WEBVTT - 4. The Replay

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<v Speaker 1>Tomorrow's Monsters as a production of My Heart Radio, Flynn

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<v Speaker 1>Picture Company, Psycopia Pictures and Upper Room Productions. It made

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<v Speaker 1>as Michael Corb right, Michael Coleman, Yeah, yeah, how do

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<v Speaker 1>you want to pay? The one has been already transferred

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<v Speaker 1>the money to the city or to open count of

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<v Speaker 1>shares to the Sheriff's office on now, Yeah, you can

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<v Speaker 1>wait outside. They're bringing him down now. That's when it

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<v Speaker 1>all started. Michael had been arrested a few times before,

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<v Speaker 1>usually just for public drunkenness. The corps always went soft

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<v Speaker 1>on Michael because it was a fair it's of the country,

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<v Speaker 1>it's time. It was worse. He was charged with gross

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<v Speaker 1>negligence and discharging a firearm in public. Luckily came to

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<v Speaker 1>his senses and dropped the gun before the corps took

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<v Speaker 1>him out. I felt helpless and I felt exhausted. The

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<v Speaker 1>feeding that time was running now and the next school

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<v Speaker 1>would be from from the Morgue. I couldn't bail him

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<v Speaker 1>out anymore. Something got to change. He stepped out of

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<v Speaker 1>the cinder block jail house and looked around sheepishly. I

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<v Speaker 1>couldn't stand the siph him. Michael over it now, fuck

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<v Speaker 1>me let's say, man, I'd never get out of here.

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<v Speaker 1>You know, this guy kept telling me. Why couldn't look? Look.

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<v Speaker 1>This guy walks into a bar right orders to drinks

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<v Speaker 1>Michael decision. So the boston says, why the two beers?

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<v Speaker 1>Am I right? The guy says, I've got a brother

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<v Speaker 1>that's stationed in Damascus, and each night we ordered two

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<v Speaker 1>drinks so that we can still drink together. About me,

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<v Speaker 1>it's a joke, bro, I promise you you love it.

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<v Speaker 1>Just I don't want to hear each night to drinks

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<v Speaker 1>one for him, went for his brother until not right now.

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<v Speaker 1>Until one night the guy walks in and he only

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<v Speaker 1>orders one beer, all right. So the bartender gets quiet

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<v Speaker 1>and he says, oh, man, bro, I'm sorry, I feel lost.

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<v Speaker 1>Drinks from the house. So the guy says, no, no, no,

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<v Speaker 1>my my brother's fine. I just quit drinking. That's fine, okay, No,

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<v Speaker 1>no, no no, I've got one. I've got one. I've got one.

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<v Speaker 1>Guy gets a call from his brother if he's locked

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<v Speaker 1>up in jail and his brother has to borrow twenty

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<v Speaker 1>five k to baby's ass out at three in the morning.

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<v Speaker 1>Are you silent now? Yeah, it's not funny. It's not

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<v Speaker 1>a joke man, Okay, Mine, all right, all right, I

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<v Speaker 1>messed up. I was just you know, I was just

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<v Speaker 1>were you doing? I was just killing rats, right, I

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<v Speaker 1>was just killing rats, but with a gun, bro, I

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<v Speaker 1>wasn't hurting anybody, all right. I used to do it

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<v Speaker 1>all the time in the desert, talking practice on the rest. Okay, Man,

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<v Speaker 1>I know what stupid with God? Man? Sometimes I I

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<v Speaker 1>can't do ship it here? Man? Are you still going

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<v Speaker 1>to those v amiens? Jack? Come on, man, that place

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<v Speaker 1>is juiceless? Michael, Michael, what are you talking about? What?

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<v Speaker 1>Obviously need help. They have programs to help you readjust

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<v Speaker 1>they have doctors. You should be coming. You should go down. Man.

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<v Speaker 1>There's no appointments Jack, none. But we're you talking about.

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<v Speaker 1>We're talking about the h They can't they can't help me.

