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Speaker 1: He is drinks chants, motherfucking podcast man.

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Speaker 2: He's a legendary Queens rapper. He ain't agreed as your

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Speaker 2: boy in O R E. He's a Miami Hill pop pioneer.

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Speaker 2: What ups d J E f N. Together they drink

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Speaker 2: it up with some of the biggest players, you know

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Speaker 2: what I mean.

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Speaker 3: And the most professional unprofessional podcast and your number one

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Speaker 3: source for drunk drink chans mocamy.

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Speaker 2: DS New Year c That's it's time for drink champions.

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Speaker 2: Drink up, mother mother. What it good be? Hoodies when

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Speaker 2: it should be? It's your boy and A O N

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Speaker 2: A A.

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Speaker 4: What up?

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Speaker 2: It's d J E f N. I fucked up that

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Speaker 2: ship up?

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Speaker 1: Yeah, yeah, yeah, But for Grammys in the building, Platinum

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Speaker 1: at the Platinum unrelentlessly in your face, mud footing, kicking

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Speaker 1: y'all down, making sure.

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Speaker 2: She is one of the hottest artists.

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Speaker 1: In the world, and we are going to give her

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Speaker 1: flowers tonight.

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Speaker 2: Motherfucker, you forgot the Emmy and the Diamond. I was

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Speaker 2: going there. I was gonna get in the interview, but

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Speaker 2: like I'm not gonna lie to you, I.

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Speaker 1: Kept going through your distograpy, We kept going through you know,

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Speaker 1: your music and kept and just you're like, you're a

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Speaker 1: person that I feel like I have to be put

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Speaker 1: on a pedestal because uh of your confidence and what

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Speaker 1: you display and what you represent. I really admire, Like

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Speaker 1: you know what I'm saying. So we wanted to give

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Speaker 1: your flowers.

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Speaker 2: Many That's right. That's the part of being.

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Speaker 1: A big artist is you have to stand on a

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Speaker 1: big stage.

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Speaker 2: Now.

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Speaker 1: You was recently a part of Kevin Harts roast, which is.

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Speaker 2: I believe for the most part is receiving most.

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Speaker 1: Of positive but obviously they have that one little negative,

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Speaker 1: that one negative part.

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Speaker 2: Did you feel? What did you feel when you got

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Speaker 2: called for the roast? Oh?

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Speaker 4: I was excited. I said, let's go finally.

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Speaker 5: I feel like people don't know how much I don't

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Speaker 5: take myself seriously and how much I can laugh at

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Speaker 5: myself and how much I could.

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Speaker 2: Say you have a sense of humor. Yeah, I don't

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Speaker 2: think people understand my sense of humor.

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Speaker 5: And I thought it was the perfect opportunity to show

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Speaker 5: the world and showcase the world my sense of humor

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Speaker 5: in the fact that I can just laugh at anything.

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Speaker 5: It was it was fun. Yeah, a lot of time.

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Speaker 1: You know, some people, what's what's the white comic?

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Speaker 2: What's his name? Tonycliff? Well, Shane didn't.

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Speaker 1: I don't think Shane went fall, but Tony Heathcliff, he's Cliff.

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Speaker 1: What did you feel when you when you heard it?

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Speaker 5: That was my first time ever hearing of him, of

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Speaker 5: his existence.

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Speaker 1: Yeah, because he disported weko So I don't like him.

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Speaker 2: Okay.

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Speaker 5: I went in very like, knowing nothing about this individual,

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Speaker 5: and I laughed at the things that were funny, and

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Speaker 5: I did not laugh at the things that weren't funny.

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Speaker 2: I respect that. Yeah, I respect that.

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Speaker 1: So let's let's let's let's let's bounce around the record

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Speaker 1: bitch Yeah, the album bitch as well?

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Speaker 2: Yeah, okay, period is this coming out? Joe FIV? What's

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Speaker 2: this coming out? You want to come out here?

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Speaker 4: So listen the rollout is crazy.

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Speaker 2: Ah, So let me ask because that's a bold statement, right,

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Speaker 2: I didn't think it was that bold.

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Speaker 5: I'm not gonna lie like bitch wow in twenty twenty six, Okay,

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Speaker 5: it's such a commonly used word. They don't have the

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Speaker 5: same thing, like if this was nineteen eighty six, maybe

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Speaker 5: even nineteen ninety six, when Meredith Brooks dropped her version

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Speaker 5: of bitch, or when Missy was talking about It's the

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Speaker 5: Bitch era.

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Speaker 2: Missus a big influence, She's a bitch.

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Speaker 5: Yeah, I felt like in twenty twenty six it was

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Speaker 5: not gonna be that big of a deal. Turns out

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Speaker 5: I was fucking wrong. Like the label was like, you

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Speaker 5: can't name your album this, and I can't name my

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Speaker 5: tour it. They were like, you're gonna lose partners, We're

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Speaker 5: gonna lose our deals. Like I was like, I didn't

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Speaker 5: realize there'd be this controversial this.

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Speaker 2: Anyway.

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Speaker 5: Yeah, we censored myself since everybody's trying to censor me.

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Speaker 2: All right, this is this is.

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Speaker 1: Something for me, right because when I came out, I

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Speaker 1: used to rap as well.

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Speaker 2: I had an.

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Speaker 1: Album called Niggas on the Run, Yeah, and they did

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Speaker 1: not like, yeah, they made.

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Speaker 2: Me change it to now We on the Run.

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Speaker 1: Do you think that that's does Does bitch hold the same.

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Speaker 2: Weight as nigga? Oh you don't, You don't. You don't

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Speaker 2: think so.

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Speaker 1: I'm asking because I'm naivete.

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Speaker 5: Okay, yeah, okay, Like the nigga is is violent, it

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Speaker 5: was used to violent experience us. You know, systemically, bitch

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Speaker 5: is derogatory. But I think there's a there's a difference

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Speaker 5: also to all racist yeah yeah, and specifically to women.

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Speaker 5: It was a derogatory term used. I say that the

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Speaker 5: similarity between bitch and nigga is the reclamation of it.

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Speaker 5: I think the way Black people have reclaimed nigga and

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Speaker 5: like we could say it, but like just the way

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Speaker 5: women we reclaim bitch. But if a man called me

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Speaker 5: a bitch, is a problem my girlfriend like bitch, girl,

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Speaker 5: Oh bitch. But if a man goes bitch, I'll be

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Speaker 5: like bitch.

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Speaker 1: Unless gay, unless he's gay, because gay guys get away

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Speaker 1: with it.

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Speaker 2: I've seen it.

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Speaker 5: It depends on the tone and the relationship.

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Speaker 1: Okay, okay, the relationship with with with the game.

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Speaker 5: Yeah with me, you call me that, just because all we.

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Speaker 2: Gotta know what the person absolutely.

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Speaker 5: It's called nuance, which I think everybody lacks these days.

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Speaker 4: We lack nuance. But it's nuanced. You know what I'm saying.

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Speaker 4: I do pick and choose.

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Speaker 1: Okay, I respect that. I respect that. So let's take

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Speaker 1: it from the beginning. How how did this start? And

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Speaker 1: how did you develop?

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Speaker 2: You know? This?

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Speaker 1: This this this, there's there's love for the art, like

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Speaker 1: how did how did you you you start with.

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Speaker 5: This the art of music or hip hop or which

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Speaker 5: one all of it.

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Speaker 4: I grew up in a music family.

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Speaker 5: Yeah, I grew up in a music I grew up

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Speaker 5: in the Church of Goden Christ He's Great Michigan. So

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Speaker 5: my whole family was the band, the choir, the congregation,

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Speaker 5: the elders, the pastor, like cousins, great grandmothers like you know.

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Speaker 5: So I grew up watching extremely talented musicians. My cousins

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Speaker 5: are prolific drummers, organists, bass players, singers.

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Speaker 4: But I didn't have that talent.

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Speaker 5: I didn't think as a kid, I was watching them

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Speaker 5: like wow, that's so incredible.

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Speaker 4: So I was surrounded by music.

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Speaker 5: When I moved down to Houston, I started learning about

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Speaker 5: freestyle rap, and like I thought, Little Flip was just like.

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Speaker 2: The freestyle came.

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Speaker 5: Like you was going ninety seven nine of the box

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Speaker 5: and he would freestyle. And God so in where I

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Speaker 5: grew up in the Southwest, a least Texas and the

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Speaker 5: swat like during lunch you gotta so everybody okay.

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Speaker 4: So you bang on the desk and you freestyle.

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Speaker 5: So I kind of built that muscle and I was like, oh,

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Speaker 5: I don't have to be a singer. I could rap,

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Speaker 5: and then of course I learned flu so came after

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Speaker 5: all that. No flute was simultaneous like I thought flu.

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Speaker 2: Flu came first. Flu was when I was twelve.

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Speaker 5: I was free eleven twelve, I was freestyle about this

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Speaker 5: time I was thirteen.

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Speaker 1: But you're trying to like you a right actual correctly.

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Speaker 2: Yeah.

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Speaker 4: We had a song called it don't matter.

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Speaker 1: Because because most people were like, I mean, that's not

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Speaker 1: like our thing is, like, hey, I want I wanted

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Speaker 1: to go to do the fruit.

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Speaker 2: Yeah, how the hell you're from New York? Yeah for me, yeah,

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Speaker 2: I can't Miami.

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Speaker 5: Yeah. Okay, but y'all don't got no football? Do you

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Speaker 5: have football teams?

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Speaker 2: Yeah? Dolphin?

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Speaker 1: Okay, what's that?

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Speaker 5: We just had.

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Speaker 2: You talking about the marching.

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Speaker 4: Band because marching band.

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Speaker 5: Okay, so marching bands is a big business in Texas,

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Speaker 5: so you or the football teams are big business.

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Speaker 4: So you need a marching band.

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Speaker 5: So marching band's got a lot of budget because they

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Speaker 5: needed a really good marching band for their football teams.

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Speaker 2: College, high school. So I was, I was.

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Speaker 4: You were encouraged to play an instrument in Texas?

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Speaker 6: Wow?

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Speaker 5: Yeah, so you could be in the marching band pipeline,

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Speaker 5: so you could be in the football pipeline. So yeah,

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Speaker 5: I went from flute to piccolo. I was playing piccolo

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Speaker 5: in the marching bands and we were going to state competitions, so.

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Speaker 7: I didn't have that stigma like band camp, like the

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Speaker 7: like the nerds were in the bank band.

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Speaker 5: Got The worst thing ever was to be a kid

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Speaker 5: in marching band with when one time at bankimp my

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Speaker 5: pussy but anyway, but no, of course I got the

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Speaker 5: band nerd like you know thing like band nerd but whatever.

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Speaker 5: In fifth grade, the band was the coolest thing you

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Speaker 5: could be in.

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Speaker 2: Yeah.

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Speaker 5: We were playing like records off the radio. We were

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Speaker 5: playing be Smalls and Little Kim and we was like

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Speaker 5: leaning back and forth and like doing choreography. We were

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Speaker 5: on the morning news rapping and playing our instruments like.

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Speaker 4: It's Houston, Texas. You know what I'm saying, Like everything's

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Speaker 4: gonna be a little trio.

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Speaker 2: Yes, especial noise for using testing.

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Speaker 1: So when did that go from you know, playing the

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Speaker 1: flute to like saying, you know what, I'm going to

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Speaker 1: develop rapping and at the time without I believe ghetto boys,

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Speaker 1: But there wasn't a lot of bands there was a

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Speaker 1: lot of people from Houston.

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Speaker 2: Right, No, but no, she's talking about little Flip.

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Speaker 4: I was from the Mike Joes.

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Speaker 2: Okay number. Literally we called one three three zero zero phone.

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Speaker 2: You still remember the number? Yes, Oh my god, oh

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Speaker 2: my god. That was just you just do it out there, like.

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Speaker 5: But he he popped out at the Houston rodeo with

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Speaker 5: me this year. Wow, and we did steal tippings? Is

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Speaker 5: he still got that number? He was and the number

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Speaker 5: first off? First off, before we booked him for it. Uh,

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Speaker 5: somebody was like, yeah, hit up, you got to hit

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Speaker 5: up Mike Jones, like and I was like, yeah, what's

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Speaker 5: this contact? My management sent me. They're like, here's his

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Speaker 5: number to one three three a's I said, bitch, y'all

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Speaker 5: don't even know, like that was his ship but.

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Speaker 2: They sent it to me like it was just like

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Speaker 2: a regular contact.

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Speaker 5: But that number apparently he still has. It's just a

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Speaker 5: hotline that blows up on his phone.

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Speaker 2: He has another real number, but he didn't.

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Speaker 4: Give it to me.

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Speaker 2: But it's fine.

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Speaker 1: He is one of the best independent promotions in the history.

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Speaker 2: Of music period.

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Speaker 1: Like Jones is not going who is just and then

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Speaker 1: you can just call his number like I believe all

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Speaker 1: record labels his.

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Speaker 2: His his promotional. But let's let's take it from there.

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Speaker 1: So you're hearing this and then because at one point

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Speaker 1: you got to say to yourself, this is what I

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Speaker 1: want to do, and this is what I'm going to

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Speaker 1: lock in on. When was that moment when you was like, yo,

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Speaker 1: you know what.

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Speaker 5: I was in the fifth grade. I was in like literature.

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Speaker 5: It was like the last period of the day and

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Speaker 5: my name was called over the speakers. It was like,

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Speaker 5: Melissa Jefferson, can you come to the principal's office.

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Speaker 4: I was like, oh my God. Looked at me like

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Speaker 4: I was in trouble.

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Speaker 5: I go to the principal's office and my sister's there

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Speaker 5: and she's like, hey, we need to leave.

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Speaker 4: And I was like what happened?

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Speaker 5: And she took me out of school and she was like,

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Speaker 5: We're about to go see Destney's Child.

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Speaker 4: And I was like, oh my god.

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Speaker 5: So she took me to the walmart on Dunbville and

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Speaker 5: West Timer and Destiny's Child they had a stage built

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Speaker 5: outside and they performed for a huge crowd and I

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Speaker 5: watched them sing and they did and they signed CDs

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Speaker 5: and they did the gospel Medley, you know the Jesus

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Speaker 5: loves me that And I remember I got full body

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Speaker 5: chills and I was like, this is what I want

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Speaker 5: to do.

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Speaker 2: I want to Yeah, it was.

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Speaker 5: Just watching the effect that these girls had, they were

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Speaker 5: young girls at the time too, had on all of

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Speaker 5: us in the crowd, and we were all just quiet

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Speaker 5: and paying attention. And I felt I had a full

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Speaker 5: body reaction to their vocals and I was so inspired

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Speaker 5: and it's so moved and I was like, one day

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Speaker 5: I want to make people feel this way at the show,

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Speaker 5: like and that was kind of fifth grade is when

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Speaker 5: I locked in. Yeah, I locked in.

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Speaker 1: I also heard that that one year your man kept

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Speaker 1: putting up the vanity fear of you. Yeah, and he

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Speaker 1: kept showing he wanted you to remind yourself or who

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Speaker 1: you are.

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Speaker 2: Yeah, how did that? How did that happen? Well?

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Speaker 5: I kind of have like I'm not gonna say I

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Speaker 5: have imposter syndrome, but I feel like the world has

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Speaker 5: always been kind of trying to like invalidate me and

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Speaker 5: kind of like tear me down a little bit. So

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Speaker 5: in my brain, I never feel like I'm as good

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Speaker 5: or you know what I'm saying, as successful as I

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Speaker 5: actually am. And in my last house, I just moved

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Speaker 5: into a brand new house, Marriyan. But in my last house,

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Speaker 5: I didn't have any of my plaques. They were all

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Speaker 5: in storage. I didn't have none of my magazine covers nowhere.

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Speaker 5: My trophies and the wards were all the way downstairs somewhere.

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Speaker 4: I never went on a bookshelf.

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Speaker 5: And yeah, and I was there for three years and

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Speaker 5: I never saw any of my accomplishments or any of

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Speaker 5: my achievements, and I would I and I talked so

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Speaker 5: bad about my career sometimes, like I'll be like, man, I.

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Speaker 2: Just feel so underrated. I feel so slept on.

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Speaker 5: Man, I just feel like I'm not doing enough, and

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Speaker 5: nobody gives a fucking And my man was like, Yo,

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Speaker 5: where are your plaques?

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Speaker 4: Like you need to put you need to remind.

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Speaker 5: Yourself of your accomplishments and the successes that you've done,

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Speaker 5: because you need to change the way that you feel

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Speaker 5: about yourself.

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Speaker 4: Because it's not true.

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Speaker 5: And one day he was at the store and he

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Speaker 5: saw the store. Yeah, it was like a Ventis store,

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Speaker 5: and he saw a magazine there and he was like,

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Speaker 5: I got something for you. And he came over and

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Speaker 5: it was a framed uh magazine with me on the cover.

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Speaker 5: It was Vanity Fair and it's my favorite cover of

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Speaker 5: all time.

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Speaker 2: Style.

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Speaker 5: It was the first time I met Patty Wilson and

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Speaker 5: she stopped me.

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Speaker 2: I look so cool.

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Speaker 4: I feel like Rihanna.

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Speaker 5: But anyway, and he was like, he put it right

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Speaker 5: in front of my bed. So when I wake up,

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Speaker 5: I see that, and he's like, remember who you are?

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Speaker 5: And now in my new house, maybe I got plaques.

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Speaker 2: All my plaques a shy.

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Speaker 5: Girl max, So I got my plaques everywhere. My trophies

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00:16:19,480 --> 00:16:21,360
Speaker 5: are right there. I got a trophy all right when

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Speaker 5: you walk in the house. I got my magazine covers. Like,

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Speaker 5: because you gotta remind yourself of who you are because

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Speaker 5: this world's gonna try to make you forget it.

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Speaker 2: Yeah, so dupe. That is so dope, Yeah dope.

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Speaker 1: And I reminded me of my wife's is over there

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Speaker 1: and when I wake up in the morning, and when

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Speaker 1: I wake up in the morning, it's pictures of me

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Speaker 1: and her on vacation, and it's pretty much the same

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Speaker 1: exact thing. So when I heard that about the Vanity Fair,

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Speaker 1: I was like, I was like, maybe she did she

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Speaker 1: did that to me some conscious to make me always

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Speaker 1: appreciated together.

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Speaker 2: And she wants you to remember how mad she so listen,

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Speaker 2: I'm having so much fun.

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Speaker 1: And I know we probably rusted this a little bit,

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Speaker 1: but I for like quick times.

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Speaker 2: I want to get into quick time drinking so much fun.

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Speaker 2: I'm having so much fun, Like I really you sent

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Speaker 2: them as they said.

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Speaker 1: Okay, let's see, yes, I really, I really, I really

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Speaker 1: want to give you your flowers. But I know we

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Speaker 1: gave it to you already, but we okay, he's the explainer.

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Speaker 2: B I don't see there it is.

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Speaker 7: So this is our drinking game. We're gonna give you

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Speaker 7: two choices. Right, you pick one of the choices. We

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Speaker 7: do not drink. But if you say both are neither

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Speaker 7: basically you don't really want to answer it or you

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00:17:44,280 --> 00:17:46,560
Speaker 7: want to be politically correct, then we all take a shot.

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Speaker 7: But we really just want you to jog memory.

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Speaker 2: Tell the stories.

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Speaker 7: Anybody have any any stories? Anybody we mentioned any places

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Speaker 7: or anything like that, because yes, let's get a shot.

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Speaker 2: Ready.

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Speaker 4: In nineteen forty.

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Speaker 2: Nineteen, damn, I was trying to get pissy.

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Speaker 5: We ended, I'm trying to get pissy and talk ship

349
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Speaker 5: we started.

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Speaker 2: We're going to rehearse. This is where it starts, all right,

351
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Speaker 2: Mike Jones or Paul Wall shot?

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Speaker 4: How dare you?

353
00:18:29,520 --> 00:18:32,600
Speaker 2: You could say both? In neither? Everyone story? Well you

354
00:18:32,800 --> 00:18:33,840
Speaker 2: already told to Mike Jones.

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Speaker 5: Okay, yeah, yeah, I'll do this. Oh oh okay, okay, okay, okay, okay.

356
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Speaker 2: And it's your criteria. Could be an yeah, it could

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Speaker 2: be someone that could be both. I have a relationship

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Speaker 2: with Paul Wall okay.

359
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Speaker 5: And he got me my first grill from Johnny Dang,

360
00:18:52,680 --> 00:18:55,880
Speaker 5: and I gotta give him his things, Like I fuck

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Speaker 5: with Paul Wall a good dude is like a legend,

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Speaker 5: and he's like the reason why I really started getting

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Speaker 5: into free celle wrapper and the self promoting. But Paul Wall,

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Speaker 5: I would say to this day, like he.

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Speaker 4: Sends me love. He'd be texting me.

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Speaker 2: So I got to say, Paul Wall, okay, you have

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Speaker 2: to take the shove. Oh you answered neither, keep on,

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Speaker 2: Let's keep on, okay, sexy reader, Cardi B what's wrong

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Speaker 2: with you? Why would you do this?

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Speaker 1: I wouldn't mean agree with you. But that is the

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Speaker 1: Dominican and the Colombian over there. No, we call that

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Speaker 1: the cocaine section.

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Speaker 2: Just let you know. And they make these they make

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Speaker 2: these questions up.

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Speaker 7: So yes, they're trying to trip you up and they're

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Speaker 7: trying to Yeah, they want you to say both so

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00:19:39,920 --> 00:19:42,680
Speaker 7: we can drink Yeah, both, okay both period.

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Speaker 4: I thought you gonna say something cause.

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Speaker 1: Because we don't get a lot of females here, so

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Speaker 1: we need to ask all female questions.

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Speaker 5: Cardi b is one of the first off smartest marketers.

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Speaker 4: She's a creative genius.

383
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Speaker 5: She gave me so much like she put me on

384
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Speaker 5: so early in the game, and she's always given.

385
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Speaker 4: Me so much advice. She was like, bitch, don't be

386
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Speaker 4: going online and crying.

387
00:20:11,840 --> 00:20:18,679
Speaker 5: I'm like, okay, you bitch. So look, Cardi is a

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Speaker 5: beastap a bitch, bitch, but I really really respect her grind,

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Speaker 5: her hustle. Even I just said on Twitter the way

390
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Speaker 5: I'm self promoting right now. I was really inspired from

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Speaker 5: her last album Drama Yeah, and I was like, okay.

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Speaker 2: Let me, let me.

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Speaker 4: She was like this rollout. You got to be a

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Speaker 4: woman of the people.

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Speaker 2: So I love her.

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Speaker 5: Sexy Red is somebody who I just met because.

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Speaker 2: We did hoes together and like that that happened. I

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Speaker 2: hope you enjoy that happened.

399
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Speaker 5: So organically and because I popped out with her at

400
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Speaker 5: her show at Coachella and I shook ass on a

401
00:21:05,000 --> 00:21:06,879
Speaker 5: La Boo boo and I was like, we should just

402
00:21:06,920 --> 00:21:08,800
Speaker 5: do more of this, And it just.

403
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Speaker 2: Love when females get together and she is so fucking cool,

404
00:21:12,880 --> 00:21:14,640
Speaker 2: Like I just there's.

405
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Speaker 5: A reason why she's on everyone's fucking album right now,

406
00:21:16,720 --> 00:21:19,919
Speaker 5: and it's because she's just such a likable person and

407
00:21:19,960 --> 00:21:23,119
Speaker 5: she's really easy to work with, like she's fired, like

408
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Speaker 5: if y'all have, y'all need her on the show.

409
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Speaker 8: Because she's actually yeah.

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Speaker 2: But I'll tell you this, you gotta be smoke. Yeah,

411
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Speaker 2: we're gonna.

412
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Speaker 1: Chance we own that as well. But we come from

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Speaker 1: the era where.

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Speaker 2: I know we got that already.

415
00:21:39,280 --> 00:21:42,800
Speaker 1: It was just actually Foxy and Kim. That's the era

416
00:21:42,920 --> 00:21:47,320
Speaker 1: that that that that week that makes all of y'all like,

417
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Speaker 1: like I'm just being honest. Maybe it's me being self

418
00:21:50,960 --> 00:21:53,440
Speaker 1: with but we love when y'all work together. When y'all

419
00:21:53,760 --> 00:21:56,200
Speaker 1: like we don't want we don't have to tell you too,

420
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Speaker 1: it's kind of like we don't want.

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Speaker 2: Y'all to kind of act like guys.

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Speaker 1: What I mean by that is like we can't get

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Speaker 1: along and we understand that, But why do you think

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00:22:06,800 --> 00:22:12,040
Speaker 1: females don't collaborate? Like I see you collaborating with a

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00:22:12,080 --> 00:22:14,840
Speaker 1: lot of people. Why does it at the app to

426
00:22:14,840 --> 00:22:17,040
Speaker 1: take the shot yet? Okay, I'll take it, let me

427
00:22:17,040 --> 00:22:17,480
Speaker 1: take the shot.

428
00:22:17,520 --> 00:22:20,359
Speaker 2: So question, why do you think I.

429
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Speaker 1: Think that females don't collab more like, oh, don't hold

430
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Speaker 1: each other down?

431
00:22:25,200 --> 00:22:26,639
Speaker 2: Okay, my bad fact.

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Speaker 5: You want something, want to I'm gonna I'm gonna watch

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Speaker 5: it down with someone.

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Speaker 2: I ain't gonna lie.

435
00:22:32,800 --> 00:22:35,840
Speaker 5: I would, I would disagree, and I would say that

436
00:22:36,240 --> 00:22:40,760
Speaker 5: girls do collab a lot, like you see Gloriala and

437
00:22:40,800 --> 00:22:45,560
Speaker 5: Meg like that doing collaborations. You see Lotto and Cardi

438
00:22:45,760 --> 00:22:48,240
Speaker 5: Lotto in Glorilla Lotto.

