1 00:00:01,920 --> 00:00:05,800 Speaker 1: You'll know because you're the bellwether of cultural zegeist. What 2 00:00:06,000 --> 00:00:09,080 Speaker 1: is it called when you know guys want that kind 3 00:00:09,160 --> 00:00:13,240 Speaker 1: of the perfect it's the perfect, like descriptor of the girlfriend, 4 00:00:13,360 --> 00:00:15,920 Speaker 1: Manic Pixy dream girl. That's exactly right. Did you see 5 00:00:15,960 --> 00:00:18,520 Speaker 1: how quickly she knew what I was talking about? You 6 00:00:18,600 --> 00:00:21,880 Speaker 1: see how she speaks youth. She speaks youth. That's my 7 00:00:21,960 --> 00:00:25,360 Speaker 1: bread and butter. Well, Manic Pixie dream girl, Yeah. 8 00:00:25,200 --> 00:00:25,520 Speaker 2: That's me. 9 00:00:25,760 --> 00:00:28,200 Speaker 1: Well, I think I was just manic. I was just 10 00:00:28,240 --> 00:00:34,120 Speaker 1: fan of Hello, I'm mini driver. I've always loved Proust's questionnaire. 11 00:00:34,600 --> 00:00:38,760 Speaker 1: It was originally in nineteenth century parlor game where players 12 00:00:38,800 --> 00:00:42,760 Speaker 1: would ask each other thirty five questions aimed at revealing. 13 00:00:42,280 --> 00:00:43,720 Speaker 3: The other player's true nature. 14 00:00:44,600 --> 00:00:47,519 Speaker 1: In asking different people the same set of questions, you 15 00:00:47,560 --> 00:00:50,920 Speaker 1: can make observations about which truths appear to be universal. 16 00:00:51,120 --> 00:00:53,920 Speaker 1: And it made me wonder, what if these questions were 17 00:00:54,000 --> 00:00:56,680 Speaker 1: just the jumping off point, what greater depths would be 18 00:00:56,720 --> 00:01:00,760 Speaker 1: revealed if I asked these questions as conversation stuff. So 19 00:01:01,000 --> 00:01:03,640 Speaker 1: I adapted Pru's questionnaire and I wrote my own seven 20 00:01:03,760 --> 00:01:07,080 Speaker 1: questions that I personally think are pertinent to a person's story. 21 00:01:07,360 --> 00:01:10,520 Speaker 3: They are When and where were you happiest? What is 22 00:01:10,520 --> 00:01:14,000 Speaker 3: the quality you like least about yourself? What relationship, real 23 00:01:14,120 --> 00:01:16,039 Speaker 3: or fictionalized, defines. 24 00:01:15,720 --> 00:01:16,160 Speaker 1: Love for you? 25 00:01:16,680 --> 00:01:20,319 Speaker 3: What question would you most like answered? What person, place, 26 00:01:20,480 --> 00:01:23,319 Speaker 3: or experience has shaped you the most? What would be 27 00:01:23,360 --> 00:01:26,000 Speaker 3: your last meal? And can you tell me something in 28 00:01:26,040 --> 00:01:29,640 Speaker 3: your life that's grown out of a personal disaster? And 29 00:01:29,720 --> 00:01:31,040 Speaker 3: I've gathered a group. 30 00:01:30,920 --> 00:01:35,240 Speaker 1: Of really remarkable people, ones that I am honored and 31 00:01:35,360 --> 00:01:38,000 Speaker 1: humbled to have had the chance to engage with. You 32 00:01:38,040 --> 00:01:41,280 Speaker 1: may not hear their answers to all seven of these questions. 33 00:01:41,440 --> 00:01:44,840 Speaker 1: We've whittled it down to which questions felt closest to 34 00:01:44,880 --> 00:01:47,800 Speaker 1: their experience, or the most surprising. 35 00:01:47,600 --> 00:01:51,000 Speaker 3: Or created the most fertile ground to connect. 36 00:01:53,200 --> 00:01:57,120 Speaker 1: My guest today is writer and comedian Delaney Rowe. She 37 00:01:57,240 --> 00:02:01,160 Speaker 1: has millions and millions of followers on Instagram and TikTok, 38 00:02:01,960 --> 00:02:05,080 Speaker 1: But I hesitate to use the term social media personality 39 00:02:05,240 --> 00:02:07,559 Speaker 1: because to me as a descriptor, it lacks the depth 40 00:02:07,600 --> 00:02:12,000 Speaker 1: of interest that Delaney possesses. Now, this could just be 41 00:02:12,080 --> 00:02:16,880 Speaker 1: me forcing narratives into concepts, I understand, But she makes 42 00:02:16,880 --> 00:02:20,440 Speaker 1: what are essentially short films on Instagram and TikTok. Her 43 00:02:20,480 --> 00:02:24,760 Speaker 1: most famous creation being a character called insufferable female lead 44 00:02:24,840 --> 00:02:27,600 Speaker 1: of an indie movie. Now, perhaps I love this character 45 00:02:27,720 --> 00:02:32,400 Speaker 1: so much because I have been that character, But mostly 46 00:02:32,440 --> 00:02:35,040 Speaker 1: I think it's because it is so well observed, so 47 00:02:35,160 --> 00:02:40,399 Speaker 1: brilliantly executed, and that Delaney possesses that rare quality of beauty, wit, 48 00:02:40,600 --> 00:02:44,680 Speaker 1: and timing. I always love asking these questions of mine 49 00:02:44,720 --> 00:02:47,920 Speaker 1: to younger people, largely because they offer such a different 50 00:02:47,919 --> 00:02:52,079 Speaker 1: and unique perspective. At the risk of standing even more patronizing, 51 00:02:52,680 --> 00:02:55,520 Speaker 1: I just couldn't be more interested to see how Delaney 52 00:02:55,560 --> 00:02:59,160 Speaker 1: evolves and grows as an artist and continues to shape 53 00:02:59,200 --> 00:03:02,400 Speaker 1: this particular core of our culture, because she is clever 54 00:03:03,000 --> 00:03:10,840 Speaker 1: and observant and really cool. What person, place, or experience 55 00:03:10,919 --> 00:03:12,200 Speaker 1: most altered your life? 56 00:03:12,320 --> 00:03:16,080 Speaker 2: Okay? I used to be a private chef like before 57 00:03:16,120 --> 00:03:19,880 Speaker 2: what I do now, and that was a crazy time 58 00:03:19,960 --> 00:03:22,880 Speaker 2: in my life because it was the thing that allowed 59 00:03:22,880 --> 00:03:26,840 Speaker 2: me to realize I can do very difficult things. I 60 00:03:26,880 --> 00:03:31,800 Speaker 2: can access a stamina in myself that I didn't know 61 00:03:32,840 --> 00:03:35,880 Speaker 2: that I had, maybe growing up and then being in 62 00:03:35,880 --> 00:03:38,720 Speaker 2: a highly pressorized situation like being a private chef for 63 00:03:38,880 --> 00:03:42,000 Speaker 2: like big clients who are expecting so much from you. 64 00:03:42,000 --> 00:03:45,520 Speaker 2: You can't fuck up like you just and if you 65 00:03:45,520 --> 00:03:47,560 Speaker 2: do fuck up, you just have to get right back 66 00:03:47,600 --> 00:03:49,560 Speaker 2: on track and figure it out and you enter this 67 00:03:49,600 --> 00:03:53,480 Speaker 2: flow state and it's incredible. And it was also at 68 00:03:53,480 --> 00:03:56,680 Speaker 2: a time where like everyone my age was not doing 69 00:03:56,760 --> 00:03:59,880 Speaker 2: anything like that. Everyone was like a hostess or like 70 00:04:00,440 --> 00:04:03,160 Speaker 2: a nanny or like working for their dads blah blah 71 00:04:03,200 --> 00:04:06,960 Speaker 2: blah blah. And like I was like, I am hitting 72 00:04:07,160 --> 00:04:09,800 Speaker 2: the streets every day. I didn't know how to drive. 