1 00:00:04,360 --> 00:00:07,240 Speaker 1: Hey, and welcome to the short stuff. I'm Josh. There's Chuck. 2 00:00:07,320 --> 00:00:10,640 Speaker 1: Go go go, let's go. This is Josh. That's man. 3 00:00:10,680 --> 00:00:16,400 Speaker 1: I just did it again. Do you want to start over? Sure? Hey, 4 00:00:16,440 --> 00:00:18,759 Speaker 1: and welcome to the short stuff. I'm Josh. There's Chuck. 5 00:00:18,840 --> 00:00:23,880 Speaker 1: There's Chuck. I did it again. Hey and welcome to 6 00:00:23,920 --> 00:00:29,080 Speaker 1: the short stuff. I'm Josh. There's Chuck. Let's get started perfect. 7 00:00:29,240 --> 00:00:32,920 Speaker 1: No one will ever know, so. Uh. This is put 8 00:00:32,960 --> 00:00:35,200 Speaker 1: together by our buddy Dave Rouse for how stuff works 9 00:00:35,240 --> 00:00:37,239 Speaker 1: dot com. And this is a great one about the 10 00:00:37,320 --> 00:00:40,839 Speaker 1: at symbol and I love this stuff. This is These 11 00:00:40,840 --> 00:00:43,960 Speaker 1: are the ones that are those uh nice little dinner 12 00:00:44,000 --> 00:00:49,599 Speaker 1: party nuggets that you can whip out in right when 13 00:00:49,640 --> 00:00:52,640 Speaker 1: you can eat dinner with humans. Again, that's not that's 14 00:00:52,680 --> 00:00:55,320 Speaker 1: not obnoxious. It's not one of those that makes people 15 00:00:55,400 --> 00:00:58,760 Speaker 1: roll their eyes. It's a little one where people go, oh, 16 00:00:58,840 --> 00:01:00,680 Speaker 1: that's a really cool little nugget. Thank you for that. 17 00:01:01,000 --> 00:01:05,680 Speaker 1: Give me an example of an obnoxious one. I know 18 00:01:05,720 --> 00:01:09,160 Speaker 1: what you mean, but like, what is it? What it 19 00:01:09,240 --> 00:01:11,280 Speaker 1: could be an example? Because I know what you mean, 20 00:01:11,319 --> 00:01:12,720 Speaker 1: but I can't put my finger on it. Do we 21 00:01:12,760 --> 00:01:14,720 Speaker 1: have time? I know this is a short I don't. 22 00:01:14,720 --> 00:01:17,039 Speaker 1: I can't think of a specific example, but it's also 23 00:01:17,080 --> 00:01:21,600 Speaker 1: in the delivery too, and the one uh, the one 24 00:01:21,600 --> 00:01:24,119 Speaker 1: way you're guaranteed to be obnoxious, as if someone says 25 00:01:24,120 --> 00:01:27,920 Speaker 1: something kind of cool and you go, well, actually, and 26 00:01:27,920 --> 00:01:30,920 Speaker 1: then say anything else. There's a life lesson from Chuck 27 00:01:31,040 --> 00:01:35,320 Speaker 1: right there. Never say well actually to any human so, um, 28 00:01:35,360 --> 00:01:37,760 Speaker 1: that's true, or push your glasses up while you're saying that, 29 00:01:37,880 --> 00:01:40,880 Speaker 1: right right, that's another two word combination that's awful, like 30 00:01:42,319 --> 00:01:46,600 Speaker 1: canal well actually, well, actually, what we're talking about is 31 00:01:46,640 --> 00:01:52,000 Speaker 1: the at symbol. And in America we have the most 32 00:01:52,080 --> 00:01:56,040 Speaker 1: boring name for a symbol that's basically everywhere in the 33 00:01:56,080 --> 00:01:58,560 Speaker 1: world that has a better name for it than in America, 34 00:01:59,120 --> 00:02:03,440 Speaker 1: we just call it the symbol. It's really functional and functionary, 