WEBVTT - Bach in Black: Composer Crimes

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<v Speaker 1>Ridiculous Crime is a production of iHeartRadio.

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<v Speaker 2>Zaren Hey, Elizabeth Dudton. Oh are you doing pretty well?

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<v Speaker 2>How about you? Good? You feel well?

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<v Speaker 3>For asking?

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<v Speaker 2>Oh? My pleasure. You know I'm a curious tech.

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<v Speaker 3>You are listen. Yeah, I have a question for you,

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<v Speaker 3>curious George. Oh sure you know it's ridiculous? Oh yes,

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<v Speaker 3>Oh do you. Mister David Lee Roth, Oh my god,

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<v Speaker 3>he's so beautifully ridiculous.

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<v Speaker 2>I love him. Did you know in two thousand and four,

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<v Speaker 2>David Lee Roth aka Diamond Dave aka mister David Lee

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<v Speaker 2>Roth he went to work in the Bronx as an

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<v Speaker 2>emergency medical technician. I do know that.

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<v Speaker 3>I think I talked about it on Ridiculous History once.

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<v Speaker 2>Oh that's right, I did you do know? You know this?

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<v Speaker 2>Huh well? He called it a perfect job for him.

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<v Speaker 2>I was blown away by this.

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<v Speaker 3>He's amazing.

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<v Speaker 2>I was like, dude, how cool is this? And like

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<v Speaker 2>he was like super excited where he was like talking about.

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<v Speaker 2>Like at one point he would go up to people.

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<v Speaker 2>There they are like lying bloody on the pavement of

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<v Speaker 2>New York City, and David Lee Roth comes up to them,

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<v Speaker 2>grins down at them and goes, you're gonna be okay,

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<v Speaker 2>I mean like that, like that it was like a dream, right,

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<v Speaker 2>and then he actually starts to save them, like not

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<v Speaker 2>just like it's an apparition. He tastes their blood pressure,

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<v Speaker 2>he starts bandaging them. According to Diamond, Davey said, not

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<v Speaker 2>once does anyone recognize me, which is perfect for me.

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<v Speaker 2>So apparently they weren't actually seeing him, which is kind

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<v Speaker 2>of wild, Like you actually had the moment and no

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<v Speaker 2>one recognized that it was David Roth, which is the

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<v Speaker 2>wildest part to me. They missed out on the moment anyway,

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<v Speaker 2>that was ridiculous. Fandex all yeah, yeah, to be saved

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<v Speaker 2>by David Lee Roth and not know it. Yeah, that's ridiculous.

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<v Speaker 3>Ridiculous. That is ridiculous. You want to know what else

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<v Speaker 3>is ridiculous? Oh dude, please getting arrested for trying to

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<v Speaker 3>quit a job.

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<v Speaker 2>I think I've done that.

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<v Speaker 3>This is ridiculous. Crime a podcast about absurd and outrageous capers,

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<v Speaker 3>heists and cons. It's always ninety nine percent murder free

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<v Speaker 3>and one hundred percent ridiculous.

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<v Speaker 2>Damn right zaren yes.

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<v Speaker 3>Close your eyes.

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<v Speaker 2>Fast.

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<v Speaker 3>I'm just kidding you. Like classical music.

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<v Speaker 2>I love classical music.

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<v Speaker 3>Answer the question, sir, I reclaim my time. Well, I

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<v Speaker 3>have a whopper of a show for you today. I

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<v Speaker 3>too like classical music. Thanks for asking.

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<v Speaker 2>Okay, do you like classical music?

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<v Speaker 3>Yes, I do. I just said that these these are

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<v Speaker 3>criming classical composers and musicians that I have for you today.

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<v Speaker 3>Oh can you believe.

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<v Speaker 2>That this is awesome? And this is not like Hector

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<v Speaker 2>Barreleos did some opium. This is like crazy stuff.

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<v Speaker 3>Oh yeah, now this is Remember you did the stolen strategy.

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<v Speaker 3>Now this is beyond beyond that, beyond that, your your

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<v Speaker 3>mind will be boggled at the level of crime.

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<v Speaker 2>I'm gonna buckle up, buttercut.

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<v Speaker 3>So yeah you should. Now, we don't have any hardcore

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<v Speaker 3>criminals in this one. What I'm trying to say, we

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<v Speaker 3>don't have arsonists or bank robbers. This is good, clean

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<v Speaker 3>fun Oh nice, just squeaky clean. That's what we're all

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<v Speaker 3>about here, clean Schubert. Oh do you play it? Do

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<v Speaker 3>you play an instrument?

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<v Speaker 4>Zeren?

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<v Speaker 2>Does harmonica count? Yeah?

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<v Speaker 3>I would count a harmonic musical instrument.

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<v Speaker 2>Yeah, yeah, So I play harmonica, but I would say

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<v Speaker 2>I'm no musician.

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<v Speaker 3>Okay, because like from the ages of about eight to twenty.

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<v Speaker 3>I played the cello. That's a big secret. I couldn't

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<v Speaker 3>play good. No, I couldn't play to save my life today,

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<v Speaker 3>I'm guessing. But like I played in this school orchestra

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<v Speaker 3>in high school and it really went with my whole

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<v Speaker 3>Like I have to wear net gear at night, and

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<v Speaker 3>I didn't attend one party in high school. Ye I play, Yeah,

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<v Speaker 3>she'll play cello.

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<v Speaker 2>I leaned in.

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<v Speaker 3>I leaned in.

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<v Speaker 2>I wore he garb too, by the way, just so

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<v Speaker 2>you know, only for six months, but I did wear it.

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<v Speaker 3>Okay, well here I was.

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<v Speaker 2>Leaning it fully adjusted.

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<v Speaker 3>You're well come sharing with Sandford so Schubert, Yes, he

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<v Speaker 3>was one of my favorite composers to play. Oh really,

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<v Speaker 3>and not necessarily to listen to I always, I mean

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<v Speaker 3>in that case, I like favored the tragic stuff in

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<v Speaker 3>a minor case. But boy howdy was he fun to

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<v Speaker 3>play for the strings. Yeah, very bouncy and not as

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<v Speaker 3>technically demanding as some Mozart stuff, but a nice little

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<v Speaker 3>challenge totally. The Schubert that we played didn't relegate the

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<v Speaker 3>cell out to just like long bass notes.

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<v Speaker 2>Is holding the note. Yeah, you play a lot of

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<v Speaker 2>Beethoven too for the Yeah, but.

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<v Speaker 3>We got to shine baby.

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<v Speaker 2>Oh yeah, Schubert.

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<v Speaker 3>So that's what I'm going to start yelling when I

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<v Speaker 3>stubbed my toe, or maybe if someone sneezes. I don't know.

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<v Speaker 3>I'm open to anything with that. I'm taking suggestions. Franz Schubert,

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<v Speaker 3>that little darling. He was an Austrian composer born in

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<v Speaker 3>seventeen ninety seven. Oh, I was six years old then.

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<v Speaker 2>Yeah, you were just a sprite a little bit.

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<v Speaker 3>He was in that late Classical early Romantic era.

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<v Speaker 2>Yeah, romance.

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<v Speaker 3>He wrote seven symphonies, lots of good chamber music.

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<v Speaker 2>They brought it.

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<v Speaker 3>That's what I'm trying to say. Do you want to

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<v Speaker 3>hear me? Try and say the name of the suburb

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<v Speaker 3>of Vienna where he grew up. Yes, Okay, I'm gonna

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<v Speaker 3>have to sound say fast him out fort Grund.

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<v Speaker 2>I'm sorry I missed it. Can you say that again?

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<v Speaker 3>Him out fort Grund.

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<v Speaker 2>I'm sorry I missed it. Could you say that one

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<v Speaker 2>more time?

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<v Speaker 3>Hum Ut fort Grooms Schubert. So he was a child prodigy.

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<v Speaker 3>That's always fun. That's fun for the kid.

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<v Speaker 2>And for everyone around. Everybody loves that.

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<v Speaker 3>Yeah, he died when he was thirty one.

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<v Speaker 2>Actually, their siblings.

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<v Speaker 3>Oh so good. He died when he was thirty one

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<v Speaker 3>from what was likely mercury poison.

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<v Speaker 2>Is he just like sucking on thermometers?

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<v Speaker 3>Well in the early eighteen hundreds, you know what that meant.

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<v Speaker 3>The man was battling syphless.

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<v Speaker 2>Oh he had a touch of the siff and he

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<v Speaker 2>needed the mercury.

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<v Speaker 3>Oh yeah, he got around.

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<v Speaker 2>Yeah yeah, Blackbeard did that too.

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<v Speaker 3>Yeah, exactly. In fact, he and his pals loved to party.

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<v Speaker 2>I bet it sounds like it.

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<v Speaker 3>They would throw what they called shoe Bertie ads.

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<v Speaker 2>Wait what, he had his own party.

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<v Speaker 3>Name, schubertiads. Real ragers. They were intimate gatherings.

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<v Speaker 2>Oh my god.

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<v Speaker 3>Like, here's what they did. They all danced, and they

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<v Speaker 3>read poetry and they had political debates.

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<v Speaker 2>That's salon they were leaning in. That's a salon leaning in.

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<v Speaker 3>It's no wonder he had syphilis. I mean, come on,

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<v Speaker 3>they're reading the poetry and the debates. So this gang,

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<v Speaker 3>this bad boy club, this rat pack. They called themselves

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<v Speaker 3>Schubertia den like the men of the Schuberti eyes.

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<v Speaker 2>Why are they on his jock? I don't know.

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<v Speaker 3>So this was after the French Revolution, after the Napoleonic Wars.

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<v Speaker 3>The Austrians they didn't want that stuff.

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<v Speaker 2>Kitchen like the eighteen twenties. I got eighteen thirties. Yeah,

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<v Speaker 2>I'm guessing because he was born seventeen ninety seven.

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<v Speaker 3>So the Austrian police they were suspicious of such wild

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<v Speaker 3>youthful gathering. Of course, can't have students and artists and intellectuals, you.

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<v Speaker 2>Know, upsets the public.

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<v Speaker 3>Thearon Nerd parties were surveilled. So in eighteen twenty, the

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<v Speaker 3>Austrian secret police pounced. They were like a little kitten

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<v Speaker 3>in the grass, pounced. They arrested Schubert and four friends

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<v Speaker 3>on suspicion of revolutionary activities. Sert yeah they he So

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<v Speaker 3>they arrest him and then Schubert he was reprimanded and

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<v Speaker 3>during the arrest for quote, inveighing against officials with insulting

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<v Speaker 3>and opprobrious language.

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<v Speaker 2>Oh wow, talking foul.

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<v Speaker 3>Yeah he was talking about but they just reprimanded him.

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<v Speaker 3>So to translate the shoebies, you know, he said, first

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<v Speaker 3>off and the click you claim, that's the translation of it.

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<v Speaker 3>He was the tupac to the secret police's junior mafia. Okay,

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<v Speaker 3>following yes, yeah, the cops they were offended, they would

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<v Speaker 3>they let him go.

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<v Speaker 2>Like little Officer Ricky.

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<v Speaker 3>They let him go. But Schubert he had a best

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<v Speaker 3>buddy fellow by the name of Johann Sen, son of

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<v Speaker 3>the freedom fighter Franz Michael Sen.

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<v Speaker 2>Oh, not the freedom fighter Franz ever so Johann.

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<v Speaker 3>He was a writer slash poet. That's just how he

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<v Speaker 3>introduced himself to the syphilitic ladies.

