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Speaker 1: Ridiculous Crime is a production of iHeartRadio.

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Speaker 2: Zaren Hey, Elizabeth Dudton. Oh are you doing pretty well?

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Speaker 2: How about you? Good? You feel well?

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Speaker 3: For asking?

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Speaker 2: Oh? My pleasure. You know I'm a curious tech.

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Speaker 3: You are listen. Yeah, I have a question for you,

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Speaker 3: curious George. Oh sure you know it's ridiculous? Oh yes,

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Speaker 3: Oh do you. Mister David Lee Roth, Oh my god,

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Speaker 3: he's so beautifully ridiculous.

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Speaker 2: I love him. Did you know in two thousand and four,

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Speaker 2: David Lee Roth aka Diamond Dave aka mister David Lee

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Speaker 2: Roth he went to work in the Bronx as an

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Speaker 2: emergency medical technician. I do know that.

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Speaker 3: I think I talked about it on Ridiculous History once.

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Speaker 2: Oh that's right, I did you do know? You know this?

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Speaker 2: Huh well? He called it a perfect job for him.

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Speaker 2: I was blown away by this.

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Speaker 3: He's amazing.

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Speaker 2: I was like, dude, how cool is this? And like

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Speaker 2: he was like super excited where he was like talking about.

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Speaker 2: Like at one point he would go up to people.

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Speaker 2: There they are like lying bloody on the pavement of

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Speaker 2: New York City, and David Lee Roth comes up to them,

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Speaker 2: grins down at them and goes, you're gonna be okay,

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Speaker 2: I mean like that, like that it was like a dream, right,

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Speaker 2: and then he actually starts to save them, like not

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Speaker 2: just like it's an apparition. He tastes their blood pressure,

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Speaker 2: he starts bandaging them. According to Diamond, Davey said, not

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Speaker 2: once does anyone recognize me, which is perfect for me.

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Speaker 2: So apparently they weren't actually seeing him, which is kind

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Speaker 2: of wild, Like you actually had the moment and no

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Speaker 2: one recognized that it was David Roth, which is the

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Speaker 2: wildest part to me. They missed out on the moment anyway,

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Speaker 2: that was ridiculous. Fandex all yeah, yeah, to be saved

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Speaker 2: by David Lee Roth and not know it. Yeah, that's ridiculous.

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Speaker 3: Ridiculous. That is ridiculous. You want to know what else

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Speaker 3: is ridiculous? Oh dude, please getting arrested for trying to

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Speaker 3: quit a job.

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Speaker 2: I think I've done that.

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Speaker 3: This is ridiculous. Crime a podcast about absurd and outrageous capers,

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Speaker 3: heists and cons. It's always ninety nine percent murder free

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Speaker 3: and one hundred percent ridiculous.

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Speaker 2: Damn right zaren yes.

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Speaker 3: Close your eyes.

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Speaker 2: Fast.

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Speaker 3: I'm just kidding you. Like classical music.

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Speaker 2: I love classical music.

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Speaker 3: Answer the question, sir, I reclaim my time. Well, I

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Speaker 3: have a whopper of a show for you today. I

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Speaker 3: too like classical music. Thanks for asking.

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Speaker 2: Okay, do you like classical music?

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Speaker 3: Yes, I do. I just said that these these are

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Speaker 3: criming classical composers and musicians that I have for you today.

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Speaker 3: Oh can you believe.

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Speaker 2: That this is awesome? And this is not like Hector

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Speaker 2: Barreleos did some opium. This is like crazy stuff.

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Speaker 3: Oh yeah, now this is Remember you did the stolen strategy.

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Speaker 3: Now this is beyond beyond that, beyond that, your your

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Speaker 3: mind will be boggled at the level of crime.

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Speaker 2: I'm gonna buckle up, buttercut.

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Speaker 3: So yeah you should. Now, we don't have any hardcore

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Speaker 3: criminals in this one. What I'm trying to say, we

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Speaker 3: don't have arsonists or bank robbers. This is good, clean

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Speaker 3: fun Oh nice, just squeaky clean. That's what we're all

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Speaker 3: about here, clean Schubert. Oh do you play it? Do

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Speaker 3: you play an instrument?

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Speaker 4: Zeren?

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Speaker 2: Does harmonica count? Yeah?

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Speaker 3: I would count a harmonic musical instrument.

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Speaker 2: Yeah, yeah, So I play harmonica, but I would say

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Speaker 2: I'm no musician.

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Speaker 3: Okay, because like from the ages of about eight to twenty.

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Speaker 3: I played the cello. That's a big secret. I couldn't

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Speaker 3: play good. No, I couldn't play to save my life today,

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Speaker 3: I'm guessing. But like I played in this school orchestra

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Speaker 3: in high school and it really went with my whole

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Speaker 3: Like I have to wear net gear at night, and

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Speaker 3: I didn't attend one party in high school. Ye I play, Yeah,

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Speaker 3: she'll play cello.

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Speaker 2: I leaned in.

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Speaker 3: I leaned in.

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Speaker 2: I wore he garb too, by the way, just so

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Speaker 2: you know, only for six months, but I did wear it.

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Speaker 3: Okay, well here I was.

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Speaker 2: Leaning it fully adjusted.

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Speaker 3: You're well come sharing with Sandford so Schubert, Yes, he

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Speaker 3: was one of my favorite composers to play. Oh really,

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Speaker 3: and not necessarily to listen to I always, I mean

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Speaker 3: in that case, I like favored the tragic stuff in

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Speaker 3: a minor case. But boy howdy was he fun to

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Speaker 3: play for the strings. Yeah, very bouncy and not as

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Speaker 3: technically demanding as some Mozart stuff, but a nice little

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Speaker 3: challenge totally. The Schubert that we played didn't relegate the

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Speaker 3: cell out to just like long bass notes.

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Speaker 2: Is holding the note. Yeah, you play a lot of

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Speaker 2: Beethoven too for the Yeah, but.

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Speaker 3: We got to shine baby.

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Speaker 2: Oh yeah, Schubert.

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Speaker 3: So that's what I'm going to start yelling when I

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Speaker 3: stubbed my toe, or maybe if someone sneezes. I don't know.

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Speaker 3: I'm open to anything with that. I'm taking suggestions. Franz Schubert,

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Speaker 3: that little darling. He was an Austrian composer born in

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Speaker 3: seventeen ninety seven. Oh, I was six years old then.

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Speaker 2: Yeah, you were just a sprite a little bit.

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Speaker 3: He was in that late Classical early Romantic era.

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Speaker 2: Yeah, romance.

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Speaker 3: He wrote seven symphonies, lots of good chamber music.

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Speaker 2: They brought it.

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Speaker 3: That's what I'm trying to say. Do you want to

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Speaker 3: hear me? Try and say the name of the suburb

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Speaker 3: of Vienna where he grew up. Yes, Okay, I'm gonna

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Speaker 3: have to sound say fast him out fort Grund.

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Speaker 2: I'm sorry I missed it. Can you say that again?

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Speaker 3: Him out fort Grund.

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Speaker 2: I'm sorry I missed it. Could you say that one

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Speaker 2: more time?

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Speaker 3: Hum Ut fort Grooms Schubert. So he was a child prodigy.

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Speaker 3: That's always fun. That's fun for the kid.

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Speaker 2: And for everyone around. Everybody loves that.

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Speaker 3: Yeah, he died when he was thirty one.

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Speaker 2: Actually, their siblings.

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Speaker 3: Oh so good. He died when he was thirty one

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Speaker 3: from what was likely mercury poison.

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Speaker 2: Is he just like sucking on thermometers?

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Speaker 3: Well in the early eighteen hundreds, you know what that meant.

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Speaker 3: The man was battling syphless.

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Speaker 2: Oh he had a touch of the siff and he

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Speaker 2: needed the mercury.

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Speaker 3: Oh yeah, he got around.

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Speaker 2: Yeah yeah, Blackbeard did that too.

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Speaker 3: Yeah, exactly. In fact, he and his pals loved to party.

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Speaker 2: I bet it sounds like it.

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Speaker 3: They would throw what they called shoe Bertie ads.

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Speaker 2: Wait what, he had his own party.

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Speaker 3: Name, schubertiads. Real ragers. They were intimate gatherings.

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Speaker 2: Oh my god.

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Speaker 3: Like, here's what they did. They all danced, and they

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Speaker 3: read poetry and they had political debates.

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Speaker 2: That's salon they were leaning in. That's a salon leaning in.

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Speaker 3: It's no wonder he had syphilis. I mean, come on,

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Speaker 3: they're reading the poetry and the debates. So this gang,

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Speaker 3: this bad boy club, this rat pack. They called themselves

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Speaker 3: Schubertia den like the men of the Schuberti eyes.

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Speaker 2: Why are they on his jock? I don't know.

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Speaker 3: So this was after the French Revolution, after the Napoleonic Wars.

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Speaker 3: The Austrians they didn't want that stuff.

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Speaker 2: Kitchen like the eighteen twenties. I got eighteen thirties. Yeah,

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Speaker 2: I'm guessing because he was born seventeen ninety seven.

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Speaker 3: So the Austrian police they were suspicious of such wild

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Speaker 3: youthful gathering. Of course, can't have students and artists and intellectuals, you.

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Speaker 2: Know, upsets the public.

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Speaker 3: Thearon Nerd parties were surveilled. So in eighteen twenty, the

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Speaker 3: Austrian secret police pounced. They were like a little kitten

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Speaker 3: in the grass, pounced. They arrested Schubert and four friends

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Speaker 3: on suspicion of revolutionary activities. Sert yeah they he So

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Speaker 3: they arrest him and then Schubert he was reprimanded and

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Speaker 3: during the arrest for quote, inveighing against officials with insulting

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Speaker 3: and opprobrious language.

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Speaker 2: Oh wow, talking foul.

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Speaker 3: Yeah he was talking about but they just reprimanded him.

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Speaker 3: So to translate the shoebies, you know, he said, first

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Speaker 3: off and the click you claim, that's the translation of it.

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Speaker 3: He was the tupac to the secret police's junior mafia. Okay,

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Speaker 3: following yes, yeah, the cops they were offended, they would

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Speaker 3: they let him go.

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Speaker 2: Like little Officer Ricky.

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Speaker 3: They let him go. But Schubert he had a best

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Speaker 3: buddy fellow by the name of Johann Sen, son of

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Speaker 3: the freedom fighter Franz Michael Sen.

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Speaker 2: Oh, not the freedom fighter Franz ever so Johann.

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Speaker 3: He was a writer slash poet. That's just how he

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Speaker 3: introduced himself to the syphilitic ladies.

