WEBVTT - Episode 269 w/ Lil Mo

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<v Speaker 1>Welcome to Drink Champs, the production of the Black Effect

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<v Speaker 1>and I Heart Radio and his Drinks Motherfucking Podcast. Mason,

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<v Speaker 1>He's a legendary queen's rapper, He's Segre It is your

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<v Speaker 1>boy in O R E. He's a Miami hippop pioneer.

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<v Speaker 1>Up is d J e f N. Together they drink

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<v Speaker 1>it up with some of the biggest players in the

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<v Speaker 1>most professional, unprofessional podcast and yet number one sort for

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<v Speaker 1>drunk drinks Mother. Every day is New Year's E time

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<v Speaker 1>for drink Champs, Trink Up Mother Mother? Would it good?

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<v Speaker 1>Beat Hopeully's would it Ship be? This is your boy

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<v Speaker 1>and what up is d J E f and his

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<v Speaker 1>drinks has? Motherfucker yad cast makes up? Look And when

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<v Speaker 1>we're talking about legends, we're talking about legend legends you

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<v Speaker 1>talking about I believe came out since Nanty six been

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<v Speaker 1>out here, monkey Foot in the game doing when she

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<v Speaker 1>gotta do, got Hits, pawn Hits, dominated the music career,

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<v Speaker 1>then went on, uh you know, did tours all that

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<v Speaker 1>while being a mother, you know, holding down the mothership.

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<v Speaker 1>Then also went and dominated reality TV. As Wow, you

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<v Speaker 1>understand what I'm saying. She came a little late, so

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<v Speaker 1>we're gonna get we gonna get straight into it o'clock. Girl,

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<v Speaker 1>don't worry about I don't worry about what we're talking

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<v Speaker 1>about mout So let me ask you right this big

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<v Speaker 1>controversy that's going on right now with Trick Daddy saying that,

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<v Speaker 1>but Yance can't tang right, I gotta start there because

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<v Speaker 1>you being a singers singer, you're like, like, I can

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<v Speaker 1>tell you went to church, like you know, it's it's

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<v Speaker 1>it's throughout that all that. What do you what do

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<v Speaker 1>you hear when you what do you think of when

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<v Speaker 1>you hear people say that about the Queen Beyonce? It's

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<v Speaker 1>the audacity for me, Like, if you don't sing, you

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<v Speaker 1>don't have no room to tell who can't sing? If

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<v Speaker 1>you don't like something, then you could give your opinion nobody.

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<v Speaker 1>Because I had this honestly, I had this conversation a

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<v Speaker 1>week ago with Trina. I was like, what you think

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<v Speaker 1>about people automatically putting you in that because that's your people.

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<v Speaker 1>She was like, no slander for the queen will be accepted.

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<v Speaker 1>You feel me, it's just certain things. Beyonce is our queen,

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<v Speaker 1>so us as singers, us as artists We have seen

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<v Speaker 1>her pushed through since she was fourteen fifteen Rocket Hills

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<v Speaker 1>on the Runway on the with the Celettos, dancing from

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<v Speaker 1>group to now being a mom, to being a solo

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<v Speaker 1>artist to flying in there. Nobody does that in music,

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<v Speaker 1>So you're going to respect that. If you don't like

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<v Speaker 1>the way she's saying, don't listen period. But but I

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<v Speaker 1>believe what he was trying to say. It's like because

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<v Speaker 1>Betty Right is like, like, um, that's like she's the vocalist.

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<v Speaker 1>You rest in peace to her. So so is he?

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<v Speaker 1>Is he when he thinks that? Is he comparing Betty

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<v Speaker 1>Right to be honest? Is that's what he's doing with that?

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<v Speaker 1>I had saw with like how he tried to He

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<v Speaker 1>never he never backed down. He stood firm in his opinion.

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<v Speaker 1>But he yeah, But he was trying to say, like

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<v Speaker 1>Whitney Houston and h he named other days Anita Baker,

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<v Speaker 1>Gladys Night, Beyonce is not that type of artist, like

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<v Speaker 1>she can go there because she's done the movie like

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<v Speaker 1>Ella fish Gerald, Uh, where did she do? La? Wasn't

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<v Speaker 1>all yeah when she yeah when she sings like she

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<v Speaker 1>could give you that. But she's all around entertainer. We've

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<v Speaker 1>never seen Anita go up in the air and sing

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<v Speaker 1>upside down. We've never seen Anita do the booty hop.

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<v Speaker 1>We've never seen Whitney. Whitney can say she came straight

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<v Speaker 1>from church and that's what she was. But from a

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<v Speaker 1>singer's perspective, if you honestly have ever been in any

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<v Speaker 1>of their presence, you can see they have difference. Asks

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<v Speaker 1>like me and her don't even sound like So there's

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<v Speaker 1>a lot of people who could do what you do,

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<v Speaker 1>but you can't do what they do, and vice versa.

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<v Speaker 1>So with that being said, since he does this thing,

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<v Speaker 1>I understand his opinion. But let's just be real and

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<v Speaker 1>let's be honest. This generation, if I ask my kids

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<v Speaker 1>right now, my oldest is eighteen, my youngest five, have

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<v Speaker 1>you ever heard of needy? Who that you feel me?

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<v Speaker 1>They know who Beyonce is, They're not gonna know who

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<v Speaker 1>a Betty Right is. So it behooves us to be like, Okay,

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<v Speaker 1>this is y'all Betty right? What this is my Betty Right?

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<v Speaker 1>So honestly, yeah, it's the generation, this inneration. Don't be careous.

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<v Speaker 1>So let me ask you all my kids don't care

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<v Speaker 1>and then you care about me perspective, What does it

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<v Speaker 1>take to be a real true singer? From your perspective,

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<v Speaker 1>there's gifts and there's talents, and then there's people who

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<v Speaker 1>just get by because like, let's just be real, there's

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<v Speaker 1>a lot of people, in my opinion, be like they

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<v Speaker 1>can't say but I won't say it anymore. I used

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<v Speaker 1>to say it out loud, but I realized, altot honestly

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<v Speaker 1>save the music industry because there's a lot of people

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<v Speaker 1>who can't even up on be who can't even wrap orders.

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<v Speaker 1>We're gonna be key because people be. You ever see

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<v Speaker 1>people they'll sing there, they'll wrap their song and then

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<v Speaker 1>when they get live, you're like, why is you yelling? You?

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<v Speaker 1>But your hands up like it is what it is.

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<v Speaker 1>But although to honestly save the music industry, the sound

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<v Speaker 1>has changed since I came out. I started touring in

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<v Speaker 1>ninety three, ninety one. I was still in high school,

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<v Speaker 1>so my uncle took me on tour. So that's where

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<v Speaker 1>I got to learn sound and tone, pitch control, all

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<v Speaker 1>of that stuff. Because I'm thinking I could sing and

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<v Speaker 1>he'll call me. He'd be like, what's that diaphragm doing?

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<v Speaker 1>Because don't get out there just hollering. But yeah, so

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<v Speaker 1>the technical part of singing, there's only a couple of

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<v Speaker 1>people who get it. And it's not even your throat

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<v Speaker 1>or your diaphragm, it's what you hear and you have

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<v Speaker 1>to think about what you're gonna do before that sound

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<v Speaker 1>even comes about your out your mouth. And because it

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<v Speaker 1>was being used in studios, people was using vote quarters

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<v Speaker 1>and stuff, which was a formal auto tune because you

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<v Speaker 1>plug it up to a keyboard on the microphone and

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<v Speaker 1>it actually balances out, you know, the note that's supposed

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<v Speaker 1>to be correct sauce if you turn it off and

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<v Speaker 1>don't documented. We were teeth pain and saying that I

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<v Speaker 1>shall um killed the Yeah, there's actually documentary that goes

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<v Speaker 1>with it. I am Pop and the guy who invented

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<v Speaker 1>auto tunes on there and he said it's because he

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<v Speaker 1>was recording his boss's wife and uh, his boss wife

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<v Speaker 1>knew she couldn't sing, and said, I need I swear

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<v Speaker 1>to God, I can't sing, but I wanna look like

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<v Speaker 1>I can. And then he made auto tune for like

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<v Speaker 1>people automatically think auto tune auto makes you sound good,

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<v Speaker 1>It doesn't. You have to have somebody that's a skilled

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<v Speaker 1>engineer know how to balance it up because there's melodine,

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<v Speaker 1>there's vocal, a line, there's so many things that people

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<v Speaker 1>just and I'm like, I use auto tune because they

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<v Speaker 1>are Sometimes I'll be like, okay, I have a strong vibrato,

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<v Speaker 1>so I was I don't like the then when you

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<v Speaker 1>hear people but some people going and I'm like, oh no,

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<v Speaker 1>it's like pitch correct. It's auto correct. So have you

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<v Speaker 1>type of somebody type to give you a suggestion, this

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<v Speaker 1>is what you should use. But the blessing about what

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<v Speaker 1>I have is that I don't need it, but I

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<v Speaker 1>use it because I realized that the sound, but whatever

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<v Speaker 1>they corrected to, I can still do it with my voice.

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<v Speaker 1>That's a gift basically. Yeah, if you're just like if

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<v Speaker 1>you have a saxophone, if you all what it's gonna do,

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<v Speaker 1>it's gonna be squeaking. But even when you use the

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<v Speaker 1>auto twol you never used it live because that's like

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<v Speaker 1>a whole different skill. Yeah. I always use like reverb

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<v Speaker 1>or a little delay live because it's something those plug

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<v Speaker 1>ins or those things were created so you can still

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<v Speaker 1>have that feel. Because if I'm singing in this room,

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<v Speaker 1>the acoustics on it's gonna make you feel something. But

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<v Speaker 1>if I'm singing in the dynamic or we're singing in

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<v Speaker 1>the dome, the sound goes up, it's not gonna sound

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<v Speaker 1>the same as in he So those things were created

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<v Speaker 1>by people, by master people sitting in from the computer

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<v Speaker 1>all days saying Okay, this is the sound I want

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<v Speaker 1>to I want to captivate that same sound as if

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<v Speaker 1>we're still here. So have you ever heard that there's

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<v Speaker 1>a difference between a dry mic, a rappers mike, and

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<v Speaker 1>the singers mike. I always tell people I do a

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<v Speaker 1>lot of shows with rappers to this day, and I'm like,

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<v Speaker 1>don't make my mic sound like a rapper mike. They

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<v Speaker 1>don't use reverb, they don't use auto tune, they don't

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<v Speaker 1>use delay, they don't ye period. Oh my god. So um, okay,

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<v Speaker 1>let's think it from the beginning. Right when we google,

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<v Speaker 1>you would say he was born in Long Island, but

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<v Speaker 1>then you moved to bottom Are. No. I was born

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<v Speaker 1>and raised in Long Island, between Long Island and South

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<v Speaker 1>South Jamaica Queens. So my dad joined the military. After that,

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<v Speaker 1>we moved to Texas, Atlanta, North Carolina Army. Okay, saw

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<v Speaker 1>my army brat so from the like, I literally been

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<v Speaker 1>on tour since I was thirteen, So yeah, it's been up.

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<v Speaker 1>So that's why when I got into the music industry,

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<v Speaker 1>it really wasn't as much change. I'm used to moving around,

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<v Speaker 1>so I've been everywhere, not like I'll find they at.

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<v Speaker 1>The final stop was in uh Fort Meat, Maryland, but

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<v Speaker 1>it's right outside of Baltimore. So I was just like, yeah,

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<v Speaker 1>I'm just read Baltimore and that's where I've been the longest.

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<v Speaker 1>So New York I was like, well, I was born

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<v Speaker 1>and raised and that's where I honestly God, I was saying,

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<v Speaker 1>my grid and my Then I moved back to New

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<v Speaker 1>York after that, and from there I had toward I

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<v Speaker 1>moved back to New York to go to hair school.

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<v Speaker 1>I was going to Long Island Beauty School. But um,

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<v Speaker 1>I had got to call. Right before I got the

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<v Speaker 1>call from Missy. I was on tour with Gangstar when

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<v Speaker 1>it was when they did jazz my task just so

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<v Speaker 1>I was to like after like from the Gang Star tour,

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<v Speaker 1>I took over. Indeed dat I was singing, indeed death reports,

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<v Speaker 1>but I want to trust you, baby. I was young,

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<v Speaker 1>I was my dad side, I was outside side. So

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<v Speaker 1>I toured that like I sang his eyes on the

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<v Speaker 1>sparrow and keeps recipees to him his living room and

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<v Speaker 1>he was like you want to go into I was

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<v Speaker 1>like yeah, because he was guru when it was him

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<v Speaker 1>in Premier. But when we did Jansitest, he was Mr

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<v Speaker 1>Little or Keith. It's always amazing. At least the first

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<v Speaker 1>one he did too, right, he didn't so when it

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<v Speaker 1>did come to make it a lot of people didn't

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<v Speaker 1>know that. You know what is like because that was

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<v Speaker 1>like that like that was my security. Yeah. So to

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<v Speaker 1>this day we still hit each other and be like, yo,

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<v Speaker 1>that's crazy. You always saying what you was gonna did.

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<v Speaker 1>So I went overseas with them. I was hyped up,

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<v Speaker 1>had a passport many me coming straight out of high

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<v Speaker 1>school and hair school. Shoot, it's about seventeen. So then

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<v Speaker 1>after that, um I started doing her bread hair in

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<v Speaker 1>Queens and I was a valley stream more. One day

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<v Speaker 1>I was at the Yeah yeah I got I had

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<v Speaker 1>a beep up and that's when Missy had they had

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<v Speaker 1>beat me from election. Was like missing wanted to call

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<v Speaker 1>now my job still ratchet? Okay, but who what version

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<v Speaker 1>of Missy is this, this is, this is I Yeah,

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<v Speaker 1>So that was like ninety eight because I believe we

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<v Speaker 1>didn't like I didn't like the flood games open, but like,

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<v Speaker 1>what did you hear of you that she's reaching out

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<v Speaker 1>some songs that I had reference for artists because I

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<v Speaker 1>was getting placements. So they had like Michael Speaks a

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<v Speaker 1>Dina Howard. It was like when they had like that,

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<v Speaker 1>that's when you could they say to who's looking list?

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<v Speaker 1>So it was submitting songs, but I was like, none

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<v Speaker 1>of this motherfucker's is getting place. But then I later

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<v Speaker 1>found out this is what one of the producers told me.

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<v Speaker 1>They were just like, you have to dumb down your

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<v Speaker 1>singing because you're singing too much. It's intimidated to artists.

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<v Speaker 1>So I was only getting placements at that time, or

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<v Speaker 1>like Gerald Leaverte and like those type of artists. So

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<v Speaker 1>I'm a young vocal said you're doing more than the reference.

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<v Speaker 1>He was doing the same. But I was just like yeah,

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<v Speaker 1>because I'm like, come with it ain't no since to

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<v Speaker 1>me just saying that regular and then you beat me

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<v Speaker 1>on it, and then you know, I mean because at

0:12:15.280 --> 0:12:17.280
<v Speaker 1>the end of the day, if I do the record,

0:12:17.320 --> 0:12:18.640
<v Speaker 1>it might be a chance I might have to keep

0:12:18.679 --> 0:12:20.800
<v Speaker 1>it because I'm still an artist. But I wasn't signed,

0:12:20.880 --> 0:12:22.280
<v Speaker 1>but I was just like I knew what I was doing.

0:12:22.400 --> 0:12:24.120
<v Speaker 1>Have you ever did a record for somebody and then

0:12:24.160 --> 0:12:25.400
<v Speaker 1>they did it and he was like, you wish you

0:12:25.440 --> 0:12:33.959
<v Speaker 1>took it back? H Honestly, don't get away now. I

0:12:34.120 --> 0:12:35.679
<v Speaker 1>recently did a record. I had to go back and

0:12:35.720 --> 0:12:37.199
<v Speaker 1>do my part over because I was like my son

0:12:37.280 --> 0:12:39.400
<v Speaker 1>told me, Yo, Paine got out on you on this record.

0:12:39.400 --> 0:12:42.120
<v Speaker 1>You gotta go do your part over. So yeah, you're

0:12:42.160 --> 0:12:45.240
<v Speaker 1>not gonna you're Have you gave up a record to

0:12:45.320 --> 0:12:47.839
<v Speaker 1>an artist and like you know, wrote for them or

0:12:47.920 --> 0:12:51.079
<v Speaker 1>reference for them, and they didn't do do it to

0:12:51.240 --> 0:12:53.000
<v Speaker 1>it what you wanted them to do. No. I was

0:12:53.040 --> 0:12:55.920
<v Speaker 1>always the person that, hey, we gave somebody record, we

0:12:55.960 --> 0:12:58.400
<v Speaker 1>want you to sing their part over. That's how I

0:12:58.440 --> 0:13:00.839
<v Speaker 1>got a crop like it's a it's a whole. I mean,

0:13:02.000 --> 0:13:04.200
<v Speaker 1>it's it's some history. It was never anything I did

0:13:04.360 --> 0:13:06.920
<v Speaker 1>that because other than that, I wouldn't give it away.

0:13:07.040 --> 0:13:11.120
<v Speaker 1>Like I'm real strategic and particular about songs that like

0:13:11.240 --> 0:13:13.400
<v Speaker 1>you have to be those are your babies, that's that's

0:13:13.480 --> 0:13:16.840
<v Speaker 1>your that's your job. So you can't just give anybody anything.

0:13:16.920 --> 0:13:18.720
<v Speaker 1>It don't work like that. There are some songs I'll

0:13:18.720 --> 0:13:21.960
<v Speaker 1>be like, uh that I had to vocal produce for people,

0:13:21.960 --> 0:13:23.040
<v Speaker 1>and I'm just like, you know, I'm gonna just go

0:13:23.080 --> 0:13:25.520
<v Speaker 1>ahead and in there and sing it for them. So

0:13:25.840 --> 0:13:29.400
<v Speaker 1>that's happened. You watched the shot, I saw like a

0:13:29.480 --> 0:13:32.000
<v Speaker 1>little bit of it. My mom watches it. So I

0:13:32.040 --> 0:13:34.679
<v Speaker 1>don't really watch TV that much because I know you

0:13:34.679 --> 0:13:37.000
<v Speaker 1>don't be you don't stay home, don't be home. It's

0:13:37.040 --> 0:13:38.920
<v Speaker 1>not that, it's just like it's just so much going on.

0:13:39.080 --> 0:13:41.320
<v Speaker 1>Like I'm back on my glow ship, like I'm trying

0:13:41.360 --> 0:13:43.640
<v Speaker 1>to win. So unless they're calling me to be on that,

0:13:43.720 --> 0:13:46.439
<v Speaker 1>I really don't. Really. That's a great show, and I

0:13:46.480 --> 0:13:50.760
<v Speaker 1>know it's something that question I asked you, like, did

0:13:50.800 --> 0:13:52.920
<v Speaker 1>you have a have a record and give it? Because

0:13:52.920 --> 0:13:54.880
<v Speaker 1>you know what we always say. We always say that's

0:13:54.880 --> 0:13:57.360
<v Speaker 1>my baby, like that's artists. We always say that's my baby.

0:13:57.440 --> 0:13:59.800
<v Speaker 1>But every now and then we'll give away a record

0:14:00.240 --> 0:14:02.640
<v Speaker 1>and be like, damn, that's my On the shot, this

0:14:02.760 --> 0:14:04.880
<v Speaker 1>lady gave me away her baby, but then the last

0:14:04.920 --> 0:14:07.320
<v Speaker 1>episode she wants a baby back. That's why I asked

0:14:07.320 --> 0:14:11.720
<v Speaker 1>you that question, Okay, go back to miss here's the records.

0:14:11.880 --> 0:14:13.800
<v Speaker 1>What records is shearing? Do you know? It was some

0:14:13.920 --> 0:14:17.080
<v Speaker 1>references I did, and she told marylan Bob to tell

0:14:18.120 --> 0:14:20.040
<v Speaker 1>me to call her. And so when I when I

0:14:20.120 --> 0:14:21.920
<v Speaker 1>was finished getting my nails, I remember looking at my

0:14:22.000 --> 0:14:23.200
<v Speaker 1>beep and it was a two one to them and

0:14:23.240 --> 0:14:26.160
<v Speaker 1>I knew two on to mean green aggles. I was

0:14:26.200 --> 0:14:29.600
<v Speaker 1>just like that. That's so I was like hello. Rick

0:14:29.680 --> 0:14:31.520
<v Speaker 1>Brown was like, Marillan want to speak to you. Marillan

0:14:31.520 --> 0:14:32.880
<v Speaker 1>gets on the phone. He was like, Missy wants you

0:14:32.920 --> 0:14:34.640
<v Speaker 1>to call. I'm like, get the funk out here they go.

0:14:34.800 --> 0:14:36.720
<v Speaker 1>I'm in Green Eggs getting my nails and why would

0:14:36.760 --> 0:14:38.200
<v Speaker 1>Missy elli woman call he? He was like, you have

0:14:38.360 --> 0:14:40.160
<v Speaker 1>something that you could write the number? Then we ain't

0:14:40.160 --> 0:14:42.200
<v Speaker 1>have cell phones. We could just say what texted to me.

0:14:42.400 --> 0:14:44.120
<v Speaker 1>So I had to find a pencil and I wrote

0:14:44.160 --> 0:14:46.280
<v Speaker 1>it down at the pay phone. And so I called

0:14:46.280 --> 0:14:47.880
<v Speaker 1>her from a pay phone and she was like hello,

0:14:47.960 --> 0:14:49.160
<v Speaker 1>hold on. I think she might have been in her

0:14:49.240 --> 0:14:51.200
<v Speaker 1>Landbow or something and she was like, let me turn

0:14:51.280 --> 0:14:54.880
<v Speaker 1>this music down. She was like, hey, yo, you like

0:14:55.160 --> 0:14:56.840
<v Speaker 1>do you want to go into Like what exactly do

0:14:56.920 --> 0:14:58.760
<v Speaker 1>you want to do. I'm like, first of all, is

0:14:58.840 --> 0:15:01.560
<v Speaker 1>this really Missy? And then after that she was like,

0:15:01.600 --> 0:15:03.120
<v Speaker 1>can you come to the city today. I went to

0:15:03.200 --> 0:15:06.280
<v Speaker 1>the city and the rest was history. Like literally, I

0:15:06.400 --> 0:15:08.800
<v Speaker 1>was always I just always just know to be on go.

0:15:09.080 --> 0:15:10.760
<v Speaker 1>And that was Missy at the Electra. She was at

0:15:10.760 --> 0:15:13.760
<v Speaker 1>the Electric time and that's where you eventually got signed to. Yes, okay,

0:15:14.200 --> 0:15:16.120
<v Speaker 1>so how does that happen? All right, you're missing going

0:15:16.200 --> 0:15:18.600
<v Speaker 1>the studio ever we court record? So what is this? Okay?

0:15:18.720 --> 0:15:20.600
<v Speaker 1>First I going in and I sing at Whitney Houston.

0:15:21.040 --> 0:15:22.680
<v Speaker 1>I think I sank saving all my love for you.

0:15:22.960 --> 0:15:24.680
<v Speaker 1>Oh so you wait a wait a minute. You auditioning

0:15:24.840 --> 0:15:26.640
<v Speaker 1>for miss You know what it is is because sometimes

0:15:26.680 --> 0:15:28.120
<v Speaker 1>you can hear somebody on the record and be like,

0:15:28.160 --> 0:15:30.920
<v Speaker 1>let me see how the sound. That's kind I'm saying

0:15:30.920 --> 0:15:36.080
<v Speaker 1>because be the other sigers. Yeah. So she was just like, yo,

0:15:36.600 --> 0:15:38.440
<v Speaker 1>I'm about to go on tour. You trying to go?

0:15:38.480 --> 0:15:40.200
<v Speaker 1>And I was like yeah, And I quit beauty School

0:15:40.320 --> 0:15:42.800
<v Speaker 1>literally right on the spot, like them, I ain't going back.

0:15:42.800 --> 0:15:48.960
<v Speaker 1>I told him I was gonna be famous. Yeah. Because

0:15:49.000 --> 0:15:51.400
<v Speaker 1>now we also hold on just make sure we finished

0:15:51.400 --> 0:15:54.280
<v Speaker 1>the Missy thing. But we also we've in a view

0:15:54.320 --> 0:15:57.800
<v Speaker 1>people from five six almost six years. I always studied

0:15:57.840 --> 0:16:02.480
<v Speaker 1>people's drinks. So you're re sling person, Yeah, because hard

0:16:02.560 --> 0:16:07.400
<v Speaker 1>liquor just don't really okay, But let me stick on

0:16:07.440 --> 0:16:09.680
<v Speaker 1>the racling right now because I'm ready for shot. Don't

0:16:09.680 --> 0:16:12.120
<v Speaker 1>like prosecco, but no, no, no, I can't stand for

0:16:12.120 --> 0:16:15.720
<v Speaker 1>a secon. I can't stand like I'm getting grown. You

0:16:15.760 --> 0:16:19.040
<v Speaker 1>can't think about you with me? Ain't you no? Because

0:16:19.480 --> 0:16:22.040
<v Speaker 1>I just like if I'm if I'm gonna drink something hard,

0:16:22.160 --> 0:16:24.080
<v Speaker 1>I gotta go all the way. It ain't no in between.

0:16:24.440 --> 0:16:26.240
<v Speaker 1>Like the other week, I drank a whole thing of

0:16:26.320 --> 0:16:28.320
<v Speaker 1>Don Julie. I was hyped up. I hadn't been outside

0:16:28.360 --> 0:16:31.080
<v Speaker 1>in the year. I don't even remember like I was,

0:16:31.400 --> 0:16:33.080
<v Speaker 1>and I didn't even remember going through the t S

0:16:33.160 --> 0:16:35.840
<v Speaker 1>a period like I was like, how did we get back?

0:16:36.840 --> 0:16:38.760
<v Speaker 1>Did we have? This is a time that we praise

0:16:38.840 --> 0:16:40.600
<v Speaker 1>our artists, so we have to give you a shot.

0:16:40.640 --> 0:16:42.760
<v Speaker 1>What shot would you like to have? I'm about to

0:16:42.760 --> 0:16:45.600
<v Speaker 1>put a recent in it, or you gotta get it.

0:16:45.960 --> 0:16:48.080
<v Speaker 1>You gotta get a super woman some of the summer

0:16:48.120 --> 0:16:51.000
<v Speaker 1>watermelon list. That's what I'm talking about. Something I got

0:16:51.120 --> 0:16:52.560
<v Speaker 1>to listen I'm not gonna lie, and I need a

0:16:52.600 --> 0:16:57.080
<v Speaker 1>bottle of water because it's a watermelon. That's watermelon. Yeah

0:16:57.400 --> 0:16:59.600
<v Speaker 1>you never had it. I never had that. Yeah, there

0:16:59.640 --> 0:17:01.960
<v Speaker 1>you go, there you go. Look at that, Look at that,

0:17:02.080 --> 0:17:04.880
<v Speaker 1>Look at that. We have set up. This is ladies first. Goddamnit.

0:17:04.920 --> 0:17:07.159
<v Speaker 1>We got the super Woman and the god damn building.

0:17:08.880 --> 0:17:12.080
<v Speaker 1>Thank you. Alright, let's got that. Like Floyd said, did

0:17:12.119 --> 0:17:24.280
<v Speaker 1>they pay so? Alottle solot, Come on, that's good. But

0:17:24.400 --> 0:17:28.320
<v Speaker 1>I don't like what alcohol tastes like alcohol because that

0:17:28.440 --> 0:17:30.680
<v Speaker 1>makes me feel like I might have to go to

0:17:31.080 --> 0:17:35.000
<v Speaker 1>your drinking choice, with your drinking choice before recently of

0:17:35.119 --> 0:17:37.840
<v Speaker 1>me goes. You know, I'm not gonna lie. You keep

0:17:37.920 --> 0:17:40.400
<v Speaker 1>naming the hardest calls. I'm saying. It's like you guys,

0:17:40.560 --> 0:17:42.920
<v Speaker 1>gotta go all the way to the top or ain't

0:17:43.359 --> 0:17:45.840
<v Speaker 1>let me just get a little up right there. No,

0:17:46.400 --> 0:17:48.480
<v Speaker 1>you gotta go hard. But that cos of me goes

0:17:48.480 --> 0:17:54.359
<v Speaker 1>will put you on your ass a megoes, So you

0:17:54.480 --> 0:17:57.240
<v Speaker 1>have missing do y'all actually going to all from there? Yeah?

0:17:57.480 --> 0:18:00.560
<v Speaker 1>We went overseas the whole United States tour and we

0:18:00.680 --> 0:18:06.000
<v Speaker 1>did hot Boys in that interim and the boys she

0:18:06.080 --> 0:18:07.439
<v Speaker 1>was like, Yo, this is about to be out of here,

0:18:07.520 --> 0:18:09.440
<v Speaker 1>and I believed her, she believed to me, and the

0:18:09.520 --> 0:18:12.959
<v Speaker 1>rest is literally history. Then after that, like now when

0:18:12.960 --> 0:18:15.560
<v Speaker 1>you was on a lecture, that's Sylvia role my lecture. Yes, okay,

0:18:15.680 --> 0:18:19.040
<v Speaker 1>serial roll Merlin Bob, Okay, how was that? Because, um,

0:18:20.200 --> 0:18:22.720
<v Speaker 1>I've never got to I know Sylvia Rome obviously, but

0:18:22.800 --> 0:18:26.800
<v Speaker 1>I've never got to work with that sense of woman power,

0:18:27.000 --> 0:18:29.239
<v Speaker 1>you know what I mean. Like even when I got

0:18:29.280 --> 0:18:31.560
<v Speaker 1>to work with Mona, Mona wasn't the Mona that she

0:18:31.720 --> 0:18:35.480
<v Speaker 1>is now. I worked her violator, but U yeah, that's right,

0:18:35.520 --> 0:18:38.280
<v Speaker 1>I know. But um, so how was that? Because I

0:18:38.359 --> 0:18:41.800
<v Speaker 1>don't think I've ever worked with a black woman CEO,

0:18:43.040 --> 0:18:45.480
<v Speaker 1>and especially now that's going on right right now, like

0:18:45.760 --> 0:18:47.760
<v Speaker 1>how we all were all proud to be like how

0:18:47.920 --> 0:18:51.960
<v Speaker 1>was it? Um, you know working with that black girl? Magic? It? Okay?

0:18:52.160 --> 0:18:54.960
<v Speaker 1>So me coming from not knowing the industry to being

0:18:55.200 --> 0:19:00.119
<v Speaker 1>like literally placed in the upper executive hand like this, Oh,

0:19:00.160 --> 0:19:02.200
<v Speaker 1>Sylvia wants to meet you with you and then I

0:19:02.320 --> 0:19:04.040
<v Speaker 1>go on her office and I'm thinking I gotta sit

0:19:04.119 --> 0:19:05.920
<v Speaker 1>like this. She'd be like, yo, yes she is fine,

0:19:06.000 --> 0:19:09.000
<v Speaker 1>and I'm just I'm like, yo, okay, I get it.

0:19:09.400 --> 0:19:11.639
<v Speaker 1>Like you know, I was thinking that the executives have

0:19:11.800 --> 0:19:15.760
<v Speaker 1>to act all like stuck up like Sylvia Road. Yeah

0:19:15.920 --> 0:19:19.320
<v Speaker 1>it was. It really was because my thoughts of the industry,

0:19:19.400 --> 0:19:22.160
<v Speaker 1>and when I actually got into it, I was just like, Wow,

0:19:22.640 --> 0:19:25.520
<v Speaker 1>make you feel more secure because you had a woman

0:19:25.520 --> 0:19:27.680
<v Speaker 1>because she's a real black woman, Like she don't play

0:19:27.760 --> 0:19:31.159
<v Speaker 1>Like I realized now what I should have realized then,

0:19:31.280 --> 0:19:33.760
<v Speaker 1>like she really had my back because I was running

0:19:33.760 --> 0:19:36.240
<v Speaker 1>around doing so everybody. She was like, like, what are

0:19:36.280 --> 0:19:39.040
<v Speaker 1>you doing? Ain't your friends? You know? I gotta actually

0:19:39.040 --> 0:19:40.680
<v Speaker 1>like you really had your back. At one point, you

0:19:40.720 --> 0:19:43.840
<v Speaker 1>thought she didn't. I thought she didn't because people would

0:19:43.840 --> 0:19:47.320
<v Speaker 1>get in my ear and say stuff like, yeah, she

0:19:47.359 --> 0:19:49.639
<v Speaker 1>should be spending money. Why you only put my only

0:19:49.680 --> 0:19:51.960
<v Speaker 1>putting out this song? When when are they gonna believe

0:19:52.000 --> 0:19:55.120
<v Speaker 1>in you if they spent this on this, Oh because

0:19:55.160 --> 0:19:57.560
<v Speaker 1>you're not light skin? Did it was all of that,

0:19:57.680 --> 0:19:59.680
<v Speaker 1>and I'm just like, yo, when you start hearing that

0:20:00.040 --> 0:20:02.760
<v Speaker 1>you don't automatically, I'm like, damn, she keeps it. I

0:20:02.880 --> 0:20:05.439
<v Speaker 1>keep on getting unlimited car services and she put six

0:20:05.520 --> 0:20:08.159
<v Speaker 1>hundred thousands in my account. So I'm bawling right now.

0:20:08.480 --> 0:20:11.200
<v Speaker 1>I was literally what years old and she sent the

0:20:11.359 --> 0:20:18.320
<v Speaker 1>bag for really one thing about Sylvia, she has no

0:20:18.720 --> 0:20:21.000
<v Speaker 1>like she's the one like everybody else. If you get

0:20:21.040 --> 0:20:23.160
<v Speaker 1>signed to somebody else, you have to wait for the clearances.

0:20:23.440 --> 0:20:26.760
<v Speaker 1>Cy say, send it over, Burper does like they sent

0:20:26.840 --> 0:20:31.760
<v Speaker 1>it over between uh, Sylvia and Slim. They're the only

0:20:31.800 --> 0:20:33.960
<v Speaker 1>ones that I know can literally make a phone call

0:20:34.119 --> 0:20:38.280
<v Speaker 1>and the baggage with Yeah, you've got a good because

0:20:38.280 --> 0:20:40.200
<v Speaker 1>a lot of people having bad stories for cash money.

0:20:40.480 --> 0:20:44.320
<v Speaker 1>So you have good cash money stories. Yeah. Yes, got

0:20:44.359 --> 0:20:48.000
<v Speaker 1>paid and shot like bad videos and got paid. It's

0:20:48.119 --> 0:20:50.080
<v Speaker 1>like I can understand where things go. But you have

0:20:50.200 --> 0:20:52.080
<v Speaker 1>to know who to. You have to know how to

0:20:52.119 --> 0:20:54.159
<v Speaker 1>handle your business. You know what I'm saying. Like I

0:20:54.320 --> 0:20:56.840
<v Speaker 1>was signed to them, but it was Merlin. Bob did

0:20:56.880 --> 0:20:59.960
<v Speaker 1>a joint venture with them. It was called round Tape

0:21:00.119 --> 0:21:02.480
<v Speaker 1>at that time. I don't remember this. Yeah, it was

0:21:02.560 --> 0:21:04.720
<v Speaker 1>because they were doing like side they had the cash

0:21:04.800 --> 0:21:07.800
<v Speaker 1>money classes with tinam Reresid Pistoja and then they had

0:21:07.920 --> 0:21:09.639
<v Speaker 1>round Table. They had other deals that was going on.

0:21:09.840 --> 0:21:11.920
<v Speaker 1>So the blessing and I think the reason why I

0:21:11.960 --> 0:21:15.040
<v Speaker 1>don't really have any war stories is because they respected

0:21:15.080 --> 0:21:17.320
<v Speaker 1>me as an artist. Number one. Number two is it

0:21:17.480 --> 0:21:20.840
<v Speaker 1>was literally right around when Katrina happened, so the label

0:21:20.840 --> 0:21:23.920
<v Speaker 1>shut down anyway, so it was almost like I didn't

0:21:23.920 --> 0:21:27.360
<v Speaker 1>even have to do anything but shoot videos and then

0:21:27.720 --> 0:21:30.840
<v Speaker 1>they just let that company dissolved. I was like, I

0:21:30.920 --> 0:21:33.919
<v Speaker 1>didn't have to go through any foolish but I got

0:21:34.000 --> 0:21:36.359
<v Speaker 1>to work and do shows and stuff with Wayne, so

0:21:36.520 --> 0:21:39.359
<v Speaker 1>I got the benefits, worked with Mandy Fresh, got to

0:21:39.400 --> 0:21:42.080
<v Speaker 1>work with Baby, so the checks was like it was

0:21:42.160 --> 0:21:44.000
<v Speaker 1>running up. So I'm not mad at it, and to

0:21:44.080 --> 0:21:48.639
<v Speaker 1>this day, like still the respect is dead. That's dope. Now,

0:21:48.720 --> 0:21:51.040
<v Speaker 1>when I googled you, this is something that that that

0:21:51.480 --> 0:21:55.800
<v Speaker 1>probably got a little crazy for me, right, not not crazy,

0:21:55.880 --> 0:21:59.200
<v Speaker 1>not crazy, but it was like when I when I

0:21:59.920 --> 0:22:02.320
<v Speaker 1>was got deeper, they put all of your husband's right,

0:22:02.359 --> 0:22:10.080
<v Speaker 1>they put your husband's out. Husband's husband was actually the

0:22:10.280 --> 0:22:13.560
<v Speaker 1>dates and the time. And I've been wondering who did

0:22:13.680 --> 0:22:19.320
<v Speaker 1>get information? Who is the Wikipedia, Google god wizard of

0:22:19.440 --> 0:22:22.040
<v Speaker 1>all that knows all this because it'll be something and

0:22:22.080 --> 0:22:24.800
<v Speaker 1>I've been like, what, I ain't even remember that. It's

0:22:24.840 --> 0:22:29.040
<v Speaker 1>somebody that big brother. Maybe it's the government defense, you

0:22:29.080 --> 0:22:32.960
<v Speaker 1>know what the defenses. But yeah, I saw that tip.

0:22:33.680 --> 0:22:35.920
<v Speaker 1>That's crazy. That's how did you feel when you've seen that.

0:22:36.720 --> 0:22:38.480
<v Speaker 1>I was just like, it don't exist to me anymore,

0:22:38.800 --> 0:22:41.760
<v Speaker 1>anything pre pandemic, don't exist to me anymore. I handled

0:22:41.840 --> 0:22:44.679
<v Speaker 1>my business. I realized that was the top I can

0:22:44.760 --> 0:22:48.320
<v Speaker 1>admit and I take full accountability of. I didn't know

0:22:48.359 --> 0:22:51.240
<v Speaker 1>how to separate the artists from the from the human,

0:22:51.680 --> 0:22:57.000
<v Speaker 1>so the person from the from the person, so meaning yourself, yes,

0:22:57.480 --> 0:23:01.080
<v Speaker 1>so little more, there's little more, and then Cynthia, there's not. Yeah,

0:23:01.520 --> 0:23:03.639
<v Speaker 1>And there was a time where I think that they

0:23:03.720 --> 0:23:05.720
<v Speaker 1>messed together and that I should have never allowed that

0:23:05.840 --> 0:23:09.920
<v Speaker 1>to happen. Um. I just watched Mary J Blige on

0:23:10.040 --> 0:23:13.080
<v Speaker 1>My Friends show The Breakfast Club. Mary J Blige said

0:23:13.200 --> 0:23:17.600
<v Speaker 1>for years she didn't know her worth, she didn't feel

0:23:17.680 --> 0:23:20.240
<v Speaker 1>worth it, So how can it hasn't ever been a

0:23:20.280 --> 0:23:23.320
<v Speaker 1>time where you felt like that, like really, so you

0:23:23.400 --> 0:23:24.879
<v Speaker 1>could be on the cloud, you could be getting all

0:23:24.920 --> 0:23:27.119
<v Speaker 1>this money, all these shows coming things, and everything is

0:23:27.200 --> 0:23:29.480
<v Speaker 1>running up, but then you sit back and you're just like,

0:23:30.040 --> 0:23:32.000
<v Speaker 1>I can really be just trying to give me anything,

0:23:32.320 --> 0:23:34.679
<v Speaker 1>And something like that recently happened. I think those are

0:23:34.760 --> 0:23:37.240
<v Speaker 1>tests because then it's just like it comes to say,

0:23:37.440 --> 0:23:38.720
<v Speaker 1>let me see if we can still get you and

0:23:38.760 --> 0:23:40.440
<v Speaker 1>I'd be like, nah, I used to didn't say no.

0:23:40.600 --> 0:23:42.919
<v Speaker 1>I literally used to pop up to everything and oh,

0:23:43.000 --> 0:23:45.000
<v Speaker 1>you know someone still having the part. I'm outside your

0:23:45.040 --> 0:23:47.119
<v Speaker 1>someone so much you're singing this. I'm gonna send the vocals.

