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Speaker 1: Wake that ass up in the morning.

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Speaker 2: The Breakfast Club. Yup, mister w Ald, most dangerous morning show,

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Speaker 2: The Breakfast Club. Charlamagne and God, DJ Envy and Jessa out.

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Speaker 2: But Laura Leroe says here and we got the legendary,

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Speaker 2: the iconic Bill Bellamy is in the building.

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Speaker 1: I love it. I love it.

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Speaker 2: I love the Breakfast Club. We hell no, you are

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Speaker 2: aging amazingly.

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Speaker 1: Thank you man. You know I'm only seventy three and

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Speaker 1: ain't nothing but coconut water, Lauren. You know, you get

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Speaker 1: coconut water, get cup of strawberry blueberries, a little bit

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Speaker 1: of shape. Buddy, you look like that.

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Speaker 2: But you playing or you just turned sixty a couple

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Speaker 2: of weeks ago. That is an amazing sixty, my brother.

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Speaker 1: Thank you man.

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Speaker 2: But I don't know what sixty is supposed to look

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Speaker 2: like because I'm comparing it to what we grew up on.

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Speaker 1: No no, no, no, no, we didn'tnew. We didn't know. We

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Speaker 1: didn knew because you know, back in the day, if

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Speaker 1: you told somebody who was sixty years old, they'd be like, man,

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Speaker 1: I just got me some pancakes from our hot.

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Speaker 2: You know, for free. Yeah, yeah, you know.

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Speaker 1: Now you know, we move and groover, we work out.

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Speaker 1: You taking care of yourself. You know what I'm saying.

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Speaker 2: We know what we eating, that's right, you know what

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Speaker 2: I mean.

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Speaker 1: You watch it diet and you know, if you has

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Speaker 1: to have good health, you look good.

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Speaker 2: Do you take advantage of that kind of stuff though,

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Speaker 2: like the free pancakes from my hop and all of the.

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Speaker 1: Man I haven't really leaned into the scene city thing,

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Speaker 1: but I really think I need to get like some

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Speaker 1: of them little benefits and stuff. Yeah, I don't have one.

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Speaker 1: You think I should pull up.

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Speaker 3: Yeah, I feel like that's the right of past.

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Speaker 1: Right, But I just don't want to be unk everywhere.

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Speaker 1: Like you know what I'm saying, I'm getting unk now,

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Speaker 1: I'm getting o G. O G is kind of like

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Speaker 1: on the basketball court, be making me feel like I

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Speaker 1: can't play no more.

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Speaker 2: You want the ball, I'm.

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Speaker 3: Like, yeah, might not helping you up off the ground,

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Speaker 3: calling you.

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Speaker 1: But it's it's a tricky thing. O G is cool

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Speaker 1: unk just in certain cases. And I'll be honest with you.

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Speaker 1: I was in a club where was I recently and

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Speaker 1: I felt.

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Speaker 2: Like, you need to go home?

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Speaker 1: Yeah, yeah, you know this music because because some of

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Speaker 1: the music I just don't know. I feel like I

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Speaker 1: just missed it, like uh, like I love glow Rilla,

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Speaker 1: but she got this joint that's so. But all the

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Speaker 1: girls know the words and I ain't know nothing. That's

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Speaker 1: when I feel like I gotta go home.

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Speaker 2: What is it? How does it go? Tell me? She

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Speaker 2: got so much? Since?

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Speaker 1: Yeah, it was?

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Speaker 3: Is it sexy? Rad too?

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Speaker 2: Yes?

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Speaker 3: Okay independent?

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Speaker 1: Yes, every girl in there from twenty five to thirty

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Speaker 1: five was going crazy and I met the bar like, man,

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Speaker 1: I gotta go home.

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Speaker 2: Man, y'all ain't playing by nature. Y'all, y'all don't know track.

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Speaker 2: But that's funny when you say, because like when you

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Speaker 2: get to a certain age, when you think about everybody

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Speaker 2: who didn't make it from our culture, correct, does that

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Speaker 2: make you appreciate it more? Yo? Man?

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Speaker 1: Honestly yes, yes, yes, a very very good thing you said,

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Speaker 1: because you know what, to have a long career is

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Speaker 1: a blessing.

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Speaker 2: You don't know.

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Speaker 1: And then we lost so many people that came up

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Speaker 1: with us. Charlemagne, you've been my boy forever, like we

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Speaker 1: came up like at around the same time, like we

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Speaker 1: went to the same school kind.

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Speaker 2: Of thing, you know what I mean.

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Speaker 1: We've seen you know, from the Little Kim days to

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Speaker 1: you know, let's say boys the Men that ninety early nineties.

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Speaker 1: I remember when Buster Rheims and first got on with

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Speaker 1: leaders of the New School. I remember like the Deaf

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Speaker 1: Jam offices, like the Source magazine, like all that energy

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Speaker 1: of the nineties. I remember when Q Tip went solo.

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Speaker 1: You know what I'm saying, L like ladies man rap,

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Speaker 1: like like there's so many moments of hip hop that

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Speaker 1: we experienced, and to think now, I'm like, man, that's

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Speaker 1: such a great time for us to be able to

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Speaker 1: experience it. I mean, I remember interviewing Michael Jackson, Like

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Speaker 1: how many people did it?

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Speaker 2: Just think about that, how many.

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Speaker 1: People interviewed like they not even Like if you would

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Speaker 1: have told me twenty years ago Michael Jackson would not

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Speaker 1: be alive, Like that doesn't make sense. Like I always

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Speaker 1: thought like them dudes would live forever, Like Prince like

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Speaker 1: he was so damn cool, Michael was so damn cool,

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Speaker 1: Whitney Jersey girl, Like I have all these wonderful memories

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Speaker 1: of these people left eye, you know, damn Like we

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Speaker 1: did all this stuff with MTV when people were just

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Speaker 1: coming up, people getting on, people getting accepted, they starting

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Speaker 1: to go platinum.

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Speaker 2: So you young, you don't even know it was young.

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Speaker 1: I got to make sure.

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Speaker 2: I make sure.

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Speaker 1: But like like I remember when Usher went diamond. I

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Speaker 1: remember when the Fuji's went diamond like diamond was like

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Speaker 1: way out did like you told somebody you went diamond?

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Speaker 2: Like what?

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Speaker 1: And that was real albums I'm talking about.

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Speaker 3: I think it's just different for y'all because people had

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Speaker 3: to go and get the you know what I mean.

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Speaker 3: Like right now we're streaming, so it's like, okay, cool,

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Speaker 3: that's people listening. Different when all these people were going

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Speaker 3: to the store.

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Speaker 1: Nobody is going to the record store like me and

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Speaker 1: Charla Man Me and Charlamagne Knew. Remember tow Records here

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Speaker 1: in New York. We remember when it was the album released.

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Speaker 1: People was lined up to get your album. Remember I

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Speaker 1: remember taking the plaf Remember when you remember when you

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Speaker 1: couldn't get.

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Speaker 2: The plastic You needed a razor.

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Speaker 1: You had to take a key and get the damn

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Speaker 1: album out and then you read then you did you

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Speaker 1: ever get a thank you?

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Speaker 2: Did you ever? Like I wasn't around. I'm forty six,

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Speaker 2: so I started getting thank you later on, Like but

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Speaker 2: that was like early two thousands.

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Speaker 1: Like when you would get the album and you'd be like, YO,

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Speaker 1: want to shout out made for your support on my

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Speaker 1: album or whatever, and then I would read all the

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Speaker 1: producers and stuff like that.

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Speaker 2: Those days are open. You don't even get artwork.

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Speaker 3: What thank you for? You get artwork?

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Speaker 2: No, you don't get You don't get Are you just

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Speaker 2: getting Christmas song?

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Speaker 3: Yeah, it's like a special thing if they released like

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Speaker 3: artwork and images, and normally it's like merch and like

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Speaker 3: something swaggy.

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Speaker 2: So you got to buy a T shirt to get artwork?

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Speaker 3: Now yeah, less people do know what you're talking about

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Speaker 3: t shirts.

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Speaker 2: You talk about the album.

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Speaker 3: I know what he's talking about. But I'm not that old.

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Speaker 3: I mean that young, Like I had the definite writings

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Speaker 3: on the Walls two side album I had Michael Jackson.

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Speaker 2: Did you ever go to a drive in theater?

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Speaker 1: No?

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Speaker 3: I did, But it was like a cool vintage experience

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Speaker 3: that like we blogged like it was not.

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Speaker 2: Have Michael Jackson thriller? Why would you tell that long?

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Speaker 2: I saw it was you on.

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Speaker 3: Nineteen ninety one? My mom added, I remember going and

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Speaker 3: buying that album, and like you had, they opened up

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Speaker 3: like this, like and they had all the writings on

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Speaker 3: Oh see that, go.

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Speaker 1: Ahead, girl, you're writing a Patton.

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Speaker 2: Oh my gosh, you're young old now you hear about

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Speaker 2: a lot of this in the top building. But just

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Speaker 2: talk to the people. What was then interviewing Michael? Like

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Speaker 2: somebody literally asked me that this weekend you haven't you

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Speaker 2: have an interviewed Michael.

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Speaker 1: I'm like, nah, Michael. Interview of Michael Jackson was like

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Speaker 1: talking to uh, you know, a prince, a king of

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Speaker 1: some sort of some royalty. Because the way he moved,

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Speaker 1: you know what I'm saying, Like he was to me

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Speaker 1: the epitome of being a rock star, superstar. He had

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Speaker 1: Like if he was in here right now, it'd be

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Speaker 1: thirty people here, thirty people that you don't know what

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Speaker 1: they do, but they look like they killed people. Three

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Speaker 1: four publicists, you got the record label people, you got

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Speaker 1: his personal people, and and then everything it's just like,

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Speaker 1: oh my god, like you don't want to make a mistake,

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Speaker 1: and he comes in every thing set up the lighting.

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Speaker 1: You just like like I'd be sitting there like this,

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Speaker 1: well we're gonna do this, and is people will be like, no,

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Speaker 1: Michael's gonna do three five and nine. Thank you, that's

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Speaker 1: how they used to be. I'm like, he had his

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Speaker 1: own lighting person, Like you ever heard of a person

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Speaker 1: having a cinematographer for a interview.

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Speaker 2: Ryan Carey came in the studio and had them had

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Speaker 2: her team sent up lights and I was like, Pearl,

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Speaker 2: and I said, Mariah, they only gonna be able to

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Speaker 2: see you. And she was like, that's the point, that's

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Speaker 2: the whole darling.

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Speaker 3: Yo, how did the lighting people get there before Michael

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Speaker 3: got there two hours?

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Speaker 1: That same thing that he said is true because I

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Speaker 1: interviewed Mariah Carey in Hawaii and Jermaine was there too,

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Speaker 1: and I was like, jd where's Mariah. He was like, yo, man,

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Speaker 1: Mariah be down. About three hours. We waited her man

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Speaker 1: to get hit DP. I didn't know what that was

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Speaker 1: at the time, so I was like, say, that's Daniel Pearl,

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Speaker 1: he'll be here. He like all of Mariah's stuff, Right,

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Speaker 1: this dude comes. He got like ten people they like

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Speaker 1: they doing the little thing. Turned that down to thirty percent,

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Speaker 1: put that up to ten five. It looks like Heaven, Heaven, heaven, everybody,

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Speaker 1: Heaven bring Maray out because the lighting was heaven, Swear

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Speaker 1: to God. I was sitting out there black. I got

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Speaker 1: so black. I was sitting out there with just like, man,

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Speaker 1: she'll be here in another hour. They didn't even give

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Speaker 1: me no water. This back in the day MTV stuff.

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Speaker 2: What happened to that era?

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Speaker 1: Man?

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Speaker 2: Like, can you even build a superstar like that anymore?

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Speaker 1: Yeah, I guess on TikTok. I learned a lot of

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Speaker 1: great artists on TikTok. I've just just come up with

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Speaker 1: my feed because you know, when I came up back

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Speaker 1: in the day, we knew who was dropping. We knew

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Speaker 1: that the new Beyonce album was dropping. We knew Jay

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Speaker 1: was dropping something. We knew that, you know, Redman and

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Speaker 1: Meth was doing something. Now I'll get a TikTok video

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Speaker 1: that's a challenge or something. I click on that and

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Speaker 1: then I find an artist and I'm like yo, and

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Speaker 1: I lock it in. That's how I've been doing it lately.