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<v Speaker 1>What What the hell are you gonna do? Where are

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<v Speaker 1>you gonna go? H? What about mom? I can't go

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<v Speaker 1>back home for a while. Look, I was I was thinking,

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<v Speaker 1>all right, just hear me out, man, just just hear

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<v Speaker 1>me out. All right. This is this guy I know,

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<v Speaker 1>buddy of mine named David. You're telling me about this,

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<v Speaker 1>this this thing, this this this this program. I don't

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<v Speaker 1>know prom so it pays like two K a week

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<v Speaker 1>for like six weeks. All right, free food, nice room

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<v Speaker 1>to some doctors. Medical evails. And they even have a

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<v Speaker 1>strength and and and they're specifically looking for combat trained veterans.

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<v Speaker 1>So like a program for treating PTSD. No, it's a

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<v Speaker 1>it's a clinical trial, right for some for some research

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<v Speaker 1>or some new drug. I don't know who drunk? Look

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<v Speaker 1>here next, corp FDA approved Phase two protocol designs after

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<v Speaker 1>a rigorous special assessment. I mean, where is this medal?

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<v Speaker 1>I don't know? It could be good. Get me off

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<v Speaker 1>the street for a while. Look look look at this

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<v Speaker 1>part right here. Goal is to developing mind application using

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<v Speaker 1>thought ware based nano technology to regulate hormones and reverse

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<v Speaker 1>the effects of mental fatigue and stress related sleep deprivation. Um,

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<v Speaker 1>it's a controlled environment, right, Maybe help me stabilize my thoughts.

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<v Speaker 1>Phase two includes human trials with specific sample groups such

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<v Speaker 1>as patient stide it was with PTSD or suffering from

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<v Speaker 1>psychological and emotional damage caused by sexual soul, warm dan, crime,

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<v Speaker 1>and and other tumors. What what do you think? Why

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<v Speaker 1>are you asking me? Man? Come on, Jack, you know

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<v Speaker 1>this stuff right, You're you're a bio engineer, didn't you, So,

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<v Speaker 1>so what do you think. Look, I think it's great.

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<v Speaker 1>What Yeah, it's like you said that this could be good.

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<v Speaker 1>It's a controlled environment. This is great for you. Man.

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<v Speaker 1>It was a lie. I knew the next core clinical

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<v Speaker 1>trials were a bad idea. I knew they were going

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<v Speaker 1>to use Michael as a guinea pig. So under normal circumstances,

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<v Speaker 1>I would have told Michael to stay the hell away.

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<v Speaker 1>I would have told him that the only thing crazy

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<v Speaker 1>doing target practice on rats in an Earlley Way in

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<v Speaker 1>downtown Oakland and broad daylight was volunteering his brain to

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<v Speaker 1>some Silicon Valley startup so they could load it up

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<v Speaker 1>with nan nights and keep him awaken. Definitely, But right

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<v Speaker 1>then I couldn't think of anything better for me than

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<v Speaker 1>Michael being someone else's problem. What don't you stay at

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<v Speaker 1>my place tonight? I'm driving to the trial in the morning. Michael.

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<v Speaker 1>Huh A place tonight? Michael? Yeah? Yeah, no, Um yeah, man,

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<v Speaker 1>that's yeah, that's cool. All right, good. Next morning I

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<v Speaker 1>drove Michael to the trial. Who was the last time

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<v Speaker 1>I swear in my life? M h I'm still on

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<v Speaker 1>the road, still somewhere in Nebraska. Outside my window of

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<v Speaker 1>the American Midwest tress by continuously. The stream of energy

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<v Speaker 1>feels and dust at neither horizon glows with a light

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<v Speaker 1>spilling from distant cities. It feels like I'm frozen inside

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<v Speaker 1>of a massive machine clockwork in constant motion around me.

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<v Speaker 1>Other times, it feels like my brother is here too.

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<v Speaker 1>You want to tell your joke, like his ghost is

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<v Speaker 1>along for the ride on this journey across America. I

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<v Speaker 1>imagine him in the back seat telling one of his

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<v Speaker 1>bad drugs. Her grief is like a curse. Your brain

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<v Speaker 1>glitches against the cognitive absence, the missing information that loved

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<v Speaker 1>one no longer present, and your brain compensates, fills the

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<v Speaker 1>void with patterns. I know these are a music nations,

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<v Speaker 1>but he's getting harder to dismissed him as such. When

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<v Speaker 1>I was a kid, I split my time between England

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<v Speaker 1>and the States. I'm wanted to keep me in secondary

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<v Speaker 1>school back in the UK, so I lived with my

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<v Speaker 1>grandparents and I would visit Mom and Michael on holiday.

