WEBVTT - 132: Ramtha & Grottoes

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<v Speaker 1>It's two twenty two am in YELM, Washington and you're

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<v Speaker 1>listening to Night Call. Hello, and welcome back to Night Call,

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<v Speaker 1>a call in show for our dystopian reality. I am

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<v Speaker 1>in Los Angeles. I am Tess Lynch, and with me

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<v Speaker 1>are Molly Lambert and Emily Oshida. We were going to

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<v Speaker 1>be joined by Marrow Wilson today, but unfortunately she had

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<v Speaker 1>some technical difficulties, so she will be on the podcast

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<v Speaker 1>next week. We have a night Call we want to

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<v Speaker 1>take right off the top in honor of the recent

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<v Speaker 1>finale of The Vow on HBO. This is a night email, actually,

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<v Speaker 1>and it is anonymous and it is juicy. Okay, So

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<v Speaker 1>they write really enjoying all of the conversation around the

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<v Speaker 1>Vow and glad to hear I'm not the only one

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<v Speaker 1>who seems to have been driven crazy by many aspects

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<v Speaker 1>of the series. How did Keith pull this thing off?

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<v Speaker 1>Where's Mark to blame in all of this? Why do

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<v Speaker 1>you so many of these ladies have bad eyebrows? What

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<v Speaker 1>the hell is up with this aerie's narrative structure? Who

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<v Speaker 1>shortens Anthony to Nippy? Great question? Anyway, back in I

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<v Speaker 1>was working at an unscripted production company that was shopping

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<v Speaker 1>around a project about the housekeepers of Beverly Hills homes.

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<v Speaker 1>I'm sure you can guess what the very clever title was.

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<v Speaker 1>The sizzle was tasteless even for the time. We were

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<v Speaker 1>talking the height of Jersey Shore and the eve of

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<v Speaker 1>here comes Honey, boo boo, and featured long sequences of

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<v Speaker 1>the housekeepers just cleaning fancy houses. One of the featured

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<v Speaker 1>housekeepers was employed by none other than the daughter of

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<v Speaker 1>Princess Elizabeth of Yugoslavia, Dynasty's Amanda Carrington and next M's

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<v Speaker 1>public enemy number one, herself, Katherine Oxenberg. I don't remember specifics,

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<v Speaker 1>but I do remember one woman complaining about how long

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<v Speaker 1>it took the housekeeper to walk up and down the

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<v Speaker 1>driveway to get the mail, and one obsessed with having

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<v Speaker 1>crystal clear windows. I've seen a lot of failed projects,

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<v Speaker 1>but the level of cringe from this one was really breathtaking.

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<v Speaker 1>I'll never forget it. Thank you so much for this scoop.

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<v Speaker 1>So it turns out that that Katherine Oxenburg was like

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<v Speaker 1>so close to being a real housewife. The spotlight fell

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<v Speaker 1>on her housekeeper instead, and what sounds like a really

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<v Speaker 1>awful project that I'm glad ton't go to a series.

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<v Speaker 1>You know what's funny is that when they showed the

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<v Speaker 1>interior of Katherine Oxenberg's house and the wall of religious

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<v Speaker 1>artifacts that's so densely packed with crosses and stuff, I

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<v Speaker 1>was like, man, a nightmare to clean right there. Oh

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<v Speaker 1>my god, who's gonna dust all those crosses? She has

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<v Speaker 1>one of those houses that's like so white and minimalist

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<v Speaker 1>looking where you're like, oh, it must take so much cleaning.

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<v Speaker 1>It's white and minimalist, but it has a lot of

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<v Speaker 1>chat It has chats. It's got spiritual chatch keys. It

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<v Speaker 1>also looks like kind of small from the outside, but

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<v Speaker 1>like in a Malibu way and where it's like it's small,

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<v Speaker 1>but it's like probably costs a zillion dollars. But I mean,

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<v Speaker 1>I wonder if Katherine signs off on that, if she

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<v Speaker 1>like nominates her housekeeper to be in that show, Like,

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<v Speaker 1>how does that work in that instance? I mean she

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<v Speaker 1>would have to give permission at least, but I would

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<v Speaker 1>imagine that it would be some kind of a weird

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<v Speaker 1>casting call where people would recommend I was like, Oh,

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<v Speaker 1>my housekeeper happens to also clean houses for so and

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<v Speaker 1>so like and then put them in touch. But it's

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<v Speaker 1>such an obvious trap to be portrayed as a horrible boss.

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<v Speaker 1>Who on earth would sign up to let like a

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<v Speaker 1>Bravo s docuseries be made about their housekeepers and their staff.

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<v Speaker 1>Probably someone who thinks they're going to come off as

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<v Speaker 1>an amazing, gracious, wonderful Yes, and I can totally see

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<v Speaker 1>Katherine Oxenbourge being that person, honestly, Like they don't. They

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<v Speaker 1>rarely showed domestic laborers on Real Housewives. They did more

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<v Speaker 1>in the beginning, and I loved when they would do

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<v Speaker 1>that because you would see these people being such assholes

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<v Speaker 1>to their housekeep first, uh, and then maybe they realized

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<v Speaker 1>that that wasn't good for making anyone sympathized with the

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<v Speaker 1>housewives ever, But occasionally it's a plotline. Yeah, it was

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<v Speaker 1>this tricky thing they always do, like especially in the

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<v Speaker 1>early seasons of those shows, where it's like they're trying

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<v Speaker 1>to do this balancing act of portraying outrageous wealth and

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<v Speaker 1>you know that kind of lucky lou aspect of it,

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<v Speaker 1>with like, oh, but you care about these characters, and

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<v Speaker 1>by the time you've actually like gotten to the point

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<v Speaker 1>for the further along in the series where you do

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<v Speaker 1>care about some of the characters and you have to

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<v Speaker 1>like be very then this, then that stuff, and that,

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<v Speaker 1>like look at how outrageously wealth they are, like entitled

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<v Speaker 1>this person is. SIT's weirder and weirder with the rest

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<v Speaker 1>of the show. There was a big plot line on

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<v Speaker 1>Real Housewives of New York where Sonia Morgan, who is

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<v Speaker 1>like fallen from grace. She used to be married to JP,

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<v Speaker 1>someone from JP Morgan, and she's like very attached to

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<v Speaker 1>the fact that she had this name and all the status,

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<v Speaker 1>and then he left her, and so she just has

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<v Speaker 1>the name and this town house. I love it because

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<v Speaker 1>it's very like Edith Wharton. She's just like I'm going

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<v Speaker 1>to get back up there somehow, you know, even though

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<v Speaker 1>I'm in my fifties now, I'm like, it's gonna happen.

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<v Speaker 1>I just need a plan. But you know, the townhouse

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<v Speaker 1>is basically what what she has at this point because

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<v Speaker 1>she lost all this money and all these bad investments

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<v Speaker 1>and she had somebody stay with her. She had Tinsley

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<v Speaker 1>Mortimer stay with her, and they fought a bunch over um.

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<v Speaker 1>She was like, you can't ask my maid to do

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<v Speaker 1>things for you, even though you're living here. That's my

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<v Speaker 1>maid and you're just my guests. No, I mean all

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<v Speaker 1>of this just makes my skin crawls so much. She does.

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<v Speaker 1>But it's interesting. It is. It's Tinsley Mortimer, a real

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<v Speaker 1>housewife of New York. Yeah, for like two seasons, although

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<v Speaker 1>she just left. Oh I didn't. I never watched New York.

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<v Speaker 1>I have to say her plot line is great too,

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<v Speaker 1>because it's like she comes back to New York after

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<v Speaker 1>being disgraced. She had a mug shot in Florida for

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<v Speaker 1>trying to break into her boyfriend's house. I remember that, um.

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<v Speaker 1>But it's like she comes back to New York and

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<v Speaker 1>she trying to recapture the early two thousand's but they're gone,

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<v Speaker 1>you know. So she dresses the way she dressed it's

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<v Speaker 1>when she first became semi famous, and her mom, her

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<v Speaker 1>mom is like this insane Southern mom who's like, you know,

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<v Speaker 1>you're still gonna like find the perfect husband and have

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<v Speaker 1>a grandchild for me. But there's this incredible episode where

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<v Speaker 1>they go to the circus together and they're both wearing

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<v Speaker 1>like she's wearing like circus clown like cutie makeup because

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<v Speaker 1>she is doing something on stage at the circus and

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<v Speaker 1>then she just has a complete mental breakdown at the

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<v Speaker 1>circus with her mom. Is she becoming like a or

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<v Speaker 1>like our first oughts, Misshavis Sham, Like, oh good, that

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<v Speaker 1>sounds incredible. Real house Lives of New York is so

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<v Speaker 1>Mishavis Sham. They're all mishavi as Sham and they're all

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<v Speaker 1>single now right, they're all single, and they all hate

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<v Speaker 1>it and they'd all throw each other under the bus

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<v Speaker 1>for a man, which is like a really interesting dynamic

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<v Speaker 1>to watch on a show. Yeah. Man, it's like a

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<v Speaker 1>Sex in the City went on for five more decades.

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<v Speaker 1>Like it's very It stops being glamorous at a certain point.

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<v Speaker 1>Because I'm always like, these shows are a critique, which

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<v Speaker 1>is what I taught myself so I can keep watching them. Yeah,

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<v Speaker 1>if you watched them the right way, there a critique.

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<v Speaker 1>I'll say, there's a critique available in the text. It's

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<v Speaker 1>not necessarily at the top. Well, they seem miserable despite

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<v Speaker 1>the money, and they're so attached to this rich New

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<v Speaker 1>York Manhattan lifestyle that they have that it's like they're

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<v Speaker 1>all just clinging onto it for dear life. And they

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<v Speaker 1>refuse to do anything that might make them happy. That

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<v Speaker 1>isn't that? Yeah? Right? Can I wait? This is like

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<v Speaker 1>a little segue, and we weren't necessarily going to talk

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<v Speaker 1>about this, but I just saw this on Twitter this

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<v Speaker 1>morning because I'm like probably an advisable and advisably dipping

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<v Speaker 1>my toe back into Twitter, but I was I saw

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<v Speaker 1>a thread that was started by uh Sarah Maslin near Um.

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<v Speaker 1>She's a journal to New York Times, and she you know,

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<v Speaker 1>there have been least threads all summer that are like

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<v Speaker 1>New York is dead, New York is over, etcetera. And

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<v Speaker 1>she was just saying like, because I guess she lives

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<v Speaker 1>in the West Village, and she's like, it's actually totally empty,

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<v Speaker 1>nobody's here anymore. And then of course everybody's like, no,

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<v Speaker 1>New York is stronger than never, blah blah blah. Even

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<v Speaker 1>though we were talking about a city of five boroughs

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<v Speaker 1>and there could be wild variation between them, but like,

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<v Speaker 1>from from what she was described, it did sound like like,

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<v Speaker 1>you know, Manhattan and i e. The place where rich

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<v Speaker 1>people live, is like completely empty now, like everybody is

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<v Speaker 1>going to their country homes for real. I think that

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<v Speaker 1>is a real phenomenon. I think a lot of rich

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<v Speaker 1>people have been fleeing cities for their vacation homes because

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<v Speaker 1>they can well. I also think that with the travel restrictions, um,

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<v Speaker 1>that may have made things even worse, because I think

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<v Speaker 1>as soon as it was mentioned that there were they

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<v Speaker 1>were going to be restricting travel from New York to

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<v Speaker 1>Connecticut New Jersey vacation home places, I think everyone was like, great,

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<v Speaker 1>let's go right now we're not allowed to, then we

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<v Speaker 1>have to. I mean the New York Times has also

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<v Speaker 1>run a lot of insane stuff about stuff like this.

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<v Speaker 1>They ran that thing that was like turning your second

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<v Speaker 1>home into a first home. God, but I'm interested, like,

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<v Speaker 1>and I'd be interested for any of our listeners who

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<v Speaker 1>are in New York and specifically who can access like

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<v Speaker 1>Lower Manhattan and the most ridiculous parts of Manhattan easily.