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<v Speaker 2>Ladies.

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<v Speaker 3>He was hardcore. He had a street name. It was

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<v Speaker 3>Bombastis beba durwa Bebderva. I suppose bombastis Bebaderva.

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<v Speaker 2>I don't understand he had a street name.

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<v Speaker 3>I am not making this up.

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<v Speaker 2>That was Oh, that was his street name. I thought

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<v Speaker 2>you were like he came from a street I didn't follow.

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<v Speaker 2>That was his street name.

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<v Speaker 3>He was a weird street It's hard to say bombastis Bebaderva.

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<v Speaker 2>That's too many bees making it up.

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<v Speaker 3>And I have no idea what it means, although I

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<v Speaker 3>think it's kidgeon Latin for loud pompous drunk.

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<v Speaker 2>Yeah, to drink whatever, loud drunk.

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<v Speaker 3>Yeah. So, mister boombastic, thank you.

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<v Speaker 2>Much better street name.

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<v Speaker 3>He popped out of the mouth. They call him Miss

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<v Speaker 3>the Boombastic Okay, so he popped off at the cops

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<v Speaker 3>at the same as Schubert. But then he ended up

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<v Speaker 3>getting imprisoned. I'm guessing probably because they're like your dad's

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<v Speaker 3>spark plug too.

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<v Speaker 2>Yeah, and you're not a talented.

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<v Speaker 3>Musician, right, So he got imprisoned for fourteen months without charges.

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<v Speaker 3>They're just like you just sit here and think about

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<v Speaker 3>what you've met. So then they let him out, and

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<v Speaker 3>then he was permanently exiled from Vienna. And you know

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<v Speaker 3>he was yelling the same crazy tupac. Sure, so he

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<v Speaker 3>and Schubert never saw each other again. Oh, Schubert didn't

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<v Speaker 3>let that stop him from honoring his friend. He set

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<v Speaker 3>his music to sends poetry, including the famous song I'm

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<v Speaker 3>sure you know it go on Shungazong? Oh he wrote,

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<v Speaker 3>he did. He totally wrote that. Wow, I know it's

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<v Speaker 3>like I always hear you humming it, dude. That song

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<v Speaker 3>bumps Shungazong. That is the story of Schubert's brush with

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<v Speaker 3>the law and his buddy's ridiculous crime. Now onto the

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<v Speaker 3>next Schubert. Dame ethel smythe the most British of names.

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<v Speaker 2>Seriously.

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<v Speaker 3>She was an English composer born in eighteen fifty eight

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<v Speaker 3>and she was part of the women's suffrage movement.

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<v Speaker 2>Okay, she was that vote. Yeah.

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<v Speaker 3>She was the first female composer to be granted a

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<v Speaker 3>Dame hood. Oh what a day, what a most British name.

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<v Speaker 3>So as a female composer, a lady composer, if you will,

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<v Speaker 3>she was pretty much dismissed by the powers. Imagine she

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<v Speaker 3>was always either too much or not enough. Oh, gals,

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<v Speaker 3>I believe a lot of us can relate.

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<v Speaker 2>That's the line of a woman that I understand.

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<v Speaker 3>Too much not enough. So she was wildly talented. Her

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<v Speaker 3>opera called The Wreckers, which like greatest opera name ever,

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<v Speaker 3>The Wreckers, It was later referred to as the most

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<v Speaker 3>important English opera of the time.

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<v Speaker 2>I've never heard of it.

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<v Speaker 3>Me neither, and her works have been and continue to

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<v Speaker 3>be performed around the world to much acclaim.

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<v Speaker 2>About to check her out, Dame smythe She was.

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<v Speaker 3>An outsider, a firebrand. She was once engaged to Asker

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<v Speaker 3>Wilde's brother and at the.

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<v Speaker 2>Age of seven, Bob Wilde.

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<v Speaker 3>Yeah, Bobby Wilde. I think his name, honestly, I don't

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<v Speaker 3>have it in front of you. I think it's Willy Wilde.

0:11:08.200 --> 0:11:11.120
<v Speaker 3>I'm not even kidding you. And at the age of

0:11:11.160 --> 0:11:15.200
<v Speaker 3>seventy one, she tried to seduce Virginia Wolf. Oh girls,

0:11:15.480 --> 0:11:17.480
<v Speaker 3>she's all over the p I like it, So back

0:11:17.520 --> 0:11:22.400
<v Speaker 3>to the suffragist movie. In nineteen ten, Smyth joined the WSPU,

0:11:22.559 --> 0:11:26.320
<v Speaker 3>the Women's Social and Political Union, and she even quit

0:11:26.440 --> 0:11:28.360
<v Speaker 3>music for a couple of years in order to join

0:11:28.400 --> 0:11:32.040
<v Speaker 3>their fight to take up arms, but not before penning

0:11:32.120 --> 0:11:35.440
<v Speaker 3>a song called the March of the Women, and she

0:11:35.520 --> 0:11:38.840
<v Speaker 3>took the melody for that from a traditional Italian folk song,

0:11:38.880 --> 0:11:42.160
<v Speaker 3>so it's very browsing. The song became the official anthem

0:11:42.200 --> 0:11:46.280
<v Speaker 3>for the WSPU. It was sung on marches, at meetings,

0:11:46.640 --> 0:11:52.000
<v Speaker 3>and in prisons. Prisons, you say, Elizabeth, tell me more, certainly.

0:11:51.760 --> 0:11:53.400
<v Speaker 2>Elizabeth, I always want to hear more about prisons.

0:11:54.320 --> 0:11:58.439
<v Speaker 3>Smith hung out a lot with the WSPU leader, Emmeline Pankhurst,

0:11:59.040 --> 0:11:59.319
<v Speaker 3>and the.

0:11:59.280 --> 0:12:01.559
<v Speaker 2>Two of them sounds familiar, painkhursed.

0:12:01.240 --> 0:12:03.920
<v Speaker 3>Probably go on, And the two of them knew that

0:12:04.000 --> 0:12:06.439
<v Speaker 3>in order to advance the cause, they were going to

0:12:06.520 --> 0:12:07.120
<v Speaker 3>have to get tough.

0:12:07.200 --> 0:12:09.760
<v Speaker 2>Yeah, of course, maybe a little diolent. It makes some demands.

0:12:09.840 --> 0:12:11.920
<v Speaker 3>Yeah, don't forget this is the era of the anarchists.

0:12:12.160 --> 0:12:13.240
<v Speaker 2>You might have to throw those things.

0:12:13.280 --> 0:12:15.920
<v Speaker 3>I think you're gonna have to. So sometimes you know

0:12:16.160 --> 0:12:18.439
<v Speaker 3>you got to tear it down in order to build

0:12:18.440 --> 0:12:20.120
<v Speaker 3>it up or yes, some such and.

0:12:20.040 --> 0:12:21.559
<v Speaker 2>Not with the master's tools from what I hear.

0:12:21.720 --> 0:12:25.480
<v Speaker 3>Right, So paint Hurst thought that they should start breaking stuff.

0:12:25.679 --> 0:12:27.880
<v Speaker 2>But natural, that's an easy, like first step.

0:12:28.000 --> 0:12:30.600
<v Speaker 3>Let's get a little while right to break. Smythe was like,

0:12:30.679 --> 0:12:32.360
<v Speaker 3>guess what, I want to break things too.

0:12:32.440 --> 0:12:33.120
<v Speaker 2>I got a hammer.

0:12:33.320 --> 0:12:37.480
<v Speaker 3>So Pincurse started telling the suffragettes to throw rocks through

0:12:37.520 --> 0:12:40.760
<v Speaker 3>the windows of any politician against a woman's right to vote.

0:12:41.040 --> 0:12:43.080
<v Speaker 3>You see their house, you bust their windows.

0:12:42.760 --> 0:12:43.520
<v Speaker 2>Break that glass.

0:12:43.679 --> 0:12:45.800
<v Speaker 3>You see a misogynist who doesn't see a woman as

0:12:45.840 --> 0:12:48.480
<v Speaker 3>a human being deserving of respect, Well they don't deserve windows.

0:12:48.559 --> 0:12:49.440
<v Speaker 2>That's that glass thing.

0:12:49.559 --> 0:12:51.160
<v Speaker 3>Yeah, mess with f so you get bipped.

0:12:51.240 --> 0:12:52.240
<v Speaker 2>Yeah.

0:12:52.280 --> 0:12:55.360
<v Speaker 3>So Pinkhurst, she was all about it. Here's one problem.

0:12:55.720 --> 0:12:58.240
<v Speaker 3>She pulled Smyth aside told her there was a problem.

0:12:58.760 --> 0:13:02.079
<v Speaker 3>She didn't know how to throw things. Like literally, yeah,

0:13:02.080 --> 0:13:04.640
<v Speaker 3>She's like, guess what, I can't throw things? So I

0:13:04.679 --> 0:13:08.280
<v Speaker 3>try underhand it total keen Athleen. She's like, no problem,

0:13:08.360 --> 0:13:10.360
<v Speaker 3>I totally know how to throw things, and I have

0:13:10.440 --> 0:13:14.240
<v Speaker 3>a deep desired erect shot. Again, gals, I think some

0:13:14.280 --> 0:13:16.360
<v Speaker 3>of us can roll wait the rage.

0:13:16.360 --> 0:13:18.160
<v Speaker 2>It is real surface.

0:13:18.280 --> 0:13:21.160
<v Speaker 3>So smythe she took pankers out to the forest and

0:13:21.200 --> 0:13:24.440
<v Speaker 3>they threw rocks at trees for practice. Yeah, they practiced.

0:13:24.559 --> 0:13:25.000
<v Speaker 2>I love it.

0:13:25.040 --> 0:13:27.640
<v Speaker 3>And they practiced until old girl was chucking stones like

0:13:27.640 --> 0:13:30.320
<v Speaker 3>nobody's business. I like to imagine that the two of

0:13:30.360 --> 0:13:32.720
<v Speaker 3>them got so good that they were embedding stones in

0:13:32.760 --> 0:13:36.360
<v Speaker 3>the bark of trees and they were like successfully hunting.

0:13:36.040 --> 0:13:38.680
<v Speaker 2>Deer like straws and ari the wood.

0:13:38.720 --> 0:13:42.400
<v Speaker 3>They invented modern baseball pitching, and then they invented a

0:13:42.440 --> 0:13:45.359
<v Speaker 3>digital speed gun to clock their throas that were consistently

0:13:45.400 --> 0:13:47.280
<v Speaker 3>north of one hundred and twenty five miles an hour.

0:13:48.160 --> 0:13:51.240
<v Speaker 3>And then they realized how dangerous the technology was for

0:13:51.320 --> 0:13:53.440
<v Speaker 3>this speed gun that they invented, so they buried the

0:13:53.480 --> 0:13:56.200
<v Speaker 3>device in those same woods, and they gave a treasure

0:13:56.240 --> 0:13:59.560
<v Speaker 3>map indicating its location to a young girl. Okay, and

0:13:59.600 --> 0:14:01.760
<v Speaker 3>that young girl grew up to be none other than

0:14:01.840 --> 0:14:05.240
<v Speaker 3>Jennifer Garner, who has guarded the secret ever since. And

0:14:05.920 --> 0:14:10.320
<v Speaker 3>I just like to imagine that Rocks girl, Schubert Rocks

0:14:10.440 --> 0:14:15.520
<v Speaker 3>Rocks So nineteen twelve, Subert rocks. Oh hey, nineteen twelve,

0:14:15.600 --> 0:14:18.320
<v Speaker 3>the women of the WSPU. They got together to go

0:14:18.360 --> 0:14:22.080
<v Speaker 3>on a window smashing campaign. Just lay waste to all

0:14:22.080 --> 0:14:23.840
<v Speaker 3>the windows of the men in power who didn't think

0:14:23.840 --> 0:14:24.440
<v Speaker 3>they should vote.