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<v Speaker 1>Michael and I had different fathers. Both of them were

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<v Speaker 1>mostly absent from our lives, but my father would at

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<v Speaker 1>least keep in touch and making appearance a few times

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<v Speaker 1>a year. That's not much, but it's not nothing. I see,

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<v Speaker 1>I knew my father loved me, even if he was

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<v Speaker 1>ill equipped to be a full time parent or Michael's

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<v Speaker 1>father was different at a series of ship jobs that

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<v Speaker 1>he lose with an almost comical regularity. Guessing that way,

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<v Speaker 1>he was dependable when he lived with us for a

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<v Speaker 1>few years before my mother divorced him, which took far

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<v Speaker 1>too long. Michael was only three. After that, he would

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<v Speaker 1>take Michael every other weekend for a few more years,

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<v Speaker 1>until Michael turned six. His dad took him camping for

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<v Speaker 1>his birthday, and on the morning of their second day

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<v Speaker 1>in the woods, Michael woke up alone. In this ten

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<v Speaker 1>he waited for his dad to come back. Waited all

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<v Speaker 1>day and all night. His dad never came. Eventually, Michael

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<v Speaker 1>hyped back to the road, scared and alone. His dad's

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<v Speaker 1>car was gone. Michael never saw his father again. You know,

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<v Speaker 1>I think it's quite clear that Michael blamed himself. I

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<v Speaker 1>think he grew up thinking something was wrong with him,

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<v Speaker 1>that he was on lovable. Unfortunately for Michael, I was

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<v Speaker 1>the next best option for a male role model. But

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<v Speaker 1>you know what, I'm trash I couldn't help but explay

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<v Speaker 1>his weaknesses. It was a lifelong time and then it

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<v Speaker 1>made for a dangerous relationship. You know, my mom used

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<v Speaker 1>to scream at me, are you trying to kill your brother?

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<v Speaker 1>Maybe I was. This is one of the last recordings

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<v Speaker 1>of him. Michael, how are you feeling all right? Sleep?

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<v Speaker 1>All right? Man? Definitely whatever you gave me knocked me

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<v Speaker 1>out at these cots. They remind me of the Army

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<v Speaker 1>um in base camp. I learned how to turn it

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<v Speaker 1>all off over there, so you know, I'm going to

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<v Speaker 1>administer your first stances from the trial. Doesn't hurt. It's

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<v Speaker 1>a video of Michael getting these first throws of shines

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<v Speaker 1>three months later. Ready, yeah, let's do it. He was

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<v Speaker 1>dead Friday, March hours. Test subject oh five A Michael Corbyn.

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<v Speaker 1>The other person that you hear in this video is

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<v Speaker 1>dr Abby Reynolds. Here's exposure number one sixty two five

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<v Speaker 1>p r F five seconds. Yes, forward, deep breath. I

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<v Speaker 1>went to see you four days ago and three two

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<v Speaker 1>and it's January four ten am. I just arrived at

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<v Speaker 1>this Meryton House free clinic North for the Sea. The

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<v Speaker 1>interress was on the envelope. Max gave me the one

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<v Speaker 1>that he instructed me to deliver to dr Abby Reynolds

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<v Speaker 1>when they had a check inside for two hundred thousand

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<v Speaker 1>less made after her. Maybe I can get some answers

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<v Speaker 1>out of her, and I see how this classes. Yeah,

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<v Speaker 1>I'm looking for a dr Abby raynams Regni. He was personal,

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<v Speaker 1>have a seat, I'll I don't know. I took a

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<v Speaker 1>seat and crowded way around the room was packed mothers

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<v Speaker 1>with six children, and people sniffling and bleeding. And afterwardmit

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<v Speaker 1>through the way, my head was pounding. I feel around.