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Speaker 2: Ladies.

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Speaker 3: He was hardcore. He had a street name. It was

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Speaker 3: Bombastis beba durwa Bebderva. I suppose bombastis Bebaderva.

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Speaker 2: I don't understand he had a street name.

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Speaker 3: I am not making this up.

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Speaker 2: That was Oh, that was his street name. I thought

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Speaker 2: you were like he came from a street I didn't follow.

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Speaker 2: That was his street name.

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Speaker 3: He was a weird street It's hard to say bombastis Bebaderva.

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Speaker 2: That's too many bees making it up.

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Speaker 3: And I have no idea what it means, although I

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Speaker 3: think it's kidgeon Latin for loud pompous drunk.

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Speaker 2: Yeah, to drink whatever, loud drunk.

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Speaker 3: Yeah. So, mister boombastic, thank you.

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Speaker 2: Much better street name.

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Speaker 3: He popped out of the mouth. They call him Miss

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Speaker 3: the Boombastic Okay, so he popped off at the cops

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Speaker 3: at the same as Schubert. But then he ended up

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Speaker 3: getting imprisoned. I'm guessing probably because they're like your dad's

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Speaker 3: spark plug too.

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Speaker 2: Yeah, and you're not a talented.

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Speaker 3: Musician, right, So he got imprisoned for fourteen months without charges.

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Speaker 3: They're just like you just sit here and think about

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Speaker 3: what you've met. So then they let him out, and

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Speaker 3: then he was permanently exiled from Vienna. And you know

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Speaker 3: he was yelling the same crazy tupac. Sure, so he

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Speaker 3: and Schubert never saw each other again. Oh, Schubert didn't

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Speaker 3: let that stop him from honoring his friend. He set

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Speaker 3: his music to sends poetry, including the famous song I'm

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Speaker 3: sure you know it go on Shungazong? Oh he wrote,

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Speaker 3: he did. He totally wrote that. Wow, I know it's

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Speaker 3: like I always hear you humming it, dude. That song

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Speaker 3: bumps Shungazong. That is the story of Schubert's brush with

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Speaker 3: the law and his buddy's ridiculous crime. Now onto the

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Speaker 3: next Schubert. Dame ethel smythe the most British of names.

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Speaker 2: Seriously.

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Speaker 3: She was an English composer born in eighteen fifty eight

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Speaker 3: and she was part of the women's suffrage movement.

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Speaker 2: Okay, she was that vote. Yeah.

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Speaker 3: She was the first female composer to be granted a

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Speaker 3: Dame hood. Oh what a day, what a most British name.

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Speaker 3: So as a female composer, a lady composer, if you will,

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Speaker 3: she was pretty much dismissed by the powers. Imagine she

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Speaker 3: was always either too much or not enough. Oh, gals,

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Speaker 3: I believe a lot of us can relate.

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Speaker 2: That's the line of a woman that I understand.

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Speaker 3: Too much not enough. So she was wildly talented. Her

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Speaker 3: opera called The Wreckers, which like greatest opera name ever,

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Speaker 3: The Wreckers, It was later referred to as the most

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Speaker 3: important English opera of the time.

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Speaker 2: I've never heard of it.

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Speaker 3: Me neither, and her works have been and continue to

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Speaker 3: be performed around the world to much acclaim.

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Speaker 2: About to check her out, Dame smythe She was.

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Speaker 3: An outsider, a firebrand. She was once engaged to Asker

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Speaker 3: Wilde's brother and at the.

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Speaker 2: Age of seven, Bob Wilde.

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Speaker 3: Yeah, Bobby Wilde. I think his name, honestly, I don't

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Speaker 3: have it in front of you. I think it's Willy Wilde.

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Speaker 3: I'm not even kidding you. And at the age of

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Speaker 3: seventy one, she tried to seduce Virginia Wolf. Oh girls,

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Speaker 3: she's all over the p I like it, So back

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Speaker 3: to the suffragist movie. In nineteen ten, Smyth joined the WSPU,

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Speaker 3: the Women's Social and Political Union, and she even quit

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Speaker 3: music for a couple of years in order to join

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Speaker 3: their fight to take up arms, but not before penning

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Speaker 3: a song called the March of the Women, and she

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Speaker 3: took the melody for that from a traditional Italian folk song,

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Speaker 3: so it's very browsing. The song became the official anthem

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Speaker 3: for the WSPU. It was sung on marches, at meetings,

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Speaker 3: and in prisons. Prisons, you say, Elizabeth, tell me more, certainly.

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Speaker 2: Elizabeth, I always want to hear more about prisons.

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Speaker 3: Smith hung out a lot with the WSPU leader, Emmeline Pankhurst,

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Speaker 3: and the.

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Speaker 2: Two of them sounds familiar, painkhursed.

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Speaker 3: Probably go on, And the two of them knew that

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Speaker 3: in order to advance the cause, they were going to

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Speaker 3: have to get tough.

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Speaker 2: Yeah, of course, maybe a little diolent. It makes some demands.

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Speaker 3: Yeah, don't forget this is the era of the anarchists.

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Speaker 2: You might have to throw those things.

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Speaker 3: I think you're gonna have to. So sometimes you know

255
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Speaker 3: you got to tear it down in order to build

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Speaker 3: it up or yes, some such and.

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Speaker 2: Not with the master's tools from what I hear.

258
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Speaker 3: Right, So paint Hurst thought that they should start breaking stuff.

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Speaker 2: But natural, that's an easy, like first step.

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Speaker 3: Let's get a little while right to break. Smythe was like,

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Speaker 3: guess what, I want to break things too.

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Speaker 2: I got a hammer.

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Speaker 3: So Pincurse started telling the suffragettes to throw rocks through

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Speaker 3: the windows of any politician against a woman's right to vote.

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Speaker 3: You see their house, you bust their windows.

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Speaker 2: Break that glass.

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Speaker 3: You see a misogynist who doesn't see a woman as

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Speaker 3: a human being deserving of respect, Well they don't deserve windows.

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Speaker 2: That's that glass thing.

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Speaker 3: Yeah, mess with f so you get bipped.

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Speaker 2: Yeah.

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Speaker 3: So Pinkhurst, she was all about it. Here's one problem.

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Speaker 3: She pulled Smyth aside told her there was a problem.

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Speaker 3: She didn't know how to throw things. Like literally, yeah,

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Speaker 3: She's like, guess what, I can't throw things? So I

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Speaker 3: try underhand it total keen Athleen. She's like, no problem,

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Speaker 3: I totally know how to throw things, and I have

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Speaker 3: a deep desired erect shot. Again, gals, I think some

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Speaker 3: of us can roll wait the rage.

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Speaker 2: It is real surface.

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Speaker 3: So smythe she took pankers out to the forest and

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Speaker 3: they threw rocks at trees for practice. Yeah, they practiced.

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Speaker 2: I love it.

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Speaker 3: And they practiced until old girl was chucking stones like

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Speaker 3: nobody's business. I like to imagine that the two of

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Speaker 3: them got so good that they were embedding stones in

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Speaker 3: the bark of trees and they were like successfully hunting.

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Speaker 2: Deer like straws and ari the wood.

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Speaker 3: They invented modern baseball pitching, and then they invented a

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Speaker 3: digital speed gun to clock their throas that were consistently

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Speaker 3: north of one hundred and twenty five miles an hour.

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Speaker 3: And then they realized how dangerous the technology was for

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Speaker 3: this speed gun that they invented, so they buried the

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Speaker 3: device in those same woods, and they gave a treasure

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Speaker 3: map indicating its location to a young girl. Okay, and

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Speaker 3: that young girl grew up to be none other than

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Speaker 3: Jennifer Garner, who has guarded the secret ever since. And

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Speaker 3: I just like to imagine that Rocks girl, Schubert Rocks

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Speaker 3: Rocks So nineteen twelve, Subert rocks. Oh hey, nineteen twelve,

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Speaker 3: the women of the WSPU. They got together to go

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Speaker 3: on a window smashing campaign. Just lay waste to all

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Speaker 3: the windows of the men in power who didn't think

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Speaker 3: they should vote.

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Speaker 2: One hundred and nine and rocks are cheap.

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Speaker 3: Why you just get them anywhere? One hundred and nine

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00:14:29,200 --> 00:14:32,720
Speaker 3: women got together and they went a shattering. Smyth went

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Speaker 3: to the home of Colonel Lewis Harcourt's Secretary of State

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Speaker 3: for the colonies.

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Speaker 2: Get that glass.

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Speaker 3: Why why did she go after the colonies? Well, he said,

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Speaker 3: if all women were as beautiful and wise as his

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Speaker 3: own wife, they would have already won the right to vote.

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Speaker 2: Wow, it doesn't make sense.

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Speaker 3: On so many leves, right, But they're like, I don't

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Speaker 3: stand for those kind of insults. Attack, yes, and they.

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Speaker 2: Throw mess your face up, buddies.

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Speaker 3: So of course they were arrested and they did two

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Speaker 3: months in Holloway Prison. Nice And it was there that

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Speaker 3: the women found strength and distraction in singing the March

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Speaker 3: of the Woman.

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Speaker 2: I was about to say, they're just sitting there singing

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Speaker 2: and rocket. Yeah.

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Speaker 3: So the conductor, Thomas Beacham, he went to visit Smythe

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Speaker 3: while she was in the clink, and he later recalled

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Speaker 3: watching the suffragettes in the inner courtyard of the prison,

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Speaker 3: quote marching round it and singing lustily their war chant

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Speaker 3: while the composer beaming approbation from an overlooking upper window.

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Speaker 3: Beat time and almost bachic frenzy with a toothbrush. She's

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Speaker 3: like conducting him with a toothbrush, Like, yeah, ladies. Anyway,

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Speaker 3: So Smith, like I said, she did get her recognition.

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Speaker 2: She imagine that on day seventeen of singing that song,

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Speaker 2: were we still doing this walking out a circle in

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Speaker 2: the song? I don't even hear the.

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Speaker 3: Words any other one. You can like mess.

335
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Speaker 2: Around, try just something else to mix up the meter.

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Speaker 3: So, like I said, she became a Dame Commander of

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00:15:53,800 --> 00:15:57,000
Speaker 3: the Order of the British Empire debat eight Whoa nineteen

338
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Speaker 3: twenty two. She was also awarded honorary doctorates in music

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Speaker 3: from the University of Durham and Oxford. Yeah. So. She

340
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Speaker 3: died in nineteen forty four at the age of eighty six.

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Speaker 3: A life well lived. Let's take a break. When we

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Speaker 3: come back, I'll have more classical music high jinks for

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Speaker 3: you night.