0:14:24.480 --> 0:14:26.400
<v Speaker 2>One hundred and nine and rocks are cheap.

0:14:26.720 --> 0:14:29.080
<v Speaker 3>Why you just get them anywhere? One hundred and nine

0:14:29.200 --> 0:14:32.720
<v Speaker 3>women got together and they went a shattering. Smyth went

0:14:32.800 --> 0:14:35.800
<v Speaker 3>to the home of Colonel Lewis Harcourt's Secretary of State

0:14:35.840 --> 0:14:36.560
<v Speaker 3>for the colonies.

0:14:36.600 --> 0:14:37.360
<v Speaker 2>Get that glass.

0:14:37.520 --> 0:14:42.320
<v Speaker 3>Why why did she go after the colonies? Well, he said,

0:14:42.480 --> 0:14:45.000
<v Speaker 3>if all women were as beautiful and wise as his

0:14:45.040 --> 0:14:47.960
<v Speaker 3>own wife, they would have already won the right to vote.

0:14:49.080 --> 0:14:50.920
<v Speaker 2>Wow, it doesn't make sense.

0:14:50.760 --> 0:14:52.600
<v Speaker 3>On so many leves, right, But they're like, I don't

0:14:52.640 --> 0:14:55.720
<v Speaker 3>stand for those kind of insults. Attack, yes, and they.

0:14:55.880 --> 0:14:58.120
<v Speaker 2>Throw mess your face up, buddies.

0:14:58.200 --> 0:15:01.000
<v Speaker 3>So of course they were arrested and they did two

0:15:01.040 --> 0:15:04.000
<v Speaker 3>months in Holloway Prison. Nice And it was there that

0:15:04.040 --> 0:15:06.920
<v Speaker 3>the women found strength and distraction in singing the March

0:15:06.960 --> 0:15:07.560
<v Speaker 3>of the Woman.

0:15:07.640 --> 0:15:09.520
<v Speaker 2>I was about to say, they're just sitting there singing

0:15:09.520 --> 0:15:10.200
<v Speaker 2>and rocket. Yeah.

0:15:10.240 --> 0:15:13.640
<v Speaker 3>So the conductor, Thomas Beacham, he went to visit Smythe

0:15:13.640 --> 0:15:16.080
<v Speaker 3>while she was in the clink, and he later recalled

0:15:16.120 --> 0:15:19.120
<v Speaker 3>watching the suffragettes in the inner courtyard of the prison,

0:15:19.240 --> 0:15:23.400
<v Speaker 3>quote marching round it and singing lustily their war chant

0:15:23.680 --> 0:15:28.080
<v Speaker 3>while the composer beaming approbation from an overlooking upper window.

0:15:28.200 --> 0:15:34.000
<v Speaker 3>Beat time and almost bachic frenzy with a toothbrush. She's

0:15:34.080 --> 0:15:37.640
<v Speaker 3>like conducting him with a toothbrush, Like, yeah, ladies. Anyway,

0:15:37.800 --> 0:15:40.360
<v Speaker 3>So Smith, like I said, she did get her recognition.

0:15:40.440 --> 0:15:42.480
<v Speaker 2>She imagine that on day seventeen of singing that song,

0:15:42.680 --> 0:15:45.000
<v Speaker 2>were we still doing this walking out a circle in

0:15:45.080 --> 0:15:46.800
<v Speaker 2>the song? I don't even hear the.

0:15:46.720 --> 0:15:49.200
<v Speaker 3>Words any other one. You can like mess.

0:15:49.040 --> 0:15:51.160
<v Speaker 2>Around, try just something else to mix up the meter.

0:15:51.520 --> 0:15:53.760
<v Speaker 3>So, like I said, she became a Dame Commander of

0:15:53.800 --> 0:15:57.000
<v Speaker 3>the Order of the British Empire debat eight Whoa nineteen

0:15:57.040 --> 0:16:01.000
<v Speaker 3>twenty two. She was also awarded honorary doctorates in music

0:16:01.120 --> 0:16:06.800
<v Speaker 3>from the University of Durham and Oxford. Yeah. So. She

0:16:06.920 --> 0:16:09.360
<v Speaker 3>died in nineteen forty four at the age of eighty six.

0:16:10.000 --> 0:16:13.400
<v Speaker 3>A life well lived. Let's take a break. When we

0:16:13.440 --> 0:16:16.400
<v Speaker 3>come back, I'll have more classical music high jinks for

0:16:16.440 --> 0:16:16.880
<v Speaker 3>you night.

0:16:16.880 --> 0:16:38.600
<v Speaker 2>So I don't make a rock pole Schubert.

0:16:40.120 --> 0:16:44.880
<v Speaker 3>What's up, Sarin, Your name is Saren, Sir Michael Kemp Tippett,

0:16:44.920 --> 0:16:46.480
<v Speaker 3>that's not your name, No, it is not.

0:16:46.560 --> 0:16:49.120
<v Speaker 2>Where do you think he's from Albania?

0:16:49.240 --> 0:16:52.480
<v Speaker 3>Yeah, of course he was an English composer. Was born

0:16:52.520 --> 0:16:55.320
<v Speaker 3>in nineteen oh five. They made him a night in

0:16:55.440 --> 0:16:56.280
<v Speaker 3>nineteen sixties.

0:16:56.360 --> 0:16:57.280
<v Speaker 2>Oh, they gave him the sword.

0:16:57.440 --> 0:17:00.240
<v Speaker 3>Yeah, and from that moment forward he was four to

0:17:00.280 --> 0:17:04.159
<v Speaker 3>wear a chain mail suit, effectively ruining his career since

0:17:04.200 --> 0:17:12.960
<v Speaker 3>it was both noisy and hot full metal. He came

0:17:12.960 --> 0:17:14.400
<v Speaker 3>from a well off family.

0:17:14.119 --> 0:17:15.720
<v Speaker 2>This guy, I'm guessing he said. He was.

0:17:17.600 --> 0:17:20.320
<v Speaker 3>Pretty much all from his mother's side, and so while

0:17:20.320 --> 0:17:23.440
<v Speaker 3>they were fancy folk, they were also pretty subversive. His

0:17:23.440 --> 0:17:25.719
<v Speaker 3>his mom was big in the suffragist movement, just like

0:17:25.840 --> 0:17:30.320
<v Speaker 3>James Smith. The family also pushed for Irish home rule excellent,

0:17:30.400 --> 0:17:33.520
<v Speaker 3>and they were skeptical of organized religion. So they were

0:17:33.560 --> 0:17:34.800
<v Speaker 3>not like their peers.

0:17:34.920 --> 0:17:38.520
<v Speaker 2>Yeah, they were very out of step sometimes, tipp It.

0:17:38.680 --> 0:17:42.080
<v Speaker 3>He created an anti war masterpiece, A Child of Our Time,

0:17:42.960 --> 0:17:46.119
<v Speaker 3>rub this is your favorite song, right? A Child of

0:17:46.119 --> 0:17:49.400
<v Speaker 3>our time the time, Sir tipp It. He was so

0:17:49.480 --> 0:17:51.679
<v Speaker 3>horrified by the start of World War Two that he

0:17:51.720 --> 0:17:56.280
<v Speaker 3>started writing this oratorio. Newsweek said it was quote something

0:17:56.440 --> 0:17:59.160
<v Speaker 3>Handel might have written had he lived in the age

0:17:59.200 --> 0:17:59.919
<v Speaker 3>of Auschwitz.

0:18:00.600 --> 0:18:00.879
<v Speaker 2>Huh.

0:18:00.960 --> 0:18:03.959
<v Speaker 3>Yeah. So the oratorio, it's about the events leading up

0:18:03.960 --> 0:18:08.280
<v Speaker 3>to Krystal Knock, a violent, deadly, horrific, coordinated attack on

0:18:08.359 --> 0:18:12.000
<v Speaker 3>Jewish citizens in Germany in nineteen thirty eight. So it

0:18:12.080 --> 0:18:17.000
<v Speaker 3>has a three part structure based on Hondel's Messiah. But

0:18:17.040 --> 0:18:20.320
<v Speaker 3>then he used Negro spirituals in place of the traditional

0:18:20.480 --> 0:18:24.080
<v Speaker 3>corals of oratorios, so kind of mixed it all up.

0:18:24.960 --> 0:18:28.080
<v Speaker 3>So Tippett was heartbroken over the inaction of the Allies

0:18:28.119 --> 0:18:31.840
<v Speaker 3>in nineteen thirty eight when they just left Jewish refugees stranded.

0:18:32.160 --> 0:18:34.520
<v Speaker 3>He said, quote, I came to the conclusion that there

0:18:34.560 --> 0:18:37.720
<v Speaker 3>was some kind of terrible mythology involved, that people were

0:18:37.760 --> 0:18:41.600
<v Speaker 3>only willing to release their compassion in a war. So

0:18:42.040 --> 0:18:45.000
<v Speaker 3>he wrote his opus. But that wasn't all. He was

0:18:45.160 --> 0:18:50.240
<v Speaker 3>a conscientious objector and a staunch pacifist, a very unpopular

0:18:50.280 --> 0:18:51.440
<v Speaker 3>position in England.

0:18:51.680 --> 0:18:52.800
<v Speaker 2>Especially during the warriors.

0:18:52.880 --> 0:18:56.800
<v Speaker 3>Yeah, and that's what we're talking about. Yeah, So orchestras

0:18:56.920 --> 0:18:59.879
<v Speaker 3>they disbanded during the war, cities are being bombed, re

0:19:00.080 --> 0:19:03.080
<v Speaker 3>sources are you know, needed to put towards the war efforts. Sadly,

0:19:03.359 --> 0:19:05.200
<v Speaker 3>young men or some of those resources.

0:19:05.280 --> 0:19:07.359
<v Speaker 2>We need that clarinet read for the war effort.

0:19:07.240 --> 0:19:09.560
<v Speaker 3>Right, So they're fighting a noble cause, to be sure,

0:19:09.600 --> 0:19:13.200
<v Speaker 3>But sir Tippett wasn't with it. Lucky for him, Morley

0:19:13.240 --> 0:19:16.560
<v Speaker 3>College in London was hiring in the middle of the war.

0:19:17.160 --> 0:19:19.639
<v Speaker 3>He got the job of director of music there in

0:19:19.720 --> 0:19:23.080
<v Speaker 3>nineteen forty Wow, which I just can't get my head around.

0:19:23.640 --> 0:19:24.600
<v Speaker 2>We need to keep the spirits of.

0:19:24.760 --> 0:19:27.000
<v Speaker 3>Its facilities had been like pretty much bombed out.

0:19:27.040 --> 0:19:29.320
<v Speaker 2>Are the kids going to college in class?

0:19:29.440 --> 0:19:34.480
<v Speaker 3>I guess between the roads, I don't know. Tippet he

0:19:34.560 --> 0:19:37.000
<v Speaker 3>wasn't dissuaded by the fact that the buildings were gone.