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Speaker 2: But can those people become those superstar global icons we're

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Speaker 2: talking about, Cause I feel like there's a level, Because

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Speaker 2: I feel like there's a level of what's the world,

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Speaker 2: There's a level of curation that's not happening anymore.

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Speaker 1: Well, you know what we missed a few steps. You

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Speaker 1: know what I'm saying, Like, I'll give you a perfect example,

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Speaker 1: Leon Thomas, Love Love Love leon Thomas. Right, I got

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Speaker 1: windowed Leon Thomas by mistake. Mutt was on Instagram and

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Speaker 1: it was doing somebody was doing a was singing his song,

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Speaker 1: trying to do like a version of it. I said, Damn,

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Speaker 1: this shit's kind of dope. I go click on that.

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Speaker 1: Then I clicked to him and I'm like, oh, then

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Speaker 1: there's a Chris Brown remix.

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Speaker 2: I had to click to that.

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Speaker 1: Now I down like with all that on Spotify, That's

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Speaker 1: how I'm finding artists. It's like, what the fuck? You

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Speaker 1: know what I'm saying. It's like, damn, they don't promote

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Speaker 1: the artists like they used to. Coco Jones right now

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Speaker 1: on Fire.

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Speaker 2: Label won't even send her music to the ratio.

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Speaker 1: You said that. I was like, what why would they

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Speaker 1: do that?

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Speaker 2: I have to it does and Andre Martinez.

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Speaker 1: It's like, what are you doing? It's like nobody gets

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Speaker 1: the press kid sent out no more where they really

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Speaker 1: show you what the what the project is, how they

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Speaker 1: gonna promote it, and what the how much money they

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Speaker 1: putting behind the artists, like Cocle Jones is Fire like

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Speaker 1: she's in a pocket right now to me, and you

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Speaker 1: know I love her music. I like, give me on

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Speaker 1: h Do everybody know I do? I think he's dope

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Speaker 1: as hell. I'm trying to think of somebody else that

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Speaker 1: I just was like, Oh, snap, snow Allegra, Oh god Lee,

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Speaker 1: what snow is? Bananas? Is there like a big big

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Speaker 1: I had Danny Lee on my on my podcast, she's

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Speaker 1: dope too. Then all of a sudden, I don't even

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Speaker 1: hear nothing. It's like, Yo, she was rolling rolling Maida?

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Speaker 1: Is it Mada or Maa? Mighta Meda? Meida? Am I

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Speaker 1: saying it the right wing Medada? She's a new artist.

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Speaker 1: She was on my podcast super Dope. I give you

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Speaker 1: one more guy, Tone Stiff. You know him? See you

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Speaker 1: know Tone and you young, you better google.

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Speaker 2: In your mind.

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Speaker 1: It's a real artist. But more importantly, you know what

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Speaker 1: I'm saying, Like, as much as I love music, I'm

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Speaker 1: trying to incorporate that vibe to my to my my

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Speaker 1: new tour, Top Build because it's like I feel like

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Speaker 1: it's going to bring people away, bring people together in

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Speaker 1: a way that they're going to be very very nostalgic.

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Speaker 1: Because I feel like, you know, what we're talking about

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Speaker 1: is it exists in people. They just don't have anybody

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Speaker 1: to bring it together. And that's what I want to be.

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Speaker 1: I want to be like that. That be gonna like

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Speaker 1: to bring music, comedy in a moment of hip hop

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Speaker 1: that is just incredible to the people. That's what I

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Speaker 1: really wanted it to feel like. When you leave, you're like, damn, man,

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Speaker 1: I got way more than I thought, you know what

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Speaker 1: I mean. And I feel like that's really possible. Now

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Speaker 1: we've got social media, you can shot shot our clips

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Speaker 1: to people. They could see a little bit of your show,

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Speaker 1: see what's going on. Like, Yo, I'm going to see

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Speaker 1: that stuff. Whenever I play anything with Mary, Mary, Mary

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Speaker 1: just she just does it for the ladies, everybody Mary

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Speaker 1: something else.

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Speaker 2: But I don't know.

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Speaker 1: The other day I seen it with them boots on

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Speaker 1: her look like her ankles with her.

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Speaker 2: You're seeing her own thing. She's looking like she looks

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Speaker 2: like she'd be tired. Yeah, Mar Mary.

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Speaker 1: I came up with, Man, I love me some Mary.

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Speaker 1: Boom boom boom boom, Yo. I just love this part

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Speaker 1: right here.

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Speaker 2: Boom boom boom.

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Speaker 1: She got the little bump to it, just like that

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Speaker 1: one hit.

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Speaker 2: Hurt shout out. Now you married. Now you haven't done

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Speaker 2: a special since twenty twenty two, right, so it's top

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Speaker 2: billing working towards that.

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Speaker 1: Yeah, Okay, So I think right now I have an

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Speaker 1: hour of comedy that is crazy funny, Like I think

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Speaker 1: nobody's talking about what I'm talking about right now. It's

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Speaker 1: very relevant. I mean, it's so much stuff going on

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Speaker 1: right now, from Diddy to Shannon Shop to sho Door,

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Speaker 1: Like there's so many elements in the culture that everybody's

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Speaker 1: thinking about, like, oh my god, and I want to

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Speaker 1: capture this moment because it's right now. So I'm really

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Speaker 1: trying to tape soon so that everything that I'm talking

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Speaker 1: about will be indicative of this moment in the culture.

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Speaker 3: I was gonna say, how are you, because I know

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Speaker 3: you got the podcast, but like you obviously you're so

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Speaker 3: aware of everything because of your background and like interviews

305
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Speaker 3: and stuff. How do you bring the podcast to the stage,

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Speaker 3: Like are you shooting the podcast?

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Speaker 1: I usually shoot the podcast in the studio. I'm going

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Speaker 1: to try to do the podcast live too, because I

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Speaker 1: think it would be kind of nice to be able

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Speaker 1: to have the energy of the people there too, and

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Speaker 1: then they could you know, ask people questions doing my interviews,

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Speaker 1: and then we could have like some interaction and shoot

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Speaker 1: it that way. I think that could brings some different

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Speaker 1: energy in season two.

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Speaker 3: I just think it's interesting because there's a lot of

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Speaker 3: people who try to intertwine all of that, but like

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Speaker 3: they're not really as up to date in like current

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Speaker 3: as you are. Like you just write it off. I'm

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Speaker 3: just sitting here listening. You just rattle off so much,

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Speaker 3: and I'm like, oh, he's on the headlines. Oh yeah,

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Speaker 3: your background, you know what you you know what I mean.

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Speaker 1: Well, you have to be a student of the game

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Speaker 1: as well. Like for me, I have to read all

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Speaker 1: the time. So like at night when the house is quiet,

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Speaker 1: I'm reading every publication, I'm listening to music. I have

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Speaker 1: to stay in the culture because it's like there's stuff.

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Speaker 1: It's a language. The culture is a language, right, and

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Speaker 1: so if you get outside the language and then you

329
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Speaker 1: try to come back, you're gonna sound dated. You're gonna

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Speaker 1: sound like, oh, they don't even talk like that no more,

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Speaker 1: or whatever, you know what I mean. So for me,

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Speaker 1: it's very important for me to stay very very relevant

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Speaker 1: and conscious of what's popping, you know. I watch you,

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Speaker 1: I watch you now, I watch Jazz, I watched the

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Speaker 1: New Comedians, I watch you know, the news and seeing like,

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Speaker 1: oh shoot, I watched the headlines that's popping off on

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Speaker 1: social media, like, oh, everybody's talking about this. What's what's

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Speaker 1: the deal? You know what I'm saying, Get in the

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Speaker 1: trenches with it. Oh wow, this is a good angle.

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Speaker 1: So what I do with comedy is I'll take like

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Speaker 1: something that's that's a real subject matter and flip it.

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Speaker 2: You know what I mean?

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Speaker 1: And now you you laughing, but you're like, oh my god,

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Speaker 1: that's crazy. What made him say that? Because you got

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Speaker 1: to know it?

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Speaker 2: So how do you flip something like the Shannon Sharp situation?

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Speaker 1: We just well, first of all, Shannon Sharp did not

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Speaker 1: see how to be a player at all. Okay, so

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Speaker 1: let's just just let's get that out.

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Speaker 2: He must have missed the vhs and the DVD release

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Speaker 2: you got yo.

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Speaker 1: He fifty six years old. He should have seen it coming.

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Speaker 1: It was right on, what's that sound? Your ass is coming?

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Speaker 2: It's coming?

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Speaker 1: What's the man? Skip should have known not skip sharing,

356
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Speaker 1: and Sharp should have known when when that first tape

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Speaker 1: leak that we gotta slow down.

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Speaker 2: It's a little bit. It's a little bit too much.

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Speaker 1: Yeah, baby, with that talk to it. Yeah, I ain't

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Speaker 1: need know I was live. They tell me, baby, at

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Speaker 1: least now now if you are going live and you

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Speaker 1: don't know what you two, if you.

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Speaker 4: Don't even know of and you gotta click click to

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Speaker 4: do it. So he wanted to be live. They don't, baby, Joe,

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Speaker 4: Daddy what it did him? Daddy what it did?

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Speaker 1: Right? He full throttle got caught on that one. Everything

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Speaker 1: should have been shut down, went to some type of class.

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Speaker 1: You can't talk nasty no more. You can't talk nasty, shennon,

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Speaker 1: calm down, Get you a nice, nice, solid woman on

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Speaker 1: to the corner that and just lay load for a

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Speaker 1: minute to listen. What is it not even eight nine

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Speaker 1: months later?

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Speaker 2: That had been that long?

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Speaker 1: It is he backing them streets? Damn, you mess up

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Speaker 1: the bag. I'm telling you right now. White girls can't

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Speaker 1: even say nothing to me. I was at the dog

377
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Speaker 1: part of his wife said, oh nice, sorry, I took

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Speaker 1: my dog and ran I wouldn't even trying to im.

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Speaker 2: I'm like, Jonathan, what about the age difference? Because when

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Speaker 2: he met us, she was nineteen.

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Speaker 1: Thank god, thank god, she was nineteen. It's too far. See,

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Speaker 1: I got a young daughter, so I can't even process

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Speaker 1: my daughter's twenty one. So I'm thinking. I'm thinking, like

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Speaker 1: my daughter, I'm me and Shannon in the alley wake scraping.

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Speaker 1: I can't wear that. But you know what I'm saying,

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Speaker 1: these cats, I don't know, athletes are different. I just

387
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Speaker 1: be honest. I think it's a it's a difference with

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Speaker 1: these type of guys, Like they get they get attracted

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Speaker 1: to certain things that are different, like like, why do

390
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Speaker 1: like most football players like strip clubs. I don't know.

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Speaker 1: They just like that. I mean when I did any

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Speaker 1: given study, that's what we was in strip club. Come on, dog,

393
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Speaker 1: let go see the girl. Man, brial talk may blow

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Speaker 1: off some things. Drink a little bit, get back to

395
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Speaker 1: the to the you know, to the hotel.

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Speaker 2: You saw one this weekend in the script club.

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Speaker 1: Football players love strip clubs forever because of.

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Speaker 3: Their like their their industry takes so much like aggression

399
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Speaker 3: and like, ah.

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Speaker 1: So they like, I don't know what it is, man,

401
00:18:06,840 --> 00:18:09,720
Speaker 1: I just think that it's a fantasy, you know what

402
00:18:09,800 --> 00:18:12,440
Speaker 1: I mean? And I think once the fantasy is sort

403
00:18:12,480 --> 00:18:14,760
Speaker 1: of sparked, like that's the kind of women they are attracted to,

404
00:18:15,200 --> 00:18:17,800
Speaker 1: Like I don't know why you know, Shannon Sharp would

405
00:18:17,840 --> 00:18:21,520
Speaker 1: have to get a girl from OnlyFans. I mean that

406
00:18:21,600 --> 00:18:24,720
Speaker 1: seemed that's crazy. It's crazy, like you couldn't just get

407
00:18:24,960 --> 00:18:30,480
Speaker 1: a regular fan, got to get an I mean you're subscriber,

408
00:18:31,320 --> 00:18:33,240
Speaker 1: like you subscribing.