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<v Speaker 1>I tried to focus on the window, the world outside,

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<v Speaker 1>and that's the first time I saw it, the gray

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<v Speaker 1>van and all the gas powered forward tinted windows. Maybe

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<v Speaker 1>he used to be blue or green, but he's got

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<v Speaker 1>of pain and faded to a dull grade. This van

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<v Speaker 1>keeps circling the parking lot outside the clinic. It slowed

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<v Speaker 1>down each time it passed by. That's how I knew

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<v Speaker 1>that my grain was coming next. I've suffered severe migraines

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<v Speaker 1>since I was a boy. That the triggers are all different,

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<v Speaker 1>lack of sleep, poor diet, staring at the screen for

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<v Speaker 1>too long because I and I saw multiple doctors but

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<v Speaker 1>none of them had any clue, and I realized that

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<v Speaker 1>if I wanted to find out what what's wrong with

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<v Speaker 1>my head, I would have to diagnose myself. I had

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<v Speaker 1>my own brain. That's what led me to buy an

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<v Speaker 1>engineering and neuroscience. Eventually I discovered there were others like

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<v Speaker 1>me that I have a rare neurological syndrome that causes hallucinations,

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<v Speaker 1>sense redistortion, and panic attacks. Every time it's different except

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<v Speaker 1>for one symptom. I call it the replay. And when

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<v Speaker 1>this replay happens, I experienced repeating patterns. It's not deja

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<v Speaker 1>It's more like a fever dream, like I'm stuck in

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<v Speaker 1>a loop, suspended in the moment of time. Perhaps I

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<v Speaker 1>see a dog almost getting run over by the same

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<v Speaker 1>all three times in a row, while distinctly recall finding

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<v Speaker 1>my lost keys in the launch room right before I

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<v Speaker 1>find my lost keys in the launitary room. In this case,

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<v Speaker 1>it was a great van that just kept passing by

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<v Speaker 1>outside of the window next to where I we're seeing.

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<v Speaker 1>Can I help you, Dr Reynolds? Yes? If Dr Reynolds

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<v Speaker 1>had my braceh accent, if she knew who I really was,

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<v Speaker 1>there's no way in hell she'd ever taught to me,

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<v Speaker 1>you work for Max Fuller, correct, So I had to

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<v Speaker 1>convince her that I was someone else, not anymore. Some

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<v Speaker 1>moving more Three were you're still receiving payments from X corp?

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<v Speaker 1>Or is that hush money? Who are you? We're investigating

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<v Speaker 1>the next corps of the code of Conduct? And for

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<v Speaker 1>other safety concerns. What concerns the human trials, Dr Reynolds,

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<v Speaker 1>specifically the you to deeper instants, lack of post trial

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<v Speaker 1>therapies awards those were offered to the subjects. Look, I

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<v Speaker 1>need to see some I need to see some ideas

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<v Speaker 1>reporting the admission of critical data from the previous round

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<v Speaker 1>animal testing PRESUMA will be so that Max Floyd could

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<v Speaker 1>green light human trials in the first place. And that

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<v Speaker 1>would be where you come in, Dr Reynolds. I need

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<v Speaker 1>to see credentials. Martin Bowman h A. I work with

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<v Speaker 1>Nick Batty and we know about the rats. Dr Reynolds.

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<v Speaker 1>People are always more compliant in person. It's also useful

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<v Speaker 1>to draw for real names. Martin Bowman and Nick Bay

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<v Speaker 1>were real. Bey was the head of the h e A,

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<v Speaker 1>the Human Enhancement Administration. I had that these undivided attention.

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<v Speaker 1>I a lie to do was offer her a way out.

0:15:52.000 --> 0:15:55.640
<v Speaker 1>Dr Reynolds. This doesn't have to get ugly now. You

0:15:55.720 --> 0:15:59.200
<v Speaker 1>wanted to do the right thing. We know that. But

0:15:59.280 --> 0:16:01.640
<v Speaker 1>I definitely need your compliance if and to continue with

0:16:01.680 --> 0:16:05.000
<v Speaker 1>you in good faith, and we need you to help

0:16:05.040 --> 0:16:08.680
<v Speaker 1>piece some things together, put an end to all this

0:16:09.240 --> 0:16:18.240
<v Speaker 1>before anyone else gets hurt. Give me an hour, my

0:16:18.400 --> 0:16:20.880
<v Speaker 1>lunch break. There's a diner a mile up the road.