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Speaker 2: So I don't make a rock pole Schubert.

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Speaker 3: What's up, Sarin, Your name is Saren, Sir Michael Kemp Tippett,

346
00:16:44,920 --> 00:16:46,480
Speaker 3: that's not your name, No, it is not.

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Speaker 2: Where do you think he's from Albania?

348
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Speaker 3: Yeah, of course he was an English composer. Was born

349
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Speaker 3: in nineteen oh five. They made him a night in

350
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Speaker 3: nineteen sixties.

351
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Speaker 2: Oh, they gave him the sword.

352
00:16:57,440 --> 00:17:00,240
Speaker 3: Yeah, and from that moment forward he was four to

353
00:17:00,280 --> 00:17:04,159
Speaker 3: wear a chain mail suit, effectively ruining his career since

354
00:17:04,200 --> 00:17:12,960
Speaker 3: it was both noisy and hot full metal. He came

355
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Speaker 3: from a well off family.

356
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Speaker 2: This guy, I'm guessing he said. He was.

357
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Speaker 3: Pretty much all from his mother's side, and so while

358
00:17:20,320 --> 00:17:23,440
Speaker 3: they were fancy folk, they were also pretty subversive. His

359
00:17:23,440 --> 00:17:25,719
Speaker 3: his mom was big in the suffragist movement, just like

360
00:17:25,840 --> 00:17:30,320
Speaker 3: James Smith. The family also pushed for Irish home rule excellent,

361
00:17:30,400 --> 00:17:33,520
Speaker 3: and they were skeptical of organized religion. So they were

362
00:17:33,560 --> 00:17:34,800
Speaker 3: not like their peers.

363
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Speaker 2: Yeah, they were very out of step sometimes, tipp It.

364
00:17:38,680 --> 00:17:42,080
Speaker 3: He created an anti war masterpiece, A Child of Our Time,

365
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Speaker 3: rub this is your favorite song, right? A Child of

366
00:17:46,119 --> 00:17:49,400
Speaker 3: our time the time, Sir tipp It. He was so

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00:17:49,480 --> 00:17:51,679
Speaker 3: horrified by the start of World War Two that he

368
00:17:51,720 --> 00:17:56,280
Speaker 3: started writing this oratorio. Newsweek said it was quote something

369
00:17:56,440 --> 00:17:59,160
Speaker 3: Handel might have written had he lived in the age

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Speaker 3: of Auschwitz.

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00:18:00,600 --> 00:18:00,879
Speaker 2: Huh.

372
00:18:00,960 --> 00:18:03,959
Speaker 3: Yeah. So the oratorio, it's about the events leading up

373
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Speaker 3: to Krystal Knock, a violent, deadly, horrific, coordinated attack on

374
00:18:08,359 --> 00:18:12,000
Speaker 3: Jewish citizens in Germany in nineteen thirty eight. So it

375
00:18:12,080 --> 00:18:17,000
Speaker 3: has a three part structure based on Hondel's Messiah. But

376
00:18:17,040 --> 00:18:20,320
Speaker 3: then he used Negro spirituals in place of the traditional

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00:18:20,480 --> 00:18:24,080
Speaker 3: corals of oratorios, so kind of mixed it all up.

378
00:18:24,960 --> 00:18:28,080
Speaker 3: So Tippett was heartbroken over the inaction of the Allies

379
00:18:28,119 --> 00:18:31,840
Speaker 3: in nineteen thirty eight when they just left Jewish refugees stranded.

380
00:18:32,160 --> 00:18:34,520
Speaker 3: He said, quote, I came to the conclusion that there

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00:18:34,560 --> 00:18:37,720
Speaker 3: was some kind of terrible mythology involved, that people were

382
00:18:37,760 --> 00:18:41,600
Speaker 3: only willing to release their compassion in a war. So

383
00:18:42,040 --> 00:18:45,000
Speaker 3: he wrote his opus. But that wasn't all. He was

384
00:18:45,160 --> 00:18:50,240
Speaker 3: a conscientious objector and a staunch pacifist, a very unpopular

385
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Speaker 3: position in England.

386
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Speaker 2: Especially during the warriors.

387
00:18:52,880 --> 00:18:56,800
Speaker 3: Yeah, and that's what we're talking about. Yeah, So orchestras

388
00:18:56,920 --> 00:18:59,879
Speaker 3: they disbanded during the war, cities are being bombed, re

389
00:19:00,080 --> 00:19:03,080
Speaker 3: sources are you know, needed to put towards the war efforts. Sadly,

390
00:19:03,359 --> 00:19:05,200
Speaker 3: young men or some of those resources.

391
00:19:05,280 --> 00:19:07,359
Speaker 2: We need that clarinet read for the war effort.

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Speaker 3: Right, So they're fighting a noble cause, to be sure,

393
00:19:09,600 --> 00:19:13,200
Speaker 3: But sir Tippett wasn't with it. Lucky for him, Morley

394
00:19:13,240 --> 00:19:16,560
Speaker 3: College in London was hiring in the middle of the war.

395
00:19:17,160 --> 00:19:19,639
Speaker 3: He got the job of director of music there in

396
00:19:19,720 --> 00:19:23,080
Speaker 3: nineteen forty Wow, which I just can't get my head around.

397
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Speaker 2: We need to keep the spirits of.

398
00:19:24,760 --> 00:19:27,000
Speaker 3: Its facilities had been like pretty much bombed out.

399
00:19:27,040 --> 00:19:29,320
Speaker 2: Are the kids going to college in class?

400
00:19:29,440 --> 00:19:34,480
Speaker 3: I guess between the roads, I don't know. Tippet he

401
00:19:34,560 --> 00:19:37,000
Speaker 3: wasn't dissuaded by the fact that the buildings were gone.

402
00:19:37,440 --> 00:19:40,040
Speaker 3: He wanted to bring back music to the shell of

403
00:19:40,080 --> 00:19:43,240
Speaker 3: a campus, bring music back to the people. So he

404
00:19:43,400 --> 00:19:45,600
Speaker 3: used whatever he could to keep the programs running, and

405
00:19:45,640 --> 00:19:47,800
Speaker 3: in the meantime he finished his work A Child of

406
00:19:47,800 --> 00:19:50,040
Speaker 3: our Time, but there wasn't any place for him to

407
00:19:50,080 --> 00:19:52,960
Speaker 3: perform it. His work had somehow gotten him out of

408
00:19:53,000 --> 00:19:55,440
Speaker 3: military service thus far, but that luck ran out in

409
00:19:55,520 --> 00:19:59,199
Speaker 3: nineteen forty three. So he'd been fighting the draft for years,

410
00:19:59,320 --> 00:20:02,159
Speaker 3: multiple here and panels and appeals, but in June of

411
00:20:02,160 --> 00:20:05,520
Speaker 3: forty three that he was caught and sent off to

412
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Speaker 3: His Majesty's prison Wormwood Scrubs.

413
00:20:09,000 --> 00:20:10,000
Speaker 2: Oh wow, that's the.

414
00:20:09,920 --> 00:20:14,320
Speaker 3: Best prison name. Prison name, His Majesty's prison, Wormwood Scrubs.

415
00:20:14,440 --> 00:20:17,000
Speaker 2: Is it weird of me to be surprised that the

416
00:20:17,040 --> 00:20:20,480
Speaker 2: British do not honor the conscientious objector and that Americans do?

417
00:20:20,680 --> 00:20:22,520
Speaker 2: Like it just kind of surprises me that they don't

418
00:20:22,560 --> 00:20:23,800
Speaker 2: have that same tradition that we do.

419
00:20:24,000 --> 00:20:26,240
Speaker 3: I don't know, man, at that point, like I know, they're.

420
00:20:26,040 --> 00:20:29,919
Speaker 2: Not really they're like seeing on giving our conscienti's objectives,

421
00:20:29,920 --> 00:20:31,800
Speaker 2: not like something that's easy to get. But in fact

422
00:20:31,840 --> 00:20:33,920
Speaker 2: it sounds easier for an American than a brit I

423
00:20:33,920 --> 00:20:34,240
Speaker 2: don't know.

424
00:20:34,400 --> 00:20:38,680
Speaker 3: I guess yeah. He he did two months in Wormwood Scrubs,

425
00:20:38,840 --> 00:20:41,440
Speaker 3: Oh rough, rough, and he didn't have a very good

426
00:20:41,520 --> 00:20:44,399
Speaker 3: run for a while after that. In fifty two, he

427
00:20:44,480 --> 00:20:46,920
Speaker 3: finished what he thought would be his crowning glory, an

428
00:20:46,920 --> 00:20:51,280
Speaker 3: opera called The Midsummer Marriage. Critics saw no glory in this.

429
00:20:51,400 --> 00:20:53,800
Speaker 3: They said his libretto was quote one of the worst

430
00:20:53,920 --> 00:20:56,240
Speaker 3: in the three hundred and fifty year history of opera.

431
00:20:56,440 --> 00:20:59,480
Speaker 2: It was flat, uninspired and made you miss silence. That's harsh,

432
00:21:00,160 --> 00:21:00,640
Speaker 2: real bad.

433
00:21:00,800 --> 00:21:05,879
Speaker 3: In fifty three he debuted his work Fantasia Concertante on

434
00:21:05,960 --> 00:21:08,280
Speaker 3: a theme of Corelli, and that was probably like one

435
00:21:08,280 --> 00:21:09,440
Speaker 3: of his most popular.

436
00:21:09,119 --> 00:21:10,680
Speaker 2: But critics fun Yeah.

437
00:21:10,760 --> 00:21:13,919
Speaker 3: Critics complained about the quote the excessive complexity of the

438
00:21:13,960 --> 00:21:16,960
Speaker 3: contrapuntial writing. There was so much going on that the

439
00:21:17,000 --> 00:21:20,680
Speaker 3: perplexed ear knew not where to turn or fasten itself.

440
00:21:20,480 --> 00:21:21,800
Speaker 2: Or in other words, too many notes.

441
00:21:21,880 --> 00:21:22,080
Speaker 4: Yeah.

442
00:21:23,040 --> 00:21:26,480
Speaker 3: He became known as a quote difficult composer, and some

443
00:21:26,560 --> 00:21:29,560
Speaker 3: said his music was quote amateurish and poorly prepared.

444
00:21:29,640 --> 00:21:31,040
Speaker 2: They say that about my music.