0:23:47.359 --> 0:23:49.600
<v Speaker 1>But then I realized, wait, I said the vocals back

0:23:49.680 --> 0:23:52.000
<v Speaker 1>that same day. Why it is taking them so longer? Yeah,

0:23:52.040 --> 0:23:53.760
<v Speaker 1>we're going a different direction. I'll be like, man, you

0:23:53.800 --> 0:23:57.760
<v Speaker 1>and your direction. You feel me so? But then I

0:23:57.880 --> 0:24:01.840
<v Speaker 1>realized I was literally taking things per snoop and my

0:24:02.000 --> 0:24:04.159
<v Speaker 1>team literally broke down to me. That was just like, yo,

0:24:04.280 --> 0:24:06.600
<v Speaker 1>this is business. Stop taking this so personal. So once

0:24:06.680 --> 0:24:09.199
<v Speaker 1>I separated those two, that's what I know. It's up

0:24:09.240 --> 0:24:11.840
<v Speaker 1>from here on. Now, Okay, we're gonna jump in a

0:24:11.920 --> 0:24:13.440
<v Speaker 1>quick time and slim. You're gonna do it. We're gonna

0:24:13.440 --> 0:24:27.200
<v Speaker 1>do it it music. I'm just clapping this. This this

0:24:27.320 --> 0:24:29.720
<v Speaker 1>is good, all right? All right? So this quick time

0:24:29.760 --> 0:24:32.520
<v Speaker 1>and slim, it's called obviously it's cool, quick slip slap.

0:24:33.800 --> 0:24:36.320
<v Speaker 1>All of this is. We're gonna give you a multiple choice.

0:24:36.440 --> 0:24:40.040
<v Speaker 1>It's just too you just pick one or the other. Now,

0:24:40.280 --> 0:24:42.200
<v Speaker 1>if you're going to pick both, you get a shot

0:24:42.240 --> 0:24:44.880
<v Speaker 1>ready already you want to pick both it's cool, it's cool.

0:24:44.920 --> 0:24:47.920
<v Speaker 1>You gotta take a shot. And we just figured out

0:24:48.119 --> 0:24:50.520
<v Speaker 1>recently if you say neither too, we gotta take a shot.

0:24:50.920 --> 0:24:55.679
<v Speaker 1>All right, but the good things, Yeah, I don't want

0:24:55.680 --> 0:24:57.000
<v Speaker 1>to take the shot if you pick one, but if

0:24:57.080 --> 0:25:00.200
<v Speaker 1>you pick both, because you sincerely mean both, then you

0:25:00.280 --> 0:25:02.000
<v Speaker 1>gotta take a shot. But but the good thing about

0:25:02.040 --> 0:25:04.040
<v Speaker 1>it is we're gonna take a shot. We're not gonna leave.

0:25:04.920 --> 0:25:08.760
<v Speaker 1>I'm gonna be I feel like the number two is

0:25:08.760 --> 0:25:12.000
<v Speaker 1>going to be the one. Oh my god, see you,

0:25:12.920 --> 0:25:21.680
<v Speaker 1>I'm telling you, but you gotta chair invested that. We

0:25:21.760 --> 0:25:23.960
<v Speaker 1>gotta invest in that week I'm missing. You could blow

0:25:24.000 --> 0:25:27.520
<v Speaker 1>your face if you want. You know what, it's a

0:25:27.600 --> 0:25:36.159
<v Speaker 1>COVID band's never let's go babiries. So you ready racist

0:25:37.720 --> 0:25:44.280
<v Speaker 1>nas or j like far at no, no, no, just

0:25:44.400 --> 0:25:47.080
<v Speaker 1>whatever you wand just remember if you don't, if you

0:25:47.119 --> 0:25:48.879
<v Speaker 1>want to be politically back, you can take a shot. Now.

0:25:48.920 --> 0:25:56.520
<v Speaker 1>It's okay, okay, okay, you gotta give me a breakdad,

0:25:56.600 --> 0:25:59.600
<v Speaker 1>Like if it's the looks that everybody know not snakes

0:26:00.000 --> 0:26:05.720
<v Speaker 1>weren't to you in your far as business? Ja okay, alright, cool, alright,

0:26:06.200 --> 0:26:21.720
<v Speaker 1>is freaking a job or fifty as far as what Okay, ship,

0:26:21.840 --> 0:26:26.639
<v Speaker 1>I wasn't ready for that, all right, fab or Jada kiss? Okay,

0:26:29.000 --> 0:26:35.280
<v Speaker 1>what's that calling? I know, mel Melah, what's It's the

0:26:35.320 --> 0:26:41.080
<v Speaker 1>same thing. It just depends on the engineer, Melodon, Missy

0:26:41.280 --> 0:26:47.440
<v Speaker 1>or Trina take a shot. No, I would say Missy

0:26:47.480 --> 0:26:51.560
<v Speaker 1>because Trina would say Missy too, because Missy like helped

0:26:51.720 --> 0:26:54.679
<v Speaker 1>a lot of us. She literally so journal truth doesn't

0:26:54.680 --> 0:26:58.639
<v Speaker 1>his motherfucker? Okay, that's fire um Beyonce at least the

0:26:58.720 --> 0:27:03.800
<v Speaker 1>keys Beyonce. Okay, uh ninety I mean nineties hip hip

0:27:03.880 --> 0:27:08.080
<v Speaker 1>hop times two thousands hip hop? Wait? What's the two

0:27:08.080 --> 0:27:10.840
<v Speaker 1>thousand hip hop? Because honestly, that's the cut off was

0:27:10.840 --> 0:27:12.959
<v Speaker 1>about two thousand and three when it started again shaky

0:27:15.600 --> 0:27:17.760
<v Speaker 1>because if we talk about em C like I'm I'm

0:27:17.800 --> 0:27:23.560
<v Speaker 1>a rocket two thousand five, then I say, because I

0:27:23.720 --> 0:27:25.639
<v Speaker 1>didn't listen to the eighties, that hip hop hipot and

0:27:25.680 --> 0:27:28.080
<v Speaker 1>the hibvot that really wasn't my my twist. So I

0:27:28.119 --> 0:27:30.159
<v Speaker 1>would say, like when m C l D Nice and

0:27:30.280 --> 0:27:35.960
<v Speaker 1>like when yeah, nineties and nineties to now, alright, cool,

0:27:36.000 --> 0:27:37.960
<v Speaker 1>you you got these two. You gotta take a shot

0:27:38.040 --> 0:27:44.400
<v Speaker 1>for New York or bottom are I love New York

0:27:45.240 --> 0:27:47.159
<v Speaker 1>just different. Ok, you gotta take a shot for this one.

0:27:47.640 --> 0:27:53.560
<v Speaker 1>Michael Jackson or Prince like say, you have to be

0:27:53.720 --> 0:28:01.800
<v Speaker 1>more specific. I'll just take a shot. But I would

0:28:01.840 --> 0:28:06.680
<v Speaker 1>say Michael, yeah, because Michael used to like he wanted

0:28:06.680 --> 0:28:08.480
<v Speaker 1>to do this side. He always did up to stand

0:28:08.840 --> 0:28:11.600
<v Speaker 1>like Chris got something his ass out to stand out.

0:28:11.880 --> 0:28:15.000
<v Speaker 1>He did. But they both go out to the point

0:28:15.040 --> 0:28:16.720
<v Speaker 1>where they were telling us who was going down, and

0:28:16.760 --> 0:28:18.800
<v Speaker 1>then soon after they were telling us what the real was.

0:28:18.880 --> 0:28:21.800
<v Speaker 1>They were. They were more conscious than the brothers with

0:28:21.840 --> 0:28:24.440
<v Speaker 1>the beads. You think about it when you're thinking about it,

0:28:24.480 --> 0:28:28.920
<v Speaker 1>that they be superwoken. Yeah, you need to go to sleep. Yeah,

0:28:30.080 --> 0:28:35.040
<v Speaker 1>it was smart. Was Michael was telling us Earl everybody's catalogs. Yeah,

0:28:35.520 --> 0:28:37.080
<v Speaker 1>and they was like, oh, you can't do this. He

0:28:37.160 --> 0:28:38.800
<v Speaker 1>was like, oh yeah, I'm gonna buy your whole life.

0:28:38.960 --> 0:28:41.880
<v Speaker 1>He bought the Beatles cattle and the Elephant Man's balls.

0:28:42.120 --> 0:28:43.760
<v Speaker 1>How do you even know there was for damn sale?

0:28:44.160 --> 0:28:50.800
<v Speaker 1>How Like it wasn't no Google like elephant man balls

0:28:50.960 --> 0:28:56.600
<v Speaker 1>or balls? What is that man? He had? He died

0:28:56.640 --> 0:29:00.680
<v Speaker 1>in the Elephant Elephant Man in real life and Michael

0:29:01.480 --> 0:29:05.080
<v Speaker 1>Carnival dude, Yeah, they said he bought it was at

0:29:05.120 --> 0:29:07.520
<v Speaker 1>the house. What was it work? I'm sure he had more.

0:29:07.560 --> 0:29:10.960
<v Speaker 1>I don't know. Probably he probably got ship my old

0:29:11.000 --> 0:29:16.200
<v Speaker 1>wing like that was the one that came to was like, Michael,

0:29:16.240 --> 0:29:18.040
<v Speaker 1>so we know you did thriller and we're just going

0:29:18.120 --> 0:29:20.320
<v Speaker 1>over the royalties for that. But they have the elephant

0:29:20.320 --> 0:29:26.080
<v Speaker 1>man balls will sell you. Think about that conversation period. Okay,

0:29:26.160 --> 0:29:30.880
<v Speaker 1>I show Chris Brown Chris only because I threw that

0:29:31.000 --> 0:29:33.480
<v Speaker 1>money and Usha said that about the Auto two and

0:29:33.560 --> 0:29:37.280
<v Speaker 1>then used it like, oh so after I got to

0:29:37.320 --> 0:29:41.520
<v Speaker 1>be so after he told he paying that note thens

0:29:41.600 --> 0:29:44.680
<v Speaker 1>right here after he told he paying that he ruined music,

0:29:44.800 --> 0:29:47.040
<v Speaker 1>I should use the old truth for real. This is fact.

0:29:47.400 --> 0:29:50.160
<v Speaker 1>No one thing about Twitter and social media. They're pull

0:29:50.200 --> 0:29:52.320
<v Speaker 1>the receipts and so they was like, wait a minute,

0:29:52.680 --> 0:29:54.520
<v Speaker 1>this you. That's when they do that. This you and

0:29:54.680 --> 0:29:57.720
<v Speaker 1>oh my god, when he did let me let Me

0:29:57.920 --> 0:30:02.120
<v Speaker 1>Love You down, that's all Auto too. But you never

0:30:02.200 --> 0:30:04.400
<v Speaker 1>know what the engine's using on your vocals anyway. The

0:30:04.520 --> 0:30:08.960
<v Speaker 1>only people that's honestly flawless. This is rare. But when

0:30:09.000 --> 0:30:11.400
<v Speaker 1>you know, when you know, yeah, that record, that was

0:30:11.480 --> 0:30:16.320
<v Speaker 1>definitely he knew what it was. Okay, radio or podcasts.

0:30:16.600 --> 0:30:20.640
<v Speaker 1>Podcast Yeah, because radio is so political and they'd be camping.

0:30:20.960 --> 0:30:22.960
<v Speaker 1>I think radio used to be hiring me just so

0:30:23.040 --> 0:30:25.240
<v Speaker 1>they can fire me to say that. They because I

0:30:25.320 --> 0:30:27.920
<v Speaker 1>really used to be doing nothing. We're gonna get into that.

0:30:27.960 --> 0:30:32.040
<v Speaker 1>We're gonna get into that. Okay, Farrell, Kanye, oh my god,

0:30:32.480 --> 0:30:36.800
<v Speaker 1>give me a shot. Because Kanye is a master, but

0:30:37.520 --> 0:30:42.640
<v Speaker 1>Farrell's a genius. He's got to explain yourself. Don't worry

0:30:42.640 --> 0:30:50.160
<v Speaker 1>about Oh my god, let me drink some water. Damn,

0:30:55.760 --> 0:30:59.800
<v Speaker 1>you look a little. I'm gonna do a half cut

0:30:59.840 --> 0:31:04.240
<v Speaker 1>of me. That's some of watermelon. They're gonna have to

0:31:04.280 --> 0:31:05.640
<v Speaker 1>send me a pack that you don't go for it.

0:31:06.200 --> 0:31:10.719
<v Speaker 1>You're gonna hear right now, Okay, hold on all right,

0:31:12.200 --> 0:31:22.920
<v Speaker 1>DMX or Tupac like it's certain it's certainly yeah, because

0:31:23.200 --> 0:31:26.400
<v Speaker 1>X had had an impact because I knew him in

0:31:26.480 --> 0:31:29.240
<v Speaker 1>real life, so he was definitely a vibe and you

0:31:29.320 --> 0:31:31.960
<v Speaker 1>could his presence is still felt. And even though I

0:31:32.080 --> 0:31:34.600
<v Speaker 1>worked with Pop but never met him in real life posthumus,

0:31:34.760 --> 0:31:37.320
<v Speaker 1>I got it was just like I literally started getting

0:31:37.320 --> 0:31:43.320
<v Speaker 1>tattoos because I loved Tupac worked when we did shows again,

0:31:44.120 --> 0:31:49.480
<v Speaker 1>just never met him. I did he did. Yeah, he

0:31:49.680 --> 0:31:52.400
<v Speaker 1>has like yo, if you ever get the chance to

0:31:52.480 --> 0:31:55.720
<v Speaker 1>go to his house and like he has videos and

0:31:55.800 --> 0:31:59.800
<v Speaker 1>footage before all that was like like really the way

0:32:00.720 --> 0:32:02.800
<v Speaker 1>and I used to watch videos like he would have

0:32:03.440 --> 0:32:06.920
<v Speaker 1>like videos and Nate everywhere out there golfing like like

0:32:07.040 --> 0:32:10.480
<v Speaker 1>he was like filming people before it was cool. And

0:32:10.720 --> 0:32:15.320
<v Speaker 1>he has documentary worthy footage of stuff and you just

0:32:15.360 --> 0:32:17.200
<v Speaker 1>sit there and watching like dag, like what made you

0:32:17.320 --> 0:32:24.040
<v Speaker 1>think of this? He's a freaking genius. Respect a loyal respect. Okay,

0:32:24.080 --> 0:32:28.480
<v Speaker 1>I respect that, uh, Cardi b or Nicki Minad Nicki

0:32:30.040 --> 0:32:35.160
<v Speaker 1>that personal No, nothing personal, nothing at all. But like

0:32:35.400 --> 0:32:40.000
<v Speaker 1>if you like that's almost like saying because Nikki blazes

0:32:40.040 --> 0:32:42.600
<v Speaker 1>the trail. She's she's a legend. She's been out like

0:32:42.680 --> 0:32:44.960
<v Speaker 1>when you giving like how many like she's been in

0:32:45.000 --> 0:32:47.920
<v Speaker 1>the game, and she's she's been through things and we

0:32:48.000 --> 0:32:51.800
<v Speaker 1>got to see it and she she set a tone,

0:32:51.880 --> 0:32:56.280
<v Speaker 1>she set a standard. She go, she all go. So

0:32:56.560 --> 0:33:01.360
<v Speaker 1>I get it. It's honestly totally different. You've been both artists,

0:33:01.400 --> 0:33:04.120
<v Speaker 1>nick and Cardi. Yeah, okay, yes, it's nicer to you.

0:33:04.800 --> 0:33:08.480
<v Speaker 1>Everybody's real cool with me anyway, Nobody ever really like

0:33:09.000 --> 0:33:12.240
<v Speaker 1>I met Cardi when she was still doing Love of

0:33:12.320 --> 0:33:14.240
<v Speaker 1>Hip Hop. So I was doing radio that and she

0:33:14.400 --> 0:33:16.640
<v Speaker 1>was like we was doing at the time. I mean

0:33:16.720 --> 0:33:19.840
<v Speaker 1>not Baltimore because we was Baltimore. It was between we

0:33:19.920 --> 0:33:22.440
<v Speaker 1>did Baltimore and I did d C. So at that

0:33:22.520 --> 0:33:24.800
<v Speaker 1>time I think I was at k yes, okay, yeah,

0:33:25.120 --> 0:33:31.280
<v Speaker 1>all right, um, major independent indie. But that's only because

0:33:31.280 --> 0:33:33.560
<v Speaker 1>I was major before. So now what I would say,

0:33:33.640 --> 0:33:36.959
<v Speaker 1>go major, learn the games, and go indie. I can

0:33:37.000 --> 0:33:38.120
<v Speaker 1>get it with that, so I don't have to take

0:33:38.200 --> 0:33:49.800
<v Speaker 1>no shot. Oh God Jesus like em. Like. The reason

0:33:49.880 --> 0:33:51.320
<v Speaker 1>being because when I was in high school, I used

0:33:51.320 --> 0:33:53.480
<v Speaker 1>to think I was like so bad. So once I

0:33:53.560 --> 0:33:55.240
<v Speaker 1>met I was like yeo. I literally told I wanted

0:33:55.280 --> 0:33:59.640
<v Speaker 1>to be you so bad. And the love song when

0:33:59.680 --> 0:34:04.160
<v Speaker 1>you say you love me it don't you've been thinking

0:34:04.160 --> 0:34:06.600
<v Speaker 1>to egantistical and just work. But what you say, I

0:34:06.680 --> 0:34:09.360
<v Speaker 1>take none of this seriously and that's when we stipp

0:34:09.400 --> 0:34:11.919
<v Speaker 1>the right out the world. You couldn't google it. So yeah,

0:34:12.080 --> 0:34:15.600
<v Speaker 1>like empt like that's honestly one of my biggest this one.

0:34:15.680 --> 0:34:17.719
<v Speaker 1>I don't know this is up in the end, all right,

0:34:18.400 --> 0:34:31.719
<v Speaker 1>Kim or Foxy, honestly hold your shot. I'm gonna take

0:34:31.760 --> 0:34:35.319
<v Speaker 1>it anyway. Yeah, because I'm a person, I go by

0:34:35.960 --> 0:34:42.920
<v Speaker 1>my own opinion, and I would. I would, honestly, I'm

0:34:42.920 --> 0:34:45.800
<v Speaker 1>gonna take my shot because I'm gonna say both because

0:34:46.000 --> 0:34:49.360
<v Speaker 1>had it not been for them, there would not be

0:34:49.960 --> 0:34:52.200
<v Speaker 1>a lot of females that are doing with it. Like

0:34:52.320 --> 0:34:57.200
<v Speaker 1>what Kim did, the crouching posted people. Oh my god, Yeah,

0:34:57.800 --> 0:35:02.239
<v Speaker 1>she broke down barriers. That was that was like there

0:35:02.320 --> 0:35:04.239
<v Speaker 1>was a no no back then, like, oh my god,

0:35:04.320 --> 0:35:07.200
<v Speaker 1>you're trying to do She broke down barriers when she

0:35:07.320 --> 0:35:10.160
<v Speaker 1>had her booball at the MTV Awards Mesa Stalda. Oh

0:35:10.239 --> 0:35:13.160
<v Speaker 1>my god. This is course a controversy. It's always controversial

0:35:13.280 --> 0:35:16.160
<v Speaker 1>when a black woman does it, but it's so chic

0:35:16.239 --> 0:35:19.600
<v Speaker 1>and cool and acceptable when other races do it. So

0:35:19.840 --> 0:35:23.480
<v Speaker 1>she broke down racial barriers that we wasn't doing. Foxy

0:35:23.600 --> 0:35:26.600
<v Speaker 1>was spitting like a nigger when she came out. Girls

0:35:26.680 --> 0:35:29.480
<v Speaker 1>wasn't spitting like that. Like I go back and listen

0:35:29.520 --> 0:35:33.560
<v Speaker 1>to her over she was going to win. So I

0:35:33.719 --> 0:35:37.120
<v Speaker 1>respect that she was in high school. Goddamnken for that,

0:35:37.200 --> 0:35:43.640
<v Speaker 1>God damn South. So you gotta respect it. Let's tell

0:35:43.680 --> 0:35:47.200
<v Speaker 1>us something right must be admitted in the game, right.

0:35:47.800 --> 0:35:51.640
<v Speaker 1>I had Tyler Quality stand here. I was sitting the

0:35:51.719 --> 0:35:54.400
<v Speaker 1>same chair that you're sitting in. Ty Live said to

0:35:54.480 --> 0:35:57.200
<v Speaker 1>me one time, he said, sometimes we're male privileged, And

0:35:57.560 --> 0:35:59.760
<v Speaker 1>I had never heard of that. He's had male privileged

0:36:00.040 --> 0:36:02.880
<v Speaker 1>and he said, mal, well, basically what male privileges we

0:36:02.960 --> 0:36:05.799
<v Speaker 1>don't understand sometimes what the sisters go through. We don't

0:36:05.840 --> 0:36:08.320
<v Speaker 1>understand what women go through and hip hop and the

0:36:08.480 --> 0:36:12.359
<v Speaker 1>music business and entertainment period. So can you shot something

0:36:12.400 --> 0:36:15.200
<v Speaker 1>light on people? Like, let's just say we're just coming

0:36:15.320 --> 0:36:16.920
<v Speaker 1>under a rock. We don't know nothing. What are some

0:36:17.040 --> 0:36:19.839
<v Speaker 1>of the things that you're gonna have to face as

0:36:21.200 --> 0:36:24.160
<v Speaker 1>a female in this entertainment. First of all, if I

0:36:24.200 --> 0:36:28.120
<v Speaker 1>would have came here and I had a makeup on,

0:36:28.840 --> 0:36:31.200
<v Speaker 1>it's just anything. If I would have came here, my

0:36:31.360 --> 0:36:33.719
<v Speaker 1>nails wasn't done, or at least dress night. This just

0:36:33.800 --> 0:36:37.760
<v Speaker 1>wore anything, really like, so it's a standard. And honestly,

0:36:38.000 --> 0:36:41.960
<v Speaker 1>I just think that literally wore anything today, literally literally

0:36:42.560 --> 0:36:48.799
<v Speaker 1>literally literally did that. So I'm sorry, holy ship y'all,

0:36:50.920 --> 0:36:54.399
<v Speaker 1>but really, women, we as a as a black woman,

0:36:54.560 --> 0:36:56.600
<v Speaker 1>So you mean to tell me you judged all day

0:36:56.719 --> 0:36:58.640
<v Speaker 1>like you can't go to if you can't go to

0:36:58.719 --> 0:37:02.160
<v Speaker 1>Dwayne Weed without Well, thank god for the mass mandate,

0:37:03.160 --> 0:37:05.080
<v Speaker 1>because if we don't have to wear masks, they would

0:37:05.120 --> 0:37:08.720
<v Speaker 1>expect you to wear a full beat and be slain

0:37:08.920 --> 0:37:13.360
<v Speaker 1>and snatched. The whole pandemic like in the airport, how

0:37:13.520 --> 0:37:16.000
<v Speaker 1>they made the whole bonnet controversy. That's the wind rags

0:37:16.000 --> 0:37:17.680
<v Speaker 1>all the time. It's not for a female, do rag?

0:37:18.280 --> 0:37:20.120
<v Speaker 1>You mean? Sometimes I run out with my bond and

0:37:20.120 --> 0:37:21.719
<v Speaker 1>I'll be like, oh my god, I forgot, but I

0:37:21.760 --> 0:37:24.719
<v Speaker 1>don't want my edges to be laid. Like literally before

0:37:24.719 --> 0:37:26.440
<v Speaker 1>I pulled up, I took my star for because I'm like,

0:37:26.480 --> 0:37:28.320
<v Speaker 1>if I go in there with this one, if somebody

0:37:28.360 --> 0:37:30.360
<v Speaker 1>sneak a picture, they go out this a bit just anything.

0:37:30.800 --> 0:37:33.440
<v Speaker 1>So people just say whatever they want about females. Males

0:37:33.480 --> 0:37:35.640
<v Speaker 1>have the privilege they don't have to go to sound

0:37:35.760 --> 0:37:43.080
<v Speaker 1>check I'm pretty, and they're not allowed to. Like now

0:37:43.239 --> 0:37:45.319
<v Speaker 1>it's a standard where you know a lot of people

0:37:45.360 --> 0:37:47.680
<v Speaker 1>they want to walk around bust down from the risk

0:37:47.960 --> 0:37:50.120
<v Speaker 1>to the to the to the ripped up like now

0:37:50.239 --> 0:37:54.640
<v Speaker 1>everybody want to look esthetically, you know. Correct for women,

0:37:54.920 --> 0:37:56.800
<v Speaker 1>if you just had a baby, they expect you to

0:37:58.560 --> 0:38:01.680
<v Speaker 1>day because us there are certain people just like, damn,

0:38:01.719 --> 0:38:03.920
<v Speaker 1>how she have a baby and she don't even look

0:38:04.000 --> 0:38:06.360
<v Speaker 1>like it. Let you come out and have a baby

0:38:06.560 --> 0:38:09.080
<v Speaker 1>and a year later your body is still holding onto

0:38:09.120 --> 0:38:11.239
<v Speaker 1>that weight or that stressing, that postpartum and you have

0:38:11.320 --> 0:38:16.400
<v Speaker 1>a breakdown. This crazy everything will be held against you

0:38:16.520 --> 0:38:18.400
<v Speaker 1>as a female in this industry. And I can attest

0:38:18.400 --> 0:38:20.320
<v Speaker 1>to that because I've I've dealt with it. I have

0:38:20.440 --> 0:38:22.759
<v Speaker 1>social media. I ever got on your your nerves where

0:38:22.800 --> 0:38:25.080
<v Speaker 1>it's like you didn't want to, you didn't want to.

0:38:25.719 --> 0:38:27.919
<v Speaker 1>Is there any like a room whatever spread through social

0:38:27.960 --> 0:38:31.520
<v Speaker 1>media that wasn't true that got to you. I used

0:38:31.560 --> 0:38:35.120
<v Speaker 1>to I used to realize that I would react to everything.

0:38:35.480 --> 0:38:37.440
<v Speaker 1>I think. It's my Napoleon comparens on what they gotta do.

0:38:37.520 --> 0:38:46.399
<v Speaker 1>Is I accept all? And I think my service like yeah,

0:38:46.840 --> 0:38:48.480
<v Speaker 1>because I know what I'm sure. I always know that

0:38:48.560 --> 0:38:50.319
<v Speaker 1>my personality has to be big. So when I enter

0:38:50.400 --> 0:38:52.040
<v Speaker 1>the room, I'm just like my whole way is T'm

0:38:52.040 --> 0:38:54.840
<v Speaker 1>gonna get out this motherfucker. And I have like a

0:38:57.480 --> 0:38:59.000
<v Speaker 1>you know, like you have a walk in someplace, you'd

0:38:59.000 --> 0:39:00.399
<v Speaker 1>be like, I don't know what the vibe gonna give.

0:39:00.520 --> 0:39:02.759
<v Speaker 1>I already knew what it's gonna give it head like family.

0:39:03.640 --> 0:39:07.160
<v Speaker 1>But there's places I go I'm like like, like what

0:39:07.400 --> 0:39:08.719
<v Speaker 1>is given? So I don't know what I'm gonna have

0:39:08.760 --> 0:39:14.000
<v Speaker 1>to do with sometimes to be higher places, but you

0:39:14.000 --> 0:39:16.200
<v Speaker 1>don't know who y'all lying you. This is real, like

0:39:16.280 --> 0:39:18.479
<v Speaker 1>people trying to get you there just so they could claim,

0:39:18.600 --> 0:39:20.320
<v Speaker 1>or they'll pay you to come somewhere just to be

0:39:20.400 --> 0:39:22.960
<v Speaker 1>on some bullshit or they're paying, they're just like, yeah,

0:39:22.960 --> 0:39:25.440
<v Speaker 1>we're gonna keep on pushing it back, like not the fun.

0:39:25.760 --> 0:39:27.880
<v Speaker 1>I have an O C D complex as well. It's

0:39:27.920 --> 0:39:30.239
<v Speaker 1>like if I'm late, I literally have a mental break

0:39:30.280 --> 0:39:33.080
<v Speaker 1>that they'd like, calm the funk dead, like stop acting

0:39:33.160 --> 0:39:35.680
<v Speaker 1>like that. But I realized I've learned how to overcome

0:39:35.960 --> 0:39:37.920
<v Speaker 1>some of my insecurities what they call them. But I

0:39:38.080 --> 0:39:39.919
<v Speaker 1>just like, no, it's just certain things that I've dealt

0:39:39.960 --> 0:39:44.719
<v Speaker 1>with all my life. So it's just like scorp that

0:39:44.920 --> 0:39:50.080
<v Speaker 1>novem me pup draking and people people think that we're weird.

0:39:50.440 --> 0:39:54.799
<v Speaker 1>We're just missundersmelling you come out all right, you don't

0:39:54.880 --> 0:39:58.759
<v Speaker 1>like noc is. I just feel that everybody wants to

0:39:58.800 --> 0:40:02.040
<v Speaker 1>be a Scorpio because we think four people. So I've

0:40:02.120 --> 0:40:04.920
<v Speaker 1>never got into anything or seeing anything on the internet.

0:40:05.000 --> 0:40:07.239
<v Speaker 1>They're one things that I've seen and I'm just like,

0:40:07.360 --> 0:40:09.160
<v Speaker 1>I don't even go with that person no more deal

0:40:09.200 --> 0:40:11.200
<v Speaker 1>with them. So it'd be all something. I'll be a

0:40:11.320 --> 0:40:13.600
<v Speaker 1>people like, yeah, well what about that time. I'm like this,

0:40:13.800 --> 0:40:16.320
<v Speaker 1>that was two years ago? You still thinking about I

0:40:16.360 --> 0:40:18.240
<v Speaker 1>don't had a whole another I have a whole another

0:40:18.520 --> 0:40:22.000
<v Speaker 1>life now, like, and I know that people love to

0:40:22.040 --> 0:40:23.759
<v Speaker 1>live in the past, but they don't want I don't

0:40:23.800 --> 0:40:25.440
<v Speaker 1>live there no more. So if you're still there, then

0:40:25.719 --> 0:40:29.200
<v Speaker 1>you know I'm not there anymore. So I used to

0:40:29.320 --> 0:40:31.799
<v Speaker 1>react to everything. People would say something. I'd be like, bitch,

0:40:31.840 --> 0:40:34.879
<v Speaker 1>we'll pull up sinnaty, we hunt you damn. And that's

0:40:34.920 --> 0:40:38.759
<v Speaker 1>weird because you say that to people. Yeah, yeah, you

0:40:38.840 --> 0:40:42.800
<v Speaker 1>gotta stop that. Yeah, I was wilding out, but honestly

0:40:42.880 --> 0:40:45.400
<v Speaker 1>that's when I was get high. So you mean, so

0:40:45.920 --> 0:40:48.080
<v Speaker 1>you telling me there should be people on Twitter. I'm

0:40:48.080 --> 0:40:53.239
<v Speaker 1>assuming Twitter slash greatest place on Earth because like you

0:40:53.320 --> 0:40:55.440
<v Speaker 1>can use it for the whole school on there. It

0:40:55.560 --> 0:40:59.440
<v Speaker 1>was this one girl said something and I because that

0:40:59.640 --> 0:41:04.239
<v Speaker 1>I come from jokes like yeah, and then the whole

0:41:04.280 --> 0:41:06.080
<v Speaker 1>school jumping, and I was just like yeah, but look

0:41:06.080 --> 0:41:07.759
<v Speaker 1>at this bitch that go to your school. I just

0:41:07.840 --> 0:41:09.600
<v Speaker 1>kept on pulling that one thing I've learned, it's like

0:41:09.880 --> 0:41:13.160
<v Speaker 1>when you're getting it. I'm around all comedians a lot

0:41:13.400 --> 0:41:15.759
<v Speaker 1>from Cat Williams, like just to certain people, so it's

0:41:15.800 --> 0:41:18.440
<v Speaker 1>like that's all we do is joke. But I realized

0:41:18.480 --> 0:41:22.200
<v Speaker 1>that people can't take a joke and those people they

0:41:22.239 --> 0:41:24.440
<v Speaker 1>don't know what. Let me just tell you, you're also petty.

0:41:25.000 --> 0:41:27.480
<v Speaker 1>I am, yeah, because I'm a petty president and you

0:41:27.640 --> 0:41:32.120
<v Speaker 1>described he just cribed a lot. But I've learned, so

0:41:32.239 --> 0:41:34.320
<v Speaker 1>you so yeah, what y'all used to call it jonah

0:41:34.400 --> 0:41:39.080
<v Speaker 1>joking cracking snap. Yeah, so we're snapped. So I'm thinking that, oh,

0:41:39.280 --> 0:41:41.640
<v Speaker 1>if they follow me, they know what I'm giving. They

0:41:41.719 --> 0:41:43.799
<v Speaker 1>know with vibal on. So when I realized people are

0:41:43.800 --> 0:41:45.719
<v Speaker 1>getting offendsed like why would you say that? And I

0:41:45.840 --> 0:41:50.360
<v Speaker 1>was just like damn, like they was in college. I

0:41:50.360 --> 0:41:52.040
<v Speaker 1>don't never best with nobody kids. I don't play with

0:41:52.080 --> 0:41:53.759
<v Speaker 1>people kids. I don't even play with my own Like

0:41:53.840 --> 0:41:55.560
<v Speaker 1>it's your certain levels. You know what I'm saying. But

0:41:55.680 --> 0:41:58.000
<v Speaker 1>if you're on the internet and you come for me

0:41:58.120 --> 0:41:59.600
<v Speaker 1>and you're a kid, I would like put your mother

0:41:59.680 --> 0:42:02.160
<v Speaker 1>on the phone because if my child did that, I'll

0:42:02.160 --> 0:42:04.320
<v Speaker 1>be like, don't you disrespect? Nor don't I'll play that

0:42:04.440 --> 0:42:06.399
<v Speaker 1>I don't like that. That's where I joined the line.

0:42:06.400 --> 0:42:08.560
<v Speaker 1>But you never know who's who behind that, but you

0:42:08.640 --> 0:42:10.399
<v Speaker 1>could pretty much tell when they try to say something

0:42:11.120 --> 0:42:13.200
<v Speaker 1>corn of your kid, you feel me. But I had

0:42:13.239 --> 0:42:16.160
<v Speaker 1>to get out of that because that's like a defense mechanism,

0:42:16.239 --> 0:42:18.120
<v Speaker 1>which I realized was a part of my complex because

0:42:18.120 --> 0:42:20.320
<v Speaker 1>I always felt that I had to defend myself. So

0:42:20.360 --> 0:42:24.359
<v Speaker 1>I realized, stop, you know, reacting to everything ignored. Why

0:42:24.400 --> 0:42:28.000
<v Speaker 1>do you can't you feel me? Because if you're pre

0:42:28.360 --> 0:42:33.680
<v Speaker 1>social media, you're gonna yeah. Because like we literally, me

0:42:33.800 --> 0:42:35.719
<v Speaker 1>and Missy who were sitting in the studio, we used

0:42:35.719 --> 0:42:39.000
<v Speaker 1>to joke like all day. That was as soon as

0:42:39.040 --> 0:42:41.279
<v Speaker 1>we get there, we're working between but it was just

0:42:41.400 --> 0:42:43.680
<v Speaker 1>like I don't know this, Nick ain't got don't know

0:42:43.800 --> 0:42:46.319
<v Speaker 1>goddamn so and it was just like just keep going

0:42:46.360 --> 0:42:48.239
<v Speaker 1>and going. We would joke for hours but begin to

0:42:48.280 --> 0:42:50.440
<v Speaker 1>to hit records time. So that's what I was used to.

0:42:50.560 --> 0:42:52.800
<v Speaker 1>So when I thought I was sharing my personality, I

0:42:52.920 --> 0:42:55.759
<v Speaker 1>realized people were taking it personal. And that's where you know,

0:42:55.880 --> 0:42:58.080
<v Speaker 1>you gotta learn how to join the line and realize

0:42:58.120 --> 0:43:03.160
<v Speaker 1>everybody and your friend and every but everything ain't funny noise.

0:43:05.480 --> 0:43:08.759
<v Speaker 1>You guys are far too fine. Was hot boys came?

0:43:09.480 --> 0:43:14.000
<v Speaker 1>Boys drop them before? Yes, it was like literally it

0:43:14.080 --> 0:43:16.239
<v Speaker 1>was like a domino effect. Okay, once we did hot

0:43:16.280 --> 0:43:18.759
<v Speaker 1>boys didn't put it on? Everything came Okay, So how

0:43:18.880 --> 0:43:20.279
<v Speaker 1>does how do you get this call for put it

0:43:20.360 --> 0:43:24.400
<v Speaker 1>on me? Is it seven? Will call you? Rules? Call you? Okay?

0:43:24.680 --> 0:43:29.320
<v Speaker 1>Described the score and I was in I was in Baltimore,

0:43:29.800 --> 0:43:32.480
<v Speaker 1>Baltsmore in North Carolina. I was somewhere and um, I

0:43:32.560 --> 0:43:34.880
<v Speaker 1>got the call. Was just like listen, his albums already done,

0:43:34.920 --> 0:43:37.239
<v Speaker 1>so I had already. Did I cry? You did? I

0:43:37.360 --> 0:43:39.879
<v Speaker 1>cried first? Yes, the album was done, the album was even.

0:43:40.320 --> 0:43:42.080
<v Speaker 1>Put It on Me came out first. Put It on

0:43:42.200 --> 0:43:45.320
<v Speaker 1>Me was already on the album. But the word and

0:43:45.440 --> 0:43:48.040
<v Speaker 1>the way that I got it was like, um, after

0:43:48.120 --> 0:43:49.480
<v Speaker 1>they did. I think the song. I think it was

0:43:49.560 --> 0:43:51.520
<v Speaker 1>every little thing that we did. I think it was

0:43:51.600 --> 0:43:55.640
<v Speaker 1>that one um the big records, and I think DMX

0:43:55.800 --> 0:43:58.160
<v Speaker 1>was coming out. It was like def jam used to

0:43:58.200 --> 0:44:00.280
<v Speaker 1>be a machine, but if you ain't selling soon amount,

0:44:00.320 --> 0:44:03.359
<v Speaker 1>they will drop or shield your ask. Because here's how

0:44:03.440 --> 0:44:05.640
<v Speaker 1>I kind of kind of thought of it, and um,

0:44:05.920 --> 0:44:07.480
<v Speaker 1>you tell me every little thing that you do was

0:44:07.520 --> 0:44:09.800
<v Speaker 1>out before Putty put it on me. Yeah, okay, I

0:44:09.880 --> 0:44:12.800
<v Speaker 1>didn't remember that. I can't tell you that. So that

0:44:12.960 --> 0:44:14.960
<v Speaker 1>was that was a single that was running around him

0:44:14.960 --> 0:44:16.640
<v Speaker 1>and Christine a million, But I guess it was what

0:44:16.760 --> 0:44:19.440
<v Speaker 1>it was. It was. It was like dying down and

0:44:19.600 --> 0:44:21.880
<v Speaker 1>so IRV was just like, yo, I need you for

0:44:21.960 --> 0:44:25.440
<v Speaker 1>this record. The record is done, but you know I

0:44:25.520 --> 0:44:27.520
<v Speaker 1>need you to come up with that right track. Studio.

0:44:27.719 --> 0:44:29.879
<v Speaker 1>There was the engineer, I said, everybody get out. There

0:44:30.000 --> 0:44:32.120
<v Speaker 1>was the engineer. Young girl. You know what that you

0:44:32.200 --> 0:44:34.480
<v Speaker 1>know what it is? Young girl? A little girl. Yeah.

0:44:35.800 --> 0:44:40.040
<v Speaker 1>I went in there and I literally didn't write anything down.

0:44:40.120 --> 0:44:42.400
<v Speaker 1>I started. I would take me from the top and

0:44:42.440 --> 0:44:44.879
<v Speaker 1>I'm gonna work my way down. So I started off

0:44:45.400 --> 0:44:48.080
<v Speaker 1>with the intro and I sang it between and like

0:44:48.200 --> 0:44:50.560
<v Speaker 1>I literally did it like homework. I started from the top.

0:44:50.640 --> 0:44:52.320
<v Speaker 1>See me to tell me when you walk in the studio,

0:44:52.400 --> 0:44:55.640
<v Speaker 1>they don't have this already laid off for you know.

0:44:55.719 --> 0:44:57.120
<v Speaker 1>They didn't tell me what to say, what this thing

0:44:57.480 --> 0:44:59.800
<v Speaker 1>that was for you? Yeah, a lot of people, but

0:45:00.120 --> 0:45:02.000
<v Speaker 1>that's how I work. Is just like play me something

0:45:02.160 --> 0:45:03.560
<v Speaker 1>or play me a beat. I'm gonna do what I

0:45:03.600 --> 0:45:05.239
<v Speaker 1>do and I'm gonna leave. I'm gonna kick everybody out

0:45:05.239 --> 0:45:06.960
<v Speaker 1>the room because when I'm in my space and then

0:45:07.000 --> 0:45:09.080
<v Speaker 1>in my zone and I know that it has to

0:45:09.120 --> 0:45:11.480
<v Speaker 1>be a hit record. Like Missy told me that too.