0:16:22.440 --> 0:16:41.440
<v Speaker 1>We can talk there. M h okay. January four, dr

0:16:41.520 --> 0:16:43.680
<v Speaker 1>Abbey Reynolds has agreed to meet me at this dinner

0:16:43.760 --> 0:16:46.560
<v Speaker 1>down the street from the clinic where she works. She's

0:16:46.600 --> 0:16:54.720
<v Speaker 1>twenty five minutes late. And that's weird. Fan pass the

0:16:54.760 --> 0:16:58.880
<v Speaker 1>same gray fan with the tending wind a sweet it's

0:16:58.920 --> 0:17:02.240
<v Speaker 1>the same one I saw it. Okay, I think I'm

0:17:02.240 --> 0:17:06.919
<v Speaker 1>being followed. I know I'm being paranoiable. Why wouldn't that be?

0:17:08.320 --> 0:17:12.119
<v Speaker 1>And here constant time, your knowledge, good timing. I was

0:17:12.160 --> 0:17:15.399
<v Speaker 1>about to leave a nice place. Can I get you anything?

0:17:15.440 --> 0:17:20.760
<v Speaker 1>This golfee? You should try the strawberry rubar pie. It's great. No, no,

0:17:20.920 --> 0:17:28.600
<v Speaker 1>thank you? Okay, what specifically do you want to know? Well,

0:17:28.720 --> 0:17:30.880
<v Speaker 1>we need to know what happened with the shut eye

0:17:30.920 --> 0:17:39.720
<v Speaker 1>product between the animal testing and the human trials. It

0:17:39.720 --> 0:17:41.840
<v Speaker 1>it had been the most promising advance any of us

0:17:41.840 --> 0:17:44.879
<v Speaker 1>had seen up to that point. After a shitty a

0:17:44.920 --> 0:17:48.480
<v Speaker 1>few months, we couldn't find the right mix to make

0:17:48.520 --> 0:17:51.880
<v Speaker 1>it do what we needed it to do, and what

0:17:51.920 --> 0:17:56.399
<v Speaker 1>did you need it to do? Work? We needed for

0:17:56.480 --> 0:17:59.240
<v Speaker 1>shut Eye to keep its subjects awake and alert without

0:17:59.280 --> 0:18:03.800
<v Speaker 1>any notable effects. The first couple of rounds of trials nothing,

0:18:04.800 --> 0:18:08.040
<v Speaker 1>I mean nothing except a bunch of lab rats with

0:18:08.080 --> 0:18:14.000
<v Speaker 1>heart palpitations. Finn and Max were beside themselves. We argued

0:18:14.000 --> 0:18:17.879
<v Speaker 1>about whether even bother with a fourth trial, but Finn

0:18:17.920 --> 0:18:25.879
<v Speaker 1>insisted calmly yes, he's next corpse lead engineer. And it worked.

0:18:27.280 --> 0:18:29.840
<v Speaker 1>Max and Finn made an upgrade to the nanite sequencing,

0:18:30.040 --> 0:18:36.080
<v Speaker 1>and it worked like a charm at first. What happened

0:18:36.080 --> 0:18:49.240
<v Speaker 1>next it was disturbing. I'm listening. The rats became agitated.

0:18:50.200 --> 0:18:55.720
<v Speaker 1>They began repeating these odd behavior patterns, some running in circles,

0:18:56.000 --> 0:18:59.119
<v Speaker 1>others moving incessantly from one side of the cage to

0:18:59.200 --> 0:19:02.359
<v Speaker 1>the other. Some nod at the cage lining until their

0:19:02.400 --> 0:19:06.399
<v Speaker 1>teeth broke. Then one of the rats, the one we

0:19:06.520 --> 0:19:11.320
<v Speaker 1>called Algernon, he was the alpha. He just sat there,

0:19:12.600 --> 0:19:23.680
<v Speaker 1>staring into space for hours until he snapped. Snapped. I

