29:11,160 Speaker 2: where was I in the last week? I was somewhere 396 00:29:11,160 --> 00:29:13,280 Speaker 2: in a public place and stuck on. You came on 397 00:29:14,280 --> 00:29:17,120 Speaker 2: and wherever I was, I was about to be outside 398 00:29:17,280 --> 00:29:22,520 Speaker 2: earshot of the song, and I specifically just stopped to 399 00:29:22,600 --> 00:29:25,640 Speaker 2: sit there and listen to it. And and I thought 400 00:29:25,680 --> 00:29:27,920 Speaker 2: about Lionel Ritchie for a moment, and I have to 401 00:29:27,960 --> 00:29:32,480 Speaker 2: tell you there is there is a zone Lionel Richie 402 00:29:32,560 --> 00:29:38,400 Speaker 2: gets into stuck on You easy like Sunday morning. I mean, 403 00:29:38,440 --> 00:29:43,520 Speaker 2: he's just that there's about there's at least ten songs 404 00:29:44,040 --> 00:29:46,760 Speaker 2: that he's right in that zone for me that I 405 00:29:47,080 --> 00:29:50,720 Speaker 2: that I think he's as good at that particular song 406 00:29:50,760 --> 00:29:54,000 Speaker 2: which he wrote all of and sang all of as 407 00:29:54,280 --> 00:29:58,400 Speaker 2: any artists in their prime. And then I get like 408 00:29:58,720 --> 00:30:02,000 Speaker 2: dancing on the ceiling and I go, oh, man, I 409 00:30:02,040 --> 00:30:05,680 Speaker 2: could really do you know the point at which stuck 410 00:30:05,720 --> 00:30:07,680 Speaker 2: on you did he say? What did he say? Say? 411 00:30:07,720 --> 00:30:10,720 Speaker 2: You say me that helping him? 412 00:30:11,000 --> 00:30:12,520 Speaker 8: Someone understands. 413 00:30:14,560 --> 00:30:17,800 Speaker 6: Can you be you lost jo Willie? 414 00:30:18,120 --> 00:30:30,960 Speaker 8: You got someone I was show see save me, save. 415 00:30:32,320 --> 00:30:32,760 Speaker 6: Save me? 416 00:30:33,560 --> 00:30:38,080 Speaker 9: Well the whole I had forgotten this. Yeah this wasn't necessary, 417 00:30:39,280 --> 00:30:43,600 Speaker 9: thought to me. Yeah you could have done without this. 418 00:30:43,800 --> 00:30:45,200 Speaker 9: I don't know, I don't know why it's in there. 419 00:30:45,600 --> 00:30:49,040 Speaker 9: That's trash, that that didn't add anything. 420 00:30:49,280 --> 00:30:53,440 Speaker 2: That Yeah, good call? Is this Vaughn on the Black Line. 421 00:30:55,040 --> 00:30:58,560 Speaker 3: Yeah, thank you, Mike. Take it. 422 00:30:58,720 --> 00:30:59,960 Speaker 2: You know how I knew you were black? 423 00:31:00,400 --> 00:31:01,360 Speaker 3: I can't hear you. 424 00:31:01,440 --> 00:31:03,000 Speaker 2: Do you know how I knew you were black? 425 00:31:04,880 --> 00:31:05,200 Speaker 3: How? 426 00:31:05,600 --> 00:31:09,040 Speaker 2: Because you call me Mike? It wasn't the bass in yours? 427 00:31:10,520 --> 00:31:12,680 Speaker 2: Do you think black people are born with more bass? 428 00:31:12,680 --> 00:31:14,920 Speaker 3: I don't try to talk, try to disguise it. 429 00:31:15,840 --> 00:31:19,240 Speaker 2: Huh. Do you think black people are born with more 430 00:31:19,320 --> 00:31:23,520 Speaker 2: bass in their voice, deeper voices or do you think 431 00:31:23,560 --> 00:31:25,880 Speaker 2: they learned to talk that way like kind of. 432 00:31:25,840 --> 00:31:30,840 Speaker 3: A walk or No, my voice, my voice was actually 433 00:31:30,960 --> 00:31:33,680 Speaker 3: deeper when I was younger. Might I don't know? 434 00:31:35,160 --> 00:31:39,400 Speaker 2: Well? No, but but black black male callers are typically 435 00:31:40,000 --> 00:31:42,640 Speaker 2: typically have a deeper voice that you can catch it 436 00:31:42,680 --> 00:31:43,760 Speaker 2: almost at the beginning. 437 00:31:46,440 --> 00:31:50,800 Speaker 3: Yeah, you got a little lingo mixed in with it, 438 00:31:50,840 --> 00:31:51,680 Speaker 3: I guess. 439 00:31:51,520 --> 00:31:54,560 Speaker 2: Yeah, but that's not it's it's it's I mean purely, 440 00:31:54,720 --> 00:31:56,280 Speaker 2: if you were to look at it on a meter 441 00:31:56,880 --> 00:31:59,880 Speaker 2: and look at at the base, it's a deeper, more 442 00:32:00,080 --> 00:32:06,040 Speaker 2: resonant sound, and that is consistent across almost every black 443 00:32:06,120 --> 00:32:10,440 Speaker 2: mail call. What do you do for living? Vond Well? 444 00:32:10,480 --> 00:32:13,160 Speaker 3: I used to be a maleman in Orange. 445 00:32:13,440 --> 00:32:17,080 Speaker 2: Yeah, we've been on the phone for two and a 446 00:32:17,120 --> 00:32:19,080 Speaker 2: half minutes and you just now tell me you used 447 00:32:19,080 --> 00:32:22,000 Speaker 2: to be a mailman in Orange. Any food can call 448 00:32:22,080 --> 00:32:24,000 Speaker 2: up and talk about Lona Richie. Why didn't you start 449 00:32:24,040 --> 00:32:26,400 Speaker 2: with I used to be a male man in arms? 450 00:32:26,400 --> 00:32:29,680 Speaker 6: Where is your route? 451 00:32:29,720 --> 00:32:33,560 Speaker 3: It was? I had different routes around now. I was 452 00:32:33,640 --> 00:32:37,360 Speaker 3: what they called a T six. I worked five different 453 00:32:37,400 --> 00:32:40,480 Speaker 3: routes a week, so I was all over the place. 454 00:32:40,560 --> 00:32:41,880 Speaker 2: Why did you leave doing that? 455 00:32:44,920 --> 00:32:50,640 Speaker 3: I retired at fifty nine and a half and I 456 00:32:50,840 --> 00:32:51,880 Speaker 3: just got tired of it. 457 00:32:51,960 --> 00:32:53,400 Speaker 2: Are you from Orange. 458 00:32:54,880 --> 00:32:55,680 Speaker 3: Not from Beaumint? 459 00:32:55,880 --> 00:32:57,240 Speaker 2: Where'd you go out and put off the. 460 00:32:57,280 --> 00:32:59,600 Speaker 3: Twenty nine and a half you? I went to Hebert. 461 00:32:59,720 --> 00:33:01,920 Speaker 3: Remember if I was telling you my uncle drove the bus, 462 00:33:02,000 --> 00:33:02,760 Speaker 3: you said, oh. 463 00:33:03,400 --> 00:33:06,680 Speaker 2: Yeah, my grandfather drove the bus for their last football game. 464 00:33:06,760 --> 00:33:07,240 Speaker 6: I was there