0:45:11.680 --> 0:45:13.600
<v Speaker 1>Don't let nobody in it because if you were working

0:45:13.800 --> 0:45:16.680
<v Speaker 1>as a school teacher, if you work at scientists, yeah

0:45:17.000 --> 0:45:19.640
<v Speaker 1>nobody can stand on. But some people are having a

0:45:19.640 --> 0:45:21.320
<v Speaker 1>million people in there. In my anxiety, I'd be like,

0:45:21.440 --> 0:45:23.319
<v Speaker 1>can y'all please get out? Because of my message? Why

0:45:23.360 --> 0:45:25.360
<v Speaker 1>I like that having a million people that I started

0:45:25.360 --> 0:45:27.719
<v Speaker 1>writing rhymes in jail, you know what I'm saying. So, yeah,

0:45:27.719 --> 0:45:31.600
<v Speaker 1>it's horrible. Um, yeah, so I was used to noise.

0:45:31.640 --> 0:45:34.239
<v Speaker 1>I was used to like you know, like what I

0:45:34.280 --> 0:45:36.880
<v Speaker 1>don't know if you ever seen Malcolm Max said he

0:45:37.320 --> 0:45:39.200
<v Speaker 1>used to sit down and look at the light and

0:45:39.320 --> 0:45:41.120
<v Speaker 1>he would read. I would do that too, but I

0:45:41.160 --> 0:45:45.080
<v Speaker 1>would read to write rhymes. But if you at jail

0:45:45.120 --> 0:45:47.680
<v Speaker 1>at night when you're writing rhymes, it's the most awkwardest

0:45:48.120 --> 0:45:51.680
<v Speaker 1>sounds every but it's chaos. So you're here, dude, oh

0:45:53.320 --> 0:45:56.880
<v Speaker 1>miss my mom, you're here due jerking off and you

0:45:57.000 --> 0:45:59.920
<v Speaker 1>like like like Yeah, it's just created so many It's

0:46:00.040 --> 0:46:02.400
<v Speaker 1>so so I got used to And first off, I

0:46:02.520 --> 0:46:05.000
<v Speaker 1>used to had the right rhymes to the radio station.

0:46:05.400 --> 0:46:08.080
<v Speaker 1>I didn't have beats in jail, so I would hear

0:46:08.120 --> 0:46:09.879
<v Speaker 1>a radio station, I would have to write my room

0:46:10.040 --> 0:46:12.920
<v Speaker 1>over over you. So I got so used and accustomed

0:46:12.920 --> 0:46:14.919
<v Speaker 1>to that that if I have peace and quiet, I'm

0:46:14.960 --> 0:46:23.840
<v Speaker 1>not at peace and quiet I needs because if I

0:46:23.920 --> 0:46:25.520
<v Speaker 1>hear something, I'm like, what's going on over there? I

0:46:25.640 --> 0:46:27.560
<v Speaker 1>can't focus. But I've learned how to focus, but I

0:46:27.600 --> 0:46:29.440
<v Speaker 1>don't want nobody in there because if I mess up,

0:46:29.719 --> 0:46:31.800
<v Speaker 1>I just feel like I'm shrinking. So it's just like,

0:46:31.960 --> 0:46:35.239
<v Speaker 1>you know, literally less, it's more for me, And it's

0:46:35.280 --> 0:46:37.480
<v Speaker 1>crazy it happens. You got the right track and corner

0:46:37.520 --> 0:46:41.000
<v Speaker 1>studio with the gold door because Guro had his own room.

0:46:42.080 --> 0:46:48.759
<v Speaker 1>So I literally had to do the song that day.

0:46:49.120 --> 0:46:51.280
<v Speaker 1>And then they scared me because they was just like, Okay,

0:46:51.320 --> 0:46:55.239
<v Speaker 1>well you can't leave yet because Leo's coming. Wow. And

0:46:55.320 --> 0:46:59.920
<v Speaker 1>I had met Leo previous to that because I was

0:47:00.000 --> 0:47:02.440
<v Speaker 1>gonna sign a def jam. Tina Davis and Kevin lost

0:47:04.280 --> 0:47:08.000
<v Speaker 1>Davis an empire right now, Kevin, now that you're still

0:47:08.040 --> 0:47:09.960
<v Speaker 1>on the elector at this time. Yeah, yeah, I was

0:47:10.000 --> 0:47:13.840
<v Speaker 1>on the lecture at that time. But um, I remember

0:47:14.000 --> 0:47:15.719
<v Speaker 1>Leo came in and he was standing there. He was

0:47:15.760 --> 0:47:19.920
<v Speaker 1>just like like, you know, he's he doesn't give you

0:47:20.080 --> 0:47:25.719
<v Speaker 1>expression or emotion. He's man of little to very little emotions. Yeah,

0:47:25.800 --> 0:47:30.880
<v Speaker 1>he was like, this is a like I'm just like

0:47:31.000 --> 0:47:35.560
<v Speaker 1>a man. That was it. And literally once we recorded

0:47:35.600 --> 0:47:38.400
<v Speaker 1>the record, IRV was ahead of the game whether dem

0:47:38.520 --> 0:47:41.080
<v Speaker 1>jam was gonna prove it, approve it or not. He

0:47:41.280 --> 0:47:44.240
<v Speaker 1>was already on the sky Tell texted all the p ds,

0:47:44.560 --> 0:47:46.759
<v Speaker 1>I'm about to send your record. So during mixing then

0:47:46.800 --> 0:47:48.279
<v Speaker 1>we sent it out, he was like, you ready to

0:47:48.360 --> 0:47:50.320
<v Speaker 1>be the funk out of here. I'm ready to be

0:47:50.400 --> 0:47:55.040
<v Speaker 1>the fun. And after that the floodgates open. So Hot

0:47:55.080 --> 0:47:58.160
<v Speaker 1>Boys already introduced me to the world, put it on me,

0:47:58.280 --> 0:48:01.960
<v Speaker 1>gave me the world. So wow, that's that was hard.

0:48:02.680 --> 0:48:07.839
<v Speaker 1>So so at one point you and Jabu had some discrepancies, right,

0:48:08.239 --> 0:48:10.320
<v Speaker 1>is that before I cried? You know, you say I

0:48:10.400 --> 0:48:13.040
<v Speaker 1>cried was recorded prior to that. But I think I

0:48:13.160 --> 0:48:15.200
<v Speaker 1>seen you on one or six in part one, right,

0:48:16.160 --> 0:48:18.520
<v Speaker 1>and I think it was a G unit type of thing,

0:48:18.800 --> 0:48:24.719
<v Speaker 1>and I think you kind of I'm correct. Already sounds crazy. Um,

0:48:25.400 --> 0:48:28.360
<v Speaker 1>and I think what you accused him of was you

0:48:28.440 --> 0:48:30.600
<v Speaker 1>said that they didn't pay you for the record, so

0:48:30.719 --> 0:48:33.200
<v Speaker 1>they didn't pay you for the video or something like that.

0:48:33.239 --> 0:48:36.000
<v Speaker 1>I don't remember what it was for anything. Wait, wait

0:48:36.080 --> 0:48:39.120
<v Speaker 1>a minute, what not even publishing them? I later got

0:48:39.200 --> 0:48:45.840
<v Speaker 1>two point five later. Yeah, you have to fight for it. Yeah, okay,

0:48:46.160 --> 0:48:48.160
<v Speaker 1>but that's why God makes some mistakes. Yeah, so I

0:48:48.280 --> 0:48:51.040
<v Speaker 1>did the record. The album has already done. Put it

0:48:51.160 --> 0:48:54.440
<v Speaker 1>on me, I cry, Okay, I cried. It's cool that

0:48:54.600 --> 0:48:57.160
<v Speaker 1>I got my right percent. Put it on me once

0:48:57.200 --> 0:49:00.200
<v Speaker 1>I'm taking off it had it had did some many

0:49:00.239 --> 0:49:02.000
<v Speaker 1>weeks on one of six in Park at number one.

0:49:02.400 --> 0:49:05.759
<v Speaker 1>People were accusing because they said, def jam be paying

0:49:05.800 --> 0:49:08.000
<v Speaker 1>for number one, but they were like, no, we can't

0:49:08.120 --> 0:49:10.320
<v Speaker 1>fake a number one here because you have to actually

0:49:10.400 --> 0:49:11.920
<v Speaker 1>call in and they have to tally like with the

0:49:12.000 --> 0:49:14.480
<v Speaker 1>radio station when you get requests, you have to literally

0:49:14.600 --> 0:49:15.960
<v Speaker 1>keep a log of it or if you could get

0:49:16.000 --> 0:49:18.239
<v Speaker 1>in trouble. So we would number one so much that

0:49:18.320 --> 0:49:21.200
<v Speaker 1>they had brought us on to retire the record, and

0:49:21.440 --> 0:49:25.400
<v Speaker 1>I wasn't trying to time. I don't I think we

0:49:25.440 --> 0:49:27.600
<v Speaker 1>would have first soldier boy, we was the first to

0:49:27.680 --> 0:49:35.120
<v Speaker 1>retire record. That was when we retired. We literally had

0:49:35.160 --> 0:49:37.880
<v Speaker 1>to retire because people were other labels and people were

0:49:37.920 --> 0:49:40.080
<v Speaker 1>complaining like, how can we can never get number one?

0:49:40.280 --> 0:49:42.640
<v Speaker 1>Just like nobody wants your record to be y'all are

0:49:42.640 --> 0:49:46.960
<v Speaker 1>not getting that many calls. So I'm thinking I was thinking, like, oh,

0:49:48.080 --> 0:49:51.000
<v Speaker 1>this record been out, that check gonna be crazy. I'm

0:49:51.040 --> 0:49:53.600
<v Speaker 1>gonna have as Martin would say, whoo woo whoa woo

0:49:53.880 --> 0:49:56.239
<v Speaker 1>who And when it wasn't a woo woo whoo whoa,

0:49:56.680 --> 0:49:58.839
<v Speaker 1>I had began to inquire and I'm just like, well,

0:49:59.640 --> 0:50:01.719
<v Speaker 1>what's up. I didn't charge your fee for it. I

0:50:01.880 --> 0:50:03.880
<v Speaker 1>drove up there on my own dime, this and that.

0:50:04.120 --> 0:50:07.279
<v Speaker 1>But what I see now is is if you don't

0:50:07.280 --> 0:50:10.759
<v Speaker 1>handle your admit, that's when I'm really strict. And the label, well,

0:50:10.840 --> 0:50:13.399
<v Speaker 1>the independent label that went now the Faculty Music Group,

0:50:13.560 --> 0:50:15.759
<v Speaker 1>we're real ship, Like we'll have the song literally, I

0:50:15.840 --> 0:50:18.120
<v Speaker 1>have the song on my phone, but until we get

0:50:18.160 --> 0:50:20.680
<v Speaker 1>the clearances and the splits are agreed and all the

0:50:20.680 --> 0:50:23.920
<v Speaker 1>paperworkers right this record, You're kid the light of day

0:50:24.080 --> 0:50:26.160
<v Speaker 1>because you have to be. You never know what song

0:50:26.320 --> 0:50:29.919
<v Speaker 1>will be out of here or you know what I'm saying,

0:50:30.080 --> 0:50:32.160
<v Speaker 1>and I didn't handle my paperwork. But after that I

0:50:32.280 --> 0:50:34.600
<v Speaker 1>learned to like, oh, yeah, I'll sing on your record

0:50:34.719 --> 0:50:36.719
<v Speaker 1>and I won't even charge your feet, but i'll charge

0:50:36.719 --> 0:50:39.560
<v Speaker 1>your higher percentage and higher points. So just get me

0:50:39.600 --> 0:50:41.279
<v Speaker 1>on the back end. That's what that means. She's just like,

0:50:41.600 --> 0:50:43.320
<v Speaker 1>what said the three points? Then it just give me

0:50:43.440 --> 0:50:47.760
<v Speaker 1>four maybe fact which the long periods. Yeah, yeah, because

0:50:48.040 --> 0:50:49.840
<v Speaker 1>a lot of times people are trying to give you

0:50:50.640 --> 0:50:54.400
<v Speaker 1>advance or artists stipend or you know, a fee, and

0:50:54.440 --> 0:50:57.160
<v Speaker 1>then they don't want to give you. Yeah, be like, no,

0:50:57.320 --> 0:51:00.160
<v Speaker 1>I can't be bored. So what exactly happened that Park thing?

0:51:00.239 --> 0:51:02.600
<v Speaker 1>What was what was being said? If my memory sold

0:51:02.680 --> 0:51:06.360
<v Speaker 1>me correctly, I remember we were introducing a video and

0:51:06.480 --> 0:51:09.319
<v Speaker 1>at the end of whatever it was, I just said,

0:51:09.520 --> 0:51:12.600
<v Speaker 1>g unit, and I didn't know they was gonna keep it.

0:51:12.760 --> 0:51:14.800
<v Speaker 1>I thought the mix was off, and they kept it,

0:51:14.880 --> 0:51:19.000
<v Speaker 1>and I realized, ship, here we go. But let me

0:51:19.120 --> 0:51:23.400
<v Speaker 1>just give the backstory. I didn't honestly know the premise

0:51:23.600 --> 0:51:26.600
<v Speaker 1>of what was going on between them, but but you

0:51:26.640 --> 0:51:29.400
<v Speaker 1>didn't know it was at odds. I didn't know how

0:51:29.440 --> 0:51:31.560
<v Speaker 1>serious it was because before I did put it on

0:51:31.640 --> 0:51:34.520
<v Speaker 1>me before I did I cry. I did Somebody's Gonna

0:51:34.600 --> 0:51:37.080
<v Speaker 1>Die Tonight for the Romeo Must Die soundtrack with Dave

0:51:37.160 --> 0:51:41.719
<v Speaker 1>bing Bank. Dave bing b I n G. And he

0:51:41.880 --> 0:51:43.600
<v Speaker 1>was he was with Murdered eight. So that's how I

0:51:43.719 --> 0:51:47.320
<v Speaker 1>got to be a Roman. So anytime that movie plays like,

0:51:47.440 --> 0:51:49.520
<v Speaker 1>I'm just like whoa. The admin was great on that,

0:51:49.600 --> 0:51:51.719
<v Speaker 1>so I thought everything would be right. But it was

0:51:51.800 --> 0:51:54.359
<v Speaker 1>something that happened at the video set and I remember see,

0:51:54.400 --> 0:51:57.000
<v Speaker 1>I know fifty before he did have to row and

0:51:57.160 --> 0:51:59.560
<v Speaker 1>went went around that top. My whole boy, Barry, we

0:51:59.680 --> 0:52:02.480
<v Speaker 1>was right and songs in my whole voice. Uh. He

0:52:02.600 --> 0:52:06.319
<v Speaker 1>had a joint South in Jamaica States. So we wrote

0:52:06.360 --> 0:52:08.880
<v Speaker 1>a song called gay Yeah. Right by the way. It

0:52:09.000 --> 0:52:11.200
<v Speaker 1>used to be a white Castle right there. So we

0:52:11.360 --> 0:52:13.239
<v Speaker 1>was writing a song called fro Gayzy. And this was

0:52:13.360 --> 0:52:15.759
<v Speaker 1>before he was shot, and so he'd be like, this

0:52:15.800 --> 0:52:17.880
<v Speaker 1>is my homie fifty yo, he's about to blow. He

0:52:17.920 --> 0:52:19.400
<v Speaker 1>got a better fact he just had did how to

0:52:19.480 --> 0:52:21.400
<v Speaker 1>rob it. I'm just like, yo, you dope. We did

0:52:21.480 --> 0:52:25.000
<v Speaker 1>songs on the spot and after that the situation happened,

0:52:25.640 --> 0:52:29.000
<v Speaker 1>and you know, I wasn't never involved. One thing I

0:52:29.120 --> 0:52:32.439
<v Speaker 1>realized is don't get in grown men's beef. Be a lady.

0:52:32.880 --> 0:52:35.000
<v Speaker 1>I knew that enough, so when stuff was happening, I'm thinking, oh,

0:52:35.040 --> 0:52:37.200
<v Speaker 1>that's just industry stuff. Ain't nothing gonna happen, but it

0:52:37.280 --> 0:52:40.080
<v Speaker 1>was real. So I had inserted myself and something that

0:52:40.160 --> 0:52:43.160
<v Speaker 1>I had really no business and I said something I

0:52:43.239 --> 0:52:46.040
<v Speaker 1>think on Hot ninety seven one time that I used

0:52:46.080 --> 0:52:49.160
<v Speaker 1>to fill in for starring Buck Wild and I filled

0:52:49.160 --> 0:52:51.320
<v Speaker 1>in and I said something, I did three things you

0:52:51.360 --> 0:52:55.239
<v Speaker 1>should never do against uh. I think it was like

0:52:55.400 --> 0:52:57.239
<v Speaker 1>whatever it was I said, and the last thing was

0:52:57.520 --> 0:53:00.279
<v Speaker 1>never ever put out a disc record against I think

0:53:00.320 --> 0:53:02.600
<v Speaker 1>it was somebody had tried to dis eminem and fifty

0:53:02.640 --> 0:53:04.640
<v Speaker 1>whatever it was. And I got a call from Mona

0:53:04.680 --> 0:53:07.440
<v Speaker 1>Scott and Chris Lidy and Sylvia Row was just like,

0:53:08.320 --> 0:53:10.440
<v Speaker 1>be a lady, don't join in the men's beause that

0:53:10.480 --> 0:53:13.120
<v Speaker 1>don't have nothing to do with you. And that from there,

0:53:13.120 --> 0:53:14.839
<v Speaker 1>I was just like, all right, bad because I thought

0:53:14.880 --> 0:53:17.759
<v Speaker 1>it was, you know, industry beat that we labels are

0:53:18.480 --> 0:53:20.800
<v Speaker 1>being cohoes, and be like, all right, it's gonna but

0:53:21.000 --> 0:53:23.360
<v Speaker 1>now we're getting get to a port where it's just like,

0:53:23.560 --> 0:53:24.880
<v Speaker 1>this is stuff that don't have nothing to do with

0:53:25.000 --> 0:53:27.719
<v Speaker 1>the industry and you don't have nothing to do with

0:53:27.840 --> 0:53:37.200
<v Speaker 1>you mind your damn business six super six. So I

0:53:37.239 --> 0:53:39.239
<v Speaker 1>still got some of the mom left. How thin and

0:53:39.360 --> 0:53:41.160
<v Speaker 1>J fix that because here you go, you got this

0:53:41.200 --> 0:53:45.360
<v Speaker 1>great relationship cry and then there's one or six and

0:53:45.440 --> 0:53:47.680
<v Speaker 1>Park thing happened. But what it was crazy, Like I

0:53:47.760 --> 0:53:50.160
<v Speaker 1>think what it was was before the one or six

0:53:50.200 --> 0:53:52.000
<v Speaker 1>and Park things happened. I remember we was, I was

0:53:52.160 --> 0:53:55.120
<v Speaker 1>touring with them because you know, as an artist, sometimes

0:53:55.120 --> 0:53:57.359
<v Speaker 1>in the apartment your cutting you off. As an artist,

0:53:57.400 --> 0:54:00.120
<v Speaker 1>sometimes we don't know what the laby do and don't do,

0:54:00.400 --> 0:54:02.560
<v Speaker 1>like you know, I'm saying so like when I when

0:54:02.640 --> 0:54:05.239
<v Speaker 1>when I saw that, I immediately knew. I was like,

0:54:05.400 --> 0:54:09.040
<v Speaker 1>I don't think she unders she understands how busy he

0:54:09.200 --> 0:54:12.080
<v Speaker 1>is that he's not even paying attention. So once there

0:54:12.120 --> 0:54:14.719
<v Speaker 1>ever a conversation like you calling job prior to that

0:54:14.840 --> 0:54:16.520
<v Speaker 1>and saying, you know what, they didn't pay me on this,

0:54:16.920 --> 0:54:20.680
<v Speaker 1>you know, once I realized he didn't even know. Okay,

0:54:21.120 --> 0:54:26.399
<v Speaker 1>you know, and I realized that, but he even put

0:54:26.400 --> 0:54:28.920
<v Speaker 1>out a disk record on me and yeah, I did

0:54:28.960 --> 0:54:30.320
<v Speaker 1>a who shot you? I was like, I did that?

0:54:30.360 --> 0:54:34.080
<v Speaker 1>Who shot you? Like? Yeah, I was I was saying

0:54:34.200 --> 0:54:36.600
<v Speaker 1>so crazy stuff because I used to really want to

0:54:36.600 --> 0:54:38.759
<v Speaker 1>be a rapper, but I just could say. So it

0:54:38.880 --> 0:54:41.239
<v Speaker 1>was just like, oh, y'all think you're gonna talk crazy

0:54:41.239 --> 0:54:44.320
<v Speaker 1>about me. You must not know my hand an orange jumper.

0:54:47.040 --> 0:54:49.719
<v Speaker 1>You know this is a piece from my ps. So

0:54:49.920 --> 0:54:53.279
<v Speaker 1>because didn't you'll do to the video on Baltomore, I cry, yeah,

0:54:53.320 --> 0:54:56.920
<v Speaker 1>we did that in Cherry Hill. That's like hood like

0:54:57.239 --> 0:54:59.279
<v Speaker 1>it was a shootouts soon as we left, but like

0:54:59.320 --> 0:55:01.719
<v Speaker 1>a fourteen year walking We got y'all like, wait, he

0:55:01.800 --> 0:55:04.360
<v Speaker 1>has a gun? God, whose kid is this? You know

0:55:04.400 --> 0:55:05.759
<v Speaker 1>what I'm saying. But that's when I was just like

0:55:05.840 --> 0:55:08.600
<v Speaker 1>Baltimore really had my back. But before that, it was

0:55:08.680 --> 0:55:12.240
<v Speaker 1>just like I'm just running around hyped up doing shows.

0:55:12.560 --> 0:55:15.200
<v Speaker 1>And I was like, wait, I mean, I know you're

0:55:15.200 --> 0:55:17.840
<v Speaker 1>paying for flight in the hotel, but put them. But

0:55:19.000 --> 0:55:21.120
<v Speaker 1>what I'm gonna tell you this, nobody ever knew this.

0:55:22.640 --> 0:55:24.640
<v Speaker 1>They would saying that they were just on promo. So me,

0:55:24.760 --> 0:55:26.759
<v Speaker 1>promo is just like, okay, I'm out promoting my single.

0:55:26.800 --> 0:55:29.040
<v Speaker 1>We're not getting paid, We're just getting travel stipment just

0:55:29.760 --> 0:55:36.879
<v Speaker 1>by accident. Um booking agent sent me his deposit by accident. Wait, okay,

0:55:37.080 --> 0:55:42.680
<v Speaker 1>who are you talking about again. Okay. So obviously when

0:55:42.719 --> 0:55:44.560
<v Speaker 1>they're saying you're on promo, it's not y'all saying you

0:55:44.680 --> 0:55:49.360
<v Speaker 1>on promo. Promo continued, that's what they were telling my management.

0:55:49.520 --> 0:55:52.000
<v Speaker 1>So one day I get a FedEx and I opened

0:55:52.040 --> 0:55:53.800
<v Speaker 1>it up and the joke was for like it was

0:55:54.400 --> 0:55:57.520
<v Speaker 1>was it was advanced for like four shows, so it's

0:55:57.560 --> 0:55:59.480
<v Speaker 1>like fifty, so that means he was getting twenty five

0:55:59.800 --> 0:56:02.480
<v Speaker 1>the show out and this is a check or this

0:56:02.640 --> 0:56:07.080
<v Speaker 1>is okay. So I'm getting phone calls and they're like, hey,

0:56:07.239 --> 0:56:10.120
<v Speaker 1>I think we know I called them, and I'm just like, uh,

0:56:10.520 --> 0:56:12.239
<v Speaker 1>I gotta check here, but it's not to me what

0:56:12.440 --> 0:56:13.920
<v Speaker 1>y'all post is sent me something else because this is

0:56:14.000 --> 0:56:17.400
<v Speaker 1>fifty dollars advanced for four shows, and the show four

0:56:17.440 --> 0:56:20.680
<v Speaker 1>shows a hundred thousands. Where's my? Like, where's my? I

0:56:20.760 --> 0:56:24.520
<v Speaker 1>called them, you're doing shows for free nine but your

0:56:24.560 --> 0:56:28.560
<v Speaker 1>bus is taken care of, flights were taken care of hotel,

0:56:29.360 --> 0:56:30.880
<v Speaker 1>and for d M. You said okay, yeah, but I

0:56:30.960 --> 0:56:32.920
<v Speaker 1>was singing two songs and I was performing my heart out.

0:56:33.440 --> 0:56:37.600
<v Speaker 1>So the agency called me back and was just like, wow,

0:56:38.480 --> 0:56:42.080
<v Speaker 1>we've never had this mistake in all the time we've

0:56:42.120 --> 0:56:45.239
<v Speaker 1>done bookings? Can you avoid it and send us a copy?

0:56:45.320 --> 0:56:47.840
<v Speaker 1>I avoided it and I sent them. It was like,

0:56:47.920 --> 0:56:50.920
<v Speaker 1>your honesty is what's gonna keep you in this industry.

0:56:52.040 --> 0:56:55.120
<v Speaker 1>And I was just like, let me call and see.

0:56:55.280 --> 0:56:57.200
<v Speaker 1>So y'all are getting paid for shows. There ain't none

0:56:57.200 --> 0:56:59.840
<v Speaker 1>of your fucking business day And I'm just like, a

0:57:00.120 --> 0:57:02.400
<v Speaker 1>who's saying that's none of your business? I spoke to

0:57:02.440 --> 0:57:04.200
<v Speaker 1>I don't know who. At that time, I had a

0:57:04.280 --> 0:57:08.879
<v Speaker 1>different manager, so I'm just like it was like yeah,

0:57:08.880 --> 0:57:11.879
<v Speaker 1>so then she speaks to whoever, and they just like, well,

0:57:12.200 --> 0:57:13.840
<v Speaker 1>we had already had a show book that I remember.

0:57:13.840 --> 0:57:15.279
<v Speaker 1>I think we were in the Chicago at the labor

0:57:15.320 --> 0:57:16.600
<v Speaker 1>and I was like, well, y'all don't have to come

0:57:16.680 --> 0:57:19.480
<v Speaker 1>no more, say no more. One thing about me is

0:57:19.640 --> 0:57:21.439
<v Speaker 1>if I feel uninvited or you tell me, I ain't

0:57:21.440 --> 0:57:23.680
<v Speaker 1>gonna come to there no more, I ain't showing up

0:57:23.960 --> 0:57:25.960
<v Speaker 1>like I'm not gonna beg nobody. That's a scorpion on me.

0:57:26.000 --> 0:57:28.440
<v Speaker 1>I'm not begging you for ship, but I'll sleep outside

0:57:28.480 --> 0:57:30.680
<v Speaker 1>for I beg you to come inside. It's just certain things.

0:57:30.760 --> 0:57:33.160
<v Speaker 1>That's my that's my project. You're telling me. Someone from

0:57:33.200 --> 0:57:35.720
<v Speaker 1>murder Ache said well, that's what the management came back

0:57:35.720 --> 0:57:37.680
<v Speaker 1>and told me. It was like we were we were

0:57:37.720 --> 0:57:39.400
<v Speaker 1>in the middle of the Airport's like, well, y'all can

0:57:39.480 --> 0:57:41.560
<v Speaker 1>go home. But it wasn't my fault that y'all were

0:57:41.600 --> 0:57:44.040
<v Speaker 1>getting paid. We weren't told. So we were doing MTV

0:57:44.200 --> 0:57:46.800
<v Speaker 1>Spring Breaks, BT spring Blinks, doing all of these shows,

0:57:47.200 --> 0:57:49.640
<v Speaker 1>and I'm just like, damn, like, I'm thinking the bad

0:57:49.720 --> 0:57:53.040
<v Speaker 1>gonna run up. I still got bills. I still you know,

0:57:53.680 --> 0:57:55.320
<v Speaker 1>So at the end of the day, that's when it's

0:57:55.400 --> 0:57:58.360
<v Speaker 1>doing to me when Silver Roon said, these a lot

0:57:58.440 --> 0:58:01.240
<v Speaker 1>of motherfucker's ain't your friend. So I stopped going on

0:58:01.320 --> 0:58:03.840
<v Speaker 1>the road, and then it was it was it was

0:58:03.920 --> 0:58:06.960
<v Speaker 1>a hiatus between me and John talking because it went

0:58:07.040 --> 0:58:09.520
<v Speaker 1>from us being like brother and sister too. You know what,

0:58:09.640 --> 0:58:11.880
<v Speaker 1>I'm just gonna just be brother and sister with the

0:58:12.040 --> 0:58:14.800
<v Speaker 1>people that I know that ain't never do nothing shady.

0:58:14.880 --> 0:58:18.360
<v Speaker 1>But then I later realized it you honestly don't know

0:58:18.480 --> 0:58:22.320
<v Speaker 1>who it is or who it was, but um, how

0:58:22.360 --> 0:58:27.640
<v Speaker 1>did we reconcile? I think, uh, we got a show together,

0:58:28.240 --> 0:58:31.200
<v Speaker 1>and it was just like, damn, like, you know what,

0:58:31.600 --> 0:58:35.120
<v Speaker 1>I saw his kids getting bigger, and I'm just like damn,

0:58:35.280 --> 0:58:38.600
<v Speaker 1>Like I was there when when all these kids and

0:58:38.680 --> 0:58:40.640
<v Speaker 1>my nephews and my kids were big, we want to

0:58:40.680 --> 0:58:43.040
<v Speaker 1>go with ya route? How did we let this industry

0:58:43.120 --> 0:58:46.320
<v Speaker 1>coming between that? My nephew literally he just turned like

0:58:46.320 --> 0:58:47.720
<v Speaker 1>I don't want to stay in your I want to

0:58:47.760 --> 0:58:49.520
<v Speaker 1>go with y'all rule, and he would literally come get

0:58:49.560 --> 0:58:51.560
<v Speaker 1>my nephew so he could go chill with them. And

0:58:51.640 --> 0:58:53.880
<v Speaker 1>I'm like, oh damn, but you know they're they're smoking

0:58:54.000 --> 0:58:58.400
<v Speaker 1>merry reply. But it was just like, you know, how

0:58:58.440 --> 0:59:00.520
<v Speaker 1>did we let anything come between that? Like we was?

0:59:01.040 --> 0:59:02.960
<v Speaker 1>We was, you know, we was tight. So I'm like,

0:59:03.080 --> 0:59:07.160
<v Speaker 1>you know what, whatever I said, I apologize because I

0:59:07.320 --> 0:59:09.680
<v Speaker 1>really didn't know what was going on, And maybe you

0:59:09.720 --> 0:59:13.160
<v Speaker 1>don't know either. I'm almost sure I don't know. I've

0:59:13.200 --> 0:59:16.320
<v Speaker 1>never asked him, but I'm almost sure me knowing him,

0:59:16.400 --> 0:59:22.840
<v Speaker 1>he didn't know as an artist, Like as the artist, yeah,

0:59:23.720 --> 0:59:27.400
<v Speaker 1>was crazy. And then I realized that was having ecstasy

0:59:27.520 --> 0:59:30.160
<v Speaker 1>days days I was, and I was one of the

0:59:30.200 --> 0:59:33.800
<v Speaker 1>ecstasy hands. I was running around. So it was just like, Okay,

0:59:33.880 --> 0:59:36.480
<v Speaker 1>we're thinking people that are in position are gonna handle

0:59:36.520 --> 0:59:39.520
<v Speaker 1>our paperwork and do stuff. But just looking back, I

0:59:39.640 --> 0:59:42.960
<v Speaker 1>was just like for me and my soul for me

0:59:43.080 --> 0:59:44.720
<v Speaker 1>to have to put it at rest, because I don't

0:59:44.800 --> 0:59:46.680
<v Speaker 1>understand how somebody could beef all their life, like if

0:59:46.720 --> 0:59:48.360
<v Speaker 1>you want to take that to your grade and we

0:59:48.400 --> 0:59:50.120
<v Speaker 1>don't know what's gonna happen in the after life. If

0:59:50.120 --> 0:59:53.439
<v Speaker 1>you have to literally stand before a law or God

0:59:53.680 --> 0:59:55.680
<v Speaker 1>or whoever you sir, and they say, the only thing

0:59:55.760 --> 0:59:59.080
<v Speaker 1>that's keeping you from having everlasting life or perfect peace

0:59:59.720 --> 1:00:02.840
<v Speaker 1>is because you're holding an art against somebody that really,

1:00:03.480 --> 1:00:06.280
<v Speaker 1>if your life, them or property ain't in danger anymore,

1:00:06.600 --> 1:00:08.360
<v Speaker 1>why are you mad at this person? It's just like,

1:00:08.520 --> 1:00:11.720
<v Speaker 1>you know what, it wasn't affecting none of my business

1:00:12.520 --> 1:00:14.760
<v Speaker 1>on my hits, I was affecting it. So I got

1:00:14.800 --> 1:00:16.680
<v Speaker 1>to the point where just like yo, I apologize because

1:00:16.840 --> 1:00:19.800
<v Speaker 1>I ain't made that ship I was. I was, I

1:00:19.960 --> 1:00:22.160
<v Speaker 1>was had, I was one of them days. It's my

1:00:22.240 --> 1:00:23.880
<v Speaker 1>career could have been on that could have been anything.

1:00:24.200 --> 1:00:26.800
<v Speaker 1>And I was talking ship. But I'm honestly, I'm one

1:00:26.840 --> 1:00:28.680
<v Speaker 1>of the first R and B artists to talk ship

1:00:29.120 --> 1:00:31.720
<v Speaker 1>like I be talking to niggas. I don't know where

1:00:31.760 --> 1:00:33.960
<v Speaker 1>that came from, but I think it's my accomplice. I

1:00:34.080 --> 1:00:36.720
<v Speaker 1>really would talk ship to niggas. I'm gonna tell you something.

1:00:36.840 --> 1:00:39.960
<v Speaker 1>I was on the tour. I think with Job, I

1:00:40.080 --> 1:00:41.800
<v Speaker 1>was gonna talk with Job, not I think with I

1:00:41.840 --> 1:00:43.720
<v Speaker 1>was gonna talk with Job. And one of the illiest

1:00:44.320 --> 1:00:48.200
<v Speaker 1>moments I've ever seen in my life was him looked

1:00:48.240 --> 1:00:50.840
<v Speaker 1>to the crowd, let's say, I want you all to

1:00:50.920 --> 1:00:55.800
<v Speaker 1>say I cry, and then this crowd say you cry,

1:00:56.480 --> 1:01:00.200
<v Speaker 1>and then this crowd said we cry, and then and

1:01:00.280 --> 1:01:03.080
<v Speaker 1>then he didn't even say, we're gonna say that part together.

1:01:03.560 --> 1:01:10.280
<v Speaker 1>And he came out there and he was like and

1:01:10.320 --> 1:01:14.480
<v Speaker 1>then he just went like this, and I said, I

1:01:14.600 --> 1:01:20.680
<v Speaker 1>need that ship are on the stadium. And I looked

1:01:21.200 --> 1:01:25.439
<v Speaker 1>and I said, Holy motherfucking do you know how big?

1:01:25.600 --> 1:01:30.760
<v Speaker 1>Because I don't put it on me when he when

1:01:31.200 --> 1:01:34.880
<v Speaker 1>uh the end song? That where what? Or I don't

1:01:34.880 --> 1:01:36.880
<v Speaker 1>even have to when you have a hit record, you

1:01:36.960 --> 1:01:38.560
<v Speaker 1>don't even have to sing it. What I do is like,

1:01:38.760 --> 1:01:40.640
<v Speaker 1>all right, we're just gonna go to this part and

1:01:40.760 --> 1:01:42.520
<v Speaker 1>y'all know what to do. And I literally stand it

1:01:42.640 --> 1:01:44.360
<v Speaker 1>and people sing it to the top of the loans

1:01:44.400 --> 1:01:48.320
<v Speaker 1>that it's an anthem or world. It's the best feeling

1:01:48.360 --> 1:01:50.480
<v Speaker 1>in the world. And that's what I realized. I had

1:01:50.520 --> 1:01:52.160
<v Speaker 1>to let some ship go because when you know your

1:01:52.200 --> 1:01:54.560
<v Speaker 1>part is the one that people love, run with it

1:01:55.120 --> 1:01:59.120
<v Speaker 1>to this day. To this day, that's people people have

1:01:59.600 --> 1:02:01.880
<v Speaker 1>message me and we're like, turn out the record. DJ,

1:02:02.040 --> 1:02:03.920
<v Speaker 1>y'all ain't got little most part playing. I'm like, what

1:02:04.080 --> 1:02:06.000
<v Speaker 1>y'all do? They was like, why the fund do a

1:02:06.120 --> 1:02:08.920
<v Speaker 1>part of or a version of putting on Me exists

1:02:08.960 --> 1:02:11.240
<v Speaker 1>without more? I'm like, well that was on the album.

1:02:11.560 --> 1:02:15.360
<v Speaker 1>They later strike it on the album. Yeah, but people

1:02:15.440 --> 1:02:17.400
<v Speaker 1>like I don't want to hear without you. So it's

1:02:17.440 --> 1:02:19.520
<v Speaker 1>just like I realized it was something in my voice

1:02:19.640 --> 1:02:22.320
<v Speaker 1>or that my gift made room for me that when

1:02:22.360 --> 1:02:24.680
<v Speaker 1>you hear a song without me on it, you don't

1:02:24.680 --> 1:02:26.160
<v Speaker 1>want to hear it because it don't it don't make

1:02:26.200 --> 1:02:32.800
<v Speaker 1>you feel nothing. But we don't from you. When did

1:02:32.840 --> 1:02:35.840
<v Speaker 1>you film that video? App? And I think West Palm

1:02:35.920 --> 1:02:41.520
<v Speaker 1>Beach or Florida. You're supposed Sami Miamiami. But I was

1:02:41.880 --> 1:02:44.520
<v Speaker 1>because I remember that whatever it was, I believe it

1:02:44.600 --> 1:02:46.720
<v Speaker 1>was West Palm Beach. I know that once the sun

1:02:46.800 --> 1:02:49.400
<v Speaker 1>goes down, the town shuts down. So they were like,

1:02:49.440 --> 1:02:51.120
<v Speaker 1>we gotta get this shot. Hip. It was like, we

1:02:51.160 --> 1:02:54.480
<v Speaker 1>gotta get this shot because it's like an all rich

1:02:55.680 --> 1:03:01.200
<v Speaker 1>there's another side of well we wasn't that something? That's

1:03:01.240 --> 1:03:03.600
<v Speaker 1>what all the people they said, it's rich retirees. And

1:03:03.760 --> 1:03:05.960
<v Speaker 1>at six o'clock the city shuts down and you have

1:03:06.080 --> 1:03:16.800
<v Speaker 1>to be at your house or is your birthday? How

1:03:17.320 --> 1:03:20.520
<v Speaker 1>when I when I when I always um be interviewed somebody,

1:03:20.520 --> 1:03:22.720
<v Speaker 1>I go to Twitter because Twitter is like the most

1:03:22.800 --> 1:03:24.960
<v Speaker 1>evilest place on the planet, but it's also like the

1:03:25.040 --> 1:03:28.360
<v Speaker 1>most smartest place on the planet. For Twitter is And

1:03:28.440 --> 1:03:30.560
<v Speaker 1>when I said, anybody got questions for a little mode,

1:03:30.560 --> 1:03:34.040
<v Speaker 1>they said, how does she feel that? She basically put

1:03:34.120 --> 1:03:37.200
<v Speaker 1>fabulous on? That's what they said. Yeah, everybody always asks

1:03:37.240 --> 1:03:39.320
<v Speaker 1>why why why? Why do they Why do they think that?

1:03:39.800 --> 1:03:43.320
<v Speaker 1>Do you think that? Well? I know that before we

1:03:43.440 --> 1:03:46.880
<v Speaker 1>did Superwoman, he was like all the mixtapes, but that

1:03:46.960 --> 1:03:49.760
<v Speaker 1>was his first radio record. Yeah, that was his firsts

1:03:49.880 --> 1:03:51.680
<v Speaker 1>over hit record. And he was also signed to a

1:03:51.760 --> 1:03:53.600
<v Speaker 1>lecture at that time too, because a little bit after

1:03:54.920 --> 1:03:57.880
<v Speaker 1>wait a minute and it does the storm got the

1:03:58.600 --> 1:04:01.320
<v Speaker 1>deal or whatever, they labeled to a lecture, but he

1:04:01.440 --> 1:04:05.200
<v Speaker 1>had clue had all the mixtapes a lock and because

1:04:05.200 --> 1:04:07.440
<v Speaker 1>it's a Superwoman to the remix career, because it was

1:04:07.480 --> 1:04:09.800
<v Speaker 1>a Superwoman War one and that's what I went too.