35 00:02:03,520 --> 00:02:05,720 Speaker 1: I think. So let's let's go around the world, Yeah 36 00:02:05,800 --> 00:02:08,239 Speaker 1: we Chuck. Let's start off in Germany. Yes, if you 37 00:02:08,280 --> 00:02:14,639 Speaker 1: go to Germany, you would call it the Klamarafa spider monkey. Sure, well, 38 00:02:14,720 --> 00:02:16,919 Speaker 1: you have to say spider monkey in a German accent too, 39 00:02:17,600 --> 00:02:23,280 Speaker 1: spider monkey. Uh. In Israel it's called a struddale because 40 00:02:23,320 --> 00:02:26,320 Speaker 1: it does kind of look like a struddle a little bit. 41 00:02:27,040 --> 00:02:30,440 Speaker 1: Um what about in Hungary. Well, in Hungary, you're gonna 42 00:02:30,480 --> 00:02:33,120 Speaker 1: go with a ku kak, I don't know if it's 43 00:02:33,120 --> 00:02:37,440 Speaker 1: a kuka. Let's go with that, it's a worm. It 44 00:02:37,480 --> 00:02:41,960 Speaker 1: sounds way more Hungarian. What about in in Norway? Norway 45 00:02:42,000 --> 00:02:47,040 Speaker 1: it's a pigstail, which is a grizz hole. Yes, and 46 00:02:47,080 --> 00:02:52,320 Speaker 1: then it's a ghoul or rose in Turkey. So everywhere, 47 00:02:52,720 --> 00:02:55,480 Speaker 1: and in Spain it's called an a roba. And the 48 00:02:55,560 --> 00:02:58,680 Speaker 1: reason that Spain is worth calling out, it's actually in 49 00:02:58,720 --> 00:03:02,280 Speaker 1: the title of this house stuff Works article from ruse Um, 50 00:03:02,520 --> 00:03:05,640 Speaker 1: is because they think that aroba is actually the oldest 51 00:03:06,080 --> 00:03:09,200 Speaker 1: name for that symbol that we call the at symbol 52 00:03:09,480 --> 00:03:12,760 Speaker 1: in the entire world. That's right. Uh, if you go 53 00:03:12,800 --> 00:03:16,239 Speaker 1: to Spain or any kind of Spanish speaking country now 54 00:03:16,680 --> 00:03:19,040 Speaker 1: and you go to a market, let's say, you will 55 00:03:19,080 --> 00:03:24,440 Speaker 1: see the sign called the aeroba, and it is depending 56 00:03:24,480 --> 00:03:26,840 Speaker 1: on where you are, what Spanish speaking country you're in, 57 00:03:27,680 --> 00:03:30,400 Speaker 1: um it is. It's a quantity. So if you go 58 00:03:30,520 --> 00:03:35,280 Speaker 1: to Bolivia, let's say, and you want potatoes, you could 59 00:03:35,280 --> 00:03:39,320 Speaker 1: get one aeroba of potatoes it's about a bushel, or 60 00:03:39,400 --> 00:03:43,600 Speaker 1: an aroba of oil is about three gallons. Okay, So 61 00:03:43,640 --> 00:03:46,640 Speaker 1: now that you know that you can translate in aroba 62 00:03:46,720 --> 00:03:50,600 Speaker 1: into absolutely anything you find in the market, right, I 63 00:03:50,720 --> 00:03:54,960 Speaker 1: guess no. No, the answer is no, because, for some 64 00:03:55,040 --> 00:03:58,920 Speaker 1: weird reason, in aroba of oil is about three gallons 65 00:03:59,000 --> 00:04:01,920 Speaker 1: or some at each point three leaders, and aroba wine 66 00:04:02,360 --> 00:04:05,680 Speaker 1: is over four gallons. It's fifteen point one. This makes 67 00:04:05,760 --> 00:04:09,880 Speaker 1: zero sense at all. Yeah, I think you just have 68 00:04:09,960 --> 00:04:13,680 Speaker 1: to know what product you're getting what an aeroba is 69 00:04:13,680 --> 00:04:17,440 Speaker 1: equivalent to. Yes, you do. And that's weird because measurements 70 00:04:17,440 --> 00:04:21,880 Speaker 1: are meant to standardize things, and you standardized liquid or 71 00:04:21,920 --> 00:04:26,160 Speaker 1: you standardized mass. But the Spanish said, no, we're not 72 00:04:26,200 --> 00:04:29,359 Speaker 1: doing that. We're going our own way. Um, why don't 73 00:04:29,360 --> 00:04:32,359 Speaker 1: you just have some of our delightful topics and stop complaining? 