WEBVTT - Hansel and Gretel

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<v Speaker 1>School of Humans.

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<v Speaker 2>This episode discusses sensitive topics. Please listen with care. I'm

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<v Speaker 2>your host, Miranda Hawkins. Welcome to the Deep Dark Woods.

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<v Speaker 2>Today's story is three two seven, or Hansel and Gretel.

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<v Speaker 3>Next to a great forest, there lived a poor woodcutter

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<v Speaker 3>who had come upon such hard times that he could

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<v Speaker 3>scarcely provide daily bread for his wife and his two children,

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<v Speaker 3>Hansel and Gretel. Finally, he could no longer even manage this,

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<v Speaker 3>and he did not know where to turn for help.

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<v Speaker 3>One evening, as he was lying in bed worrying about

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<v Speaker 3>his problems, his wife said to him, listen, man, early tomorrow,

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<v Speaker 3>take the two children, give them each a little piece

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<v Speaker 3>of bread, then lead them into the middle of the

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<v Speaker 3>thickest part of the woods. Make a fire for them,

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<v Speaker 3>and leave them there, for we can no longer feed them.

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<v Speaker 3>No woman, said the man. I cannot bring myself to

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<v Speaker 3>abandon my own children to wild animals that would quickly

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<v Speaker 3>tear them to pieces. If you don't do it, said

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<v Speaker 3>the woman, all of us will starve together. And she

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<v Speaker 3>gave him no peace until he said yes. The two

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<v Speaker 3>children were still awake from hunger and heard everything that

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<v Speaker 3>the mother had said.

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<v Speaker 1>To the father.

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<v Speaker 3>Gretel thought that she was doomed and began to cry pitifully,

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<v Speaker 3>but Hansel said, be quiet, Gretel, and don't worry.

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<v Speaker 1>I know what to do with that.

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<v Speaker 3>He got up, pulled on his jacket, opened the lower door,

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<v Speaker 3>and crept outside. The moon was shining brightly, and the

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<v Speaker 3>white pebbles were glistening like silver coins. Hansel bent over

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<v Speaker 3>and filled his jacket pockets with them as many as

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<v Speaker 3>would fit. Then he went back into the house and said,

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<v Speaker 3>don't worry, Gretel.

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<v Speaker 1>Sleep well.

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<v Speaker 3>Then he went back to bed and fell asleep. The

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<v Speaker 3>next morning, the mother came and woke them both before sunrise.

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<v Speaker 3>Get up, you children were going into the woods. Here's

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<v Speaker 3>a little piece of bread. Take care and save it

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<v Speaker 3>until midday.

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<v Speaker 1>Gretel put the.

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<v Speaker 3>Bread under her apron because Hansel's pockets were full of stones,

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<v Speaker 3>and they set forth into the woods. After they had

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<v Speaker 3>walked a little way, Hansel began stopping again and again

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<v Speaker 3>and looking back toward the house. The father said, Hansel,

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<v Speaker 3>why are you stopping and looking back?

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<v Speaker 1>Pay attention now.

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<v Speaker 3>And keep up with us, oh father. I am looking

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<v Speaker 3>at my white cat that is sitting on the roof,

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<v Speaker 3>and wants to say goodbye to me. The mother said,

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<v Speaker 3>you fool, That isn't your cat. That's the morning sun

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<v Speaker 3>shining on the chimney. However, Hansel had not been looking

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<v Speaker 3>at his cat, but instead he had been dropping the

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<v Speaker 3>shiny pebbles from his pockets onto the path. When they

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<v Speaker 3>are in the middle of the woods, the father said,

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<v Speaker 3>you children, gather some wood, and I will make a

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<v Speaker 3>fire so we won't freeze. Hansel and Gretel gathered up

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<v Speaker 3>some twigs a pile as high as a small mountain.

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<v Speaker 3>They set it a fire, and when the flames were

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<v Speaker 3>burning well, the mother said, lie down by the fire

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<v Speaker 3>and sleep. We will go into the woods to cut

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<v Speaker 3>down trees. Wait here until we come back and get you.

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<v Speaker 3>Hansel and Gretel sat by the fire until midday and

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<v Speaker 3>then ate their bread. They sat on until evening, but

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<v Speaker 3>the mother and father did not return, and no one

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<v Speaker 3>came to get them. When it became dark, Gretel began

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<v Speaker 3>to cry, and Hansel said, wait a little till the

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<v Speaker 3>moon comes up. After the moon had come up, he

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<v Speaker 3>took Gretel by the hand. The pebbles were lying there

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<v Speaker 3>like newly minted coins, glistening. They showed them the way.

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<v Speaker 3>They walked throughout the entire night, and as morning was breaking,

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<v Speaker 3>they arrived at the father's house. The father was overjoyed

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<v Speaker 3>when he saw his children once more, for he had

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<v Speaker 3>not wanted to leave them alone. The mother pretended that

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<v Speaker 3>she too was happy, but secretly she was angry. Not

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<v Speaker 3>long afterward, there was once again no bread in the house,

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<v Speaker 3>and one evening, Hansel and Gretel heard the mother say

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<v Speaker 3>to the father, the children found their way back once,

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<v Speaker 3>and I let it be. But again we only have

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<v Speaker 3>half a loaf of bread in the house. Tomorrow, you

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<v Speaker 3>must take them deeper into the woods so they cannot

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<v Speaker 3>find their way home. Otherwise there will be no help

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<v Speaker 3>for us.

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<v Speaker 1>The man was.

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<v Speaker 3>Very disheartened, and he thought it would be better to

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<v Speaker 3>share the last bit with the children, but because he

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<v Speaker 3>had done it once, he could not say no. Hansel

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<v Speaker 3>and Gretel heard the parent's conversation. Hansel got up and

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<v Speaker 3>wanted to gather pebbles once again, but when he came

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<v Speaker 3>to the door, he found that the mother had locked it. Still,

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<v Speaker 3>he comforted Gretel and said, just go to sleep, Gretel,

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<v Speaker 3>Dear God will help us. Early the next morning, they

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<v Speaker 3>received their little pieces of bread even less than last time.

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<v Speaker 3>On the way, Hansel crumbled his piece of bread in

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<v Speaker 3>his pocket, then often stood still and threw crumbs on

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<v Speaker 3>to the ground. Why are you always stopping and looking around,

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<v Speaker 3>said his father. Keep walking straight ahead. Oh, I can

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<v Speaker 3>see my pigeon sitting on the roof. It wants to

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<v Speaker 3>say good bye to me, you fool, said his mother.