1:04:10.000 --> 1:04:12.080
<v Speaker 1>I had did the Beatie Seagull beat and I can't

1:04:12.080 --> 1:04:14.520
<v Speaker 1>wait to see that battle anyone. We're talking about that

1:04:14.680 --> 1:04:27.360
<v Speaker 1>later you might jumped out. Got to call him. I

1:04:27.480 --> 1:04:29.000
<v Speaker 1>had a drink to that because when that's what I

1:04:29.160 --> 1:04:34.080
<v Speaker 1>was like, Oh, it's uh yeah, beach like that's what

1:04:35.520 --> 1:04:41.680
<v Speaker 1>super dues stop chill d I used Brian Michael Cox

1:04:41.800 --> 1:04:44.880
<v Speaker 1>did that beat, so I did you ain't got to

1:04:44.920 --> 1:04:47.280
<v Speaker 1>look up in the sky parts and Jamada Price like

1:04:47.320 --> 1:04:49.840
<v Speaker 1>this ship is a hit, but we sent it into

1:04:49.840 --> 1:04:52.560
<v Speaker 1>a lecturer and it was just like the song is

1:04:52.600 --> 1:04:58.479
<v Speaker 1>too cocky. I'm like, I mean Superwoman part one because

1:04:58.520 --> 1:05:00.280
<v Speaker 1>I was like basically saying, you ain't got to look

1:05:00.280 --> 1:05:02.280
<v Speaker 1>at these chicken heads. You ain't gonna look anywhere else.

1:05:02.520 --> 1:05:04.120
<v Speaker 1>There's a difference between me and these girls. And he

1:05:04.200 --> 1:05:06.200
<v Speaker 1>was like, well, we don't want anybody to get offended

1:05:06.360 --> 1:05:09.960
<v Speaker 1>or think that you're taking shots to them. I was like,

1:05:10.240 --> 1:05:12.240
<v Speaker 1>I don't even know nobody in real life but Missy

1:05:12.280 --> 1:05:14.440
<v Speaker 1>Elliot and I'm not talking about her, like, are you

1:05:14.520 --> 1:05:19.960
<v Speaker 1>kidding me? So um, I'm I did Supermoman Part two.

1:05:20.640 --> 1:05:23.560
<v Speaker 1>I was in l A with Clue working on the

1:05:23.600 --> 1:05:25.480
<v Speaker 1>record because we had did songs with B two K

1:05:26.080 --> 1:05:29.440
<v Speaker 1>like Cluing Up, Cluing Durer produced. So you heard that

1:05:29.600 --> 1:05:33.720
<v Speaker 1>young girl? We didn't. We did, uh someone a girl

1:05:33.920 --> 1:05:36.280
<v Speaker 1>artists that was on dream Works because they cut checks.

1:05:36.600 --> 1:05:40.840
<v Speaker 1>Her name is Canela Cox and we had Spielberg record

1:05:40.920 --> 1:05:44.520
<v Speaker 1>LABA and Dreino was cutting checks. He was from l a.

1:05:44.600 --> 1:05:47.080
<v Speaker 1>Hen Street'd be like, I want fifty thousand for a

1:05:47.120 --> 1:05:49.520
<v Speaker 1>song and then motherfucker, don't even come out. Hey, I

1:05:49.600 --> 1:05:55.120
<v Speaker 1>don't care day checks. We were doing the sing and

1:05:56.200 --> 1:05:58.000
<v Speaker 1>we were doing the song and the session was over.

1:05:58.040 --> 1:06:00.240
<v Speaker 1>There was two hours left, but Clue had to get

1:06:00.320 --> 1:06:02.840
<v Speaker 1>back to the East Coast for his Monday like mixtape

1:06:03.160 --> 1:06:04.600
<v Speaker 1>and I was selling and I was like, you got

1:06:04.960 --> 1:06:07.000
<v Speaker 1>we ain't wasting this two hours and we ain't just

1:06:07.040 --> 1:06:08.760
<v Speaker 1>sitting up here. So I was like, hey, play me

1:06:08.840 --> 1:06:11.040
<v Speaker 1>a beat. He played me the Superwoman beat. He was

1:06:11.080 --> 1:06:12.600
<v Speaker 1>playing beats. He was like, I think you should do

1:06:12.680 --> 1:06:14.560
<v Speaker 1>something like this, and I was like, I don't like

1:06:14.640 --> 1:06:16.400
<v Speaker 1>when people tell me what you do. This is Clue.

1:06:16.440 --> 1:06:19.880
<v Speaker 1>He's playing beats. So he plays a beat and it

1:06:20.000 --> 1:06:23.840
<v Speaker 1>was just and I was like, I want that because

1:06:23.880 --> 1:06:26.240
<v Speaker 1>that's so that sound is so annoying. I want to

1:06:26.240 --> 1:06:28.280
<v Speaker 1>annoy people. But when I put my vocals over it,

1:06:28.440 --> 1:06:30.200
<v Speaker 1>that she's gonna go out. He was like, I can't

1:06:30.200 --> 1:06:31.720
<v Speaker 1>give you that beat, sist that's for m O p

1:06:32.920 --> 1:06:35.480
<v Speaker 1>wa wa w Did MP have a version of it

1:06:35.560 --> 1:06:40.920
<v Speaker 1>already day beat because way too fastn't do a remix

1:06:40.960 --> 1:06:45.160
<v Speaker 1>already with And I was like, how about some wrong?

1:06:45.560 --> 1:06:48.760
<v Speaker 1>This is so great, This is stuff people would never

1:06:48.840 --> 1:06:55.680
<v Speaker 1>know any more Woman Superwoman, far too original beat for

1:06:55.800 --> 1:06:59.480
<v Speaker 1>that song was made for them for m O p

1:07:00.040 --> 1:07:03.800
<v Speaker 1>Oh you killed like you said, you killed this so much,

1:07:03.800 --> 1:07:05.800
<v Speaker 1>I can't even think about. And trust me, m O

1:07:05.880 --> 1:07:08.440
<v Speaker 1>p I'm a big Emo PI fan, but now that

1:07:08.720 --> 1:07:13.720
<v Speaker 1>I hear what you did too, I can't even was

1:07:13.720 --> 1:07:19.040
<v Speaker 1>crazy it was. It was literally just and the beat

1:07:19.160 --> 1:07:24.040
<v Speaker 1>was dope, dope what I sang over soda every day.

1:07:25.120 --> 1:07:26.760
<v Speaker 1>I sang that there was no chords and no key,

1:07:26.800 --> 1:07:29.120
<v Speaker 1>so I had to sing that. When I told him,

1:07:29.120 --> 1:07:30.760
<v Speaker 1>I said, drop the music, tell me how many beats

1:07:30.800 --> 1:07:33.240
<v Speaker 1>per minutes? So I duro edit it out, but I

1:07:33.280 --> 1:07:35.200
<v Speaker 1>would have to. I was like, ever every day I

1:07:35.360 --> 1:07:37.520
<v Speaker 1>was snapping my fingers singing that, and I had to

1:07:37.560 --> 1:07:41.120
<v Speaker 1>stack my vocals so we later had some producers, not producers.

1:07:41.160 --> 1:07:45.360
<v Speaker 1>Some musicians come in and play the bridge, the strings

1:07:45.760 --> 1:07:50.320
<v Speaker 1>and then act those keys are So if you hear

1:07:50.360 --> 1:07:52.840
<v Speaker 1>the original beat to when it became the TV track,

1:07:53.240 --> 1:07:56.680
<v Speaker 1>you'll be like you could tell I was around Quincy

1:07:56.800 --> 1:08:02.720
<v Speaker 1>Jones and them because I've seen before. But when the

1:08:02.840 --> 1:08:05.520
<v Speaker 1>way from your clause, No, but it was just like

1:08:05.640 --> 1:08:07.320
<v Speaker 1>it was for m O P. So I did the

1:08:07.440 --> 1:08:10.320
<v Speaker 1>song and I sent it to Clue. We had the

1:08:10.400 --> 1:08:17.599
<v Speaker 1>Delta dashes. This was the craziest when you and Fab

1:08:17.760 --> 1:08:21.559
<v Speaker 1>on there. Okay, So the thing is was with Fab,

1:08:22.240 --> 1:08:25.719
<v Speaker 1>I'm always listening. I used to be a mixtape head,

1:08:26.760 --> 1:08:28.280
<v Speaker 1>and Clues like, who do you want to get it?

1:08:28.280 --> 1:08:30.479
<v Speaker 1>Because by that time I had worked with Missy job J.

1:08:30.800 --> 1:08:32.760
<v Speaker 1>Everybody knew my name. Who you want to get on it?

1:08:32.840 --> 1:08:36.840
<v Speaker 1>I was like I could have had I could have

1:08:36.920 --> 1:08:38.880
<v Speaker 1>had m Op on it or anybody you know. And

1:08:39.000 --> 1:08:41.320
<v Speaker 1>I was with a lecture, so it was it could

1:08:41.360 --> 1:08:43.800
<v Speaker 1>have been a check, but my budget was basically tapped out,

1:08:43.840 --> 1:08:46.479
<v Speaker 1>which means that I still had money on the back end,

1:08:46.479 --> 1:08:47.800
<v Speaker 1>but I didn't want to use all the money because

1:08:47.800 --> 1:08:55.720
<v Speaker 1>I knew they were yet by that. But it was

1:08:55.800 --> 1:08:58.240
<v Speaker 1>just like listen once we put us out. Yeah, I

1:08:58.320 --> 1:09:01.040
<v Speaker 1>know they're gonna be like I knowing mixing is gonna

1:09:01.040 --> 1:09:03.439
<v Speaker 1>be gonna absorbed that. So I know jay Z is

1:09:03.439 --> 1:09:06.080
<v Speaker 1>gonna chrge a hundred thousand dollars, Mrs gonna trge to

1:09:06.080 --> 1:09:10.280
<v Speaker 1>me to dollars and was gonna try me far disrespect

1:09:10.320 --> 1:09:13.160
<v Speaker 1>for taking their record. So they already knew that they

1:09:13.240 --> 1:09:18.000
<v Speaker 1>had that record. Well I don't find out now. So

1:09:18.640 --> 1:09:20.400
<v Speaker 1>um Clue was like, so, who you want to get

1:09:20.439 --> 1:09:21.680
<v Speaker 1>on the record. I think it would be dope with

1:09:21.720 --> 1:09:24.040
<v Speaker 1>a rap. I said, the boarder speller's name or all

1:09:24.080 --> 1:09:27.439
<v Speaker 1>your records. He was like Spins. I'm like yeah, I'm

1:09:27.479 --> 1:09:30.200
<v Speaker 1>like he's dope. He was like, oh, that's easy. Text

1:09:30.320 --> 1:09:35.120
<v Speaker 1>him and bab and he was with Um. He wasn't

1:09:35.120 --> 1:09:39.120
<v Speaker 1>with he was with Webb and Chayo. Him and Webb

1:09:39.280 --> 1:09:42.080
<v Speaker 1>came to the studio with yellow dude rags or chicken

1:09:42.120 --> 1:09:44.320
<v Speaker 1>boxes and the sky tell pages. So I'm thinking, like

1:09:44.360 --> 1:09:45.880
<v Speaker 1>he's gonna come in there being this business. So I

1:09:45.880 --> 1:09:48.439
<v Speaker 1>don't know what chicken boxes is chicken like, it comes

1:09:48.439 --> 1:09:52.320
<v Speaker 1>in a box with chicken, the French fries. I want

1:09:52.960 --> 1:09:56.200
<v Speaker 1>real chicken boxing. They came in there with food me

1:09:56.360 --> 1:10:01.960
<v Speaker 1>thinking in the mi and said, Rabbit Spelling's day. I'm

1:10:01.960 --> 1:10:03.720
<v Speaker 1>think he's gonna coming there with all these slick rick

1:10:03.840 --> 1:10:07.040
<v Speaker 1>jewelry's on and wailing out. He came in with just him,

1:10:08.400 --> 1:10:12.880
<v Speaker 1>yellow do rags and chicken and I believe maybe Street

1:10:12.920 --> 1:10:14.800
<v Speaker 1>Fair kid. It was like, I'm just like, oh yeah,

1:10:14.800 --> 1:10:17.080
<v Speaker 1>don't come here with a hundred people. So I'm just like,

1:10:17.160 --> 1:10:18.760
<v Speaker 1>so you're ready to do your podcasts, I'm gonna go.

1:10:18.760 --> 1:10:21.719
<v Speaker 1>I'm gonna let you do your thing. He's like, I'm ready, Okay,

1:10:21.840 --> 1:10:23.840
<v Speaker 1>let me move out your way. So we were at

1:10:23.960 --> 1:10:26.840
<v Speaker 1>right track. I leave out. So he comes back like

1:10:26.960 --> 1:10:29.160
<v Speaker 1>a couple of minutes later, so I'm like, you're finished.

1:10:29.360 --> 1:10:31.280
<v Speaker 1>He's like yeah, so before we push, but I hope

1:10:31.280 --> 1:10:32.880
<v Speaker 1>you don't mind. I did a little something in the intro,

1:10:33.200 --> 1:10:35.920
<v Speaker 1>and I did something at that Oh, so you're just

1:10:36.000 --> 1:10:39.880
<v Speaker 1>working above and beyond. So soon as I heard something

1:10:39.920 --> 1:10:42.720
<v Speaker 1>like he was like little oh, I was like, oh

1:10:42.800 --> 1:10:46.000
<v Speaker 1>my god. He spelt my name after so he was like,

1:10:46.240 --> 1:10:47.920
<v Speaker 1>I guess I ain't got As soon as I heard

1:10:48.360 --> 1:10:50.960
<v Speaker 1>his voice and what he said, I was like, you've

1:10:51.040 --> 1:10:54.000
<v Speaker 1>got to be I guess I ain't got no reason.

1:10:54.080 --> 1:10:56.240
<v Speaker 1>The men go around. I found a superwoman that could

1:10:56.280 --> 1:10:58.559
<v Speaker 1>leave from the truck in a single bound. Mommy, I'm

1:10:58.600 --> 1:11:00.880
<v Speaker 1>trying to bling you down. Something was about shades on

1:11:00.960 --> 1:11:03.200
<v Speaker 1>the kids when I bring you and she put her

1:11:03.240 --> 1:11:05.080
<v Speaker 1>lips on the weeds, still put it to work her

1:11:05.120 --> 1:11:07.200
<v Speaker 1>tongue and made me come faster than the speed and

1:11:07.240 --> 1:11:09.880
<v Speaker 1>bullet my love stronger than our locomotive. But only for

1:11:09.960 --> 1:11:20.000
<v Speaker 1>that so that where he's like, oh, here go to

1:11:20.000 --> 1:11:21.639
<v Speaker 1>the impart. So I'm like, where does it coming? Then

1:11:21.720 --> 1:11:25.240
<v Speaker 1>after the bridge and he was like, the superwoman might

1:11:25.280 --> 1:11:27.320
<v Speaker 1>have saved my day to KOs that would have gave

1:11:27.400 --> 1:11:29.600
<v Speaker 1>some play. Now he wouldn't even wave that way. I

1:11:29.760 --> 1:11:32.160
<v Speaker 1>understand why the mother she's behaved that way. They see

1:11:32.160 --> 1:11:34.120
<v Speaker 1>the icy yes in your chest and grave and great

1:11:34.280 --> 1:11:36.559
<v Speaker 1>be whipped the mike because usually with them things he type,

1:11:36.600 --> 1:11:39.040
<v Speaker 1>but only greeny keep from me is Krypton knit the

1:11:39.080 --> 1:11:41.280
<v Speaker 1>way that blew a red fitting on your hips. So right,

1:11:41.320 --> 1:11:49.519
<v Speaker 1>I'd be like damn. I was like where wat excited,

1:11:50.000 --> 1:11:52.400
<v Speaker 1>like how did you? I didn't even have to say, well,

1:11:52.439 --> 1:11:53.840
<v Speaker 1>maybe you should tighten it up, and I was like

1:11:53.920 --> 1:11:56.000
<v Speaker 1>we added here a lecture. Didn't want to put out

1:11:56.000 --> 1:11:58.040
<v Speaker 1>the record because they didn't feel like nobody knew who

1:11:58.040 --> 1:12:00.559
<v Speaker 1>he was, so clue played on his mixtape, and then

1:12:00.680 --> 1:12:02.880
<v Speaker 1>after well the Money Night Makes tape on High ninety seven,

1:12:03.160 --> 1:12:05.000
<v Speaker 1>he just kept on going up to and after that

1:12:05.280 --> 1:12:07.080
<v Speaker 1>there was oh my god, this record is a smash.

1:12:07.439 --> 1:12:10.720
<v Speaker 1>So I literally saw him go from them. We had

1:12:10.760 --> 1:12:20.720
<v Speaker 1>a basically one commercial commercial because it went from what

1:12:20.920 --> 1:12:24.559
<v Speaker 1>was jar Roule calling me? I swear to god, who

1:12:25.520 --> 1:12:35.280
<v Speaker 1>I did not answer the phone? Jar hold a little

1:12:35.320 --> 1:12:45.240
<v Speaker 1>more chilling man just up here talking about the good

1:12:45.240 --> 1:12:47.519
<v Speaker 1>old days. Had we mirrod him back from you know

1:12:47.520 --> 1:12:49.519
<v Speaker 1>what I'm saying, There was a time where we went

1:12:49.560 --> 1:12:51.320
<v Speaker 1>from the top and then we went through something. But

1:12:51.720 --> 1:12:53.000
<v Speaker 1>you know what I'm saying, it got to the point

1:12:53.040 --> 1:12:55.320
<v Speaker 1>where we get older and you get wise and you

1:12:55.400 --> 1:12:58.960
<v Speaker 1>realize I took accountability and apologize for just jumping in

1:12:59.080 --> 1:13:01.880
<v Speaker 1>something that ain't have nothing to do with me. I

1:13:02.000 --> 1:13:06.760
<v Speaker 1>love you well, you know what it is. We got

1:13:06.840 --> 1:13:13.160
<v Speaker 1>a dream chance moment won two three. Oh you know

1:13:13.400 --> 1:13:15.439
<v Speaker 1>you know Norri sup tides, I'll be getting round of

1:13:15.680 --> 1:13:19.400
<v Speaker 1>the shopper. Ain't got really nothing? Yeah, yeah, yeah, we

1:13:19.880 --> 1:13:22.760
<v Speaker 1>we always do, man, we always do. Well. That's there's

1:13:22.760 --> 1:13:25.960
<v Speaker 1>a part of being our job. Our job is consistent, fucker.

1:13:26.280 --> 1:13:30.720
<v Speaker 1>You know what I mean. I was calling you, hey man,

1:13:30.880 --> 1:13:33.439
<v Speaker 1>hey man, I'm going this is when I ain't up

1:13:33.479 --> 1:13:41.280
<v Speaker 1>on you right now. I'm gonna hit you back it

1:13:41.479 --> 1:13:51.840
<v Speaker 1>just by the way. We're gonna address the beach later.

1:13:52.920 --> 1:13:56.960
<v Speaker 1>But let's can pretend you on so, um where was you?

1:13:57.200 --> 1:14:01.240
<v Speaker 1>Boom now superwoman? First of the mercial record for so

1:14:01.800 --> 1:14:04.479
<v Speaker 1>so Yeah, the first commercial record for five and you

1:14:04.520 --> 1:14:05.880
<v Speaker 1>know I was just playing them around but put them on.

1:14:05.960 --> 1:14:08.160
<v Speaker 1>But a lot of people say that because um, as

1:14:08.400 --> 1:14:11.120
<v Speaker 1>I tweeted out today, UM, I wish I do with

1:14:11.640 --> 1:14:13.479
<v Speaker 1>every guest, especially guests that I want to know a

1:14:13.520 --> 1:14:15.960
<v Speaker 1>little bit more about. I'll say, yo, you got a question,

1:14:16.240 --> 1:14:18.240
<v Speaker 1>question too, and I sweeter to god, I can show

1:14:18.280 --> 1:14:20.880
<v Speaker 1>you on my Twitter Like it was like if I

1:14:21.000 --> 1:14:24.280
<v Speaker 1>had fifty seven messages, at least thirty of them was

1:14:24.320 --> 1:14:27.720
<v Speaker 1>like yo, hotest little more field. Um that that she

1:14:27.880 --> 1:14:31.519
<v Speaker 1>was responsible for the world noticing Fab? Is that something that, Um,

1:14:31.800 --> 1:14:34.200
<v Speaker 1>your fab ever have a discrepancy? Like you ever tried

1:14:34.240 --> 1:14:36.280
<v Speaker 1>to get him back on the record or and it

1:14:36.439 --> 1:14:39.720
<v Speaker 1>wasn't no, no, not, because it's like it's never been

1:14:39.760 --> 1:14:43.160
<v Speaker 1>a discrepancy. And he'll even say he said in interviews,

1:14:43.200 --> 1:14:45.360
<v Speaker 1>like Moe gave me a chance, you know what I'm saying,

1:14:45.400 --> 1:14:47.519
<v Speaker 1>and then that opened the door. He's done records with

1:14:47.680 --> 1:14:51.080
<v Speaker 1>m JB J. Low, everybody, like he's worked with everybody,

1:14:51.240 --> 1:14:55.040
<v Speaker 1>and they opened the door. So it's just like Missy

1:14:55.120 --> 1:14:58.080
<v Speaker 1>did that for me. So the way you have longevity

1:14:58.120 --> 1:15:00.439
<v Speaker 1>in this industry is you put somebody in position. You

1:15:00.560 --> 1:15:02.479
<v Speaker 1>keep putting people in a position. So because because it

1:15:02.520 --> 1:15:04.960
<v Speaker 1>didn't stop there, so it's like now a lot of

1:15:05.000 --> 1:15:07.160
<v Speaker 1>the young artists that are coming back. Yeah, so you

1:15:07.280 --> 1:15:09.400
<v Speaker 1>do good, good gonna come back. So whatever you put

1:15:09.439 --> 1:15:11.840
<v Speaker 1>in the atmosphere is gonna gonna return. So it just

1:15:11.960 --> 1:15:15.439
<v Speaker 1>didn't stop there. But Missy did that for me. But

1:15:15.479 --> 1:15:20.960
<v Speaker 1>there's a lot of times I would say, but basically,

1:15:21.600 --> 1:15:23.360
<v Speaker 1>well we did after that, we did Can't let You

1:15:23.439 --> 1:15:26.479
<v Speaker 1>go forever, Like we have so many records together, it's

1:15:26.520 --> 1:15:30.040
<v Speaker 1>like we have a whole I honestly know that we

1:15:30.160 --> 1:15:35.280
<v Speaker 1>wanted to do like a like a like a collaborative album,

1:15:35.800 --> 1:15:37.760
<v Speaker 1>and I know he was like, def Jam wasn't with it.

1:15:37.920 --> 1:15:41.720
<v Speaker 1>I was like, man, let's do it ourselves. But now

1:15:41.920 --> 1:15:45.240
<v Speaker 1>we have the opportunity to have the opportunity to do it. Yeah,

1:15:45.320 --> 1:15:47.040
<v Speaker 1>so it's just like it is what it is, but

1:15:47.880 --> 1:15:50.840
<v Speaker 1>those fans are from the album. Just literally set le

1:15:50.920 --> 1:15:55.400
<v Speaker 1>brated twenty years on June. So twenty years honestly having

1:15:55.479 --> 1:15:57.640
<v Speaker 1>my first album out and he was a part of that.

1:15:58.240 --> 1:16:05.200
<v Speaker 1>We got two decades congratulating. Here's something I do want

1:16:05.200 --> 1:16:06.920
<v Speaker 1>to ask you, right because when we googled and we

1:16:07.000 --> 1:16:10.200
<v Speaker 1>kept googling, we didn't expect that you don't have a

1:16:10.280 --> 1:16:14.400
<v Speaker 1>song with John Rule with me on my album? Is

1:16:14.479 --> 1:16:18.720
<v Speaker 1>that that is true? Yeah? Yeah, I think after like

1:16:18.880 --> 1:16:22.040
<v Speaker 1>the whatever happened with the fallout, we never but we

1:16:22.280 --> 1:16:25.240
<v Speaker 1>we have records that never were released. Okay, so it

1:16:25.400 --> 1:16:28.639
<v Speaker 1>was like, yeah, we had records that were never released

1:16:29.240 --> 1:16:32.200
<v Speaker 1>or I think it was just because he was honestly

1:16:32.280 --> 1:16:35.400
<v Speaker 1>the most dominant artist and they there was a time

1:16:35.439 --> 1:16:37.880
<v Speaker 1>when Murder Inc. Was a machine, like you was not

1:16:38.160 --> 1:16:42.760
<v Speaker 1>permeating their goals. Yeah, it was that. So now once

1:16:42.800 --> 1:16:46.519
<v Speaker 1>I'm indeed I have that like when you can't you

1:16:46.640 --> 1:16:49.560
<v Speaker 1>can't get in, you can't get in. There was a

1:16:49.640 --> 1:16:57.760
<v Speaker 1>stop spelling bees and everything. So it's just like, I know,

1:16:59.439 --> 1:17:02.479
<v Speaker 1>you couldn't you couldn't cut through. They had a run.

1:17:03.720 --> 1:17:06.479
<v Speaker 1>You wasn't putting you wasn't cutting through like Earth had

1:17:06.520 --> 1:17:09.000
<v Speaker 1>that ship or a lot Deaf Jam had that ship

1:17:09.120 --> 1:17:10.600
<v Speaker 1>on a lock. So it's just like, if you was

1:17:10.640 --> 1:17:14.439
<v Speaker 1>trying to do a female and a male song, you wasn't.

1:17:14.520 --> 1:17:16.120
<v Speaker 1>If he put out someone a female in the male,

1:17:16.280 --> 1:17:19.200
<v Speaker 1>you wasn't. You wasn't beating him. He mastered the game.

1:17:19.280 --> 1:17:22.280
<v Speaker 1>He had all the PDS names and numbers in his phone,

1:17:22.280 --> 1:17:24.000
<v Speaker 1>and he made them feel important because he would be

1:17:24.000 --> 1:17:26.120
<v Speaker 1>like here going to record the label because they're gonna

1:17:26.200 --> 1:17:28.240
<v Speaker 1>move that. They paced, So it was just like he

1:17:28.360 --> 1:17:31.240
<v Speaker 1>was always ahead of the game. So whenever their declination

1:17:31.360 --> 1:17:33.720
<v Speaker 1>came in at where you know, things started, you know,

1:17:33.840 --> 1:17:35.800
<v Speaker 1>falling apart, I don't. That doesn't have anything to do

1:17:35.840 --> 1:17:36.920
<v Speaker 1>with me because at the end of the day, I

1:17:37.040 --> 1:17:39.560
<v Speaker 1>was never signed to murder any So it's just like

1:17:39.640 --> 1:17:41.320
<v Speaker 1>you know that, but you are right, I don't have

1:17:41.400 --> 1:17:45.080
<v Speaker 1>any songs with him, actually want I just think that

1:17:45.160 --> 1:17:47.400
<v Speaker 1>once me and Fab started doing records together, just like

1:17:47.479 --> 1:17:50.080
<v Speaker 1>a missing him at certain people's chemistry that even though

1:17:50.120 --> 1:17:51.960
<v Speaker 1>you could have hits with other people, it's just certain

1:17:52.000 --> 1:17:58.800
<v Speaker 1>people's chemistry that surpassed that. Because yeah, so um, now

1:18:00.040 --> 1:18:04.960
<v Speaker 1>we got this music is being handled. But now you

1:18:05.200 --> 1:18:07.720
<v Speaker 1>do love a hip hop first, right before before you

1:18:07.760 --> 1:18:14.920
<v Speaker 1>get electorate, you did something ODB. Yeah whoa oh man,

1:18:15.040 --> 1:18:18.559
<v Speaker 1>rest in peace to him. So I did good Morning Heartache.

1:18:18.600 --> 1:18:21.720
<v Speaker 1>We made that and he specifically told Sylvia because he

1:18:21.800 --> 1:18:25.960
<v Speaker 1>had a relationship with Sylvia that was uh like they

1:18:26.120 --> 1:18:28.600
<v Speaker 1>was like homies. So he was like, I want to

1:18:28.640 --> 1:18:31.559
<v Speaker 1>get that girl on the record, the girl that he's

1:18:31.600 --> 1:18:34.320
<v Speaker 1>singing stuff. So I'm thinking, like, this is od B

1:18:34.880 --> 1:18:37.400
<v Speaker 1>because he's a singer inside like you can tell he

1:18:37.520 --> 1:18:40.599
<v Speaker 1>was Yeah, but you're coming from growing up watching Wu

1:18:40.720 --> 1:18:42.960
<v Speaker 1>Tang and you see O d B. You thinking that,

1:18:43.200 --> 1:18:45.920
<v Speaker 1>oh my god. Like honestly was afraid to go to

1:18:46.000 --> 1:18:47.519
<v Speaker 1>the session because I'm like, I hope you don't be

1:18:47.560 --> 1:18:50.200
<v Speaker 1>in there acting weird because od B respecting ship out

1:18:50.240 --> 1:18:53.040
<v Speaker 1>you like everybody's like if he's if you delete. I

1:18:53.200 --> 1:18:56.760
<v Speaker 1>was in a the session and he said, do not rewind,

1:18:57.160 --> 1:19:00.320
<v Speaker 1>delete or do do exactly what I told you to

1:19:00.400 --> 1:19:03.519
<v Speaker 1>do because sometimes engineers get comfortable, and he started doing stuff.

1:19:03.520 --> 1:19:05.720
<v Speaker 1>He said, did you record. I've seen him walk out

1:19:05.720 --> 1:19:07.600
<v Speaker 1>of a session where they recorded over his vocal and

1:19:07.640 --> 1:19:10.280
<v Speaker 1>he left. But he would have people bring his reels in.

1:19:10.360 --> 1:19:14.519
<v Speaker 1>They would be on in Dolly's and he'd be like,

1:19:14.600 --> 1:19:17.400
<v Speaker 1>go to track, go to real or Real number three

1:19:17.600 --> 1:19:19.240
<v Speaker 1>and they would find it. He would always come in

1:19:19.320 --> 1:19:21.680
<v Speaker 1>with the sessions with his reels. So we recorded that

1:19:21.760 --> 1:19:24.080
<v Speaker 1>at the Hit Factory, and I was so scared of

1:19:24.120 --> 1:19:26.040
<v Speaker 1>going there and sing where he was like, going there

1:19:26.080 --> 1:19:28.320
<v Speaker 1>and sing how you sing? Don't worry about what I

1:19:28.439 --> 1:19:30.600
<v Speaker 1>do or what anybody else has done before, you do

1:19:30.720 --> 1:19:32.280
<v Speaker 1>what you do. So I did good Morning, how they

1:19:32.360 --> 1:19:34.640
<v Speaker 1>Can Sing? And he sat there, he was dancing in

1:19:34.720 --> 1:19:37.280
<v Speaker 1>front of the board like this, and I'm like, wow,

1:19:37.280 --> 1:19:38.920
<v Speaker 1>I wonder if he likes it not and they was like, no,

1:19:39.080 --> 1:19:41.640
<v Speaker 1>he loves it. And it made the album. So that

1:19:41.800 --> 1:19:43.439
<v Speaker 1>was actually a dream come true because I was will

1:19:43.520 --> 1:19:50.760
<v Speaker 1>Tang forever the world. I've I've never worked before, I don't.

1:19:50.760 --> 1:19:53.080
<v Speaker 1>I think that was a fear of mine because you

1:19:53.160 --> 1:19:56.080
<v Speaker 1>know why, because people they fell just do like You're

1:19:56.160 --> 1:19:57.960
<v Speaker 1>so like, well, what what what? They just think that

1:19:58.040 --> 1:19:59.800
<v Speaker 1>he was the Neptune, but people didn't know that he

1:19:59.920 --> 1:20:02.599
<v Speaker 1>was writing for s w V. So I was scared

1:20:03.120 --> 1:20:05.000
<v Speaker 1>back then, and I don't think my budget was healthy

1:20:05.120 --> 1:20:08.799
<v Speaker 1>enough for him. But we hosted a UM Hot ninety

1:20:09.080 --> 1:20:12.080
<v Speaker 1>seven flow like years ago for the Puerto Rican Day

1:20:12.120 --> 1:20:15.599
<v Speaker 1>Parade and we was on that. He was just like, yo,

1:20:16.000 --> 1:20:18.479
<v Speaker 1>you really can say. And then after that we just

1:20:18.640 --> 1:20:19.840
<v Speaker 1>was cool. And every time I'm saying, I'm like, what

1:20:19.960 --> 1:20:21.479
<v Speaker 1>do you be drinking? And what do you take? How

1:20:21.560 --> 1:20:25.040
<v Speaker 1>do you keep looking? I was like, did you join

1:20:25.120 --> 1:20:28.600
<v Speaker 1>the Luminous? But he was just like, na, just a

1:20:28.640 --> 1:20:31.200
<v Speaker 1>favor over my life and just honestly after that, like

1:20:31.400 --> 1:20:34.920
<v Speaker 1>he's just a cool individual. He never ages, he never

1:20:35.120 --> 1:20:45.560
<v Speaker 1>liked yeah, yeah, I want so so boom. Now we

1:20:45.720 --> 1:20:48.640
<v Speaker 1>move on to the reality show. Oh yeah, so what

1:20:49.040 --> 1:20:51.960
<v Speaker 1>made you say? All right, cool, let me go to

1:20:52.080 --> 1:20:54.640
<v Speaker 1>reality from here? And then not only reality, but you

1:20:54.800 --> 1:20:56.560
<v Speaker 1>went to New York, which is like going back to

1:20:56.680 --> 1:20:58.960
<v Speaker 1>your roots. It's like going back home a little bit,

1:20:59.640 --> 1:21:02.160
<v Speaker 1>well maybe even a lot of it, um going back home,

1:21:02.360 --> 1:21:04.680
<v Speaker 1>but um, you know doing this? What made you do that?

1:21:04.960 --> 1:21:06.560
<v Speaker 1>Was it a Mona call? Because, like you said, it

1:21:06.640 --> 1:21:08.760
<v Speaker 1>was it was violated as well. But I was rocking

1:21:08.800 --> 1:21:11.720
<v Speaker 1>with Mona before violated because when she won't actually with

1:21:11.920 --> 1:21:13.839
<v Speaker 1>Missy like she was the one who said up everything,

1:21:14.360 --> 1:21:17.080
<v Speaker 1>so she we've just been rocking out since the beginning.

1:21:17.720 --> 1:21:19.880
<v Speaker 1>But I had did R and B Divers before that,

1:21:20.000 --> 1:21:22.560
<v Speaker 1>so I was realized that that music is changing and

1:21:23.479 --> 1:21:25.519
<v Speaker 1>you might think you lit, but it's a whole new

1:21:25.560 --> 1:21:28.040
<v Speaker 1>world out there. And reality TV was the way. So

1:21:28.120 --> 1:21:29.800
<v Speaker 1>I did R and B Divs of l A and

1:21:29.840 --> 1:21:32.280
<v Speaker 1>then I got the call for Loving Hip Hop. Yeah,

1:21:32.360 --> 1:21:34.439
<v Speaker 1>it was directly for Mona because it was just like, hey,

1:21:34.560 --> 1:21:36.560
<v Speaker 1>I see you know you're working on some stuff and

1:21:36.720 --> 1:21:39.680
<v Speaker 1>do you want to tell your story? And because you

1:21:39.720 --> 1:21:41.439
<v Speaker 1>know people know you, this would be a great way

1:21:41.800 --> 1:21:44.920
<v Speaker 1>to push with what you got going on. And this

1:21:45.080 --> 1:21:47.800
<v Speaker 1>is after you you have radio? Yeah, because I said

1:21:47.840 --> 1:21:50.559
<v Speaker 1>I did radio my daughter b nineteen. I was pregnant

1:21:50.560 --> 1:21:52.439
<v Speaker 1>with her when I did radio, So yeah, what made

1:21:52.479 --> 1:21:55.160
<v Speaker 1>you do radio? Like because most artists, whose artists do,

1:21:55.200 --> 1:21:58.160
<v Speaker 1>want to just keep sticking to the artist. Yeah, artists

1:21:58.200 --> 1:22:00.200
<v Speaker 1>and singing. So what made you say at one point

1:22:00.200 --> 1:22:02.760
<v Speaker 1>you know what? Uh? And I imagine you did it

1:22:02.840 --> 1:22:04.799
<v Speaker 1>in your hometown at first, right, that was in Baltimore.

1:22:05.760 --> 1:22:08.000
<v Speaker 1>The You Mention was a program directed there. So when

1:22:08.000 --> 1:22:08.960
<v Speaker 1>I was like, I want to do the show, I

1:22:09.000 --> 1:22:13.160
<v Speaker 1>used to watch Martin and I was like, yeah, I said,

1:22:13.160 --> 1:22:17.040
<v Speaker 1>they know me up in here. And then but I

1:22:17.160 --> 1:22:19.080
<v Speaker 1>was pregnant at the time and that was that's with

1:22:19.200 --> 1:22:22.320
<v Speaker 1>my first daughter. And you know, in the industry back then,

1:22:22.360 --> 1:22:24.240
<v Speaker 1>if you was pregnant, they didn't care, Like now you

1:22:24.320 --> 1:22:26.400
<v Speaker 1>could be pregnant, busting it wide open, have the baby

1:22:26.439 --> 1:22:28.840
<v Speaker 1>come back to the show the next day. Yeah, you

1:22:28.840 --> 1:22:31.120
<v Speaker 1>because they didn't want you to be seen. So instead

1:22:31.160 --> 1:22:33.519
<v Speaker 1>of sitting at home, I always I can't sit still,

1:22:33.640 --> 1:22:35.880
<v Speaker 1>so I wanted something to do and they were like, well,

1:22:35.920 --> 1:22:37.640
<v Speaker 1>do you have an air check? I'm like, what's that? Like?

1:22:38.120 --> 1:22:39.880
<v Speaker 1>You made an hair check? They was like, well, when

1:22:39.920 --> 1:22:41.599
<v Speaker 1>you've done ready before? Said well, I used to feel

1:22:41.600 --> 1:22:43.720
<v Speaker 1>in at ready in New York on Hot Night the

1:22:43.760 --> 1:22:47.360
<v Speaker 1>seven for everybody? So is that so? Tracy Clarity literally

1:22:47.439 --> 1:22:49.400
<v Speaker 1>put in a good word for me and Jay Stevens

1:22:49.400 --> 1:22:51.160
<v Speaker 1>and't thea Mitchell game your afternoon? So it was a

1:22:51.200 --> 1:22:54.080
<v Speaker 1>little mo show and I was number one, Yeah, just

1:22:54.240 --> 1:22:56.920
<v Speaker 1>by talking. But I had so many elements to the show.

1:22:57.000 --> 1:23:00.200
<v Speaker 1>I literally patterned everything I did after Martin. So were

1:23:00.240 --> 1:23:03.439
<v Speaker 1>Craig Cold people. We were like, it was really all

1:23:03.880 --> 1:23:07.639
<v Speaker 1>around good show until one day defense the Fats showed

1:23:07.720 --> 1:23:12.880
<v Speaker 1>up a radio shot. Did you do what happened? It

1:23:13.000 --> 1:23:14.840
<v Speaker 1>used to be so much going on in Baltimore, So

1:23:15.040 --> 1:23:17.479
<v Speaker 1>two things one day the cops showed up because remember

1:23:17.520 --> 1:23:22.120
<v Speaker 1>the DC sniper, Yeah, that was the waffle house, the

1:23:22.360 --> 1:23:25.599
<v Speaker 1>waffle house that he shot somebody I had just left.

1:23:27.720 --> 1:23:30.479
<v Speaker 1>Don know what's crazy is the DC sniper used to

1:23:30.560 --> 1:23:32.760
<v Speaker 1>go to a subway. It was the radio station right here,

1:23:32.760 --> 1:23:34.600
<v Speaker 1>and it was a subway sandwich place he should go

1:23:34.640 --> 1:23:37.200
<v Speaker 1>to every day. And it was like he was so polite.

1:23:37.479 --> 1:23:39.360
<v Speaker 1>They didn't know he was the sniper, so like, oh

1:23:39.400 --> 1:23:44.960
<v Speaker 1>my god, I could have got sniped. I met his wife, Okay, Okay,

1:23:45.040 --> 1:23:47.599
<v Speaker 1>So I just felt like it was just a protective

1:23:47.600 --> 1:23:49.560
<v Speaker 1>thing at that point whence they realized that he was

1:23:49.600 --> 1:23:51.640
<v Speaker 1>in that area. And the second time they came was

1:23:51.800 --> 1:23:54.320
<v Speaker 1>when the R. Kelly scandal had came out. Okay, hold on,

1:23:54.479 --> 1:23:56.640
<v Speaker 1>because let's make sure if we go back to the R.

1:23:56.720 --> 1:23:59.559
<v Speaker 1>Kelly scandal, because it's very important to me. Okay, um

1:24:00.600 --> 1:24:08.120
<v Speaker 1>to you, it's very important to me. Caring mind, okay, okay,

1:24:09.640 --> 1:24:12.880
<v Speaker 1>let's just be clear and were black? Yeah, we're black.