409
00:18:32,920 --> 00:18:42,080
Speaker 2: You rich like somebody with the extra token. Turn around, baby,

410
00:18:42,240 --> 00:18:42,920
Speaker 2: let me see.

411
00:18:42,720 --> 00:18:49,800
Speaker 1: It, Like yo, yo, what are you doing? Like come

412
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Speaker 1: on man, it's like you here's the thing when you

413
00:18:54,680 --> 00:18:58,160
Speaker 1: with Mickey Mouse, Mickey Mouth, that's this. You gotta keep

414
00:18:58,200 --> 00:19:02,200
Speaker 1: it clean. You can't benhing, baby, you can't. No, no, no,

415
00:19:03,720 --> 00:19:04,560
Speaker 1: can't do that now.

416
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Speaker 2: But you said something that's important, like you said after

417
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Speaker 2: the first situation, you gotta slow down. But you said

418
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Speaker 2: he should have went to like some type of class something.

419
00:19:11,320 --> 00:19:15,600
Speaker 2: Development isn't there no more for nobody. It's not there

420
00:19:15,600 --> 00:19:17,919
Speaker 2: for personalities. Like you got people that literally going in

421
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Speaker 2: their living room and becoming like these phenomenons overnight because

422
00:19:21,560 --> 00:19:23,200
Speaker 2: the podcast and YouTube.

423
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Speaker 3: Wave.

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Speaker 1: This this is like he was always dope, you know,

425
00:19:30,480 --> 00:19:33,119
Speaker 1: football player, always Hall of Fame da da da, But

426
00:19:33,240 --> 00:19:35,840
Speaker 1: this is a wave like he got like boom. You know,

427
00:19:35,960 --> 00:19:38,920
Speaker 1: Cat Wims gave him that boom. You know, it's it's

428
00:19:39,000 --> 00:19:42,320
Speaker 1: like then you get on on, you leave skip boom,

429
00:19:42,600 --> 00:19:45,920
Speaker 1: come to ESPN. That's like that's a rocking wave, right,

430
00:19:46,440 --> 00:19:49,399
Speaker 1: so you know you rolling, you know, the light on,

431
00:19:49,800 --> 00:19:53,480
Speaker 1: you gotta kind of be careful. He needed an auntie. Man. See,

432
00:19:53,480 --> 00:19:56,720
Speaker 1: this is what's lost in the culture, old school black auntie.

433
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Speaker 1: Auntie be like, shait you can't do that baby, now,

434
00:20:00,720 --> 00:20:02,120
Speaker 1: you done got too nasty.

435
00:20:02,640 --> 00:20:06,400
Speaker 2: He tried to tell him. Yeah, yeah, mo yeah.

436
00:20:06,440 --> 00:20:09,160
Speaker 1: Mother was trying to help her. But you know he

437
00:20:09,160 --> 00:20:11,280
Speaker 1: he liked what he likes. What you're gonna do? Now?

438
00:20:11,320 --> 00:20:14,439
Speaker 1: Can you wear it? See what I'm saying? Can you

439
00:20:14,520 --> 00:20:16,520
Speaker 1: wear it? Now? So what do we do from here?

440
00:20:16,640 --> 00:20:16,720
Speaker 2: Like?

441
00:20:16,800 --> 00:20:17,560
Speaker 1: How do you?

442
00:20:17,720 --> 00:20:18,119
Speaker 2: How do you?

443
00:20:19,000 --> 00:20:21,120
Speaker 1: How do you? Olivia Pope that what would you do?

444
00:20:21,320 --> 00:20:21,439
Speaker 2: Like?

445
00:20:21,480 --> 00:20:22,080
Speaker 1: What do you do?

446
00:20:22,240 --> 00:20:24,840
Speaker 5: I mean, I mean he ain't killed nobody, you know

447
00:20:24,920 --> 00:20:32,840
Speaker 5: what I'm saying, He's just nasty.

448
00:20:33,200 --> 00:20:36,960
Speaker 2: Now there's other stories, more stuff. Well it's it's stuff

449
00:20:37,000 --> 00:20:41,520
Speaker 2: that has been documented before prior, like like actual legal things.

450
00:20:42,160 --> 00:20:44,280
Speaker 1: Yeah yeah, see I don't know she Charlamagne, you be

451
00:20:44,280 --> 00:20:46,679
Speaker 1: in the but after the Lord, I mean Lord, you

452
00:20:46,720 --> 00:20:48,399
Speaker 1: know all the you know, the good like it's a

453
00:20:48,440 --> 00:20:49,359
Speaker 1: lot more to it than this.

454
00:20:49,840 --> 00:20:54,120
Speaker 3: I mean, it's out in the BDSM. There's it's out,

455
00:20:54,160 --> 00:20:56,640
Speaker 3: there's other there's a woman who just came out recently

456
00:20:56,720 --> 00:21:00,000
Speaker 3: and dropped the defamation lawsuit talking about sexual assault.

457
00:21:00,840 --> 00:21:05,640
Speaker 1: Okay, so he walked away from networks before. So this

458
00:21:05,800 --> 00:21:09,239
Speaker 1: beat is like, that's the bonded stuff. Is that what

459
00:21:09,240 --> 00:21:09,879
Speaker 1: we're talking about?

460
00:21:10,119 --> 00:21:11,000
Speaker 3: You sixty years old?

461
00:21:11,000 --> 00:21:14,600
Speaker 1: You know. I know I'm just saying, okay, so I mean,

462
00:21:14,640 --> 00:21:17,160
Speaker 1: you know.

463
00:21:16,000 --> 00:21:17,680
Speaker 3: That's the best thing to do.

464
00:21:16,800 --> 00:21:20,040
Speaker 1: But ye know, I'm just saying like that that that

465
00:21:20,160 --> 00:21:23,840
Speaker 1: is a that's a lane. So I mean, that's a lane.

466
00:21:23,880 --> 00:21:25,120
Speaker 1: Let's be honest. That's a lane.

467
00:21:26,480 --> 00:21:27,080
Speaker 2: I'll just say.

468
00:21:27,160 --> 00:21:29,080
Speaker 1: You might have come out with super T shirts.

469
00:21:29,720 --> 00:21:31,560
Speaker 2: He's got the funk.

470
00:21:35,200 --> 00:21:35,680
Speaker 1: I don't know.

471
00:21:36,200 --> 00:21:38,760
Speaker 2: I don't know. That's this tricky lane.

472
00:21:39,160 --> 00:21:41,320
Speaker 1: That's like driving your car one hundred miles an hour

473
00:21:41,440 --> 00:21:45,440
Speaker 1: with no seatbelt. Ship gonna happen, You dig like, that's

474
00:21:45,440 --> 00:21:49,320
Speaker 1: a tricky laye because it's edgy. That's what I think

475
00:21:49,440 --> 00:21:51,600
Speaker 1: is the poor for people. It's so edgy. But it

476
00:21:51,640 --> 00:21:55,119
Speaker 1: can always go left because where's the line. Where's the

477
00:21:55,160 --> 00:21:58,600
Speaker 1: line you wilding, where's the line where we could come back?

478
00:21:58,680 --> 00:22:00,320
Speaker 2: Or like say this the thing.

479
00:22:00,359 --> 00:22:04,480
Speaker 1: That's tricky. You could be all good on Saturday, we

480
00:22:04,640 --> 00:22:06,480
Speaker 1: go back to do it against Sunday and you might

481
00:22:06,480 --> 00:22:07,560
Speaker 1: not be on that right now.

482
00:22:07,680 --> 00:22:09,000
Speaker 2: So now it's a bad deal.

483
00:22:09,119 --> 00:22:11,520
Speaker 3: I think at this point, at Shannon Sharp's age, he

484
00:22:11,520 --> 00:22:14,159
Speaker 3: should just need he needs to sit still with a person,

485
00:22:14,440 --> 00:22:15,840
Speaker 3: like marriage something.

486
00:22:15,880 --> 00:22:17,280
Speaker 1: I think he should do a turkey drive.

487
00:22:17,600 --> 00:22:26,320
Speaker 2: What turkey drives always fixed suff you around.

488
00:22:28,760 --> 00:22:31,800
Speaker 1: Turkeys make people feel good. Man, he give it up turkeys.

489
00:22:32,400 --> 00:22:35,680
Speaker 1: He didn't do it.

490
00:22:39,600 --> 00:22:44,320
Speaker 3: Somebody And then they send me the photos exclusively.

491
00:22:44,400 --> 00:22:48,040
Speaker 2: Yes, I know, Oh my god, you've.

492
00:22:47,880 --> 00:22:51,080
Speaker 1: Seen them like, hey, you give me a bunch of

493
00:22:51,119 --> 00:22:55,520
Speaker 1: turkeys and summertime. Know you gotta give out turkey share,

494
00:22:55,720 --> 00:22:59,199
Speaker 1: that's the trick. Where's my camera right here? Look, do

495
00:22:59,240 --> 00:23:02,960
Speaker 1: a turkey drive. Just give out turkeys randomly all over

496
00:23:02,960 --> 00:23:05,000
Speaker 1: the country. Here, baby, get going a little turkey. For

497
00:23:05,560 --> 00:23:07,920
Speaker 1: getting going a little turkey. By the time they get

498
00:23:07,920 --> 00:23:12,199
Speaker 1: that thirty turkey, this would be oh and it got

499
00:23:12,359 --> 00:23:16,280
Speaker 1: to be butter ball.

500
00:23:16,280 --> 00:23:19,080
Speaker 2: Listen, now you grew up in that era. Oh god,

501
00:23:19,160 --> 00:23:24,399
Speaker 2: that's so funny.

502
00:23:21,240 --> 00:23:25,720
Speaker 3: He'd be going through minnopore.

503
00:23:26,880 --> 00:23:29,640
Speaker 2: Go ahead. When you look at the Diddy situation. Oh

504
00:23:29,960 --> 00:23:32,560
Speaker 2: did you ever think the culture of hip hop would

505
00:23:32,600 --> 00:23:34,280
Speaker 2: catch up with people the way that it did because

506
00:23:34,280 --> 00:23:35,360
Speaker 2: a lot of this is lifestyle.

507
00:23:37,600 --> 00:23:40,919
Speaker 1: Ah well, well well well, I'll be honest with you, man,

508
00:23:40,960 --> 00:23:44,520
Speaker 1: The Diddy situation is just it's gonna it's gonna hurt us.

509
00:23:44,680 --> 00:23:47,840
Speaker 1: It's gonna hurt us all no matter what how it

510
00:23:47,920 --> 00:23:50,680
Speaker 1: comes out. But it's gonna hurt the culture because to me,

511
00:23:51,320 --> 00:23:55,399
Speaker 1: why I say that is because what he's done, uh before,

512
00:23:55,520 --> 00:23:58,320
Speaker 1: the culture, before all of this is phenomenal, Like it

513
00:23:58,359 --> 00:24:00,520
Speaker 1: never happened before, you know what I mean saying. So

514
00:24:01,320 --> 00:24:04,679
Speaker 1: when I think about his career from where he started

515
00:24:04,720 --> 00:24:11,679
Speaker 1: at Uptown in turn doing parties, I feel like, you know,

516
00:24:11,840 --> 00:24:14,600
Speaker 1: I was coming up on MTV when bad Boy got

517
00:24:15,080 --> 00:24:18,800
Speaker 1: Like I remember Puff literally giving out flyers, like literally

518
00:24:19,480 --> 00:24:22,199
Speaker 1: bad Boy T shirt on his shoulder. He out there

519
00:24:22,240 --> 00:24:24,080
Speaker 1: with the Street Team. This is when his label was

520
00:24:24,080 --> 00:24:27,439
Speaker 1: about to pop off. Cool to cut to becoming you know,

521
00:24:27,480 --> 00:24:30,920
Speaker 1: a mogul and you know a god that's an incredible

522
00:24:30,920 --> 00:24:34,520
Speaker 1: influencer in the hip hop culture, pop culture right to

523
00:24:34,640 --> 00:24:38,439
Speaker 1: come to this point. I didn't see that coming, you

524
00:24:38,480 --> 00:24:41,720
Speaker 1: know what I'm saying. I know, but I didn't know

525
00:24:41,880 --> 00:24:44,000
Speaker 1: like all the other stuff that people are saying like

526
00:24:44,040 --> 00:24:46,800
Speaker 1: that's just like all this stuff is just so like,

527
00:24:47,000 --> 00:24:49,800
Speaker 1: oh my god, there's so many Oh my guys, no

528
00:24:49,920 --> 00:24:54,000
Speaker 1: Turkey drive could fix you know. Yeah, I would never.