439
00:22:48,000 --> 00:22:48,840
Speaker 2: And Sexy Red.

440
00:22:49,080 --> 00:22:54,920
Speaker 5: You see Sexy Red and Sizza like Doja and Rico

441
00:22:55,080 --> 00:22:59,600
Speaker 5: Nasty and Doja and me like we there is.

442
00:22:59,840 --> 00:23:01,399
Speaker 2: I don't think that they'll ever be Like.

443
00:23:02,800 --> 00:23:04,560
Speaker 5: I did a podcast years and years and years ago

444
00:23:04,600 --> 00:23:07,080
Speaker 5: about the first ladies in hip hop, and I got

445
00:23:07,080 --> 00:23:09,040
Speaker 5: to talk to Lo Kim and I got to talk

446
00:23:09,080 --> 00:23:13,919
Speaker 5: to the queens and they would tell me stories of

447
00:23:13,960 --> 00:23:16,560
Speaker 5: how back in the day, like Ladies' Night was just

448
00:23:16,600 --> 00:23:19,280
Speaker 5: because they was really just holding each other down. Like

449
00:23:19,320 --> 00:23:22,840
Speaker 5: Missy would tell me stories like the best friends, and

450
00:23:23,520 --> 00:23:26,840
Speaker 5: literally they were just pulling up to set like to

451
00:23:26,920 --> 00:23:28,920
Speaker 5: be in the video, just to be present with each other.

452
00:23:29,240 --> 00:23:32,159
Speaker 5: I don't know if that could happen in twenty twenty.

453
00:23:31,920 --> 00:23:34,080
Speaker 4: Six, but I will say.

454
00:23:33,840 --> 00:23:38,280
Speaker 5: That we we as women, we collab with each other.

455
00:23:39,040 --> 00:23:47,280
Speaker 5: But I'll say another thing, fighting sales. It's true, like

456
00:23:48,680 --> 00:23:52,040
Speaker 5: beef sales more than anything these days.

457
00:23:52,440 --> 00:23:53,160
Speaker 2: You know what I'm saying.

458
00:23:53,200 --> 00:23:56,080
Speaker 5: And you see the reaction when I put out positive

459
00:23:56,160 --> 00:23:59,760
Speaker 5: music and when I talk about loving everybody, I'll get roasted.

460
00:23:59,840 --> 00:24:01,600
Speaker 4: Like they look at me like not now, Lizzo, like.

461
00:24:01,520 --> 00:24:04,200
Speaker 5: Don't hit us with that positivity ship. Like I've literally

462
00:24:04,280 --> 00:24:07,240
Speaker 5: read them say we don't want that empowering ship right now.

463
00:24:07,320 --> 00:24:08,920
Speaker 2: I'm like fans, yeah, from.

464
00:24:08,840 --> 00:24:10,800
Speaker 5: Not fans, but just people on the internet because I

465
00:24:10,800 --> 00:24:15,879
Speaker 5: don't think these people, but it's the general consensus of

466
00:24:16,000 --> 00:24:19,320
Speaker 5: humans right like like everybody want to everybody is tussling.

467
00:24:19,640 --> 00:24:22,560
Speaker 5: Like you think about the most popular shows, it's baddies,

468
00:24:22,680 --> 00:24:26,160
Speaker 5: it's girls fucking knocking each other out, Like celebrities are going.

469
00:24:26,000 --> 00:24:28,880
Speaker 1: Into boxing Dominican Republic.

470
00:24:31,880 --> 00:24:35,680
Speaker 5: All day, like everybody want to see. Donald Trump is

471
00:24:35,720 --> 00:24:39,200
Speaker 5: building up the USC White House like.

472
00:24:40,600 --> 00:24:42,399
Speaker 2: He's building in the.

473
00:24:45,560 --> 00:24:59,119
Speaker 9: Ioland I've ever seen my fucking life anyway, I don't.

474
00:24:59,000 --> 00:24:59,879
Speaker 2: Want to make noise for that.

475
00:25:01,640 --> 00:25:08,200
Speaker 6: It's crazy because it's like, that's.

476
00:25:07,960 --> 00:25:11,480
Speaker 5: Just where we are, that's what gets people's attention, that's

477
00:25:11,480 --> 00:25:13,240
Speaker 5: what wakes people up, and these.

478
00:25:13,160 --> 00:25:15,879
Speaker 4: Days you got to wake it up, right, you have

479
00:25:15,920 --> 00:25:16,479
Speaker 4: to wake it up.

480
00:25:16,640 --> 00:25:17,600
Speaker 2: But I would argue and.

481
00:25:17,520 --> 00:25:19,320
Speaker 5: Say that the girls do get along and we do

482
00:25:19,400 --> 00:25:20,080
Speaker 5: collab a lot.

483
00:25:20,440 --> 00:25:23,560
Speaker 1: However, what is overlooked by like when you say, like

484
00:25:24,200 --> 00:25:26,959
Speaker 1: the Cardi B. Nicki Minaj, like you know, feud, and

485
00:25:27,000 --> 00:25:30,080
Speaker 1: it's like that that is so much covered that when

486
00:25:30,200 --> 00:25:32,920
Speaker 1: Cardi B and Nicki Minaj is actually collaborated, they didn't

487
00:25:33,080 --> 00:25:35,520
Speaker 1: actually cover it that same type of way.

488
00:25:35,680 --> 00:25:37,600
Speaker 2: So that's the reason why I asked something like.

489
00:25:37,560 --> 00:25:42,160
Speaker 5: That, Like bad news travels fast. Yes, I've had bad

490
00:25:42,200 --> 00:25:45,720
Speaker 5: news about me go far and wide, and then good

491
00:25:45,760 --> 00:25:48,040
Speaker 5: news will come out and it's not a peek, and

492
00:25:48,080 --> 00:25:50,120
Speaker 5: I'll be like, yo, why aren't you talking about this part?

493
00:25:50,640 --> 00:25:52,800
Speaker 5: Why isn't why don't yall bring this part up? You know,

494
00:25:52,960 --> 00:25:57,040
Speaker 5: like the So I honestly don't know what it is,

495
00:25:57,119 --> 00:26:00,879
Speaker 5: but it's a reflection of society and culture. So we

496
00:26:00,920 --> 00:26:05,000
Speaker 5: can't blame the girls. We can't blame like like, it's

497
00:26:05,000 --> 00:26:05,600
Speaker 5: not our fault.

498
00:26:05,840 --> 00:26:07,679
Speaker 2: Okay, you eat it up.

499
00:26:08,200 --> 00:26:10,080
Speaker 7: You said that Ladies and Night was the first before

500
00:26:10,080 --> 00:26:13,159
Speaker 7: that you had Money Love and Queen Latifa working together.

501
00:26:13,560 --> 00:26:14,959
Speaker 2: What was that? That was?

502
00:26:15,000 --> 00:26:18,600
Speaker 4: That was?

503
00:26:18,400 --> 00:26:20,000
Speaker 2: I was just Ladies first?

504
00:26:20,200 --> 00:26:22,399
Speaker 1: Ladies First was the Andrew Martinez record?

505
00:26:22,560 --> 00:26:24,840
Speaker 2: Right? Yeah?

506
00:26:24,920 --> 00:26:28,280
Speaker 1: Yeah, oh it was an original we're saying they were

507
00:26:28,400 --> 00:26:30,680
Speaker 1: You were saying that that them, that was the first

508
00:26:30,720 --> 00:26:32,240
Speaker 1: time that the females working together.

509
00:26:32,280 --> 00:26:34,480
Speaker 2: No, you had it going back Queen Latifa Money, I

510
00:26:34,480 --> 00:26:36,760
Speaker 2: didn't know that. I didn't know that was different.

511
00:26:36,920 --> 00:26:39,760
Speaker 5: That was just a different time like in society and

512
00:26:39,800 --> 00:26:41,040
Speaker 5: our economy as well.

513
00:26:41,119 --> 00:26:46,440
Speaker 1: And what if you had the chance to recreate Ladies First?

514
00:26:47,600 --> 00:26:51,280
Speaker 1: All up to you. Now, this might be a shot,

515
00:26:51,400 --> 00:26:55,800
Speaker 1: like and I got my shots ready, Okay, what ladies

516
00:26:56,119 --> 00:26:57,000
Speaker 1: would Lizzo pick?

517
00:26:58,040 --> 00:27:00,600
Speaker 5: Can I just pick all the people I think will

518
00:27:00,600 --> 00:27:01,520
Speaker 5: be dope on a record together?

519
00:27:01,920 --> 00:27:05,119
Speaker 1: Yes, you don't even have to have a relationship with them.

520
00:27:05,080 --> 00:27:06,320
Speaker 2: All the people you think you think?

521
00:27:06,400 --> 00:27:11,160
Speaker 1: What like Angie Queen Aativa comes to you and says,

522
00:27:11,280 --> 00:27:15,280
Speaker 1: we want you to recreate Ladies First, but we also

523
00:27:15,359 --> 00:27:18,239
Speaker 1: want it to be your idea meaning like the new

524
00:27:18,320 --> 00:27:19,280
Speaker 1: ladies of hip hop.

525
00:27:19,320 --> 00:27:20,920
Speaker 2: Now, who will you pick?

526
00:27:21,920 --> 00:27:24,639
Speaker 1: This is a good one?

527
00:27:24,760 --> 00:27:36,280
Speaker 2: Yeah, oh man oh man. I would say, me is

528
00:27:36,320 --> 00:27:36,800
Speaker 2: your record?

529
00:27:38,600 --> 00:27:41,200
Speaker 4: Doja Cat? I think Doja Cat is like.

530
00:27:42,520 --> 00:27:49,760
Speaker 5: She is probably the best, one of the best like

531
00:27:50,880 --> 00:27:53,200
Speaker 5: that we have out right now, when it comes to aesthetic,

532
00:27:53,240 --> 00:27:55,840
Speaker 5: when it comes to bars, when it comes to writing

533
00:27:55,920 --> 00:28:00,720
Speaker 5: like pop melodies, like she is the full package. I

534
00:28:00,720 --> 00:28:04,400
Speaker 5: would say, Meghan wraps her ass off.

535
00:28:04,720 --> 00:28:05,960
Speaker 4: But you can't tell all.

536
00:28:05,840 --> 00:28:09,320
Speaker 2: Of that right it down has so we got Megan.

537
00:28:09,080 --> 00:28:12,320
Speaker 5: Meghan Oja Oja.

538
00:28:12,440 --> 00:28:13,359
Speaker 2: I believe it's like eight.

539
00:28:13,200 --> 00:28:17,880
Speaker 5: Girls, right, Okay, that's good to know. I wasn't give

540
00:28:17,880 --> 00:28:18,760
Speaker 5: me eight Cardi B.

541
00:28:18,920 --> 00:28:21,159
Speaker 2: Cardi B. We're giving you eight. Don't worry about it,

542
00:28:21,160 --> 00:28:21,560
Speaker 2: Cardi B.

543
00:28:22,880 --> 00:28:27,560
Speaker 4: We mad Oh my gosh, Lotto.

544
00:28:30,080 --> 00:28:40,280
Speaker 1: It was five five lad ladies, Ladies, Ladies Night is

545
00:28:40,280 --> 00:28:42,480
Speaker 1: the one that we're still love.

546
00:28:42,760 --> 00:28:43,440
Speaker 2: Okay, let's do.

547
00:28:45,320 --> 00:28:51,240
Speaker 5: Said okay, wait, I said somebody else.

548
00:28:52,480 --> 00:28:52,840
Speaker 2: I did.

549
00:28:53,160 --> 00:28:58,680
Speaker 5: It's like the symphony to Megan, Joja, Cardi Lotto.

550
00:29:02,360 --> 00:29:04,880
Speaker 4: Doch she can wrap.

551
00:29:09,640 --> 00:29:11,080
Speaker 2: Oh.

552
00:29:11,160 --> 00:29:16,520
Speaker 5: There's just so many girls, you know who I really

553
00:29:16,600 --> 00:29:19,080
Speaker 5: like and there's some there's some girls who like Mona Leoh.

554
00:29:19,880 --> 00:29:24,040
Speaker 5: I think it's really really incredible. I think Flow Milly

555
00:29:24,680 --> 00:29:28,800
Speaker 5: is incredible. This is like I don't there's not enough,

556
00:29:29,080 --> 00:29:36,520
Speaker 5: There's not enough time in the day. I Love Rhapsody

557
00:29:37,000 --> 00:29:46,920
Speaker 5: is incredible. Glow Glow reala sexy red. I hope I'm

558
00:29:46,920 --> 00:29:50,880
Speaker 5: not missing nobody. You remember One Train when that record

559
00:29:50,880 --> 00:29:51,440
Speaker 5: came out, and it.

560
00:29:51,440 --> 00:29:55,600
Speaker 2: Was all that's crazy.

561
00:29:56,520 --> 00:29:58,480
Speaker 5: My dream, that's my dream is to do a One

562
00:29:58,520 --> 00:30:03,480
Speaker 5: Train record. You want to go to be so crazy?

563
00:30:03,680 --> 00:30:07,800
Speaker 5: You don't so crazy. It could happen.

564
00:30:08,240 --> 00:30:11,880
Speaker 2: But I want to ask because I asked you just

565
00:30:11,960 --> 00:30:18,040
Speaker 2: now and don't say sexy. Yeah, it's sexy.

566
00:30:18,240 --> 00:30:20,480
Speaker 1: But I want to ask because I'm trying to be

567
00:30:20,520 --> 00:30:24,080
Speaker 1: a journalist, not because I'm trying to I'm trying to

568
00:30:24,120 --> 00:30:30,240
Speaker 1: be like, you know, job. It was notably that you

569
00:30:30,280 --> 00:30:31,240
Speaker 1: didn't say.

570
00:30:31,240 --> 00:30:35,320
Speaker 2: Nikki, oh oh, yeah, I didn't.

571
00:30:35,880 --> 00:30:44,960
Speaker 1: I'm asking if this is we can move but because

572
00:30:45,360 --> 00:30:58,760
Speaker 1: because us as men sometimes we don't understand and I

573
00:30:58,800 --> 00:30:59,440
Speaker 1: want to make.

574
00:30:59,320 --> 00:31:00,520
Speaker 2: This make sense. It's like.

575
00:31:03,200 --> 00:31:05,400
Speaker 1: Sometimes it feels like like like like when they say

576
00:31:05,400 --> 00:31:07,840
Speaker 1: the black comedians want to be one black comedian. At

577
00:31:07,840 --> 00:31:09,280
Speaker 1: one point it felt like if it want to be

578
00:31:09,280 --> 00:31:14,560
Speaker 1: one black female, right, and then things happened, Things transpire it,

579
00:31:14,640 --> 00:31:16,680
Speaker 1: and there's been way more.

580
00:31:16,720 --> 00:31:18,520
Speaker 5: I don't think that it was that it could only

581
00:31:18,560 --> 00:31:20,600
Speaker 5: be one. There just was only one.

582
00:31:20,760 --> 00:31:24,760
Speaker 2: Okay, do you know what I'm saying? Like, I feel

583
00:31:24,800 --> 00:31:25,440
Speaker 2: like I don't.

584
00:31:25,280 --> 00:31:26,480
Speaker 4: Have no ego in all of this.

585
00:31:26,600 --> 00:31:29,480
Speaker 5: I'm not I don't have aspirations to be the queen

586
00:31:29,520 --> 00:31:31,640
Speaker 5: of rap, the queen of pop, the queen of anything.

587
00:31:32,440 --> 00:31:35,240
Speaker 4: So I can say this with my whole chest.

588
00:31:35,880 --> 00:31:40,840
Speaker 5: Nicki Minaj ran like hip hop and rap for a

589
00:31:41,040 --> 00:31:45,080
Speaker 5: long fucking time. I remember there was some award show.

590
00:31:45,080 --> 00:31:46,880
Speaker 5: I don't know if it was BET Awards or something.

591
00:31:46,960 --> 00:31:49,520
Speaker 5: It was like Best Female Rap, and I remember like

592
00:31:49,560 --> 00:31:53,360
Speaker 5: the category maybe had fie and she was in it,

593
00:31:53,400 --> 00:31:56,080
Speaker 5: and when they call her name, it was like she

594
00:31:56,240 --> 00:31:58,120
Speaker 5: kind of she kind of had to laugh at that, and.

595
00:31:58,080 --> 00:31:59,360
Speaker 4: I was because she's like, it's me.

596
00:32:00,280 --> 00:32:06,560
Speaker 5: And I can't imagine how that must feel to run

597
00:32:06,600 --> 00:32:09,000
Speaker 5: it for that long and then to now have an

598
00:32:09,000 --> 00:32:15,120
Speaker 5: influx of all of these, you know, extremely talented young

599
00:32:15,120 --> 00:32:18,680
Speaker 5: women who are rapping and extremely popular and successful and

600
00:32:19,000 --> 00:32:21,760
Speaker 5: winning Grammys and getting number ones, and you.

601
00:32:21,640 --> 00:32:23,880
Speaker 2: Know, I don't know how that feels.

602
00:32:25,280 --> 00:32:30,200
Speaker 5: She's never done anything personally to me where I feel

603
00:32:30,200 --> 00:32:32,120
Speaker 5: like I have an issue with her. She may have

604
00:32:32,120 --> 00:32:33,840
Speaker 5: said things about me on the internet. A lot of

605
00:32:33,880 --> 00:32:35,760
Speaker 5: people say things about me on the internet, so I

606
00:32:35,760 --> 00:32:41,960
Speaker 5: don't have there's no beef on my end with Nicki Minaj.

607
00:32:42,040 --> 00:32:44,200
Speaker 5: I can still say that she's a great rapper and

608
00:32:44,240 --> 00:32:47,800
Speaker 5: she has great records, but I also say I can

609
00:32:47,880 --> 00:32:53,479
Speaker 5: also say in the same breath, I don't like the

610
00:32:53,480 --> 00:32:55,440
Speaker 5: way she's been moving and the way that she talks

611
00:32:55,440 --> 00:32:57,320
Speaker 5: about me, and the way she talks about my friends,

612
00:32:57,720 --> 00:32:59,200
Speaker 5: like my real friends, you know.

613
00:32:59,200 --> 00:33:00,360
Speaker 2: What I mean, Like.

614
00:33:01,800 --> 00:33:03,200
Speaker 4: I cannot like that.

615
00:33:03,280 --> 00:33:05,880
Speaker 5: I'm allowed to not like that and also respects and

616
00:33:05,920 --> 00:33:08,280
Speaker 5: be like, yeah, but you're a great rapper, you're.

617
00:33:08,400 --> 00:33:10,760
Speaker 2: You know, like, did you have a relationship prior to this?

618
00:33:11,280 --> 00:33:11,600
Speaker 2: I did not.

619
00:33:11,720 --> 00:33:13,120
Speaker 4: I don't have a relations.

620
00:33:14,960 --> 00:33:15,640
Speaker 2: No, not at all.

621
00:33:15,680 --> 00:33:17,239
Speaker 4: I think the internet.

622
00:33:17,040 --> 00:33:19,720
Speaker 5: Doesn't, you know, they think all famous people like hang

623
00:33:19,760 --> 00:33:20,480
Speaker 5: out all the time.

624
00:33:21,360 --> 00:33:21,560
Speaker 2: You know.

625
00:33:22,680 --> 00:33:25,520
Speaker 5: I've had interactions with her, and I can say this

626
00:33:25,600 --> 00:33:28,600
Speaker 5: with no ego as a fan. I've had interactions with

627
00:33:28,640 --> 00:33:30,840
Speaker 5: her as a fan At met Gala, I'll be like, ooh,

628
00:33:30,880 --> 00:33:34,840
Speaker 5: can I get a picture? Type shit, and that was it.

629
00:33:35,080 --> 00:33:36,880
Speaker 5: I don't have this person's phone number.

630
00:33:37,040 --> 00:33:37,360
Speaker 2: I don't.

631
00:33:37,520 --> 00:33:40,000
Speaker 5: I've never had a conversation longer than two minutes with

632
00:33:40,040 --> 00:33:40,560
Speaker 5: this person.

633
00:33:42,600 --> 00:33:45,120
Speaker 4: I truly don't know her.

634
00:33:45,280 --> 00:33:47,800
Speaker 5: I know of her, So when I saw her like

635
00:33:47,880 --> 00:33:49,800
Speaker 5: saying mean things about me, I was just like, where's

636
00:33:49,840 --> 00:33:50,440
Speaker 5: this coming from?

637
00:33:52,120 --> 00:33:53,840
Speaker 2: But I wouldn't ask that.

638
00:33:54,280 --> 00:33:56,400
Speaker 5: Yeah, well, I mean, it doesn't hurt my feelings because

639
00:33:56,880 --> 00:33:59,200
Speaker 5: there's nothing anyone can say at this point to hurt

640
00:33:59,200 --> 00:34:02,920
Speaker 5: my feelings. But it's like she put herself in this,

641
00:34:03,040 --> 00:34:05,640
Speaker 5: in the position that she's in in the queen's throne.

642
00:34:05,720 --> 00:34:06,760
Speaker 2: You're in the queen's throne.

643
00:34:06,960 --> 00:34:10,640
Speaker 5: Okay, I'm not gonna and I'm gonna stay over here,

644
00:34:11,200 --> 00:34:11,799
Speaker 5: you know what I mean.

645
00:34:12,880 --> 00:34:16,680
Speaker 1: But it is true because like it's like for me,

646
00:34:20,320 --> 00:34:24,160
Speaker 1: I thought all football players got along. My dumb ass

647
00:34:25,680 --> 00:34:31,080
Speaker 1: invited Warren sapp so Michael Vick dinner. I didn't realize

648
00:34:31,200 --> 00:34:33,680
Speaker 1: Michael Vick is the quarterback.

649
00:34:33,400 --> 00:34:34,640
Speaker 2: Warren is the guy.

650
00:34:35,360 --> 00:34:38,680
Speaker 1: And Michael Vick looks at me and he goes, what

651
00:34:38,719 --> 00:34:39,480
Speaker 1: type of shit is this?

652
00:34:39,600 --> 00:34:43,960
Speaker 2: North? And I'm like, holy, so we are not. I'm

653
00:34:44,000 --> 00:34:47,600
Speaker 2: a little oblivious too, So we are not Eves.

654
00:34:47,640 --> 00:34:50,720
Speaker 1: So we yeah, we think that all females are supposed

655
00:34:50,719 --> 00:34:52,719
Speaker 1: to get along. We think that this is the supposed

656
00:34:52,760 --> 00:34:55,440
Speaker 1: that you know what I mean, like like we're supposed

657
00:34:55,480 --> 00:34:58,680
Speaker 1: to hear a Lizzo record with with with Nikki, we

658
00:34:58,680 --> 00:35:00,640
Speaker 1: we feel like that's what we feel we're supposed to

659
00:35:00,680 --> 00:35:02,080
Speaker 1: hear because we don't.

660
00:35:02,120 --> 00:35:05,000
Speaker 2: We don't understand this. You understand that makes sense?

661
00:35:05,160 --> 00:35:08,200
Speaker 1: Yeah, but we're all naive to a certain state.

662
00:35:08,280 --> 00:35:11,960
Speaker 5: Yeah. It's funny because back when my song good as

663
00:35:11,960 --> 00:35:14,200
Speaker 5: Hell first came out, it was in the Barbershop movie.

664
00:35:14,480 --> 00:35:16,319
Speaker 5: It was a part of the Barbershop soundtrack, and it

665
00:35:16,360 --> 00:35:18,799
Speaker 5: was the same movie Nikki was in, and there were

666
00:35:19,080 --> 00:35:21,680
Speaker 5: talks of her hopping on the Goodest Hell remix back

667
00:35:21,880 --> 00:35:22,680
Speaker 5: and I remember being like.

668
00:35:22,719 --> 00:35:25,520
Speaker 2: I would love to hear that. That's crazy.

669
00:35:26,000 --> 00:35:30,479
Speaker 5: But other than that, like no, I fully moved into

670
00:35:30,520 --> 00:35:35,000
Speaker 5: the pop world after that, and it just never happens.

671
00:35:35,120 --> 00:35:36,959
Speaker 5: And I mean, I don't think it's going to happen

672
00:35:36,960 --> 00:35:37,960
Speaker 5: the way she feels about me.

673
00:35:38,160 --> 00:35:39,560
Speaker 4: I don't think it's gonna happen.

674
00:35:41,200 --> 00:35:42,760
Speaker 2: You want a scary movie soundtrack?

675
00:35:42,840 --> 00:35:44,840
Speaker 4: I am scary movie soundstrack, Yes.

676
00:35:44,680 --> 00:35:51,520
Speaker 2: And when when is it that? Yeah?

677
00:35:52,040 --> 00:35:55,800
Speaker 5: I'm so much scary movie And my album dropped the

678
00:35:55,800 --> 00:35:59,160
Speaker 5: same day June fold. It's crazy, Yeah, it can. It

679
00:35:59,160 --> 00:36:00,000
Speaker 5: couldn't be more perfect.

680
00:36:00,040 --> 00:36:03,000
Speaker 1: Big Holy yeah, this is meant to be meant to

681
00:36:03,960 --> 00:36:08,239
Speaker 1: Quick Thomas. What's the next.

682
00:36:06,920 --> 00:36:08,840
Speaker 2: Billie Eilish or Olivia.

683
00:36:08,440 --> 00:36:12,440
Speaker 4: Dean Billie Eilish.

