WEBVTT - Laughing And Learning with James Hannaham

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<v Speaker 1>He shot, he shoot, he shot. Laugh. If you watch

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<v Speaker 1>Coffee Time the Baby, you know the name Flame, my

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<v Speaker 1>role also known as my role Flame. Come in with

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<v Speaker 1>last and come in with Don love Lunds. Baby, you

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<v Speaker 1>better catch it when you can't drop a knowledge from

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<v Speaker 1>Fatherhood of politics, shouting now comics just paying homics. What's up? Tip?

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<v Speaker 1>Yeah you know she raped shot Towns on speaking to

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<v Speaker 1>the grown a second. We're gonna last cut of the

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<v Speaker 1>kicking and at the end we leave, which is a

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<v Speaker 1>lift dispirite like you want to revisit. So your first

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<v Speaker 1>like a listen to Jill. Folks like you slip all

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<v Speaker 1>folks that we take this. Do what you do, do

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<v Speaker 1>what you do, do what I do. Hey, Hey, Hey,

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<v Speaker 1>this is comedian Flame Monroe and welcome to this week's

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<v Speaker 1>episode of Laugh and Learn. This is a special episode

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<v Speaker 1>because I'm just coming through the whole last week and

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<v Speaker 1>it's I'm going to talk about some other topics. I

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<v Speaker 1>have a very special guest this week. But I want

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<v Speaker 1>to do I do want to embark on um the

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<v Speaker 1>fact that of uh uh god, my man just went blank.

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<v Speaker 1>Uh Terry Nichols in Memphis, Tennessee. I applaud the black

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<v Speaker 1>female um police chief there in Memphis, Tennessee, for making

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<v Speaker 1>such swift and quick actions on arresting the culprits. The

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<v Speaker 1>murderers is what I'm going to call them. And now

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<v Speaker 1>the story is unfolding more and more that the story.

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<v Speaker 1>It was personal with one of the officers. So as

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<v Speaker 1>this story unfolds, we will talk about that later on

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<v Speaker 1>the next episode of Left Learned, But that's not what

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<v Speaker 1>this episode is about. Thank you guys for joining me

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<v Speaker 1>in Hello, this is flaiming Roy y'all remember y'all being

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<v Speaker 1>Yonkers New York made four through six Sinkle to my

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<v Speaker 1>O Weekend. Get your tickets at Yonker's Comedy Club website

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<v Speaker 1>and March thirty one two April. First, I would be

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<v Speaker 1>at Tommy Teeth in Pleasanton, California. And every Monday night,

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<v Speaker 1>each and every I am at the world famous Laugh

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<v Speaker 1>Factory on Sunset Boulevard for free voices. And we have

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<v Speaker 1>the absolute best energy and best show in Southern California.

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<v Speaker 1>And if you don't believe me, I got a witness

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<v Speaker 1>that's gonna come on in a minute and tell y'all

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<v Speaker 1>Hi host. Now I got a co host. His name

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<v Speaker 1>is Mr Memphis. Will we have a great banger. He's

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<v Speaker 1>a good guy. It's just a great energy. If you

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<v Speaker 1>come to have a great time, you will have a

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<v Speaker 1>great time. If you come so you won't leave sal

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<v Speaker 1>you'll leave a little sweeter and then you can just

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<v Speaker 1>be sold when you get back outside. Allowed so around me.

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<v Speaker 1>But other than that, if you want to hear my

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<v Speaker 1>voice all the time, I did last So last year

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<v Speaker 1>I had the experience of working with this young man

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<v Speaker 1>and it was my very first time of doing an

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<v Speaker 1>honorable book an audio And the name of the book

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<v Speaker 1>is didn't nobody to give a ship about what what

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<v Speaker 1>happened to Carolina? Get what happened to call? That's James

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<v Speaker 1>in the background. He always corrects red leather, yellow leather.

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<v Speaker 1>So and it was my first time actually doing an

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<v Speaker 1>audible book. And so he saw me on Tiffoty Hattish

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<v Speaker 1>as they written and he was like, I just knew

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<v Speaker 1>that you were Colada. We're gonna get into this. So

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<v Speaker 1>before we go any further, I want to introduce my friend,

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<v Speaker 1>a wonderful author. He is a creative writer. He's a

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<v Speaker 1>creative writing philosopher, a professor. Professor. You know my worries

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<v Speaker 1>is off right, Um, I could be a philosopher too

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<v Speaker 1>if you want. Just the wonderful man. And he was

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<v Speaker 1>patient with me and kind, and we have a book

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<v Speaker 1>out and I did audible, but he's the author, and

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<v Speaker 1>all the other voices that you hear in the audible

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<v Speaker 1>outside of Calatio Mercedes is the talented Mr James Hannahan. So,

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<v Speaker 1>without further ado, ladies and gentlemen, please welcome to the

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<v Speaker 1>show here at Laughlan my very special guest, Mr James Hannahan,

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<v Speaker 1>high Flame. Thank you so much for inviting me to

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<v Speaker 1>this um little party, this little private party. Um, it's

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<v Speaker 1>uh terrific to be here. It's terrific to see you

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<v Speaker 1>on stage for the first time last night, and there

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<v Speaker 1>was a lot of flame, which I was really happy.

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<v Speaker 1>I was like, is flame just gonna do like a

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<v Speaker 1>ten in that thing? And go? I was overjoy of it.

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<v Speaker 1>It was like your jam and you were hosting and

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<v Speaker 1>and also doing your stand up. It was just really

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<v Speaker 1>really fun. And I mean, I think almost anything that

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<v Speaker 1>comes out of your mouth it's hilarious. He let's know

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<v Speaker 1>that already, but oh don't, because when we were making

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<v Speaker 1>the book that first that you didn't think. So, so

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<v Speaker 1>let me tell you all tout because I told the

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<v Speaker 1>flame best is I don't laugh on my on my

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<v Speaker 1>coffee time, I say, oh my god. It was a

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<v Speaker 1>hard experience because it was new for me. But James,

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<v Speaker 1>you was so patient and you work with me. But

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<v Speaker 1>I'm gonna tell you all the truth. James was sad

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<v Speaker 1>and the hell out of me because y'all know we

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<v Speaker 1>was in like a fat back. They stuck together the time,

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<v Speaker 1>and he was like, bitch, if you don't get it right,

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<v Speaker 1>I'm going to I want to say it. But I

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<v Speaker 1>was so determined too, because I all the look on

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<v Speaker 1>James's face, and there was one time, James, you looked

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<v Speaker 1>at me and you were so frustrated, and I'm telling

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<v Speaker 1>you in my head, I was like, oh my god,

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<v Speaker 1>I don't know if I'm the right person for this.

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<v Speaker 1>But when I drove home after the first day, I

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<v Speaker 1>was like, I got to get better. And the next

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<v Speaker 1>morning I started off as ragging as I did the

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<v Speaker 1>first day, but a couple of hours in we just

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<v Speaker 1>got some kind of rhythm. I think it was when

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<v Speaker 1>you told me, James, like, let's go to the person

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<v Speaker 1>who's on stage now. The only thing that's hard about

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<v Speaker 1>that is that because you saw me last night. I'm

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<v Speaker 1>so used to moving around and my hand movements and

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<v Speaker 1>and you know you can't do that when you do audible.

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<v Speaker 1>But you that right there, whatever you said to me

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<v Speaker 1>on that, when you said that to me, it made

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<v Speaker 1>me go into a space of like, Okay, bitch, your

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<v Speaker 1>own stage, deliver right, because I mean, even though you

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<v Speaker 1>can't see the audience, they're they're they're out there, They're

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<v Speaker 1>just you just can't. You just don't know exactly how

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<v Speaker 1>they're going to react to every last thing. Um, But

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<v Speaker 1>I'm a cover audience, so you know, you have it

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<v Speaker 1>easy with them. You don't have it easy with me.

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<v Speaker 1>But I mean, you you keep saying this, but there

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<v Speaker 1>really wasn't anybody who was any better. It was like,

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<v Speaker 1>you know, they were it was gonna be you or

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<v Speaker 1>I was going to do the whole thing. And I

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<v Speaker 1>really didn't want to do the whole thing because I

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<v Speaker 1>kind of no I kind of could have done it.

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<v Speaker 1>I could have spoken in the words of Carlatta, but

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<v Speaker 1>what I really wanted was to do, like, you know,

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<v Speaker 1>a dialogue between myself and someone who is part of

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<v Speaker 1>the trans community. It was just really important to me,

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<v Speaker 1>and like My publisher was sort of a little pushing

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<v Speaker 1>back about that, UM, but I was like, I think

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<v Speaker 1>it's really important, um too for people to understand that

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<v Speaker 1>not only is this a book that I wrote, it's

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<v Speaker 1>a role that someone can play that can be you know,

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<v Speaker 1>helpful in terms of advocacy and entertainment and also you know,

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<v Speaker 1>just to like center the life of somebody who is

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<v Speaker 1>trans um in a context in which it doesn't happen

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<v Speaker 1>often enough. Let me ask you a question, James, So

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<v Speaker 1>where did Carlotta come from? Was there was this a

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<v Speaker 1>character you hear? It was just someone who you grew

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<v Speaker 1>up with. I mean, because it comes from somewhere. It's

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<v Speaker 1>it's hard to really say. I think, you know, I

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<v Speaker 1>spent a lot of time in the nineties like going

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<v Speaker 1>out to shows a gay bars and stuff, and at

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<v Speaker 1>the time there was much more of a like gray

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<v Speaker 1>area between who was trans and who was a drag queen,

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<v Speaker 1>and everybody was on stage and everybody, you know, was

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<v Speaker 1>being frank about all kinds of things, and I, you know,

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<v Speaker 1>I just I have a good ear for a language, um,

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<v Speaker 1>and so I picked up a lot of that kind

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<v Speaker 1>of thing, and it's it's sort of you know, and

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<v Speaker 1>I would kind of do it myself sometimes when the

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<v Speaker 1>when the the feeling struck, and I mean, I guess

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<v Speaker 1>it's just it was just kind of there. I mean,

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<v Speaker 1>Carlotta just kind of jumped out of my head at

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<v Speaker 1>a certain point. Um. Years ago, I wrote a story

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<v Speaker 1>that was kind of in a similar sort of voice.

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<v Speaker 1>It was about UM. I had seen I had seen

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<v Speaker 1>this episode. I think it was a Mari Povich and

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<v Speaker 1>there were these um trans girls, um who. It was

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<v Speaker 1>one of those episodes where they were trying to exploit

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<v Speaker 1>the shock value of like, you know, the realness, you know,

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<v Speaker 1>girls who were like not colockable um coming out on

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<v Speaker 1>national television to like really straight, doggy type dudes. And

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<v Speaker 1>they did that and they there was a riot on stage.

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<v Speaker 1>It was like baits through everything everywhere, And you do

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<v Speaker 1>you don't remember this? Said, you didn't see this episode?

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<v Speaker 1>It was nuts or is it a man or a woman?

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<v Speaker 1>His whole entire career was or you a man or woman?

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<v Speaker 1>So I couldn't tell you which one it was because

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<v Speaker 1>it was I know, but these were black girls, So

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<v Speaker 1>I was particularly interested UM. And so I wrote this

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<v Speaker 1>story that was like Michael things always was, how these

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<v Speaker 1>men say that they didn't know this woman with trans

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<v Speaker 1>that they slept with him. Stevie wanted to get thirteen

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<v Speaker 1>keys and man, baby mamas. He ain't never seen a vagina,

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<v Speaker 1>but he never made that mistake either, Good blood Jesus. Anyway,

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<v Speaker 1>I wrote the story that was. It was in the

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<v Speaker 1>form of an apology letter written by somebody who had

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<v Speaker 1>been involved in that, just saying, oh, I'm so sorry

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<v Speaker 1>that those men lost their minds over this um and

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<v Speaker 1>it's kind of ana. But I knew I was. I

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<v Speaker 1>always kind of knew that I was going to come

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<v Speaker 1>back to it at some point. Oh sent me the script, James,

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<v Speaker 1>because James the Carlott is the character originally had a

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<v Speaker 1>Brooklyn dialect. So James sent me the manuscript and paper

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<v Speaker 1>I printed out out in paper form. So I thought

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<v Speaker 1>that there were a bunch of typos in this. So

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<v Speaker 1>I went through with my thing, and I did all

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<v Speaker 1>the type of right what I had with typos. Where

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<v Speaker 1>was actually the dialect? Oh my god, it was. It

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<v Speaker 1>was UNI called African American um vernacular English. Oh they yeah, no,

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<v Speaker 1>I you speak correctly. And I still go back to

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<v Speaker 1>what I want to talk about, how I want to talk.

