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Speaker 1: Hold on, let me pin your adorable little face. Ah.

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Speaker 1: So that's it made a sound of there we go

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Speaker 1: and what oh, I'm trying nothing out, which was the

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Speaker 1: best part. You were like I made a sound.

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Speaker 2: Effect and you did it and your mic picked up nothing.

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Speaker 2: I was like, great sound effect, baby.

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Speaker 1: It's a mute. It's a mute mutet right. I thought

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Speaker 1: it was like that.

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Speaker 2: The zoom was going to do something and make a

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Speaker 2: noise or you know, you look like you were jazz

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Speaker 2: handing it into uh exploding or whatever it does.

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Speaker 1: I'm just fullying, fullying your your zoom. I appreciate, thank you.

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Speaker 2: You need a good folly artist, follow me around, make

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Speaker 2: noise we have.

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Speaker 1: I'm this in like two weeks. I've totally forgotten how

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Speaker 1: to like two weeks that really it's been a year. Ah,

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Speaker 1: I've seen you.

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Speaker 2: I had to get yours dad joking, I haven't seen you.

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Speaker 2: You just get them all out of the way now,

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Speaker 2: I haven't.

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Speaker 1: Seen you all year. My god, it's been years since

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Speaker 1: I yeah, looked at all the stupid that that uh

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Speaker 1: that we.

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Speaker 2: Now say because we're old and we're like, oh and

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Speaker 2: you're like, God, throw me off of you.

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Speaker 1: I find it's funny. Now, how were your holidays? How

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Speaker 1: was your New Year? How are you feeling? The holidays

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Speaker 1: were lovely, they were peaceful.

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Speaker 2: We didn't do anything. I didn't hardly buy anything that

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Speaker 2: you know, convenience of like being broken the holidays and

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Speaker 2: you just go, you know what this is.

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Speaker 1: This is all I got. Oh my god.

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Speaker 2: But it was like I just it was the first

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Speaker 2: time in a really long time that I let go

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Speaker 2: of like the expectation of having to be busy or

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Speaker 2: having to buy the things or having it and I

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Speaker 2: just kind of enjoyed and slothed about and like sloffing

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Speaker 2: without guilt.

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Speaker 1: It was lovely.

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Speaker 2: That's great, Like since since Monday, because I feel like

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Speaker 2: this past weekend was still like the still gratering out

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Speaker 2: of the holidays.

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Speaker 1: Thursday it was.

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Speaker 2: New Year'sday, and then Friday, Saturday, Sunday.

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Speaker 1: That was the three weekends. So like Monday, the fifth really.

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Speaker 2: That was years that was the start of like the

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Speaker 2: business new year, you know. But I'm feeling good about it.

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Speaker 2: I'm feeling good about it. Being busy, been productive. Yeah,

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Speaker 2: thing I did, I guess gave me some some fuel

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Speaker 2: reserves because I've been going to this week doing stuff

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Speaker 2: so well, good for you, but this is inspiring, like

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Speaker 2: your hand. I've already put away my Christmas decorations, like

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Speaker 2: I said, January second, get it out of the house.

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Speaker 2: I go from absolute you know, Cindy lu who to like,

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Speaker 2: don't talk to me about Christmas.

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Speaker 1: But yeah, I got all.

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Speaker 2: That done, put away, enjoyed, relaxed, wrote, did some stuff.

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Speaker 1: And that's about it. How are yours? Mine was great?

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Speaker 1: But I still have Christmas up because we were gone

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Speaker 1: over New Year's we were in Miami. That's right, you guys.

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Speaker 1: I know which didn't go well. I'm sorry here.

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Speaker 2: I know I have tolling the that you guys were

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Speaker 2: going to that game and he just goes. I saw

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Speaker 2: a game that Andrew it's like, Michael two not great.

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Speaker 1: And I was like, I know. And it was his

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Speaker 1: fiftieth birthday. I was so mad. Fiftieth birthday. I was

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Speaker 1: so mad at the team.

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Speaker 2: It was almost as many years as you've been.

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Speaker 1: Yes, it was terror like they didn't even play well.

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Speaker 1: It wasn't a close game where.

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Speaker 2: It was it was a slaughter slaughtered like thirty zero

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Speaker 2: or something.

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Speaker 1: Wasn't it thirty Yeah, it was beautiful. I was in

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Speaker 1: such a and I'm trying to be a supportive partner,

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Speaker 1: like I'm trying to go in on the football, and like, okay,

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Speaker 1: it's hard to go in on the football in a

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Speaker 1: game like that. This referch why I hate football.

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Speaker 2: It's like it like there is just don't you got

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Speaker 2: to pick the.

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Speaker 1: No, Well, if you're a real fan, you're if you're

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Speaker 1: not a fair weather fan, you're gonna support the team.

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Speaker 1: And that's the bad times. But however, the amount of

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Speaker 1: money that goes in, like people are merched out there

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Speaker 1: is like expensive food. The tickets are expensive, billions of dollars.

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Speaker 1: Half the half of the audience ends up disappointed at

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Speaker 1: the end of the game. I much big on Broadway

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Speaker 1: tickets where everyone's happy when they leave, not.

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Speaker 2: The bank, right, But no, that's that's that's what it is.

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Speaker 2: They keep you coming back based on you know, it's scambling.

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Speaker 2: It's a like am I gonna wain?

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Speaker 1: Am I not? Am I gonna be happy? Am I not?

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Speaker 1: You know? I well, I was mad. I was mad

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Speaker 1: at the team. Michael was very great. He was just

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Speaker 1: like the game, it's okay, the game on New Year's Day, Yeah,

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Speaker 1: it was That's how we started the New Year. Well okay, well,

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Speaker 1: no wonder they're all come on, how many.

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Speaker 2: Students on New Year's Day?

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Speaker 1: Yes, but it didn't bother organ organ played just fine.

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Speaker 1: They'd handled their keg stands very well.

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Speaker 2: I mean some people handle their alcohol that were No,

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Speaker 2: I don't. I'm really sorry Texas that that happened. But yeah,

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Speaker 2: I had I had friends that played for orgon. I

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Speaker 2: mean not this year obviously, the way many years ago,

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Speaker 2: back when I was young, but yeah, I played for

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Speaker 2: Oregon State, so uh so yeah, so.

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Speaker 1: Well, so that was a bummer. The rest of the

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Speaker 1: trip was great, like fortunately, that was the only like

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Speaker 1: dark spot in the trip. We had a lovely time.

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Speaker 1: This was uh, Michael and my first vacation together in

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Speaker 1: like six years between, yes, since twenty since twenty nineteen.

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Speaker 1: This was our first vacation together because first there was

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Speaker 1: the pandemic. We didn't do a whole lot of travel

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Speaker 1: during the pandemic.

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Speaker 2: I mean, you can scratch pretty much the eighteen months

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Speaker 2: there half gone easily, and the twenty twenty two is

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Speaker 2: really when it starts counting again exactly.

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Speaker 1: Well, and then by then Holly was very sick and

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Speaker 1: right all her medical needs we didn't get comfortable leaving

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Speaker 1: her with anybody, right, so one of our always home, yeah,

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Speaker 1: with the with the hospice poodle. And now you know,

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Speaker 1: we're sad that she's gone, but it did enable us

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Speaker 1: to travel.

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Speaker 2: I mean, that's I mean, that's always the thing, and

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Speaker 2: that my I'm when my mom's little passed right before

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Speaker 2: we left for the UK, I was little kind of

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Speaker 2: part of it was like the fear of her being

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Speaker 2: sick while my mom was gone.

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Speaker 1: Yeaheah, it's a balance.

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Speaker 2: Well, I'm sorry it was a bummer in that way,

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Speaker 2: but I'm so glad that you and Michael finally got

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Speaker 2: on a vacation.

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Speaker 1: Igaes great. We still travel well together. That was good.

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Speaker 1: I was a little like, how have we changed in

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Speaker 1: the last six years? No, No, we traveled very well.

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Speaker 1: We had a great time. We watched the fireworks from

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Speaker 1: our hotel room balcony, which was very cool. Like that's

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Speaker 1: that's the way to that's me. Yeah, you go to

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Speaker 1: a bar. I'm not drinking, like, we had a nice

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Speaker 1: didn't and then went back to the hotel room and

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Speaker 1: watched fireworks from our perfect It's great, fantastic.

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Speaker 2: It was pouring rain here, Oh, that's right, pouring rain,

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Speaker 2: oh dear. And I didn't plan on going anywhere, but

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Speaker 2: of course I have children, and b wanted to spend

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Speaker 2: New Year's Eve with her boyfriend and his family and

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Speaker 2: they do a bunch of like like El Salvadorian traditions

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Speaker 2: and Mexican so they like and I'm like, meanwhile, me

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Speaker 2: and miss Gal are sitting here, like it's nine pm.

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Speaker 1: Can we go to bed?

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Speaker 3: You know?

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Speaker 1: I'm like, this week, you don't want to hang out here.

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Speaker 1: We're you know.

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Speaker 2: And it was cousins and all kinds stuff. So she

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Speaker 2: was over there, but I told her, I said, okay.

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Speaker 2: So I was originally going to pick her up in

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Speaker 2: ten and her the boyfriend's mom, Plam, was.

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Speaker 1: Like, did she stay?

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Speaker 2: I was like, okay, okay, fine, I said, but I

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Speaker 2: am going to be there at twelve o three and

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Speaker 2: you were getting in that car and we were getting

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Speaker 2: the hell home.

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Speaker 1: Because I hate on a.

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Speaker 2: Non rainy, pouring, flooding night, driving on New Year's Eve

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Speaker 2: is terrifying, terrifying, and particularly in that like twelve to

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Speaker 2: one o'clock window, because I feel like there are a

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Speaker 2: lot of people that don't like going out all the time.

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Speaker 2: They drink, they get to midnight, and then they drive

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Speaker 2: home and it was terrifying.

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Speaker 1: Yep.

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Speaker 2: But I as I'm merging onto the freeway right here

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Speaker 2: by Universal, it turns midnight, all the fireworks go off.

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Speaker 1: Oh wow.

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Speaker 2: And the only way I would have seen them was

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Speaker 2: being that close because there was it was so rainy

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Speaker 2: and cloudy. My god, you didn't see them up in

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Speaker 2: the air, like, oh my god. I got like my

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Speaker 2: own personal little like fireworks. I was like, great, I'm satisfied.

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Speaker 1: This is all you needed. That's really cool. Actually, But.

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Speaker 2: As I'm driving on the freeway, oh, hil hummingbird.

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Speaker 1: Sorry, just be in the window. That's that's Cherry Barber.

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Speaker 1: That's her Cherry Barber. My aunt Linda too. They all

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Speaker 1: came sad.

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Speaker 2: But I'm looking at the fireworks kind of glancing back,

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Speaker 2: and I'm like, I look, there is a car that

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Speaker 2: has just spun out and his sideways in the fast lane.

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Speaker 1: It's a black car, so I didn't see it. Lights

186
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Speaker 1: were off because the whole front end of it came on,

187
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Speaker 1: so no light. And I see it, luckily like one

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Speaker 1: hundred and fifty feet two hundred feet, so I.

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Speaker 2: Like hit the brakes put my hazards on, move it

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Speaker 2: to the next light. And I'm just like, oh my god,

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Speaker 2: oh my god, like it had just happened. I'm I'm

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Speaker 2: ready to like pull over and because there was nobody

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Speaker 2: out of the.

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Speaker 1: Car, like should I go home? No? Stop, so not

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Speaker 1: like you.

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Speaker 2: Know, and then I see somebody else and pulled over.

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Speaker 2: Was calling him one whatever, good good. But yeah, that

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Speaker 2: was there was that, and then on the way back

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Speaker 2: there was another accident, and I was like, oh my god.

200
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Speaker 2: Literally it was within like fifteen minutes two accidents.

201
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Speaker 1: I was like, get me, get out of here, get

202
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Speaker 1: me home. That's no, that's my biggest fear. It's like

203
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Speaker 1: I tell my kids, whatever you do, just stay home.

204
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Speaker 1: Just your friends can spend the night whatever, just like,

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Speaker 1: don't be on me. I know. And I that's I

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Speaker 1: would have done the same thing. But I was like, well,

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Speaker 1: I can I get why you're she wanted a boyfriend,

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Speaker 1: ye know, whatever, and I'm glad you survived.

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Speaker 2: The other car driver was okay, I know right that

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Speaker 2: their bumper still I drive on the fruiting.

211
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Speaker 1: Their car is still on the shoulder. Oh saw you man, yeah,

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Speaker 1: oh man. You know.

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Speaker 2: But other than that, very mellow, lovely holidays. I hope

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Speaker 2: all of our fan rito's had amazing holidays as well.

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Speaker 2: And they were you know, peaceful or uh busy or

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Speaker 2: have it just however y'all want it, or non eventful

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Speaker 2: like sometimes event they were either nothing, they were everything.

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Speaker 2: It was you know, whatever you wanted people on your

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Speaker 2: holiday season.

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Speaker 1: I hope you got it. Yes, good, good point.

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Speaker 2: Yeah, even if it was just an hour of peace

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Speaker 2: and quiet locked in your bathroom, yeah.

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Speaker 1: Or just staying home in the rain like that sounds

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Speaker 1: great too, you know, right, it was a excuse.

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Speaker 2: I know a lot of people were like, ah, yeah,

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Speaker 2: no rain, so much rain.

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Speaker 1: And I'm very upset because I found mushrooms fruiting at

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Speaker 1: the base of my big oak tree, my big one

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Speaker 1: hundred year fifty foot tall oak tree in the center,

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Speaker 1: like my whole house was. But mushrooms are But but

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Speaker 1: you need them, that's a bad sign. I thought so too.

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Speaker 1: And I was like, oh, look at these mushrooms. They're

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Speaker 1: so cute, like these these are like big orange mushrooms.

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Speaker 1: Are they on are they on the side of the tree?

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Speaker 1: Are they like those weird like shelfy looking at Well,

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Speaker 1: they're not shelfy. It's more it looks more like a

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Speaker 1: like a wig. I don't know anyways, like a wig

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Speaker 1: because it looks like what a wig?

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Speaker 3: Mushroom?

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Speaker 1: Yes, I didn't even know mushrooms. Oh my god. Well

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Speaker 1: the things I've learned in twenty It was cool. And

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Speaker 1: then I put it into chat GPT. I have orange

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Speaker 1: mushrooms at the base of my oak tree. And this

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Speaker 1: is what chat GTP responds with, I'm going to tell

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Speaker 1: you this gently and without panic. Well I'm already because

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Speaker 1: you said that, chat GPT. It's explosive. Don't look at it.

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Speaker 1: But what okay, mushrooms?

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Speaker 2: You have the last of us starting at the base

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Speaker 2: of your oak tree, right, like what?

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Speaker 1: So mushrooms are a sign of don't guy, which is

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Speaker 1: a sign of rot. It can be a sign of

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Speaker 1: rot in like heart brought to the heart of the

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Speaker 1: tree is rotting. And I'm like, really, chat GPT highly

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Speaker 1: recommended that I hire an arborist to come out. So

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Speaker 1: here I am, first week of January hiring an I say,

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Speaker 1: certified arborist with tracks. Yeah, well yeah, look, tree people

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Speaker 1: are important. So this guy comes out and he looks

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Speaker 1: and he's just like, yeah, the tree is sick. Tree

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Speaker 1: is gonna die. I give it. I give it less

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Speaker 1: than five years, and I'm like what who? No, Well,

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Speaker 1: and the risk is really because it's so close. It's

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Speaker 1: like fifteen feet from my house, and it's a fifty foot.

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Speaker 2: Tree right right, collapse from the inside, and it's going

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Speaker 2: to be especially in the way.

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Speaker 1: Yeah, when we get crazy winds, we get the Santa

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Speaker 1: Ana's Yeah, so the tree is gonna have to come down.

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Speaker 1: So I'm emotionally devastated.

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Speaker 2: Oh, I would be freaking financially emotionally attacks like it's

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Speaker 2: gonna cost thou Like, I'm afraid to get a quote

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Speaker 2: for how much is gonna cost a lot?

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Speaker 1: It's going to be thousands and thousands and thousands of

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Speaker 1: dollars to remove a tree. It's not I mean like

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Speaker 1: I'm getting something great for thousands of thousands. No, you're

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Speaker 1: losing the heart of my proper pay for a loss.