0:19:23.760 --> 0:19:26.400
<v Speaker 1>came in that morning and realized some of the animals

0:19:26.400 --> 0:19:30.760
<v Speaker 1>had showed their own paws and tails off blood everywhere,

0:19:31.600 --> 0:19:40.119
<v Speaker 1>and then Algernon. He was still sitting there, motionless, staring

0:19:40.160 --> 0:19:46.160
<v Speaker 1>at his own reflection, and I opened the blinds. As

0:19:46.160 --> 0:19:48.840
<v Speaker 1>soon as the daylight hit the cage. Algernon started charging

0:19:48.840 --> 0:19:55.720
<v Speaker 1>the glass, slamming his head into it, repeatedly attacking his

0:19:55.800 --> 0:20:01.800
<v Speaker 1>own reflection. Everything a rooted quickly after that. They began

0:20:03.080 --> 0:20:07.960
<v Speaker 1>attacking each other. IM terminated this rounder testing eating each other.

0:20:09.080 --> 0:20:14.280
<v Speaker 1>This is alive. I've never seen anything like this. That

0:20:14.359 --> 0:20:19.720
<v Speaker 1>was at two forty hours without sleep. Oh my god.

0:20:21.320 --> 0:20:25.000
<v Speaker 1>We euthanized them, discarded the remains, and then we had

0:20:25.040 --> 0:20:29.040
<v Speaker 1>the meeting. Finn was pretty horrified too, but it wasn't

0:20:29.040 --> 0:20:33.680
<v Speaker 1>as concerned about the broader implications. He thought that there

0:20:33.760 --> 0:20:37.480
<v Speaker 1>was enough there to continue on, maybe tweak the product

0:20:37.520 --> 0:20:40.280
<v Speaker 1>and begin new trials by new rats. I think he

0:20:40.320 --> 0:20:43.320
<v Speaker 1>was under extreme pressure. I think Max and Finn had

0:20:43.320 --> 0:20:45.560
<v Speaker 1>been funneling their own money into this phase and they

0:20:45.560 --> 0:20:51.040
<v Speaker 1>were underwater, so Finn was optimistic by default. Maybe move

0:20:51.080 --> 0:20:54.600
<v Speaker 1>on to chimpanzee. Something closer to humans anatomically. He said,

0:20:54.840 --> 0:20:57.440
<v Speaker 1>what about Dr Berkley, What does she have to say

0:20:57.440 --> 0:21:01.879
<v Speaker 1>about all this cass She agreed that we needed a

0:21:01.920 --> 0:21:06.560
<v Speaker 1>more complex subject, something about a cognitive line that rodents

0:21:06.600 --> 0:21:10.440
<v Speaker 1>couldn't cross, but that humans could. So sleep disruption caused

0:21:11.359 --> 0:21:17.320
<v Speaker 1>different issues and rodents than it did in humans. Everyone

0:21:17.440 --> 0:21:21.439
<v Speaker 1>had their theories. I was against it, I told them so.

0:21:21.560 --> 0:21:26.480
<v Speaker 1>I told them it was cruel. What about Max? I

0:21:26.520 --> 0:21:28.720
<v Speaker 1>think I actually had Finn seeing my point of view

0:21:28.720 --> 0:21:31.359
<v Speaker 1>before Max stepped in and he convinced a team to

0:21:31.359 --> 0:21:34.960
<v Speaker 1>do another trial. Yes, he said that he thought we

0:21:34.960 --> 0:21:43.040
<v Speaker 1>were ready for chimps, humans humans after what happened with

0:21:43.040 --> 0:21:45.639
<v Speaker 1>the rats. He said that we would hedge our bets,

0:21:46.040 --> 0:21:48.800
<v Speaker 1>play it safe, that that we wouldn't go anywhere near

0:21:48.840 --> 0:21:51.600
<v Speaker 1>the threshold that we'd taken the rats. Three hours was

0:21:51.800 --> 0:21:55.800
<v Speaker 1>too much. We all knew it was. We had made

0:21:55.920 --> 0:21:59.520
<v Speaker 1>a breakthrough. It was so big, and after we'd worked

0:21:59.560 --> 0:22:02.320
<v Speaker 1>so hard hard, we were so close. But there was

0:22:02.400 --> 0:22:08.960
<v Speaker 1>something else going on with Max. What he was different?

