WEBVTT - Oppenheimerverse with Nick Rutherford

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<v Speaker 1>Hey, and welcome to What Future.

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<v Speaker 2>I'm your host, Josh Wazapolski, and today I got to

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<v Speaker 2>say we've got a banger of an episode. I'm very

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<v Speaker 2>excited about it. In fact, it's such a great conversation

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<v Speaker 2>that I don't even want to waste time telling you

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<v Speaker 2>about how great it's going to be. I don't want

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<v Speaker 2>to sit here and ramble, because you should just listen

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<v Speaker 2>to it.

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<v Speaker 1>You should just hear it.

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<v Speaker 2>I had the rare and wonderful opportunity to talk to

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<v Speaker 2>the actor, comedian, writer Nicholas Rutherford Nick Rutherford if you

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<v Speaker 2>want to, If you want to go by his more

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<v Speaker 2>casual name, he's an executive producer. I'm Rick and Morty

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<v Speaker 2>and a super smart, funny guy. And we had a

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<v Speaker 2>killer conversation and I want to get right into it,

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<v Speaker 2>So let's go Rutherford. Am I saying that right? Your

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<v Speaker 2>name is pronounced Rutherford Nick Rutherford Topolski is correct. According

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<v Speaker 2>to your Wikipedia page, which you have, you're an actor,

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<v Speaker 2>a comedian, a writer, and a co founder of the

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<v Speaker 2>Sketch comedy group Good neighbor.

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<v Speaker 1>But are you a Patriot? That's what I'd like to know.

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<v Speaker 3>Oh, I mean, I think I'm the best type of

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<v Speaker 3>patriot at patriot who holds his country's feet to the fire. Yeah,

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<v Speaker 3>you know, patriot who asked the questions that a lot

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<v Speaker 3>of patriots don't like. For instance, Yeah, for instance, what

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<v Speaker 3>is arbor Day?

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<v Speaker 1>Yeah? What is arbor Day?

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<v Speaker 2>I think that's a solebration of trees, right, Okay, yeah,

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<v Speaker 2>I assume so. But I mean arbor is like, are like,

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<v Speaker 2>that's a tree thing.

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<v Speaker 3>Yeah. I think if you're like an arbor rist, you're

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<v Speaker 3>a tree scientist.

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<v Speaker 1>Yeah, let's look at them. What is arbor Day?

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<v Speaker 3>So it's tree Day? So isn't it's an Earth Day,

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<v Speaker 3>doesn't covered trees.

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<v Speaker 2>It's a secular day of observance which individuals and groups

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<v Speaker 2>are encouraged to plant trees.

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<v Speaker 1>Is it a national holiday? Might be? Yeah, it's national

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<v Speaker 1>arbor Day.

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<v Speaker 3>It's not a government holiday. We don't get work offs

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<v Speaker 3>right now.

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<v Speaker 1>They don't give you off for it.

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<v Speaker 2>They don't give you don't give you a day off

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<v Speaker 2>to plant a tree. That would be That's the kind

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<v Speaker 2>of thing that Republicans talk about as like the end

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<v Speaker 2>state of liberals. Of what liberals want is they're going

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<v Speaker 2>to stop you from working so you can go out

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<v Speaker 2>and plant a tree. That's like a that's like a

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<v Speaker 2>conservative nightmare scenario.

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<v Speaker 3>You know, you don't get worse worst case the.

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<v Speaker 2>Worst scenarios you have to like forced to take off

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<v Speaker 2>work and go plant a tree by you know, liberals anyhow. Yeah, Also,

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<v Speaker 2>we don't have to talk about politics. I don't even

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<v Speaker 2>know how. I guess because I asked you you're if

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<v Speaker 2>you're a patriot. That was a huge miss Yeah, huge

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<v Speaker 2>missed up on my part. But now you led it

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<v Speaker 2>there pretty quickly.

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<v Speaker 1>Yeah, I did.

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<v Speaker 2>That's my fucking that's my fault. Are you a very

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<v Speaker 2>political person? Do you feel politically minded?

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<v Speaker 1>Totally motivated?

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<v Speaker 3>I think as I get a bit older, I get

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<v Speaker 3>a little more politically involved. I like to be politically

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<v Speaker 3>involved on a local level. I think that's kind of

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<v Speaker 3>what's missing, like in your house. Yeah, those neighborhood councils, right.

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<v Speaker 2>Are you on aunt? Are you on a city council

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<v Speaker 2>or somebody honest neighborhood?

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<v Speaker 3>Oh no, but I thought I wanted to be. I

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<v Speaker 3>wanted to get on my neighborhood council. And then I

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<v Speaker 3>pitched that idea to somebody a friend, and they were like, absolutely,

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<v Speaker 3>do not do that. It'll just it's it's still suck

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<v Speaker 3>your life away, which is a bummer. You know that

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<v Speaker 3>those jobs should be those positions should be fun desirable.

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<v Speaker 1>Yeah, no, no, no, for sure.

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<v Speaker 2>Uh like local getting involved in local government or local

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<v Speaker 2>like neighborhood sort of stuff is for a certain type

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<v Speaker 2>of individual, which is why you you end up with

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<v Speaker 2>a lot of really old people doing it, because it

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<v Speaker 2>is a huge time sock, I believe, And it's kind

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<v Speaker 2>of like the work is not very rewarding in a

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<v Speaker 2>lot of ways, and I don't think they even pay

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<v Speaker 2>or they pay very little. Yeah, my wife opened a

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<v Speaker 2>bookstore in our town, and I mean I helped a

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<v Speaker 2>little bit, but.

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<v Speaker 1>It's really hers.

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<v Speaker 3>And what did you do?

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<v Speaker 1>Well?

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<v Speaker 2>I built the shelves and I picked the wallpaper. And

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<v Speaker 2>she's become like a member of whatever the business you know, the.

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<v Speaker 3>Business alliance. Yeah, yeah, you know she has to go

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<v Speaker 3>to meeting this Yeah.

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<v Speaker 2>Yeah, it doesn't sound fun, I guess, but she enjoys

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<v Speaker 2>it because she likes she likes tedious shit, which is

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<v Speaker 2>why we're married. And she's and she's elderly, she's she's

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<v Speaker 2>also eighty five years old, and so that's really helpful,

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<v Speaker 2>right for her she got a blody of time and

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<v Speaker 2>nowhere to go.

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<v Speaker 1>Okay, So so you have an Emmy, is that right? Yeah?

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<v Speaker 3>Yeah, I do.

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<v Speaker 1>You worked on Rick and Morty.

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<v Speaker 3>Yeah, well I'm currently working on Rick and Morty. I

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<v Speaker 3>mean not currently because we're on strike.

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<v Speaker 1>Oh right, well ha I.

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<v Speaker 2>We're going to get to the strike because there's a

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<v Speaker 2>lot of talk about there. But first I want to

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<v Speaker 2>I want to explore your your Emmy wins. How many

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<v Speaker 2>Emmys do you have?

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<v Speaker 1>Well?

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<v Speaker 3>Now one and I have what I won one and

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<v Speaker 3>I've lost one Emmy and I'm up for not me.

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<v Speaker 3>The show's up for an Emmy, but I'm included in

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<v Speaker 3>the ship one. I mean I got one. Yeah, as

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<v Speaker 3>a as a as a producer. So I'm an EP.

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<v Speaker 3>I'm executive producer on Rick and Morty. Now at the time,

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<v Speaker 3>I was some lower producer, but I still made the cut, you.

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<v Speaker 1>Know, executive producer. That's pretty big deal.

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<v Speaker 3>That's a big that is uh, it's one of the

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<v Speaker 3>big ones. And let me tell you it's it's just

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<v Speaker 3>it's all it's all in a name.

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<v Speaker 1>You don't actually do anything.

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<v Speaker 3>No, no, I don't do anything. Yeah, no, no, you know,

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<v Speaker 3>I watched cuts and we look at edits and I've

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<v Speaker 3>written songs. You're a song producer. Now I'm a song producer.

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<v Speaker 1>Are you really?

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<v Speaker 3>Mm hmm. That's great because I like to put songs

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<v Speaker 3>in my episodes and then I get it and like

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<v Speaker 3>write him with the Ryan Elder, who's our composer. He

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<v Speaker 3>does really all the hard musical lifting, and I just

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<v Speaker 3>write silly lyrics and the melodies.

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<v Speaker 2>Right, that's the best. That's that's like, uh, that's led

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<v Speaker 2>Zeppelin right there. It's like John Paul Jones was, I

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<v Speaker 2>mean all the hard work, like you know, Jimmy Page

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<v Speaker 2>is right in the riffs. And then Robert Plant was

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<v Speaker 2>just like, I'm gonna write about Lord of the Rings.

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<v Speaker 2>Is that cool? Like I'm gonna do a song about

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<v Speaker 2>Lord of the Rings. I don't know if you know

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<v Speaker 2>much about led zeppam they have several songs about Lord

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<v Speaker 2>of the Rings.

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<v Speaker 3>Uh oh yeah, because like Lord of the Rings was

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<v Speaker 3>kind of big for like metal, like rock and roll,

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<v Speaker 3>right extra they were mystical guys.

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<v Speaker 2>I mean he you know Robert Plant, he talks about

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<v Speaker 2>Golam in one of the uh and Gollum or whatever

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<v Speaker 2>the guy's name is from Gollum. He references him by

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<v Speaker 2>name and at least one song if not uh, and

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<v Speaker 2>he talks about Mordor like specifically. It's actually really funny

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<v Speaker 2>when you think about it, like, uh, like you would

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<v Speaker 2>hear a song on the radio these days that just

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<v Speaker 2>like specifically talking about.

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<v Speaker 1>Lord of the Rings, like characters and Lord of the Rings.

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<v Speaker 3>It's like a band today, did it did a song

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<v Speaker 3>about like the Rings of Power on amzok? Yeah?

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<v Speaker 2>Right, there's no history of this yet. When you think

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<v Speaker 2>about led Zeppan though, they were like so sexy. People

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<v Speaker 2>were like these fuck, I'll fuck these guys no matter what,

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<v Speaker 2>Like how do I get to them? I want to

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<v Speaker 2>have sex with Robert Planting And meanwhile he's like on

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<v Speaker 2>stage literally fucking singing about the biggest nerd shit that

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<v Speaker 2>it's the hugest turn off for most people, like literally

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<v Speaker 2>name checking characters from the Lord of the Rings. But

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<v Speaker 2>it's like it's it's a weird it's a weird it

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<v Speaker 2>was weird time in the world.

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<v Speaker 3>That was a time too in nerdship was nerd shit

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<v Speaker 3>like nerd yeah, feet up, no.

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<v Speaker 2>No, no, this was like in the seventies, like like

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<v Speaker 2>Lord of the Rings was not cool in the seventies,

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<v Speaker 2>like like, I mean, I'm not even sure it's cool now, Like,

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<v Speaker 2>to be honest.

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<v Speaker 3>With you, it's just like it's become popular enough. But yeah,

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<v Speaker 3>very strange.

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<v Speaker 2>Anyhow, Uh so we were talking at the fuck were we?

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<v Speaker 2>Oh your Emmys? Okay, so we're talking about you writing

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<v Speaker 2>songs in order to get Emmys.

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<v Speaker 1>Uh. You don't get Emmys for songwriting though, do you?

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<v Speaker 2>No?

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<v Speaker 3>But I want to That did great, they get a Grammy.

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<v Speaker 3>But so when Ricky Marty won one year, it was

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<v Speaker 3>a zoom Emmys. It was like the pandemic Emmys.

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<v Speaker 1>Oh that sucks. I'm sorry.

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<v Speaker 3>Yeah, yeah, no, it's I mean, congratulations but no. But

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<v Speaker 3>yeah it's also great, right.

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<v Speaker 1>I mean you still got the Emmys.

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<v Speaker 3>Okay, yemmy.

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<v Speaker 1>Yeah.

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<v Speaker 3>It to my house months later and I had to

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<v Speaker 3>watch it on a laptop screen. But the day of

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<v Speaker 3>the Emmys, I was actually recording a podcast with my

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<v Speaker 3>friend Nick Turner. Oh my god, who was like, well,

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<v Speaker 3>all we're going to do is we're going to go

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<v Speaker 3>metal detecting at the beach and I was like that

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<v Speaker 3>should be fine. We should be done by the time

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<v Speaker 3>the Emmys start. And we were metal detecting and I

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<v Speaker 3>texted one of the other producers like, hey, so, what

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<v Speaker 3>time do the Emmys start, and like when are we up?

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<v Speaker 3>And he wrote back, I was probably wearing a tank

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<v Speaker 3>top in short and I'm like a, you know, like

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<v Speaker 3>a panama hat and I was metal detecting and Santa Monica.

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<v Speaker 3>And he replies immediately they started right now, and we're

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<v Speaker 3>the first one up, like we're the very first award.

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<v Speaker 3>And so I told Nick and Nick I was like, guys,

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<v Speaker 3>I am sorry, we have to I have to go

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<v Speaker 3>to their credit. They were like, oh Jesus, of course absolutely.

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<v Speaker 3>And then we all piled in the car and zipped

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<v Speaker 3>across town and somehow found like a live stream of

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<v Speaker 3>the Emmys on one of our phones. And when we

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<v Speaker 3>pulled it up, the first thing we saw was Dan Harmon,

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<v Speaker 3>one of the creators of Rick and Morty, was giving

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<v Speaker 3>his pre recorded acceptance speech. Oh, and we were like,

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<v Speaker 3>I think we won. Maybe we won, or I was like,

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<v Speaker 3>we don't know. Maybe they also show the losers pre

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<v Speaker 3>recorded acceptance speeches because it's the pandemic really cruel.

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<v Speaker 2>Actually, like we got to fill time, like just everybody record.

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<v Speaker 2>We don't know who's gonna win. Everybody record up. We

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<v Speaker 2>need speech though, and then we'll just show them all.

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<v Speaker 3>Well that's I mean, they somebody has access to all

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<v Speaker 3>of these videos. Everybody had to record a speech Academy.

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<v Speaker 1>They couldn't cut. They couldn't cut live to to Dan

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<v Speaker 1>like speaking.

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<v Speaker 3>That would have been way more fun. It was pre recorded. Yeah,

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<v Speaker 3>it was probably a live host, but you know, I

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<v Speaker 3>mean it was, but anyway, it was not. It wasn't

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<v Speaker 3>as glamorous of an event as you would hope.

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<v Speaker 1>So you haven't won an Emmy in person, that's what

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<v Speaker 1>you're saying.

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<v Speaker 3>I lost an Emmy in person, though, is it not

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<v Speaker 3>the same? Who did you lose to? The animation category

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<v Speaker 3>is odd? So we lost to an hour long Netflix

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<v Speaker 3>anime drama. Oh that is like all cgi and it's

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<v Speaker 3>very pretty, but it's a drama. It's like, how do

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<v Speaker 3>you put like a very nihilistic comedy, half hour comedy

0:10:13.120 --> 0:10:15.720
<v Speaker 3>against an hour long drama.

0:10:16.200 --> 0:10:16.360
<v Speaker 1>You know?

0:10:16.480 --> 0:10:18.080
<v Speaker 3>And so this year, so we lost, and we was

0:10:18.200 --> 0:10:21.360
<v Speaker 3>very upsetting. And this year we're also up against Netflix again.

0:10:21.559 --> 0:10:26.280
<v Speaker 3>The Netflix show quote unquote is a full feature length

0:10:26.320 --> 0:10:29.440
<v Speaker 3>animated movie, which is not even a show. I don't know,

0:10:29.559 --> 0:10:31.120
<v Speaker 3>I don't know, I don't know, I should know.

0:10:31.559 --> 0:10:33.079
<v Speaker 2>A hit or miss over there. You never know, it

0:10:33.080 --> 0:10:34.600
<v Speaker 2>could be one of the bad ones. Maybe you've got

0:10:34.600 --> 0:10:37.520
<v Speaker 2>a good chance. Maybe they maybe they're nominating shit. You know,

0:10:37.760 --> 0:10:40.400
<v Speaker 2>that does seem unfair, Like why put a show against

0:10:40.440 --> 0:10:40.839
<v Speaker 2>the movie?

0:10:40.880 --> 0:10:41.360
<v Speaker 1>First off?

0:10:41.360 --> 0:10:44.600
<v Speaker 2>That feels like I think the animation category is mature

0:10:44.679 --> 0:10:47.520
<v Speaker 2>enough that you could have like subcategories, right, you could

0:10:47.559 --> 0:10:49.840
<v Speaker 2>have like there should be animated comedy, you could have

0:10:49.920 --> 0:10:54.360
<v Speaker 2>animated drama. You could do like, Yeah, I feel like

0:10:54.640 --> 0:10:57.040
<v Speaker 2>movies and shows should not go against each other. I

0:10:57.040 --> 0:11:00.040
<v Speaker 2>think that's like a totally weird I think it's the

0:11:00.080 --> 0:11:02.080
<v Speaker 2>very least you'd separate those out.

0:11:02.240 --> 0:11:04.839
<v Speaker 3>You know, I don't want to be a you know, right,

0:11:04.840 --> 0:11:07.840
<v Speaker 3>it's fun, but you want that I want that Emmy,

0:11:07.920 --> 0:11:10.200
<v Speaker 3>of course. Yeah, what's better than one Emmy? Two Emmys?

0:11:10.480 --> 0:11:15.320
<v Speaker 3>But we're also in the we're in the Creative Arts Emmys, oh,

0:11:15.360 --> 0:11:18.720
<v Speaker 3>which is like the week before the televised big fun Emmys.