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Speaker 1: I hate paying for loss. This is terrible, stupid. It's

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Speaker 1: like it's like insurance. You're like, I want to pay

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Speaker 1: for this assurance and I'm only paying tree.

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Speaker 2: Is because I lose something, right, Yeah, No.

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Speaker 1: It's never great. It's never great.

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Speaker 2: Now, I'm that's I'm emotionally attached to the neighbor's gigantic

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Speaker 2: tree are gone and they are building the foundation next door.

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Speaker 1: They are doing something. No, no, no, the tree has stay well,

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Speaker 1: they kept it. It looks as though they are building

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Speaker 1: around the tree. I could not be happier. Well, I

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Speaker 1: could not be happy because they cleared the whole lot

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Speaker 1: and everything was gone. They've knocked everything down, but the

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Speaker 1: tree remains, and I have hope. Well that my little

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Speaker 1: baby tree, well it's not a baby tree. It's a big, gigantic,

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Speaker 1: huge tree. But that I don't have to, you know,

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Speaker 1: go live in it for the next six months, so

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Speaker 1: they don't get tie yourself, tie yourself with a chain

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Speaker 1: around the tree trump. I mean, that's yeah, it would

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Speaker 1: have been a bummer in the rain. But well, but

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Speaker 1: how close now I'm how close is the tree to

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Speaker 1: the house? Because now I'm like, oh, oh, so this tree.

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Speaker 1: Look this tree, I look at it all the time.

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Speaker 1: When we got the wind from.

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Speaker 2: The fires last year, when it was we were like,

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Speaker 2: I have never seen wind like this unless it was cricades.

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Speaker 2: I intentionally slept downstairs because I thought, if this tree

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Speaker 2: goes in any direction, it's gonna get it's gonna get anybody.

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Speaker 1: Yeah, and you know.

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Speaker 2: So I was like, I'll just sleep like downstairs kind

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Speaker 2: of in the front.

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Speaker 1: You know, that's good for several reasons. If you have

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Speaker 1: to evacuate if a tree falls, just sleep downstairs. Yeah.

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Speaker 1: There was a lot, Yeah, it was a lot of things.

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Speaker 2: But but anyway, the tree is still here and she

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Speaker 2: is beautifully blowing in the wind as we speak.

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Speaker 1: You need an arborist to come out and assess the tree.

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Speaker 1: Make sure, fantos, if anybody needs an arborist, pull me up.

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Speaker 1: I got a guy. Were your people? Wow?

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Speaker 2: I hope that the fan curitos knew that they were

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Speaker 2: signing up for such an exciting twenty twenty six with

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Speaker 2: us as we talk about trees and mushrooms and this

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Speaker 2: talk and put away Christmas decoration.

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Speaker 1: Is this I live for these topics, for these topics.

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Speaker 1: I love it.

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Speaker 3: I know.

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Speaker 1: Well, so let's get into a recap. I expose you.

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Speaker 2: Think we're at exactly fifteen minutes of bullshit. Let's go

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Speaker 2: on ahead and this.

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Speaker 1: Wish as I would love to continue talking about mushrooms

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Speaker 1: and trees, let's talk about full out a little bit.

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Speaker 2: Yeah, then I feel like we were just like having

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Speaker 2: some sort of an acid ywhere like that could be

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Speaker 2: fun to shrooms the trees.

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Speaker 1: Yeah, trees. Okay, Well, welcome back to Howard Tanneritos. I'm

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Speaker 1: Andrea Barber and I'm Jody Sweet, and today we're discussing

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Speaker 1: season six, episode three, The Road to Tokyo. That episode,

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Speaker 1: that episode, it originally aired October sixth, nineteen ninety two,

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Speaker 1: and it goes a little something like this, Jesse performs

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Speaker 1: in Tokyo where his single tops the charts. Hey least

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Speaker 1: he's one somewhere, you know, look, huge audience, very popular.

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Speaker 1: Did we reference this in the er House episode where

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Speaker 1: we went to Tokyo? I think I feel like we

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Speaker 1: had to have If we didn't, that was in this opportunity,

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Speaker 1: So I hope we did. I don't remember. Yeah, and

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Speaker 1: he didn't go back and watch it.

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Speaker 2: I know I saw the stock shot in this of

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Speaker 2: crossing and I was.

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Speaker 1: Like, oh my god, they shot there legally. Yeah, but

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Speaker 1: we did shoot there. That was a trip. We'll save that.

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Speaker 1: We'll save that story for if we ever knew. That

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Speaker 1: episode just breaking Japanese law. Sorry Japan, please let me sorry,

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Speaker 1: Jampan please, yeah, please do these Americans. What's wrong with them? Oh?

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Speaker 1: Do get me started? Uh, We're sorry, We're sorry everyone.

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Speaker 2: Yeah, just blanket everyone everywhere about that.

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Speaker 1: This was directed by Joelswick. It was written by Ken Hash.

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Speaker 1: Like Anne Hash, I wonder if he's related to a Hash?

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Speaker 1: Do am I saying that?

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Speaker 2: Right?

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Speaker 1: Hash? I don't know. I don't know Hash.

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Speaker 2: I would have said hecked Hash would feel to me

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Speaker 2: like there wasn't a tea on the end of it.

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Speaker 1: But but also it could be. He was the executive

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Speaker 1: producer of Webster and Different Strokes, a huge list of credits,

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Speaker 1: but he died in March of twenty twenty two, so

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Speaker 1: oh well, the bummer.

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Speaker 2: Anyways, at least you won't get after us about mispronouncing

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Speaker 2: his name.

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Speaker 1: Yeah, this is true. Yes, thank you for a wonderful,

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Speaker 1: weird episode. Thank you, mature miss Streach. We got some

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Speaker 1: great guest stars this week. We have Denise Kuma Guy

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Speaker 1: as Nancy Shimano. Denise is known for Night Court Gilmore Girls.

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Speaker 1: She played Aunt June and Suburban Commando. Never Heard of That.

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Speaker 1: She also is a co founder of Cold Tofu, which

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Speaker 1: is the first Asian American improv comedy group in the

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Speaker 1: United States. Oh, fantastic. And they're still they're still performing today,

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Speaker 1: They're still they're still popular and performing and oh that's amazing.

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Speaker 1: It was the arturistic director for about a decade. Then

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Speaker 1: we have Darryl Kunatomi as Kogi. This guy's great. I

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Speaker 1: love Cogi. You may have seen him on Lewis and Clark,

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Speaker 1: New Adventures of Superman, Mad About You or Seinfeld. And

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Speaker 1: then we have Anne Zu Lawson as the Concert MC.

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Speaker 1: And this is a really fun fact here she was

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Speaker 1: in Fuller House like she returned, not as the Concert EMC.

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Speaker 1: She's in Fuller House as doctor Elizabeth Chung. In the

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Speaker 1: season three episode eight, Maybe a Baby. She was your

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Speaker 1: fertility doctor, Stephanie's fertility doctors season I had no idea, like,

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Speaker 1: I didn't even can tell you, Hey, I, oh, she

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Speaker 1: should have said something, you know. Well, she probably was like,

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Speaker 1: but if she we weren't in.

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Speaker 2: Any scenes together, so she felt like we've probably never

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Speaker 2: had much interaction.

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Speaker 1: No interaction. Yeah, So I was like, oh, that's so cool.

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Speaker 1: She's a very talented singer, songwriter and a J pop star. Uh.

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Speaker 1: She can be heard on many soundtracks, the Chronicles of

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Speaker 1: Narnia spy game, the Da Vinci Code and Sinbad. Oh

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Speaker 1: my gosh. She's had appearances on Gray's Anatomy, Dexter, Young,

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Speaker 1: and the Restless, like it just it goes on out. Yeah,

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Speaker 1: she's fantastic killing it. She had like one line in

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Speaker 1: this whole episode, and I'm like, what her credits? Her credit? Yeah, well,

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Speaker 1: at least we didn't kill her career. Yeah, I don't

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Speaker 1: know if anything, Yeah, anything, it helps, it helped, or

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Speaker 1: at least it didn't hurt. That's that's fir right, right,

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Speaker 1: it's broke even, we broke even. So we start with

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Speaker 1: the teaser in Michelle and Stephanie's room. The twins are

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Speaker 1: playing with Michelle's old raggedy toys, and Michelle, being the

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Speaker 1: kind and generous person that she is, continues to give

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Speaker 1: them a doll with no head and a broken slinky

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Speaker 1: to add to the collection. Stephanie, who's also in the

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Speaker 1: room reading a magazine on her bed, she asks Michelle,

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Speaker 1: why don't you give Nikki and Alex something that's not broken.

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Speaker 1: Michelle waves off this suggestion because babies will play with anything.

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Speaker 1: Steph cleverly decides to prove her point. She asks Michelle

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Speaker 1: if she wants her old watch. The hour hand fell off,

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Speaker 1: so it only tells minutes now. Michelle doesn't hesitate and

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Speaker 1: happily takes the watch from her. She makes her way

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Speaker 1: over to the babies to show it off. Steph gives

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Speaker 1: them a smug grin Christmas Dropp for these three should

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Speaker 1: be easy, and she returns back to her magazine, Love

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00:20:04,560 --> 00:20:06,880
Speaker 1: it right, clean out a drawer, Merry Christmas. There. Yes, great,

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Speaker 1: it's a great thing about little kids. They do they really?

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Speaker 1: They give them a box. That's all they want, just

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Speaker 1: a box. I love it. Uh So then we see

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Speaker 1: the title credits and this this stood out to me.

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Speaker 1: I don't know if it did to you. As the

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Speaker 1: episode opens, we see that shot of the stand ins

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Speaker 1: for Danny and Stephanie riding the bike down Lombard Street. Yes,

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00:20:26,000 --> 00:20:28,280
Speaker 1: I did. I said the same thing. I was like,

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Speaker 1: why right? It had not like it's not like you

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Speaker 1: and Danny or whoever it was riding the bike.

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Speaker 2: Like why, I don't know why, I don't know, but

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Speaker 2: it did remind me of our of our trip down

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Speaker 2: Lombard Street.

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Speaker 1: Oh that was so so fun. The honking, the honking

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Speaker 1: with your honkers, the honking with honkers. You're leaning no,

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Speaker 1: you idiot, your boobs.

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Speaker 2: Honking with a horn. Oh my god, I was Let's

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Speaker 2: go back.

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Speaker 1: That was so fun. Uh. So next we're in the kitchen.

433
00:21:00,160 --> 00:21:04,359
Speaker 1: Danny is cleaning. Shocker what when Joey walks in with

434
00:21:04,440 --> 00:21:07,800
Speaker 1: bags of groceries and asks him for a hand. Very

435
00:21:07,800 --> 00:21:10,720
Speaker 1: happy that the tanners are US cotton bags. They are recyclable.

436
00:21:11,400 --> 00:21:14,119
Speaker 2: Yeah, okay, got it. They're not recyclable, they're clear. I

437
00:21:14,119 --> 00:21:17,520
Speaker 2: don't think anyone cares more coffee. Uh.

438
00:21:17,760 --> 00:21:21,440
Speaker 1: Danny grabs a bag and he notices Brussels sprouts inside.

439
00:21:21,760 --> 00:21:24,359
Speaker 1: He asks Joey why he would buy those, considering no

440
00:21:24,400 --> 00:21:25,600
Speaker 1: one in the family likes them.

441
00:21:26,160 --> 00:21:28,840
Speaker 2: Joey he has never seen Brussels sprout's package like that.

442
00:21:28,880 --> 00:21:31,960
Speaker 2: Why are they in like a like a to go container?

443
00:21:32,040 --> 00:21:34,400
Speaker 1: I don't know, It's like one of his old school

444
00:21:34,440 --> 00:21:36,760
Speaker 1: strawberry containers. It was.

445
00:21:36,800 --> 00:21:39,919
Speaker 2: It was like a round like takeout bowl, like something

446
00:21:39,960 --> 00:21:42,320
Speaker 2: that you would get like rice in at a Chinese

447
00:21:42,359 --> 00:21:45,720
Speaker 2: restaurant from takeout, and then just with plastic.

448
00:21:45,240 --> 00:21:47,240
Speaker 1: Over the top of it of a bowl of Brussels brouts.

449
00:21:47,240 --> 00:21:49,480
Speaker 2: First of all, I was like, there's forty eight people

450
00:21:49,560 --> 00:21:51,000
Speaker 2: in this family, how are you going to eat six

451
00:21:51,040 --> 00:21:53,200
Speaker 2: Brussels sprouts in a bowl.

452
00:21:53,080 --> 00:21:56,040
Speaker 1: One moss a person, right, But also, I've never seen

453
00:21:56,040 --> 00:21:58,480
Speaker 1: Brussels bruts look like that. That was weird. Yeah, I don't,

454
00:21:59,080 --> 00:22:01,479
Speaker 1: I don't. I don't get it. I don't eat Brussels

455
00:22:01,520 --> 00:22:04,320
Speaker 1: sprouts though, so maybe that's all they were packaged back

456
00:22:04,320 --> 00:22:08,720
Speaker 1: in nineteen ninety two. I don't know. Uh so, Joey admits, well,

457
00:22:08,720 --> 00:22:11,240
Speaker 1: I felt sorry for them, sitting there all alone on

458
00:22:11,280 --> 00:22:14,240
Speaker 1: the shelf, watching everyone go for the carrots and the corn.

459
00:22:15,000 --> 00:22:17,760
Speaker 1: Danny doesn't buy it. You know they're vegetables, right, they

460
00:22:17,760 --> 00:22:20,800
Speaker 1: don't have feelings like you and me. Joey asks, how

461
00:22:20,840 --> 00:22:23,320
Speaker 1: do you know? Have you ever been a Brussels sprout?

462
00:22:23,800 --> 00:22:26,240
Speaker 1: If you've been to a Brussels, I have been to Brussel.

463
00:22:26,240 --> 00:22:31,320
Speaker 1: I haven't been to Brussels pitu brustl sprut. Danny realizes

464
00:22:31,440 --> 00:22:34,240
Speaker 1: Joey is just picking a silly fight to drive him crazy.

465
00:22:34,760 --> 00:22:37,639
Speaker 1: Which this is John and Dave or this is Bob

466
00:22:37,640 --> 00:22:41,080
Speaker 1: and Dave, like, oh my god, riding each other crazy

467
00:22:41,160 --> 00:22:44,760
Speaker 1: over nothing? Yeah? Nothing, but it was usually Bob. Yeah,

468
00:22:45,000 --> 00:22:47,480
Speaker 1: oh yeah, it was usually Bob going but no, but wait,

469
00:22:47,520 --> 00:22:50,359
Speaker 1: but what driving Dave crazy? Yeah? Yeah, yes, this is

470
00:22:50,359 --> 00:22:54,600
Speaker 1: true life right here. Uh so, Joey. He counters, no,

471
00:22:54,680 --> 00:22:56,720
Speaker 1: I'm not, and Danny argues, yes you are, and they

472
00:22:56,720 --> 00:22:59,600
Speaker 1: go back and forth and back and forth. Then Steve,

473
00:22:59,680 --> 00:23:02,720
Speaker 1: DJ and Kimmy run down the stairs and Steve eagerly

474
00:23:02,760 --> 00:23:07,880
Speaker 1: shouts nourishment and Kimmy yells eats and Danny responds locusts.

475
00:23:08,840 --> 00:23:11,560
Speaker 1: They all reach inside the grocery bags to see what's available,

476
00:23:11,640 --> 00:23:15,960
Speaker 1: and DJ notices the Brussels sprouts and shouts yuck. Joey

477
00:23:15,960 --> 00:23:18,840
Speaker 1: defensively grabs them from her and tells the vegetables. Kids

478
00:23:18,880 --> 00:23:23,159
Speaker 1: can be so cruel. Then DJ spots the cheese whiz

479
00:23:23,520 --> 00:23:26,800
Speaker 1: and gives it to Steve because it's his favorite. Of

480
00:23:26,840 --> 00:23:30,000
Speaker 1: course it is that. No, oh you don't like cheese whiz.

481
00:23:30,040 --> 00:23:31,880
Speaker 1: I don't. I don't love it, but.

482
00:23:31,800 --> 00:23:37,800
Speaker 2: I I don't know. I don't think cheese should come

483
00:23:37,800 --> 00:23:38,720
Speaker 2: out pressurized.