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<v Speaker 1>But when carlt is when I read the story and

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<v Speaker 1>I was like, oh my god, this woman has so

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<v Speaker 1>many similarities, so many parallels to my actual life. You know,

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<v Speaker 1>I had no idea until we met and you told me, yeah,

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<v Speaker 1>I mean I only saw your stand up and I

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<v Speaker 1>was like, that is the sensibility that that car Lot.

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<v Speaker 1>That's exactly the sensibility that car Lotta has, just to

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<v Speaker 1>kind of like, you know, no Fox left, you know,

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<v Speaker 1>funny as how um survivor. And I said, you know,

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<v Speaker 1>I want this person. I want this we to to

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<v Speaker 1>be the voice of Carlotta um come come, hell or

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<v Speaker 1>high water. It was a wonderful opportunity. It kicked my

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<v Speaker 1>but but I'm telling you the payoff now is that

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<v Speaker 1>it's doing so well. And I'm so happy that it's

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<v Speaker 1>doing so well for you, James, because in my head,

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<v Speaker 1>in my heart, I am such a bit. But when

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<v Speaker 1>I work for somebody and they believe in me, in

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<v Speaker 1>my head, all I could think about is I must

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<v Speaker 1>do a good job for this person because they hired

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<v Speaker 1>me to do this project. That's how I thought. What

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<v Speaker 1>they ready. But that's how I think, well anything when

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<v Speaker 1>somebody gives me an opportunity and say I don't want

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<v Speaker 1>anybody else to do this, but you, I really want you.

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<v Speaker 1>So then I get in my head to say beat you,

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<v Speaker 1>gotta kill you, got to kill it so great and

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<v Speaker 1>come and and so when James and I were talking,

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<v Speaker 1>because Carlado originally was supposed to have been a Brooklyn dialect,

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<v Speaker 1>we know, I mean she does, she still does. It's

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<v Speaker 1>just you know, you you're from Arkansas. And there were

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<v Speaker 1>moments at which Arkansas me into the mix a little

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<v Speaker 1>bit too much, and I had to say, let's bring

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<v Speaker 1>it to New York. But nobody, you know, nobody. There's

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<v Speaker 1>there's a lot of overlap between you know, Black English

0:13:10.880 --> 0:13:14.320
<v Speaker 1>all over the country. UM. And you know, the Great

0:13:14.360 --> 0:13:17.679
<v Speaker 1>Migration brought so many black folks from the South to

0:13:17.800 --> 0:13:22.400
<v Speaker 1>the North. Um. You know my parents generation included, UM.

0:13:23.000 --> 0:13:25.599
<v Speaker 1>And so you know there's there. There doesn't have to

0:13:25.679 --> 0:13:29.360
<v Speaker 1>be that. I don't think anybody's gonna split hairs about

0:13:29.640 --> 0:13:35.880
<v Speaker 1>that except me. And not that much. Wasn't Jeff Forest book?

0:13:35.920 --> 0:13:38.400
<v Speaker 1>What was? What was your other books? Jaye? My first

0:13:38.440 --> 0:13:42.640
<v Speaker 1>book is called God Says No, and it's about uh,

0:13:43.200 --> 0:13:47.520
<v Speaker 1>a fat closet case from South Carolina black man who

0:13:47.679 --> 0:13:50.920
<v Speaker 1>is does a lot of really ridiculous things to try

0:13:51.000 --> 0:13:56.760
<v Speaker 1>to cure himself of his homosexuality. It's a little comical

0:13:56.920 --> 0:14:02.640
<v Speaker 1>but also kind of you know, sad um. And my

0:14:02.760 --> 0:14:08.240
<v Speaker 1>second book is called Delicious Foods and the short answer

0:14:08.280 --> 0:14:11.480
<v Speaker 1>about what it's about is human trafficking, but human trafficking

0:14:11.600 --> 0:14:15.120
<v Speaker 1>in the United States among black people in the South

0:14:16.080 --> 0:14:21.160
<v Speaker 1>in the nineties. Right. So I found out reading this

0:14:21.280 --> 0:14:25.160
<v Speaker 1>book that was like true stories about labor abuse around

0:14:25.160 --> 0:14:27.640
<v Speaker 1>the world, and there was in it. In it there

0:14:27.760 --> 0:14:31.080
<v Speaker 1>was a story of this woman who was enflaved pretty much,

0:14:31.560 --> 0:14:33.800
<v Speaker 1>although they didn't call it that, right, So they just

0:14:34.000 --> 0:14:36.680
<v Speaker 1>you know, held you against your will and didn't pay

0:14:36.760 --> 0:14:44.880
<v Speaker 1>you at this farm in Florida in and I lost

0:14:45.280 --> 0:14:48.520
<v Speaker 1>my mind. I was like, I have been looking around for,

0:14:49.200 --> 0:14:52.200
<v Speaker 1>you know, some way to address the legacy of slavery

0:14:52.920 --> 0:14:56.200
<v Speaker 1>in fiction, right, And I thought one of the problems

0:14:56.280 --> 0:14:58.520
<v Speaker 1>that a lot of people run into is that, you know,

0:14:58.800 --> 0:15:02.960
<v Speaker 1>if you write something that's literally about antibellum slavery, um,

0:15:03.200 --> 0:15:06.360
<v Speaker 1>you run the risk of people thinking that it's just

0:15:06.480 --> 0:15:09.360
<v Speaker 1>about the past and like, you know, they don't have

0:15:09.440 --> 0:15:12.280
<v Speaker 1>to worry about it anymore, and you know, people are

0:15:12.400 --> 0:15:15.160
<v Speaker 1>over it. But When I found out about that story,

0:15:15.240 --> 0:15:17.080
<v Speaker 1>I was like, oh, ship, it doesn't have to be

0:15:17.160 --> 0:15:21.680
<v Speaker 1>a period piece. This ship is still going on. Black

0:15:21.760 --> 0:15:25.800
<v Speaker 1>people are still being enslaved in bus South in our

0:15:26.000 --> 0:15:30.960
<v Speaker 1>contemporary world. Yeah, is that called indentured? Servit too? I'm, I'm,

0:15:31.000 --> 0:15:35.120
<v Speaker 1>I'm and I'm it's no, it's modern slavery is what

0:15:35.200 --> 0:15:41.800
<v Speaker 1>it's called. Yes, I know, right, you know what I

0:15:42.000 --> 0:15:44.400
<v Speaker 1>was like, No, no, no, no, no no no no

0:15:44.560 --> 0:15:48.080
<v Speaker 1>no no no, not that saying that the joke made.

0:15:48.120 --> 0:15:50.600
<v Speaker 1>It takes me back to Alex Thomas's joke last night

0:15:50.840 --> 0:15:53.320
<v Speaker 1>when he was talking about I was trying to bring

0:15:53.400 --> 0:15:57.600
<v Speaker 1>back Peek and Cutton for a hundred I wouldn't give

0:15:57.600 --> 0:16:00.720
<v Speaker 1>a damn if it was bad million. I'm not picking up.

0:16:03.840 --> 0:16:05.440
<v Speaker 1>I was gonna say, I would do it for like

0:16:06.160 --> 0:16:09.360
<v Speaker 1>a month or like, I don't know, a little while,

0:16:10.000 --> 0:16:12.160
<v Speaker 1>just to get the money and then give the money

0:16:12.800 --> 0:16:17.560
<v Speaker 1>to some charity. You know that's against labor abuse like that.

0:16:18.080 --> 0:16:24.040
<v Speaker 1>I mean, you know, it's dangerous to even entertain as

0:16:24.080 --> 0:16:27.520
<v Speaker 1>a thought experiment, like, you know, an idea like that,

0:16:27.760 --> 0:16:32.880
<v Speaker 1>especially under Trump. I can't even imagine. I fine, I

0:16:32.920 --> 0:16:35.600
<v Speaker 1>can only I can only imagine if there's like a

0:16:35.720 --> 0:16:40.560
<v Speaker 1>parallel in some you know some you know, a foreign country,

0:16:41.520 --> 0:16:46.040
<v Speaker 1>um where where people are just under the thumb of

0:16:46.160 --> 0:16:48.840
<v Speaker 1>some dictator. Like that's the only way I can imagine that.

0:16:49.520 --> 0:16:52.480
<v Speaker 1>And James, well, you were a world traveler and Jame

0:16:52.560 --> 0:16:53.920
<v Speaker 1>is a food kind of so let me tell you

0:16:54.080 --> 0:16:58.440
<v Speaker 1>they uh but and he's they what what I'm trying

0:16:58.440 --> 0:17:00.120
<v Speaker 1>to remember exactly what you tell me? What you were

0:17:00.160 --> 0:17:03.480
<v Speaker 1>about water? What was your your philosophy about water? Oh,

0:17:03.560 --> 0:17:07.159
<v Speaker 1>my husband says, I'm a I'm a snob about water. No, no, no,

0:17:07.320 --> 0:17:09.320
<v Speaker 1>you called it something else. You are a water critic

0:17:09.520 --> 0:17:12.840
<v Speaker 1>or you are No, I didn't say critic. What did

0:17:12.920 --> 0:17:15.560
<v Speaker 1>you say? I don't I don't remember. I just sometimes

0:17:15.640 --> 0:17:17.240
<v Speaker 1>I just use words and people are like, what was

0:17:17.320 --> 0:17:20.640
<v Speaker 1>that word? Different? Like I just used it. I don't

0:17:20.680 --> 0:17:24.080
<v Speaker 1>know what you mean. Just use words. Filming and you

0:17:24.280 --> 0:17:27.520
<v Speaker 1>uh at taping and you said I'm a water connoisseur

0:17:27.880 --> 0:17:30.480
<v Speaker 1>waters was that might have been it? Yeah, it was

0:17:30.560 --> 0:17:33.040
<v Speaker 1>something like that because you drink and so James says,

0:17:33.080 --> 0:17:35.439
<v Speaker 1>traveled the world. So, James, what's your what is your

0:17:35.520 --> 0:17:38.040
<v Speaker 1>favorite place to go and eat? Where is your favorite place?

0:17:38.040 --> 0:17:42.640
<v Speaker 1>I'm sorry you're go and eat? Um Legacy did well.

0:17:44.240 --> 0:17:50.280
<v Speaker 1>In December, I was in Indonesia, UM, and Indonesia. Indonesia

0:17:50.320 --> 0:17:53.439
<v Speaker 1>prood is actually one of my favorites um and one

0:17:53.440 --> 0:17:55.000
<v Speaker 1>of the group. And it's kind of hard to get

0:17:55.040 --> 0:17:58.120
<v Speaker 1>in New York. Um, it's possible, but it's like it's

0:17:58.160 --> 0:18:00.960
<v Speaker 1>not like it's not as ubiquitous as like high restaurants

0:18:01.000 --> 0:18:04.359
<v Speaker 1>or whatever. Um, but there was there was always like

0:18:04.520 --> 0:18:08.159
<v Speaker 1>some Indonesian food on whatever menu. UM. Even if you

0:18:08.280 --> 0:18:10.760
<v Speaker 1>were at like a hotel, there would always be like

0:18:10.920 --> 0:18:13.280
<v Speaker 1>off to the side or like in in with the

0:18:13.359 --> 0:18:16.960
<v Speaker 1>rest of the restaurants. And it's it's just like really

0:18:17.040 --> 0:18:21.560
<v Speaker 1>spicy and UM. They do noodles and they do like

0:18:22.040 --> 0:18:27.200
<v Speaker 1>grilled meat stuff and it's just it's a really delicious

0:18:28.160 --> 0:18:38.159
<v Speaker 1>um set of of um cuisine things what I mean. Um, yeah, So,

0:18:38.400 --> 0:18:40.760
<v Speaker 1>I mean I really love that we ate really well

0:18:40.840 --> 0:18:43.760
<v Speaker 1>in Mexico too. I feel like we did not have

0:18:43.880 --> 0:18:48.280
<v Speaker 1>a bad meal in Mexico. Yeah yeah, yeah, but just

0:18:48.440 --> 0:18:55.520
<v Speaker 1>don't drink that water at least that at the well.