684
00:36:13,160 --> 00:36:17,480
Speaker 5: I think that Billie Eilish it is kind of like

685
00:36:18,280 --> 00:36:23,240
Speaker 5: an anomaly, Like, you know, she she did something that I'm.

686
00:36:23,680 --> 00:36:36,000
Speaker 3: You, okay, Glass, I think Billie Eilish.

687
00:36:36,120 --> 00:36:38,319
Speaker 5: I think Billie Eilish did some new ship that we

688
00:36:38,360 --> 00:36:42,040
Speaker 5: ain't never seen before. Like I think that everyone just

689
00:36:42,080 --> 00:36:43,120
Speaker 5: has to like respect it.

690
00:36:43,600 --> 00:36:44,359
Speaker 4: You know, like she.

691
00:36:44,400 --> 00:36:48,319
Speaker 5: Came out with like SoundCloud rapper vibes, but like with

692
00:36:48,360 --> 00:36:54,200
Speaker 5: like a like a jazz voice, making like kind of

693
00:36:54,320 --> 00:36:57,479
Speaker 5: like emo music, and I was like, what the fuck

694
00:36:57,600 --> 00:37:01,080
Speaker 5: is going on? And It's like, yeah, a hot honey

695
00:37:01,080 --> 00:37:04,799
Speaker 5: sushi burger or something like. She she like created a

696
00:37:04,840 --> 00:37:10,160
Speaker 5: new genre and she has like seven thousand oscars and before.

697
00:37:09,920 --> 00:37:10,839
Speaker 2: The age of twenty one.

698
00:37:10,960 --> 00:37:13,160
Speaker 5: So I'm like, hey, bro, you gotta give Billy her

699
00:37:13,480 --> 00:37:14,520
Speaker 5: You got to give her her things.

700
00:37:14,560 --> 00:37:15,240
Speaker 4: Give it to Billy.

701
00:37:15,440 --> 00:37:18,319
Speaker 2: Yep, Okay, Next one, bum beer scarface.

702
00:37:18,600 --> 00:37:22,640
Speaker 1: Um we fuck with your Houston roots now, bum Bee,

703
00:37:22,719 --> 00:37:26,480
Speaker 1: But they are remember b Uncle Bun, Uncle Uncle Bunn.

704
00:37:26,280 --> 00:37:28,680
Speaker 2: And tril Burgers. I love trio burgers.

705
00:37:29,239 --> 00:37:31,920
Speaker 5: Let me tell you something. Beyonce had Trilberger's at her show.

706
00:37:32,400 --> 00:37:35,640
Speaker 5: Let me tell you somebody. We was like, wait, man,

707
00:37:35,680 --> 00:37:40,040
Speaker 5: wait what is Allegedly it's the best burger in the world.

708
00:37:40,160 --> 00:37:42,279
Speaker 2: And I would agree the allegations are true.

709
00:37:42,920 --> 00:37:46,640
Speaker 5: But I also am a ugk PIMPCI bumbe like I

710
00:37:46,719 --> 00:37:49,160
Speaker 5: came up on that like player's anthem is like the

711
00:37:49,239 --> 00:37:51,480
Speaker 5: national anthem, like it truly is.

712
00:37:51,880 --> 00:37:54,439
Speaker 2: If that song comes on in the club. I tied

713
00:37:54,480 --> 00:37:56,439
Speaker 2: to text to a girl I used to see kind

714
00:37:56,480 --> 00:37:58,439
Speaker 2: and that I found this cutie pot who I want

715
00:37:58,440 --> 00:38:00,319
Speaker 2: to be, and I apologize this.

716
00:38:00,280 --> 00:38:01,160
Speaker 4: Message gets you down.

717
00:38:01,160 --> 00:38:02,680
Speaker 5: Then I see see every girl that out in the

718
00:38:02,680 --> 00:38:05,160
Speaker 5: CZ round time smiling.

719
00:38:05,239 --> 00:38:06,600
Speaker 4: I'd rather see her, well, hey, to.

720
00:38:06,600 --> 00:38:08,320
Speaker 2: See y'all fround, but I'm about to see her smiling

721
00:38:08,360 --> 00:38:09,160
Speaker 2: witness all around me.

722
00:38:09,200 --> 00:38:12,280
Speaker 5: True, but I'm no island peninsula. Maybe makes no sense,

723
00:38:12,400 --> 00:38:14,400
Speaker 5: I know, crazy, give a part. This pussy kept this

724
00:38:14,480 --> 00:38:17,160
Speaker 5: in my lap, no looking back space. Ships don't come

725
00:38:17,200 --> 00:38:20,200
Speaker 5: equipped with reverymembers. They dip as quick as they can.

726
00:38:20,280 --> 00:38:22,640
Speaker 5: The atmosphere is now ripped. I'm so like a pip.

727
00:38:22,680 --> 00:38:24,520
Speaker 5: I'm glad this night so the light from the sun

728
00:38:24,560 --> 00:38:25,399
Speaker 5: will not burn me on.

729
00:38:25,360 --> 00:38:27,480
Speaker 2: My bun when I shoot the moon.

730
00:38:27,440 --> 00:38:29,920
Speaker 5: High jump the broom like a premie out the womb.

731
00:38:29,920 --> 00:38:33,560
Speaker 5: My party yelling too soon, don't do it? Reconsider read

732
00:38:33,640 --> 00:38:34,080
Speaker 5: some litter.

733
00:38:34,400 --> 00:38:36,880
Speaker 4: Shut you sure fuck it.

734
00:38:37,120 --> 00:38:40,319
Speaker 5: You know he got your back like prep do you

735
00:38:40,400 --> 00:38:43,720
Speaker 5: dirty well, wash your ass out like in detergent. Hurry, hurry,

736
00:38:43,880 --> 00:38:45,600
Speaker 5: go on to the auta. I know you ain't a

737
00:38:45,640 --> 00:38:47,919
Speaker 5: pimple pip. Remember what I tossed you keep your heart

738
00:38:47,960 --> 00:38:48,960
Speaker 5: three stacks.

739
00:38:48,680 --> 00:38:51,640
Speaker 4: Keep your heart, Hey, keep your heart, three stacks, keep

740
00:38:51,640 --> 00:38:52,120
Speaker 4: your heart.

741
00:38:52,360 --> 00:38:54,040
Speaker 2: Day. These girls are smart. Three stacks.

742
00:38:54,040 --> 00:38:56,600
Speaker 4: These girls are smart. Play your part.

743
00:39:03,000 --> 00:39:10,920
Speaker 2: Absolutely, do not that is That was so beautiful.

744
00:39:10,960 --> 00:39:16,080
Speaker 5: Oh my god, that was great iconic. Okay, next.

745
00:39:19,600 --> 00:39:24,120
Speaker 2: Leon Thomas or tight Dollar. I didn't make this up.

746
00:39:25,400 --> 00:39:32,000
Speaker 5: That was crazy. That was crazy. Ty Dollar sign has

747
00:39:32,000 --> 00:39:36,680
Speaker 5: made such a contribution to records for so long, we

748
00:39:36,760 --> 00:39:38,080
Speaker 5: got to give it to Titles Sign.

749
00:39:38,440 --> 00:39:40,320
Speaker 2: Yes, think of the top thouands Signs. I got a

750
00:39:40,320 --> 00:39:44,240
Speaker 2: record dropping with him. He reconstructed my whole record, so.

751
00:39:43,080 --> 00:39:45,520
Speaker 4: That yeah, that man is a genius.

752
00:39:45,520 --> 00:39:48,400
Speaker 1: He took my ship and said, with vibes cartail, let

753
00:39:48,400 --> 00:39:49,920
Speaker 1: me also big a boxboll.

754
00:39:52,880 --> 00:39:58,040
Speaker 2: I was, but yes, so you can give it to.

755
00:39:59,560 --> 00:40:00,799
Speaker 1: Let's go to next one because I wanted to take

756
00:40:00,800 --> 00:40:01,200
Speaker 1: another shot.

757
00:40:01,200 --> 00:40:02,839
Speaker 2: I don't know. I'm sorry. Nos.

758
00:40:03,000 --> 00:40:07,399
Speaker 7: Jada kiss, Oh, Jada kiss.

759
00:40:07,400 --> 00:40:08,120
Speaker 2: He's so sweet.

760
00:40:08,160 --> 00:40:09,680
Speaker 4: I don't know him, but his little.

761
00:40:12,920 --> 00:40:16,080
Speaker 2: Jada. Wow. We have to go with his birthday too.

762
00:40:16,160 --> 00:40:19,600
Speaker 2: It's birthday, just passed birthday, Your birthday.

763
00:40:19,680 --> 00:40:27,719
Speaker 1: Birthday, Happy birthday, Edie Gains is.

764
00:40:27,840 --> 00:40:30,000
Speaker 7: Too many of your birthday was the twenty seven as well?

765
00:40:30,040 --> 00:40:37,239
Speaker 2: You got day a lot of these motherfuckers. What what

766
00:40:37,400 --> 00:40:38,000
Speaker 2: sign is y'all?

767
00:40:38,160 --> 00:40:41,719
Speaker 1: Gym come on, White's birthday is coming up to Oh

768
00:40:41,760 --> 00:40:44,080
Speaker 1: my god, you're right.

769
00:40:44,000 --> 00:40:50,640
Speaker 2: Before Yeah, my daughter tours. I'm just exhausted, man. It's

770
00:40:50,680 --> 00:40:52,879
Speaker 2: too much for y'all, too much of them.

771
00:40:53,080 --> 00:40:55,759
Speaker 5: We gotta give it to NOAs Nos is like one

772
00:40:55,760 --> 00:40:56,839
Speaker 5: of the kings of Rap.

773
00:40:57,000 --> 00:41:00,399
Speaker 2: Okay, yes, I like how you big? Yeah, but then

774
00:41:00,440 --> 00:41:02,840
Speaker 2: you lit.

775
00:41:07,680 --> 00:41:07,759
Speaker 6: O.

776
00:41:08,760 --> 00:41:13,120
Speaker 2: We love them both. And yes, Brown Usher, we want

777
00:41:13,120 --> 00:41:14,359
Speaker 2: to see this in verses as well.

778
00:41:15,120 --> 00:41:19,719
Speaker 4: This is crazy, This is crazy.

779
00:41:20,400 --> 00:41:24,000
Speaker 5: But I have to tell y'all, I got into a

780
00:41:24,080 --> 00:41:25,600
Speaker 5: drunken argument at three.

781
00:41:25,360 --> 00:41:26,799
Speaker 4: In the morning to.

782
00:41:26,800 --> 00:41:30,200
Speaker 2: Hear my friends because I want to hear about it.

783
00:41:30,120 --> 00:41:32,359
Speaker 5: Because and this is no disrespect to any of these

784
00:41:32,360 --> 00:41:35,040
Speaker 5: people in this lineup, because but I was alone. You know,

785
00:41:35,120 --> 00:41:37,160
Speaker 5: it's like, what what opinion do you have that I have?

786
00:41:37,200 --> 00:41:41,040
Speaker 7: Everyone like she was arguing with no man, No, I

787
00:41:41,120 --> 00:41:44,239
Speaker 7: was in my principles okay, okay, okay, okay for my.

788
00:41:44,160 --> 00:41:45,319
Speaker 4: Friends and we're all drunk and.

789
00:41:45,239 --> 00:41:47,160
Speaker 2: He was watching music videos three in the morning. I

790
00:41:47,200 --> 00:41:47,520
Speaker 2: was alone.

791
00:41:47,520 --> 00:41:50,440
Speaker 5: Of my principals were just like, if you put Chris

792
00:41:50,480 --> 00:41:55,600
Speaker 5: Brown Usher a Marion, I can't.

793
00:41:55,400 --> 00:41:57,160
Speaker 1: Do a Marion. And there I think Chris Brown and

794
00:41:57,239 --> 00:42:01,200
Speaker 1: Usher is enough. I know, but Mario, you just wanted

795
00:42:01,280 --> 00:42:02,200
Speaker 1: it to be complicated.

796
00:42:02,239 --> 00:42:05,120
Speaker 4: But we said you put them all in a room and.

797
00:42:05,040 --> 00:42:08,240
Speaker 2: It's like it's the category is singing and dancing?

798
00:42:08,239 --> 00:42:09,279
Speaker 4: Who's coming out of live?

799
00:42:10,960 --> 00:42:15,320
Speaker 1: Y'all had a tough conversation. It was really tough.

800
00:42:15,480 --> 00:42:18,919
Speaker 2: But I stand behind and.

801
00:42:18,840 --> 00:42:20,320
Speaker 5: This is no there's no exception.

802
00:42:20,719 --> 00:42:21,200
Speaker 2: Hold on.

803
00:42:21,200 --> 00:42:22,640
Speaker 1: I feel like we need a drum roll before you

804
00:42:22,680 --> 00:42:26,000
Speaker 1: announce who you went with, because you you picked somebody

805
00:42:26,120 --> 00:42:29,680
Speaker 1: I did, all right, do a drum Let's do it.

806
00:42:31,080 --> 00:42:34,000
Speaker 4: Usher, and let me tell you why. Let me tell

807
00:42:34,000 --> 00:42:34,319
Speaker 4: you why.

808
00:42:34,360 --> 00:42:37,480
Speaker 2: I love how has to put.

809
00:42:38,560 --> 00:42:45,560
Speaker 5: Because in New Flame, this man saying ticked and did

810
00:42:45,600 --> 00:42:47,960
Speaker 5: the moon walk at the same fucking time when he's

811
00:42:47,960 --> 00:42:51,080
Speaker 5: like baby, baby, baby baby, do you remember what he

812
00:42:51,120 --> 00:42:52,319
Speaker 5: takes into a moon walk?

813
00:42:52,880 --> 00:42:56,480
Speaker 2: I swear to god, I kept screaming Flame, Flame, and

814
00:42:56,560 --> 00:42:57,239
Speaker 2: they were like damn.

815
00:42:57,239 --> 00:42:59,120
Speaker 5: I was like, put and they put it on and

816
00:42:59,200 --> 00:43:01,880
Speaker 5: he ticked into a moon talking. Everybody was like, we agree,

817
00:43:02,239 --> 00:43:06,440
Speaker 5: we agree, USh, only Usher can take into a fucking moonwalk.

818
00:43:06,480 --> 00:43:09,160
Speaker 5: And then years later that ship went viral on the internet.

819
00:43:09,200 --> 00:43:10,640
Speaker 5: There was like, you remember their part of the New

820
00:43:10,680 --> 00:43:12,160
Speaker 5: Flame where he ticked in the moonwalk.

821
00:43:12,560 --> 00:43:14,080
Speaker 2: Yeah, I bet you do remember now.

822
00:43:14,360 --> 00:43:16,880
Speaker 5: But I've been saying behind Usher before the Super Bowl,

823
00:43:17,160 --> 00:43:18,239
Speaker 5: before everything.

824
00:43:17,920 --> 00:43:20,240
Speaker 4: I said, Usher got it, y'all.

825
00:43:20,320 --> 00:43:21,960
Speaker 5: This man is very I don't want to say he

826
00:43:22,040 --> 00:43:26,839
Speaker 5: underrated because it's Usher, but there's this his runs, the

827
00:43:26,880 --> 00:43:30,919
Speaker 5: tone of his voice, his musicality in his dancing. There's

828
00:43:30,960 --> 00:43:33,800
Speaker 5: nobody like I'm drunk. I'm drunk now, there's nobody like him.

829
00:43:33,840 --> 00:43:34,879
Speaker 2: Nobody like him.

830
00:43:34,960 --> 00:43:39,359
Speaker 1: You are so smart, you are articularly as a motherfucker.

831
00:43:40,239 --> 00:43:41,720
Speaker 2: Yes, I'm drunk.

832
00:43:41,800 --> 00:43:44,040
Speaker 5: Yes, Yes, that is no shade to no one else

833
00:43:44,080 --> 00:43:44,880
Speaker 5: in this category.

834
00:43:44,960 --> 00:43:49,080
Speaker 2: This is not Chris Brown, you put. I did put

835
00:43:49,120 --> 00:43:49,560
Speaker 2: the Marie on.

836
00:43:49,480 --> 00:43:53,560
Speaker 5: In there because I think that it's a comparable argument.

837
00:43:53,640 --> 00:43:55,680
Speaker 5: I think all three of them is like it's a

838
00:43:55,760 --> 00:43:56,920
Speaker 5: it's equally yoked.

839
00:43:57,400 --> 00:43:58,120
Speaker 4: Do you know what I'm saying?

840
00:43:58,360 --> 00:43:59,560
Speaker 2: Yeah, it's all right.

841
00:43:59,680 --> 00:44:02,400
Speaker 1: So and then Chris Brown had the crazy v I

842
00:44:02,400 --> 00:44:07,680
Speaker 1: P section. Oh man, but Ussher was breaking marriages up.

843
00:44:07,800 --> 00:44:08,440
Speaker 2: He was out.

844
00:44:08,320 --> 00:44:18,640
Speaker 5: Here cherries and mouth. Look like that was lost on me.

845
00:44:18,760 --> 00:44:27,440
Speaker 2: They wasn't. They wasn't thinking a second time like I was.

846
00:44:29,640 --> 00:44:34,080
Speaker 2: I respect, I respect the woman that didn't go. I

847
00:44:34,120 --> 00:44:43,000
Speaker 2: love okay, I love Michael Jackson and Prince. You know,

848
00:44:43,200 --> 00:44:46,680
Speaker 2: where's my do you have any stories? Where's my publicist?

849
00:44:47,680 --> 00:44:50,680
Speaker 2: I can tell you this that sorry, you look like

850
00:44:54,160 --> 00:44:54,600
Speaker 2: gonna say.

851
00:44:55,160 --> 00:44:56,080
Speaker 4: I have to say this.

852
00:44:57,280 --> 00:45:03,040
Speaker 5: There's how lucky are we to be able to experience

853
00:45:03,160 --> 00:45:06,920
Speaker 5: or have experience or witness the kind of artistry that

854
00:45:07,000 --> 00:45:10,319
Speaker 5: Michael Jackson and Prince gave in real time? Right? Like

855
00:45:11,640 --> 00:45:15,120
Speaker 5: I'm saying, nobody, it's like, this is Mozart level shit

856
00:45:15,920 --> 00:45:18,279
Speaker 5: that in one hundred and fifty years people are still

857
00:45:18,320 --> 00:45:20,880
Speaker 5: going to be talking about these artists. And I honestly

858
00:45:20,960 --> 00:45:23,960
Speaker 5: feel like, there's just no, it's not even possible to

859
00:45:23,960 --> 00:45:24,640
Speaker 5: be like that, no.

860
00:45:24,600 --> 00:45:26,600
Speaker 4: More that great because people aren't.

861
00:45:27,080 --> 00:45:29,759
Speaker 5: We got too many cell phones, we got too many

862
00:45:29,800 --> 00:45:34,320
Speaker 5: distractions to like what they had was sitting at home.

863
00:45:34,120 --> 00:45:37,239
Speaker 4: Working on their downs over and over. Do you know

864
00:45:37,280 --> 00:45:40,239
Speaker 4: the blisters and the bleeding.

865
00:45:40,440 --> 00:45:42,200
Speaker 5: That you have to have on your fingers to play

866
00:45:42,239 --> 00:45:44,960
Speaker 5: guitar the way Prints played guitar. But that comes from

867
00:45:45,239 --> 00:45:49,080
Speaker 5: hours of sitting and just playing. Like that's not going

868
00:45:49,120 --> 00:45:51,080
Speaker 5: to come to you after.

869
00:45:50,880 --> 00:45:52,960
Speaker 2: Going viral on siktok. It's just not going to happen.

870
00:45:53,040 --> 00:45:57,120
Speaker 5: Yes, Like Michael Jackson was working on his spins in

871
00:45:57,160 --> 00:46:00,680
Speaker 5: a dance studio from seven pm to six in the morning.

872
00:46:01,000 --> 00:46:02,000
Speaker 4: They don't do that no more.

873
00:46:02,040 --> 00:46:03,280
Speaker 2: I mean, never mind that he was in the Jackson

874
00:46:03,360 --> 00:46:04,479
Speaker 2: five doing that as a little kid.

875
00:46:04,520 --> 00:46:07,239
Speaker 5: As a little kid working from nine years old and

876
00:46:07,239 --> 00:46:11,520
Speaker 5: not just working, but the most famous family band in

877
00:46:11,560 --> 00:46:16,319
Speaker 5: the world actually invented what a pop family band is

878
00:46:16,400 --> 00:46:18,239
Speaker 5: and invented what pop stardom is.

879
00:46:18,840 --> 00:46:20,840
Speaker 2: They literally and that's what I always say about Janet.

880
00:46:20,960 --> 00:46:24,560
Speaker 5: She is the queen of pop because they invented pop.

881
00:46:25,000 --> 00:46:25,799
Speaker 4: They invented it.

882
00:46:25,880 --> 00:46:28,479
Speaker 5: Like tell me, who tell me who was doing pop

883
00:46:28,560 --> 00:46:32,640
Speaker 5: before the Jacksons, Like they were doing disco, they were

884
00:46:32,680 --> 00:46:34,520
Speaker 5: doing they were doing disco, they were doing funks, they

885
00:46:34,520 --> 00:46:35,399
Speaker 5: were doing rock and roll.

886
00:46:35,920 --> 00:46:36,840
Speaker 4: Who was doing pop?

887
00:46:37,239 --> 00:46:39,560
Speaker 2: I wait, yeah, I don't know. If that genre even.

888
00:46:39,400 --> 00:46:44,480
Speaker 5: Exists exactly, Like Motown literally invented what modern pop is today.

889
00:46:45,000 --> 00:46:47,799
Speaker 1: So for me and you said Motown, yeah, I mean

890
00:46:47,800 --> 00:46:50,520
Speaker 1: that's a black label, that's one of the black.

891
00:46:51,840 --> 00:46:52,400
Speaker 2: Yeah.

892
00:46:52,440 --> 00:46:55,440
Speaker 4: But they created that like in one of the one.

893
00:46:55,320 --> 00:46:59,800
Speaker 5: Of the darkest times for black people in modern American history.

894
00:47:00,080 --> 00:47:05,320
Speaker 5: Fow second, I'd say, you know, but in the sixties,

895
00:47:05,680 --> 00:47:08,120
Speaker 5: and I would say in the twentieth century, one of

896
00:47:08,120 --> 00:47:12,920
Speaker 5: the darkest times. They were creating light pop music and

897
00:47:12,960 --> 00:47:14,799
Speaker 5: they were like, and it was intentional. It was like

898
00:47:14,840 --> 00:47:17,799
Speaker 5: you and they were winning and they were doing it

899
00:47:18,320 --> 00:47:22,120
Speaker 5: foo boo for us, not us, yes, and they were like,

900
00:47:22,280 --> 00:47:26,120
Speaker 5: they divested from the majors who were run by you know,

901
00:47:26,280 --> 00:47:28,280
Speaker 5: non black people, and they said, let's do this ourselves

902
00:47:28,280 --> 00:47:30,520
Speaker 5: because they're paying us a penny for a hit song,

903
00:47:30,960 --> 00:47:33,239
Speaker 5: I'm about to do this myself. And they did, and

904
00:47:33,280 --> 00:47:37,120
Speaker 5: they created what we have today. They created what we

905
00:47:37,160 --> 00:47:37,880
Speaker 5: have to They say.

906
00:47:38,080 --> 00:47:41,000
Speaker 2: The impact Michael Jackson had is there's.

907
00:47:40,880 --> 00:47:45,600
Speaker 5: Nobody, nobody, a pop star of that magnitude and it

908
00:47:45,600 --> 00:47:48,879
Speaker 5: will never happen again. Baby, it just is impossible.

909
00:47:49,480 --> 00:47:51,640
Speaker 1: This is so beautiful. Your answer, I don't even think

910
00:47:51,680 --> 00:47:52,680
Speaker 1: I want you to answer.

911
00:47:52,719 --> 00:47:57,840
Speaker 2: No, I'll drink for you. You don't have principle.

912
00:47:58,920 --> 00:48:04,120
Speaker 4: It is the greatest guitar player of all time. There's nobody.

913
00:48:04,200 --> 00:48:10,040
Speaker 5: I'm sorry, Eric Clapton, I'm sorry, Uh, what's uh, Chuck Berry,

914
00:48:10,600 --> 00:48:14,959
Speaker 5: I'm sorry sorry to this man like it's Prince. There's

915
00:48:15,000 --> 00:48:18,200
Speaker 5: no but but I think that because his songwriting was

916
00:48:18,239 --> 00:48:19,920
Speaker 5: so incredible, and his voice was so incredible, and his

917
00:48:19,960 --> 00:48:23,360
Speaker 5: showmanship was so incredible, and his keys were so incredible,

918
00:48:23,600 --> 00:48:26,840
Speaker 5: and his legacy so incredible, and his bit everything is

919
00:48:26,920 --> 00:48:31,359
Speaker 5: branding was so you forget that this man literally would

920
00:48:31,400 --> 00:48:33,399
Speaker 5: turn a guitar into.

921
00:48:35,080 --> 00:48:36,640
Speaker 4: A big, slew footed bitch.

922
00:48:37,640 --> 00:48:39,719
Speaker 5: He'd be playing a guitar during Purple Rain and it'd

923
00:48:39,719 --> 00:48:45,120
Speaker 5: be like, and I'm like, who sang? It's the fucking

924
00:48:45,120 --> 00:48:50,480
Speaker 5: guitar And it's crazy, like there's nobody there. There's that

925
00:48:50,600 --> 00:48:55,240
Speaker 5: was the guitar was singing. On the record, there's footage

926
00:48:55,239 --> 00:48:57,800
Speaker 5: of him doing a guitar solo to Purple Rain and

927
00:48:57,840 --> 00:49:00,760
Speaker 5: it sounded like a woman singing, but it's the guitar.