529
00:24:53,960 --> 00:24:56,760
Speaker 3: Say crazy like.

530
00:24:58,240 --> 00:25:01,080
Speaker 1: That's crazy, Like I mean, god, I dang, you know

531
00:25:01,119 --> 00:25:04,720
Speaker 1: what I'm saying, because we came up hot. Let me

532
00:25:04,760 --> 00:25:08,760
Speaker 1: tell you, the nineties was really a fly ten year

533
00:25:08,840 --> 00:25:11,560
Speaker 1: run for everybody that was coming up through it. You know,

534
00:25:11,720 --> 00:25:15,280
Speaker 1: cats is getting record deals of substantial money. I remember

535
00:25:15,320 --> 00:25:18,679
Speaker 1: when Janet Jackson got her like forty million dollar Virgin

536
00:25:18,720 --> 00:25:21,320
Speaker 1: deal or something crazy. Remember they was giving our numbers

537
00:25:21,320 --> 00:25:24,760
Speaker 1: for artists, ninety million, this, that and the other whatever whatever.

538
00:25:25,200 --> 00:25:27,320
Speaker 1: Puff got a hundred million dollar deal. I remember that,

539
00:25:27,440 --> 00:25:29,040
Speaker 1: Like that was a big deal in New York. Like

540
00:25:29,080 --> 00:25:31,440
Speaker 1: people was like yo, Puff got his own label. Now

541
00:25:31,640 --> 00:25:35,480
Speaker 1: boom boom boom Clive Davis some some something boom ba boom,

542
00:25:35,600 --> 00:25:39,000
Speaker 1: hundred million. I'm because I'm interviewing all the artists. So

543
00:25:39,080 --> 00:25:41,920
Speaker 1: I'm I'm right there with Craig Mac, I'm there with

544
00:25:41,920 --> 00:25:46,359
Speaker 1: with Big, I'm there with Total, I'm there with who

545
00:25:46,440 --> 00:25:50,600
Speaker 1: else he had Faith Evans like one twelve. Like, I'm

546
00:25:50,600 --> 00:25:55,440
Speaker 1: interviewing all the artists, so I'm seeing this brother Mace,

547
00:25:56,400 --> 00:26:00,399
Speaker 1: Oh my god, what you gonna do talking about Island says,

548
00:26:00,440 --> 00:26:01,720
Speaker 1: ain't all them in the head bass?

549
00:26:01,760 --> 00:26:02,240
Speaker 2: You remember this?

550
00:26:02,400 --> 00:26:05,920
Speaker 1: You probably four like I came up with Mason, those

551
00:26:05,920 --> 00:26:08,920
Speaker 1: guys in Cameron and guys. So just think about, like,

552
00:26:09,000 --> 00:26:11,680
Speaker 1: oh man, I just seen like these guys making money

553
00:26:11,680 --> 00:26:13,960
Speaker 1: and our dudes that look like me that came from

554
00:26:14,000 --> 00:26:14,919
Speaker 1: situations like me.

555
00:26:15,400 --> 00:26:18,760
Speaker 2: We are here eating to now like damn.

556
00:26:19,480 --> 00:26:22,560
Speaker 1: So let's say if he even if he were to

557
00:26:22,600 --> 00:26:27,240
Speaker 1: get out of it, his images is smashed. So it's like, damn, man,

558
00:26:27,720 --> 00:26:30,120
Speaker 1: you could do all this good and do one thing

559
00:26:30,200 --> 00:26:32,520
Speaker 1: and people never feel the same, like you know what

560
00:26:32,520 --> 00:26:34,359
Speaker 1: I'm saying, Like they'll never look at you the same.

561
00:26:34,440 --> 00:26:36,720
Speaker 1: So that's the part that gonna hurt the culture.

562
00:26:36,760 --> 00:26:39,320
Speaker 3: To me, I think it's the hold on before I

563
00:26:39,359 --> 00:26:41,440
Speaker 3: say that, Why do you think it hurt the culture though?

564
00:26:41,480 --> 00:26:43,080
Speaker 3: Because he's because.

565
00:26:44,200 --> 00:26:47,920
Speaker 1: Part about culture, like like, no, there's very few people

566
00:26:47,960 --> 00:26:50,800
Speaker 1: that did what Puff did for hip hop and like

567
00:26:51,280 --> 00:26:54,520
Speaker 1: the culture, like like, very few people have done what

568
00:26:54,640 --> 00:26:57,159
Speaker 1: jay Z has done. How many rappers you know, you

569
00:26:57,240 --> 00:26:59,040
Speaker 1: know a lot of rappers, but you don't know a

570
00:26:59,119 --> 00:27:01,320
Speaker 1: lot of rappers that be came billionaires. You don't know

571
00:27:01,359 --> 00:27:03,600
Speaker 1: a lot of rappers that came out the street that

572
00:27:03,640 --> 00:27:06,359
Speaker 1: you've seen on the block go from being on a

573
00:27:06,480 --> 00:27:09,720
Speaker 1: block to being on a TV show with you from

574
00:27:09,760 --> 00:27:14,679
Speaker 1: that to being uh doing world tours to becoming a

575
00:27:14,720 --> 00:27:17,880
Speaker 1: mogul like that. That's that's a crazy ride.

576
00:27:17,600 --> 00:27:19,280
Speaker 3: Like y is hurt.

577
00:27:19,400 --> 00:27:21,960
Speaker 1: Yeah, that's what I'm saying, the legacy of what you've created.

578
00:27:22,560 --> 00:27:24,960
Speaker 1: You know, I think about your kids, like I'm thinking

579
00:27:24,960 --> 00:27:27,399
Speaker 1: that I have children, So I think about his children

580
00:27:27,560 --> 00:27:31,640
Speaker 1: like that's their dad, Like you know there they they

581
00:27:31,680 --> 00:27:33,639
Speaker 1: don't want nothing to happen to their dad, you know

582
00:27:33,680 --> 00:27:36,720
Speaker 1: what I'm saying. So it's like what what do you do?

583
00:27:36,840 --> 00:27:38,320
Speaker 1: Like how do you take care of your kids? If

584
00:27:38,359 --> 00:27:40,400
Speaker 1: you're in a bad situation like that? Like, like what

585
00:27:40,400 --> 00:27:42,120
Speaker 1: do you do? Are they trying to take all your money?

586
00:27:42,200 --> 00:27:44,159
Speaker 1: You have to stash your money all the way, you

587
00:27:44,160 --> 00:27:46,199
Speaker 1: know what I mean? You got you got a family.

588
00:27:46,240 --> 00:27:49,600
Speaker 1: He's got like a beautiful family. So now and then

589
00:27:49,640 --> 00:27:53,359
Speaker 1: the trib about to start, you're gonna be you go,

590
00:27:53,680 --> 00:27:55,640
Speaker 1: are they gonna televise it?

591
00:27:55,640 --> 00:27:57,640
Speaker 3: It will be it says that you can't.

592
00:27:58,400 --> 00:28:00,600
Speaker 2: Are they gonna televise the open bar?

593
00:28:01,160 --> 00:28:01,200
Speaker 1: Not?

594
00:28:01,680 --> 00:28:05,000
Speaker 3: Open bar is crazy? It's first come, first served.

595
00:28:05,680 --> 00:28:08,359
Speaker 1: Yeah at the trial. That's crazy.

596
00:28:08,960 --> 00:28:11,000
Speaker 2: Recording is prohibited, what is it?

597
00:28:11,040 --> 00:28:13,399
Speaker 3: Broadcasting and recording is prohibited, but it is first come,

598
00:28:13,440 --> 00:28:14,080
Speaker 3: for served for me.

599
00:28:14,160 --> 00:28:15,120
Speaker 1: So you can sit in there.

600
00:28:15,280 --> 00:28:16,640
Speaker 3: Yeah, you can sit it go in.

601
00:28:17,800 --> 00:28:20,120
Speaker 2: Oh my god, I'm going because.

602
00:28:19,880 --> 00:28:21,640
Speaker 3: To your point is, first of all, I just.

603
00:28:21,600 --> 00:28:22,880
Speaker 1: Think it's how you get the opportunity.

604
00:28:22,920 --> 00:28:23,520
Speaker 2: That's beautiful.

605
00:28:25,880 --> 00:28:27,399
Speaker 1: You're just gonna get up. I'm not.

606
00:28:28,040 --> 00:28:28,359
Speaker 2: You're right.

607
00:28:28,400 --> 00:28:29,679
Speaker 1: I didn't think of it like that was just like

608
00:28:29,720 --> 00:28:31,640
Speaker 1: what maybe they invited you because you're doing.

609
00:28:31,440 --> 00:28:32,960
Speaker 3: This and they want Oh no, they did invite me.

610
00:28:33,000 --> 00:28:33,680
Speaker 3: I emailed them.

611
00:28:33,720 --> 00:28:34,440
Speaker 1: You say, I'm going.

612
00:28:34,560 --> 00:28:39,120
Speaker 3: Yeah, but I but I forget. Oh. To your point, though,

613
00:28:39,240 --> 00:28:40,720
Speaker 3: the reason why I want to go is because yes,

614
00:28:40,760 --> 00:28:42,600
Speaker 3: I want to have like first hand account for the show.

615
00:28:43,000 --> 00:28:45,400
Speaker 3: But also to this is something that's happening that I

616
00:28:45,440 --> 00:28:48,160
Speaker 3: think for years to come people are going to look

617
00:28:48,200 --> 00:28:51,520
Speaker 3: back at like, oh wow, that really happened. So the

618
00:28:52,360 --> 00:28:53,680
Speaker 3: account is this is like the.

619
00:28:53,680 --> 00:28:57,120
Speaker 1: O J Trial for hip hop for real, like like

620
00:28:57,560 --> 00:28:59,719
Speaker 1: like this is like this is going to be like

621
00:28:59,760 --> 00:29:02,960
Speaker 1: the o J Trial was in the nineties for hip hop.

622
00:29:03,040 --> 00:29:07,960
Speaker 1: Because one of hip hop's biggest pioneers is on trial, Like, Yo,

623
00:29:08,080 --> 00:29:10,080
Speaker 1: people gonna be watching it. Watch what I'm telling you.

624
00:29:10,280 --> 00:29:12,760
Speaker 1: It's gonna be all over in anything they say in court.

625
00:29:12,800 --> 00:29:15,240
Speaker 1: Boom boom boom the charges people that can you know

626
00:29:15,280 --> 00:29:17,960
Speaker 1: how many people that's probably gonna testify that we don't

627
00:29:18,040 --> 00:29:21,000
Speaker 1: know that's gonna pop up that we know you'd be like,

628
00:29:21,080 --> 00:29:26,000
Speaker 1: you're gonna be like yo, snap blah blah blah blah blah.

629
00:29:26,040 --> 00:29:27,840
Speaker 2: And some of the testimony gonna be funny. It's gonna

630
00:29:27,840 --> 00:29:29,959
Speaker 2: be horrible, but it's gonna be funny. And you know,

631
00:29:31,920 --> 00:29:33,240
Speaker 2: you know some of it's gonna be funny.

632
00:29:33,280 --> 00:29:35,960
Speaker 1: Ah, it's gonna be a field day for comedians.

633
00:29:35,960 --> 00:29:37,880
Speaker 3: I got a real question for you. How you been

634
00:29:37,920 --> 00:29:39,360
Speaker 3: around all the time, did all this stuff, but you

635
00:29:39,360 --> 00:29:40,560
Speaker 3: ain't never been to a Diddy party.

636
00:29:41,960 --> 00:29:48,240
Speaker 1: I didn't get invited like that. I missed it, but

637
00:29:48,320 --> 00:29:52,640
Speaker 1: I'm happy. God is good. Wony do it do it?

638
00:29:53,720 --> 00:29:58,680
Speaker 2: You ain't got to go to everything, but you was like, look,

639
00:29:58,680 --> 00:29:59,920
Speaker 2: I was right there though you were.