73 00:04:09,840 --> 00:04:11,560 Speaker 2: I still don't know how to drive. I would walk 74 00:04:11,720 --> 00:04:15,920 Speaker 2: to the market with a wagon at six am and 75 00:04:15,960 --> 00:04:18,440 Speaker 2: like fill it with food for like these football players 76 00:04:18,480 --> 00:04:21,040 Speaker 2: and then go off and work from like seven am 77 00:04:21,080 --> 00:04:24,240 Speaker 2: to like eight pm at night. And I was like, 78 00:04:25,240 --> 00:04:27,880 Speaker 2: nobody can do what I'm doing like that I know 79 00:04:28,200 --> 00:04:31,719 Speaker 2: right now. And I was not a professional. I was 80 00:04:31,720 --> 00:04:34,839 Speaker 2: like learning on the job. And it gave me a 81 00:04:34,880 --> 00:04:40,359 Speaker 2: tremendous amount of self esteem because it was like I 82 00:04:40,400 --> 00:04:43,080 Speaker 2: can do hard things. And it was this kind of 83 00:04:43,120 --> 00:04:45,240 Speaker 2: turning point where I was like I might not be 84 00:04:45,320 --> 00:04:47,919 Speaker 2: a little bitch, like I can be out here in 85 00:04:47,960 --> 00:04:51,040 Speaker 2: the world really working hard. And it made me really 86 00:04:51,080 --> 00:04:52,520 Speaker 2: happy and really confident. 87 00:04:52,839 --> 00:04:55,320 Speaker 1: Wow, I think that's such a good point about learning 88 00:04:55,320 --> 00:04:57,719 Speaker 1: how to do hard things. I think that's like that. 89 00:04:58,279 --> 00:05:00,160 Speaker 1: I talk about that a lot with my son. That 90 00:05:01,200 --> 00:05:03,520 Speaker 1: part of my job is to teach him how to 91 00:05:03,560 --> 00:05:05,719 Speaker 1: do that. But I think figuring out for yourself just 92 00:05:05,760 --> 00:05:09,080 Speaker 1: by actually doing it is even more impassibl Yeah, how 93 00:05:09,080 --> 00:05:11,960 Speaker 1: would you get to the venue? How would you do? Uber? 94 00:05:12,200 --> 00:05:15,200 Speaker 2: When you were go it was wagon to the grocery store, 95 00:05:15,880 --> 00:05:19,680 Speaker 2: fill the wagon and then lift the wagon into the 96 00:05:19,720 --> 00:05:23,320 Speaker 2: back of a black suv like Uber black suv. 97 00:05:24,200 --> 00:05:27,160 Speaker 1: Oh my god. It was like I was ripped, Manny. 98 00:05:27,400 --> 00:05:31,200 Speaker 2: I had these insane biceps from just you know, and 99 00:05:31,560 --> 00:05:33,800 Speaker 2: like you know, they're athletes, so it's like you're carrying. 100 00:05:33,480 --> 00:05:35,200 Speaker 1: Like boxes of booze in. 101 00:05:35,440 --> 00:05:37,480 Speaker 2: It was just and I was like this kind of 102 00:05:37,520 --> 00:05:39,599 Speaker 2: like tiny twenty two year old, and I was like, 103 00:05:39,680 --> 00:05:41,640 Speaker 2: I don't ever have to work out. I just have 104 00:05:41,720 --> 00:05:45,000 Speaker 2: to do this job forever. You're on your feet your Wow. Fuck, 105 00:05:45,080 --> 00:05:48,880 Speaker 2: it's big, like in a good way, like Mustella, like 106 00:05:48,960 --> 00:05:49,640 Speaker 2: it's awesome. 107 00:05:50,040 --> 00:05:51,200 Speaker 1: I was like, I was ripped. 108 00:05:51,360 --> 00:05:51,880 Speaker 2: I miss it. 109 00:05:52,480 --> 00:05:55,760 Speaker 1: My god, how amazing, So which leads very nicely then 110 00:05:55,839 --> 00:05:59,120 Speaker 1: into what would I can't wait to hear this? What 111 00:05:59,160 --> 00:05:59,840 Speaker 1: would be your last? 112 00:06:00,560 --> 00:06:03,039 Speaker 2: It's going to be a little disappointing. I think it 113 00:06:03,080 --> 00:06:05,599 Speaker 2: always is. My favorite food in the world is just 114 00:06:05,680 --> 00:06:08,760 Speaker 2: white rice, and I love it with just some sort 115 00:06:08,800 --> 00:06:10,520 Speaker 2: of like fat. 116 00:06:10,640 --> 00:06:13,040 Speaker 1: My choice is butter, So like white. 117 00:06:12,880 --> 00:06:16,119 Speaker 2: Rice with a ton of butter, and then I would 118 00:06:16,120 --> 00:06:19,160 Speaker 2: put two over easy eggs on that, and I have 119 00:06:19,279 --> 00:06:22,400 Speaker 2: that most days for breakfast. So I like that my 120 00:06:22,560 --> 00:06:24,520 Speaker 2: last meal is something that I kind of have every day. 121 00:06:24,720 --> 00:06:26,040 Speaker 2: Like that's how much I love it. 122 00:06:26,120 --> 00:06:28,560 Speaker 1: That's very comforting. But I also like that. I like 123 00:06:28,640 --> 00:06:30,560 Speaker 1: that you have it for breakfast and that's how you 124 00:06:30,600 --> 00:06:33,919 Speaker 1: would go out, and it was my last meal. 125 00:06:34,400 --> 00:06:36,520 Speaker 2: Two bottles of wine and a pack of cigarettes one 126 00:06:36,560 --> 00:06:40,559 Speaker 2: hundred percent Magenta Capri cigarettes. Yeah, two bottles of orange 127 00:06:40,600 --> 00:06:42,120 Speaker 2: wine and a pack cigarettes one hundred percent. 128 00:06:42,320 --> 00:06:45,520 Speaker 1: I love the drinking natural wine and smoking a pack 129 00:06:45,560 --> 00:06:49,120 Speaker 1: of ye way out. Now, have you just developed a 130 00:06:49,160 --> 00:06:50,719 Speaker 1: real taste for orange wine? 131 00:06:50,800 --> 00:06:54,080 Speaker 2: Yeah, I'm like that. I'm into that shit. I'm into 132 00:06:54,160 --> 00:06:56,400 Speaker 2: that world all of a sudden. And I actually got 133 00:06:56,440 --> 00:06:59,599 Speaker 2: into the world because when I was cheffing, I had 134 00:06:59,600 --> 00:07:03,480 Speaker 2: this massive budget to spend on wine every day. And 135 00:07:03,839 --> 00:07:07,159 Speaker 2: athletes they're not drinking a ton of wine. Most of 136 00:07:07,200 --> 00:07:10,640 Speaker 2: them weren't anyway, like it was more like Don Julio 137 00:07:10,720 --> 00:07:13,560 Speaker 2: nineteen forty two, Like that was kind of there. But 138 00:07:13,600 --> 00:07:15,160 Speaker 2: you know, I had all this extra budget for wine, 139 00:07:15,200 --> 00:07:17,480 Speaker 2: so I would buy the wine anyway and. 140 00:07:17,400 --> 00:07:21,320 Speaker 1: Then I would drink it, and then I would drink it. Yeah, 141 00:07:21,320 --> 00:07:22,280 Speaker 1: that's right, I was doing. 