74 00:04:33,680 --> 00:04:36,600 Speaker 1: That's right? But Rus do then and got his hands 75 00:04:36,600 --> 00:04:41,160 Speaker 1: on a book from Keith Houston or Houston Shady Characters 76 00:04:41,320 --> 00:04:45,200 Speaker 1: colon the Secret Life of punctuation symbols and other type 77 00:04:45,240 --> 00:04:48,520 Speaker 1: of graphical marks, And in that is a two part 78 00:04:48,600 --> 00:04:52,800 Speaker 1: history of the AT symbol, where Mr Houston or Houston, 79 00:04:53,680 --> 00:04:56,120 Speaker 1: I'm not sure which one it is. I'm going to Houston. 80 00:04:56,240 --> 00:04:58,320 Speaker 1: I think George is the only place in the world 81 00:04:58,360 --> 00:05:01,600 Speaker 1: that pronounces at Houston. Oh wait, no, that's what they 82 00:05:01,600 --> 00:05:04,760 Speaker 1: call that street in New York too, don't they. Yeah, 83 00:05:04,880 --> 00:05:07,360 Speaker 1: you said Houston Street in New York, They're like, get 84 00:05:07,400 --> 00:05:10,080 Speaker 1: a rope. Hey, is that at the corner of Houston 85 00:05:10,160 --> 00:05:15,480 Speaker 1: and Avenue of the America's You know, I was referencing 86 00:05:15,520 --> 00:05:19,640 Speaker 1: the famous Pace Picante commercial. Oh yeah, New York City, 87 00:05:19,920 --> 00:05:23,799 Speaker 1: get a rope. So anyway, Greeks and Romans, Mr. Houston 88 00:05:23,839 --> 00:05:27,599 Speaker 1: points out, were the first people that were trading these 89 00:05:27,640 --> 00:05:32,760 Speaker 1: commodities uh in markets and using something called uh m 90 00:05:32,880 --> 00:05:36,279 Speaker 1: for a as the measurement. It was the ceramic sort 91 00:05:36,279 --> 00:05:40,400 Speaker 1: of long necked ceramic jar. Yeah, with the two handles 92 00:05:40,400 --> 00:05:46,600 Speaker 1: called an M sorry M for a. Yeah, that's plural, right, 93 00:05:46,640 --> 00:05:48,960 Speaker 1: and I was about seven gallons. So that was Greece 94 00:05:49,000 --> 00:05:53,080 Speaker 1: and Rome. Then the Spanish and Portuguese picked it up 95 00:05:53,720 --> 00:05:58,200 Speaker 1: for their commodities, but they called it the aroba. They did, 96 00:05:58,240 --> 00:06:02,760 Speaker 1: but not at first. Apparently a roba comes from um 97 00:06:02,800 --> 00:06:06,520 Speaker 1: the Arabic for al rub, which means one fourth or 98 00:06:06,560 --> 00:06:12,080 Speaker 1: a quarter, and the ancient Portuguese and Spanish traders worked 99 00:06:12,160 --> 00:06:15,560 Speaker 1: pretty closely with some of the Moors who lived in 100 00:06:15,600 --> 00:06:18,039 Speaker 1: the area as well, and actually ran the place for 101 00:06:18,200 --> 00:06:22,159 Speaker 1: about seven hundred years or more, get it or more, 102 00:06:23,360 --> 00:06:27,080 Speaker 1: and so that the that Arabic rubbed off al