1
00:00:14,880 --> 00:00:17,640
Speaker 1: Welcome everyone to this park Opper episode of Magical rewind

2
00:00:17,640 --> 00:00:20,440
Speaker 1: where we are really going to get into the weeds

3
00:00:20,480 --> 00:00:22,640
Speaker 1: here because we've got to talk.

4
00:00:22,480 --> 00:00:25,239
Speaker 2: To this person. That's a guy who I am lucky

5
00:00:25,280 --> 00:00:26,640
Speaker 2: enough to call a friend of mine. I've known him

6
00:00:26,640 --> 00:00:27,320
Speaker 2: for many, many years.

7
00:00:27,360 --> 00:00:29,560
Speaker 1: He's been on the show twice now, he's done DCOM

8
00:00:29,600 --> 00:00:32,960
Speaker 1: after DCOM after d coom. We've talked to him about

9
00:00:32,960 --> 00:00:34,960
Speaker 1: a bunch of the stuff that he's done, but I

10
00:00:35,000 --> 00:00:36,480
Speaker 1: really want to talk to him about the last one

11
00:00:36,680 --> 00:00:37,400
Speaker 1: that we watched.

12
00:00:38,040 --> 00:00:41,200
Speaker 2: So can you please help us? Welcome to talk about

13
00:00:41,280 --> 00:00:42,480
Speaker 2: Balloon Farm.

14
00:00:42,720 --> 00:00:50,000
Speaker 3: Adam Wiley, Hey, Hello, Hello boy.

15
00:00:50,000 --> 00:00:51,520
Speaker 2: Do we have stuff to talk about today? Adam?

16
00:00:51,600 --> 00:00:54,240
Speaker 3: Oh my gosh, I'm so excited. Oh do we have

17
00:00:54,240 --> 00:00:57,080
Speaker 3: stuff to talk about today? I literally just watched it

18
00:00:57,120 --> 00:01:00,920
Speaker 3: for the first time since probably eighteen ninety nine.

19
00:01:01,200 --> 00:01:04,160
Speaker 2: Okay, so we'll get into that because I have several.

20
00:01:03,960 --> 00:01:06,920
Speaker 3: Quite much, I have all the answers, and I've got

21
00:01:07,400 --> 00:01:10,280
Speaker 3: the scene stuff that you probably haven't thought of yet. O.

22
00:01:10,480 --> 00:01:12,720
Speaker 2: Thank god, that's the best. So, first of welcome back,

23
00:01:13,480 --> 00:01:14,600
Speaker 2: welcome back to thank you.

24
00:01:14,600 --> 00:01:17,560
Speaker 1: You're one of our few two timers on Magical Rewinds,

25
00:01:17,600 --> 00:01:20,760
Speaker 1: so we're have we so excited jackets made? But it's

26
00:01:20,800 --> 00:01:24,160
Speaker 1: also because you've done so many decoms.

27
00:01:24,280 --> 00:01:25,480
Speaker 2: Uh, it's it's incredible.

28
00:01:25,520 --> 00:01:28,360
Speaker 1: We have now since we've seen you last time, have

29
00:01:28,560 --> 00:01:33,080
Speaker 1: also watched Can of Worms amazing and Balloon Farm. So

30
00:01:33,319 --> 00:01:35,360
Speaker 1: let's start with Can of Worms because we watched Can

31
00:01:35,440 --> 00:01:39,120
Speaker 1: of Worms and we're like, this is that crazy? Nothing's

32
00:01:39,160 --> 00:01:40,959
Speaker 1: going to beat that. And then we're going to talk

33
00:01:40,959 --> 00:01:45,240
Speaker 1: about Balloon Farm. So can you talk us through a

34
00:01:45,280 --> 00:01:47,680
Speaker 1: little bit about what it was like to work on

35
00:01:47,720 --> 00:01:49,240
Speaker 1: Can of Worms? How did you first hear about it?

36
00:01:49,280 --> 00:01:51,080
Speaker 1: Was it a regular audition? Did they offer it to you?

37
00:01:51,120 --> 00:01:52,200
Speaker 2: What was going on?

38
00:01:53,920 --> 00:01:58,000
Speaker 3: Nothing in the Disney Verse has ever been offered for me,

39
00:01:58,160 --> 00:02:02,080
Speaker 3: and everything's been a normal audition. Yeah, and you saw

40
00:02:02,120 --> 00:02:06,520
Speaker 3: the same you know, twenty kids over and over and over, like, okay,

41
00:02:06,880 --> 00:02:08,600
Speaker 3: which one of us is going to be mixed and matched?

42
00:02:08,639 --> 00:02:13,600
Speaker 3: This time? It was kind of the deal. So Can

43
00:02:13,720 --> 00:02:17,680
Speaker 3: of Worms was basically mixing and matching only me and Mike.