142 00:07:22,480 --> 00:07:25,160 Speaker 2: I'm a hero, Okay, I'm a hero. I would also 143 00:07:25,600 --> 00:07:27,840 Speaker 2: get like a book about wine, and then I'd be 144 00:07:27,880 --> 00:07:30,320 Speaker 2: reading a book about wine as I would wait for 145 00:07:30,360 --> 00:07:32,960 Speaker 2: them to come home and in between lunch and dinner service, 146 00:07:33,000 --> 00:07:34,760 Speaker 2: and I'm like, try and love it a loine and 147 00:07:35,200 --> 00:07:35,840 Speaker 2: have it a great time. 148 00:07:36,120 --> 00:07:39,000 Speaker 1: Is wine you'r thing? Is wine what you love? Yeah, 149 00:07:39,040 --> 00:07:43,040 Speaker 1: it's a big deal. Yeah yeah, yeah, wine. Wine is 150 00:07:43,040 --> 00:07:43,920 Speaker 1: a really big deal. 151 00:07:44,240 --> 00:07:47,160 Speaker 2: I have wine fridges in both my apartments because of that. 152 00:07:47,280 --> 00:07:48,320 Speaker 1: It's a big deal for me. 153 00:07:48,760 --> 00:07:51,680 Speaker 2: I'm not taking cocktails off the table though, Like of course, 154 00:07:51,720 --> 00:07:55,360 Speaker 2: I love a martini as much as the next broad So, 155 00:07:55,480 --> 00:07:57,400 Speaker 2: like gin is also big for me. 156 00:07:58,120 --> 00:07:59,560 Speaker 1: I like monkey forty seven gin. 157 00:07:59,760 --> 00:08:00,240 Speaker 2: You know this? 158 00:08:00,960 --> 00:08:04,400 Speaker 1: Do I know? That? Chin Chin Chin? For me is 159 00:08:04,480 --> 00:08:08,560 Speaker 1: just it's just the taste of hopelessness, cleaning supplies. I 160 00:08:08,600 --> 00:08:09,000 Speaker 1: get that. 161 00:08:09,240 --> 00:08:11,560 Speaker 2: I do get that. What is your drink? Oh? 162 00:08:11,680 --> 00:08:14,880 Speaker 1: Tequila on the Rocks. I just love a good episode. 163 00:08:15,240 --> 00:08:18,080 Speaker 1: But I love beer, Okay, cool girl of beer. I 164 00:08:18,120 --> 00:08:23,280 Speaker 1: also love cheap beer, no way, man, by the way. 165 00:08:23,360 --> 00:08:26,119 Speaker 1: That's honestly. It was because you get these weird YenS, 166 00:08:26,160 --> 00:08:28,120 Speaker 1: like when you get pregnant and stuff, and one of them. 167 00:08:28,200 --> 00:08:30,960 Speaker 1: I'd never really been a beer drinker before, and then 168 00:08:31,080 --> 00:08:32,920 Speaker 1: I had this yen that never went away since I 169 00:08:32,960 --> 00:08:36,679 Speaker 1: had my son, and I just I fucking love them hops. 170 00:08:36,880 --> 00:08:39,760 Speaker 1: That is great, that's sexy. I love that you're saying 171 00:08:39,760 --> 00:08:42,160 Speaker 1: that it's sexy and it's cool on Never in a 172 00:08:42,240 --> 00:08:46,280 Speaker 1: million years though sexy. It's little maintenance. She's like down. 173 00:08:46,720 --> 00:08:53,600 Speaker 1: I love that. Yeah, cheap beer and expensive tequila. I 174 00:08:53,600 --> 00:08:55,599 Speaker 1: can't believe you're a chef. There's so much more that 175 00:08:55,640 --> 00:08:57,200 Speaker 1: I want to ask you about that. Wait, did you 176 00:08:57,280 --> 00:08:58,800 Speaker 1: just chef for athletes? Was that? 177 00:09:00,240 --> 00:09:02,760 Speaker 2: Fol It was mostly athletes and then it was some 178 00:09:02,880 --> 00:09:05,120 Speaker 2: other actors and like people like that as well. 179 00:09:05,160 --> 00:09:07,600 Speaker 1: But did you stop doing that to do what you're 180 00:09:07,600 --> 00:09:11,040 Speaker 1: doing now or did you do them in like concurrently? 181 00:09:11,360 --> 00:09:13,200 Speaker 2: Yeah? I was doing at the end there, I was 182 00:09:13,200 --> 00:09:15,520 Speaker 2: doing it concurrently and it was so embarrassing. I'd be 183 00:09:15,559 --> 00:09:18,360 Speaker 2: like in the kitchen making like gaspacho and I would 184 00:09:18,400 --> 00:09:22,160 Speaker 2: like hear my voice on their phone, like I would 185 00:09:22,160 --> 00:09:23,520 Speaker 2: come up on their TikTok and I was like, that's 186 00:09:23,559 --> 00:09:26,840 Speaker 2: not me, that's a look alike. And then I had 187 00:09:26,880 --> 00:09:30,439 Speaker 2: a job and naturally, and then in that gap between 188 00:09:30,480 --> 00:09:31,680 Speaker 2: finding a new driver, I was like, what if I 189 00:09:31,720 --> 00:09:34,280 Speaker 2: just don't find a new job and see what happens 190 00:09:34,640 --> 00:09:35,840 Speaker 2: with this internet stuff? 191 00:09:35,840 --> 00:09:40,960 Speaker 1: And then blah and beholt I'm on Mini Drivers podcast. Dude, 192 00:09:41,040 --> 00:09:43,720 Speaker 1: would to be able to like, it's so impressive to 193 00:09:43,760 --> 00:09:46,880 Speaker 1: be able to convert what's funny and interesting and that 194 00:09:46,960 --> 00:09:49,599 Speaker 1: you have a facility for into actually being able to 195 00:09:49,640 --> 00:09:52,200 Speaker 1: live off. Like that's quite something, Like it really is, 196 00:09:52,240 --> 00:09:54,560 Speaker 1: Like I think it's such an extraordinary bit of alchemy 197 00:09:54,920 --> 00:09:57,280 Speaker 1: to ever be able to take your interest that's outside 198 00:09:57,280 --> 00:09:59,440 Speaker 1: of what you've been previously doing, particularly and make a 199 00:09:59,440 --> 00:10:02,600 Speaker 1: living out of there. Fuck yeah, it's amazing, just amazing. 200 00:10:02,679 --> 00:10:05,160 Speaker 1: You do it too, find what you love and get 201 00:10:05,160 --> 00:10:20,880 Speaker 1: someone to pay you to do it. So what quality 202 00:10:21,000 --> 00:10:22,920 Speaker 1: do you like? Least about yourself? 203 00:10:24,720 --> 00:10:30,280 Speaker 2: Easy? I can be so self centered and single minded. 204 00:10:30,480 --> 00:10:33,920 Speaker 2: I was having a discussion with someone last night who 205 00:10:34,679 --> 00:10:40,040 Speaker 2: was talking about a very specific experience to them, and 206 00:10:40,480 --> 00:10:44,679 Speaker 2: I went no, that can't be right, and he goes, no, no, no, 207 00:10:45,360 --> 00:10:48,840 Speaker 2: Just because you haven't experienced it doesn't mean it's not 208 00:10:49,000 --> 00:10:53,280 Speaker 2: true for me, And I was like, aha, yes, you're 209 00:10:53,280 --> 00:10:55,440 Speaker 2: probably right about that. So a lot of that goes 210 00:10:55,480 --> 00:10:58,040 Speaker 2: on with me, a lot of if I haven't felt it, 211 00:10:58,120 --> 00:11:01,160 Speaker 2: how could it possibly be going on? And so trying 212 00:11:01,240 --> 00:11:05,199 Speaker 2: to step outside my own experience is really like what 213 00:11:05,240 --> 00:11:07,640 Speaker 2: I've been working on in the twilight of my twenties. 