0:19:37.440 --> 0:19:40.040
<v Speaker 3>He wanted to bring back music to the shell of

0:19:40.080 --> 0:19:43.240
<v Speaker 3>a campus, bring music back to the people. So he

0:19:43.400 --> 0:19:45.600
<v Speaker 3>used whatever he could to keep the programs running, and

0:19:45.640 --> 0:19:47.800
<v Speaker 3>in the meantime he finished his work A Child of

0:19:47.800 --> 0:19:50.040
<v Speaker 3>our Time, but there wasn't any place for him to

0:19:50.080 --> 0:19:52.960
<v Speaker 3>perform it. His work had somehow gotten him out of

0:19:53.000 --> 0:19:55.440
<v Speaker 3>military service thus far, but that luck ran out in

0:19:55.520 --> 0:19:59.199
<v Speaker 3>nineteen forty three. So he'd been fighting the draft for years,

0:19:59.320 --> 0:20:02.159
<v Speaker 3>multiple here and panels and appeals, but in June of

0:20:02.160 --> 0:20:05.520
<v Speaker 3>forty three that he was caught and sent off to

0:20:05.720 --> 0:20:08.679
<v Speaker 3>His Majesty's prison Wormwood Scrubs.

0:20:09.000 --> 0:20:10.000
<v Speaker 2>Oh wow, that's the.

0:20:09.920 --> 0:20:14.320
<v Speaker 3>Best prison name. Prison name, His Majesty's prison, Wormwood Scrubs.

0:20:14.440 --> 0:20:17.000
<v Speaker 2>Is it weird of me to be surprised that the

0:20:17.040 --> 0:20:20.480
<v Speaker 2>British do not honor the conscientious objector and that Americans do?

0:20:20.680 --> 0:20:22.520
<v Speaker 2>Like it just kind of surprises me that they don't

0:20:22.560 --> 0:20:23.800
<v Speaker 2>have that same tradition that we do.

0:20:24.000 --> 0:20:26.240
<v Speaker 3>I don't know, man, at that point, like I know, they're.

0:20:26.040 --> 0:20:29.919
<v Speaker 2>Not really they're like seeing on giving our conscienti's objectives,

0:20:29.920 --> 0:20:31.800
<v Speaker 2>not like something that's easy to get. But in fact

0:20:31.840 --> 0:20:33.920
<v Speaker 2>it sounds easier for an American than a brit I

0:20:33.920 --> 0:20:34.240
<v Speaker 2>don't know.

0:20:34.400 --> 0:20:38.680
<v Speaker 3>I guess yeah. He he did two months in Wormwood Scrubs,

0:20:38.840 --> 0:20:41.440
<v Speaker 3>Oh rough, rough, and he didn't have a very good

0:20:41.520 --> 0:20:44.399
<v Speaker 3>run for a while after that. In fifty two, he

0:20:44.480 --> 0:20:46.920
<v Speaker 3>finished what he thought would be his crowning glory, an

0:20:46.920 --> 0:20:51.280
<v Speaker 3>opera called The Midsummer Marriage. Critics saw no glory in this.

0:20:51.400 --> 0:20:53.800
<v Speaker 3>They said his libretto was quote one of the worst

0:20:53.920 --> 0:20:56.240
<v Speaker 3>in the three hundred and fifty year history of opera.

0:20:56.440 --> 0:20:59.480
<v Speaker 2>It was flat, uninspired and made you miss silence. That's harsh,

0:21:00.160 --> 0:21:00.640
<v Speaker 2>real bad.

0:21:00.800 --> 0:21:05.879
<v Speaker 3>In fifty three he debuted his work Fantasia Concertante on

0:21:05.960 --> 0:21:08.280
<v Speaker 3>a theme of Corelli, and that was probably like one

0:21:08.280 --> 0:21:09.440
<v Speaker 3>of his most popular.

0:21:09.119 --> 0:21:10.680
<v Speaker 2>But critics fun Yeah.

0:21:10.760 --> 0:21:13.919
<v Speaker 3>Critics complained about the quote the excessive complexity of the

0:21:13.960 --> 0:21:16.960
<v Speaker 3>contrapuntial writing. There was so much going on that the

0:21:17.000 --> 0:21:20.680
<v Speaker 3>perplexed ear knew not where to turn or fasten itself.

0:21:20.480 --> 0:21:21.800
<v Speaker 2>Or in other words, too many notes.

0:21:21.880 --> 0:21:22.080
<v Speaker 4>Yeah.

0:21:23.040 --> 0:21:26.480
<v Speaker 3>He became known as a quote difficult composer, and some

0:21:26.560 --> 0:21:29.560
<v Speaker 3>said his music was quote amateurish and poorly prepared.

0:21:29.640 --> 0:21:31.040
<v Speaker 2>They say that about my music.

0:21:31.240 --> 0:21:33.920
<v Speaker 3>He had I Feel for You Brother the Piano Concerto

0:21:34.000 --> 0:21:36.879
<v Speaker 3>in nineteen fifty five, and it was declared unplayable by

0:21:36.920 --> 0:21:41.480
<v Speaker 3>its scheduled soloist. Why just add one after another? This

0:21:41.520 --> 0:21:47.720
<v Speaker 3>guy's on, he's done time people. He did though he

0:21:47.800 --> 0:21:50.879
<v Speaker 3>lived to be ninety three. Yet another well lived.

0:21:51.280 --> 0:21:51.480
<v Speaker 2>Yeah.

0:21:51.480 --> 0:21:53.359
<v Speaker 3>I mean he kind of corrected the ship after a

0:21:53.400 --> 0:21:59.400
<v Speaker 3>while there. So we had some you know, mediocre who

0:21:59.440 --> 0:22:02.879
<v Speaker 3>managed to the ship. But what about someone awesome?

0:22:03.080 --> 0:22:04.199
<v Speaker 2>Oh yeah, lay it on me.

0:22:04.440 --> 0:22:08.800
<v Speaker 3>Johann Sebastian Bach. Yeah, named after the lead singer of

0:22:08.840 --> 0:22:12.840
<v Speaker 3>the band Schedule. So for those not in the know.

0:22:13.560 --> 0:22:16.280
<v Speaker 3>He was a German composer and musician born in sixteen

0:22:16.359 --> 0:22:19.640
<v Speaker 3>eighty five. We are quantum leaping all over the timeline.

0:22:19.680 --> 0:22:20.600
<v Speaker 2>I love that, you know me.

0:22:20.720 --> 0:22:23.640
<v Speaker 3>I want to watch the new Quantum Leap show no dud,

0:22:23.840 --> 0:22:26.119
<v Speaker 3>but I don't know if it'll evolve into a hate watch.

0:22:26.560 --> 0:22:30.000
<v Speaker 3>Because I saw one ad where dude lands somewhere and says,

0:22:30.080 --> 0:22:34.080
<v Speaker 3>I don't think we're in Kansas anymore. I wanted to

0:22:34.080 --> 0:22:35.119
<v Speaker 3>stick a pencil in my ear.

0:22:35.280 --> 0:22:36.760
<v Speaker 2>I'm just going to go right on the line with

0:22:36.840 --> 0:22:37.240
<v Speaker 2>that one.

0:22:37.280 --> 0:22:37.680
<v Speaker 3>Anyway.

0:22:37.800 --> 0:22:40.320
<v Speaker 2>Boss, Wait, you're gonna not watch TV all this time

0:22:40.359 --> 0:22:41.560
<v Speaker 2>and the first thing you just have to watch.

0:22:42.320 --> 0:22:44.360
<v Speaker 3>You never watched a TV show in my life. I'm

0:22:44.359 --> 0:22:46.400
<v Speaker 3>not sure how I saw this ad. Yeah, I think

0:22:46.400 --> 0:22:48.560
<v Speaker 3>it was trans transmitted to my brain.

0:22:48.680 --> 0:22:51.000
<v Speaker 2>It's probably like on your social media Somewhereyson.

0:22:51.080 --> 0:22:53.359
<v Speaker 3>I'm not online. You're wow, I don't have it.

0:22:53.400 --> 0:22:55.600
<v Speaker 2>Maybe it was projected out of the grass you're always touching.

0:22:55.640 --> 0:22:57.960
<v Speaker 3>I don't have a computer. I just live on the lawn.

0:22:59.320 --> 0:23:04.840
<v Speaker 3>Bach So January seventeen oh three Mack JSB. He got

0:23:04.880 --> 0:23:08.600
<v Speaker 3>a job. Oh job. He was fresh out of music

0:23:08.600 --> 0:23:11.520
<v Speaker 3>school seventeen oh three, ready to take the world by storm.

0:23:11.960 --> 0:23:15.120
<v Speaker 3>He was appointed court musician in the chapel of Duke

0:23:15.359 --> 0:23:18.800
<v Speaker 3>Johann Earnst the Third in weymar.

0:23:19.160 --> 0:23:22.520
<v Speaker 2>Ah Inymar that's republished, Sure it is.

0:23:23.400 --> 0:23:25.880
<v Speaker 3>This wasn't as rat as it sounds, though he had

0:23:25.920 --> 0:23:28.800
<v Speaker 3>lots of like weird odd chores and jobs too. It

0:23:28.840 --> 0:23:31.919
<v Speaker 3>was like light on the music and heavy on the

0:23:31.960 --> 0:23:35.840
<v Speaker 3>other other duties as assigned. But people heard his tinklings

0:23:35.880 --> 0:23:37.960
<v Speaker 3>on the ivories and they were blown away. This guy

0:23:38.119 --> 0:23:40.000
<v Speaker 3>shreds is what they were saying.

0:23:40.119 --> 0:23:41.040
<v Speaker 2>They were like, who is this?

0:23:41.160 --> 0:23:43.600
<v Speaker 3>I have a transcription that I found the German.

0:23:43.760 --> 0:23:45.600
<v Speaker 2>This guy sounds better than the original German.

0:23:45.840 --> 0:23:51.160
<v Speaker 3>A kliin of shreds, very with the consonants constant. Because

0:23:51.200 --> 0:23:53.720
<v Speaker 3>of this, he became the organist at the new church,

0:23:53.840 --> 0:23:56.919
<v Speaker 3>and this involved teaching too, So that gig came with

0:23:57.000 --> 0:23:59.359
<v Speaker 3>a fat paycheck and a giant organ.

0:23:59.520 --> 0:24:01.200
<v Speaker 2>Oh this is what he starts writing all of his stuff.

0:24:01.280 --> 0:24:02.080
<v Speaker 2>That's the big organ.

0:24:02.240 --> 0:24:02.400
<v Speaker 4>Yeah.

0:24:02.480 --> 0:24:04.080
<v Speaker 3>Yeah, Bach had a giant organ.

0:24:04.119 --> 0:24:06.120
<v Speaker 2>I heard you talk about.

0:24:07.160 --> 0:24:08.640
<v Speaker 3>He could do much more with it.

0:24:09.080 --> 0:24:10.400
<v Speaker 2>So you going to keep coming?

0:24:10.480 --> 0:24:15.760
<v Speaker 3>No, I'm stopped back. Wasn't always feeling it, though, he

0:24:15.840 --> 0:24:19.960
<v Speaker 3>thought the student choir was bogus, untalented, like they didn't

0:24:20.000 --> 0:24:23.080
<v Speaker 3>reach his level. There was one guy, a guy named

0:24:23.800 --> 0:24:29.760
<v Speaker 3>gazer Bach, and he called gaser boxer box sure, let's

0:24:29.760 --> 0:24:33.880
<v Speaker 3>say that. Uh okay, here's what Bach called him though,

0:24:34.520 --> 0:24:39.600
<v Speaker 3>zipple fogotist, and that translates, apparently in that time to

0:24:40.000 --> 0:24:44.679
<v Speaker 3>weenie bassoon player, which is the sickest of burns.