44
00:02:18,520 --> 00:02:22,960
Speaker 3: That's all that really they wanted chemistry wise, you know,

45
00:02:23,200 --> 00:02:27,399
Speaker 3: Erica was not mixed and matched with us, and then

46
00:02:28,960 --> 00:02:32,079
Speaker 3: like the uh, the the other kid was actually Canadians.

47
00:02:32,160 --> 00:02:35,560
Speaker 3: So once we actually got to Vancouver. He was cast,

48
00:02:36,200 --> 00:02:38,280
Speaker 3: so it was very different. But yeah, it was just

49
00:02:38,320 --> 00:02:44,239
Speaker 3: you know, in the normal normal building on on Riverside

50
00:02:44,320 --> 00:02:48,400
Speaker 3: that you go in near for the Disney building on

51
00:02:48,440 --> 00:02:50,520
Speaker 3: the top floor. You know, it was the whole, the

52
00:02:50,560 --> 00:02:54,040
Speaker 3: whole drill. Because I went in for Ali Katz, I

53
00:02:54,040 --> 00:02:56,840
Speaker 3: went in for Johnny Tsunami, I went in for Brink.

54
00:02:57,080 --> 00:03:00,280
Speaker 3: I almost did Brink. That was really close. That one

55
00:03:00,360 --> 00:03:03,440
Speaker 3: was really close because one of my brothers founded Team Rollerblade,

56
00:03:03,480 --> 00:03:06,400
Speaker 3: so I've been mulating since I was very very little.

57
00:03:08,120 --> 00:03:10,240
Speaker 3: But but yeah, it was just a normal audition. I mean,

58
00:03:10,240 --> 00:03:12,160
Speaker 3: that's a long winded answer, but it was very much.

59
00:03:12,320 --> 00:03:15,160
Speaker 1: I'm curious which which role did you audition for in

60
00:03:15,280 --> 00:03:17,560
Speaker 1: Brink and which role did you audition for in Johnny Tsunami.

61
00:03:17,760 --> 00:03:24,400
Speaker 3: I don't remember. Probably probably the funny friend. It was

62
00:03:24,440 --> 00:03:26,799
Speaker 3: either the nerd or the funny friend, one or the other.

63
00:03:27,320 --> 00:03:28,679
Speaker 3: That's my typical.

64
00:03:29,080 --> 00:03:33,080
Speaker 1: Yeah, go Dn, Okay, so can of worms? Do you

65
00:03:33,080 --> 00:03:35,280
Speaker 1: remember reading the script and being like, Okay, this is

66
00:03:35,360 --> 00:03:38,360
Speaker 1: what what is actually happening here? Because it's it's a

67
00:03:38,760 --> 00:03:42,560
Speaker 1: it was a fun movie. Actually a lot of the puppets.

68
00:03:43,080 --> 00:03:45,920
Speaker 1: We thought the puppet work was actually really great. And

69
00:03:46,200 --> 00:03:48,520
Speaker 1: kind of a ghostbuster slimer kind of feel to a

70
00:03:48,520 --> 00:03:49,600
Speaker 1: bunch of the things going on.

71
00:03:50,840 --> 00:03:54,080
Speaker 2: The cast was was fun. I mean do you remember

72
00:03:55,080 --> 00:03:57,120
Speaker 2: reading the script and being like, Okay, this could be

73
00:03:57,320 --> 00:03:58,280
Speaker 2: a ton of fun to shoot.

74
00:03:59,120 --> 00:04:02,720
Speaker 3: What I really loved out the script, honestly was the fun.

75
00:04:03,040 --> 00:04:07,960
Speaker 3: For sure. It was not only fun, but particularly I

76
00:04:08,000 --> 00:04:11,640
Speaker 3: looked at my role that I was auditioning for and

77
00:04:11,640 --> 00:04:15,160
Speaker 3: then later on was fortunate enough to get and said, oh,

78
00:04:15,280 --> 00:04:21,400
Speaker 3: this is funny, Like this is real fun comedy opportunity,

79
00:04:21,640 --> 00:04:24,200
Speaker 3: like from whose nose? That's one of my favorite lines

80
00:04:24,680 --> 00:04:29,200
Speaker 3: I've ever said in any movie. It is so much fun.

81
00:04:29,600 --> 00:04:32,680
Speaker 3: And we had a blast filming it. Honestly, we were

82
00:04:32,720 --> 00:04:35,760
Speaker 3: all I think the five of us were super super tight.

83
00:04:36,279 --> 00:04:39,159
Speaker 2: Did you know Erica before you had done the film?

84
00:04:39,640 --> 00:04:43,240
Speaker 3: No, I didn't know Erica before I had done the

85
00:04:43,240 --> 00:04:46,800
Speaker 3: film at all, which is pretty wild. But I mean

86
00:04:46,800 --> 00:04:48,560
Speaker 3: I still see her to this day like.

87
00:04:49,480 --> 00:04:54,200
Speaker 1: Nice and now when you were shooting how much of

88
00:04:54,839 --> 00:04:58,280
Speaker 1: the puppet, like, how much of it was practical versus.