928
00:49:01,440 --> 00:49:04,040
Speaker 4: Like there's just nobody.

929
00:49:03,600 --> 00:49:06,080
Speaker 5: Who's touching him When it comes to musicality, you know,

930
00:49:06,200 --> 00:49:08,160
Speaker 5: you know the story that Michael Jackson, if he had

931
00:49:08,160 --> 00:49:10,319
Speaker 5: an idea he would run to the studio because he said,

932
00:49:10,320 --> 00:49:14,200
Speaker 5: if you went to sleep, That's how Taptain Prince was

933
00:49:14,480 --> 00:49:14,680
Speaker 5: and the.

934
00:49:16,280 --> 00:49:17,560
Speaker 2: I'm gonna be honest with you.

935
00:49:18,719 --> 00:49:21,600
Speaker 1: We always asked about Michael and Prince on this show

936
00:49:21,680 --> 00:49:23,919
Speaker 1: because I haven't got the chance to meet them either.

937
00:49:24,360 --> 00:49:26,399
Speaker 2: I never did, But I love they beef.

938
00:49:28,280 --> 00:49:32,120
Speaker 10: Do you know what's so crazy? Michael named his kid Prince? Well,

939
00:49:32,160 --> 00:49:35,600
Speaker 10: that's right, I did not remember. You think it was

940
00:49:35,640 --> 00:49:39,200
Speaker 10: after Prince? Yes, you think they as much.

941
00:49:39,480 --> 00:49:41,200
Speaker 5: And that's what I love about when they say beef.

942
00:49:41,200 --> 00:49:42,880
Speaker 5: That that's the difference between what they had.

943
00:49:45,360 --> 00:49:49,719
Speaker 7: You run over Michael Jackson, I'm sure he didn.

944
00:49:56,680 --> 00:50:03,120
Speaker 2: Gemini crazy, June, My god, you got Gemini.

945
00:50:02,880 --> 00:50:03,600
Speaker 4: Will take it the head.

946
00:50:03,800 --> 00:50:06,400
Speaker 5: Yeah, you know, deep down a side he respected what

947
00:50:06,440 --> 00:50:06,960
Speaker 5: Michael did.

948
00:50:07,120 --> 00:50:11,560
Speaker 2: And you can tell that Michael respected to respected James

949
00:50:11,600 --> 00:50:13,000
Speaker 2: Brown performing.

950
00:50:13,200 --> 00:50:17,880
Speaker 5: Yeah, yeah, just roll up on his securities back.

951
00:50:18,800 --> 00:50:22,719
Speaker 2: Talking about Michael had him see the table to Teddy

952
00:50:22,840 --> 00:50:23,120
Speaker 2: was born.

953
00:50:23,520 --> 00:50:25,920
Speaker 4: God, we don't even have nothing comparable to that today.

954
00:50:26,000 --> 00:50:27,239
Speaker 2: And you know who we had.

955
00:50:27,280 --> 00:50:30,520
Speaker 1: We had where I am and will I am told

956
00:50:30,600 --> 00:50:36,680
Speaker 1: us a night where he performed and he invited Prince and.

957
00:50:36,560 --> 00:50:39,359
Speaker 7: I invited Michael he invited Michael the Princess of Miani

958
00:50:39,760 --> 00:50:40,359
Speaker 7: and then Mike.

959
00:50:42,719 --> 00:50:51,120
Speaker 2: Jack a meaning a meaning exactly, and I was I

960
00:50:51,120 --> 00:50:53,200
Speaker 2: had never even heard that word before. I was like,

961
00:50:53,719 --> 00:50:55,520
Speaker 2: I was like appalled because I was like, what does

962
00:50:55,560 --> 00:50:56,880
Speaker 2: that mean? Like a meanie?

963
00:50:57,440 --> 00:50:59,800
Speaker 1: And then he was like, no, he was a mean person,

964
00:51:00,280 --> 00:51:03,080
Speaker 1: and I was like, prince And then you hear the

965
00:51:03,160 --> 00:51:07,040
Speaker 1: stories about Prince of him playing basketball. Yeah, I heard

966
00:51:07,040 --> 00:51:12,320
Speaker 1: he was Yeah, I heard he was doll okay.

967
00:51:13,160 --> 00:51:17,480
Speaker 2: Wenking for that, because that's yeah, yeah, yeah, yeah. I

968
00:51:17,520 --> 00:51:19,280
Speaker 2: don't even want you to answer. I don't know because

969
00:51:19,640 --> 00:51:21,400
Speaker 2: because there is no answer.

970
00:51:21,719 --> 00:51:23,480
Speaker 1: I don't think it should be. I don't I think

971
00:51:23,520 --> 00:51:29,120
Speaker 1: you answered it correctly. Let's go Beyonce, Rihanna.

972
00:51:31,160 --> 00:51:34,759
Speaker 2: I hate y'all. Remember it's them, it's not it's not us.

973
00:51:34,960 --> 00:51:37,040
Speaker 2: Please don't don't directed to me and him.

974
00:51:37,560 --> 00:51:40,960
Speaker 1: Oh god, and their name is hazardous and mister Lee

975
00:51:41,080 --> 00:51:43,520
Speaker 1: just in case if you want to like throw hecks

976
00:51:43,520 --> 00:51:48,200
Speaker 1: on them.

977
00:51:51,160 --> 00:51:55,680
Speaker 4: Beyonce or a Rihanna.

978
00:51:57,800 --> 00:52:03,279
Speaker 5: I once again, how lucky are we like to have both?

979
00:52:03,360 --> 00:52:05,960
Speaker 2: Yes? You know what, I you know what I really realized.

980
00:52:06,080 --> 00:52:07,240
Speaker 2: I grew up.

981
00:52:08,920 --> 00:52:12,120
Speaker 5: With Rihanna, but like she was the most famous pop

982
00:52:12,120 --> 00:52:12,680
Speaker 5: star in the world.

983
00:52:12,719 --> 00:52:13,799
Speaker 2: I didn't grow up literally with her.

984
00:52:13,840 --> 00:52:16,279
Speaker 5: I mean I grew up watching her as a fan

985
00:52:16,320 --> 00:52:19,319
Speaker 5: and she were like similar age and she was the

986
00:52:19,360 --> 00:52:20,520
Speaker 5: biggest pop star in the world.

987
00:52:20,520 --> 00:52:22,200
Speaker 4: And I feel like kids, so they don't kids, so

988
00:52:22,280 --> 00:52:23,200
Speaker 4: they don't have that.

989
00:52:23,719 --> 00:52:29,640
Speaker 5: Kids kids today because where are between channels, Like there's

990
00:52:29,680 --> 00:52:33,520
Speaker 5: no Disney or Nickelodeon, Like there's no all that. There's

991
00:52:33,640 --> 00:52:40,040
Speaker 5: no pop stars popping out at that age anymore. Yeah, yeah,

992
00:52:40,520 --> 00:52:45,359
Speaker 5: but most of our pop stars are in their mid

993
00:52:45,480 --> 00:52:48,600
Speaker 5: to late twenties and thirties at this point. And it

994
00:52:48,680 --> 00:52:50,799
Speaker 5: was so interesting, like wow, Rihanna really gave us a

995
00:52:50,800 --> 00:52:54,239
Speaker 5: lot from like the age of sixteen and was doing

996
00:52:54,280 --> 00:52:55,200
Speaker 5: like Pondie.

997
00:52:54,880 --> 00:52:56,800
Speaker 4: Replace sixteen, Like that's crazy.

998
00:52:57,719 --> 00:53:04,440
Speaker 5: Beyonce Desney's child fourteen fifteen, No, no, no, incredible. I

999
00:53:04,520 --> 00:53:08,880
Speaker 5: have to say I have to go with Beyonce because

1000
00:53:09,160 --> 00:53:10,239
Speaker 5: Beyonce is.

1001
00:53:12,400 --> 00:53:17,479
Speaker 1: One of one of yours right now.

1002
00:53:18,320 --> 00:53:21,920
Speaker 5: She's one of the most important figures to my life.

1003
00:53:23,000 --> 00:53:25,960
Speaker 5: Like when I say, in the fifth grade, I'm out

1004
00:53:26,000 --> 00:53:28,879
Speaker 5: here on a track in Houston, sweating, trying to run

1005
00:53:28,920 --> 00:53:30,880
Speaker 5: and sing at the same time, because I was like,

1006
00:53:30,960 --> 00:53:31,479
Speaker 5: this is what.

1007
00:53:31,400 --> 00:53:34,080
Speaker 4: Beyonce does, and she this is how she trains.

1008
00:53:34,040 --> 00:53:38,920
Speaker 5: And like just watching her perform. I've seen every single

1009
00:53:39,520 --> 00:53:42,480
Speaker 5: tour I've seen. I've seen Beyonce at the Rodeo in

1010
00:53:42,560 --> 00:53:46,040
Speaker 5: two thousand and four. Like, let's be real, Like she

1011
00:53:46,360 --> 00:53:48,080
Speaker 5: is the artist in my.

1012
00:53:48,040 --> 00:53:52,920
Speaker 2: Life, is in my notes. So this is a big again,

1013
00:53:52,960 --> 00:53:59,080
Speaker 2: but y'all like Summer jam. Oh, I think it's I

1014
00:53:59,120 --> 00:54:02,600
Speaker 2: think it's bigger than Summer Jam or like those types

1015
00:54:02,640 --> 00:54:03,600
Speaker 2: of things will be in an arena.

1016
00:54:03,680 --> 00:54:04,520
Speaker 4: This is a stadium.

1017
00:54:06,520 --> 00:54:10,879
Speaker 11: It's not called super Bowl, Okay, But I would say

1018
00:54:10,920 --> 00:54:13,440
Speaker 11: Beyonce though I love Rihanna so much and I think

1019
00:54:13,480 --> 00:54:15,720
Speaker 11: she's the coolest person in the world and she actually

1020
00:54:15,760 --> 00:54:16,560
Speaker 11: can't do any wrong.

1021
00:54:17,040 --> 00:54:19,440
Speaker 4: Beyonce is like the the artists of my life.

1022
00:54:19,800 --> 00:54:20,320
Speaker 2: I respect.

1023
00:54:20,400 --> 00:54:23,799
Speaker 4: Yeah, you don't need to take a shot though by.

1024
00:54:23,800 --> 00:54:27,919
Speaker 2: That Whitney Houston or Ammy white House. Whitney, I'm about

1025
00:54:27,920 --> 00:54:30,000
Speaker 2: to say, damn, I can answer that one. Whitney.

1026
00:54:31,520 --> 00:54:33,000
Speaker 4: Yeah, resting piece of both.

1027
00:54:33,280 --> 00:54:36,080
Speaker 5: I think Amy white House was very cool and it's tragic,

1028
00:54:36,320 --> 00:54:41,160
Speaker 5: you know both. Whitney is like she don't got no

1029
00:54:41,520 --> 00:54:43,680
Speaker 5: business being gone. Like when I see videos with Whitney,

1030
00:54:43,680 --> 00:54:46,760
Speaker 5: I get mad that she's not here, Like I wanted

1031
00:54:46,760 --> 00:54:49,120
Speaker 5: her to know who I was so bad I want.

1032
00:54:48,960 --> 00:54:51,120
Speaker 2: Her she could feel like good.

1033
00:54:51,360 --> 00:54:54,960
Speaker 4: That would just be my dream. Had an awards shown.

1034
00:54:54,560 --> 00:54:58,520
Speaker 2: To shout me out. But yeah, Whitney, like, there's.

1035
00:54:58,320 --> 00:55:01,320
Speaker 5: Nobody I would say when it comes the great vocalists.

1036
00:55:01,920 --> 00:55:04,040
Speaker 5: I always say Karen Clark Shared is the greatest singer

1037
00:55:04,080 --> 00:55:08,760
Speaker 5: of all time living her Karen Clark Shared, But Whitney

1038
00:55:08,840 --> 00:55:12,120
Speaker 5: is right there, right there next to her.

1039
00:55:12,160 --> 00:55:12,799
Speaker 2: I respect that.

1040
00:55:12,960 --> 00:55:16,400
Speaker 7: Yeah, all right, Little Flipper, slim Thug.

1041
00:55:19,480 --> 00:55:24,480
Speaker 5: This is the way we all we like Little Flip Man,

1042
00:55:24,760 --> 00:55:25,400
Speaker 5: Little Flip.

1043
00:55:25,760 --> 00:55:29,479
Speaker 2: It's the freestyle king like we love swim Thug. Slim

1044
00:55:29,560 --> 00:55:32,560
Speaker 2: Thug is alumni.

1045
00:55:33,400 --> 00:55:35,400
Speaker 5: Y'all don't know the impact Little Flip had on me

1046
00:55:35,480 --> 00:55:37,759
Speaker 5: going on the radio and just freestyling off the dome

1047
00:55:38,239 --> 00:55:38,600
Speaker 5: in the.

1048
00:55:38,480 --> 00:55:40,040
Speaker 4: Morning, get out of here.

1049
00:55:40,160 --> 00:55:40,920
Speaker 2: I would call.

1050
00:55:40,800 --> 00:55:43,000
Speaker 5: Into ninety seven to nine the Bucks and I would

1051
00:55:43,000 --> 00:55:45,040
Speaker 5: do the the mad had the morning show, and it'd

1052
00:55:45,040 --> 00:55:47,360
Speaker 5: be like, what's up, y'all? What you gotta say? Who's

1053
00:55:47,400 --> 00:55:48,640
Speaker 5: on the micro hatter? Screw today?

1054
00:55:48,680 --> 00:55:50,880
Speaker 2: I feel like my name is went on from the Southwest.

1055
00:55:51,000 --> 00:55:52,799
Speaker 2: You know, I'm coming down with the ant on my chest.

1056
00:55:53,040 --> 00:55:55,040
Speaker 2: That may fool, that may be, But where do you

1057
00:55:55,120 --> 00:55:55,360
Speaker 2: call it?

1058
00:55:55,400 --> 00:55:57,719
Speaker 4: From what show said, g s w a t from

1059
00:55:57,760 --> 00:55:58,399
Speaker 4: the fucking flat?

1060
00:55:58,560 --> 00:56:01,600
Speaker 2: Why didn't cuss? I got a little bitch, bitch, I

1061
00:56:01,600 --> 00:56:03,480
Speaker 2: got a lot you know whatever. I'm faking that up.

1062
00:56:03,520 --> 00:56:07,000
Speaker 5: But I want tickets to see fifty cent because I

1063
00:56:07,000 --> 00:56:09,160
Speaker 5: want the freestyle And I remember I want tickets to

1064
00:56:09,200 --> 00:56:11,160
Speaker 5: see a lot of concerts because I would constantly wake

1065
00:56:11,239 --> 00:56:14,440
Speaker 5: up early and win the freestyle challenge because of Little Flip.

1066
00:56:15,040 --> 00:56:18,200
Speaker 5: And one day, I remember they put me on hold

1067
00:56:18,239 --> 00:56:20,279
Speaker 5: because they're like, you want tickets, be on.

1068
00:56:20,280 --> 00:56:21,239
Speaker 4: Hold, and Mad had her.

1069
00:56:21,280 --> 00:56:21,680
Speaker 2: He came in.

1070
00:56:21,760 --> 00:56:23,839
Speaker 5: He's like, he was like hey, He's like, what's your name.

1071
00:56:23,880 --> 00:56:25,200
Speaker 5: I was like, my name is Lizzo. He was like,

1072
00:56:25,520 --> 00:56:28,040
Speaker 5: you're really good. I was like, I'm about to be

1073
00:56:28,040 --> 00:56:30,200
Speaker 5: famous fourteen.

1074
00:56:32,160 --> 00:56:32,640
Speaker 2: Showdo.

1075
00:56:32,800 --> 00:56:36,359
Speaker 5: But Little Flip completely like he was like my number

1076
00:56:36,400 --> 00:56:39,480
Speaker 5: one inspiration to like be a freestyle rapper, Like I

1077
00:56:39,520 --> 00:56:42,040
Speaker 5: love freestyle rapping because of him.

1078
00:56:43,120 --> 00:56:48,080
Speaker 2: Okay, I'm long winded. Why are great Bruno Mars or

1079
00:56:48,160 --> 00:56:49,439
Speaker 2: Lady Gaga Wo.

1080
00:56:52,920 --> 00:56:58,200
Speaker 5: Bruno Mars, Bruno Mars. I don't have personal stories about

1081
00:56:58,560 --> 00:57:02,640
Speaker 5: either of them because I you know, I've had interactions

1082
00:57:02,640 --> 00:57:04,240
Speaker 5: with Bruno because we work out of the same studio,

1083
00:57:04,320 --> 00:57:05,680
Speaker 5: so I see him walk by and I'll be like

1084
00:57:06,600 --> 00:57:09,200
Speaker 5: and Bruno actually gave me notes on one of my

1085
00:57:09,280 --> 00:57:12,560
Speaker 5: records that I put out on my last album on Naked,

1086
00:57:12,960 --> 00:57:15,319
Speaker 5: and I remember he was like, he was like, you

1087
00:57:15,400 --> 00:57:16,920
Speaker 5: got to make this sexier because I was trying to

1088
00:57:16,920 --> 00:57:17,320
Speaker 5: make it like.

1089
00:57:17,240 --> 00:57:18,960
Speaker 4: Political and like empowering.

1090
00:57:19,000 --> 00:57:21,920
Speaker 5: And he was like, who you getting naked for the

1091
00:57:21,960 --> 00:57:25,080
Speaker 5: world for politics? And I was like, oh, he's like,

1092
00:57:25,080 --> 00:57:26,800
Speaker 5: you're getting naked for your man. I was like yeah,

1093
00:57:26,840 --> 00:57:29,440
Speaker 5: he was like them right about that. I was like, damn,

1094
00:57:29,760 --> 00:57:30,360
Speaker 5: Like he's.

1095
00:57:30,200 --> 00:57:31,080
Speaker 4: So good.

1096
00:57:33,720 --> 00:57:35,400
Speaker 2: And like he don't got time for no bullshit.

1097
00:57:35,440 --> 00:57:39,280
Speaker 5: He'll be like, get it together, make it ahead, and

1098
00:57:39,320 --> 00:57:42,600
Speaker 5: I'm like, yes, sir, but but I have to go

1099
00:57:42,640 --> 00:57:45,960
Speaker 5: with Bruno because Bruno is just you know, you know

1100
00:57:46,000 --> 00:57:48,080
Speaker 5: what's so fire about him? He only got like thirty

1101
00:57:48,120 --> 00:57:51,480
Speaker 5: songs out, Like, if you really think about it, his

1102
00:57:51,600 --> 00:57:58,040
Speaker 5: discography is like ten for ten, like he don't miss

1103
00:57:58,200 --> 00:58:00,840
Speaker 5: It's really crazy, Like really look at his discography and

1104
00:58:00,880 --> 00:58:02,360
Speaker 5: see how many albums he put out and how many

1105
00:58:02,400 --> 00:58:04,640
Speaker 5: records he put out, albums with ten songs on it,

1106
00:58:05,600 --> 00:58:06,360
Speaker 5: and it'll be like.

1107
00:58:07,800 --> 00:58:09,920
Speaker 2: One of them has a billion streams on every album.

1108
00:58:10,600 --> 00:58:12,880
Speaker 6: I didn't realize that nigga got like three albums out

1109
00:58:13,400 --> 00:58:14,080
Speaker 6: with ten songs.

1110
00:58:14,200 --> 00:58:15,520
Speaker 4: He probably like thirty songs.

1111
00:58:16,240 --> 00:58:17,080
Speaker 2: I didn't realize, and.

1112
00:58:17,680 --> 00:58:21,360
Speaker 4: They're all hits, So like he, I think it's just really.

1113
00:58:21,160 --> 00:58:22,440
Speaker 2: He's got an album with.

1114
00:58:24,840 --> 00:58:29,960
Speaker 5: Yeah, oh my god, swags not not swag Swisher.

1115
00:58:29,960 --> 00:58:30,640
Speaker 2: What is they called?

1116
00:58:31,120 --> 00:58:33,280
Speaker 5: What's the name of their group, the swag Swisher? What

1117
00:58:33,400 --> 00:58:35,120
Speaker 5: do I want to say? Swag Swisher? That don't make

1118
00:58:35,200 --> 00:58:35,560
Speaker 5: no sense.

1119
00:58:35,640 --> 00:58:36,280
Speaker 2: I like them.

1120
00:58:36,480 --> 00:58:37,280
Speaker 4: They're called.

1121
00:58:44,840 --> 00:58:52,160
Speaker 2: Come on your phone. Okay, God damn mother was like

1122
00:58:52,240 --> 00:58:59,640
Speaker 2: the hand thinking about the high lit and Jesus he

1123
00:59:00,200 --> 00:59:07,680
Speaker 2: swag Sonic Okay, Missy or Lauren Hip?

1124
00:59:08,280 --> 00:59:11,880
Speaker 5: Yeah no, and now it's time to go. We know,

1125
00:59:12,920 --> 00:59:15,120
Speaker 5: and you know you really thought you. I thought y'all

1126
00:59:15,240 --> 00:59:19,600
Speaker 5: ate with Michael and Prince, but Missy and Lauren. This

1127
00:59:19,680 --> 00:59:22,160
Speaker 5: is probably one of the hardest questions I've ever been asked.

1128
00:59:22,200 --> 00:59:23,960
Speaker 2: Get out of here.

1129
00:59:24,480 --> 00:59:27,600
Speaker 5: I could literally cry thinking about both of these women

1130
00:59:27,680 --> 00:59:28,880
Speaker 5: and their impact they've had.

1131
00:59:28,760 --> 00:59:30,280
Speaker 4: On me just existing.

1132
00:59:31,160 --> 00:59:35,400
Speaker 5: I am actually afraid. Okay, let me tell you why.

1133
00:59:35,440 --> 00:59:37,760
Speaker 5: Lauren Hill is just like one of the greatest all times.

1134
00:59:37,760 --> 00:59:41,200
Speaker 5: She had one solo album out and it's still.

1135
00:59:42,160 --> 00:59:44,200
Speaker 2: Considered one of the greatest all time.

1136
00:59:45,200 --> 00:59:47,960
Speaker 4: I'll go and it's crazy, like who else can do that?

1137
00:59:48,840 --> 00:59:50,360
Speaker 2: I don't know? She still.

1138
00:59:51,800 --> 00:59:53,600
Speaker 5: And we and we show up. I just saw her

1139
00:59:54,080 --> 01:00:02,800
Speaker 5: at miss because a lot of playing the ball, we don't.

1140
01:00:02,800 --> 01:00:05,960
Speaker 5: I have no complaints. I waited, I sat there and

1141
01:00:05,960 --> 01:00:07,680
Speaker 5: I waited for that band and stuff. It was worth

1142
01:00:07,680 --> 01:00:10,720
Speaker 5: the weight, honey and that band. Sorry, but that band baby,

1143
01:00:11,000 --> 01:00:13,160
Speaker 5: like if she's like James Brown with that band, she's

1144
01:00:13,200 --> 01:00:16,280
Speaker 5: the band leader and she controls it.

1145
01:00:16,440 --> 01:00:17,880
Speaker 4: But I have the say so.

1146
01:00:17,880 --> 01:00:21,160
Speaker 5: So miseducation changed my life because I've never heard anyone

1147
01:00:21,240 --> 01:00:22,760
Speaker 5: rap as good as they sing and sing as good.

1148
01:00:22,640 --> 01:00:29,960
Speaker 4: As they rap. I never heard in my life. Honestly,

1149
01:00:30,000 --> 01:00:33,440
Speaker 4: you can't name nobody. Maybe but I'm trying to get.

1150
01:00:34,960 --> 01:00:37,240
Speaker 5: But you can't name nobody who's really doing it like

1151
01:00:37,280 --> 01:00:41,320
Speaker 5: that soulful vocals with runs, melismas and you could just

1152
01:00:41,360 --> 01:00:43,919
Speaker 5: be like jazzmaalisma is like a run.

1153
01:00:45,000 --> 01:00:47,040
Speaker 2: I can tell you went to all your classes. I did.

1154
01:00:47,160 --> 01:00:49,440
Speaker 4: I studied music theory in college.

1155
01:00:49,760 --> 01:00:54,680
Speaker 5: But I would say she she sing like jazz and Sullivan.

1156
01:00:54,360 --> 01:00:55,439
Speaker 2: And she rapped like black thought.

1157
01:00:55,600 --> 01:01:01,680
Speaker 11: It's crazy, it's crazy, crazy that dis nobody can do it.

1158
01:01:01,880 --> 01:01:04,560
Speaker 2: I'm taking a shot even if you don't want to

1159
01:01:05,040 --> 01:01:07,360
Speaker 2: how before you can keep going? How ill she is.

1160
01:01:07,680 --> 01:01:10,080
Speaker 7: So these guys send the list right and sometimes I

1161
01:01:10,080 --> 01:01:12,040
Speaker 7: think they're doing some crazy research where they come.

1162
01:01:12,040 --> 01:01:13,720
Speaker 2: Up with a name that I've never heard of my life.

1163
01:01:14,080 --> 01:01:16,840
Speaker 2: And I said, Lauren Hip because that's what they wrote.

1164
01:01:17,080 --> 01:01:19,520
Speaker 2: H I p P and you you knew it was

1165
01:01:19,560 --> 01:01:25,240
Speaker 2: Lord Hill? Wait, you said hip back, I said, and

1166
01:01:25,520 --> 01:01:27,720
Speaker 2: you said you went into Lord Hill. I was confused.