445
00:21:31,240 --> 00:21:33,920
Speaker 3: He had I Feel for You Brother the Piano Concerto

446
00:21:34,000 --> 00:21:36,879
Speaker 3: in nineteen fifty five, and it was declared unplayable by

447
00:21:36,920 --> 00:21:41,480
Speaker 3: its scheduled soloist. Why just add one after another? This

448
00:21:41,520 --> 00:21:47,720
Speaker 3: guy's on, he's done time people. He did though he

449
00:21:47,800 --> 00:21:50,879
Speaker 3: lived to be ninety three. Yet another well lived.

450
00:21:51,280 --> 00:21:51,480
Speaker 2: Yeah.

451
00:21:51,480 --> 00:21:53,359
Speaker 3: I mean he kind of corrected the ship after a

452
00:21:53,400 --> 00:21:59,400
Speaker 3: while there. So we had some you know, mediocre who

453
00:21:59,440 --> 00:22:02,879
Speaker 3: managed to the ship. But what about someone awesome?

454
00:22:03,080 --> 00:22:04,199
Speaker 2: Oh yeah, lay it on me.

455
00:22:04,440 --> 00:22:08,800
Speaker 3: Johann Sebastian Bach. Yeah, named after the lead singer of

456
00:22:08,840 --> 00:22:12,840
Speaker 3: the band Schedule. So for those not in the know.

457
00:22:13,560 --> 00:22:16,280
Speaker 3: He was a German composer and musician born in sixteen

458
00:22:16,359 --> 00:22:19,640
Speaker 3: eighty five. We are quantum leaping all over the timeline.

459
00:22:19,680 --> 00:22:20,600
Speaker 2: I love that, you know me.

460
00:22:20,720 --> 00:22:23,640
Speaker 3: I want to watch the new Quantum Leap show no dud,

461
00:22:23,840 --> 00:22:26,119
Speaker 3: but I don't know if it'll evolve into a hate watch.

462
00:22:26,560 --> 00:22:30,000
Speaker 3: Because I saw one ad where dude lands somewhere and says,

463
00:22:30,080 --> 00:22:34,080
Speaker 3: I don't think we're in Kansas anymore. I wanted to

464
00:22:34,080 --> 00:22:35,119
Speaker 3: stick a pencil in my ear.

465
00:22:35,280 --> 00:22:36,760
Speaker 2: I'm just going to go right on the line with

466
00:22:36,840 --> 00:22:37,240
Speaker 2: that one.

467
00:22:37,280 --> 00:22:37,680
Speaker 3: Anyway.

468
00:22:37,800 --> 00:22:40,320
Speaker 2: Boss, Wait, you're gonna not watch TV all this time

469
00:22:40,359 --> 00:22:41,560
Speaker 2: and the first thing you just have to watch.

470
00:22:42,320 --> 00:22:44,360
Speaker 3: You never watched a TV show in my life. I'm

471
00:22:44,359 --> 00:22:46,400
Speaker 3: not sure how I saw this ad. Yeah, I think

472
00:22:46,400 --> 00:22:48,560
Speaker 3: it was trans transmitted to my brain.

473
00:22:48,680 --> 00:22:51,000
Speaker 2: It's probably like on your social media Somewhereyson.

474
00:22:51,080 --> 00:22:53,359
Speaker 3: I'm not online. You're wow, I don't have it.

475
00:22:53,400 --> 00:22:55,600
Speaker 2: Maybe it was projected out of the grass you're always touching.

476
00:22:55,640 --> 00:22:57,960
Speaker 3: I don't have a computer. I just live on the lawn.

477
00:22:59,320 --> 00:23:04,840
Speaker 3: Bach So January seventeen oh three Mack JSB. He got

478
00:23:04,880 --> 00:23:08,600
Speaker 3: a job. Oh job. He was fresh out of music

479
00:23:08,600 --> 00:23:11,520
Speaker 3: school seventeen oh three, ready to take the world by storm.

480
00:23:11,960 --> 00:23:15,120
Speaker 3: He was appointed court musician in the chapel of Duke

481
00:23:15,359 --> 00:23:18,800
Speaker 3: Johann Earnst the Third in weymar.

482
00:23:19,160 --> 00:23:22,520
Speaker 2: Ah Inymar that's republished, Sure it is.

483
00:23:23,400 --> 00:23:25,880
Speaker 3: This wasn't as rat as it sounds, though he had

484
00:23:25,920 --> 00:23:28,800
Speaker 3: lots of like weird odd chores and jobs too. It

485
00:23:28,840 --> 00:23:31,919
Speaker 3: was like light on the music and heavy on the

486
00:23:31,960 --> 00:23:35,840
Speaker 3: other other duties as assigned. But people heard his tinklings

487
00:23:35,880 --> 00:23:37,960
Speaker 3: on the ivories and they were blown away. This guy

488
00:23:38,119 --> 00:23:40,000
Speaker 3: shreds is what they were saying.

489
00:23:40,119 --> 00:23:41,040
Speaker 2: They were like, who is this?

490
00:23:41,160 --> 00:23:43,600
Speaker 3: I have a transcription that I found the German.

491
00:23:43,760 --> 00:23:45,600
Speaker 2: This guy sounds better than the original German.

492
00:23:45,840 --> 00:23:51,160
Speaker 3: A kliin of shreds, very with the consonants constant. Because

493
00:23:51,200 --> 00:23:53,720
Speaker 3: of this, he became the organist at the new church,

494
00:23:53,840 --> 00:23:56,919
Speaker 3: and this involved teaching too, So that gig came with

495
00:23:57,000 --> 00:23:59,359
Speaker 3: a fat paycheck and a giant organ.

496
00:23:59,520 --> 00:24:01,200
Speaker 2: Oh this is what he starts writing all of his stuff.

497
00:24:01,280 --> 00:24:02,080
Speaker 2: That's the big organ.

498
00:24:02,240 --> 00:24:02,400
Speaker 4: Yeah.

499
00:24:02,480 --> 00:24:04,080
Speaker 3: Yeah, Bach had a giant organ.

500
00:24:04,119 --> 00:24:06,120
Speaker 2: I heard you talk about.

501
00:24:07,160 --> 00:24:08,640
Speaker 3: He could do much more with it.

502
00:24:09,080 --> 00:24:10,400
Speaker 2: So you going to keep coming?

503
00:24:10,480 --> 00:24:15,760
Speaker 3: No, I'm stopped back. Wasn't always feeling it, though, he

504
00:24:15,840 --> 00:24:19,960
Speaker 3: thought the student choir was bogus, untalented, like they didn't

505
00:24:20,000 --> 00:24:23,080
Speaker 3: reach his level. There was one guy, a guy named

506
00:24:23,800 --> 00:24:29,760
Speaker 3: gazer Bach, and he called gaser boxer box sure, let's

507
00:24:29,760 --> 00:24:33,880
Speaker 3: say that. Uh okay, here's what Bach called him though,

508
00:24:34,520 --> 00:24:39,600
Speaker 3: zipple fogotist, and that translates, apparently in that time to

509
00:24:40,000 --> 00:24:44,679
Speaker 3: weenie bassoon player, which is the sickest of burns.

510
00:24:45,800 --> 00:24:46,080
Speaker 2: Burn.

511
00:24:47,000 --> 00:24:49,200
Speaker 3: So the wienie bassoon player, he wasn't going.

512
00:24:49,200 --> 00:24:50,359
Speaker 2: To take this, I hope not.

513
00:24:50,480 --> 00:24:53,160
Speaker 3: He went after back with a stick. Oh he didn't

514
00:24:53,160 --> 00:24:55,359
Speaker 3: come back with another bad No, he didn't want to

515
00:24:55,400 --> 00:24:59,359
Speaker 3: like Perry back and forth likes like, oh yeah, how

516
00:24:59,359 --> 00:25:01,639
Speaker 3: about this so upside.

517
00:25:01,160 --> 00:25:03,120
Speaker 2: Your head, side your head?

518
00:25:03,359 --> 00:25:05,920
Speaker 3: So Bach like he gets, you know, he gets chased

519
00:25:05,920 --> 00:25:08,560
Speaker 3: with a stick. Bach asked to speak to the manager,

520
00:25:08,600 --> 00:25:08,880
Speaker 3: and the.

521
00:25:08,840 --> 00:25:09,639
Speaker 2: Cops were called.

522
00:25:10,200 --> 00:25:13,399
Speaker 3: So they gave the weenie bassoon player a metaphorical slap

523
00:25:13,440 --> 00:25:15,280
Speaker 3: on the wrist. But then they blamed the victim and

524
00:25:15,320 --> 00:25:19,360
Speaker 3: they told back the coolest jets and be kinder real, like, honestly,

525
00:25:19,520 --> 00:25:22,800
Speaker 3: this wouldn't happen if you wouldn't call people names. Yeah,

526
00:25:22,840 --> 00:25:25,159
Speaker 3: So seventeen oh six, Bach was like, whatever, I got

527
00:25:25,200 --> 00:25:27,199
Speaker 3: an even better job. He gets a job as the

528
00:25:27,320 --> 00:25:31,840
Speaker 3: organist at the Blasiest Church in Muhlhausen, and he was

529
00:25:31,880 --> 00:25:35,480
Speaker 3: now making even more money, had a better setup, had

530
00:25:35,480 --> 00:25:38,040
Speaker 3: a he had a big organ, but he also had

531
00:25:38,040 --> 00:25:42,239
Speaker 3: a better choir. So he left that job though in

532
00:25:42,280 --> 00:25:48,120
Speaker 3: seventeen oh eight and went fast through. Yeah, the millennial

533
00:25:48,200 --> 00:25:48,720
Speaker 3: of seventeen.

534
00:25:48,920 --> 00:25:50,520
Speaker 2: I'm just trying to work on my media.

535
00:25:50,760 --> 00:25:51,200
Speaker 3: I like that.

536
00:25:51,200 --> 00:25:51,600
Speaker 2: That's good.

537
00:25:51,640 --> 00:25:54,119
Speaker 3: I wouldn't know because I'm not online. So Bach he

538
00:25:54,240 --> 00:25:57,679
Speaker 3: goes back to the Viymar. This time is back. He

539
00:25:57,880 --> 00:26:01,200
Speaker 3: wasn't the errand boy. He was the direct director of music.

540
00:26:02,000 --> 00:26:04,800
Speaker 3: No more student musicians. Now he was working with pros.

541
00:26:05,320 --> 00:26:06,159
Speaker 2: Yes, it was.

542
00:26:06,920 --> 00:26:10,080
Speaker 3: It was then that his composing really kicked into overdrive.