rub 103 00:06:27,120 --> 00:06:29,680 Speaker 1: rubbed off onto the Spanish and Portuguese. I don't know 104 00:06:29,680 --> 00:06:32,400 Speaker 1: where all this word play is coming from. It's making 105 00:06:32,400 --> 00:06:34,840 Speaker 1: me panic a little bit. But the point is is 106 00:06:34,920 --> 00:06:38,960 Speaker 1: in aroba did not necessarily stand in for amphora. It 107 00:06:39,080 --> 00:06:42,560 Speaker 1: meant a quarter of something, or about twenty five pounds, 108 00:06:43,120 --> 00:06:46,880 Speaker 1: and then eventually it's somehow made the switch over to 109 00:06:47,040 --> 00:06:49,800 Speaker 1: be the same thing as an amphora, which again is 110 00:06:49,880 --> 00:06:53,159 Speaker 1: that vessel that's used for storage but also a unit 111 00:06:53,160 --> 00:06:58,640 Speaker 1: of measurement, usually a liquid measurement. And some researcher figured 112 00:06:58,680 --> 00:07:03,039 Speaker 1: out that somewhere between the Middle Ages and the Renaissance 113 00:07:03,320 --> 00:07:08,760 Speaker 1: and flora and arooba became synonymous with one another. That's right, 114 00:07:09,000 --> 00:07:10,880 Speaker 1: and we're gonna take a little break and we'll tell 115 00:07:10,880 --> 00:07:12,520 Speaker 1: you what all of this has to do with the 116 00:07:12,560 --> 00:07:17,080 Speaker 1: AT symbol right after this. Well, now we're on the road, 117 00:07:17,720 --> 00:07:20,400 Speaker 1: driving in your truck. Want to learn a thing or 118 00:07:20,440 --> 00:07:24,400 Speaker 1: two from Josh man Chuck. It's stuff you should know, 119 00:07:26,680 --> 00:07:44,680 Speaker 1: all right, alrighty, So we've been talking a lot about 120 00:07:44,720 --> 00:07:49,200 Speaker 1: these words that are units of measurement, But what has 121 00:07:49,240 --> 00:07:51,600 Speaker 1: this all got to do with the AT sign, what 122 00:07:51,680 --> 00:07:55,040 Speaker 1: we call the AT sign uh. An Italian historian found 123 00:07:55,040 --> 00:07:58,760 Speaker 1: this out in two thousand, a man named Giorgio Stabile. 124 00:07:59,600 --> 00:08:02,880 Speaker 1: He's a professor of history in science or history of 125 00:08:02,960 --> 00:08:09,400 Speaker 1: science at La Sapiens University in Rome, and he found 126 00:08:09,400 --> 00:08:13,160 Speaker 1: a letter from fifty six that showed the AT symbol 127 00:08:13,280 --> 00:08:18,040 Speaker 1: as used as a shorthand for amphora. Yeah, the guy 128 00:08:18,040 --> 00:08:20,160 Speaker 1: there it is the first one. Yeah, the the guy 129 00:08:20,160 --> 00:08:24,560 Speaker 1: who wrote the wrote the letter back in six, Francesco Loppy. 130 00:08:25,240 --> 00:08:28,080 Speaker 1: He was describing an amphora of wine, but rather than 131 00:08:28,160 --> 00:08:31,160 Speaker 1: use the word amphora, he used the AT symbol. And 132 00:08:31,200 --> 00:08:33,760 Speaker 1: it's like you're saying, as far as anybody can tell, 133 00:08:33,840 --> 00:08:36,360 Speaker 1: that's it. That's the first use of that ever. And 134 00:08:36,400 --> 00:08:40,120 Speaker 1: then the fact that um in Spain that this was 135 00:08:40,240 --> 00:08:43,400 Speaker 1: the same thing as amphora. It shows that since we 136 00:08:43,480 --> 00:08:48,640 Speaker 1: know that amphora and uh