0:11:18.960 --> 0:11:21.760
<v Speaker 2>It's fucking that's so wild, Like they're not even like

0:11:21.880 --> 0:11:23.320
<v Speaker 2>that you guys get to be part of like the

0:11:23.360 --> 0:11:24.120
<v Speaker 2>regular Emmys.

0:11:24.120 --> 0:11:25.920
<v Speaker 1>You guys are like a special effect. Is that the

0:11:25.960 --> 0:11:27.880
<v Speaker 1>idea you're like sound design, that's.

0:11:27.800 --> 0:11:30.800
<v Speaker 3>Exactly right, it's exactly right. We're like sound engineers and stuff,

0:11:30.800 --> 0:11:32.760
<v Speaker 3>and all these are critical jobs. I'm not poopoing these.

0:11:32.720 --> 0:11:34.959
<v Speaker 2>Jobs, no, but it's just it's just like you're creating

0:11:34.960 --> 0:11:36.640
<v Speaker 2>a TV show as much as anybody else's.

0:11:36.640 --> 0:11:38.000
<v Speaker 1>It just happens to be animated.

0:11:38.200 --> 0:11:40.079
<v Speaker 3>Yeah, right, And it's like you know, it's always against

0:11:40.080 --> 0:11:42.760
<v Speaker 3>Simpsons and Bob's Burger. It's all these legacy shows, right,

0:11:42.840 --> 0:11:46.400
<v Speaker 3>and it's it's in between like best Animal Handler.

0:11:46.720 --> 0:11:49.240
<v Speaker 2>Right, in a way, there's an argument, there is an

0:11:49.360 --> 0:11:53.600
<v Speaker 2>argument that should those shows just be in the regular category,

0:11:53.800 --> 0:11:56.240
<v Speaker 2>not even animated, like just the quality of the show.

0:11:56.400 --> 0:11:58.600
<v Speaker 2>Who cares about the format? I mean, who cares about

0:11:58.640 --> 0:12:02.520
<v Speaker 2>whether it's a drawn these people are drawn? Or I mean,

0:12:02.520 --> 0:12:04.040
<v Speaker 2>I don't know, that's a tough That would be tough though, right,

0:12:04.040 --> 0:12:06.840
<v Speaker 2>because then you'd be up against like a better call Saul. Yeah,

0:12:06.840 --> 0:12:08.920
<v Speaker 2>I'm sure, well no, because that's isn't that an hour

0:12:09.000 --> 0:12:10.959
<v Speaker 2>long drama? You wouldn't those aren't all like you don't

0:12:10.960 --> 0:12:13.160
<v Speaker 2>put a sitcom against the drama. Don't they have categories

0:12:13.200 --> 0:12:13.560
<v Speaker 2>for those?

0:12:14.200 --> 0:12:15.080
<v Speaker 1>I know nothing about it.

0:12:15.200 --> 0:12:17.800
<v Speaker 3>Everything I'm talking about the animated categories is there. The

0:12:17.880 --> 0:12:21.319
<v Speaker 3>category is just anything that's drawma. Yeah, well see, I know.

0:12:21.400 --> 0:12:22.800
<v Speaker 3>I guess I have been out of touch with the

0:12:22.880 --> 0:12:23.160
<v Speaker 3>m is.

0:12:23.160 --> 0:12:23.720
<v Speaker 1>I actually think.

0:12:23.600 --> 0:12:27.120
<v Speaker 2>Award shows are should be banned. I think they're bad

0:12:27.320 --> 0:12:29.920
<v Speaker 2>for society. But I'm glad that you won an Emmy.

0:12:29.920 --> 0:12:31.960
<v Speaker 2>I'm very I'm happy for you, But I also think

0:12:32.000 --> 0:12:35.160
<v Speaker 2>that the fundamental idea of the Emmy is bad.

0:12:35.000 --> 0:12:39.320
<v Speaker 3>For weren't they initially went the oscars at least initially

0:12:39.360 --> 0:12:40.760
<v Speaker 3>like a union busting thing.

0:12:41.360 --> 0:12:42.320
<v Speaker 1>That sounds right to me.

0:12:42.520 --> 0:12:44.800
<v Speaker 2>Maybe we should know this right now because we're at

0:12:44.840 --> 0:12:48.760
<v Speaker 2>a critical juncture. I'm sure for you have probably several

0:12:49.040 --> 0:12:51.319
<v Speaker 2>unions that you're striking with right now.

0:12:51.440 --> 0:12:55.080
<v Speaker 3>Right Yeah, I'm striking with sag After and WJA, I'm

0:12:55.120 --> 0:12:55.800
<v Speaker 3>double striking.

0:12:56.120 --> 0:12:57.680
<v Speaker 2>Do you are you all on one picket line or

0:12:57.679 --> 0:13:00.640
<v Speaker 2>do you google across town like to another picket line

0:13:00.720 --> 0:13:02.520
<v Speaker 2>for the like the actors.

0:13:02.400 --> 0:13:04.600
<v Speaker 3>Now, they it's all it's all mixed. It's like a

0:13:04.640 --> 0:13:07.760
<v Speaker 3>big mixer. And it was nice when the acting when

0:13:07.920 --> 0:13:10.000
<v Speaker 3>zag got involved, because they brought a lot of energy

0:13:10.040 --> 0:13:13.000
<v Speaker 3>to the picket line. But they also love the sag

0:13:13.040 --> 0:13:17.200
<v Speaker 3>After a crew really loves doing picket line karaoke. Who

0:13:17.800 --> 0:13:19.720
<v Speaker 3>and I feel like we should be a little more

0:13:19.760 --> 0:13:20.680
<v Speaker 3>stoic out there.

0:13:20.800 --> 0:13:23.240
<v Speaker 1>No, no, nothing. Nobody should be seemingly having fun. It

0:13:23.280 --> 0:13:23.800
<v Speaker 1>should be.

0:13:23.679 --> 0:13:25.360
<v Speaker 3>People should be they've made it a party.

0:13:25.679 --> 0:13:28.000
<v Speaker 2>Yeah, I mean in a way, I mean, I know

0:13:28.000 --> 0:13:30.559
<v Speaker 2>it is very wrong for whoever cut back those trees

0:13:30.559 --> 0:13:32.560
<v Speaker 2>to not provide shade for people. But in a way,

0:13:32.760 --> 0:13:36.079
<v Speaker 2>I think sweating in the heat with your picket sign

0:13:36.320 --> 0:13:40.680
<v Speaker 2>shows the struggle. You know, it makes the struggle look more.

0:13:40.800 --> 0:13:43.280
<v Speaker 2>But we're willing to will fight. Yeah you don't. I

0:13:43.280 --> 0:13:45.560
<v Speaker 2>actually think you're gonna you lose people. I'm not telling

0:13:45.600 --> 0:13:47.200
<v Speaker 2>anybody how to strike, by the way, as a person

0:13:47.240 --> 0:13:51.440
<v Speaker 2>who's never been on strike, I shouldn't really comment on it,

0:13:51.440 --> 0:13:53.320
<v Speaker 2>but I just feel like you want people to see

0:13:53.880 --> 0:13:57.040
<v Speaker 2>uh suffering. You want people to feel like that there's

0:13:57.120 --> 0:13:59.440
<v Speaker 2>pain being inflicted on you. In a way, yeah, you.

0:13:59.440 --> 0:14:01.839
<v Speaker 3>Want to look like a dust bowl like food line.

0:14:02.120 --> 0:14:03.880
<v Speaker 2>Yeah, I would, if anything, I would have to get

0:14:03.880 --> 0:14:04.920
<v Speaker 2>those actors dressing up.

0:14:04.920 --> 0:14:07.319
<v Speaker 1>They probably have costumes laying around. I would assume.

0:14:07.040 --> 0:14:10.520
<v Speaker 2>Absolutely, like they should all be in like nineteen twenties,

0:14:10.600 --> 0:14:13.319
<v Speaker 2>like fucking Woody Guthrie shit like out there.

0:14:13.200 --> 0:14:16.079
<v Speaker 3>Right, like patch elbows on their peers and.

0:14:16.040 --> 0:14:19.160
<v Speaker 2>The fucking thing like their their picket sign should be

0:14:19.200 --> 0:14:21.720
<v Speaker 2>on that whatever those things are that are batable.

0:14:22.280 --> 0:14:22.960
<v Speaker 1>What are they called.

0:14:23.560 --> 0:14:26.040
<v Speaker 3>It's a bindle, the like a little handkerchief filled with

0:14:26.200 --> 0:14:29.640
<v Speaker 3>yeah you're good, yeah for a train jumping.

0:14:30.040 --> 0:14:30.240
<v Speaker 1>Yeah.

0:14:30.680 --> 0:14:33.440
<v Speaker 2>I think I think they're missing opunity all about this

0:14:33.760 --> 0:14:37.200
<v Speaker 2>you toodle podcast, right, I figure. I think I think

0:14:37.200 --> 0:14:40.720
<v Speaker 2>they're missing an opportunity to actually uh engage in their

0:14:40.800 --> 0:14:43.640
<v Speaker 2>craft in a way like, don't go out there and

0:14:44.280 --> 0:14:48.000
<v Speaker 2>sing fucking songs. Go out and pretend to be a

0:14:48.080 --> 0:14:52.160
<v Speaker 2>nineteen twenties striker, you know, cover yourself an oil or

0:14:52.160 --> 0:14:52.800
<v Speaker 2>something and.

0:14:52.720 --> 0:14:54.600
<v Speaker 3>Be like, rather, can't you spare a dime?

0:14:54.760 --> 0:14:54.920
<v Speaker 1>Yeah?

0:14:55.240 --> 0:14:56.680
<v Speaker 3>Yes, you know, I mean it is.

0:14:56.840 --> 0:14:59.440
<v Speaker 2>It is tough because like obviously there's these huge strikes

0:14:59.480 --> 0:15:02.040
<v Speaker 2>going on, and clearly, I mean from my money, and

0:15:02.120 --> 0:15:05.400
<v Speaker 2>I'm not an expert on anything, but seems like the

0:15:05.400 --> 0:15:07.920
<v Speaker 2>studios are in the wrong here on a bunch of

0:15:07.960 --> 0:15:10.120
<v Speaker 2>different levels. And it feels like some of the some

0:15:10.200 --> 0:15:12.480
<v Speaker 2>of the gives that are required would in no way

0:15:12.600 --> 0:15:15.920
<v Speaker 2>damage their actual businesses in any meaningful manner.

0:15:16.120 --> 0:15:18.520
<v Speaker 3>It seems that way, you know, at least infographics.

0:15:18.600 --> 0:15:20.680
<v Speaker 2>I see, I see all that shit, and it's like, oh,

0:15:20.720 --> 0:15:22.760
<v Speaker 2>this would be like less than one percent of their

0:15:22.760 --> 0:15:25.280
<v Speaker 2>total profit to like fix these problems or some shit

0:15:25.320 --> 0:15:25.520
<v Speaker 2>like that.

0:15:25.600 --> 0:15:26.800
<v Speaker 3>Yeah, yeah, it's like nothing.

0:15:27.160 --> 0:15:29.800
<v Speaker 2>I mean, you know writers and actors. That sounds like

0:15:29.800 --> 0:15:31.920
<v Speaker 2>a luxury gig. I think there's a there is a

0:15:31.960 --> 0:15:35.920
<v Speaker 2>thing that happens with the creative arts. Obviously it provides

0:15:35.960 --> 0:15:37.960
<v Speaker 2>a huge amount of things to the rest of society.

0:15:37.960 --> 0:15:40.040
<v Speaker 2>But also, like these are real jobs. Not everybody is

0:15:40.080 --> 0:15:42.320
<v Speaker 2>like Brad Pitt, Like there are people who just have

0:15:42.400 --> 0:15:45.080
<v Speaker 2>like day jobs. They have the bike, like fucking less

0:15:45.080 --> 0:15:47.720
<v Speaker 2>than minimum wage or whatever. Essentially, like if you add

0:15:47.760 --> 0:15:49.680
<v Speaker 2>it all up, like just do not everybody is a

0:15:49.720 --> 0:15:51.760
<v Speaker 2>super huge success, right, Like they're just working.

0:15:51.840 --> 0:15:54.360
<v Speaker 3>Yeah. I think that the consensus is like, oh, you've

0:15:54.360 --> 0:15:57.280
<v Speaker 3>been on TV once, you're a millionaire. Yeah, and that

0:15:57.400 --> 0:15:58.800
<v Speaker 3>is far far from the truth.

0:15:58.880 --> 0:15:59.960
<v Speaker 2>I mean when I was a kid, I used to

0:16:00.080 --> 0:16:02.800
<v Speaker 2>think if you were on TV, it was like you

0:16:02.880 --> 0:16:05.080
<v Speaker 2>were famous, like you had made it.

0:16:05.240 --> 0:16:06.160
<v Speaker 1>Like if you went on too.

0:16:06.240 --> 0:16:09.080
<v Speaker 3>I think it might have been more like that. Well

0:16:09.080 --> 0:16:12.160
<v Speaker 3>a there was like four shows on TV, four channels,

0:16:12.160 --> 0:16:15.120
<v Speaker 3>four shows, yeah, and they just played constantly. But now

0:16:15.160 --> 0:16:17.840
<v Speaker 3>with the streamers everything, I mean, these these points have

0:16:17.920 --> 0:16:20.920
<v Speaker 3>been poured over many times and I'm not going to

0:16:21.000 --> 0:16:23.920
<v Speaker 3>do any favors to them. So I think now it's

0:16:23.960 --> 0:16:26.480
<v Speaker 3>the market is so flooded and there's so many things,

0:16:26.480 --> 0:16:30.160
<v Speaker 3>and there's new media contracts and there's streaming contracts right right,

0:16:30.200 --> 0:16:32.680
<v Speaker 3>and it's so the pay has gone down and residuals

0:16:32.680 --> 0:16:35.560
<v Speaker 3>are kind of non existent because everything's streaming. And for

0:16:35.600 --> 0:16:38.000
<v Speaker 3>whatever reason, when they sorted out the streaming stuff, all

0:16:38.000 --> 0:16:40.000
<v Speaker 3>the unions were kind of like, yeah, whatever, we'll we'll

0:16:40.040 --> 0:16:42.520
<v Speaker 3>just figure it out down the line, right, And now

0:16:42.560 --> 0:16:43.960
<v Speaker 3>we're like, wait a second.

0:16:43.800 --> 0:16:45.760
<v Speaker 2>It's probably like not that big of a deal. I mean,

0:16:45.960 --> 0:16:47.840
<v Speaker 2>it's always like this. I mean, this has happened, you

0:16:47.840 --> 0:16:50.200
<v Speaker 2>know in media, like in news media. It was like

0:16:50.600 --> 0:16:52.520
<v Speaker 2>when Google started. But he was like, hm, that could

0:16:52.560 --> 0:16:53.920
<v Speaker 2>be a problem. They were like this is a cute

0:16:53.920 --> 0:16:56.880
<v Speaker 2>little thing that the nerds are messing around with. Like hey, YouTube,

0:16:57.200 --> 0:16:59.360
<v Speaker 2>that's not a problem. That's not a threat to us, right.

0:16:59.360 --> 0:17:02.280
<v Speaker 2>YouTube was like huh, that could be a thing. But

0:17:02.400 --> 0:17:05.080
<v Speaker 2>that's the difference between you know, the people who make

0:17:05.119 --> 0:17:08.080
<v Speaker 2>those things and the legacy whatever people who are like yeah,

0:17:08.240 --> 0:17:11.360
<v Speaker 2>we're we'll our business will never be threatened, nothing will

0:17:11.400 --> 0:17:13.480
<v Speaker 2>ever change. It is really like a weird thing that

0:17:13.520 --> 0:17:17.000
<v Speaker 2>people are like feel impervious to change and when it's

0:17:17.040 --> 0:17:32.040
<v Speaker 2>like obviously happening constantly around us. Yeah, whoever takes the

0:17:32.080 --> 0:17:34.560
<v Speaker 2>side of the company, Like, I can't imagine a scenario

0:17:34.560 --> 0:17:37.040
<v Speaker 2>where I'm like, actually, how dare these teachers ask for

0:17:37.080 --> 0:17:38.040
<v Speaker 2>more money? Right?

0:17:38.119 --> 0:17:40.520
<v Speaker 3>The fat cats at the top they what's going on?

0:17:40.680 --> 0:17:42.840
<v Speaker 2>Yeah, Like, I mean, you know, it's like hard to

0:17:42.880 --> 0:17:45.639
<v Speaker 2>imagine going like, well, I think Disney is getting a

0:17:45.720 --> 0:17:48.400
<v Speaker 2>raw deal here, you know, Like that's like I don't

0:17:48.400 --> 0:17:49.560
<v Speaker 2>think that's an Netflix.

0:17:49.600 --> 0:17:51.800
<v Speaker 1>We gotta hey, come on, we gotta help Netflix out.

0:17:51.840 --> 0:17:54.200
<v Speaker 3>Man. They're really struggle subscriber bases down.

0:17:54.320 --> 0:17:56.240
<v Speaker 2>Yeah, I mean, but the thing is, you know, it's

0:17:56.240 --> 0:17:58.840
<v Speaker 2>tough because it's creative, and like anything creative, people are

0:17:58.840 --> 0:18:01.480
<v Speaker 2>basically like there's no value attached to it in a

0:18:01.480 --> 0:18:04.360
<v Speaker 2>weird way, like, yes, you love to go see movies,

0:18:04.440 --> 0:18:06.400
<v Speaker 2>but like when you really think about like the people

0:18:06.440 --> 0:18:07.320
<v Speaker 2>who make the movie.

0:18:07.200 --> 0:18:08.680
<v Speaker 1>You kind of don't give a shit. Like most people

0:18:08.720 --> 0:18:09.560
<v Speaker 1>kind of don't give a shit.