640
00:30:00,040 --> 00:30:01,520
Speaker 3: I was not today you were, And that was like

641
00:30:01,520 --> 00:30:03,760
Speaker 3: the iconic like when they were partying here in New York.

642
00:30:03,880 --> 00:30:07,720
Speaker 1: I remember that at Hamptons and all this. Yeah, yep, yep, yep, yep,

643
00:30:07,800 --> 00:30:08,600
Speaker 1: I remember all that.

644
00:30:08,720 --> 00:30:10,160
Speaker 2: Did you ever have to fight to get hip hop

645
00:30:10,200 --> 00:30:11,440
Speaker 2: on MTV back then?

646
00:30:11,640 --> 00:30:15,680
Speaker 1: Yeah, man, Charlotmagne, come on, let's you You know what

647
00:30:15,720 --> 00:30:18,280
Speaker 1: we did, Okay, So listen, this is how how it was.

648
00:30:18,320 --> 00:30:21,800
Speaker 1: So when I came on MTV, it was mostly rock.

649
00:30:22,240 --> 00:30:23,920
Speaker 1: There was there was they was tip to one with

650
00:30:24,040 --> 00:30:25,880
Speaker 1: hip hop. But we're gonna play a little bit. We're

651
00:30:25,880 --> 00:30:28,200
Speaker 1: gonna play a little bit over here with Yo. We

652
00:30:28,320 --> 00:30:31,479
Speaker 1: got Yo MTV raps th those guys ed Andre are

653
00:30:31,520 --> 00:30:33,320
Speaker 1: doing a great job. Blah blah blah.

654
00:30:33,360 --> 00:30:34,880
Speaker 2: I wasn't even on the channel yet.

655
00:30:35,160 --> 00:30:39,720
Speaker 1: So now we're getting this, this hybrid show that's going

656
00:30:39,760 --> 00:30:42,240
Speaker 1: to show you that hip hop is crossing over a

657
00:30:42,280 --> 00:30:44,840
Speaker 1: little bit. We're not only gonna do nas, but we're

658
00:30:44,840 --> 00:30:47,360
Speaker 1: gonna do Salt and Pepper. We're gonna do l L.

659
00:30:47,760 --> 00:30:50,120
Speaker 1: We're gonna do Leaders in the New School. We're gonna

660
00:30:50,160 --> 00:30:54,400
Speaker 1: do uh Domino, and we're gonna do Coolio, and we're

661
00:30:54,440 --> 00:30:58,800
Speaker 1: gonna do this young dude named Snoop. So now you're

662
00:30:58,840 --> 00:31:02,120
Speaker 1: getting all these new artists. You got ice Cube, now

663
00:31:02,160 --> 00:31:05,840
Speaker 1: you got this, you got that. So now the plate

664
00:31:05,880 --> 00:31:07,920
Speaker 1: got bigger. So I just happened to be the god

665
00:31:08,000 --> 00:31:10,760
Speaker 1: delivering the plate to the people, like, Yo, we got this,

666
00:31:10,800 --> 00:31:13,360
Speaker 1: we got this, we got this. Oh my god, we

667
00:31:13,440 --> 00:31:18,520
Speaker 1: got this girl from Detroit named Boss. Nobody mentions her Boss.

668
00:31:18,600 --> 00:31:21,920
Speaker 1: Boss was a young artist came up just like the Brat,

669
00:31:22,040 --> 00:31:26,000
Speaker 1: like Brad was the first platinum female artist, girl to

670
00:31:26,080 --> 00:31:28,600
Speaker 1: go platinum. Like people don't talk about that no more.

671
00:31:28,680 --> 00:31:31,960
Speaker 1: She was the first artist to go platinum female, not

672
00:31:33,360 --> 00:31:40,280
Speaker 1: not like it was the Brat. Right, So I'm just

673
00:31:40,320 --> 00:31:41,280
Speaker 1: because I feel like I.

674
00:31:41,240 --> 00:31:48,640
Speaker 3: Feel like I'm bringing you that, but I don't know that.

675
00:31:48,920 --> 00:31:52,320
Speaker 1: So so my point being is, I just think it

676
00:31:52,360 --> 00:31:55,400
Speaker 1: was really really a blessing for me at that time,

677
00:31:55,560 --> 00:31:57,120
Speaker 1: just to be in the right place at the right time,

678
00:31:57,160 --> 00:31:59,760
Speaker 1: because I love the music and I love us, you know,

679
00:32:00,040 --> 00:32:01,640
Speaker 1: saying I wanted you if you was a new artist.

680
00:32:01,800 --> 00:32:03,520
Speaker 1: I'm like, I'm trying to get you on, like, yo,

681
00:32:03,600 --> 00:32:06,200
Speaker 1: you gotta come on here, make sure you get fix

682
00:32:06,280 --> 00:32:10,720
Speaker 1: her hair, make sure she looks like, okay, cool, cool cool, No, No,

683
00:32:10,840 --> 00:32:13,760
Speaker 1: but what I'm saying, y'all, y'all, y'all can figure this

684
00:32:13,800 --> 00:32:14,720
Speaker 1: out so real quick.

685
00:32:15,760 --> 00:32:17,280
Speaker 2: Anything going on Turkey.

686
00:32:17,000 --> 00:32:23,560
Speaker 1: Drive, I already do what and you to see how

687
00:32:23,600 --> 00:32:24,120
Speaker 1: you ain't been.

688
00:32:26,480 --> 00:32:28,720
Speaker 2: Turkeys on the ground. They just forget this.

689
00:32:28,840 --> 00:32:30,720
Speaker 1: Many people go do nothing.

690
00:32:31,520 --> 00:32:34,520
Speaker 2: He gave me a turkey.

691
00:32:35,560 --> 00:32:37,840
Speaker 3: What was the biggest thing that MTV passed up on

692
00:32:38,040 --> 00:32:40,240
Speaker 3: that you were like? And they was like, nah, were good,

693
00:32:40,280 --> 00:32:42,320
Speaker 3: And then later like now you're looking back, like man,

694
00:32:42,360 --> 00:32:43,880
Speaker 3: that was the iconic moment we could add.

695
00:32:47,200 --> 00:32:49,680
Speaker 1: I can't remember that. I can remember what they almost

696
00:32:49,720 --> 00:32:53,400
Speaker 1: blew on. There's a couple of things that that happened

697
00:32:53,400 --> 00:32:57,960
Speaker 1: like this. One I remember very very vividly was H Town.

698
00:32:58,600 --> 00:33:01,680
Speaker 1: So H Town was on Luke Records, right, so you

699
00:33:01,760 --> 00:33:05,360
Speaker 1: got the group, the group knocking the Boost. So I

700
00:33:05,520 --> 00:33:09,920
Speaker 1: was in like in the South, I was doing the

701
00:33:09,960 --> 00:33:13,040
Speaker 1: show or something. I heard knocking the boost. I said,

702
00:33:13,440 --> 00:33:18,200
Speaker 1: oh my god, what is that. I go back to MTV.

703
00:33:19,200 --> 00:33:25,200
Speaker 1: I'm like, listen this Duesda down the goddamn Tuscaloosa got

704
00:33:26,040 --> 00:33:29,680
Speaker 1: this song that's fire in. Everybody going crazy. I said,

705
00:33:29,680 --> 00:33:31,600
Speaker 1: we gotta get this on MTV. Oh my god, what

706
00:33:31,640 --> 00:33:32,680
Speaker 1: who is it? What is it?

707
00:33:32,760 --> 00:33:33,280
Speaker 2: Oh my god?

708
00:33:33,880 --> 00:33:36,080
Speaker 1: H Town? Look records, Oh my god, we can't touch it.

709
00:33:36,120 --> 00:33:39,920
Speaker 1: Look looks because at this time Luke is like, you know,

710
00:33:40,040 --> 00:33:42,280
Speaker 1: he is the Hugh Hefner of hip hop, and they

711
00:33:42,440 --> 00:33:48,959
Speaker 1: doing pop up. They rugged, They wow, they wow, but

712
00:33:49,040 --> 00:33:50,640
Speaker 1: they but he got an R and B group, that's

713
00:33:50,680 --> 00:33:54,320
Speaker 1: not they a sexy R and B. I go in there.

714
00:33:55,240 --> 00:33:57,120
Speaker 1: I showed him the tape. I said, Yo, this is

715
00:33:57,160 --> 00:33:59,160
Speaker 1: that and the other blah blah blah. They're like, oh

716
00:33:59,240 --> 00:34:01,440
Speaker 1: my god, look the billboard. Let's see what it is.

717
00:34:01,440 --> 00:34:01,840
Speaker 2: Is it doing?

718
00:34:02,600 --> 00:34:04,440
Speaker 1: Is it a heat seeker? What is it doing on

719
00:34:04,480 --> 00:34:06,440
Speaker 1: the charts. I was like, it don't matter what the

720
00:34:06,560 --> 00:34:11,080
Speaker 1: charts is. I'm telling you this song right here is crazy.

721
00:34:12,520 --> 00:34:15,640
Speaker 1: We get the video, they still on it, we put

722
00:34:15,680 --> 00:34:23,520
Speaker 1: it on the air. Oh my god, your your you know,

723
00:34:23,640 --> 00:34:27,680
Speaker 1: you know music. I've been telling you. You see, that's

724
00:34:27,719 --> 00:34:29,440
Speaker 1: the thing. When you live in the tower, you not

725
00:34:29,520 --> 00:34:31,879
Speaker 1: on the on the ground. You don't know the people, right.

726
00:34:32,080 --> 00:34:34,440
Speaker 1: So that's why I never stay in the tower to

727
00:34:34,480 --> 00:34:36,400
Speaker 1: this day. I never stay in the tower because you

728
00:34:36,440 --> 00:34:37,799
Speaker 1: don't know what the fuck going on.

729
00:34:37,920 --> 00:34:39,200
Speaker 3: Did you ever get a chance to turn the group

730
00:34:39,239 --> 00:34:42,399
Speaker 3: that I got the play?

731
00:34:42,800 --> 00:34:45,440
Speaker 2: That was a real risk song. Back then it was.

732
00:34:47,040 --> 00:34:50,239
Speaker 1: Boom boom. You know, it's a lot of grinding, you know.

733
00:34:50,440 --> 00:34:53,160
Speaker 2: Interesting. I want to remember that we used to. I

734
00:34:53,200 --> 00:34:55,399
Speaker 2: wonder what the difference between knocking the boots and sex

735
00:34:55,480 --> 00:35:00,759
Speaker 2: you up. Boys. They white, You're right there.

736
00:35:00,800 --> 00:35:02,920
Speaker 1: You you know we nasty, they're pleasant.

737
00:35:05,520 --> 00:35:06,960
Speaker 2: They have no problem with sex you up.

738
00:35:08,080 --> 00:35:09,880
Speaker 1: We did, we did color me bad. I want to

739
00:35:09,920 --> 00:35:12,719
Speaker 1: sex you up? Yeah, so all them groups like now

740
00:35:13,760 --> 00:35:16,200
Speaker 1: you don't even see groups no more. We had color

741
00:35:16,280 --> 00:35:25,279
Speaker 1: me bad boys, the men shy jo toasy girls high five.

742
00:35:26,840 --> 00:35:31,839
Speaker 1: We had jade, uh who else? Give me another group,

743
00:35:31,840 --> 00:35:37,879
Speaker 1: Give me another group, give me damns so many man,

744
00:35:38,040 --> 00:35:39,160
Speaker 1: I love total though.

745
00:35:39,760 --> 00:35:43,440
Speaker 2: It was just can't you see what you do to me?

746
00:35:44,320 --> 00:35:46,960
Speaker 2: You said you regret coining the term booty guard.

747
00:35:47,160 --> 00:35:51,640
Speaker 1: I ain't regret it. I regret that I didn't trademark it.

748
00:35:51,640 --> 00:35:53,319
Speaker 1: I would have had a lot of money if I.

749
00:35:53,320 --> 00:35:55,239
Speaker 1: If I had trademark that right now, it'll be a

750
00:35:55,280 --> 00:35:57,600
Speaker 1: hologram sitting right here. That term.