484
00:23:39,080 --> 00:23:41,040
Speaker 1: Yeah, well you know what I mean. Yeah? How do

485
00:23:41,040 --> 00:23:43,320
Speaker 1: you feel about those little snack things with the cracker

486
00:23:43,880 --> 00:23:46,320
Speaker 1: and the fake cheese and then the little red.

487
00:23:47,840 --> 00:23:53,600
Speaker 4: If they're the if they're the the keeblers, crackers, the

488
00:23:53,640 --> 00:23:58,000
Speaker 4: little just salt. Yes, i'mlicious, everything's fake nothing, it's all salt.

489
00:23:58,320 --> 00:23:58,840
Speaker 1: It's a salt.

490
00:23:58,920 --> 00:24:00,920
Speaker 2: Love it like a salt, like just in general. No,

491
00:24:01,040 --> 00:24:02,560
Speaker 2: that stuff freaks me out.

492
00:24:03,440 --> 00:24:06,159
Speaker 1: Steve is ecstatic. All right, I got my girl, I

493
00:24:06,160 --> 00:24:09,160
Speaker 1: got my cano cheese. What else do I need? Danny

494
00:24:09,200 --> 00:24:12,359
Speaker 1: holds up a box of crackers, and Steve's response is kicking.

495
00:24:13,680 --> 00:24:17,480
Speaker 1: He grabs the box. That's something we said back then, kickens.

496
00:24:17,600 --> 00:24:20,399
Speaker 1: That stood out to me too. I'm like, what is kicken? Nicken?

497
00:24:21,240 --> 00:24:24,119
Speaker 1: You could have said like a dad or awesome, but

498
00:24:24,320 --> 00:24:28,440
Speaker 1: kick in kicking? I guess maybe it was a thing. Well,

499
00:24:28,440 --> 00:24:31,919
Speaker 1: and we can't even ask Rob Hage, So whatever, Ken,

500
00:24:32,080 --> 00:24:36,200
Speaker 1: Ken it was Ken, I've already forgotten. My memory was bad.

501
00:24:36,359 --> 00:24:42,080
Speaker 1: The menopause is bad today people. Okay, it's all right,

502
00:24:42,440 --> 00:24:45,680
Speaker 1: He's he'll never know, You'll never know. Steve grabs the box,

503
00:24:45,800 --> 00:24:49,919
Speaker 1: kisses DJ goodbye, and walks out with his groceries. Danny

504
00:24:49,960 --> 00:24:54,560
Speaker 1: asks DJ, so, how's school going, honey, and Kimmy responds, funny,

505
00:24:54,560 --> 00:24:57,639
Speaker 1: you should ask. Danny rolls his eyes and clarifies, I

506
00:24:57,720 --> 00:25:01,840
Speaker 1: meant the other, honey. And I love this little colorful

507
00:25:01,920 --> 00:25:06,439
Speaker 1: crocheted sweater that I'm wearing. Very cute. Yeah, great, it's bold,

508
00:25:06,520 --> 00:25:09,080
Speaker 1: but it's also cute and fashionable. This is a very cute.

509
00:25:09,440 --> 00:25:13,480
Speaker 1: This is very nicely fashion Yeah, very nice one. DJ

510
00:25:13,640 --> 00:25:16,080
Speaker 1: reveals that she's trying out for the school paper and

511
00:25:16,240 --> 00:25:19,960
Speaker 1: currently writing an editorial. Wasn't she already on the school paper?

512
00:25:20,040 --> 00:25:22,560
Speaker 1: I was like, wasn't she the editor of the school? Right?

513
00:25:22,600 --> 00:25:25,399
Speaker 1: Didn't we already? Was that middle school? Maybe that was

514
00:25:25,440 --> 00:25:29,760
Speaker 1: middle school? I don't know.

515
00:25:30,800 --> 00:25:38,879
Speaker 2: Continuity, she's becoming editor again. Uh, while Jesse is becoming

516
00:25:38,920 --> 00:25:39,800
Speaker 2: a rock star again.

517
00:25:40,359 --> 00:25:42,840
Speaker 1: Yeah, we like to recycle. Speaking of recycling, we like

518
00:25:42,880 --> 00:25:45,800
Speaker 1: to recycle, uh, storylines on the show, Kimmy and DJ

519
00:25:46,560 --> 00:25:51,160
Speaker 1: school paper. Jesse's a rockstar, So Danny perks up, saying

520
00:25:51,200 --> 00:25:55,680
Speaker 1: she's keeping the Tanner tradition of journalistic excellence alive. Kimmy

521
00:25:55,760 --> 00:25:58,720
Speaker 1: chimes in to announce her accomplishments as well. I've been

522
00:25:58,720 --> 00:26:02,680
Speaker 1: nominated for class president by the party, hardy party. Danny

523
00:26:02,720 --> 00:26:05,760
Speaker 1: comments that's great too, keeping up the Gibbler tradition of

524
00:26:05,800 --> 00:26:10,280
Speaker 1: public embarrassment. But Kimmy defends herself, saying she's a serious candidate,

525
00:26:10,600 --> 00:26:12,640
Speaker 1: and she decides to prove it by showing them her

526
00:26:12,680 --> 00:26:17,360
Speaker 1: campaign speech. She whips out an umbrella casually, because yeah,

527
00:26:17,440 --> 00:26:17,880
Speaker 1: because you.

528
00:26:17,920 --> 00:26:20,240
Speaker 2: Just have one in case anyone asks a question.

529
00:26:21,880 --> 00:26:22,879
Speaker 1: Opens has got it on me?

530
00:26:24,640 --> 00:26:27,040
Speaker 2: She opens, It's San Francisco. You never know what kind

531
00:26:27,119 --> 00:26:31,720
Speaker 2: of rain. It could be, sunny, foggy, rainy, all an afternoon.

532
00:26:31,520 --> 00:26:34,080
Speaker 1: Anything goes. It's San Francis. Nobody bats an eye in

533
00:26:34,160 --> 00:26:38,200
Speaker 1: San Francisco. Uh. So she opens this umbrella in front

534
00:26:38,240 --> 00:26:41,120
Speaker 1: of Danny and it has a mesmerizing swirl on it.

535
00:26:41,359 --> 00:26:44,280
Speaker 1: So she spins the umbrella while repeating, you will vote

536
00:26:44,280 --> 00:26:48,040
Speaker 1: for Gibbler, you will vote for Gibbler. Danny shakes his head.

537
00:26:48,160 --> 00:26:50,040
Speaker 1: You really think that's going to work on anybody with

538
00:26:50,119 --> 00:26:54,080
Speaker 1: half a brain? And on? Cue Joey's eyes crazy and

539
00:26:54,080 --> 00:26:56,800
Speaker 1: he begins to repeat, I will vote for Gibbler. I

540
00:26:56,840 --> 00:26:58,879
Speaker 1: will vote for Gibbler, and he walks out of the

541
00:26:58,960 --> 00:27:02,840
Speaker 1: kitchen in a trance. You see it coming a mile away,

542
00:27:02,880 --> 00:27:08,119
Speaker 1: and I still enjoyed it. Right, Jimmy tells Danny go

543
00:27:08,160 --> 00:27:10,880
Speaker 1: ahead and make fun. But this really works. My dad

544
00:27:11,000 --> 00:27:15,120
Speaker 1: uses it on my mom when he wants his back shaved. Wow. Wow,

545
00:27:15,320 --> 00:27:19,560
Speaker 1: that's just I don't even want to go there, Dang, DJ,

546
00:27:20,840 --> 00:27:25,560
Speaker 1: there's a lot to unpack there, gibblers. DJ suggests that

547
00:27:25,720 --> 00:27:27,760
Speaker 1: Kimmy leave that part out of her speech, and they

548
00:27:27,760 --> 00:27:30,600
Speaker 1: both walk out of the kitchen. The phone rings, but

549
00:27:30,680 --> 00:27:33,560
Speaker 1: as Danny goes to answer it, Michelle runs downstairs yelling

550
00:27:33,600 --> 00:27:36,200
Speaker 1: my turn, my turn. At the same time, Steph runs

551
00:27:36,200 --> 00:27:39,440
Speaker 1: into the kitchen yelling, I got it, I got it, Arthur.

552
00:27:39,600 --> 00:27:41,800
Speaker 1: Don't they have a phone in their room? And isn't

553
00:27:41,800 --> 00:27:44,280
Speaker 1: there one in the living room? Yeah? Okay, checking. It

554
00:27:44,359 --> 00:27:46,520
Speaker 1: was just checking because I'm like, I've seen it. Okay, okay,

555
00:27:46,680 --> 00:27:49,439
Speaker 1: just there's the joke has to works. I have to

556
00:27:49,440 --> 00:27:49,800
Speaker 1: find out.

557
00:27:50,000 --> 00:27:51,639
Speaker 2: I just wanted to make sure that I wasn't like,

558
00:27:51,680 --> 00:27:54,280
Speaker 2: wait a minute, only one phone, okay.

559
00:27:55,600 --> 00:27:58,840
Speaker 1: Uh? So Michelle answers she gets there first, and she answers,

560
00:27:58,880 --> 00:28:02,760
Speaker 1: hello Tanner Resident. She pauses before saying I'll see if

561
00:28:02,760 --> 00:28:05,119
Speaker 1: he's in, and then she proceeds to scream at the

562
00:28:05,119 --> 00:28:09,159
Speaker 1: top of her lungs Uncle Jesse, and then calmly returns

563
00:28:09,160 --> 00:28:13,000
Speaker 1: to the phone, asking who's calling. I remember those days? Yeah,

564
00:28:13,240 --> 00:28:15,600
Speaker 1: just yell as loud as you can. Oh, yeah, it's great.

565
00:28:19,040 --> 00:28:22,520
Speaker 1: Steph turns to Danny and uh complains that this call

566
00:28:22,520 --> 00:28:26,359
Speaker 1: could have been Randy Richardson. She explains he's the second

567
00:28:26,359 --> 00:28:28,840
Speaker 1: cutest boy in my whole class. Of course, he's the

568
00:28:28,880 --> 00:28:31,760
Speaker 1: third dumbest, but overall it kind of works and she

569
00:28:31,800 --> 00:28:35,280
Speaker 1: walks away. Then Jesse walks in and asks Michelle who's

570
00:28:35,320 --> 00:28:37,800
Speaker 1: on the phone. She tells him it's his record company,

571
00:28:38,000 --> 00:28:42,040
Speaker 1: fat Fish Records. Jesse's pretty glum about it. He thinks

572
00:28:42,040 --> 00:28:44,160
Speaker 1: they're calling to tell him that his song is off

573
00:28:44,200 --> 00:28:47,320
Speaker 1: the charts, so he decides to ask Michelle for a favor.

574
00:28:47,640 --> 00:28:50,000
Speaker 1: Pretend you're my secretary and take a message for me.

575
00:28:50,840 --> 00:28:53,880
Speaker 1: She does this, she's told saying I'm a secretary. What's

576
00:28:53,920 --> 00:28:58,640
Speaker 1: the message. She pauses and tells Jesse, your song's number one,

577
00:28:59,400 --> 00:29:02,640
Speaker 1: but Jesse's confused because his song was ninety nine last week.

578
00:29:03,200 --> 00:29:05,440
Speaker 1: He reaches for the phone, but Michelle runs away with it,

579
00:29:05,480 --> 00:29:08,520
Speaker 1: so he has to chase her around the kitchen. He

580
00:29:08,560 --> 00:29:11,320
Speaker 1: finally catches up to her, picks her up, and instructs

581
00:29:11,320 --> 00:29:14,000
Speaker 1: her to take a lunch. She shrugs, I'm just doing

582
00:29:14,040 --> 00:29:17,560
Speaker 1: my job, and jessure kiss before setting her down. Look,

583
00:29:17,640 --> 00:29:22,200
Speaker 1: she's his therapist, she's his secretary secretary. She needs to

584
00:29:22,200 --> 00:29:24,840
Speaker 1: be compensated, and she needs to break. She needs her union. Sure,

585
00:29:24,920 --> 00:29:26,760
Speaker 1: she needs Yeah, she does need her union time she

586
00:29:26,800 --> 00:29:30,680
Speaker 1: does so Jesse gets on the phone and looks extremely

587
00:29:30,720 --> 00:29:33,520
Speaker 1: happy as the record company relays the news to him.

588
00:29:33,800 --> 00:29:36,280
Speaker 1: He shouts for Becky several times so he can tell

589
00:29:36,320 --> 00:29:39,160
Speaker 1: her about it, and soon enough, Becky walks down the

590
00:29:39,200 --> 00:29:41,400
Speaker 1: stairs and Jesse turns to call out for her again,

591
00:29:41,480 --> 00:29:43,520
Speaker 1: but he ends up yelling directly in her face.

592
00:29:44,120 --> 00:29:46,160
Speaker 2: Because we can teleport in this house, I'll tell you

593
00:29:46,160 --> 00:29:49,720
Speaker 2: that much. You're seeing people walk so fastly down.

594
00:29:49,680 --> 00:29:51,920
Speaker 1: Three frststairs in my life looks like they were just

595
00:29:51,960 --> 00:29:56,200
Speaker 1: waiting at the top of the landing. How weird. So

596
00:29:56,400 --> 00:30:00,160
Speaker 1: he excitedly tells everyone that his song is number one

597
00:30:00,560 --> 00:30:05,040
Speaker 1: in Japan. They all congratulate him, and he tells Becky

598
00:30:05,360 --> 00:30:07,520
Speaker 1: the record company wants us to go and stay there

599
00:30:07,560 --> 00:30:09,920
Speaker 1: for two weeks. You and Nikky and Alex get to

600
00:30:09,960 --> 00:30:14,360
Speaker 1: come and we leave this Saturday. Oh. Becky jumps up

601
00:30:14,400 --> 00:30:17,120
Speaker 1: with excitement and Dan asks Danny if he can cover

602
00:30:17,200 --> 00:30:18,680
Speaker 1: for her on Wake Up San Francisco.

603
00:30:19,440 --> 00:30:22,440
Speaker 2: Like yeah, Like it's a shift at uh you know,

604
00:30:22,800 --> 00:30:25,280
Speaker 2: ye can shift at Cracker Barrel.

605
00:30:26,960 --> 00:30:30,680
Speaker 1: Hey, if we say make it to my show, can

606
00:30:30,720 --> 00:30:32,760
Speaker 1: you can do it for me? Can you?

607
00:30:33,240 --> 00:30:35,600
Speaker 2: I'm gonna call you next time. You're like, Hey, I

608
00:30:35,760 --> 00:30:37,000
Speaker 2: got a thing, can't?

609
00:30:37,560 --> 00:30:40,080
Speaker 1: Can't? Can you just cover just two weeks of how

610
00:30:40,200 --> 00:30:43,280
Speaker 1: Rue tannerito, I'll cover for You're gonna tell mister Strowbridge

611
00:30:43,320 --> 00:30:45,800
Speaker 1: or whatever, my boss or anyone in the network. I'm

612
00:30:45,800 --> 00:30:48,360
Speaker 1: just gonna not show that day. But you got it. Yeah, nobody,

613
00:30:48,440 --> 00:30:51,800
Speaker 1: nobody knows. At least they acknowledged it, though they could

614
00:30:51,840 --> 00:30:54,920
Speaker 1: have just mentioned it, and we'd been what about Becky's job?

615
00:30:56,840 --> 00:30:58,720
Speaker 1: So they all, oh, yeah, no, I said that Becky

616
00:30:58,800 --> 00:31:01,680
Speaker 1: jumps up with excitement, and I said that too. Danny

617
00:31:01,800 --> 00:31:07,120
Speaker 1: is self aware and he was Recyclable bags. You know

618
00:31:07,160 --> 00:31:10,240
Speaker 1: why that's on my mind because they've eliminated the plastic

619
00:31:10,320 --> 00:31:14,600
Speaker 1: bags at grocery stores and now it's all that years ago.

620
00:31:14,800 --> 00:31:16,520
Speaker 1: No no, no no, But now you can't even have

621
00:31:16,640 --> 00:31:22,160
Speaker 1: like the heavy duty, recyclable, reusable plastic bags at the

622
00:31:22,160 --> 00:31:25,760
Speaker 1: grocery store, like those are out. It's banned in California.