0:24:45.800 --> 0:24:46.080
<v Speaker 2>Burn.

0:24:47.000 --> 0:24:49.200
<v Speaker 3>So the wienie bassoon player, he wasn't going.

0:24:49.200 --> 0:24:50.359
<v Speaker 2>To take this, I hope not.

0:24:50.480 --> 0:24:53.160
<v Speaker 3>He went after back with a stick. Oh he didn't

0:24:53.160 --> 0:24:55.359
<v Speaker 3>come back with another bad No, he didn't want to

0:24:55.400 --> 0:24:59.359
<v Speaker 3>like Perry back and forth likes like, oh yeah, how

0:24:59.359 --> 0:25:01.639
<v Speaker 3>about this so upside.

0:25:01.160 --> 0:25:03.120
<v Speaker 2>Your head, side your head?

0:25:03.359 --> 0:25:05.920
<v Speaker 3>So Bach like he gets, you know, he gets chased

0:25:05.920 --> 0:25:08.560
<v Speaker 3>with a stick. Bach asked to speak to the manager,

0:25:08.600 --> 0:25:08.880
<v Speaker 3>and the.

0:25:08.840 --> 0:25:09.639
<v Speaker 2>Cops were called.

0:25:10.200 --> 0:25:13.399
<v Speaker 3>So they gave the weenie bassoon player a metaphorical slap

0:25:13.440 --> 0:25:15.280
<v Speaker 3>on the wrist. But then they blamed the victim and

0:25:15.320 --> 0:25:19.360
<v Speaker 3>they told back the coolest jets and be kinder real, like, honestly,

0:25:19.520 --> 0:25:22.800
<v Speaker 3>this wouldn't happen if you wouldn't call people names. Yeah,

0:25:22.840 --> 0:25:25.159
<v Speaker 3>So seventeen oh six, Bach was like, whatever, I got

0:25:25.200 --> 0:25:27.199
<v Speaker 3>an even better job. He gets a job as the

0:25:27.320 --> 0:25:31.840
<v Speaker 3>organist at the Blasiest Church in Muhlhausen, and he was

0:25:31.880 --> 0:25:35.480
<v Speaker 3>now making even more money, had a better setup, had

0:25:35.480 --> 0:25:38.040
<v Speaker 3>a he had a big organ, but he also had

0:25:38.040 --> 0:25:42.239
<v Speaker 3>a better choir. So he left that job though in

0:25:42.280 --> 0:25:48.120
<v Speaker 3>seventeen oh eight and went fast through. Yeah, the millennial

0:25:48.200 --> 0:25:48.720
<v Speaker 3>of seventeen.

0:25:48.920 --> 0:25:50.520
<v Speaker 2>I'm just trying to work on my media.

0:25:50.760 --> 0:25:51.200
<v Speaker 3>I like that.

0:25:51.200 --> 0:25:51.600
<v Speaker 2>That's good.

0:25:51.640 --> 0:25:54.119
<v Speaker 3>I wouldn't know because I'm not online. So Bach he

0:25:54.240 --> 0:25:57.679
<v Speaker 3>goes back to the Viymar. This time is back. He

0:25:57.880 --> 0:26:01.200
<v Speaker 3>wasn't the errand boy. He was the direct director of music.

0:26:02.000 --> 0:26:04.800
<v Speaker 3>No more student musicians. Now he was working with pros.

0:26:05.320 --> 0:26:06.159
<v Speaker 2>Yes, it was.

0:26:06.920 --> 0:26:10.080
<v Speaker 3>It was then that his composing really kicked into overdrive.

0:26:10.440 --> 0:26:13.080
<v Speaker 3>So he's getting better and better. He's surrounded by all

0:26:13.119 --> 0:26:16.960
<v Speaker 3>that talent. He transcribed the works of masters like Vivaldi

0:26:17.200 --> 0:26:20.000
<v Speaker 3>and then incorporated their styles into his. So in the

0:26:20.040 --> 0:26:24.600
<v Speaker 3>spring of seventeen fourteen, he was promoted to concert meis there.

0:26:24.800 --> 0:26:26.920
<v Speaker 3>Oh yeah, that means a concert master.

0:26:27.080 --> 0:26:30.200
<v Speaker 2>Yeah, he's the master baby. It's like a puppet meister,

0:26:30.320 --> 0:26:31.719
<v Speaker 2>but for concerts.

0:26:32.320 --> 0:26:36.199
<v Speaker 3>But his comfort there didn't last. In seventeen seventeen, he

0:26:36.280 --> 0:26:38.480
<v Speaker 3>asked the Duke of Viimar to cut him loose from

0:26:38.480 --> 0:26:43.320
<v Speaker 3>his contract. He wanted the job of kappel Meister. Yeah,

0:26:43.480 --> 0:26:48.240
<v Speaker 3>at the court of Prince Leopold. Now Zarin, do you

0:26:48.280 --> 0:26:50.760
<v Speaker 3>think the Duke of Weimar would accept such a request?

0:26:51.880 --> 0:26:56.840
<v Speaker 2>Done? What I know? But for three months scared.

0:26:58.200 --> 0:27:01.399
<v Speaker 3>I scared myself. I think we're all scared them. But

0:27:01.440 --> 0:27:05.600
<v Speaker 3>for three months Bach continued to nag him, please please, sir,

0:27:06.119 --> 0:27:08.480
<v Speaker 3>I beg of you and coming with tears in my eyes.

0:27:09.040 --> 0:27:10.879
<v Speaker 3>So the Duke was like, if I can't have you,

0:27:11.000 --> 0:27:16.479
<v Speaker 3>nobody can. Which hello red flag. The Duke put him

0:27:16.520 --> 0:27:21.320
<v Speaker 3>in prison, so per the Weimar Court Secretary's minutes. On

0:27:21.480 --> 0:27:27.440
<v Speaker 3>six November seventeen seventeen, Bach, till now concertmeister and half organist,

0:27:28.200 --> 0:27:31.160
<v Speaker 3>was put under arrest in the justice room for obstinately

0:27:31.200 --> 0:27:33.080
<v Speaker 3>demanding his instant dismissal.

0:27:33.560 --> 0:27:36.200
<v Speaker 2>So he asked, like, can I quit? They're like, yeah,

0:27:36.240 --> 0:27:37.719
<v Speaker 2>you can stop doing that, but we got a new

0:27:37.800 --> 0:27:38.879
<v Speaker 2>job for you. Prison.

0:27:41.280 --> 0:27:43.360
<v Speaker 3>It's like no worries though Bach. You know, he could

0:27:43.400 --> 0:27:46.600
<v Speaker 3>keep himself busy. Some men, you know, they go to

0:27:46.600 --> 0:27:49.560
<v Speaker 3>prison and they while away the hours in prison making

0:27:49.840 --> 0:27:50.760
<v Speaker 3>wine in the toilet.

0:27:50.880 --> 0:27:52.840
<v Speaker 2>Yeah, are bigger muscles, right, And.

0:27:52.760 --> 0:27:56.640
<v Speaker 3>Some join gangs and participate in violent racial segregation, meaning

0:27:56.680 --> 0:27:59.800
<v Speaker 3>we know, right books, Oh, isn't that the truth? Some

0:27:59.840 --> 0:28:02.360
<v Speaker 3>of them lure disturbed ladies into being their pen pal.

0:28:02.560 --> 0:28:03.360
<v Speaker 2>This is true.

0:28:03.680 --> 0:28:07.160
<v Speaker 3>Some start podcasts that eventually help them get their sentence commuted.

0:28:07.240 --> 0:28:08.080
<v Speaker 2>That's how my mom met my.

0:28:08.400 --> 0:28:10.560
<v Speaker 3>That's a shout out to ear Hustle podcast in erl

0:28:10.600 --> 0:28:10.960
<v Speaker 3>on Woods.

0:28:11.000 --> 0:28:12.000
<v Speaker 2>That actually is a good story.

0:28:12.160 --> 0:28:16.679
<v Speaker 3>So some do that. In seventeen hundreds prison Bach wrote

0:28:16.680 --> 0:28:20.240
<v Speaker 3>a book of keyboard exercises called the orgelbuchn oh Waiting.

0:28:20.280 --> 0:28:22.639
<v Speaker 2>In fact, the one that people used. They kept using it.

0:28:22.640 --> 0:28:23.400
<v Speaker 3>It's a prison book.

0:28:23.560 --> 0:28:24.840
<v Speaker 2>Yep, so good it is.

0:28:25.200 --> 0:28:27.200
<v Speaker 3>So he got out on December second.

0:28:27.280 --> 0:28:28.200
<v Speaker 2>Toilet paper.

0:28:29.760 --> 0:28:33.080
<v Speaker 3>Onion skins. He got out on December second, seventeen seventeen.

0:28:34.040 --> 0:28:38.480
<v Speaker 3>Per the Weimar Court secretary quote. On November sixth, the

0:28:38.560 --> 0:28:41.840
<v Speaker 3>concertmaster and court organist Bach was arrested and held at

0:28:41.840 --> 0:28:45.200
<v Speaker 3>the County Magistrate's House of detention for obstinate behavior and

0:28:45.280 --> 0:28:48.840
<v Speaker 3>forcing the question of his dismissal. Finally, on December second,

0:28:49.120 --> 0:28:52.000
<v Speaker 3>he was informed by the court secretary of his unfavorable

0:28:52.040 --> 0:28:55.800
<v Speaker 3>discharge and simultaneously freed from his arrest. So they're like,

0:28:55.840 --> 0:28:59.080
<v Speaker 3>we've arrested you for trying to quit. We're letting you out,

0:28:59.120 --> 0:28:59.920
<v Speaker 3>but ps, you'r fire.

0:29:01.960 --> 0:29:04.720
<v Speaker 2>So you get what you want, But we also got

0:29:04.720 --> 0:29:05.280
<v Speaker 2>what we want.

0:29:05.360 --> 0:29:08.400
<v Speaker 3>Yes, now, fun facts. I don't know if you're aware

0:29:08.440 --> 0:29:11.800
<v Speaker 3>of this, but bach He went on to become one

0:29:11.800 --> 0:29:15.520
<v Speaker 3>of the greatest composers in the history of Western music. WHOA,

0:29:16.960 --> 0:29:18.680
<v Speaker 3>I feel bad for people who are listening to this

0:29:18.760 --> 0:29:23.440
<v Speaker 3>on earphones are just like, yeah, but what does this

0:29:23.520 --> 0:29:26.000
<v Speaker 3>tell us, Daren? It tells us that music programs in

0:29:26.040 --> 0:29:29.440
<v Speaker 3>the prison reduce recidivism. It works.

0:29:29.600 --> 0:29:31.560
<v Speaker 2>We should bring music inside, Zaren.

0:29:32.000 --> 0:29:34.160
<v Speaker 3>Close your ah my god, you keep sneaking. I know,

0:29:34.200 --> 0:29:36.040
<v Speaker 3>and I'm kidding. This one is a false alarm too.

0:29:36.120 --> 0:29:38.680
<v Speaker 3>Let's break through some ads when we come back. I

0:29:38.720 --> 0:30:03.080
<v Speaker 3>got a real doozy for you. Welcome, Elizabeth, Hello, Elizabeth Schuberty,

0:30:03.080 --> 0:30:07.120
<v Speaker 3>Elizabeth there, Elizabeth, Elizabeth, can I Elizabeth?

0:30:07.960 --> 0:30:08.360
<v Speaker 2>Go ahead?