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<v Speaker 3>That isn't your pigeon. That's the morning sun shining on

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<v Speaker 3>the chimney. But Hansel crumbled all of his bread and

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<v Speaker 3>dropped the crumbs on to the path. The mother took

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<v Speaker 3>them deeper into the woods than they had ever been

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<v Speaker 3>in their whole lifetime. There they were told to sleep

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<v Speaker 3>by a large fire and that the parents would come

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<v Speaker 3>get them in the evening. At midday, Gretel shared her

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<v Speaker 3>bread with Hansel because he had scattered all of his

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<v Speaker 3>along the path. Midday passed and evening passed, but no

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<v Speaker 3>one came to get the poor children. Hansel comforted Gretel

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<v Speaker 3>and said, wait, when the moon comes up, I will

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<v Speaker 3>be able to see the crumbs of bread that I scattered,

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<v Speaker 3>and they will show us the way back home. The

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<v Speaker 3>moon came up, but when Hansel looked for the crumbs.

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<v Speaker 1>They were gone.

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<v Speaker 3>The many thousands of birds in the woods had found

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<v Speaker 3>them and pecked them up. Hansel thought that he would

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<v Speaker 3>still be able to find the way home, and he

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<v Speaker 3>and Gretel set forth, but they soon became totally lost

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<v Speaker 3>in the great wilderness. They walked through the night and

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<v Speaker 3>the entire next day, and then exhausted, they fell asleep.

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<v Speaker 3>They walked another day, but they could not find their

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<v Speaker 3>way out of the woods. They were terribly hungry, for

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<v Speaker 3>they had eaten only a few small berries that were

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<v Speaker 3>growing on the ground. On the third day, they walked

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<v Speaker 3>until midday, when they came to a little house built

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<v Speaker 3>entirely from bread, with a roof made of cake, and

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<v Speaker 3>the windows were made of clear sugar. Let's sit down

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<v Speaker 3>and eat our fill, said Hansel. I'll eat from the roof,

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<v Speaker 3>and Gretel, you eat from the window. That will be

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<v Speaker 3>nice and sweet for you. Hansel had already eaten a

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<v Speaker 3>piece from the roof, and Gretel had eaten a few

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<v Speaker 3>round window panes, and she had just broken out another

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<v Speaker 3>one when she heard a gentle voice calling from inside. Nibble, nibble,

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<v Speaker 3>little mouse, who is nibbling at my house. Hansel and

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<v Speaker 3>Gretel were so frightened that they dropped what they were

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<v Speaker 3>holding in their hands, and immediately they saw a little

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<v Speaker 3>woman as old as the hills creeping out the door.

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<v Speaker 3>She shook her head and said, oh, you, dear children,

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<v Speaker 3>where did you come from? Come inside with me, and

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<v Speaker 3>you will be just fine. She took them by the

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<v Speaker 3>hand and led them into her house.

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<v Speaker 2>It's funny, I've never thought of Hansel and Gretel as

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<v Speaker 2>a dark fairy tale, or maybe I've heard it so

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<v Speaker 2>many times it's lost some of its pact. But how

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<v Speaker 2>the story of Hansel and Gretel came to be is

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<v Speaker 2>more horrific than the tail itself. From around nine fifty

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<v Speaker 2>to twelve fifty AD, during Europe's medieval period, there was

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<v Speaker 2>a peculiar phenomenon. The temperature began to rise. There's a

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<v Speaker 2>lot of reasons for this to happen, but the result

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<v Speaker 2>was that this unseasonably warm time led to surplus and crops,

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<v Speaker 2>and Europe's population exploded. But then in the early thirteen hundreds,

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<v Speaker 2>temperatures dropped for Europe. This meant torrential rains and cold weather.

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<v Speaker 2>Crops failed, and livestock died. All of a sudden, that

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<v Speaker 2>population boom that seemed so great was in a dire situation.

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<v Speaker 2>People were sick, people were starving. When it came to

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<v Speaker 2>basic items like grain, wheat, barley, oats, bread, and salt,

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<v Speaker 2>it was either too expensive or just gone. In desperation,

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<v Speaker 2>people resorted to murdering and stealing just to fill their bellies.

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<v Speaker 2>Adults starved themselves so the young could eat, or they

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<v Speaker 2>would abandon their children. And if that wasn't enough, people

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<v Speaker 2>also ate dogs and horses. People would even eat each other.

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<v Speaker 2>It was eat or be eaten. Along with a mass famine,

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<v Speaker 2>regions were destabilized, which led to class warfare and political strife.

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<v Speaker 2>Europe was in chaos. Finally, in thirteen seventeen, the crop stabilized,

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<v Speaker 2>but it wasn't until five years later the food.

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<v Speaker 1>Supply was replenished.

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<v Speaker 2>During this time, Northern Europe alone, which includes Germany, saw

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<v Speaker 2>five to twelve percent of their population die of starvation

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<v Speaker 2>and starvation related illnesses. This is where people believe the

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<v Speaker 2>tale of two starving children abandoned by their mother and

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<v Speaker 2>father began. Centuries later, the brothers Grim heard the story

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<v Speaker 2>of Hansel and Gretel. Some people think the story might

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<v Speaker 2>have come from the German region of Hesse, which is

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<v Speaker 2>where Jacob and Wilhelm Grimm were from, but most people

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<v Speaker 2>think the brothers heard the story from a twelve year

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<v Speaker 2>old girl named Henrietta Dorothea Wilde. She was called Dorchen

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<v Speaker 2>for short. Dorten's father forbade her and his six other

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<v Speaker 2>daughters from hanging out with the brothers because they were

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<v Speaker 2>too poor. But fast forward to eighteen twenty five, Dortun

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<v Speaker 2>became Missus Grimm when she and Wilhelm were married. The

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<v Speaker 2>brothers Grim published Handel and Gretel in their first collection

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<v Speaker 2>in eighteen twelve, picking up from where we left off

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<v Speaker 2>of the start of this episode. After the children met

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<v Speaker 2>the old woman in the woods, she led them to

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<v Speaker 2>her house. The witch then knocked handle on the page

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<v Speaker 2>while she made Gretel to the housework to eat both children,

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<v Speaker 2>but started with Hansel. She forced Hansel to eat every

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<v Speaker 2>day to fatten him up. She'd then make him stick

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<v Speaker 2>out his finger to check if he was getting fatter,

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<v Speaker 2>but Hansel would stick out a bone instead. After a month,

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<v Speaker 2>the witch got fed up and decided she was going

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<v Speaker 2>to eat Hansel. When the witch called Gretel over and

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<v Speaker 2>asked her if the oven was hot enough. Gretel tricked

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<v Speaker 2>the witch, saying she didn't know how to tell, so

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<v Speaker 2>the witch leaned over to show Gretel, and then Gretel

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<v Speaker 2>shoved the witch in the oven and locked it up,

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<v Speaker 2>leaving the witch to burn. After Gretel freed her brother,

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<v Speaker 2>the two made it home. Their father was overjoyed to

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<v Speaker 2>see them. Their mother, however, was dead. Of course, the

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<v Speaker 2>Grims Hansel and Gretel wasn't the only version of this story.

