WEBVTT - Where's the Line Between Cultural Appropriation and Appreciation?

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<v Speaker 1>Welcome to brain Stuff, production of I Heart Radio. Hey

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<v Speaker 1>brain Stuff, Lauren vog Obam. Here, let's talk about the

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<v Speaker 1>complex definitions and pitfalls of cultural appropriation and cultural appreciation.

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<v Speaker 1>In May of twenty nineteen, Nordstrom had to apologize for

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<v Speaker 1>advertising a turban designed by Gucci that they were selling

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<v Speaker 1>for seven nine dollars, which closely resembled sacred turbans worn

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<v Speaker 1>by people of the Seek faith. Simwren Jeet Singh, a

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<v Speaker 1>senior fellow with the New York based Seek Coalition, told

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<v Speaker 1>the Associated Press, we feel that companies are commodifying and

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<v Speaker 1>capitalizing on something that is dear and sacred to people

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<v Speaker 1>around the world. Nordstrom stopped carrying the product, though Gucci

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<v Speaker 1>has not yet responded to the criticism. In February, Gucci

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<v Speaker 1>got in trouble for featuring a black sweater that could

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<v Speaker 1>be pulled over the chin and nose. The sweater had

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<v Speaker 1>to cut out for the mouth, framed by giant red

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<v Speaker 1>lips that called to mind images of black face for

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<v Speaker 1>many people. Gucci ended up removing the offending garment. The

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<v Speaker 1>health food restaurant Sweet Green also recently came under fire

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<v Speaker 1>for using the hip hop lyrics of black artists to

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<v Speaker 1>promote items on their menu in predominantly wealthier, wider neighborhoods.

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<v Speaker 1>The rise of social media has significantly contributed to public

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<v Speaker 1>outcries against what some people see as the exploitation of

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<v Speaker 1>cultures that historically have been marginalized. For instance, Brazilian model

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<v Speaker 1>Alessandra Ambrosio was heavily criticized on Instagram for posting a

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<v Speaker 1>picture of herself wearing a sacred Native American headpiece as

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<v Speaker 1>a fashion item to Coachella Music Festival. Others argue that

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<v Speaker 1>the movement has gone too far and persecuting people who

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<v Speaker 1>mean no harm. So where's the line? On the most

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<v Speaker 1>basic level, cultural appropriation happens when a member of one

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<v Speaker 1>culture uses the products, hair, clothing, customs, et cetera of

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<v Speaker 1>another culture of which they are not a member. This

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<v Speaker 1>in itself is not fundamentally wrong, says philosophy professor Eric Mathis,

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<v Speaker 1>who teaches at Wesley College and has written about cultural appropriation.

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<v Speaker 1>If it was, would all be in deep trouble given

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<v Speaker 1>how interactions between cultures have been going on for millennia.

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<v Speaker 1>So when does it cross the line from something benign

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<v Speaker 1>or even productive to something that causes harm. The reality

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<v Speaker 1>is that there's simply no hard and fast rule. It

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<v Speaker 1>depends on the context, and a few key factors make

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<v Speaker 1>the determination power, intent and outcome. For example, if you're

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<v Speaker 1>a white American and a close friend of yours invites

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<v Speaker 1>you to their traditional Indian wedding, it would likely be

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<v Speaker 1>fine for you to don traditional Indian clothing for the occasion.

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<v Speaker 1>Your intent would be to honor your friend's wish and

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<v Speaker 1>show respect for their traditions. Now say, before the festivities,

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<v Speaker 1>you're running a last minute errand and bump into a

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<v Speaker 1>white American friend They can't get over how great you

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<v Speaker 1>look in your sorry and snap a photo they posted

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<v Speaker 1>on Instagram without mentioning the wedding tag you and add

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<v Speaker 1>a hashtag Bollywood. You and or your friend might be

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<v Speaker 1>in trouble for appropriating or perhaps mocking a culture. In

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<v Speaker 1>this case, the style of dress that in the US

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<v Speaker 1>has historically been marginalized. And let's take it one step

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<v Speaker 1>for there, say the sorry you're wearing was designed by

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<v Speaker 1>a big name Western brand. Did the companies seek consent

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<v Speaker 1>from an Indian culture to use traditional designs in their clothing.