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<v Speaker 1>Like I would like a scene report from like how

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<v Speaker 1>dead meat packing is? Right, it's dead at all? Because

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<v Speaker 1>I think it's been. I mean, I think it's like

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<v Speaker 1>there's a certain class of person who's like, it's dad,

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<v Speaker 1>it's over, and then there's all the like younger broker

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<v Speaker 1>people who are like, it's amazing, we can just run

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<v Speaker 1>around and do whatever we want. It's like old timey

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<v Speaker 1>New York. But this is the thing is like I

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<v Speaker 1>think that part of New York has been so taken

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<v Speaker 1>over by stuff that is only for the rich people,

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<v Speaker 1>and like you know, designers show ups and stuff like

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<v Speaker 1>the Mark Jacob's store and shipped like that, and like

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<v Speaker 1>hotels that are more or less nonfunctional. Right now, that

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<v Speaker 1>I think that when you do take that cohort out

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<v Speaker 1>of there, it does become a ghost town of its

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<v Speaker 1>own design because you did not design a place that

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<v Speaker 1>is for everybody. You don't have affordable places to go

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<v Speaker 1>do outdoor dining or whatever. Like. Also, though, just to

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<v Speaker 1>be sympathetic to what New York is going through, um

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<v Speaker 1>my parents have a lot of friends who are older,

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<v Speaker 1>like in their late seventies and eighties and um one

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<v Speaker 1>in their nineties. And they're not necessarily wealth either, like

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<v Speaker 1>long term New Yorkers who basically have had to leave

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<v Speaker 1>grand control. Yeah, but they they are staying with relatives

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<v Speaker 1>and staying with friends outside of New York because for

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<v Speaker 1>them to be you know, walking around the streets of

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<v Speaker 1>New York has just gotten to be scary. You know,

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<v Speaker 1>you have high risk, so I think, you know, I

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<v Speaker 1>I was having some fun thinking like, hey, new York's over,

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<v Speaker 1>but then I was like, oh, but that's you know,

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<v Speaker 1>it's not just like all the rich people have been

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<v Speaker 1>chased out. It's a lot of them are just old

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<v Speaker 1>New Yorkers who are the cohort of New Yorkers. Is

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<v Speaker 1>like the ancient New Yorkers who have been there for

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<v Speaker 1>and people who can't leave their apartments because there aremunocompromised.

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<v Speaker 1>I think that is a lot. Yeah, I mean I

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<v Speaker 1>just think all these is New York over. It's like, no,

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<v Speaker 1>when the rich people live, that's like when a city

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<v Speaker 1>gets cool. You know. Yeah, I think that's the thing.

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<v Speaker 1>Like New York is over can means so many different

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<v Speaker 1>things to whoever you're talking to you. Uh. And I

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<v Speaker 1>think like I wouldn't say New York is over, but

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<v Speaker 1>I would say that like it sounds like anecdotally, it

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<v Speaker 1>feels like there was some kind of maxine out of

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<v Speaker 1>the uber wealthy development that that happened, especially like in

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<v Speaker 1>Lower Manhattan. Uh. And that is interesting to me because

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<v Speaker 1>it's like, oh if that stuff all, if that if

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<v Speaker 1>that really cannot get back up to that level of

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<v Speaker 1>you know, outrageous wealth and and you know, nothing but

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<v Speaker 1>Lilabo for miles and miles, Like maybe there's a chance

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<v Speaker 1>for interesting stuff to come back there, yes, um, which

0:12:04.760 --> 0:12:09.160
<v Speaker 1>is you know, not not necessarily looking for silver linings

0:12:09.200 --> 0:12:11.880
<v Speaker 1>here at the moment, but that would be interesting if

0:12:11.920 --> 0:12:14.800
<v Speaker 1>that happened. So well, I love when people come to

0:12:15.000 --> 0:12:16.800
<v Speaker 1>l A and they're like, oh, it's so debt, and

0:12:16.800 --> 0:12:21.040
<v Speaker 1>it's like no, it's always like that pretty much. That's

0:12:21.040 --> 0:12:23.480
<v Speaker 1>what we love about it. Yeah. I also, though, I

0:12:23.480 --> 0:12:26.400
<v Speaker 1>think a lot about how families are doing in New

0:12:26.480 --> 0:12:28.680
<v Speaker 1>York right now, and especially with the kind of cluster

0:12:28.720 --> 0:12:31.320
<v Speaker 1>fuck that's been going on with schools reopening not reopen.

0:12:31.360 --> 0:12:33.040
<v Speaker 1>You know, it just seems like it's going to be

0:12:33.080 --> 0:12:35.640
<v Speaker 1>this endless shuffle that's going to go on for way

0:12:35.679 --> 0:12:38.520
<v Speaker 1>longer than a lot of families of young kids can handle.

0:12:38.880 --> 0:12:42.080
<v Speaker 1>So I also just wonder like how and I talked

0:12:42.080 --> 0:12:44.000
<v Speaker 1>about this last week too, of like, well, you've got

0:12:44.000 --> 0:12:46.960
<v Speaker 1>to think about like the different architecture that will happen

0:12:47.000 --> 0:12:50.240
<v Speaker 1>after this pandemic. It's so exciting because I'm so depressed

0:12:50.240 --> 0:12:53.000
<v Speaker 1>that I'm clinging to these things. But I do wonder

0:12:53.080 --> 0:12:55.839
<v Speaker 1>how New York is going to kind of reinvent itself

0:12:55.880 --> 0:12:58.600
<v Speaker 1>as a place that can withstand these kinds of pandemics,

0:12:58.640 --> 0:13:01.240
<v Speaker 1>because I'm sadly as ming that this is not the

0:13:01.320 --> 0:13:04.280
<v Speaker 1>last one that we're going to encounter in our lifetimes.

0:13:04.320 --> 0:13:07.360
<v Speaker 1>And you know, I think about where I grew up

0:13:07.360 --> 0:13:10.840
<v Speaker 1>in New York and how often I needed to get

0:13:10.880 --> 0:13:13.040
<v Speaker 1>out of the apartment, and like a lot of my

0:13:13.080 --> 0:13:16.080
<v Speaker 1>friends were in one bedrooms with their families. You can't

0:13:16.120 --> 0:13:18.720
<v Speaker 1>really be in a one bedroom with four people for

0:13:18.800 --> 0:13:21.600
<v Speaker 1>seven months, you know, what do you do? Yeah? Well,

0:13:21.640 --> 0:13:24.120
<v Speaker 1>that's the thing is It's like a lot of cities

0:13:24.160 --> 0:13:25.840
<v Speaker 1>are based on the idea that like maybe you have

0:13:25.880 --> 0:13:27.800
<v Speaker 1>a small apartment, but it's because you have the whole

0:13:27.800 --> 0:13:30.959
<v Speaker 1>city as your playground, and if you can't leave, your

0:13:31.000 --> 0:13:35.160
<v Speaker 1>apartment becomes a different thing. And that's why I you know,

0:13:35.760 --> 0:13:38.640
<v Speaker 1>I take a little bit of exception when people are

0:13:38.679 --> 0:13:42.240
<v Speaker 1>shaming people who are leaving, especially people who are more

0:13:42.400 --> 0:13:44.880
<v Speaker 1>middle class or whatever and have that situation. It's like,

0:13:45.760 --> 0:13:48.839
<v Speaker 1>the reason you're in New York is because of your job,

0:13:49.720 --> 0:13:52.520
<v Speaker 1>needing to be you know, having proximity to whatever industry

0:13:52.520 --> 0:13:55.400
<v Speaker 1>you're in, And if that's off the table, why would

0:13:55.440 --> 0:13:57.080
<v Speaker 1>you live in that small of a place for that

0:13:57.160 --> 0:13:59.800
<v Speaker 1>much money. Like, I don't. I don't think like there's

0:14:00.160 --> 0:14:03.880
<v Speaker 1>this wild, very tribal New York shaming thing that happens.

0:14:03.880 --> 0:14:06.600
<v Speaker 1>And I like understand it if you're talking about people

0:14:06.640 --> 0:14:11.800
<v Speaker 1>who have multiple homes and are just like ditching the city. Um,

0:14:11.840 --> 0:14:14.160
<v Speaker 1>but if that's your one home and you have a

0:14:14.200 --> 0:14:16.880
<v Speaker 1>one bedroom apartment in like Crown Heights or whatever, and

0:14:16.920 --> 0:14:19.720
<v Speaker 1>you're paying like three thousand dollars for it or whatever,

0:14:20.280 --> 0:14:26.000
<v Speaker 1>like I understand wanting to leave. Tons of people are

0:14:26.000 --> 0:14:29.040
<v Speaker 1>moving back in with their families because they have no

0:14:29.200 --> 0:14:31.960
<v Speaker 1>choice and you can't afford to live in a in

0:14:32.000 --> 0:14:34.880
<v Speaker 1>a big city if they're not you know, making making

0:14:34.880 --> 0:14:38.560
<v Speaker 1>a salary. Um. But I do think that every time

0:14:38.600 --> 0:14:40.280
<v Speaker 1>there's been one of these things where it's like, wow,

0:14:40.320 --> 0:14:42.960
<v Speaker 1>what an exciting opportunity to like remake the city is

0:14:43.080 --> 0:14:48.600
<v Speaker 1>something good over this year so far, it hasn't turned

0:14:48.640 --> 0:14:51.040
<v Speaker 1>out the way I personally would want it to. It's

0:14:51.080 --> 0:14:53.960
<v Speaker 1>like such a years long process to right. Like I

0:14:53.960 --> 0:14:56.360
<v Speaker 1>feel like, you know, there's gonna be a wave of

0:14:56.400 --> 0:15:00.520
<v Speaker 1>stuff closing or you know, corporations taking their their their

0:15:00.520 --> 0:15:05.160
<v Speaker 1>franchises out of out of certain neighborhoods. And leaving vacancies behind.

0:15:05.240 --> 0:15:07.560
<v Speaker 1>And then there's they're still probably going to only run

0:15:07.600 --> 0:15:10.800
<v Speaker 1>out those places too, you know, the kinds of businesses

0:15:10.840 --> 0:15:12.880
<v Speaker 1>that can't afford there, and so it'll take to several

0:15:12.920 --> 0:15:16.440
<v Speaker 1>waves of failure before it's like okay, like mom and

0:15:16.480 --> 0:15:19.560
<v Speaker 1>pops can have this place again. Exactly, we're still at

0:15:19.560 --> 0:15:22.240
<v Speaker 1>the point where we're identifying the problems like there were

0:15:22.240 --> 0:15:25.560
<v Speaker 1>nowhere near being able to implement solutions until we recognize

0:15:25.680 --> 0:15:28.880
<v Speaker 1>how any kind of recovery is possible for small businesses

0:15:29.200 --> 0:15:31.520
<v Speaker 1>and how much longer this will go on. I was

0:15:31.560 --> 0:15:34.960
<v Speaker 1>talking to a friend um whose doctor said, like, you

0:15:34.960 --> 0:15:38.080
<v Speaker 1>you should think of this pandemic as a marathon. Then

0:15:38.120 --> 0:15:49.040
<v Speaker 1>you're in miles seven and it's very long. Six it's

0:15:49.080 --> 0:15:51.880
<v Speaker 1>that sticker, that something on everybody's car. You can tell

0:15:51.880 --> 0:15:58.520
<v Speaker 1>that we all by our six. I heard someone say

0:15:59.280 --> 0:16:04.720
<v Speaker 1>two yesterday, twenty five or six to four, we're all

0:16:04.720 --> 0:16:08.680
<v Speaker 1>moving to shock Chicago. Maybe that's where Tinsley Mortimer moved

0:16:08.720 --> 0:16:12.720
<v Speaker 1>to leave The Real Housewives. She went to Chicago for love,

0:16:12.760 --> 0:16:14.960
<v Speaker 1>and they were all like, how dare you leave New

0:16:15.040 --> 0:16:18.960
<v Speaker 1>York for Chicago? You'll never be happy in Chicago. She

0:16:19.200 --> 0:16:24.360
<v Speaker 1>was like, I've kind of boyfriend. I'll be fine. Well,

0:16:24.360 --> 0:16:26.840
<v Speaker 1>we're going to take a break and we'll be right back.

0:16:36.200 --> 0:16:40.400
<v Speaker 1>Welcome back tonight. Call. So we have continued to get

0:16:40.440 --> 0:16:45.920
<v Speaker 1>a ton of Pyramid Pals slash Crazy Architecture emails and calls.

0:16:45.960 --> 0:16:48.600
<v Speaker 1>We appreciate all of them we've got. Maybe we can

0:16:48.680 --> 0:16:51.640
<v Speaker 1>like just tweet out a bunch of these or something,

0:16:51.680 --> 0:16:54.000
<v Speaker 1>because the thing is that there there are a lot

0:16:54.080 --> 0:16:56.320
<v Speaker 1>of them are just visual and like you know, we're

0:16:56.360 --> 0:16:59.560
<v Speaker 1>a podcast, so there's only so much that we can

0:16:59.560 --> 0:17:02.560
<v Speaker 1>get into with it. But we did want to highlight

0:17:02.800 --> 0:17:07.520
<v Speaker 1>something that came up this past week in connection with

0:17:07.600 --> 0:17:12.040
<v Speaker 1>the vow. Oh yes can I may I please do?