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<v Speaker 2>We know that stories travel and adapt across places and time,

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<v Speaker 2>resulting in numerous variations with common themes and ideas.

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<v Speaker 1>Besides, Germany was not.

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<v Speaker 2>The only place where children were abandoned in the woods.

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<v Speaker 2>One was written by Italian author John Battista Bazille, who

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<v Speaker 2>was born in fifteen sixty six and died in sixteen

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<v Speaker 2>thirty two. His version, Nanillo and Nanilla was published after

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<v Speaker 2>his death, although.

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<v Speaker 1>The published day is unknown.

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<v Speaker 2>But in this one, it's a stepmother, not the mother,

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<v Speaker 2>who forces the father to abandon the children. The two

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<v Speaker 2>kids are separated by the howling of a prince's hounds.

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<v Speaker 2>The young boy is taken in by the prince. The

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<v Speaker 2>sister by pirates. When the pirates are attacked and shipwrecked,

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<v Speaker 2>a large magical fish swallows her whole, and she grows

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<v Speaker 2>up in a mansion inside the fish's belly. Years later,

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<v Speaker 2>the sister catches sight of her brother on shore, and

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<v Speaker 2>they are reunited when the fish delivers her to him.

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<v Speaker 2>The prince in puts out a to find their father,

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<v Speaker 2>who eventually shows up at the castle, glad to see

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<v Speaker 2>his children are safe and alive. As for the cruel stepmother,

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<v Speaker 2>she is put in a cask and rolled down a mountain.

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<v Speaker 2>Remember Charles Perraut, He's a French author who wrote the

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<v Speaker 2>magical version of Cinderella that Disney pulled from. He also

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<v Speaker 2>wrote a story like Hansel and Gretel. His came more

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<v Speaker 2>than a century before the Grims, in sixteen ninety seven,

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<v Speaker 2>titled The Little Thumb. In Pierrot's story, a father and

0:13:45.005 --> 0:13:48.925
<v Speaker 2>mother have seven children. The mother never has less than

0:13:48.925 --> 0:13:52.325
<v Speaker 2>two at a time. There's nothing magical about it. She

0:13:52.565 --> 0:13:56.365
<v Speaker 2>just happens to love kids. Her youngest is named Little

0:13:56.405 --> 0:13:59.605
<v Speaker 2>Thumb because he's born as small as a person's thumb.

0:14:00.525 --> 0:14:02.685
<v Speaker 2>The father is a one who says the children.

0:14:02.405 --> 0:14:03.365
<v Speaker 1>Must be abandoned.

0:14:03.685 --> 0:14:07.085
<v Speaker 2>It's a mother who is absolutely against the idea, but

0:14:07.165 --> 0:14:10.765
<v Speaker 2>eventually the father wears her down. The next day, the

0:14:10.845 --> 0:14:15.445
<v Speaker 2>brothers are led into the woods the first time. The

0:14:15.525 --> 0:14:18.205
<v Speaker 2>boys find their way back using pebbles little Thumb had

0:14:18.205 --> 0:14:19.645
<v Speaker 2>tossed to the ground to leave a trail.

0:14:20.405 --> 0:14:21.245
<v Speaker 1>When they return.

0:14:21.685 --> 0:14:24.485
<v Speaker 2>Initially, everyone is happy because the parents had run into

0:14:24.525 --> 0:14:27.125
<v Speaker 2>some money so there was food for all. But when

0:14:27.165 --> 0:14:30.045
<v Speaker 2>the money runs out and their bellies are hungry, the

0:14:30.165 --> 0:14:34.925
<v Speaker 2>parents take their kids to the woods a second time. Again,

0:14:35.045 --> 0:14:37.925
<v Speaker 2>the mother is against it, but the father pushes.

0:14:37.605 --> 0:14:39.045
<v Speaker 1>Her into making this decision.

0:14:40.125 --> 0:14:42.485
<v Speaker 2>The second time, the seven brothers get lost in the

0:14:42.565 --> 0:14:46.365
<v Speaker 2>woods and end up at an ogre's house. The ogre's

0:14:46.365 --> 0:14:49.325
<v Speaker 2>wife wants to protect the boys from her husband, who

0:14:49.365 --> 0:14:53.405
<v Speaker 2>wants to kill and eat them. The ogre and Ogris

0:14:53.445 --> 0:14:56.245
<v Speaker 2>have seven daughters who have already bitten and drink the

0:14:56.285 --> 0:15:00.205
<v Speaker 2>blood of human kids. To save himself and his brothers,

0:15:00.525 --> 0:15:03.405
<v Speaker 2>Thumb tricks the Ogre into slitting the throats of his daughters.

0:15:03.965 --> 0:15:06.285
<v Speaker 2>Thumb and his brothers then make run for it.

0:15:07.045 --> 0:15:08.565
<v Speaker 1>When the Ogre realizes what.

0:15:08.605 --> 0:15:11.605
<v Speaker 2>He's done, he puts on his magical seven League boots

0:15:11.645 --> 0:15:15.125
<v Speaker 2>to hunt the boys down. Seven League boots allow the

0:15:15.125 --> 0:15:18.125
<v Speaker 2>wearer to travel seven leagues per step, which of course

0:15:18.365 --> 0:15:21.445
<v Speaker 2>enables a person to cover great distances in a short time.

0:15:22.445 --> 0:15:25.205
<v Speaker 2>The boys see the ogre coming and hide behind a rock.