89
00:04:58,400 --> 00:05:01,880
Speaker 4: Yeah, later on, was it were you green screening?

90
00:05:01,960 --> 00:05:04,600
Speaker 5: That's because it's like I know at that point that

91
00:05:04,960 --> 00:05:06,680
Speaker 5: effects were done so differently.

92
00:05:07,320 --> 00:05:11,720
Speaker 3: Yeah, for sure. A lot of the effects wise, were

93
00:05:11,800 --> 00:05:16,520
Speaker 3: green screen. The slime was real, the puppets were tangible,

94
00:05:16,600 --> 00:05:19,520
Speaker 3: real and there of course we were acting to a

95
00:05:19,520 --> 00:05:21,720
Speaker 3: lot of tennis balls a lot of the time. Yeah,

96
00:05:21,720 --> 00:05:25,720
Speaker 3: and there were a lot of weird things. Not much

97
00:05:25,760 --> 00:05:28,720
Speaker 3: of it was filmed on a soundstage. It was mostly

98
00:05:28,760 --> 00:05:32,080
Speaker 3: on location, which was really challenging but really really fun

99
00:05:33,080 --> 00:05:36,479
Speaker 3: in the middle of like winter in Vancouver. But it

100
00:05:36,520 --> 00:05:38,120
Speaker 3: was great. I loved it.

101
00:05:38,200 --> 00:05:38,719
Speaker 2: Yeah.

102
00:05:38,920 --> 00:05:40,080
Speaker 3: Mostly practical though.

103
00:05:40,400 --> 00:05:43,520
Speaker 1: Did you know before you shot or when you were

104
00:05:43,520 --> 00:05:46,080
Speaker 1: shooting that Malcolm McDowell is going to be one of

105
00:05:46,120 --> 00:05:46,600
Speaker 1: the voices.

106
00:05:47,040 --> 00:05:49,200
Speaker 3: No, not at all. We had no idea who was

107
00:05:49,279 --> 00:05:53,760
Speaker 3: cast for anything. We just were like, okay, and we'll

108
00:05:53,839 --> 00:05:57,200
Speaker 3: figure it out later. It's really fun to see who

109
00:05:57,279 --> 00:05:58,960
Speaker 3: does what after you.

110
00:05:58,839 --> 00:06:00,880
Speaker 5: Have to Yeah, do you do you think it was

111
00:06:01,040 --> 00:06:03,440
Speaker 5: cast it after you guys shot it like that was

112
00:06:03,520 --> 00:06:06,240
Speaker 5: like the voiceover work was done like later on.

113
00:06:07,120 --> 00:06:12,400
Speaker 3: I would assume so, yeah, I wouldn't. I wouldn't think

114
00:06:12,400 --> 00:06:15,640
Speaker 3: that they would probably do that beforehand. I think it

115
00:06:15,680 --> 00:06:17,840
Speaker 3: would be probably matched to picture if I had my

116
00:06:18,400 --> 00:06:19,440
Speaker 3: best educated guests.

117
00:06:19,800 --> 00:06:20,960
Speaker 2: Do you ever meet him? Do you ever get a

118
00:06:21,040 --> 00:06:22,000
Speaker 2: chance to meet Malcolm's Oh?

119
00:06:22,200 --> 00:06:26,120
Speaker 3: No, chance, like so many of these things. And we'll

120
00:06:26,120 --> 00:06:27,960
Speaker 3: talk about more of that on like Balloon Farm too,

121
00:06:28,000 --> 00:06:31,360
Speaker 3: because like we rarely worked with the adults. But but yeah,

122
00:06:31,400 --> 00:06:33,040
Speaker 3: I never got to meet any of the voices for

123
00:06:33,120 --> 00:06:33,960
Speaker 3: Kenilworms at all.

124
00:06:34,240 --> 00:06:36,720
Speaker 2: I'm trying to avoid talking about Balloon Farm. Adam.

125
00:06:36,800 --> 00:06:39,280
Speaker 1: I'm gonna be honest with you, because I've known you

126
00:06:39,320 --> 00:06:44,640
Speaker 1: for many years. I consider you a friend. I didn't

127
00:06:44,680 --> 00:06:46,120
Speaker 1: we didn't know what to do with this movie.

128
00:06:46,600 --> 00:06:47,800
Speaker 3: What do you mean you didn't know what to do?

129
00:06:48,160 --> 00:06:51,159
Speaker 2: I mean it was we didn't understand it in any way.

130
00:06:51,839 --> 00:06:53,760
Speaker 3: I thought it was so cute.

131
00:06:54,360 --> 00:06:57,320
Speaker 2: But man, what okay, we're jumping into Bloe Farm.