214 00:11:07,640 --> 00:11:09,480 Speaker 1: Here, how do you do that? Do you do that 215 00:11:09,520 --> 00:11:11,680 Speaker 1: by listening and going I'm just going to let this 216 00:11:11,880 --> 00:11:13,559 Speaker 1: like talk and I'm not going to comment on what 217 00:11:13,600 --> 00:11:15,200 Speaker 1: he's saying, even if I don't agree with it, Like 218 00:11:15,320 --> 00:11:16,440 Speaker 1: how do you practice it? 219 00:11:16,679 --> 00:11:19,200 Speaker 2: How I practice it is by allowing myself to be 220 00:11:19,440 --> 00:11:25,360 Speaker 2: incorrect a lot like looking for reasons that evidence in 221 00:11:25,400 --> 00:11:30,120 Speaker 2: my mind for whatever I'm thinking, like the contrary evidence 222 00:11:30,160 --> 00:11:33,079 Speaker 2: of that, where I'm like, okay, now look for examples 223 00:11:33,120 --> 00:11:35,640 Speaker 2: in the world where what you're so sure of is 224 00:11:35,720 --> 00:11:37,720 Speaker 2: not true and you can always find it. 225 00:11:37,840 --> 00:11:38,719 Speaker 1: So I try to do that. 226 00:11:38,800 --> 00:11:41,079 Speaker 2: I try to prove myself wrong a lot because I 227 00:11:41,080 --> 00:11:42,400 Speaker 2: actually really want to be wrong. 228 00:11:42,640 --> 00:11:47,360 Speaker 1: It makes me feel hopeful. I love it. You must 229 00:11:47,440 --> 00:11:49,840 Speaker 1: love getting pulled over by the cops. Well, thank you 230 00:11:49,880 --> 00:11:52,360 Speaker 1: for setting right. I needed to feel wrong and now 231 00:11:52,400 --> 00:11:55,480 Speaker 1: I do. Maybe that's my king being wrong sounds like 232 00:11:55,520 --> 00:11:58,480 Speaker 1: it either way. That's so hilarious. It's like being cool 233 00:11:58,559 --> 00:12:01,760 Speaker 1: breaking an entering, right, I'm just doing this is like right, 234 00:12:01,920 --> 00:12:05,160 Speaker 1: this is my I'm trying to better myself. Yeah, this 235 00:12:05,320 --> 00:12:07,880 Speaker 1: honestly this doesn't live like self improvement. It looks like 236 00:12:07,920 --> 00:12:12,640 Speaker 1: I'm trying to make your jewelry, but it is self improvement. 237 00:12:12,200 --> 00:12:14,760 Speaker 2: Right, It's that, And then it also manifests itself and 238 00:12:15,000 --> 00:12:19,600 Speaker 2: just like this intense like horse blinder focus around something 239 00:12:19,600 --> 00:12:22,840 Speaker 2: that I'm working on, where it is like everything around 240 00:12:22,880 --> 00:12:28,080 Speaker 2: me is just like destroyed tables flipped over, like apartment 241 00:12:28,280 --> 00:12:32,959 Speaker 2: in disarray until I like finish that thing. And I'm 242 00:12:33,040 --> 00:12:36,640 Speaker 2: using like examples of like physical objects, but same with relationships, 243 00:12:36,640 --> 00:12:39,560 Speaker 2: like I will let things really go by the wayside, 244 00:12:39,559 --> 00:12:43,040 Speaker 2: communicating with my family, like romantic things. It's just like 245 00:12:43,160 --> 00:12:46,480 Speaker 2: jettison that to edit this goddamn video. Like that kind 246 00:12:46,559 --> 00:12:50,239 Speaker 2: of single mindedness can really be like it's not pleasurable. 247 00:12:50,360 --> 00:12:52,240 Speaker 2: It feels bad even when I'm doing it, but I 248 00:12:52,280 --> 00:12:55,520 Speaker 2: can't really help it, so I think it all is 249 00:12:55,520 --> 00:12:57,600 Speaker 2: wrapped up in a self centeredness that I'm trying to 250 00:12:57,800 --> 00:12:58,360 Speaker 2: grow out of. 251 00:13:00,000 --> 00:13:01,480 Speaker 1: You know what, I home, you didn't grow out of 252 00:13:01,600 --> 00:13:05,400 Speaker 1: all of it. Some therapist, rather brilliantly it said to 253 00:13:05,440 --> 00:13:07,760 Speaker 1: me once when I was whatever it was I was 254 00:13:07,800 --> 00:13:09,319 Speaker 1: going through, It was like, you never want to get 255 00:13:09,360 --> 00:13:13,079 Speaker 1: rid of one hundred percent of your shit. You always 256 00:13:13,120 --> 00:13:17,960 Speaker 1: need to keep a certain percentage in order to recognize it, 257 00:13:18,040 --> 00:13:20,000 Speaker 1: in order to know it, and also in order to 258 00:13:20,040 --> 00:13:22,560 Speaker 1: pay it its dues for having taught you. And I 259 00:13:22,640 --> 00:13:25,400 Speaker 1: was like, oh my god, I'm supposed to literally tithe 260 00:13:25,920 --> 00:13:29,240 Speaker 1: to my emotional and psychological shit. And he was like, yeah, 261 00:13:29,280 --> 00:13:31,320 Speaker 1: pretty much. I think it's really interesting. 262 00:13:31,520 --> 00:13:32,480 Speaker 2: And I think also those. 263 00:13:32,360 --> 00:13:36,120 Speaker 1: Women were told there was supposed to iron out every 264 00:13:36,160 --> 00:13:39,400 Speaker 1: single thing that is somehow difficult or unappealing, when a 265 00:13:39,440 --> 00:13:42,960 Speaker 1: natural thing what you've just described. Yes, I know that 266 00:13:43,000 --> 00:13:46,280 Speaker 1: being self centered and single minded. I've been there, of 267 00:13:46,360 --> 00:13:49,800 Speaker 1: suffering the loss of relationships and family, being mad, But 268 00:13:50,320 --> 00:13:53,520 Speaker 1: it's also becomes the engine. There's nobody else motivating you. 269 00:13:53,800 --> 00:13:55,640 Speaker 1: It is part of your engine. It is part of 270 00:13:55,640 --> 00:13:58,320 Speaker 1: what propels us to create and to make things, and 271 00:13:58,400 --> 00:14:01,480 Speaker 1: it does require a certain Maybe you'll reframe it won't 272 00:14:01,520 --> 00:14:03,760 Speaker 1: just be self centeredive, but it will be yeah driven. 273 00:14:04,200 --> 00:14:06,240 Speaker 1: I mean anyone could see that by looking at the 274 00:14:06,280 --> 00:14:08,440 Speaker 1: films that you make, the videos that you may thank you, 275 00:14:08,840 --> 00:14:11,600 Speaker 1: I mean you have to be in order to create 276 00:14:11,640 --> 00:14:16,840 Speaker 1: that content. I think the best thing about you and 277 00:14:16,880 --> 00:14:18,120 Speaker 1: the worst thing about you, or. 278 00:14:18,080 --> 00:14:21,280 Speaker 2: Often like just two sides of the same coin like that. Yeah, 279 00:14:21,320 --> 00:14:24,320 Speaker 2: so you need it? What's yours? Yeah? 280 00:14:24,360 --> 00:14:29,120 Speaker 1: What's yours? Everything mine a spiral, a spiral, and I 281 00:14:29,160 --> 00:14:32,840 Speaker 1: pull everything into the vortex of the small thing that's 282 00:14:32,880 --> 00:14:37,040 Speaker 1: going wrong is suddenly everything? Is this just in a 283 00:14:37,160 --> 00:14:38,760 Speaker 1: form of anxiety? Do you? 284 00:14:39,400 --> 00:14:39,840 Speaker 2: I think? 