543
00:26:10,440 --> 00:26:13,080
Speaker 3: So he's getting better and better. He's surrounded by all

544
00:26:13,119 --> 00:26:16,960
Speaker 3: that talent. He transcribed the works of masters like Vivaldi

545
00:26:17,200 --> 00:26:20,000
Speaker 3: and then incorporated their styles into his. So in the

546
00:26:20,040 --> 00:26:24,600
Speaker 3: spring of seventeen fourteen, he was promoted to concert meis there.

547
00:26:24,800 --> 00:26:26,920
Speaker 3: Oh yeah, that means a concert master.

548
00:26:27,080 --> 00:26:30,200
Speaker 2: Yeah, he's the master baby. It's like a puppet meister,

549
00:26:30,320 --> 00:26:31,719
Speaker 2: but for concerts.

550
00:26:32,320 --> 00:26:36,199
Speaker 3: But his comfort there didn't last. In seventeen seventeen, he

551
00:26:36,280 --> 00:26:38,480
Speaker 3: asked the Duke of Viimar to cut him loose from

552
00:26:38,480 --> 00:26:43,320
Speaker 3: his contract. He wanted the job of kappel Meister. Yeah,

553
00:26:43,480 --> 00:26:48,240
Speaker 3: at the court of Prince Leopold. Now Zarin, do you

554
00:26:48,280 --> 00:26:50,760
Speaker 3: think the Duke of Weimar would accept such a request?

555
00:26:51,880 --> 00:26:56,840
Speaker 2: Done? What I know? But for three months scared.

556
00:26:58,200 --> 00:27:01,399
Speaker 3: I scared myself. I think we're all scared them. But

557
00:27:01,440 --> 00:27:05,600
Speaker 3: for three months Bach continued to nag him, please please, sir,

558
00:27:06,119 --> 00:27:08,480
Speaker 3: I beg of you and coming with tears in my eyes.

559
00:27:09,040 --> 00:27:10,879
Speaker 3: So the Duke was like, if I can't have you,

560
00:27:11,000 --> 00:27:16,479
Speaker 3: nobody can. Which hello red flag. The Duke put him

561
00:27:16,520 --> 00:27:21,320
Speaker 3: in prison, so per the Weimar Court Secretary's minutes. On

562
00:27:21,480 --> 00:27:27,440
Speaker 3: six November seventeen seventeen, Bach, till now concertmeister and half organist,

563
00:27:28,200 --> 00:27:31,160
Speaker 3: was put under arrest in the justice room for obstinately

564
00:27:31,200 --> 00:27:33,080
Speaker 3: demanding his instant dismissal.

565
00:27:33,560 --> 00:27:36,200
Speaker 2: So he asked, like, can I quit? They're like, yeah,

566
00:27:36,240 --> 00:27:37,719
Speaker 2: you can stop doing that, but we got a new

567
00:27:37,800 --> 00:27:38,879
Speaker 2: job for you. Prison.

568
00:27:41,280 --> 00:27:43,360
Speaker 3: It's like no worries though Bach. You know, he could

569
00:27:43,400 --> 00:27:46,600
Speaker 3: keep himself busy. Some men, you know, they go to

570
00:27:46,600 --> 00:27:49,560
Speaker 3: prison and they while away the hours in prison making

571
00:27:49,840 --> 00:27:50,760
Speaker 3: wine in the toilet.

572
00:27:50,880 --> 00:27:52,840
Speaker 2: Yeah, are bigger muscles, right, And.

573
00:27:52,760 --> 00:27:56,640
Speaker 3: Some join gangs and participate in violent racial segregation, meaning

574
00:27:56,680 --> 00:27:59,800
Speaker 3: we know, right books, Oh, isn't that the truth? Some

575
00:27:59,840 --> 00:28:02,360
Speaker 3: of them lure disturbed ladies into being their pen pal.

576
00:28:02,560 --> 00:28:03,360
Speaker 2: This is true.

577
00:28:03,680 --> 00:28:07,160
Speaker 3: Some start podcasts that eventually help them get their sentence commuted.

578
00:28:07,240 --> 00:28:08,080
Speaker 2: That's how my mom met my.

579
00:28:08,400 --> 00:28:10,560
Speaker 3: That's a shout out to ear Hustle podcast in erl

580
00:28:10,600 --> 00:28:10,960
Speaker 3: on Woods.

581
00:28:11,000 --> 00:28:12,000
Speaker 2: That actually is a good story.

582
00:28:12,160 --> 00:28:16,679
Speaker 3: So some do that. In seventeen hundreds prison Bach wrote

583
00:28:16,680 --> 00:28:20,240
Speaker 3: a book of keyboard exercises called the orgelbuchn oh Waiting.

584
00:28:20,280 --> 00:28:22,639
Speaker 2: In fact, the one that people used. They kept using it.

585
00:28:22,640 --> 00:28:23,400
Speaker 3: It's a prison book.

586
00:28:23,560 --> 00:28:24,840
Speaker 2: Yep, so good it is.

587
00:28:25,200 --> 00:28:27,200
Speaker 3: So he got out on December second.

588
00:28:27,280 --> 00:28:28,200
Speaker 2: Toilet paper.

589
00:28:29,760 --> 00:28:33,080
Speaker 3: Onion skins. He got out on December second, seventeen seventeen.

590
00:28:34,040 --> 00:28:38,480
Speaker 3: Per the Weimar Court secretary quote. On November sixth, the

591
00:28:38,560 --> 00:28:41,840
Speaker 3: concertmaster and court organist Bach was arrested and held at

592
00:28:41,840 --> 00:28:45,200
Speaker 3: the County Magistrate's House of detention for obstinate behavior and

593
00:28:45,280 --> 00:28:48,840
Speaker 3: forcing the question of his dismissal. Finally, on December second,

594
00:28:49,120 --> 00:28:52,000
Speaker 3: he was informed by the court secretary of his unfavorable

595
00:28:52,040 --> 00:28:55,800
Speaker 3: discharge and simultaneously freed from his arrest. So they're like,

596
00:28:55,840 --> 00:28:59,080
Speaker 3: we've arrested you for trying to quit. We're letting you out,

597
00:28:59,120 --> 00:28:59,920
Speaker 3: but ps, you'r fire.

598
00:29:01,960 --> 00:29:04,720
Speaker 2: So you get what you want, But we also got

599
00:29:04,720 --> 00:29:05,280
Speaker 2: what we want.

600
00:29:05,360 --> 00:29:08,400
Speaker 3: Yes, now, fun facts. I don't know if you're aware

601
00:29:08,440 --> 00:29:11,800
Speaker 3: of this, but bach He went on to become one

602
00:29:11,800 --> 00:29:15,520
Speaker 3: of the greatest composers in the history of Western music. WHOA,

603
00:29:16,960 --> 00:29:18,680
Speaker 3: I feel bad for people who are listening to this

604
00:29:18,760 --> 00:29:23,440
Speaker 3: on earphones are just like, yeah, but what does this

605
00:29:23,520 --> 00:29:26,000
Speaker 3: tell us, Daren? It tells us that music programs in

606
00:29:26,040 --> 00:29:29,440
Speaker 3: the prison reduce recidivism. It works.

607
00:29:29,600 --> 00:29:31,560
Speaker 2: We should bring music inside, Zaren.

608
00:29:32,000 --> 00:29:34,160
Speaker 3: Close your ah my god, you keep sneaking. I know,

609
00:29:34,200 --> 00:29:36,040
Speaker 3: and I'm kidding. This one is a false alarm too.

610
00:29:36,120 --> 00:29:38,680
Speaker 3: Let's break through some ads when we come back. I

611
00:29:38,720 --> 00:30:03,080
Speaker 3: got a real doozy for you. Welcome, Elizabeth, Hello, Elizabeth Schuberty,

612
00:30:03,080 --> 00:30:07,120
Speaker 3: Elizabeth there, Elizabeth, Elizabeth, can I Elizabeth?

613
00:30:07,960 --> 00:30:08,360
Speaker 2: Go ahead?

614
00:30:09,080 --> 00:30:14,840
Speaker 3: We've had arrests for political vandalism, draft dodging, nerd partying,

615
00:30:15,400 --> 00:30:17,560
Speaker 3: trying to quit a job. I love all of them. Yes,

616
00:30:18,160 --> 00:30:19,040
Speaker 3: I have two more for you.

617
00:30:19,160 --> 00:30:20,800
Speaker 2: I relate to almost all of them so far.

618
00:30:20,960 --> 00:30:24,240
Speaker 3: Yeah, me too, sure related, So two more?

619
00:30:24,360 --> 00:30:24,880
Speaker 2: Yes? Please.

620
00:30:25,120 --> 00:30:28,920
Speaker 3: There was a man named Ivor Novello. I know you

621
00:30:28,960 --> 00:30:30,240
Speaker 3: love the name Ivor I.

622
00:30:30,240 --> 00:30:32,680
Speaker 2: Do, yes, so it's up there with drogone.

623
00:30:32,400 --> 00:30:37,200
Speaker 3: Yes exactly. He was a Welsh actor, composer, dramatist and singer.

624
00:30:37,240 --> 00:30:40,880
Speaker 3: Born in eighteen ninety three. He wrote the British patriotic

625
00:30:40,920 --> 00:30:44,520
Speaker 3: song Keep the Home Fires Burning in nineteen fourteen, during

626
00:30:44,520 --> 00:30:47,960
Speaker 3: the beginning leading up to World War One. The song

627
00:30:48,360 --> 00:30:50,120
Speaker 3: yeah it was this, you know, the song was in

628
00:30:50,160 --> 00:30:52,600
Speaker 3: that movie Johnny Got His Gun where the characters are

629
00:30:52,600 --> 00:30:55,520
Speaker 3: celebrating a Christmas party, and that's the clip from the

630
00:30:55,560 --> 00:30:58,680
Speaker 3: movie later used at the end of Metallica's music video.

631
00:30:58,480 --> 00:31:01,400
Speaker 2: One There you go. Bring it full circle, you know.

632
00:31:01,720 --> 00:31:03,120
Speaker 3: Full circle, circle of life.

633
00:31:03,920 --> 00:31:05,000
Speaker 2: So i've or.

634
00:31:05,680 --> 00:31:09,120
Speaker 3: He starred in two silent films, The Lodger and Downhill,

635
00:31:09,280 --> 00:31:13,719
Speaker 3: directed by Alfred Hitchcock. He wrote symphonies, he wrote musicals.

636
00:31:13,840 --> 00:31:19,600
Speaker 3: He intimidated Noel Coward. Really yeah Coward said what he

637
00:31:19,640 --> 00:31:22,840
Speaker 3: said quote. I just felt suddenly conscious of the long

638
00:31:22,920 --> 00:31:24,880
Speaker 3: way I had to go before I could break into

639
00:31:24,920 --> 00:31:27,840
Speaker 3: the magic atmosphere in which he moved and breathed with

640
00:31:27,880 --> 00:31:29,000
Speaker 3: such nonchalance.