132
00:06:57,360 --> 00:07:00,800
Speaker 1: We have to first of all walk through when you

133
00:07:01,040 --> 00:07:03,640
Speaker 1: finding out again the same thing, regular audition, that kind

134
00:07:03,640 --> 00:07:07,160
Speaker 1: of stuff. You're so you're cast in Balloon Farm? Yes,

135
00:07:07,360 --> 00:07:09,640
Speaker 1: what did you What did you think of the script?

136
00:07:09,880 --> 00:07:10,480
Speaker 4: This was different.

137
00:07:10,560 --> 00:07:13,400
Speaker 5: You were definitely younger in Balloon Farm than Can of Worms.

138
00:07:13,440 --> 00:07:14,480
Speaker 5: Can of Worms came later.

139
00:07:16,400 --> 00:07:18,120
Speaker 2: Yeah, yeah, yeah.

140
00:07:17,800 --> 00:07:20,400
Speaker 5: You were younger because you were like a you look

141
00:07:20,440 --> 00:07:22,640
Speaker 5: like a teenager in Can Can of Worms.

142
00:07:22,880 --> 00:07:24,040
Speaker 3: I was a teenager in both.

143
00:07:24,880 --> 00:07:28,760
Speaker 2: No, you were not a teenager in Balloon Farm.

144
00:07:28,920 --> 00:07:29,720
Speaker 3: I think I was.

145
00:07:31,280 --> 00:07:34,120
Speaker 4: Like twelve you like you're you saying like twelve, thirteen.

146
00:07:34,280 --> 00:07:40,080
Speaker 3: Fifteen, wow, wow youah my god?

147
00:07:40,120 --> 00:07:42,000
Speaker 2: They had you playing like what ten?

148
00:07:42,960 --> 00:07:45,280
Speaker 3: Yeah, I mean I had to be fair. I looked

149
00:07:45,320 --> 00:07:46,200
Speaker 3: at Yeah.

150
00:07:46,560 --> 00:07:49,880
Speaker 4: Yeah, that's what I mean. That's wonderful. As a child actor,

151
00:07:49,960 --> 00:07:51,000
Speaker 4: that's incredible.

152
00:07:51,400 --> 00:07:53,800
Speaker 3: Exactly. I got my driver's license in two thousands, so

153
00:07:53,960 --> 00:07:55,240
Speaker 3: I must have been fifteen.

154
00:07:55,400 --> 00:07:58,280
Speaker 2: Oh my wod. Yeah. I wouldn't have called that. No,

155
00:07:58,320 --> 00:08:00,800
Speaker 2: oh yeah, called that at all.

156
00:08:00,200 --> 00:08:02,760
Speaker 3: Because my voice hadn't even changed. And my voice changed

157
00:08:02,760 --> 00:08:06,360
Speaker 3: probably like right after we saw a Balloon Farm, and

158
00:08:06,400 --> 00:08:08,640
Speaker 3: then I went off into a Broadway show and they

159
00:08:08,640 --> 00:08:11,760
Speaker 3: were like saying, a really hard Sondheim show a year

160
00:08:11,800 --> 00:08:16,640
Speaker 3: after your voice has changed. She's I guess, I guess

161
00:08:16,720 --> 00:08:22,360
Speaker 3: I will. That was but okay, So with Balloon Farm.

162
00:08:22,200 --> 00:08:23,559
Speaker 2: Yes, please walk us through this film.

163
00:08:24,520 --> 00:08:27,960
Speaker 3: Here's what's really crazy. So I auditioned for it, normal audition,

164
00:08:28,200 --> 00:08:30,800
Speaker 3: what have you. Don't know what it's gonna be. They

165
00:08:30,800 --> 00:08:33,480
Speaker 3: don't know if it's gonna be really what it's gonna be.

166
00:08:33,520 --> 00:08:35,480
Speaker 3: They decide it's gonna be a TV movie. And I

167
00:08:35,480 --> 00:08:38,320
Speaker 3: go to my manager and acting coach and I'm like, hey,

168
00:08:38,400 --> 00:08:42,280
Speaker 3: I booked a job, and he went, haha, me too. What. Yeah,

169
00:08:42,440 --> 00:08:45,160
Speaker 3: My my manager and acting coach at the time was

170
00:08:45,240 --> 00:08:51,079
Speaker 3: Ernie Likely, who played Tom. Wow. Yeah, Blake's dad. Yeah

171
00:08:51,240 --> 00:08:54,640
Speaker 3: that was really awesome. So I've been on to work

172
00:08:54,679 --> 00:08:57,040
Speaker 3: at the work on this script and he was like, yeah,

173
00:08:57,200 --> 00:09:00,840
Speaker 3: we're gonna work on it together because I'm doing it too. Wow.

174
00:09:00,960 --> 00:09:06,680
Speaker 1: Yeah he So Robin has been a guest that a

175
00:09:06,720 --> 00:09:09,800
Speaker 1: couple of times, but yeah, I had no idea that

176
00:09:10,120 --> 00:09:12,520
Speaker 1: he was your So he was your acting coach.