0:18:09.680 --> 0:18:11.480
<v Speaker 2>They don't think it's like toiling in a factory, and

0:18:11.520 --> 0:18:13.880
<v Speaker 2>it is not to some extent, although plenty of those

0:18:13.960 --> 0:18:16.480
<v Speaker 2>jobs are really hard labor, and like I'm not saying

0:18:16.480 --> 0:18:19.560
<v Speaker 2>an actor's job is like, you know, building a fucking

0:18:19.880 --> 0:18:22.960
<v Speaker 2>ac in it in a factory, but like it's it's

0:18:23.000 --> 0:18:25.199
<v Speaker 2>I think there's this interesting disconnect I feel sort of

0:18:25.240 --> 0:18:27.440
<v Speaker 2>happening now where like the strike's going on so long

0:18:27.480 --> 0:18:30.159
<v Speaker 2>that people I can almost see. I don't think people's

0:18:30.160 --> 0:18:32.000
<v Speaker 2>like attitudes are turning, but I think it's hard. I

0:18:32.040 --> 0:18:33.600
<v Speaker 2>guess this is as we were talking about the dust

0:18:33.640 --> 0:18:36.359
<v Speaker 2>Bowl costumes or whatever, like how do you make people

0:18:36.440 --> 0:18:39.080
<v Speaker 2>continue to care about it? You know, when there's all

0:18:39.080 --> 0:18:42.040
<v Speaker 2>this stuff going on that that feels like more important?

0:18:42.280 --> 0:18:43.720
<v Speaker 2>And I don't know, maybe you have an answer to

0:18:43.720 --> 0:18:45.000
<v Speaker 2>that to that question, I don't know.

0:18:45.040 --> 0:18:47.800
<v Speaker 3>I mean it's tough. I'm really curious what you think

0:18:47.920 --> 0:18:50.639
<v Speaker 3>the temperature is of the public perception outside of the

0:18:50.720 --> 0:18:54.000
<v Speaker 3>entertainment industry, because it's tough being within it. Yeah, you know,

0:18:54.119 --> 0:18:56.879
<v Speaker 3>my echo chamber is just like why won't they just

0:18:56.880 --> 0:18:59.359
<v Speaker 3>give up one point six percent of their like end

0:18:59.400 --> 0:19:02.320
<v Speaker 3>of the line propuit fits and to satisfy everybody? Yeah,

0:19:02.359 --> 0:19:05.199
<v Speaker 3>but I wonder, like the are the average strange or things? Fan?

0:19:05.320 --> 0:19:07.440
<v Speaker 3>Are they just like, what's when's the next season coming?

0:19:07.480 --> 0:19:08.280
<v Speaker 3>Get back to work?

0:19:08.600 --> 0:19:10.119
<v Speaker 1>One hundred percent. They're not. They're not.

0:19:10.160 --> 0:19:12.360
<v Speaker 2>I don't think they consider it. I don't think they're like, hey,

0:19:12.760 --> 0:19:14.800
<v Speaker 2>what happened? But then when does the I guess that's

0:19:14.840 --> 0:19:16.720
<v Speaker 2>the question. With all this abundance, I mean, this is

0:19:16.720 --> 0:19:18.119
<v Speaker 2>sort of the part of the problem, right, Like this

0:19:18.280 --> 0:19:22.960
<v Speaker 2>huge abundance of content means that you basically like never

0:19:23.080 --> 0:19:25.679
<v Speaker 2>feel like you're running out and like is there this

0:19:25.760 --> 0:19:28.080
<v Speaker 2>thing is a thing happening now, where like before it

0:19:28.119 --> 0:19:30.760
<v Speaker 2>would have stopped TV, would have stopped film, Like, but

0:19:30.800 --> 0:19:33.919
<v Speaker 2>there's so much shit that's just like accumulated on these

0:19:33.920 --> 0:19:37.080
<v Speaker 2>streaming services and in the on these you know, the

0:19:37.080 --> 0:19:40.639
<v Speaker 2>shelves of a Disney or whatever, that people don't feel

0:19:40.640 --> 0:19:42.439
<v Speaker 2>it the way they used to write, like, you know,

0:19:42.560 --> 0:19:44.359
<v Speaker 2>like it's like all this shit's going on. And then

0:19:44.359 --> 0:19:47.440
<v Speaker 2>there's like Barbie and Oppenheimer, the two biggest like films

0:19:47.480 --> 0:19:51.600
<v Speaker 2>of the year that seem to be totally outside of

0:19:51.640 --> 0:19:55.920
<v Speaker 2>this reality of striking or whatever. You know, Like, yeah,

0:19:56.160 --> 0:19:58.840
<v Speaker 2>presumably all of the people who worked on those movies,

0:19:58.840 --> 0:20:02.879
<v Speaker 2>who wrote for and acted in them are all striking, right,

0:20:02.960 --> 0:20:04.960
<v Speaker 2>they are members of these unions.

0:20:04.640 --> 0:20:08.320
<v Speaker 3>Oh absolutely, And also like probably not supposed to promote it.

0:20:08.440 --> 0:20:10.879
<v Speaker 3>I think that I think Barbie came out pre SAG strike.

0:20:10.960 --> 0:20:13.119
<v Speaker 3>I don't remember for sure, but like you know, Margot,

0:20:13.160 --> 0:20:14.960
<v Speaker 3>Robbie and Gosling are going to go out and promote

0:20:14.960 --> 0:20:17.000
<v Speaker 3>the movie of course, right, but it is a weird thing.

0:20:17.040 --> 0:20:19.120
<v Speaker 3>It's a hard thing to celebrate this great film when

0:20:19.160 --> 0:20:22.959
<v Speaker 3>we're also fighting for viable existences and trying to like

0:20:23.040 --> 0:20:26.000
<v Speaker 3>pave a path forward for other people to enter this industry.

0:20:26.320 --> 0:20:28.040
<v Speaker 3>And the saddest thing is, like, you know, within the

0:20:28.080 --> 0:20:33.239
<v Speaker 3>Rick and Morty world, within my bubble, there's people are

0:20:33.240 --> 0:20:35.680
<v Speaker 3>getting let go every day, people who aren't in WJ

0:20:35.840 --> 0:20:37.679
<v Speaker 3>and aren't in SAG. But it's like, well, we're not

0:20:38.040 --> 0:20:40.720
<v Speaker 3>in production, we're not writing new episodes, and we don't

0:20:40.720 --> 0:20:44.560
<v Speaker 3>need this production coordinator, so good luck. We have hope

0:20:44.560 --> 0:20:45.720
<v Speaker 3>to see you when it comes back.

0:20:45.920 --> 0:20:48.160
<v Speaker 1>And all the industries that are attached to like making

0:20:48.200 --> 0:20:51.159
<v Speaker 1>this stuff presumably are getting eviscerated right now.

0:20:51.080 --> 0:20:54.679
<v Speaker 3>Right absolutely, But I mean to the other side, it's

0:20:54.720 --> 0:20:57.720
<v Speaker 3>an absolute, necessary, critical strike, and I do like that

0:20:57.800 --> 0:21:00.760
<v Speaker 3>it feels like we're part of a larger labor movement

0:21:00.840 --> 0:21:04.720
<v Speaker 3>now and standing up against these like big giant conglomerates

0:21:04.840 --> 0:21:07.320
<v Speaker 3>and being and doing so successfully, you know, they had

0:21:07.320 --> 0:21:10.080
<v Speaker 3>the ups strike, which is like settled in a day. Yeah,

0:21:10.160 --> 0:21:13.040
<v Speaker 3>I think there's like a like airline attendance are now

0:21:13.320 --> 0:21:15.480
<v Speaker 3>or like now kind of mustering up. I think that

0:21:16.560 --> 0:21:19.879
<v Speaker 3>all of the animators who do s like special effects

0:21:19.920 --> 0:21:22.800
<v Speaker 3>for Marvel movies have basically going to strike and say no,

0:21:22.840 --> 0:21:24.960
<v Speaker 3>we want to unionize too. And I think that's great,

0:21:25.000 --> 0:21:27.960
<v Speaker 3>the fact that it's like becoming you know, whatever, we'll

0:21:28.000 --> 0:21:29.960
<v Speaker 3>we'll get a better deal at the end of the day.

0:21:30.000 --> 0:21:32.119
<v Speaker 3>But I hope it also opens the conversation up for

0:21:32.200 --> 0:21:33.920
<v Speaker 3>other people to be like, yeah, well we should have

0:21:33.960 --> 0:21:36.159
<v Speaker 3>a better deal too, What the hell's going on? And

0:21:36.200 --> 0:21:37.040
<v Speaker 3>I think that's happening.

0:21:37.600 --> 0:21:37.800
<v Speaker 1>You know.

0:21:37.800 --> 0:21:41.560
<v Speaker 2>It's funny, like I come from a family of like socialists,

0:21:41.600 --> 0:21:42.800
<v Speaker 2>like Jews.

0:21:42.840 --> 0:21:45.480
<v Speaker 1>Like my great aunt was like a labor organizer.

0:21:45.520 --> 0:21:47.000
<v Speaker 2>You know. They were like, oh that's cool, you know

0:21:47.040 --> 0:21:49.399
<v Speaker 2>she had like lunch with Trotsky, but she was like,

0:21:49.440 --> 0:21:53.600
<v Speaker 2>you know, like they moved from like Ukraine to Pittsburgh

0:21:53.640 --> 0:21:55.440
<v Speaker 2>and was like, you know, helped to start like a

0:21:56.119 --> 0:21:58.119
<v Speaker 2>you know space, like a socialist labor group whatever. So

0:21:58.200 --> 0:22:00.000
<v Speaker 2>like I get like, I get this, and it's easy

0:22:00.040 --> 0:22:02.520
<v Speaker 2>interesting because like it is there's a there is a

0:22:02.560 --> 0:22:05.439
<v Speaker 2>bit of a frame in America for sure, especially in

0:22:05.480 --> 0:22:08.640
<v Speaker 2>America that like unions are evil and unions are bad.

0:22:08.680 --> 0:22:12.400
<v Speaker 2>It's like people have bought the line of the corporations

0:22:12.600 --> 0:22:15.640
<v Speaker 2>and like, I don't like grudge a corporation for making

0:22:15.640 --> 0:22:17.160
<v Speaker 2>a lot of money, but I think when you see

0:22:17.200 --> 0:22:21.120
<v Speaker 2>the fucking disparity, you know, the pandemic was really interesting

0:22:21.119 --> 0:22:24.000
<v Speaker 2>where it's like Amazon's like there, it's just being so

0:22:24.200 --> 0:22:27.199
<v Speaker 2>much money is being accumulated there while everybody else is

0:22:27.680 --> 0:22:30.480
<v Speaker 2>like eating shit, and it's like, yeah, this feels wrong,

0:22:30.560 --> 0:22:32.159
<v Speaker 2>Like it feels like there's some disparity and how do

0:22:32.200 --> 0:22:34.080
<v Speaker 2>you how do you balance it?

0:22:34.160 --> 0:22:35.640
<v Speaker 1>How do you ever balance it? And the only way

0:22:35.680 --> 0:22:37.200
<v Speaker 1>that anybody has to balance.

0:22:36.920 --> 0:22:39.639
<v Speaker 2>It is like is collective action now because it's because

0:22:40.200 --> 0:22:42.359
<v Speaker 2>they are these corporations are so massive and have so

0:22:42.440 --> 0:22:45.080
<v Speaker 2>much power and so much money that it's impossible to

0:22:45.080 --> 0:22:47.720
<v Speaker 2>to really, like on a one to one level, affect

0:22:47.800 --> 0:22:51.080
<v Speaker 2>anything that they do. And like I think it's amazing,

0:22:51.560 --> 0:22:53.160
<v Speaker 2>Like I love the fact that people are I don't

0:22:53.160 --> 0:22:55.600
<v Speaker 2>love the people are striking, Like people shouldn't have to strike.

0:22:55.320 --> 0:22:57.160
<v Speaker 1>But right, yeah, the ups that's.

0:22:56.960 --> 0:23:01.280
<v Speaker 3>Interesting, you basically was interesting, like and picketting is exciting.

0:23:01.480 --> 0:23:03.639
<v Speaker 3>You know, it's fun. I don't know, it feels really

0:23:03.680 --> 0:23:05.560
<v Speaker 3>fun to be a part and that's such a pervilect

0:23:05.600 --> 0:23:06.920
<v Speaker 3>thing to say, Oh, it's fun to be a part

0:23:06.920 --> 0:23:09.320
<v Speaker 3>of a labor right now or a labor movement. But

0:23:09.359 --> 0:23:11.920
<v Speaker 3>I mean, like you see people activating on the street,

0:23:11.960 --> 0:23:14.000
<v Speaker 3>you run into all these old friends, everybody's walking in

0:23:14.040 --> 0:23:17.159
<v Speaker 3>the miserable, miserable heat. It's a cool thing to be

0:23:17.200 --> 0:23:20.399
<v Speaker 3>a part of, and it's important. And you know, nobody's

0:23:20.400 --> 0:23:22.919
<v Speaker 3>going to get Stranger Things season six or whatever it is,

0:23:23.520 --> 0:23:25.400
<v Speaker 3>well until they start paying people.

0:23:25.240 --> 0:23:26.680
<v Speaker 2>Well, you know, but it's also part of this. I

0:23:26.680 --> 0:23:30.040
<v Speaker 2>think there's this just overwhelming amount of content. Like I

0:23:30.119 --> 0:23:32.960
<v Speaker 2>just think there was a time when, I mean, when

0:23:32.960 --> 0:23:35.840
<v Speaker 2>the Stranger Things began, there actually were not that many

0:23:35.960 --> 0:23:39.600
<v Speaker 2>shows being produced by Netflix, you know, like it I mean,

0:23:39.640 --> 0:23:41.280
<v Speaker 2>I don't know how many years ago it was, but

0:23:41.359 --> 0:23:44.480
<v Speaker 2>it was, you know a handful of things were coming

0:23:44.520 --> 0:23:47.000
<v Speaker 2>out of Netflix, not like a new show every day.

0:23:47.720 --> 0:23:51.400
<v Speaker 2>And now we just have this not just Netflix, it's

0:23:51.400 --> 0:23:53.359
<v Speaker 2>like all of these services just feel like they have

0:23:53.840 --> 0:23:57.440
<v Speaker 2>so over indexed on content and so much of it

0:23:57.480 --> 0:24:00.119
<v Speaker 2>is like really mediocre. You know.

0:24:00.240 --> 0:24:04.239
<v Speaker 3>The other thing that's happening, which is really wild and

0:24:04.280 --> 0:24:08.959
<v Speaker 3>disheartening is and it's basically legal insurance fraud. So this

0:24:09.000 --> 0:24:11.720
<v Speaker 3>guy's Zaslov, who is like now the CEO of Warner

0:24:11.760 --> 0:24:15.560
<v Speaker 3>Brothers Warner Universal, which is basically owns everything everybody loves.

0:24:16.240 --> 0:24:18.320
<v Speaker 3>So what they're doing just to like clear their bottom

0:24:18.359 --> 0:24:21.800
<v Speaker 3>line and look better is they are taking existing shows

0:24:21.800 --> 0:24:26.240
<v Speaker 3>that are available to stream and they're erasing them from existence.

0:24:26.280 --> 0:24:28.679
<v Speaker 3>So they basically go to their insurance company because they

0:24:28.680 --> 0:24:31.480
<v Speaker 3>have insurance on all these shows, and they say this

0:24:31.640 --> 0:24:34.040
<v Speaker 3>was a wash. They totaled the car. They say, hey,

0:24:34.080 --> 0:24:36.280
<v Speaker 3>take the whole car. We're not going to fix it.

0:24:36.280 --> 0:24:39.199
<v Speaker 3>We'll take our insurance back. So, like, you know, I

0:24:39.280 --> 0:24:42.040
<v Speaker 3>probably should say any of these numbers, but like we

0:24:42.119 --> 0:24:44.600
<v Speaker 3>made a show for Adult Swim, I want to say

0:24:44.640 --> 0:24:47.679
<v Speaker 3>our full budget for the three seasons of it was

0:24:47.720 --> 0:24:50.399
<v Speaker 3>like twenty million something like that, and they're going to

0:24:50.600 --> 0:24:53.000
<v Speaker 3>wipe it from existence at the end of our Hulu contract.

0:24:53.080 --> 0:24:54.959
<v Speaker 3>It'll just you won't be able to watch it anywhere.

0:24:55.080 --> 0:24:57.199
<v Speaker 3>Check it on Pirate Bay. I know it's there, right.

0:24:57.359 --> 0:24:57.800
<v Speaker 1>What's it called.

0:24:57.840 --> 0:25:02.000
<v Speaker 3>It's called Dream Corp LLC, which was this hybrid animation

0:25:02.240 --> 0:25:05.919
<v Speaker 3>live action really beautiful show. But that's one example, and

0:25:05.960 --> 0:25:07.639
<v Speaker 3>it famously happened with Batgirl.

0:25:07.880 --> 0:25:09.240
<v Speaker 1>Yeah, Bi Thata Girl's crazy.

0:25:09.280 --> 0:25:11.159
<v Speaker 2>They made an entire movie that would be like in

0:25:11.240 --> 0:25:14.000
<v Speaker 2>a large part of a franchise or whatever.