1:24:16.640 --> 1:24:20.479
<v Speaker 1>You thought that D sniper was black at first? No,

1:24:20.920 --> 1:24:23.920
<v Speaker 1>because that's not no black ship because he was sniping

1:24:24.000 --> 1:24:26.320
<v Speaker 1>ship and he's sniping like, I don't know black brothers.

1:24:26.760 --> 1:24:29.600
<v Speaker 1>You know that much time? So I was when the

1:24:29.640 --> 1:24:33.040
<v Speaker 1>kid too, was a kid he was with. That was

1:24:33.080 --> 1:24:35.120
<v Speaker 1>a kid, right, That wasn't his kid. He had taken

1:24:35.240 --> 1:24:37.000
<v Speaker 1>him on. He was like fifteen, he was. He was

1:24:37.040 --> 1:24:40.120
<v Speaker 1>the one sniping ship. The kid, the kid, he trained him.

1:24:40.120 --> 1:24:45.400
<v Speaker 1>He tried to spers the guy on the on the

1:24:45.520 --> 1:24:50.960
<v Speaker 1>joint and then and the real snipers latt two Latin

1:24:51.000 --> 1:24:56.920
<v Speaker 1>two four the wind. They were doing some crazy ship.

1:24:57.680 --> 1:25:02.000
<v Speaker 1>They do you living in bottom at the time. Sniper ship? Yeah,

1:25:03.160 --> 1:25:04.840
<v Speaker 1>first people want a skid to go outside, like it was.

1:25:06.520 --> 1:25:08.640
<v Speaker 1>I had a tour in the DMV at this time.

1:25:08.680 --> 1:25:11.720
<v Speaker 1>I sweeter guard. I could prove it all okay, um,

1:25:12.560 --> 1:25:16.960
<v Speaker 1>people get shot randomly in the station like people kep

1:25:17.080 --> 1:25:19.479
<v Speaker 1>against like this. I was plump again, like I was

1:25:19.560 --> 1:25:22.920
<v Speaker 1>like yo. I had someone driving me to said, some

1:25:22.960 --> 1:25:27.080
<v Speaker 1>white people ship. What did you say? So at first

1:25:27.360 --> 1:25:30.640
<v Speaker 1>people thought that some white people ship. Not only that,

1:25:30.840 --> 1:25:33.519
<v Speaker 1>but you know it's a lot of military bases out there.

1:25:33.640 --> 1:25:35.400
<v Speaker 1>He not. He did not pop no brothers. At first.

1:25:35.439 --> 1:25:38.120
<v Speaker 1>He popped. At first he was popping white people, and

1:25:38.200 --> 1:25:39.640
<v Speaker 1>then he just switched it on the brothers. And then

1:25:39.640 --> 1:25:41.519
<v Speaker 1>when it was gonna condo black people, and then he

1:25:41.560 --> 1:25:43.680
<v Speaker 1>popped the kid. That's when it was up. But my

1:25:43.760 --> 1:25:48.320
<v Speaker 1>cousin was a sheriff in ah uh St Mary's County,

1:25:48.560 --> 1:25:50.519
<v Speaker 1>and he was like, at first they could have been

1:25:50.600 --> 1:25:54.920
<v Speaker 1>stopped it how because they have aerial stuff they see everything.

1:25:55.760 --> 1:25:57.960
<v Speaker 1>But then once it got to the point where he started,

1:25:58.479 --> 1:26:03.559
<v Speaker 1>it's almost like they the government could do anything because

1:26:03.680 --> 1:26:06.360
<v Speaker 1>what you can control people by fear, then it's just

1:26:06.439 --> 1:26:09.240
<v Speaker 1>like okay, because they have like certain exercises that they

1:26:10.520 --> 1:26:13.519
<v Speaker 1>when they were reacting. But he really whatever was going on,

1:26:13.680 --> 1:26:16.400
<v Speaker 1>he started invoking fearing the people to the point that

1:26:16.680 --> 1:26:19.680
<v Speaker 1>nobody wanted to pump gas. Like businesses was suffering, and

1:26:19.800 --> 1:26:22.280
<v Speaker 1>nobody knew what he was. Nobody knew what yeah, and

1:26:22.360 --> 1:26:24.200
<v Speaker 1>nobody knew a car he was in. They just kept

1:26:24.240 --> 1:26:26.679
<v Speaker 1>on saying, DC sniper, We have a composite sketch. Nobody

1:26:26.760 --> 1:26:29.600
<v Speaker 1>knew he was going to subway and waffle house, and

1:26:29.640 --> 1:26:32.120
<v Speaker 1>he was going the subway after he was sniping. We

1:26:32.160 --> 1:26:34.120
<v Speaker 1>don't know if it was before, but nobody knew they

1:26:34.160 --> 1:26:35.680
<v Speaker 1>would catch him sleeping at the rest stop and they

1:26:35.920 --> 1:26:40.760
<v Speaker 1>truck blocking in. He didn't look like look snipers usually

1:26:40.760 --> 1:26:44.479
<v Speaker 1>look sniper. He didn't had a dirty, scruffy sniper looked

1:26:44.479 --> 1:26:46.759
<v Speaker 1>like his name was Keith. He'd be on the internet

1:26:46.800 --> 1:26:50.600
<v Speaker 1>all sweat about to go at it. It's about to

1:26:50.600 --> 1:26:54.920
<v Speaker 1>be a shot. You got you, Yeah, give me a shot.

1:26:55.640 --> 1:26:58.519
<v Speaker 1>Let me tell you why, because it's about to be up.

1:26:58.560 --> 1:27:00.400
<v Speaker 1>And then I'm gonna tell you who. I think between

1:27:03.479 --> 1:27:05.280
<v Speaker 1>the sniper it was just like I was pregnant at

1:27:05.280 --> 1:27:08.000
<v Speaker 1>the time. So once people stopped, it was scary because

1:27:08.000 --> 1:27:09.840
<v Speaker 1>then it's just like, oh, this could be over here

1:27:10.880 --> 1:27:14.960
<v Speaker 1>like here, yeah, It's like it got dangerous. And once

1:27:15.000 --> 1:27:17.920
<v Speaker 1>he started going in areas that was Townson, that's that's

1:27:18.640 --> 1:27:23.719
<v Speaker 1>a money areas tws O N. So when he started

1:27:23.720 --> 1:27:26.320
<v Speaker 1>going into areas that he people thought he should be

1:27:26.360 --> 1:27:29.439
<v Speaker 1>sniping and Baltimore like, that's that's messed up. But then

1:27:29.479 --> 1:27:31.880
<v Speaker 1>when they had a composite sketch and I believe I

1:27:31.880 --> 1:27:41.920
<v Speaker 1>don't know if it wouldn't, but he was. His preciseness

1:27:42.479 --> 1:27:45.479
<v Speaker 1>was they was just like they never thought it was

1:27:45.520 --> 1:27:48.840
<v Speaker 1>a black person. He was at military though, right, I

1:27:48.880 --> 1:27:50.439
<v Speaker 1>believe so. But then when they found out that the

1:27:50.520 --> 1:27:52.839
<v Speaker 1>young boy leave Maumo was sniping, he was like fourteen

1:27:52.840 --> 1:27:56.000
<v Speaker 1>and fifteen, how do you teach my son is about

1:27:56.000 --> 1:27:59.320
<v Speaker 1>to be How do you impression? How do you put

1:27:59.320 --> 1:28:03.840
<v Speaker 1>an impression on someone that's not your own child to

1:28:04.000 --> 1:28:05.720
<v Speaker 1>be like, I want you to go out here and

1:28:05.760 --> 1:28:09.880
<v Speaker 1>we're about to change the game. And he never I

1:28:09.920 --> 1:28:13.240
<v Speaker 1>don't think he ever physically abused his uh ex wife,

1:28:13.400 --> 1:28:16.880
<v Speaker 1>because I did panels with her about domestic abuse and

1:28:17.600 --> 1:28:19.840
<v Speaker 1>he was starting. But he never touched hard them kids.

1:28:20.680 --> 1:28:25.240
<v Speaker 1>So they were trying to say wife, ex wife. They

1:28:25.360 --> 1:28:30.479
<v Speaker 1>was just that's what that's what was the rule leg

1:28:31.360 --> 1:28:33.479
<v Speaker 1>that he was mad at the ex wife because that's

1:28:33.520 --> 1:28:36.720
<v Speaker 1>a terrible domestic that's I'm just like it was. It

1:28:36.840 --> 1:28:39.439
<v Speaker 1>was crazy. So you you texted d C snaper wife

1:28:39.479 --> 1:28:42.720
<v Speaker 1>sometimes like, no, not anymore. We did. We did up

1:28:44.760 --> 1:28:50.200
<v Speaker 1>the podcast. So when I'm sitting up things like yo,

1:28:50.320 --> 1:28:52.400
<v Speaker 1>the lady, that's the lady, that's his wife, And I'm

1:28:52.439 --> 1:28:54.360
<v Speaker 1>just like, and I asked of off the record, I

1:28:54.439 --> 1:28:57.000
<v Speaker 1>was just on something like, yo, did he ever pop out?

1:28:57.120 --> 1:28:59.439
<v Speaker 1>Like but he would try to pop up at the sisters,

1:28:59.560 --> 1:29:02.439
<v Speaker 1>her sister his house and threatened, but he never touched him.

1:29:02.439 --> 1:29:05.439
<v Speaker 1>And I'm just like you, He's like, when you say

1:29:05.479 --> 1:29:08.280
<v Speaker 1>pop out, what are you saying? Like like he was

1:29:08.320 --> 1:29:11.160
<v Speaker 1>just shooting the desistance. No, he never he just showed

1:29:11.240 --> 1:29:13.439
<v Speaker 1>up he was popping people that had nothing to do

1:29:13.560 --> 1:29:16.800
<v Speaker 1>with anything. A bus driver, a kid, a lady pumping gas.

1:29:17.520 --> 1:29:20.120
<v Speaker 1>He was understanding. He had an argument with his wife

1:29:20.160 --> 1:29:22.120
<v Speaker 1>and said, I choose some other people. He didn't have

1:29:22.200 --> 1:29:24.960
<v Speaker 1>no manifesto here. And the reason it had no It

1:29:25.040 --> 1:29:29.720
<v Speaker 1>wasn't like he was the oldest child supporters through the roof. Yeah,

1:29:29.840 --> 1:29:32.680
<v Speaker 1>so we don't know my wife, I kill mother and

1:29:33.320 --> 1:29:38.360
<v Speaker 1>these kids. I think he gets to your sister. He

1:29:38.520 --> 1:29:40.880
<v Speaker 1>just got He just everybody I think honestly has that

1:29:40.960 --> 1:29:44.760
<v Speaker 1>breaking point. He was. That's serious. So like, is he

1:29:45.080 --> 1:29:50.479
<v Speaker 1>wait they sniped him out right? I thought the kid definitely,

1:29:50.760 --> 1:29:53.120
<v Speaker 1>but I think he's out now right, the kid is out.

1:29:53.360 --> 1:29:59.000
<v Speaker 1>He was like four ship come on away in a

1:29:59.000 --> 1:30:01.439
<v Speaker 1>minute something. But it was like when I say people

1:30:01.880 --> 1:30:04.760
<v Speaker 1>in different counties were afraid to pump gas. Do you

1:30:04.840 --> 1:30:07.960
<v Speaker 1>know how imperative it is to pump your gas? And

1:30:08.000 --> 1:30:09.519
<v Speaker 1>then when you got to peek around and you don't

1:30:09.560 --> 1:30:13.599
<v Speaker 1>know because nobody knew, they couldn't find the vehicle. No, nothing,

1:30:13.640 --> 1:30:17.000
<v Speaker 1>country would scared everybody like were gonna start doing that.

1:30:17.840 --> 1:30:22.000
<v Speaker 1>He was literally he never missed right. So once he

1:30:22.160 --> 1:30:30.120
<v Speaker 1>killed that kid that was at the busy house, that

1:30:30.280 --> 1:30:32.160
<v Speaker 1>he shot at the gas one of those joints. It

1:30:32.200 --> 1:30:34.799
<v Speaker 1>was either guy s the waffle house. We were playing

1:30:34.840 --> 1:30:39.599
<v Speaker 1>around because we had just seen the news. Huh did

1:30:39.680 --> 1:30:41.439
<v Speaker 1>But the young kid he trying to get out because

1:30:41.479 --> 1:30:45.519
<v Speaker 1>he was he was coerced m A l v O.

1:30:47.479 --> 1:30:50.080
<v Speaker 1>So we were playing around, sweiteterguard. We're on tour, we're

1:30:50.080 --> 1:30:53.720
<v Speaker 1>playing around as we like, not getting gas. I think

1:30:53.800 --> 1:30:55.240
<v Speaker 1>she said that earlier, but I think we were like

1:30:55.360 --> 1:30:58.759
<v Speaker 1>just using the bathroom or whatever, and was like, yo, watch'all,

1:30:58.760 --> 1:31:01.679
<v Speaker 1>what'll the snipe? And we were playing with this, playing

1:31:01.720 --> 1:31:03.760
<v Speaker 1>around the snipe. But we get to the hotel. You

1:31:03.840 --> 1:31:06.240
<v Speaker 1>know how the tour bus ship that your to um

1:31:07.320 --> 1:31:09.920
<v Speaker 1>the TV don't work when you're going on the highway

1:31:10.240 --> 1:31:13.920
<v Speaker 1>and then once you pull up to the hotel and

1:31:14.000 --> 1:31:16.000
<v Speaker 1>it falls up and we all just look at each

1:31:16.040 --> 1:31:20.559
<v Speaker 1>other like he shot the dude at the same exact

1:31:20.640 --> 1:31:23.080
<v Speaker 1>place we were playing like. We were just playing around,

1:31:23.120 --> 1:31:25.040
<v Speaker 1>like yo, yo, let's get out of here. And we

1:31:25.280 --> 1:31:27.000
<v Speaker 1>looked and I pulled up. I was like the whole

1:31:27.080 --> 1:31:29.519
<v Speaker 1>ship like we just we didn't play no more from

1:31:29.600 --> 1:31:32.080
<v Speaker 1>from that, but they make you think as an artist,

1:31:32.160 --> 1:31:34.280
<v Speaker 1>like what if he was at the show. Yeah, Wow,

1:31:34.680 --> 1:31:37.960
<v Speaker 1>damn that he definitely shot before the show. It was

1:31:38.040 --> 1:31:40.320
<v Speaker 1>looking before you know, he was getting away because he

1:31:40.320 --> 1:31:42.559
<v Speaker 1>didn't get caught after so he might have been at

1:31:42.560 --> 1:31:47.640
<v Speaker 1>that motherfucker like it might have been turned them up

1:31:47.680 --> 1:31:58.519
<v Speaker 1>this leg because because because in a snipe, because people

1:31:58.600 --> 1:32:01.439
<v Speaker 1>think that snipers just snipe and then be just on

1:32:01.560 --> 1:32:06.280
<v Speaker 1>a rampage like that. Right went to the Whitefire, was like, oh,

1:32:06.360 --> 1:32:08.040
<v Speaker 1>nor over there, I might go check it out. I

1:32:08.040 --> 1:32:10.519
<v Speaker 1>ain't got no tickets. I mean, I'm like, yeah, he

1:32:10.600 --> 1:32:13.000
<v Speaker 1>might pop through to the last place they're gonna expect.

1:32:13.760 --> 1:32:15.880
<v Speaker 1>They always do not Earlier, I heard you say you

1:32:15.960 --> 1:32:18.960
<v Speaker 1>worked with jay Z? How was that? And on what

1:32:19.120 --> 1:32:22.599
<v Speaker 1>area is jay Z? Is this? It's just possible up

1:32:23.080 --> 1:32:25.439
<v Speaker 1>next year. Damn he getting out. They're gonna get him out.

1:32:25.439 --> 1:32:30.640
<v Speaker 1>He's gonna do a story here. Yeah, that that's like

1:32:30.720 --> 1:32:33.880
<v Speaker 1>mental abuse, like when you go through a program, for sure.

1:32:34.040 --> 1:32:37.360
<v Speaker 1>But where was his parents? I always asked that, No,

1:32:37.840 --> 1:32:41.479
<v Speaker 1>that wasn't the whole time, So where was his mom

1:32:41.520 --> 1:32:42.920
<v Speaker 1>and dad? That's why I'm just like and every time

1:32:42.920 --> 1:32:44.439
<v Speaker 1>I asked that, I get in trouble because people like,

1:32:44.560 --> 1:32:46.639
<v Speaker 1>why are you write about where's people's parents? Said? Because

1:32:46.880 --> 1:32:49.760
<v Speaker 1>my daughter is legally grown, and I can't even set

1:32:49.840 --> 1:32:51.040
<v Speaker 1>up a point was they were like, well, we have

1:32:51.080 --> 1:32:53.080
<v Speaker 1>to speak up first before we give you this information.

1:32:53.320 --> 1:32:55.120
<v Speaker 1>So I'm just like, I'll be knowing. I need to

1:32:55.200 --> 1:32:57.519
<v Speaker 1>know where these parents is at because I need to

1:32:57.600 --> 1:33:00.400
<v Speaker 1>know when my kids is at all time. Because ship

1:33:00.560 --> 1:33:04.120
<v Speaker 1>is real and you colact if you want to. But

1:33:04.240 --> 1:33:06.840
<v Speaker 1>niggas is catching people slipping, and I would hate to

1:33:06.960 --> 1:33:09.960
<v Speaker 1>be the like I don't know if maybe he don't

1:33:10.000 --> 1:33:11.840
<v Speaker 1>know if he was like an adoptive son or maybe

1:33:11.880 --> 1:33:17.639
<v Speaker 1>his godfather, But how did he get it? What matter?

1:33:17.920 --> 1:33:19.439
<v Speaker 1>What did he say to him? That may be like

1:33:19.479 --> 1:33:21.720
<v Speaker 1>you're going out here the Snipe ship, you have to

1:33:21.800 --> 1:33:25.680
<v Speaker 1>be pretty persuasive and charismatic to be able to pull

1:33:25.720 --> 1:33:27.920
<v Speaker 1>it off. I don't want nobody to have that type

1:33:27.920 --> 1:33:31.879
<v Speaker 1>of power over my son because it's that easy. Period.

1:33:32.360 --> 1:33:34.840
<v Speaker 1>So yeah, what were we talking about. I ain't gonna

1:33:34.840 --> 1:33:40.280
<v Speaker 1>f d Sniper Gonna from Sniper's He's that, he's that

1:33:40.640 --> 1:33:47.000
<v Speaker 1>but the kid but snipers out. So now marriage bootcap

1:33:47.080 --> 1:33:49.639
<v Speaker 1>come to you? Oh yeah, because we were talking about

1:33:49.680 --> 1:33:54.320
<v Speaker 1>loving hip hop but between because love and hip hop

1:33:54.400 --> 1:33:58.479
<v Speaker 1>and marriage, Blue Camp was literally filmed almost simultaneously It

1:33:58.600 --> 1:34:00.799
<v Speaker 1>was literally a couple of months after because because Mary's

1:34:00.800 --> 1:34:04.160
<v Speaker 1>Bootcamp had to get clearance to from Love and hip

1:34:04.200 --> 1:34:06.760
<v Speaker 1>Hop too, so he was already on a couple of

1:34:06.800 --> 1:34:09.320
<v Speaker 1>seasons of Love and Hip Hop one season okay, and

1:34:09.400 --> 1:34:10.880
<v Speaker 1>I was done. I did my bed and I was out.

1:34:12.320 --> 1:34:20.679
<v Speaker 1>Let me get it. Yeah, goddamn god, I'm so marriage

1:34:20.680 --> 1:34:25.000
<v Speaker 1>boot camp. I gotta ask you, Um, I believe it's

1:34:25.000 --> 1:34:27.679
<v Speaker 1>your husband at the time, Yeah, because I'm not married

1:34:27.720 --> 1:34:31.200
<v Speaker 1>no more. Okay, So this is this footage of him

1:34:31.360 --> 1:34:35.760
<v Speaker 1>like face timing or being was that something that the

1:34:35.840 --> 1:34:38.200
<v Speaker 1>show bowled off or that was this was? This was

1:34:38.280 --> 1:34:41.720
<v Speaker 1>absolutely real? Because it was absolutely real real, It was

1:34:41.720 --> 1:34:44.880
<v Speaker 1>absolutely real. And one thing because now I can talk

1:34:44.880 --> 1:34:46.640
<v Speaker 1>about it because we couldn't talk about it before the

1:34:46.680 --> 1:34:49.080
<v Speaker 1>show came out, so I had to fake the funk

1:34:49.200 --> 1:34:52.040
<v Speaker 1>as if we were still together until the show actually aired.

1:34:52.080 --> 1:34:53.960
<v Speaker 1>But that was back in nineteen So now I can

1:34:54.000 --> 1:34:56.920
<v Speaker 1>talk about it. With that house, you're there for like

1:34:57.160 --> 1:34:59.479
<v Speaker 1>thirty days, not thirty days or so like twenty eight

1:34:59.560 --> 1:35:05.960
<v Speaker 1>days and anything after they say after things, you after tries,

1:35:06.000 --> 1:35:08.160
<v Speaker 1>it's a habit, but when you're in that house for

1:35:08.200 --> 1:35:11.000
<v Speaker 1>a week, it's almost I wouldn't say jail because I've

1:35:11.040 --> 1:35:13.200
<v Speaker 1>never been to jail. But when you're in the middle

1:35:13.240 --> 1:35:19.200
<v Speaker 1>of nowhere, you can't leave. There's little to no WiFi connection.

1:35:19.240 --> 1:35:22.200
<v Speaker 1>You have to stand by where that actual scene was

1:35:22.439 --> 1:35:25.160
<v Speaker 1>filmed because that's where the WiFi connection is. The house

1:35:25.280 --> 1:35:29.200
<v Speaker 1>is a dead zone. And before you film, they keep

1:35:29.200 --> 1:35:30.960
<v Speaker 1>you in the hotel. You can't leave out your room.

1:35:31.120 --> 1:35:33.280
<v Speaker 1>They bring everything to you. You don't have no room key,

1:35:33.760 --> 1:35:36.200
<v Speaker 1>you don't have no access to the outside world. It's

1:35:36.280 --> 1:35:39.760
<v Speaker 1>mentally designed to break you down because then you get

1:35:39.920 --> 1:35:42.240
<v Speaker 1>when your mind is broken down. It's a real boot camp.

1:35:42.640 --> 1:35:44.599
<v Speaker 1>And they let you know that and you sign off.

1:35:44.960 --> 1:35:46.960
<v Speaker 1>So I know what I signed up for, but when

1:35:47.000 --> 1:35:48.960
<v Speaker 1>you sign up for it, it's just like you know

1:35:49.040 --> 1:35:51.880
<v Speaker 1>what you're getting into. But I went back to what

1:35:52.000 --> 1:35:56.920
<v Speaker 1>Mona says is, if you find out what is presented

1:35:57.040 --> 1:35:59.080
<v Speaker 1>before you, and you find out that it is valid,

1:35:59.120 --> 1:36:01.400
<v Speaker 1>what are you gonna do right? Because because how this

1:36:01.520 --> 1:36:04.760
<v Speaker 1>happens right, because you will sleep At the time he

1:36:04.920 --> 1:36:06.360
<v Speaker 1>was making I was gonna hold another side of the

1:36:06.439 --> 1:36:09.960
<v Speaker 1>house as big as ships. You get lost in that motherfucker.

1:36:10.120 --> 1:36:11.760
<v Speaker 1>And then sometimes they cut off parts of the house.

1:36:11.800 --> 1:36:14.160
<v Speaker 1>They'll be like Oh you can't know. You can't come

1:36:14.200 --> 1:36:16.320
<v Speaker 1>over here because they're setting up scenes like you'll be

1:36:16.400 --> 1:36:17.960
<v Speaker 1>sleep and you wake up and it's a whole fucking

1:36:18.040 --> 1:36:22.400
<v Speaker 1>carnival houseide. So with that, I was on the other

1:36:22.479 --> 1:36:24.439
<v Speaker 1>side of the house. So is it a cast member

1:36:24.479 --> 1:36:27.519
<v Speaker 1>who tells you this or is it the actual staff

1:36:27.600 --> 1:36:31.560
<v Speaker 1>or production? It's actually dr being doctor Ish And I

1:36:31.600 --> 1:36:33.759
<v Speaker 1>could say it now because they came to me off record,

1:36:33.960 --> 1:36:37.320
<v Speaker 1>because when you're filling doctor who dr V that's the

1:36:37.400 --> 1:36:41.920
<v Speaker 1>lady and Dr Ish. I just don't know the doctor Okay,

1:36:42.160 --> 1:36:46.120
<v Speaker 1>dr Ish, but Dr V was the white lady, right, Okay,

1:36:46.400 --> 1:36:48.720
<v Speaker 1>I remember that. Okay, they came to me. It was like,

1:36:48.760 --> 1:36:52.040
<v Speaker 1>can we talk to you? And like when they say

1:36:52.120 --> 1:36:53.240
<v Speaker 1>they can they talk to you? They take you in

1:36:53.320 --> 1:36:56.599
<v Speaker 1>this white room and are you automatically thinking that they're

1:36:56.640 --> 1:36:59.519
<v Speaker 1>trying to start drama or you believe they're not there

1:36:59.520 --> 1:37:02.320
<v Speaker 1>to start Okay? Cool, they're they're honestly they want you

1:37:02.360 --> 1:37:04.559
<v Speaker 1>to bring the druma. They know it's only a certain

1:37:04.600 --> 1:37:06.479
<v Speaker 1>amount of time you can last before the dramas. Like

1:37:06.560 --> 1:37:08.120
<v Speaker 1>people can sit up there and try to hide, but

1:37:08.200 --> 1:37:11.160
<v Speaker 1>it's gonna pop out because they're mentally funk with you

1:37:11.880 --> 1:37:14.560
<v Speaker 1>till you be like, oh ship. So I was in

1:37:14.600 --> 1:37:18.720
<v Speaker 1>the house with Soldier Boy India Jessica Dime and her

1:37:18.800 --> 1:37:27.000
<v Speaker 1>husband Tammy, and walk up and his girl was like,

1:37:27.160 --> 1:37:29.280
<v Speaker 1>so I was a house with soldier boy, but that's

1:37:29.320 --> 1:37:32.800
<v Speaker 1>like my nephew. So I literally got to see soldier boys.

1:37:32.840 --> 1:37:34.639
<v Speaker 1>Time for you come to drink chats on me? Yeah,

1:37:35.840 --> 1:37:38.200
<v Speaker 1>because I got to see everything that went down. So

1:37:38.280 --> 1:37:40.439
<v Speaker 1>I've literally seen a lot of people grow up in

1:37:40.520 --> 1:37:42.000
<v Speaker 1>the industry and then I got to live in the

1:37:42.080 --> 1:37:44.840
<v Speaker 1>house with them. And seeing people in the industry and

1:37:44.920 --> 1:37:48.800
<v Speaker 1>live with them is two separate things. So mentally, I

1:37:48.880 --> 1:37:51.920
<v Speaker 1>saw everybody break down. And I'm not gonna put nobody's

1:37:51.960 --> 1:37:54.280
<v Speaker 1>business out there. I'm gonna talk about me. So I

1:37:54.400 --> 1:37:56.439
<v Speaker 1>know when my breaking fronts they came to you and

1:37:56.520 --> 1:37:58.400
<v Speaker 1>they showed you the footage, or they take me to

1:37:58.600 --> 1:38:00.320
<v Speaker 1>side and they bring me they bring they was like,

1:38:00.320 --> 1:38:01.720
<v Speaker 1>can you come talk to us? And once they take

1:38:01.760 --> 1:38:03.000
<v Speaker 1>you in the white room, you know what's up in

1:38:03.040 --> 1:38:05.599
<v Speaker 1>the stuff? From there, they're gonna they're gonna that's when

1:38:05.600 --> 1:38:08.200
<v Speaker 1>they film and they're gonna present you with some information

1:38:08.560 --> 1:38:11.960
<v Speaker 1>because everybody you think you sneak it, but this could

1:38:11.960 --> 1:38:14.560
<v Speaker 1>be a microphone. This could be a camera. Everything is

1:38:14.600 --> 1:38:16.519
<v Speaker 1>a camera to the microphone. This could be a camera.

1:38:16.760 --> 1:38:19.120
<v Speaker 1>So you sit up there, yeah, this'll bet they got

1:38:19.200 --> 1:38:23.360
<v Speaker 1>you here. The house is strategically put together to catch

1:38:23.439 --> 1:38:26.000
<v Speaker 1>your ass slipping. So unless you layter there like this

1:38:26.760 --> 1:38:28.840
<v Speaker 1>and reading your Bible the whole time, your ask gonna

1:38:28.840 --> 1:38:32.040
<v Speaker 1>get caught in some ship. So when it came to

1:38:32.120 --> 1:38:34.240
<v Speaker 1>me they unfolded these papers, they was like, hey, you're

1:38:34.280 --> 1:38:35.920
<v Speaker 1>good to that? Yeah, yeah, I'm good. What's going on?

1:38:36.000 --> 1:38:38.680
<v Speaker 1>Because we're smoking helloween? Because you're going crazy out there.

1:38:38.680 --> 1:38:41.120
<v Speaker 1>It's the middle of nowhere and you can't go nowhere.

1:38:41.720 --> 1:38:44.439
<v Speaker 1>So they were like, we want to show you. I

1:38:44.520 --> 1:38:46.840
<v Speaker 1>don't even know where this. They drive you there and

1:38:46.920 --> 1:38:49.360
<v Speaker 1>you don't know where there because they'll stop, they pull over,

1:38:49.439 --> 1:38:53.280
<v Speaker 1>and then you're getting the lambo and then you and

1:38:53.320 --> 1:38:57.760
<v Speaker 1>you're like President, yeah, it's no address. You can't be

1:38:57.840 --> 1:39:00.519
<v Speaker 1>like I'm gonna say my location. Ain't none of that

1:39:00.640 --> 1:39:03.439
<v Speaker 1>going on, which they had a police out there. So

1:39:04.760 --> 1:39:07.400
<v Speaker 1>I just remember them handing me some papers, which I

1:39:07.439 --> 1:39:08.880
<v Speaker 1>still have to this day because I went through some

1:39:08.920 --> 1:39:12.519
<v Speaker 1>old luggage and I'm like, god, damn, they unfold they

1:39:12.720 --> 1:39:14.040
<v Speaker 1>send me these people. There's like, do you know who

1:39:14.120 --> 1:39:16.120
<v Speaker 1>this is? I'm like, no, that looks like a dude.

1:39:16.160 --> 1:39:18.439
<v Speaker 1>They was like, oh, it's a female. Because whoever it was.

1:39:18.520 --> 1:39:20.640
<v Speaker 1>I was like, well, the face looks pixelized. What is

1:39:20.640 --> 1:39:24.080
<v Speaker 1>it given? And they were like, um, are you the

1:39:24.200 --> 1:39:27.880
<v Speaker 1>only person that your people was dealing with? I said, well,

1:39:27.960 --> 1:39:30.519
<v Speaker 1>far as I know, Like how the fun I can't

1:39:30.520 --> 1:39:32.280
<v Speaker 1>even call my kids hardy out here. I have to

1:39:32.400 --> 1:39:35.439
<v Speaker 1>use y'all phones to check on my kids. They were like, well,

1:39:35.960 --> 1:39:38.479
<v Speaker 1>we have reason to believe that he has someone else

1:39:38.520 --> 1:39:40.439
<v Speaker 1>in his life, because he has someone in his phone

1:39:40.479 --> 1:39:43.840
<v Speaker 1>saved this W two. I'm like, like as a tax phone,

1:39:44.439 --> 1:39:47.960
<v Speaker 1>as in like woman number two, like a wo They

1:39:47.960 --> 1:39:49.559
<v Speaker 1>said it would save that W two and I said,

1:39:49.560 --> 1:39:52.519
<v Speaker 1>I do not know who. I was thinking W two

1:39:55.560 --> 1:39:59.800
<v Speaker 1>or maybe two when they actually it was like, okay,

1:40:00.080 --> 1:40:01.479
<v Speaker 1>you know how long i've been leagal I've been. I

1:40:01.600 --> 1:40:05.040
<v Speaker 1>thought about straight lead and that's what I was taking.

1:40:05.080 --> 1:40:06.200
<v Speaker 1>I was like, give you two. I was like, well,

1:40:06.320 --> 1:40:08.639
<v Speaker 1>you know people on the East Coast they run scars.

1:40:08.680 --> 1:40:11.200
<v Speaker 1>Maybe she funneling somebody in W two. Like we don't

1:40:11.200 --> 1:40:13.280
<v Speaker 1>do W. We do T ninety nine. So I don't

1:40:13.320 --> 1:40:16.120
<v Speaker 1>know who fun this is. So they okay, so we're

1:40:16.120 --> 1:40:18.680
<v Speaker 1>gonna give you some time, and we're gonna give him

1:40:18.720 --> 1:40:20.800
<v Speaker 1>time to let you know because we've already discussed this

1:40:20.920 --> 1:40:22.920
<v Speaker 1>with him, so you never know what's going on. So

1:40:23.040 --> 1:40:25.960
<v Speaker 1>they gave him Bamble enough time to say, listen, this

1:40:26.120 --> 1:40:28.560
<v Speaker 1>is what I did. And they caught me slipping. But

1:40:28.840 --> 1:40:31.040
<v Speaker 1>because we don't talk in the house, we're bringing notes

1:40:31.960 --> 1:40:33.880
<v Speaker 1>and in the bathroom is the safest place where you

1:40:33.920 --> 1:40:36.519
<v Speaker 1>can write but don't talk. So he has Yeah, they

1:40:36.560 --> 1:40:38.960
<v Speaker 1>sent me on the phone with my sister that when

1:40:38.960 --> 1:40:40.519
<v Speaker 1>I said I love you and she said she loves

1:40:40.520 --> 1:40:43.080
<v Speaker 1>you back. They thinking somebody, all right, bet what I'm

1:40:43.080 --> 1:40:46.280
<v Speaker 1>thinking about the picture, But that's only her sister. Okay,

1:40:46.520 --> 1:40:49.280
<v Speaker 1>So now now I get into defense mode. So then

1:40:49.280 --> 1:40:53.000
<v Speaker 1>they take us both into the white room and they're like, yo,

1:40:53.520 --> 1:40:55.120
<v Speaker 1>so do you want did you have a chance to

1:40:55.200 --> 1:40:58.320
<v Speaker 1>discuss what you He starts going off on the doctor.

1:40:58.320 --> 1:41:00.040
<v Speaker 1>I said, set your ass down. Don't talk to a

1:41:00.120 --> 1:41:01.760
<v Speaker 1>man like that, because you know if you hit them,

1:41:01.800 --> 1:41:04.200
<v Speaker 1>you're getting prosecuted. Like it's a clause in there. If

1:41:04.200 --> 1:41:06.519
<v Speaker 1>you touch one of them doctors, you're you're getting arrested.

1:41:06.760 --> 1:41:08.519
<v Speaker 1>For us all and then and then you're getting kicked

1:41:08.520 --> 1:41:10.640
<v Speaker 1>off and you're not gonna get paid periods like you

1:41:10.880 --> 1:41:12.920
<v Speaker 1>you already know the vibes sit your ask there, why

1:41:12.920 --> 1:41:14.680
<v Speaker 1>are you being so defensive? What the fun going on?

1:41:15.080 --> 1:41:16.519
<v Speaker 1>We're in the middle of nowhere, and how the fun?

1:41:17.080 --> 1:41:18.840
<v Speaker 1>But if a motherucker's gonna do what they want to do,

1:41:18.920 --> 1:41:21.559
<v Speaker 1>they're gonna do that ship underground up in the air

1:41:22.120 --> 1:41:24.240
<v Speaker 1>in the middle of nowhere, We're gonna do what they

1:41:24.280 --> 1:41:27.400
<v Speaker 1>want to do. Boom. So I had to play it

1:41:27.479 --> 1:41:29.519
<v Speaker 1>off at that point, and I'm just like, damn, like

1:41:30.200 --> 1:41:33.120
<v Speaker 1>should I'm out here trying to fix the situation. But

1:41:33.200 --> 1:41:35.680
<v Speaker 1>I realized that situation even though it's marriage, but can't.

1:41:35.680 --> 1:41:39.200
<v Speaker 1>I went in to fix myself because I already knew

1:41:39.200 --> 1:41:40.720
<v Speaker 1>what the fun was going on, and I knew what

1:41:40.800 --> 1:41:44.120
<v Speaker 1>the funk was hitting for. But I needed to face

1:41:44.200 --> 1:41:48.160
<v Speaker 1>the reality that I was allowing my brand to be compromised.

1:41:48.560 --> 1:41:51.120
<v Speaker 1>I was allowing my integrity to be compromised, which my

1:41:51.240 --> 1:41:54.960
<v Speaker 1>dad told me never compromising integrity. I was allowing my

1:41:55.160 --> 1:41:59.599
<v Speaker 1>personal space to be compromised, and I was by mental

1:41:59.680 --> 1:42:03.439
<v Speaker 1>emotion to no physical, spiritual everything was compromised. So I

1:42:03.600 --> 1:42:06.040
<v Speaker 1>needed those twenty eight days to break me down, because

1:42:06.120 --> 1:42:08.960
<v Speaker 1>once I get out of this, I'm up and it's stuck.

1:42:10.280 --> 1:42:15.760
<v Speaker 1>And then, you know, we've been saying that for years,

1:42:16.040 --> 1:42:19.320
<v Speaker 1>what's up? It's up for you when it's because you

1:42:19.400 --> 1:42:21.320
<v Speaker 1>know when it's up there, my heart, my daughter said,

1:42:21.320 --> 1:42:24.280
<v Speaker 1>he was like, yeah, something like that. It's up in

1:42:24.320 --> 1:42:25.920
<v Speaker 1>the stuff. So when they came out with a song,

1:42:26.280 --> 1:42:28.400
<v Speaker 1>I was just like, it is what it is. So

1:42:29.160 --> 1:42:31.360
<v Speaker 1>after that I realized, now it's trying to make your

1:42:31.360 --> 1:42:34.080
<v Speaker 1>way of escape so you could stay and know the

1:42:34.120 --> 1:42:38.320
<v Speaker 1>bullshit you dealing with and know that it's actually destroying

1:42:38.360 --> 1:42:40.559
<v Speaker 1>your brand because once you don't know what they're keeping

1:42:40.600 --> 1:42:43.120
<v Speaker 1>far as the footage, but once it's once it's out there,

1:42:43.400 --> 1:42:45.160
<v Speaker 1>you already know what people's d m and you and

1:42:45.240 --> 1:42:48.360
<v Speaker 1>sending you. You already know the truth. It's tough for

1:42:48.400 --> 1:42:51.639
<v Speaker 1>you to face it. So me being a woman that comes.

1:42:51.720 --> 1:42:55.160
<v Speaker 1>My parents are about to celebrate August night, they're celebrating

1:42:55.200 --> 1:43:02.040
<v Speaker 1>forty years marriage. Both parents grew in church, grew up military, like,

1:43:02.160 --> 1:43:06.519
<v Speaker 1>grew up bedtime, you know, a very lenient home. So

1:43:06.680 --> 1:43:09.040
<v Speaker 1>what I was doing and how I grew up wasn't

1:43:09.080 --> 1:43:11.920
<v Speaker 1>matching up. I was accepting things that I shouldn't even

1:43:11.920 --> 1:43:17.560
<v Speaker 1>allow to permeate my space. So it was just like

1:43:17.720 --> 1:43:20.360
<v Speaker 1>I had to make a choice. But when you're trying

1:43:20.400 --> 1:43:22.360
<v Speaker 1>to leave a situation after the world was about to

1:43:22.400 --> 1:43:24.280
<v Speaker 1>see like damn, I thought you was married this this

1:43:24.320 --> 1:43:26.920
<v Speaker 1>is your third marriage. When they showed a thing like damn,

1:43:27.000 --> 1:43:29.200
<v Speaker 1>bit a lady talking one time, every time I turned around,

1:43:29.200 --> 1:43:30.880
<v Speaker 1>you get married. I saw a bit stop turning around.

1:43:32.760 --> 1:43:35.840
<v Speaker 1>But then I had to realize for myself, fish stopped

1:43:35.880 --> 1:43:40.200
<v Speaker 1>making permanent decision off temporary emotions. So I took that

1:43:40.240 --> 1:43:43.320
<v Speaker 1>accountbating for myself. So honestly, marriage boot camp was for

1:43:43.360 --> 1:43:45.360
<v Speaker 1>me to get my mentor together because it will put

1:43:45.360 --> 1:43:46.960
<v Speaker 1>you in the space where you have no other choice

1:43:47.000 --> 1:43:56.559
<v Speaker 1>but to fix fix it. Yeah, So it didn't complicated

1:43:56.560 --> 1:43:59.760
<v Speaker 1>at all because I had a domestic uh case open

1:43:59.840 --> 1:44:01.760
<v Speaker 1>with is a p F a protection from abused, So

1:44:01.880 --> 1:44:03.760
<v Speaker 1>people a lot of people don't know, but people were

1:44:03.840 --> 1:44:06.519
<v Speaker 1>telling me, But I was defending a situation which we

1:44:06.640 --> 1:44:08.200
<v Speaker 1>know what the fun going on. I'm like, fuck you bitch,

1:44:08.240 --> 1:44:10.200
<v Speaker 1>I'll beat your ass. Well, How'm gonna beat your ass?