177
00:09:13,040 --> 00:09:17,560
Speaker 3: For a long time for ever, and my manager for

178
00:09:17,679 --> 00:09:19,320
Speaker 3: like the better part of a decade.

179
00:09:20,000 --> 00:09:20,520
Speaker 2: Wow.

180
00:09:20,960 --> 00:09:25,360
Speaker 3: Yeah. Yeah. He taught me so much about comedy, drama,

181
00:09:25,480 --> 00:09:25,880
Speaker 3: all of it.

182
00:09:26,200 --> 00:09:29,280
Speaker 2: He was a legend. He was a legend.

183
00:09:29,280 --> 00:09:31,120
Speaker 1: I mean he was like he was one of those

184
00:09:31,160 --> 00:09:33,319
Speaker 1: actors where you've seen him in ten thousand things.

185
00:09:33,320 --> 00:09:35,920
Speaker 2: It's like, oh he was he was that guy. You're like, oh,

186
00:09:35,960 --> 00:09:37,800
Speaker 2: that's that guy. Yeah. Yeah.

187
00:09:37,840 --> 00:09:40,880
Speaker 3: We shot it all on King's Ranch. We didn't not

188
00:09:40,880 --> 00:09:43,520
Speaker 3: shoot in Canada at all. I moved down the street

189
00:09:43,559 --> 00:09:47,959
Speaker 3: from there during the pandemic, so I go there still

190
00:09:47,960 --> 00:09:50,839
Speaker 3: often because they have the pumpkin carving there now the

191
00:09:51,640 --> 00:09:53,600
Speaker 3: Knights of the Jack every single year, so I get

192
00:09:53,640 --> 00:09:56,959
Speaker 3: to revisit the set of Balloon Farm every single year

193
00:09:57,000 --> 00:09:59,079
Speaker 3: if I want to, which is super cool. I dry

194
00:09:59,120 --> 00:09:59,839
Speaker 3: by it all the time.

195
00:10:00,160 --> 00:10:02,880
Speaker 5: Is it like still up and looking very much like

196
00:10:02,920 --> 00:10:03,880
Speaker 5: what you guys filmed on?

197
00:10:04,280 --> 00:10:07,200
Speaker 3: Well, I mean it was mostly like dirt anyway. To

198
00:10:07,240 --> 00:10:11,960
Speaker 3: be honest, it's huge. It's a gigantic property. It's acres

199
00:10:11,960 --> 00:10:13,160
Speaker 3: and acres and acres and just like.

200
00:10:13,160 --> 00:10:16,360
Speaker 4: Do they have houses on it or those all set made?

201
00:10:16,520 --> 00:10:19,800
Speaker 3: Okay, they have houses on it. But I believe the house,

202
00:10:20,960 --> 00:10:23,320
Speaker 3: I believe a lot of the aspects of the house

203
00:10:23,559 --> 00:10:26,600
Speaker 3: were set made, but like the interior, but but the

204
00:10:26,640 --> 00:10:29,640
Speaker 3: outside was definitely a house that was on the property,

205
00:10:29,920 --> 00:10:32,800
Speaker 3: and I believe like the owner's house or something. I

206
00:10:32,800 --> 00:10:35,040
Speaker 3: could be wrong about that, but yeah, it was in

207
00:10:35,080 --> 00:10:35,840
Speaker 3: Melody Canyon.

208
00:10:36,520 --> 00:10:37,559
Speaker 2: That's so funny.

209
00:10:37,240 --> 00:10:39,320
Speaker 1: Because we we you know, obviously have all the research

210
00:10:39,360 --> 00:10:41,280
Speaker 1: done and we said that it was in Toronto, So right.

211
00:10:41,160 --> 00:10:43,079
Speaker 2: There, we were wrong. Maybe we're wrong about how good

212
00:10:43,080 --> 00:10:45,720
Speaker 2: the movie was. We could have been wrong about that.

213
00:10:46,920 --> 00:10:51,520
Speaker 3: I loved it, like I really great time. I really did.

214
00:10:51,840 --> 00:10:54,040
Speaker 1: I didn't understand I'm going to just speak for myself.

215
00:10:54,120 --> 00:10:56,480
Speaker 1: I didn't understand the story.

216
00:10:56,360 --> 00:10:59,120
Speaker 5: I didn't get it, and I felt like the cash

217
00:10:59,120 --> 00:11:04,359
Speaker 5: should have been all kids, like that, that we're believing

218
00:11:04,480 --> 00:11:07,600
Speaker 5: that these balloons were these special like it was. If

219
00:11:07,600 --> 00:11:09,160
Speaker 5: it was I'm like, if you took the story it

220
00:11:09,200 --> 00:11:13,080
Speaker 5: was all kids, it'd be so easy to go into it.