1167
01:01:35,360 --> 01:01:44,680
Speaker 1: She looked right through your drunk.

1168
01:01:41,080 --> 01:01:46,240
Speaker 5: You're like, obviously, Missy, I said, I said, I was hip.

1169
01:01:49,200 --> 01:01:52,480
Speaker 2: But I'm going to give and you know what else

1170
01:01:52,600 --> 01:01:53,120
Speaker 2: is another thing.

1171
01:01:53,160 --> 01:01:55,640
Speaker 5: I've had collaborations with both of them in different ways.

1172
01:01:56,040 --> 01:01:56,560
Speaker 2: Miss Hill.

1173
01:01:57,080 --> 01:01:58,840
Speaker 4: She cleared the do wop that.

1174
01:01:58,800 --> 01:02:01,200
Speaker 5: Thing sample wow for one of my records on my

1175
01:02:01,280 --> 01:02:04,680
Speaker 5: last album, Breakups Twice, that I did with Mark Ronson,

1176
01:02:06,680 --> 01:02:09,240
Speaker 5: and then Missy Elliott on my first album we did

1177
01:02:09,400 --> 01:02:12,880
Speaker 5: Tempo together. So I'm very indebted to both of these women.

1178
01:02:13,200 --> 01:02:15,680
Speaker 5: Missy Elliott, can we just clear the stage?

1179
01:02:16,360 --> 01:02:17,240
Speaker 4: Missy Elliott?

1180
01:02:17,520 --> 01:02:19,200
Speaker 2: Is when you when you talk.

1181
01:02:19,080 --> 01:02:21,800
Speaker 5: About who's the Who's one of the best producers in

1182
01:02:21,840 --> 01:02:24,160
Speaker 5: the game, Missy, Who's one of the best writers in

1183
01:02:24,160 --> 01:02:26,520
Speaker 5: the game. Missy who's one of the best rappers in

1184
01:02:26,560 --> 01:02:29,200
Speaker 5: the game, Missy who's one of the best creative directors

1185
01:02:29,200 --> 01:02:34,120
Speaker 5: in the game, Missy who's like best videos, Missy best style,

1186
01:02:34,400 --> 01:02:39,520
Speaker 5: Missy dance, the way she put puts dancers on it,

1187
01:02:39,600 --> 01:02:42,200
Speaker 5: and and and and bigged up hip hop dance. In

1188
01:02:42,240 --> 01:02:44,040
Speaker 5: that time, it had that little girl Alison doing the

1189
01:02:44,040 --> 01:02:47,600
Speaker 5: little little white girl that we did. Like the way

1190
01:02:47,920 --> 01:02:56,560
Speaker 5: Sierra she know she discovers here like yeah, and just

1191
01:02:56,600 --> 01:03:01,480
Speaker 5: a good person. Missy I think is she's always on

1192
01:03:01,560 --> 01:03:04,680
Speaker 5: my top five. I love that she's always on my

1193
01:03:04,760 --> 01:03:06,520
Speaker 5: top five when you talk about rappers, when you talk

1194
01:03:06,560 --> 01:03:09,160
Speaker 5: about musicians, when you talk about anything, and Missy put

1195
01:03:09,240 --> 01:03:11,840
Speaker 5: me and believes in me, one of the few people

1196
01:03:11,840 --> 01:03:15,080
Speaker 5: to believe in me when nobody else was believing in me.

1197
01:03:15,640 --> 01:03:17,680
Speaker 5: I got to go work with her in.

1198
01:03:17,600 --> 01:03:21,160
Speaker 4: The studio years and years and years ago in Atlanta.

1199
01:03:21,240 --> 01:03:23,240
Speaker 2: And actually both be in a studio together.

1200
01:03:23,480 --> 01:03:27,520
Speaker 5: Yes, but I've never seen her record. Allegedly she don't

1201
01:03:28,080 --> 01:03:31,000
Speaker 5: she don't play that game. She she not, no, So

1202
01:03:31,040 --> 01:03:33,320
Speaker 5: I've never seen her record, but we were in it.

1203
01:03:33,360 --> 01:03:34,880
Speaker 5: But I saw her d behind the boards and I

1204
01:03:34,920 --> 01:03:37,160
Speaker 5: was like, oh my god, I was like shaking. But

1205
01:03:37,240 --> 01:03:40,320
Speaker 5: we were in the studio and I remember, did I never.

1206
01:03:40,160 --> 01:03:40,920
Speaker 2: Saw a recording?

1207
01:03:40,960 --> 01:03:51,160
Speaker 5: Now think about it, you ain't, No, yeah, because you

1208
01:03:51,240 --> 01:03:54,080
Speaker 5: know what that's there's a she's a genius and she's

1209
01:03:54,120 --> 01:03:56,160
Speaker 5: not about to give you the sauce like I don't

1210
01:03:56,200 --> 01:03:59,640
Speaker 5: know why, but I think she's like Prince in the

1211
01:03:59,680 --> 01:04:02,600
Speaker 5: way where I don't want to I don't even want

1212
01:04:02,640 --> 01:04:06,040
Speaker 5: to see it. I know it's got to be fire

1213
01:04:06,760 --> 01:04:08,520
Speaker 5: but meticulous and special.

1214
01:04:08,680 --> 01:04:10,640
Speaker 2: But anyway, she had me in the studio.

1215
01:04:10,680 --> 01:04:12,080
Speaker 5: And she sat me in the booth and she would

1216
01:04:12,120 --> 01:04:14,600
Speaker 5: just play beats and she would have me freestyle on

1217
01:04:14,600 --> 01:04:17,560
Speaker 5: the beat and she'd be like, Okay, next beat, and

1218
01:04:18,000 --> 01:04:18,880
Speaker 5: I would freestyle on that.

1219
01:04:18,960 --> 01:04:20,080
Speaker 4: She'd like, okay, next beat.

1220
01:04:20,400 --> 01:04:22,240
Speaker 1: When you're freestyle, are you freestyling in the booth or

1221
01:04:22,280 --> 01:04:23,720
Speaker 1: you freestyling in the booth?

1222
01:04:24,720 --> 01:04:26,439
Speaker 2: So it's actually being Yeah.

1223
01:04:26,480 --> 01:04:30,840
Speaker 5: She has so many demos of me just freestyle rapping

1224
01:04:30,880 --> 01:04:33,400
Speaker 5: and singing on songs and writing songs. And she was like,

1225
01:04:33,440 --> 01:04:36,080
Speaker 5: you got a genius brain. And I was like, I

1226
01:04:36,120 --> 01:04:38,960
Speaker 5: didn't hear anything else she said after that, because she

1227
01:04:39,000 --> 01:04:40,200
Speaker 5: was trying to give me She was like, you know,

1228
01:04:40,280 --> 01:04:46,360
Speaker 5: and when you have a genius brain, first of.

1229
01:04:46,320 --> 01:04:48,520
Speaker 2: All, let me ask you, how did y'all? How did

1230
01:04:48,800 --> 01:04:49,480
Speaker 2: y'all connect?

1231
01:04:51,200 --> 01:04:56,040
Speaker 5: We're both on Atlantic Record and they knew I was

1232
01:04:56,040 --> 01:04:58,760
Speaker 5: a huge fan. Like when I first walked into Atlantic Records,

1233
01:04:58,760 --> 01:05:00,800
Speaker 5: it's like there's portraits of all the artists on the walls,

1234
01:05:00,800 --> 01:05:03,320
Speaker 5: and when I saw Missy, I just stood And I

1235
01:05:04,800 --> 01:05:08,320
Speaker 5: think I begged two people I begged Atlantic Records to

1236
01:05:08,400 --> 01:05:12,280
Speaker 5: work with when I first joined Missy Elliott and Cardi B.

1237
01:05:13,080 --> 01:05:16,120
Speaker 5: When Cardi B first joined and she was fresh off

1238
01:05:16,120 --> 01:05:18,160
Speaker 5: love and hip Hop and I heard the news that

1239
01:05:18,200 --> 01:05:21,000
Speaker 5: she got signed to Atlantic, I said, please, please come

1240
01:05:21,000 --> 01:05:22,680
Speaker 5: to do a song with Cardi B. I love her

1241
01:05:22,720 --> 01:05:24,800
Speaker 5: because I've been watching her since she was eating corn

1242
01:05:24,880 --> 01:05:25,440
Speaker 5: on a cop.

1243
01:05:25,360 --> 01:05:26,080
Speaker 4: And the strip club.

1244
01:05:26,680 --> 01:05:29,280
Speaker 5: So but Missy, I was like, please, like, if there's

1245
01:05:29,360 --> 01:05:31,640
Speaker 5: ever a way to collaborate with her, to work with her,

1246
01:05:32,000 --> 01:05:36,000
Speaker 5: And I got to go work with her, and those songs.

1247
01:05:35,760 --> 01:05:37,400
Speaker 2: I don't know if they'll see the light of day.

1248
01:05:38,160 --> 01:05:40,640
Speaker 5: But then a few years later, when I wrote tempo,

1249
01:05:41,120 --> 01:05:42,640
Speaker 5: I was like, what if Missy got on this?

1250
01:05:42,680 --> 01:05:44,080
Speaker 4: And I sent it to her and she did it

1251
01:05:44,080 --> 01:05:46,480
Speaker 4: and we did the video and the rest is her story.

1252
01:05:46,560 --> 01:05:50,960
Speaker 5: So I long winded lee will go with Missy Elliott.

1253
01:05:54,360 --> 01:05:54,840
Speaker 2: I want to say.

1254
01:05:56,200 --> 01:05:58,600
Speaker 1: I want to say a story that I told her

1255
01:05:58,680 --> 01:06:02,480
Speaker 1: to my brother in law when you first came out.

1256
01:06:03,440 --> 01:06:08,280
Speaker 1: I called Mike Kaiser, I called Tom Moskis, I called

1257
01:06:08,360 --> 01:06:14,040
Speaker 1: Julie Greenwell, and I said, get behind her.

1258
01:06:14,720 --> 01:06:16,000
Speaker 2: I wanted to do a record with you.

1259
01:06:16,560 --> 01:06:20,440
Speaker 1: Really, they did not give me access to you, but

1260
01:06:21,360 --> 01:06:24,200
Speaker 1: I knew. So, like what you just said about Missy

1261
01:06:24,360 --> 01:06:28,200
Speaker 1: is like, I feel so great because this is something

1262
01:06:28,240 --> 01:06:29,320
Speaker 1: I did behind.

1263
01:06:29,040 --> 01:06:30,440
Speaker 2: Your back, like in a good way.

1264
01:06:30,440 --> 01:06:32,280
Speaker 1: You know, you talked behind your back and that's a

1265
01:06:32,320 --> 01:06:36,919
Speaker 1: bad thing, but this was something that I was like, yes.

1266
01:06:37,000 --> 01:06:39,440
Speaker 2: I was like, yo, I wanted to do a record

1267
01:06:39,480 --> 01:06:39,680
Speaker 2: with you.

1268
01:06:40,080 --> 01:06:42,040
Speaker 1: And they were like you sure, and I was like yes,

1269
01:06:42,360 --> 01:06:45,720
Speaker 1: And I was like I wanted them to know how

1270
01:06:45,800 --> 01:06:48,320
Speaker 1: much of a star I believed who you are and

1271
01:06:48,360 --> 01:06:49,520
Speaker 1: you became and you became.

1272
01:06:52,640 --> 01:06:54,880
Speaker 2: Did I not tell you that this is my brother

1273
01:06:54,880 --> 01:06:56,720
Speaker 2: in law's and my wife and my wife?

1274
01:06:57,360 --> 01:06:59,600
Speaker 1: I was like, I was like, yo, she said, I

1275
01:06:59,680 --> 01:07:02,280
Speaker 1: knew you don't know this, like I know you didn't

1276
01:07:02,320 --> 01:07:04,560
Speaker 1: I know you didn't know this like that because that

1277
01:07:04,680 --> 01:07:07,040
Speaker 1: was they were depth jam.

1278
01:07:07,120 --> 01:07:07,400
Speaker 2: Yeah.

1279
01:07:07,560 --> 01:07:12,480
Speaker 1: And then they moved to Atlanta, right yeah, And so

1280
01:07:12,680 --> 01:07:15,160
Speaker 1: I saw I don't want I can't claim your success.

1281
01:07:15,200 --> 01:07:17,200
Speaker 1: I just said I saw it, and I said I

1282
01:07:18,240 --> 01:07:19,200
Speaker 1: wanted to co sign it.

1283
01:07:19,240 --> 01:07:20,880
Speaker 2: And you know what's so crazy.

1284
01:07:20,920 --> 01:07:23,360
Speaker 5: I feel like nobody was fucking with me for so long.

1285
01:07:23,560 --> 01:07:26,520
Speaker 5: But I realized I was just being kind of gate kept.

1286
01:07:27,160 --> 01:07:30,360
Speaker 2: Ye you probably were were it wants to work.

1287
01:07:30,200 --> 01:07:31,960
Speaker 5: With me, And then it turns out it was like, oh,

1288
01:07:32,200 --> 01:07:33,320
Speaker 5: everyone wants to work with you.

1289
01:07:33,320 --> 01:07:33,840
Speaker 2: You just tell them.

1290
01:07:34,080 --> 01:07:37,680
Speaker 1: Probably was yes, because they basically told me, know in

1291
01:07:37,680 --> 01:07:39,640
Speaker 1: the most respectful way. They was like, you know what,

1292
01:07:39,800 --> 01:07:43,760
Speaker 1: she's she's new, and you're you're kind of like I

1293
01:07:43,880 --> 01:07:45,520
Speaker 1: was like, oh, super.

1294
01:07:45,520 --> 01:07:47,960
Speaker 5: But you know, crazy, like there's a story about little

1295
01:07:48,000 --> 01:07:51,520
Speaker 5: YACHTI and he had a song Oprah Bank Accounts and

1296
01:07:51,560 --> 01:07:53,360
Speaker 5: he wanted to do a drink on there and he

1297
01:07:53,480 --> 01:07:55,760
Speaker 5: was like I wanted Lizzo, but I know she didn't

1298
01:07:55,760 --> 01:07:56,120
Speaker 5: want to do it.

1299
01:07:56,120 --> 01:07:59,080
Speaker 1: And I was like, wait, don't even know believe him

1300
01:07:59,120 --> 01:08:02,880
Speaker 1: because I'm I might not be LORIOTTI, but up in

1301
01:08:02,880 --> 01:08:04,960
Speaker 1: that section going to work.

1302
01:08:05,000 --> 01:08:06,200
Speaker 2: And they were like, you.

1303
01:08:06,160 --> 01:08:10,760
Speaker 1: Know, not for not for right now, like so fun, yes, yes,

1304
01:08:11,120 --> 01:08:12,360
Speaker 1: I want to take a shot. For that, I'm gonna

1305
01:08:13,200 --> 01:08:13,919
Speaker 1: I want to take a shot.

1306
01:08:14,160 --> 01:08:15,640
Speaker 4: Take a shot I'm gonna get a little bit.

1307
01:08:16,640 --> 01:08:20,280
Speaker 7: You're doing great.

1308
01:08:18,720 --> 01:08:21,160
Speaker 2: You got another one?

1309
01:08:21,280 --> 01:08:21,439
Speaker 8: Yeah?

1310
01:08:21,439 --> 01:08:27,599
Speaker 2: We got five more ship Emine rhyme. I love this one,

1311
01:08:28,000 --> 01:08:28,680
Speaker 2: eminem bus.

1312
01:08:28,840 --> 01:08:31,240
Speaker 5: This is crazy because I'm from I am born in Detroit.

1313
01:08:31,560 --> 01:08:38,120
Speaker 2: What up to and eight mile did change?

1314
01:08:38,240 --> 01:08:40,240
Speaker 5: I was wearing a black hoodie for like two years

1315
01:08:40,280 --> 01:08:41,280
Speaker 5: after that ship came out.

1316
01:08:42,320 --> 01:08:44,800
Speaker 2: So I'm wrapping it back and napsacking the back.

1317
01:08:45,160 --> 01:08:51,120
Speaker 5: But hello, be rebbit And that is my karaoke song,

1318
01:08:52,200 --> 01:08:54,360
Speaker 5: mom Spaghetti bo Boy.

1319
01:08:54,400 --> 01:08:56,639
Speaker 2: Who's the rapper? Bust rhymes? Bust?

1320
01:08:58,080 --> 01:08:59,360
Speaker 4: I have to give it a bust of rhymes.

1321
01:08:59,720 --> 01:09:02,320
Speaker 5: You know what I really feel like, bust the rhymes.

1322
01:09:03,600 --> 01:09:07,320
Speaker 5: First off, that's my tourist brother. But second off, when

1323
01:09:07,360 --> 01:09:09,720
Speaker 5: I really think about it, he might be one of

1324
01:09:09,760 --> 01:09:14,240
Speaker 5: my earliest memories of a hip hop music video.

1325
01:09:15,080 --> 01:09:16,160
Speaker 4: I think he might have been.

1326
01:09:19,560 --> 01:09:21,639
Speaker 2: That if you really want to, I.

1327
01:09:21,560 --> 01:09:26,120
Speaker 5: Remember, like that's a memory that's unlocked in the back

1328
01:09:26,160 --> 01:09:28,200
Speaker 5: of my brain, like one of my first memories of

1329
01:09:28,240 --> 01:09:29,599
Speaker 5: seeing like a rap music video.

1330
01:09:30,000 --> 01:09:37,880
Speaker 1: That's so dope. I remember that. But I'm in like

1331
01:09:38,080 --> 01:09:44,000
Speaker 1: a thinking So when she says that, I'm thinking, she's

1332
01:09:44,040 --> 01:09:45,479
Speaker 1: thinking it like how I see hit?

1333
01:09:45,800 --> 01:09:47,160
Speaker 2: How you know what I'm.

1334
01:09:47,040 --> 01:09:50,000
Speaker 1: Saying like like and you saying that's one of.

1335
01:09:49,920 --> 01:09:52,880
Speaker 5: The first memories of that's crazy seeing a rap music

1336
01:09:52,960 --> 01:09:55,080
Speaker 5: video was that that's great that one and I can't

1337
01:09:55,080 --> 01:09:57,400
Speaker 5: stay in the rain like I remember being like like,

1338
01:09:57,439 --> 01:09:59,599
Speaker 5: that's the early like I might have been the first

1339
01:09:59,720 --> 01:10:03,600
Speaker 5: rap the first like rap music videos I ever like

1340
01:10:03,680 --> 01:10:09,919
Speaker 5: saw And So what's interesting about Bussa is his career

1341
01:10:10,120 --> 01:10:12,000
Speaker 5: and the way he's able to evolve.

1342
01:10:12,560 --> 01:10:16,639
Speaker 1: He went from he's still outside, oh my god, all

1343
01:10:16,680 --> 01:10:20,719
Speaker 1: the way outside him getting tired.

1344
01:10:20,880 --> 01:10:24,400
Speaker 5: Y'all know, you know mass Martin producer, like how he

1345
01:10:24,520 --> 01:10:28,559
Speaker 5: was producing for like like people in the eighties like

1346
01:10:29,040 --> 01:10:33,000
Speaker 5: as the Bass and and then Britney Spears and Bashy Boys,

1347
01:10:33,040 --> 01:10:36,600
Speaker 5: but he got records with Taylor Swift today. Bussa is

1348
01:10:36,680 --> 01:10:39,240
Speaker 5: similar in that way for hip hop, which he has

1349
01:10:39,320 --> 01:10:43,360
Speaker 5: records with people who rapp like late eighties, early nineties,

1350
01:10:44,280 --> 01:10:45,960
Speaker 5: and he got look at Me Now with Chris Brown,

1351
01:10:46,680 --> 01:10:49,760
Speaker 5: and it's like crazy, like who is really able to

1352
01:10:49,760 --> 01:10:50,479
Speaker 5: do that in rap?

1353
01:10:51,160 --> 01:10:52,439
Speaker 2: I don't know no one.

1354
01:10:53,040 --> 01:10:55,920
Speaker 5: I don't know one. But he has an elastic voice.

1355
01:10:56,240 --> 01:10:59,040
Speaker 5: He has a huge personality. I just know my ship

1356
01:10:59,080 --> 01:11:01,720
Speaker 5: and I love music so much. Bust rhymes, I think

1357
01:11:01,880 --> 01:11:03,880
Speaker 5: is one of the most musical. Oh my god, you

1358
01:11:03,920 --> 01:11:05,640
Speaker 5: know my favorite him and Janet.

1359
01:11:05,760 --> 01:11:09,200
Speaker 2: Oh cool got make his name my name? And you

1360
01:11:09,240 --> 01:11:10,960
Speaker 2: know that little white drop on her lip, you're not

1361
01:11:11,040 --> 01:11:12,920
Speaker 2: supposed to be nut? Whoa what? What?

1362
01:11:12,920 --> 01:11:13,080
Speaker 1: What?

1363
01:11:12,920 --> 01:11:13,080
Speaker 5: What?

1364
01:11:13,080 --> 01:11:13,320
Speaker 2: What?

1365
01:11:14,160 --> 01:11:14,400
Speaker 1: Yeah?

1366
01:11:14,640 --> 01:11:16,960
Speaker 5: You know that whole music video is a is a

1367
01:11:17,000 --> 01:11:19,240
Speaker 5: female orgasm.

1368
01:11:18,720 --> 01:11:21,400
Speaker 2: And you know this per fact? Yeah?

1369
01:11:21,439 --> 01:11:25,040
Speaker 5: Well yeah right because that tone, you know that tonel

1370
01:11:25,200 --> 01:11:27,040
Speaker 5: that she's standing in and it's like it's dripping and

1371
01:11:27,080 --> 01:11:29,439
Speaker 5: it's like pulsating and she's standing in there and she.

1372
01:11:29,400 --> 01:11:31,640
Speaker 4: Has the that's the walls.

1373
01:11:31,960 --> 01:11:34,720
Speaker 2: And then I was just paying to he kept saying

1374
01:11:34,760 --> 01:11:35,000
Speaker 2: what what.

1375
01:11:37,360 --> 01:11:41,640
Speaker 12: Joint at something?

1376
01:11:41,840 --> 01:11:42,720
Speaker 2: That's when it first came out.

1377
01:11:42,720 --> 01:11:46,000
Speaker 8: I loved this in the last five years.

1378
01:11:46,080 --> 01:11:48,040
Speaker 5: It was that little white drop was like a And

1379
01:11:48,080 --> 01:11:51,280
Speaker 5: then remember when Buster was coming in like a soldier.

1380
01:11:52,360 --> 01:11:57,360
Speaker 2: Doesn't he his name is Busts right now?

1381
01:11:57,479 --> 01:12:03,960
Speaker 4: You know.

1382
01:12:02,840 --> 01:12:06,600
Speaker 2: That's it. I don't think I can't. I want to

1383
01:12:06,600 --> 01:12:08,240
Speaker 2: call him right now, but I know him.

1384
01:12:08,439 --> 01:12:13,200
Speaker 1: But your god cool when we get off the park,

1385
01:12:13,560 --> 01:12:19,920
Speaker 1: so I know that, but that I'm calling up watch

1386
01:12:20,080 --> 01:12:23,040
Speaker 1: and if it's not, we don't mind because this this

1387
01:12:23,120 --> 01:12:26,560
Speaker 1: was a great footage. Okay, what's at least keys or

1388
01:12:26,640 --> 01:12:31,920
Speaker 1: ericab We had them both on here and they both

1389
01:12:31,920 --> 01:12:32,439
Speaker 1: smoked too.

1390
01:12:32,880 --> 01:12:38,759
Speaker 2: Oh yeah, did I believe it? Damn.

1391
01:12:42,520 --> 01:12:47,200
Speaker 4: Alicia plays the instrument. Erica's voice is her instrument.

1392
01:12:49,439 --> 01:12:54,640
Speaker 5: I have to go Eric about do I have to

1393
01:12:54,640 --> 01:12:56,080
Speaker 5: go Eric about Texas?

1394
01:12:56,520 --> 01:12:57,200
Speaker 4: She Dallas?

1395
01:12:57,520 --> 01:12:58,280
Speaker 2: I forgot that far.

1396
01:12:58,479 --> 01:13:03,560
Speaker 5: I know Texas is going to win every time Alicia keys.

1397
01:13:04,040 --> 01:13:06,040
Speaker 5: I remember being like, there's no one more beautiful to

1398
01:13:06,120 --> 01:13:08,719
Speaker 5: her when she came out with no One, no one,

1399
01:13:09,320 --> 01:13:12,400
Speaker 5: when she had the dual pianos. I was like, there's

1400
01:13:12,400 --> 01:13:14,599
Speaker 5: no one more beautiful than her, and no one more talented,

1401
01:13:14,600 --> 01:13:17,719
Speaker 5: no one more incredible. But what Erica about Do did

1402
01:13:18,040 --> 01:13:22,920
Speaker 5: for neo soul is just when you think about the

1403
01:13:22,920 --> 01:13:26,720
Speaker 5: way they ushered that genre in and defined it and

1404
01:13:26,960 --> 01:13:29,840
Speaker 5: was so blacketty, blackety black.

1405
01:13:29,920 --> 01:13:33,200
Speaker 4: Like you look back at On and On and you're like,

1406
01:13:33,240 --> 01:13:33,559
Speaker 4: wait a.

1407
01:13:33,600 --> 01:13:37,080
Speaker 5: Minute, this is like the blackest shit I've ever seen

1408
01:13:37,080 --> 01:13:41,040
Speaker 5: in my life. This is like color purple sugs like,

1409
01:13:41,960 --> 01:13:46,160
Speaker 5: and i'n apologetic, you know what I'm saying. She shaved

1410
01:13:46,160 --> 01:13:51,639
Speaker 5: her head and war headscarfs that touched the ceiling. She's

1411
01:13:51,760 --> 01:13:54,760
Speaker 5: just an anomaly. She's an alien, and I love her.