0:18:55.640 --> 0:18:58.360
<v Speaker 1>I mean maybe if you're having you know, issues, it's

0:18:58.400 --> 0:19:02.760
<v Speaker 1>a good thing. Clean it all out. No, I don't

0:19:02.760 --> 0:19:04.359
<v Speaker 1>think it's a good it's like, you know, one of

0:19:04.400 --> 0:19:07.280
<v Speaker 1>the micro rooms. That's really the problem. It's nothing, you know,

0:19:07.359 --> 0:19:09.920
<v Speaker 1>it was just a laxidents that would be fine, Oh

0:19:10.000 --> 0:19:13.280
<v Speaker 1>my god, but it's not particularly slam right now. So

0:19:13.359 --> 0:19:20.480
<v Speaker 1>I'm good on purpose. James, I am. I am over

0:19:20.520 --> 0:19:23.920
<v Speaker 1>the moon with how many people I get inboxes from that,

0:19:24.080 --> 0:19:26.080
<v Speaker 1>because I told you when we would take it, I said, oh, Jame,

0:19:26.080 --> 0:19:27.960
<v Speaker 1>if you want my voice, my voice is so weird

0:19:28.040 --> 0:19:30.080
<v Speaker 1>to me. But I get so many in boxes from

0:19:30.160 --> 0:19:32.680
<v Speaker 1>so many people saying, oh my god, I love the

0:19:32.840 --> 0:19:35.440
<v Speaker 1>calmness of your voice while you would tell the story.

0:19:35.480 --> 0:19:37.359
<v Speaker 1>And I always say, I promise you that wasn't me.

0:19:37.960 --> 0:19:42.040
<v Speaker 1>James put me had a baby so comfortable that I

0:19:42.080 --> 0:19:45.199
<v Speaker 1>could do this because I was nervous as hey, let

0:19:45.240 --> 0:19:47.399
<v Speaker 1>me just be very honest. I was very It was

0:19:47.480 --> 0:19:50.160
<v Speaker 1>my first time I was a virgin. You took my virginity. Jane.

0:19:54.040 --> 0:19:57.200
<v Speaker 1>I'm I'm blushing. Um, I know you can't tell, but

0:19:57.280 --> 0:20:01.800
<v Speaker 1>I am, uh yeah. I mean, I've worked with actors before,

0:20:02.400 --> 0:20:05.240
<v Speaker 1>and I've worked with people who have not had training,

0:20:05.880 --> 0:20:09.080
<v Speaker 1>you know, in acting, which is fine, you know, as

0:20:09.160 --> 0:20:10.520
<v Speaker 1>long as and you're I mean, you're one of the

0:20:10.600 --> 0:20:14.080
<v Speaker 1>only actors I've ever heard begging for line readings. You know,

0:20:14.200 --> 0:20:16.560
<v Speaker 1>line reading is like you know, when somebody tells you

0:20:16.680 --> 0:20:20.960
<v Speaker 1>exactly how to say the line, and most actors despise

0:20:21.119 --> 0:20:23.959
<v Speaker 1>that they will like stab you in the neck if

0:20:24.040 --> 0:20:26.920
<v Speaker 1>you give them line reading. When you're like, give me

0:20:27.000 --> 0:20:29.280
<v Speaker 1>the line readings, give me the line I want them.

0:20:29.320 --> 0:20:31.720
<v Speaker 1>I wanted. So I was like, Okay, here we go.

0:20:32.080 --> 0:20:36.040
<v Speaker 1>Let's just you know, bath this out. Let's let's you know,

0:20:37.160 --> 0:20:39.520
<v Speaker 1>I you know, I had faith that you could do it,

0:20:39.560 --> 0:20:42.359
<v Speaker 1>and I could see how badly you wanted to do it,

0:20:42.760 --> 0:20:45.960
<v Speaker 1>and I knew that from my perspective, like I didn't

0:20:45.960 --> 0:20:47.879
<v Speaker 1>want to have come all the way across the country

0:20:48.600 --> 0:20:51.680
<v Speaker 1>and you know, convinced my publisher to let me do

0:20:51.840 --> 0:20:55.119
<v Speaker 1>this and have it not work out, Like that was

0:20:55.200 --> 0:20:58.280
<v Speaker 1>not an option. So I was like, you're the best

0:20:58.400 --> 0:21:02.280
<v Speaker 1>week we found. You're you know, perfect for the role.

0:21:03.240 --> 0:21:05.600
<v Speaker 1>Let's go. But and I was having a good time

0:21:05.640 --> 0:21:08.680
<v Speaker 1>with you too, don't you know that That is also

0:21:09.119 --> 0:21:11.520
<v Speaker 1>that's also also I mean, that's one of the things

0:21:11.640 --> 0:21:15.320
<v Speaker 1>that really makes me think that a collaboration is going

0:21:15.359 --> 0:21:17.680
<v Speaker 1>to work out if like I'm having a good time

0:21:17.760 --> 0:21:19.520
<v Speaker 1>with the person, Like I don't want to be fighting

0:21:19.600 --> 0:21:23.600
<v Speaker 1>with somebody and trying to make work. Um, unless the

0:21:23.680 --> 0:21:26.280
<v Speaker 1>fighting is like about the work and not about like

0:21:26.400 --> 0:21:29.680
<v Speaker 1>our personal whatever. Right, Um, so I was having a

0:21:29.760 --> 0:21:32.560
<v Speaker 1>great time. You were getting it. I mean we you know,

0:21:32.680 --> 0:21:34.880
<v Speaker 1>when we went back and listened to that first day,

0:21:35.680 --> 0:21:40.199
<v Speaker 1>we were like, oh, this wasn't that bad. Really, No, seriously,

0:21:40.200 --> 0:21:41.840
<v Speaker 1>I think some of the some of that first day

0:21:42.080 --> 0:21:46.800
<v Speaker 1>is like in the you know, is what they used it?

0:21:47.119 --> 0:21:49.520
<v Speaker 1>I don't, you know, it's hard to know after like

0:21:49.600 --> 0:21:52.600
<v Speaker 1>after you do record an audiobook, you just give it

0:21:52.720 --> 0:21:55.280
<v Speaker 1>away and and then the eddit people who edit it

0:21:55.640 --> 0:21:58.400
<v Speaker 1>do all the choices about like which take and all

0:21:58.480 --> 0:22:01.600
<v Speaker 1>that stuff. So, I mean, I don't know exactly how

0:22:01.720 --> 0:22:04.359
<v Speaker 1>much they took from each day we did it, but

0:22:04.560 --> 0:22:07.480
<v Speaker 1>like we went back and redid some of the first day,

0:22:07.920 --> 0:22:10.680
<v Speaker 1>but I think they actually ended up using some of

0:22:10.920 --> 0:22:13.720
<v Speaker 1>what we did on the first day. Anyway, Yeah, it

0:22:13.840 --> 0:22:16.959
<v Speaker 1>was fine. Are you a professor at at what at

0:22:17.000 --> 0:22:22.480
<v Speaker 1>which university institute? It's an art school in Brooklyn, Okay?

0:22:23.359 --> 0:22:28.200
<v Speaker 1>And you do you create a writing right? Yes? Are

0:22:28.240 --> 0:22:30.639
<v Speaker 1>you as patient with your students as you were with me?

0:22:30.880 --> 0:22:36.119
<v Speaker 1>Or no? I have to say I probably would be

0:22:36.359 --> 0:22:40.360
<v Speaker 1>in a situation in a similar kind of situation. Um,

0:22:40.440 --> 0:22:41.879
<v Speaker 1>but there's a little bit of you know, it's more

0:22:41.960 --> 0:22:45.520
<v Speaker 1>self selecting. By the time the students get to me,

0:22:45.760 --> 0:22:49.200
<v Speaker 1>like they're already saying, like, I have written these things.

0:22:49.280 --> 0:22:51.160
<v Speaker 1>I want to be a ruiner. This is what I'm doing.

0:22:51.560 --> 0:22:54.280
<v Speaker 1>If it isn't just like I'm gonna try this new

0:22:54.400 --> 0:23:01.679
<v Speaker 1>thing writing and it's gonna you know, hopefully it's gonna work. Um, Unfortunately,

0:23:01.760 --> 0:23:05.119
<v Speaker 1>I mean if I couldn't, okay, I I could deal with,

0:23:05.680 --> 0:23:09.040
<v Speaker 1>you know, helping you figure this out right, I probably

0:23:09.080 --> 0:23:13.920
<v Speaker 1>couldn't deal with a whole class a flame Monrose doing

0:23:14.040 --> 0:23:19.520
<v Speaker 1>like people struggling in the same way. No, I would

0:23:19.520 --> 0:23:25.520
<v Speaker 1>have I would have me times Tan James. No, I

0:23:25.560 --> 0:23:28.080
<v Speaker 1>mean there is only one I can. I can tell that.

0:23:29.160 --> 0:23:30.920
<v Speaker 1>But you know what, James, So let me ask you

0:23:30.960 --> 0:23:34.600
<v Speaker 1>a question, James, when when you so if somebody's in

0:23:34.640 --> 0:23:36.800
<v Speaker 1>the audience listening, and they because I would love to

0:23:36.880 --> 0:23:38.400
<v Speaker 1>write a book. I want to do my life story.

0:23:38.440 --> 0:23:40.280
<v Speaker 1>I want to talk about I do a children's book.

0:23:40.520 --> 0:23:42.760
<v Speaker 1>But how would I even go? I have a million

0:23:42.880 --> 0:23:44.639
<v Speaker 1>ideas in my head, but I wouldn't know where to

0:23:44.720 --> 0:23:47.920
<v Speaker 1>start by saying this is where I started. What would

0:23:47.960 --> 0:23:49.560
<v Speaker 1>be the first thing I say, so, how would you

0:23:49.680 --> 0:23:52.800
<v Speaker 1>help someone to segue to put all them stories into

0:23:52.960 --> 0:23:55.760
<v Speaker 1>a book? But you've got to start. It's but it's

0:23:55.840 --> 0:23:58.800
<v Speaker 1>the first step that's the hardest step, isn't it. Well,

0:23:59.000 --> 0:24:01.400
<v Speaker 1>I mean when you should really just do is right.

0:24:02.000 --> 0:24:03.920
<v Speaker 1>Whenever boot and whenever anybody says like how do I

0:24:03.960 --> 0:24:06.400
<v Speaker 1>go start, I'm just like, just start. Don't even worry

0:24:06.400 --> 0:24:10.400
<v Speaker 1>about that part, because by the time you finish, it's

0:24:10.400 --> 0:24:13.919
<v Speaker 1>going to be completely different than the way you started. Um,

0:24:15.200 --> 0:24:17.680
<v Speaker 1>And you know, so much is going to change about

0:24:17.680 --> 0:24:21.120
<v Speaker 1>It's not like writers regertitate books or you know, ship

0:24:21.320 --> 0:24:24.360
<v Speaker 1>books and like there it is. You know, I think

0:24:24.400 --> 0:24:27.840
<v Speaker 1>there's a weird misconception that like writing is you know,

0:24:28.760 --> 0:24:31.600
<v Speaker 1>not among writers at all, but like among people readers

0:24:31.680 --> 0:24:34.520
<v Speaker 1>sometimes and people who just like show up in readings

0:24:34.760 --> 0:24:37.280
<v Speaker 1>and haven't read stuff. They're just like they think that

0:24:37.440 --> 0:24:40.360
<v Speaker 1>you just what they read is like a first draft

0:24:41.160 --> 0:24:43.600
<v Speaker 1>of what you what you put out on the page,

0:24:43.840 --> 0:24:46.320
<v Speaker 1>when in fact it's sometimes like, you know, my first

0:24:46.440 --> 0:24:51.439
<v Speaker 1>book went through twenty nine drafts. Um. Some of them

0:24:51.480 --> 0:24:54.000
<v Speaker 1>were more intense than others, but like you know, and

0:24:54.080 --> 0:24:55.879
<v Speaker 1>I just got used to the idea that that was

0:24:56.160 --> 0:24:59.399
<v Speaker 1>about how many it was going to take before the

0:24:59.520 --> 0:25:05.600
<v Speaker 1>thing was even you know, showable to anybody. Um, you

0:25:05.680 --> 0:25:09.000
<v Speaker 1>know why he confuses to me, James, because my David Copperfield.