285 00:14:40,040 --> 00:14:43,400 Speaker 1: Yeah? Which I never had that word. I really genuinely 286 00:14:43,560 --> 00:14:45,720 Speaker 1: never had that word. And there was never a bottom 287 00:14:45,880 --> 00:14:47,800 Speaker 1: to it, so you could never actually hit the bottom 288 00:14:47,800 --> 00:14:49,360 Speaker 1: and go, oh what was that? It was a kind 289 00:14:49,400 --> 00:14:51,040 Speaker 1: of I think it's a free fall. And I think 290 00:14:51,040 --> 00:14:53,200 Speaker 1: also because there wasn't a word for it, and so 291 00:14:53,280 --> 00:14:56,560 Speaker 1: there wasn't a medication or a therapy or anything. Is 292 00:14:56,600 --> 00:14:59,360 Speaker 1: it be years of putting that together to go, oh, 293 00:14:59,640 --> 00:15:04,000 Speaker 1: this is thing I do. I remember introducing this to 294 00:15:04,120 --> 00:15:07,840 Speaker 1: my boyfriend almost like it was like an elderly aunt 295 00:15:07,840 --> 00:15:11,280 Speaker 1: who I have custody of, darling this is my spiraling 296 00:15:11,360 --> 00:15:14,520 Speaker 1: free for She's fragile and she's sweet, but if you 297 00:15:14,600 --> 00:15:16,640 Speaker 1: just put her on the sofa with a cup of tea, 298 00:15:17,080 --> 00:15:19,640 Speaker 1: usually she gets it back together and she won't shit 299 00:15:19,720 --> 00:15:22,000 Speaker 1: the bad. I love that. I love gently explaining your 300 00:15:22,040 --> 00:15:22,800 Speaker 1: own sort. 301 00:15:22,640 --> 00:15:25,840 Speaker 2: Of like pathologies to other people, being like, hey, this 302 00:15:25,880 --> 00:15:27,800 Speaker 2: is what's going on right now. I even have a 303 00:15:27,840 --> 00:15:29,920 Speaker 2: signal now to the people in my life. I shake 304 00:15:29,960 --> 00:15:32,080 Speaker 2: my hands like this. If I'm like going into this 305 00:15:32,120 --> 00:15:35,720 Speaker 2: weird sort of introverted like the hall, I just go. 306 00:15:36,240 --> 00:15:40,280 Speaker 1: I'll talk to you in three hours. Listen. Communication and 307 00:15:40,440 --> 00:15:43,560 Speaker 1: the ability to teach people about your language. I think 308 00:15:43,600 --> 00:15:45,840 Speaker 1: that's really cool to be able to do that. Yeah, 309 00:15:45,880 --> 00:15:48,120 Speaker 1: it's not easy, all this living now, it's not You've 310 00:15:48,080 --> 00:15:51,200 Speaker 1: got to find whatever tools you possibly can. Becoming friendly 311 00:15:51,240 --> 00:15:55,400 Speaker 1: with and having signals I think is all really positive. 312 00:15:55,800 --> 00:15:57,200 Speaker 1: I love what you do. Jazz hair. 313 00:15:57,640 --> 00:15:59,400 Speaker 2: Yeah, I don't know. It seems like a way to 314 00:15:59,520 --> 00:16:02,200 Speaker 2: make people laugh when it's happening. So it's just sort 315 00:16:02,240 --> 00:16:02,520 Speaker 2: of like. 316 00:16:02,480 --> 00:16:11,600 Speaker 1: Hey, delady's going into that mode exactly. I might have 317 00:16:11,640 --> 00:16:18,720 Speaker 1: to steal that. That's really good. That's really great. Where 318 00:16:19,000 --> 00:16:20,760 Speaker 1: and when were you happiest? 319 00:16:21,040 --> 00:16:27,160 Speaker 2: Okay, I recently threw a dinner party at my loft 320 00:16:27,160 --> 00:16:31,160 Speaker 2: in Los Angeles. This moment where I wake up and 321 00:16:31,640 --> 00:16:34,360 Speaker 2: I know that that evening I'm entertaining, I'm having a 322 00:16:34,360 --> 00:16:37,880 Speaker 2: bunch of people over. That moment is when I'm the happiest. 323 00:16:37,880 --> 00:16:40,360 Speaker 2: When I get to look forward to a day of 324 00:16:41,480 --> 00:16:45,760 Speaker 2: writing a list of groceries with a pen and a 325 00:16:45,800 --> 00:16:49,880 Speaker 2: piece of paper and taking it to like one of 326 00:16:49,920 --> 00:16:55,040 Speaker 2: those tiny like gourmet food stores and really nerding out 327 00:16:55,080 --> 00:16:59,320 Speaker 2: on some weird brand of grain that I didn't know existed, 328 00:16:59,680 --> 00:17:02,880 Speaker 2: and then and like heirloom blah blah blah blah and 329 00:17:03,240 --> 00:17:05,520 Speaker 2: broth and all that stuff, and getting really crazy with 330 00:17:05,600 --> 00:17:08,879 Speaker 2: that and seeing what's in season, and then putting together 331 00:17:08,920 --> 00:17:11,520 Speaker 2: a menu and like talking to the butcher and the 332 00:17:11,560 --> 00:17:13,760 Speaker 2: fishmonger and being like, how much do I need to 333 00:17:13,760 --> 00:17:17,080 Speaker 2: feed sixteen people? And then there's this dialogue that's happening there, 334 00:17:17,160 --> 00:17:19,160 Speaker 2: and then you feel like you're like, oh my god, 335 00:17:19,160 --> 00:17:21,520 Speaker 2: I really live in my city. I know my butcher. 336 00:17:22,200 --> 00:17:24,159 Speaker 1: And then you come home. 337 00:17:23,920 --> 00:17:27,400 Speaker 2: And it's the stay of repping and creating sauces while 338 00:17:27,440 --> 00:17:30,840 Speaker 2: all simultaneously watching like a Nancy Meyer's movie at the background. 339 00:17:30,840 --> 00:17:32,919 Speaker 2: That's my ritual I love to put on a movie 340 00:17:33,080 --> 00:17:35,160 Speaker 2: and I'm getting ready for a dinner party, and then 341 00:17:35,200 --> 00:17:38,760 Speaker 2: it's the making the table, setting the table. I did 342 00:17:38,880 --> 00:17:42,199 Speaker 2: some really crazy things where I would like go to 343 00:17:42,280 --> 00:17:45,000 Speaker 2: the fabric District in Los Angeles and make my own 344 00:17:45,040 --> 00:17:49,360 Speaker 2: tablecloth and really get into that kind of thing. And 345 00:17:49,400 --> 00:17:52,920 Speaker 2: then you're having a glass of wine right before everybody 346 00:17:52,960 --> 00:17:55,640 Speaker 2: shows up, and everyone comes in and maybe you've invited 347 00:17:55,680 --> 00:17:59,080 Speaker 2: your crush and that's going to be exciting, and there's 348 00:17:59,080 --> 00:18:01,919 Speaker 2: so much wine. The night is so full of potential. 349 00:18:02,080 --> 00:18:05,320 Speaker 2: So a day like that is always when I'm the happiest, 350 00:18:05,359 --> 00:18:08,600 Speaker 2: and it's imperative that it is in my space. Having 351 00:18:08,600 --> 00:18:11,919 Speaker 2: people to MySpace like that's just what brings a home warmth. 352 00:18:12,320 --> 00:18:13,920 Speaker 2: And so I just got this place in New York 353 00:18:14,119 --> 00:18:17,760 Speaker 2: and it's significantly smaller here, and so I haven't quite 354 00:18:17,840 --> 00:18:19,320 Speaker 2: been able to do the type of parties they do 355 00:18:19,359 --> 00:18:21,880 Speaker 2: in Los Angeles, but I'm hoping to bring that here 356 00:18:21,960 --> 00:18:23,560 Speaker 2: so I feel that same kind of happiness. 