0:17:13.000 --> 0:17:15.320
<v Speaker 1>This is one of those things, so we talked about this. Um.

0:17:15.400 --> 0:17:19.280
<v Speaker 1>We recently had a Patreon special episode with Nicki Mayor

0:17:19.560 --> 0:17:21.520
<v Speaker 1>Um to talk more about the vow in the finale,

0:17:22.160 --> 0:17:25.199
<v Speaker 1>and I Molly first brought this to my attention that

0:17:25.240 --> 0:17:28.000
<v Speaker 1>Mark vas Sonny was not a cult newbie when he

0:17:28.080 --> 0:17:30.720
<v Speaker 1>joined Nexium. He had, in fact belonged to a cult

0:17:30.760 --> 0:17:34.000
<v Speaker 1>called Ramtha. And Molly mentioned this to us, and then

0:17:34.160 --> 0:17:38.480
<v Speaker 1>I got so obsessed with Rampa I don't even know

0:17:38.520 --> 0:17:41.280
<v Speaker 1>where to begin. I implore everybody who's listening to this

0:17:41.359 --> 0:17:43.760
<v Speaker 1>to read up on Ramtha. What if all of the

0:17:43.880 --> 0:17:46.560
<v Speaker 1>vow was just like a long con to get people

0:17:46.600 --> 0:17:49.399
<v Speaker 1>to join Ramtha because they're like this this cult sucks,

0:17:49.520 --> 0:17:53.960
<v Speaker 1>but that well, you campinably come away from the vow

0:17:54.080 --> 0:17:57.400
<v Speaker 1>being like, all of these people would join another cult tomorrow,

0:17:57.600 --> 0:18:00.280
<v Speaker 1>Oh yeah, definitely, and then they'd be like, it's not

0:18:00.400 --> 0:18:03.359
<v Speaker 1>a cult like the last one. It's self improvement, just

0:18:03.520 --> 0:18:05.760
<v Speaker 1>like they were saying at the beginning of joining next

0:18:06.000 --> 0:18:10.560
<v Speaker 1>um Um Rantha's School of Enlightenment is a cult that's

0:18:10.560 --> 0:18:14.520
<v Speaker 1>based in Yelm, Washington. Uh. It's started by a woman

0:18:14.560 --> 0:18:17.639
<v Speaker 1>who named herself Judy Zebra Knight. She was born with

0:18:17.680 --> 0:18:20.800
<v Speaker 1>a different name. Um. My favorite thing about Rampa is

0:18:20.840 --> 0:18:23.760
<v Speaker 1>the origin story of Rampa's that Judy and her first

0:18:23.840 --> 0:18:26.919
<v Speaker 1>husband in the seventies were messing around with pyramids that

0:18:26.920 --> 0:18:29.560
<v Speaker 1>they thought could turn things into gold and had like

0:18:29.640 --> 0:18:31.800
<v Speaker 1>magical properties, and she put one on her head like

0:18:31.840 --> 0:18:35.960
<v Speaker 1>a little tiny pyramid, and then she spoke um with

0:18:36.440 --> 0:18:43.359
<v Speaker 1>ancient spirits voice and has continued to do so since then. Um.

0:18:43.400 --> 0:18:46.280
<v Speaker 1>And when we were talking on the maybe maybe it

0:18:46.280 --> 0:18:49.240
<v Speaker 1>was after the Patreon episode had wrapped, we realized Selma

0:18:49.320 --> 0:18:52.720
<v Speaker 1>Hyak is a practitioner of Rampa. I think we talked

0:18:52.720 --> 0:18:55.199
<v Speaker 1>about this on the pud. I can't remember if it

0:18:55.280 --> 0:18:57.720
<v Speaker 1>was on the pot. We kept talking after we wrapped

0:18:57.720 --> 0:19:01.520
<v Speaker 1>the pot because we are like Lane has has been

0:19:03.280 --> 0:19:06.119
<v Speaker 1>and then Salma Hyak was as well. And then I

0:19:06.200 --> 0:19:09.840
<v Speaker 1>found the connection between them and that that's a Sundance

0:19:10.240 --> 0:19:14.880
<v Speaker 1>Uh time's up story. But it was it's a very deep,

0:19:15.080 --> 0:19:17.919
<v Speaker 1>deep dig. But um. But the crazy thing is I

0:19:17.960 --> 0:19:20.239
<v Speaker 1>went back and I read that article again. So this

0:19:20.320 --> 0:19:22.199
<v Speaker 1>is I don't know if people remember this. This is

0:19:22.240 --> 0:19:25.320
<v Speaker 1>like a very like film twitter thing that happened on

0:19:25.720 --> 0:19:28.959
<v Speaker 1>at Sundance a few years back. There was a lunch

0:19:29.040 --> 0:19:32.480
<v Speaker 1>a luncheon with like v I P Ladies of Sundance,

0:19:32.680 --> 0:19:36.159
<v Speaker 1>and there was just an incident where Salmahayak was like

0:19:36.240 --> 0:19:41.040
<v Speaker 1>talking over Jessica Williams Uh and kind of like referring

0:19:41.040 --> 0:19:42.840
<v Speaker 1>to like she called her like baby and was just

0:19:42.920 --> 0:19:47.280
<v Speaker 1>being being like basically saying that like she couldn't like

0:19:47.440 --> 0:19:51.199
<v Speaker 1>her her struggles with like being being a woman of

0:19:51.240 --> 0:19:53.640
<v Speaker 1>color or being a black woman in the industry were

0:19:53.680 --> 0:19:56.000
<v Speaker 1>like not exceptional, and that we all had to like,

0:19:56.600 --> 0:20:00.520
<v Speaker 1>you know, basically have a unified struggle together and not

0:20:00.640 --> 0:20:05.000
<v Speaker 1>necessarily recognizing that it could be different for different people. Um,

0:20:05.400 --> 0:20:08.399
<v Speaker 1>and the but the language is she's using because Shirley

0:20:08.440 --> 0:20:12.680
<v Speaker 1>McClain is also there is so nexium ish that it's crazy,

0:20:12.800 --> 0:20:15.480
<v Speaker 1>Like I wonder if I wonder if they also dipped

0:20:15.480 --> 0:20:19.200
<v Speaker 1>a toe into nextium at all, because it's very um,

0:20:19.200 --> 0:20:23.320
<v Speaker 1>it's very like you can't identify as a victim. That's

0:20:23.600 --> 0:20:26.600
<v Speaker 1>the thing a lot. And also I think that they

0:20:26.640 --> 0:20:30.280
<v Speaker 1>do they do things like exercises where they get blindfolded

0:20:30.440 --> 0:20:33.119
<v Speaker 1>and they have they you know, all of these Rampa

0:20:33.200 --> 0:20:36.040
<v Speaker 1>people have to run around and like find objects that

0:20:36.080 --> 0:20:38.680
<v Speaker 1>they've put in a field earlier and try and remember

0:20:38.680 --> 0:20:40.720
<v Speaker 1>where they put them, and then they bump into each

0:20:40.760 --> 0:20:42.760
<v Speaker 1>other and get hurt. I mean, it's just it's And

0:20:42.840 --> 0:20:46.840
<v Speaker 1>also it has a very problematic layer where um, Judy

0:20:46.960 --> 0:20:51.880
<v Speaker 1>Zebra will talk as Rampa, but she'll say really racist

0:20:51.960 --> 0:20:54.600
<v Speaker 1>or anti Semitic things and then just be like, oh,

0:20:54.840 --> 0:20:58.320
<v Speaker 1>you know, it's Rampa. It's a really intense is that

0:20:58.400 --> 0:21:03.320
<v Speaker 1>because Rampa is an ancient Egyptian pharaoh's like I guess,

0:21:03.320 --> 0:21:07.719
<v Speaker 1>so also makes predictions. Rampa likes to predict the future,

0:21:07.840 --> 0:21:11.280
<v Speaker 1>and there's a really heavy emphasis on you know, kind

0:21:11.320 --> 0:21:14.239
<v Speaker 1>of quantum physics that you put through a sieve and

0:21:14.240 --> 0:21:16.680
<v Speaker 1>take what you want, but it's not really quantum physics.

0:21:16.920 --> 0:21:20.359
<v Speaker 1>But sorry, what the bleep? Well that's what it is,

0:21:20.359 --> 0:21:22.960
<v Speaker 1>is that what the bleep was basically like Rampa, a

0:21:23.080 --> 0:21:26.480
<v Speaker 1>Rampa project um. And it's very odd that that none

0:21:26.480 --> 0:21:28.119
<v Speaker 1>of this was mentioned in the vow. I feel like

0:21:28.160 --> 0:21:30.800
<v Speaker 1>it's very germane to that discussion of him being in

0:21:30.800 --> 0:21:34.240
<v Speaker 1>a call. Did we mention with with Rampa that that

0:21:34.400 --> 0:21:38.560
<v Speaker 1>Judy Zebra was born in Roswell in n We have

0:21:38.720 --> 0:21:44.800
<v Speaker 1>not mentioned that. Seems important, seems we're very important, um.

0:21:44.880 --> 0:21:49.240
<v Speaker 1>But it's also a really fascinating, weird kind of encapsulation

0:21:49.280 --> 0:21:52.920
<v Speaker 1>of the topics we've been discussing recently, cults and pyramids.

0:21:53.240 --> 0:21:57.160
<v Speaker 1>It's all connected. Final destination of cults and pyramids is Rampha.

0:21:57.560 --> 0:22:02.920
<v Speaker 1>This is night calling on so it make sense should

0:22:02.920 --> 0:22:09.480
<v Speaker 1>we take a night email about our weird buildings? Oh yeah, okay,

0:22:10.000 --> 0:22:14.160
<v Speaker 1>this one comes from smaller demon loving the weird building emails.

0:22:14.160 --> 0:22:16.719
<v Speaker 1>You could have an entire spinoff podcast based on it.

0:22:16.840 --> 0:22:23.600
<v Speaker 1>Side note, maybe we just that's this. It's Alabamian who

0:22:23.600 --> 0:22:27.280
<v Speaker 1>has lived in Nashville, Huntsville, Alabama, not Texas, San Francisco,

0:22:27.440 --> 0:22:30.399
<v Speaker 1>and now back in Birmingham, Alabama. Alabama may not be

0:22:30.440 --> 0:22:32.520
<v Speaker 1>a go to for weird buildings, but there are some

0:22:32.560 --> 0:22:35.359
<v Speaker 1>strange things here. Birmingham is home to one of the

0:22:35.440 --> 0:22:39.200
<v Speaker 1>largest monolithic domes, the Faith Chapel Christian Center. This thing

0:22:39.280 --> 0:22:42.440
<v Speaker 1>is nuts how big it is. Birmingham is also home

0:22:42.520 --> 0:22:44.800
<v Speaker 1>to one of the most distinctive buildings I've ever seen,

0:22:45.119 --> 0:22:47.600
<v Speaker 1>currently called the A T and T City Center. It

0:22:47.680 --> 0:22:50.000
<v Speaker 1>was designed by Conn and Jacobs, a firm that designed

0:22:50.000 --> 0:22:51.880
<v Speaker 1>a lot of New York City buildings that would fall

0:22:51.880 --> 0:22:54.800
<v Speaker 1>into the dreaded glass and steel category. But this building

0:22:54.800 --> 0:22:57.520
<v Speaker 1>in Birmingham is a weird stone and glass building that

0:22:57.560 --> 0:23:00.399
<v Speaker 1>I've not seen in many places. It combines black and

0:23:00.400 --> 0:23:03.399
<v Speaker 1>white granite and shaded glass and it's just really cool.

0:23:04.119 --> 0:23:06.080
<v Speaker 1>But and I'll make this separate from the rest of

0:23:06.080 --> 0:23:08.440
<v Speaker 1>the email, the weirdest thing as far as structures, and

0:23:08.480 --> 0:23:12.840
<v Speaker 1>I mean loosely speaking in Alabama might be the A

0:23:13.040 --> 0:23:17.959
<v Speaker 1>Marie of Marie Grotto with a link. Words are almost

0:23:17.960 --> 0:23:20.840
<v Speaker 1>impossible to use to describe it. The grotto was built

0:23:20.840 --> 0:23:23.120
<v Speaker 1>over the course of fifty years by a Catholic monk

0:23:23.160 --> 0:23:26.560
<v Speaker 1>in the small city of Culman, Alabama. Basically it's Jerusalem

0:23:26.560 --> 0:23:30.200
<v Speaker 1>and miniature built out a junk bottle caps, discarded glass, etcetera.