0:25:14.280 --> 0:25:17.280
<v Speaker 3>And then just wiped it and then they get back

0:25:17.400 --> 0:25:19.320
<v Speaker 3>a fraction of their budget and then they go, look

0:25:19.359 --> 0:25:21.760
<v Speaker 3>see here we go. And that's disheartening. Like you know

0:25:21.800 --> 0:25:24.200
<v Speaker 3>how many actors were in that and writers and creak

0:25:24.280 --> 0:25:25.520
<v Speaker 3>guys were like, I'm going to be a part of

0:25:25.560 --> 0:25:27.440
<v Speaker 3>this huge thing. There's definitely gonna be a Bad Girl too.

0:25:28.080 --> 0:25:31.119
<v Speaker 2>Yeah, it's crazy and Michael, I think Michael Keaton's in it,

0:25:31.320 --> 0:25:34.320
<v Speaker 2>Like yeah, I mean it probably wouldn't be great, but

0:25:34.440 --> 0:25:37.359
<v Speaker 2>like you know, like none of the DC movies seemed

0:25:37.400 --> 0:25:39.119
<v Speaker 2>that good to me, but it's probably like would be

0:25:39.160 --> 0:25:41.400
<v Speaker 2>fun to watch. And maybe that's I mean, maybe that's

0:25:41.400 --> 0:25:43.280
<v Speaker 2>the problem though, I mean, look at what's going on

0:25:43.359 --> 0:25:46.840
<v Speaker 2>out there, Like maybe we've got too much Bad Girl.

0:25:46.920 --> 0:25:49.320
<v Speaker 2>I mean I'm not agreeing with I'm not agreeing with

0:25:49.359 --> 0:25:52.920
<v Speaker 2>the Fat Cats, Okay, right, I'm just saying like, yeah,

0:25:53.119 --> 0:25:54.879
<v Speaker 2>it feels I mean, I almost think like the Barbie

0:25:54.920 --> 0:25:58.000
<v Speaker 2>Oppenheimer thing is an interesting It seems a little bit

0:25:58.000 --> 0:25:59.919
<v Speaker 2>more like, well, I don't know, it's tough, like Barbie's

0:25:59.920 --> 0:26:01.640
<v Speaker 2>like based on a fucking doll, you know, like it's

0:26:01.640 --> 0:26:02.800
<v Speaker 2>based on literally like a toy.

0:26:02.840 --> 0:26:04.560
<v Speaker 1>And so I was like, well, maybe this franchise thing

0:26:04.640 --> 0:26:05.240
<v Speaker 1>is kind of over.

0:26:05.440 --> 0:26:08.080
<v Speaker 2>But but they do feel like more like works of

0:26:08.160 --> 0:26:10.080
<v Speaker 2>art then a lot of stuff that's put out into

0:26:10.080 --> 0:26:11.800
<v Speaker 2>the world these days, like a lot of these Like

0:26:11.840 --> 0:26:13.840
<v Speaker 2>it feels like Disney's not just on this, like they

0:26:13.920 --> 0:26:15.520
<v Speaker 2>just have to release more Marvel content.

0:26:15.600 --> 0:26:18.520
<v Speaker 3>It just feels like Marvel content or redo any animated film,

0:26:18.560 --> 0:26:19.040
<v Speaker 3>live action.

0:26:19.280 --> 0:26:21.080
<v Speaker 1>Yeah, I mean that stuff is that stuff is so

0:26:21.119 --> 0:26:23.200
<v Speaker 1>bizarre to me. Yeah, yeah, it's weird.

0:26:23.720 --> 0:26:25.040
<v Speaker 2>So I want to talk about Rick and Morty for

0:26:25.119 --> 0:26:29.200
<v Speaker 2>a second. I have a couple of thoughts. How long

0:26:29.240 --> 0:26:30.760
<v Speaker 2>and how long have you been working on the show?

0:26:30.760 --> 0:26:33.200
<v Speaker 3>Not from the beginning, not from the beginning. I came

0:26:33.240 --> 0:26:36.760
<v Speaker 3>in like halfway through season four basically, okay, okay, and

0:26:36.800 --> 0:26:41.040
<v Speaker 3>we're season six aired most recently, and sevens is going

0:26:41.119 --> 0:26:42.040
<v Speaker 3>to come out eventually.

0:26:42.280 --> 0:26:44.440
<v Speaker 2>So so Rick and Morty is an interesting show in

0:26:44.480 --> 0:26:49.520
<v Speaker 2>that when I started watching it, I was like, you know, crying, laughing,

0:26:49.720 --> 0:26:51.280
<v Speaker 2>like I thought it was like one of the funniest

0:26:51.280 --> 0:26:53.760
<v Speaker 2>things I'd ever seen, and I'm like, this is so

0:26:53.880 --> 0:26:56.639
<v Speaker 2>fucking weird, Like it's a weird, weird show, and it

0:26:56.720 --> 0:26:59.280
<v Speaker 2>only got I feel like, especially in the first you know,

0:26:59.440 --> 0:27:02.080
<v Speaker 2>several of it. I don't think I've watched the last season,

0:27:02.080 --> 0:27:05.280
<v Speaker 2>but I've watched everything up until that certainly got progressively

0:27:05.280 --> 0:27:08.639
<v Speaker 2>more weird and obscure and sort of whatever. But here's

0:27:08.640 --> 0:27:11.000
<v Speaker 2>the thing that I find I'm gonna try to say

0:27:11.000 --> 0:27:13.199
<v Speaker 2>this in a way that doesn't sound insulting, because I

0:27:13.240 --> 0:27:15.439
<v Speaker 2>don't want I don't want to insult. I don't want

0:27:15.440 --> 0:27:18.080
<v Speaker 2>to sell you or anybody who's worked on it. Okay, Like,

0:27:18.160 --> 0:27:20.800
<v Speaker 2>I think it's really smart and really funny. I think,

0:27:20.880 --> 0:27:22.840
<v Speaker 2>you know, I think it crosses some lines that for

0:27:22.880 --> 0:27:24.960
<v Speaker 2>a lot of people are probably like they don't feel

0:27:24.960 --> 0:27:26.960
<v Speaker 2>comfortable where how those lines are crossed.

0:27:27.000 --> 0:27:28.520
<v Speaker 1>But that's like neither here nor there.

0:27:28.960 --> 0:27:32.359
<v Speaker 2>The thing that I find somewhat troubling about it is

0:27:32.440 --> 0:27:35.560
<v Speaker 2>like I feel like it became very popular with people.

0:27:36.720 --> 0:27:39.320
<v Speaker 2>I feel like they like it for reasons that are

0:27:39.320 --> 0:27:40.919
<v Speaker 2>different than the ones I like it for.

0:27:41.200 --> 0:27:43.320
<v Speaker 1>Yes, do you understand what I'm saying?

0:27:43.359 --> 0:27:46.000
<v Speaker 3>And like, yeah, I do. There's a vocal minority fan

0:27:46.040 --> 0:27:49.160
<v Speaker 3>base that's kind of in selly guys. Yeah, well because

0:27:49.200 --> 0:27:52.560
<v Speaker 3>the you know, the protagonist Rick is this like nothing matters,

0:27:52.640 --> 0:27:56.000
<v Speaker 3>get fucked up, have sex with everything, love isn't real.

0:27:56.240 --> 0:27:59.879
<v Speaker 3>Like there's like an angry teenager in that character that

0:28:00.040 --> 0:28:00.800
<v Speaker 3>people relate to.

0:28:01.200 --> 0:28:03.800
<v Speaker 2>Right, But it's sort of like a Rorshack, you know,

0:28:03.840 --> 0:28:06.600
<v Speaker 2>from Watchmen, Like actually there's a meme that's like Roshack

0:28:06.720 --> 0:28:09.600
<v Speaker 2>is my favorite superhero but like, yeah, you.

0:28:09.560 --> 0:28:11.000
<v Speaker 1>Know Roshack in the Watchman.

0:28:11.000 --> 0:28:13.800
<v Speaker 2>I don't know how familiar are with Watchmen, but you know, right,

0:28:13.920 --> 0:28:17.840
<v Speaker 2>so you know, he's a really fucked up character, like

0:28:17.960 --> 0:28:20.159
<v Speaker 2>really fucked up, and like all of the all the

0:28:20.240 --> 0:28:23.080
<v Speaker 2>all the superheroes, it's like kind of like identifying with

0:28:23.200 --> 0:28:25.960
<v Speaker 2>like the you know, like oh, like the comedian, he's awesome,

0:28:26.000 --> 0:28:28.480
<v Speaker 2>Like identifying with a character that's obviously super fucked up

0:28:28.480 --> 0:28:30.560
<v Speaker 2>and flawed, right, And it's I think like there's a

0:28:30.560 --> 0:28:35.359
<v Speaker 2>difference between like laughing alongsider or experiencing that person's story

0:28:35.440 --> 0:28:36.080
<v Speaker 2>versus like.

0:28:37.480 --> 0:28:38.920
<v Speaker 1>Being like I identify.

0:28:39.160 --> 0:28:41.120
<v Speaker 2>Is that what it is is like people these like

0:28:41.160 --> 0:28:46.320
<v Speaker 2>guys identifying with like like Rick, is that I think so?

0:28:46.600 --> 0:28:49.400
<v Speaker 3>I mean I think so. I think it's like enabling

0:28:49.440 --> 0:28:51.320
<v Speaker 3>you in a way, it's like, oh cool, I also

0:28:51.480 --> 0:28:54.480
<v Speaker 3>hate everything and I'm pissed with my life, so right,

0:28:54.680 --> 0:28:57.880
<v Speaker 3>like I'm going to get behind this guy. And you know,

0:28:57.960 --> 0:29:01.120
<v Speaker 3>like there was a lot of pushback, like the first,

0:29:01.440 --> 0:29:03.479
<v Speaker 3>you know, any show, it had a small writer's room

0:29:03.520 --> 0:29:05.440
<v Speaker 3>at the beginning, and then like as it grew, they

0:29:05.480 --> 0:29:08.040
<v Speaker 3>got a larger writer's room and they hired you know,

0:29:08.160 --> 0:29:10.840
<v Speaker 3>a more diverse writer's room. And then the super like

0:29:11.000 --> 0:29:14.280
<v Speaker 3>reddit fans were like, oh, they ruined it because a

0:29:14.360 --> 0:29:17.600
<v Speaker 3>girl wrote this episode. And of course, I mean they're right,

0:29:17.640 --> 0:29:20.960
<v Speaker 3>girl wrote Pickle Rick, stupid asshole, Like no, no, no,

0:29:21.160 --> 0:29:21.560
<v Speaker 3>the girl.

0:29:21.600 --> 0:29:25.240
<v Speaker 2>If a girl writes an episode, it's automatically bad content.

0:29:25.320 --> 0:29:26.920
<v Speaker 1>Yeah, I mean no, Yeah.

0:29:26.960 --> 0:29:28.400
<v Speaker 2>It's like it's like it's sort of in a way

0:29:28.520 --> 0:29:30.760
<v Speaker 2>like it kind of I don't say ruined the show

0:29:30.760 --> 0:29:33.240
<v Speaker 2>for me, but there is an element where like I'm

0:29:33.280 --> 0:29:36.000
<v Speaker 2>almost like, I don't it's like almost embarrassing to say

0:29:36.040 --> 0:29:36.400
<v Speaker 2>you like it.

0:29:36.480 --> 0:29:37.640
<v Speaker 1>I'm sorry again, I don't want to.

0:29:37.720 --> 0:29:40.560
<v Speaker 2>It's a fucking great show and it's really smart and funny.

0:29:40.600 --> 0:29:42.440
<v Speaker 2>I just want to be clear, like I think it's

0:29:42.480 --> 0:29:43.360
<v Speaker 2>like really one.

0:29:43.200 --> 0:29:44.280
<v Speaker 1>Of the most unique shows.

0:29:44.280 --> 0:29:47.960
<v Speaker 2>It's ever been made, and yet the fandom of it

0:29:47.960 --> 0:29:49.040
<v Speaker 2>has like can.

0:29:48.920 --> 0:29:49.560
<v Speaker 3>Be a turnoff.

0:29:50.080 --> 0:29:53.280
<v Speaker 2>Yeah, It's created this weird sort of tension even within me.

0:29:53.480 --> 0:29:55.240
<v Speaker 2>I'm not saying like I can't be true to what

0:29:55.280 --> 0:29:57.880
<v Speaker 2>I love or whatever, but there's like a yeah, I

0:29:57.880 --> 0:29:59.920
<v Speaker 2>mean is there I mean, does that ever? How much

0:30:00.000 --> 0:30:01.720
<v Speaker 2>does that come up like when you're working on it, Like,

0:30:01.720 --> 0:30:06.440
<v Speaker 2>I'm curious because it feels to me like it would

0:30:06.480 --> 0:30:09.240
<v Speaker 2>create a lot of self consciousness or maybe more self

0:30:09.240 --> 0:30:11.520
<v Speaker 2>consciousness about like the kinds of jokes you put in

0:30:11.640 --> 0:30:14.000
<v Speaker 2>or the way you write certain characters. I'm just curious, like,

0:30:14.480 --> 0:30:15.680
<v Speaker 2>is that ever a topic?

0:30:15.840 --> 0:30:18.120
<v Speaker 3>Yeah? I think you know, everybody who writes on the

0:30:18.120 --> 0:30:21.160
<v Speaker 3>show that I've worked with for now for plus seasons

0:30:21.880 --> 0:30:26.000
<v Speaker 3>is like the funniest, smartest people. Everybody is. Everybody is

0:30:26.040 --> 0:30:29.640
<v Speaker 3>on the right side of history, and it's it's certainly

0:30:29.880 --> 0:30:32.400
<v Speaker 3>a consideration, you know. It's like, we want to be

0:30:32.480 --> 0:30:33.680
<v Speaker 3>true to the show, we want to be true to

0:30:33.680 --> 0:30:36.560
<v Speaker 3>the roots. It was a like, stick this big seed

0:30:36.640 --> 0:30:38.840
<v Speaker 3>up your ass, Morty, and I'm going to mistreat I'm

0:30:38.840 --> 0:30:41.080
<v Speaker 3>going to treat my grandson really badly because I want

0:30:41.080 --> 0:30:44.160
<v Speaker 3>to get laid by an alien. Like it's all problematic behavior.

0:30:44.200 --> 0:30:46.239
<v Speaker 3>So you want to like recognize, like, hey, this is

0:30:46.240 --> 0:30:48.760
<v Speaker 3>not this is a flawed character, and this person needs

0:30:48.800 --> 0:30:51.280
<v Speaker 3>to grow. And we can't just start a new season

0:30:51.280 --> 0:30:54.480
<v Speaker 3>where he is now a feminist and now you know

0:30:54.520 --> 0:30:58.160
<v Speaker 3>it is is you can't like completely transform a character,

0:30:58.240 --> 0:30:59.560
<v Speaker 3>but you can also what we get to do is

0:30:59.680 --> 0:31:01.440
<v Speaker 3>that these characters grow and we get to explore the

0:31:01.480 --> 0:31:03.920
<v Speaker 3>other characters that and and these are the storylines that

0:31:03.960 --> 0:31:07.680
<v Speaker 3>are more interesting to me, more interesting to the people

0:31:07.680 --> 0:31:09.960
<v Speaker 3>in the room. And and I don't know, the fan

0:31:10.000 --> 0:31:12.400
<v Speaker 3>base is catching on and and and the last few

0:31:12.400 --> 0:31:15.239
<v Speaker 3>seasons have been great, and yeah, it's a consideration to

0:31:15.280 --> 0:31:17.520
<v Speaker 3>some extent, but like it's also it's it's just the

0:31:17.520 --> 0:31:19.400
<v Speaker 3>people who are the loudest online and so.

0:31:19.920 --> 0:31:22.200
<v Speaker 1>Right, they always just trying to suck up everything for everything.

0:31:22.240 --> 0:31:25.880
<v Speaker 3>Yeah, so for they get For every one guy who's like, oh,

0:31:25.960 --> 0:31:28.040
<v Speaker 3>I want to be like a Rick because he treats

0:31:28.040 --> 0:31:31.160
<v Speaker 3>women badly, there's like thirty people who were like, oh,

0:31:31.200 --> 0:31:33.160
<v Speaker 3>I think it's a fun, smart show that talks about

0:31:33.520 --> 0:31:36.320
<v Speaker 3>you know, that's really a family sitcom at his heart, and.

0:31:37.800 --> 0:31:40.400
<v Speaker 2>That I mean, yeah, yeah, yes, it has the dynamic

0:31:40.400 --> 0:31:44.000
<v Speaker 2>of a family sitcom with nothing that would ever work

0:31:44.120 --> 0:31:45.640
<v Speaker 2>for a family, say coom in a way.

0:31:45.760 --> 0:31:47.800
<v Speaker 3>And then when I first watched it too the same

0:31:47.840 --> 0:31:49.160
<v Speaker 3>I was like, I don't know you could do this

0:31:49.200 --> 0:32:08.120
<v Speaker 3>on TV, like this is fun, Like okay.

0:32:03.680 --> 0:32:05.280
<v Speaker 2>Like I just want to be clear, like I love

0:32:05.320 --> 0:32:07.200
<v Speaker 2>the show, and I think one of the things that

0:32:07.240 --> 0:32:09.680
<v Speaker 2>I was always sort of I'm surprised by, and I

0:32:09.680 --> 0:32:11.760
<v Speaker 2>can't remember what season, maybe it was even in the

0:32:11.800 --> 0:32:15.240
<v Speaker 2>first season, like the arc of the season and the

0:32:15.280 --> 0:32:18.920
<v Speaker 2>way they have at least several seasons ended is like

0:32:19.040 --> 0:32:22.240
<v Speaker 2>quite emotional, like quite like dramatic in a way that

0:32:23.120 --> 0:32:25.000
<v Speaker 2>catches you off guard. And I think it's very rare

0:32:25.040 --> 0:32:27.640
<v Speaker 2>for a show that can be as it's you know,

0:32:27.680 --> 0:32:29.000
<v Speaker 2>it's sort of in the sphere of like a bo

0:32:29.160 --> 0:32:32.280
<v Speaker 2>Jack Horseman, Like there's a cerebralness to it that like

0:32:32.480 --> 0:32:36.080
<v Speaker 2>is sometimes expressed like purely in like the comedic, but

0:32:36.200 --> 0:32:39.600
<v Speaker 2>like often ends up being like pretty dramatic. And I think,

0:32:39.800 --> 0:32:43.280
<v Speaker 2>you know, it's it's it's unique in that sense, and

0:32:43.320 --> 0:32:47.000
<v Speaker 2>it's like a really interesting and hilarious.