0:30:09.080 --> 0:30:14.840
<v Speaker 3>We've had arrests for political vandalism, draft dodging, nerd partying,

0:30:15.400 --> 0:30:17.560
<v Speaker 3>trying to quit a job. I love all of them. Yes,

0:30:18.160 --> 0:30:19.040
<v Speaker 3>I have two more for you.

0:30:19.160 --> 0:30:20.800
<v Speaker 2>I relate to almost all of them so far.

0:30:20.960 --> 0:30:24.240
<v Speaker 3>Yeah, me too, sure related, So two more?

0:30:24.360 --> 0:30:24.880
<v Speaker 2>Yes? Please.

0:30:25.120 --> 0:30:28.920
<v Speaker 3>There was a man named Ivor Novello. I know you

0:30:28.960 --> 0:30:30.240
<v Speaker 3>love the name Ivor I.

0:30:30.240 --> 0:30:32.680
<v Speaker 2>Do, yes, so it's up there with drogone.

0:30:32.400 --> 0:30:37.200
<v Speaker 3>Yes exactly. He was a Welsh actor, composer, dramatist and singer.

0:30:37.240 --> 0:30:40.880
<v Speaker 3>Born in eighteen ninety three. He wrote the British patriotic

0:30:40.920 --> 0:30:44.520
<v Speaker 3>song Keep the Home Fires Burning in nineteen fourteen, during

0:30:44.520 --> 0:30:47.960
<v Speaker 3>the beginning leading up to World War One. The song

0:30:48.360 --> 0:30:50.120
<v Speaker 3>yeah it was this, you know, the song was in

0:30:50.160 --> 0:30:52.600
<v Speaker 3>that movie Johnny Got His Gun where the characters are

0:30:52.600 --> 0:30:55.520
<v Speaker 3>celebrating a Christmas party, and that's the clip from the

0:30:55.560 --> 0:30:58.680
<v Speaker 3>movie later used at the end of Metallica's music video.

0:30:58.480 --> 0:31:01.400
<v Speaker 2>One There you go. Bring it full circle, you know.

0:31:01.720 --> 0:31:03.120
<v Speaker 3>Full circle, circle of life.

0:31:03.920 --> 0:31:05.000
<v Speaker 2>So i've or.

0:31:05.680 --> 0:31:09.120
<v Speaker 3>He starred in two silent films, The Lodger and Downhill,

0:31:09.280 --> 0:31:13.719
<v Speaker 3>directed by Alfred Hitchcock. He wrote symphonies, he wrote musicals.

0:31:13.840 --> 0:31:19.600
<v Speaker 3>He intimidated Noel Coward. Really yeah Coward said what he

0:31:19.640 --> 0:31:22.840
<v Speaker 3>said quote. I just felt suddenly conscious of the long

0:31:22.920 --> 0:31:24.880
<v Speaker 3>way I had to go before I could break into

0:31:24.920 --> 0:31:27.840
<v Speaker 3>the magic atmosphere in which he moved and breathed with

0:31:27.880 --> 0:31:29.000
<v Speaker 3>such nonchalance.

0:31:29.720 --> 0:31:32.360
<v Speaker 2>Really no Coward wanted to be him, uh huh.

0:31:32.400 --> 0:31:34.920
<v Speaker 3>He was once called the prettiest man in England.

0:31:35.160 --> 0:31:37.200
<v Speaker 2>Oh wow, she wanted to be him and be with him.

0:31:37.320 --> 0:31:39.680
<v Speaker 3>Yeah, a little bit of both. So of course he

0:31:39.800 --> 0:31:43.160
<v Speaker 3>drove a Rolls Royce naturally. Naturally so during World War Two,

0:31:43.400 --> 0:31:48.120
<v Speaker 3>petrol gas, as we'll say over on here, was rationed. Yes,

0:31:48.600 --> 0:31:51.200
<v Speaker 3>pretty much everything was rationed, even in the years after

0:31:51.240 --> 0:31:53.080
<v Speaker 3>the war, but gas especially.

0:31:52.680 --> 0:31:55.600
<v Speaker 2>For a long time after almost like a ten years

0:31:55.640 --> 0:31:58.480
<v Speaker 2>almost sometimes I fit into fifteen years for some supplies.

0:31:58.520 --> 0:32:00.560
<v Speaker 2>I couldn't believe you when you hear from those like

0:32:00.840 --> 0:32:03.840
<v Speaker 2>sixties eras rock stars like ye, yeah, Keith Richards will

0:32:03.840 --> 0:32:05.680
<v Speaker 2>tell you about his childhood. Yeah, he's like, yeah, we

0:32:05.720 --> 0:32:09.200
<v Speaker 2>got butter and I was fifteen or whatever exactly.

0:32:09.120 --> 0:32:13.959
<v Speaker 3>So there's no gasoline to be found. But uh, you know,

0:32:14.080 --> 0:32:20.080
<v Speaker 3>gas is a commodity, and that gas that's what kept

0:32:20.120 --> 0:32:23.080
<v Speaker 3>the war. That Sir Michael Kemp Tippett was, you know,

0:32:23.160 --> 0:32:25.960
<v Speaker 3>so despised, that's what kept it running. So in order

0:32:26.000 --> 0:32:29.360
<v Speaker 3>to cruise around in his sweet ride, Ivor applied to

0:32:29.440 --> 0:32:31.800
<v Speaker 3>the Regional Transport Commissioner for a permit.

0:32:32.640 --> 0:32:34.760
<v Speaker 2>No dice, buddy, I'm not saying you get that.

0:32:34.800 --> 0:32:36.320
<v Speaker 3>They're like, we got a war going on, what are

0:32:36.320 --> 0:32:39.640
<v Speaker 3>you even about He's like, okay, listen, you need to

0:32:39.720 --> 0:32:41.880
<v Speaker 3>let me have the gas for my car because it

0:32:41.920 --> 0:32:44.160
<v Speaker 3>will boost morale if people see me tootling.

0:32:44.880 --> 0:32:47.600
<v Speaker 2>People see me, they'll feel Goodah, just.

0:32:47.520 --> 0:32:49.160
<v Speaker 3>Come on, like it will make him so happy. Let

0:32:49.160 --> 0:32:53.720
<v Speaker 3>me toot big note is what they said. So there

0:32:53.760 --> 0:32:56.440
<v Speaker 3>he was at some event, whining about not being able

0:32:56.480 --> 0:32:59.160
<v Speaker 3>to gas up his roles and go for spins. A

0:32:59.200 --> 0:33:03.560
<v Speaker 3>fan named Dora Constable overheard him. She walked up to

0:33:03.600 --> 0:33:05.720
<v Speaker 3>him and looked at his pretty little mouth and said,

0:33:06.400 --> 0:33:08.040
<v Speaker 3>I'm going to try and do what I can to

0:33:08.040 --> 0:33:11.200
<v Speaker 3>get your car on the road. And oh, thank you, Dora.

0:33:11.400 --> 0:33:13.960
<v Speaker 3>You're really a deer. Oh no problem, Ivor, that was

0:33:13.960 --> 0:33:17.320
<v Speaker 3>the conversation. Please so, Dora Deer. She worked for the

0:33:17.360 --> 0:33:21.480
<v Speaker 3>Electrical and General Industrial Trust Limited, and she figured that

0:33:21.560 --> 0:33:24.840
<v Speaker 3>she would transfer the car to her company and apply

0:33:24.920 --> 0:33:27.760
<v Speaker 3>in the company's name for permission to drive on matters

0:33:27.800 --> 0:33:32.320
<v Speaker 3>of national importance. Oh like speeding to a gin soapd soire.

0:33:32.600 --> 0:33:34.320
<v Speaker 2>Yes, it's very impart the effort.

0:33:34.480 --> 0:33:38.680
<v Speaker 3>Yes, so, Ivor, here's her plan and is like, that's awesome.

0:33:38.960 --> 0:33:41.800
<v Speaker 3>Count me. In January sixth, nineteen forty four, a day

0:33:41.800 --> 0:33:44.880
<v Speaker 3>that will live in infamy, he transferred his car to

0:33:44.920 --> 0:33:48.760
<v Speaker 3>the company. Dora wrote a letter on the company's letterhead

0:33:48.800 --> 0:33:52.720
<v Speaker 3>and signed it Grace Walton, the company secretary. So much

0:33:52.800 --> 0:33:56.600
<v Speaker 3>forgery and duplicitous action while our boys are over the fighting.

0:33:57.880 --> 0:34:02.320
<v Speaker 2>So the letter, no white poppies for you on white feathers.

0:34:02.160 --> 0:34:06.200
<v Speaker 3>That the Yeah, not for white feathers or the cowardice.

0:34:06.240 --> 0:34:08.560
<v Speaker 2>Yeah, I've seen the four Feathers movie. White Feathers and

0:34:08.600 --> 0:34:09.919
<v Speaker 2>the white poppies.

0:34:09.560 --> 0:34:12.239
<v Speaker 3>For all the soldiers, the red poppies, red poppies. The

0:34:12.280 --> 0:34:14.040
<v Speaker 3>blood spilled in Flanders feelt look.

0:34:17.520 --> 0:34:18.440
<v Speaker 2>Enthusiast.

0:34:18.080 --> 0:34:21.880
<v Speaker 3>The letter said that the car was a Rolls Royce

0:34:22.000 --> 0:34:24.160
<v Speaker 3>and it would only be used for transport. That was

0:34:24.280 --> 0:34:27.560
<v Speaker 3>absolutely you know, essential, he's an essential worker. Of course,

0:34:27.680 --> 0:34:29.440
<v Speaker 3>go bang your pots at seven pm. You got to

0:34:29.480 --> 0:34:33.479
<v Speaker 3>get to So the license was granted March sixth Nora

0:34:33.560 --> 0:34:36.880
<v Speaker 3>took it over to Ivor and he was quote tremendously elated.

0:34:37.080 --> 0:34:38.480
<v Speaker 2>It would be great if she just sent him a

0:34:38.480 --> 0:34:40.080
<v Speaker 2>note thanks for the car and never talked to him.

0:34:40.440 --> 0:34:42.879
<v Speaker 3>Yeah, transferred it over that would be an even better

0:34:42.960 --> 0:34:46.640
<v Speaker 3>ridiculous nor you missed your chance. So he starts cruising

0:34:46.640 --> 0:34:50.520
<v Speaker 3>all over the place. Tutelands he had his like perfectly

0:34:50.560 --> 0:34:55.239
<v Speaker 3>palmated hair, unflappable in the wind, tuxedo, crispcket square, not

0:34:55.360 --> 0:34:58.840
<v Speaker 3>moving totally. Then he got blabah blah ba busted. Dora

0:34:59.000 --> 0:35:02.800
<v Speaker 3>confessed and when this happened, and then when she served

0:35:02.800 --> 0:35:05.200
<v Speaker 3>a summons and she said, I will not go back

0:35:05.200 --> 0:35:07.520
<v Speaker 3>on my statement and shall plead guilty to it all.

0:35:08.239 --> 0:35:11.520
<v Speaker 3>So she's just fallen on the sword. Yeah, she thought

0:35:11.520 --> 0:35:13.520
<v Speaker 3>she'd put herself out there, but then she also thought

0:35:13.520 --> 0:35:15.560
<v Speaker 3>that IVOR would like swoop in and save her.

0:35:15.640 --> 0:35:17.759
<v Speaker 2>So she's like got groupie thinking, Yeah, but.