0:23:30.480 --> 0:23:33.040
<v Speaker 1>Once you start digging around and find pictures and videos,

0:23:33.080 --> 0:23:35.639
<v Speaker 1>you start to realize how utterly bizarre this is and

0:23:35.680 --> 0:23:38.680
<v Speaker 1>where it is located. That said, Alabama is the home

0:23:38.720 --> 0:23:42.040
<v Speaker 1>of e w t N, the cable television Catholic channel too,

0:23:42.240 --> 0:23:44.679
<v Speaker 1>so Alabama has a lot of weird Catholics. E w

0:23:44.880 --> 0:23:47.320
<v Speaker 1>t n's headquarters are literally a mile from where I live.

0:23:47.640 --> 0:23:49.800
<v Speaker 1>Please take a look at the grotto links though. I'll

0:23:49.840 --> 0:23:53.240
<v Speaker 1>send you another bizarre Catholic structure of Alabama in another email,

0:23:53.440 --> 0:23:57.399
<v Speaker 1>and some grotto photos. I love a grotto, Molly. You

0:23:57.440 --> 0:23:59.840
<v Speaker 1>hang out at a grotto sometimes, I do. I mean,

0:23:59.880 --> 0:24:04.360
<v Speaker 1>I just love grottos. I love roadside architecture and and

0:24:04.400 --> 0:24:08.080
<v Speaker 1>stuff built out of junk by people. There's one in

0:24:08.200 --> 0:24:12.440
<v Speaker 1>Cambria called Knitwit Ridge that is a house a great name.

0:24:12.560 --> 0:24:14.639
<v Speaker 1>Oh it's so great. I think it's nit Wit with

0:24:14.680 --> 0:24:18.440
<v Speaker 1>like two teas, maybe in both, but it's um It's

0:24:18.480 --> 0:24:21.200
<v Speaker 1>like a grotto house, like a coke bottle type house.

0:24:21.800 --> 0:24:25.760
<v Speaker 1>And you go there in Cambria. There's a guy who

0:24:25.760 --> 0:24:28.439
<v Speaker 1>owns it. Um I think he's trying to sell it,

0:24:28.520 --> 0:24:31.680
<v Speaker 1>so obviously we should make it the Night Call headquarters.

0:24:32.400 --> 0:24:37.040
<v Speaker 1>Have you guys ever been to the Hollywood Sculpture Garden No, Oh,

0:24:37.080 --> 0:24:39.480
<v Speaker 1>my gosh. See it's it's a it's a it's a

0:24:39.800 --> 0:24:43.199
<v Speaker 1>bit of a hike from from my current residence, but

0:24:43.280 --> 0:24:46.359
<v Speaker 1>it is. It is in somebody's yard. It's just a house.

0:24:46.480 --> 0:24:49.159
<v Speaker 1>It's up in the hills, kind of above Beechwood Canyon.

0:24:49.359 --> 0:24:53.360
<v Speaker 1>I know what you're talking about. Yeah, it's very tiki techie,

0:24:53.440 --> 0:24:56.720
<v Speaker 1>just a bunch of stuff, like you know, the the

0:24:56.720 --> 0:25:01.000
<v Speaker 1>the style is all over the map, uh, but a

0:25:01.000 --> 0:25:04.480
<v Speaker 1>lot of like mannekins and like vaguely sexy architecture and

0:25:04.520 --> 0:25:06.399
<v Speaker 1>stuff like that, and a lot of like you know,

0:25:07.119 --> 0:25:10.320
<v Speaker 1>stone collages and stuff like that. I just love when

0:25:10.400 --> 0:25:15.919
<v Speaker 1>people decorate their houses weird because it's so it's so

0:25:16.000 --> 0:25:17.840
<v Speaker 1>taken for granted that you have to have like a

0:25:17.880 --> 0:25:20.280
<v Speaker 1>normal house that fits in with the neighborhood, and obviously

0:25:20.320 --> 0:25:23.400
<v Speaker 1>in l A you don't necessarily have to do that. Well,

0:25:23.440 --> 0:25:26.080
<v Speaker 1>it's really heartening there because everything else around it just

0:25:26.119 --> 0:25:29.320
<v Speaker 1>looks like different iterations on the house from parasite and

0:25:29.320 --> 0:25:31.520
<v Speaker 1>then you've gone from total ice or in the middle

0:25:31.560 --> 0:25:34.960
<v Speaker 1>of it. But it's like very heartwarming to Okay, it's so.

0:25:35.440 --> 0:25:38.800
<v Speaker 1>I was among a bunch of parasite houses the other night.

0:25:38.960 --> 0:25:42.640
<v Speaker 1>We were doing an action and it was like up

0:25:42.640 --> 0:25:45.680
<v Speaker 1>in the bird streets, which are up behind the Sunset Strip,

0:25:46.240 --> 0:25:48.080
<v Speaker 1>and we walked past this house on the way to

0:25:48.119 --> 0:25:50.840
<v Speaker 1>the house we are going to that had a million

0:25:51.000 --> 0:25:56.800
<v Speaker 1>sculptures all over it of conquistadores and samurai and on

0:25:56.840 --> 0:26:01.080
<v Speaker 1>the roof and on the roof were like elephant and

0:26:01.680 --> 0:26:04.080
<v Speaker 1>you could just see there were like a weird waterfall

0:26:04.240 --> 0:26:06.520
<v Speaker 1>or something in it, just like the cool the coolest,

0:26:06.600 --> 0:26:11.639
<v Speaker 1>weirdest house I've ever seen, which cooked up agent lived

0:26:11.640 --> 0:26:17.600
<v Speaker 1>on that Larry Flint and he lives there still, I

0:26:17.680 --> 0:26:21.200
<v Speaker 1>believe because my friend friend of the pod, Christ Chang, said,

0:26:21.520 --> 0:26:23.480
<v Speaker 1>Larry Flint lives around here somewhere. I'm going to go

0:26:23.480 --> 0:26:25.199
<v Speaker 1>try and find his house. And then he called me

0:26:25.240 --> 0:26:27.560
<v Speaker 1>and was like, it was that weird house that we

0:26:27.640 --> 0:26:32.560
<v Speaker 1>walked by. What's up with this crazy house? Um? So

0:26:32.600 --> 0:26:35.920
<v Speaker 1>I looked into that house. It before it was owned

0:26:35.920 --> 0:26:38.440
<v Speaker 1>by Larry Flint, it was owned by Sonny and Share

0:26:40.560 --> 0:26:46.480
<v Speaker 1>and it has apparently a red heart shaped bathtub cool

0:26:46.680 --> 0:26:50.399
<v Speaker 1>that Larry Flint left left in um. And then another

0:26:50.440 --> 0:26:52.920
<v Speaker 1>friend of mine said that she worked on something where

0:26:53.080 --> 0:26:55.040
<v Speaker 1>it was right next to that house, and so she

0:26:55.080 --> 0:26:58.320
<v Speaker 1>could see into the Larry Flint house all summer and

0:26:58.400 --> 0:27:01.040
<v Speaker 1>she was like, what crazy see stuff am I gonna

0:27:01.080 --> 0:27:03.920
<v Speaker 1>see at the Hustler House. And then it was all

0:27:04.000 --> 0:27:06.879
<v Speaker 1>like old guys that are friends of Larry Flint hanging

0:27:06.880 --> 0:27:09.200
<v Speaker 1>out in the yard and listening to old timey music.

0:27:11.160 --> 0:27:12.960
<v Speaker 1>I like when it's like, what crazy things am I

0:27:13.040 --> 0:27:15.000
<v Speaker 1>going to see it, It's like they're just just some

0:27:15.119 --> 0:27:18.200
<v Speaker 1>old old friends kicking at kitchy style. I love old

0:27:18.240 --> 0:27:20.879
<v Speaker 1>guys in the porn industry because they're so like overseeing

0:27:20.960 --> 0:27:23.080
<v Speaker 1>naked women at this point, you know, they're just like

0:27:23.200 --> 0:27:25.560
<v Speaker 1>family men. Usually by the time they're like of a

0:27:25.560 --> 0:27:28.920
<v Speaker 1>certain age, they're like, oh yeah, I did all that

0:27:29.080 --> 0:27:33.639
<v Speaker 1>and now I'm going to listen to Ragtime with my friend. Um,

0:27:33.840 --> 0:27:36.680
<v Speaker 1>we don't have time to read all of these emails,

0:27:36.680 --> 0:27:38.359
<v Speaker 1>so we're just going to mention this one here. We

0:27:38.400 --> 0:27:43.600
<v Speaker 1>also got a night email from Zach about the Flintstones House, which, um,

0:27:43.720 --> 0:27:46.720
<v Speaker 1>if you can just look them up on Wikipedia you'll

0:27:46.720 --> 0:27:48.800
<v Speaker 1>have a fun time. It kind of looks like they're

0:27:48.800 --> 0:27:54.520
<v Speaker 1>out of the Simpsons UM and they're located in Hillsboro, California. Uh,

0:27:54.520 --> 0:27:57.399
<v Speaker 1>but those are they're fun to mention, but you just

0:27:57.440 --> 0:27:59.879
<v Speaker 1>need to see them. We can't podcast. There is a

0:28:00.000 --> 0:28:04.359
<v Speaker 1>Simpson's house called We did a whole dome homes run

0:28:04.520 --> 0:28:07.040
<v Speaker 1>a while back, and now we're getting drawn back into

0:28:07.080 --> 0:28:09.640
<v Speaker 1>dome homes. So just when we thought we were out,

0:28:11.920 --> 0:28:16.240
<v Speaker 1>That's how I felt about the second Nextium documentary. Just

0:28:16.440 --> 0:28:19.480
<v Speaker 1>when I thought I was out, they pulled me back in.

0:28:20.160 --> 0:28:23.240
<v Speaker 1>We also, uh, you know, we talked. We started to

0:28:23.280 --> 0:28:27.480
<v Speaker 1>transition a little bit into mounds last week and we

0:28:27.600 --> 0:28:32.240
<v Speaker 1>got an email from Catherine about the mounds of Wisconsin,

0:28:33.280 --> 0:28:37.080
<v Speaker 1>which I had no idea about UM, but she said

0:28:37.080 --> 0:28:39.960
<v Speaker 1>true mountain heads such as yourselves will probably be interested

0:28:40.000 --> 0:28:44.960
<v Speaker 1>to learn about Wisconsin's effigy mounds. UM. And these date

0:28:45.000 --> 0:28:47.920
<v Speaker 1>back to seven d b C. And a lot of

0:28:47.960 --> 0:28:51.760
<v Speaker 1>them are kind of formed as animals UM, like birds

0:28:51.800 --> 0:28:55.720
<v Speaker 1>and turtles and buffalo and stuff like that, and some

0:28:55.880 --> 0:28:59.000
<v Speaker 1>align with the moon and sun sunrise set on the

0:28:59.040 --> 0:29:03.080
<v Speaker 1>solstices or e winoxes. And they are about four thousand

0:29:03.160 --> 0:29:05.240
<v Speaker 1>of them. That survived to this day, which is I

0:29:05.280 --> 0:29:09.360
<v Speaker 1>had I'd never heard of these effigy mounds, these Wisconsin

0:29:09.440 --> 0:29:12.880
<v Speaker 1>effigy mounds. But she she also says that Madison still

0:29:12.920 --> 0:29:16.040
<v Speaker 1>has a ton of them. Uh and one of them,

0:29:16.120 --> 0:29:19.360
<v Speaker 1>the largest effigy mound in the world, which is an

0:29:19.400 --> 0:29:23.600
<v Speaker 1>eagle with a six and twenty four ft wingspan um

0:29:23.640 --> 0:29:26.680
<v Speaker 1>along with a dozen other eagles, I guess, is on

0:29:26.720 --> 0:29:30.480
<v Speaker 1>the grounds of the Mendota Mental Health Institute formerly known

0:29:30.520 --> 0:29:34.320
<v Speaker 1>as the Wisconsin Hospital for the Insane, where ed guy

0:29:34.360 --> 0:29:36.720
<v Speaker 1>in the Serial Killer who inspired the Silence of the

0:29:36.800 --> 0:29:40.040
<v Speaker 1>Lambs and other famous horror stories, spent the left last

0:29:40.040 --> 0:29:46.760
<v Speaker 1>twenty years of his life. Wow, pretty wild stuff it is.