aroba or became interchangeable, then 137 00:08:48,720 --> 00:08:52,319 Speaker 1: that we know that Aroba is the oldest known descriptor 138 00:08:52,559 --> 00:08:54,840 Speaker 1: of what we call the AT symbol here in the States, 139 00:08:55,440 --> 00:08:58,320 Speaker 1: that's right. And then here in the States, and we're 140 00:08:58,320 --> 00:09:02,400 Speaker 1: getting to how it became like twitter handle. Yeah, just wait, everybody, 141 00:09:02,480 --> 00:09:05,000 Speaker 1: we'll get to it in part three of this episode. 142 00:09:05,679 --> 00:09:07,040 Speaker 1: This is sort of a long one for a shorty, 143 00:09:07,080 --> 00:09:10,760 Speaker 1: but that's right. Um. Here in the States, it became 144 00:09:10,800 --> 00:09:13,360 Speaker 1: known as just shorthand for at the rate of something. 145 00:09:13,440 --> 00:09:15,400 Speaker 1: So if you were, uh, if you worked at a 146 00:09:15,400 --> 00:09:18,200 Speaker 1: warehouse or whatever, and you're filling out your order form, 147 00:09:18,240 --> 00:09:20,679 Speaker 1: you would say, I need a hundred tons of of 148 00:09:20,720 --> 00:09:24,360 Speaker 1: whatever at this price per ton, and you would use 149 00:09:24,360 --> 00:09:27,480 Speaker 1: that little AT symbol and they'll say, nice, try, We'll 150 00:09:27,559 --> 00:09:31,280 Speaker 1: be telling you what price you're going to be paying. Uh. 151 00:09:31,320 --> 00:09:33,280 Speaker 1: And that's sort of the way it was used in 152 00:09:33,520 --> 00:09:36,600 Speaker 1: America and our commerce. It was just like, this is 153 00:09:36,679 --> 00:09:38,280 Speaker 1: at the rate of this, and that's what this little 154 00:09:38,320 --> 00:09:41,559 Speaker 1: symbol means. And um, I mean that's basically what it's 155 00:09:41,600 --> 00:09:45,640 Speaker 1: always meant in English, at least or in the United States. UM. 156 00:09:45,679 --> 00:09:48,520 Speaker 1: And it still is use that, yeah, for sure, for sure. UM. 157 00:09:48,720 --> 00:09:52,480 Speaker 1: We never used it to equate amphora or any kind 158 00:09:52,480 --> 00:09:54,560 Speaker 1: of unit of measurement. It was just like you said, 159 00:09:54,600 --> 00:09:58,280 Speaker 1: at the rate of um. But we typically tend to 160 00:09:58,280 --> 00:10:01,439 Speaker 1: think of the AT symbol as a a keyboard key. 161 00:10:01,480 --> 00:10:04,520 Speaker 1: But it didn't make it onto keyboards as at least 162 00:10:04,559 --> 00:10:07,720 Speaker 1: in the form of typewriters until I think the brown 163 00:10:07,840 --> 00:10:11,720 Speaker 1: the turn of the nineteenth century, and typewriters have been 164 00:10:11,760 --> 00:10:14,040 Speaker 1: around for a while before them, but they were not 165 00:10:14,240 --> 00:10:16,559 Speaker 1: like the kind of keyboards that we understand now. They 166 00:10:16,559 --> 00:10:18,959 Speaker 1: only had the letters are the numbers two through nine 167 00:10:19,000 --> 00:10:21,560 Speaker 1: on them, all the letters of the alphabet, so they 168 00:10:21,559 --> 00:10:24,320 Speaker 1: didn't have any room for any kind of fancy AT 169 00:10:24,400 --> 00:10:27,439 Speaker 1: symbol or anything like that. Yeah, the the dollar sign 170 00:10:27,480 --> 00:10:30,199 Speaker 1: and the AT symbol came about, like