0:32:46.480 --> 0:32:47.080
<v Speaker 1>Work of art.

0:32:47.280 --> 0:32:49.520
<v Speaker 2>I just I wanted to ask about it because it's

0:32:49.520 --> 0:32:52.240
<v Speaker 2>something that like I feel like I think fandom in

0:32:52.360 --> 0:32:57.920
<v Speaker 2>general is really is really tricky lately, and I think that, like, yeah,

0:32:57.960 --> 0:33:01.040
<v Speaker 2>it almost goes back going back to the let Zeppelin

0:33:01.120 --> 0:33:01.400
<v Speaker 2>Lord of.

0:33:01.400 --> 0:33:03.840
<v Speaker 3>The Rigs thing, like it looks like good health.

0:33:03.920 --> 0:33:07.600
<v Speaker 2>Yeah, you know, like that was a time when, yeah,

0:33:07.600 --> 0:33:11.800
<v Speaker 2>it to be into things that were nerdy was considered

0:33:11.920 --> 0:33:15.200
<v Speaker 2>very uncool and it was very unpopular. And not to

0:33:15.240 --> 0:33:17.440
<v Speaker 2>say that every nerd was awesome or whatever, but I

0:33:17.480 --> 0:33:19.600
<v Speaker 2>think that it meant that those people, I think, found

0:33:19.600 --> 0:33:22.560
<v Speaker 2>each other in a way that created real communities that

0:33:22.600 --> 0:33:25.280
<v Speaker 2>were like communities about people sharing things they love together.

0:33:25.360 --> 0:33:28.840
<v Speaker 2>And it feels like modern fandom is like almost this

0:33:28.960 --> 0:33:33.280
<v Speaker 2>like weaponized mutation of that, where it's like we are

0:33:33.360 --> 0:33:36.400
<v Speaker 2>a community not banding together to share in our love

0:33:36.440 --> 0:33:40.280
<v Speaker 2>of something, but banding together to like destroy anybody who

0:33:40.280 --> 0:33:42.840
<v Speaker 2>doesn't share in our love of this thing, which is

0:33:43.720 --> 0:33:46.040
<v Speaker 2>like your point about like the episode being written by

0:33:46.040 --> 0:33:47.800
<v Speaker 2>a woman and they're all like fucking pissed about it

0:33:47.920 --> 0:33:50.800
<v Speaker 2>or whatever. The idea that being a fan of something

0:33:50.840 --> 0:33:54.800
<v Speaker 2>could become so vitriolic and hateful just seems like a

0:33:54.840 --> 0:33:57.160
<v Speaker 2>total perversion of the concept.

0:33:57.760 --> 0:34:01.600
<v Speaker 3>Yeah, exactly. Well, I mean the classic like Rick and

0:34:01.600 --> 0:34:04.959
<v Speaker 3>Morty superfan is like, oh, like, oh I love Rick

0:34:05.000 --> 0:34:06.280
<v Speaker 3>and Morty and someone's like, oh, I love Rick and

0:34:06.320 --> 0:34:08.040
<v Speaker 3>Morty too, and then that super fans like no, but

0:34:08.080 --> 0:34:10.200
<v Speaker 3>you don't get it, like I get it, like that

0:34:10.280 --> 0:34:12.439
<v Speaker 3>it's a competition and who loves it the most, who

0:34:12.480 --> 0:34:15.759
<v Speaker 3>really understands it, Like it's too deep for you? Yeah, yeah,

0:34:15.800 --> 0:34:17.640
<v Speaker 3>I don't know. I don't know where that comes from.

0:34:17.960 --> 0:34:20.000
<v Speaker 3>You know, it's a sign of our society. I guess

0:34:20.000 --> 0:34:23.280
<v Speaker 3>that people are desperately trying to find something that's theirs,

0:34:23.360 --> 0:34:25.399
<v Speaker 3>that they could be a part of. Like I don't

0:34:25.440 --> 0:34:27.840
<v Speaker 3>know why we're not getting that in our interact. You know,

0:34:27.880 --> 0:34:31.160
<v Speaker 3>we've we've messed up somewhere that that people's whole identity

0:34:31.160 --> 0:34:33.560
<v Speaker 3>becomes Captain America, you know, I.

0:34:33.640 --> 0:34:34.279
<v Speaker 1>Look the whole thing.

0:34:34.320 --> 0:34:35.960
<v Speaker 2>And maybe Rick and Morty is a contributor to this,

0:34:35.960 --> 0:34:37.640
<v Speaker 2>although I would say on the higher end, like I

0:34:37.680 --> 0:34:41.120
<v Speaker 2>think we've all been like pretty heavily infantilized, like as adults,

0:34:41.160 --> 0:34:43.600
<v Speaker 2>Like I think we've all like the Star Wars should go,

0:34:43.680 --> 0:34:46.080
<v Speaker 2>Like Star Wars doesn't need to continue into like doesn't

0:34:46.120 --> 0:34:47.640
<v Speaker 2>need to be a part of your life forever, Like

0:34:47.680 --> 0:34:49.360
<v Speaker 2>it's possible that it could be a thing that you

0:34:49.400 --> 0:34:51.640
<v Speaker 2>love as like a teenager or as a kid or whatever,

0:34:51.960 --> 0:34:54.480
<v Speaker 2>and then like you move on to other two other

0:34:54.600 --> 0:34:56.480
<v Speaker 2>forms of like entertainment.

0:34:56.120 --> 0:34:59.560
<v Speaker 3>Or you know, you know rich polassical music.

0:35:00.560 --> 0:35:03.120
<v Speaker 2>Yeah, I know, I don't fucking know, but like these

0:35:03.120 --> 0:35:05.520
<v Speaker 2>are something beyond Star Wars. Like what if you never

0:35:05.600 --> 0:35:07.279
<v Speaker 2>get out of Star Wars, but if you're stuck in

0:35:07.280 --> 0:35:09.440
<v Speaker 2>the loop and you're like now you're seeing solo and

0:35:09.480 --> 0:35:11.160
<v Speaker 2>you're like, well it's not that good, but like at

0:35:11.200 --> 0:35:13.600
<v Speaker 2>least I'm getting more Star Wars. You know, you get

0:35:13.600 --> 0:35:15.920
<v Speaker 2>stuck at these like tracks of like, Okay, now this

0:35:16.080 --> 0:35:18.600
<v Speaker 2>is a thing, and can't they just be like and

0:35:18.680 --> 0:35:21.400
<v Speaker 2>you're not gonna they're not making Oppenheimer two, you know,

0:35:22.000 --> 0:35:24.239
<v Speaker 2>like right, it's just not saying you know, I haven't

0:35:24.239 --> 0:35:26.239
<v Speaker 2>seen it yet, so maybe it's maybe it's not that good.

0:35:26.239 --> 0:35:29.959
<v Speaker 3>But now they do set up a sequel at the end. Yeah,

0:35:30.040 --> 0:35:35.200
<v Speaker 3>there's a post credits scene where uh Nick Nick Frost,

0:35:35.239 --> 0:35:37.719
<v Speaker 3>I don't know who's the guy where the agents and

0:35:37.719 --> 0:35:41.040
<v Speaker 3>the fielder. Nick Fury comes over and like puts his

0:35:41.080 --> 0:35:43.640
<v Speaker 3>hand on Oppenheimer's shoulder and he's like, we're very interested

0:35:43.640 --> 0:35:44.480
<v Speaker 3>in the work you've done.

0:35:44.640 --> 0:35:48.160
<v Speaker 2>Oh my god, fucking I'm sorry, but I wish that

0:35:48.280 --> 0:35:52.759
<v Speaker 2>Christopher Nolan had been could could not take himself too

0:35:52.800 --> 0:35:55.400
<v Speaker 2>seriously to have done that, because it would be the

0:35:55.560 --> 0:35:59.200
<v Speaker 2>greatest fucking thing that ever happened in film history. Like,

0:35:59.280 --> 0:36:01.560
<v Speaker 2>I think you did a three hour movie about the

0:36:01.600 --> 0:36:04.080
<v Speaker 2>creation of the atomic bomb that was super fucking serious,

0:36:04.320 --> 0:36:06.040
<v Speaker 2>and then you had a post credits scene that like

0:36:06.320 --> 0:36:08.080
<v Speaker 2>linked it to the Marvel universe.

0:36:08.800 --> 0:36:11.880
<v Speaker 1>I mean, amazing, God, we need to make that scene.

0:36:11.920 --> 0:36:15.480
<v Speaker 2>Like they should hire the actors just to film that scene.

0:36:15.960 --> 0:36:20.560
<v Speaker 3>Oh absolutely. I mean I think every movie, and the

0:36:20.640 --> 0:36:23.360
<v Speaker 3>far they're detached from the Marvel Universe, the better, should

0:36:23.480 --> 0:36:27.439
<v Speaker 3>end with Nick Fury coming in and saying, we want

0:36:27.440 --> 0:36:28.320
<v Speaker 3>you to work for Shield.

0:36:28.480 --> 0:36:31.440
<v Speaker 2>I mean, it would have been just ultimate fucking synergy

0:36:31.560 --> 0:36:34.840
<v Speaker 2>with Barbie and Oppenheimer's if they had come up with

0:36:34.880 --> 0:36:37.680
<v Speaker 2>a post credit scene that somehow linked those universes together,

0:36:37.920 --> 0:36:39.560
<v Speaker 2>Like if.

0:36:38.960 --> 0:36:41.200
<v Speaker 1>Nick Fury had maybe shown up in both movies.

0:36:42.520 --> 0:36:45.879
<v Speaker 3>I want to introduce you to Yeah, exactly, exactly.

0:36:46.880 --> 0:36:50.480
<v Speaker 2>Oh fuck god, oh man, this is now I'm understanding

0:36:50.480 --> 0:36:54.120
<v Speaker 2>why you're into these creative fields. You've got great ideas,

0:36:54.680 --> 0:36:56.439
<v Speaker 2>I mean, really good, Sead.

0:36:56.640 --> 0:36:58.480
<v Speaker 3>Just throw Fury and that's my pitch in the room.

0:36:58.520 --> 0:36:58.960
<v Speaker 3>All the time.

0:36:59.560 --> 0:37:02.000
<v Speaker 2>Yeah, so you were you wrote for SNL for a

0:37:02.040 --> 0:37:03.120
<v Speaker 2>little while, is that correct?

0:37:03.440 --> 0:37:05.000
<v Speaker 3>Yeah? I did one season on SNL.

0:37:05.080 --> 0:37:05.479
<v Speaker 1>One season.

0:37:05.560 --> 0:37:08.600
<v Speaker 2>Let's talk about But tell me about the horrific situation

0:37:08.719 --> 0:37:10.560
<v Speaker 2>that led to your dismissal at SNL.

0:37:10.600 --> 0:37:11.560
<v Speaker 1>Can we talk about this?

0:37:11.840 --> 0:37:14.080
<v Speaker 3>So I wish I wish it was exciting.

0:37:14.120 --> 0:37:14.919
<v Speaker 1>Would you do to Lauren?

0:37:15.120 --> 0:37:18.000
<v Speaker 3>I didn't. I didn't do anything. Maybe I didn't drink

0:37:18.040 --> 0:37:20.160
<v Speaker 3>the koolid enough, but I wish it was more exciting.

0:37:20.320 --> 0:37:24.239
<v Speaker 3>It like, it was very it was unceremonial. I just

0:37:24.360 --> 0:37:27.759
<v Speaker 3>my contract wasn't renewed and I found out like over

0:37:27.800 --> 0:37:29.560
<v Speaker 3>the summer. It was like, yeah, you're not going back.

0:37:29.600 --> 0:37:31.840
<v Speaker 3>And then they sent me. They sent me a giant

0:37:31.840 --> 0:37:34.279
<v Speaker 3>box that had everything that was in my office.

0:37:34.719 --> 0:37:37.080
<v Speaker 2>Oh that's sufficient. It's nice that you guys they take

0:37:37.120 --> 0:37:38.400
<v Speaker 2>the summer off to fire people.

0:37:38.440 --> 0:37:39.400
<v Speaker 1>They're like yeah, yeah.

0:37:39.560 --> 0:37:40.840
<v Speaker 2>Lauren was like, you know what I like to do

0:37:40.920 --> 0:37:42.719
<v Speaker 2>is if everybody leaves and then we can just pick

0:37:42.760 --> 0:37:44.279
<v Speaker 2>who we don't like and send them their shit.

0:37:44.360 --> 0:37:44.920
<v Speaker 1>That's smart.

0:37:44.960 --> 0:37:46.919
<v Speaker 3>Hey, then we talked shit about them behind their back.

0:37:47.360 --> 0:37:49.680
<v Speaker 2>I mean most businesses, you have to do it like

0:37:49.840 --> 0:37:52.160
<v Speaker 2>you have to bring the person into like an HR

0:37:52.280 --> 0:37:54.759
<v Speaker 2>conversation and then they like somebody escorts them out of

0:37:54.800 --> 0:37:57.160
<v Speaker 2>the building like this is it's way cleaning to do

0:37:57.160 --> 0:37:57.600
<v Speaker 2>it that way?

0:37:57.760 --> 0:37:59.799
<v Speaker 3>Yeah, you just doesn't bother What do you think?

0:38:00.160 --> 0:38:00.759
<v Speaker 1>What is it? Like?

0:38:00.800 --> 0:38:02.319
<v Speaker 2>You didn't have like a you didn't come up with

0:38:02.320 --> 0:38:04.520
<v Speaker 2>like a character or something like somebody with a catchphrase

0:38:04.600 --> 0:38:05.960
<v Speaker 2>like what is what do you think?

0:38:06.160 --> 0:38:07.759
<v Speaker 1>Like you Knowteria is?

0:38:07.920 --> 0:38:12.239
<v Speaker 3>It's been so far from it. I mean I didn't

0:38:12.239 --> 0:38:14.800
<v Speaker 3>get a lot of stuff on the show. I don't

0:38:14.840 --> 0:38:17.680
<v Speaker 3>know if the show really is my bag of humor,

0:38:18.400 --> 0:38:21.239
<v Speaker 3>so my strengths I don't think really played to the

0:38:21.280 --> 0:38:22.960
<v Speaker 3>show's strengths.

0:38:22.480 --> 0:38:26.200
<v Speaker 1>Like it's to mainstream too. Yeah, it's a little juvenile.

0:38:26.680 --> 0:38:28.400
<v Speaker 3>I probably I don't think I could talk about this

0:38:28.480 --> 0:38:28.960
<v Speaker 3>well maybe.

0:38:28.800 --> 0:38:29.760
<v Speaker 1>I mean these are my words.

0:38:29.800 --> 0:38:30.239
<v Speaker 3>You're not here?

0:38:30.880 --> 0:38:32.720
<v Speaker 1>What are they gona they're gonna rehire you?

0:38:32.800 --> 0:38:35.840
<v Speaker 3>Yeah, exactly. Yeah, they probably won't invite me to the

0:38:35.880 --> 0:38:38.640
<v Speaker 3>fiftieth anniversary party, which you know you want.

0:38:38.520 --> 0:38:39.759
<v Speaker 1>To go out. That's gonna be sick.

0:38:39.840 --> 0:38:42.680
<v Speaker 3>Yeah, I'm sure back to both Manning brothers at the

0:38:42.719 --> 0:38:44.080
<v Speaker 3>fortieth anniversary party.

0:38:44.440 --> 0:38:46.600
<v Speaker 2>Uh okay, it took me a second because I'm not

0:38:46.600 --> 0:38:49.080
<v Speaker 2>a sports guy. You're talking about there, but.

0:38:48.800 --> 0:38:51.759
<v Speaker 1>Peyton Manning is one, and then I want to.

0:38:51.760 --> 0:38:53.719
<v Speaker 3>Say, oh, you lie, I was gonna say like I

0:38:53.760 --> 0:38:58.000
<v Speaker 3>was gonna say, like Chuck Manning. I wrote on the

0:38:58.040 --> 0:39:00.279
<v Speaker 3>fortieth season. So it was a big year. Yeah, And

0:39:00.320 --> 0:39:02.480
<v Speaker 3>then they had a big giant anniversary show where like

0:39:02.480 --> 0:39:05.759
<v Speaker 3>Steve Martin, Bill Murray everybody came back and they like

0:39:05.840 --> 0:39:08.240
<v Speaker 3>that week. They were like, hey, you guys are new writers,

0:39:08.280 --> 0:39:10.200
<v Speaker 3>so you don't have to come in at all this week.

0:39:10.239 --> 0:39:14.200
<v Speaker 3>And it was like, oh that sucks, Like okay, well thanks.

0:39:14.400 --> 0:39:17.080
<v Speaker 3>They're like the best, best in the bridest, not you guys,

0:39:17.120 --> 0:39:19.279
<v Speaker 3>not you guys. We're going to do like more King

0:39:19.440 --> 0:39:23.160
<v Speaker 3>Touch stuff and like Samurai Samurai dry Cleaner.