0:25:09.240 --> 0:25:12.639
<v Speaker 1>The first line in David Copperfield is I'm born, So

0:25:12.760 --> 0:25:17.440
<v Speaker 1>I always the very first moment that I have conception, like,

0:25:18.600 --> 0:25:20.840
<v Speaker 1>you know, because that's one of my favorite stories. But

0:25:21.119 --> 0:25:22.720
<v Speaker 1>I'm like, well, I don't want to start off and

0:25:22.760 --> 0:25:26.199
<v Speaker 1>say I'm boring. I don't remember that day. Well someone's

0:25:26.240 --> 0:25:29.359
<v Speaker 1>already done it. So yeah, so you definitely don't want

0:25:29.359 --> 0:25:33.440
<v Speaker 1>to do unless unless you're retelling your own story in

0:25:33.560 --> 0:25:37.760
<v Speaker 1>a way that he is supposed to reference David Copperfield.

0:25:39.359 --> 0:25:43.080
<v Speaker 1>That sounds like a funny project. Um, but you want

0:25:43.080 --> 0:25:44.440
<v Speaker 1>to be you. I don't think you want to be

0:25:44.640 --> 0:25:51.639
<v Speaker 1>Charles Dickens. I don't know who'se Dickens. You want Else's Dickens.

0:25:51.720 --> 0:25:58.159
<v Speaker 1>I got my own. I was setting you up, And

0:25:58.600 --> 0:26:00.639
<v Speaker 1>so James came to the show that it's not identity

0:26:00.720 --> 0:26:02.720
<v Speaker 1>Aledge James. We had such a good time. It's such

0:26:02.760 --> 0:26:04.840
<v Speaker 1>a good energy. I love that I have such a

0:26:04.920 --> 0:26:07.200
<v Speaker 1>diverse crowd and we this is only our second week

0:26:07.240 --> 0:26:08.880
<v Speaker 1>and they're really going to try to blow it out.

0:26:08.880 --> 0:26:11.359
<v Speaker 1>They called me this morning, say they're gonna just advertise crazy.

0:26:11.880 --> 0:26:13.920
<v Speaker 1>I love that I have such a diverse group of

0:26:14.000 --> 0:26:17.840
<v Speaker 1>people Jane and we have from and I was glad

0:26:17.920 --> 0:26:19.960
<v Speaker 1>that you were able to see that. Blame my role

0:26:20.000 --> 0:26:22.200
<v Speaker 1>because when I was coming to work every day, good god,

0:26:22.240 --> 0:26:26.119
<v Speaker 1>I look like a homeless person. I didn't say it,

0:26:27.119 --> 0:26:34.360
<v Speaker 1>I did it. I'm but I cleaned out well, Mr Hannahan,

0:26:34.440 --> 0:26:37.080
<v Speaker 1>when it's so true. I knew that as well. So

0:26:37.280 --> 0:26:40.760
<v Speaker 1>I never said to you, let's take a sealthy because

0:26:40.760 --> 0:26:42.480
<v Speaker 1>I knew you would be like, get the hell out

0:26:42.520 --> 0:26:46.040
<v Speaker 1>of my face with that camera. I would I didn't

0:26:46.080 --> 0:26:55.159
<v Speaker 1>sweatpants and drinking throat coat toils. Yeah it was. It

0:26:55.280 --> 0:26:58.639
<v Speaker 1>was such an overwhelming experience for me, but I complained,

0:26:59.600 --> 0:27:02.320
<v Speaker 1>like the first four days, I was like, I don't

0:27:02.320 --> 0:27:05.560
<v Speaker 1>want to do this ship. It's driving me crazy. And

0:27:05.680 --> 0:27:08.000
<v Speaker 1>I don't know whether it was the repeating the words

0:27:08.240 --> 0:27:10.520
<v Speaker 1>or the traffic. But there was one land that I

0:27:10.720 --> 0:27:13.359
<v Speaker 1>cannot remember, James, that you made me do maybe like

0:27:13.560 --> 0:27:19.800
<v Speaker 1>forty two hands because I couldn't Southern accent, like about

0:27:19.880 --> 0:27:23.080
<v Speaker 1>five words, but for some strange reason, they kicked my blood.

0:27:23.400 --> 0:27:25.560
<v Speaker 1>I think we might have did that about thirty times

0:27:25.720 --> 0:27:27.879
<v Speaker 1>you you have well a couple of times you said, oh,

0:27:27.920 --> 0:27:30.600
<v Speaker 1>that's good enough, and I kept saying, no, good enough,

0:27:30.760 --> 0:27:32.840
<v Speaker 1>isn't good enough. I'll do it until I get it right.

0:27:33.040 --> 0:27:34.720
<v Speaker 1>I think that's what made you fall in love with me,

0:27:34.720 --> 0:27:40.639
<v Speaker 1>because I was determined that. UM. I think it was

0:27:40.720 --> 0:27:44.640
<v Speaker 1>probably some line with the word pig in it. Oh

0:27:44.720 --> 0:27:47.600
<v Speaker 1>my god, you kept saying pig and I was like,

0:27:47.880 --> 0:27:53.040
<v Speaker 1>that's Arkansas, that's not peg. Every time, every time I

0:27:54.119 --> 0:27:57.200
<v Speaker 1>where's James wanted me to nothing that young ladies and gentlemen.

0:27:57.240 --> 0:28:02.560
<v Speaker 1>I heard red leather, yellow left. Well, that's a that's

0:28:02.920 --> 0:28:05.639
<v Speaker 1>a warm up. It's like a theater kids sort of

0:28:05.680 --> 0:28:12.760
<v Speaker 1>warm up. Uh phrase jays Let me now, do you

0:28:12.920 --> 0:28:15.120
<v Speaker 1>do you teach the youth as well? Or you only

0:28:15.240 --> 0:28:18.840
<v Speaker 1>teach on that level? UM? Do you do you mean

0:28:18.920 --> 0:28:22.680
<v Speaker 1>like younger kids? Yes? I have done. I have done

0:28:22.760 --> 0:28:25.639
<v Speaker 1>like workshops surprise school exactly. That's what I started. The

0:28:25.840 --> 0:28:28.280
<v Speaker 1>very first thing I did that was anything like teaching

0:28:29.040 --> 0:28:32.879
<v Speaker 1>was at an organization called Teachers and Writers Collaborative UM.

0:28:33.000 --> 0:28:37.720
<v Speaker 1>It's an organization that is now called UM Urban Word

0:28:38.360 --> 0:28:41.320
<v Speaker 1>I think, and we were doing after school workshops for

0:28:42.120 --> 0:28:45.719
<v Speaker 1>UM uh New York City high school students. They were

0:28:45.760 --> 0:28:48.080
<v Speaker 1>like free and they would just chill up and we

0:28:48.160 --> 0:28:51.280
<v Speaker 1>would like talk about their writing and hang out with them,

0:28:51.360 --> 0:28:54.200
<v Speaker 1>and it was really it was really fun. And that

0:28:54.360 --> 0:28:57.120
<v Speaker 1>was part of what made me think I had you know,

0:28:58.200 --> 0:28:59.600
<v Speaker 1>it was in the I mean I knew it was

0:28:59.680 --> 0:29:01.360
<v Speaker 1>in the lot. I have a lot of like teachers

0:29:01.400 --> 0:29:03.960
<v Speaker 1>and ministers in my family background, on both sides of

0:29:04.000 --> 0:29:08.200
<v Speaker 1>my family. UM, but I didn't know, but I'd never

0:29:08.320 --> 0:29:10.720
<v Speaker 1>actually sort of gone in the room and like tried

0:29:10.800 --> 0:29:13.680
<v Speaker 1>to do that. Um so, and it was so much

0:29:13.720 --> 0:29:16.560
<v Speaker 1>fun and it was so you know, I opening in

0:29:16.600 --> 0:29:20.040
<v Speaker 1>a lot of ways that Um, I kept at it

0:29:20.280 --> 0:29:24.880
<v Speaker 1>and here and now I'm a professor, yes, And which

0:29:25.880 --> 0:29:30.080
<v Speaker 1>which was more rewarding for you, Jane, the college level

0:29:30.280 --> 0:29:32.720
<v Speaker 1>or those those high schools, because when in high school

0:29:32.720 --> 0:29:36.280
<v Speaker 1>you get a chance over their money, you also get

0:29:36.280 --> 0:29:38.920
<v Speaker 1>a chance to do it in college. I'm teaching um

0:29:39.840 --> 0:29:45.000
<v Speaker 1>first year students too, um right now anyway, UM So

0:29:45.400 --> 0:29:48.320
<v Speaker 1>it's not that far removed from you know, they're just

0:29:48.560 --> 0:29:50.600
<v Speaker 1>they've just gotten out of high school. A lot a

0:29:50.680 --> 0:29:52.560
<v Speaker 1>lot of maybe some of them have had a gap year,

0:29:53.160 --> 0:29:55.600
<v Speaker 1>but the majority of them are are right out of

0:29:55.800 --> 0:29:58.440
<v Speaker 1>high school. And they're also there. I mean they're kind

0:29:58.480 --> 0:30:03.120
<v Speaker 1>of at this school, kind of like alternative kids already,

0:30:03.280 --> 0:30:06.040
<v Speaker 1>Like there's only a certain kind of kid who wants

0:30:06.080 --> 0:30:08.520
<v Speaker 1>to learn how to write. At an art school, it's

0:30:08.560 --> 0:30:10.760
<v Speaker 1>somebody who's who's already got like a little bit of

0:30:10.960 --> 0:30:14.160
<v Speaker 1>art in the brain, and they've recognized that writing is

0:30:14.800 --> 0:30:18.240
<v Speaker 1>an art. And it's not just like, you know, I'm

0:30:18.240 --> 0:30:23.600
<v Speaker 1>gonna write, um, a best seller or a romance novel,

0:30:23.720 --> 0:30:26.320
<v Speaker 1>although there are some students who were into that kind

0:30:26.320 --> 0:30:30.960
<v Speaker 1>of thing. Um, there's there's already there's a lot of

0:30:31.040 --> 0:30:33.760
<v Speaker 1>work that I don't have to do with them about

0:30:33.960 --> 0:30:36.400
<v Speaker 1>I never I almost never have to say anything stop

0:30:36.800 --> 0:30:41.080
<v Speaker 1>writing about puppies and Jesus Like they're already like way

0:30:41.160 --> 0:30:44.760
<v Speaker 1>into their trauma sometimes and you know, I sometimes have

0:30:44.880 --> 0:30:47.720
<v Speaker 1>to talk them out of, you know, stuff that's like

0:30:47.840 --> 0:30:52.040
<v Speaker 1>too harshly depressing. James, let me ask you a question,

0:30:52.160 --> 0:30:55.360
<v Speaker 1>do you have do you ever have that eye or

0:30:55.520 --> 0:30:57.600
<v Speaker 1>that do you ever see a student and you see

0:30:57.680 --> 0:30:59.920
<v Speaker 1>you in it or you see brilliance in this key

0:31:00.040 --> 0:31:03.960
<v Speaker 1>and you like, God, this kid is brilliant and and

0:31:04.160 --> 0:31:06.360
<v Speaker 1>and they don't recognize their brilliance because a lot of

0:31:06.440 --> 0:31:08.960
<v Speaker 1>times people see things in you that you don't see

0:31:09.000 --> 0:31:11.160
<v Speaker 1>in yourself. I would have never gotten on the microphone

0:31:11.200 --> 0:31:13.160
<v Speaker 1>had it not been for a guy named Mark. I

0:31:13.280 --> 0:31:16.840
<v Speaker 1>was that I was terrified to talk to people publicly.