0:29:47.000 --> 0:29:49.840
<v Speaker 1>Did you guys see that cat Nascal lines thing that

0:29:50.000 --> 0:29:54.320
<v Speaker 1>just got discovered? What this like a giant drawing of

0:29:54.360 --> 0:29:57.040
<v Speaker 1>a cat on a hillside in Peru, Like an ancient

0:29:57.160 --> 0:30:00.680
<v Speaker 1>drawing of a cat and so cool. I love stuff

0:30:00.720 --> 0:30:03.560
<v Speaker 1>like that that's so old and you can still tell

0:30:03.600 --> 0:30:06.800
<v Speaker 1>what it's supposed to be representative of. It's interesting in

0:30:06.840 --> 0:30:10.880
<v Speaker 1>this email about Madison having so many of these mounds

0:30:10.920 --> 0:30:15.480
<v Speaker 1>because it says that they're in city parks, backyards, cemeteries,

0:30:15.600 --> 0:30:17.560
<v Speaker 1>and it's I'm just like, imagine if you had a

0:30:17.560 --> 0:30:22.520
<v Speaker 1>house with an ancient mound in the backyard. That's my dream. Yeah, no,

0:30:22.680 --> 0:30:26.320
<v Speaker 1>they were uh she She says that like the soil

0:30:26.480 --> 0:30:30.720
<v Speaker 1>from the mounds is uh is sometimes collected because it's

0:30:30.720 --> 0:30:35.400
<v Speaker 1>like lucky mound dirt and people in their gardens. You

0:30:35.400 --> 0:30:38.200
<v Speaker 1>can make moon water and mound dirt, and then you

0:30:38.200 --> 0:30:41.640
<v Speaker 1>could just totally transform. That's how we're going to sell

0:30:41.680 --> 0:30:45.680
<v Speaker 1>in our store. You will ascend um. It's also crazy

0:30:45.840 --> 0:30:49.320
<v Speaker 1>that ed Gain connection is crazy. First of all, a

0:30:49.440 --> 0:30:52.960
<v Speaker 1>Gain not guying. It's either it's either guying or Geen.

0:30:53.120 --> 0:30:56.000
<v Speaker 1>I believe I have. I don't know how to pronounce middle.

0:30:56.080 --> 0:30:57.920
<v Speaker 1>I don't know how to pronounce anything. I looked this

0:30:58.080 --> 0:31:01.600
<v Speaker 1>up right before we started, but apparently it's so contentious.

0:31:01.960 --> 0:31:03.520
<v Speaker 1>You can say whatever you want me to say. Ed

0:31:03.560 --> 0:31:07.520
<v Speaker 1>Geen ed Geen just because he was famous for digging

0:31:07.960 --> 0:31:12.880
<v Speaker 1>burial things up, you know, so interesting you surrounded by

0:31:12.880 --> 0:31:17.520
<v Speaker 1>burial mounts. I have learned a lot about ed Geen

0:31:17.640 --> 0:31:22.760
<v Speaker 1>recently because I watched the Texas Chainsaw Massacre, which is

0:31:22.840 --> 0:31:27.000
<v Speaker 1>one of three all time classic horror movies based on

0:31:27.160 --> 0:31:31.840
<v Speaker 1>ed Geen. The other two are Psycho and Silence of

0:31:31.920 --> 0:31:35.080
<v Speaker 1>the Lamps. I find it an unpleasant horror movie. Well,

0:31:35.080 --> 0:31:38.880
<v Speaker 1>it's super unpleasant, no, but I mean I like unpleasant,

0:31:38.920 --> 0:31:42.840
<v Speaker 1>like horror movies are intentionally unpleasant, clearly, but I find

0:31:42.920 --> 0:31:45.800
<v Speaker 1>that it leaves me with that scuzzy feeling that I

0:31:45.880 --> 0:31:49.840
<v Speaker 1>can't shake that I don't. I'm a little allergic to

0:31:49.880 --> 0:31:51.840
<v Speaker 1>the because it was horrible to make, and you can

0:31:51.840 --> 0:31:55.880
<v Speaker 1>tell everybody's super unhappy. Yes, but it's it's so good

0:31:55.920 --> 0:32:00.640
<v Speaker 1>and everybody dresses amazing. It's I find it cluster Well,

0:32:00.720 --> 0:32:04.920
<v Speaker 1>obviously it's claustrophobic. I just watched The fun House last

0:32:05.000 --> 0:32:07.280
<v Speaker 1>night too, which is the other Toby Hooper movie about

0:32:07.280 --> 0:32:10.720
<v Speaker 1>like a scuzzy carnival. I mean his movies are scuzzy,

0:32:10.880 --> 0:32:13.160
<v Speaker 1>that's what's cool about them. But like the ed Geen

0:32:13.280 --> 0:32:16.440
<v Speaker 1>story is super scuzzy, and part of what's so creepy

0:32:16.480 --> 0:32:19.160
<v Speaker 1>about it was that he was just like some guy

0:32:19.200 --> 0:32:21.680
<v Speaker 1>in a farmhouse and nobody knew he was like digging

0:32:21.760 --> 0:32:26.920
<v Speaker 1>up all these bodies to make lampshades out of people. Yeah. Um,

0:32:27.200 --> 0:32:31.520
<v Speaker 1>but I also heard because I watched that Errol Morris documentary.

0:32:31.360 --> 0:32:34.239
<v Speaker 1>I didn't know this, but Errol Morris was going to

0:32:34.280 --> 0:32:38.360
<v Speaker 1>dig up ed Geen's mother to see if he had,

0:32:38.560 --> 0:32:40.920
<v Speaker 1>you know, dug up the body and done something with it,

0:32:41.040 --> 0:32:44.400
<v Speaker 1>just based on the idea that he probably did psycho

0:32:44.680 --> 0:32:48.920
<v Speaker 1>stuff and he was gonna do it, and he invited

0:32:48.920 --> 0:32:53.040
<v Speaker 1>Werner Hertzog and they were gonna do it together on

0:32:53.080 --> 0:32:55.240
<v Speaker 1>a trip, just buddy. So he was like a fan

0:32:55.320 --> 0:32:57.360
<v Speaker 1>of Verner Hrtzog, you've never met him before. This is

0:32:57.400 --> 0:33:00.640
<v Speaker 1>when he was like, this is my husband plays Errol

0:33:00.680 --> 0:33:03.880
<v Speaker 1>Morris in a short film currently at festivals about all

0:33:03.920 --> 0:33:09.680
<v Speaker 1>of this specifically. So yeah, then Errol Morris totally whisked out.

0:33:09.800 --> 0:33:11.520
<v Speaker 1>He freaked out. He was like, I can't dig up

0:33:11.520 --> 0:33:15.280
<v Speaker 1>a body. And that is when Vernon Hurd talk said like,

0:33:15.320 --> 0:33:17.200
<v Speaker 1>if this guy makes a movie, I'll eat my shoe.

0:33:17.240 --> 0:33:19.440
<v Speaker 1>And then he did. He did, and he did. He

0:33:19.480 --> 0:33:22.400
<v Speaker 1>also like threw a ton of like wads of bills

0:33:22.440 --> 0:33:24.600
<v Speaker 1>at Errol Morris, who then threw it out the window.

0:33:25.280 --> 0:33:29.400
<v Speaker 1>It's it's a very interesting and strange friendship. I like it.

0:33:29.440 --> 0:33:32.840
<v Speaker 1>I would love to get Errol Morris and Vernon Hertzog

0:33:33.320 --> 0:33:37.200
<v Speaker 1>on Nightcall, Oh man, I would like Ernie on on

0:33:37.400 --> 0:33:42.520
<v Speaker 1>Nightcall Ernie. We could just we could just ask him

0:33:42.560 --> 0:33:45.920
<v Speaker 1>about some mounds, mounds and ribs they could be They

0:33:45.960 --> 0:33:48.239
<v Speaker 1>could cause play the mound in the rid and have

0:33:48.440 --> 0:33:52.720
<v Speaker 1>a building personified conversation. Do you guys ever think about

0:33:52.720 --> 0:33:54.880
<v Speaker 1>how weird it is that we like very dead people?

0:33:55.520 --> 0:33:58.600
<v Speaker 1>Oh yeah, what else are we supposed to do with them? Though?

0:33:59.320 --> 0:34:01.880
<v Speaker 1>Just leave him be? Well? A lot of people burn them,

0:34:02.680 --> 0:34:07.480
<v Speaker 1>a lot of culture has just burned them space as

0:34:07.520 --> 0:34:10.359
<v Speaker 1>a result. We all still like the mushroom suits, right,

0:34:10.640 --> 0:34:13.680
<v Speaker 1>we love the mushroom Sits still down for the mushroom suits.

0:34:14.120 --> 0:34:17.600
<v Speaker 1>It's crazy to think about how much space dead people

0:34:17.680 --> 0:34:21.440
<v Speaker 1>take up in this country and around the world, you know,

0:34:21.560 --> 0:34:25.360
<v Speaker 1>just like crazy. Yeah, And how many like toxic chemicals

0:34:25.360 --> 0:34:28.240
<v Speaker 1>are leached into the earth because of the sheer volume

0:34:29.280 --> 0:34:34.280
<v Speaker 1>of dead people that are in the ground. It's crazy.

0:34:34.520 --> 0:34:37.479
<v Speaker 1>What are the chemicals do? I don't know. They can't

0:34:37.480 --> 0:34:42.160
<v Speaker 1>be good formaldehyde and shipped all the embalming fluids. I'm

0:34:42.200 --> 0:34:44.879
<v Speaker 1>a big fan of cremation. I think, I think very

0:34:44.920 --> 0:34:48.440
<v Speaker 1>neat and tidy, but that probably also is a pollutant

0:34:48.560 --> 0:34:50.960
<v Speaker 1>when you think about, you know, the fumes. That's how

0:34:50.960 --> 0:34:52.799
<v Speaker 1>we got to do the mushroom suit. But I like,

0:34:53.000 --> 0:34:55.239
<v Speaker 1>I like the idea of the mounds because it's like,

0:34:55.280 --> 0:35:01.719
<v Speaker 1>wouldn't you just decompose and help play let's grow? I

0:35:01.719 --> 0:35:06.080
<v Speaker 1>mean you should, but I think I don't know. Maybe

0:35:06.160 --> 0:35:10.440
<v Speaker 1>if you're in a less um densely populated area, like

0:35:10.480 --> 0:35:13.960
<v Speaker 1>if you are a native person living before you know,

0:35:14.400 --> 0:35:16.959
<v Speaker 1>colonization and everything, and you've got the whole wide open

0:35:17.000 --> 0:35:19.680
<v Speaker 1>country to yourself, you can just stick somebody in the

0:35:19.719 --> 0:35:22.720
<v Speaker 1>ground and you don't need to worry about like making

0:35:22.800 --> 0:35:25.120
<v Speaker 1>sure that I don't know, they don't well, you need

0:35:25.160 --> 0:35:28.319
<v Speaker 1>to worry about the other people that are already in

0:35:28.360 --> 0:35:31.120
<v Speaker 1>the ground. I guess, I guess. I mean, I think

0:35:30.800 --> 0:35:33.439
<v Speaker 1>it's too crowded. Well, we got into this on our

0:35:33.480 --> 0:35:37.080
<v Speaker 1>on our episode about ghost Land, but just the idea

0:35:37.160 --> 0:35:40.880
<v Speaker 1>that like all of America is a burial ground and

0:35:40.960 --> 0:35:43.799
<v Speaker 1>so like it's all haunted because it's all built on

0:35:43.920 --> 0:35:46.919
<v Speaker 1>top of a civilization that was you know, wiped out

0:35:46.960 --> 0:35:49.160
<v Speaker 1>in a genocide by the people that built on top

0:35:49.200 --> 0:35:52.520
<v Speaker 1>of it. The shining Yeah, I was actually I just

0:35:52.560 --> 0:35:55.640
<v Speaker 1>watched um the second episode of the second season of

0:35:55.880 --> 0:36:00.520
<v Speaker 1>Unsolved Mysteries. Oh, which, Oh, it's it's good. Uh. It

0:36:00.560 --> 0:36:03.839
<v Speaker 1>features a woman who is an unidentified woman. They think

0:36:03.880 --> 0:36:06.239
<v Speaker 1>she was maybe an assassin or a spy. Um she

0:36:06.320 --> 0:36:08.719
<v Speaker 1>signed into a hotel under a false name and a

0:36:08.719 --> 0:36:13.160
<v Speaker 1>false birth date, and she it seemed to be a suicide,

0:36:13.200 --> 0:36:16.400
<v Speaker 1>but then it seemed maybe not to be a suicide.