623
00:31:25,800 --> 00:31:27,320
Speaker 1: Now it's paper bags and you still got to pay

624
00:31:27,400 --> 00:31:29,480
Speaker 1: ten cents for them. So bring your own bags, people,

625
00:31:29,640 --> 00:31:32,440
Speaker 1: bring your Tanner Tanner tote bags. We've been doing that

626
00:31:32,480 --> 00:31:35,080
Speaker 1: for years, okay, but now you don't even see it.

627
00:31:35,120 --> 00:31:37,760
Speaker 1: They used to. It used to be maybe because you're

628
00:31:37,800 --> 00:31:38,520
Speaker 1: an Orange county.

629
00:31:38,680 --> 00:31:42,800
Speaker 3: But La, we've been doing paper Yeah, we've had paper

630
00:31:42,800 --> 00:31:45,400
Speaker 3: bags and like maybe the only place I ever see

631
00:31:45,520 --> 00:31:48,120
Speaker 3: but not usually it's usually paper bags or like the

632
00:31:48,360 --> 00:31:50,320
Speaker 3: like the plasticky ones, but we they got rid of.

633
00:31:51,080 --> 00:31:53,840
Speaker 1: Yeah, I d so here it was. It was like

634
00:31:53,840 --> 00:31:56,920
Speaker 1: the heavy duty plastic and now it's you're not allowed

635
00:31:56,960 --> 00:31:59,280
Speaker 1: to There were some there was sel. I tried to

636
00:31:59,280 --> 00:32:00,760
Speaker 1: bring my little bag. Yeah, I try to bring my

637
00:32:00,800 --> 00:32:04,880
Speaker 1: little bags too. It's better. Yeah. Anyways, where the heck

638
00:32:05,000 --> 00:32:05,960
Speaker 1: was I don't even know where it was?

639
00:32:06,160 --> 00:32:10,640
Speaker 2: Literally starting twenty twenty six off with a bang.

640
00:32:10,720 --> 00:32:13,400
Speaker 1: Oh yeah, cover me for wake up San Francisco, right

641
00:32:13,520 --> 00:32:16,040
Speaker 1: right right. Nanny replies, Hey, no problem. If anyone can

642
00:32:16,080 --> 00:32:19,440
Speaker 1: talk for two, I'm your man. He's very self aware.

643
00:32:20,400 --> 00:32:22,720
Speaker 1: Becky and Jesse give each other a big hug because

644
00:32:22,760 --> 00:32:27,680
Speaker 1: they're officially going to Tokyo. Michelle interrupts and sadly asks,

645
00:32:27,760 --> 00:32:31,080
Speaker 1: you're going away, Jesse.

646
00:32:31,680 --> 00:32:34,400
Speaker 2: He's got to take her secretary's gonnas.

647
00:32:35,040 --> 00:32:37,520
Speaker 1: Yeah, she is right. His people like he's she should

648
00:32:37,560 --> 00:32:41,640
Speaker 1: go along, right yeah. Jesse tells her it'll only be

649
00:32:41,760 --> 00:32:44,800
Speaker 1: for two weeks, and he even adds, I promise all right,

650
00:32:45,360 --> 00:32:48,760
Speaker 1: but Michelle still looks sad. Right, send a homing pigeon

651
00:32:50,520 --> 00:32:51,840
Speaker 1: back in the day.

652
00:32:51,560 --> 00:32:54,360
Speaker 2: The day email all right, yeah, no no text, no

653
00:32:54,440 --> 00:32:56,680
Speaker 2: face sounds like okay, fine, I'll text you tomorrow.

654
00:32:56,960 --> 00:32:59,960
Speaker 1: I do now, you know. No letter writing a law

655
00:33:00,320 --> 00:33:04,840
Speaker 1: art people, so uh. Jesse says, okay, I'll call, but

656
00:33:05,040 --> 00:33:08,320
Speaker 1: Michelle is still not impressed, so he gives in all right,

657
00:33:08,360 --> 00:33:11,080
Speaker 1: I'll bring presents, and she gives him a satisfied smile

658
00:33:11,160 --> 00:33:13,760
Speaker 1: and tells him to have a nice trip. She knows

659
00:33:13,760 --> 00:33:17,160
Speaker 1: what she's doing. She knows, you know, she's not really shack.

660
00:33:17,720 --> 00:33:20,880
Speaker 2: I'm gonna get compensated one way or another. Yeah, yeah,

661
00:33:20,920 --> 00:33:23,280
Speaker 2: bring me presents. Okay, fine, you owe me anyway.

662
00:33:23,560 --> 00:33:33,960
Speaker 1: Exactly. So we see stock footage of a plane flying

663
00:33:33,960 --> 00:33:36,720
Speaker 1: to Japan, and next thing we know, we are in

664
00:33:36,840 --> 00:33:40,800
Speaker 1: Jesse's dressing room in Tokyo, where Jesse is surrounded by

665
00:33:40,840 --> 00:33:43,480
Speaker 1: a horde of fans and they are all screaming and

666
00:33:43,560 --> 00:33:49,080
Speaker 1: asking for his autograph. He is just living his best life, Jesse.

667
00:33:50,200 --> 00:33:53,040
Speaker 1: He asks Kogi how to say thank you in Japanese

668
00:33:53,080 --> 00:33:57,200
Speaker 1: and responds domo. So Jesse tells his fans domo and

669
00:33:57,280 --> 00:34:00,960
Speaker 1: there and then he does it as an Elvis Domo

670
00:34:01,120 --> 00:34:04,160
Speaker 1: very much, and the fans lose it. They love everything

671
00:34:04,200 --> 00:34:08,759
Speaker 1: he does. There's the most unconditional fans ever. Yeah. Then

672
00:34:08,760 --> 00:34:11,799
Speaker 1: Becky walks in carrying the twins and she's surprised to

673
00:34:11,840 --> 00:34:15,239
Speaker 1: see so many dedicated fans. Nikki and Alex are dressed

674
00:34:15,239 --> 00:34:18,200
Speaker 1: in little kimonos, and Jesse proudly shows them off to

675
00:34:18,239 --> 00:34:22,680
Speaker 1: his fans, calling the boys his karate kids. Oh boy,

676
00:34:23,080 --> 00:34:26,360
Speaker 1: that's just the first of many offensive statements.

677
00:34:26,760 --> 00:34:30,080
Speaker 2: Yeah, that whole sentence. I was like, man, yes, that's

678
00:34:30,080 --> 00:34:32,600
Speaker 2: a lot anyway. Sorry Japan, we love you.

679
00:34:32,640 --> 00:34:37,440
Speaker 1: Sorry Japan, we know better now. Jesse brags to Becky

680
00:34:37,480 --> 00:34:40,120
Speaker 1: that he's even on T shirts over here, and he

681
00:34:40,120 --> 00:34:42,400
Speaker 1: points to two of his fans to prove it. He

682
00:34:42,440 --> 00:34:44,960
Speaker 1: finally waves goodbye to the fans as they're forced out

683
00:34:44,960 --> 00:34:47,360
Speaker 1: of the room. He is bowing and saying Domo to

684
00:34:47,400 --> 00:34:51,000
Speaker 1: them with a huge smile on his face. Jesse's shocked

685
00:34:51,000 --> 00:34:53,480
Speaker 1: at how many fans showed up just for the rehearsal,

686
00:34:54,000 --> 00:34:56,320
Speaker 1: and Becky points out that they do seem to worship

687
00:34:56,400 --> 00:34:59,319
Speaker 1: him here. He gestures to the dressing room with that

688
00:34:59,480 --> 00:35:02,440
Speaker 1: big grin still plastered onto his face, and he says,

689
00:35:02,480 --> 00:35:05,120
Speaker 1: I mean, look at all these flowers and balloons. I

690
00:35:05,200 --> 00:35:07,560
Speaker 1: really love what they've done with this dressing room. It's

691
00:35:07,600 --> 00:35:11,359
Speaker 1: so me. And he says this as he poses next

692
00:35:11,400 --> 00:35:15,160
Speaker 1: to a giant picture of himself. There's never been a

693
00:35:15,239 --> 00:35:18,600
Speaker 1: more Jesse moment. Jesse posing next to himself.

694
00:35:18,800 --> 00:35:20,960
Speaker 2: Was like, I would be so horribly uncomfortable with a

695
00:35:21,040 --> 00:35:23,319
Speaker 2: giant picture of myself in my own room.

696
00:35:23,600 --> 00:35:27,880
Speaker 5: This posture for Vulture or whatever? That performance, Yes, the Vulture.

697
00:35:27,880 --> 00:35:32,680
Speaker 5: Oh's great detail. The set deck detail is amazing in

698
00:35:32,760 --> 00:35:33,759
Speaker 5: this so much fun.

699
00:35:33,840 --> 00:35:36,480
Speaker 1: Yeah, it was great. Jesse sees a bowl of cashows

700
00:35:36,560 --> 00:35:39,840
Speaker 1: and gets excited, but his face sours when he realizes

701
00:35:39,960 --> 00:35:43,839
Speaker 1: they're salted. Cogi apologizes and quickly leaves to go get

702
00:35:43,880 --> 00:35:47,200
Speaker 1: him unsalted ones. When Cogi opens the door to leave,

703
00:35:47,239 --> 00:35:50,400
Speaker 1: the fans are standing outside and screaming for Jesse. He

704
00:35:50,520 --> 00:35:53,640
Speaker 1: boasts to Becky, I love being number one? Don't you

705
00:35:53,719 --> 00:35:57,839
Speaker 1: love being missus number one? Gee? And then she touched

706
00:35:57,880 --> 00:36:03,080
Speaker 1: him in the face, she slyly admits, thus bringing this

707
00:36:03,160 --> 00:36:08,040
Speaker 1: episode to a close. She says, well, I love seeing

708
00:36:08,080 --> 00:36:11,840
Speaker 1: you so happy. You're smiling all the time, and in response,

709
00:36:12,000 --> 00:36:15,680
Speaker 1: his grin widens even more. Then the door opens again,

710
00:36:15,719 --> 00:36:19,840
Speaker 1: and Nancy Shimata walks in. She represents Fat Fish Records

711
00:36:19,840 --> 00:36:23,319
Speaker 1: in Japan, and she profusely apologizes to Jesse for the

712
00:36:23,440 --> 00:36:27,080
Speaker 1: cashew situation, assuring him that his snacks will be handled

713
00:36:27,080 --> 00:36:30,600
Speaker 1: properly in the future. Jesse tries to tell her it's okay,

714
00:36:30,680 --> 00:36:33,520
Speaker 1: but she insists, you are a rock star, you should

715
00:36:33,520 --> 00:36:41,240
Speaker 1: be treated like one. Nancy she hasn't watched the previous

716
00:36:41,280 --> 00:36:44,759
Speaker 1: five seasons. She hasn't seen the last time he became

717
00:36:44,800 --> 00:36:50,080
Speaker 1: a rock star, so she continues to feed Jesse's ego,

718
00:36:50,160 --> 00:36:56,040
Speaker 1: and he tells Becky, I'm a rock star. Nancy said, so, Nancy,

719
00:36:56,680 --> 00:37:01,520
Speaker 1: you have patience the Saint. Nancy continues to give Jesse

720
00:37:01,640 --> 00:37:04,920
Speaker 1: his schedule for the afternoon, but Becky interrupts because she

721
00:37:05,040 --> 00:37:08,960
Speaker 1: thought they were going sightseeing. Jesse clarifies, Oh, I'm sorry, honey,

722
00:37:09,040 --> 00:37:11,959
Speaker 1: I have a photo session and an album signing thing.

723
00:37:12,320 --> 00:37:16,720
Speaker 1: Didn't my people tell you, Michelle Becky raises an eyebrow.

724
00:37:17,239 --> 00:37:20,600
Speaker 1: Your people. He nods, yeah, I have people now, Is

725
00:37:20,640 --> 00:37:23,640
Speaker 1: that cool or what? But with a look on Becky's face,

726
00:37:23,880 --> 00:37:27,320
Speaker 1: she doesn't seem to agree. The door opens again. Cogi

727
00:37:27,680 --> 00:37:31,360
Speaker 1: hurries in with a bowl of unsalted cashews. He presents

728
00:37:31,360 --> 00:37:34,560
Speaker 1: them to Jesse, who changes his mind and asks for

729
00:37:34,640 --> 00:37:40,920
Speaker 1: honey roasted instead. Coge winces as he says honey roasted,

730
00:37:41,320 --> 00:37:45,400
Speaker 1: no problem, while slowly turning to leave again. Becky is

731
00:37:45,440 --> 00:37:48,440
Speaker 1: shocked by his behavior, almost calling him out on it,

732
00:37:48,719 --> 00:37:51,480
Speaker 1: but she decides against it and tells him to forget it.

733
00:37:52,600 --> 00:37:55,560
Speaker 1: Cogi makes his way out the door past the screaming fans. Again.

734
00:37:56,160 --> 00:37:58,440
Speaker 1: Becky tells her husband, I have to get the boys

735
00:37:58,440 --> 00:38:01,360
Speaker 1: back to the hotel for a nap. What about tomorrow afternoon?

736
00:38:01,600 --> 00:38:04,400
Speaker 1: Do you think we could go see Mount Fuji? Nancy

737
00:38:04,400 --> 00:38:06,560
Speaker 1: shakes her head. I don't think so. We've got Jesse

738
00:38:06,640 --> 00:38:09,520
Speaker 1: booked up for the rest of your visit. Jesse takes

739
00:38:09,520 --> 00:38:11,520
Speaker 1: the schedule from Nancy and points out that he's got

740
00:38:11,520 --> 00:38:15,719
Speaker 1: photo ops, record signings. He's even christening a bullet train.

741
00:38:16,600 --> 00:38:18,840
Speaker 1: Becky asks if there's anything on the schedule that says

742
00:38:19,080 --> 00:38:22,920
Speaker 1: time with family. So Jesse offers a solution. You know what,

743
00:38:23,160 --> 00:38:25,239
Speaker 1: We'll stay an extra few days and we'll go see

744
00:38:25,280 --> 00:38:30,400
Speaker 1: all the traditional Japanese touristy stuff. Okay, he asks Nancy,

745
00:38:30,440 --> 00:38:32,520
Speaker 1: do you guys have an Elvis museum here in Tokyo?

746
00:38:34,200 --> 00:38:37,120
Speaker 1: Becky scoffs, I can't stay an extra few days. I

747
00:38:37,160 --> 00:38:39,319
Speaker 1: have to get home and get back to work. And

748
00:38:39,400 --> 00:38:43,080
Speaker 1: the boys they missed the family, their toys, their regular food.

749
00:38:44,000 --> 00:38:46,399
Speaker 1: Jesse turns to the twins and asks, what's the matter, guys,

750
00:38:46,400 --> 00:38:49,520
Speaker 1: you don't like sushi, and then the twins playfully repeat

751
00:38:49,520 --> 00:38:52,760
Speaker 1: the word sushi back to him, Sushi me so cute?

752
00:38:53,239 --> 00:38:57,080
Speaker 1: Oh my boys, Yeah, it's just they're so stink and cute.

753
00:38:58,280 --> 00:39:00,600
Speaker 1: Nancy interrupts and tells Jesse they got to get moving.

754
00:39:01,040 --> 00:39:03,960
Speaker 1: Jesse agrees, telling Becky we can't keep the fans waiting.

755
00:39:04,160 --> 00:39:07,000
Speaker 1: See you a sweetheart. Becky tries to stop him before

756
00:39:07,040 --> 00:39:10,319
Speaker 1: he leaves, asking well, what about dinner? He shrugs, I'll

757
00:39:10,360 --> 00:39:13,320
Speaker 1: catch something on the flight. Thanks for thinking to me, babe. Really.

758
00:39:14,239 --> 00:39:16,360
Speaker 1: He opens the door to his adoring fans and says,

759
00:39:16,440 --> 00:39:19,200
Speaker 1: look out here I come. As they all scream and

760
00:39:19,239 --> 00:39:22,680
Speaker 1: crowd around him. Becky sighs as she watches him leave.

761
00:39:23,160 --> 00:39:27,000
Speaker 1: The twins ask Daddy go, we hear the violins start,

762
00:39:27,040 --> 00:39:30,480
Speaker 1: and Becky responds, I know, boys, I miss daddy too.