0:31:17.080 --> 0:31:20.040
<v Speaker 1>Could you believe at the last night? No, I cannot

0:31:20.080 --> 0:31:24.000
<v Speaker 1>believe that, although I could. But you know what I

0:31:24.040 --> 0:31:26.200
<v Speaker 1>could believe is that you were terrified because you knew

0:31:26.240 --> 0:31:31.160
<v Speaker 1>what you were gonna say. You were gonna say some

0:31:31.400 --> 0:31:35.600
<v Speaker 1>rude hit for a woman in the room. There was

0:31:35.640 --> 0:31:39.080
<v Speaker 1>another woman that was way more rude. Oh that is true,

0:31:40.000 --> 0:31:42.400
<v Speaker 1>But no, I'm talking about before you ever got on stage,

0:31:42.440 --> 0:31:44.640
<v Speaker 1>you might have been like, yeah, I think this is

0:31:44.640 --> 0:31:46.600
<v Speaker 1>a little bit what it's like for me. Like there's

0:31:46.640 --> 0:31:49.000
<v Speaker 1>all this rude ship that I you know, and some

0:31:49.120 --> 0:31:51.000
<v Speaker 1>of it's funny. And maybe that's part of where Carlotta

0:31:51.040 --> 0:31:53.560
<v Speaker 1>comes from. Right, It's like there's a lot that I

0:31:53.840 --> 0:31:56.000
<v Speaker 1>might want to say, and some of it is pretty

0:31:56.080 --> 0:31:59.240
<v Speaker 1>rude and sunny. Um, And I don't know what I'm

0:31:59.240 --> 0:32:02.040
<v Speaker 1>really comfortable people. I might say some of it, but

0:32:02.240 --> 0:32:05.120
<v Speaker 1>like Carlotta was a way of like being able to

0:32:05.280 --> 0:32:10.800
<v Speaker 1>just let it rip. Um. So yeah, of course, I

0:32:10.840 --> 0:32:14.320
<v Speaker 1>mean there's always like a lot of students have a

0:32:14.480 --> 0:32:17.800
<v Speaker 1>lot of even if they're even if they don't realize

0:32:17.920 --> 0:32:22.520
<v Speaker 1>what they're doing yet, sometimes they make really interesting choices

0:32:23.240 --> 0:32:26.520
<v Speaker 1>that it once they developed some you know, sort of

0:32:26.680 --> 0:32:29.680
<v Speaker 1>perspective and control over what they're doing, they'll be like, oh,

0:32:29.800 --> 0:32:33.120
<v Speaker 1>that was actually kind of great, and they'll spend a

0:32:33.200 --> 0:32:36.320
<v Speaker 1>lot of time like trying to get back to that. Um. Yeah,

0:32:36.400 --> 0:32:37.600
<v Speaker 1>but I've had a lot of I mean, I've been

0:32:37.640 --> 0:32:41.920
<v Speaker 1>teaching a lot of time. UM. The thing is, though,

0:32:42.080 --> 0:32:45.760
<v Speaker 1>like there are not you'd be surprised how that the

0:32:45.840 --> 0:32:49.720
<v Speaker 1>percentage of students who go on to do literally what

0:32:49.960 --> 0:32:56.240
<v Speaker 1>I'm doing, um, writing fiction, um, is pretty low. So

0:32:56.640 --> 0:33:01.040
<v Speaker 1>I don't I never assume that, you know, I never

0:33:01.120 --> 0:33:06.120
<v Speaker 1>make assumptions about who I'm teaching. UM. I never think

0:33:06.160 --> 0:33:09.000
<v Speaker 1>that you know a student because they're not, you know,

0:33:09.880 --> 0:33:14.080
<v Speaker 1>writing brilliant fiction or poetry. I never assume that they

0:33:14.120 --> 0:33:17.600
<v Speaker 1>won't have a breakthrough later or that there's something they're

0:33:17.640 --> 0:33:20.400
<v Speaker 1>doing that I don't understand. This is there's this colleague

0:33:20.400 --> 0:33:23.680
<v Speaker 1>of mind who hasn't a clause that she keeps in

0:33:23.720 --> 0:33:25.960
<v Speaker 1>the back of her mind which she deals with students

0:33:26.480 --> 0:33:30.960
<v Speaker 1>because she's from Denton, Texas. Mandy Obadiki is obdk is

0:33:31.000 --> 0:33:35.480
<v Speaker 1>her name. Um. She she's from Denton, Texas. And in

0:33:35.840 --> 0:33:38.280
<v Speaker 1>their town, there used to be this band that every

0:33:38.760 --> 0:33:41.360
<v Speaker 1>who was playing in basements all over town and everybody

0:33:41.480 --> 0:33:43.560
<v Speaker 1>was talking about how terrible they were and how much

0:33:43.640 --> 0:33:47.280
<v Speaker 1>they sucked. Um, I think the parents were anyway. That

0:33:47.440 --> 0:33:51.960
<v Speaker 1>was fly Stone, fly we Stone. And he's like, well,

0:33:52.080 --> 0:33:57.280
<v Speaker 1>maybe you know it's the sly stone, you know, the

0:33:57.440 --> 0:34:01.840
<v Speaker 1>fly Stone defense is Uh, maybe it's there's brilliance there,

0:34:01.920 --> 0:34:04.040
<v Speaker 1>but you just can't see it because you're too old

0:34:04.720 --> 0:34:10.600
<v Speaker 1>for you, you know. So Um, each and along, how

0:34:10.920 --> 0:34:15.040
<v Speaker 1>how have you seen they change with writing? Because back

0:34:15.160 --> 0:34:17.600
<v Speaker 1>probably back when you started, there were no apparatus is,

0:34:17.680 --> 0:34:19.880
<v Speaker 1>no computers. And I'm not saying you that, Oh I'm

0:34:19.920 --> 0:34:23.840
<v Speaker 1>as old as h It was different because you had

0:34:23.880 --> 0:34:26.640
<v Speaker 1>to keep notebooks and journals and but now everything you

0:34:26.680 --> 0:34:29.880
<v Speaker 1>can do on a computer, on your database and all

0:34:29.960 --> 0:34:32.480
<v Speaker 1>of that. Is that easier or do you find that

0:34:32.520 --> 0:34:34.239
<v Speaker 1>it was easier when you just had to write it

0:34:34.280 --> 0:34:36.759
<v Speaker 1>out on paper and go through your journals? Because to

0:34:36.920 --> 0:34:39.960
<v Speaker 1>me as a person, when I have to research things,

0:34:40.280 --> 0:34:42.400
<v Speaker 1>of course you can go to Google, but I'm old school.

0:34:42.440 --> 0:34:44.200
<v Speaker 1>We used to go to the encyclopedia. I would read

0:34:44.200 --> 0:34:47.200
<v Speaker 1>the encyclopedies and it made me, it challenged me to

0:34:47.360 --> 0:34:50.279
<v Speaker 1>find research more. Now is that by finker tips. I'm

0:34:50.320 --> 0:34:53.279
<v Speaker 1>lazy as hell. So how has it in the game?

0:34:53.920 --> 0:34:58.239
<v Speaker 1>How is a technology? Well? Lately? Um, one of my

0:34:58.320 --> 0:35:01.399
<v Speaker 1>favorite Google documents as one of my favorite things to use.

0:35:01.760 --> 0:35:04.520
<v Speaker 1>Like I rape my syllabus and it's a Google doc

0:35:05.120 --> 0:35:08.960
<v Speaker 1>so that you know, everybody just refers to it. Okay,

0:35:09.200 --> 0:35:11.040
<v Speaker 1>in the old days, when it was paper, you have

0:35:11.120 --> 0:35:13.200
<v Speaker 1>to hand out a paper syllabus, you have to photocopy

0:35:13.280 --> 0:35:16.080
<v Speaker 1>it for everybody, and it was like set and if

0:35:16.120 --> 0:35:18.719
<v Speaker 1>you wanted to change anything, you had to make sure

0:35:18.800 --> 0:35:21.680
<v Speaker 1>that everybody in the class knew that it had been

0:35:21.800 --> 0:35:24.680
<v Speaker 1>changed and that there were new rules, right like, But

0:35:25.040 --> 0:35:28.920
<v Speaker 1>with a Google document, you can change things like the

0:35:29.120 --> 0:35:34.160
<v Speaker 1>day of and you know everybody knows. There's no one document.

0:35:34.160 --> 0:35:37.840
<v Speaker 1>There's no like, you know, twenty paper documents that you

0:35:37.920 --> 0:35:41.680
<v Speaker 1>have to kind of treat, chase down and and revise. Um.

0:35:41.760 --> 0:35:43.239
<v Speaker 1>So I use that a lot, and it's allowed for

0:35:43.239 --> 0:35:46.879
<v Speaker 1>a lot more kind of spontaneity, UM, because sometimes they'll

0:35:46.880 --> 0:35:49.600
<v Speaker 1>be I'll have a conversation with students in the classroom

0:35:50.120 --> 0:35:52.520
<v Speaker 1>and you know, something will come up like, you know,

0:35:52.920 --> 0:35:55.040
<v Speaker 1>David Copperfield will come up and I'll be like, oh,

0:35:55.239 --> 0:35:57.960
<v Speaker 1>let's read the first ten pages of David Copperfield, and

0:35:58.040 --> 0:36:01.560
<v Speaker 1>I'll just drop them into the syllabus. Um For me, though,

0:36:01.640 --> 0:36:03.799
<v Speaker 1>I feel like I might not be a writer if

0:36:03.840 --> 0:36:08.440
<v Speaker 1>it weren't for word processing. I've really um, I have

0:36:08.600 --> 0:36:11.960
<v Speaker 1>written some things, Longhand, but not for a long time.

0:36:12.560 --> 0:36:15.720
<v Speaker 1>I really like the feeling of sort of being able

0:36:15.800 --> 0:36:20.880
<v Speaker 1>to tinker around with sentences and words and you know,

0:36:21.520 --> 0:36:25.520
<v Speaker 1>all of that stuff for a long time before actually

0:36:25.600 --> 0:36:28.839
<v Speaker 1>making a decision about which thing is the one I want.

0:36:29.719 --> 0:36:33.799
<v Speaker 1>Um So, and I also, you know, I started as

0:36:33.840 --> 0:36:37.080
<v Speaker 1>a graphic designer, so I'm really into like you know,

0:36:37.200 --> 0:36:39.640
<v Speaker 1>one of the ways that I like to waste time

0:36:39.680 --> 0:36:42.800
<v Speaker 1>when I'm writing is to like change the font, like

0:36:43.400 --> 0:36:46.719
<v Speaker 1>mess around with the you know, the typography and the

0:36:46.840 --> 0:36:49.520
<v Speaker 1>margins and all that kind of stuff. And that does

0:36:49.680 --> 0:36:53.520
<v Speaker 1>actually start to show up in the work too, um

0:36:55.320 --> 0:36:58.160
<v Speaker 1>and make the writing more interesting for you, because I'm

0:36:58.239 --> 0:37:00.799
<v Speaker 1>sure at the writing a and now I will say

0:37:00.920 --> 0:37:03.839
<v Speaker 1>you in chapter teen you're probably like, Okay, I'm burned out.

0:37:04.239 --> 0:37:07.160
<v Speaker 1>Let me do something different, pitch it up to get

0:37:07.239 --> 0:37:11.360
<v Speaker 1>it back exciting for me, well, I think by the

0:37:11.480 --> 0:37:14.640
<v Speaker 1>time I'm at chapter ten, I probably have a lot

0:37:14.760 --> 0:37:19.400
<v Speaker 1>of um safeguards in place. Um. There's this thing that

0:37:19.480 --> 0:37:22.160
<v Speaker 1>happens that I call the fifty page demon. And the

0:37:22.239 --> 0:37:25.560
<v Speaker 1>fifty page demon visits you when you have fifty pages

0:37:25.600 --> 0:37:28.400
<v Speaker 1>of material that you're kind of okay with, and he says,

0:37:28.880 --> 0:37:31.320
<v Speaker 1>you know you could stop right now and you wouldn't

0:37:31.360 --> 0:37:35.920
<v Speaker 1>lose that much, so you know, you know you could

0:37:36.000 --> 0:37:39.239
<v Speaker 1>just quit. You know, it's not no skin off your ass,

0:37:39.440 --> 0:37:44.000
<v Speaker 1>just quit age. Damon? Or is that doubt? Is that?

0:37:45.480 --> 0:37:47.920
<v Speaker 1>Is it a fifty page damon or is it doubts?

0:37:48.040 --> 0:37:50.200
<v Speaker 1>Because we all still have doubt. I still have doubt.