0:36:16.440 --> 0:36:18.719
<v Speaker 1>She was shot in the head, but she had the gun,

0:36:18.800 --> 0:36:20.640
<v Speaker 1>was in her hand with her thumb on the trigger,

0:36:20.960 --> 0:36:23.879
<v Speaker 1>and the forensics people were like, there's just no way that,

0:36:24.080 --> 0:36:25.799
<v Speaker 1>you know, the crime scene just does not seem like

0:36:25.880 --> 0:36:28.640
<v Speaker 1>she took her own life. It has to be a homicide,

0:36:28.880 --> 0:36:33.319
<v Speaker 1>and maybe she was like a high profile assassin or something. Anyway,

0:36:33.360 --> 0:36:35.319
<v Speaker 1>they had to bury her after a year, and they

0:36:35.360 --> 0:36:38.960
<v Speaker 1>had no leads on who she was, her identity, and

0:36:39.280 --> 0:36:41.919
<v Speaker 1>so they buried her. And then they decided to dig

0:36:41.960 --> 0:36:45.280
<v Speaker 1>her back up, get DNA samples and examine her teeth.

0:36:45.680 --> 0:36:47.759
<v Speaker 1>And one of the really interesting things was like, they

0:36:47.760 --> 0:36:50.200
<v Speaker 1>can find your age by your teeth. And it's not

0:36:50.320 --> 0:36:52.759
<v Speaker 1>just like with a horse's teeth where you can see, oh,

0:36:52.800 --> 0:36:54.560
<v Speaker 1>it must be this age because of the growth of

0:36:54.560 --> 0:36:57.960
<v Speaker 1>the teeth. It's like the chemicals that your teeth have absorbed.

0:36:58.239 --> 0:37:02.080
<v Speaker 1>It's weird because I guess your teeth absorb ambient radiation

0:37:02.200 --> 0:37:05.120
<v Speaker 1>or something, and so they can test your teeth and

0:37:05.200 --> 0:37:08.160
<v Speaker 1>see which nuclear events you've been affected by and therefore

0:37:08.280 --> 0:37:13.520
<v Speaker 1>discover your age. That was a great scary episode, uh,

0:37:13.719 --> 0:37:16.200
<v Speaker 1>because it was just so weird that nobody could identify

0:37:16.239 --> 0:37:19.080
<v Speaker 1>this woman and they were running her photo everywhere and

0:37:19.160 --> 0:37:23.120
<v Speaker 1>just nobody had any connection to her whatsoever. But she

0:37:23.239 --> 0:37:26.759
<v Speaker 1>was very specific looking and she looked just like gi Lane.

0:37:27.239 --> 0:37:30.000
<v Speaker 1>She did. She looked exactly like Elane, which was interesting

0:37:30.040 --> 0:37:33.840
<v Speaker 1>because she was probably CIA or some kind of you know,

0:37:33.880 --> 0:37:37.719
<v Speaker 1>not CIA, but some kind of secret agent for probably

0:37:37.760 --> 0:37:41.399
<v Speaker 1>like Belgium or something. They ultimately decided, well, she had

0:37:41.440 --> 0:37:44.400
<v Speaker 1>listed this weird small town ver Lane, I think Belgium.

0:37:44.480 --> 0:37:47.239
<v Speaker 1>She listed a fake name and a fake hometown, and

0:37:47.280 --> 0:37:49.160
<v Speaker 1>then they went to the hometown to try and find

0:37:49.160 --> 0:37:50.879
<v Speaker 1>her and they were like, no, she's not from here.

0:37:50.920 --> 0:37:52.680
<v Speaker 1>And then they used her teeth to figure out where

0:37:52.680 --> 0:37:55.680
<v Speaker 1>she was actually from because of like nuclear testing, they

0:37:55.680 --> 0:37:59.440
<v Speaker 1>could tell whoa. It was a really good episode. It

0:37:59.640 --> 0:38:01.759
<v Speaker 1>was good. And that's where I learned which I had

0:38:01.800 --> 0:38:04.839
<v Speaker 1>not known, that when somebody is murdered and they are

0:38:04.960 --> 0:38:08.640
<v Speaker 1>secret agent, they cut the tags out of their clothes. Yes,

0:38:08.840 --> 0:38:12.239
<v Speaker 1>so this apparently this is this happens like not frequently,

0:38:12.280 --> 0:38:14.000
<v Speaker 1>but it's not the first time it's happened that they

0:38:14.040 --> 0:38:16.799
<v Speaker 1>remove all labels from clothing and that they kind of

0:38:16.840 --> 0:38:20.920
<v Speaker 1>like sand off any identifying information from jewelry and weapons

0:38:20.960 --> 0:38:23.200
<v Speaker 1>and stuff like that, so there's absolutely no way to

0:38:23.239 --> 0:38:27.560
<v Speaker 1>trace where the person is from. Should take a break

0:38:27.600 --> 0:38:29.720
<v Speaker 1>and come back with a little bit of spooky Halloween

0:38:29.800 --> 0:38:42.680
<v Speaker 1>chap Let's do it. Welcome back. It is the reason

0:38:42.760 --> 0:38:47.680
<v Speaker 1>for the season. The Big Skeleton Man and the Ladies

0:38:47.719 --> 0:38:49.640
<v Speaker 1>of Night Call. We just wanted to talk a little

0:38:49.680 --> 0:38:53.440
<v Speaker 1>bit about Halloween, spooky fun time on our our last

0:38:54.000 --> 0:38:57.640
<v Speaker 1>episode pre Halloween. Yeah, obviously this is going to be

0:38:57.840 --> 0:39:01.080
<v Speaker 1>this Halloween is not like the others, but we have

0:39:01.400 --> 0:39:03.640
<v Speaker 1>plenty of I feel like we have plenty of like

0:39:03.719 --> 0:39:07.120
<v Speaker 1>Halloween material and stuff to do and activities and stuff,

0:39:07.200 --> 0:39:10.800
<v Speaker 1>mostly movies, but also driving around and looking at people's

0:39:10.800 --> 0:39:14.800
<v Speaker 1>in saying Halloween houses. Yeah, which has definitely I would

0:39:14.800 --> 0:39:17.000
<v Speaker 1>say it's dipped a little bit this year. I also

0:39:17.120 --> 0:39:19.640
<v Speaker 1>just personally feel like it reached a peak a few

0:39:19.719 --> 0:39:23.719
<v Speaker 1>years ago and then both people had less money and

0:39:23.840 --> 0:39:26.560
<v Speaker 1>spend on Halloween stuff. Yeah. We talked about this when

0:39:26.560 --> 0:39:29.120
<v Speaker 1>we were talking about The Big Boy, the Skeleton Boy,

0:39:29.120 --> 0:39:30.759
<v Speaker 1>which I still have not seen any. And I was

0:39:30.840 --> 0:39:33.640
<v Speaker 1>driving around Burbank the other day and I know where

0:39:33.680 --> 0:39:37.000
<v Speaker 1>a few are. Okay, you'll have to share off pod

0:39:37.400 --> 0:39:40.000
<v Speaker 1>will make a map and make a map of the

0:39:40.040 --> 0:39:44.160
<v Speaker 1>big boys. That's perfect. They have medium boys in stock

0:39:44.200 --> 0:39:47.200
<v Speaker 1>at Rite Aid. If anyone is interested in a medium boy,

0:39:47.320 --> 0:39:50.080
<v Speaker 1>they're probably they look to be like maybe four feet

0:39:50.120 --> 0:39:53.560
<v Speaker 1>tall and they're posable. It's not big enough, No, that's

0:39:53.600 --> 0:39:56.480
<v Speaker 1>that's not a big enough boy. I've gone on several

0:39:56.520 --> 0:40:00.960
<v Speaker 1>spooky cruises so far, just by myself because I'm a weirdo.

0:40:01.480 --> 0:40:03.839
<v Speaker 1>I went to Toluca Lake, which I recommend if you're

0:40:03.840 --> 0:40:07.440
<v Speaker 1>looking for extremely decorated houses. To Luca Lake is like

0:40:07.560 --> 0:40:11.360
<v Speaker 1>the place where they have really great lawn decorations of

0:40:11.400 --> 0:40:15.320
<v Speaker 1>all kinds. But I also went to South Pasadena yesterday,

0:40:15.440 --> 0:40:18.960
<v Speaker 1>which is where all the filming locations from John Carpenter's

0:40:19.000 --> 0:40:22.640
<v Speaker 1>Halloween are located, and they always kind of go crazy

0:40:22.640 --> 0:40:25.480
<v Speaker 1>for Halloween there, I think because of that um But

0:40:25.520 --> 0:40:27.560
<v Speaker 1>there were all these signs on the lawn that were

0:40:27.600 --> 0:40:31.080
<v Speaker 1>like no trick or treating this year. Enjoy the decor,

0:40:31.280 --> 0:40:33.680
<v Speaker 1>but like do not knock on the door. I mean,

0:40:33.719 --> 0:40:35.920
<v Speaker 1>it makes sense, but that bums me. Out anyway, it

0:40:35.960 --> 0:40:37.640
<v Speaker 1>makes sense, but it was funny. It's like they made

0:40:37.640 --> 0:40:39.759
<v Speaker 1>their own sign for the neighborhood because it's like a

0:40:39.800 --> 0:40:43.920
<v Speaker 1>famous Halloween neighborhood that were like, please enjoy these decorations,

0:40:44.000 --> 0:40:47.359
<v Speaker 1>but like it's different this year. A lot of people

0:40:47.400 --> 0:40:50.360
<v Speaker 1>are taking driving tours of which houses I saw on

0:40:50.480 --> 0:40:54.120
<v Speaker 1>like Hidden l A or something, um like witchy little Hoppit,

0:40:54.840 --> 0:41:00.359
<v Speaker 1>witchy little habit homes. I just saw there was an

0:41:00.360 --> 0:41:05.440
<v Speaker 1>Ecto one in my neighborhood that was cool inable Ecto one. Wait,

0:41:05.520 --> 0:41:10.080
<v Speaker 1>what's Ecto one? It's the Ghostbusters. Yeah, it's the car

0:41:10.120 --> 0:41:14.000
<v Speaker 1>from ghost Pecto one. It's the license plate the Ghostbusters

0:41:14.080 --> 0:41:19.040
<v Speaker 1>car busted mobile true Ghostbusters heads. No, that it's It's

0:41:19.239 --> 0:41:23.560
<v Speaker 1>license plate is Ecto one one. Um. But I appreciate

0:41:23.560 --> 0:41:26.239
<v Speaker 1>when people kind of make the effort to like do

0:41:26.360 --> 0:41:29.759
<v Speaker 1>it up because it is it's kind of I guess

0:41:29.800 --> 0:41:31.680
<v Speaker 1>it's not the first holiday we had. I mean we've

0:41:31.680 --> 0:41:33.120
<v Speaker 1>had a number of holidays. We had the fourth of

0:41:33.200 --> 0:41:38.000
<v Speaker 1>July under quarantine. We'll probably have a lot more holidays

0:41:38.040 --> 0:41:42.359
<v Speaker 1>under quarantine. But for some reason, Halloween, this one stings. Well,

0:41:42.440 --> 0:41:45.880
<v Speaker 1>it's weird. It's like the one time that people go

0:41:46.000 --> 0:41:48.799
<v Speaker 1>talk to their neighbors that they don't know exactly. It's

0:41:48.840 --> 0:41:52.120
<v Speaker 1>like this, it's very surprising that we even do it

0:41:52.239 --> 0:41:55.120
<v Speaker 1>because like there's such a weird social contract about it.

0:41:55.160 --> 0:41:58.080
<v Speaker 1>I like, this is the night where it's okay to's

0:41:58.080 --> 0:42:02.200
<v Speaker 1>just like randomly stopping at somebody house that you don't know. Yeah.

0:42:02.680 --> 0:42:05.360
<v Speaker 1>I haven't lived in a neighborhood that has tricker treating

0:42:05.840 --> 0:42:08.879
<v Speaker 1>since I can't remember when. Like I I any time

0:42:08.920 --> 0:42:10.719
<v Speaker 1>I moved to a new place, I always like get

0:42:10.800 --> 0:42:12.960
<v Speaker 1>a bag of candy just in case. I mean, obviously

0:42:13.000 --> 0:42:15.200
<v Speaker 1>I'm not going to do this year, but uh, and

0:42:15.239 --> 0:42:18.560
<v Speaker 1>then no kids come and always even in New York. Yeah,

0:42:18.680 --> 0:42:21.040
<v Speaker 1>no I'm not in New York. I mean, like they're

0:42:21.280 --> 0:42:23.680
<v Speaker 1>a lot of times people will like be out on

0:42:23.719 --> 0:42:25.879
<v Speaker 1>the stoops, but I don't even I didn't even see

0:42:25.920 --> 0:42:28.960
<v Speaker 1>that in my last apartment. Like kids would go to

0:42:28.960 --> 0:42:31.560
<v Speaker 1>the businesses, Like they'd go to the business street and

0:42:31.600 --> 0:42:33.200
<v Speaker 1>like you know, the delis and stuff, and they'd be

0:42:33.200 --> 0:42:35.080
<v Speaker 1>handing out candy there. But they wouldn't be going to

0:42:35.080 --> 0:42:39.200
<v Speaker 1>people's houses. I've seen some kind of workarounds. There is

0:42:39.560 --> 0:42:43.000
<v Speaker 1>a drive through haunt that someone set up. I think

0:42:43.000 --> 0:42:44.960
<v Speaker 1>it's the people who do the Haunted hay Ride normally

0:42:45.000 --> 0:42:47.399
<v Speaker 1>in Griffith Park, which is definitely not happening this year.