357 00:18:24,480 --> 00:18:27,480 Speaker 1: Wow, God, if I've got sixteen people coming over, I 358 00:18:27,480 --> 00:18:31,159 Speaker 1: wake up on the morning to be like, oh fucking footballs, yeah, wow, 359 00:18:31,240 --> 00:18:34,119 Speaker 1: so good. How most people find that way? I know, 360 00:18:34,200 --> 00:18:37,000 Speaker 1: and my sister loves it. You two and you I'm 361 00:18:37,080 --> 00:18:40,240 Speaker 1: sure are very good at it because you take pleasure 362 00:18:40,280 --> 00:18:40,560 Speaker 1: in it. 363 00:18:40,800 --> 00:18:43,840 Speaker 2: Yeah, I think it's a performance or maybe even a manipulation, 364 00:18:44,119 --> 00:18:45,919 Speaker 2: because it's look at how I can show you that 365 00:18:46,000 --> 00:18:47,040 Speaker 2: my life is put together. 366 00:18:47,080 --> 00:18:49,120 Speaker 1: Look at all these little tricks I'm showing you. 367 00:18:49,240 --> 00:18:52,480 Speaker 2: How I shut then oyster in, how I was able 368 00:18:52,480 --> 00:18:54,679 Speaker 2: to get sixteen bottles of wine. 369 00:18:54,840 --> 00:18:56,560 Speaker 1: It is a little bit of a manipulation. 370 00:18:56,680 --> 00:18:57,920 Speaker 2: And I think about that a lot. 371 00:18:58,200 --> 00:19:02,239 Speaker 1: That's interesting how I'm come instantly, not constantly every now 372 00:19:02,240 --> 00:19:06,040 Speaker 1: and again, when I'm stop breaking down, Like performance and 373 00:19:06,160 --> 00:19:09,280 Speaker 1: being an actor, I can never get away from the 374 00:19:09,320 --> 00:19:13,560 Speaker 1: embarrassing need for approbation and of people's acknowledgement of what 375 00:19:13,600 --> 00:19:16,680 Speaker 1: I've done and needing supports the nice way of saying 376 00:19:16,760 --> 00:19:19,160 Speaker 1: it around that, are you aware of kind of your 377 00:19:19,160 --> 00:19:21,960 Speaker 1: foibles around the things that you like? You say, that's 378 00:19:21,960 --> 00:19:24,040 Speaker 1: a tenet of you. Having a dinner party is going. 379 00:19:24,840 --> 00:19:27,720 Speaker 1: Maybe there's some manipulation in there of wanting people to 380 00:19:27,760 --> 00:19:30,119 Speaker 1: be or thinking about it. She got oysters and she 381 00:19:30,240 --> 00:19:32,160 Speaker 1: knew how to shuck it. Yeah. Do you think that's 382 00:19:32,200 --> 00:19:33,680 Speaker 1: part of being an actor or do you think that's 383 00:19:33,720 --> 00:19:35,360 Speaker 1: just part of your pathology. 384 00:19:35,880 --> 00:19:38,080 Speaker 2: I definitely think it's part of being a performer of 385 00:19:38,119 --> 00:19:40,760 Speaker 2: any kind. I think that people who have been doing 386 00:19:40,800 --> 00:19:42,400 Speaker 2: it for a really long time and have been able 387 00:19:42,440 --> 00:19:45,200 Speaker 2: to sustain a career as a performer probably are able 388 00:19:45,240 --> 00:19:48,119 Speaker 2: to shed that sooner rather than later, because it's an 389 00:19:48,160 --> 00:19:52,240 Speaker 2: unsustainable way to go about doing it expecting that sort 390 00:19:52,320 --> 00:19:54,560 Speaker 2: of positive feedback loop. 391 00:19:54,920 --> 00:19:57,160 Speaker 1: Yeah, I think about sometimes my apartment. 392 00:19:57,240 --> 00:20:00,000 Speaker 2: It's more of like a set that I've like, really 393 00:20:00,440 --> 00:20:04,399 Speaker 2: thought about the production design of it more than enough apartment. Oh, 394 00:20:04,440 --> 00:20:07,760 Speaker 2: I've got these beautiful gold salt and pepper grinders. 395 00:20:08,480 --> 00:20:09,480 Speaker 1: Do I like these? 396 00:20:09,600 --> 00:20:11,760 Speaker 2: Or do I just want them so that people see 397 00:20:11,800 --> 00:20:14,760 Speaker 2: them and go, Delaney has those? 398 00:20:15,720 --> 00:20:16,639 Speaker 1: And what does that say? 399 00:20:16,680 --> 00:20:19,240 Speaker 2: That she found those or sourced them from an interesting 400 00:20:19,320 --> 00:20:22,160 Speaker 2: vantage website and she must have such a rich internal life? 401 00:20:22,240 --> 00:20:25,119 Speaker 1: What am I always looking for? But that's it. I 402 00:20:25,160 --> 00:20:27,879 Speaker 1: think it's interesting. I've always felt like if one is 403 00:20:27,920 --> 00:20:30,359 Speaker 1: in on the jug of what one is doing, that 404 00:20:30,480 --> 00:20:33,480 Speaker 1: there's an absolution in that. Like it was like, is 405 00:20:33,520 --> 00:20:36,359 Speaker 1: this Delaney wanting the gold pepper and salt things or 406 00:20:36,480 --> 00:20:38,640 Speaker 1: is this actually me wanting to bread? Like I think 407 00:20:38,760 --> 00:20:42,119 Speaker 1: having that self awareness, I think it's observably that way, 408 00:20:42,280 --> 00:20:43,679 Speaker 1: and none of this is much to come across as 409 00:20:43,720 --> 00:20:46,240 Speaker 1: patronizing even if it does. But I am significantly older 410 00:20:46,240 --> 00:20:48,320 Speaker 1: than you. I think it does save you. I think 411 00:20:48,400 --> 00:20:52,040 Speaker 1: self awareness is the thing that actually forks you out 412 00:20:52,040 --> 00:20:55,200 Speaker 1: of more shit in life, actually being able to acknowledge 413 00:20:55,240 --> 00:20:57,159 Speaker 1: it and go, yeah I did that, or yeah I 414 00:20:57,160 --> 00:20:57,600 Speaker 1: did that. 415 00:20:57,680 --> 00:21:00,879 Speaker 2: There's this sort of funny rhetoric on it where it's like, 416 00:21:01,160 --> 00:21:04,840 Speaker 2: if you are even considering whether you're a narcissist or 417 00:21:04,880 --> 00:21:09,000 Speaker 2: googling it, you're probably not a narcissist. And I'm like, okay, 418 00:21:09,040 --> 00:21:10,880 Speaker 2: but come on, there's got to be a loopho hole there. 419 00:21:11,000 --> 00:21:12,520 Speaker 2: That's some narcissists have figured out. 420 00:21:12,920 --> 00:21:17,000 Speaker 1: So I'm still not stop free on that. No convinced, Yeah, no, convinced, 421 00:21:17,000 --> 00:21:17,760 Speaker 1: not entirely. 