763
00:39:31,680 --> 00:39:33,960
Speaker 1: She picks them up and holds them as they continue

764
00:39:33,960 --> 00:39:40,720
Speaker 1: to ask for their daddy. What's your opinion on this. Okay, well,

765
00:39:42,000 --> 00:39:42,920
Speaker 1: I'm a little I'm.

766
00:39:42,760 --> 00:39:44,520
Speaker 2: Torn on this one because this is the first time

767
00:39:44,560 --> 00:39:47,440
Speaker 2: where I actually look at Becky and I go, yes, Becky,

768
00:39:48,120 --> 00:39:49,200
Speaker 2: this is a work trip.

769
00:39:49,640 --> 00:39:52,160
Speaker 1: This is you got to come and it's cool, but

770
00:39:52,320 --> 00:39:53,839
Speaker 1: this he's is a work trip.

771
00:39:53,880 --> 00:39:57,640
Speaker 2: And maybe it's because like we understand what that entails

772
00:39:57,680 --> 00:39:59,560
Speaker 2: that it's like you don't know time, you just have

773
00:39:59,640 --> 00:40:02,719
Speaker 2: to go yourself ragged, and like if the person that

774
00:40:02,880 --> 00:40:05,360
Speaker 2: got to come with you isn't able to entertain themselves

775
00:40:05,360 --> 00:40:07,239
Speaker 2: for like the time that you have to be busy, like,

776
00:40:08,239 --> 00:40:11,400
Speaker 2: don't it don't break them because it's Yeah.

777
00:40:11,320 --> 00:40:14,160
Speaker 1: I agree, I agree with this. Yeah, I was. I

778
00:40:14,200 --> 00:40:15,799
Speaker 1: was sort of on this. I was like, Okay, Jesse,

779
00:40:16,560 --> 00:40:17,359
Speaker 1: let's stop it.

780
00:40:17,960 --> 00:40:22,360
Speaker 2: But Betty, Becky, you gotta be a little more realistic

781
00:40:22,400 --> 00:40:24,839
Speaker 2: about what this, right, it is, which is.

782
00:40:24,800 --> 00:40:27,640
Speaker 1: A problem he's working. He's working. I mean, this should

783
00:40:27,640 --> 00:40:30,160
Speaker 1: have been a discussion in the first scene. Now, I

784
00:40:30,160 --> 00:40:32,040
Speaker 1: mean that would have solved a lot of right they

785
00:40:32,040 --> 00:40:34,160
Speaker 1: had just had this discussion and I think that.

786
00:40:34,400 --> 00:40:36,319
Speaker 2: Right, well, and then it would have really got true

787
00:40:36,840 --> 00:40:37,000
Speaker 2: like a.

788
00:40:37,600 --> 00:40:41,040
Speaker 1: Three minute episode, right, But I think that I feel

789
00:40:41,080 --> 00:40:44,279
Speaker 1: like the episode was written to paint Jesse as the

790
00:40:44,320 --> 00:40:47,359
Speaker 1: bad guy for being the you know, he's getting all

791
00:40:47,400 --> 00:40:50,000
Speaker 1: it's going to his head that he's being pop stars, right,

792
00:40:50,400 --> 00:40:52,320
Speaker 1: and he should be with his family instead. But I

793
00:40:53,000 --> 00:40:57,279
Speaker 1: personally disagree with that. I travel for work and there's

794
00:40:57,320 --> 00:40:59,839
Speaker 1: no time for family. And there's you.

795
00:41:00,320 --> 00:41:02,439
Speaker 2: Yeah, you're like sometimes you got to do a thing

796
00:41:03,080 --> 00:41:06,160
Speaker 2: and like and and it's great that they got to come,

797
00:41:06,719 --> 00:41:08,840
Speaker 2: but someone else.

798
00:41:10,719 --> 00:41:13,400
Speaker 1: You're going, you get to go to Japan and they

799
00:41:13,440 --> 00:41:15,720
Speaker 1: should have had a conversation with fun do I say,

800
00:41:15,840 --> 00:41:17,719
Speaker 1: you know, okay, Becky and the twins, you can come,

801
00:41:17,760 --> 00:41:19,759
Speaker 1: but I'm not going to have time. I thought the

802
00:41:19,800 --> 00:41:23,399
Speaker 1: solution of them staying an extra week or whatever. I thought,

803
00:41:24,080 --> 00:41:25,920
Speaker 1: do that, but she can't cause she's got to get

804
00:41:25,920 --> 00:41:27,120
Speaker 1: back to Wake Up San Francisco.

805
00:41:28,400 --> 00:41:31,319
Speaker 2: Just called Danny again and go, hey, come again a

806
00:41:31,320 --> 00:41:32,439
Speaker 2: couple more three four?

807
00:41:32,600 --> 00:41:35,600
Speaker 1: Yeah, that's it. I mean to have somebody else in

808
00:41:35,640 --> 00:41:38,520
Speaker 1: the Tanner household. Honestly, that's all we do. Give Joey

809
00:41:38,520 --> 00:41:40,080
Speaker 1: another show, Joey.

810
00:41:39,760 --> 00:41:43,480
Speaker 2: Take a couple of days off from Rachel Joe and

811
00:41:43,719 --> 00:41:44,040
Speaker 2: that's all.

812
00:41:44,080 --> 00:41:46,320
Speaker 1: I would watch that show. Wake Up San Francisco starring

813
00:41:46,360 --> 00:41:50,279
Speaker 1: Joey Gladstone and Danny Tanner, that would be hysterical. Oh,

814
00:41:50,719 --> 00:41:53,000
Speaker 1: I know, I'm with you on this. I think Becky's

815
00:41:53,040 --> 00:41:57,440
Speaker 1: expectations were too And Jesse even though he's you know,

816
00:41:57,640 --> 00:42:01,239
Speaker 1: he's Jesse's Jesse, but his work, you know this, and

817
00:42:01,280 --> 00:42:04,960
Speaker 1: this has been his dream for five seasons. So let

818
00:42:05,040 --> 00:42:09,000
Speaker 1: him have it. Yeah, that has only come so now

819
00:42:09,160 --> 00:42:12,080
Speaker 1: an international. We've got an a pop star now, so

820
00:42:12,239 --> 00:42:15,520
Speaker 1: just you know, let him have his moment. Yeah. I

821
00:42:15,719 --> 00:42:18,399
Speaker 1: for once, I am not team Becky on this. Oh,

822
00:42:18,920 --> 00:42:23,120
Speaker 1: I'm shocked. I was very shocked. So back at the

823
00:42:23,120 --> 00:42:26,800
Speaker 1: Tanner House in the living room, Danny walks downstairs with Joey,

824
00:42:26,800 --> 00:42:29,759
Speaker 1: telling him he knows what Joey's up to. He's just

825
00:42:29,840 --> 00:42:33,919
Speaker 1: trying to drag him into another dumb argument. Joey, Joey

826
00:42:33,960 --> 00:42:37,800
Speaker 1: needs you hobby or a friend or girlfriend or girlfriend something.

827
00:42:38,040 --> 00:42:40,400
Speaker 1: They are another job. I don't know. Yeah, he's just

828
00:42:41,320 --> 00:42:43,880
Speaker 1: they don't know what to do with Joey. They don't

829
00:42:43,920 --> 00:42:46,600
Speaker 1: know what to do with him. I know, man, I

830
00:42:46,640 --> 00:42:49,600
Speaker 1: feel bad for him. So Joey brushes him off. It's

831
00:42:49,680 --> 00:42:52,400
Speaker 1: just a faery. There's only so much weight in the world.

832
00:42:52,520 --> 00:42:55,839
Speaker 1: If I lose five pounds, someone else has to gain it.

833
00:42:56,000 --> 00:42:58,520
Speaker 1: Danny wines, why are you doing this to me? And

834
00:42:58,600 --> 00:43:02,200
Speaker 1: Joey admits because the k out. Okay, well, maybe that's

835
00:43:02,200 --> 00:43:04,480
Speaker 1: why he's bored. He can't watch his cartoons, so he's

836
00:43:04,520 --> 00:43:08,439
Speaker 1: just following Danny around. Right, wait till he hears about

837
00:43:08,440 --> 00:43:12,160
Speaker 1: the flat earthers. He's gonna have some. Eve'm busy. Yeah,

838
00:43:12,280 --> 00:43:15,520
Speaker 1: Joey's definitely a flat earther. Then DJ walks in and

839
00:43:15,680 --> 00:43:18,920
Speaker 1: Danny begs her to say something intelligent. He asks how

840
00:43:18,960 --> 00:43:23,680
Speaker 1: the editorial is going DJ size, it's not. I'm supposed

841
00:43:23,680 --> 00:43:26,160
Speaker 1: to write my opinion of the class elections, but if

842
00:43:26,160 --> 00:43:28,719
Speaker 1: I write what I really think, Kimmy's gonna hate me.

843
00:43:29,480 --> 00:43:32,440
Speaker 1: Joey's curious if she's still running on her ignorance is

844
00:43:32,520 --> 00:43:36,160
Speaker 1: bliss ticket and DJ says yes. She tells them, if

845
00:43:36,200 --> 00:43:39,440
Speaker 1: Kimmy wins, every guy with eight percent body fat or

846
00:43:39,520 --> 00:43:43,080
Speaker 1: under will have to do a torn T shirt contest.

847
00:43:43,800 --> 00:43:48,000
Speaker 1: Danny Lynn Kimmy is third. Kim Kimmy like just tows

848
00:43:48,080 --> 00:43:53,840
Speaker 1: her off, like and she's only what sixteen at calm down, Kimmy.

849
00:43:54,080 --> 00:43:56,120
Speaker 1: This yeah, And.

850
00:43:56,080 --> 00:43:58,120
Speaker 2: Also I was like eight percent body fatter.

851
00:43:58,000 --> 00:44:02,279
Speaker 1: Less the people, do you know what I mean? Like

852
00:44:03,120 --> 00:44:07,480
Speaker 1: Kimmy problematic Kimmy. So Danny gives some advice to DJ.

853
00:44:08,280 --> 00:44:10,960
Speaker 1: A good journalist has to tell the truth, even if

854
00:44:11,000 --> 00:44:15,440
Speaker 1: it means hurting your friends. When DJ looks hesitant, he suggests,

855
00:44:15,640 --> 00:44:18,920
Speaker 1: maybe if you use big words, she won't understand it.

856
00:44:19,280 --> 00:44:23,560
Speaker 1: I thought was actually good advice. She's not gonna read

857
00:44:23,560 --> 00:44:28,000
Speaker 1: the newspaper. Next, in the girls room, steph is doing

858
00:44:28,000 --> 00:44:33,440
Speaker 1: her homework, wearing your signature glasses. I look like the

859
00:44:33,560 --> 00:44:38,279
Speaker 1: turtle or what's that bring some cartoon? Yes, that's what

860
00:44:38,280 --> 00:44:41,520
Speaker 1: we named our We named our Franklin after that Franklin.

861
00:44:42,160 --> 00:44:44,680
Speaker 1: You know you're should tell Jeff you named it after him.

862
00:44:44,760 --> 00:44:50,479
Speaker 1: Oh yeah, oh well yeah, he Jeff Franklin. I named

863
00:44:50,480 --> 00:44:55,560
Speaker 1: my Amphibian after you. You did that. Your glasses, though,

864
00:44:55,600 --> 00:44:58,040
Speaker 1: are the This is the best continuity on the whole series,

865
00:44:58,120 --> 00:45:03,280
Speaker 1: the whole eight seasons. You're the entire full fuller house.

866
00:45:04,160 --> 00:45:08,400
Speaker 1: Stephanie stuck with the best cotton duty. So uh, Michelle's

867
00:45:08,440 --> 00:45:11,760
Speaker 1: playing with her dollhouse and the phone rings. Both girls

868
00:45:11,840 --> 00:45:14,160
Speaker 1: rush toward the phone, but Stephanie gets there first. This

869
00:45:14,280 --> 00:45:18,400
Speaker 1: time she wishes please be Randy instead. It's just a

870
00:45:18,480 --> 00:45:21,840
Speaker 1: random person asking for Marios, and they want pineapple on

871
00:45:21,840 --> 00:45:26,200
Speaker 1: their pizza. Steph is disgusted by this order. I love

872
00:45:26,320 --> 00:45:28,960
Speaker 1: pineapple and pizza and we talked about this. I think

873
00:45:29,000 --> 00:45:32,279
Speaker 1: pineapple and pizza is good. Run with it. It's like

874
00:45:32,280 --> 00:45:38,920
Speaker 1: a charcoterlicious Yeah, she's he's wrong with that. Nothing. So

875
00:45:38,960 --> 00:45:42,439
Speaker 1: then they say something on the other end and which

876
00:45:42,480 --> 00:45:47,040
Speaker 1: apparently is not flattering, and Stephanie does her signature how rude. Now,

877
00:45:47,080 --> 00:45:50,720
Speaker 1: according to the Internet, this is the last known episode

878
00:45:50,760 --> 00:45:53,960
Speaker 1: to feature how Rude until Fuller House. I don't believe it,

879
00:45:54,120 --> 00:45:56,800
Speaker 1: but that's what the I know what. We have several

880
00:45:56,800 --> 00:45:59,280
Speaker 1: seasons to go. How could this possibly be your last

881
00:45:59,280 --> 00:46:02,359
Speaker 1: how rude? I think the Internet's wrong. Wiki is wrong.

882
00:46:02,480 --> 00:46:07,640
Speaker 1: I guarantee. I feel like possibly go two more seasons

883
00:46:07,680 --> 00:46:11,960
Speaker 1: without saying any more how rudes. That's sacrilegious. Three really,

884
00:46:12,040 --> 00:46:16,640
Speaker 1: because all of six, seven, and eight, maybe because they

885
00:46:16,680 --> 00:46:18,600
Speaker 1: were like, oh, she's getting older now, maybe it's not

886
00:46:18,640 --> 00:46:20,560
Speaker 1: as cute, and I don't know, but I think I

887
00:46:20,560 --> 00:46:22,840
Speaker 1: think they're too. So I'm gonna pay close attention and

888
00:46:22,920 --> 00:46:26,080
Speaker 1: see if how Rude comes back. Steph hangs up the

889
00:46:26,080 --> 00:46:28,839
Speaker 1: phone and tells Michelle that that call didn't count, so

890
00:46:28,880 --> 00:46:32,080
Speaker 1: she still gets to answer the next one. Michelle refuses, No,

891
00:46:32,480 --> 00:46:35,120
Speaker 1: the next one could be Uncle Jesse, and she sits

892
00:46:35,160 --> 00:46:37,800
Speaker 1: at the table with Steph and wonders why he hasn't called.

893
00:46:38,680 --> 00:46:45,160
Speaker 1: Steph says it's probably because he's busy and he's in Japan. Uh, well,

894
00:46:45,239 --> 00:46:48,080
Speaker 1: that took Becky. Steph the voice of reason, where everyone's.

895
00:46:47,760 --> 00:46:52,080
Speaker 2: Like, yeah, he's on a work trip halfway across the wild.

896
00:46:51,960 --> 00:46:56,000
Speaker 1: And there's no cell phones. It is expensive seven dollars

897
00:46:56,000 --> 00:46:57,719
Speaker 1: to call for three minutes. Is the only one that

898
00:46:57,800 --> 00:47:00,239
Speaker 1: understands the assignment here? You know he's on You're all

899
00:47:00,320 --> 00:47:07,320
Speaker 1: work here internationally. Leave them alone. So Michelle starts pestering

900
00:47:07,320 --> 00:47:11,080
Speaker 1: stuff with questions about how far Japan is. Steph tells

901
00:47:11,080 --> 00:47:13,960
Speaker 1: her it's thousands of miles away. Michelle asks how far

902
00:47:14,040 --> 00:47:17,920
Speaker 1: a mile is and Steph rolls her eyes. It's two

903
00:47:18,040 --> 00:47:20,960
Speaker 1: hundred and eighty feet. Michelle is shocked at how many

904
00:47:21,000 --> 00:47:23,480
Speaker 1: feet that is. She wonders how she's going to get

905
00:47:23,480 --> 00:47:25,200
Speaker 1: to Japan if it's all the way on the other

906
00:47:25,280 --> 00:47:28,560
Speaker 1: side of the world. Steph has had it with these questions,

907
00:47:28,880 --> 00:47:30,799
Speaker 1: so she tells Michelle she could dig a hole in

908
00:47:30,840 --> 00:47:34,040
Speaker 1: the earth and come out the other side. Michelle takes

909
00:47:34,040 --> 00:47:37,440
Speaker 1: this as literal advice and responds, Oh, thank you. Now,

910
00:47:37,480 --> 00:47:40,480
Speaker 1: was that so hard? Did you ever believe in this

911
00:47:40,520 --> 00:47:43,600
Speaker 1: whole you know, dig yourself to a different cut? Did

912
00:47:43,640 --> 00:47:45,920
Speaker 1: you ever do it? I low key wanted to believe

913
00:47:45,920 --> 00:47:47,360
Speaker 1: it when I was a kid, even though I didn't

914
00:47:47,400 --> 00:47:50,879
Speaker 1: really believe it. Yeah, the same I was like, oh,

915
00:47:50,960 --> 00:47:51,920
Speaker 1: would not be cool.