you said, the 171 00:10:30,280 --> 00:10:34,160 Speaker 1: end of the nineteenth century, and then in the nineteen fifties, 172 00:10:34,559 --> 00:10:37,160 Speaker 1: the AT sign was made or I was added to 173 00:10:38,080 --> 00:10:42,320 Speaker 1: the binary code decimal interchange code, the b C D 174 00:10:42,360 --> 00:10:45,320 Speaker 1: I C, which were these forty eight characters that were 175 00:10:45,360 --> 00:10:49,840 Speaker 1: printed on those punch cards, those early computer punch cards. Yeah, 176 00:10:49,880 --> 00:10:52,560 Speaker 1: they used their word code twice in that I know, 177 00:10:52,679 --> 00:10:59,240 Speaker 1: binary coded decimal interchange code. So um so kind of 178 00:10:59,280 --> 00:11:02,440 Speaker 1: made it's on trade into computing all the way back 179 00:11:02,440 --> 00:11:05,679 Speaker 1: in the fifties, and then by nine sixty one IBM 180 00:11:05,840 --> 00:11:09,600 Speaker 1: used it in its programming code. Uh, and it's one 181 00:11:09,640 --> 00:11:13,600 Speaker 1: of its early supercomputers, the Stretch. UM. So from that 182 00:11:13,679 --> 00:11:15,679 Speaker 1: moment on, the AS sign has always kind of been 183 00:11:15,679 --> 00:11:19,880 Speaker 1: there hanging around, but it wasn't until ninety one when 184 00:11:19,880 --> 00:11:23,400 Speaker 1: a guy named Ray Tomlinson, who was working UM with 185 00:11:23,480 --> 00:11:27,400 Speaker 1: the Advanced Research Project Agencies, first stab at what would 186 00:11:27,440 --> 00:11:32,959 Speaker 1: become the Internet arponnet. That it became um the symbol 187 00:11:33,000 --> 00:11:35,680 Speaker 1: that we know and love today, which is the thing 188 00:11:35,840 --> 00:11:39,720 Speaker 1: the fulcrum that an email address moves up and down on. 189 00:11:40,160 --> 00:11:43,880 Speaker 1: Oh man, I'd love that word up and down on 190 00:11:45,160 --> 00:11:49,080 Speaker 1: on fulcrum. Fulcrum is pretty great, so great. So his 191 00:11:49,160 --> 00:11:51,800 Speaker 1: job there was to write programs that we're going to 192 00:11:51,920 --> 00:11:55,480 Speaker 1: run on this arponnet network. And he was connecting nineteen 193 00:11:55,760 --> 00:12:00,520 Speaker 1: computers in nineteen seventy one, and the electron mail at 194 00:12:00,559 --> 00:12:03,160 Speaker 1: the time was basically it was very cute. It was 195 00:12:03,200 --> 00:12:07,360 Speaker 1: basically a message that you could save on a computer 196 00:12:08,040 --> 00:12:10,840 Speaker 1: and then opened later by a different person, but on 197 00:12:10,880 --> 00:12:13,480 Speaker 1: that same computer, no one was sending anything at the time. 198 00:12:14,000 --> 00:12:16,880 Speaker 1: It was like a digital post it basically, yeah, exactly. 199 00:12:16,960 --> 00:12:19,280 Speaker 1: It would have probably been more efficient to just leave 200 00:12:19,320 --> 00:12:22,360 Speaker 1: a post it was, but they were trying to electrify 201 00:12:22,520 --> 00:12:27,840 Speaker 1: or I guess digitize everything, right, it's electrifying. So he said, 202 00:12:27,880 --> 00:12:30,520 Speaker 1: you know what, what would be really cool is if 203 00:12:30,520 --> 00:12:33,440 Speaker 1: I could take this little digital post it note and 204 00:12:33,480 --> 