751
00:35:57,840 --> 00:35:59,160
Speaker 2: What made you come up with that? German?

752
00:36:00,360 --> 00:36:02,080
Speaker 1: It was the way I was writing the jokes at

753
00:36:02,080 --> 00:36:05,200
Speaker 1: the time. I was her name the girl, Yes, I

754
00:36:05,239 --> 00:36:08,520
Speaker 1: don't remember. I didn't have the girl, didn't have a

755
00:36:08,640 --> 00:36:12,600
Speaker 1: name in the in the in the joke, it was basically, I'm.

756
00:36:12,440 --> 00:36:15,200
Speaker 2: Talking about the girl you actually slept with that inspired you.

757
00:36:15,200 --> 00:36:19,279
Speaker 1: Oh I don't remember. I tell you it was he

758
00:36:19,360 --> 00:36:20,400
Speaker 1: was he was of age.

759
00:36:20,480 --> 00:36:20,920
Speaker 2: I know that.

760
00:36:21,680 --> 00:36:24,239
Speaker 1: I know she was at least twenty four, twenty five

761
00:36:24,719 --> 00:36:29,880
Speaker 1: that twenty four something like that. I try to keep

762
00:36:29,920 --> 00:36:37,239
Speaker 1: it eating. But yeah, so what he called came from

763
00:36:37,840 --> 00:36:41,919
Speaker 1: uh me just talking about a girl coming to your crib,

764
00:36:41,960 --> 00:36:43,920
Speaker 1: you know what I mean. I had just got a

765
00:36:43,960 --> 00:36:47,040
Speaker 1: brand new crib loft joint. You know, I'm getting that

766
00:36:47,120 --> 00:36:49,919
Speaker 1: money now and stuff. So I was just like, oh man,

767
00:36:50,239 --> 00:36:52,640
Speaker 1: it's crazy when you you wanted chicks to come by,

768
00:36:54,080 --> 00:36:55,920
Speaker 1: and I'm like, damn, they always bring a friend and

769
00:36:55,960 --> 00:36:58,600
Speaker 1: stuff like the blow, the blow, the vibe because like

770
00:36:58,640 --> 00:37:01,080
Speaker 1: the thing about it was booty call is basically like

771
00:37:01,120 --> 00:37:03,360
Speaker 1: you call this chick up and you like hoping she answers.

772
00:37:03,360 --> 00:37:05,160
Speaker 1: She answers, like, yo, what you're doing. She's like, oh

773
00:37:05,239 --> 00:37:07,200
Speaker 1: my god, I don't know. You're like, YO, want you to

774
00:37:07,200 --> 00:37:10,120
Speaker 1: come through for a second? You hoping? She she said yes,

775
00:37:10,160 --> 00:37:12,320
Speaker 1: She's like yeah, I could just slide through in about

776
00:37:12,320 --> 00:37:16,719
Speaker 1: an hour. You're like, oh, you are happy whatever. And

777
00:37:16,719 --> 00:37:18,239
Speaker 1: then you get in your house and get together. You

778
00:37:18,400 --> 00:37:20,040
Speaker 1: like trying to set it up. You're putting the candles

779
00:37:20,080 --> 00:37:21,839
Speaker 1: and stuff. You know, you're trying to make it fly.

780
00:37:22,160 --> 00:37:23,719
Speaker 1: And then she come to the door and she got

781
00:37:23,719 --> 00:37:26,640
Speaker 1: her friend. She's like, hey, ball, You're like, what is that?

782
00:37:26,920 --> 00:37:29,880
Speaker 1: And she like, how long y'all gonna because she brings

783
00:37:30,160 --> 00:37:33,200
Speaker 1: the ugly girlfriend the block case it ain't going right,

784
00:37:33,480 --> 00:37:35,480
Speaker 1: she gotta she got it out, y'all. You know how

785
00:37:35,520 --> 00:37:39,200
Speaker 1: y'all do team team defense? You ready to go?

786
00:37:41,800 --> 00:37:47,040
Speaker 3: What they do that you'd be like, yo, if I

787
00:37:47,040 --> 00:37:48,839
Speaker 3: text you this word, call me because I can say

788
00:37:48,880 --> 00:37:50,000
Speaker 3: it's an emergency and I got a this.

789
00:37:50,160 --> 00:37:52,680
Speaker 2: They do defense on us, say for it.

790
00:37:52,800 --> 00:37:56,799
Speaker 1: You ain't and she ain't like you girl will come

791
00:37:56,800 --> 00:38:00,840
Speaker 1: over like we gotta go your baby, your baby is leaving,

792
00:38:01,120 --> 00:38:02,920
Speaker 1: or they'll do some some creek.

793
00:38:03,520 --> 00:38:05,920
Speaker 2: So you you just you didn't have no kids.

794
00:38:06,480 --> 00:38:09,560
Speaker 1: Well it's a baby I just found so anyway, they

795
00:38:09,600 --> 00:38:12,080
Speaker 1: make them stuff. But that's team defense for y'all.

796
00:38:12,160 --> 00:38:14,240
Speaker 2: Right, Yeah, I told you, damn.

797
00:38:14,480 --> 00:38:16,120
Speaker 3: Would you have known what the dude like if you

798
00:38:16,160 --> 00:38:18,160
Speaker 3: have trademarked it back then and it like once it

799
00:38:18,239 --> 00:38:20,000
Speaker 3: started blowing up in the movies going all that, would

800
00:38:20,000 --> 00:38:21,160
Speaker 3: you have known what to do with it?

801
00:38:21,239 --> 00:38:22,680
Speaker 1: Or you were just said I think I think I

802
00:38:22,680 --> 00:38:25,279
Speaker 1: would have just did like merchandise and stuff like that.

803
00:38:25,320 --> 00:38:28,000
Speaker 1: Because people still say booty call. They try to say

804
00:38:28,080 --> 00:38:31,799
Speaker 1: sneaky link, but it don't sneaky link. Don't sneaky links

805
00:38:31,800 --> 00:38:33,719
Speaker 1: sound like it's contagious.

806
00:38:33,760 --> 00:38:35,480
Speaker 3: It's the same thing as a booty caller, I.

807
00:38:35,480 --> 00:38:37,279
Speaker 1: Know, but it don't it sound like you get a

808
00:38:37,400 --> 00:38:41,439
Speaker 1: rash from a sneaky link, right, sneaky link. Booty calls

809
00:38:41,440 --> 00:38:44,800
Speaker 1: sound like sound like I got some booty It was fun.

810
00:38:45,760 --> 00:38:46,759
Speaker 1: Sneaky links sound like.

811
00:38:47,320 --> 00:38:49,200
Speaker 3: See now they're not even saying sneaky link. It's fine

812
00:38:49,200 --> 00:38:51,719
Speaker 3: ship now. So it's like you'd like you my little

813
00:38:51,719 --> 00:38:53,759
Speaker 3: fine ship. Yeah, like my little fine ship coming over,

814
00:38:54,719 --> 00:38:55,640
Speaker 3: a little fine ship.

815
00:38:56,680 --> 00:38:59,399
Speaker 1: I'm too old for that. I don't want fine shit.

816
00:38:59,440 --> 00:39:01,280
Speaker 2: I want what happened to wife?

817
00:39:01,960 --> 00:39:06,279
Speaker 3: I mean, nah, it depends on, like you know, where

818
00:39:06,320 --> 00:39:08,280
Speaker 3: y'all are in the stages of things.

819
00:39:08,320 --> 00:39:11,960
Speaker 1: But so if okay, right now you meet somebody.

820
00:39:12,080 --> 00:39:16,640
Speaker 2: Another great group next boom boom boom boom boom boom

821
00:39:16,760 --> 00:39:18,719
Speaker 2: boom boom boom. I wonder if she could feel my

822
00:39:18,760 --> 00:39:24,640
Speaker 2: dick getting hard right now? They was talking about getting

823
00:39:24,640 --> 00:39:26,719
Speaker 2: hard in the Dirty version of the Dirty.

824
00:39:28,320 --> 00:39:32,840
Speaker 1: I wonder if she could feel inside. I can't deny

825
00:39:33,239 --> 00:39:35,680
Speaker 1: he was talking about being hard in the club yes,

826
00:39:36,760 --> 00:39:40,280
Speaker 1: I can't hide it. Girl, you're dancing real clothes.

827
00:39:40,400 --> 00:39:45,280
Speaker 3: Y'all just made it. I'll package it when.

828
00:39:43,640 --> 00:39:46,160
Speaker 2: I turned into want to be my wife, So you

829
00:39:46,239 --> 00:39:46,959
Speaker 2: got to start somewhere.

830
00:39:47,040 --> 00:39:50,799
Speaker 3: Gotta start with the levels, my little fine ship. Then

831
00:39:50,800 --> 00:39:53,160
Speaker 3: it's like that's bad, and it's like that's wifey. Now

832
00:39:53,239 --> 00:39:54,880
Speaker 3: we let together. You got a booty call because you

833
00:39:54,880 --> 00:39:56,080
Speaker 3: go home and she there anyway, and she don't want

834
00:39:56,080 --> 00:39:57,680
Speaker 3: give you nothing anyway because she's been seeing you every day.

835
00:39:58,040 --> 00:40:00,920
Speaker 2: Donna get bad, Baby mama dead be that can happen.

836
00:40:00,719 --> 00:40:02,320
Speaker 3: To not in my trajectory.

837
00:40:02,360 --> 00:40:05,640
Speaker 1: So now like on social media, baby Mama is BM right, Yeah,

838
00:40:06,200 --> 00:40:08,120
Speaker 1: I had to figure that out. I was like, that

839
00:40:08,160 --> 00:40:11,520
Speaker 1: was a cop. Yeah, I bought two of those. I

840
00:40:11,520 --> 00:40:15,640
Speaker 1: bought two of those? What and why end is your niggas?

841
00:40:15,719 --> 00:40:15,959
Speaker 2: Yes?

842
00:40:16,080 --> 00:40:17,160
Speaker 3: You want stay away from those?

843
00:40:17,520 --> 00:40:21,920
Speaker 1: Definitely, that's that's that that the y ns mess up

844
00:40:21,960 --> 00:40:22,279
Speaker 1: the club.

845
00:40:22,840 --> 00:40:25,040
Speaker 2: Yeah, we used to call them killers, so they just ate.

846
00:40:25,600 --> 00:40:28,000
Speaker 1: They the killers that be in the corner. As soon

847
00:40:28,000 --> 00:40:28,799
Speaker 1: as we see them, we leave.

848
00:40:28,880 --> 00:40:30,960
Speaker 2: That's right, that's right, that's right, that's right.

849
00:40:31,080 --> 00:40:32,120
Speaker 1: Did you bring me up to speed?

850
00:40:32,560 --> 00:40:34,600
Speaker 2: I got you. You said you want to do another

851
00:40:34,600 --> 00:40:35,880
Speaker 2: how to be a player. Are you really working on

852
00:40:35,880 --> 00:40:37,440
Speaker 2: an updated version of that? What would that even look

853
00:40:37,480 --> 00:40:38,560
Speaker 2: like in twenty twenty five?

854
00:40:38,840 --> 00:40:45,680
Speaker 1: Oh, Shanny Sharp would not be in it all. You

855
00:40:45,880 --> 00:40:49,160
Speaker 1: are nobody, nobody that's messing up, got anything? You would

856
00:40:49,160 --> 00:40:50,759
Speaker 1: have to be a player to Nope, Nope, nope.

857
00:40:50,840 --> 00:40:53,120
Speaker 2: Is it even worth being a player? Because Kendrick Lamar said,

858
00:40:53,239 --> 00:40:55,760
Speaker 2: and I agree with him on the new album g Next,

859
00:40:55,920 --> 00:40:58,320
Speaker 2: he says, you better off being with one woman. Everything

860
00:40:58,360 --> 00:40:59,120
Speaker 2: tricky right now?

861
00:40:59,400 --> 00:41:01,680
Speaker 1: Yeah, it's trick right now. I think for the comedy

862
00:41:01,719 --> 00:41:04,440
Speaker 1: of it, it would be really good for the culture.

863
00:41:04,520 --> 00:41:06,920
Speaker 1: I feel like it would be good because it's nostalgic.