0:15:25.765 --> 0:15:29.205
<v Speaker 2>The ogre, who's very tired from wearing the boots, lays

0:15:29.245 --> 0:15:31.645
<v Speaker 2>down for a nap, which happens to be by the

0:15:31.685 --> 0:15:33.285
<v Speaker 2>same rock where the boys are hiding.

0:15:34.685 --> 0:15:37.045
<v Speaker 1>Thumb tells his brothers to head home, and they do.

0:15:37.725 --> 0:15:40.725
<v Speaker 2>Meanwhile, them puts on the boots and heads back to

0:15:40.765 --> 0:15:41.525
<v Speaker 2>the ogre's wife.

0:15:42.245 --> 0:15:43.365
<v Speaker 1>He tells her that her.

0:15:43.285 --> 0:15:45.845
<v Speaker 2>Husband has been captured by a gang of thieves and

0:15:45.885 --> 0:15:48.845
<v Speaker 2>he needs all the gold and silver to save him.

0:15:49.165 --> 0:15:52.645
<v Speaker 2>She of course gives him the gold and silver. Her

0:15:52.725 --> 0:15:58.685
<v Speaker 2>husband might eat children, but he is a good husband. Now,

0:15:58.725 --> 0:16:02.245
<v Speaker 2>there are two endings to this story. Perrot wrote both

0:16:02.405 --> 0:16:07.045
<v Speaker 2>within the same story, although it's uncle clear why. The

0:16:07.085 --> 0:16:09.885
<v Speaker 2>first is that Thumb heads home with all the Ogre's

0:16:09.925 --> 0:16:13.205
<v Speaker 2>money and is received with great joy. But in Perou's

0:16:13.205 --> 0:16:16.485
<v Speaker 2>alternate version, the little Thumb doesn't get any money from

0:16:16.485 --> 0:16:20.325
<v Speaker 2>the ogre's wife. Instead, he takes the seven league boots

0:16:20.325 --> 0:16:22.485
<v Speaker 2>and heads to court, where he speaks with the king

0:16:22.805 --> 0:16:26.125
<v Speaker 2>and helps with the war. After serving for a while

0:16:26.245 --> 0:16:29.805
<v Speaker 2>and getting rich. It's only then them returns home and

0:16:29.965 --> 0:16:35.005
<v Speaker 2>is received with great joy. While Basili's story involves child abandonment,

0:16:35.205 --> 0:16:36.405
<v Speaker 2>it lacks cannibalism.

0:16:36.965 --> 0:16:38.725
<v Speaker 1>It's also more in line with.

0:16:38.725 --> 0:16:41.885
<v Speaker 2>A traditional fairy tale and that it has a clear

0:16:41.965 --> 0:16:46.525
<v Speaker 2>and decisive, happy ending. Pero's is different in that the

0:16:46.605 --> 0:16:50.045
<v Speaker 2>roles of the mother and father are reversed, and while

0:16:50.045 --> 0:16:55.445
<v Speaker 2>it still involves child abandonment, cannibalism still plays a factor. However,

0:16:55.605 --> 0:16:58.645
<v Speaker 2>there is something to be said about the ogress wanting

0:16:58.685 --> 0:17:03.725
<v Speaker 2>to protect the seven brothers, So what about Hansel and Gretel.

0:17:04.285 --> 0:17:04.685
<v Speaker 1>Well.

0:17:04.845 --> 0:17:08.205
<v Speaker 2>As time win on, Hansel and Gretel's roots became too

0:17:08.325 --> 0:17:23.165
<v Speaker 2>dark even for the Brother's Graham. My first memories of

0:17:23.205 --> 0:17:26.605
<v Speaker 2>Hansel and Gretel always include the stepmother. It was a

0:17:26.645 --> 0:17:29.365
<v Speaker 2>stepmother who came up with the idea to abandon the kids.

0:17:29.845 --> 0:17:32.045
<v Speaker 2>It was a stepmother who convinced a father to go

0:17:32.085 --> 0:17:34.925
<v Speaker 2>along with the plan. It was a stepmother who felt

0:17:34.925 --> 0:17:37.725
<v Speaker 2>no remorse about leaving two children alone in the woods.

0:17:39.045 --> 0:17:41.445
<v Speaker 2>But as you heard at the beginning of this episode,

0:17:41.605 --> 0:17:45.445
<v Speaker 2>the original Brother's Graham story didn't have a stepmother. It

0:17:45.485 --> 0:17:48.925
<v Speaker 2>was a children's biological mother who did all of those things.

0:17:49.965 --> 0:17:52.885
<v Speaker 2>Even for Jacob and Wilhelm. This soon became too dark

0:17:52.925 --> 0:17:53.685
<v Speaker 2>for them.

0:17:54.045 --> 0:17:55.805
<v Speaker 1>How could a mother abandon.

0:17:55.445 --> 0:17:59.725
<v Speaker 2>Her own children? It was too dark a mark on motherhood.

0:18:00.325 --> 0:18:03.125
<v Speaker 2>So by the time their fourth collection was published, the

0:18:03.205 --> 0:18:07.405
<v Speaker 2>mother had become the stepmother. Also, after the mother became

0:18:07.405 --> 0:18:11.285
<v Speaker 2>a stepmother, she went from being portrayed as practical to mean,

0:18:11.645 --> 0:18:15.445
<v Speaker 2>even abusive. She called both a husband and children names

0:18:15.525 --> 0:18:18.365
<v Speaker 2>like fool and lazy bones, and was more apt to

0:18:18.405 --> 0:18:23.165
<v Speaker 2>criticize and scold. The father evolved into a more sympathetic character.

0:18:23.845 --> 0:18:27.125
<v Speaker 2>This is shown through changes made in his dialogue. There's

0:18:27.205 --> 0:18:29.565
<v Speaker 2>one line that is added in the later version where

0:18:29.565 --> 0:18:32.405
<v Speaker 2>the father says, but I do feel sorry for the

0:18:32.445 --> 0:18:36.885
<v Speaker 2>poor children. By the time the final edition was published

0:18:36.885 --> 0:18:40.005
<v Speaker 2>in eighteen fifty seven, the Brother's Grim had made even

0:18:40.045 --> 0:18:43.805
<v Speaker 2>more changes. Not only had the family dynamics changed, but

0:18:43.845 --> 0:18:47.205
<v Speaker 2>it had become more of a fairy tale. For example,

0:18:47.805 --> 0:18:50.365
<v Speaker 2>at the end of the final story, the children come

0:18:50.445 --> 0:18:53.485
<v Speaker 2>to a large body of water they can't cross, so

0:18:53.565 --> 0:18:56.205
<v Speaker 2>they call out and a duckling carries him across, one

0:18:56.205 --> 0:18:58.565
<v Speaker 2>at a time before finally making a home.