0:39:23.400 --> 0:39:25.760
<v Speaker 1>They bring back like old like old school like writers.

0:39:26.440 --> 0:39:28.120
<v Speaker 3>It was like the best of you know. It was fun,

0:39:28.160 --> 0:39:30.000
<v Speaker 3>I mean. And but we did get to go to

0:39:30.080 --> 0:39:33.560
<v Speaker 3>this huge gala that had everybody who's ever been on

0:39:33.600 --> 0:39:36.640
<v Speaker 3>the show and he was live band Taylor Swift was there.

0:39:36.920 --> 0:39:38.760
<v Speaker 3>I just say Taylor so because she's kind of important

0:39:38.840 --> 0:39:40.239
<v Speaker 3>right now. She was very nice.

0:39:40.360 --> 0:39:42.360
<v Speaker 1>I hear she's great. I've heard she's nothing.

0:39:42.440 --> 0:39:45.440
<v Speaker 3>Nice, lovely. I was like, I lied, and I was

0:39:45.440 --> 0:39:47.680
<v Speaker 3>like my girlfriend's a huge fan. Could I get a

0:39:47.680 --> 0:39:49.840
<v Speaker 3>selfie with you? And she took us so she was

0:39:49.880 --> 0:39:51.320
<v Speaker 3>like really nice. She took us stelfie and it was

0:39:51.320 --> 0:39:52.840
<v Speaker 3>like kind of the lighting was kind of off and

0:39:52.880 --> 0:39:54.439
<v Speaker 3>I was like, oh, this is like kind of bad.

0:39:54.480 --> 0:39:56.120
<v Speaker 3>Do you mind if and she was like, oh no,

0:39:56.320 --> 0:39:58.239
<v Speaker 3>you could fix it. Took my phone, went into the

0:39:58.239 --> 0:40:01.759
<v Speaker 3>photo app, started adjusting level, increased the brand. You could

0:40:01.760 --> 0:40:04.160
<v Speaker 3>have taken ten more selfies, but she just like taught

0:40:04.160 --> 0:40:05.400
<v Speaker 3>me how to make a koto.

0:40:05.960 --> 0:40:08.240
<v Speaker 2>That's I mean, they say she goes above and beyond.

0:40:08.280 --> 0:40:09.520
<v Speaker 2>That really is something.

0:40:09.600 --> 0:40:12.680
<v Speaker 3>Yeah, I mean she she's a talent and she's like

0:40:12.760 --> 0:40:16.600
<v Speaker 3>running the entire US economy right now. But so also

0:40:16.719 --> 0:40:20.359
<v Speaker 3>that night, I all the writers and other and people

0:40:20.360 --> 0:40:22.120
<v Speaker 3>who work on the show were like, well, we got

0:40:22.120 --> 0:40:24.399
<v Speaker 3>to get drugs right right, I can talk about drugs

0:40:24.440 --> 0:40:24.759
<v Speaker 3>on the show.

0:40:24.840 --> 0:40:26.680
<v Speaker 1>Yes, please do actually encourage it.

0:40:27.120 --> 0:40:29.479
<v Speaker 3>So I was in a rented tuxedo and I put

0:40:29.520 --> 0:40:31.920
<v Speaker 3>in an order with a drug dealer.

0:40:32.000 --> 0:40:34.600
<v Speaker 1>My guy was named Rick when I lived in Brooklyn.

0:40:34.800 --> 0:40:37.160
<v Speaker 3>Oh yeah, well say his full name, say his full name.

0:40:37.320 --> 0:40:41.040
<v Speaker 2>I never got a full name. It's just Rick, just

0:40:41.160 --> 0:40:43.560
<v Speaker 2>Rick Rick in my phone, Rick in person. I don't

0:40:43.640 --> 0:40:45.839
<v Speaker 2>remember what Rick looked like, but he would show up.

0:40:46.120 --> 0:40:47.279
<v Speaker 2>He'd show up when he needs to do.

0:40:48.040 --> 0:40:49.840
<v Speaker 3>Yeah, I mean, anyhow, so you put an order in,

0:40:49.880 --> 0:40:52.040
<v Speaker 3>put an order in, collect a bunch of cash from everybody.

0:40:52.320 --> 0:40:54.479
<v Speaker 3>The party was at some huge venue on like Fifth

0:40:54.480 --> 0:40:57.960
<v Speaker 3>Avenue in Manhattan, and there's like this very famous intersection

0:40:58.040 --> 0:41:00.359
<v Speaker 3>that's like probably Fifth in Park or something. So it's

0:41:00.360 --> 0:41:03.200
<v Speaker 3>this huge there's like six lanes from every side, this

0:41:03.400 --> 0:41:07.400
<v Speaker 3>huge intersection. Uh, I run. I come out of the venue.

0:41:07.560 --> 0:41:10.080
<v Speaker 3>I got all the cash and gripping into my hand,

0:41:10.520 --> 0:41:12.960
<v Speaker 3>and the guy was like kitty corner across and all

0:41:13.000 --> 0:41:14.640
<v Speaker 3>the lights were red. It was like you can cross

0:41:14.680 --> 0:41:18.000
<v Speaker 3>any direction. It's very cold in wintery and windy, and

0:41:18.080 --> 0:41:20.640
<v Speaker 3>so I see his car and I just start sprinting

0:41:20.680 --> 0:41:24.080
<v Speaker 3>across the street. But as I'm running, like my tuxedo

0:41:24.239 --> 0:41:27.560
<v Speaker 3>jacket catches on my hand and the money and it

0:41:27.719 --> 0:41:32.040
<v Speaker 3>just explodes, Like three hundred dollars in twenties just explode

0:41:32.080 --> 0:41:34.120
<v Speaker 3>in the middle of Fifth Avenue in Manhattan, just and

0:41:34.120 --> 0:41:36.280
<v Speaker 3>it's windy, is blowing everywhere. So I'm in a tuxedo.

0:41:36.320 --> 0:41:38.880
<v Speaker 3>It's like a snatching, like I'm in a cash cage.

0:41:39.280 --> 0:41:42.880
<v Speaker 2>Yeah, but it's the streets of New York City, the

0:41:42.920 --> 0:41:47.880
<v Speaker 2>cash caages, You're all reality? Was that rock bottom for you?

0:41:48.040 --> 0:41:49.719
<v Speaker 2>Does that when you felt like you knew you had

0:41:49.719 --> 0:41:50.240
<v Speaker 2>a problem?

0:41:50.360 --> 0:41:53.600
<v Speaker 3>Or I think it probably tickled me so much that

0:41:53.640 --> 0:41:55.839
<v Speaker 3>I was like, I'm never changing this life.

0:41:55.960 --> 0:41:56.479
<v Speaker 1>Did you wait?

0:41:56.480 --> 0:41:58.200
<v Speaker 3>Did you get the cash? And did you get Ye

0:41:58.440 --> 0:42:00.799
<v Speaker 3>got the cash? I got the drug and then you know,

0:42:00.880 --> 0:42:03.600
<v Speaker 3>we continue to continue dancing black?

0:42:03.760 --> 0:42:04.640
<v Speaker 1>Did Taylor Swift?

0:42:06.760 --> 0:42:09.439
<v Speaker 3>No? No, I don't you know. No, you're not sure

0:42:09.640 --> 0:42:11.759
<v Speaker 3>it makes that. But part of the reason I thought

0:42:11.800 --> 0:42:14.319
<v Speaker 3>that that I thought all the old timers would be like, hey,

0:42:14.320 --> 0:42:16.400
<v Speaker 3>we're back in thirty rockings. Time to like rid the

0:42:16.440 --> 0:42:18.360
<v Speaker 3>rails again. It's been a while, So I thought like

0:42:18.400 --> 0:42:20.760
<v Speaker 3>I'd be in like a bathroom stall with Bill Murray

0:42:20.800 --> 0:42:23.120
<v Speaker 3>and like Gilda Radner. I guess she probably wasn't a

0:42:23.160 --> 0:42:24.040
<v Speaker 3>love friend.

0:42:24.239 --> 0:42:27.960
<v Speaker 1>Yeah, in heaven at the bathroom stalling.

0:42:28.040 --> 0:42:31.200
<v Speaker 3>Heaven's kind of ruined our career, this, this podcast, our

0:42:31.280 --> 0:42:32.640
<v Speaker 3>career are a joint career.

0:42:32.760 --> 0:42:34.520
<v Speaker 1>No, I don't think so. So.

0:42:34.520 --> 0:42:36.080
<v Speaker 2>So you're working on there's a new season Rick and

0:42:36.120 --> 0:42:37.880
<v Speaker 2>Morty coming. You're executive producer.

0:42:38.080 --> 0:42:39.919
<v Speaker 3>That's very cool, Like, yeah, it's cool.

0:42:40.280 --> 0:42:42.120
<v Speaker 2>Is that like if I'm if I'm close enough friends

0:42:42.120 --> 0:42:44.160
<v Speaker 2>with you, I could like voice a character on Rick

0:42:44.200 --> 0:42:45.640
<v Speaker 2>and Morty, Like you can get me in there.

0:42:45.719 --> 0:42:47.880
<v Speaker 1>Like I'm not saying me, but if I were friends

0:42:47.880 --> 0:42:48.520
<v Speaker 1>with you, Like.

0:42:48.960 --> 0:42:52.319
<v Speaker 3>Yeah, probably I've gotten my friend's voices voice jobs on

0:42:52.360 --> 0:42:53.080
<v Speaker 3>the show for sure.

0:42:53.200 --> 0:42:53.439
<v Speaker 1>Yeah.

0:42:53.719 --> 0:42:55.560
<v Speaker 3>Kind of my favorite thing is to get my friend's work.

0:42:55.640 --> 0:42:57.319
<v Speaker 2>Have you thought about having like a guy who's like

0:42:57.360 --> 0:43:01.799
<v Speaker 2>a kind of a Jewish like podcast, or guy who's

0:43:01.800 --> 0:43:03.960
<v Speaker 2>from Pittsburgh like that as a character. It could be

0:43:04.040 --> 0:43:06.239
<v Speaker 2>kind of an interesting Yeah, you don't have a lot

0:43:06.280 --> 0:43:07.800
<v Speaker 2>of characters like that on Rick and Morton.

0:43:07.719 --> 0:43:10.360
<v Speaker 3>Don't we don't We had an episode had a podcast

0:43:10.400 --> 0:43:13.960
<v Speaker 3>in it, so that ship may have sailed well, you know,

0:43:14.520 --> 0:43:17.200
<v Speaker 3>I'm just not saying me. It's a person like that.

0:43:17.960 --> 0:43:19.759
<v Speaker 3>You're casting a you're casting a wide net.

0:43:19.760 --> 0:43:25.360
<v Speaker 2>Though with Jewish podcasters, it's like every podcaster, every second

0:43:25.400 --> 0:43:28.520
<v Speaker 2>podcaster is yeah, can you get Nick Fury in there?

0:43:28.600 --> 0:43:30.080
<v Speaker 2>Like what happens if you want to do a Nick

0:43:30.120 --> 0:43:32.120
<v Speaker 2>Fury thing on Rick and Morty? What happened to.

0:43:32.200 --> 0:43:34.359
<v Speaker 3>Positive Nick Fury has been on this show?

0:43:34.640 --> 0:43:35.399
<v Speaker 1>Really? Sure?

0:43:35.560 --> 0:43:38.360
<v Speaker 3>I think so? It sounds like we always kind of

0:43:38.400 --> 0:43:40.399
<v Speaker 3>poop on Marvel on this show. I imagine he's been

0:43:40.400 --> 0:43:40.759
<v Speaker 3>on there.

0:43:41.280 --> 0:43:42.400
<v Speaker 1>It sounds correct to me.

0:43:42.480 --> 0:43:44.160
<v Speaker 2>But I mean I was just thinking about your post

0:43:44.200 --> 0:43:46.279
<v Speaker 2>credits concept and maybe there's a way to make that.

0:43:46.360 --> 0:43:48.240
<v Speaker 1>I mean, with animation, anything's possible.

0:43:48.680 --> 0:43:50.800
<v Speaker 3>Yeah, I mean there's like a there's like a fake

0:43:51.200 --> 0:43:53.719
<v Speaker 3>Avengers on the show called Vindicators, and they did a

0:43:53.760 --> 0:43:56.840
<v Speaker 3>spinoff show which was very good. So like our Marvel

0:43:56.920 --> 0:43:59.800
<v Speaker 3>universe is it, but we reference Marvel a lot. Yeah,

0:44:00.200 --> 0:44:02.120
<v Speaker 3>but like you know, Morty's a big fan of the

0:44:02.200 --> 0:44:06.359
<v Speaker 3>Vindicators and that's basically Marvel. Yeah, I'll get theory in there.

0:44:06.400 --> 0:44:08.360
<v Speaker 3>I would rather get Oppenheimer, and I think he probably

0:44:08.360 --> 0:44:09.960
<v Speaker 3>has a better chance of making it in I.

0:44:09.960 --> 0:44:12.560
<v Speaker 2>Don't know why there's I mean the scene you described,

0:44:12.560 --> 0:44:14.640
<v Speaker 2>there's no reason why that couldn't be put into the

0:44:14.640 --> 0:44:15.440
<v Speaker 2>show wholesale.

0:44:15.560 --> 0:44:16.760
<v Speaker 1>Like I think that's.

0:44:16.760 --> 0:44:18.560
<v Speaker 3>I think it could deserly be a tag of it,

0:44:18.600 --> 0:44:21.160
<v Speaker 3>which is also a post credit scene of Rick. Could

0:44:21.160 --> 0:44:23.000
<v Speaker 3>definitely be an apropos of nothing.

0:44:24.560 --> 0:44:25.800
<v Speaker 1>Nothing get whatever.

0:44:25.840 --> 0:44:28.279
<v Speaker 2>The final scene of Oppenheimer is cut to the crew

0:44:28.400 --> 0:44:30.080
<v Speaker 2>or whatever, I guess wouldn't be the final scene. It's

0:44:30.080 --> 0:44:32.839
<v Speaker 2>just as you described it, just like he's sitting at

0:44:32.840 --> 0:44:34.520
<v Speaker 2>a table, pondering what he's done.

0:44:34.600 --> 0:44:36.080
<v Speaker 1>I guess I assume it ends with him.

0:44:36.120 --> 0:44:39.399
<v Speaker 3>He's probably wrapping a he's wrapping like a belt over

0:44:39.480 --> 0:44:41.799
<v Speaker 3>a ceiling fan, and he's setting up a little like

0:44:41.840 --> 0:44:44.359
<v Speaker 3>a home depot bucket that he's standing on. Right, did

0:44:44.360 --> 0:44:45.920
<v Speaker 3>he kill him in a knock at the door? No,

0:44:46.000 --> 0:44:47.640
<v Speaker 3>but it's the scene he is.

0:44:48.160 --> 0:44:51.920
<v Speaker 2>Yeah, that sakes you know, yeah, yeah, yeah, and yeah, right,

0:44:52.040 --> 0:44:56.120
<v Speaker 2>there's a knock at the door. It opens, damn it.

0:44:56.480 --> 0:44:59.319
<v Speaker 2>He's like put that rope down or whatever he's using.

0:44:59.480 --> 0:45:02.160
<v Speaker 3>I guess don't know, but that like, back around your trousers,

0:45:02.200 --> 0:45:03.120
<v Speaker 3>mister Oppenheimer.

0:45:03.239 --> 0:45:06.160
<v Speaker 2>Right, we've got a job, got somewhere to be. Well,

0:45:06.160 --> 0:45:08.279
<v Speaker 2>I'll listen. I think I would love to see it happen.

0:45:08.360 --> 0:45:09.880
<v Speaker 2>I mean, now that you've said it, now that you've

0:45:10.120 --> 0:45:14.160
<v Speaker 2>brought it into my sort of imagination, I'll be bummed

0:45:14.200 --> 0:45:15.000
<v Speaker 2>if it doesn't happen.

0:45:15.520 --> 0:45:18.640
<v Speaker 3>Yeah, it would, I mean, you know what, maybe God see.

0:45:18.719 --> 0:45:20.640
<v Speaker 3>But also, here's other thing. Now that we're talking about it,

0:45:20.640 --> 0:45:21.640
<v Speaker 3>it's like, well, now we can't do it.

0:45:21.840 --> 0:45:22.960
<v Speaker 1>You can't do it because it's out there.

0:45:22.960 --> 0:45:24.640
<v Speaker 2>We have to cut this out of the show completely,

0:45:24.680 --> 0:45:26.319
<v Speaker 2>and then it'd be I mean, I'm willing to do

0:45:26.360 --> 0:45:27.920
<v Speaker 2>that if you actually can deliver on it.

0:45:27.960 --> 0:45:30.280
<v Speaker 1>I mean, if you could commit to me that you'll

0:45:30.600 --> 0:45:31.040
<v Speaker 1>get the.

0:45:32.480 --> 0:45:34.799
<v Speaker 3>But also, we move pretty slow. You know, we're not

0:45:34.880 --> 0:45:35.480
<v Speaker 3>South Park.

0:45:35.719 --> 0:45:38.400
<v Speaker 2>Yeah, by the time that's fucking airs Oppenheimer's in the

0:45:38.440 --> 0:45:40.880
<v Speaker 2>old News. Yeah, you got to have a way to

0:45:41.000 --> 0:45:43.560
<v Speaker 2>get for it to be relevant. Like with uh, it's

0:45:43.560 --> 0:45:44.000
<v Speaker 2>going to be.

0:45:43.920 --> 0:45:46.680
<v Speaker 3>Exactly, we just don't move that fast. We're not that live.