1:44:10.240 --> 1:44:13.920
<v Speaker 1>And I'm getting my ass beat. So I'm one of

1:44:14.000 --> 1:44:16.400
<v Speaker 1>the people that followed through in Philadelphia and Pennsylvania. You

1:44:16.439 --> 1:44:18.320
<v Speaker 1>have to go three times to the court, and I

1:44:18.360 --> 1:44:20.720
<v Speaker 1>went all three times, so I have a detective order.

1:44:21.479 --> 1:44:24.719
<v Speaker 1>So with that, my divorces find on everything. I realized

1:44:24.800 --> 1:44:26.840
<v Speaker 1>and dr Ish, the black guy, he came to me.

1:44:26.920 --> 1:44:29.760
<v Speaker 1>He was like, I don't ever con like. I don't

1:44:29.800 --> 1:44:33.080
<v Speaker 1>never push for divorce or for people to break up.

1:44:33.760 --> 1:44:37.320
<v Speaker 1>But I'm gonna just tell you mo once he said, Cynthia,

1:44:37.400 --> 1:44:39.599
<v Speaker 1>that's my realm name. Once you realize who you are,

1:44:40.520 --> 1:44:43.000
<v Speaker 1>that's when you're gonna make the right decisions and you're

1:44:43.040 --> 1:44:46.519
<v Speaker 1>gonna level up. And I asked you this early in

1:44:46.600 --> 1:44:50.120
<v Speaker 1>a different way. Um, so you were lady to marry

1:44:50.200 --> 1:44:52.680
<v Speaker 1>j Blis when when she felt like that very much?

1:44:53.280 --> 1:44:55.960
<v Speaker 1>And on Hot Boys video set because I'll start crying

1:44:56.000 --> 1:44:59.720
<v Speaker 1>that when this one ship get real. Me, I took

1:44:59.760 --> 1:45:01.680
<v Speaker 1>my used to always go with my sister everywhere. I

1:45:01.720 --> 1:45:04.200
<v Speaker 1>always keep somebody with my family close because I don't

1:45:04.240 --> 1:45:06.720
<v Speaker 1>trust the industry. Peoples will try to lie you. I've

1:45:06.760 --> 1:45:08.679
<v Speaker 1>been I've been a situation with people try to on people.

1:45:08.680 --> 1:45:13.000
<v Speaker 1>I ain't got nothing to do with that. Um Mary

1:45:13.080 --> 1:45:15.639
<v Speaker 1>j Blache had got and we were in our trailers

1:45:15.720 --> 1:45:17.920
<v Speaker 1>and she was just shooting a scene and so for

1:45:18.040 --> 1:45:21.320
<v Speaker 1>some way reason Hot Boys video shooting, I had my

1:45:21.400 --> 1:45:22.720
<v Speaker 1>sister with me and my sister like, I want to

1:45:22.760 --> 1:45:24.280
<v Speaker 1>meet Eve. I was like, let's go say how to marry?

1:45:24.280 --> 1:45:26.960
<v Speaker 1>She with her sister, Lutalian Mary Grahamed. She was like,

1:45:27.120 --> 1:45:29.200
<v Speaker 1>oh my god. And I still have the picture to

1:45:29.240 --> 1:45:30.640
<v Speaker 1>this day with me and my sister from the Hot

1:45:30.720 --> 1:45:32.840
<v Speaker 1>Boys set. She was like, yeah, I got so. She

1:45:32.920 --> 1:45:35.559
<v Speaker 1>used to call us the pretty Whig sisters. She was like, yeah,

1:45:35.560 --> 1:45:38.920
<v Speaker 1>I've got some pretty wig so mind you. I'm just

1:45:38.960 --> 1:45:40.960
<v Speaker 1>getting the industry. And I meet Mary J. Blige and

1:45:41.040 --> 1:45:46.000
<v Speaker 1>I'm so freaking hight. Mary says, let me tell you something.

1:45:46.720 --> 1:45:49.960
<v Speaker 1>Don't trust under these motherfucker's and keep your family close.

1:45:50.320 --> 1:45:54.880
<v Speaker 1>Why she sounds like Mary right now, like her, you

1:45:55.000 --> 1:45:57.360
<v Speaker 1>just you just embedded her. She told me that that

1:45:57.520 --> 1:46:00.400
<v Speaker 1>was the nineteen She said, don't trust sun of these

1:46:00.479 --> 1:46:03.920
<v Speaker 1>motherfucker's and keep your sister close, keep your family like

1:46:04.040 --> 1:46:06.599
<v Speaker 1>your real family clothes because people will play like their

1:46:06.640 --> 1:46:09.000
<v Speaker 1>family and they don't. But she was like, will you

1:46:09.040 --> 1:46:10.479
<v Speaker 1>get your wigs from? I was like, oh, my friend

1:46:10.479 --> 1:46:12.639
<v Speaker 1>got it from Flatbush. As she ordered the twenty dollars,

1:46:12.840 --> 1:46:15.160
<v Speaker 1>she said the fuck No, paid twenty dollars and we

1:46:15.240 --> 1:46:16.840
<v Speaker 1>just paid the thousand dollars for these to be floating.

1:46:16.840 --> 1:46:18.559
<v Speaker 1>And I said, now we get these just from Flatbush.

1:46:18.640 --> 1:46:21.920
<v Speaker 1>My girl, my whole girl. Yes, she buys. I give

1:46:21.960 --> 1:46:24.640
<v Speaker 1>a hundred. She bought five wigs and she styles them

1:46:24.720 --> 1:46:26.920
<v Speaker 1>up so while people are charging the thals and she

1:46:26.960 --> 1:46:28.640
<v Speaker 1>getting them from the line, she the line, she just

1:46:28.720 --> 1:46:31.320
<v Speaker 1>saws and she called us the pretty Weig sisters. And

1:46:31.360 --> 1:46:33.400
<v Speaker 1>then after that, I never forgot this. So every time

1:46:33.479 --> 1:46:38.080
<v Speaker 1>I see Mary's always loved. She always like documentary. I

1:46:38.120 --> 1:46:41.240
<v Speaker 1>haven't seen it yet, but I saw pieces of it

1:46:41.280 --> 1:46:42.920
<v Speaker 1>because I saw it with me supposed and I saw it,

1:46:43.000 --> 1:46:47.040
<v Speaker 1>I was just like, damn, that ship. I've I've seen

1:46:47.160 --> 1:46:49.240
<v Speaker 1>tours with Mary and I've been a lot of her shows,

1:46:49.280 --> 1:46:52.560
<v Speaker 1>and I'm just like, damn, I feel that I know

1:46:52.640 --> 1:46:54.560
<v Speaker 1>what it's like to be on I was addicted to

1:46:54.640 --> 1:46:59.479
<v Speaker 1>opioids ecstacy. When I googled you, um, that was the

1:46:59.560 --> 1:47:03.400
<v Speaker 1>third and that came up was opioids And I don't

1:47:03.439 --> 1:47:08.800
<v Speaker 1>exactly know what is. Can you explain that wells are

1:47:08.840 --> 1:47:12.040
<v Speaker 1>like percosets and it's a narcotic But it started with

1:47:12.120 --> 1:47:15.000
<v Speaker 1>prescribed pills. It started with prescribed pills because us as

1:47:15.080 --> 1:47:17.840
<v Speaker 1>in the black community, when we think of opioids, we

1:47:17.960 --> 1:47:21.000
<v Speaker 1>always think that's a white thing. Yeah we're not realizing,

1:47:21.080 --> 1:47:23.519
<v Speaker 1>But I don't live in a black neighborhood. You know

1:47:23.560 --> 1:47:26.720
<v Speaker 1>what's crazy is the soccer moms. That's who be lit.

1:47:26.880 --> 1:47:28.600
<v Speaker 1>You wonder why they'd be so hyping the carras be

1:47:28.640 --> 1:47:32.360
<v Speaker 1>so lit. I'm like, oh, she's on man's wait wait there.

1:47:32.400 --> 1:47:36.080
<v Speaker 1>Mostly they don't mostly purposes. They mostly do zanix a

1:47:36.160 --> 1:47:39.599
<v Speaker 1>lot of that stuff. Like when I was the amount

1:47:39.680 --> 1:47:41.519
<v Speaker 1>that I was doing for my height and my weight,

1:47:42.040 --> 1:47:47.560
<v Speaker 1>it was unacceptable. So how does this happens? You you

1:47:47.840 --> 1:47:49.920
<v Speaker 1>break a fingertip or something that you go to the doctor.

1:47:50.280 --> 1:47:52.840
<v Speaker 1>All my children I have five children, all five were

1:47:52.880 --> 1:47:56.200
<v Speaker 1>born via since area. So they give you all of them.

1:47:56.439 --> 1:47:58.840
<v Speaker 1>And what does that? People that they cut you open.

1:47:58.880 --> 1:48:00.600
<v Speaker 1>You don't push it out your pal all right, so

1:48:00.840 --> 1:48:03.320
<v Speaker 1>cut you so they got used mads. After that they

1:48:03.400 --> 1:48:04.880
<v Speaker 1>give you they give you a spinal so they don't

1:48:05.040 --> 1:48:06.840
<v Speaker 1>give you a normal apple duel. So that means from

1:48:06.920 --> 1:48:10.200
<v Speaker 1>here on down, well, from the waist on, from the

1:48:10.400 --> 1:48:13.920
<v Speaker 1>ribs on down, everything is sleep. And before you can

1:48:14.000 --> 1:48:16.200
<v Speaker 1>even go see your kid, for real, and before you

1:48:16.280 --> 1:48:17.880
<v Speaker 1>go you have to you have to move your feet,

1:48:17.920 --> 1:48:19.640
<v Speaker 1>is certain things you have to do. So when you

1:48:19.760 --> 1:48:23.479
<v Speaker 1>have a V a vaginal birth, you can literally go

1:48:23.560 --> 1:48:25.320
<v Speaker 1>home the next day. We have a C section, you're

1:48:25.320 --> 1:48:30.839
<v Speaker 1>doing five days automatically. It's literally the most it's dangerous

1:48:31.120 --> 1:48:33.200
<v Speaker 1>because everything is sleeping. A lot of people they'll do

1:48:33.360 --> 1:48:35.479
<v Speaker 1>V back, which is vaginal birth after Ssian. But I

1:48:35.479 --> 1:48:37.760
<v Speaker 1>don't want to feel no labor, so I opted for

1:48:37.880 --> 1:48:39.960
<v Speaker 1>all cesaria. But I realized now I was just getting

1:48:39.960 --> 1:48:41.720
<v Speaker 1>necessary because I didn't want to feel no pain because

1:48:41.720 --> 1:48:44.040
<v Speaker 1>I was gonna throw enough in my life. So medicate

1:48:44.160 --> 1:48:47.599
<v Speaker 1>me and give me my perks. And then after after

1:48:47.720 --> 1:48:51.639
<v Speaker 1>these you're saying, after the the highest level of men's

1:48:51.720 --> 1:48:54.080
<v Speaker 1>that you can get. Because what I'm saying, when when

1:48:54.320 --> 1:48:56.679
<v Speaker 1>did you become to your thought, did you was addicted?

1:48:56.960 --> 1:48:59.639
<v Speaker 1>It's after all five kids, or this is in between.

1:48:59.720 --> 1:49:02.600
<v Speaker 1>It was between really because of day was giving you

1:49:02.640 --> 1:49:05.120
<v Speaker 1>because they'll give you the mass. And then when they

1:49:05.200 --> 1:49:08.840
<v Speaker 1>when they come past the point where it becomes uh,

1:49:09.560 --> 1:49:12.400
<v Speaker 1>doctors can't lose their license for overprescribing. So then we

1:49:12.439 --> 1:49:14.559
<v Speaker 1>start going to the street to try to pay an

1:49:14.640 --> 1:49:16.840
<v Speaker 1>extra money. A thirty on the street now sixty dollars.

1:49:17.200 --> 1:49:23.479
<v Speaker 1>Before it was like sixty's a shower. Thirty is the highest.

1:49:23.520 --> 1:49:25.800
<v Speaker 1>If you go over that, then you're just asking motherfucking deaf,

1:49:25.840 --> 1:49:27.760
<v Speaker 1>you might as well just do heroin. But I never

1:49:27.840 --> 1:49:29.479
<v Speaker 1>wanted to do heroin because I'm like, oh, now I

1:49:29.520 --> 1:49:32.600
<v Speaker 1>can't see myself. Are you are aware of what's going on?

1:49:32.760 --> 1:49:35.720
<v Speaker 1>Like you're aware that this is almost this is like

1:49:35.800 --> 1:49:40.439
<v Speaker 1>considered real drugs, even though you know you're getting it

1:49:40.479 --> 1:49:42.800
<v Speaker 1>from a doctor, Like did you ever consider that this

1:49:42.920 --> 1:49:45.320
<v Speaker 1>is crazy? Or I didn't care? Okay, because I'm like,

1:49:45.360 --> 1:49:47.479
<v Speaker 1>I'm in the music industry. I'm a rock star and

1:49:47.720 --> 1:49:50.240
<v Speaker 1>popp acts on a smoke weed and I did coke,

1:49:50.400 --> 1:49:53.160
<v Speaker 1>never did heron, never did math. So I'm just like

1:49:53.800 --> 1:49:55.920
<v Speaker 1>everybody else is doing it. You'd be surprised how many

1:49:55.960 --> 1:49:58.960
<v Speaker 1>people at this Molly set. But I try to give

1:49:59.040 --> 1:50:01.760
<v Speaker 1>him perket he wouldn't even make it. Will you try

1:50:01.800 --> 1:50:05.680
<v Speaker 1>to get Future Perfect at a Philly show? And he

1:50:05.720 --> 1:50:08.880
<v Speaker 1>wouldn't take it? He was like no recently, this is

1:50:08.920 --> 1:50:12.760
<v Speaker 1>when this is about five four or five years ago.

1:50:12.840 --> 1:50:14.439
<v Speaker 1>It was him Todd dollars on at the show and

1:50:14.520 --> 1:50:16.080
<v Speaker 1>I tried and I was just like, what the fund

1:50:16.120 --> 1:50:19.320
<v Speaker 1>is you doing? Mo? And he was like, no, I'm

1:50:19.320 --> 1:50:20.840
<v Speaker 1>not gonna perform like that. So I was just like,

1:50:20.960 --> 1:50:26.080
<v Speaker 1>you know what, Yeah, you're saying what are you doing? More?

1:50:26.160 --> 1:50:28.960
<v Speaker 1>Because you hear you all listening to his Yeah, how

1:50:28.960 --> 1:50:31.240
<v Speaker 1>I'm trying to be the line because I hear a

1:50:31.320 --> 1:50:34.000
<v Speaker 1>song and I automatically assume that's what he does, just

1:50:34.120 --> 1:50:38.720
<v Speaker 1>because somebody says, almost shoot up the club. Nobody's yeah,

1:50:38.880 --> 1:50:41.240
<v Speaker 1>Like just because people say it don't mean they really

1:50:41.280 --> 1:50:45.200
<v Speaker 1>do it. We know, what's what's the way? Philly? He's

1:50:45.240 --> 1:50:47.680
<v Speaker 1>in Philly and you come to him, and how do

1:50:47.760 --> 1:50:49.400
<v Speaker 1>you describe this situation? You say, what's up? Bro? I

1:50:49.479 --> 1:50:51.800
<v Speaker 1>go because I'm saying future for years, I've known it

1:50:51.880 --> 1:50:54.920
<v Speaker 1>for years. Like so it's like aways a double cup,

1:50:55.439 --> 1:50:58.160
<v Speaker 1>Yeah okay, And we were actually I think we will

1:50:58.240 --> 1:50:59.519
<v Speaker 1>you know what you're trying to say that we were

1:50:59.640 --> 1:51:02.599
<v Speaker 1>like we were actually that's that's make everybody drinks before

1:51:02.600 --> 1:51:04.880
<v Speaker 1>this show because it's honestly it's a comment. But the

1:51:05.200 --> 1:51:07.639
<v Speaker 1>double cut means scissor. That doesn't mean no, he didn't

1:51:07.680 --> 1:51:12.479
<v Speaker 1>have that. We were actually making well I used to

1:51:12.479 --> 1:51:16.120
<v Speaker 1>do to really like I don't understand how I'm still alive.

1:51:16.880 --> 1:51:20.080
<v Speaker 1>I'm gonna tell you because I've had a situations where

1:51:20.160 --> 1:51:23.439
<v Speaker 1>I've had to be hospitalized. But we were making sandwiches

1:51:23.479 --> 1:51:25.040
<v Speaker 1>and so we were getting a picture. I took it

1:51:25.200 --> 1:51:26.760
<v Speaker 1>m throwing up a dome like damn, we would just eat,

1:51:26.920 --> 1:51:28.920
<v Speaker 1>and I was just like, yo, you're good. You want some.

1:51:29.439 --> 1:51:31.240
<v Speaker 1>I was like, I got onto fives and some tens

1:51:31.280 --> 1:51:32.920
<v Speaker 1>and he was like, no, I'm good. He's like I

1:51:32.960 --> 1:51:34.600
<v Speaker 1>wouldn't be able to perform like that, and I was like,

1:51:34.680 --> 1:51:38.320
<v Speaker 1>I respect that. Fives and some tens just pink this

1:51:38.479 --> 1:51:41.160
<v Speaker 1>green there's white, So fives of the whites, that's the

1:51:41.240 --> 1:51:46.040
<v Speaker 1>lowest millgram thirties those are for the heavier us. Yeah,

1:51:46.720 --> 1:51:51.200
<v Speaker 1>and what are we talking about? What is the perks

1:51:51.240 --> 1:51:56.080
<v Speaker 1>of perks? What do you yeah? The person? Honestly, if

1:51:56.160 --> 1:51:58.680
<v Speaker 1>you don't, it's a it's a pay man. It's the

1:51:58.720 --> 1:52:01.479
<v Speaker 1>highest level of pay man. So when you're all them,

1:52:02.640 --> 1:52:06.040
<v Speaker 1>you become aggressive because you feel nothing. You don't feel anything.

1:52:06.160 --> 1:52:09.640
<v Speaker 1>It's honestly, it's it's almost like it's an upper So

1:52:09.720 --> 1:52:12.600
<v Speaker 1>it makes you feel a cocai, but it makes you

1:52:12.680 --> 1:52:15.160
<v Speaker 1>feel like you're invincible. So I won't be in here

1:52:15.200 --> 1:52:17.800
<v Speaker 1>throwing it around. See when you start mixing stuff. I've

1:52:17.800 --> 1:52:19.639
<v Speaker 1>been in places where I'm knocked it over. I'm gonnaknock

1:52:19.680 --> 1:52:21.360
<v Speaker 1>all this ship over you. You know what I'm saying.

1:52:21.400 --> 1:52:23.800
<v Speaker 1>But I'm just like, damn, like I really let myself

1:52:23.880 --> 1:52:26.880
<v Speaker 1>hit rock bottom. But you you said a co car?

1:52:27.360 --> 1:52:30.479
<v Speaker 1>What does this co car? I feel like upper so

1:52:31.520 --> 1:52:35.200
<v Speaker 1>love story. It's just like I did. That was back

1:52:35.240 --> 1:52:41.439
<v Speaker 1>in the days first you did cocaine with. Honestly, I

1:52:41.439 --> 1:52:44.439
<v Speaker 1>don't do drugs in front of people really because I've

1:52:44.479 --> 1:52:47.439
<v Speaker 1>always had fear or they're gonna have me looking crazy

1:52:47.920 --> 1:52:50.600
<v Speaker 1>and my butt be out like some weird ship. I

1:52:50.680 --> 1:52:52.720
<v Speaker 1>remember being high of X and I had to tell

1:52:52.800 --> 1:52:55.320
<v Speaker 1>my manager at the time, like because she gripped me up.

1:52:55.360 --> 1:52:57.720
<v Speaker 1>I was with Snoop and Joey i A and I

1:52:57.800 --> 1:53:00.760
<v Speaker 1>was about to get hurts how and she was like,

1:53:00.840 --> 1:53:03.320
<v Speaker 1>sit your ass down, don't you ruin this party because

1:53:03.360 --> 1:53:06.200
<v Speaker 1>this is not your this is not your place. And

1:53:06.280 --> 1:53:08.360
<v Speaker 1>I sat my ass down and I went in the room,

1:53:08.360 --> 1:53:10.040
<v Speaker 1>and I remember crying because I thought the phone was

1:53:10.080 --> 1:53:11.320
<v Speaker 1>on fire. I was like, can we please get my

1:53:11.360 --> 1:53:12.519
<v Speaker 1>mother on the phone because I don't want to be

1:53:12.600 --> 1:53:16.240
<v Speaker 1>this high. The phone was on fire and that's what

1:53:16.479 --> 1:53:19.160
<v Speaker 1>That's what it looked like to me. Ecstasy is weird,

1:53:20.040 --> 1:53:22.719
<v Speaker 1>so I stopped that. But I was chasing that high

1:53:23.439 --> 1:53:26.040
<v Speaker 1>from purpose. Well, I hadn't done perks about it. I

1:53:26.160 --> 1:53:29.479
<v Speaker 1>was just doing X halves and holes. I thought I

1:53:29.560 --> 1:53:34.040
<v Speaker 1>was a rock star. Yeah, but I would sing a

1:53:34.080 --> 1:53:36.880
<v Speaker 1>show and be killing it, so I wasn't like singing

1:53:36.920 --> 1:53:39.880
<v Speaker 1>all weird and something. To me, that's what helped job

1:53:39.960 --> 1:53:42.120
<v Speaker 1>rule is ecstasy. It helped a lot of artists. You'd

1:53:42.160 --> 1:53:54.880
<v Speaker 1>be surprised they what gospel artists? Artists? Did you say? Gods?

1:53:54.880 --> 1:53:57.160
<v Speaker 1>Who artists? They do drugs too. There's a couple of them.

1:53:58.720 --> 1:54:03.120
<v Speaker 1>You'd be surprised because it's like artists just because they

1:54:03.200 --> 1:54:05.160
<v Speaker 1>sing a certain genre music, you just never know what

1:54:05.240 --> 1:54:06.720
<v Speaker 1>the person is going through. And not realized what I

1:54:06.800 --> 1:54:09.080
<v Speaker 1>was going through. I realized that I was trying to

1:54:09.880 --> 1:54:15.200
<v Speaker 1>cover the pain with pills, but it was actually destroying

1:54:15.240 --> 1:54:17.400
<v Speaker 1>my spirit. So that's why I we're retalited. I'll be

1:54:17.479 --> 1:54:20.120
<v Speaker 1>throwing shoes that bitches be trying to fight, Like the

1:54:20.280 --> 1:54:22.720
<v Speaker 1>last straw was. I remember, I was off a pill.

1:54:23.360 --> 1:54:26.679
<v Speaker 1>I was off a Zanni No, I was off Addie

1:54:27.280 --> 1:54:33.120
<v Speaker 1>and a perk and my white friends take this. It's

1:54:33.120 --> 1:54:36.720
<v Speaker 1>actually subscribed at a roller for actually is to calm

1:54:36.800 --> 1:54:39.920
<v Speaker 1>you and to keep you focused. So it's those those

1:54:42.160 --> 1:54:45.160
<v Speaker 1>pills aren't designed to make you go crazy, but when

1:54:45.200 --> 1:54:48.560
<v Speaker 1>you start making cocktails and using them, it does your system.

1:54:48.680 --> 1:54:50.960
<v Speaker 1>Just like, wait, what the going on? What was the cocktail? Cocktails?

1:54:52.560 --> 1:54:58.240
<v Speaker 1>Alcohol to start your dad? So me being four eleven

1:54:59.680 --> 1:55:03.000
<v Speaker 1>pos back then, I was like one fifteen? How am

1:55:03.040 --> 1:55:05.480
<v Speaker 1>I still alive? So that's when I had to become

1:55:05.480 --> 1:55:07.720
<v Speaker 1>an advocate because I'm just like, yo, this ship because

1:55:07.760 --> 1:55:10.040
<v Speaker 1>once the high come down, you'd be so aggravated. That's

1:55:10.080 --> 1:55:12.280
<v Speaker 1>when I started cursing everybody out. The funk you're talking about,

1:55:12.280 --> 1:55:15.280
<v Speaker 1>bitch will pop out like what And a lot of

1:55:15.320 --> 1:55:17.480
<v Speaker 1>people I had lost a whole, like a lot of

1:55:17.560 --> 1:55:20.800
<v Speaker 1>fans like it was making the blogs. I'm like, well,

1:55:20.840 --> 1:55:22.720
<v Speaker 1>the stuff I promote, y'all don't post up, But when

1:55:22.720 --> 1:55:25.000
<v Speaker 1>I talk crazy to people, that's what y'all post up.

1:55:25.040 --> 1:55:27.040
<v Speaker 1>So I thought I had to had had the music

1:55:27.120 --> 1:55:30.680
<v Speaker 1>and this on the radio. No, now I was on

1:55:30.720 --> 1:55:32.680
<v Speaker 1>the radio because I know that we're radio. I had

1:55:32.720 --> 1:55:34.760
<v Speaker 1>said something someone one time and they called the radio

1:55:34.760 --> 1:55:36.200
<v Speaker 1>station trying to get me fired. I said, you can't

1:55:36.200 --> 1:55:39.120
<v Speaker 1>give me fired, which I'm number one, so I became

1:55:39.200 --> 1:55:44.360
<v Speaker 1>copy at that point. That morning show was hard to

1:55:44.400 --> 1:55:47.520
<v Speaker 1>be number one, but people would call and complain. But

1:55:47.600 --> 1:55:49.640
<v Speaker 1>then when they call and complain and too much, you

1:55:49.760 --> 1:55:51.800
<v Speaker 1>just like, all right, I gotta fall back. But nobody

1:55:51.840 --> 1:55:54.640
<v Speaker 1>would tell me because I wouldn't listen because she was

1:55:54.680 --> 1:55:56.160
<v Speaker 1>on the y'all. Of y'all. Yeah, it was on the

1:55:56.240 --> 1:56:00.920
<v Speaker 1>y'all to me. But but you think it's individuals. Literally

1:56:01.000 --> 1:56:03.320
<v Speaker 1>at three o'clock in the morning going to the radio

1:56:03.360 --> 1:56:05.160
<v Speaker 1>station to be there at five four, six o'clock show,

1:56:05.560 --> 1:56:07.480
<v Speaker 1>Hi on my fucking mind. But I had another one show,

1:56:07.520 --> 1:56:09.240
<v Speaker 1>so I thought, oh, this is what everybody does. But

1:56:09.320 --> 1:56:11.800
<v Speaker 1>you think it's individuals that need this. You think it's

1:56:12.200 --> 1:56:16.640
<v Speaker 1>it's industry white that everybody like the industry. They start

1:56:16.760 --> 1:56:18.760
<v Speaker 1>this is the crush that everybody needs to deal with

1:56:18.800 --> 1:56:21.160
<v Speaker 1>all the social bullshit. The you don't need it to

1:56:21.240 --> 1:56:23.440
<v Speaker 1>deal with because a lot of people with the industry,

1:56:23.520 --> 1:56:25.680
<v Speaker 1>you don't want to deal with the bullshit. So if

1:56:25.720 --> 1:56:27.240
<v Speaker 1>so many people, I can look at people right now

1:56:27.520 --> 1:56:30.840
<v Speaker 1>because I've come from that high ship you think you

1:56:30.960 --> 1:56:36.600
<v Speaker 1>regularly Now I really can't I could tell when she's

1:56:36.680 --> 1:56:38.760
<v Speaker 1>I can literally tell, because it's not even the fact

1:56:38.800 --> 1:56:41.120
<v Speaker 1>that maybe they popped the field. I can feel the spirit.

1:56:44.040 --> 1:56:46.680
<v Speaker 1>You can tell I need to explanation. You could just

1:56:46.720 --> 1:56:50.720
<v Speaker 1>tell by their mannerisms, Like like I can look back

1:56:50.760 --> 1:56:52.480
<v Speaker 1>at interviews and I can tell when I was just

1:56:52.560 --> 1:56:57.200
<v Speaker 1>sitting there doing all this like business because I'm naturally fidgety,

1:56:57.200 --> 1:56:58.800
<v Speaker 1>because I'm just like I have an O. C D.

1:56:58.880 --> 1:57:00.760
<v Speaker 1>Like I want to dust this able off so bad.

1:57:01.640 --> 1:57:03.960
<v Speaker 1>But I looked back at interviews and I could tell

1:57:04.520 --> 1:57:08.680
<v Speaker 1>how aggressive, how emotionally. Yes, I had what she was

1:57:08.680 --> 1:57:12.640
<v Speaker 1>a radio okay, and you all thought she was when

1:57:12.680 --> 1:57:15.560
<v Speaker 1>you get the radio show. Probably so, But I didn't

1:57:15.560 --> 1:57:18.160
<v Speaker 1>care because I probably was hot too. I'll expect the

1:57:18.200 --> 1:57:25.440
<v Speaker 1>answer what I talks. I'm a survival domestic violence and drugs,

1:57:25.800 --> 1:57:28.040
<v Speaker 1>the things that I grew up in a Christian household.

1:57:28.040 --> 1:57:30.640
<v Speaker 1>My dad's a bishop, my mom's an Avengers. So everything

1:57:30.760 --> 1:57:33.680
<v Speaker 1>that they were against I became. But I had to

1:57:33.800 --> 1:57:35.400
<v Speaker 1>draw the line because I have children. I don't want

1:57:35.440 --> 1:57:37.640
<v Speaker 1>them to come back. My kids can read. My five

1:57:37.720 --> 1:57:39.600
<v Speaker 1>year old reads on the sixth grade reading level from

1:57:39.680 --> 1:57:41.520
<v Speaker 1>all right, So what was it? What was the moment

1:57:42.120 --> 1:57:45.720
<v Speaker 1>where you was like, this is it for me? Um,

1:57:46.040 --> 1:57:48.400
<v Speaker 1>don't tell me marriage? Boucan Now. I was after that

1:57:48.680 --> 1:57:50.440
<v Speaker 1>because before I already knew I had to make a

1:57:50.560 --> 1:57:54.560
<v Speaker 1>change and I had to stop. But I remember being

1:57:54.640 --> 1:57:56.760
<v Speaker 1>told I'm gonna blow your hand off and you're gonna

1:57:56.800 --> 1:57:59.240
<v Speaker 1>throw you over this balcony, and everybody that I had

1:57:59.280 --> 1:58:02.720
<v Speaker 1>been unding and facilitating didn't help. So I knew only

1:58:02.800 --> 1:58:04.880
<v Speaker 1>one place to run, and that's where I ran, and

1:58:04.960 --> 1:58:08.480
<v Speaker 1>that's when I was just like I was tired of

1:58:08.520 --> 1:58:11.800
<v Speaker 1>seeing and feeling like that. And honestly, I think I

1:58:11.880 --> 1:58:15.920
<v Speaker 1>was more afraid of going through the withdrawal because a

1:58:16.000 --> 1:58:19.080
<v Speaker 1>period you have to go through from anything from relationship, yes,

1:58:19.240 --> 1:58:22.920
<v Speaker 1>it feels like death because I've tried it before and

1:58:22.920 --> 1:58:24.160
<v Speaker 1>I was like, no, I can't do this, Just get

1:58:24.240 --> 1:58:28.360
<v Speaker 1>me a pill. But I was afraid of a withdrawal

1:58:28.400 --> 1:58:32.240
<v Speaker 1>and it was just like you want to die or

1:58:32.520 --> 1:58:35.040
<v Speaker 1>and be selfish because you have children, or you wanna

1:58:35.640 --> 1:58:39.480
<v Speaker 1>start from scratch, and started from scratch literally means starting

1:58:39.960 --> 1:58:44.440
<v Speaker 1>everything over everything. So I was just like, nah, I

1:58:44.560 --> 1:58:48.240
<v Speaker 1>didn't have these five children for no reason. And I

1:58:48.360 --> 1:58:50.040
<v Speaker 1>know they was tired to see him because I wouldn't

1:58:50.080 --> 1:58:52.360
<v Speaker 1>do stuff around up, but they could tell by my

1:58:52.480 --> 1:58:55.080
<v Speaker 1>mannerisms and what was being posted online, like they can

1:58:55.120 --> 1:58:57.480
<v Speaker 1>read and they can see. And when my son would

1:58:57.480 --> 1:58:58.880
<v Speaker 1>come to me and stuff like look what somebody said,

1:58:58.880 --> 1:59:00.680
<v Speaker 1>I would like get off the end the net. Stop.

1:59:00.960 --> 1:59:04.400
<v Speaker 1>But that's all they know. Nobody watches TV. They google everything,

1:59:04.880 --> 1:59:07.800
<v Speaker 1>they see everything. And I've also seen on Jason Lee

1:59:08.520 --> 1:59:11.480
<v Speaker 1>show thing it's this podcast or something, and Jason Lee

1:59:11.520 --> 1:59:13.840
<v Speaker 1>said he was asking you and you said that you

1:59:13.920 --> 1:59:18.000
<v Speaker 1>went to a moment of depression, right, And um, I

1:59:18.120 --> 1:59:20.440
<v Speaker 1>believe he said that you had to stay away from

1:59:20.520 --> 1:59:23.440
<v Speaker 1>everybody at one point. Yeah, or what happened that? Then?

1:59:24.040 --> 1:59:27.400
<v Speaker 1>Why did you feel like that? Because I knew that

1:59:27.640 --> 1:59:30.440
<v Speaker 1>being around the industry and people it was toxic. And

1:59:30.840 --> 1:59:33.920
<v Speaker 1>I'm not saying it was them, it was me because

1:59:33.920 --> 1:59:37.080
<v Speaker 1>I know that when I come around and returned, and

1:59:37.640 --> 1:59:40.480
<v Speaker 1>it just felt like, as my now manager says, it

1:59:40.600 --> 1:59:42.680
<v Speaker 1>feels like people were paying you to go to go away,

1:59:42.720 --> 1:59:44.960
<v Speaker 1>And I said, what you mean about this, because it'll

1:59:45.000 --> 1:59:47.120
<v Speaker 1>go from making a certain amount of night to people

1:59:47.200 --> 1:59:49.240
<v Speaker 1>just trying to offer you anything, and just like, well,

1:59:49.280 --> 1:59:51.800
<v Speaker 1>I'd rather get paid this this anything than do it

1:59:51.920 --> 1:59:56.200
<v Speaker 1>for free. And it's just like, nah, I ain't nah, like,

1:59:56.440 --> 2:00:00.040
<v Speaker 1>don't play with me, especially not now, and people I

2:00:00.080 --> 2:00:02.760
<v Speaker 1>thought that they could play with me, even recently. And

2:00:03.040 --> 2:00:04.600
<v Speaker 1>that's where I say it was a test to see

2:00:04.760 --> 2:00:07.160
<v Speaker 1>if you're fall for the oaky dope or if you're

2:00:07.200 --> 2:00:09.200
<v Speaker 1>fall for the bullshit, or if you're gonna stand on

2:00:09.320 --> 2:00:11.880
<v Speaker 1>what you're saying. You came back to do and I

2:00:11.960 --> 2:00:14.520
<v Speaker 1>had to stand firm or even things that I think

2:00:14.560 --> 2:00:18.720
<v Speaker 1>would have pushed me to a higher visible position because

2:00:18.760 --> 2:00:20.640
<v Speaker 1>everything now was about the lifestyle and they want to

2:00:20.680 --> 2:00:22.560
<v Speaker 1>see you with the bus now rolling, They want to

2:00:22.560 --> 2:00:24.760
<v Speaker 1>see what the aps they want to But I was flying.

2:00:25.160 --> 2:00:27.280
<v Speaker 1>We was flying on Leo Cohen's jet in ninety nine.

2:00:28.000 --> 2:00:29.520
<v Speaker 1>So when I see people and just I'm like, damn,

2:00:29.600 --> 2:00:31.560
<v Speaker 1>I did that and I wasn't even you feel me.

2:00:31.920 --> 2:00:33.400
<v Speaker 1>We had the bust that people who stole all the

2:00:33.520 --> 2:00:35.720
<v Speaker 1>rings in the jury, Like I've been there, done that,

2:00:35.880 --> 2:00:37.360
<v Speaker 1>So that stuff doesn't impress me. But I get it

2:00:37.440 --> 2:00:40.040
<v Speaker 1>my kids, I get it. Kids are impressionable. So it's

2:00:40.080 --> 2:00:43.160
<v Speaker 1>just like now I have to reintroduce a different glow

2:00:43.600 --> 2:00:45.520
<v Speaker 1>so you might not see me with oh, or I

2:00:45.640 --> 2:00:47.280
<v Speaker 1>had the grills I had and all of that I

2:00:47.360 --> 2:00:50.040
<v Speaker 1>did that. Now the glow that has to be translution

2:00:50.080 --> 2:00:52.720
<v Speaker 1>that people that will respect is the one from within.

2:00:53.280 --> 2:00:54.760
<v Speaker 1>So when somebody say, oh, we want you to be

2:00:54.840 --> 2:00:56.480
<v Speaker 1>on this TV show for twenty five the funk out

2:00:56.520 --> 2:00:59.080
<v Speaker 1>in my my mortgage alone, I was told, don't step

2:00:59.080 --> 2:01:02.480
<v Speaker 1>out your house. You can pay mortgage for since months period.

2:01:03.640 --> 2:01:07.840
<v Speaker 1>Don't play with with, don't play with shout out the

2:01:07.960 --> 2:01:12.720
<v Speaker 1>Organic Food Kings. Incredible. We got the truck outside at

2:01:12.920 --> 2:01:16.080
<v Speaker 1>Organic Food Kings. Make sure you check them out. We're

2:01:16.080 --> 2:01:17.800
<v Speaker 1>gonna be eating them all the time right now? Do

2:01:17.920 --> 2:01:21.040
<v Speaker 1>you do you agreetum? Would you regret anything in life, like,

2:01:21.440 --> 2:01:23.960
<v Speaker 1>especially when it comes to entertainment, not even your personal

2:01:24.120 --> 2:01:28.440
<v Speaker 1>just entertainment. I have no regrets. I have some reservations

2:01:28.520 --> 2:01:30.960
<v Speaker 1>on things that I said and I did, and I

2:01:31.040 --> 2:01:34.440
<v Speaker 1>always felt that, oh that's who I am, but honestly

2:01:34.520 --> 2:01:36.920
<v Speaker 1>that's not how I was raised. So the fact that

2:01:36.960 --> 2:01:39.000
<v Speaker 1>I get a second chance to revisit and people are

2:01:39.040 --> 2:01:42.040
<v Speaker 1>just like, we believe you more, all right, Because when

2:01:42.080 --> 2:01:43.920
<v Speaker 1>you don't realize who you are and people come to

2:01:44.040 --> 2:01:46.480
<v Speaker 1>be like, but do you see what the is going on? Like?

2:01:46.560 --> 2:01:48.200
<v Speaker 1>Why are you letting this happen? I'm like, my your

2:01:48.240 --> 2:01:52.480
<v Speaker 1>fucking business, that's me. It's just like when you realize

2:01:53.880 --> 2:01:55.840
<v Speaker 1>I don't regret anything. I wish I would have did

2:01:55.920 --> 2:01:59.280
<v Speaker 1>things differently, but I wouldn't have got married three times.

2:02:00.880 --> 2:02:03.400
<v Speaker 1>I should not have did that. I've let people in

2:02:03.560 --> 2:02:06.440
<v Speaker 1>my circle, in my personal and in my spirit that

2:02:06.480 --> 2:02:10.680
<v Speaker 1>I shouldn't even you think these men took advantage? Are

2:02:10.720 --> 2:02:19.280
<v Speaker 1>you totally? Because Google nothing pops up but my name.

2:02:20.800 --> 2:02:22.960
<v Speaker 1>So now when I see people like old nickas Baby Mama's,

2:02:23.080 --> 2:02:25.280
<v Speaker 1>I was like, yeah, bo, look who they associated with.

2:02:25.680 --> 2:02:27.640
<v Speaker 1>So how I'm on tour? I told with jay Z,

2:02:27.920 --> 2:02:30.280
<v Speaker 1>I told fifty Cent, I told Miss l A, I

2:02:30.400 --> 2:02:33.440
<v Speaker 1>told with y'all Rule Grand Stages, would Keith Sweat and

2:02:33.560 --> 2:02:36.280
<v Speaker 1>Payla Bell, Joe LeVert, I've been on Jimmy Kimmel, I

2:02:36.360 --> 2:02:38.520
<v Speaker 1>was on Jay Leno. I rocked all these shows before

2:02:38.560 --> 2:02:42.640
<v Speaker 1>they were How the fuck is you over there with y'all?

2:02:43.040 --> 2:02:51.760
<v Speaker 1>From the y'all from the y'all men y'all? So who's

2:02:51.760 --> 2:02:54.240
<v Speaker 1>your favorite part of the game? Is it making the

2:02:54.400 --> 2:02:59.080
<v Speaker 1>music or performing the music? Performing? I hate the studio.