422 00:21:17,880 --> 00:21:20,280 Speaker 2: Are the really good narcissists in on that too. 423 00:21:20,680 --> 00:21:39,159 Speaker 1: Yeah, exactly. I'm really well prepared. What relationship, real or fictionalized, 424 00:21:39,320 --> 00:21:40,320 Speaker 1: defines love for you. 425 00:21:40,960 --> 00:21:46,199 Speaker 2: I was actually watching when Harry met Sali recently, and 426 00:21:46,240 --> 00:21:51,160 Speaker 2: you know how it's interspersed with these introductions to these 427 00:21:51,160 --> 00:21:52,919 Speaker 2: couples who have been together in real life for like 428 00:21:52,960 --> 00:21:55,240 Speaker 2: one hundred and forty seven years. It's like Marty and 429 00:21:55,320 --> 00:21:58,600 Speaker 2: Nancy met in a bread factory and they've been together 430 00:21:58,680 --> 00:22:01,800 Speaker 2: for two hundred years. I I am really fascinated by 431 00:22:02,320 --> 00:22:06,640 Speaker 2: couples who withstand like an insane test of time like that, 432 00:22:07,119 --> 00:22:12,960 Speaker 2: because it's increasingly rare, and I find it very old 433 00:22:13,000 --> 00:22:17,640 Speaker 2: fashioned and very romantic. And as I get older, I 434 00:22:17,680 --> 00:22:20,000 Speaker 2: think I'm realizing, like I might be sort of romantic 435 00:22:20,040 --> 00:22:23,359 Speaker 2: and old fashioned. And so I'm looking around at all 436 00:22:23,440 --> 00:22:26,600 Speaker 2: of these couples around my age, and I don't know, 437 00:22:26,720 --> 00:22:28,680 Speaker 2: I have no idea what to say about what's going 438 00:22:28,720 --> 00:22:31,840 Speaker 2: on with them. I actually think my generation is getting 439 00:22:31,920 --> 00:22:36,040 Speaker 2: a lot wrong when it comes to romantic relationships right now. 440 00:22:36,320 --> 00:22:38,840 Speaker 2: And also I acknowledge this question could have been about 441 00:22:39,040 --> 00:22:42,320 Speaker 2: platonic love. But yeah, I guess what I'm most interested 442 00:22:42,359 --> 00:22:46,720 Speaker 2: in romantic love, Sue me. I think that's the most fun. 443 00:22:47,080 --> 00:22:49,919 Speaker 2: Even looking at couples like in the industry, I like 444 00:22:50,320 --> 00:22:54,000 Speaker 2: Goldie Hawn and Kurt Russell, who have been together since 445 00:22:54,760 --> 00:22:59,480 Speaker 2: what nineteen eighty three, Like, I really want to know 446 00:22:59,520 --> 00:23:01,879 Speaker 2: what's going on they're like, who knows the shit that 447 00:23:01,880 --> 00:23:04,000 Speaker 2: they've been through? Who knows how they make it work? 448 00:23:04,320 --> 00:23:09,640 Speaker 2: But I'm interested in the devotion of staying together beyond 449 00:23:10,000 --> 00:23:13,520 Speaker 2: whatever they've gone through, Like, I really find that fascinating. 450 00:23:13,960 --> 00:23:16,960 Speaker 2: So I don't know. I think I'm hopeful. It makes 451 00:23:17,000 --> 00:23:17,680 Speaker 2: me feel hopeful. 452 00:23:18,040 --> 00:23:23,160 Speaker 1: I love that My aunt was married for sixty two 453 00:23:23,320 --> 00:23:28,040 Speaker 1: years and he died quite recently, and I was asking 454 00:23:28,080 --> 00:23:31,560 Speaker 1: her about her marriage and she said, it's like a centrifuge, 455 00:23:31,600 --> 00:23:35,000 Speaker 1: and you have all of these things that will get 456 00:23:35,080 --> 00:23:38,440 Speaker 1: put into that centrifige. But because there was a ton 457 00:23:38,520 --> 00:23:41,520 Speaker 1: of shit that went down that he did and that 458 00:23:42,160 --> 00:23:44,120 Speaker 1: today we would go, well, I can't believe they didn't 459 00:23:44,119 --> 00:23:47,280 Speaker 1: get divorced or whatever from whatever, all these different things. 460 00:23:47,320 --> 00:23:51,160 Speaker 1: And she said, you sometimes take years where you're processing 461 00:23:51,280 --> 00:23:53,520 Speaker 1: whether or not these things that have come at you 462 00:23:54,359 --> 00:23:58,119 Speaker 1: actually qualify as shutting down this centrifuge. Are they bigger 463 00:23:58,160 --> 00:24:00,639 Speaker 1: than this central thing? And she was like I kept 464 00:24:00,840 --> 00:24:03,879 Speaker 1: not being able to answer yes. I kept going No, 465 00:24:04,160 --> 00:24:09,320 Speaker 1: this affair or this infraction, this argument, this lack of 466 00:24:09,359 --> 00:24:13,000 Speaker 1: moral compunction, this whatever it was, is not greater than 467 00:24:13,280 --> 00:24:18,560 Speaker 1: the profound connection, devotion, and shared life that we have together. 468 00:24:19,440 --> 00:24:21,680 Speaker 1: And I was like, but why are you just boiling 469 00:24:21,760 --> 00:24:24,080 Speaker 1: with fucking rage? And she was like, of course I was. 470 00:24:24,400 --> 00:24:26,679 Speaker 1: Then there were years where I would boil, and I 471 00:24:26,720 --> 00:24:28,320 Speaker 1: was like, what would you do? And she was like, 472 00:24:28,359 --> 00:24:30,080 Speaker 1: don't you remember when I used to come and stay 473 00:24:30,080 --> 00:24:33,040 Speaker 1: with you for extended periods of time? And I was like, 474 00:24:33,320 --> 00:24:35,080 Speaker 1: I thought, it's just because you liked us, and she 475 00:24:35,160 --> 00:24:38,120 Speaker 1: was like, don't be ridiculous, right, you know that's special. 476 00:24:38,280 --> 00:24:40,639 Speaker 1: So maybe it is that it's like going, is this 477 00:24:40,720 --> 00:24:43,520 Speaker 1: more important? Then? But you've got to have that solid 478 00:24:43,560 --> 00:24:46,399 Speaker 1: devotion to that kind of initial that love. Yeah, have 479 00:24:46,480 --> 00:24:51,440 Speaker 1: you been in love? I have a couple times. Did 480 00:24:51,440 --> 00:24:52,359 Speaker 1: you like it? 481 00:24:52,760 --> 00:24:56,720 Speaker 2: Of course, love makes everything better, and it makes when 482 00:24:56,760 --> 00:25:01,000 Speaker 2: something is networking in your life, it makes that all 483 00:25:01,560 --> 00:25:04,560 Speaker 2: the sweeter because you go, it's okay, I'm in love. 484 00:25:05,000 --> 00:25:06,480 Speaker 2: I don't have to work out with it. I'm in love. 485 00:25:06,720 --> 00:25:09,040 Speaker 1: I just paid X amount of taxes. I'm fine, I'm 486 00:25:09,040 --> 00:25:09,320 Speaker 1: in love. 487 00:25:09,400 --> 00:25:12,159 Speaker 2: That's what I like about love. It really does make 488 00:25:12,200 --> 00:25:15,040 Speaker 2: everything better. And I find that, like when I'm in love, 489 00:25:15,240 --> 00:25:23,080 Speaker 2: I am healthyest physically healthy, Like my like disposition changes 490 00:25:23,119 --> 00:25:26,560 Speaker 2: when I'm in love, Like my hair looks better, you know. 491 00:25:26,840 --> 00:25:30,400 Speaker 2: And these are all probably results of the hormonal in 492 00:25:30,400 --> 00:25:32,840 Speaker 2: flux coursing through your system, of course, with. 493 00:25:32,760 --> 00:25:37,680 Speaker 1: What comes with love. But yeah, totally that's really nice. 494 00:25:37,720 --> 00:25:40,480 Speaker 1: That's really nice to acknowledge that I don't know that 495 00:25:40,480 --> 00:25:42,320 Speaker 1: I really liked being in love that much. Are you 496 00:25:42,320 --> 00:25:44,240 Speaker 1: in love at the moment? Well, oh yes, there I go, 497 00:25:44,480 --> 00:25:46,959 Speaker 1: Oh yes, I But I have to say it is 498 00:25:47,080 --> 00:25:51,480 Speaker 1: an evolved version of the love that I felt at 499 00:25:51,520 --> 00:25:54,959 Speaker 1: twenty six is different from the love that I feel. 500 00:25:55,280 --> 00:25:58,879 Speaker 1: I love them both, but this one feels like it 501 00:25:58,920 --> 00:26:03,800 Speaker 1: could manage a tornado, and it could in it will. 502 00:26:04,080 --> 00:26:06,760 Speaker 1: It is sustainable. And that's not to say that it 503 00:26:06,880 --> 00:26:13,280 Speaker 1: is not interesting, varied, charismatic, sexy and all those other things. 