0:35:17.960 --> 0:35:21.840
<v Speaker 3>Here's the thing. Iv R only saves Ivor of course.

0:35:22.200 --> 0:35:25.080
<v Speaker 2>Yeah, so I are the selfless or way to the selfish.

0:35:25.840 --> 0:35:28.759
<v Speaker 3>When provided with a copy of his statement on the matter,

0:35:28.880 --> 0:35:31.520
<v Speaker 3>Dora said, quote, he is trying to put all the

0:35:31.560 --> 0:35:34.800
<v Speaker 3>blame on me. That is grossly unfair. He was willing

0:35:34.840 --> 0:35:36.960
<v Speaker 3>to do anything crooked so long as he had use

0:35:37.000 --> 0:35:40.000
<v Speaker 3>of the car. Why he knew every move, plan and

0:35:40.040 --> 0:35:43.120
<v Speaker 3>suggestion the whole way through. He agreed to everything and

0:35:43.200 --> 0:35:46.240
<v Speaker 3>knew the company had never used the car. I realized

0:35:46.280 --> 0:35:48.040
<v Speaker 3>that if I could not do something for him with

0:35:48.120 --> 0:35:50.680
<v Speaker 3>regard to the car, I should go far towards losing

0:35:50.680 --> 0:35:55.520
<v Speaker 3>his friendship, which I so deeply valued, Like ma'am, he

0:35:55.560 --> 0:35:56.640
<v Speaker 3>did not deeply value.

0:35:56.640 --> 0:35:57.799
<v Speaker 2>He played your girl.

0:35:58.080 --> 0:36:02.440
<v Speaker 3>So April twenty fourth, nineteen forty I or Novello. He

0:36:02.520 --> 0:36:05.600
<v Speaker 3>went to the court and was sentenced to eight weeks

0:36:05.600 --> 0:36:10.880
<v Speaker 3>in prison. He only served for over misuse of petrol coupons. Wow,

0:36:11.600 --> 0:36:14.600
<v Speaker 3>four weeks he did a month? Yes, apparently though broke

0:36:14.640 --> 0:36:17.960
<v Speaker 3>his spirit and he never recovered from the experience. Huh,

0:36:18.000 --> 0:36:20.160
<v Speaker 3>but I think all boys have gone through much worse.

0:36:20.719 --> 0:36:21.440
<v Speaker 2>Stiff up and limp.

0:36:21.520 --> 0:36:25.959
<v Speaker 3>What Noel Coward, one time admirer than full time hater,

0:36:26.080 --> 0:36:29.200
<v Speaker 3>said quote He's been fighting like a steer to keep

0:36:29.239 --> 0:36:31.600
<v Speaker 3>going as before the war and hasn't done a thing

0:36:31.680 --> 0:36:33.160
<v Speaker 3>for the general effort.

0:36:33.680 --> 0:36:37.560
<v Speaker 2>Not one of his ding's projection is tough. Yeah.

0:36:37.640 --> 0:36:40.520
<v Speaker 3>So then now we're going to wrap it up here. Lastly,

0:36:40.640 --> 0:36:41.799
<v Speaker 3>for you, I have.

0:36:41.920 --> 0:36:44.600
<v Speaker 2>Eric Sadie, Oh not the Eric Sadie.

0:36:44.320 --> 0:36:47.879
<v Speaker 3>French composer and pianist born in eighteen sixty six. Yes,

0:36:48.719 --> 0:36:50.239
<v Speaker 3>I feel like you're going to enjoy this, dude.

0:36:50.320 --> 0:36:51.040
<v Speaker 2>Oh nice.

0:36:51.320 --> 0:36:53.000
<v Speaker 3>He founded his own religion.

0:36:52.680 --> 0:36:54.200
<v Speaker 2>Sadism, called.

0:36:55.880 --> 0:37:02.360
<v Speaker 3>Sorry Igles. Metropolitan doubted his zoo convict to Jesus.

0:37:02.239 --> 0:37:05.200
<v Speaker 2>The Metropolitan Church of Christ, the conductor.

0:37:04.800 --> 0:37:09.759
<v Speaker 3>Yeah, the Church of Art whatever. To this day, he's

0:37:09.800 --> 0:37:14.120
<v Speaker 3>the sole convert. He's the only Yeah.

0:37:13.760 --> 0:37:15.600
<v Speaker 2>I started a church. At least I got one convert.

0:37:16.360 --> 0:37:20.280
<v Speaker 3>He had one love of his life, the painter Suzanne Valadon. Okay,

0:37:20.840 --> 0:37:23.480
<v Speaker 3>they had a five month liaison and then she moved

0:37:23.520 --> 0:37:27.600
<v Speaker 3>away and he was heartbroken and that was it no

0:37:27.680 --> 0:37:28.200
<v Speaker 3>more for him.

0:37:28.719 --> 0:37:31.720
<v Speaker 2>One of them. He would only done with women.

0:37:31.800 --> 0:37:33.440
<v Speaker 3>He would only eat things that were white.

0:37:33.960 --> 0:37:36.160
<v Speaker 2>I live with a girl who did that. I thought

0:37:36.160 --> 0:37:38.279
<v Speaker 2>she was kidding. When I heard my bad was like, yeah,

0:37:38.440 --> 0:37:40.840
<v Speaker 2>she's telling me about Nicole's coming up from LA And

0:37:40.840 --> 0:37:42.279
<v Speaker 2>you know, I'm like, what's he like? Well, if she

0:37:42.320 --> 0:37:44.080
<v Speaker 2>only eats white foods, I'm like, that's the first thing

0:37:44.120 --> 0:37:44.960
<v Speaker 2>you're gonna tell me about this.

0:37:45.080 --> 0:37:46.239
<v Speaker 3>I think that's an important thing.

0:37:47.840 --> 0:37:48.240
<v Speaker 4>Determined.

0:37:48.719 --> 0:37:51.840
<v Speaker 3>He said, quote, my only nourishment consists of food that

0:37:51.960 --> 0:37:55.080
<v Speaker 3>is white. I have a good appetite, but never talk

0:37:55.160 --> 0:37:57.400
<v Speaker 3>when eating for fear of strangling myself.

0:37:57.800 --> 0:38:02.000
<v Speaker 2>Okay, he's all the way crazy. Ohyah, he doesn't want

0:38:02.480 --> 0:38:03.040
<v Speaker 2>Probably my.

0:38:03.120 --> 0:38:06.160
<v Speaker 3>Favorite detail, he carried a hammer on him at all

0:38:06.200 --> 0:38:11.480
<v Speaker 3>times for personal protection. Yeah. So if I had a Hammo,

0:38:12.080 --> 0:38:15.000
<v Speaker 3>I'd beat you in the face with it. In nineteen seventeen,

0:38:15.040 --> 0:38:18.879
<v Speaker 3>Ballet russ commissioned a ballet from him. He gave them

0:38:19.200 --> 0:38:22.560
<v Speaker 3>Parade in Paris, performed at the Tiata di Chatellat.

0:38:22.680 --> 0:38:24.840
<v Speaker 2>So what did the French John Henry do for the Russians?

0:38:24.880 --> 0:38:31.840
<v Speaker 3>Well, he synthesized live music, dance, poetry, fashion, set design

0:38:32.000 --> 0:38:32.719
<v Speaker 3>and visual art.

0:38:32.760 --> 0:38:34.799
<v Speaker 2>He basically in movies pretty much just.

0:38:34.920 --> 0:38:38.920
<v Speaker 3>Poet, writer, filmmaker, all around artist. Jean Carteau did the

0:38:38.960 --> 0:38:44.160
<v Speaker 3>libretto Oh Wow, and Pablo Picasso did the set designs.

0:38:44.400 --> 0:38:46.839
<v Speaker 3>So in the program note, he's good instincts on who

0:38:46.840 --> 0:38:51.160
<v Speaker 3>he hires. He's got great friends. The program note was

0:38:51.200 --> 0:38:55.520
<v Speaker 3>written by Guillaume Appollinaire, whoa said Parade in Paris was

0:38:55.600 --> 0:39:00.960
<v Speaker 3>quote a kind of surrealism. I am butchering today. I

0:39:00.960 --> 0:39:05.680
<v Speaker 3>apologized that he did this three years before surrealism became

0:39:05.719 --> 0:39:08.839
<v Speaker 3>an art movement in Paris, so the term was born there.

0:39:10.000 --> 0:39:16.000
<v Speaker 3>In the program Cocto said, I have heard the cries

0:39:16.040 --> 0:39:18.560
<v Speaker 3>of a bayonet charge in Flanders, but it was nothing

0:39:18.600 --> 0:39:22.080
<v Speaker 3>compared to what happened that night at the chatelat As.

0:39:22.120 --> 0:39:25.600
<v Speaker 3>The ballet ended the mounting anger of the audience boiled

0:39:25.680 --> 0:39:32.400
<v Speaker 3>up into an uproar. Coctau also said that people were

0:39:32.480 --> 0:39:38.120
<v Speaker 3>yelling sins bush, dirty Germans at the company, viewers demand

0:39:40.640 --> 0:39:43.439
<v Speaker 3>Viewers demanded that the people involved in parade be sent

0:39:43.480 --> 0:39:47.120
<v Speaker 3>to the front to fight, and then a fistfight broke out.

0:39:48.480 --> 0:39:52.440
<v Speaker 3>This is what Cocta said. Later, an irate female accosted

0:39:52.440 --> 0:39:54.120
<v Speaker 3>me and tried to put my eyes out with a

0:39:54.160 --> 0:39:57.200
<v Speaker 3>hat pin. And then a man said to his wife quote,

0:39:57.239 --> 0:39:59.160
<v Speaker 3>if I'd known this was going to be so silly,

0:39:59.160 --> 0:40:03.759
<v Speaker 3>I'd have brought the children. This is amazing. So the

0:40:03.800 --> 0:40:08.960
<v Speaker 3>whole thing is incredible. Yeah, I already know that I

0:40:09.000 --> 0:40:11.440
<v Speaker 3>was born at the wrong time and possibly the wrong place,

0:40:11.520 --> 0:40:13.279
<v Speaker 3>But these are the sorts of things that drive him

0:40:13.280 --> 0:40:15.160
<v Speaker 3>home for me because I should have been their Zarran

0:40:16.080 --> 0:40:20.680
<v Speaker 3>should have been there, Sadi and friends. Maybe they didn't

0:40:20.680 --> 0:40:22.920
<v Speaker 3>want to be there after all, because they were then

0:40:23.040 --> 0:40:24.680
<v Speaker 3>charged with cultural anarchy.

0:40:25.120 --> 0:40:25.719
<v Speaker 2>Is that a thing?

0:40:25.920 --> 0:40:28.080
<v Speaker 3>Yeah, they were rested and jailed for eight days.

0:40:28.120 --> 0:40:29.960
<v Speaker 2>They had laws against cultural.

0:40:29.960 --> 0:40:34.719
<v Speaker 3>At the time, so they get busted for cultural anarchy.

0:40:36.160 --> 0:40:42.239
<v Speaker 3>Critic Jean Pueg congratulated Sadie after the event. That was amazing.

0:40:42.320 --> 0:40:45.080
<v Speaker 3>I'm so proud of you. Honey, that's what he said.

0:40:45.600 --> 0:40:49.000
<v Speaker 3>But then his review came out and it was another story.

0:40:49.160 --> 0:40:49.919
<v Speaker 2>It did not sing.

0:40:50.080 --> 0:40:50.319
<v Speaker 4>Yeah.