0:45:58.560 --> 0:46:01.160
<v Speaker 3>I mean, i'd like a nice topical thing, but I

0:46:01.200 --> 0:46:03.480
<v Speaker 3>also really like an evergreen like this exists in its

0:46:03.520 --> 0:46:05.360
<v Speaker 3>own world and isn't.

0:46:05.160 --> 0:46:05.759
<v Speaker 1>It's to do.

0:46:05.800 --> 0:46:08.080
<v Speaker 2>I feel like it's have to do ambitious animation on

0:46:08.160 --> 0:46:11.160
<v Speaker 2>a fast turnaround. I mean, I guess AI I'll fix

0:46:11.200 --> 0:46:13.560
<v Speaker 2>that right soon. Yeah, he'll just tell the AI what

0:46:13.600 --> 0:46:17.560
<v Speaker 2>you want and it'll spit it out. But yeah, the

0:46:17.760 --> 0:46:20.120
<v Speaker 2>CEOs will just put in what they want in the

0:46:20.160 --> 0:46:22.719
<v Speaker 2>AI and then it'll just spit it out and they

0:46:22.760 --> 0:46:24.160
<v Speaker 2>won't need anybody anymore.

0:46:24.320 --> 0:46:26.200
<v Speaker 3>I mean, I think I think it'll even be more

0:46:26.200 --> 0:46:28.719
<v Speaker 3>than that, Josh, you will put in I want an

0:46:28.719 --> 0:46:31.120
<v Speaker 3>episode of Rick and Morty where they meet Oppenheimer and

0:46:31.239 --> 0:46:33.440
<v Speaker 3>Nick Fury, And also I'm in it and I'm a

0:46:33.480 --> 0:46:36.359
<v Speaker 3>podcast host, yeah, and I'm the one who introduces them.

0:46:36.400 --> 0:46:39.000
<v Speaker 3>And then you'll type that prompt into a laptop and

0:46:39.040 --> 0:46:41.719
<v Speaker 3>it'll just spit out your own episode of Rick and Morty.

0:46:41.800 --> 0:46:43.920
<v Speaker 3>I think that's where it's going. That sounds like it

0:46:44.040 --> 0:46:47.200
<v Speaker 3>sucks so bad. I can't even describe how shitty that sounds.

0:46:47.560 --> 0:46:49.719
<v Speaker 3>We actually had we ran, we ran the.

0:46:49.640 --> 0:46:51.920
<v Speaker 2>Episode last I think last week of we had the

0:46:51.960 --> 0:46:55.400
<v Speaker 2>CEO of Scott David Hols, who's the CEO of mid Journey,

0:46:55.440 --> 0:46:58.880
<v Speaker 2>which is the art one of the art ais, and uh,

0:46:59.480 --> 0:47:01.480
<v Speaker 2>we definitely that we touched on that a little bit.

0:47:01.520 --> 0:47:03.920
<v Speaker 2>But like I talked to the film critic David Denby,

0:47:04.640 --> 0:47:05.759
<v Speaker 2>who I don't know if he still writes to The

0:47:05.800 --> 0:47:08.359
<v Speaker 2>New Yorker, but I interviewed him many many years ago,

0:47:08.400 --> 0:47:12.640
<v Speaker 2>and he described like we were talking about interactive cinema,

0:47:12.960 --> 0:47:15.600
<v Speaker 2>and he was like, I kind of want movies to

0:47:15.719 --> 0:47:18.279
<v Speaker 2>like dominate me. I want it to be like in

0:47:18.320 --> 0:47:21.279
<v Speaker 2>control basically of like my sort of emotions or whatever.

0:47:21.320 --> 0:47:23.600
<v Speaker 2>And I think, like, I mean, maybe I'm going to

0:47:23.680 --> 0:47:26.120
<v Speaker 2>go back in five years and I'm gonna eat crow

0:47:26.200 --> 0:47:26.560
<v Speaker 2>or whatever.

0:47:26.600 --> 0:47:26.879
<v Speaker 1>The fuck.

0:47:27.320 --> 0:47:30.760
<v Speaker 2>I just don't believe that people actually will enjoy things

0:47:30.760 --> 0:47:33.319
<v Speaker 2>that they think they want. I think I think a

0:47:33.360 --> 0:47:36.600
<v Speaker 2>lot of people enjoy things because they aren't what they expected.

0:47:36.920 --> 0:47:40.240
<v Speaker 2>And I think that being able to tell a machine,

0:47:40.280 --> 0:47:42.120
<v Speaker 2>no matter how clever, it can be like the things

0:47:42.120 --> 0:47:43.759
<v Speaker 2>you want to have happen, and then have them happen.

0:47:43.760 --> 0:47:45.840
<v Speaker 2>It's like you kind of can't tickle yourself, you know.

0:47:46.120 --> 0:47:48.319
<v Speaker 2>I think it's a little bit of that, And I

0:47:48.320 --> 0:47:51.759
<v Speaker 2>think we're going to learn pretty quickly that after the

0:47:51.920 --> 0:47:54.680
<v Speaker 2>kind of excitement of what it can do wears off,

0:47:54.800 --> 0:47:57.160
<v Speaker 2>there's a lot that there's a lot of there's a

0:47:57.160 --> 0:48:01.359
<v Speaker 2>big gulf between your desire and what a machine can

0:48:01.400 --> 0:48:02.000
<v Speaker 2>produce for you.

0:48:02.120 --> 0:48:04.560
<v Speaker 3>Yeah, I can see that. I agree. I think it'll

0:48:04.600 --> 0:48:07.680
<v Speaker 3>be like, look, it's the first AI completed movie, and

0:48:07.719 --> 0:48:10.840
<v Speaker 3>we're all like, I probably won't see it, but people

0:48:10.840 --> 0:48:12.640
<v Speaker 3>will be excited about it. But the pendulum will swing

0:48:12.680 --> 0:48:14.040
<v Speaker 3>that way for a minute, and then it'll come back

0:48:14.040 --> 0:48:16.279
<v Speaker 3>to like I kind of liked it when weirdos just

0:48:16.320 --> 0:48:18.600
<v Speaker 3>were allowed to make art that we got to experience.

0:48:19.239 --> 0:48:21.080
<v Speaker 1>Yeah, I think, I don't know. I mean, maybe they'll

0:48:21.120 --> 0:48:21.600
<v Speaker 1>be amazing.

0:48:21.600 --> 0:48:23.799
<v Speaker 2>Maybe maybe the AI will come up with with like

0:48:23.880 --> 0:48:26.279
<v Speaker 2>much more clever ideas and they'll be much funnier than

0:48:26.960 --> 0:48:29.520
<v Speaker 2>than we think. And I don't know, I mean, anything's possible,

0:48:29.680 --> 0:48:31.560
<v Speaker 2>but I'm sort of like I expect that there'll be

0:48:31.600 --> 0:48:33.440
<v Speaker 2>a lot of people's jobs who get screwed over in

0:48:33.480 --> 0:48:34.040
<v Speaker 2>the process.

0:48:34.080 --> 0:48:37.040
<v Speaker 3>But yeah, I think you know, corporations are going to

0:48:37.120 --> 0:48:37.879
<v Speaker 3>let it trickle down.

0:48:38.120 --> 0:48:39.239
<v Speaker 1>Yeah, that's probably true.

0:48:39.320 --> 0:48:41.320
<v Speaker 3>I mean because like it's probably easier to do a

0:48:41.360 --> 0:48:44.880
<v Speaker 3>full AI podcast because you don't have to worry about visuals,

0:48:45.080 --> 0:48:47.319
<v Speaker 3>So like, is that make you nervous? I know, this

0:48:47.400 --> 0:48:48.280
<v Speaker 3>is kind of your big.

0:48:48.160 --> 0:48:49.680
<v Speaker 1>No any maker, not my main gig.

0:48:49.719 --> 0:48:53.160
<v Speaker 2>No no, because there are already you don't need AI.

0:48:53.320 --> 0:48:56.840
<v Speaker 2>You already have the entirety of humanity producing garbage podcasts

0:48:56.880 --> 0:48:58.759
<v Speaker 2>like you don't. And I mean, I say, this is

0:48:58.800 --> 0:49:00.600
<v Speaker 2>like I may be a part of that. Like I'm

0:49:00.600 --> 0:49:02.480
<v Speaker 2>not trying to tell you know, don't stoot my own

0:49:02.480 --> 0:49:04.960
<v Speaker 2>horn or anything. There's already a This is sort of

0:49:05.000 --> 0:49:07.640
<v Speaker 2>like the content thing that's like we already have too much.

0:49:08.120 --> 0:49:11.000
<v Speaker 2>Like it's not the problem is not quantity, right, The

0:49:11.080 --> 0:49:13.400
<v Speaker 2>problem actually is quality. I think that is and I

0:49:13.400 --> 0:49:16.759
<v Speaker 2>think increasingly one of the reasons why the streamers have

0:49:16.920 --> 0:49:21.759
<v Speaker 2>suffered is they have like tried to create a quantity

0:49:21.920 --> 0:49:25.000
<v Speaker 2>sort of their their equation is quantity, and what is

0:49:25.080 --> 0:49:28.200
<v Speaker 2>lacking there is the quality. And eventually people catch on

0:49:28.280 --> 0:49:29.919
<v Speaker 2>and they're like, wow, I have a mount of things

0:49:29.960 --> 0:49:32.480
<v Speaker 2>to see, but nothing I want to watch. And like,

0:49:32.880 --> 0:49:35.920
<v Speaker 2>I think that's the same thing is happening just across

0:49:35.960 --> 0:49:38.680
<v Speaker 2>the board. I think it's like I think that's to

0:49:38.680 --> 0:49:41.560
<v Speaker 2>some extent, has happened in music. I think, I mean,

0:49:41.600 --> 0:49:43.800
<v Speaker 2>what that what it looks like, you know, on the

0:49:43.800 --> 0:49:44.480
<v Speaker 2>back end of it.

0:49:44.520 --> 0:49:45.640
<v Speaker 1>I have no fucking idea.

0:49:46.080 --> 0:49:48.400
<v Speaker 2>I think it's happening in like in my world, like

0:49:48.440 --> 0:49:50.640
<v Speaker 2>in news and media stuff, like I think people are

0:49:51.360 --> 0:49:55.520
<v Speaker 2>have been exhausted by like social media and like clickbait,

0:49:55.560 --> 0:49:58.279
<v Speaker 2>and I think everybody's kind of like fatigued with this,

0:49:58.400 --> 0:50:01.359
<v Speaker 2>like just the wanity of shit and you're kind of like, god,

0:50:01.360 --> 0:50:02.680
<v Speaker 2>I'd love just one good thing.

0:50:03.160 --> 0:50:05.359
<v Speaker 3>It feels real, And I think that's why people get

0:50:05.520 --> 0:50:08.640
<v Speaker 3>behind like oh white lotus. It's like, Okay, this is good,

0:50:09.200 --> 0:50:11.560
<v Speaker 3>it's all I watch it collectively, this is nice.

0:50:12.200 --> 0:50:14.880
<v Speaker 1>Well we watched it, but then like ninety nine percent

0:50:14.880 --> 0:50:16.440
<v Speaker 1>of other people didn't. I mean that's the thing.

0:50:16.480 --> 0:50:18.520
<v Speaker 2>It's like there's stuff that you you and I probably

0:50:18.560 --> 0:50:20.360
<v Speaker 2>think being in our respective industries.

0:50:21.520 --> 0:50:24.239
<v Speaker 1>It's like, what is popular? You know it's popular? Is Yellowstone?

0:50:24.239 --> 0:50:25.120
<v Speaker 1>Do you watch Yellowstone?

0:50:25.239 --> 0:50:27.239
<v Speaker 3>I haven't, and somebody's like it's been on right thirty years.

0:50:27.280 --> 0:50:29.959
<v Speaker 2>I've never massively popular. I mean it's like the most

0:50:29.960 --> 0:50:31.840
<v Speaker 2>popular show. You've never seen an episode of it, and

0:50:31.920 --> 0:50:33.960
<v Speaker 2>yet you've probably watched every episode of Succession and he

0:50:33.960 --> 0:50:36.319
<v Speaker 2>thought it was amazing exactly, and you know it, no

0:50:36.360 --> 0:50:38.640
<v Speaker 2>one else has watched it, Like one million people have

0:50:38.719 --> 0:50:40.120
<v Speaker 2>watched Succession in the world.

0:50:40.360 --> 0:50:43.480
<v Speaker 3>Yeah, you know, we think it's important. We're coastal elites.

0:50:43.560 --> 0:50:45.640
<v Speaker 3>You know we are exactly.

0:50:46.000 --> 0:50:49.760
<v Speaker 2>It's a show made by coastal elites about coastal elites

0:50:49.760 --> 0:50:50.560
<v Speaker 2>for coastal elites.

0:50:50.600 --> 0:50:52.040
<v Speaker 1>And it worn't perfectly but I.

0:50:52.040 --> 0:50:54.840
<v Speaker 2>Think but you know, listen, it's very rare that anything

0:50:54.880 --> 0:50:57.719
<v Speaker 2>is super fucking good and popular. Like there's only a

0:50:57.719 --> 0:51:00.560
<v Speaker 2>few There's a Beyonce and the and Beatle, the Beatles,

0:51:00.600 --> 0:51:01.760
<v Speaker 2>and like there.

0:51:01.640 --> 0:51:02.440
<v Speaker 1>All be everything?

0:51:02.480 --> 0:51:05.560
<v Speaker 3>Is that everything? Like a B movie?

0:51:05.880 --> 0:51:08.040
<v Speaker 1>Yeah, well that's another thing.

0:51:08.120 --> 0:51:10.080
<v Speaker 2>But you know, like, right, I think I think the

0:51:10.120 --> 0:51:13.040
<v Speaker 2>film Life Force is high art, but to most people,

0:51:13.080 --> 0:51:14.120
<v Speaker 2>most people don't even know it.

0:51:14.239 --> 0:51:15.919
<v Speaker 3>I don't even know what you're talking about you don't

0:51:15.920 --> 0:51:16.399
<v Speaker 3>even know it?

0:51:16.560 --> 0:51:18.000
<v Speaker 1>Okay, Can I make a recommendation?

0:51:18.280 --> 0:51:20.680
<v Speaker 2>And I would like if you can get everybody who's

0:51:20.680 --> 0:51:23.960
<v Speaker 2>associated with Brick and Morty to participate, Yeah, if they

0:51:24.040 --> 0:51:26.120
<v Speaker 2>If everybody who's working on that has not seen the

0:51:26.120 --> 0:51:29.600
<v Speaker 2>film Life Force. It is directed by Toby Hooper. It's

0:51:29.640 --> 0:51:32.400
<v Speaker 2>based on a novel called The Space Vampires. It is

0:51:32.440 --> 0:51:35.360
<v Speaker 2>written by Dan O'Bannon, who's the guy who created Alien,

0:51:35.880 --> 0:51:40.120
<v Speaker 2>and it is one of the most insane and amazing

0:51:40.200 --> 0:51:43.080
<v Speaker 2>films ever produced. And oh in the I believe, I

0:51:43.120 --> 0:51:46.160
<v Speaker 2>believe the soundtrack is by Henry Mancini, So it's like,

0:51:46.160 --> 0:51:50.479
<v Speaker 2>got a crazy soundtrack like on. It is first off

0:51:50.520 --> 0:51:53.719
<v Speaker 2>in my top five favorite movies of all time. But

0:51:53.760 --> 0:51:57.000
<v Speaker 2>it's also like I guarantee you it's unlike any film

0:51:57.040 --> 0:51:59.520
<v Speaker 2>you've ever seen in your entire life. And if you're not,

0:52:00.400 --> 0:52:03.880
<v Speaker 2>if you don't walk away feeling like thrilled by it,

0:52:03.920 --> 0:52:04.880
<v Speaker 2>I'll be very surprised.

0:52:04.920 --> 0:52:07.319
<v Speaker 3>I will watch it, but immediately and I bet you,

0:52:08.080 --> 0:52:10.080
<v Speaker 3>I bet you people in the room have seen this movie.

0:52:10.120 --> 0:52:12.480
<v Speaker 2>I know I was gonna say, it's the kind of

0:52:12.480 --> 0:52:14.160
<v Speaker 2>film that I would expect that people who are writing

0:52:14.160 --> 0:52:16.000
<v Speaker 2>for Rick and Morty are pretty familiar with. It's a

0:52:16.000 --> 0:52:19.880
<v Speaker 2>pretty obscure even amongst like sci fi weirdos. It's a

0:52:20.239 --> 0:52:23.239
<v Speaker 2>seemingly kind of weirdly obscure thing. Sorry, I don't I

0:52:23.440 --> 0:52:25.239
<v Speaker 2>just want to bring it up whenever possible because I

0:52:25.239 --> 0:52:26.880
<v Speaker 2>think it's such a gem of a film.

0:52:26.960 --> 0:52:28.520
<v Speaker 3>Well, I want to ask you a question because you

0:52:28.520 --> 0:52:30.680
<v Speaker 3>were talking about like podcasts and how there's a lot

0:52:30.680 --> 0:52:33.200
<v Speaker 3>of podcasts. So I guess what I wanted to ask was,

0:52:33.640 --> 0:52:35.480
<v Speaker 3>I guess what, what do you think is the worst

0:52:35.520 --> 0:52:36.640
<v Speaker 3>podcast out there?

0:52:37.320 --> 0:52:39.040
<v Speaker 2>Well, that's I mean, I haven't heard it. I mean

0:52:39.080 --> 0:52:41.360
<v Speaker 2>the worst podcast is as you haven't heard it, but

0:52:41.480 --> 0:52:43.520
<v Speaker 2>like you know, I don't know, Like.