0:42:48.239 --> 0:42:51.040
<v Speaker 1>The drive through Haunt has gotten mixed reviews. People are like,

0:42:51.200 --> 0:42:55.040
<v Speaker 1>it's not that good. It's kind of short and basically

0:42:55.080 --> 0:42:56.719
<v Speaker 1>just a bunch of people come up and like, bang

0:42:56.760 --> 0:43:00.400
<v Speaker 1>on your car. I think that sounds awful. Um. I

0:43:00.520 --> 0:43:03.239
<v Speaker 1>just discovered trunk or Treat, which is you decorate the

0:43:03.280 --> 0:43:06.400
<v Speaker 1>trunk of your car, you meet in a parking lot, uh,

0:43:06.440 --> 0:43:09.960
<v Speaker 1>and then whoever has the best trunk wins. But Halloween's

0:43:09.960 --> 0:43:12.880
<v Speaker 1>not supposed to be competitive with in a car sense.

0:43:13.000 --> 0:43:14.880
<v Speaker 1>I mean, I feel like that sounds like a drug

0:43:14.920 --> 0:43:19.759
<v Speaker 1>deal drunker treat. We all meet in a parking lot

0:43:19.760 --> 0:43:22.520
<v Speaker 1>and open our trunk and give each other money. Well,

0:43:22.600 --> 0:43:26.240
<v Speaker 1>do you guys have any good h Halloween viewing lined

0:43:26.320 --> 0:43:28.600
<v Speaker 1>up or anything you've been watching recently that you've been

0:43:28.600 --> 0:43:31.560
<v Speaker 1>really into, um, that you would like to recommend. I've

0:43:31.560 --> 0:43:34.800
<v Speaker 1>been watching everything on Movie Past, which is my friend

0:43:35.520 --> 0:43:39.759
<v Speaker 1>Michelle's Twitch channel where she's been programming movies all summer. Uh,

0:43:39.760 --> 0:43:44.640
<v Speaker 1>and they're doing a Spooky Past series that's all spooky movies.

0:43:44.680 --> 0:43:47.080
<v Speaker 1>So they did like a really good Hong Kong Horror

0:43:47.160 --> 0:43:50.839
<v Speaker 1>Day a couple of days ago. Yesterday, they did one

0:43:50.840 --> 0:43:54.399
<v Speaker 1>that was all Dark Ride themes extremely Nightcall, and they

0:43:54.440 --> 0:43:59.240
<v Speaker 1>showed Dark Ride and walk through videos between the movies.

0:43:59.600 --> 0:44:04.640
<v Speaker 1>They owed Waxwork, which was really scary, which is like

0:44:04.680 --> 0:44:09.160
<v Speaker 1>a Horrors of the Wax Museum movie. Wax Museum adjacent

0:44:09.400 --> 0:44:13.480
<v Speaker 1>horror movies are like extremely scary, engrossed me. So scary.

0:44:13.640 --> 0:44:16.120
<v Speaker 1>And then The Fun House, which I've seen before, which

0:44:16.200 --> 0:44:18.640
<v Speaker 1>is the Toby Hooper but I love it. It's um

0:44:18.800 --> 0:44:21.359
<v Speaker 1>people did these like two teen couples on a double

0:44:21.440 --> 0:44:25.360
<v Speaker 1>date go to a super sketchy carnival and decide to

0:44:25.440 --> 0:44:30.480
<v Speaker 1>stay overnight in the Dark Ride for fun. Spoiler it's

0:44:30.520 --> 0:44:36.920
<v Speaker 1>not fun. Also, it's another Toby Hooper like incestuous Family

0:44:37.600 --> 0:44:43.640
<v Speaker 1>of Deformed People thing. So he's really into that. I

0:44:43.719 --> 0:44:46.360
<v Speaker 1>thought that though, because his parents ran a movie theater

0:44:46.920 --> 0:44:50.120
<v Speaker 1>in Texas where they showed a lot of like exploitation movies,

0:44:51.239 --> 0:44:54.080
<v Speaker 1>and so that's why he makes exploitation movies. And then

0:44:54.120 --> 0:44:58.240
<v Speaker 1>they showed Final Destination three, Oh Great, which I couldn't

0:44:58.280 --> 0:45:03.080
<v Speaker 1>handle because it's too scary. I really Destinations that's the

0:45:03.120 --> 0:45:06.560
<v Speaker 1>one where they it's uh I think it's Mary. Elizabeth

0:45:06.560 --> 0:45:10.560
<v Speaker 1>Winstead is the lead, and she they're at a theme

0:45:10.600 --> 0:45:13.640
<v Speaker 1>park and she had a theme. She sees that the

0:45:13.719 --> 0:45:16.239
<v Speaker 1>roller coaster is going to derail and kill everybody and

0:45:16.280 --> 0:45:19.239
<v Speaker 1>convinces people to get off, but then of course they

0:45:19.239 --> 0:45:23.400
<v Speaker 1>are killed anyway. Those movies, those are the movies that

0:45:23.520 --> 0:45:28.600
<v Speaker 1>I find like too bleak, really the Final Destinations, Yeah,

0:45:28.640 --> 0:45:31.480
<v Speaker 1>because you can't escape death in them. It's like, well,

0:45:31.520 --> 0:45:36.040
<v Speaker 1>you can't escape death in real life, and exactly I

0:45:36.120 --> 0:45:39.640
<v Speaker 1>know that's why they're so fucking scary. I don't know.

0:45:39.719 --> 0:45:43.359
<v Speaker 1>There's something like so outrageous though about the desks in them,

0:45:43.520 --> 0:45:47.080
<v Speaker 1>where it's like this is like fate like arranging the

0:45:47.120 --> 0:45:51.120
<v Speaker 1>most grizzly death for you. That is so it's so

0:45:51.320 --> 0:45:55.200
<v Speaker 1>nasty that I just like it makes me laugh, Like right, no,

0:45:55.320 --> 0:45:57.960
<v Speaker 1>when it gets into that nightmare on Elm Street territory

0:45:58.000 --> 0:46:00.440
<v Speaker 1>where it's like you're gonna have the dad that like

0:46:00.560 --> 0:46:03.600
<v Speaker 1>makes the most sense for you, and that person the

0:46:03.680 --> 0:46:07.080
<v Speaker 1>tailor made death is really alarming, so scary. I might

0:46:07.120 --> 0:46:10.000
<v Speaker 1>watch some Freddie movies I've been I've seen all of

0:46:10.040 --> 0:46:13.040
<v Speaker 1>the Freddie movies a couple of times. Now, those are

0:46:13.040 --> 0:46:14.879
<v Speaker 1>the ones that really freaked me out as a kid

0:46:15.000 --> 0:46:18.320
<v Speaker 1>too much to even engage with. And then I finally

0:46:18.320 --> 0:46:21.359
<v Speaker 1>watched them and they're really good and funny. Emily, what

0:46:21.360 --> 0:46:23.480
<v Speaker 1>are you thinking of watching? Well? I wanted to just

0:46:23.520 --> 0:46:25.880
<v Speaker 1>recommend a couple of things. One, I think we talked

0:46:26.200 --> 0:46:30.719
<v Speaker 1>before about the seventies horror series on Criterion right now,

0:46:30.760 --> 0:46:35.960
<v Speaker 1>which is really great. Um. I did watch Dracula uh

0:46:36.200 --> 0:46:41.480
<v Speaker 1>nine a d uh the other day, which is truly ridiculous,

0:46:41.520 --> 0:46:45.360
<v Speaker 1>but just like, yeah, it's like a fun thing to watch.

0:46:46.200 --> 0:46:52.359
<v Speaker 1>Uh and then uh oh. And then there's also I've

0:46:52.680 --> 0:46:56.319
<v Speaker 1>found myself like browsing HBO Max, which I rarely do

0:46:56.360 --> 0:46:58.839
<v Speaker 1>because like lately I've just had specific things that I'm

0:46:58.840 --> 0:47:01.200
<v Speaker 1>watching on HBO Max. I haven't been like going through

0:47:01.239 --> 0:47:03.400
<v Speaker 1>and looking at what they have. But they also have

0:47:03.480 --> 0:47:07.319
<v Speaker 1>a pretty good, um like classic horror or seventies horror

0:47:07.600 --> 0:47:11.440
<v Speaker 1>situation that has like I think they have like The

0:47:11.600 --> 0:47:16.520
<v Speaker 1>Brood and like, uh, Carnival of Souls is on there,

0:47:17.320 --> 0:47:22.120
<v Speaker 1>and a bunch of other stuff. I would recommend that, Oh,

0:47:22.160 --> 0:47:27.960
<v Speaker 1>they've got Final Destination five. There's a really good movie

0:47:28.080 --> 0:47:31.800
<v Speaker 1>in that seventies horror collection on Criterion that's so Nightcall

0:47:31.920 --> 0:47:35.360
<v Speaker 1>called The Velvet Vampire. Oh, I haven't seen that. You

0:47:35.440 --> 0:47:38.480
<v Speaker 1>haven't either. You recommended it, and it sounds great. It's great,

0:47:38.520 --> 0:47:40.840
<v Speaker 1>and it's directed by Stephanie Rothman, who's like one of

0:47:40.880 --> 0:47:43.640
<v Speaker 1>the few women who made a bunch of Roger Corman movies,

0:47:43.680 --> 0:47:47.400
<v Speaker 1>who's really rad. But it's like the most nightcall movie.

0:47:47.640 --> 0:47:50.839
<v Speaker 1>It's basically The Love Which but about a vampire, and

0:47:50.880 --> 0:47:57.680
<v Speaker 1>it's about a sexy female vampire bisexual who invites hipsters

0:47:57.719 --> 0:48:01.359
<v Speaker 1>to come to her desert house in Joshua Tree and

0:48:01.400 --> 0:48:07.080
<v Speaker 1>then seduces and destroys everybody. That's I mean, that sounds great.

0:48:07.440 --> 0:48:10.759
<v Speaker 1>When was it made? It's so great. It's seventies and

0:48:10.800 --> 0:48:13.880
<v Speaker 1>it's like the most seventies movie. It's the most California

0:48:14.040 --> 0:48:16.600
<v Speaker 1>maybe because it's like she's a vampire but she has

0:48:16.880 --> 0:48:23.640
<v Speaker 1>son and she drives a dune buggy. Oh hell yeah,

0:48:23.680 --> 0:48:26.799
<v Speaker 1>it's so nightcall Um and the guy and it is

0:48:26.840 --> 0:48:29.360
<v Speaker 1>one of it's like the Himbo from Beyond the Valley

0:48:29.400 --> 0:48:33.000
<v Speaker 1>of the Dolls. It is a delight. I had never

0:48:33.040 --> 0:48:36.279
<v Speaker 1>heard about it. That sounds perfect for it's great. Well,

0:48:36.280 --> 0:48:38.279
<v Speaker 1>I had also been saying, like I I said, like

0:48:38.320 --> 0:48:41.240
<v Speaker 1>a minute before my boyfriend like why aren't there more

0:48:41.320 --> 0:48:43.759
<v Speaker 1>horror movies where all the victims are met? And then

0:48:44.400 --> 0:48:47.439
<v Speaker 1>this was a little more like that. Oh yeah, that's

0:48:47.440 --> 0:48:50.080
<v Speaker 1>like good there should be because it's all like dudes

0:48:50.320 --> 0:48:53.080
<v Speaker 1>making these movies for the most part. Um, That's why

0:48:53.120 --> 0:48:56.080
<v Speaker 1>I was actually a little like stoked about in Texas

0:48:56.160 --> 0:49:00.560
<v Speaker 1>Chainsaw Massacre. You know they don't discriminate. Oh they don't.