504 00:26:13,359 --> 00:26:15,840 Speaker 1: It's just I think it's probably just that we are 505 00:26:15,880 --> 00:26:18,280 Speaker 1: different in these different seasons of our life. But it's 506 00:26:18,359 --> 00:26:20,399 Speaker 1: very different. It's a very different kind of it's a 507 00:26:20,480 --> 00:26:21,520 Speaker 1: very different kind of love. 508 00:26:21,880 --> 00:26:27,120 Speaker 2: What would you say to the mid to late twenties 509 00:26:27,359 --> 00:26:30,280 Speaker 2: MANI who is either in love or falling in love? 510 00:26:30,359 --> 00:26:32,879 Speaker 1: What's that love advice that you're going to give now? 511 00:26:33,200 --> 00:26:37,720 Speaker 1: It genuinely would say, just please just put a moratorium 512 00:26:37,800 --> 00:26:41,040 Speaker 1: on dating actors. Just don't do it. Just don't do it. 513 00:26:41,080 --> 00:26:43,640 Speaker 1: Just if I'm going to do one thing, I'm not 514 00:26:43,680 --> 00:26:47,960 Speaker 1: going to do this, because there isn't with all the 515 00:26:48,000 --> 00:26:50,760 Speaker 1: love in the world, and God knows, I love actors. 516 00:26:50,840 --> 00:26:54,680 Speaker 1: I love them, fascinated by them. I think they're sexy 517 00:26:54,720 --> 00:26:56,560 Speaker 1: and cool and great, and they do what I do, 518 00:26:56,600 --> 00:26:58,399 Speaker 1: and they love what I love, and I love watching 519 00:26:58,400 --> 00:27:01,720 Speaker 1: how they do it. Or there is room, but it's 520 00:27:01,800 --> 00:27:05,880 Speaker 1: not room for two of these sensibilities. Something has to give, 521 00:27:06,040 --> 00:27:08,320 Speaker 1: someone has to give it up, someone just has to do. 522 00:27:08,480 --> 00:27:09,639 Speaker 1: I do agree with that. 523 00:27:09,840 --> 00:27:14,000 Speaker 2: I've constructed a theory in the last few months, which 524 00:27:14,040 --> 00:27:19,080 Speaker 2: is that within every great romantic relationship, there is the ham, 525 00:27:19,200 --> 00:27:22,160 Speaker 2: and then there's the straight man. And this reference doesn't 526 00:27:22,160 --> 00:27:24,320 Speaker 2: work because'm actually about to reference to actors, but it's like, 527 00:27:24,320 --> 00:27:26,240 Speaker 2: there's got to be the Charlie Day and then there's 528 00:27:26,280 --> 00:27:30,320 Speaker 2: the Jason Bateman, meaning like Charlie's the hair, and then 529 00:27:30,359 --> 00:27:31,720 Speaker 2: we've got a straight man over here. So it's like, 530 00:27:32,160 --> 00:27:35,159 Speaker 2: I've noticed that whenever I have a relationship that's really working, 531 00:27:35,400 --> 00:27:37,200 Speaker 2: it's because they've allowed me to be the ham. I 532 00:27:37,280 --> 00:27:38,120 Speaker 2: always have to be the hand. 533 00:27:38,160 --> 00:27:40,200 Speaker 1: By the way, Can I tell you that is what 534 00:27:40,200 --> 00:27:45,520 Speaker 1: Addison has in all of his like capacious intellectual amazingness, 535 00:27:45,640 --> 00:27:47,520 Speaker 1: what he has done for me is just to let 536 00:27:47,520 --> 00:27:51,200 Speaker 1: me be the ham, not be angry with me for it. 537 00:27:51,600 --> 00:27:54,760 Speaker 1: Not put poke fun at me, not feel threatened, not 538 00:27:54,880 --> 00:27:57,679 Speaker 1: be jealous, not be jealous. I need to shut it down. 539 00:27:58,080 --> 00:28:01,359 Speaker 1: So maybe to throw that blanket thing over. Well, just 540 00:28:01,440 --> 00:28:03,600 Speaker 1: no actors, But I really do think as a general 541 00:28:03,640 --> 00:28:08,040 Speaker 1: rule of thumb, the actors are better off with civilians. Yeah. 542 00:28:08,119 --> 00:28:11,200 Speaker 2: I've done it both, so I'll let you know how 543 00:28:11,200 --> 00:28:11,760 Speaker 2: it goes. 544 00:28:12,440 --> 00:28:13,560 Speaker 1: You know, it's all up in the air and now. 545 00:28:13,560 --> 00:28:18,399 Speaker 2: But no, I'd love to date like a dentist. That 546 00:28:18,560 --> 00:28:22,320 Speaker 2: sounds great. Dentists start really on RAYA is the problem? 547 00:28:22,600 --> 00:28:23,600 Speaker 1: Have you ever been on Riya? 548 00:28:23,760 --> 00:28:24,040 Speaker 2: Really? 549 00:28:25,200 --> 00:28:27,360 Speaker 1: I yet? No, I have not been on Rare. I've 550 00:28:27,359 --> 00:28:29,600 Speaker 1: swiped through with a friend of mine, and the world 551 00:28:29,680 --> 00:28:32,560 Speaker 1: of online dating that is quite something. Oh yeah, is 552 00:28:32,600 --> 00:28:33,639 Speaker 1: that way you meet people? 553 00:28:33,840 --> 00:28:40,840 Speaker 2: No, I meet people at work events and they're usually actors, writers, directors, comedians. 554 00:28:41,280 --> 00:28:42,920 Speaker 1: I've got a hot dentist. 555 00:28:43,320 --> 00:28:44,080 Speaker 2: I'm really to it. 556 00:28:44,280 --> 00:28:47,440 Speaker 1: Yeah, okay, I'm not even kidding. Then where does he live. 557 00:28:47,600 --> 00:28:50,840 Speaker 1: He's like in Hudson. Oh that's not too far. Okay, 558 00:28:50,880 --> 00:28:54,320 Speaker 1: I'm in Chinatown. I'm definitely texting him after we we 559 00:28:54,400 --> 00:28:59,560 Speaker 1: hang out. Okay, how old are we talking? He's thirty four. Oh, 560 00:28:59,560 --> 00:29:04,760 Speaker 1: that's per effect. I know that's where dentist. I was like, 561 00:29:05,240 --> 00:29:10,160 Speaker 1: hold please, she looks like me. You're gonna be so happy. Okay, 562 00:29:10,400 --> 00:29:15,880 Speaker 1: this is so funny. Mini Questions is hosted and written 563 00:29:15,960 --> 00:29:20,680 Speaker 1: by me Mini Driver, Executive produced by Me and Aaron Kaufman, 564 00:29:21,120 --> 00:29:25,719 Speaker 1: with production support from Jennifer Bassett, Zoey Dentler and Ali Perry. 565 00:29:26,240 --> 00:29:28,520 Speaker 3: The theme music is also by me. 566 00:29:29,000 --> 00:29:33,240 Speaker 1: An Additional music by Aaron Kaufman. Special thanks to Jim 567 00:29:33,320 --> 00:29:39,280 Speaker 1: Nikolay Addison, O'Day, Henry Driver, Lisa Castella, Anick oppenheim, A, 568 00:29:39,360 --> 00:29:43,440 Speaker 1: Nick Muller and Annette Wolfe at w kp R, Will Pearson, 569 00:29:43,960 --> 00:29:48,280 Speaker 1: Nicki Etoor, Morgan Levoy and Mangesh had ticke Adore