0:37:50.200 --> 0:37:54.040
<v Speaker 1>It's confident design. Well, I like to personify it a

0:37:54.120 --> 0:37:58.320
<v Speaker 1>little bit so that it's funny. Um. But you know,

0:37:58.520 --> 0:38:02.040
<v Speaker 1>doubts will probably play you throughout the whole process. And

0:38:02.160 --> 0:38:05.600
<v Speaker 1>this is a particular moment at which the doubt seems

0:38:05.640 --> 0:38:09.040
<v Speaker 1>really convincing because you don't have that much that you

0:38:09.080 --> 0:38:12.239
<v Speaker 1>couldn't quit, but you don't have enough to make you

0:38:12.320 --> 0:38:15.640
<v Speaker 1>feel like you you know, you're looking over and you're

0:38:15.680 --> 0:38:20.080
<v Speaker 1>looking at that gigantic mountain of work basically, and you're like,

0:38:20.400 --> 0:38:25.560
<v Speaker 1>I don't know twelve steps up up the mountain and saying,

0:38:26.040 --> 0:38:32.480
<v Speaker 1>maybe I'll just go back home. UM, but I I

0:38:32.600 --> 0:38:34.920
<v Speaker 1>feel like one of the early steps is to figure

0:38:34.960 --> 0:38:38.279
<v Speaker 1>out what kinds of things you're obsessed with and that

0:38:38.440 --> 0:38:41.560
<v Speaker 1>you think other people don't know about that are going

0:38:41.600 --> 0:38:47.759
<v Speaker 1>to make it UM more important for you to keep working, right,

0:38:47.960 --> 0:38:51.280
<v Speaker 1>just keep I mean, that was what happened with Delicious Foods.

0:38:51.320 --> 0:38:55.320
<v Speaker 1>I was like, shit, nobody really has been dealing with this,

0:38:55.920 --> 0:38:59.000
<v Speaker 1>nobody really even wants to deal with this. But if

0:38:59.080 --> 0:39:01.320
<v Speaker 1>we don't look at it, I don't know what is

0:39:01.360 --> 0:39:04.319
<v Speaker 1>going to be. You know, I don't know where we're

0:39:04.360 --> 0:39:07.200
<v Speaker 1>gonna be if we can't notice that this is happening

0:39:07.920 --> 0:39:09.920
<v Speaker 1>and you know, start to do something. But I mean,

0:39:09.960 --> 0:39:13.280
<v Speaker 1>there are lots of UM, there are lots of NGOs,

0:39:14.000 --> 0:39:18.880
<v Speaker 1>There are lots of nonprofit organizations UM that are are

0:39:18.960 --> 0:39:25.399
<v Speaker 1>working on human trafficking and stopping human trafficking. UM, it's bad.

0:39:26.560 --> 0:39:30.040
<v Speaker 1>It is I who survived it, and she told me

0:39:30.120 --> 0:39:32.719
<v Speaker 1>some of the stories, ain't they were unbelievable. It was

0:39:32.960 --> 0:39:36.600
<v Speaker 1>unbelievable that what she survived. Let me just say that

0:39:37.160 --> 0:39:39.359
<v Speaker 1>what she survived, I don't even know if I would

0:39:39.400 --> 0:39:41.480
<v Speaker 1>have survived and I think I'm a strong person, but

0:39:41.600 --> 0:39:43.200
<v Speaker 1>I don't know if I would have survived what she

0:39:43.239 --> 0:39:46.759
<v Speaker 1>went through or Carlotta, right, you know, being trans in

0:39:46.840 --> 0:39:49.960
<v Speaker 1>a in a men's facility for years and years, being

0:39:50.000 --> 0:39:53.840
<v Speaker 1>in solitary confinement for such a long time, you know,

0:39:54.800 --> 0:39:59.840
<v Speaker 1>dealing with sexual assault from UH correctional officers whom you

0:40:00.719 --> 0:40:03.800
<v Speaker 1>complain about. It's just you know, So, I mean, the

0:40:04.200 --> 0:40:06.239
<v Speaker 1>kinds of things that happened to Carlotta are not like

0:40:06.520 --> 0:40:10.239
<v Speaker 1>unreal things that I made up. They're like real if

0:40:10.280 --> 0:40:13.520
<v Speaker 1>using questions that um, trans people have to deal with

0:40:13.760 --> 0:40:17.360
<v Speaker 1>when they're incarcerated at the top of all of the

0:40:17.440 --> 0:40:20.680
<v Speaker 1>rest of it. Like I said, Carlotta parallels me so much,

0:40:20.800 --> 0:40:23.840
<v Speaker 1>not just trans people, not even just gay people. Some

0:40:24.239 --> 0:40:27.640
<v Speaker 1>men they go to prison, or some gay people they

0:40:27.719 --> 0:40:29.880
<v Speaker 1>go to prison, may not even go in to go

0:40:30.000 --> 0:40:33.640
<v Speaker 1>in on the sexual whatever, but it's taken. I have

0:40:33.840 --> 0:40:38.120
<v Speaker 1>watched me and straight men be taken by other men

0:40:38.560 --> 0:40:41.440
<v Speaker 1>because they were not just because they were pretty, or

0:40:41.640 --> 0:40:44.000
<v Speaker 1>because they were weak or whatever, just because they were

0:40:44.280 --> 0:40:48.160
<v Speaker 1>fresh and new on the yard and for which But

0:40:48.360 --> 0:40:52.520
<v Speaker 1>fortunately I don't have Carlotta's the same experience. First of all,

0:40:52.560 --> 0:40:54.760
<v Speaker 1>I was only in there for forty eight days because

0:40:54.840 --> 0:40:57.399
<v Speaker 1>it was not I was young and read with brand

0:40:57.440 --> 0:40:59.960
<v Speaker 1>new TVs. There was no place, and they kicked me out.

0:41:00.080 --> 0:41:02.560
<v Speaker 1>What I was the I was like a real woman

0:41:02.600 --> 0:41:04.800
<v Speaker 1>in a mean and spread of injury. So they like,

0:41:04.840 --> 0:41:06.359
<v Speaker 1>get the hell out of here. We got a place

0:41:06.400 --> 0:41:10.479
<v Speaker 1>for you. But had that been Jeff, maybe ten years later,

0:41:11.200 --> 0:41:13.200
<v Speaker 1>I would still be in there because the but then

0:41:13.280 --> 0:41:16.520
<v Speaker 1>they had created wings for trans people, so they had

0:41:16.560 --> 0:41:19.480
<v Speaker 1>a whole wing of gay and trans people together, which

0:41:19.560 --> 0:41:23.160
<v Speaker 1>came furious because there are a lot of those, though

0:41:24.800 --> 0:41:32.759
<v Speaker 1>usually usually trans uh trans women are are left in

0:41:32.840 --> 0:41:37.400
<v Speaker 1>general population and have to fend for themselves. Sometimes they

0:41:37.440 --> 0:41:40.200
<v Speaker 1>get like Carlotta, taken out of general population and put

0:41:40.640 --> 0:41:44.080
<v Speaker 1>into solitary in a and they say that it's for

0:41:44.160 --> 0:41:48.239
<v Speaker 1>their own protection, but you know, solitary is hardly up

0:41:48.360 --> 0:41:52.120
<v Speaker 1>protection in the long ruin right. It's like you're isolated,

0:41:52.280 --> 0:41:56.359
<v Speaker 1>you go nuts. It's you know, frustrating, it's I mean,

0:41:56.440 --> 0:41:59.799
<v Speaker 1>it's just as bad, um, if not worse than being

0:41:59.840 --> 0:42:03.759
<v Speaker 1>a general and population now here. Now Here wasn't kid

0:42:03.840 --> 0:42:06.920
<v Speaker 1>of James. Because I have such a smooth mouthpiece. Let

0:42:06.960 --> 0:42:09.759
<v Speaker 1>me say this honestly, because I can talk my way

0:42:09.840 --> 0:42:14.760
<v Speaker 1>into and almost out of anything. I did not allow

0:42:14.840 --> 0:42:17.080
<v Speaker 1>them to put me in solitary confinement, because that is

0:42:17.160 --> 0:42:19.319
<v Speaker 1>the argument they tell you when you're in prison, if

0:42:19.360 --> 0:42:21.320
<v Speaker 1>we put you in here and you can be protected.

0:42:21.520 --> 0:42:23.839
<v Speaker 1>But I don't want to be alone. A I don't

0:42:23.840 --> 0:42:26.200
<v Speaker 1>want to and be I knew how to defend for

0:42:26.280 --> 0:42:29.000
<v Speaker 1>myself and not with just my fists, but I knew

0:42:29.000 --> 0:42:31.280
<v Speaker 1>how to talk to people because I was from the streets.

0:42:31.400 --> 0:42:34.520
<v Speaker 1>I was my uncle's were all gangsters and stones, and

0:42:34.640 --> 0:42:38.640
<v Speaker 1>I I knew all the link go and so wait.

0:42:38.960 --> 0:42:42.320
<v Speaker 1>And unfortunately, in Carlotta's experience, wasn't like that. She was

0:42:42.400 --> 0:42:44.520
<v Speaker 1>just an annocent young kid who was at the wrong

0:42:44.600 --> 0:42:46.200
<v Speaker 1>place at the wrong time. And if you guys have

0:42:46.360 --> 0:42:49.399
<v Speaker 1>not downloaded the audio or purchased a book to read,

0:42:49.480 --> 0:42:52.000
<v Speaker 1>it is the greatest read at such a roller coaster

0:42:52.080 --> 0:42:54.719
<v Speaker 1>of emotions. I think, James, you impressed me the most

0:42:54.840 --> 0:42:58.719
<v Speaker 1>with Carlotta's character because Carlotta had a has a son

0:42:58.920 --> 0:43:01.279
<v Speaker 1>in the in the book, and I have a son,

0:43:01.440 --> 0:43:03.719
<v Speaker 1>and James was like, you gave a lot of heart.

0:43:04.040 --> 0:43:06.359
<v Speaker 1>I was like, because I can only imagine how being

0:43:06.400 --> 0:43:08.360
<v Speaker 1>away from my side for twenty two years would have

0:43:08.440 --> 0:43:13.200
<v Speaker 1>done me, and Yeah, that was a really wonderful thing

0:43:13.320 --> 0:43:18.640
<v Speaker 1>to realize. UM. And that was several days in right, yeah,

0:43:19.000 --> 0:43:24.120
<v Speaker 1>like but yeah, I mean there was there were You

0:43:24.239 --> 0:43:26.759
<v Speaker 1>brought a lot to the to the role that I

0:43:26.840 --> 0:43:32.239
<v Speaker 1>felt like I wouldn't have gotten to necessarily. Um. There

0:43:32.280 --> 0:43:36.120
<v Speaker 1>are just a lot of really warm, funny moments that

0:43:36.640 --> 0:43:40.600
<v Speaker 1>I think you're you bringing your own experience UM into

0:43:40.680 --> 0:43:44.440
<v Speaker 1>the room. Uh really made them work in a way

0:43:44.520 --> 0:43:47.399
<v Speaker 1>that they wouldn't have if it had just been me. Well,

0:43:47.440 --> 0:43:49.800
<v Speaker 1>I had The reason I brought a lot to the

0:43:49.880 --> 0:43:51.959
<v Speaker 1>table was because you brought it out of me, James,

0:43:52.040 --> 0:43:56.239
<v Speaker 1>you are a master at spoken the bear and the

0:43:56.400 --> 0:43:59.560
<v Speaker 1>spot to make it was because I'm telling you, James,

0:44:00.160 --> 0:44:03.759
<v Speaker 1>I felt defeated after the first day. I also felt

0:44:03.800 --> 0:44:06.680
<v Speaker 1>like I was challenging myself, but I didn't think that

0:44:06.760 --> 0:44:08.880
<v Speaker 1>I had. I'm telling up that you saw that in me,

0:44:09.360 --> 0:44:11.480
<v Speaker 1>pushed me. I thank you for that. I appreciate that

0:44:11.800 --> 0:44:13.480
<v Speaker 1>because I would have been I ain't never doing this

0:44:13.520 --> 0:44:21.600
<v Speaker 1>ship again, I ain't never doing audio. Well. Great experience

0:44:21.600 --> 0:44:23.080
<v Speaker 1>and it's a great way. I want you guys to

0:44:23.160 --> 0:44:24.719
<v Speaker 1>get the book, and I want you to get James

0:44:24.800 --> 0:44:27.840
<v Speaker 1>as other books, which is what is it what's the

0:44:27.880 --> 0:44:30.359
<v Speaker 1>first what's the first one? The first one is called

0:44:30.400 --> 0:44:34.319
<v Speaker 1>God says No, God says, oh, James, how many people

0:44:34.400 --> 0:44:37.120
<v Speaker 1>do you think when I'm going back to that again,

0:44:37.600 --> 0:44:41.040
<v Speaker 1>the heavy set man that was not just black. It's

0:44:41.080 --> 0:44:44.160
<v Speaker 1>a lot of heavy death, gay feeling love, They feel

0:44:44.160 --> 0:44:46.319
<v Speaker 1>a shame. But here's here's my thing, James. I love

0:44:46.360 --> 0:44:49.879
<v Speaker 1>what you said about sometimes that the church will lead

0:44:49.960 --> 0:44:53.920
<v Speaker 1>you to to drugs or hate yourself. God will bring

0:44:54.040 --> 0:44:57.319
<v Speaker 1>you back. I believe that. I believe that church has

0:44:57.440 --> 0:45:01.440
<v Speaker 1>been so health for in the Black community and such

0:45:01.480 --> 0:45:04.560
<v Speaker 1>a hindrance at the same time. And it's so tricky

0:45:04.800 --> 0:45:07.320
<v Speaker 1>because you need to know who you are before you

0:45:07.440 --> 0:45:10.920
<v Speaker 1>go into somebody else's in somebody's church, to say this

0:45:11.120 --> 0:45:13.200
<v Speaker 1>person is going to control my life. Because in the

0:45:13.280 --> 0:45:16.279
<v Speaker 1>scripture in the Bible, according to the Bible, it says

0:45:16.320 --> 0:45:18.680
<v Speaker 1>that God does not even show up to man made temple.