0:18:58.405 --> 0:18:58.925
<v Speaker 1>To their father.

0:19:00.005 --> 0:19:02.885
<v Speaker 2>And as the years passed, Hansel and Gretel drifted even

0:19:03.005 --> 0:19:13.285
<v Speaker 2>further from its dark, twisted roots. In eighteen ninety three,

0:19:13.605 --> 0:19:17.725
<v Speaker 2>composer Engelbert Humperdink wrote an opera that is still performed

0:19:17.725 --> 0:19:22.485
<v Speaker 2>widely today. In his story, Hansel and Gretel's father is

0:19:22.525 --> 0:19:27.525
<v Speaker 2>a broommaker. The children are home when Hansel complains he's hungry,

0:19:28.005 --> 0:19:31.205
<v Speaker 2>so Gretel shows him milk the neighbors have given them.

0:19:31.725 --> 0:19:34.085
<v Speaker 2>The kids are happy and danced and end up knocking

0:19:34.085 --> 0:19:38.165
<v Speaker 2>the milk over. Their mother, who is their biological mother,

0:19:38.645 --> 0:19:40.885
<v Speaker 2>is furious with the children, so she sends them to

0:19:40.925 --> 0:19:45.525
<v Speaker 2>pick strawberries. Notice this isn't based on malice or coldness.

0:19:46.045 --> 0:19:48.885
<v Speaker 2>This is just one of those hey, you spilled the milk,

0:19:49.005 --> 0:19:51.725
<v Speaker 2>now clean it up kind of things. But when the

0:19:51.805 --> 0:19:54.165
<v Speaker 2>dad returns home and the wife tells him where the

0:19:54.245 --> 0:19:56.605
<v Speaker 2>kids are, he tells her about the witch that lives

0:19:56.605 --> 0:20:00.125
<v Speaker 2>in the woods. Both parents are worried and immediately set

0:20:00.165 --> 0:20:05.245
<v Speaker 2>out searching for their kids. This all happens in Act one.

0:20:05.485 --> 0:20:09.605
<v Speaker 2>From there things become even more fantastical. An act two,

0:20:09.925 --> 0:20:13.045
<v Speaker 2>Hansel admits he's lost the way, and then a magical

0:20:13.085 --> 0:20:15.925
<v Speaker 2>bang called the Sandman comes and puts kids to sleep.

0:20:16.965 --> 0:20:20.245
<v Speaker 2>Then an act three, Hansel and Gretel are woken by

0:20:20.405 --> 0:20:23.485
<v Speaker 2>the dew fairy and see the gingerbread house where the

0:20:23.525 --> 0:20:24.485
<v Speaker 2>witch lives.

0:20:24.485 --> 0:20:26.045
<v Speaker 1>But they don't see the witch.

0:20:26.805 --> 0:20:30.045
<v Speaker 2>Things are per usual here, with the witch getting shoved

0:20:30.085 --> 0:20:33.165
<v Speaker 2>and burned in the oven and Hansel and Gretel escaping,

0:20:33.725 --> 0:20:38.365
<v Speaker 2>except with a lot more spell casting. Also, after the

0:20:38.405 --> 0:20:41.605
<v Speaker 2>witch is shoved into the oven, it explodes, and then

0:20:41.765 --> 0:20:44.565
<v Speaker 2>all the children that had been captured and turned into

0:20:44.645 --> 0:20:48.645
<v Speaker 2>gingerbread before Hansel and Gretel are turned back into children.

0:20:49.285 --> 0:20:51.605
<v Speaker 2>It's not clear if the other kids may get home

0:20:51.645 --> 0:20:54.565
<v Speaker 2>to their parents, but overall it's portrayed as a happy

0:20:54.645 --> 0:20:58.405
<v Speaker 2>ending for everyone. It's a far cry from the original

0:20:58.445 --> 0:21:02.485
<v Speaker 2>grim tale of food insecurity, starvation, and child abandonment. And

0:21:02.565 --> 0:21:05.365
<v Speaker 2>while Graham had a witch and at some point a duck,

0:21:05.645 --> 0:21:08.085
<v Speaker 2>it did not have a magic wand or spells or

0:21:08.125 --> 0:21:16.685
<v Speaker 2>a sandman. Ray harry Hausen dropped to stop motion animation

0:21:16.925 --> 0:21:21.485
<v Speaker 2>in nineteen fifty one. The story once again has changed completely.

0:21:22.205 --> 0:21:25.405
<v Speaker 2>In this story, Handel and Gretel head into the woods

0:21:25.405 --> 0:21:28.085
<v Speaker 2>to forts for food to help their dad, who is

0:21:28.125 --> 0:21:30.685
<v Speaker 2>stressed trying to keep in a food on the table.

0:21:31.405 --> 0:21:34.365
<v Speaker 2>What's important to note here is they choose to go

0:21:34.445 --> 0:21:38.205
<v Speaker 2>into the woods entirely of their own free will. After

0:21:38.285 --> 0:21:42.165
<v Speaker 2>their mini ordeals, they are of course rewarded with gold, silver,

0:21:42.285 --> 0:21:45.885
<v Speaker 2>and precious jewels. Each version of Handel and Gretel has

0:21:45.925 --> 0:21:50.565
<v Speaker 2>its own moral, but this one was specifically about familial bonds.

0:21:51.245 --> 0:21:55.965
<v Speaker 2>During the nineteen fifties, nuclear families were important, meaning a mother, father,

0:21:56.125 --> 0:22:00.565
<v Speaker 2>and children. Divorce was majorly looked down upon, so value

0:22:00.605 --> 0:22:03.885
<v Speaker 2>was placed on keeping the family together. This is shown

0:22:03.925 --> 0:22:06.365
<v Speaker 2>through Harry Hausen's stop motion and that it was about

0:22:06.365 --> 0:22:09.285
<v Speaker 2>the children wanting to help their father rather than the

0:22:09.325 --> 0:22:11.485
<v Speaker 2>father or parents betraying the children.

0:22:12.085 --> 0:22:13.485
<v Speaker 1>The entire ordeal.