916
00:47:52,120 --> 00:47:55,000
Speaker 2: And then but then I also, you know, once you

917
00:47:55,120 --> 00:47:59,680
Speaker 2: learn the whole magma business, you're like, you know, not

918
00:47:59,680 --> 00:48:02,839
Speaker 2: not the solid molten core of the liquid molten core

919
00:48:02,880 --> 00:48:04,200
Speaker 2: of the earth doesn't sound.

920
00:48:03,960 --> 00:48:06,560
Speaker 1: Great to go That would be instant death, So it

921
00:48:06,560 --> 00:48:10,840
Speaker 1: would not be a vacation. I'd want to go on hopefully.

922
00:48:11,640 --> 00:48:14,800
Speaker 1: Next we are back in Japan at the Jesse and

923
00:48:14,840 --> 00:48:19,880
Speaker 1: the Rippers concert. Yeah, Jesse is on stage with his

924
00:48:20,000 --> 00:48:23,680
Speaker 1: band ready to perform to his audience in Tokyo. He

925
00:48:23,760 --> 00:48:28,799
Speaker 1: tells the crowd he's going to perform Tasukette Randa in

926
00:48:28,880 --> 00:48:32,000
Speaker 1: their language, which is obviously the Beach Boys song Help

927
00:48:32,080 --> 00:48:35,359
Speaker 1: Me Ronda. Kogi is in the audience holding up que

928
00:48:35,400 --> 00:48:39,080
Speaker 1: cards for Jesse so he can read the lyrics in Japanese.

929
00:48:40,000 --> 00:48:42,880
Speaker 1: It's all going fine until Koji gets bumped by some

930
00:48:43,040 --> 00:48:48,719
Speaker 1: fans and drops the Q cards. Jesse stopped amateurs. Amateurs.

931
00:48:49,320 --> 00:48:53,479
Speaker 1: This is before telepromptures, Like he had que cards. It's

932
00:48:53,640 --> 00:48:58,120
Speaker 1: not they had telep Well, then the joke doesn't work

933
00:48:58,200 --> 00:49:02,359
Speaker 1: because the joke has to work the Joe cast to work. No,

934
00:49:02,560 --> 00:49:05,879
Speaker 1: I had teleprompters. I think they're playing the news. Okay, well,

935
00:49:05,960 --> 00:49:08,360
Speaker 1: then the queue card. Then I should have used that

936
00:49:08,400 --> 00:49:13,400
Speaker 1: instead of the que cards. Jesse stops singing and awkwardly says, Kogi,

937
00:49:13,520 --> 00:49:16,480
Speaker 1: get the cards up. Japanese is not my second language.

938
00:49:17,080 --> 00:49:20,400
Speaker 1: Cogi's scrambling and having a hard time gathering the giant cards,

939
00:49:20,640 --> 00:49:23,759
Speaker 1: so Jesse gets flustered on stage. He decides it'd be

940
00:49:23,760 --> 00:49:28,200
Speaker 1: best to list off random Japanese car brands before finally

941
00:49:28,239 --> 00:49:34,640
Speaker 1: singing Ronda. I'm so sorry. And I did it in

942
00:49:34,760 --> 00:49:37,520
Speaker 1: Fuller too when I was the Tepanyaki chef and like

943
00:49:37,560 --> 00:49:39,719
Speaker 1: the writers kept telling me, oh yeah, just say like

944
00:49:39,800 --> 00:49:44,080
Speaker 1: you know Mitsubishi, and I'm I'm sorry, sorry, guys, it's

945
00:49:44,120 --> 00:49:47,719
Speaker 1: not cool and we know better now. No, no, yes.

946
00:49:47,800 --> 00:49:52,000
Speaker 1: The song ends, and for some reason, the crowd loves it.

947
00:49:52,560 --> 00:49:56,480
Speaker 1: The fans are very eager to please. Jesse introduces the

948
00:49:56,480 --> 00:49:58,920
Speaker 1: next song by saying this is all. This is for

949
00:49:58,960 --> 00:50:01,680
Speaker 1: all the beautiful people in Japan for making this song

950
00:50:01,800 --> 00:50:03,440
Speaker 1: number one and forever.

951
00:50:03,960 --> 00:50:05,839
Speaker 2: Oh this is I had to go to this one

952
00:50:06,360 --> 00:50:08,560
Speaker 2: to that wherever begins to play.

953
00:50:08,960 --> 00:50:11,200
Speaker 1: I like this version of it. I do. I'll hear

954
00:50:11,239 --> 00:50:13,240
Speaker 1: it again. We should say this or was this before

955
00:50:13,239 --> 00:50:16,520
Speaker 1: we started recording? I liked this live version of Forever

956
00:50:16,640 --> 00:50:18,680
Speaker 1: much better than the video where we saw the baby's

957
00:50:18,680 --> 00:50:21,920
Speaker 1: testicle much better. Yeah yeah, yeah, yeah, yeah yeah that

958
00:50:21,960 --> 00:50:24,760
Speaker 1: really ruined it. At least there were no baby testicles

959
00:50:24,760 --> 00:50:26,600
Speaker 1: in this performance. I appreciate it, right.

960
00:50:27,160 --> 00:50:29,800
Speaker 2: All you know that always makes for a good Uh,

961
00:50:29,880 --> 00:50:32,200
Speaker 2: that's a good thing to keep in mind. Yeah, no,

962
00:50:32,400 --> 00:50:35,120
Speaker 2: but this I forgot. What we were talking about before

963
00:50:35,120 --> 00:50:39,719
Speaker 2: the show is how many times this song late?

964
00:50:40,840 --> 00:50:41,560
Speaker 1: It's the what.

965
00:50:41,640 --> 00:50:45,640
Speaker 2: Third episode of season six? How many times did we

966
00:50:45,680 --> 00:50:47,160
Speaker 2: play it? In season five?

967
00:50:47,200 --> 00:50:48,840
Speaker 1: Is when they got married or was that four? No,

968
00:50:48,880 --> 00:50:51,040
Speaker 1: it was four, so they got married in four four?

969
00:50:51,280 --> 00:50:53,560
Speaker 1: They played it there, right, we listen played it. There

970
00:50:53,600 --> 00:50:57,120
Speaker 1: was a video, was a video, then there was the rap,

971
00:50:57,680 --> 00:51:01,520
Speaker 1: the wrap one too, and now the Tokyo as I

972
00:51:01,560 --> 00:51:04,400
Speaker 1: think the fourth team twice and I'm just like, dang,

973
00:51:04,480 --> 00:51:07,839
Speaker 1: we listened to this song. Ye oh forever you're been

974
00:51:07,880 --> 00:51:09,360
Speaker 1: listening to this forever?

975
00:51:09,719 --> 00:51:14,359
Speaker 2: Yes, forever? Yeah, Now, I really didn't know that, uh

976
00:51:15,560 --> 00:51:16,200
Speaker 2: I would get that.

977
00:51:16,200 --> 00:51:19,040
Speaker 1: Sign a song, you know, well, I didn't mind this version,

978
00:51:19,160 --> 00:51:21,000
Speaker 1: but yeah, I'm like, how many times are any? But

979
00:51:21,040 --> 00:51:23,240
Speaker 1: the beach boys are happy because they get the publishing

980
00:51:23,280 --> 00:51:24,760
Speaker 1: on it, you know, Beach boys are set.

981
00:51:25,520 --> 00:51:27,319
Speaker 2: Yeah, that's why they were like, yeah, shure, take the song,

982
00:51:27,400 --> 00:51:28,640
Speaker 2: go ahead, say it every day?

983
00:51:28,719 --> 00:51:32,399
Speaker 1: Or smart they were so smart. Yeah, yeah, they were like, sure,

984
00:51:32,440 --> 00:51:33,400
Speaker 1: play it on full House.

985
00:51:33,440 --> 00:51:36,160
Speaker 2: That'll be on for the next forty years, and playing

986
00:51:36,239 --> 00:51:38,920
Speaker 2: ninety they could see into the future.

987
00:51:39,360 --> 00:51:40,880
Speaker 1: How many more times are we going to hear it?

988
00:51:40,880 --> 00:51:42,480
Speaker 1: I'm sure the fan of Ridos know the answer to

989
00:51:42,480 --> 00:51:45,120
Speaker 1: this question, but I'm like it again, is this the

990
00:51:45,200 --> 00:51:53,000
Speaker 1: last time I'd rather hear ten more House Roads than another? Well,

991
00:51:53,200 --> 00:51:55,200
Speaker 1: I don't know, I don't know, but the crowd loves it,

992
00:51:55,320 --> 00:51:58,160
Speaker 1: and Becky is just beaming at her husband. She is

993
00:51:58,280 --> 00:52:01,640
Speaker 1: very happy for him. Back at the Tanner House in

994
00:52:01,680 --> 00:52:04,799
Speaker 1: the living room, Steve comes barging into the house with

995
00:52:04,920 --> 00:52:08,800
Speaker 1: DJ trailing after him, and DJ's wearing her signature color

996
00:52:08,960 --> 00:52:13,600
Speaker 1: mustard yellow. Again. Yeah, Steve is holding DJ's paper in

997
00:52:13,680 --> 00:52:16,640
Speaker 1: his hands and exclaims, mister Tanner, you got to read

998
00:52:16,680 --> 00:52:21,360
Speaker 1: DJ's editorial. It's like pure poetry. Danny proudly reads the

999
00:52:21,440 --> 00:52:25,399
Speaker 1: last line of the editorial aloud. And so today when

1000
00:52:25,400 --> 00:52:28,520
Speaker 1: we vote for class President, we must put our friendship

1001
00:52:28,800 --> 00:52:33,879
Speaker 1: aside and make the intelligent choice. Joey chuckles, So much

1002
00:52:33,880 --> 00:52:38,000
Speaker 1: for President Gibbler, and DJ size so much for our friendship.

1003
00:52:38,920 --> 00:52:41,840
Speaker 1: On cue, Kimmy storms through the open door and shouts

1004
00:52:42,239 --> 00:52:46,000
Speaker 1: DJ while pointing a finger at her. You notice I'm

1005
00:52:46,000 --> 00:52:51,080
Speaker 1: wearing a bacon and eggs shorts. Wearing bacon and eggs shorts,

1006
00:52:51,080 --> 00:52:57,279
Speaker 1: it's a precursor to the scarf people. Yes, I'm wish

1007
00:52:57,320 --> 00:53:00,000
Speaker 1: we had done rewatch way sooner, and I we could

1008
00:53:00,040 --> 00:53:02,239
Speaker 1: have brought back those shorts in a fuller house and

1009
00:53:02,400 --> 00:53:07,879
Speaker 1: to match the scars. So DJ gives Kimmy a concerned look,

1010
00:53:08,200 --> 00:53:13,040
Speaker 1: and she asks Kimmy. Kimmy grins before running to hug her, shouting,

1011
00:53:13,080 --> 00:53:16,040
Speaker 1: we did it. It was a Gibbler landslide, and I

1012
00:53:16,120 --> 00:53:18,880
Speaker 1: owe it all to you. And my timing was a

1013
00:53:18,920 --> 00:53:20,520
Speaker 1: little off here. I think I should have waited an

1014
00:53:20,560 --> 00:53:23,160
Speaker 1: extra beat to make DJ sweat a little bit longer.

1015
00:53:23,200 --> 00:53:27,759
Speaker 1: But that's okay. DJ questions you do, and Kimmy explains

1016
00:53:27,960 --> 00:53:31,560
Speaker 1: it was your editorial. Everyone made the intelligent choice. The

1017
00:53:31,600 --> 00:53:36,320
Speaker 1: party Hardy Gibbler crats have spoken. Steve congratulates her, and

1018
00:53:36,400 --> 00:53:40,480
Speaker 1: Kimmy reminds him of her campaign promise. He admits, look

1019
00:53:40,600 --> 00:53:43,520
Speaker 1: on behalf of the wrestling team. We don't do mud.

1020
00:53:44,160 --> 00:53:46,480
Speaker 1: He quickly kisses DJ on the cheek and leaves before

1021
00:53:46,560 --> 00:53:49,680
Speaker 1: Kimmy can argue. But Kimmy won't give up. She follows

1022
00:53:49,719 --> 00:53:54,439
Speaker 1: after him, suggesting other condiments. What about hot oil, jello, guacamole.

1023
00:53:57,160 --> 00:53:59,520
Speaker 1: Kimmy's gonna be going places in the political scene. She

1024
00:53:59,560 --> 00:54:01,400
Speaker 1: just doesn't know it yet. This is going to be

1025
00:54:01,480 --> 00:54:04,080
Speaker 1: really She's on her way to a restraining order, that's

1026
00:54:04,160 --> 00:54:09,400
Speaker 1: for sure, gracious, Kimmy. So back in Japan, back in

1027
00:54:09,600 --> 00:54:12,719
Speaker 1: Jesse's dressing room, Nancy and Becky are trying to make

1028
00:54:12,760 --> 00:54:15,000
Speaker 1: their way through the crowd of fans as they scream

1029
00:54:15,160 --> 00:54:21,440
Speaker 1: Becky san Becky laughs, there's none. Becky admits, what a

1030
00:54:21,440 --> 00:54:24,200
Speaker 1: great show. I don't think Jesse could be any happier

1031
00:54:24,239 --> 00:54:27,480
Speaker 1: if you found out he was related to Elvis. Nancy

1032
00:54:27,520 --> 00:54:31,080
Speaker 1: agrees and spills some exciting news. He's going to be

1033
00:54:31,120 --> 00:54:34,120
Speaker 1: treated like a king fat Fish wants him to tour

1034
00:54:34,200 --> 00:54:40,000
Speaker 1: Asia for the next year. Becky is stunned at this news,

1035
00:54:40,280 --> 00:54:42,640
Speaker 1: but not in a good way. She lets out a

1036
00:54:42,640 --> 00:54:46,399
Speaker 1: nervous laugh and admits, Wow, that's a big decision. Jesse

1037
00:54:46,520 --> 00:54:49,240
Speaker 1: is very close to his family, especially his three nieces.

1038
00:54:49,680 --> 00:54:54,600
Speaker 1: Then Alm Nancy needs to watch the first five seasons

1039
00:54:54,600 --> 00:54:57,759
Speaker 1: of Full to understand the You need to know about

1040
00:54:57,800 --> 00:54:58,240
Speaker 1: this family.

1041
00:54:58,280 --> 00:55:00,680
Speaker 2: Okay, you want anything if you're if one of them's

1042
00:55:00,719 --> 00:55:02,719
Speaker 2: tour in Asia for a year, you got to bring

1043
00:55:02,719 --> 00:55:03,240
Speaker 2: all all.

1044
00:55:03,160 --> 00:55:08,240
Speaker 1: Of them, the whole dang family. Yes, uh so uh

1045
00:55:08,280 --> 00:55:11,000
Speaker 1: oh yeah. The door flies open and the fans are

1046
00:55:11,000 --> 00:55:13,440
Speaker 1: screaming Jesse Son as he makes his way into the

1047
00:55:13,520 --> 00:55:16,799
Speaker 1: dressing room while helping Kogi inside. They both laugh as

1048
00:55:16,880 --> 00:55:19,879
Speaker 1: Jesse comments on the crowd of fans, Koji, they love

1049
00:55:19,920 --> 00:55:23,719
Speaker 1: you here. God, what a rush. And this robe that

1050
00:55:23,800 --> 00:55:26,640
Speaker 1: he's wearing is this the exact same pattern as his

1051
00:55:27,320 --> 00:55:30,280
Speaker 1: comforter in his bedroom in the attic at the Tanner House.