221
00:11:13,120 --> 00:11:16,760
Speaker 5: But like the fact that these adults are going, oh yeah,

222
00:11:17,000 --> 00:11:23,200
Speaker 5: this balloon sured my art, right it like, so don't

223
00:11:23,280 --> 00:11:23,959
Speaker 5: fix the truck.

224
00:11:24,040 --> 00:11:26,840
Speaker 3: I love that about it. I love that about it

225
00:11:26,840 --> 00:11:29,720
Speaker 3: that they buy in and everybody feels duped up because

226
00:11:29,760 --> 00:11:33,760
Speaker 3: it was I feel more about the belief and you

227
00:11:33,800 --> 00:11:38,679
Speaker 3: can change your situation. You're not a slave to what

228
00:11:38,720 --> 00:11:43,680
Speaker 3: you think you have to do. You can't change your perspective,

229
00:11:43,679 --> 00:11:46,720
Speaker 3: and sometimes you change your perspective will heal what you need.

230
00:11:47,640 --> 00:11:51,040
Speaker 3: The message isn't always true, but I love the message

231
00:11:51,040 --> 00:11:54,600
Speaker 3: of the movie. And uh, I love that Mara comes

232
00:11:54,600 --> 00:11:57,440
Speaker 3: in and saves the day and it's such a clever

233
00:11:57,679 --> 00:12:00,360
Speaker 3: like for me, I thought it was such a clever

234
00:12:00,480 --> 00:12:01,360
Speaker 3: ending to it.

235
00:12:02,000 --> 00:12:04,040
Speaker 2: Were they supposed to be.

236
00:12:05,720 --> 00:12:08,600
Speaker 1: Like alive, like like the balloons are supposed to be

237
00:12:09,720 --> 00:12:11,559
Speaker 1: like dogs, right kind of yeah?

238
00:12:11,720 --> 00:12:17,200
Speaker 3: I think like rip Torn's Henry character is like just

239
00:12:17,360 --> 00:12:21,640
Speaker 3: a magical helper, an angel in a sense. I don't

240
00:12:21,760 --> 00:12:25,880
Speaker 3: think that he's all human. I don't think he's necessarily

241
00:12:25,920 --> 00:12:29,679
Speaker 3: an alien, but I do think that he's a magical

242
00:12:29,679 --> 00:12:35,959
Speaker 3: being that comes into help assist to change in perspective. Okay, yeah,

243
00:12:37,320 --> 00:12:38,440
Speaker 3: like a traveling assistant.

244
00:12:38,440 --> 00:12:39,079
Speaker 2: I didn't get it.

245
00:12:39,080 --> 00:12:40,679
Speaker 1: It's my it's and it's one, and it's one of

246
00:12:40,679 --> 00:12:42,200
Speaker 1: the few because you're one of my favorites.

247
00:12:42,360 --> 00:12:46,240
Speaker 4: The cast was heavy.

248
00:12:45,440 --> 00:12:48,760
Speaker 1: Only I said it might be the best cast and

249
00:12:48,800 --> 00:12:50,400
Speaker 1: we talked about this, It might be the best cast

250
00:12:50,480 --> 00:12:52,880
Speaker 1: of any dcom or Disney movie we've watched it far

251
00:12:53,040 --> 00:12:58,760
Speaker 1: from from beginning to end. Absolutely what you said, you

252
00:12:58,960 --> 00:13:01,400
Speaker 1: very rarely worked with the adults. Did you get to

253
00:13:02,160 --> 00:13:04,360
Speaker 1: work with Riptorn? I mean, there's obviously stories about what

254
00:13:04,400 --> 00:13:06,440
Speaker 1: it was like to work with him. You know, you

255
00:13:06,440 --> 00:13:08,840
Speaker 1: hear he's wasn't a bad guy to work with, but

256
00:13:08,960 --> 00:13:12,840
Speaker 1: he wasn't all you know, there's there were society issues.

257
00:13:12,880 --> 00:13:15,440
Speaker 1: They say that there's a possibility of stuff like that

258
00:13:15,480 --> 00:13:16,840
Speaker 1: back in the day. Did you see any of that

259
00:13:17,080 --> 00:13:20,400
Speaker 1: or was it? Was he totally cool to work with?

260
00:13:20,800 --> 00:13:22,840
Speaker 3: Not really, I mean, to be honest with you, we

261
00:13:22,880 --> 00:13:25,000
Speaker 3: didn't spend a heck of a lot of time with him.

262
00:13:25,280 --> 00:13:28,920
Speaker 3: It was mostly us, unless it was like the big

263
00:13:29,440 --> 00:13:33,120
Speaker 3: group town scenes. Sure, those were very few and far between,

264
00:13:33,160 --> 00:13:35,400
Speaker 3: and we knocked those out pretty quickly. Most of the

265
00:13:35,400 --> 00:13:38,280
Speaker 3: time we filmed it was just us kids, and we

266
00:13:38,320 --> 00:13:40,280
Speaker 3: did a lot of perspective shots where it was like, oh,

267
00:13:40,320 --> 00:13:42,600
Speaker 3: you're gonna, like with the water balloon scene, you're gonna

268
00:13:42,600 --> 00:13:44,560
Speaker 3: come here, You're gonna throw the water balloon. That was

269
00:13:44,600 --> 00:13:49,000
Speaker 3: all just us, like we never saw them all, so

270
00:13:49,520 --> 00:13:52,079
Speaker 3: a lot of like our stuff walking if you if

271
00:13:52,120 --> 00:13:54,640
Speaker 3: you see it again, it's just a perspective of us.