0:22:13.365 --> 0:22:17.165
<v Speaker 2>Strengthened the family's relationship, and then in nineteen eighty three,

0:22:17.325 --> 0:22:20.205
<v Speaker 2>the story was stripped down even further with Shelley Devall's

0:22:20.245 --> 0:22:24.925
<v Speaker 2>Fairytale Theater, which was created for television. The big takeaway

0:22:24.965 --> 0:22:27.845
<v Speaker 2>from the Fairytale Theater is that it's a cautionary tale

0:22:27.885 --> 0:22:34.885
<v Speaker 2>for kids to not take candy from strangers. In the

0:22:34.925 --> 0:22:38.405
<v Speaker 2>early two thousands, there were a couple more remakes. Hansel

0:22:38.445 --> 0:22:41.405
<v Speaker 2>and Gretel Get Baked was a weird, trippy movie released

0:22:41.405 --> 0:22:44.645
<v Speaker 2>in twenty thirteen that involved a witch, grawing Weed, and

0:22:44.765 --> 0:22:51.485
<v Speaker 2>two kids who liked to get high. There's a witch who,

0:22:51.525 --> 0:22:55.245
<v Speaker 2>in order to stay young, kills and eats teenagers, and

0:22:55.365 --> 0:22:58.485
<v Speaker 2>instead of a gingerbread house, she uses a special brand

0:22:58.525 --> 0:23:02.205
<v Speaker 2>of weed to lure them to her place. In the movie,

0:23:02.365 --> 0:23:05.405
<v Speaker 2>Gretel's boyfriend introduces her to a strain of weed called

0:23:05.645 --> 0:23:09.765
<v Speaker 2>black Forest. Gretel makes him go get more, and he

0:23:09.805 --> 0:23:12.605
<v Speaker 2>gets taken and eaten by the witch, whose name is Agnes.

0:23:13.325 --> 0:23:16.125
<v Speaker 2>Gretel convinces Hansel to come with her to search for

0:23:16.205 --> 0:23:18.925
<v Speaker 2>her boyfriend, where they inevitably battle the witch.

0:23:19.325 --> 0:23:21.765
<v Speaker 1>The two escape, but so does Agnes.

0:23:25.005 --> 0:23:29.445
<v Speaker 2>Also in twenty thirteen, Hansel and Gretel Witch Hunters was released.

0:23:30.165 --> 0:23:33.845
<v Speaker 2>The movie picks up fifteen years after Hansel and Gretel

0:23:33.965 --> 0:23:36.565
<v Speaker 2>burn the witch in the oven. The two have become

0:23:36.685 --> 0:23:39.885
<v Speaker 2>hell bent on revenge by hunting down and killing witches.

0:23:40.685 --> 0:23:42.925
<v Speaker 1>What they don't know is not every.

0:23:42.685 --> 0:23:46.605
<v Speaker 2>Witch's bad, and as a movie unfolds, you learn Hansel

0:23:46.645 --> 0:23:50.405
<v Speaker 2>and Gretel's mother was the original white Witch. Now the

0:23:50.445 --> 0:23:53.325
<v Speaker 2>head of the coven of the Bad Witches needs Gretel's

0:23:53.325 --> 0:23:59.765
<v Speaker 2>heart to complete a ceremony. What I found interesting here

0:24:00.325 --> 0:24:03.685
<v Speaker 2>was how they transformed the character of the witch. I

0:24:03.725 --> 0:24:06.205
<v Speaker 2>would argue the presence of the good, good, and bad

0:24:06.245 --> 0:24:08.965
<v Speaker 2>witch in the Witch Hunters shows a shift in how

0:24:09.005 --> 0:24:12.725
<v Speaker 2>we view women now and the brothers Grim tales witches

0:24:12.765 --> 0:24:17.645
<v Speaker 2>were always evil, They ate children, tortured people, and overall

0:24:17.765 --> 0:24:21.445
<v Speaker 2>weren't to be trusted. But more so, the fear around

0:24:21.485 --> 0:24:25.765
<v Speaker 2>witches was that they were women, women who showed independence

0:24:26.045 --> 0:24:30.365
<v Speaker 2>or owned their agency, or defy typical gender roles. It

0:24:30.445 --> 0:24:33.365
<v Speaker 2>was those women who lived during the Grim's time who

0:24:33.405 --> 0:24:38.165
<v Speaker 2>are considered the real threat. Folkloris and retired professor Jack

0:24:38.325 --> 0:24:41.205
<v Speaker 2>Zipes also believes there's been a recent shift in how

0:24:41.245 --> 0:24:45.645
<v Speaker 2>witches are viewed. Zips has written, translated, and critiqued many

0:24:45.645 --> 0:24:48.405
<v Speaker 2>fairy tales and continues to do public engagements.

0:24:49.445 --> 0:24:54.525
<v Speaker 4>So what has happened in Western societies is that the

0:24:54.565 --> 0:25:00.645
<v Speaker 4>witch has no longer become dangerous because the women's movement,

0:25:01.125 --> 0:25:07.325
<v Speaker 4>the way women have fought for their own independence, has

0:25:07.405 --> 0:25:12.245
<v Speaker 4>made tremendous gains in most Western societies. Not in the

0:25:12.285 --> 0:25:16.765
<v Speaker 4>Middle East, not in India or China or other places,

0:25:16.925 --> 0:25:21.205
<v Speaker 4>but in Western societies. Women like to be called witches.

0:25:21.285 --> 0:25:25.565
<v Speaker 4>They have taken over the witch, and they formed groups

0:25:25.605 --> 0:25:29.245
<v Speaker 4>called the witches, and they're proud and they have deflated

0:25:29.965 --> 0:25:35.925
<v Speaker 4>the critique of women who are called witches and shown

0:25:36.285 --> 0:25:39.405
<v Speaker 4>that we in society has gotten everything wrong, and so

0:25:40.005 --> 0:25:45.765
<v Speaker 4>tales about witches today are much softer or unusual or whatever,

0:25:46.125 --> 0:25:51.165
<v Speaker 4>But they do not show women more or less as killers,

0:25:51.325 --> 0:25:55.165
<v Speaker 4>as eaters, as cannibals, and things like that.