641
00:31:29,720 --> 00:31:32,360
Speaker 2: Really no Coward wanted to be him, uh huh.

642
00:31:32,400 --> 00:31:34,920
Speaker 3: He was once called the prettiest man in England.

643
00:31:35,160 --> 00:31:37,200
Speaker 2: Oh wow, she wanted to be him and be with him.

644
00:31:37,320 --> 00:31:39,680
Speaker 3: Yeah, a little bit of both. So of course he

645
00:31:39,800 --> 00:31:43,160
Speaker 3: drove a Rolls Royce naturally. Naturally so during World War Two,

646
00:31:43,400 --> 00:31:48,120
Speaker 3: petrol gas, as we'll say over on here, was rationed. Yes,

647
00:31:48,600 --> 00:31:51,200
Speaker 3: pretty much everything was rationed, even in the years after

648
00:31:51,240 --> 00:31:53,080
Speaker 3: the war, but gas especially.

649
00:31:52,680 --> 00:31:55,600
Speaker 2: For a long time after almost like a ten years

650
00:31:55,640 --> 00:31:58,480
Speaker 2: almost sometimes I fit into fifteen years for some supplies.

651
00:31:58,520 --> 00:32:00,560
Speaker 2: I couldn't believe you when you hear from those like

652
00:32:00,840 --> 00:32:03,840
Speaker 2: sixties eras rock stars like ye, yeah, Keith Richards will

653
00:32:03,840 --> 00:32:05,680
Speaker 2: tell you about his childhood. Yeah, he's like, yeah, we

654
00:32:05,720 --> 00:32:09,200
Speaker 2: got butter and I was fifteen or whatever exactly.

655
00:32:09,120 --> 00:32:13,959
Speaker 3: So there's no gasoline to be found. But uh, you know,

656
00:32:14,080 --> 00:32:20,080
Speaker 3: gas is a commodity, and that gas that's what kept

657
00:32:20,120 --> 00:32:23,080
Speaker 3: the war. That Sir Michael Kemp Tippett was, you know,

658
00:32:23,160 --> 00:32:25,960
Speaker 3: so despised, that's what kept it running. So in order

659
00:32:26,000 --> 00:32:29,360
Speaker 3: to cruise around in his sweet ride, Ivor applied to

660
00:32:29,440 --> 00:32:31,800
Speaker 3: the Regional Transport Commissioner for a permit.

661
00:32:32,640 --> 00:32:34,760
Speaker 2: No dice, buddy, I'm not saying you get that.

662
00:32:34,800 --> 00:32:36,320
Speaker 3: They're like, we got a war going on, what are

663
00:32:36,320 --> 00:32:39,640
Speaker 3: you even about He's like, okay, listen, you need to

664
00:32:39,720 --> 00:32:41,880
Speaker 3: let me have the gas for my car because it

665
00:32:41,920 --> 00:32:44,160
Speaker 3: will boost morale if people see me tootling.

666
00:32:44,880 --> 00:32:47,600
Speaker 2: People see me, they'll feel Goodah, just.

667
00:32:47,520 --> 00:32:49,160
Speaker 3: Come on, like it will make him so happy. Let

668
00:32:49,160 --> 00:32:53,720
Speaker 3: me toot big note is what they said. So there

669
00:32:53,760 --> 00:32:56,440
Speaker 3: he was at some event, whining about not being able

670
00:32:56,480 --> 00:32:59,160
Speaker 3: to gas up his roles and go for spins. A

671
00:32:59,200 --> 00:33:03,560
Speaker 3: fan named Dora Constable overheard him. She walked up to

672
00:33:03,600 --> 00:33:05,720
Speaker 3: him and looked at his pretty little mouth and said,

673
00:33:06,400 --> 00:33:08,040
Speaker 3: I'm going to try and do what I can to

674
00:33:08,040 --> 00:33:11,200
Speaker 3: get your car on the road. And oh, thank you, Dora.

675
00:33:11,400 --> 00:33:13,960
Speaker 3: You're really a deer. Oh no problem, Ivor, that was

676
00:33:13,960 --> 00:33:17,320
Speaker 3: the conversation. Please so, Dora Deer. She worked for the

677
00:33:17,360 --> 00:33:21,480
Speaker 3: Electrical and General Industrial Trust Limited, and she figured that

678
00:33:21,560 --> 00:33:24,840
Speaker 3: she would transfer the car to her company and apply

679
00:33:24,920 --> 00:33:27,760
Speaker 3: in the company's name for permission to drive on matters

680
00:33:27,800 --> 00:33:32,320
Speaker 3: of national importance. Oh like speeding to a gin soapd soire.

681
00:33:32,600 --> 00:33:34,320
Speaker 2: Yes, it's very impart the effort.

682
00:33:34,480 --> 00:33:38,680
Speaker 3: Yes, so, Ivor, here's her plan and is like, that's awesome.

683
00:33:38,960 --> 00:33:41,800
Speaker 3: Count me. In January sixth, nineteen forty four, a day

684
00:33:41,800 --> 00:33:44,880
Speaker 3: that will live in infamy, he transferred his car to

685
00:33:44,920 --> 00:33:48,760
Speaker 3: the company. Dora wrote a letter on the company's letterhead

686
00:33:48,800 --> 00:33:52,720
Speaker 3: and signed it Grace Walton, the company secretary. So much

687
00:33:52,800 --> 00:33:56,600
Speaker 3: forgery and duplicitous action while our boys are over the fighting.

688
00:33:57,880 --> 00:34:02,320
Speaker 2: So the letter, no white poppies for you on white feathers.

689
00:34:02,160 --> 00:34:06,200
Speaker 3: That the Yeah, not for white feathers or the cowardice.

690
00:34:06,240 --> 00:34:08,560
Speaker 2: Yeah, I've seen the four Feathers movie. White Feathers and

691
00:34:08,600 --> 00:34:09,919
Speaker 2: the white poppies.

692
00:34:09,560 --> 00:34:12,239
Speaker 3: For all the soldiers, the red poppies, red poppies. The

693
00:34:12,280 --> 00:34:14,040
Speaker 3: blood spilled in Flanders feelt look.

694
00:34:17,520 --> 00:34:18,440
Speaker 2: Enthusiast.

695
00:34:18,080 --> 00:34:21,880
Speaker 3: The letter said that the car was a Rolls Royce

696
00:34:22,000 --> 00:34:24,160
Speaker 3: and it would only be used for transport. That was

697
00:34:24,280 --> 00:34:27,560
Speaker 3: absolutely you know, essential, he's an essential worker. Of course,

698
00:34:27,680 --> 00:34:29,440
Speaker 3: go bang your pots at seven pm. You got to

699
00:34:29,480 --> 00:34:33,479
Speaker 3: get to So the license was granted March sixth Nora

700
00:34:33,560 --> 00:34:36,880
Speaker 3: took it over to Ivor and he was quote tremendously elated.

701
00:34:37,080 --> 00:34:38,480
Speaker 2: It would be great if she just sent him a

702
00:34:38,480 --> 00:34:40,080
Speaker 2: note thanks for the car and never talked to him.

703
00:34:40,440 --> 00:34:42,879
Speaker 3: Yeah, transferred it over that would be an even better

704
00:34:42,960 --> 00:34:46,640
Speaker 3: ridiculous nor you missed your chance. So he starts cruising

705
00:34:46,640 --> 00:34:50,520
Speaker 3: all over the place. Tutelands he had his like perfectly

706
00:34:50,560 --> 00:34:55,239
Speaker 3: palmated hair, unflappable in the wind, tuxedo, crispcket square, not

707
00:34:55,360 --> 00:34:58,840
Speaker 3: moving totally. Then he got blabah blah ba busted. Dora

708
00:34:59,000 --> 00:35:02,800
Speaker 3: confessed and when this happened, and then when she served

709
00:35:02,800 --> 00:35:05,200
Speaker 3: a summons and she said, I will not go back

710
00:35:05,200 --> 00:35:07,520
Speaker 3: on my statement and shall plead guilty to it all.

711
00:35:08,239 --> 00:35:11,520
Speaker 3: So she's just fallen on the sword. Yeah, she thought

712
00:35:11,520 --> 00:35:13,520
Speaker 3: she'd put herself out there, but then she also thought

713
00:35:13,520 --> 00:35:15,560
Speaker 3: that IVOR would like swoop in and save her.

714
00:35:15,640 --> 00:35:17,759
Speaker 2: So she's like got groupie thinking, Yeah, but.

715
00:35:17,960 --> 00:35:21,840
Speaker 3: Here's the thing. Iv R only saves Ivor of course.

716
00:35:22,200 --> 00:35:25,080
Speaker 2: Yeah, so I are the selfless or way to the selfish.

717
00:35:25,840 --> 00:35:28,759
Speaker 3: When provided with a copy of his statement on the matter,

718
00:35:28,880 --> 00:35:31,520
Speaker 3: Dora said, quote, he is trying to put all the

719
00:35:31,560 --> 00:35:34,800
Speaker 3: blame on me. That is grossly unfair. He was willing

720
00:35:34,840 --> 00:35:36,960
Speaker 3: to do anything crooked so long as he had use

721
00:35:37,000 --> 00:35:40,000
Speaker 3: of the car. Why he knew every move, plan and

722
00:35:40,040 --> 00:35:43,120
Speaker 3: suggestion the whole way through. He agreed to everything and

723
00:35:43,200 --> 00:35:46,240
Speaker 3: knew the company had never used the car. I realized

724
00:35:46,280 --> 00:35:48,040
Speaker 3: that if I could not do something for him with

725
00:35:48,120 --> 00:35:50,680
Speaker 3: regard to the car, I should go far towards losing

726
00:35:50,680 --> 00:35:55,520
Speaker 3: his friendship, which I so deeply valued, Like ma'am, he

727
00:35:55,560 --> 00:35:56,640
Speaker 3: did not deeply value.

728
00:35:56,640 --> 00:35:57,799
Speaker 2: He played your girl.

729
00:35:58,080 --> 00:36:02,440
Speaker 3: So April twenty fourth, nineteen forty I or Novello. He

730
00:36:02,520 --> 00:36:05,600
Speaker 3: went to the court and was sentenced to eight weeks

731
00:36:05,600 --> 00:36:10,880
Speaker 3: in prison. He only served for over misuse of petrol coupons. Wow,

732
00:36:11,600 --> 00:36:14,600
Speaker 3: four weeks he did a month? Yes, apparently though broke

733
00:36:14,640 --> 00:36:17,960
Speaker 3: his spirit and he never recovered from the experience. Huh,

734
00:36:18,000 --> 00:36:20,160
Speaker 3: but I think all boys have gone through much worse.