1412
01:13:55,080 --> 01:13:57,439
Speaker 5: I really do love Erica like every time I see her,

1413
01:13:57,439 --> 01:14:00,679
Speaker 5: she's always like this. She just looked got green eyes

1414
01:14:00,720 --> 01:14:02,080
Speaker 5: and she just stares at you in the eyes, and

1415
01:14:02,080 --> 01:14:04,160
Speaker 5: it's like it makes you uncomfortable, don't they you?

1416
01:14:04,320 --> 01:14:07,640
Speaker 2: She has a great spirit to look away. She gave

1417
01:14:06,920 --> 01:14:11,600
Speaker 2: me was it instance.

1418
01:14:12,280 --> 01:14:14,600
Speaker 5: That sounds like her vagina?

1419
01:14:14,760 --> 01:14:18,400
Speaker 4: She's and we and we want it? And it sold out?

1420
01:14:18,640 --> 01:14:18,960
Speaker 2: Did it not?

1421
01:14:19,040 --> 01:14:19,240
Speaker 5: Set?

1422
01:14:19,960 --> 01:14:22,240
Speaker 4: Did not sell out?

1423
01:14:21,400 --> 01:14:25,800
Speaker 5: That? I think she's very very I think she's very

1424
01:14:25,880 --> 01:14:28,080
Speaker 5: very important, and I think she's going to go down

1425
01:14:28,080 --> 01:14:28,599
Speaker 5: in history.

1426
01:14:28,920 --> 01:14:29,760
Speaker 2: I believe so too.

1427
01:14:30,240 --> 01:14:35,839
Speaker 7: I believe all right, lot O Glorilla that at the boil.

1428
01:14:37,080 --> 01:14:43,880
Speaker 2: A, tell me what you think, pretty much, you tell

1429
01:14:43,880 --> 01:14:45,639
Speaker 2: me if you can. That's what she said. You can

1430
01:14:45,680 --> 01:14:48,920
Speaker 2: do it, kind of right, you can do it.

1431
01:14:50,040 --> 01:14:55,120
Speaker 5: You said, thought you said, you said, give me what

1432
01:14:55,160 --> 01:15:07,800
Speaker 5: you think. Okay, sorry, Loto or glow Rilla.

1433
01:15:08,840 --> 01:15:10,160
Speaker 4: Damn, that's really hard.

1434
01:15:11,400 --> 01:15:12,439
Speaker 2: Yeah, that's really hard.

1435
01:15:12,800 --> 01:15:14,880
Speaker 4: That's really hard, really hard.

1436
01:15:15,800 --> 01:15:16,559
Speaker 2: Yeah, I'm.

1437
01:15:19,240 --> 01:15:20,920
Speaker 5: Yeah, yeah, that's hard.

1438
01:15:20,960 --> 01:15:22,280
Speaker 2: I'm gonna this is gonna get worse.

1439
01:15:23,439 --> 01:15:29,840
Speaker 7: Stevie Wonder, Lionel Richie.

1440
01:15:30,720 --> 01:15:34,439
Speaker 2: That's from the shop Stevie Wonder. Oh damn, sorry, was

1441
01:15:34,479 --> 01:15:35,639
Speaker 2: that too fast? No?

1442
01:15:35,640 --> 01:15:38,000
Speaker 4: No, you know I love the Richies.

1443
01:15:38,240 --> 01:15:41,280
Speaker 5: I absolutely adore to Richie's I think that Stevie Wonder

1444
01:15:42,000 --> 01:15:44,160
Speaker 5: is one of the greatest artists of all time.

1445
01:15:44,439 --> 01:15:49,519
Speaker 2: Did you see him in Yeah, yeah, it's crazy. He

1446
01:15:49,560 --> 01:15:50,800
Speaker 2: did nine out of ten.

1447
01:15:51,400 --> 01:15:54,720
Speaker 5: Okay, okay, okay.

1448
01:15:55,040 --> 01:15:56,080
Speaker 2: Can we talk about this?

1449
01:15:56,200 --> 01:15:58,559
Speaker 5: Is this the safe space we've talked about all.

1450
01:15:58,479 --> 01:16:02,519
Speaker 1: The time, stories about about him crossing business streets? Yeah, yeah,

1451
01:16:03,280 --> 01:16:05,240
Speaker 1: told us the brothers told us he's seen him go

1452
01:16:05,280 --> 01:16:05,960
Speaker 1: across the street.

1453
01:16:06,320 --> 01:16:08,880
Speaker 2: Jack told us he's seen them pressing button.

1454
01:16:09,400 --> 01:16:13,920
Speaker 5: Paul McCartney's mic stand as it was falling in mid air.

1455
01:16:14,040 --> 01:16:19,479
Speaker 2: Neg. Yeah, it's all came bro, the mic stand do this?

1456
01:16:19,560 --> 01:16:26,879
Speaker 4: He goes, how did you do that?

1457
01:16:27,040 --> 01:16:29,360
Speaker 2: The best? I want you to. I want to I

1458
01:16:29,360 --> 01:16:31,320
Speaker 2: want to fully warn you. You might be giving us

1459
01:16:31,320 --> 01:16:34,960
Speaker 2: the best TV story. Have so many snoop saying that

1460
01:16:34,960 --> 01:16:36,639
Speaker 2: he faced that that FaceTime.

1461
01:16:37,200 --> 01:16:38,559
Speaker 4: Yeah, he FaceTime.

1462
01:16:41,080 --> 01:16:47,080
Speaker 1: You have a FaceTime story, And I don't know his

1463
01:16:47,200 --> 01:16:48,360
Speaker 1: senses might be that into.

1464
01:16:48,600 --> 01:16:52,320
Speaker 2: He might have heard our friends. Can they was.

1465
01:16:52,240 --> 01:16:55,160
Speaker 5: All says Jammin. Paul McCartney had a microphone like this.

1466
01:16:55,360 --> 01:16:59,599
Speaker 5: Paul McCartney was, you know, lit, you know, being Paul

1467
01:16:59,640 --> 01:17:00,479
Speaker 5: mccartt want a lot.

1468
01:17:01,000 --> 01:17:01,960
Speaker 2: He spun to.

1469
01:17:01,920 --> 01:17:04,600
Speaker 5: Get off stage. He knocks his mike stand down. The

1470
01:17:04,640 --> 01:17:08,040
Speaker 5: mike stand doing this. Stevie, he in the same vicinity

1471
01:17:08,040 --> 01:17:10,400
Speaker 5: he's walking through, caught it in mid air as it

1472
01:17:10,439 --> 01:17:14,440
Speaker 5: was falling. It said, how do you do I don't understand.

1473
01:17:14,520 --> 01:17:20,479
Speaker 5: I don't understand that. I don't understand. Now here's the argument.

1474
01:17:21,080 --> 01:17:24,080
Speaker 5: He might have super sonic hearing. He might have to

1475
01:17:24,080 --> 01:17:26,200
Speaker 5: put doun of hearing. He might be very like in

1476
01:17:26,280 --> 01:17:29,600
Speaker 5: tone with the vibrations. He might have felt the vibrations

1477
01:17:29,600 --> 01:17:33,840
Speaker 5: in the street. I'll say this he blind he was,

1478
01:17:34,120 --> 01:17:35,839
Speaker 5: is that we have so many stories.

1479
01:17:37,200 --> 01:17:38,600
Speaker 4: He might be a superhrman.

1480
01:17:40,000 --> 01:17:45,360
Speaker 2: But when when when Ron Ozzie, we need Stevie here.

1481
01:17:45,880 --> 01:17:48,360
Speaker 1: Look, but I feel like once we get Stevie is

1482
01:17:48,360 --> 01:17:49,439
Speaker 1: gonna like the stories.

1483
01:17:51,160 --> 01:17:56,080
Speaker 2: So but Ron told me told us, Yeah, he told

1484
01:17:56,160 --> 01:18:00,200
Speaker 2: us that he saw him cross the higher busy. Is

1485
01:18:00,240 --> 01:18:03,680
Speaker 2: he intersection? Who's gonna hit Stevie? Wonder like, you're not

1486
01:18:03,680 --> 01:18:10,360
Speaker 2: gonna fla. I didn't think of that point. I didn't

1487
01:18:10,360 --> 01:18:13,160
Speaker 2: think of that, Poy. But you.

1488
01:18:14,840 --> 01:18:18,000
Speaker 1: Was about so hard to say that's Stevie, he said.

1489
01:18:17,760 --> 01:18:20,120
Speaker 2: Went up to shack He went into the elevator. Yeah,

1490
01:18:20,560 --> 01:18:23,040
Speaker 2: and didn't know Shaq was there. Well, Shack has a scent.

1491
01:18:26,560 --> 01:18:32,120
Speaker 2: I also believe that. Also believe he said himself, Jesus, no,

1492
01:18:32,240 --> 01:18:32,800
Speaker 2: I'm just kidding.

1493
01:18:32,800 --> 01:18:35,280
Speaker 4: I don't know Shack is hell. He smells good to me.

1494
01:18:35,400 --> 01:18:38,320
Speaker 1: And yes, but he might It might have been the shade,

1495
01:18:38,560 --> 01:18:43,200
Speaker 1: like you know, like's not that he can't the same.

1496
01:18:44,960 --> 01:18:46,120
Speaker 2: Is a loud breather.

1497
01:18:47,760 --> 01:18:54,360
Speaker 7: So he decided because yeah, he probably hurt him Dark Vader.

1498
01:19:01,080 --> 01:19:05,040
Speaker 2: He has a huge loansman. So he recognized them breathing

1499
01:19:05,600 --> 01:19:08,880
Speaker 2: maybe and was like, what's up, Shack. I don't know.

1500
01:19:09,080 --> 01:19:14,040
Speaker 5: He could have a rolodex of just sounds and vibrations,

1501
01:19:14,080 --> 01:19:15,040
Speaker 5: but he caught.

1502
01:19:14,800 --> 01:19:16,080
Speaker 2: A mic stand in mid air.

1503
01:19:16,280 --> 01:19:18,880
Speaker 5: I don't know how he did that. And it's and please,

1504
01:19:19,520 --> 01:19:23,560
Speaker 5: it's on camera. It's on camera. If you ever feel.

1505
01:19:24,160 --> 01:19:27,160
Speaker 2: Inclined, oh I'm looking, we're looking it up.

1506
01:19:27,400 --> 01:19:28,920
Speaker 4: Yeah you should, because I think he might be a

1507
01:19:28,960 --> 01:19:29,519
Speaker 4: super herman.

1508
01:19:31,000 --> 01:19:34,679
Speaker 2: Okay, so Steebee, sorry, we can't talking about that all day. Okay,

1509
01:19:34,920 --> 01:19:36,720
Speaker 2: Travis Scott or playboard CARDI.

1510
01:19:42,840 --> 01:19:47,960
Speaker 5: So there's a theme here with Houston. I have to

1511
01:19:47,960 --> 01:19:50,639
Speaker 5: go with Travis Scott. I have to go with Traviscott.

1512
01:19:50,680 --> 01:19:53,800
Speaker 5: But let me tell you something. I love Travis Scott.

1513
01:19:54,160 --> 01:19:55,960
Speaker 5: I loved Astra World. You know, I grew up going

1514
01:19:55,960 --> 01:19:56,960
Speaker 5: to Astro World.

1515
01:19:57,000 --> 01:19:58,280
Speaker 2: Because that's when he brought it back.

1516
01:19:58,320 --> 01:20:01,000
Speaker 4: Like we were so happy, like, oh my god.

1517
01:20:01,040 --> 01:20:05,799
Speaker 1: The Aftra World that people it was the six Flags.

1518
01:20:05,960 --> 01:20:08,240
Speaker 2: Yeah, but he brought it back, and he brought it

1519
01:20:08,280 --> 01:20:10,679
Speaker 2: back his style. Yeah, because Astro got shut.

1520
01:20:10,520 --> 01:20:16,080
Speaker 5: Down, and yeah, we will go wear airbrush shirts and

1521
01:20:16,080 --> 01:20:17,120
Speaker 5: try to pull numbers.

1522
01:20:17,600 --> 01:20:19,160
Speaker 2: I wouldn't get none. It's fine.

1523
01:20:19,280 --> 01:20:21,040
Speaker 4: I was a funny one, but but.

1524
01:20:21,120 --> 01:20:22,840
Speaker 5: You go, you stand outside, is how this fuck you

1525
01:20:22,840 --> 01:20:23,799
Speaker 5: get a roller coasters?

1526
01:20:24,520 --> 01:20:25,240
Speaker 2: They shut it down.

1527
01:20:25,280 --> 01:20:27,080
Speaker 5: They tore it down and demolished it. It was very

1528
01:20:27,080 --> 01:20:32,559
Speaker 5: Saturday for Houston. But you know we had the astrosa team. Yeah,

1529
01:20:32,600 --> 01:20:35,439
Speaker 5: Aftra World. He brought it back in his own way.

1530
01:20:35,760 --> 01:20:38,280
Speaker 5: I thought that was very incredible. I think that he's

1531
01:20:38,320 --> 01:20:40,880
Speaker 5: extremely talented. He's had a lot of influence in hip hop,

1532
01:20:40,960 --> 01:20:44,160
Speaker 5: like working with Kanye in the early days. I think

1533
01:20:44,160 --> 01:20:46,000
Speaker 5: that Travis is very, very, very talented.

1534
01:20:48,000 --> 01:20:49,880
Speaker 2: That being said, I.

1535
01:20:49,880 --> 01:20:51,320
Speaker 4: Recently got into Playboy CARDI.

1536
01:20:53,439 --> 01:20:58,599
Speaker 5: I really like him, y'all, am I am, I really

1537
01:20:58,680 --> 01:21:01,680
Speaker 5: like him, Like that man can't elevate a song and

1538
01:21:01,880 --> 01:21:04,200
Speaker 5: some of you are.

1539
01:21:05,439 --> 01:21:06,559
Speaker 4: And I'm like, damn, what the.

1540
01:21:08,280 --> 01:21:10,400
Speaker 2: Into this ship. He goes, he goes in.

1541
01:21:10,400 --> 01:21:12,800
Speaker 5: Something about him And I went to go see the

1542
01:21:12,800 --> 01:21:16,240
Speaker 5: weekend when he opened for him, and I went fucking early,

1543
01:21:16,280 --> 01:21:17,759
Speaker 5: and I brought my best friend and her kids.

1544
01:21:17,640 --> 01:21:19,360
Speaker 4: Because they loved open.

1545
01:21:21,360 --> 01:21:24,280
Speaker 5: Don't get me canceled with Abel, No Playboard party open

1546
01:21:24,320 --> 01:21:25,080
Speaker 5: for the weekend.

1547
01:21:25,160 --> 01:21:27,000
Speaker 2: Because that's not a great now I had that.

1548
01:21:27,200 --> 01:21:28,760
Speaker 5: Yeah, I brought my best friend and her kids because

1549
01:21:28,760 --> 01:21:29,599
Speaker 5: they love Playboy Party.

1550
01:21:29,600 --> 01:21:30,360
Speaker 2: And I was like, let's get.

1551
01:21:30,280 --> 01:21:31,559
Speaker 4: There early and let's watch the show.

1552
01:21:32,720 --> 01:21:36,600
Speaker 2: I was gagged. I was gagged. I love how you called.

1553
01:21:37,720 --> 01:21:39,400
Speaker 2: You slipped that in. I think he wants to go

1554
01:21:39,439 --> 01:21:41,000
Speaker 2: by the weekend no more, my ture fanma buggin.

1555
01:21:41,080 --> 01:21:42,679
Speaker 5: I think I feel like he said he's the weekends

1556
01:21:42,720 --> 01:21:43,759
Speaker 5: done and he's able now.

1557
01:21:43,680 --> 01:21:50,320
Speaker 2: Okay, okay, he is able. Okay, yeah, move on before wend. Yeah, no,

1558
01:21:50,400 --> 01:21:51,920
Speaker 2: I want to see that video. We just got the

1559
01:21:52,000 --> 01:21:54,120
Speaker 2: video in oh to see anyone.

1560
01:21:55,040 --> 01:21:56,880
Speaker 5: Look at this ship. Look at this ship. Look at

1561
01:21:56,880 --> 01:21:59,920
Speaker 5: this fucking ship. Look at this ship doing too much?

1562
01:22:00,240 --> 01:22:00,920
Speaker 5: You want too much?

1563
01:22:00,920 --> 01:22:13,280
Speaker 2: More? Did I lie? Did I lie? He kisses right there?

1564
01:22:13,840 --> 01:22:18,080
Speaker 5: What question is McCartney doing all that on stage? Skipping

1565
01:22:18,120 --> 01:22:20,599
Speaker 5: and ship that does that?

1566
01:22:20,680 --> 01:22:24,600
Speaker 1: Does look like he on point, but but you're also.

1567
01:22:24,439 --> 01:22:26,320
Speaker 2: Right he could be a super human super Herman.

1568
01:22:26,800 --> 01:22:28,880
Speaker 4: Herman are super Herman.

1569
01:22:29,040 --> 01:22:30,080
Speaker 2: Okay, all right, let's go.

1570
01:22:30,479 --> 01:22:32,960
Speaker 5: We'll go real call Beyonce and I will never say

1571
01:22:33,000 --> 01:22:34,320
Speaker 5: super superhuman.

1572
01:22:34,360 --> 01:22:35,960
Speaker 2: It's super Herman, super Herman.

1573
01:22:36,080 --> 01:22:37,200
Speaker 4: She said she is super Herman.

1574
01:22:37,800 --> 01:22:41,519
Speaker 2: I respect that You're got me drunk, we got you,

1575
01:22:41,640 --> 01:22:44,000
Speaker 2: we got your back. Shout out sports illustrated what I'm

1576
01:22:44,000 --> 01:22:55,439
Speaker 2: doing in an hour? Alright, we definitely only have a

1577
01:22:55,479 --> 01:22:58,640
Speaker 2: few lefts. So okay, yeah, j Lo or Mighty Cyrus.

1578
01:23:03,080 --> 01:23:05,240
Speaker 5: I genuinely feel like you want me to get my

1579
01:23:05,320 --> 01:23:06,400
Speaker 5: ass beat, like.

1580
01:23:06,520 --> 01:23:11,080
Speaker 2: You want me to get my ass beat Dominicans. Yeah.

1581
01:23:14,680 --> 01:23:20,719
Speaker 5: Fuck, Actually, this is really hard. This is really hard.

1582
01:23:21,520 --> 01:23:25,280
Speaker 5: This is really hard. This is really hard. This is

1583
01:23:25,360 --> 01:23:27,160
Speaker 5: really hard. This is really hard.

1584
01:23:27,160 --> 01:23:28,439
Speaker 4: Okay, okay, okay, okay.

1585
01:23:28,200 --> 01:23:33,559
Speaker 5: Okay, j Lo or Miley Cyrus.

1586
01:23:33,560 --> 01:23:42,120
Speaker 2: What the fuck is wrong with y'all? Be random? Can

1587
01:23:42,160 --> 01:23:46,160
Speaker 2: I say something? Am I? It's just a safe face.

1588
01:23:46,200 --> 01:23:46,840
Speaker 2: Nobody's listening.

1589
01:23:50,920 --> 01:23:53,519
Speaker 5: Only five hundred million, how many people are just looking?

1590
01:23:53,960 --> 01:23:58,880
Speaker 5: I think that I think that Miley Cyrus is one

1591
01:23:58,920 --> 01:24:03,160
Speaker 5: of the best singers of this generation. Wow, I really

1592
01:24:03,200 --> 01:24:06,720
Speaker 5: genuinely do the girl can sing, she can sing her

1593
01:24:06,880 --> 01:24:08,799
Speaker 5: as I'm sorry, am I crazy?

1594
01:24:10,240 --> 01:24:11,040
Speaker 2: Agrees with you right now?

1595
01:24:11,120 --> 01:24:15,880
Speaker 5: No, no, don't fun to put on some job rule

1596
01:24:15,920 --> 01:24:20,200
Speaker 5: and j low it's a rap. However, I would say,

1597
01:24:20,320 --> 01:24:26,200
Speaker 5: like Miley, you know who's a sweetheart, who whom I

1598
01:24:26,200 --> 01:24:26,960
Speaker 5: I've texted with?

1599
01:24:27,160 --> 01:24:28,440
Speaker 4: She's an angel.

1600
01:24:28,840 --> 01:24:32,839
Speaker 5: Miley will sit in her home studio and just write

1601
01:24:32,880 --> 01:24:35,840
Speaker 5: and sing and put out a whole album. And I

1602
01:24:35,880 --> 01:24:40,040
Speaker 5: really respect her artistry, and I think that she has

1603
01:24:41,160 --> 01:24:43,960
Speaker 5: if you're talking about great singers from this most recent

1604
01:24:44,000 --> 01:24:49,439
Speaker 5: young generation, Miley eating a lot of people, love, a

1605
01:24:49,479 --> 01:24:54,599
Speaker 5: lot of really singing like her pops. Come on, don't

1606
01:24:54,640 --> 01:24:57,559
Speaker 5: break my heart, Mike breaking heart.

1607
01:24:58,000 --> 01:25:01,400
Speaker 4: I just don't think they'll under saying that's Miley's dad.

1608
01:25:02,040 --> 01:25:05,080
Speaker 2: You know that. I was just impressed to how music

1609
01:25:05,160 --> 01:25:05,760
Speaker 2: who you are?

1610
01:25:06,160 --> 01:25:10,880
Speaker 1: Like, I'm a music major, yes, I'm just.

1611
01:25:09,920 --> 01:25:13,519
Speaker 5: I think people think I'm just like a fat, pretty

1612
01:25:13,520 --> 01:25:16,760
Speaker 5: bitch that make jokes. I'm like, yo, bitch, Like, why

1613
01:25:16,800 --> 01:25:18,200
Speaker 5: do you think I could play the flute?

1614
01:25:19,360 --> 01:25:21,200
Speaker 2: You just play the flute't.

1615
01:25:20,720 --> 01:25:31,280
Speaker 6: Knowing what the fun you're talking about?

1616
01:25:32,120 --> 01:25:34,679
Speaker 2: We got three more? Okay, three more? Three more? Ago

1617
01:25:35,920 --> 01:25:40,160
Speaker 2: Kanye or Pharrell? I hate y'all, remember that's dumb.

1618
01:25:40,640 --> 01:25:46,360
Speaker 5: I hate y'all the proverbial y'all. Okay, yes, yeah, Kanye

1619
01:25:46,479 --> 01:25:50,679
Speaker 5: or Pharrell? What's wrong with you?

1620
01:25:50,760 --> 01:25:53,160
Speaker 2: Not me? How many? How many records you got with Farrell?

1621
01:25:54,479 --> 01:25:55,639
Speaker 2: I got too many to count.

1622
01:25:56,479 --> 01:25:58,400
Speaker 1: Me and Farrel started off I don't want to say

1623
01:25:58,400 --> 01:25:59,439
Speaker 1: started off career together.

1624
01:26:00,200 --> 01:26:04,360
Speaker 4: But guess what you got on Jesus Peace? Who did

1625
01:26:04,360 --> 01:26:04,960
Speaker 4: you get that from?

1626
01:26:06,000 --> 01:26:06,960
Speaker 2: You're going to say, is that ya?

1627
01:26:08,680 --> 01:26:10,280
Speaker 4: Who was wearing Jesus Peace before you?

1628
01:26:10,040 --> 01:26:14,120
Speaker 2: A lot of people really really simmy.

1629
01:26:15,479 --> 01:26:17,360
Speaker 4: I found out who they were when they died, so.

1630
01:26:18,120 --> 01:26:19,800
Speaker 2: I know that, and that ain't nothing wrong.

1631
01:26:20,200 --> 01:26:25,400
Speaker 1: Yeah, listen to but I believe the first person that

1632
01:26:25,520 --> 01:26:27,599
Speaker 1: wore I believe we had this argument on this show

1633
01:26:28,200 --> 01:26:32,400
Speaker 1: was the first person that wore Jesus Peace was Biggie Smalls.

1634
01:26:32,560 --> 01:26:44,639
Speaker 2: Yes, with the Jesus piece. He said, Jesus like a human.

1635
01:26:46,040 --> 01:26:48,040
Speaker 2: I do love Biggie, I know, I said. I found out,

1636
01:26:48,240 --> 01:26:51,400
Speaker 2: you know who they were after they passed. But that's

1637
01:26:51,400 --> 01:26:52,880
Speaker 2: because I grew up in the coach of church.

1638
01:26:53,280 --> 01:26:54,880
Speaker 5: I was not allowed to listen to Secondar music. He

1639
01:26:54,920 --> 01:26:56,680
Speaker 5: was gonna go to hell. I found out about them.

1640
01:26:56,760 --> 01:27:00,040
Speaker 5: I fully consumed their their I know Biggie and and

1641
01:27:00,200 --> 01:27:02,599
Speaker 5: pop now. So that's why I can do that for

1642
01:27:02,640 --> 01:27:03,280
Speaker 5: the folks at home.

1643
01:27:03,400 --> 01:27:04,799
Speaker 2: Back to y'all, but back to Pharrell.

1644
01:27:04,960 --> 01:27:09,919
Speaker 5: Oh yeah, okay for Rell, yay, Yeah, this isn't.

1645
01:27:09,720 --> 01:27:12,120
Speaker 2: Fair that one we're gonna have to take a show.

1646
01:27:13,160 --> 01:27:14,120
Speaker 4: We're gonna have to take a shot.