2:03:00.280 --> 2:03:03.680
<v Speaker 1>I feel so closed and I feel so stuck, and

2:03:03.760 --> 2:03:06.800
<v Speaker 1>then I'll always go out and listen and I know that,

2:03:07.000 --> 2:03:08.560
<v Speaker 1>oh you don't have to overdo it no more. You

2:03:08.600 --> 2:03:10.640
<v Speaker 1>don't have to oversing but live, you can give it

2:03:10.720 --> 2:03:13.920
<v Speaker 1>your all. So I really wish that I could sing

2:03:14.040 --> 2:03:16.680
<v Speaker 1>songs live and then people know them because I hate

2:03:16.680 --> 2:03:19.560
<v Speaker 1>the city and the energy you get from the WHOA,

2:03:19.640 --> 2:03:21.720
<v Speaker 1>why would you hate the studio? I don't think I've

2:03:21.840 --> 2:03:24.200
<v Speaker 1>ever heard. I hate being in the booth. I hate

2:03:24.240 --> 2:03:27.000
<v Speaker 1>when the headphone like the studio I work out on

2:03:27.160 --> 2:03:29.080
<v Speaker 1>One day, somebody broke the headphones that I'm used to,

2:03:29.200 --> 2:03:31.160
<v Speaker 1>so when I had to use some new headphones, people

2:03:31.320 --> 2:03:34.600
<v Speaker 1>might think that I'm just like, nah, I just know

2:03:34.720 --> 2:03:38.600
<v Speaker 1>what I want to hear, clutching my ears a certain way.

2:03:38.680 --> 2:03:41.160
<v Speaker 1>I'm just used to it. So I realized that maybe

2:03:41.160 --> 2:03:43.160
<v Speaker 1>I need to to take the bus headphones out. I mean,

2:03:43.200 --> 2:03:46.720
<v Speaker 1>but I bust like seven headphones all the time because

2:03:47.800 --> 2:03:51.640
<v Speaker 1>all the way, So people be like, how do you

2:03:51.720 --> 2:03:53.360
<v Speaker 1>listen to it so loud? You saying, I'm like, I

2:03:53.400 --> 2:03:55.880
<v Speaker 1>just want to hear it loud. I want to like,

2:03:56.520 --> 2:03:58.080
<v Speaker 1>I don't know why I have it up, So maybe

2:03:58.080 --> 2:03:59.440
<v Speaker 1>I want to step back from the mic because we

2:03:59.480 --> 2:04:01.960
<v Speaker 1>can hear leading in I'm like, oh, well, you figure

2:04:01.960 --> 2:04:07.880
<v Speaker 1>it out that to do with me. Hello, wow, No,

2:04:08.160 --> 2:04:13.000
<v Speaker 1>just election, even though it was weird, it was yeah

2:04:13.760 --> 2:04:22.560
<v Speaker 1>ye wow wow yeah. And you have a podcast as well. Right, well,

2:04:22.600 --> 2:04:24.800
<v Speaker 1>I did the podcast like two years ago and I

2:04:24.920 --> 2:04:28.080
<v Speaker 1>was traveling to New York. I actually had the little motion.

2:04:28.160 --> 2:04:30.440
<v Speaker 1>We was running right above Medicine Square Gardeners. It was

2:04:30.480 --> 2:04:34.000
<v Speaker 1>like a little situation was, um, I forgot the station

2:04:34.080 --> 2:04:36.520
<v Speaker 1>that was over there. They had a nice room, was

2:04:36.560 --> 2:04:38.920
<v Speaker 1>like a stage and everything. So I was doing a

2:04:39.080 --> 2:04:44.080
<v Speaker 1>podcast and I just realized, like the artist side, you

2:04:44.240 --> 2:04:46.640
<v Speaker 1>have to like pick a side with R and B

2:04:47.360 --> 2:04:50.240
<v Speaker 1>because when you're doing interviews and you have to discuss

2:04:50.680 --> 2:04:53.840
<v Speaker 1>uh current events and when somebody do something crazy and

2:04:53.920 --> 2:04:56.040
<v Speaker 1>you have to talk about it, people think that you hate.

2:04:56.040 --> 2:04:57.480
<v Speaker 1>And I'm just like I literally used to have to

2:04:57.520 --> 2:04:59.440
<v Speaker 1>tell artists will stop doing dumb ship and we don't

2:04:59.480 --> 2:05:03.480
<v Speaker 1>have to report so because I really have to focus

2:05:03.640 --> 2:05:06.280
<v Speaker 1>on my craft and my glow. It's just like I'll

2:05:06.440 --> 2:05:09.600
<v Speaker 1>do the podcast where like everybody has a podcast. Now

2:05:10.800 --> 2:05:12.680
<v Speaker 1>everybody's podcast, and I'll be like there's some people I

2:05:12.800 --> 2:05:15.200
<v Speaker 1>be like, don't nobody. Then you gotta say, like people

2:05:15.280 --> 2:05:16.800
<v Speaker 1>just think you get on the took. They don't realize

2:05:16.840 --> 2:05:20.320
<v Speaker 1>this production is you have to stay current content everything.

2:05:20.600 --> 2:05:22.680
<v Speaker 1>But I learned that from radio. So I literally came

2:05:22.720 --> 2:05:26.080
<v Speaker 1>from Major and learned everything from the artist side to

2:05:26.680 --> 2:05:28.800
<v Speaker 1>the radio side. Yeah, so it's like now I know

2:05:28.920 --> 2:05:30.520
<v Speaker 1>how to rock it. So once I do my show

2:05:30.680 --> 2:05:32.840
<v Speaker 1>this time, I think it would be through the roof

2:05:32.880 --> 2:05:35.760
<v Speaker 1>because I got the friendships and the relationships where I

2:05:35.800 --> 2:05:38.200
<v Speaker 1>could call anybody be on. But you gotta make sure

2:05:38.280 --> 2:05:41.080
<v Speaker 1>people care. And did you like the reality TV when

2:05:41.120 --> 2:05:44.960
<v Speaker 1>you did it? I did. But at the same time,

2:05:45.040 --> 2:05:48.560
<v Speaker 1>it's just like I know that the higher ups have

2:05:48.640 --> 2:05:51.360
<v Speaker 1>their favorites. He've be like, well they you know these episodes,

2:05:51.400 --> 2:05:53.560
<v Speaker 1>and I don't know what see. I'm a part of that.

2:05:53.840 --> 2:05:55.760
<v Speaker 1>I'm a part of the industry, but I'm also part

2:05:55.800 --> 2:05:58.560
<v Speaker 1>of the don't care society, So they'll be showing stuff

2:05:58.600 --> 2:06:00.600
<v Speaker 1>on to you, like don't nobody care? Like what did

2:06:00.600 --> 2:06:02.400
<v Speaker 1>you think? Nobody who care about? Right now? Every do

2:06:02.480 --> 2:06:04.480
<v Speaker 1>you want to care about? Foolishness? Like if you're artists,

2:06:04.480 --> 2:06:10.760
<v Speaker 1>they just want to hear you sing. People just I

2:06:10.920 --> 2:06:13.360
<v Speaker 1>just look at the show you hate right now. I

2:06:13.400 --> 2:06:16.960
<v Speaker 1>don't even watch TV. The last I watched movies, I

2:06:17.040 --> 2:06:20.600
<v Speaker 1>watched movies. Okay, what's what's a good movie? I just

2:06:20.680 --> 2:06:25.680
<v Speaker 1>watched the movie. It was at what was called I

2:06:25.720 --> 2:06:28.680
<v Speaker 1>Saw the Devil and it's totally in It's Japanese but

2:06:28.760 --> 2:06:33.480
<v Speaker 1>they have the subtitles. Yeah, maybe like he was, he

2:06:33.640 --> 2:06:37.120
<v Speaker 1>was not a canible. He was dismembering people, but he

2:06:37.160 --> 2:06:39.120
<v Speaker 1>wanted to be caught, but they couldn't catch him. And

2:06:39.200 --> 2:06:43.360
<v Speaker 1>he killed the FBI Japanese FBI agents. Uh fiance and

2:06:43.480 --> 2:06:46.720
<v Speaker 1>she was pregnant, so he started killing ship. She was training.

2:06:48.360 --> 2:06:54.000
<v Speaker 1>What's that ship? Um um? Not hard boy, you hard boil,

2:06:55.920 --> 2:07:00.879
<v Speaker 1>hard boil. I watched The Family guy, watched Total Comedy.

2:07:01.600 --> 2:07:04.680
<v Speaker 1>Sat tired. Okay, it was a great comedy movie. You

2:07:04.800 --> 2:07:09.880
<v Speaker 1>like Stepbrothers. Yeah. Me and my son were watching The

2:07:10.520 --> 2:07:19.400
<v Speaker 1>Holy and like we'll go place. My son went to

2:07:20.320 --> 2:07:24.080
<v Speaker 1>something one day, he went to up. He went to

2:07:24.360 --> 2:07:28.760
<v Speaker 1>he started football workout and they was just like yo,

2:07:29.120 --> 2:07:30.720
<v Speaker 1>just they tld my son just they was like, you

2:07:30.800 --> 2:07:32.560
<v Speaker 1>missed three passions, you trash. She was like, well that

2:07:32.640 --> 2:07:37.960
<v Speaker 1>guy was a rip off. My son is hilarious. He

2:07:38.040 --> 2:07:39.800
<v Speaker 1>said stuff around me. I'm just like, I don't know

2:07:39.880 --> 2:07:41.960
<v Speaker 1>if a son should be saying to a parent like

2:07:42.040 --> 2:07:44.640
<v Speaker 1>he'd be like, Mom, yesterday was so hot, it was

2:07:44.720 --> 2:07:47.960
<v Speaker 1>hot as tips outside. What son says that to their

2:07:48.080 --> 2:07:51.200
<v Speaker 1>money getting a lot of money because he's raised right,

2:07:52.120 --> 2:07:54.640
<v Speaker 1>Because no real hood kid is saying it's hot as

2:07:54.720 --> 2:08:01.800
<v Speaker 1>tips outside. I've never life said that that word in

2:08:01.880 --> 2:08:03.680
<v Speaker 1>front of my mother, and I've grown to this day

2:08:03.720 --> 2:08:06.840
<v Speaker 1>I'll be like, I'll say boobs, but I'm like, oh,

2:08:06.920 --> 2:08:09.800
<v Speaker 1>my kids. Really the worst things he could be saying. Yeah,

2:08:10.200 --> 2:08:12.400
<v Speaker 1>the stuff that my son says and the thing he's watching.

2:08:13.240 --> 2:08:15.160
<v Speaker 1>If he's like from the hood in the hood, even

2:08:15.440 --> 2:08:16.960
<v Speaker 1>as hot as right is allan and that's not a

2:08:17.000 --> 2:08:23.400
<v Speaker 1>good thing. My five year old when he u he

2:08:23.560 --> 2:08:25.920
<v Speaker 1>just got out of kindergarten, so they did have virtual

2:08:26.000 --> 2:08:27.720
<v Speaker 1>and then they left them in for four days a week.

2:08:27.920 --> 2:08:30.360
<v Speaker 1>The last day of school, he was like, yes, it's

2:08:30.400 --> 2:08:32.760
<v Speaker 1>gonna be a hot summer. It's lyddy as a titty.

2:08:33.440 --> 2:08:39.760
<v Speaker 1>I'm like, yeah, I'm gonna smacking away from me as Okay. Now,

2:08:41.360 --> 2:08:46.160
<v Speaker 1>they just announced Bobby Brown against keep Swam. Yeah tomorrow,

2:08:46.320 --> 2:08:51.160
<v Speaker 1>well July first, July one, so this is this is

2:08:51.280 --> 2:08:54.840
<v Speaker 1>this would be out next week, so this had already happened. Ye,

2:08:55.120 --> 2:08:58.040
<v Speaker 1>who did you pay back to the future Okay. So

2:08:58.720 --> 2:09:00.880
<v Speaker 1>because I've worked with both, I haven't done this your

2:09:00.880 --> 2:09:05.680
<v Speaker 1>Bobby Brown. Yeah, I keep sweat, So that's automatically my pick.

2:09:06.440 --> 2:09:08.800
<v Speaker 1>You're gonna go against my prerogative, Well, let me tell

2:09:08.840 --> 2:09:12.360
<v Speaker 1>you something. Wait, new edition gonna be there. No, no,

2:09:12.440 --> 2:09:16.280
<v Speaker 1>I'm just staying the bag. But they both worked with

2:09:16.360 --> 2:09:19.640
<v Speaker 1>Teddy Riley, So honestly, this is really Teddy versus himself.

2:09:19.720 --> 2:09:21.360
<v Speaker 1>Are we taking a shot? Are we taking the shot?

2:09:22.760 --> 2:09:24.920
<v Speaker 1>Let's take a shot. I don't know where you're going

2:09:25.000 --> 2:09:27.240
<v Speaker 1>with this because I was just like with Bobby Brown.

2:09:27.880 --> 2:09:31.560
<v Speaker 1>He was the original bad boy. So my my brother

2:09:33.400 --> 2:09:35.680
<v Speaker 1>three thousand times, no, my brother got a work one

2:09:35.720 --> 2:09:41.960
<v Speaker 1>time when when my karaget came out, my brother was dancember.

2:09:41.960 --> 2:09:44.600
<v Speaker 1>When our Send Your Hall was out, my brother used

2:09:44.600 --> 2:09:46.160
<v Speaker 1>to be dancing and we were supposed to be in

2:09:46.240 --> 2:09:51.400
<v Speaker 1>bad because my brother's finger. Yeah, and my brother dance

2:09:51.480 --> 2:09:53.720
<v Speaker 1>and paragetive and he got a whip and my dad

2:09:53.840 --> 2:09:57.360
<v Speaker 1>was like, I told you to go to bed and

2:09:57.720 --> 2:10:00.840
<v Speaker 1>stop Bobby Brownie. So when that he used to punk

2:10:00.880 --> 2:10:02.720
<v Speaker 1>and dance like the R and B singers used to,

2:10:03.200 --> 2:10:05.200
<v Speaker 1>my dad said stop Bobby Brown and he was like

2:10:05.280 --> 2:10:09.960
<v Speaker 1>that was inappropriate. So homies. Why y'all gotta dance Bobby Browning,

2:10:10.400 --> 2:10:12.800
<v Speaker 1>I would like to learn that Bobby brown Why didn't

2:10:12.800 --> 2:10:16.240
<v Speaker 1>do this now that we need brown You don't I

2:10:16.280 --> 2:10:18.080
<v Speaker 1>want the Bobby. But the R and B singers used

2:10:18.080 --> 2:10:26.600
<v Speaker 1>to go like this, This Bobby Bobby was the original

2:10:26.640 --> 2:10:28.320
<v Speaker 1>bad boy. So he can't watch you. We watch you

2:10:28.480 --> 2:10:33.720
<v Speaker 1>because we gotta drive you gotta relax. Yeah, you like

2:10:37.240 --> 2:10:44.880
<v Speaker 1>do all this pandemic everything. You're a motherfucking about giving

2:10:45.040 --> 2:10:49.880
<v Speaker 1>artists the flowers, and you deserve your flowers. You have

2:10:50.080 --> 2:10:52.760
<v Speaker 1>always been there. I've never seen you, you know, with

2:10:52.920 --> 2:10:55.320
<v Speaker 1>the sour puss face. I've always seen you happy. I've

2:10:55.320 --> 2:10:59.240
<v Speaker 1>always seen you you didd working, busting your ass, and

2:10:59.600 --> 2:11:01.840
<v Speaker 1>you just serve to be there. You deserve to be

2:11:01.960 --> 2:11:03.840
<v Speaker 1>the legend that you are, and we want to tell

2:11:03.880 --> 2:11:05.960
<v Speaker 1>you to this space we invented giving people the flowers.

2:11:05.960 --> 2:11:09.400
<v Speaker 1>I don't know if you know. Everyone's saying, I don't know,

2:11:09.520 --> 2:11:12.360
<v Speaker 1>it's real talk. Everyone's saying that now. But we did

2:11:12.480 --> 2:11:15.320
<v Speaker 1>this right here in the same exact place we said

2:11:15.360 --> 2:11:18.280
<v Speaker 1>that we didn't want to interview the new artists, not

2:11:18.360 --> 2:11:20.240
<v Speaker 1>because we don't got love for the new artists what

2:11:20.360 --> 2:11:22.440
<v Speaker 1>we do, but they have the Hot Lady sevens, they

2:11:22.480 --> 2:11:24.760
<v Speaker 1>have the Power one of fives, they have these all

2:11:24.840 --> 2:11:27.040
<v Speaker 1>other outlets. Where's the outlets for the people who've been

2:11:27.080 --> 2:11:28.920
<v Speaker 1>here ten years and more of the seasons and that

2:11:29.080 --> 2:11:31.440
<v Speaker 1>still want to be here, and you know what, they

2:11:31.520 --> 2:11:33.560
<v Speaker 1>deserve their flowers, And this is what we did. We

2:11:33.640 --> 2:11:35.320
<v Speaker 1>don't want something to happen to you and say, oh

2:11:35.440 --> 2:11:38.160
<v Speaker 1>my god, yeah, this is what they deserve. So this

2:11:38.320 --> 2:11:40.960
<v Speaker 1>is what we we. We didn't it been the whole

2:11:41.000 --> 2:11:43.600
<v Speaker 1>flower thing, but we invented in the hip hop saying

2:11:43.680 --> 2:11:45.960
<v Speaker 1>giving the people the flowers, just in case you don't know,

2:11:46.360 --> 2:11:52.720
<v Speaker 1>you deserve your motherfucking flowers, the flowers. That's you're a legend.

2:11:53.200 --> 2:11:56.920
<v Speaker 1>You're um and pursuing on do you did you? Did

2:11:57.000 --> 2:12:00.480
<v Speaker 1>you think that when you first started that you would

2:12:01.000 --> 2:12:06.040
<v Speaker 1>survive this long? No? Because I literally used to take

2:12:06.080 --> 2:12:09.240
<v Speaker 1>it for a joke, singing or you know how people

2:12:09.240 --> 2:12:11.640
<v Speaker 1>who have like, oh I grew up with Barry GORDONO

2:12:11.720 --> 2:12:14.200
<v Speaker 1>I grew up with I grew up in a Stevie

2:12:14.240 --> 2:12:17.160
<v Speaker 1>Wonder's house, or people had that story. I never had

2:12:17.240 --> 2:12:19.640
<v Speaker 1>that story. I literally moved back to you saying his

2:12:19.720 --> 2:12:22.960
<v Speaker 1>eyes on the sparrow, and um, Chuck Bone told me

2:12:23.080 --> 2:12:25.720
<v Speaker 1>when I because I was gonna sign to uh different

2:12:25.800 --> 2:12:27.280
<v Speaker 1>labels back in the day, but the lecture was the

2:12:27.440 --> 2:12:33.560
<v Speaker 1>ultimate choice. Umpire Yeah, not only that, but was there

2:12:33.720 --> 2:12:35.480
<v Speaker 1>it's not a get Yeah, I was supposed to sign

2:12:35.480 --> 2:12:37.600
<v Speaker 1>a Tommy Boy. It was like certain labels that I

2:12:37.680 --> 2:12:50.400
<v Speaker 1>had to boy. Hello, looking at your flowers soon, man,

2:12:50.600 --> 2:12:52.360
<v Speaker 1>because he did make me a lot of I had.

2:12:52.640 --> 2:12:54.600
<v Speaker 1>Who was I forgot the lady's name. She brought me

2:12:54.680 --> 2:12:56.200
<v Speaker 1>over there, and she was like, I think she's gonna

2:12:56.240 --> 2:12:58.920
<v Speaker 1>be amazing if I hear her name. I don't remember it,

2:12:59.200 --> 2:13:02.440
<v Speaker 1>not Carolyn Will. She was kind of she was heavy

2:13:02.480 --> 2:13:05.600
<v Speaker 1>saying I forgot her name, but she she might have

2:13:05.760 --> 2:13:07.920
<v Speaker 1>not even really work there. Hello, because you know, people

2:13:08.080 --> 2:13:11.480
<v Speaker 1>used to cat but we couldn't say nothing. You couldn't google.

2:13:11.520 --> 2:13:15.480
<v Speaker 1>They was the assistant, but now a lot of assistants

2:13:15.480 --> 2:13:19.720
<v Speaker 1>are executives. So I've seen it. But like, just like

2:13:20.040 --> 2:13:25.440
<v Speaker 1>just looking over how I got in the door, Chuck

2:13:25.560 --> 2:13:27.400
<v Speaker 1>Bone told me one day, he was just like, you know,

2:13:27.480 --> 2:13:29.400
<v Speaker 1>you talk a lot of ship, but for some reason,

2:13:29.400 --> 2:13:31.640
<v Speaker 1>I believe you could back it up. So I don't

2:13:31.680 --> 2:13:33.560
<v Speaker 1>know where it came from. I literally were going to

2:13:33.640 --> 2:13:35.680
<v Speaker 1>meet and act like I already had a record there,

2:13:36.360 --> 2:13:39.360
<v Speaker 1>and I just always acted as if that. I was

2:13:39.440 --> 2:13:41.680
<v Speaker 1>just like I already knew what I said and sought

2:13:41.680 --> 2:13:44.560
<v Speaker 1>out to do. I didn't leave home at seventeen to lose,

2:13:45.440 --> 2:13:49.960
<v Speaker 1>So even though I took some hits in between, I

2:13:50.120 --> 2:13:52.120
<v Speaker 1>was just like, no, I'm always I don't know, like,

2:13:52.200 --> 2:13:54.760
<v Speaker 1>I don't know what game got driving motivation then, But

2:13:54.880 --> 2:13:57.880
<v Speaker 1>now what motivates me is my children, because I love

2:13:58.520 --> 2:14:02.120
<v Speaker 1>I love my kids like the pandemic was a blessing

2:14:02.200 --> 2:14:05.240
<v Speaker 1>because ever since the age of seventeen, actually before that fifteen,

2:14:05.520 --> 2:14:07.440
<v Speaker 1>I've been on the road. So I didn't know what

2:14:07.520 --> 2:14:09.200
<v Speaker 1>it was to sit down my ASTs down. Four year

2:14:09.240 --> 2:14:11.400
<v Speaker 1>I would have a kid and within six weeks we'd

2:14:11.440 --> 2:14:12.960
<v Speaker 1>be out. We've been on the road. My daughter was

2:14:13.000 --> 2:14:17.720
<v Speaker 1>on a tour in Jamaica with me. She's eighteen now.

2:14:17.800 --> 2:14:19.640
<v Speaker 1>But I was just like, y'all literally ain't never set

2:14:19.680 --> 2:14:21.280
<v Speaker 1>my eyes down. So this year I had to take off.

2:14:21.560 --> 2:14:28.800
<v Speaker 1>I got to refocus, rebrand, revisit, reglow everything everything that

2:14:28.960 --> 2:14:32.400
<v Speaker 1>we didn't get a defenditive answer of Bobby or keep sweat.

2:14:32.440 --> 2:14:37.160
<v Speaker 1>We didn't get a defensive answer. Okay, Bobby was the

2:14:37.320 --> 2:14:45.720
<v Speaker 1>bad boy, but Keith Sweat, it's almost Likenel and then

2:14:46.040 --> 2:15:00.720
<v Speaker 1>still coming home, yeah yeah, yeah, getting people. Bobby he

2:15:00.840 --> 2:15:03.600
<v Speaker 1>won one of his joint Honestly, I think the safer

2:15:03.680 --> 2:15:05.800
<v Speaker 1>true I've never heard. All right, I would have to

2:15:05.920 --> 2:15:08.360
<v Speaker 1>choose Keep Sweat for safety reasons, right because he got

2:15:08.400 --> 2:15:11.480
<v Speaker 1>to Jerry drib not even that okay, but Keep like

2:15:11.600 --> 2:15:14.000
<v Speaker 1>we've never seen him. But Bobby was a bad boy.

2:15:14.080 --> 2:15:15.680
<v Speaker 1>So I would hang out with Bobby, but I would

2:15:15.720 --> 2:15:18.240
<v Speaker 1>ride get a rod home from Keith Sweat all because

2:15:18.240 --> 2:15:21.520
<v Speaker 1>Bobby he gonna strow cocaine everywhere. See, I've never seen

2:15:21.560 --> 2:15:24.520
<v Speaker 1>him do. But Bobby just used to be some print

2:15:24.560 --> 2:15:30.440
<v Speaker 1>ship and because they came from Louis ship. He just said,

2:15:30.560 --> 2:15:32.800
<v Speaker 1>I've read some stories about James. I was just like, yo,

2:15:32.920 --> 2:15:36.320
<v Speaker 1>he was lit when they said that man who told

2:15:36.320 --> 2:15:39.280
<v Speaker 1>that story? Where did I hear that? On the table

2:15:39.440 --> 2:15:44.600
<v Speaker 1>he threw the cocaine at the President. He was by

2:15:44.640 --> 2:15:47.800
<v Speaker 1>brown fried chicken with cocaine. Now, that's that's pretty out

2:15:47.840 --> 2:15:51.160
<v Speaker 1>of control. That's like, you know, like the flower the

2:15:51.280 --> 2:15:57.880
<v Speaker 1>bat weed better, but then cocaine, cocaine got you gotta

2:15:57.920 --> 2:16:07.200
<v Speaker 1>be asketball. That's expensive. That's who said that's in his book.

2:16:07.480 --> 2:16:12.560
<v Speaker 1>He wrote that somebody wrote it was like, I'm gonna

2:16:12.560 --> 2:16:15.240
<v Speaker 1>put something I don't even know you could fry coat,

2:16:15.360 --> 2:16:18.080
<v Speaker 1>and then that's crazy. Man, I'm saying you're cooking cold.

2:16:18.200 --> 2:16:24.800
<v Speaker 1>That's a chicken. I wouldn't even think, like I don't Yeah,

2:16:24.880 --> 2:16:27.080
<v Speaker 1>that's the hot. I don't know how I started putting

2:16:27.080 --> 2:16:30.800
<v Speaker 1>it in his book, in his book. And not only that,

2:16:30.960 --> 2:16:33.000
<v Speaker 1>when I met Bobby Brown a getting like the third

2:16:33.080 --> 2:16:36.160
<v Speaker 1>time and I met Brown, said what's up? He said,

2:16:36.240 --> 2:16:39.440
<v Speaker 1>man I performed. He said, we used to be hurting

2:16:39.480 --> 2:16:42.920
<v Speaker 1>your projects. That was the most I was like, yeah,

2:16:43.120 --> 2:16:45.640
<v Speaker 1>let men tell yourself. Stalking that ship because I used

2:16:45.640 --> 2:16:47.280
<v Speaker 1>to live in South Side, Jamaica, so I would have

2:16:47.280 --> 2:16:48.760
<v Speaker 1>to go to beauty school. So when we were pasts

2:16:48.800 --> 2:16:52.000
<v Speaker 1>left Rock, I was like, damn, I want to meet Noria. Now.

2:16:52.080 --> 2:16:55.880
<v Speaker 1>I used to always think like people atomic like you

2:16:56.200 --> 2:16:59.640
<v Speaker 1>draw pass and Nori would be there. Would I would

2:16:59.680 --> 2:17:03.119
<v Speaker 1>have been. I used to be scared because left Rank

2:17:03.280 --> 2:17:06.240
<v Speaker 1>is like Iraq, So it's just like you just don't

2:17:06.280 --> 2:17:12.200
<v Speaker 1>go from Jamaica States where eventually moved to States. Yes, yeah,

2:17:12.280 --> 2:17:16.600
<v Speaker 1>it's very rich, you're very rich. Yes, hold the buildings.

2:17:17.240 --> 2:17:19.320
<v Speaker 1>So the building I lived in like, what the dad?

2:17:19.520 --> 2:17:21.720
<v Speaker 1>So he owns it now, but it's just like damn

2:17:21.879 --> 2:17:25.640
<v Speaker 1>like and you can't get out those contracts. I'm probably

2:17:25.640 --> 2:17:31.279
<v Speaker 1>stilling it today. So when you overall the music industry,

2:17:31.400 --> 2:17:35.880
<v Speaker 1>overall entertainment, what does your overall look at it? Like

2:17:36.440 --> 2:17:40.000
<v Speaker 1>you happy, you satisfy? Are you sure that you luck

2:17:40.120 --> 2:17:43.000
<v Speaker 1>you you feel great that you participated? Or this is

2:17:43.200 --> 2:17:44.800
<v Speaker 1>something that if you had a chance to do it

2:17:44.879 --> 2:17:48.680
<v Speaker 1>all over you would pick a different career. No, I would.

2:17:49.280 --> 2:17:52.120
<v Speaker 1>This is the only job I've never worked at FedEx

2:17:53.280 --> 2:17:56.400
<v Speaker 1>only I went to The most I've ever done was

2:17:56.520 --> 2:17:58.240
<v Speaker 1>went to hair school. So this is all I know.

2:17:59.160 --> 2:18:02.520
<v Speaker 1>So honestly, I think I would have stayed more. I

2:18:02.560 --> 2:18:05.400
<v Speaker 1>would have student more firm. And I've never been associated

2:18:05.400 --> 2:18:07.960
<v Speaker 1>now I have a team. I just always been associated

2:18:08.000 --> 2:18:09.760
<v Speaker 1>with people, so I was never I was always torn

2:18:09.840 --> 2:18:11.760
<v Speaker 1>with Murdering, but I wasn't never signed to them. I

2:18:11.840 --> 2:18:13.440
<v Speaker 1>was torn with Missy, but I was never signed to

2:18:13.800 --> 2:18:15.200
<v Speaker 1>I went on the Rock the Mic tour, but I

2:18:15.280 --> 2:18:17.360
<v Speaker 1>wasn't signed the jay like the people that made the

2:18:17.400 --> 2:18:19.119
<v Speaker 1>calls and be like, yo, we want you to run around.

2:18:19.520 --> 2:18:21.560
<v Speaker 1>So it's just like I was never I was always

2:18:21.600 --> 2:18:24.840
<v Speaker 1>affiliating associated with things, but I never had anything for myself.

2:18:25.200 --> 2:18:27.080
<v Speaker 1>So now that I have a chance to rebrand, I

2:18:27.120 --> 2:18:29.119
<v Speaker 1>wish I would have done it sooner because I think

2:18:29.160 --> 2:18:32.600
<v Speaker 1>I would be yummy. I would own everything because I

2:18:32.720 --> 2:18:34.640
<v Speaker 1>know the way I think, but I would put people

2:18:34.680 --> 2:18:37.080
<v Speaker 1>in positions to pass me. But I'm not doing that

2:18:37.160 --> 2:18:40.080
<v Speaker 1>no more, and I think that I should have done

2:18:40.080 --> 2:18:42.640
<v Speaker 1>it sooner. But I get it. I didn't know the game.

2:18:42.680 --> 2:18:45.680
<v Speaker 1>I didn't have the management. Yeah, Like I was literally

2:18:45.760 --> 2:18:47.720
<v Speaker 1>doing a lot of things by myself. It felt like

2:18:47.800 --> 2:18:49.760
<v Speaker 1>I was paying people to be my friends and to

2:18:49.840 --> 2:18:52.960
<v Speaker 1>be around, so they would be management. It would be

2:18:53.040 --> 2:18:55.240
<v Speaker 1>certain things. But I'm just like, wait a minute, like

2:18:55.760 --> 2:18:59.280
<v Speaker 1>it just it just wasn't right. So I really thought

2:18:59.320 --> 2:19:01.760
<v Speaker 1>it was the inertainment industry, so I was thoroughly and

2:19:01.879 --> 2:19:05.520
<v Speaker 1>highly entertained. But it's the music business. So I did

2:19:05.600 --> 2:19:07.840
<v Speaker 1>the music, but I didn't handle the business. So now

2:19:07.879 --> 2:19:09.280
<v Speaker 1>have a chance to get it right. That's why I'm

2:19:09.320 --> 2:19:11.560
<v Speaker 1>just like, I'm back for my second goal. Like you,

2:19:11.959 --> 2:19:13.920
<v Speaker 1>nobody can't kick me at it. And I've never only

2:19:13.920 --> 2:19:15.840
<v Speaker 1>think I've been kicked out was high school and they

2:19:15.879 --> 2:19:20.840
<v Speaker 1>had to let me back in calling yes call, that's

2:19:20.879 --> 2:19:27.000
<v Speaker 1>the brod answer because it's still the daytime. Okay, were

2:19:29.160 --> 2:19:31.280
<v Speaker 1>let's see, But so what happened? So what happened when

2:19:31.280 --> 2:19:34.039
<v Speaker 1>you heard that this versus battle between me and BBC?

2:19:34.240 --> 2:19:38.880
<v Speaker 1>Where was at um? I was literally peeking on Instagram

2:19:39.320 --> 2:19:42.959
<v Speaker 1>and I saw it peeking and I saw you running

2:19:43.360 --> 2:19:46.680
<v Speaker 1>in like a sweatsuit, and I saw you post I

2:19:46.720 --> 2:19:48.840
<v Speaker 1>saw him posting up beings just like Yo Norri, and

2:19:48.879 --> 2:19:51.280
<v Speaker 1>I was just like, see me and Beans go way

2:19:51.320 --> 2:19:53.320
<v Speaker 1>back like years. We did park a lot of people

2:19:53.400 --> 2:19:55.279
<v Speaker 1>with jay Z together, so that was a great experience.

2:19:55.560 --> 2:19:57.160
<v Speaker 1>He shot a video, I did the song if you

2:19:57.200 --> 2:20:02.800
<v Speaker 1>want to f I used to visit that Halfwayhouse, Like

2:20:03.360 --> 2:20:06.520
<v Speaker 1>that's family, so much like I hate when I have

2:20:06.640 --> 2:20:09.760
<v Speaker 1>to because friends are family that you're not related to,

2:20:10.120 --> 2:20:12.800
<v Speaker 1>and in his family that you're not even blood related to.

2:20:13.040 --> 2:20:15.400
<v Speaker 1>But like I used to visit him at the Halfway House,

2:20:16.000 --> 2:20:19.200
<v Speaker 1>and there's times that he saved my life, so I

2:20:19.280 --> 2:20:23.480
<v Speaker 1>had to like kind of just like it's just like

2:20:23.760 --> 2:20:25.440
<v Speaker 1>I've never heard this when people just tell you get

2:20:25.480 --> 2:20:28.320
<v Speaker 1>off the streets. Why he was in the streets, Dad,

2:20:28.360 --> 2:20:33.680
<v Speaker 1>Hevy that used to be like Bean Easy the boy

2:20:33.800 --> 2:20:37.600
<v Speaker 1>street Polly had to tell you to get off the streets. Well,

2:20:37.680 --> 2:20:41.240
<v Speaker 1>I had to tell what it wasn't not like no

2:20:41.360 --> 2:20:44.600
<v Speaker 1>no running around like hanging up like I'm sad like

2:20:45.040 --> 2:20:47.640
<v Speaker 1>and he had to say he basically tell my people

2:20:47.760 --> 2:20:49.760
<v Speaker 1>is just like yo, like that's dope what you did

2:20:49.840 --> 2:20:52.520
<v Speaker 1>with mom, Like my people literally came home. It was

2:20:52.600 --> 2:20:54.879
<v Speaker 1>just like I don't like what people saying behind the scenes.

2:20:55.160 --> 2:20:56.720
<v Speaker 1>We gotta clean you up. And I'm like, damn is

2:20:56.760 --> 2:21:00.600
<v Speaker 1>that bad? And this is being saying that to you? Well,

2:21:01.480 --> 2:21:04.640
<v Speaker 1>be like because he called me little cis. So it's

2:21:04.720 --> 2:21:09.520
<v Speaker 1>just like like, sis, what did you doing? Like how

2:21:09.640 --> 2:21:13.800
<v Speaker 1>you go from this to like you can't you can't

2:21:13.840 --> 2:21:18.280
<v Speaker 1>move like that. You're a queen, your royalty, you're a

2:21:18.400 --> 2:21:22.520
<v Speaker 1>treasure in this industry, and you're a mom. Like beans

2:21:22.560 --> 2:21:24.320
<v Speaker 1>has cooked dinner for me and my kids. That nig

2:21:24.480 --> 2:21:27.879
<v Speaker 1>is a chef, Like he cooked stuff that he cooked

2:21:27.920 --> 2:21:30.680
<v Speaker 1>seafood better than the seafood because he don't even eat seafood.

2:21:31.040 --> 2:21:33.680
<v Speaker 1>So it's just like we have history. So it's just

2:21:33.879 --> 2:21:37.280
<v Speaker 1>like I'm glad you mentioned nothing about music. Thank you?

2:21:37.840 --> 2:21:46.640
<v Speaker 1>What no once? He once it's a rap, It's just

2:21:46.800 --> 2:21:49.200
<v Speaker 1>a record call. Sometimes I want to cry and pray

2:21:49.800 --> 2:21:53.640
<v Speaker 1>sometimes I'm not sure if you heard that. You know

2:21:53.680 --> 2:21:56.760
<v Speaker 1>what I mean, God from Jamaica state. It's not Jamaica,

2:21:56.800 --> 2:22:01.280
<v Speaker 1>you know. But I'm just like, that's gonna be a

2:22:01.360 --> 2:22:06.480
<v Speaker 1>great The reason be because your personalities, Like I love

2:22:06.560 --> 2:22:09.440
<v Speaker 1>that y'all. Don't just be acting weird like I'm just

2:22:09.480 --> 2:22:11.640
<v Speaker 1>playing around. I'm just playing around, like I just try

2:22:11.680 --> 2:22:14.080
<v Speaker 1>to gas it up because at the end of the day,

2:22:14.120 --> 2:22:17.080
<v Speaker 1>I did, you know, reach out to Swiss and him.

2:22:17.600 --> 2:22:19.199
<v Speaker 1>And I don't want to say they ignore me, because

2:22:19.200 --> 2:22:21.840
<v Speaker 1>that's not the truth. They did, you know, acknowedged me.

2:22:21.920 --> 2:22:24.160
<v Speaker 1>But they didn't. They didn't bring up Oh, I see

2:22:24.200 --> 2:22:26.560
<v Speaker 1>what you are doing. I see that, you know. So

2:22:26.680 --> 2:22:28.440
<v Speaker 1>I said, I figured, you know what, let let me,

2:22:28.520 --> 2:22:30.320
<v Speaker 1>let me, let me help hype it up. You know

2:22:30.320 --> 2:22:32.200
<v Speaker 1>what I'm saying. So this could happen because at the

2:22:32.280 --> 2:22:34.400
<v Speaker 1>end of the day, Beans is my friend, Beings just

2:22:34.480 --> 2:22:36.840
<v Speaker 1>my brother. But at the time when I said your beans,

2:22:36.879 --> 2:22:38.640
<v Speaker 1>come outside, what I said, it's like come outside and

2:22:38.640 --> 2:22:41.440
<v Speaker 1>get some money, like come outside, like like like we've

2:22:41.520 --> 2:22:43.880
<v Speaker 1>been hearing about you for for or four minute. Let's

2:22:43.879 --> 2:22:46.560
<v Speaker 1>come outside and let's work. And it doesn't matter like

2:22:46.600 --> 2:22:48.240
<v Speaker 1>whether we do the bad or not. I want to

2:22:48.320 --> 2:22:52.840
<v Speaker 1>do it. But at the end of the day, at

2:22:52.840 --> 2:22:54.600
<v Speaker 1>the end of the day, when I hit you know,

2:22:54.720 --> 2:22:57.039
<v Speaker 1>brothers and they and they and they don't I don't

2:22:57.080 --> 2:22:58.560
<v Speaker 1>want to say that didn't hit me back, and they

2:22:58.640 --> 2:23:00.960
<v Speaker 1>hit me back, but either one of them was like,

2:23:01.240 --> 2:23:04.880
<v Speaker 1>what's up, let's do this. I see what's happening. And

2:23:05.440 --> 2:23:08.880
<v Speaker 1>I've known I know from the you know, backside who

2:23:08.959 --> 2:23:12.119
<v Speaker 1>they want me to battle like quiet as probably crept

2:23:12.520 --> 2:23:14.240
<v Speaker 1>from what I heard. They was like, you know, a

2:23:14.280 --> 2:23:17.600
<v Speaker 1>lot of people was leading towards me with Cameron. I

2:23:17.600 --> 2:23:20.600
<v Speaker 1>don't think Cameron is gonna do it. I don't think

2:23:20.800 --> 2:23:25.000
<v Speaker 1>not because you know, I think he's just you know what,

2:23:25.120 --> 2:23:27.960
<v Speaker 1>I what do you want to do? So I tried this,

2:23:28.080 --> 2:23:30.960
<v Speaker 1>I really, I really really tried this. I hate Pete Crack.