0:49:00.840 --> 0:49:06.480
<v Speaker 1>Everyone's gotta go, uh what about you test? I'm taking

0:49:06.480 --> 0:49:10.000
<v Speaker 1>it classic style. We're going to rewatch the Shining Um

0:49:10.080 --> 0:49:12.960
<v Speaker 1>because we're living in the shining And then I'm also

0:49:13.080 --> 0:49:15.480
<v Speaker 1>going to force us to watch Pet Cemetery, which I

0:49:15.520 --> 0:49:19.680
<v Speaker 1>think is just such a terrifying movie. My parents, um

0:49:19.920 --> 0:49:24.279
<v Speaker 1>are not easily freaked out. But in New York they

0:49:24.280 --> 0:49:26.560
<v Speaker 1>went to go see Pet Cemetery in the theaters and

0:49:26.600 --> 0:49:30.640
<v Speaker 1>they had adopted a dog. I think they'd had dogs before,

0:49:30.680 --> 0:49:33.320
<v Speaker 1>but they this dog had like some behavior issues. It

0:49:33.440 --> 0:49:34.919
<v Speaker 1>was just one of those dogs where you like, what's

0:49:34.920 --> 0:49:37.640
<v Speaker 1>going on in your mind? I'm not sure. And they

0:49:37.719 --> 0:49:39.640
<v Speaker 1>got home and they also had a very mean cat.

0:49:39.960 --> 0:49:41.680
<v Speaker 1>They got home really late from the movie and like

0:49:41.760 --> 0:49:44.400
<v Speaker 1>opened the door and saw the pets and like couldn't

0:49:44.640 --> 0:49:47.200
<v Speaker 1>couldn't deal. They were like so rattled by the movie

0:49:47.239 --> 0:49:50.320
<v Speaker 1>that they were like our our pets, like evil pets,

0:49:51.239 --> 0:49:53.360
<v Speaker 1>and they had to just be like, good night, guys,

0:49:53.360 --> 0:49:57.280
<v Speaker 1>I'll see you in the morning. I'm also gonna recommend

0:49:57.360 --> 0:49:59.759
<v Speaker 1>that you guys have to watch Doctors Sleep because it

0:50:00.080 --> 0:50:04.600
<v Speaker 1>is so bad. I can't bear to watch something that's

0:50:04.600 --> 0:50:07.520
<v Speaker 1>so bad. Right, but it makes you appreciate The Shining

0:50:07.640 --> 0:50:10.160
<v Speaker 1>so much, But what about what? But watching the Shining

0:50:10.200 --> 0:50:14.879
<v Speaker 1>also makes you appreciate But it's funny because it's like,

0:50:15.160 --> 0:50:18.040
<v Speaker 1>you know, Stephen King hates Stanley Kubrick Shining because it's

0:50:18.080 --> 0:50:20.880
<v Speaker 1>like not faithful enough to the book. This is like

0:50:20.960 --> 0:50:24.200
<v Speaker 1>his opportunity to litigate that, and so he just like

0:50:25.400 --> 0:50:28.600
<v Speaker 1>makes it all completely literal. It's like, just like here's

0:50:28.640 --> 0:50:31.359
<v Speaker 1>all the rules and logic of the Shining Verse and

0:50:31.440 --> 0:50:33.959
<v Speaker 1>like the things that make the things in the Shining happen,

0:50:34.000 --> 0:50:37.640
<v Speaker 1>which is totally demystifying and not something anyone wants. Yeah, well,

0:50:37.680 --> 0:50:40.000
<v Speaker 1>it's like a scolding movie where he's like, I'll do

0:50:40.040 --> 0:50:44.640
<v Speaker 1>it right here. It is so unscary. And the villain

0:50:44.760 --> 0:50:47.520
<v Speaker 1>is a woman whose name is Rose the Hat because

0:50:47.560 --> 0:50:53.160
<v Speaker 1>she wears a hat. Well, I'm Emily the headphones right now.

0:50:57.040 --> 0:50:59.520
<v Speaker 1>I just want you to have to see it so

0:50:59.560 --> 0:51:02.520
<v Speaker 1>that we talk about it, because it's so silly and dumb.

0:51:03.120 --> 0:51:05.719
<v Speaker 1>I never read the book, so I have no you know,

0:51:05.960 --> 0:51:09.600
<v Speaker 1>so good point for the faithfulness. I just love the movie.

0:51:10.000 --> 0:51:12.759
<v Speaker 1>I think all the stuff that that Stephen King was

0:51:12.800 --> 0:51:16.000
<v Speaker 1>mad didn't end up in the movie. It's like, that's

0:51:16.000 --> 0:51:18.600
<v Speaker 1>what makes the movie good is your brain is like

0:51:18.719 --> 0:51:21.880
<v Speaker 1>trying to make connections and it can't fully make them right,

0:51:22.000 --> 0:51:26.680
<v Speaker 1>and Stephen King is like it's because he's an alcoholic. Yeah,

0:51:27.000 --> 0:51:29.640
<v Speaker 1>but I mean that the book is great, like they're

0:51:30.440 --> 0:51:33.080
<v Speaker 1>two things can exist in the world without I've never

0:51:33.120 --> 0:51:34.600
<v Speaker 1>read the book. Maybe we should do it for a

0:51:34.600 --> 0:51:38.840
<v Speaker 1>book club. Sometimes. I'm always down for some vintage Stephen King. Guys. Know,

0:51:38.920 --> 0:51:43.600
<v Speaker 1>I've never read a single Stephen King book in my life.

0:51:43.760 --> 0:51:46.560
<v Speaker 1>I guess I've read. I've read the anthology, like the

0:51:46.560 --> 0:51:51.239
<v Speaker 1>short stories, but mostly I just would make tests, tell

0:51:51.320 --> 0:51:53.960
<v Speaker 1>me what happens and that, and I'm here for that. Molly.

0:51:53.960 --> 0:51:56.120
<v Speaker 1>You read The Lango Years though, right, No. I just

0:51:56.160 --> 0:51:59.080
<v Speaker 1>saw the TV mini series. Oh my god, you guys. Look,

0:51:59.120 --> 0:52:01.879
<v Speaker 1>I'm sitting I'm sitting on the floor and it's like

0:52:02.280 --> 0:52:06.439
<v Speaker 1>you're like by a pile of your Stephen King pyle. Look,

0:52:06.520 --> 0:52:09.399
<v Speaker 1>it's like I even have like current Stephen King, this

0:52:09.440 --> 0:52:12.760
<v Speaker 1>one of the like second last, it's all by my bed,

0:52:13.280 --> 0:52:16.319
<v Speaker 1>and I'm embarrassed because like latter day Stephen King, like

0:52:16.440 --> 0:52:19.239
<v Speaker 1>I could read something more nourishing for my brain, but

0:52:19.280 --> 0:52:21.920
<v Speaker 1>it's nourishing the one that I always I'm like the

0:52:21.960 --> 0:52:24.360
<v Speaker 1>girl who loved Tom Hardy. That's not what it's called,

0:52:24.600 --> 0:52:27.480
<v Speaker 1>but the But everybody I know who's into Stephen King

0:52:27.560 --> 0:52:29.640
<v Speaker 1>is like a completist in that way, and I like,

0:52:29.719 --> 0:52:31.160
<v Speaker 1>I don't look down on it at all. I think

0:52:31.200 --> 0:52:33.480
<v Speaker 1>it seems really fun. I just never caught the train.

0:52:33.560 --> 0:52:35.400
<v Speaker 1>I never got it on at the right time, and

0:52:35.440 --> 0:52:38.160
<v Speaker 1>so now it feels really daunting. I did ask another

0:52:38.200 --> 0:52:40.520
<v Speaker 1>friend of mine, who is like a major Stephen King fan,

0:52:40.600 --> 0:52:43.680
<v Speaker 1>to like give me kind of a primer, give me, like, like,

0:52:43.760 --> 0:52:45.960
<v Speaker 1>here's the first five you should read, and I remember

0:52:46.000 --> 0:52:49.799
<v Speaker 1>that she recommended, like I think she recommend. I know

0:52:49.840 --> 0:52:52.719
<v Speaker 1>that Christina and Kujo were both in those that top five,

0:52:52.760 --> 0:52:54.359
<v Speaker 1>and I was like, yeah, I want to read both

0:52:54.360 --> 0:52:58.840
<v Speaker 1>of those books. Uh, I just haven't yet. They also

0:52:58.960 --> 0:53:01.920
<v Speaker 1>go well together because it's the Possessed Car and the

0:53:01.920 --> 0:53:04.880
<v Speaker 1>Possessed Kujo is actually holds up really while I re

0:53:04.880 --> 0:53:07.640
<v Speaker 1>read Kujo, but that was the book where at my

0:53:07.719 --> 0:53:12.000
<v Speaker 1>copy of Kujo, it was like a really cheap whatever,

0:53:12.160 --> 0:53:15.879
<v Speaker 1>shitty copy of Coujo. And I got maybe halfway through

0:53:16.080 --> 0:53:19.600
<v Speaker 1>and then the pages started repeating, like there there was

0:53:19.640 --> 0:53:22.600
<v Speaker 1>like a section that had were found out of sequence,

0:53:22.840 --> 0:53:25.520
<v Speaker 1>and I was like, this is a really amazing book

0:53:25.520 --> 0:53:28.120
<v Speaker 1>because it's just it's like making me feel like I'm

0:53:28.160 --> 0:53:32.480
<v Speaker 1>insane and wow, like this is really incredible work by

0:53:32.520 --> 0:53:34.920
<v Speaker 1>Stephen King. And then was like, oh, okay, there's just

0:53:35.000 --> 0:53:38.440
<v Speaker 1>like a chapter missing and it's it's just a printing era.

0:53:38.640 --> 0:53:46.560
<v Speaker 1>That's amazing. It was just exactly, um, well, maybe we

0:53:46.560 --> 0:53:49.279
<v Speaker 1>should take some night calls about the Stephen King of

0:53:49.440 --> 0:53:52.799
<v Speaker 1>Verse to go and take us into November. We're also

0:53:52.960 --> 0:53:56.719
<v Speaker 1>going to be doing some episodes about dreams. Uh, and

0:53:56.840 --> 0:54:00.400
<v Speaker 1>so if you have any thoughts or don't, maybe maybe

0:54:00.520 --> 0:54:03.680
<v Speaker 1>don't tell us your dream because I think I don't

0:54:03.719 --> 0:54:05.680
<v Speaker 1>know about you guys. Maybe we can talk about this later.

0:54:06.440 --> 0:54:08.920
<v Speaker 1>But like, listening to somebody tell me their dreams is

0:54:08.960 --> 0:54:12.040
<v Speaker 1>like never the most interesting thing, but like recurring dreams

0:54:12.080 --> 0:54:16.000
<v Speaker 1>are interesting. Recurring dreams and prophetic dreams. Yeah, and also

0:54:16.200 --> 0:54:18.560
<v Speaker 1>I would like to hear about some COVID dreams because

0:54:18.560 --> 0:54:21.719
<v Speaker 1>I know it is a documented phenomenon that people are

0:54:21.760 --> 0:54:24.319
<v Speaker 1>having lots of dreams about, like getting caught out with

0:54:24.360 --> 0:54:27.200
<v Speaker 1>no masks. I I had a really intense COVID dream

0:54:27.239 --> 0:54:28.960
<v Speaker 1>last night that I won't tell you about because of

0:54:29.120 --> 0:54:32.839
<v Speaker 1>Emily's Emily's take on this is true, but I did

0:54:32.880 --> 0:54:35.960
<v Speaker 1>realize like people are talking a lot more about their dreams.

0:54:36.040 --> 0:54:39.400
<v Speaker 1>I think people are having more vivid dreams in general. Um. Also,

0:54:39.480 --> 0:54:42.480
<v Speaker 1>if you have movies or books that you love about dreams,

0:54:42.480 --> 0:54:45.960
<v Speaker 1>please recommend them to us. So, yeah, I was gonna

0:54:46.000 --> 0:54:48.160
<v Speaker 1>say it's one of like three stimuli we get now

0:54:48.200 --> 0:54:53.080
<v Speaker 1>it's like food, sleep. Yeah, if you're I don't know,

0:54:53.120 --> 0:54:56.480
<v Speaker 1>I was gonna say drugs. Yeah, you can say drugs.

0:54:57.280 --> 0:55:02.640
<v Speaker 1>It's drugs. U keep it spooky and we will see

0:55:02.680 --> 0:55:05.839
<v Speaker 1>you all next week. Thank you for listening Tonight Call.

0:55:06.640 --> 0:55:09.520
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0:55:09.680 --> 0:55:14.200
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0:55:14.320 --> 0:55:17.040
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0:55:17.200 --> 0:55:19.640
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0:55:34.400 --> 0:55:37.400
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