735
00:36:20,719 --> 00:36:21,440
Speaker 2: Stiff up and limp.

736
00:36:21,520 --> 00:36:25,959
Speaker 3: What Noel Coward, one time admirer than full time hater,

737
00:36:26,080 --> 00:36:29,200
Speaker 3: said quote He's been fighting like a steer to keep

738
00:36:29,239 --> 00:36:31,600
Speaker 3: going as before the war and hasn't done a thing

739
00:36:31,680 --> 00:36:33,160
Speaker 3: for the general effort.

740
00:36:33,680 --> 00:36:37,560
Speaker 2: Not one of his ding's projection is tough. Yeah.

741
00:36:37,640 --> 00:36:40,520
Speaker 3: So then now we're going to wrap it up here. Lastly,

742
00:36:40,640 --> 00:36:41,799
Speaker 3: for you, I have.

743
00:36:41,920 --> 00:36:44,600
Speaker 2: Eric Sadie, Oh not the Eric Sadie.

744
00:36:44,320 --> 00:36:47,879
Speaker 3: French composer and pianist born in eighteen sixty six. Yes,

745
00:36:48,719 --> 00:36:50,239
Speaker 3: I feel like you're going to enjoy this, dude.

746
00:36:50,320 --> 00:36:51,040
Speaker 2: Oh nice.

747
00:36:51,320 --> 00:36:53,000
Speaker 3: He founded his own religion.

748
00:36:52,680 --> 00:36:54,200
Speaker 2: Sadism, called.

749
00:36:55,880 --> 00:37:02,360
Speaker 3: Sorry Igles. Metropolitan doubted his zoo convict to Jesus.

750
00:37:02,239 --> 00:37:05,200
Speaker 2: The Metropolitan Church of Christ, the conductor.

751
00:37:04,800 --> 00:37:09,759
Speaker 3: Yeah, the Church of Art whatever. To this day, he's

752
00:37:09,800 --> 00:37:14,120
Speaker 3: the sole convert. He's the only Yeah.

753
00:37:13,760 --> 00:37:15,600
Speaker 2: I started a church. At least I got one convert.

754
00:37:16,360 --> 00:37:20,280
Speaker 3: He had one love of his life, the painter Suzanne Valadon. Okay,

755
00:37:20,840 --> 00:37:23,480
Speaker 3: they had a five month liaison and then she moved

756
00:37:23,520 --> 00:37:27,600
Speaker 3: away and he was heartbroken and that was it no

757
00:37:27,680 --> 00:37:28,200
Speaker 3: more for him.

758
00:37:28,719 --> 00:37:31,720
Speaker 2: One of them. He would only done with women.

759
00:37:31,800 --> 00:37:33,440
Speaker 3: He would only eat things that were white.

760
00:37:33,960 --> 00:37:36,160
Speaker 2: I live with a girl who did that. I thought

761
00:37:36,160 --> 00:37:38,279
Speaker 2: she was kidding. When I heard my bad was like, yeah,

762
00:37:38,440 --> 00:37:40,840
Speaker 2: she's telling me about Nicole's coming up from LA And

763
00:37:40,840 --> 00:37:42,279
Speaker 2: you know, I'm like, what's he like? Well, if she

764
00:37:42,320 --> 00:37:44,080
Speaker 2: only eats white foods, I'm like, that's the first thing

765
00:37:44,120 --> 00:37:44,960
Speaker 2: you're gonna tell me about this.

766
00:37:45,080 --> 00:37:46,239
Speaker 3: I think that's an important thing.

767
00:37:47,840 --> 00:37:48,240
Speaker 4: Determined.

768
00:37:48,719 --> 00:37:51,840
Speaker 3: He said, quote, my only nourishment consists of food that

769
00:37:51,960 --> 00:37:55,080
Speaker 3: is white. I have a good appetite, but never talk

770
00:37:55,160 --> 00:37:57,400
Speaker 3: when eating for fear of strangling myself.

771
00:37:57,800 --> 00:38:02,000
Speaker 2: Okay, he's all the way crazy. Ohyah, he doesn't want

772
00:38:02,480 --> 00:38:03,040
Speaker 2: Probably my.

773
00:38:03,120 --> 00:38:06,160
Speaker 3: Favorite detail, he carried a hammer on him at all

774
00:38:06,200 --> 00:38:11,480
Speaker 3: times for personal protection. Yeah. So if I had a Hammo,

775
00:38:12,080 --> 00:38:15,000
Speaker 3: I'd beat you in the face with it. In nineteen seventeen,

776
00:38:15,040 --> 00:38:18,879
Speaker 3: Ballet russ commissioned a ballet from him. He gave them

777
00:38:19,200 --> 00:38:22,560
Speaker 3: Parade in Paris, performed at the Tiata di Chatellat.

778
00:38:22,680 --> 00:38:24,840
Speaker 2: So what did the French John Henry do for the Russians?

779
00:38:24,880 --> 00:38:31,840
Speaker 3: Well, he synthesized live music, dance, poetry, fashion, set design

780
00:38:32,000 --> 00:38:32,719
Speaker 3: and visual art.

781
00:38:32,760 --> 00:38:34,799
Speaker 2: He basically in movies pretty much just.

782
00:38:34,920 --> 00:38:38,920
Speaker 3: Poet, writer, filmmaker, all around artist. Jean Carteau did the

783
00:38:38,960 --> 00:38:44,160
Speaker 3: libretto Oh Wow, and Pablo Picasso did the set designs.

784
00:38:44,400 --> 00:38:46,839
Speaker 3: So in the program note, he's good instincts on who

785
00:38:46,840 --> 00:38:51,160
Speaker 3: he hires. He's got great friends. The program note was

786
00:38:51,200 --> 00:38:55,520
Speaker 3: written by Guillaume Appollinaire, whoa said Parade in Paris was

787
00:38:55,600 --> 00:39:00,960
Speaker 3: quote a kind of surrealism. I am butchering today. I

788
00:39:00,960 --> 00:39:05,680
Speaker 3: apologized that he did this three years before surrealism became

789
00:39:05,719 --> 00:39:08,839
Speaker 3: an art movement in Paris, so the term was born there.

790
00:39:10,000 --> 00:39:16,000
Speaker 3: In the program Cocto said, I have heard the cries

791
00:39:16,040 --> 00:39:18,560
Speaker 3: of a bayonet charge in Flanders, but it was nothing

792
00:39:18,600 --> 00:39:22,080
Speaker 3: compared to what happened that night at the chatelat As.

793
00:39:22,120 --> 00:39:25,600
Speaker 3: The ballet ended the mounting anger of the audience boiled

794
00:39:25,680 --> 00:39:32,400
Speaker 3: up into an uproar. Coctau also said that people were

795
00:39:32,480 --> 00:39:38,120
Speaker 3: yelling sins bush, dirty Germans at the company, viewers demand

796
00:39:40,640 --> 00:39:43,439
Speaker 3: Viewers demanded that the people involved in parade be sent

797
00:39:43,480 --> 00:39:47,120
Speaker 3: to the front to fight, and then a fistfight broke out.

798
00:39:48,480 --> 00:39:52,440
Speaker 3: This is what Cocta said. Later, an irate female accosted

799
00:39:52,440 --> 00:39:54,120
Speaker 3: me and tried to put my eyes out with a

800
00:39:54,160 --> 00:39:57,200
Speaker 3: hat pin. And then a man said to his wife quote,

801
00:39:57,239 --> 00:39:59,160
Speaker 3: if I'd known this was going to be so silly,

802
00:39:59,160 --> 00:40:03,759
Speaker 3: I'd have brought the children. This is amazing. So the

803
00:40:03,800 --> 00:40:08,960
Speaker 3: whole thing is incredible. Yeah, I already know that I

804
00:40:09,000 --> 00:40:11,440
Speaker 3: was born at the wrong time and possibly the wrong place,

805
00:40:11,520 --> 00:40:13,279
Speaker 3: But these are the sorts of things that drive him

806
00:40:13,280 --> 00:40:15,160
Speaker 3: home for me because I should have been their Zarran

807
00:40:16,080 --> 00:40:20,680
Speaker 3: should have been there, Sadi and friends. Maybe they didn't

808
00:40:20,680 --> 00:40:22,920
Speaker 3: want to be there after all, because they were then

809
00:40:23,040 --> 00:40:24,680
Speaker 3: charged with cultural anarchy.

810
00:40:25,120 --> 00:40:25,719
Speaker 2: Is that a thing?

811
00:40:25,920 --> 00:40:28,080
Speaker 3: Yeah, they were rested and jailed for eight days.

812
00:40:28,120 --> 00:40:29,960
Speaker 2: They had laws against cultural.

813
00:40:29,960 --> 00:40:34,719
Speaker 3: At the time, so they get busted for cultural anarchy.

814
00:40:36,160 --> 00:40:42,239
Speaker 3: Critic Jean Pueg congratulated Sadie after the event. That was amazing.

815
00:40:42,320 --> 00:40:45,080
Speaker 3: I'm so proud of you. Honey, that's what he said.

816
00:40:45,600 --> 00:40:49,000
Speaker 3: But then his review came out and it was another story.

817
00:40:49,160 --> 00:40:49,919
Speaker 2: It did not sing.

818
00:40:50,080 --> 00:40:50,319
Speaker 4: Yeah.

819
00:40:50,920 --> 00:40:55,920
Speaker 3: Pueg dismissed parade as quote an outrage on French taste,

820
00:40:56,360 --> 00:40:59,960
Speaker 3: and Sadie quote for his lack of wit, skill and inventive.

821
00:41:01,520 --> 00:41:04,640
Speaker 3: So Sadie like he's going to respond to this, he

822
00:41:04,680 --> 00:41:10,600
Speaker 3: has to. Yeah, he started writing Pueg irate and crass postcards.

823
00:41:10,040 --> 00:41:12,440
Speaker 2: Post cards response postcards.

824
00:41:11,880 --> 00:41:15,799
Speaker 3: And since they were postcards that anyone could see, Pueg

825
00:41:16,160 --> 00:41:21,320
Speaker 3: sued Sadie for slander, and on July twelfth, nineteen seventeen,

826
00:41:21,600 --> 00:41:28,239
Speaker 3: they went to court. Zaren close. Oh, I want you

827
00:41:28,280 --> 00:41:32,520
Speaker 3: to picture it. You are a French judge, O la la.