864
00:41:06,960 --> 00:41:09,560
Speaker 1: Everybody's the right age now. Some Cats was like in

865
00:41:09,640 --> 00:41:12,280
Speaker 1: their teenage years, some Cats was in their twenties.

866
00:41:12,320 --> 00:41:12,640
Speaker 2: Whatever.

867
00:41:12,920 --> 00:41:14,600
Speaker 1: I think if we do it coming like if it

868
00:41:14,600 --> 00:41:17,120
Speaker 1: comes out next summer, I think it would be perfect

869
00:41:17,120 --> 00:41:21,279
Speaker 1: because we can talk about certain things, you know how

870
00:41:21,680 --> 00:41:25,440
Speaker 1: like technology is blowing casts up. You know what I'm saying,

871
00:41:25,760 --> 00:41:29,400
Speaker 1: leaving your phone open, girl, using your face while you sleep.

872
00:41:29,840 --> 00:41:32,080
Speaker 1: I feel like we should have alarms on our phones,

873
00:41:32,800 --> 00:41:34,960
Speaker 1: you know, like say saying you you sleep and your

874
00:41:34,960 --> 00:41:38,520
Speaker 1: girls try to go.

875
00:41:38,640 --> 00:41:40,120
Speaker 3: Or you could just not have nothing in the phone.

876
00:41:40,280 --> 00:41:41,040
Speaker 2: That's true too.

877
00:41:41,400 --> 00:41:43,719
Speaker 1: Well, always got something in our phone. You know, you

878
00:41:43,760 --> 00:41:46,279
Speaker 1: got stuff. Everybody got something their phone, that something. They

879
00:41:46,440 --> 00:41:48,399
Speaker 1: just be like, Nah, I didn't think nobody was gonna

880
00:41:48,400 --> 00:41:50,719
Speaker 1: see that your phone clean.

881
00:41:51,000 --> 00:41:54,440
Speaker 3: I mean, I could I do what I want to

882
00:41:54,480 --> 00:41:56,279
Speaker 3: do right now what I'm saying, But that's if your

883
00:41:56,320 --> 00:41:58,960
Speaker 3: phone was just left open and people went to swiping.

884
00:41:58,960 --> 00:42:00,000
Speaker 1: Would you be would you be good?

885
00:42:00,600 --> 00:42:00,680
Speaker 2: No?

886
00:42:01,280 --> 00:42:05,080
Speaker 1: Look at the pause, she said, which phone?

887
00:42:07,000 --> 00:42:10,160
Speaker 2: Okay, Now what if you did then updated version of

888
00:42:10,200 --> 00:42:11,400
Speaker 2: the Brothers.

889
00:42:11,200 --> 00:42:13,719
Speaker 3: That's supposed to be happening, and you had doctor.

890
00:42:13,560 --> 00:42:18,440
Speaker 2: Umar in it? Mad at you because how much you

891
00:42:18,560 --> 00:42:19,160
Speaker 2: like white women.

892
00:42:21,080 --> 00:42:24,200
Speaker 1: Doctor Umar would be. He would just show up on

893
00:42:24,239 --> 00:42:24,600
Speaker 1: my dates.

894
00:42:24,640 --> 00:42:29,600
Speaker 2: Yes, he's a cousin. Come on, brother, every time you

895
00:42:30,360 --> 00:42:34,400
Speaker 2: something no reason, don't let the butnets.

896
00:42:33,880 --> 00:42:39,120
Speaker 1: Get your brother. Boy. If doctor Umar have a mixed baby,

897
00:42:39,280 --> 00:42:41,160
Speaker 1: I'm a pass out. It'll never have no I know,

898
00:42:41,280 --> 00:42:45,920
Speaker 1: I'm just joking. Umar. He's staying on business with his stuff. Well,

899
00:42:45,920 --> 00:42:48,839
Speaker 1: he hit it so hard. He better not even drink

900
00:42:48,840 --> 00:42:52,080
Speaker 1: white milk. Get me, he better have brown rice in

901
00:42:52,120 --> 00:42:54,120
Speaker 1: his house. I don't want to hear. He is over

902
00:42:54,160 --> 00:42:57,160
Speaker 1: the top. I love watching him just go off. He

903
00:42:57,360 --> 00:42:59,640
Speaker 1: just come through my phone every now and then I'll

904
00:42:59,800 --> 00:43:02,200
Speaker 1: be wiping on my phone. He'll be like, listen, brother,

905
00:43:02,600 --> 00:43:06,000
Speaker 1: I'm gonna tell you what you need. You need a sister,

906
00:43:06,560 --> 00:43:09,040
Speaker 1: keep this culture, keep the vibe.

907
00:43:09,120 --> 00:43:11,480
Speaker 2: I'm like, oh, Lord, could we forgive doctor Umar if

908
00:43:11,480 --> 00:43:13,440
Speaker 2: he got with a white woman like we found.

909
00:43:13,719 --> 00:43:16,880
Speaker 1: Would we would go crazy? Black people, we go crazy.

910
00:43:16,960 --> 00:43:18,839
Speaker 1: I know it. You know we want you to fall,

911
00:43:18,960 --> 00:43:19,439
Speaker 1: you know, black?

912
00:43:19,719 --> 00:43:21,960
Speaker 2: So what could he do to get everything back in

913
00:43:22,080 --> 00:43:23,240
Speaker 2: and get back in our good graces?

914
00:43:23,400 --> 00:43:30,560
Speaker 1: Turkey drive for black people. A turkey drive solve all

915
00:43:30,600 --> 00:43:34,880
Speaker 1: your problems. Just go Costco right now. If you know

916
00:43:34,920 --> 00:43:37,200
Speaker 1: you're gonna do some dumb shit, get you a bunch

917
00:43:37,280 --> 00:43:39,480
Speaker 1: of turkeys. As soon as that ship dropped, you just

918
00:43:39,480 --> 00:43:41,160
Speaker 1: start giving them out and people forgive you.

919
00:43:41,480 --> 00:43:45,279
Speaker 2: Bill Bella me his top billing toy is going on

920
00:43:45,480 --> 00:43:47,759
Speaker 2: right now. He's gonna be at the Improv Comedy Club

921
00:43:47,800 --> 00:43:48,640
Speaker 2: May third and the fourth.

922
00:43:48,760 --> 00:43:50,400
Speaker 1: Yeah, I'll be in Bray of California.

923
00:43:50,600 --> 00:43:53,080
Speaker 2: Yes, Brad California, four wing in Indiana, mad Knife and

924
00:43:53,080 --> 00:43:55,880
Speaker 2: eleven from the Summer City Comedy Club. He'll be at

925
00:43:55,920 --> 00:43:59,200
Speaker 2: the Chicago Improv in Schanberg, Illinois, May sixteenth through the eighteenth,

926
00:43:59,520 --> 00:44:01,800
Speaker 2: the Miami in Provle in Miami, Florida, May thirtiefter the

927
00:44:01,880 --> 00:44:04,440
Speaker 2: June first, and the Funny Bone Comedy Club in Cleveland

928
00:44:04,520 --> 00:44:05,439
Speaker 2: June sixth to the eighth.

929
00:44:05,480 --> 00:44:08,239
Speaker 1: Let's go, man, Let's go, man. That's how we do it. Man.

930
00:44:08,239 --> 00:44:11,759
Speaker 2: Thank you all so much, man always.

931
00:44:10,920 --> 00:44:14,080
Speaker 3: Oh, thank you. I had another question. You were no,

932
00:44:14,120 --> 00:44:16,239
Speaker 3: I didn't know, so we didn't. We didn't get to

933
00:44:16,280 --> 00:44:19,799
Speaker 3: meet a lot. I only met Donnelle because he had

934
00:44:19,840 --> 00:44:21,200
Speaker 3: a lot going on. He had like did something in

935
00:44:21,200 --> 00:44:23,400
Speaker 3: the airport or something. I had to call him. I

936
00:44:23,400 --> 00:44:24,880
Speaker 3: ain't never had to call your teams. He's a good thing,

937
00:44:24,920 --> 00:44:26,360
Speaker 3: Thank god. I had a question for you. Wait are

938
00:44:26,400 --> 00:44:27,239
Speaker 3: you still you're so married?

939
00:44:27,320 --> 00:44:27,400
Speaker 1: Right?

940
00:44:27,480 --> 00:44:27,560
Speaker 2: Yes?

941
00:44:28,120 --> 00:44:31,200
Speaker 3: Is your wife white? Oh? Okay? Because I was looking,

942
00:44:31,200 --> 00:44:32,280
Speaker 3: I thought that your wife.

943
00:44:32,120 --> 00:44:33,080
Speaker 2: Was well, she mixed.

944
00:44:33,600 --> 00:44:36,839
Speaker 3: She got like okay, all right. Because with the doctor Umer,

945
00:44:36,840 --> 00:44:37,719
Speaker 3: I'm like laughing.

946
00:44:37,560 --> 00:44:41,240
Speaker 1: No, no, doctor, no, no, my my wife.

947
00:44:42,400 --> 00:44:44,680
Speaker 2: That's the reason why I like.

948
00:44:46,200 --> 00:44:47,919
Speaker 3: Jokes. Don't let him get you in the commy can't

949
00:44:47,920 --> 00:44:48,200
Speaker 3: get me.

950
00:44:48,280 --> 00:44:50,600
Speaker 1: But you know, Wendy used to get me though she always.

951
00:44:50,880 --> 00:44:53,280
Speaker 1: But people don't realize that black people coming every shade.

952
00:44:53,320 --> 00:44:55,120
Speaker 3: Like I saw that clip of Wendy last night when

953
00:44:55,120 --> 00:44:56,680
Speaker 3: I was getting ready, I didn't see.

954
00:44:56,560 --> 00:44:59,720
Speaker 1: That one because because because it was so funny, because

955
00:44:59,760 --> 00:45:02,840
Speaker 1: my life looks so like you don't know if she

956
00:45:02,880 --> 00:45:04,880
Speaker 1: wear hair this way is one thing where you like,

957
00:45:04,960 --> 00:45:06,560
Speaker 1: you don't know what the hell is going on, right,

958
00:45:06,960 --> 00:45:09,279
Speaker 1: And so one day it was Wendy. Wendy was like,

959
00:45:09,360 --> 00:45:12,000
Speaker 1: so Bell, you know this is the good the good

960
00:45:12,120 --> 00:45:16,360
Speaker 1: days of Wendy or whatever. Bell, So what is your wife?

961
00:45:16,400 --> 00:45:19,680
Speaker 1: You know? It's like she's black, half black, half white

962
00:45:19,800 --> 00:45:23,279
Speaker 1: one too. One side is the good times, the other

963
00:45:23,320 --> 00:45:25,200
Speaker 1: side is bratty much? How was I know?

964
00:45:25,960 --> 00:45:29,200
Speaker 2: I that's another one. Did you ever think Wendy would

965
00:45:29,200 --> 00:45:30,640
Speaker 2: be in the situation that she's currently in.

966
00:45:32,800 --> 00:45:34,959
Speaker 1: Man, I just hope she could get her life back

967
00:45:35,040 --> 00:45:37,920
Speaker 1: and they I don't know who signed her off on

968
00:45:37,960 --> 00:45:42,760
Speaker 1: this goofy thing, conservativeship. It's scary, Like it made me realize,

969
00:45:42,800 --> 00:45:46,480
Speaker 1: no matter how we successful we get, we should make

970
00:45:46,520 --> 00:45:48,640
Speaker 1: sure that nobody could just take over us.

971
00:45:49,440 --> 00:45:49,920
Speaker 2: You know what I mean.

972
00:45:50,160 --> 00:45:52,319
Speaker 1: You make sure your paperwork is in already, make sure

973
00:45:52,360 --> 00:45:54,000
Speaker 1: your paper you will never know. You get sick and

974
00:45:54,000 --> 00:45:56,919
Speaker 1: then have some weird person telling you your family can't

975
00:45:56,920 --> 00:45:59,239
Speaker 1: do nothing. You can't do nothing. Nah, take care of

976
00:45:59,280 --> 00:46:00,640
Speaker 1: your business and pray for Wendy.

977
00:46:00,680 --> 00:46:02,719
Speaker 3: When people tell all these stories about like these iconic

978
00:46:02,760 --> 00:46:05,120
Speaker 3: interviews and hip hop stuff, why don't they mention you

979
00:46:05,120 --> 00:46:06,000
Speaker 3: more and stuff?