0:45:20.560 --> 0:45:22.880
<v Speaker 1>God is wherever you are. God was on that stage

0:45:22.960 --> 0:45:27.200
<v Speaker 1>last night with that black dress, yell. But he's not

0:45:27.320 --> 0:45:29.680
<v Speaker 1>in man made temples. And because God is in you,

0:45:29.960 --> 0:45:33.400
<v Speaker 1>it's his spirit, his joy, his love is supposed to

0:45:33.480 --> 0:45:39.360
<v Speaker 1>be within you. Building for so many people, especially with

0:45:39.400 --> 0:45:41.400
<v Speaker 1>the Black Church, I can't speak for no other experience,

0:45:41.440 --> 0:45:44.000
<v Speaker 1>because I'm only experienced with the Black Church, the Black

0:45:44.080 --> 0:45:47.160
<v Speaker 1>Church and religion since so tells so many people you're wrong.

0:45:47.640 --> 0:45:50.120
<v Speaker 1>You should be gay, you should be fed, you shouldn't

0:45:50.120 --> 0:45:53.600
<v Speaker 1>have sex outside of marriage. So many you shouldn't, but

0:45:53.680 --> 0:45:56.640
<v Speaker 1>they never encourage you to say you can or you

0:45:56.840 --> 0:46:01.040
<v Speaker 1>are good enough. And I think it's disheartening, But I'm

0:46:01.040 --> 0:46:04.600
<v Speaker 1>glad that my grandmother instilled in me, you are the

0:46:04.800 --> 0:46:08.480
<v Speaker 1>coldest bitch on the planet. She took me six years old.

0:46:08.520 --> 0:46:11.800
<v Speaker 1>I believed all the way into this age. I still believe,

0:46:14.960 --> 0:46:18.160
<v Speaker 1>but you're not. I mean, I've known plenty of much

0:46:18.239 --> 0:46:21.920
<v Speaker 1>colder bitches, cold like that she meant cold and getting

0:46:22.040 --> 0:46:27.000
<v Speaker 1>in Black people's terms like I'm bad, cold in the bag, pastic.

0:46:27.520 --> 0:46:29.400
<v Speaker 1>You know, we we have our own language, you know.

0:46:29.560 --> 0:46:35.120
<v Speaker 1>That always made me feel like somebody in my family

0:46:35.239 --> 0:46:37.680
<v Speaker 1>my life supported me from such a young so it

0:46:37.800 --> 0:46:41.239
<v Speaker 1>made me stand on two feet to say I can,

0:46:41.440 --> 0:46:45.440
<v Speaker 1>I can, as opposed to I can't. Right, I mean,

0:46:45.480 --> 0:46:49.200
<v Speaker 1>there's plenty outside that's gonna tell you you can't do things.

0:46:50.000 --> 0:46:53.399
<v Speaker 1>I mean, certainly if you're black, certainly, if you're queer,

0:46:54.480 --> 0:47:01.520
<v Speaker 1>or along the many alphabet letters of queerness. Um, you know,

0:47:02.280 --> 0:47:06.920
<v Speaker 1>you know, the any excuse to tell you people they

0:47:07.000 --> 0:47:11.239
<v Speaker 1>can't do stuff, Um, James, And I'm gonna plan to

0:47:11.320 --> 0:47:13.200
<v Speaker 1>see that you here before we in this show. I

0:47:13.280 --> 0:47:15.560
<v Speaker 1>want to plan to see I want you to see

0:47:16.200 --> 0:47:19.440
<v Speaker 1>what I'm up against against my own community and the

0:47:19.600 --> 0:47:23.320
<v Speaker 1>interaction I had with the heterosexual crowd last night because

0:47:23.440 --> 0:47:27.359
<v Speaker 1>they didn't respect me. Because I came in kicking open

0:47:27.440 --> 0:47:31.920
<v Speaker 1>the door. I allowed that audience to work with me.

0:47:32.160 --> 0:47:34.040
<v Speaker 1>I had to crack the egg too, because they were

0:47:34.120 --> 0:47:36.480
<v Speaker 1>tighter to beginning, and after that first act I had

0:47:36.520 --> 0:47:38.120
<v Speaker 1>to bring them back us. He took them somewhere and

0:47:38.160 --> 0:47:39.719
<v Speaker 1>dropped them off. I had to go back and get them.

0:47:40.280 --> 0:47:44.160
<v Speaker 1>But I want my community to see that it is

0:47:44.280 --> 0:47:46.239
<v Speaker 1>not a fight. If you take the time and let

0:47:46.320 --> 0:47:49.960
<v Speaker 1>it organically happen. More people are willing to see you

0:47:50.080 --> 0:47:52.400
<v Speaker 1>for who you are if you allow them the time

0:47:52.880 --> 0:47:55.080
<v Speaker 1>that it takes for them to see you. It ain't

0:47:55.080 --> 0:48:00.600
<v Speaker 1>gonna It's not gonna always happen overnight. And I have

0:48:00.719 --> 0:48:03.919
<v Speaker 1>a different story, but you know, the basics are kind

0:48:03.960 --> 0:48:07.480
<v Speaker 1>of similar. You know. Um, you know, people look at me,

0:48:07.719 --> 0:48:10.960
<v Speaker 1>I'm a large black man that I think they seem

0:48:11.080 --> 0:48:14.319
<v Speaker 1>to think they need to be afraid of. Sometimes they

0:48:14.360 --> 0:48:17.279
<v Speaker 1>don't understand. I think I've recently started wearing glasses and

0:48:17.400 --> 0:48:20.000
<v Speaker 1>now I think people understand a little bit more that

0:48:20.080 --> 0:48:25.120
<v Speaker 1>there's a giant brain behind. But you know, if just

0:48:25.360 --> 0:48:27.440
<v Speaker 1>you know, I think I'd give people a lot of

0:48:27.480 --> 0:48:31.719
<v Speaker 1>what they're not expecting to find from somebody who has

0:48:31.840 --> 0:48:36.400
<v Speaker 1>my physical characteristics. But you know, my I get a

0:48:36.440 --> 0:48:39.160
<v Speaker 1>lot of strength from my late mom um. I got

0:48:39.200 --> 0:48:41.600
<v Speaker 1>a lot of strength from her. Watching was love too, obviously,

0:48:41.760 --> 0:48:45.360
<v Speaker 1>But you know when somebody would tell my mother that

0:48:45.520 --> 0:48:47.800
<v Speaker 1>she couldn't do something, do you know what her response was,

0:48:49.680 --> 0:48:54.719
<v Speaker 1>I watched me right right the challenge. I'm telling you

0:48:54.960 --> 0:48:58.200
<v Speaker 1>something about us being challenge and we're like, don't tell

0:48:58.239 --> 0:49:00.040
<v Speaker 1>me what I can do. Let me show you that

0:49:00.160 --> 0:49:03.160
<v Speaker 1>I can't. And what I've found out in my so

0:49:03.280 --> 0:49:05.800
<v Speaker 1>many years of working in the industry is because I

0:49:05.920 --> 0:49:09.120
<v Speaker 1>was so strong in my presence and I was comfortable

0:49:09.200 --> 0:49:12.400
<v Speaker 1>with being me and my style of dress, that a

0:49:12.480 --> 0:49:14.600
<v Speaker 1>lot of times people don't know what they want until

0:49:14.640 --> 0:49:16.560
<v Speaker 1>you show it to him. So I believe in showing

0:49:16.600 --> 0:49:18.880
<v Speaker 1>it to him. So this is what you missing. I

0:49:18.880 --> 0:49:22.520
<v Speaker 1>am very much from the Gianna Reland school of uh,

0:49:23.200 --> 0:49:28.640
<v Speaker 1>philosophy about entertainment, right, do you know, Gianna Freeland, I'm

0:49:28.680 --> 0:49:32.560
<v Speaker 1>waiting to move boom waiting on YouTube, explain it to me.

0:49:33.040 --> 0:49:36.120
<v Speaker 1>Editor of Volk. She was kind of eccentric and she

0:49:36.239 --> 0:49:39.080
<v Speaker 1>wrote all these books that are they're like really loopy

0:49:39.880 --> 0:49:43.000
<v Speaker 1>um or she would say something like we need these

0:49:43.080 --> 0:49:45.319
<v Speaker 1>girls with small heads in the back of the book,

0:49:46.880 --> 0:49:50.840
<v Speaker 1>just like really crazy stuff. She's hilarious. But one of

0:49:50.920 --> 0:49:53.560
<v Speaker 1>the things she would say most often was give the

0:49:53.640 --> 0:49:57.920
<v Speaker 1>people what they never knew they want. And I've always

0:49:57.960 --> 0:50:00.400
<v Speaker 1>thought that that was a wonderful way of stink to

0:50:00.440 --> 0:50:05.480
<v Speaker 1>you about you know, art and commerce. Well, I just

0:50:05.520 --> 0:50:09.399
<v Speaker 1>want to applaud you, Mr Hannah Hand for um being

0:50:09.520 --> 0:50:13.720
<v Speaker 1>such a wonderful person teaching people, helping people. I think, James,

0:50:13.800 --> 0:50:16.440
<v Speaker 1>that you will also be a bridge in the gap

0:50:16.680 --> 0:50:19.600
<v Speaker 1>of us and them to make us all one, because

0:50:20.120 --> 0:50:25.480
<v Speaker 1>you're so well rounded, you so versed with Oh yeah,

0:50:25.480 --> 0:50:30.000
<v Speaker 1>I believe that you're smooth. I watched you with the

0:50:30.080 --> 0:50:33.160
<v Speaker 1>men that we worked with at that studio. Those guys

0:50:33.920 --> 0:50:36.000
<v Speaker 1>I might have been a little extreme for them, but

0:50:36.160 --> 0:50:40.120
<v Speaker 1>they were so even killed with you, and they came

0:50:40.160 --> 0:50:42.279
<v Speaker 1>around I think that like two days they got used

0:50:42.320 --> 0:50:46.000
<v Speaker 1>to me it took, but they were. I mean, I

0:50:46.120 --> 0:50:54.279
<v Speaker 1>just I treat everybody as you know, equally until such

0:50:54.440 --> 0:50:59.960
<v Speaker 1>time as, you know, something happens. I'm not really artically

0:51:00.040 --> 0:51:02.680
<v Speaker 1>hitting this ball, but you know, like I tried to,

0:51:03.120 --> 0:51:06.839
<v Speaker 1>I try to, you know, treat everybody the same um

0:51:07.880 --> 0:51:10.759
<v Speaker 1>and and I expect you know, that same kind of

0:51:10.800 --> 0:51:12.960
<v Speaker 1>respect back from people. And if I'm not getting it,

0:51:13.600 --> 0:51:18.120
<v Speaker 1>you know, either you know, leave the scene or I

0:51:18.239 --> 0:51:22.600
<v Speaker 1>make a demand at some point, and not necessarily a demand.