1647
01:27:14,200 --> 01:27:15,840
Speaker 2: I would like that. I would like that very much.

1648
01:27:15,920 --> 01:27:16,679
Speaker 2: I want to smoke.

1649
01:27:18,400 --> 01:27:20,920
Speaker 1: And I have great history with both of them. So

1650
01:27:20,920 --> 01:27:22,760
Speaker 1: solo shout out to you got.

1651
01:27:22,680 --> 01:27:27,200
Speaker 5: With Kanye West. I got to tow so many with

1652
01:27:28,000 --> 01:27:29,280
Speaker 5: Pharrell to account, but.

1653
01:27:29,960 --> 01:27:33,400
Speaker 1: I have I have records with Pharrell that uh that's

1654
01:27:33,600 --> 01:27:37,840
Speaker 1: that never came out really and we just was just

1655
01:27:38,000 --> 01:27:41,000
Speaker 1: working and I went and listen to it the other

1656
01:27:41,080 --> 01:27:44,960
Speaker 1: day and I was impressed. I was like, fuck, why

1657
01:27:44,960 --> 01:27:47,559
Speaker 1: did I throw these out? Like, yeah, why did we

1658
01:27:47,560 --> 01:27:48,360
Speaker 1: throw these out?

1659
01:27:49,560 --> 01:27:51,560
Speaker 2: You for?

1660
01:27:53,000 --> 01:27:54,840
Speaker 4: I feel like Pharrell would never want to work with me.

1661
01:27:55,840 --> 01:28:02,639
Speaker 2: No, listen like for want to work woman, No, no, no.

1662
01:28:03,320 --> 01:28:03,880
Speaker 2: In Paris.

1663
01:28:05,520 --> 01:28:07,720
Speaker 1: It's the two places that I suggest if you do

1664
01:28:07,960 --> 01:28:11,000
Speaker 1: this happens, I'll definitely put it in the call. But

1665
01:28:11,120 --> 01:28:14,639
Speaker 1: there's two places I would recommend Paris, Paris and Miami.

1666
01:28:15,600 --> 01:28:18,360
Speaker 4: I'll be in Paris in June or into June July.

1667
01:28:18,600 --> 01:28:21,400
Speaker 1: What I don't want to ask you, but yeah, we'll

1668
01:28:21,400 --> 01:28:22,280
Speaker 1: also be in Paris.

1669
01:28:22,560 --> 01:28:30,639
Speaker 2: You will my wife.

1670
01:28:30,720 --> 01:28:33,479
Speaker 1: I'm sorry you can make that connection with us. I

1671
01:28:33,479 --> 01:28:35,640
Speaker 1: would love I would love it. I would love I

1672
01:28:35,720 --> 01:28:37,320
Speaker 1: might it might be one of my records.

1673
01:28:37,360 --> 01:28:37,680
Speaker 2: But that.

1674
01:28:41,120 --> 01:28:41,479
Speaker 9: Let's go.

1675
01:28:42,920 --> 01:28:47,120
Speaker 2: The whole Atlantic staff. Patti LaBelle or the frank.

1676
01:28:49,479 --> 01:28:53,639
Speaker 5: Drank out of Patty's wine glass. She said, drink Patty

1677
01:28:53,680 --> 01:28:55,600
Speaker 5: wine and she put it up to my lips and

1678
01:28:55,600 --> 01:29:00,559
Speaker 5: I said okay, and she she met. He matched the

1679
01:29:00,600 --> 01:29:06,320
Speaker 5: lipstick print with my mom and I felt anointed in

1680
01:29:06,360 --> 01:29:19,200
Speaker 5: that moment. Can we just talk about how Aretha Franklin? Like,

1681
01:29:19,200 --> 01:29:21,080
Speaker 5: can we talk about Aretha Ranglin for a minute? Like,

1682
01:29:21,800 --> 01:29:25,080
Speaker 5: have did y'all see Amazing Grace the documentary? So there

1683
01:29:25,080 --> 01:29:27,519
Speaker 5: was a documentary that was filmed in the seventies. Okay,

1684
01:29:27,680 --> 01:29:30,680
Speaker 5: by the way, when Aretha released I've Never Loved a

1685
01:29:30,760 --> 01:29:33,600
Speaker 5: Man that record that had respect on it, the church.

1686
01:29:33,560 --> 01:29:35,120
Speaker 2: Was like, oh, you're a sellout.

1687
01:29:35,520 --> 01:29:40,640
Speaker 5: And every great black female artist has been kind of

1688
01:29:40,640 --> 01:29:47,120
Speaker 5: rejected by her community. In the beginning, Whitney getting booed

1689
01:29:47,120 --> 01:29:49,519
Speaker 5: at the Soul Train Awards because they was like, oh,

1690
01:29:49,560 --> 01:29:51,479
Speaker 5: you're not You're not for us Da Da Da Dah.

1691
01:29:52,320 --> 01:29:54,920
Speaker 5: Aretha's moment was when she dropped I have never loved

1692
01:29:54,920 --> 01:29:57,320
Speaker 5: a man and had respect. And they were like, oh, no, no, no, no,

1693
01:29:57,520 --> 01:29:59,960
Speaker 5: you're not, you're not. You abandoned the church, who abandoned

1694
01:30:00,640 --> 01:30:04,519
Speaker 5: black music? You're doing that pop shit now. She came

1695
01:30:04,560 --> 01:30:07,639
Speaker 5: back and said, Okay, I'm gonna record a whole gospel

1696
01:30:07,640 --> 01:30:13,519
Speaker 5: album at my father's church and the Greater Methuselah behethl

1697
01:30:13,640 --> 01:30:18,320
Speaker 5: Lenham fucking amc first and second, I don't know the

1698
01:30:18,360 --> 01:30:23,679
Speaker 5: name of the church. Clearly, I clearly she was somewhere

1699
01:30:23,720 --> 01:30:26,000
Speaker 5: and she sat on a piano I would say a

1700
01:30:26,040 --> 01:30:32,559
Speaker 5: piano and performed piano and vocals and had her family

1701
01:30:32,680 --> 01:30:34,559
Speaker 5: church or choir behind her and her dad.

1702
01:30:34,439 --> 01:30:38,960
Speaker 4: At the poolpit. And they filmed it. They filmed it.

1703
01:30:39,000 --> 01:30:41,880
Speaker 5: I think it was two nights of it. First night,

1704
01:30:42,320 --> 01:30:46,519
Speaker 5: whole audience was Black Detroit. Like second night her pop.

1705
01:30:46,560 --> 01:30:47,760
Speaker 2: You could see like a.

1706
01:30:47,760 --> 01:30:51,040
Speaker 4: Twenty year old Mick Jagger in the audience. It's crazy.

1707
01:30:51,400 --> 01:30:52,080
Speaker 4: They filmed it.

1708
01:30:52,520 --> 01:30:55,479
Speaker 5: The footage got lost so they couldn't find it for

1709
01:30:55,520 --> 01:30:59,960
Speaker 5: over thirty years and forty wait, when was the seventies,

1710
01:31:00,160 --> 01:31:05,280
Speaker 5: seventy eighty ninety two thousand, fifty work. They couldn't find

1711
01:31:05,320 --> 01:31:06,639
Speaker 5: it for over forty fifty years.

1712
01:31:07,400 --> 01:31:09,680
Speaker 4: They found it one day and they.

1713
01:31:09,360 --> 01:31:12,120
Speaker 5: Put it together and they said, here's here's the doc

1714
01:31:12,160 --> 01:31:14,040
Speaker 5: that should have came out fifty years ago. So y'all

1715
01:31:14,080 --> 01:31:16,200
Speaker 5: should watch Amazing Grace. It's incredible.

1716
01:31:16,280 --> 01:31:17,280
Speaker 2: I'm watching tonight.

1717
01:31:17,560 --> 01:31:20,519
Speaker 5: I have never in my life like I always knew

1718
01:31:20,560 --> 01:31:23,000
Speaker 5: Aretha was like the queen of soul, and I knew

1719
01:31:23,000 --> 01:31:25,000
Speaker 5: that she had like an incredible vocal, and she was

1720
01:31:25,000 --> 01:31:27,679
Speaker 5: like the one, and I always like mirrored. I always

1721
01:31:27,760 --> 01:31:31,479
Speaker 5: mirrored my career after Aretha and Tina, you know, because

1722
01:31:31,520 --> 01:31:33,519
Speaker 5: I just felt like Tina turned teas are.

1723
01:31:33,400 --> 01:31:34,599
Speaker 2: Her turn her.

1724
01:31:36,439 --> 01:31:39,479
Speaker 5: Because of the age I was when I signed to

1725
01:31:39,560 --> 01:31:42,920
Speaker 5: Atlantic and so on and so forth, and the soul

1726
01:31:42,960 --> 01:31:44,040
Speaker 5: that I like to and enjoy.

1727
01:31:44,120 --> 01:31:45,599
Speaker 4: They like to admit.

1728
01:31:47,640 --> 01:31:58,080
Speaker 5: But her voice and piano is so transcendent. I hate

1729
01:31:58,120 --> 01:32:00,960
Speaker 5: to keep I hate to be a broken record. There's

1730
01:32:01,000 --> 01:32:04,880
Speaker 5: nobody who can sing and play an instrument right now

1731
01:32:04,960 --> 01:32:07,240
Speaker 5: at the same time like that.

1732
01:32:08,520 --> 01:32:11,680
Speaker 4: There's it's just because the church ain't what it used

1733
01:32:11,680 --> 01:32:11,920
Speaker 4: to be.

1734
01:32:12,439 --> 01:32:14,280
Speaker 5: You don't have young people coming up in the church

1735
01:32:14,479 --> 01:32:24,280
Speaker 5: learning their horn or learning their instrument in the church fighting.

1736
01:32:21,040 --> 01:32:23,360
Speaker 2: Back in the days came from the church, and then.

1737
01:32:24,040 --> 01:32:26,240
Speaker 5: And they have ship else to do with the church,

1738
01:32:26,920 --> 01:32:29,960
Speaker 5: Like you're there.

1739
01:32:30,600 --> 01:32:31,200
Speaker 4: And then you're there.

1740
01:32:31,439 --> 01:32:34,760
Speaker 5: You're in her voice in that piano were like the

1741
01:32:34,760 --> 01:32:38,519
Speaker 5: way princes with the guitar. It's just it's so fluid

1742
01:32:38,520 --> 01:32:43,479
Speaker 5: and synonymous. She could play the phone book, she could

1743
01:32:43,520 --> 01:32:45,400
Speaker 5: cuss me out on the piano and sing, and I'd

1744
01:32:45,400 --> 01:32:46,320
Speaker 5: be grateful.

1745
01:32:46,400 --> 01:32:49,360
Speaker 4: I'd be like, yes, yes, call me a bitch, call me,

1746
01:32:49,439 --> 01:32:50,200
Speaker 4: call me stupid.

1747
01:32:50,200 --> 01:32:52,240
Speaker 2: I don't give like she.

1748
01:32:52,920 --> 01:32:55,559
Speaker 5: It's it's stunning, and I think as an adult, like

1749
01:32:56,280 --> 01:32:58,240
Speaker 5: you know, I didn't grow up in the era with Reifa,

1750
01:32:58,320 --> 01:33:01,080
Speaker 5: so I didn't really hear ahe.

1751
01:33:00,560 --> 01:33:03,599
Speaker 1: That's why I also impressed of you, even like knowing

1752
01:33:03,640 --> 01:33:04,599
Speaker 1: this music like.

1753
01:33:04,760 --> 01:33:06,920
Speaker 5: But however, when you go back, when you go back

1754
01:33:06,960 --> 01:33:10,120
Speaker 5: and listen to it, it's it's it's on inspiring. I

1755
01:33:10,120 --> 01:33:13,600
Speaker 5: can't even believe how easy runs flew out of that

1756
01:33:13,640 --> 01:33:14,320
Speaker 5: woman's throats.

1757
01:33:14,560 --> 01:33:15,599
Speaker 2: Well playing the artist.

1758
01:33:15,680 --> 01:33:17,799
Speaker 1: This is why I'm so impressed with you. Most artists

1759
01:33:18,400 --> 01:33:21,160
Speaker 1: don't do their history. They don't, they don't, they don't do.

1760
01:33:21,479 --> 01:33:23,479
Speaker 2: Everything you're saying, Like, I'm so impressed with you. I

1761
01:33:23,760 --> 01:33:24,360
Speaker 2: already knew.

1762
01:33:24,400 --> 01:33:28,360
Speaker 1: I was like, I watched all your interviews, I watched everything,

1763
01:33:28,439 --> 01:33:31,400
Speaker 1: but I already knew that. But it's like you actually

1764
01:33:32,720 --> 01:33:36,640
Speaker 1: you actually did your homework with with these artists, and

1765
01:33:36,680 --> 01:33:39,840
Speaker 1: it's like and you know what you're talking about, Like yeah,

1766
01:33:40,720 --> 01:33:42,600
Speaker 1: I've really really really impressed.

1767
01:33:42,680 --> 01:33:46,800
Speaker 5: Like yeah, it's a small percentage of people where it

1768
01:33:46,840 --> 01:33:52,519
Speaker 5: even matters anymore, like knowing your like knowing your history

1769
01:33:52,560 --> 01:33:55,960
Speaker 5: and understanding music to create good music. Yo, Like people

1770
01:33:55,960 --> 01:33:57,240
Speaker 5: don't want to hear that shit no more. They want

1771
01:33:57,240 --> 01:33:58,680
Speaker 5: to hear just a song that came out ten years

1772
01:33:58,720 --> 01:33:59,400
Speaker 5: ago remixed.

1773
01:34:00,040 --> 01:34:00,360
Speaker 2: They don't.

1774
01:34:00,400 --> 01:34:03,519
Speaker 5: They don't give a fuck, And I think we we

1775
01:34:03,720 --> 01:34:05,320
Speaker 5: gotta get with that. We like we have to be

1776
01:34:05,360 --> 01:34:07,519
Speaker 5: like okay, cool, Like so what do you want me

1777
01:34:07,560 --> 01:34:11,240
Speaker 5: to I'm a bitch, I'm I love. I'll just you know,

1778
01:34:11,360 --> 01:34:15,040
Speaker 5: like I will interpolate, I will sample because that's what

1779
01:34:15,200 --> 01:34:19,720
Speaker 5: that's what people were in a nostalgia Like nostalgia is

1780
01:34:19,760 --> 01:34:20,560
Speaker 5: the hottest.

1781
01:34:20,240 --> 01:34:22,160
Speaker 4: Commodity, you know what I'm saying.

1782
01:34:22,600 --> 01:34:29,720
Speaker 5: Sequels and enfranchises and and samples are like in like

1783
01:34:29,880 --> 01:34:35,679
Speaker 5: that's what sells original movies, original music, original ideas don't

1784
01:34:35,760 --> 01:34:36,959
Speaker 5: fucking sell anymore.

1785
01:34:38,439 --> 01:34:40,000
Speaker 2: And it's sad.

1786
01:34:41,120 --> 01:34:44,519
Speaker 5: But I don't think that there's even like a market

1787
01:34:44,640 --> 01:34:48,200
Speaker 5: for people who want like Boots Riley. I love because

1788
01:34:48,640 --> 01:34:51,599
Speaker 5: Boots Riley is a director who just said I love Booster.

1789
01:34:51,680 --> 01:34:53,799
Speaker 2: You know where he comes from. He's a bass player.

1790
01:34:53,960 --> 01:34:57,439
Speaker 4: But the group, the Coup, the Coop. Okay, yeah, he's

1791
01:34:57,800 --> 01:34:58,400
Speaker 4: he's a basic player.

1792
01:34:58,479 --> 01:35:02,519
Speaker 2: Right, it's a rapper. Let me take a shot on that.

1793
01:35:04,800 --> 01:35:06,040
Speaker 4: I'm thinking of Boots Riley.

1794
01:35:06,160 --> 01:35:10,519
Speaker 2: No way, I'm thinking of Boots the guitar. He said,

1795
01:35:10,520 --> 01:35:13,160
Speaker 2: you started sucking me up all of a sudden. Again

1796
01:35:13,240 --> 01:35:17,040
Speaker 2: what he was doing Riley, He's a rapper. He's talking

1797
01:35:17,080 --> 01:35:19,639
Speaker 2: about the director. The director. He comes from the coop.

1798
01:35:19,680 --> 01:35:22,439
Speaker 5: He comes from the coop, and I love his mind

1799
01:35:22,840 --> 01:35:25,960
Speaker 5: because he's given us, Like you know, I am a virgo.

1800
01:35:26,760 --> 01:35:27,559
Speaker 2: I love Booster.

1801
01:35:28,320 --> 01:35:33,360
Speaker 1: I'm a virgo. Yeah yeah, his show you need to watch.

1802
01:35:33,160 --> 01:35:35,679
Speaker 2: It, but he's giving us a movie.

1803
01:35:35,920 --> 01:35:38,559
Speaker 7: Check out his music. You're gonna be mind blowing. From

1804
01:35:38,560 --> 01:35:40,479
Speaker 7: the group that he comes from to what he's doing now.

1805
01:35:40,720 --> 01:35:41,839
Speaker 2: He's an ill artist.

1806
01:35:42,320 --> 01:35:43,360
Speaker 4: But when you think.

1807
01:35:43,200 --> 01:35:47,559
Speaker 5: About how little we can say, oh, this person made

1808
01:35:47,560 --> 01:35:47,960
Speaker 5: an original.

1809
01:35:48,040 --> 01:35:49,360
Speaker 4: That's why Centers was so crazy.

1810
01:35:49,680 --> 01:35:52,800
Speaker 5: Well, Ryan Coogler, like big up, Ryan Google shout out

1811
01:35:52,840 --> 01:35:56,560
Speaker 5: Ryan Coogler for making an original movie in twenty twenty five.

1812
01:36:00,200 --> 01:36:03,599
Speaker 2: That him and Michael Jordan is doing. Man, they are

1813
01:36:04,479 --> 01:36:05,719
Speaker 2: the modern day.

1814
01:36:05,640 --> 01:36:12,120
Speaker 1: Like yeah they are gel like that ship is crazy, like.

1815
01:36:12,439 --> 01:36:15,599
Speaker 5: Really but but back then, but but now it's so

1816
01:36:15,720 --> 01:36:18,160
Speaker 5: much harder, Like do you don't know how hard it

1817
01:36:18,240 --> 01:36:20,320
Speaker 5: is to have the success that Center's head?

1818
01:36:20,360 --> 01:36:23,000
Speaker 2: Where you happy you're saying, you're saying that it's harder now.

1819
01:36:23,080 --> 01:36:28,880
Speaker 5: Now to sell an original film. Okay, okay, I saw

1820
01:36:28,880 --> 01:36:31,479
Speaker 5: it twice. I have friends who saw multiple times. It's like,

1821
01:36:32,240 --> 01:36:36,479
Speaker 5: see Centers again, bitch, Like, that's not easy to do.

1822
01:36:37,000 --> 01:36:39,720
Speaker 5: Like I feel like, what's his name?

1823
01:36:39,800 --> 01:36:44,840
Speaker 2: Get out? Uh? Get out?

1824
01:36:44,960 --> 01:36:46,639
Speaker 4: I hate that you said, Kemp pill Please.

1825
01:36:46,400 --> 01:36:56,200
Speaker 2: Get what I said. Kemp is a showy Jordan Jordan's hill.

1826
01:36:56,240 --> 01:36:58,759
Speaker 5: There's like very few people who are like creating original

1827
01:36:59,400 --> 01:37:02,599
Speaker 5: he's doing. But it's the same with music, there's very little.

1828
01:37:02,920 --> 01:37:07,160
Speaker 2: We just got Marlon Wayne's movie. Did you see that?

1829
01:37:07,360 --> 01:37:07,519
Speaker 5: Oh?

1830
01:37:07,600 --> 01:37:10,120
Speaker 2: Him? Yeah, that he produced it.

1831
01:37:10,120 --> 01:37:11,200
Speaker 4: I don't think he directed that.

1832
01:37:11,320 --> 01:37:13,120
Speaker 1: I thought I was like, I was watching this, like,

1833
01:37:13,160 --> 01:37:14,759
Speaker 1: where is the comedy at.

1834
01:37:15,600 --> 01:37:18,160
Speaker 4: Yeah, he didn't direct it, but he Monkey Pop produced.

1835
01:37:18,520 --> 01:37:21,759
Speaker 2: Was gross. I was like he doesn't do comedy movies.

1836
01:37:21,840 --> 01:37:26,680
Speaker 12: That's not I was about because Marlon's on it.

1837
01:37:27,080 --> 01:37:28,200
Speaker 2: Okay, they got me.

1838
01:37:28,439 --> 01:37:31,759
Speaker 7: No, but have you some of the best dramatic actors

1839
01:37:31,760 --> 01:37:32,360
Speaker 7: are comedians.

1840
01:37:33,000 --> 01:37:34,240
Speaker 4: I didn't know Jim Carrey.

1841
01:37:34,560 --> 01:37:38,360
Speaker 5: Have you seen recordem of a Dream markin Williams Marlon

1842
01:37:38,400 --> 01:37:39,439
Speaker 5: went crazy.

1843
01:37:39,520 --> 01:37:42,679
Speaker 1: Yeah, that's he went great, Like we got Marlin coming.

1844
01:37:42,720 --> 01:37:44,759
Speaker 2: I don't think we give him enough credit for that. No,

1845
01:37:45,360 --> 01:37:46,160
Speaker 2: he's a method actor.

1846
01:37:46,240 --> 01:37:50,360
Speaker 5: He Marlin's an actor actor like real, go watch scary

1847
01:37:50,400 --> 01:37:53,839
Speaker 5: movies sex June fifth and stream host and get my album.

1848
01:37:53,880 --> 01:37:54,640
Speaker 2: But anyway.

1849
01:37:59,120 --> 01:38:08,000
Speaker 12: More yeah, yeah, yeah, too much fun. All right, here

1850
01:38:08,040 --> 01:38:13,000
Speaker 12: we go Black Thought or Andred three thousand. That pause

1851
01:38:13,360 --> 01:38:14,160
Speaker 12: that's hard with me.

1852
01:38:15,080 --> 01:38:39,280
Speaker 5: Pause is crazy. I think that Black Thought is like

1853
01:38:39,439 --> 01:38:43,160
Speaker 5: consistently great and I and I think that he is.

1854
01:38:45,000 --> 01:38:47,080
Speaker 5: I think he deserves more and more and more appreciation

1855
01:38:47,200 --> 01:38:51,240
Speaker 5: every day. And I think he's an incredible rapper and

1856
01:38:52,400 --> 01:38:56,080
Speaker 5: a great soul and important to the history and into

1857
01:38:56,080 --> 01:38:56,599
Speaker 5: the culture.

1858
01:38:58,760 --> 01:39:01,560
Speaker 4: I have to go with Andre three thousand because.

1859
01:39:02,640 --> 01:39:03,280
Speaker 5: He is.

1860
01:39:05,600 --> 01:39:07,760
Speaker 2: Prince level, like.

1861
01:39:09,680 --> 01:39:13,720
Speaker 5: What the fuck like changed the conversation around what it

1862
01:39:13,840 --> 01:39:16,719
Speaker 5: means to be a black man in hip hop.

1863
01:39:16,760 --> 01:39:17,759
Speaker 4: Especially from Atlanta.

1864
01:39:18,479 --> 01:39:19,440
Speaker 2: Wearing overalls.

1865
01:39:19,439 --> 01:39:20,760
Speaker 4: Well, no, he just a country boy.

1866
01:39:22,320 --> 01:39:24,720
Speaker 2: Yeah. He took that country boy shit and was just

1867
01:39:24,760 --> 01:39:28,240
Speaker 2: like took it all away. And he's just so creative,

1868
01:39:28,360 --> 01:39:29,280
Speaker 2: Like you know.

1869
01:39:29,360 --> 01:39:31,639
Speaker 5: The funniest thing about him is when he wrote a verse,

1870
01:39:31,680 --> 01:39:33,200
Speaker 5: I can't remember whose song it was on, either the

1871
01:39:33,320 --> 01:39:37,240
Speaker 5: J Cole or it was somebody or a Frank Ocean,

1872
01:39:37,240 --> 01:39:39,120
Speaker 5: and he was like, I can't I was I was

1873
01:39:39,160 --> 01:39:41,760
Speaker 5: a pauw when I realized that people had ghostwriters.

1874
01:39:42,280 --> 01:39:46,000
Speaker 4: And he said this like recently in the last ten years.

1875
01:39:46,120 --> 01:39:47,320
Speaker 4: He was like, I was a Paul when I heard

1876
01:39:47,320 --> 01:39:48,439
Speaker 4: the Niagara and I.

1877
01:39:48,400 --> 01:39:51,040
Speaker 2: Was like, oh, poor like Andre, like poor baby, Like

1878
01:39:51,080 --> 01:39:53,800
Speaker 2: he was like, wait, y'all got people writing this for

1879
01:39:54,000 --> 01:39:57,080
Speaker 2: you with you. I'm doing this all by myself.

1880
01:39:57,080 --> 01:39:59,400
Speaker 5: And that was his angle, and I was like, damn, bro,

1881
01:39:59,479 --> 01:40:03,639
Speaker 5: you did this by yourself. That's crazy. Like I don't

1882
01:40:03,920 --> 01:40:11,640
Speaker 5: he raps, he raps. It's so musical that it feels

1883
01:40:11,760 --> 01:40:16,160
Speaker 5: like he's he's got a percussive melodic like a piano.