272
00:13:55,240 --> 00:13:58,680
Speaker 3: Because no adults were needed, so they filmed this out

273
00:13:59,120 --> 00:14:02,120
Speaker 3: on different days and we only spent like a couple

274
00:14:02,160 --> 00:14:04,920
Speaker 3: of days with everybody. How long a shoot was it,

275
00:14:06,520 --> 00:14:12,680
Speaker 3: I want to say six weeks. It wasn't like incredibly long, okay, project.

276
00:14:13,080 --> 00:14:16,120
Speaker 3: It was pretty much like a regular Decom or Disney movie,

277
00:14:16,360 --> 00:14:22,240
Speaker 3: like six to eight weeks ish.

278
00:14:22,280 --> 00:14:25,600
Speaker 6: Welcome to the Orange doesn't fall far the podcast where

279
00:14:25,600 --> 00:14:28,840
Speaker 6: reality TV meets real life. I'm Tamra, Judge.

280
00:14:28,560 --> 00:14:29,680
Speaker 2: And I'm Sophia.

281
00:14:29,720 --> 00:14:35,160
Speaker 6: Each week we're spilling the tea on pop culture relationships, motherhood, dating, drama,

282
00:14:35,480 --> 00:14:37,720
Speaker 6: and what it's really like growing up in the middle

283
00:14:37,760 --> 00:14:40,920
Speaker 6: of reality TV chaos. One of us lived it. One

284
00:14:40,960 --> 00:14:43,480
Speaker 6: of us survived it. Listen to the Orange Doesn't Fall

285
00:14:43,560 --> 00:14:47,840
Speaker 6: Far available on the iHeartRadio app, Apple Podcasts, and wherever

286
00:14:47,880 --> 00:14:49,040
Speaker 6: you get your podcast.

287
00:14:55,760 --> 00:14:55,960
Speaker 2: Now.

288
00:14:56,000 --> 00:14:58,320
Speaker 1: Did you read the book before you did the film,

289
00:14:58,440 --> 00:15:00,400
Speaker 1: because I know it was based on a children's book.

290
00:15:01,400 --> 00:15:03,800
Speaker 3: I did not read the book for the film at all,

291
00:15:03,840 --> 00:15:06,080
Speaker 3: so I didn't know much about it coming into it.

292
00:15:06,160 --> 00:15:07,800
Speaker 3: I do have a fun fact though, if you guys

293
00:15:07,840 --> 00:15:11,800
Speaker 3: want to know a fun please about that. So my

294
00:15:11,840 --> 00:15:15,600
Speaker 3: mom became an award winning photographer on that film. I'm

295
00:15:15,640 --> 00:15:19,480
Speaker 3: gonna explain how and why my mom loves to take pictures.

296
00:15:20,480 --> 00:15:22,880
Speaker 3: It's like one of her hobbies so much so that

297
00:15:22,880 --> 00:15:26,320
Speaker 3: we're all like, okay, you got the heck, but you know,

298
00:15:26,440 --> 00:15:30,360
Speaker 3: we love her for it and it's great. They were

299
00:15:30,400 --> 00:15:33,640
Speaker 3: doing like a test of how the balloons looked on

300
00:15:33,680 --> 00:15:35,960
Speaker 3: the stocks and you could just like see them from

301
00:15:36,040 --> 00:15:37,920
Speaker 3: up on the hill. My mom was like, oh, what

302
00:15:38,040 --> 00:15:40,040
Speaker 3: a great picture, and she took a picture of it

303
00:15:40,080 --> 00:15:42,840
Speaker 3: and the picture was like gorgeous. So she submitted it

304
00:15:42,880 --> 00:15:46,040
Speaker 3: to books. She won an award. She got printed in

305
00:15:46,080 --> 00:15:49,720
Speaker 3: a book for this, and they had to do an

306
00:15:49,760 --> 00:15:53,560
Speaker 3: interview with her and she they were like how did

307
00:15:53,600 --> 00:15:56,920
Speaker 3: you How did you get this wonderful picture? And instead

308
00:15:56,920 --> 00:16:01,400
Speaker 3: of the more interesting story, which was, oh, my son

309
00:16:01,720 --> 00:16:04,600
Speaker 3: was filming a movie and this was like a movie prop,

310
00:16:04,720 --> 00:16:07,120
Speaker 3: she was like, oh, I just thought it like she

311
00:16:07,360 --> 00:16:12,200
Speaker 3: made up this grandiose story of how she had seen

312
00:16:12,280 --> 00:16:18,040
Speaker 3: these balloons in the distance and somehow they were on

313
00:16:18,240 --> 00:16:20,920
Speaker 3: stocks and I was like, are you doing. There's a

314
00:16:21,040 --> 00:16:24,720
Speaker 3: really interesting story here and you're just like negating to

315
00:16:24,840 --> 00:16:29,360
Speaker 3: tell all of that. But she became like a printed

316
00:16:29,400 --> 00:16:34,480
Speaker 3: award winning photography from that. Cool. That's very pretty crazy.