1052
00:55:30,320 --> 00:55:33,960
Speaker 1: It looks exactly the same. It's almost yeah, very very close,

1053
00:55:34,400 --> 00:55:37,920
Speaker 1: very close, John or Jesse. Wasn't that actually John? I

1054
00:55:38,000 --> 00:55:39,960
Speaker 1: remember that was John's rope, so it musn't have been

1055
00:55:40,160 --> 00:55:41,600
Speaker 1: a John thing, because he would just.

1056
00:55:41,760 --> 00:55:45,040
Speaker 2: I remember him wearing that, like like into the hair

1057
00:55:45,080 --> 00:55:48,959
Speaker 2: and FROs room and stuff. You froze, frozen. The most

1058
00:55:49,080 --> 00:55:50,600
Speaker 2: I have to got. I have to take a picture

1059
00:55:50,600 --> 00:55:50,799
Speaker 2: of this.

1060
00:55:50,880 --> 00:55:54,359
Speaker 1: There you are. Wait, hold on, I need to show

1061
00:55:54,400 --> 00:55:58,200
Speaker 1: you what I did. I took a picture of you too.

1062
00:55:58,640 --> 00:56:00,759
Speaker 1: Look at that. Look at it? Just can you see it?

1063
00:56:04,600 --> 00:56:11,120
Speaker 1: Here's you, It's so good. Here's you. I look angry,

1064
00:56:11,320 --> 00:56:25,120
Speaker 1: you look confused. It's a pretty accurate, right right, Well,

1065
00:56:25,160 --> 00:56:29,080
Speaker 1: back to the show. Everyone hysterical. Okay, So John's wearing

1066
00:56:29,120 --> 00:56:32,040
Speaker 1: his own robe. He loves it and it matches his

1067
00:56:32,239 --> 00:56:35,319
Speaker 1: bed sheets over in a back at the Tannerhouse. So

1068
00:56:35,440 --> 00:56:38,520
Speaker 1: Becky informs Jesse of the year long tour and he

1069
00:56:38,640 --> 00:56:41,680
Speaker 1: is elated. He picks Becky up in excitement, and there

1070
00:56:41,719 --> 00:56:44,879
Speaker 1: seems to be no hesitation on his end. Becky tries

1071
00:56:44,920 --> 00:56:47,920
Speaker 1: to speak up, don't you think we should? And he interrupts,

1072
00:56:48,040 --> 00:56:52,320
Speaker 1: celebrate exactly, Cogie, break out the good stuff, and Cogi

1073
00:56:52,440 --> 00:56:56,000
Speaker 1: responds honey roasted, and Jesse laughs before kissing him on

1074
00:56:56,000 --> 00:56:59,480
Speaker 1: the forehead, saying I love this guy. Nancy opens the

1075
00:56:59,480 --> 00:57:02,160
Speaker 1: door to find the press waiting and She suggests they

1076
00:57:02,160 --> 00:57:06,760
Speaker 1: announce the big tour right now. Jesse agrees, but Becky's

1077
00:57:06,760 --> 00:57:08,680
Speaker 1: still trying to get him to listen to her. He

1078
00:57:08,760 --> 00:57:13,719
Speaker 1: completely ignores her efforts and lets the press in wood

1079
00:57:13,719 --> 00:57:15,960
Speaker 1: they've ever seen a business run like this? Why and

1080
00:57:16,000 --> 00:57:19,800
Speaker 1: why there's no communication between this married couple about anything

1081
00:57:19,960 --> 00:57:23,400
Speaker 1: like they just? Why? Why talk? Why make plans in advance?

1082
00:57:23,560 --> 00:57:27,800
Speaker 1: No roll with it? Uh? The press comes in and

1083
00:57:27,800 --> 00:57:30,880
Speaker 1: they scramble for a photo. Camera flashes are going off

1084
00:57:30,920 --> 00:57:33,760
Speaker 1: as they surround him, and he smiles, good to see you.

1085
00:57:34,080 --> 00:57:37,680
Speaker 1: I hope you enjoyed the show. I'm Jesse Katzopolis from America.

1086
00:57:38,080 --> 00:57:39,960
Speaker 1: Throughout the chaos, Becky is still trying to get her

1087
00:57:40,080 --> 00:57:44,120
Speaker 1: husband's attention, but she's finally had enough. She screams to

1088
00:57:44,160 --> 00:57:47,440
Speaker 1: everyone in the room in Japanese. The words translate to

1089
00:57:47,840 --> 00:57:52,520
Speaker 1: everyone leave, immediately, leave leave. I was impressed that Laurie

1090
00:57:52,560 --> 00:57:56,000
Speaker 1: Day press up pronunciation. Jesse stares at her in shock

1091
00:57:56,200 --> 00:57:59,400
Speaker 1: while the press files out of the room. He questions Becky,

1092
00:57:59,440 --> 00:58:01,960
Speaker 1: what's gotten in and when did you learn to yell

1093
00:58:02,040 --> 00:58:04,960
Speaker 1: in Japanese? She reminds him, I've had a lot of

1094
00:58:05,000 --> 00:58:08,920
Speaker 1: time on my hands. Jesse's being selfish and calling her

1095
00:58:08,960 --> 00:58:12,280
Speaker 1: out for kicking the press out. But Becky sternly says,

1096
00:58:12,720 --> 00:58:15,400
Speaker 1: you just agreed to a tour for a whole year

1097
00:58:15,600 --> 00:58:20,000
Speaker 1: without so much as asking me what I thought. She's

1098
00:58:20,040 --> 00:58:23,280
Speaker 1: got a point there. Jesse defends himself, saying it'll be fun,

1099
00:58:23,720 --> 00:58:26,480
Speaker 1: like the fun they've been having on this trip. So

1100
00:58:26,720 --> 00:58:29,680
Speaker 1: Becky shed some light on her experience of this trip.

1101
00:58:30,120 --> 00:58:33,360
Speaker 1: Oh yeah, it's been a blast, eating without you, sight

1102
00:58:33,480 --> 00:58:37,560
Speaker 1: seeing without you, kissing the kids good night without you. Yesterday,

1103
00:58:37,760 --> 00:58:41,640
Speaker 1: Nikki called the limo driver daddy son. Jesse shrugs, well,

1104
00:58:41,680 --> 00:58:44,480
Speaker 1: we do have a similar hair thing going on. She

1105
00:58:44,600 --> 00:58:48,000
Speaker 1: continues to press him about his priorities. It's like suddenly,

1106
00:58:48,240 --> 00:58:51,560
Speaker 1: your family is way down on the list. He moves

1107
00:58:51,600 --> 00:58:53,720
Speaker 1: over to the bar and pours himself some water while

1108
00:58:53,760 --> 00:58:57,160
Speaker 1: brushing off her comments, you're over exaggerating. My family is

1109
00:58:57,280 --> 00:58:59,960
Speaker 1: number one to me. Becky reminds him that he has

1110
00:59:00,000 --> 00:59:06,560
Speaker 1: hasn't written or called Michelle in thirteen days. He was all, what, sorry,

1111
00:59:10,680 --> 00:59:16,520
Speaker 1: So it's just a days? How did they survive being

1112
00:59:16,600 --> 00:59:21,400
Speaker 1: apart that long? Look, the Tanner family is just the go.

1113
00:59:21,520 --> 00:59:26,360
Speaker 1: Dependency is strong, so strong. She also reminds him that

1114
00:59:26,400 --> 00:59:28,160
Speaker 1: he was supposed to call home on Wednesday and it's

1115
00:59:28,200 --> 00:59:31,440
Speaker 1: already Friday. Jesse continues to play it off. I'll just

1116
00:59:31,520 --> 00:59:33,880
Speaker 1: have my people schedule it in and then i'll call

1117
00:59:33,960 --> 00:59:38,080
Speaker 1: her tomorrow. She is your people. You need to call

1118
00:59:38,240 --> 00:59:40,640
Speaker 1: your people to schedule your people. You need to call

1119
00:59:40,720 --> 00:59:44,640
Speaker 1: your people, yeah, to schedule things. Yep. Becky crosses her

1120
00:59:44,760 --> 00:59:48,680
Speaker 1: arms and questions schedule it in. He just shakes his head,

1121
00:59:48,720 --> 00:59:52,000
Speaker 1: and then she asks what has happened to you? He

1122
00:59:52,120 --> 00:59:54,160
Speaker 1: tries to defend his actions by pointing out that his

1123
00:59:54,400 --> 00:59:58,120
Speaker 1: dreams are finally coming true. He motions around the dressing

1124
00:59:58,160 --> 01:00:00,600
Speaker 1: room to say, I mean, look at this place. Look

1125
01:00:00,640 --> 01:00:04,760
Speaker 1: how they treat me here. I have banners, balloons, fruit baskets.

1126
01:00:04,880 --> 01:00:08,160
Speaker 1: Look at these fruit baskets. I've become a star. Why

1127
01:00:08,200 --> 01:00:11,320
Speaker 1: are you trying to ruin it for me? Becky starts

1128
01:00:11,360 --> 01:00:14,360
Speaker 1: to cry and tells him that's it. I don't even

1129
01:00:14,440 --> 01:00:17,320
Speaker 1: know you anymore. She storms out and yells, have a

1130
01:00:17,400 --> 01:00:21,160
Speaker 1: great time with your fruit basket. Jesse bitterly decides to

1131
01:00:21,240 --> 01:00:23,480
Speaker 1: do just that. He picks up a big fruit basket

1132
01:00:23,560 --> 01:00:26,400
Speaker 1: and starts talking to it, but when he notices that

1133
01:00:26,440 --> 01:00:29,240
Speaker 1: there are pears in it, he gets sad because Becky

1134
01:00:29,520 --> 01:00:33,240
Speaker 1: loves pears. Then Kogi walks in with a bowl of

1135
01:00:33,280 --> 01:00:36,680
Speaker 1: honey rusted honey roasted cas shoes and points out, uh,

1136
01:00:37,040 --> 01:00:41,120
Speaker 1: you're talking to your fruit. Jesse is obviously upset, so

1137
01:00:41,280 --> 01:00:45,240
Speaker 1: Kogi asks if there's anything else he needs. Jesse admits, oh, yeah,

1138
01:00:45,560 --> 01:00:49,760
Speaker 1: I've got everything. I need everything, But what's important to me? Kogi?

1139
01:00:49,840 --> 01:00:50,720
Speaker 1: I've been a real jerk.

1140
01:00:51,680 --> 01:00:53,760
Speaker 2: Cogi can't talk to Michelle in thirteen days, so you're

1141
01:00:53,800 --> 01:00:55,600
Speaker 2: about to get a load of my feelings.

1142
01:00:55,720 --> 01:00:58,800
Speaker 1: Cog is now, yeah, the makeshift therapist for Coachy. Jesse,

1143
01:00:59,240 --> 01:01:04,240
Speaker 1: I just got some cashews in here or Gogi? Uh so,

1144
01:01:04,560 --> 01:01:07,320
Speaker 1: Cogi disagree, he's kind of that. Jesse's been a jerk.

1145
01:01:07,960 --> 01:01:10,600
Speaker 1: Jesse realizes he let this whole thing go to his

1146
01:01:10,760 --> 01:01:13,400
Speaker 1: head and he just let the most important thing in

1147
01:01:13,520 --> 01:01:17,600
Speaker 1: his life walk out that door. And John's handling these

1148
01:01:17,640 --> 01:01:20,800
Speaker 1: emotional beats very well, like, yes, yes, he's doing such

1149
01:01:20,800 --> 01:01:22,800
Speaker 1: a good job in this scene. Yes, he definitely does.

1150
01:01:23,640 --> 01:01:26,120
Speaker 1: Kogi rips the band aid off. Okay, you're a jerk,

1151
01:01:26,640 --> 01:01:30,080
Speaker 1: and Jesse nods, you're right. Cogi adds a big jerk,

1152
01:01:30,520 --> 01:01:34,040
Speaker 1: and Jesse responds, you're right, Cogi but Cogi isn't done.

1153
01:01:34,200 --> 01:01:38,160
Speaker 1: He emphasizes a major jerk, and Jesse finally stops him

1154
01:01:38,160 --> 01:01:41,480
Speaker 1: because he gets the point. Coach, he's been waiting to

1155
01:01:41,520 --> 01:01:46,160
Speaker 1: say this for something, got some thoughts. Yeah. Now he

1156
01:01:46,280 --> 01:01:49,240
Speaker 1: realizes he has to catch up to Becky. He opens

1157
01:01:49,280 --> 01:01:51,760
Speaker 1: the door and is surprised to find her standing there

1158
01:01:51,920 --> 01:01:54,920
Speaker 1: waiting for him. She gives him a sad smile and asks,

1159
01:01:55,120 --> 01:01:58,720
Speaker 1: what took you so long. Jesse hugs her and begins

1160
01:01:58,760 --> 01:02:02,280
Speaker 1: to apologize. I'm sorry, sweetheart, this whole thing went to

1161
01:02:02,360 --> 01:02:05,120
Speaker 1: my head. If I don't have the respect of my family,

1162
01:02:05,360 --> 01:02:08,200
Speaker 1: then I don't want any of this. Call the limousines,

1163
01:02:08,520 --> 01:02:12,840
Speaker 1: forget about this whole tour. Whoa, whoa, whoa. The way

1164
01:02:12,920 --> 01:02:17,440
Speaker 1: he's giving up this incredibly incredible opportunity. You're like, no, no, no, no,

1165
01:02:17,600 --> 01:02:22,440
Speaker 1: no no, no, one's saying that balance not like just

1166
01:02:23,000 --> 01:02:28,960
Speaker 1: all senses a conversation, a conversation, and he's like, forget

1167
01:02:29,000 --> 01:02:35,160
Speaker 1: it all. She hold on, Yeah, he's so dramatic. So

1168
01:02:35,240 --> 01:02:37,680
Speaker 1: Becky stops him and insists he don't just throw it

1169
01:02:37,720 --> 01:02:41,120
Speaker 1: all away. She says, You've worked very hard for your success.

1170
01:02:41,360 --> 01:02:43,680
Speaker 1: You should be proud of yourself. I know, I am

1171
01:02:44,240 --> 01:02:46,840
Speaker 1: you just lost touch with yourself and the rest of

1172
01:02:46,880 --> 01:02:50,480
Speaker 1: the planet. He promises that the old goofy Jesse is

1173
01:02:50,600 --> 01:02:54,080
Speaker 1: back and they hug and kiss. Jesse turns to Cogi

1174
01:02:54,160 --> 01:02:55,680
Speaker 1: and tells him to take the rest of the night

1175
01:02:55,720 --> 01:02:58,200
Speaker 1: off and thanks him. He bows to him and they

1176
01:02:58,280 --> 01:03:01,760
Speaker 1: shake hands. Moves to the couch and Becky sits on

1177
01:03:01,800 --> 01:03:04,400
Speaker 1: his lap. He asks, so, what are we gonna do

1178
01:03:04,480 --> 01:03:08,480
Speaker 1: about this year long tour? Becky asks him the same question,

1179
01:03:08,680 --> 01:03:13,080
Speaker 1: but Jesse teases, I asked you first. So back at

1180
01:03:13,120 --> 01:03:16,200
Speaker 1: the Tanner House in the backyard, Michelle is using a

1181
01:03:16,320 --> 01:03:19,720
Speaker 1: shovel to dig a hole in the backyard while Comet watches.

1182
01:03:20,360 --> 01:03:23,360
Speaker 1: She lets out a sigh of exhaustion and says, boy, Comet,

1183
01:03:23,520 --> 01:03:26,320
Speaker 1: it's taking forever to get to Japan. Why don't you

1184
01:03:26,440 --> 01:03:29,760
Speaker 1: dig for a while? Sweet Commet obeys her commands and

1185
01:03:29,800 --> 01:03:32,479
Speaker 1: starts digging like crazy in the same spot, and such

1186
01:03:32,520 --> 01:03:35,480
Speaker 1: a good boy. Then we see Jesse step out from

1187
01:03:35,520 --> 01:03:38,439
Speaker 1: the back door and he shouts, hey, shorty. Michelle looks

1188
01:03:38,440 --> 01:03:43,360
Speaker 1: at the dirt and gasps, wow, we're getting close. Jesse

1189
01:03:43,480 --> 01:03:45,760
Speaker 1: walks up to her and Michelle jumps up with joy.