0:40:50.920 --> 0:40:55.920
<v Speaker 3>Pueg dismissed parade as quote an outrage on French taste,

0:40:56.360 --> 0:40:59.960
<v Speaker 3>and Sadie quote for his lack of wit, skill and inventive.

0:41:01.520 --> 0:41:04.640
<v Speaker 3>So Sadie like he's going to respond to this, he

0:41:04.680 --> 0:41:10.600
<v Speaker 3>has to. Yeah, he started writing Pueg irate and crass postcards.

0:41:10.040 --> 0:41:12.440
<v Speaker 2>Post cards response postcards.

0:41:11.880 --> 0:41:15.799
<v Speaker 3>And since they were postcards that anyone could see, Pueg

0:41:16.160 --> 0:41:21.320
<v Speaker 3>sued Sadie for slander, and on July twelfth, nineteen seventeen,

0:41:21.600 --> 0:41:28.239
<v Speaker 3>they went to court. Zaren close. Oh, I want you

0:41:28.280 --> 0:41:32.520
<v Speaker 3>to picture it. You are a French judge, O la la.

0:41:34.320 --> 0:41:38.960
<v Speaker 3>You are overseeing the case of Jean Puigue versus Eric Sadie.

0:41:39.440 --> 0:41:41.799
<v Speaker 3>These two twits have been going at it and it's

0:41:41.840 --> 0:41:44.680
<v Speaker 3>working your last nerve. You stare out the window and

0:41:44.719 --> 0:41:48.799
<v Speaker 3>you imagine some back playing something lovely. You're lost in

0:41:48.840 --> 0:41:52.040
<v Speaker 3>this reverie until a man clears his throat, how rude.

0:41:52.600 --> 0:41:55.560
<v Speaker 3>It's Pueg's lawyer who now stands and addresses the court.

0:41:55.840 --> 0:41:58.680
<v Speaker 3>In his hand, he has a stack of postcards. If

0:41:58.680 --> 0:42:00.880
<v Speaker 3>it please the court, I would like to read the

0:42:00.880 --> 0:42:04.760
<v Speaker 3>following communications written by Monsieur Eric Sadi to my client,

0:42:05.400 --> 0:42:08.960
<v Speaker 3>go ahead, you tell him. The courtroom falls silent, lawyer.

0:42:09.840 --> 0:42:13.080
<v Speaker 3>Lawyer clears his throat again. Get a cough, drop your bozo,

0:42:13.239 --> 0:42:20.359
<v Speaker 3>you think. Thirty of May nineteen Monkey. Thirtieth of May

0:42:20.560 --> 0:42:25.840
<v Speaker 3>nineteen seventeen to Jean Pueg, Sir and dear friend, what

0:42:26.000 --> 0:42:29.040
<v Speaker 3>I know is that you are an and if I

0:42:29.120 --> 0:42:33.960
<v Speaker 3>dare say so, an unmusical above all, never again offer

0:42:34.040 --> 0:42:38.040
<v Speaker 3>me your dirty hand, Eric Satan. The gallery erupts in

0:42:38.160 --> 0:42:42.880
<v Speaker 3>laughter order order you shout as you bang your gavel. Proceed,

0:42:42.960 --> 0:42:47.600
<v Speaker 3>you say. Third of June nineteen seventeen to Monsieur Jean

0:42:47.680 --> 0:42:52.000
<v Speaker 3>Poueg headflop chief Gords in Turkey. You are not as

0:42:52.120 --> 0:42:55.319
<v Speaker 3>dumb as I thought. Despite your bonehead air and your

0:42:55.360 --> 0:42:59.480
<v Speaker 3>short sightedness, you see things at a great distance, Eric Sadie.

0:43:00.800 --> 0:43:05.480
<v Speaker 3>Small snickers come from the gathered people in the courtroom. Yeah,

0:43:05.520 --> 0:43:08.280
<v Speaker 3>this one isn't as hot as the last. The lawyer

0:43:08.360 --> 0:43:10.319
<v Speaker 3>clears his throat once again and looks you dead in

0:43:10.360 --> 0:43:12.520
<v Speaker 3>the eye. You feel like this one's gonna hurt, This

0:43:12.600 --> 0:43:16.400
<v Speaker 3>one's going to be a heater. Fifth June nineteen seventeen

0:43:16.880 --> 0:43:23.920
<v Speaker 3>to monsieur face Pueg, famous pumpkin and composer for Nitwitz, lousy.

0:43:23.960 --> 0:43:27.160
<v Speaker 3>This is from where I on you with all my force,

0:43:27.719 --> 0:43:32.480
<v Speaker 3>Eric Safi. The gallery goes wild. People are laughing, shouting, whooping.

0:43:32.600 --> 0:43:36.960
<v Speaker 3>You bang your gabble enough order. Phoegg's attorney tells you

0:43:37.040 --> 0:43:40.640
<v Speaker 3>he wants a one year sentence for public defamation. Jean

0:43:40.719 --> 0:43:43.799
<v Speaker 3>Cocteau shoves his chair back and stands and waves his

0:43:43.840 --> 0:43:47.000
<v Speaker 3>cane at the lawyer, yelling urse or at the French equivalent,

0:43:47.400 --> 0:43:50.840
<v Speaker 3>over and over, more chaos. As the cops run in

0:43:50.880 --> 0:43:53.560
<v Speaker 3>and arrest Coctaux. They take him to the back and

0:43:53.600 --> 0:43:56.680
<v Speaker 3>beat him for good measures. Saren, you do not run

0:43:56.719 --> 0:44:00.080
<v Speaker 3>a tight courtroom. That's enough for you. The end oh

0:44:00.680 --> 0:44:03.880
<v Speaker 3>cacto was eventually fined and Sadi was sentenced to a

0:44:03.920 --> 0:44:06.880
<v Speaker 3>week in prison without parole, and then find one hundred

0:44:06.920 --> 0:44:10.160
<v Speaker 3>francs plus one thousand francs in damages to Pueg.

0:44:10.680 --> 0:44:12.239
<v Speaker 2>I like the Picasso was smart enough not to go.

0:44:12.719 --> 0:44:14.960
<v Speaker 3>He's like, I am not touching that at all. So

0:44:15.040 --> 0:44:18.320
<v Speaker 3>Sadie appealed, but the final verdict came out in Puig's favor.

0:44:19.160 --> 0:44:23.480
<v Speaker 3>Princess de Polinac came to Sadie's aid and loaned him

0:44:23.520 --> 0:44:26.320
<v Speaker 3>the funds to cover the fine as well as damages.

0:44:27.320 --> 0:44:31.760
<v Speaker 3>On March fifteenth, nineteen eighteen, his sentence was suspended quote

0:44:31.760 --> 0:44:34.160
<v Speaker 3>on the condition that he showed good conduct and not

0:44:34.239 --> 0:44:36.320
<v Speaker 3>receive any prison sentence for five.

0:44:36.200 --> 0:44:39.040
<v Speaker 2>Years better than going in scent to the front.

0:44:39.239 --> 0:44:43.239
<v Speaker 3>Right, So Sadi maintained good behavior, but he didn't pay

0:44:43.239 --> 0:44:45.759
<v Speaker 3>the damages to Puig. Of course, it looks like he

0:44:45.840 --> 0:44:49.279
<v Speaker 3>just pocketed the cash from the princess, so he wrote

0:44:49.320 --> 0:44:52.680
<v Speaker 3>in October of nineteen eighteen, quote, I have no intention

0:44:52.760 --> 0:44:55.480
<v Speaker 3>of giving one cent to the noble critic who is

0:44:55.520 --> 0:44:58.560
<v Speaker 3>the cause of my judiciary ills, and instead ask for

0:44:58.600 --> 0:45:02.400
<v Speaker 3>permission to use the money for living expenses. And they

0:45:02.440 --> 0:45:04.719
<v Speaker 3>let him do it. They did. They let him do it,

0:45:04.760 --> 0:45:08.640
<v Speaker 3>So man's got to eat. The controversy surrounding the parade

0:45:08.680 --> 0:45:12.360
<v Speaker 3>premiere resulted in a cult following obviously, of course, and

0:45:12.400 --> 0:45:14.600
<v Speaker 3>then turned him into a minor celebrity in the late

0:45:14.760 --> 0:45:20.360
<v Speaker 3>nineteen tens. And thus ends our wild ride through classical

0:45:20.440 --> 0:45:21.960
<v Speaker 3>and groundbreaking composers.

0:45:22.239 --> 0:45:23.920
<v Speaker 2>That was really nice, Thank.

0:45:23.760 --> 0:45:26.520
<v Speaker 3>You, saren Ice. What's your ridiculous takeaway?

0:45:26.760 --> 0:45:29.719
<v Speaker 2>These guys act like my friends like I mean, they're

0:45:29.800 --> 0:45:32.680
<v Speaker 2>just as ridiculous, from Shooter Art all the way down

0:45:32.719 --> 0:45:35.080
<v Speaker 2>to Sadie. I'm like, I could chill with these guys.

0:45:35.080 --> 0:45:38.279
<v Speaker 2>Sound like amazing stories of people I've been with.

0:45:38.560 --> 0:45:40.960
<v Speaker 3>I like them all. I liked every last one of them.

0:45:41.080 --> 0:45:43.120
<v Speaker 2>Those were fun, they didn't involve like hurting a lot

0:45:43.120 --> 0:45:45.759
<v Speaker 2>of people. They didn't really like, you know, con the Queen.

0:45:45.880 --> 0:45:47.280
<v Speaker 3>And some great postcards.

0:45:47.400 --> 0:45:49.600
<v Speaker 2>Great great postcards, great great writing.

0:45:49.760 --> 0:45:52.080
<v Speaker 3>Yes, that's all I have for today. You can find

0:45:52.120 --> 0:45:55.319
<v Speaker 3>us online at ridiculous Crime dot com. We're also at

0:45:55.400 --> 0:45:59.799
<v Speaker 3>Ridiculous Crime on Twitter and Instagram. Don't email Ridiculous Crime

0:46:00.040 --> 0:46:03.000
<v Speaker 3>email dot com. Do do leave it talk back on

0:46:03.040 --> 0:46:12.200
<v Speaker 3>the iHeart app. Then that's it. Ridiculous Crime is hosted

0:46:12.200 --> 0:46:15.399
<v Speaker 3>by Elizabeth Dutton and Zaren Burnett, produced and edited by

0:46:15.440 --> 0:46:19.520
<v Speaker 3>head Flop Dave Cousten. Research is by Chief Gord's and Turkey,

0:46:19.560 --> 0:46:23.799
<v Speaker 3>Marissa Brown and Famous Pumpkin Andrea Song Sharpened Tear. The

0:46:23.800 --> 0:46:27.160
<v Speaker 3>theme song is by composer for Nitwitz Thomas Lee and

0:46:27.239 --> 0:46:32.560
<v Speaker 3>Miss Your Face Travis Dutton. Executive producers are Lousy, Ben

0:46:32.600 --> 0:46:36.120
<v Speaker 3>Bolan and Offerer of The Dirty Hand, Noel.

0:46:35.880 --> 0:46:46.640
<v Speaker 4>Browns Qui say it one more times.

0:46:46.880 --> 0:46:51.680
<v Speaker 1>Cry Ridiculous Crime is a production of iHeartRadio four more podcasts,

0:46:51.760 --> 0:46:54.920
<v Speaker 1>My heart Radio, visit the iHeartRadio app, Apple Podcasts, or

0:46:54.920 --> 0:46:56.720
<v Speaker 1>wherever you listen to your favorite shows.