0:25:56.125 --> 0:25:58.685
<v Speaker 2>The same can be said at the twenty twenty movie

0:25:58.805 --> 0:26:04.605
<v Speaker 2>Gretel and Hansel. The first most notable change is that

0:26:04.605 --> 0:26:08.445
<v Speaker 2>Gretel's name is first in the title. The second is

0:26:08.485 --> 0:26:11.405
<v Speaker 2>that at the end, while the witch is killed, Gretel

0:26:11.485 --> 0:26:15.485
<v Speaker 2>starts to become a witch herself. The movie sets itself

0:26:15.485 --> 0:26:19.445
<v Speaker 2>apart at the beginning by creating different stakes. Their father

0:26:19.565 --> 0:26:21.925
<v Speaker 2>is already dead and the mother threatens that if they

0:26:21.965 --> 0:26:25.325
<v Speaker 2>come back, they will be killed themselves, so there is

0:26:25.445 --> 0:26:28.965
<v Speaker 2>no home to go back to. The mother also casts

0:26:29.005 --> 0:26:33.845
<v Speaker 2>out Gretel because of her affinity for magical powers. I

0:26:33.885 --> 0:26:36.565
<v Speaker 2>think this could be an argument on women taking their

0:26:36.565 --> 0:26:40.485
<v Speaker 2>power back or not shying away from it. Other articles

0:26:40.525 --> 0:26:43.365
<v Speaker 2>I've read point to this film showing a shift from

0:26:43.405 --> 0:26:47.845
<v Speaker 2>patriarchy to patriarchy and also a lesson of gender roles,

0:26:48.125 --> 0:26:52.165
<v Speaker 2>since Gretel, by circumstances, is found taking care of her

0:26:52.205 --> 0:26:55.245
<v Speaker 2>brother at such a young age, at least at the

0:26:55.285 --> 0:27:03.645
<v Speaker 2>beginning of the film, but at the end, after the

0:27:03.685 --> 0:27:06.525
<v Speaker 2>witch is killed and the two are free, they each

0:27:06.605 --> 0:27:10.485
<v Speaker 2>go their own way, Hansel to the foresters, who are

0:27:10.605 --> 0:27:13.085
<v Speaker 2>basically people who help to take care of the forest,

0:27:13.645 --> 0:27:17.365
<v Speaker 2>and Gretel to learn more about herself and her powers.

0:27:18.005 --> 0:27:19.125
<v Speaker 1>But let's back.

0:27:19.045 --> 0:27:22.245
<v Speaker 2>Up a bit, because while remakes and revisions of the

0:27:22.285 --> 0:27:25.525
<v Speaker 2>original tale are being fit for the big screen, there's

0:27:25.605 --> 0:27:28.445
<v Speaker 2>one author who took Hansel and Gretel back to its

0:27:28.485 --> 0:27:39.365
<v Speaker 2>tragic roots, just in a slightly different way. Known best

0:27:39.445 --> 0:27:42.725
<v Speaker 2>for his graphic novels The Sandman and his novels like

0:27:42.765 --> 0:27:47.605
<v Speaker 2>Stardust and American Gods, Neil Gaiman does not shy away

0:27:47.805 --> 0:27:52.405
<v Speaker 2>from horror or hardships. In fact, all of his stories

0:27:52.565 --> 0:27:57.285
<v Speaker 2>center on uncomfortable truths, and in twenty fourteen, he and

0:27:57.445 --> 0:28:01.805
<v Speaker 2>illustrator Lorenzo Matati teamed up to create their own version

0:28:01.925 --> 0:28:08.845
<v Speaker 2>of Hansel and Gretel. In Gayman's retelling, the family is poor,

0:28:09.085 --> 0:28:11.885
<v Speaker 2>but they still have enough to eat. They catch game

0:28:11.925 --> 0:28:15.245
<v Speaker 2>in the woods, dig up vegetables from the gardens. When

0:28:15.245 --> 0:28:17.925
<v Speaker 2>they have enough money, their pop brings home chunks of meat.

0:28:18.325 --> 0:28:21.445
<v Speaker 2>There was freshly baked bread and cook cabbage and eggs

0:28:21.485 --> 0:28:22.125
<v Speaker 2>on their table.

0:28:22.885 --> 0:28:25.005
<v Speaker 1>The family wasn't necessarily happy.

0:28:25.725 --> 0:28:29.285
<v Speaker 2>Gamon describes their mother as sharp tongued and their father

0:28:29.485 --> 0:28:33.045
<v Speaker 2>as sullen. The father doesn't always want to be around

0:28:33.085 --> 0:28:36.525
<v Speaker 2>the kids, but those were the good days because that

0:28:37.045 --> 0:28:40.565
<v Speaker 2>was before the war. Gamon was intentional on how he

0:28:40.645 --> 0:28:44.165
<v Speaker 2>described the war. He never said when, who, or where.

0:28:44.685 --> 0:28:47.805
<v Speaker 2>He never had Hansel and Gretel's family chose side. In

0:28:47.845 --> 0:28:50.645
<v Speaker 2>this way, the story can be applied to any war

0:28:51.045 --> 0:28:55.365
<v Speaker 2>in their family, to everyone who is affected. As the

0:28:55.405 --> 0:28:58.285
<v Speaker 2>war drags on, there is no food to be found,

0:28:58.725 --> 0:29:01.125
<v Speaker 2>and that is when the mother mentions to the father

0:29:01.405 --> 0:29:04.165
<v Speaker 2>that they must take the kids to the woods. The

0:29:04.285 --> 0:29:07.725
<v Speaker 2>ending is also different. Not only do the children return

0:29:07.805 --> 0:29:10.485
<v Speaker 2>to a happy father and a dead mother, but in

0:29:10.525 --> 0:29:13.325
<v Speaker 2>the years that followed there were no more empty plates,

0:29:13.765 --> 0:29:16.405
<v Speaker 2>and when Hansel and Gretel got married, there was so

0:29:16.565 --> 0:29:18.725
<v Speaker 2>much food at their weddings that the fat from the

0:29:18.765 --> 0:29:24.645
<v Speaker 2>meat written down their chins. I feel Gaymon's version of

0:29:24.725 --> 0:29:28.605
<v Speaker 2>Hansel and Gretel is the most important retelling. Other versions

0:29:28.605 --> 0:29:31.765
<v Speaker 2>softened the original story, basically taking out its teeth and

0:29:31.805 --> 0:29:35.805
<v Speaker 2>watering it down. Gaiman's version restored some of the initial

0:29:35.885 --> 0:29:39.445
<v Speaker 2>integrity of Hansel and Gretel being about famine and child abandonment,

0:29:40.365 --> 0:29:43.845
<v Speaker 2>But as retired professor Jack Zeipes points out, war is

0:29:44.005 --> 0:29:46.845
<v Speaker 2>not the only reason for child abandonment.