2:23:31.040 --> 2:23:34.560
<v Speaker 1>I hit everybody, the young guns and you know I

2:23:34.600 --> 2:23:36.840
<v Speaker 1>didn't hit young guns. Excuse me. I missed young guns

2:23:37.240 --> 2:23:41.320
<v Speaker 1>and I hate um Bleek. And the thing is, the

2:23:41.360 --> 2:23:43.720
<v Speaker 1>thing is I don't own versus, so I can't make

2:23:43.760 --> 2:23:45.640
<v Speaker 1>it happen. But I did everything I could do to

2:23:45.680 --> 2:23:47.680
<v Speaker 1>make it happen. I did everything I could do to

2:23:47.720 --> 2:23:50.600
<v Speaker 1>make it happen. I did everything, And that's why we

2:23:50.640 --> 2:23:52.880
<v Speaker 1>got Bees. I wanted to have Bees calling today. I

2:23:52.920 --> 2:23:55.119
<v Speaker 1>didn't tell him my time. I didn't tell him my time.

2:23:55.200 --> 2:23:57.400
<v Speaker 1>That's probably party part. I funked up everybody. We might

2:23:57.440 --> 2:23:59.440
<v Speaker 1>have him here live at the show, and then we

2:23:59.560 --> 2:24:02.040
<v Speaker 1>might have here live at the show to promote it

2:24:02.120 --> 2:24:03.480
<v Speaker 1>some more. Because I want to go in there. I

2:24:03.480 --> 2:24:05.760
<v Speaker 1>don't want to. I wanted to. I think the culture

2:24:05.840 --> 2:24:09.480
<v Speaker 1>wants it. I think we want people des like I

2:24:09.640 --> 2:24:13.600
<v Speaker 1>love versus but now in the popularity's contest, because I

2:24:13.760 --> 2:24:15.440
<v Speaker 1>was like, who you who you want to battle? I

2:24:15.480 --> 2:24:17.360
<v Speaker 1>don't want to do like how D'Angelo did me and

2:24:17.440 --> 2:24:19.520
<v Speaker 1>some friends because I don't know if people know about

2:24:20.320 --> 2:24:22.720
<v Speaker 1>get away with that, because everybody do you want to?

2:24:23.480 --> 2:24:25.120
<v Speaker 1>I think that would have been lit with me versus her,

2:24:26.120 --> 2:24:28.720
<v Speaker 1>and we would have been because because we've actually toured

2:24:28.760 --> 2:24:33.960
<v Speaker 1>together and the love is huh you wrote no, but

2:24:34.080 --> 2:24:36.440
<v Speaker 1>we both work with like I work with Murder inc.

2:24:36.520 --> 2:24:39.119
<v Speaker 1>And then when we felt like she carried the torch

2:24:39.640 --> 2:24:41.480
<v Speaker 1>now she's getting Walk of Fames like that would have

2:24:41.560 --> 2:24:44.560
<v Speaker 1>been lit. And I think of the coaraderie because we

2:24:44.720 --> 2:24:48.360
<v Speaker 1>have history and like we've done shows together, like when

2:24:48.440 --> 2:24:52.840
<v Speaker 1>I want to do it right, Okay, I think that

2:24:52.920 --> 2:24:55.320
<v Speaker 1>would have been let's do a realistic who you think

2:24:55.840 --> 2:25:00.640
<v Speaker 1>you um that didn't battle yet? Who should do versus

2:25:00.920 --> 2:25:06.120
<v Speaker 1>with me? With you? Because I've wrote for a lot

2:25:06.160 --> 2:25:07.800
<v Speaker 1>of people, So I would have to battle a nigga

2:25:08.840 --> 2:25:12.520
<v Speaker 1>na just like we're missing. It's like, whoo, why can't

2:25:12.680 --> 2:25:15.080
<v Speaker 1>battle dude? Yeah, like who says it has to be?

2:25:15.160 --> 2:25:17.800
<v Speaker 1>That's a misogynistic or that's sexist to say that I

2:25:17.840 --> 2:25:19.800
<v Speaker 1>have to battle another female to give me a female

2:25:19.840 --> 2:25:22.640
<v Speaker 1>and a guy. You think you can give me both

2:25:22.760 --> 2:25:24.000
<v Speaker 1>that and let me take a shot for that. But

2:25:24.080 --> 2:25:28.760
<v Speaker 1>my cocky is jay z ship. I don't know he's

2:25:28.760 --> 2:25:33.200
<v Speaker 1>not doing we shouldep R and b you and usher

2:25:34.560 --> 2:25:36.920
<v Speaker 1>see I should be he would have to go against

2:25:36.920 --> 2:25:39.680
<v Speaker 1>a chrisp Bar. It's almost like when I came out,

2:25:40.520 --> 2:25:43.760
<v Speaker 1>I was doing what I did, so people came before me,

2:25:43.840 --> 2:25:45.560
<v Speaker 1>but then they were people that came after me. So

2:25:45.680 --> 2:25:48.600
<v Speaker 1>you can't battle who came after you. You feel I

2:25:48.760 --> 2:25:52.720
<v Speaker 1>was doing wrap hooks. I was literally more hip hop.

2:25:54.320 --> 2:26:00.200
<v Speaker 1>Who honestly that would be a good batte that being

2:26:00.240 --> 2:26:04.040
<v Speaker 1>good a battle in English? Sis? So mark, but we go.

2:26:04.280 --> 2:26:13.960
<v Speaker 1>But yeah, like I saw people say you should do

2:26:14.000 --> 2:26:15.720
<v Speaker 1>a battle because it was like yeah, should do you

2:26:16.040 --> 2:26:18.959
<v Speaker 1>a battle with four y'all. I'm just like, no, my discography,

2:26:19.280 --> 2:26:21.080
<v Speaker 1>even if you may not have heard the song, and

2:26:21.160 --> 2:26:23.560
<v Speaker 1>in my fan base like don't like don't play with

2:26:23.680 --> 2:26:28.000
<v Speaker 1>me like I wrote for Janet and Teddy Roley. So

2:26:28.040 --> 2:26:29.800
<v Speaker 1>I have a song called girl Broker, like don't play

2:26:29.840 --> 2:26:34.640
<v Speaker 1>with me. I'm not one of you could do Janet Jackson.

2:26:34.920 --> 2:26:40.680
<v Speaker 1>So the song Girl I vocal produced Whitney Houston on

2:26:40.720 --> 2:26:47.000
<v Speaker 1>the song. You know what I'm saying, Like, my my

2:26:47.560 --> 2:26:49.960
<v Speaker 1>foundation is strong. I didn't just get in like just

2:26:50.080 --> 2:26:53.199
<v Speaker 1>writing songs and then just featuring and just being around.

2:26:53.840 --> 2:26:55.760
<v Speaker 1>Like I looked at my discography one day and I

2:26:55.879 --> 2:26:57.440
<v Speaker 1>was just like, wow, I forgot I did that, or

2:26:57.480 --> 2:27:00.400
<v Speaker 1>people will remind you to be like sis, don't never

2:27:00.520 --> 2:27:02.640
<v Speaker 1>forget who you are. So now that I remember, it's

2:27:02.640 --> 2:27:04.480
<v Speaker 1>not on No Cocky Ship. But it's just like I

2:27:04.640 --> 2:27:09.280
<v Speaker 1>did all this by myself, Like I had Missy be like, yo,

2:27:09.640 --> 2:27:11.959
<v Speaker 1>go ahead. I remember standing in the boot of Whitney

2:27:12.000 --> 2:27:14.520
<v Speaker 1>Houston and she given me a Fisherman friend because I

2:27:14.640 --> 2:27:17.000
<v Speaker 1>was so nervous my throat dried up and she was like, no,

2:27:17.120 --> 2:27:19.400
<v Speaker 1>that I do that, do that? And I was like

2:27:19.440 --> 2:27:21.520
<v Speaker 1>I don't remember what I did. I was so scared

2:27:21.600 --> 2:27:23.120
<v Speaker 1>to play it back and tell Whitney Houston. What do

2:27:23.280 --> 2:27:26.280
<v Speaker 1>I remember Broker reducing Jerald LeVert and he wasn't singing

2:27:26.320 --> 2:27:28.120
<v Speaker 1>a note wrong and all Star telling me no, he

2:27:28.160 --> 2:27:29.360
<v Speaker 1>did the no wrong. I was like, I don't want

2:27:29.400 --> 2:27:32.000
<v Speaker 1>to tell him, like, I know what I've done everything.

2:27:32.040 --> 2:27:34.480
<v Speaker 1>I remember working with jay Z and him telling me

2:27:34.879 --> 2:27:39.760
<v Speaker 1>you want to go a tour, like, please don't discredit

2:27:40.120 --> 2:27:43.119
<v Speaker 1>my backstory. Don't worry about what I was saying, you'll

2:27:43.160 --> 2:27:45.160
<v Speaker 1>wah a lot of people up. They better be careful

2:27:46.280 --> 2:27:50.080
<v Speaker 1>because when you see Cynthia loving or because yeah, and

2:27:50.120 --> 2:27:51.800
<v Speaker 1>then I was counting. I was just like, I got

2:27:51.879 --> 2:27:56.039
<v Speaker 1>twenty in the possibles, a couple of possibles because people

2:27:56.040 --> 2:27:57.280
<v Speaker 1>are like, oh you know one hand was like no,

2:27:57.680 --> 2:28:00.840
<v Speaker 1>like I've done features and they are so that went

2:28:01.360 --> 2:28:06.680
<v Speaker 1>see everything now they think it's viral. Rachel got so spancial,

2:28:06.720 --> 2:28:09.280
<v Speaker 1>so he probably would have to battle. He would have

2:28:09.360 --> 2:28:12.119
<v Speaker 1>to battle another guy. I used to vocal produce him.

2:28:12.120 --> 2:28:15.760
<v Speaker 1>I did work with him too. Yeah, and I remember

2:28:15.800 --> 2:28:17.160
<v Speaker 1>he used to be cutting up in the student They

2:28:17.200 --> 2:28:18.600
<v Speaker 1>was like, no, make him saying, I'm just like he's

2:28:18.840 --> 2:28:21.920
<v Speaker 1>not gone shore. But to this day he hugged me.

2:28:22.160 --> 2:28:25.520
<v Speaker 1>We did a show with Live Nation. It was the

2:28:25.560 --> 2:28:27.720
<v Speaker 1>Femine Forward Tour. He was there. He he was just

2:28:27.800 --> 2:28:29.920
<v Speaker 1>like yo, and I interviewed him for Ready, who was

2:28:29.920 --> 2:28:33.520
<v Speaker 1>like MO, like I survived the turn up. We survived

2:28:33.640 --> 2:28:38.760
<v Speaker 1>the turnop. So seeing him go through, he's still in

2:28:38.840 --> 2:28:43.400
<v Speaker 1>the turnop, but he survived. He was outside and I

2:28:43.520 --> 2:28:45.480
<v Speaker 1>was around when he would go to the studio and

2:28:45.959 --> 2:28:47.360
<v Speaker 1>be running around and be like, oh my god. I

2:28:47.400 --> 2:28:50.600
<v Speaker 1>wouldn't have to be like, come get your brother. We're

2:28:50.600 --> 2:28:55.280
<v Speaker 1>gonna call Mr new Land and her dad. So I've

2:28:55.360 --> 2:28:59.400
<v Speaker 1>seen him go through, but I get it. He grew

2:28:59.480 --> 2:29:01.800
<v Speaker 1>up in up. A lot of people expect so much

2:29:01.879 --> 2:29:03.560
<v Speaker 1>more from you when you grow up with both parents.

2:29:04.040 --> 2:29:07.240
<v Speaker 1>When you're get in this industry, you're literally alone and

2:29:07.320 --> 2:29:10.000
<v Speaker 1>you're finding your way. Your sisters already established, your parents

2:29:10.280 --> 2:29:14.160
<v Speaker 1>are really dedicated to making sure y'all win. You rebel.

2:29:14.959 --> 2:29:18.320
<v Speaker 1>I was a rebellious one, so I understood. So when

2:29:18.360 --> 2:29:20.879
<v Speaker 1>I saw the list of things that he's accredited, I'm

2:29:20.920 --> 2:29:22.800
<v Speaker 1>just like, don't sleep. He's not one of those. He

2:29:23.200 --> 2:29:27.600
<v Speaker 1>he really has everything he said he was. He's a

2:29:27.680 --> 2:29:30.040
<v Speaker 1>go get it a lot of people didn't understand that

2:29:30.080 --> 2:29:31.920
<v Speaker 1>before was how you just run around you to know

2:29:32.879 --> 2:29:34.840
<v Speaker 1>I was just running the rup. No, I'm not one

2:29:34.879 --> 2:29:38.119
<v Speaker 1>of those. Please don't take away what God has blessed

2:29:38.160 --> 2:29:43.640
<v Speaker 1>me with because tell nobody to challenge you. Honestly, I

2:29:43.680 --> 2:29:45.960
<v Speaker 1>would love to do it versus how D'Angelo did bring

2:29:46.040 --> 2:29:48.400
<v Speaker 1>people out because then people like, oh, I don't want

2:29:48.440 --> 2:29:52.400
<v Speaker 1>to battle nobody because they go saul for sault. My

2:29:52.560 --> 2:29:55.200
<v Speaker 1>catalog is extensive. I've worked with you know what I'm saying,

2:29:55.440 --> 2:29:57.360
<v Speaker 1>So it's just like it might be not be something

2:29:58.879 --> 2:30:00.440
<v Speaker 1>as well. Yeah, or that I said, ain't gone that

2:30:00.480 --> 2:30:02.240
<v Speaker 1>you didn't know that, Oh that's me, and it'd be

2:30:02.320 --> 2:30:03.680
<v Speaker 1>like a lot of people were like, I didn't know

2:30:03.720 --> 2:30:07.880
<v Speaker 1>that what you're saying on that and wifey and like

2:30:07.959 --> 2:30:10.480
<v Speaker 1>stuff that I've done, or that it was my know

2:30:10.560 --> 2:30:13.640
<v Speaker 1>that's me singing even though that's the records. Wife will

2:30:13.720 --> 2:30:19.680
<v Speaker 1>you be my wife? Yes? Wifey? Yeah? Or that I

2:30:19.879 --> 2:30:22.080
<v Speaker 1>like what I did when you move up close to me.

2:30:22.879 --> 2:30:24.480
<v Speaker 1>They didn't know I was. I did a lot of

2:30:24.600 --> 2:30:27.039
<v Speaker 1>background work but it was safe. But I was pregnant

2:30:27.080 --> 2:30:30.440
<v Speaker 1>the time, so I couldn't be in a video. Yeah,

2:30:32.920 --> 2:30:36.920
<v Speaker 1>that's fine. We love that you love the baby. Who's

2:30:36.920 --> 2:30:40.640
<v Speaker 1>that they was trying to they they was trying to

2:30:40.720 --> 2:30:44.400
<v Speaker 1>do that Holy morning about the morning. So we're laughing direct.

2:30:44.640 --> 2:30:46.680
<v Speaker 1>I don't know what's going on. I was pushing the

2:30:46.760 --> 2:30:50.600
<v Speaker 1>button tell you something. I can't thank you enough. I

2:30:50.840 --> 2:30:52.240
<v Speaker 1>really I want you to know that this is your

2:30:52.280 --> 2:30:56.040
<v Speaker 1>platform whenever you want to come back. We got the

2:30:56.080 --> 2:31:05.400
<v Speaker 1>new and want to hear sposed that's yeah, yeah, yeah,

2:31:05.440 --> 2:31:07.840
<v Speaker 1>so yeah, tell us about this new record. This is

2:31:08.040 --> 2:31:09.959
<v Speaker 1>because I can finally talk about it, because like once

2:31:10.000 --> 2:31:11.800
<v Speaker 1>we were setting it up, it was just like one thing,

2:31:11.840 --> 2:31:13.840
<v Speaker 1>I wait for the paperwork to get in. And so

2:31:13.959 --> 2:31:15.280
<v Speaker 1>once I got the paperwork and I was like, I'm

2:31:15.360 --> 2:31:17.720
<v Speaker 1>glad I'm getting I get to talk about Shining Star

2:31:18.040 --> 2:31:22.439
<v Speaker 1>and it's new glow Um. Yeah. Coming back into this industry,

2:31:22.600 --> 2:31:24.760
<v Speaker 1>you have to realize the lane you created and you

2:31:24.840 --> 2:31:26.600
<v Speaker 1>have to stay in it. I'm not trying to compete

2:31:26.640 --> 2:31:28.960
<v Speaker 1>with these new artists because I realized they got their

2:31:29.000 --> 2:31:31.640
<v Speaker 1>own goal and they're very popular and social media. Have

2:31:31.760 --> 2:31:35.400
<v Speaker 1>you been thinking that, oh bitch, you washed. But I

2:31:35.560 --> 2:31:38.600
<v Speaker 1>reached out to a lot of people. Ye know, I

2:31:38.640 --> 2:31:41.400
<v Speaker 1>got this record. First, I did Broken Heart, which we

2:31:41.480 --> 2:31:43.520
<v Speaker 1>did during the pandemic. It came out on my birthday,

2:31:43.800 --> 2:31:45.440
<v Speaker 1>but we recorded on my birthday, came out with my

2:31:45.520 --> 2:31:50.640
<v Speaker 1>daughter's birthday. Independent, fully independent, the Faculty Music Group. This

2:31:50.800 --> 2:31:53.720
<v Speaker 1>is my business partner's label. So it was just like,

2:31:53.879 --> 2:31:56.120
<v Speaker 1>because you have to separate the artist, I have honey Chown,

2:31:56.160 --> 2:31:58.920
<v Speaker 1>which like, I'm a loan out company. So when you

2:31:59.040 --> 2:32:02.240
<v Speaker 1>get so when you see me, it's just like, how

2:32:02.360 --> 2:32:09.600
<v Speaker 1>you have this, that's a little more at all. It

2:32:09.680 --> 2:32:11.720
<v Speaker 1>was just like, so you have the hardest and you

2:32:12.440 --> 2:32:15.040
<v Speaker 1>even though it's independent, it means that we do everything ourselves.

2:32:15.040 --> 2:32:18.280
<v Speaker 1>So all my relationships, all my connections, now I get

2:32:18.320 --> 2:32:21.680
<v Speaker 1>to maximize. People say, I've been this game for twenty years,

2:32:21.760 --> 2:32:26.040
<v Speaker 1>never called nobody for favor. It was popping. Yeah, I

2:32:26.120 --> 2:32:30.080
<v Speaker 1>need that. So I reached out to a couple of artists, Hey,

2:32:30.240 --> 2:32:32.480
<v Speaker 1>sent you to record different records. I need you on it.

2:32:32.800 --> 2:32:37.280
<v Speaker 1>And the day t Pain reached back when we sent

2:32:37.360 --> 2:32:41.000
<v Speaker 1>him Shining Star was in March. He sent it back

2:32:41.240 --> 2:32:44.119
<v Speaker 1>and who was the day that he announced the social media?

2:32:44.200 --> 2:32:46.320
<v Speaker 1>Oh my god, I did not know that all these

2:32:46.360 --> 2:32:49.880
<v Speaker 1>people whatever that day was, he emailed me when he

2:32:50.040 --> 2:32:53.240
<v Speaker 1>dared me back at midnight, So I was damned. Asleep

2:32:53.400 --> 2:32:55.600
<v Speaker 1>and he came up. He pay him me back. He

2:32:55.760 --> 2:32:58.760
<v Speaker 1>was just like, oh my god, mo, I literally just

2:32:58.800 --> 2:33:00.680
<v Speaker 1>saw this message. So me they get his cap like,

2:33:01.000 --> 2:33:02.680
<v Speaker 1>oh wait, no, he did just post. I didn't know

2:33:02.760 --> 2:33:04.600
<v Speaker 1>that the request because when they don't follow you, you

2:33:04.600 --> 2:33:09.320
<v Speaker 1>don't get to see it even though you're verified. So

2:33:09.440 --> 2:33:11.800
<v Speaker 1>he's like, I got you. I said, a lot of

2:33:11.840 --> 2:33:16.520
<v Speaker 1>people said they got medst real good. I met him

2:33:16.800 --> 2:33:19.920
<v Speaker 1>like almost twenty years ago. A lot of people said

2:33:19.920 --> 2:33:24.520
<v Speaker 1>they had me that I had didn't get me. He

2:33:24.680 --> 2:33:27.880
<v Speaker 1>had me. He sent it back and he did his

2:33:28.240 --> 2:33:30.680
<v Speaker 1>I literally called my manager, was like, T said the vocals.

2:33:31.040 --> 2:33:33.119
<v Speaker 1>I was on some DJ Kalish, like, oh my god,

2:33:33.160 --> 2:33:36.200
<v Speaker 1>you know he said the vocals. He was like, listen,

2:33:36.480 --> 2:33:38.240
<v Speaker 1>I got my record coming out. Let me get some

2:33:38.320 --> 2:33:40.520
<v Speaker 1>vocal rest. And I got you. I was like, oh man,

2:33:40.520 --> 2:33:43.000
<v Speaker 1>he ain't gonna send it. He sent it the session

2:33:43.040 --> 2:33:46.800
<v Speaker 1>and everything, the clearest, whatever you need. I was like, Wow,

2:33:47.720 --> 2:33:50.880
<v Speaker 1>people don't do that. I do that. A lot of

2:33:50.920 --> 2:33:53.560
<v Speaker 1>people don't have that type of integrity. Speak to my management.

2:33:53.640 --> 2:33:55.600
<v Speaker 1>That's cool. I understand that I have my people speak

2:33:55.600 --> 2:34:00.480
<v Speaker 1>to your people, but they they're pussyfoot or monkey. Put

2:34:00.560 --> 2:34:03.720
<v Speaker 1>you along the way was good because put it for

2:34:03.800 --> 2:34:10.160
<v Speaker 1>this when you tipped, yeah, bullshit. You send me the

2:34:10.240 --> 2:34:11.840
<v Speaker 1>email read in front of my email right now and

2:34:11.879 --> 2:34:14.360
<v Speaker 1>they won't send it back. He sent it back. He

2:34:14.520 --> 2:34:17.200
<v Speaker 1>did like I said earlier, he did his part so good.

2:34:17.240 --> 2:34:18.760
<v Speaker 1>I was like, oh shiot. I didn't even think he

2:34:18.800 --> 2:34:22.760
<v Speaker 1>was gonna do that much. We went and did my

2:34:22.879 --> 2:34:25.600
<v Speaker 1>part over. When I say the soul is a back,

2:34:28.440 --> 2:34:34.320
<v Speaker 1>it's literally better of fact, it's next week week. It's

2:34:35.040 --> 2:34:37.640
<v Speaker 1>because we got a coded today. We gotta code it.

2:34:38.400 --> 2:34:40.440
<v Speaker 1>It's up. I was literally just waiting on the artwork.

2:34:40.520 --> 2:34:42.600
<v Speaker 1>But when fatmis Hoop sent his part, because I was like,

2:34:42.640 --> 2:34:45.800
<v Speaker 1>I need you to hype up this record, like what yeah,

2:34:46.640 --> 2:34:48.320
<v Speaker 1>because people haven't heard his voice in a while. He

2:34:48.400 --> 2:34:51.400
<v Speaker 1>had COVID. He did his part. He was like, yo, mo,

2:34:51.879 --> 2:34:55.280
<v Speaker 1>I want his doctor seppy ship the record. Don't have

2:34:57.280 --> 2:35:01.640
<v Speaker 1>but the power of sending stuff via email and I'm

2:35:01.680 --> 2:35:05.360
<v Speaker 1>sending it back and me sending it so scooping New York.

2:35:05.760 --> 2:35:09.960
<v Speaker 1>I'm in Baltimore. I don't know where Tea Pain is.

2:35:11.720 --> 2:35:13.680
<v Speaker 1>He's all over because he has his show. Plus he

2:35:13.800 --> 2:35:16.280
<v Speaker 1>was working his record with Kalani. So I sent the

2:35:16.320 --> 2:35:17.840
<v Speaker 1>record to l a to be mixed, sent it to

2:35:17.920 --> 2:35:20.600
<v Speaker 1>somebody else to be mastered. So the power of being

2:35:20.640 --> 2:35:24.120
<v Speaker 1>able to push send, and I was just like, this

2:35:24.440 --> 2:35:28.760
<v Speaker 1>record Shouting Star is not only to empower women, because

2:35:28.800 --> 2:35:32.640
<v Speaker 1>this is women are dominating the industry. It's also to

2:35:32.760 --> 2:35:35.160
<v Speaker 1>me super woman and forever because people keep on calling

2:35:35.200 --> 2:35:38.959
<v Speaker 1>me from my own ship. I'm just like, we've I've

2:35:39.040 --> 2:35:42.600
<v Speaker 1>commemorated that. That's twenty years old. We celebrated that. Now

2:35:42.680 --> 2:35:46.000
<v Speaker 1>it's time to celebrate the new, the glow, the vibe,

2:35:46.440 --> 2:35:49.040
<v Speaker 1>the sound, the one that you love back then when people,

2:35:49.080 --> 2:35:51.320
<v Speaker 1>Oh my, I grew up to your music and my

2:35:51.480 --> 2:35:53.120
<v Speaker 1>mother used to play. Now you're about to grow up

2:35:53.120 --> 2:35:55.600
<v Speaker 1>to this new glow. I haven't missed a beat, my

2:35:55.760 --> 2:35:57.960
<v Speaker 1>voice hasn't changed. I've been through some ship I could

2:35:57.959 --> 2:35:59.920
<v Speaker 1>sing about it. Broken Heart was the record we really

2:36:00.560 --> 2:36:02.960
<v Speaker 1>and that's available on all streaming platforms now all my

2:36:03.080 --> 2:36:04.959
<v Speaker 1>first two hours based on the Truth story, and Meet

2:36:05.080 --> 2:36:08.000
<v Speaker 1>the Girl next Door finally on all streaming platforms. So

2:36:08.040 --> 2:36:11.560
<v Speaker 1>I missed twenty years of streaming. Whatever year streaming came out,

2:36:11.720 --> 2:36:15.320
<v Speaker 1>they just added October during the pandemic, so we're running

2:36:15.360 --> 2:36:17.440
<v Speaker 1>it up. So now I'm just like now, that I

2:36:17.560 --> 2:36:19.800
<v Speaker 1>have this second chance. I'm gonna put out some new

2:36:19.920 --> 2:36:23.120
<v Speaker 1>music and I don't have to try to sound like

2:36:23.240 --> 2:36:26.400
<v Speaker 1>everybody today. I still have my sound, but just to

2:36:26.520 --> 2:36:29.080
<v Speaker 1>let people know, like I'm coming. What's that record you

2:36:29.160 --> 2:36:31.880
<v Speaker 1>got when you were like, um, I think it's like

2:36:31.920 --> 2:36:34.760
<v Speaker 1>at one point five million views? Thing's t O P

2:36:35.480 --> 2:36:39.520
<v Speaker 1>and A something like that. When you're talking mom, I'm

2:36:39.520 --> 2:36:42.000
<v Speaker 1>gonna get you can leave. Would lead a car nigger?

2:36:46.200 --> 2:36:48.720
<v Speaker 1>All right, So that's that's independent as well. That's well,

2:36:48.840 --> 2:36:51.640
<v Speaker 1>that was on the first album. So that's that's on

2:36:51.879 --> 2:36:55.800
<v Speaker 1>all that was twenty years ago. God, I just so

2:36:56.000 --> 2:36:58.000
<v Speaker 1>happened to like God preserve me for the sound of

2:36:58.040 --> 2:37:00.280
<v Speaker 1>Pandemic was good. I got a lot of rest and

2:37:00.400 --> 2:37:03.920
<v Speaker 1>much needed glow. And it's just like once I realized

2:37:04.000 --> 2:37:06.120
<v Speaker 1>that people don't want to hear or see none of

2:37:06.200 --> 2:37:08.000
<v Speaker 1>the other bullshit. They just want to hear you sing

2:37:08.080 --> 2:37:10.480
<v Speaker 1>mo and they want to see me in power. Like

2:37:11.040 --> 2:37:14.200
<v Speaker 1>now I realized that had the ditties and had the

2:37:14.320 --> 2:37:17.400
<v Speaker 1>Jays and had them had they survived through. When the

2:37:17.480 --> 2:37:20.240
<v Speaker 1>industry shifts and change, you have to put new people

2:37:20.280 --> 2:37:22.960
<v Speaker 1>in position. So I see who's hot. I see the

2:37:23.080 --> 2:37:24.720
<v Speaker 1>artists that are coming up from the hers to the

2:37:24.760 --> 2:37:27.880
<v Speaker 1>summer walkers to the scissors. That's the that's the vibe.

2:37:27.959 --> 2:37:30.720
<v Speaker 1>My daughters love Kailani. I know who they love. So

2:37:31.000 --> 2:37:35.480
<v Speaker 1>I'm just like reaching out like yo, no, not with her,

2:37:36.480 --> 2:37:39.640
<v Speaker 1>but just to see but see the mutual respect and

2:37:39.760 --> 2:37:42.000
<v Speaker 1>to see how she came up and then then she's

2:37:42.040 --> 2:37:44.640
<v Speaker 1>in position. I was just like, I respect that. And

2:37:44.760 --> 2:37:48.920
<v Speaker 1>from the rappers from the Klos to the Malibu Mitches

2:37:49.440 --> 2:37:52.360
<v Speaker 1>to the I got songs with them, to see I

2:37:52.440 --> 2:37:55.720
<v Speaker 1>have more sons of rappers? Do I have it? But

2:37:55.800 --> 2:37:58.440
<v Speaker 1>I've known him since he was bird. We used to

2:37:58.480 --> 2:38:00.240
<v Speaker 1>when used to have the cutouts and my what it

2:38:00.320 --> 2:38:01.640
<v Speaker 1>was like, can I have to kind of? So I

2:38:01.760 --> 2:38:03.840
<v Speaker 1>respect them. I respect how you're moving. But I'm a

2:38:04.040 --> 2:38:06.000
<v Speaker 1>writer too, and I'm a hardest and I'm sensitive about

2:38:06.000 --> 2:38:09.160
<v Speaker 1>my ship. So it's just like, you know, I respect

2:38:09.360 --> 2:38:11.119
<v Speaker 1>and people just like yo, Mo, it's good to see

2:38:11.160 --> 2:38:14.560
<v Speaker 1>you still doing your thing. So to the the young

2:38:14.640 --> 2:38:16.879
<v Speaker 1>artists that are coming up to the lottos like big

2:38:16.959 --> 2:38:19.680
<v Speaker 1>lot of I reached out and I'm just like, yo,

2:38:19.840 --> 2:38:22.440
<v Speaker 1>like I see you doing your things. I saw, yes,

2:38:22.560 --> 2:38:26.160
<v Speaker 1>the rappers like they are doing that. She changed the

2:38:26.200 --> 2:38:28.560
<v Speaker 1>big lot of but it's just like to see everyone

2:38:28.680 --> 2:38:32.840
<v Speaker 1>doing their thing. Sam A Slim got one more question? Yea,

2:38:34.000 --> 2:38:37.640
<v Speaker 1>now it's up, it's up, So where is the next

2:38:37.680 --> 2:38:41.800
<v Speaker 1>for a little more. We're pushing this music because we

2:38:42.040 --> 2:38:43.960
<v Speaker 1>literally before we even got here, I got a call

2:38:44.000 --> 2:38:47.400
<v Speaker 1>about a reality show and to hear my managers say,

2:38:47.480 --> 2:38:50.080
<v Speaker 1>they always want to dwell on the past, and people

2:38:50.120 --> 2:38:55.160
<v Speaker 1>want to say shows they we want you to be

2:38:55.240 --> 2:38:58.520
<v Speaker 1>on the show about heartbreaking this, but I'm past that,

2:38:59.640 --> 2:39:01.480
<v Speaker 1>okay if it ain't about this new glow. Even on

2:39:01.560 --> 2:39:05.920
<v Speaker 1>two shows, I literally turned down and I'm gonna say this,

2:39:06.040 --> 2:39:10.000
<v Speaker 1>and this is all due respect. There shows that want

2:39:10.040 --> 2:39:14.560
<v Speaker 1>to I say, salute or gift flowers. They push their

2:39:14.640 --> 2:39:16.360
<v Speaker 1>movement and they want you to be a part of it,

2:39:16.680 --> 2:39:20.000
<v Speaker 1>but they don't want to pay. So it's one thing

2:39:20.040 --> 2:39:22.680
<v Speaker 1>to promote and the and the do sit downs. But

2:39:22.720 --> 2:39:25.160
<v Speaker 1>if you want me to perform, don't tell me what

2:39:25.280 --> 2:39:27.360
<v Speaker 1>your prices. You didn't even ask what my price was.

2:39:28.240 --> 2:39:31.280
<v Speaker 1>The bag is out. I saw how much rappers baby

2:39:31.320 --> 2:39:33.240
<v Speaker 1>mothers are gett paid. You're not gonna say, oh I

2:39:33.320 --> 2:39:35.480
<v Speaker 1>got fired to what I'm gonna like? What am I

2:39:35.520 --> 2:39:38.640
<v Speaker 1>gonna do with that? What cost five thousand dollars to

2:39:38.720 --> 2:39:42.720
<v Speaker 1>this day. I'm not trying for a performance. You're not

2:39:42.760 --> 2:39:45.600
<v Speaker 1>gonna offer me that which I'm not washed. You're gonna

2:39:46.200 --> 2:39:49.760
<v Speaker 1>this is the prices that we set and you might

2:39:49.760 --> 2:39:53.600
<v Speaker 1>as well pay it now or pay later, because trust me,

2:39:54.200 --> 2:39:56.640
<v Speaker 1>it's about to run up. I know the game. This

2:39:56.800 --> 2:40:00.200
<v Speaker 1>is chess, not checkers, So don't play with me. I'm

2:40:00.240 --> 2:40:05.080
<v Speaker 1>not one of them. You're not gonna pay somebody's baby mother,

2:40:05.160 --> 2:40:07.640
<v Speaker 1>they don't have no songs out to come there and drink.

2:40:08.080 --> 2:40:09.600
<v Speaker 1>But then asked me to come do the same thing

2:40:09.640 --> 2:40:12.920
<v Speaker 1>in saying that's a separate feet. It was a major

2:40:13.160 --> 2:40:15.040
<v Speaker 1>people who try to book us. It was like, we

2:40:15.080 --> 2:40:16.840
<v Speaker 1>want you to come this this, this is okay what

2:40:16.959 --> 2:40:22.520
<v Speaker 1>that's all the card? So that's ten thou for this? Well,

2:40:22.680 --> 2:40:26.360
<v Speaker 1>sh bitch. As soon as I grab that microphone is up.

2:40:28.879 --> 2:40:32.000
<v Speaker 1>I get it. But that was a test to see

2:40:32.040 --> 2:40:35.360
<v Speaker 1>if I would accept the less. No, you want greater,

2:40:36.080 --> 2:40:38.320
<v Speaker 1>you gotta do greater. And I realized, now you gotta

2:40:38.360 --> 2:40:40.760
<v Speaker 1>work hard now, just like I did in the beginning.

2:40:40.760 --> 2:40:42.840
<v Speaker 1>It's like I'm a new artist, so people know the

2:40:42.879 --> 2:40:45.320
<v Speaker 1>whole little more. But the new MO, the shining Star

2:40:45.440 --> 2:40:49.760
<v Speaker 1>MO that's out. Now. You gotta push what you're promoting.

2:40:50.560 --> 2:40:53.480
<v Speaker 1>You gotta respect the brand. You gotta respect the grind.

2:40:53.840 --> 2:40:57.600
<v Speaker 1>You gotta respect my work, my work ethic. I don't.

2:40:57.920 --> 2:40:59.920
<v Speaker 1>I just now started getting some sleep because the pandemic,

2:41:00.320 --> 2:41:03.199
<v Speaker 1>but I haven't had no sleep in twenty years. Paul,

2:41:03.640 --> 2:41:06.640
<v Speaker 1>like you feel with Paul Bunyan slept after this and

2:41:06.800 --> 2:41:09.480
<v Speaker 1>motherfucker grew a beard because I shaved far I got here.

2:41:10.240 --> 2:41:13.720
<v Speaker 1>You feel me. So it's like, I'm not sleeping and

2:41:13.800 --> 2:41:17.040
<v Speaker 1>I know what my hand calls for. Nobody's gonna play

2:41:17.040 --> 2:41:20.520
<v Speaker 1>in my face. So from the verses and have to

2:41:20.560 --> 2:41:22.680
<v Speaker 1>be meat plus friends because I don't want to battle nobody.

2:41:22.720 --> 2:41:26.040
<v Speaker 1>Because when you realize, damn, she did that. When I

2:41:26.160 --> 2:41:28.720
<v Speaker 1>realized all that I've done, I've commemorated on the shows

2:41:28.760 --> 2:41:30.600
<v Speaker 1>that I've done for free, the tours that I've been on,

2:41:30.920 --> 2:41:32.720
<v Speaker 1>and been in the middle of the airport and be like, damn,

2:41:32.720 --> 2:41:36.720
<v Speaker 1>I gotta get home, and motherfucker's cut you know, cut

2:41:36.800 --> 2:41:39.199
<v Speaker 1>me off in the middle. I realized I was always

2:41:39.240 --> 2:41:41.840
<v Speaker 1>out here. I had a couple of people with me,

2:41:42.440 --> 2:41:45.080
<v Speaker 1>But now I have a team. You're gonna respect the team.

2:41:45.680 --> 2:41:48.600
<v Speaker 1>Javante Tavis he just went. He from Baltimore. I saw

2:41:48.680 --> 2:41:50.000
<v Speaker 1>him grow up as a younger, and I like what

2:41:50.120 --> 2:41:52.640
<v Speaker 1>he said. We're just like you're the team, my team,

2:41:52.720 --> 2:41:55.280
<v Speaker 1>stay on me. They are things I do. Why would

2:41:55.280 --> 2:41:58.400
<v Speaker 1>you do that? What's that have to do with you? Deleted?

2:41:59.040 --> 2:42:01.960
<v Speaker 1>Somebody may have screened but deleted. That's not you. There's

2:42:01.959 --> 2:42:05.080
<v Speaker 1>a new you. You have to reinvent yourself if you

2:42:05.160 --> 2:42:07.320
<v Speaker 1>want to go to the next level. I reinvented myself

2:42:07.720 --> 2:42:10.039
<v Speaker 1>and people don't respect it. That damn makes some noise

2:42:10.080 --> 2:42:15.680
<v Speaker 1>for that. Thank you. We can't we can't think. I

2:42:15.760 --> 2:42:17.160
<v Speaker 1>feel like I'm going to close it out, but I

2:42:17.200 --> 2:42:19.320
<v Speaker 1>got to close it out in the shot. Yes, five

2:42:19.320 --> 2:42:22.200
<v Speaker 1>o'clock somewhere. Yeah, might as well. This is this is

2:42:22.200 --> 2:42:24.280
<v Speaker 1>amazing because you're not much these shots calls because you

2:42:24.400 --> 2:42:29.280
<v Speaker 1>got damn, it's fair, no expense here, drink period. You

2:42:30.080 --> 2:42:32.600
<v Speaker 1>a legend. Thank you, And at first I was afraid

2:42:32.600 --> 2:42:36.600
<v Speaker 1>of that title because people think legend means old season. Season.

2:42:38.480 --> 2:42:40.879
<v Speaker 1>The best food in the world is when you season

2:42:40.920 --> 2:42:43.440
<v Speaker 1>and you leave it over thenight period, purple heart. That

2:42:43.560 --> 2:42:51.120
<v Speaker 1>season didn't been to the bullshit bees a answer. Nobody

2:42:51.120 --> 2:42:57.160
<v Speaker 1>can't get bees on the phone because we're gonna take

2:42:57.200 --> 2:43:00.560
<v Speaker 1>some pictures, You're gonna do some drops, and then he

2:43:00.920 --> 2:43:03.400
<v Speaker 1>might walk out of the iscabibles. You never know. Is

2:43:03.760 --> 2:43:20.360
<v Speaker 1>that still open? Always? Yeah? Yes. Thanks for joining us

2:43:20.400 --> 2:43:23.039
<v Speaker 1>for another episode of Drink Champs, hosted by Yours truly,

2:43:23.160 --> 2:43:25.000
<v Speaker 1>d J e f N and n O r E.

2:43:25.480 --> 2:43:27.520
<v Speaker 1>Please make sure to follow us on all our socials.

2:43:27.800 --> 2:43:30.920
<v Speaker 1>Let's at drink Champs across all platforms, at the Real

2:43:31.000 --> 2:43:34.879
<v Speaker 1>Noriegan I g at Noriega on Twitter, mine is at

2:43:34.920 --> 2:43:37.920
<v Speaker 1>Who's Crazy on I g at d J e f

2:43:38.080 --> 2:43:40.480
<v Speaker 1>N on Twitter, and most importantly, stay up to date

2:43:40.560 --> 2:43:43.680
<v Speaker 1>with the latest releases, news and merch by going to

2:43:43.800 --> 2:43:50.560
<v Speaker 1>drink champs dot com For more podcasts. For my heart Radio,

2:43:50.959 --> 2:43:54.640
<v Speaker 1>visit the iHeart Radio app, Apple podcast, or wherever you

2:43:54.760 --> 2:43:56.000
<v Speaker 1>listen to your favorite shows.