0:51:22.640 --> 0:51:24.800
<v Speaker 1>That's just like you know, my fifth banging on a table.

0:51:24.920 --> 0:51:32.200
<v Speaker 1>But just like I just don't budge from my position. Um. Yes,

0:51:33.000 --> 0:51:35.440
<v Speaker 1>I don't get violent until anger out of you. I

0:51:35.480 --> 0:51:37.680
<v Speaker 1>don't even James, let me ask you a person question.

0:51:37.760 --> 0:51:40.399
<v Speaker 1>Have you haven't even had ever had a physical fist fight,

0:51:41.800 --> 0:51:45.960
<v Speaker 1>nothing like junior high school? But yeah I have. I

0:51:46.000 --> 0:51:49.560
<v Speaker 1>don't even get that from you. I mean yeah, I mean,

0:51:49.640 --> 0:51:52.319
<v Speaker 1>I just I'm a lover, not a fighter. Is Can

0:51:52.360 --> 0:51:54.440
<v Speaker 1>I say that that's Michael Jackson? I don't know if

0:51:54.440 --> 0:52:01.160
<v Speaker 1>I can say that. I will don't. Can we can

0:52:01.239 --> 0:52:04.319
<v Speaker 1>we talk about can we say? I mean, at last night,

0:52:04.360 --> 0:52:06.959
<v Speaker 1>I'm surprised there were like a ton of Michael Jackson jokes.

0:52:07.040 --> 0:52:11.600
<v Speaker 1>There were enough Bill Cosby jokes. Uh for I cannot

0:52:11.640 --> 0:52:13.560
<v Speaker 1>make Michael Jackson jokes. At first of all, I love

0:52:13.640 --> 0:52:18.080
<v Speaker 1>Michael Jackson. I he was the greatest entertainer of my lifetime.

0:52:18.560 --> 0:52:24.280
<v Speaker 1>And our friends with his son friends. Ah, so okay,

0:52:26.840 --> 0:52:30.160
<v Speaker 1>we can take we can take that out. No, but

0:52:30.280 --> 0:52:34.520
<v Speaker 1>I was actually I actually was not um this I

0:52:34.600 --> 0:52:36.879
<v Speaker 1>feel listening to Michael's I grew up on Michael's music.

0:52:37.200 --> 0:52:42.400
<v Speaker 1>Was alright, I'm not gonna make any jokes. No you're not.

0:52:42.680 --> 0:52:47.040
<v Speaker 1>I'm going to push It's fine with you, James, No, Dukes.

0:52:48.080 --> 0:52:50.839
<v Speaker 1>I've applaud you. I appreciate you. Ladies and gentlemen, if

0:52:50.880 --> 0:52:53.279
<v Speaker 1>you have not gotten the book. Didn't nobody to give

0:52:53.320 --> 0:52:55.279
<v Speaker 1>a ship about what happened to carl It's not it's

0:52:55.280 --> 0:52:57.160
<v Speaker 1>not about what happen to cos know about. It's just

0:52:57.280 --> 0:53:00.160
<v Speaker 1>didn't nobody give a ship what happened to Carlina? To

0:53:00.200 --> 0:53:01.920
<v Speaker 1>give a ship what happened took a lot of you

0:53:01.920 --> 0:53:04.560
<v Speaker 1>would think they're saying all kinds of ways to Didn't

0:53:04.680 --> 0:53:07.520
<v Speaker 1>nobody give a ship what happened to Carlata. Didn't nobody

0:53:07.560 --> 0:53:10.320
<v Speaker 1>give us ship what happened to Carlina? You can emphasize

0:53:10.360 --> 0:53:12.040
<v Speaker 1>each of the words in a different way and it

0:53:12.120 --> 0:53:14.920
<v Speaker 1>still has the same meeting. Yes, and it is. It

0:53:15.120 --> 0:53:17.759
<v Speaker 1>is a roller coast, a right of emotions. It is

0:53:17.840 --> 0:53:24.320
<v Speaker 1>real life. It is a struggle, hustle, a survival, but

0:53:24.480 --> 0:53:26.600
<v Speaker 1>it is a heart but all of that. And I

0:53:26.680 --> 0:53:28.600
<v Speaker 1>want you guys to listen to this story or either

0:53:28.680 --> 0:53:31.640
<v Speaker 1>go read the book because it is fantastic and I

0:53:31.680 --> 0:53:34.080
<v Speaker 1>would have never known how great it was had Mr

0:53:34.239 --> 0:53:39.160
<v Speaker 1>James Hannahan that reached out to me for the next book. James,

0:53:39.239 --> 0:53:46.839
<v Speaker 1>that's a lat car latta two at the movie rights

0:53:46.880 --> 0:53:48.480
<v Speaker 1>get picked up for these, James. I can see this

0:53:48.640 --> 0:53:51.200
<v Speaker 1>being a great, great movie. I really see you could

0:53:51.200 --> 0:53:53.480
<v Speaker 1>see this has been a great movie. I think all

0:53:53.560 --> 0:53:56.919
<v Speaker 1>I can see right now is there has been some interest. Yeah,

0:53:58.440 --> 0:54:00.600
<v Speaker 1>I may be able to announce something at some point

0:54:01.280 --> 0:54:03.120
<v Speaker 1>A lot of in the movie. And I don't have

0:54:03.239 --> 0:54:05.400
<v Speaker 1>a but I could damn shall be her best girlfriend

0:54:05.480 --> 0:54:14.120
<v Speaker 1>in prison. I don't think I haven't thought about that. Da.

0:54:14.480 --> 0:54:17.319
<v Speaker 1>It has been a wonderful experience. Mr Hannah Ham, thank

0:54:17.320 --> 0:54:19.319
<v Speaker 1>you for coming on and talking with me here at

0:54:19.400 --> 0:54:21.520
<v Speaker 1>laughing man and ladies and gentlemen, thank you too. Miss

0:54:21.560 --> 0:54:26.960
<v Speaker 1>Flamed well well that's the best, Mr Hannaham and I'm no, No,

0:54:27.040 --> 0:54:31.120
<v Speaker 1>you are the best. Are you leaving tomorrow? Yes, doctor

0:54:31.120 --> 0:54:33.200
<v Speaker 1>in New York. But I would say I would come

0:54:33.200 --> 0:54:37.319
<v Speaker 1>and have breakfast with you, but yet no, it would

0:54:37.320 --> 0:54:39.320
<v Speaker 1>have to be like six in the morning, me and

0:54:39.400 --> 0:54:41.480
<v Speaker 1>Earl at six in the morning, I might be up,

0:54:41.640 --> 0:54:44.759
<v Speaker 1>but only part. The other part is still asleep. Oh,

0:54:48.600 --> 0:54:51.719
<v Speaker 1>I love you, James Hannah Ham, thank you. Say make

0:54:51.719 --> 0:54:54.799
<v Speaker 1>sure you welcome. Give me your social media handle? Oh

0:54:54.960 --> 0:55:00.760
<v Speaker 1>me uh on Instagram the spectacle is real? And on Twitter,

0:55:00.960 --> 0:55:06.520
<v Speaker 1>I'm just my name, James hannahm Lying teacher playing teacher.

0:55:08.200 --> 0:55:11.840
<v Speaker 1>That's an old song from the eighties. Really nobody remembers it.

0:55:13.480 --> 0:55:18.680
<v Speaker 1>It was by a group called Wide Boy Awake. You

0:55:18.920 --> 0:55:21.120
<v Speaker 1>make sure you get the book. Did nobody give a ship?

0:55:21.239 --> 0:55:24.600
<v Speaker 1>What happened to Carlata? It is with James Hannahan the author,

0:55:24.680 --> 0:55:27.520
<v Speaker 1>and it is audible. The audible is them but us truly.

0:55:27.600 --> 0:55:29.640
<v Speaker 1>But all the other voices that James, all the other

0:55:29.719 --> 0:55:34.040
<v Speaker 1>voices that does not sound like this man great voice

0:55:34.080 --> 0:55:36.880
<v Speaker 1>over character acts. So all those other voices, girl and

0:55:37.120 --> 0:55:40.360
<v Speaker 1>boy is James. A lot of it is me. You

0:55:40.400 --> 0:55:42.359
<v Speaker 1>can tell the same boys. You go up and down

0:55:42.400 --> 0:55:48.040
<v Speaker 1>and get deep. Hey, wonderful James HANNAHM. I appreciate you, sir.

0:55:48.640 --> 0:55:52.000
<v Speaker 1>Thank you likewise blame man. Y'all can follow me here

0:55:52.040 --> 0:55:56.400
<v Speaker 1>on Instagram. Remember I will be in pleasant in, uh, California,

0:55:56.960 --> 0:56:00.480
<v Speaker 1>March thirty one to April one. Yaker's me because I'm

0:56:00.520 --> 0:56:02.760
<v Speaker 1>looking forward to meeting you and your your your step

0:56:02.840 --> 0:56:09.799
<v Speaker 1>your father in law and your and Yonker. I'm looking best.

0:56:09.880 --> 0:56:15.480
<v Speaker 1>That's gonna wake him up. I'm ana wake up. Uh.

0:56:15.840 --> 0:56:17.279
<v Speaker 1>It's your tickets there and get your things at the

0:56:17.320 --> 0:56:19.200
<v Speaker 1>box off. But each of everybody we are at free

0:56:19.280 --> 0:56:22.000
<v Speaker 1>voices at the world famous Hollywood Laugh Factory on sunset

0:56:22.040 --> 0:56:24.080
<v Speaker 1>from seven thirty to teen. And I don't have to

0:56:24.160 --> 0:56:26.000
<v Speaker 1>tell you guys how much fun it is, James, you

0:56:26.120 --> 0:56:28.560
<v Speaker 1>tell him how much? What? What was the experience like,

0:56:28.640 --> 0:56:30.880
<v Speaker 1>honest because that was your first time see me on stage.

0:56:31.120 --> 0:56:34.600
<v Speaker 1>It was it was outrageous, insane, but it was also

0:56:34.880 --> 0:56:42.879
<v Speaker 1>you know, diverse and crazy, um and inclusive and offensive

0:56:43.719 --> 0:56:48.360
<v Speaker 1>and just really funny. I laughed my face off, but

0:56:48.520 --> 0:56:53.160
<v Speaker 1>that's what we want. Thank you, James. I appreciate you, James,

0:56:53.239 --> 0:56:56.920
<v Speaker 1>and I will see you soon, sir. Okay, and with

0:56:57.000 --> 0:56:59.799
<v Speaker 1>my model here, here, at laughing. We are not trying

0:56:59.840 --> 0:57:01.680
<v Speaker 1>to get you to change your mind. We are only

0:57:01.760 --> 0:57:03.680
<v Speaker 1>trying to get you to use your mind. But in

0:57:03.840 --> 0:57:06.480
<v Speaker 1>order to use your mind, you have to have a man.

0:57:06.600 --> 0:57:10.040
<v Speaker 1>Because the mind is the chair with following the will

0:57:10.120 --> 0:57:13.200
<v Speaker 1>never get you to the target that you gat you

0:57:13.320 --> 0:57:19.200
<v Speaker 1>to somebody else. Patient this don't miss an episode of

0:57:19.320 --> 0:57:22.000
<v Speaker 1>Laugh and Learn. Listen and subscribe on the Black Effect

0:57:22.040 --> 0:57:25.360
<v Speaker 1>Podcast Network, I Heart Radio, app or wherever you get

0:57:25.400 --> 0:57:28.560
<v Speaker 1>your podcasts. Laugh and Learned podcast is a production of

0:57:28.640 --> 0:57:32.280
<v Speaker 1>the Black Effect Podcast Network and I Heart Radio. Our

0:57:32.320 --> 0:57:35.560
<v Speaker 1>Ejecutive producer is Tiffany Hattish. Our theme music is by

0:57:35.640 --> 0:57:38.360
<v Speaker 1>the one and only Christie Payne. Thank you guys. This

0:57:38.520 --> 0:57:42.520
<v Speaker 1>is Flaming Row. Don't forget to laugh, Listen and Learn