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<v Speaker 1>This is where the logic of cultural appropriation gets messy.

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<v Speaker 1>Of course, you can't ask a culture for consent. Cultures

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<v Speaker 1>are fluid and often have ill defined boundaries. If you're

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<v Speaker 1>a celebrity with millions of followers around the world, the

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<v Speaker 1>possibility offending someone is compounded, as when Beyonce performed at

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<v Speaker 1>an Indian wedding in twenty eighteen wearing an Indian inspired

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<v Speaker 1>outfit including a deeply v necked in a high side

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<v Speaker 1>slit dress plus quasi traditional jewelry. As Mathis said, taking

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<v Speaker 1>a picture of something that might be viewed as wrong

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<v Speaker 1>in one context and broadcasting that to the entire world

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<v Speaker 1>is inevitably going to result in disagreement. What's important in

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<v Speaker 1>these cases of cultural exchange is due diligence. Mathis notes,

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<v Speaker 1>if someone from a marginalized culture raises a concern, you

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<v Speaker 1>should investigate to find out why. The best source for

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<v Speaker 1>this information is always going to be people from that culture.

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<v Speaker 1>Other people, even with the best of intentions, might misrepresent

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<v Speaker 1>the issues at hand. Mathis also advises against speaking out

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<v Speaker 1>on behalf of other cultures, though I would personally say

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<v Speaker 1>that if you do your research and perhaps consult with

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<v Speaker 1>a friend or a public representative from that culture, it

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<v Speaker 1>can be helpful for someone of a dominant culture to

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<v Speaker 1>check their friends and family's behavior, though what constitutes good

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<v Speaker 1>ally ship is a whole other episode. Critics say that

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<v Speaker 1>this whole movement against cultural appropriation is causing some people

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<v Speaker 1>to be less open to cultural exchange at Jenny Avans,

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<v Speaker 1>in an article for the Atlantic, said, no matter how

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<v Speaker 1>much I love Cablenet sweaters and gree Aer cheese, I

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<v Speaker 1>don't want to live in a world where the only

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<v Speaker 1>cultural inspiration I'm entitled to comes from my roots in Ireland,

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<v Speaker 1>Switzerland and Eastern Europe. There are legitimate reasons to step

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<v Speaker 1>carefully when dressing ourselves with the clothing, arts, artifacts, or

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<v Speaker 1>ideas of other cultures, but please, let's banish the idea

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<v Speaker 1>that appropriating elements from one another's cultures is in itself problematic.

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<v Speaker 1>Mathis agrees that in some case as an overabundance of

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<v Speaker 1>caution can also cause harm. For example, say you're traveling

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<v Speaker 1>through New Mexico and stop at an arts and crafts show.

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<v Speaker 1>Because of how much negative attention there's been lately about

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<v Speaker 1>Coachella attendees wearing Native American headdresses. You wind up not

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<v Speaker 1>buying anything from the Native American booths for fear of

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<v Speaker 1>acting offensively, but arts and crafts are how many Native

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<v Speaker 1>Americans support themselves in their families. In fact, the U.

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<v Speaker 1>S Government passed the Indian Arts and Crafts Act, which

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<v Speaker 1>outlaws marketing products in a way that suggests they were

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<v Speaker 1>created by Native Americans if they were not. The intent

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<v Speaker 1>was to protect the livelihoods of Native crafts people. Learning

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<v Speaker 1>about the art you're buying and the traditions behind it

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<v Speaker 1>can help you purchase and display the art respectfully. Critics

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<v Speaker 1>have also accused the movement against cultural appropriation for being

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<v Speaker 1>overly sensitive. Here, Mathis pushes back. He said, when you

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<v Speaker 1>think about the changes in contemporary culture that allow for

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<v Speaker 1>the possibility of making clear and public statements about ways

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<v Speaker 1>in which you've been marginalized or oppressed, that's a good

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<v Speaker 1>thing in a context in which people feel free to

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<v Speaker 1>talk about those experiences. If it leads to people sometimes

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<v Speaker 1>going overboard, that's a cost we can deal with. Today's

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<v Speaker 1>episode was written by Daniel Duvies and produced by Tyler Clang.

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<v Speaker 1>Brain Stuff is a production of I Heart Radio's How

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