00:12:36,320 Speaker 1: actually send it across the room to that computer that 205 00:12:36,400 --> 00:12:40,959 Speaker 1: I'm connected to. How can I do this? So, yeah, 206 00:12:41,080 --> 00:12:43,760 Speaker 1: he figured out that there was a I don't know 207 00:12:43,800 --> 00:12:45,600 Speaker 1: if an easy way to do it is the right 208 00:12:45,600 --> 00:12:47,520 Speaker 1: way to put it. But one of the things that 209 00:12:47,600 --> 00:12:52,760 Speaker 1: he had to to establish was how to identify one 210 00:12:52,800 --> 00:12:56,400 Speaker 1: computer from another as far as you know, the protocol 211 00:12:56,480 --> 00:12:59,880 Speaker 1: was concerned. And so he came up with email addresses 212 00:13:00,000 --> 00:13:04,120 Speaker 1: basically what we would call email addresses today. Um. And 213 00:13:04,240 --> 00:13:06,720 Speaker 1: that he inserted the AT symbol basically for a couple 214 00:13:06,720 --> 00:13:10,360 Speaker 1: of reasons. One, it already made sense as AT because 215 00:13:10,360 --> 00:13:12,400 Speaker 1: it was at the rate of so AT's right there 216 00:13:12,440 --> 00:13:15,400 Speaker 1: in the in the thing the symbol stands for. It's 217 00:13:15,400 --> 00:13:18,200 Speaker 1: not like some big stretch of the imagination when you 218 00:13:18,240 --> 00:13:20,840 Speaker 1: see that. Yeah, he just meant that this computer to 219 00:13:20,920 --> 00:13:23,880 Speaker 1: go to that one at at that one over there, 220 00:13:24,200 --> 00:13:26,880 Speaker 1: or this user at this computer or something like that. 221 00:13:27,200 --> 00:13:29,680 Speaker 1: And so Um. The other thing was that it hadn't 222 00:13:29,720 --> 00:13:32,679 Speaker 1: really been used in any of the coding language that 223 00:13:32,880 --> 00:13:35,480 Speaker 1: ARPA net was was based on, So it was kind 224 00:13:35,520 --> 00:13:37,480 Speaker 1: of like a free symbol just hanging out there. And 225 00:13:37,800 --> 00:13:40,800 Speaker 1: that's how AT got drafted into becoming one of the 226 00:13:40,840 --> 00:13:46,360 Speaker 1: most most used symbols in computer programming today. Yeah, he 227 00:13:46,440 --> 00:13:50,440 Speaker 1: sent that very first test message to um what we 228 00:13:50,520 --> 00:13:54,959 Speaker 1: think is the very first email address Tomlinson at BBN 229 00:13:55,120 --> 00:14:01,560 Speaker 1: dash uh ten exa full stop. Right, you're waiting for 230 00:14:01,800 --> 00:14:04,600 Speaker 1: dot something but dot EU. Yeah, they didn't need it 231 00:14:04,640 --> 00:14:07,959 Speaker 1: at the time. I guess, so that's I mean, that's 232 00:14:07,960 --> 00:14:11,560 Speaker 1: how they add symbol became so great, so so great. 233 00:14:11,760 --> 00:14:15,800 Speaker 1: Love it, uh and I guess since Chuck said love it, 234 00:14:15,880 --> 00:14:18,360 Speaker 1: that's it for short Stuff, which means short Stuff is out. 235 00:14:21,560 --> 00:14:23,800 Speaker 1: Stuff you should know is a production of iHeart Radios 236 00:14:23,800 --> 00:14:26,560 Speaker 1: How stuff Works. For more podcasts. For my heart Radio, 237 00:14:26,640 --> 00:14:29,480 Speaker 1: visit the iHeart Radio app, Apple Podcasts, or wherever you 238 00:14:29,520 --> 00:14:33,720 Speaker 1: listen to your favorite shows. H