1190
01:03:46,080 --> 01:03:50,000
Speaker 1: She exclaims, Uncle Jesse, you're home. She runs up and

1191
01:03:50,080 --> 01:03:53,280
Speaker 1: hugs him, knocking him onto the floor. He kisses her

1192
01:03:53,520 --> 01:03:56,400
Speaker 1: and tells her how much he missed her. She admits,

1193
01:03:56,440 --> 01:03:59,560
Speaker 1: you were gone for a really long time. He nods,

1194
01:03:59,680 --> 01:04:01,520
Speaker 1: I know. Oh, I was going to be gone for

1195
01:04:01,600 --> 01:04:04,760
Speaker 1: a really, really long time. They wanted me to stay

1196
01:04:04,800 --> 01:04:08,320
Speaker 1: for a year. Michelle shakes her head, admitting she would

1197
01:04:08,400 --> 01:04:12,480
Speaker 1: not like that at all. He tells her, Becky and

1198
01:04:12,520 --> 01:04:15,919
Speaker 1: I got together and we asked ourselves a question. Where

1199
01:04:16,040 --> 01:04:18,280
Speaker 1: is the best place in the whole entire world to

1200
01:04:18,440 --> 01:04:22,880
Speaker 1: raise Nicki and Alex? Michelle declares right here. Jesse agrees.

1201
01:04:23,280 --> 01:04:26,280
Speaker 1: Then he asks who is the greatest munchkin cousin they

1202
01:04:26,320 --> 01:04:29,600
Speaker 1: could ever have. Michelle points to herself and says that

1203
01:04:29,640 --> 01:04:33,600
Speaker 1: would be me, and Jesse agrees. Once more, he asks

1204
01:04:33,680 --> 01:04:36,640
Speaker 1: one more question, who is the greatest ice cream eating

1205
01:04:36,760 --> 01:04:40,760
Speaker 1: partner of all time? Michelle answers that's me again, and

1206
01:04:40,880 --> 01:04:44,520
Speaker 1: Jesse admits, you're on a roll. She grins, this is unbelievable.

1207
01:04:45,400 --> 01:04:47,600
Speaker 1: Jesse gives her a kiss and suggests they go get

1208
01:04:47,680 --> 01:04:50,840
Speaker 1: that rocky road. They head into the kitchen. Michelle looks

1209
01:04:50,880 --> 01:04:53,280
Speaker 1: up at him and says, I'm glad you're home, uncle Jesse,

1210
01:04:53,760 --> 01:04:56,760
Speaker 1: and he responds, me too, Pal. They walk into the

1211
01:04:56,840 --> 01:04:59,400
Speaker 1: kitchen and the whole family is at the table eating

1212
01:04:59,480 --> 01:05:03,880
Speaker 1: ice cream together. And that's our show. That's our show.

1213
01:05:06,920 --> 01:05:08,480
Speaker 2: And this is why you never take a work trip

1214
01:05:08,560 --> 01:05:11,160
Speaker 2: with your spouse, right, don't take a work trip with

1215
01:05:11,240 --> 01:05:11,720
Speaker 2: your spouse.

1216
01:05:12,080 --> 01:05:17,400
Speaker 1: And also, like the kids are little enough, you could

1217
01:05:17,440 --> 01:05:20,160
Speaker 1: take them on the road. That would be an amazing experience.

1218
01:05:20,240 --> 01:05:23,280
Speaker 1: They're not in school. They're not in school. The biggest

1219
01:05:23,320 --> 01:05:26,840
Speaker 1: concern really is Becky's career, which she shouldn't put on hold.

1220
01:05:27,600 --> 01:05:29,400
Speaker 1: But I feel like they could work it out somehow.

1221
01:05:29,400 --> 01:05:32,479
Speaker 1: I don't know, like just they they could have maybe

1222
01:05:32,640 --> 01:05:35,760
Speaker 1: negotiated with fat Fish Records about like, you know, three

1223
01:05:35,840 --> 01:05:37,320
Speaker 1: weeks on, one week off. I don't know.

1224
01:05:37,360 --> 01:05:42,640
Speaker 2: I mean, isn't what isn't what's her name? Vicky come back?

1225
01:05:43,120 --> 01:05:45,840
Speaker 2: Oh yeah, Vicky take over for Becky.

1226
01:05:46,280 --> 01:05:49,640
Speaker 1: See that's that would have been a great solution. But no,

1227
01:05:50,360 --> 01:05:54,760
Speaker 1: instead this once in a lifetime opportunity. Yeah, well it's okay,

1228
01:05:54,800 --> 01:05:58,280
Speaker 1: he'll get it again probably next season. I wish we

1229
01:05:58,360 --> 01:06:01,200
Speaker 1: had seen more of the discussion but between Jesse and Becky,

1230
01:06:01,440 --> 01:06:03,640
Speaker 1: Like I wish I had seen a married couple discussing

1231
01:06:04,600 --> 01:06:06,360
Speaker 1: what this entails, like, how are we going to make

1232
01:06:06,400 --> 01:06:08,440
Speaker 1: it work or not? Are not make it work? Why

1233
01:06:08,480 --> 01:06:11,200
Speaker 1: should we give this up? Is it just because Michelle's

1234
01:06:11,240 --> 01:06:13,160
Speaker 1: a fabulous cousin and they don't want the boys to

1235
01:06:13,240 --> 01:06:14,800
Speaker 1: miss out on it? I don't know. I feel like

1236
01:06:14,840 --> 01:06:17,439
Speaker 1: there's a little more involved in this discussion. But yeah,

1237
01:06:17,440 --> 01:06:19,200
Speaker 1: I wish we had seen that. But I mean, what

1238
01:06:19,240 --> 01:06:22,160
Speaker 1: if they took Michelle with him? Why not? She could

1239
01:06:22,160 --> 01:06:24,640
Speaker 1: be homesick, the whole family. Yeah that you know, yes,

1240
01:06:25,600 --> 01:06:29,320
Speaker 1: season seven all in Japan. It would have been crazy,

1241
01:06:29,680 --> 01:06:31,440
Speaker 1: would have been great. It would have been amazing.

1242
01:06:33,280 --> 01:06:37,480
Speaker 2: Other than your bacon and eggs shorts. Did you have

1243
01:06:37,560 --> 01:06:38,800
Speaker 2: any other every looks?

1244
01:06:39,160 --> 01:06:43,760
Speaker 1: I did? I did. Did you notice in the first

1245
01:06:43,840 --> 01:06:49,600
Speaker 1: scene in the kitchen the curtains are closed and I

1246
01:06:49,680 --> 01:06:51,840
Speaker 1: was like, that's weird. Why are the curtains are never closed?

1247
01:06:52,320 --> 01:06:55,520
Speaker 1: Because they had to put the concert down there? The

1248
01:06:55,640 --> 01:06:58,720
Speaker 1: concert was where the backyard set normally.

1249
01:06:58,720 --> 01:07:04,400
Speaker 2: Istually in the backyard. Yah yeah, that backyard goes all

1250
01:07:04,440 --> 01:07:06,440
Speaker 2: the way to Japan, all the way to Japan.

1251
01:07:06,600 --> 01:07:09,760
Speaker 1: Yeah yeah, oh yeah. Instead of yeah, instead of like

1252
01:07:09,960 --> 01:07:13,760
Speaker 1: dress and undressing the backyard, no, those the curtains. It's

1253
01:07:13,840 --> 01:07:17,960
Speaker 1: much easier that way. Huh yeah, fascinating. That's so, that's it.

1254
01:07:18,080 --> 01:07:21,800
Speaker 1: That's my only everyone. Look, we have but there's the

1255
01:07:21,920 --> 01:07:24,800
Speaker 1: one scene in the backyard at the end. Oh they

1256
01:07:24,880 --> 01:07:28,400
Speaker 1: must have done Maybe we shot the Japan stuff in

1257
01:07:28,920 --> 01:07:31,480
Speaker 1: on Thursday on a Thursday pre tape and that was

1258
01:07:31,560 --> 01:07:34,520
Speaker 1: a yeah, over tonight they put it back to the backyard. Yeah,

1259
01:07:34,520 --> 01:07:35,320
Speaker 1: they must have done that.

1260
01:07:35,440 --> 01:07:38,080
Speaker 2: Yeah, because we probably didn't do the concert scene in

1261
01:07:38,120 --> 01:07:38,760
Speaker 2: front of the audience.

1262
01:07:38,800 --> 01:07:40,040
Speaker 1: They might have that might have or did they do

1263
01:07:40,120 --> 01:07:41,720
Speaker 1: play back back then? Yeah? They did, Yeah, we did

1264
01:07:41,760 --> 01:07:44,640
Speaker 1: play back Yeah, yeah, that was probably playback all the

1265
01:07:44,680 --> 01:07:46,880
Speaker 1: extras and stuff, Okay, yeah, because they don't want to

1266
01:07:46,880 --> 01:07:48,640
Speaker 1: pay extras for two days. They just want to pay

1267
01:07:48,680 --> 01:07:48,920
Speaker 1: them on.

1268
01:07:48,920 --> 01:07:51,480
Speaker 2: The one day, and and an audience doesn't want to

1269
01:07:51,520 --> 01:07:54,120
Speaker 2: sit through that either, because if you think a regular

1270
01:07:54,240 --> 01:07:58,160
Speaker 2: half hour show taping is bad, throwing forty extra people.

1271
01:07:58,000 --> 01:08:02,360
Speaker 1: No jeez, right, true? But no, this was uh, I mean,

1272
01:08:02,520 --> 01:08:03,200
Speaker 1: you know it was.

1273
01:08:03,600 --> 01:08:06,760
Speaker 2: It was I feel like again, like we've talked about

1274
01:08:06,760 --> 01:08:08,040
Speaker 2: it is, I feel like it we've done this, but

1275
01:08:08,800 --> 01:08:09,800
Speaker 2: but I'm here for it.

1276
01:08:09,960 --> 01:08:13,560
Speaker 1: It was fun. Yeah, I actually for once disagreed with

1277
01:08:13,640 --> 01:08:17,519
Speaker 1: Becky at first, I know, shocked again, I think, but

1278
01:08:17,640 --> 01:08:19,519
Speaker 1: you know, but maybe this is it is the thing.

1279
01:08:19,640 --> 01:08:22,599
Speaker 1: Maybe they're both a little you know, that's that's why

1280
01:08:22,640 --> 01:08:26,400
Speaker 1: they work, That's why they were Yeah, the both they

1281
01:08:26,439 --> 01:08:32,120
Speaker 1: both have some flaws and they compliment each other. Yeah,

1282
01:08:32,240 --> 01:08:35,360
Speaker 1: I don't know. I thought, Yeah, it's some recycled storylines here.

1283
01:08:35,400 --> 01:08:37,640
Speaker 1: But I enjoyed. I enjoyed the episode, you know, I

1284
01:08:37,800 --> 01:08:41,160
Speaker 1: enjoyed the episode other than any of the uh, you know,

1285
01:08:41,560 --> 01:08:49,360
Speaker 1: terrible Japanese culturally yeah, sorry, culturally offensive, I really yeah,

1286
01:08:50,320 --> 01:08:53,040
Speaker 1: but no other than that cute episode six o three

1287
01:08:53,320 --> 01:08:57,280
Speaker 1: here we are, yeah, six o three. Yeah, I don't

1288
01:08:57,280 --> 01:08:58,720
Speaker 1: know what else to say about it. I would have

1289
01:08:58,800 --> 01:09:00,599
Speaker 1: liked to see Jesse go on tour, but oh well,

1290
01:09:01,600 --> 01:09:04,519
Speaker 1: this is this leads into the This leads into the

1291
01:09:04,600 --> 01:09:06,559
Speaker 1: next career, doesn't it. That's why they didn't put him

1292
01:09:06,560 --> 01:09:08,880
Speaker 1: on tour because he doesn't even get the radio DJ

1293
01:09:09,240 --> 01:09:13,080
Speaker 1: The Renegades, Rush Hour Renegades. Is that this school right

1294
01:09:13,240 --> 01:09:16,840
Speaker 1: that they're yeah, that they record in the basement. Yeah yeah, okay, yeah,

1295
01:09:16,960 --> 01:09:18,760
Speaker 1: Maddie says, yes, next episode.

1296
01:09:18,479 --> 01:09:21,280
Speaker 2: Great, of course, right, Because you leave one, you leave

1297
01:09:21,400 --> 01:09:24,840
Speaker 2: rockstar career, you become a The Morning DJ.

1298
01:09:25,120 --> 01:09:28,280
Speaker 1: Right exactly, just use your skills in a different way.

1299
01:09:28,680 --> 01:09:32,760
Speaker 1: Yeah really, yeah, okay, Well great episode. That was That

1300
01:09:32,920 --> 01:09:34,639
Speaker 1: was a thing. It was fun. That was a thing.

1301
01:09:34,920 --> 01:09:37,679
Speaker 2: Here we are thank you fan of Ritos for joining

1302
01:09:37,760 --> 01:09:41,360
Speaker 2: us on our first show of the new year.

1303
01:09:41,479 --> 01:09:44,080
Speaker 1: Here, Welcome to twenty twenty six. We appreciate you all.

1304
01:09:44,360 --> 01:09:46,720
Speaker 1: Yeah and uh yeah.

1305
01:09:46,760 --> 01:09:48,200
Speaker 2: If you want to find us on Instagram, you can

1306
01:09:48,280 --> 01:09:50,720
Speaker 2: check us out at how Rude Podcast. You can send

1307
01:09:50,800 --> 01:09:54,920
Speaker 2: us an email at Howard Tanaritos at gmail dot com. Uh,

1308
01:09:55,200 --> 01:09:57,240
Speaker 2: let us know if it is in fact true that

1309
01:09:57,320 --> 01:10:00,519
Speaker 2: how Rude is never used again after this episode actually is.

1310
01:10:00,760 --> 01:10:02,120
Speaker 1: We don't want to wait another year and a half.

1311
01:10:02,200 --> 01:10:04,479
Speaker 1: But I can't. I can't. Yeah, well I'll forget to

1312
01:10:04,520 --> 01:10:06,080
Speaker 1: even ask myself the question. You will you know what

1313
01:10:06,080 --> 01:10:08,880
Speaker 1: I mean? Please tell Fanrios, please tell us we're relying

1314
01:10:08,880 --> 01:10:11,919
Speaker 1: on Yeah, email us, follow us on Instagram.

1315
01:10:12,000 --> 01:10:14,200
Speaker 2: You can check out our merch store, how rudemerch dot

1316
01:10:14,320 --> 01:10:17,639
Speaker 2: com and we will see you or hear you or listen.

1317
01:10:17,800 --> 01:10:20,439
Speaker 1: You'll hear us. You know whatever. The podcast you guys

1318
01:10:20,479 --> 01:10:21,040
Speaker 1: know what to do with it.

1319
01:10:22,280 --> 01:10:24,800
Speaker 2: We will catch you next time here on how Rude

1320
01:10:24,840 --> 01:10:27,960
Speaker 2: Tannerto's and remember the world is small.

1321
01:10:28,880 --> 01:10:32,200
Speaker 1: The house is full of honey roasted cash Oh I

1322
01:10:32,320 --> 01:10:35,639
Speaker 1: love those. I have some downstairs right now. Many I'm

1323
01:10:35,760 --> 01:10:39,000
Speaker 1: just there. It's Kogi really won overboard this time. That

1324
01:10:39,080 --> 01:10:41,720
Speaker 1: was a big need to cashews too. If it was

1325
01:10:42,800 --> 01:10:47,160
Speaker 1: was like a meal of cashews, I mean yeah yeah.

1326
01:10:47,280 --> 01:10:48,479
Speaker 1: So anyway, thanks Cogie.

1327
01:10:48,640 --> 01:10:50,800
Speaker 2: You fill up the house with the honey roasted nuts,

1328
01:10:50,800 --> 01:10:52,680
Speaker 2: but now we want them insulted, so go ahead and

1329
01:10:52,800 --> 01:10:52,960
Speaker 2: let it.

1330
01:10:53,080 --> 01:10:54,280
Speaker 1: Thanks Byey