980
00:46:06,280 --> 00:46:09,759
Speaker 1: Because people I don't know why. Like I think what

981
00:46:09,920 --> 00:46:12,719
Speaker 1: happens is people forget you know what I mean, because

982
00:46:12,719 --> 00:46:14,960
Speaker 1: they always jump into the next You got to do

983
00:46:15,040 --> 00:46:17,560
Speaker 1: your history. That's why I can come to the Breakfast

984
00:46:17,600 --> 00:46:20,560
Speaker 1: club and have a good time because you guys know,

985
00:46:21,040 --> 00:46:23,279
Speaker 1: like there's certain things you know, and then I grew

986
00:46:23,400 --> 00:46:26,080
Speaker 1: up here, so it's certain things that people be like, Yo,

987
00:46:26,120 --> 00:46:28,760
Speaker 1: I remember, like I'm from Jersey, right, I'm from Jersey.

988
00:46:28,880 --> 00:46:32,080
Speaker 1: So the crazy thing, Like I remember the first time

989
00:46:32,120 --> 00:46:35,359
Speaker 1: I met Mike Tyson. Mike Tyson was at Webster Hall

990
00:46:35,480 --> 00:46:37,719
Speaker 1: at a party. Right, this is when Mike was Mike.

991
00:46:37,800 --> 00:46:39,640
Speaker 1: Mike would knock somebody out and be in a club

992
00:46:39,840 --> 00:46:41,920
Speaker 1: like Mike would knock somebody out and literally being the

993
00:46:41,920 --> 00:46:46,279
Speaker 1: club with us. Right, the first time I met Mike Tyson, right,

994
00:46:46,320 --> 00:46:49,560
Speaker 1: and I didn't know Mike Tyson knew who I was yet,

995
00:46:49,680 --> 00:46:51,319
Speaker 1: and we.

996
00:46:51,400 --> 00:46:52,560
Speaker 2: In the men's bathroom.

997
00:46:52,640 --> 00:46:54,680
Speaker 1: I never forget this, and Mike comes in, I'm like

998
00:46:54,680 --> 00:46:55,840
Speaker 1: I can see him in the mirror. You know you

999
00:46:56,120 --> 00:46:57,799
Speaker 1: at the urine you can see. I said, oh shit,

1000
00:46:57,840 --> 00:47:01,040
Speaker 1: this Mike. Oh shit. He was like, mana be funny, William,

1001
00:47:02,080 --> 00:47:05,240
Speaker 1: w wh call me William, You're very funny.

1002
00:47:05,280 --> 00:47:05,320
Speaker 2: Me.

1003
00:47:05,520 --> 00:47:08,160
Speaker 1: Well, I loved your deaf comedy. Gam You're ready funny, Man,

1004
00:47:08,360 --> 00:47:09,080
Speaker 1: I appreciate you.

1005
00:47:09,120 --> 00:47:12,560
Speaker 2: Man. I was like, Yo, that's Mike motherfucking Dyce's man.

1006
00:47:12,680 --> 00:47:12,839
Speaker 5: Man.

1007
00:47:12,920 --> 00:47:14,759
Speaker 2: I was like, damn right there.

1008
00:47:15,560 --> 00:47:17,640
Speaker 1: But I told Mike, I said, Mike, you know you

1009
00:47:17,719 --> 00:47:18,800
Speaker 1: the first hip hop champ.

1010
00:47:19,719 --> 00:47:22,920
Speaker 2: Absolutely, like he was of the culture.

1011
00:47:22,960 --> 00:47:26,640
Speaker 1: Like we literally could watch Mike and Madison Square Guarden

1012
00:47:26,840 --> 00:47:29,440
Speaker 1: and see him at nails, like he would just be.

1013
00:47:29,680 --> 00:47:33,440
Speaker 2: One of the first hip hop mainstream stars too, right,

1014
00:47:33,560 --> 00:47:35,000
Speaker 2: whether whether he knew that or not.

1015
00:47:35,280 --> 00:47:37,719
Speaker 1: Mike left a Bingley Rose Royce in the middle of

1016
00:47:37,680 --> 00:47:40,719
Speaker 1: the street somewhere. Wait, do you remember that it was

1017
00:47:40,719 --> 00:47:42,560
Speaker 1: a Rose Rocet? Did he get love?

1018
00:47:42,600 --> 00:47:44,080
Speaker 2: If you know, if you read Bobby Brown's book that

1019
00:47:44,160 --> 00:47:45,759
Speaker 2: him and Bobby says him and Mike used to do

1020
00:47:45,760 --> 00:47:47,799
Speaker 2: that all the time. They'd be in different cities and

1021
00:47:47,880 --> 00:47:49,880
Speaker 2: see somebody give them a bag of cash and just

1022
00:47:49,920 --> 00:47:54,719
Speaker 2: body car and leave it. These guys were making so

1023
00:47:54,840 --> 00:47:56,839
Speaker 2: much money back then. That it was unbelievable. They didn't

1024
00:47:56,840 --> 00:47:59,040
Speaker 2: know what to do.

1025
00:47:59,040 --> 00:48:01,200
Speaker 1: Do you see only I looked it up.

1026
00:48:02,120 --> 00:48:04,279
Speaker 3: What kind of car was does Tyson leaving a Rose

1027
00:48:04,360 --> 00:48:05,920
Speaker 3: Royce on the street in nineteen eighty eight?

1028
00:48:06,160 --> 00:48:06,279
Speaker 1: Uh?

1029
00:48:07,520 --> 00:48:09,040
Speaker 3: Yeah, they were going to take the car from him,

1030
00:48:09,080 --> 00:48:12,200
Speaker 3: so he let them and keep it. But after photographers

1031
00:48:12,200 --> 00:48:14,239
Speaker 3: saw them and the captain saw the picture, they ordered

1032
00:48:14,320 --> 00:48:16,359
Speaker 3: him to return. They give the car back to him.

1033
00:48:16,480 --> 00:48:19,719
Speaker 3: No officers were suspended ten days without pay yep. And

1034
00:48:19,760 --> 00:48:21,960
Speaker 3: then he offered lover of the Rose Royce.

1035
00:48:22,320 --> 00:48:22,640
Speaker 1: Wow.

1036
00:48:23,360 --> 00:48:26,319
Speaker 2: I think MTV also hasn't done a good job of

1037
00:48:27,800 --> 00:48:30,000
Speaker 2: a good job of like preserving the content that I

1038
00:48:30,040 --> 00:48:31,919
Speaker 2: don't think bt but be honest with your bet either,

1039
00:48:32,000 --> 00:48:35,640
Speaker 2: like that there's there's gold platinum classic material.

1040
00:48:35,680 --> 00:48:38,240
Speaker 1: Between v They should be airing it like a TV

1041
00:48:38,360 --> 00:48:41,240
Speaker 1: show because it's literally music history.

1042
00:48:41,320 --> 00:48:43,440
Speaker 3: That's how I'm getting ready for this. Yesterday watching some

1043
00:48:43,480 --> 00:48:45,360
Speaker 3: of the you have old clips on YouTube, I got.

1044
00:48:45,200 --> 00:48:48,600
Speaker 1: So much stuff. Like I remember interviewing A Leah. I

1045
00:48:48,640 --> 00:48:50,359
Speaker 1: mean I just just hit popped back in my head

1046
00:48:50,360 --> 00:48:52,319
Speaker 1: and she was showing me that one two check up.

1047
00:48:52,560 --> 00:48:55,359
Speaker 1: Everybody know what that was her first album she did.

1048
00:48:55,440 --> 00:48:57,200
Speaker 2: We sit there and watched that all day with you

1049
00:48:57,360 --> 00:49:00,640
Speaker 2: narrating you fab five freddie Na rating, Yeah yeah, ed

1050
00:49:00,719 --> 00:49:01,719
Speaker 2: loving that reading.

1051
00:49:01,560 --> 00:49:06,200
Speaker 3: Onto that over Janet Jackson. The Janney Jackson interview, you

1052
00:49:06,200 --> 00:49:08,319
Speaker 3: were like you was you had a crush on Oh

1053
00:49:08,360 --> 00:49:09,560
Speaker 3: my god that interview for.

1054
00:49:09,560 --> 00:49:12,480
Speaker 2: You just didn't I didn't know what to do by myself.

1055
00:49:12,520 --> 00:49:15,239
Speaker 1: You know. If I knew Jermaine could pull it, I

1056
00:49:15,239 --> 00:49:17,440
Speaker 1: would have pulled it, you know what I mean. He

1057
00:49:17,600 --> 00:49:22,319
Speaker 1: just had more courage. He caught it straight. No, No,

1058
00:49:22,360 --> 00:49:25,000
Speaker 1: I love JD. But JD pulled up I did. I mean,

1059
00:49:25,040 --> 00:49:26,640
Speaker 1: you know what I'm saying. I was on tour, wed

1060
00:49:26,640 --> 00:49:29,080
Speaker 1: and everything, and I was just like dag, you know.

1061
00:49:29,320 --> 00:49:32,480
Speaker 1: I it was so interesting because we had such a

1062
00:49:32,520 --> 00:49:34,560
Speaker 1: really cool friendship that I didn't know, like I didn't

1063
00:49:34,560 --> 00:49:36,080
Speaker 1: want to mess it up, like crossing the line, you

1064
00:49:36,080 --> 00:49:38,279
Speaker 1: know what I'm saying. So I never did. But the

1065
00:49:38,360 --> 00:49:40,000
Speaker 1: thing about it was she used to flirt with me

1066
00:49:40,360 --> 00:49:42,680
Speaker 1: on camera, like in front of everybody, and I was

1067
00:49:42,800 --> 00:49:45,280
Speaker 1: like what, but I ain't. I would be like stuck

1068
00:49:45,480 --> 00:49:46,880
Speaker 1: because I ain't know what to do with it, right,

1069
00:49:46,920 --> 00:49:48,319
Speaker 1: you know what I'm saying. I'd be like, she ain't

1070
00:49:48,320 --> 00:49:50,799
Speaker 1: really mean that they say if you can make a laugh.

1071
00:49:50,800 --> 00:49:53,520
Speaker 1: You can crack auss, bro, I promise you. But you

1072
00:49:53,560 --> 00:49:56,480
Speaker 1: gotta understand she was so big at the time. So

1073
00:49:56,520 --> 00:49:59,080
Speaker 1: I'm thinking, like, you know, this is Janet Jackson. You

1074
00:49:59,120 --> 00:49:59,720
Speaker 1: know what I'm saying.

1075
00:50:00,520 --> 00:50:01,719
Speaker 2: Oh, man, I don't know.

1076
00:50:01,760 --> 00:50:03,600
Speaker 1: But then she'll be like Bill come by the house.

1077
00:50:03,920 --> 00:50:04,719
Speaker 3: He never went by the house.

1078
00:50:04,719 --> 00:50:06,440
Speaker 1: Oh yeah, I went by the house and what. But

1079
00:50:06,560 --> 00:50:08,719
Speaker 1: it was a bunch of us. It was never like

1080
00:50:09,320 --> 00:50:12,279
Speaker 1: I was never like along with her like that, Like

1081
00:50:12,320 --> 00:50:13,920
Speaker 1: I would party with them and stuff because we was

1082
00:50:13,960 --> 00:50:15,000
Speaker 1: on tour together and stuff.

1083
00:50:15,120 --> 00:50:15,640
Speaker 2: You know what I mean.

1084
00:50:15,680 --> 00:50:18,120
Speaker 1: But I should have pulled up though I ain't. No,

1085
00:50:18,840 --> 00:50:20,920
Speaker 1: I should have came over there with a turkey, like, YO,

1086
00:50:22,400 --> 00:50:23,200
Speaker 1: got you a turkey?

1087
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Speaker 2: Janet, It's Bill Bellamy. Man. Where can they follow you? Bill?

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Speaker 1: Follow me at Bill Bellamie on Instagram, I'm on the TikTok,

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Speaker 1: I'm on Facebook wherever it is. Subscribe to your podcast,

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Speaker 1: subscribe to our top billing. We love y'all man peace.

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Speaker 2: It's the Breakfast Club, Bill Bellamy, Wake that ass up

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Speaker 2: in the morning. The Breakfast Club