0:22:10.359 --> 0:22:12.800
<v Speaker 1>His face, his voice, What do you mean like I

0:22:12.840 --> 0:22:18.240
<v Speaker 1>said of him? You've never seen No, No, it was physical, primal.

0:22:19.240 --> 0:22:23.560
<v Speaker 1>His pupils were dilated his His eyes were like black holes.

0:22:24.440 --> 0:22:29.280
<v Speaker 1>The way he looked at me, he had this almost

0:22:29.280 --> 0:22:33.240
<v Speaker 1>a smile, a hideous kind of smile on his face.

0:22:36.320 --> 0:22:41.399
<v Speaker 1>It wasn't Max, I'm not following. Why did he do something?

0:22:45.760 --> 0:22:52.840
<v Speaker 1>But I was scared you know what he might do? Okay,

0:22:52.840 --> 0:22:56.080
<v Speaker 1>he scares your applied him threat shirt. But that doesn't

0:22:56.119 --> 0:22:58.720
<v Speaker 1>change the fact that you went along. No, I didn't

0:22:58.800 --> 0:23:01.560
<v Speaker 1>look at human trials. No, what could happen? I made

0:23:01.720 --> 0:23:06.639
<v Speaker 1>Finn swear that he wouldn't take things as far Finnce

0:23:06.680 --> 0:23:10.720
<v Speaker 1>war to me news war news war two. Dr Reynalds

0:23:11.200 --> 0:23:14.080
<v Speaker 1>hippocratic oath. Look, if you want answers, you need to

0:23:14.119 --> 0:23:19.600
<v Speaker 1>talk to him, not me. Tomorrow, Jessa April night, Michael Corbin.

0:23:19.920 --> 0:23:23.160
<v Speaker 1>These people were under your care in next corporate. Now

0:23:23.200 --> 0:23:30.439
<v Speaker 1>they are all dead. So what now? Let me settle

0:23:30.520 --> 0:23:34.399
<v Speaker 1>up and then we can discuss next steps. You know,

0:23:34.480 --> 0:23:40.320
<v Speaker 1>blackmail is a federal offense. Docs Reynalds, we can protect you.

0:23:45.320 --> 0:23:47.439
<v Speaker 1>As I stepped to the register and forced myself to

0:23:47.520 --> 0:23:50.639
<v Speaker 1>take a deep breath on the number one rule the

0:23:50.680 --> 0:23:55.080
<v Speaker 1>corn is not to let emotions interfere. Nah. Never let

0:23:55.160 --> 0:23:58.200
<v Speaker 1>him read you as a confidence game with his time.

0:23:59.640 --> 0:24:04.800
<v Speaker 1>It was personal my brother was dead, and I almost cracked.

0:24:05.320 --> 0:24:07.720
<v Speaker 1>Remember as I swiped the page, my handle was shaking

0:24:08.080 --> 0:24:11.320
<v Speaker 1>another piece of strawberry Rybard pie. The girl please, I

0:24:11.400 --> 0:24:13.360
<v Speaker 1>made a bill and waited for the guy to put

0:24:13.359 --> 0:24:16.480
<v Speaker 1>my slice of Pierre to go box. That was it.

0:24:17.280 --> 0:24:20.159
<v Speaker 1>They are played back this recording and timed it out.

0:24:20.680 --> 0:24:23.080
<v Speaker 1>I was gone from the table for exactly three minutes

0:24:23.080 --> 0:24:25.879
<v Speaker 1>and thirty seven seconds. When I came back to the table,

0:24:27.480 --> 0:24:30.840
<v Speaker 1>she was gone. The purse was lying on his side

0:24:30.840 --> 0:24:33.600
<v Speaker 1>on the floor because metics and keys spitting out into

0:24:33.640 --> 0:24:36.560
<v Speaker 1>the aisles. Her raincoats still there, dripped over her now

0:24:36.680 --> 0:24:42.600
<v Speaker 1>vacant chair. But she was gone, hard ship man. Then

0:24:42.640 --> 0:24:48.159
<v Speaker 1>I saw it right. What the message was? Rearing a

0:24:48.280 --> 0:24:53.720
<v Speaker 1>lipstick on a white blade? What's this box? First line

0:24:53.840 --> 0:24:58.720
<v Speaker 1>box happy, next line abby n C, next line a

0:24:59.000 --> 0:25:02.000
<v Speaker 1>LG for the advice of other indecipherable markings? How is this?