0:29:48.125 --> 0:29:53.645
<v Speaker 4>And it's popular today because we abandoned children. We abuse children.

0:29:54.125 --> 0:29:56.725
<v Speaker 4>You know, you can talk about all the people who

0:29:56.725 --> 0:29:59.725
<v Speaker 4>are coming to our country from South America who send

0:29:59.805 --> 0:30:03.445
<v Speaker 4>their children ahead of themselves because they can't get there,

0:30:03.805 --> 0:30:07.365
<v Speaker 4>but the children might be They pray, probably you know

0:30:07.445 --> 0:30:09.485
<v Speaker 4>that the children will have a better life that they

0:30:09.485 --> 0:30:12.765
<v Speaker 4>get to America, but they abandon them on the border.

0:30:12.845 --> 0:30:17.525
<v Speaker 4>There are tons of children who have been abandoned by

0:30:17.525 --> 0:30:21.565
<v Speaker 4>their parents because they don't know what to do. And

0:30:21.605 --> 0:30:26.525
<v Speaker 4>so why do we continue to read, listen, and play

0:30:26.885 --> 0:30:30.525
<v Speaker 4>with this particular tale. It's because of the fact that

0:30:30.565 --> 0:30:35.045
<v Speaker 4>we haven't resolved this. We have not developed the conditions

0:30:35.125 --> 0:30:39.205
<v Speaker 4>that we should develop that will enable poor people to

0:30:39.565 --> 0:30:44.765
<v Speaker 4>lead fulfilled lives. And this tale deals with that question.

0:30:44.845 --> 0:30:49.205
<v Speaker 4>It deals with why we abandon children leave them. But

0:30:49.325 --> 0:30:54.085
<v Speaker 4>the whole question of abandonment of children hasn't gone away today,

0:30:54.565 --> 0:30:57.845
<v Speaker 4>and that's why Hansel and Gretel is so significant.

0:31:05.485 --> 0:31:08.445
<v Speaker 2>There are different reasons why children go hungry, or why

0:31:08.525 --> 0:31:09.565
<v Speaker 2>they're just abandoned.

0:31:10.165 --> 0:31:12.045
<v Speaker 1>It can be argued children.

0:31:12.205 --> 0:31:15.725
<v Speaker 2>Are left behind out of love or selfishness, but it's

0:31:15.845 --> 0:31:20.085
<v Speaker 2>never really that simple. While Hansel and Grettel is a

0:31:20.125 --> 0:31:23.805
<v Speaker 2>fairy tale, it's not meant to be easily digested. In

0:31:23.845 --> 0:31:27.405
<v Speaker 2>an article Claire McBride wrote for sci Fi, she said,

0:31:27.485 --> 0:31:31.085
<v Speaker 2>quote the idea that when famine comes, the people who

0:31:31.165 --> 0:31:34.365
<v Speaker 2>are meant to care for you will fail you. Handol

0:31:34.445 --> 0:31:37.365
<v Speaker 2>and Bruttel contend not only with their mother, but with

0:31:37.445 --> 0:31:40.885
<v Speaker 2>their father's and ability to protect them from the consequences

0:31:40.885 --> 0:31:45.645
<v Speaker 2>of famine and the fairy tale. After the children successfully

0:31:45.725 --> 0:31:49.485
<v Speaker 2>kill the witch, the mother dies, suggesting a connection between

0:31:49.525 --> 0:31:50.485
<v Speaker 2>the two characters.

0:31:51.285 --> 0:31:53.005
<v Speaker 1>The one trying to survive.

0:31:52.765 --> 0:31:55.765
<v Speaker 2>By abandoning the children and the one trying to survive

0:31:55.885 --> 0:31:59.085
<v Speaker 2>by eating them might be one and the same, just

0:31:59.125 --> 0:32:01.165
<v Speaker 2>at different points in their desperation.

0:32:01.965 --> 0:32:04.325
<v Speaker 1>End quote Hanslin.

0:32:04.405 --> 0:32:07.645
<v Speaker 2>Grettel was intended to encompass the hardships of hunger and

0:32:07.725 --> 0:32:10.765
<v Speaker 2>what people will do to survive, but Decades chose to

0:32:10.805 --> 0:32:12.885
<v Speaker 2>soften the blow in the end.

0:32:13.045 --> 0:32:16.725
<v Speaker 5>As Zipe says, most important thing is to bear in

0:32:16.765 --> 0:32:20.845
<v Speaker 5>mind when these tales were collected, why they'd be so

0:32:20.925 --> 0:32:25.285
<v Speaker 5>significant in Europe at that time and why they have

0:32:25.445 --> 0:32:29.325
<v Speaker 5>stuck with us because we live in a society we

0:32:29.605 --> 0:32:37.245
<v Speaker 5>abandon children, we exploit children. Children are really not socialized,

0:32:37.645 --> 0:32:47.645
<v Speaker 5>and so this tale will never go away.

0:32:48.765 --> 0:32:52.205
<v Speaker 2>Next time, beware those who say they want to help.

0:32:52.645 --> 0:32:54.325
<v Speaker 1>It always comes with a price.

0:32:58.325 --> 0:33:01.005
<v Speaker 2>The Deep Dark Woods is a production of School Humans

0:33:01.045 --> 0:33:05.285
<v Speaker 2>and iHeart Podcasts. It was created, written, and hosted by

0:33:05.325 --> 0:33:09.765
<v Speaker 2>me Miranda Hawkins. This episode was produced by mikel June

0:33:10.005 --> 0:33:15.085
<v Speaker 2>was senior producer Gabby Watts. Executive producers are Virginia Prescott,

0:33:15.445 --> 0:33:20.325
<v Speaker 2>Brandon Barr, Elsie Crowley, and Maya Howard. Stories were voiced

0:33:20.405 --> 0:33:25.085
<v Speaker 2>by Julia Christgau. Theme song was composed by Jesse Niswanger,

0:33:25.245 --> 0:33:28.885
<v Speaker 2>who also sound designed and mixed this episode. If you

0:33:29.045 --> 0:33:32.445
<v Speaker 2>enjoyed this show, please leave a review and you can

0:33:32.485 --> 0:33:35.085
<v Speaker 2>follow along with the show on Instagram at School of

0:33:35.125 --> 0:33:50.805
<v Speaker 2>Humans