828
00:41:34,320 --> 00:41:38,960
Speaker 3: You are overseeing the case of Jean Puigue versus Eric Sadie.

829
00:41:39,440 --> 00:41:41,799
Speaker 3: These two twits have been going at it and it's

830
00:41:41,840 --> 00:41:44,680
Speaker 3: working your last nerve. You stare out the window and

831
00:41:44,719 --> 00:41:48,799
Speaker 3: you imagine some back playing something lovely. You're lost in

832
00:41:48,840 --> 00:41:52,040
Speaker 3: this reverie until a man clears his throat, how rude.

833
00:41:52,600 --> 00:41:55,560
Speaker 3: It's Pueg's lawyer who now stands and addresses the court.

834
00:41:55,840 --> 00:41:58,680
Speaker 3: In his hand, he has a stack of postcards. If

835
00:41:58,680 --> 00:42:00,880
Speaker 3: it please the court, I would like to read the

836
00:42:00,880 --> 00:42:04,760
Speaker 3: following communications written by Monsieur Eric Sadi to my client,

837
00:42:05,400 --> 00:42:08,960
Speaker 3: go ahead, you tell him. The courtroom falls silent, lawyer.

838
00:42:09,840 --> 00:42:13,080
Speaker 3: Lawyer clears his throat again. Get a cough, drop your bozo,

839
00:42:13,239 --> 00:42:20,359
Speaker 3: you think. Thirty of May nineteen Monkey. Thirtieth of May

840
00:42:20,560 --> 00:42:25,840
Speaker 3: nineteen seventeen to Jean Pueg, Sir and dear friend, what

841
00:42:26,000 --> 00:42:29,040
Speaker 3: I know is that you are an and if I

842
00:42:29,120 --> 00:42:33,960
Speaker 3: dare say so, an unmusical above all, never again offer

843
00:42:34,040 --> 00:42:38,040
Speaker 3: me your dirty hand, Eric Satan. The gallery erupts in

844
00:42:38,160 --> 00:42:42,880
Speaker 3: laughter order order you shout as you bang your gavel. Proceed,

845
00:42:42,960 --> 00:42:47,600
Speaker 3: you say. Third of June nineteen seventeen to Monsieur Jean

846
00:42:47,680 --> 00:42:52,000
Speaker 3: Poueg headflop chief Gords in Turkey. You are not as

847
00:42:52,120 --> 00:42:55,319
Speaker 3: dumb as I thought. Despite your bonehead air and your

848
00:42:55,360 --> 00:42:59,480
Speaker 3: short sightedness, you see things at a great distance, Eric Sadie.

849
00:43:00,800 --> 00:43:05,480
Speaker 3: Small snickers come from the gathered people in the courtroom. Yeah,

850
00:43:05,520 --> 00:43:08,280
Speaker 3: this one isn't as hot as the last. The lawyer

851
00:43:08,360 --> 00:43:10,319
Speaker 3: clears his throat once again and looks you dead in

852
00:43:10,360 --> 00:43:12,520
Speaker 3: the eye. You feel like this one's gonna hurt, This

853
00:43:12,600 --> 00:43:16,400
Speaker 3: one's going to be a heater. Fifth June nineteen seventeen

854
00:43:16,880 --> 00:43:23,920
Speaker 3: to monsieur face Pueg, famous pumpkin and composer for Nitwitz, lousy.

855
00:43:23,960 --> 00:43:27,160
Speaker 3: This is from where I on you with all my force,

856
00:43:27,719 --> 00:43:32,480
Speaker 3: Eric Safi. The gallery goes wild. People are laughing, shouting, whooping.

857
00:43:32,600 --> 00:43:36,960
Speaker 3: You bang your gabble enough order. Phoegg's attorney tells you

858
00:43:37,040 --> 00:43:40,640
Speaker 3: he wants a one year sentence for public defamation. Jean

859
00:43:40,719 --> 00:43:43,799
Speaker 3: Cocteau shoves his chair back and stands and waves his

860
00:43:43,840 --> 00:43:47,000
Speaker 3: cane at the lawyer, yelling urse or at the French equivalent,

861
00:43:47,400 --> 00:43:50,840
Speaker 3: over and over, more chaos. As the cops run in

862
00:43:50,880 --> 00:43:53,560
Speaker 3: and arrest Coctaux. They take him to the back and

863
00:43:53,600 --> 00:43:56,680
Speaker 3: beat him for good measures. Saren, you do not run

864
00:43:56,719 --> 00:44:00,080
Speaker 3: a tight courtroom. That's enough for you. The end oh

865
00:44:00,680 --> 00:44:03,880
Speaker 3: cacto was eventually fined and Sadi was sentenced to a

866
00:44:03,920 --> 00:44:06,880
Speaker 3: week in prison without parole, and then find one hundred

867
00:44:06,920 --> 00:44:10,160
Speaker 3: francs plus one thousand francs in damages to Pueg.

868
00:44:10,680 --> 00:44:12,239
Speaker 2: I like the Picasso was smart enough not to go.

869
00:44:12,719 --> 00:44:14,960
Speaker 3: He's like, I am not touching that at all. So

870
00:44:15,040 --> 00:44:18,320
Speaker 3: Sadie appealed, but the final verdict came out in Puig's favor.

871
00:44:19,160 --> 00:44:23,480
Speaker 3: Princess de Polinac came to Sadie's aid and loaned him

872
00:44:23,520 --> 00:44:26,320
Speaker 3: the funds to cover the fine as well as damages.

873
00:44:27,320 --> 00:44:31,760
Speaker 3: On March fifteenth, nineteen eighteen, his sentence was suspended quote

874
00:44:31,760 --> 00:44:34,160
Speaker 3: on the condition that he showed good conduct and not

875
00:44:34,239 --> 00:44:36,320
Speaker 3: receive any prison sentence for five.

876
00:44:36,200 --> 00:44:39,040
Speaker 2: Years better than going in scent to the front.

877
00:44:39,239 --> 00:44:43,239
Speaker 3: Right, So Sadi maintained good behavior, but he didn't pay

878
00:44:43,239 --> 00:44:45,759
Speaker 3: the damages to Puig. Of course, it looks like he

879
00:44:45,840 --> 00:44:49,279
Speaker 3: just pocketed the cash from the princess, so he wrote

880
00:44:49,320 --> 00:44:52,680
Speaker 3: in October of nineteen eighteen, quote, I have no intention

881
00:44:52,760 --> 00:44:55,480
Speaker 3: of giving one cent to the noble critic who is

882
00:44:55,520 --> 00:44:58,560
Speaker 3: the cause of my judiciary ills, and instead ask for

883
00:44:58,600 --> 00:45:02,400
Speaker 3: permission to use the money for living expenses. And they

884
00:45:02,440 --> 00:45:04,719
Speaker 3: let him do it. They did. They let him do it,

885
00:45:04,760 --> 00:45:08,640
Speaker 3: So man's got to eat. The controversy surrounding the parade

886
00:45:08,680 --> 00:45:12,360
Speaker 3: premiere resulted in a cult following obviously, of course, and

887
00:45:12,400 --> 00:45:14,600
Speaker 3: then turned him into a minor celebrity in the late

888
00:45:14,760 --> 00:45:20,360
Speaker 3: nineteen tens. And thus ends our wild ride through classical

889
00:45:20,440 --> 00:45:21,960
Speaker 3: and groundbreaking composers.

890
00:45:22,239 --> 00:45:23,920
Speaker 2: That was really nice, Thank.

891
00:45:23,760 --> 00:45:26,520
Speaker 3: You, saren Ice. What's your ridiculous takeaway?

892
00:45:26,760 --> 00:45:29,719
Speaker 2: These guys act like my friends like I mean, they're

893
00:45:29,800 --> 00:45:32,680
Speaker 2: just as ridiculous, from Shooter Art all the way down

894
00:45:32,719 --> 00:45:35,080
Speaker 2: to Sadie. I'm like, I could chill with these guys.

895
00:45:35,080 --> 00:45:38,279
Speaker 2: Sound like amazing stories of people I've been with.

896
00:45:38,560 --> 00:45:40,960
Speaker 3: I like them all. I liked every last one of them.

897
00:45:41,080 --> 00:45:43,120
Speaker 2: Those were fun, they didn't involve like hurting a lot

898
00:45:43,120 --> 00:45:45,759
Speaker 2: of people. They didn't really like, you know, con the Queen.

899
00:45:45,880 --> 00:45:47,280
Speaker 3: And some great postcards.

900
00:45:47,400 --> 00:45:49,600
Speaker 2: Great great postcards, great great writing.

901
00:45:49,760 --> 00:45:52,080
Speaker 3: Yes, that's all I have for today. You can find

902
00:45:52,120 --> 00:45:55,319
Speaker 3: us online at ridiculous Crime dot com. We're also at

903
00:45:55,400 --> 00:45:59,799
Speaker 3: Ridiculous Crime on Twitter and Instagram. Don't email Ridiculous Crime

904
00:46:00,040 --> 00:46:03,000
Speaker 3: email dot com. Do do leave it talk back on

905
00:46:03,040 --> 00:46:12,200
Speaker 3: the iHeart app. Then that's it. Ridiculous Crime is hosted

906
00:46:12,200 --> 00:46:15,399
Speaker 3: by Elizabeth Dutton and Zaren Burnett, produced and edited by

907
00:46:15,440 --> 00:46:19,520
Speaker 3: head Flop Dave Cousten. Research is by Chief Gord's and Turkey,

908
00:46:19,560 --> 00:46:23,799
Speaker 3: Marissa Brown and Famous Pumpkin Andrea Song Sharpened Tear. The

909
00:46:23,800 --> 00:46:27,160
Speaker 3: theme song is by composer for Nitwitz Thomas Lee and

910
00:46:27,239 --> 00:46:32,560
Speaker 3: Miss Your Face Travis Dutton. Executive producers are Lousy, Ben

911
00:46:32,600 --> 00:46:36,120
Speaker 3: Bolan and Offerer of The Dirty Hand, Noel.

912
00:46:35,880 --> 00:46:46,640
Speaker 4: Browns Qui say it one more times.

913
00:46:46,880 --> 00:46:51,680
Speaker 1: Cry Ridiculous Crime is a production of iHeartRadio four more podcasts,

914
00:46:51,760 --> 00:46:54,920
Speaker 1: My heart Radio, visit the iHeartRadio app, Apple Podcasts, or

915
00:46:54,920 --> 00:46:56,720
Speaker 1: wherever you listen to your favorite shows.