1884
01:40:17,439 --> 01:40:24,080
Speaker 5: Like one of the few percussive melodic instruments are guitar

1885
01:40:24,120 --> 01:40:26,879
Speaker 5: and piano, right, because there's strings and there's like melody

1886
01:40:26,920 --> 01:40:28,320
Speaker 5: and you can beat on it like you can beat

1887
01:40:28,360 --> 01:40:30,800
Speaker 5: on a guitar, you can bang on the piano, and

1888
01:40:31,720 --> 01:40:38,160
Speaker 5: he's got that kind of sensibility. And I don't think

1889
01:40:38,760 --> 01:40:42,720
Speaker 5: that we understand how incredible he is. And I think

1890
01:40:42,720 --> 01:40:45,080
Speaker 5: the best thing about him is that he knows we

1891
01:40:45,200 --> 01:40:50,800
Speaker 5: want him, and he refuses. He refuses to give us him.

1892
01:40:51,120 --> 01:40:54,400
Speaker 5: He's he refuses and he knows we want him. But

1893
01:40:54,479 --> 01:40:57,759
Speaker 5: I think he also is so smart that he knows

1894
01:40:58,120 --> 01:41:00,439
Speaker 5: the landscape of hip hop and the land escape of

1895
01:41:00,479 --> 01:41:04,559
Speaker 5: culture and the landscape of music in the industry, and

1896
01:41:04,600 --> 01:41:08,120
Speaker 5: he knows, oh, nothing will ever be good enough for you, niggas,

1897
01:41:08,160 --> 01:41:09,120
Speaker 5: so I'm not giving.

1898
01:41:08,840 --> 01:41:10,920
Speaker 2: It to you. And he doesn't get I agree with

1899
01:41:10,960 --> 01:41:11,519
Speaker 2: you nothing.

1900
01:41:12,280 --> 01:41:14,960
Speaker 4: And I think that he's remember Erica was, I'm an artist.

1901
01:41:15,040 --> 01:41:17,080
Speaker 2: I'm sensitent about my ship. I think he he's like.

1902
01:41:17,200 --> 01:41:20,200
Speaker 5: No, I'm not going to give you this so that

1903
01:41:20,280 --> 01:41:22,240
Speaker 5: you can turn it into whatever you want and talk

1904
01:41:22,280 --> 01:41:24,720
Speaker 5: about it however you want and and mistreated.

1905
01:41:25,760 --> 01:41:28,480
Speaker 4: It's too precious and I respect.

1906
01:41:28,080 --> 01:41:30,360
Speaker 2: It so much. And the fact that he pivoted and

1907
01:41:30,360 --> 01:41:30,720
Speaker 2: made a.

1908
01:41:30,640 --> 01:41:34,200
Speaker 4: Flu album was because when he was walking.

1909
01:41:33,960 --> 01:41:38,880
Speaker 5: Around like Vibes, he was going around and this was

1910
01:41:39,000 --> 01:41:47,559
Speaker 5: years earlier. He was like I saw, I saw, and

1911
01:41:47,600 --> 01:41:48,439
Speaker 5: it was like one of those.

1912
01:41:49,040 --> 01:41:54,559
Speaker 2: It was like a wooden long fire, and I love

1913
01:41:54,640 --> 01:42:01,799
Speaker 2: whatever you're doing. Whatever was Gemini is will And so I.

1914
01:42:01,720 --> 01:42:04,160
Speaker 5: Had a song that I sent him that had flute

1915
01:42:04,200 --> 01:42:05,840
Speaker 5: on it, and I was like, can you play flute

1916
01:42:05,880 --> 01:42:06,160
Speaker 5: on this?

1917
01:42:06,760 --> 01:42:08,000
Speaker 2: He can?

1918
01:42:08,000 --> 01:42:10,760
Speaker 4: I tell this story. It's very embarrassing to me, but

1919
01:42:10,840 --> 01:42:11,519
Speaker 4: it's fine.

1920
01:42:12,000 --> 01:42:14,799
Speaker 5: On my last album, I sent him a record and

1921
01:42:15,000 --> 01:42:16,800
Speaker 5: there was like a whole flute, like a two minute

1922
01:42:16,840 --> 01:42:18,519
Speaker 5: flue outro, and I was like, I just want Andre

1923
01:42:18,600 --> 01:42:22,640
Speaker 5: to play flute on this, and he respectfully declined. Like

1924
01:42:22,680 --> 01:42:25,120
Speaker 5: I got his number. Everything we connected, We texted and

1925
01:42:25,160 --> 01:42:27,400
Speaker 5: I sent to him. He was like, oh no, like

1926
01:42:27,479 --> 01:42:30,720
Speaker 5: he respectfully declines, and I was like, wait, what does

1927
01:42:30,760 --> 01:42:33,920
Speaker 5: this mean? Like is the song bad? I cut the

1928
01:42:33,920 --> 01:42:39,200
Speaker 5: song from my album. It never came out, But that

1929
01:42:39,400 --> 01:42:41,639
Speaker 5: being said, when he dropped his Flu album a few

1930
01:42:41,920 --> 01:42:44,439
Speaker 5: years later, I was like, oh my god, like we

1931
01:42:44,479 --> 01:42:45,160
Speaker 5: was on the same vibe.

1932
01:42:45,200 --> 01:42:45,720
Speaker 4: Because I didn't know.

1933
01:42:45,720 --> 01:42:49,040
Speaker 5: He was know that I sent him the I didn't

1934
01:42:49,080 --> 01:42:51,320
Speaker 5: know he was a flute album and then he was

1935
01:42:51,360 --> 01:42:53,360
Speaker 5: like nah. So a part of me was like maybe

1936
01:42:53,400 --> 01:42:54,800
Speaker 5: he didn't like the song, But another part of me

1937
01:42:54,880 --> 01:42:56,200
Speaker 5: was like maybe he was like, I'm not doing enough.

1938
01:42:58,920 --> 01:43:01,400
Speaker 5: Come out and I was like, okay, I respect that. However,

1939
01:43:01,760 --> 01:43:04,040
Speaker 5: that is my Andre three thousand story. And now every

1940
01:43:04,040 --> 01:43:06,559
Speaker 5: time I see him, I'm afraid, you know what I'm saying,

1941
01:43:06,640 --> 01:43:08,040
Speaker 5: because how you doing? Brother?

1942
01:43:08,080 --> 01:43:08,640
Speaker 4: God bless you?

1943
01:43:08,680 --> 01:43:09,280
Speaker 2: And I can't.

1944
01:43:10,760 --> 01:43:12,320
Speaker 4: Like you all got rejected by them.

1945
01:43:12,760 --> 01:43:12,920
Speaker 5: But.

1946
01:43:14,360 --> 01:43:15,400
Speaker 4: I love him so much.

1947
01:43:16,200 --> 01:43:18,240
Speaker 5: I know I just put myself out there if this

1948
01:43:18,360 --> 01:43:19,160
Speaker 5: goes on your show.

1949
01:43:19,320 --> 01:43:20,600
Speaker 2: So we got what we got.

1950
01:43:20,880 --> 01:43:23,800
Speaker 1: I got you, brother, I got you, Please, you got

1951
01:43:23,840 --> 01:43:29,880
Speaker 1: you got one more, well the last one, and they

1952
01:43:29,920 --> 01:43:31,679
Speaker 1: were usually get back to the interview, but I understand

1953
01:43:31,680 --> 01:43:34,919
Speaker 1: you got to go, and I respect that. So loyalty

1954
01:43:35,000 --> 01:43:35,960
Speaker 1: or respect.

1955
01:43:38,320 --> 01:43:45,719
Speaker 4: Whoa, whoa, hmmm.

1956
01:43:49,520 --> 01:43:52,760
Speaker 5: I don't want no disrespectful person being loyal to me.

1957
01:43:53,600 --> 01:43:56,479
Speaker 5: I think that I've had that experience in the past.

1958
01:43:57,040 --> 01:43:59,599
Speaker 5: I've had people who were like loyal to me who

1959
01:43:59,600 --> 01:44:05,400
Speaker 5: were extremely disrespectful, and it doesn't end well. It ends

1960
01:44:05,479 --> 01:44:12,559
Speaker 5: in being mused and abused and I'm vilified. And so

1961
01:44:13,600 --> 01:44:18,240
Speaker 5: I would rather have somebody respect me than be loyal

1962
01:44:18,320 --> 01:44:20,920
Speaker 5: to me, because loyalty can be fake, but respect is

1963
01:44:20,960 --> 01:44:22,240
Speaker 5: earned and real.

1964
01:44:22,920 --> 01:44:29,639
Speaker 13: Yeah, that's taking a show for that, and and before

1965
01:44:29,640 --> 01:44:32,320
Speaker 13: we get about here, I just want to think a

1966
01:44:32,479 --> 01:44:34,679
Speaker 13: new album, my album, bitch.

1967
01:44:35,400 --> 01:44:36,679
Speaker 4: I'm sweating under my pits, im.

1968
01:44:36,960 --> 01:44:38,640
Speaker 1: I would like to I would like to.

1969
01:44:39,439 --> 01:44:40,479
Speaker 2: Let let's talk about.

1970
01:44:40,240 --> 01:44:42,120
Speaker 1: That before we get up, because we talked about it,

1971
01:44:42,120 --> 01:44:45,120
Speaker 1: but we didn't talk about it like for you to

1972
01:44:45,280 --> 01:44:47,360
Speaker 1: you know, you know this.

1973
01:44:47,280 --> 01:44:53,040
Speaker 5: Album, you know, when it comes to like albums these days, cheers, cheers, cheers, cheers.

1974
01:44:53,160 --> 01:44:55,880
Speaker 2: Family, family job. I'm going to go do this a

1975
01:44:55,920 --> 01:45:03,360
Speaker 2: little court illustrated, dang respect because you still got to

1976
01:45:03,400 --> 01:45:07,960
Speaker 2: take pictures in I want to respect. I'm a killer

1977
01:45:08,000 --> 01:45:08,360
Speaker 2: real quick.

1978
01:45:08,400 --> 01:45:10,040
Speaker 5: It's a little it's a little in and out, it's

1979
01:45:10,040 --> 01:45:12,200
Speaker 5: a little back.

1980
01:45:12,240 --> 01:45:16,160
Speaker 1: But this new album, what does the fans expect?

1981
01:45:17,920 --> 01:45:19,840
Speaker 2: Is there something new that you did on this album?

1982
01:45:19,960 --> 01:45:23,800
Speaker 2: Is there? Like? Yeah, you know, and by the time this.

1983
01:45:23,760 --> 01:45:27,200
Speaker 1: Drops, this will be when your album, Yes, the album bitch,

1984
01:45:27,280 --> 01:45:28,439
Speaker 1: the album will be I.

1985
01:45:28,360 --> 01:45:31,360
Speaker 5: Think that, I like, in the true nature of like

1986
01:45:31,400 --> 01:45:33,280
Speaker 5: being a musician and an artist, you just get better

1987
01:45:33,320 --> 01:45:35,400
Speaker 5: and better, right, Like yeah, I believe that, you know,

1988
01:45:35,479 --> 01:45:39,519
Speaker 5: I think pop depreciates with time where you're like, oh, okay,

1989
01:45:39,680 --> 01:45:42,599
Speaker 5: you know this person can't make this kind of pop

1990
01:45:42,640 --> 01:45:43,360
Speaker 5: music anymore.

1991
01:45:43,479 --> 01:45:44,960
Speaker 2: But you consider yourself pop.

1992
01:45:45,240 --> 01:45:47,479
Speaker 5: I was pop at one point and now I am

1993
01:45:47,520 --> 01:45:48,800
Speaker 5: a diva.

1994
01:45:48,960 --> 01:45:49,760
Speaker 4: I've graduated.

1995
01:45:50,120 --> 01:45:54,280
Speaker 5: So for me and my diva era, I have allowed

1996
01:45:54,280 --> 01:45:56,280
Speaker 5: myself to create the music that I wanted to make.

1997
01:45:56,720 --> 01:45:58,240
Speaker 2: This album, I.

1998
01:45:58,120 --> 01:46:02,240
Speaker 5: Think gives you a little bit everything, like I'm I'm

1999
01:46:02,280 --> 01:46:03,479
Speaker 5: giving you something for the summer.

2000
01:46:03,479 --> 01:46:06,879
Speaker 2: We got sexy ladies featureing UCB like go.

2001
01:46:06,640 --> 01:46:10,559
Speaker 5: Go DC in the most building like it's going up,

2002
01:46:10,680 --> 01:46:12,800
Speaker 5: like and on the internet right now, people are all

2003
01:46:12,840 --> 01:46:15,519
Speaker 5: fucking with it like it's a beautiful thing. I've got

2004
01:46:15,600 --> 01:46:18,280
Speaker 5: records that I get to like express myself and and

2005
01:46:18,520 --> 01:46:22,040
Speaker 5: tell you know, the darker size and the things that

2006
01:46:22,080 --> 01:46:24,360
Speaker 5: have happened to me, and talk some real like truth

2007
01:46:24,640 --> 01:46:28,679
Speaker 5: to power. I have some classic Lizzo records like Happy

2008
01:46:28,720 --> 01:46:31,040
Speaker 5: to Be where there's people who like, can you just

2009
01:46:31,080 --> 01:46:33,439
Speaker 5: get back into your eighties like funk Back. I'm like, yeah,

2010
01:46:33,520 --> 01:46:35,920
Speaker 5: go listen to that girl on my album. Like I've

2011
01:46:35,960 --> 01:46:38,759
Speaker 5: got a little bit of everything. You want rap, lizzle, rap, Lizzles.

2012
01:46:38,760 --> 01:46:41,280
Speaker 5: There you want like rock and roll, Lizto, she Stole

2013
01:46:41,360 --> 01:46:43,479
Speaker 5: My Man is on there? You want Jerome because I

2014
01:46:43,520 --> 01:46:45,240
Speaker 5: love you Lizzo. Whose hair is this?

2015
01:46:45,680 --> 01:46:45,880
Speaker 2: You know?

2016
01:46:46,200 --> 01:46:49,040
Speaker 5: Like I have a little bit of everything and all

2017
01:46:49,080 --> 01:46:51,519
Speaker 5: that and a bag of chips, and I just think

2018
01:46:51,520 --> 01:46:53,680
Speaker 5: it's like, so, I had an album, Love and Real

2019
01:46:53,760 --> 01:46:57,599
Speaker 5: Life that I was gonna drop last year, and there

2020
01:46:57,640 --> 01:46:59,720
Speaker 5: are some records on that album that I felt like

2021
01:46:59,800 --> 01:47:04,040
Speaker 5: were too selfish, Like it was like a song about

2022
01:47:04,040 --> 01:47:07,639
Speaker 5: my dog who passed away on there, and it was selfish,

2023
01:47:07,640 --> 01:47:10,400
Speaker 5: and I sampled her and I was like, and I

2024
01:47:10,439 --> 01:47:13,280
Speaker 5: cry every time I listened to it. And I was like,

2025
01:47:13,320 --> 01:47:15,040
Speaker 5: I don't know if this should go on this album

2026
01:47:15,120 --> 01:47:17,400
Speaker 5: right now, because I'm in the time of my life

2027
01:47:17,439 --> 01:47:20,200
Speaker 5: where I need to remind people, like it's not about

2028
01:47:20,240 --> 01:47:22,880
Speaker 5: proving myself, it's about reminding people who the fuck I

2029
01:47:22,920 --> 01:47:25,160
Speaker 5: am and what the fuck I do. And I was like,

2030
01:47:25,280 --> 01:47:27,519
Speaker 5: let me just give a banger banger, banger, banger banger.

2031
01:47:27,600 --> 01:47:31,559
Speaker 5: So it's twelve tracks of straight the best of me.

2032
01:47:31,840 --> 01:47:35,240
Speaker 2: Pits, no no album cuts.

2033
01:47:35,280 --> 01:47:36,000
Speaker 4: You're saying I'm a.

2034
01:47:36,000 --> 01:47:38,920
Speaker 5: Hit maker, Okay, I don't know. I don't know that,

2035
01:47:44,680 --> 01:47:47,599
Speaker 5: but you know, a hit in twenty twenty six is different.

2036
01:47:48,280 --> 01:47:50,880
Speaker 5: It's not the same definition even in twenty twenty two.

2037
01:47:51,520 --> 01:47:53,880
Speaker 5: So what I have right now, I think it's great

2038
01:47:53,960 --> 01:47:56,360
Speaker 5: music and I want people to actually enjoy it.

2039
01:47:56,400 --> 01:47:58,080
Speaker 2: I think we're too caught up in numbers.

2040
01:47:58,160 --> 01:47:59,559
Speaker 4: Like you know, I've seen a.

2041
01:47:59,479 --> 01:48:03,920
Speaker 5: Lot of my temporaries, a lot of my peers drop music,

2042
01:48:04,040 --> 01:48:05,320
Speaker 5: and because it didn't.

2043
01:48:05,040 --> 01:48:07,360
Speaker 2: Sell a certain amount of numbers, people were counting out.

2044
01:48:08,320 --> 01:48:11,479
Speaker 5: Yeah, people will be like, why it's not good because

2045
01:48:11,479 --> 01:48:13,400
Speaker 5: the Internet says it's not good. It's like, bro, like,

2046
01:48:13,880 --> 01:48:16,680
Speaker 5: listen to the fucking music and decide for yourself if

2047
01:48:16,720 --> 01:48:19,280
Speaker 5: it's good or not. Like, don't look at the numbers

2048
01:48:19,280 --> 01:48:21,920
Speaker 5: and decide if it's good or not. Like, it's about

2049
01:48:21,960 --> 01:48:24,479
Speaker 5: just enjoying things again. And I really hope we get

2050
01:48:24,479 --> 01:48:26,400
Speaker 5: back to that point where we can actually enjoy things

2051
01:48:26,400 --> 01:48:28,599
Speaker 5: and stop acting like the fucking label. Like I feel

2052
01:48:28,600 --> 01:48:30,800
Speaker 5: like fans fans are acting like the label, like what

2053
01:48:31,080 --> 01:48:34,120
Speaker 5: are you doing that for it? I get it you

2054
01:48:34,160 --> 01:48:37,120
Speaker 5: want to support your your faith. But it's like, but,

2055
01:48:37,120 --> 01:48:40,720
Speaker 5: but relax because you're missing out right now. And I'm

2056
01:48:40,720 --> 01:48:42,840
Speaker 5: not even speaking for myself because I haven't dropped out.

2057
01:48:44,800 --> 01:48:47,400
Speaker 5: I'm thinking about all the other albums i've seen drops.

2058
01:48:47,439 --> 01:48:49,120
Speaker 2: It's like, just enjoy it is good.

2059
01:48:49,720 --> 01:48:50,280
Speaker 4: It's good.

2060
01:48:50,800 --> 01:48:54,800
Speaker 5: And I think that actually we're in a surplus of

2061
01:48:55,640 --> 01:48:59,120
Speaker 5: really good music right now. Like I feel like all

2062
01:48:59,160 --> 01:49:02,559
Speaker 5: the biggest artists in the world minus Beyonce and Rihanna,

2063
01:49:02,680 --> 01:49:04,639
Speaker 5: have dropped albums in the last year and a half

2064
01:49:05,240 --> 01:49:05,680
Speaker 5: like they do.

2065
01:49:05,640 --> 01:49:08,120
Speaker 2: Only yeah, there's a lot of good music. Are kidding

2066
01:49:08,479 --> 01:49:08,800
Speaker 2: a lot?

2067
01:49:09,160 --> 01:49:13,439
Speaker 5: Bruno dropped the album, Lady Gaga dropped the album. Travis

2068
01:49:13,479 --> 01:49:16,439
Speaker 5: Scott dropped the album. The Weekend dropped the album. Hey

2069
01:49:16,600 --> 01:49:21,519
Speaker 5: drop the album, Chris Brown dropped the album, like Lottle

2070
01:49:21,600 --> 01:49:22,400
Speaker 5: just dropped the album.

2071
01:49:22,439 --> 01:49:24,240
Speaker 4: Cardi dropped the album.

2072
01:49:24,760 --> 01:49:25,400
Speaker 2: I mean I.

2073
01:49:25,280 --> 01:49:30,360
Speaker 5: Could keep going, like, who hasn't dropped the album?

2074
01:49:34,760 --> 01:49:37,240
Speaker 7: Next time you do your your session with Sad Guru,

2075
01:49:37,400 --> 01:49:40,240
Speaker 7: invite the drink chance we can hang out with you.

2076
01:49:40,280 --> 01:49:42,720
Speaker 5: Why why everybody coming up to me asking me, like,

2077
01:49:42,760 --> 01:49:45,439
Speaker 5: when's the next time you're gonna be with Like sins

2078
01:49:45,479 --> 01:49:48,160
Speaker 5: A dropped the album, Kendrick dropped the album. Okay, sorry,

2079
01:49:48,400 --> 01:49:51,080
Speaker 5: I could just keep going, Wait, y'all like Sagoo like that.

2080
01:49:51,120 --> 01:49:53,200
Speaker 2: I mean, I just seen it. I'm like that looks crazy.

2081
01:49:53,280 --> 01:49:55,040
Speaker 5: It was a vibe. I didn't know what I was

2082
01:49:55,080 --> 01:49:57,800
Speaker 5: getting into. I was like, yeah, y'all. I was like, young,

2083
01:49:58,360 --> 01:49:59,800
Speaker 5: come to my house and we.

2084
01:49:59,760 --> 01:50:01,760
Speaker 2: Can We'll bring to mamajuana And I think that's that's

2085
01:50:01,800 --> 01:50:04,640
Speaker 2: spiritual nobody like that deserves a.

2086
01:50:04,640 --> 01:50:06,519
Speaker 5: Shot no alcohol.

2087
01:50:06,720 --> 01:50:08,599
Speaker 2: You notice it's not an alcohol, it is mamajuna.

2088
01:50:08,720 --> 01:50:12,160
Speaker 1: What is that Just we'll just we'll just say it's

2089
01:50:12,200 --> 01:50:15,960
Speaker 1: not alcohol, it's it's spiritual VIDs.

2090
01:50:17,000 --> 01:50:27,800
Speaker 8: He's like, Ross, this is so disrespectful to me. So

2091
01:50:29,800 --> 01:50:31,479
Speaker 8: we want to thank you because we.

2092
01:50:31,439 --> 01:50:32,000
Speaker 2: Know you got to go.

2093
01:50:32,120 --> 01:50:34,280
Speaker 1: We see your people they are they're they're protecting you

2094
01:50:34,400 --> 01:50:37,120
Speaker 1: and on top of it, and that's what I respect that.

2095
01:50:37,520 --> 01:50:39,799
Speaker 2: So but we want to let.

2096
01:50:39,680 --> 01:50:43,679
Speaker 1: You know, you know how much you you have done

2097
01:50:43,760 --> 01:50:47,000
Speaker 1: for hip hop, how much that we are appreciative, and

2098
01:50:47,040 --> 01:50:50,320
Speaker 1: how much you deserve your flowers. We really really really

2099
01:50:50,400 --> 01:50:53,760
Speaker 1: really want this album to be successful. We really want

2100
01:50:53,960 --> 01:50:56,920
Speaker 1: like we really I really appreciate your soul and your spirit,

2101
01:50:57,120 --> 01:50:58,599
Speaker 1: like like like like.

2102
01:50:58,720 --> 01:50:59,800
Speaker 2: You are one of a kind.

2103
01:51:00,200 --> 01:51:03,599
Speaker 1: And me, I'm not I'm not gonna let this not

2104
01:51:03,600 --> 01:51:06,000
Speaker 1: not you not know that like this is this this,

2105
01:51:06,200 --> 01:51:07,759
Speaker 1: this was this.

2106
01:51:07,720 --> 01:51:12,240
Speaker 2: Was dopeks So I know. So we're gonna we're gonna

2107
01:51:12,240 --> 01:51:13,759
Speaker 2: take a couple of take this lesson.

2108
01:51:14,760 --> 01:51:25,639
Speaker 14: I'm taking already out the albums out go give that mother.

2109
01:51:28,840 --> 01:51:35,480
Speaker 2: Because we buy it on Spotify, Apple, I Tune, youtubes,

2110
01:51:35,720 --> 01:51:39,680
Speaker 2: you looms, We buy, We buy. Yeah, it's gonna take a.

2111
01:51:41,200 --> 01:51:44,559
Speaker 7: Drink Champs is a Drink Champs ll C production hosts

2112
01:51:44,560 --> 01:51:47,400
Speaker 7: and executive producers n O r E and d j

2113
01:51:47,600 --> 01:51:51,440
Speaker 7: e f N. Listen to Drink Champs on Apple podcast,

2114
01:51:51,640 --> 01:51:56,760
Speaker 7: Amazon Music, Spotify, or wherever you get your podcasts. Thanks

2115
01:51:56,800 --> 01:51:59,280
Speaker 7: for joining us for another episode of Drink Champs, hosted

2116
01:51:59,320 --> 01:52:01,680
Speaker 7: by Yours True, dj e f N and n O

2117
01:52:01,840 --> 01:52:03,880
Speaker 7: r E. Please make sure to follow us on all

2118
01:52:03,920 --> 01:52:07,599
Speaker 7: our socials That's at drink Champs across all platforms at

2119
01:52:07,640 --> 01:52:11,559
Speaker 7: the Real norriegon I g at Noriega on Twitter, Mine

2120
01:52:11,640 --> 01:52:14,760
Speaker 7: is at Who's Crazy on I g at dj e

2121
01:52:14,920 --> 01:52:17,240
Speaker 7: f N on Twitter, and most importantly, stay up to

2122
01:52:17,320 --> 01:52:20,639
Speaker 7: date with the latest releases, news and merch by going

2123
01:52:20,680 --> 01:52:26,360
Speaker 7: to drink champs dot com