0:25:04.640 --> 0:25:09.040
<v Speaker 1>Dr Reynolds was trying to tell me something before she

0:25:09.200 --> 0:25:20.040
<v Speaker 1>ran off time ship Oh the vander vand Van de

0:25:20.119 --> 0:25:37.600
<v Speaker 1>Van the great fan sitty h plea overrighte man, you areverrighte.

0:25:51.840 --> 0:25:53.760
<v Speaker 1>Get out of the way, Get the hell out my way. Go.

0:26:17.920 --> 0:26:23.040
<v Speaker 1>Tomorrow's Monsters, starring John Boyega as Jack Locke, Darren Chris

0:26:23.040 --> 0:26:27.439
<v Speaker 1>as Max Fuller, Marley Shelton as Cass Berkeley, Clark Gregg

0:26:27.640 --> 0:26:32.040
<v Speaker 1>as Walter Fuller, saw and Guja as David Truesdale, Nicholas

0:26:32.040 --> 0:26:36.400
<v Speaker 1>Takowski as Finn Connolly, Claire Bronson as dr Abbe Reynolds,

0:26:36.800 --> 0:26:41.000
<v Speaker 1>David Chen as Michael Corbin, su Hila Eltar as Jenna,

0:26:41.640 --> 0:26:46.320
<v Speaker 1>Victor Rivera as Eddie Binder, Robert Pralgo as Agent Batty,

0:26:46.800 --> 0:26:51.159
<v Speaker 1>Steve Coulter as Senator Berkeley, wrote A. Griffiths as Rainy Webb,

0:26:51.520 --> 0:26:55.800
<v Speaker 1>with additional performances by Helen Abel, Jason Williams, Michael Anthony,

0:26:56.119 --> 0:27:00.520
<v Speaker 1>Robin Bloodworth, and Teresa Davis. Our first assist and director

0:27:00.640 --> 0:27:03.720
<v Speaker 1>is Michael Monty. Our second assistant director is Sarah Klein.

0:27:04.600 --> 0:27:08.359
<v Speaker 1>Sound and music by Ben Lovett. Additional sound design and

0:27:08.520 --> 0:27:13.520
<v Speaker 1>editing by Benjamin Belcolm, Justin Riboski and Mike Reagan. Casting

0:27:13.680 --> 0:27:17.160
<v Speaker 1>by Jessica Fox thig Been. This episode features the song

0:27:17.320 --> 0:27:21.200
<v Speaker 1>through the Eyes from the album Mirages by Michelle Nobler.

0:27:21.800 --> 0:27:26.200
<v Speaker 1>Our executive producers are Scott Sheldon, Shelby Thomas, Alexander Williams,

0:27:26.280 --> 0:27:30.280
<v Speaker 1>and Matthew Frederick. Written by dan Bush and Nicholas Takowski.

0:27:31.280 --> 0:27:35.600
<v Speaker 1>Created by dan Bush and Conald Byrne, Directed by Dan Bush,

0:27:36.240 --> 0:27:41.040
<v Speaker 1>Produced by both Flint dan Bush and John Bleega. Tomorrow's

0:27:41.119 --> 0:27:44.560
<v Speaker 1>Monsters is a production of Igheart Radio, Flynn Picture Company,

0:27:44.640 --> 0:27:49.280
<v Speaker 1>Psychopia Pictures, and Upper Room Productions. For more podcasts from

0:27:49.320 --> 0:27:53.640
<v Speaker 1>My Heart Radio, visit the iHeart Radio app, Apple Podcasts,

0:27:53.920 --> 0:27:55.840
<v Speaker 1>or wherever you listen to podcasts.