0:52:43.760 --> 0:52:46.839
<v Speaker 3>Uh, well, you don't have to answer this. I'm trying

0:52:46.840 --> 0:52:47.160
<v Speaker 3>to put this.

0:52:47.280 --> 0:52:49.280
<v Speaker 2>I find like celebrities of the podcast be really annoying

0:52:49.280 --> 0:52:51.560
<v Speaker 2>because it's like fuck you, like you already have your

0:52:51.719 --> 0:52:55.120
<v Speaker 2>Like Dax Shepherd, it's so fucked up that Dak I

0:52:55.160 --> 0:52:58.000
<v Speaker 2>have to compete, that we have to lowly ugly people

0:52:58.360 --> 0:53:00.399
<v Speaker 2>like me have to compete with Dax sheperd Like, I'm

0:53:00.400 --> 0:53:02.160
<v Speaker 2>sure he's a great guy by the way his podcast, No,

0:53:02.239 --> 0:53:04.160
<v Speaker 2>he seems great and he's a wonderful he's wonderful and

0:53:04.160 --> 0:53:06.640
<v Speaker 2>I'd love to have him on. In fact, let's let's

0:53:06.640 --> 0:53:08.400
<v Speaker 2>see if we can get him on. I'd love to

0:53:08.440 --> 0:53:10.920
<v Speaker 2>interview him about his podcast. And you know, he seems

0:53:10.960 --> 0:53:13.440
<v Speaker 2>lovely and he's in Kristen Bell seems great and he

0:53:13.560 --> 0:53:15.839
<v Speaker 2>just seems like a great guy. But like Paul Rudd

0:53:15.960 --> 0:53:17.520
<v Speaker 2>or something, has a fucking pot. I just feel like,

0:53:17.560 --> 0:53:20.000
<v Speaker 2>I don't know, like Jason Bateman's podcast.

0:53:19.560 --> 0:53:23.600
<v Speaker 3>A popular podcast and it's like a movie stars, right,

0:53:23.640 --> 0:53:25.560
<v Speaker 3>I just think it's fucked up, like let us have

0:53:25.680 --> 0:53:27.960
<v Speaker 3>let ugly people have something, you know, Like I think

0:53:27.960 --> 0:53:29.960
<v Speaker 3>we don't get much these days, you know, like I

0:53:30.040 --> 0:53:33.359
<v Speaker 3>understand that everyone's more accepting, but it's not right.

0:53:33.480 --> 0:53:35.600
<v Speaker 2>But worst podcast, I mean, that's a that's a tough

0:53:35.640 --> 0:53:38.200
<v Speaker 2>one because it was probably like the Ben Shapiro Show

0:53:38.320 --> 0:53:39.040
<v Speaker 2>or something.

0:53:38.840 --> 0:53:42.560
<v Speaker 3>Like, you know, like damaging our culture and sins.

0:53:42.800 --> 0:53:44.800
<v Speaker 2>Yeah, I mean, if you look at the top one hundred,

0:53:44.840 --> 0:53:47.120
<v Speaker 2>there's all kinds of shit, like, you know, I don't know,

0:53:47.360 --> 0:53:49.640
<v Speaker 2>it's like, you know, it's like the Chuck Bentley Show

0:53:49.680 --> 0:53:51.319
<v Speaker 2>or something. You're like, who's Chuck Bentley. He's like, oh,

0:53:51.320 --> 0:53:55.200
<v Speaker 2>he's a firebrand, maga preacher or whatever. And his his

0:53:55.320 --> 0:54:00.080
<v Speaker 2>he has like twenty million subscribers to his podcast. Like

0:54:00.440 --> 0:54:02.440
<v Speaker 2>Chuck Bentley's not a person as far as I know,

0:54:02.520 --> 0:54:05.160
<v Speaker 2>but like it's that sort of right, that idea.

0:54:05.480 --> 0:54:07.319
<v Speaker 3>Yeah, there's something for everybody out there.

0:54:07.360 --> 0:54:09.600
<v Speaker 1>Man, I don't listen to a lot of podcasts. I'd

0:54:09.600 --> 0:54:10.839
<v Speaker 1>be honest with you, like.

0:54:10.840 --> 0:54:12.759
<v Speaker 3>Yeah, that's fair. What do you think takes the most

0:54:12.760 --> 0:54:15.920
<v Speaker 3>time of your day? What do you what do you do?

0:54:16.000 --> 0:54:16.560
<v Speaker 1>It's been doing?

0:54:16.680 --> 0:54:19.080
<v Speaker 2>No, it's it's it's like, probably have a little problem

0:54:19.080 --> 0:54:21.080
<v Speaker 2>solving things like that, right, you know. I used to

0:54:21.080 --> 0:54:22.840
<v Speaker 2>do a lot of like actual writing, but it's I

0:54:22.840 --> 0:54:24.920
<v Speaker 2>find it to be very annoying. I'm not a person

0:54:25.120 --> 0:54:27.720
<v Speaker 2>who enjoys the time it takes to write down words.

0:54:27.880 --> 0:54:29.719
<v Speaker 3>Yeah, it's it. I mean, you're just banging in your

0:54:29.760 --> 0:54:31.680
<v Speaker 3>head against a brick wall the hole. It's miserable. It's

0:54:31.880 --> 0:54:35.000
<v Speaker 3>you're a loane, You're lost in your thoughts, you hate everything.

0:54:35.520 --> 0:54:37.560
<v Speaker 3>It's miserable and magical at the same time. I do

0:54:37.600 --> 0:54:39.480
<v Speaker 3>think I should maybe this goal. I don't have a

0:54:39.480 --> 0:54:41.640
<v Speaker 3>goal this year to be published in New Yorker. I

0:54:41.640 --> 0:54:42.680
<v Speaker 3>always thought that would be fun.

0:54:42.719 --> 0:54:46.160
<v Speaker 1>Oh you could do that online or in this actual magazinete.

0:54:46.239 --> 0:54:47.920
<v Speaker 3>I mean I'd like to have a physical copy, but

0:54:48.000 --> 0:54:48.719
<v Speaker 3>I take what I can.

0:54:48.640 --> 0:54:50.879
<v Speaker 2>Get online is definitely easier. I mean you could start

0:54:50.920 --> 0:54:53.719
<v Speaker 2>with online and see if they like it. We'll graduated

0:54:53.719 --> 0:54:55.720
<v Speaker 2>into I feel like you could definitely get something published.

0:54:55.760 --> 0:54:58.239
<v Speaker 3>I don't what did the how do you? I know

0:54:58.320 --> 0:54:59.880
<v Speaker 3>this podcast isn't about how to getublished in the n

0:55:00.120 --> 0:55:03.000
<v Speaker 3>or but like no, well, but can it be for

0:55:03.000 --> 0:55:03.600
<v Speaker 3>the last part.

0:55:04.080 --> 0:55:08.120
<v Speaker 2>The easiest thing is that somebody like me, like introduces

0:55:08.160 --> 0:55:10.640
<v Speaker 2>to somebody there who I know, and I go like, oh, hey,

0:55:10.680 --> 0:55:13.240
<v Speaker 2>this guy Nicky's super smart. He's one of the producers

0:55:13.239 --> 0:55:15.680
<v Speaker 2>on Rick Morty. He wrote this really funny thing or whatever.

0:55:16.160 --> 0:55:17.560
<v Speaker 2>Should check it out. I mean, you know, it's all

0:55:17.600 --> 0:55:19.719
<v Speaker 2>about nepotism, and you know who you know and who

0:55:19.719 --> 0:55:21.680
<v Speaker 2>you know they have, They take submissions, they publish like

0:55:21.680 --> 0:55:23.840
<v Speaker 2>they actually publish thoseubmissions all the time. And in fact,

0:55:23.960 --> 0:55:26.319
<v Speaker 2>the New Yorker, in their defense, I should say, has

0:55:26.640 --> 0:55:29.239
<v Speaker 2>really has made a practice in their entire history of

0:55:29.320 --> 0:55:32.520
<v Speaker 2>like publishing unknown not that you're unknown, like you're you're

0:55:32.600 --> 0:55:33.239
<v Speaker 2>certainly known.

0:55:33.320 --> 0:55:34.480
<v Speaker 3>No, I want special treatment.

0:55:34.800 --> 0:55:38.319
<v Speaker 1>You must have twenty people who know somebody there, like for.

0:55:38.280 --> 0:55:41.640
<v Speaker 3>Yuh, I'm sure there's avenues that I should explore. Also,

0:55:41.680 --> 0:55:43.520
<v Speaker 3>here's the thing I'm never going to pursue this past

0:55:43.600 --> 0:55:46.080
<v Speaker 3>this conversation. No, no, I don't know.

0:55:46.160 --> 0:55:47.960
<v Speaker 1>I mean you could do like a shouts and murmurs

0:55:48.000 --> 0:55:48.799
<v Speaker 1>like a little, like.

0:55:48.760 --> 0:55:51.080
<v Speaker 3>A little It would be some silly thing, you know.

0:55:51.560 --> 0:55:54.399
<v Speaker 2>It's like a McSweeney's light kind of thing. Yeah, they

0:55:54.400 --> 0:55:56.840
<v Speaker 2>do a lot of like less interesting than McSweeney's comedy

0:55:57.400 --> 0:55:58.880
<v Speaker 2>humor rather, yeah.

0:55:58.719 --> 0:56:02.359
<v Speaker 3>Yeah, like real humor. I guess I should start by

0:56:02.400 --> 0:56:03.920
<v Speaker 3>reading a New Yorker once.

0:56:04.080 --> 0:56:07.520
<v Speaker 1>You should see what's in there. Yeah, it's a comic, right, yeah.

0:56:07.600 --> 0:56:09.279
<v Speaker 2>No, I think it'd be a real twist for you

0:56:09.400 --> 0:56:13.760
<v Speaker 2>is to go and find like an unbelievable journalistic story.

0:56:13.840 --> 0:56:16.600
<v Speaker 2>Like you go to fucking like Somalia and like report

0:56:16.640 --> 0:56:19.439
<v Speaker 2>on some incredible and like just you're like this guy,

0:56:19.640 --> 0:56:21.440
<v Speaker 2>like your whole career has been like in comedy and

0:56:21.440 --> 0:56:23.279
<v Speaker 2>writing and like give an Emmy for a fucking Rick

0:56:23.320 --> 0:56:25.680
<v Speaker 2>and Morty. But then you go and like just report

0:56:25.680 --> 0:56:28.160
<v Speaker 2>out the hardest, craziest fucking story ever.

0:56:28.200 --> 0:56:30.240
<v Speaker 3>Right, I like break the next Coney story.

0:56:30.520 --> 0:56:32.239
<v Speaker 1>Yeah yeah, and that's well Coney was fake.

0:56:32.320 --> 0:56:35.319
<v Speaker 2>I think that's turned out yeah, I think, but but yeah,

0:56:35.360 --> 0:56:37.920
<v Speaker 2>you would crack that kind of case for the New Yorker,

0:56:37.960 --> 0:56:39.160
<v Speaker 2>you know, or you write the story. They had a

0:56:39.200 --> 0:56:41.479
<v Speaker 2>story about how I think it was a New Yorker.

0:56:41.600 --> 0:56:43.719
<v Speaker 2>Maybe be in the Atlantic. There's like a fault line

0:56:43.719 --> 0:56:46.840
<v Speaker 2>there that's gonna like make Seattle basically fall off the

0:56:46.840 --> 0:56:49.160
<v Speaker 2>the country, like you like, there's gonna be an earthquake

0:56:49.200 --> 0:56:52.960
<v Speaker 2>that will send Seattle out to sea or something, you know,

0:56:53.080 --> 0:56:54.560
<v Speaker 2>or Washington, all of Washington.

0:56:54.920 --> 0:56:57.680
<v Speaker 3>I could dig into that. I feel like, whatever I do,

0:56:58.040 --> 0:57:01.839
<v Speaker 3>if it's like hard hitting, you knowjournalism, I end it

0:57:01.880 --> 0:57:06.439
<v Speaker 3>with Nick Fury showing up and asking Seattle to join

0:57:06.520 --> 0:57:10.080
<v Speaker 3>the Avengers. And then people get to the end they're like,

0:57:10.280 --> 0:57:12.240
<v Speaker 3>damn it, this asshole. He's got one idea.

0:57:12.320 --> 0:57:14.640
<v Speaker 2>I think, yeah, but it's a good one, you know what,

0:57:15.080 --> 0:57:17.160
<v Speaker 2>one idea, but it's a good one. I wish you

0:57:17.160 --> 0:57:19.440
<v Speaker 2>could have gotten to Christopher Nolan before he finished the

0:57:19.440 --> 0:57:22.120
<v Speaker 2>film to tell him this idea, just like there is

0:57:22.160 --> 0:57:25.760
<v Speaker 2>something we should If only you had that inception device, Yeah,

0:57:25.760 --> 0:57:28.320
<v Speaker 2>you could have put him, put him under and got

0:57:28.400 --> 0:57:30.360
<v Speaker 2>him put this idea in his head.

0:57:31.520 --> 0:57:32.120
<v Speaker 1>That's a dream.

0:57:33.160 --> 0:57:34.840
<v Speaker 3>Well, there's going to be a director's cut, so there's

0:57:34.880 --> 0:57:35.320
<v Speaker 3>still time.

0:57:35.640 --> 0:57:37.840
<v Speaker 2>Somebody has to film the scene and like do a bootleg,

0:57:37.960 --> 0:57:41.240
<v Speaker 2>like an edit, get Killian Murphy to just like just

0:57:41.240 --> 0:57:42.760
<v Speaker 2>just do it, just like will you be in the

0:57:42.800 --> 0:57:47.080
<v Speaker 2>scene with anyhow? All right, we've talked this one to death.

0:57:47.120 --> 0:57:48.680
<v Speaker 2>I think I think you know what you need to do.

0:57:49.480 --> 0:57:53.200
<v Speaker 2>Once the strike is over. Get call Samuel Jackson, call

0:57:53.800 --> 0:57:56.080
<v Speaker 2>Christopher Nolan, Killian Murphy and make it happen.

0:57:56.280 --> 0:57:59.600
<v Speaker 3>Get a guy with a camera. Get a camera. I

0:57:59.640 --> 0:58:03.800
<v Speaker 3>don't even go through the whole production process, but you know, people.

0:58:03.560 --> 0:58:05.840
<v Speaker 1>To do lighting and probably some prop.

0:58:05.640 --> 0:58:08.120
<v Speaker 3>Probably need a COVID compliance officer on set.

0:58:08.320 --> 0:58:11.439
<v Speaker 2>Yeah, yeah, he probably. You know, you have to find

0:58:11.440 --> 0:58:13.919
<v Speaker 2>a locations when he has location scout. I guess, yeah,

0:58:14.040 --> 0:58:15.200
<v Speaker 2>I need permits.

0:58:15.920 --> 0:58:16.960
<v Speaker 3>I know, we know what I get.

0:58:18.200 --> 0:58:22.160
<v Speaker 2>Yeah, it's pretty straightforward. It's just right there. Nick, this

0:58:22.240 --> 0:58:24.640
<v Speaker 2>is like I say, this is super fun, super fun.

0:58:24.800 --> 0:58:25.000
<v Speaker 3>Yeah.

0:58:25.120 --> 0:58:25.439
<v Speaker 1>I didn't.

0:58:25.480 --> 0:58:27.520
<v Speaker 2>I wasn't sure what exactly we're going to talk about.

0:58:27.520 --> 0:58:28.920
<v Speaker 2>There were definitely things I want to talk about. We

0:58:29.000 --> 0:58:31.560
<v Speaker 2>hit all of those things and then went way beyond them.

0:58:31.600 --> 0:58:35.200
<v Speaker 2>We skated through the routine and then into something very freestyle,

0:58:35.240 --> 0:58:36.000
<v Speaker 2>which I enjoyed.

0:58:36.400 --> 0:58:38.160
<v Speaker 1>It was a real pleasure to talk to you.

0:58:38.200 --> 0:58:39.640
<v Speaker 3>All right, thank you, Josh, thank you.

0:58:39.920 --> 0:58:42.600
<v Speaker 2>We're going to do this again, and uh and enjoy

0:58:42.680 --> 0:58:44.840
<v Speaker 2>the rest of your I assume you know, beautiful Los

0:58:44.880 --> 0:58:46.520
<v Speaker 2>Angeles day, hotter than hell out there.

0:58:54.200 --> 0:58:55.040
<v Speaker 1>Well, that is our show.

0:58:55.120 --> 0:58:58.360
<v Speaker 2>I mean, so much show, really, just all of I mean,

0:58:58.360 --> 0:59:00.320
<v Speaker 2>I don't even know if we need to do another show.

0:59:00.360 --> 0:59:01.040
<v Speaker 1>At this point.

0:59:01.320 --> 0:59:04.160
<v Speaker 2>We captured I would say, every possible human emotion on

0:59:04.200 --> 0:59:07.240
<v Speaker 2>this one, and I loved it. I gotta tell you,

0:59:07.840 --> 0:59:09.960
<v Speaker 2>even the human even when we hit the human emotions

0:59:10.040 --> 0:59:14.720
<v Speaker 2>of depression and anger, I was still smiling through the pain.

0:59:15.200 --> 0:59:18.320
<v Speaker 2>And that's really the most you can ask foreign life,

0:59:18.520 --> 0:59:21.920
<v Speaker 2>I think. So that is our show for this week.

0:59:22.280 --> 0:59:24.680
<v Speaker 2>We'll be back next week with more what future, and

0:59:24.760 --> 0:59:27.840
<v Speaker 2>as always, I wish you and your family the very best.