317
00:16:34,720 --> 00:16:38,200
Speaker 1: Were there just thousands of balloons on the set all

318
00:16:38,200 --> 00:16:38,640
Speaker 1: the time?

319
00:16:38,640 --> 00:16:40,440
Speaker 5: That's what I wanted to know, Like, did they have

320
00:16:40,800 --> 00:16:43,680
Speaker 5: were balloons just everywhere where you guys were?

321
00:16:44,480 --> 00:16:47,520
Speaker 3: To be honest with you, No, No, they weren't everywhere.

322
00:16:47,680 --> 00:16:51,520
Speaker 3: They were They they were in select spots. But I

323
00:16:51,760 --> 00:16:54,880
Speaker 3: don't remember seeing a lot of balloons at all.

324
00:16:55,360 --> 00:16:57,360
Speaker 4: Do you have a favorite day on set?

325
00:16:57,440 --> 00:16:59,280
Speaker 5: Because I want to guess, do you have like a

326
00:16:59,320 --> 00:17:01,520
Speaker 5: favorite day of favorite scene that you did? I want

327
00:17:01,520 --> 00:17:02,840
Speaker 5: to guess if you did.

328
00:17:02,800 --> 00:17:06,680
Speaker 3: Okay, yeah, I'd say so, go go.

329
00:17:06,640 --> 00:17:10,080
Speaker 5: Ahead and guess I would think it was the time

330
00:17:10,320 --> 00:17:14,359
Speaker 5: that you guys got to like throw the tomatoes, Like

331
00:17:14,440 --> 00:17:16,639
Speaker 5: it's so fun to throw food knowing that you're not.

332
00:17:17,160 --> 00:17:21,000
Speaker 5: So was that a fun sun like a fun scene

333
00:17:21,040 --> 00:17:22,960
Speaker 5: to do where you guys are just like attacking the

334
00:17:23,000 --> 00:17:24,959
Speaker 5: car and everything with the tomatoes and all that.

335
00:17:25,040 --> 00:17:25,920
Speaker 4: Do you remember that one?

336
00:17:26,240 --> 00:17:28,440
Speaker 3: Listen anytime you get to throw something and not get

337
00:17:28,480 --> 00:17:32,720
Speaker 3: in trouble as a kid. Yes, a great day. So, yes,

338
00:17:32,760 --> 00:17:35,119
Speaker 3: that was definitely one of the top film filming days

339
00:17:35,359 --> 00:17:38,080
Speaker 3: for sure. I would say. Also, when it's raining during.

340
00:17:37,920 --> 00:17:39,640
Speaker 2: The day's always fun.

341
00:17:39,800 --> 00:17:45,560
Speaker 3: That's really really you know, and it was really hot,

342
00:17:45,680 --> 00:17:47,480
Speaker 3: like it was so hot.

343
00:17:47,840 --> 00:17:49,840
Speaker 2: Oh really, Yeah, so.

344
00:17:49,920 --> 00:17:53,280
Speaker 3: It was kind of nice to have that as like

345
00:17:53,320 --> 00:17:54,720
Speaker 3: a day to be like, oh, I get to like

346
00:17:55,160 --> 00:17:58,720
Speaker 3: playing the rain and my clothes Like, that's fun.

347
00:17:59,240 --> 00:18:01,119
Speaker 1: By the way, we we double checked while we were

348
00:18:01,160 --> 00:18:03,680
Speaker 1: talking to I AMDB does have it filming in Toronto.

349
00:18:04,200 --> 00:18:06,280
Speaker 3: Yeah, No, that's so crazy.

350
00:18:06,680 --> 00:18:08,919
Speaker 2: I love that that you're you're you're fixing it up?

351
00:18:08,960 --> 00:18:10,360
Speaker 2: Okay were you?

352
00:18:10,520 --> 00:18:13,840
Speaker 1: And I mean again, you talk about how and we

353
00:18:13,920 --> 00:18:16,440
Speaker 1: all kind of experienced this as young actors. Yeah, talk

354
00:18:16,440 --> 00:18:18,960
Speaker 1: about how you you walk into a room and it's

355
00:18:19,000 --> 00:18:21,119
Speaker 1: the same kind of twenty people every time you're in there,

356
00:18:21,200 --> 00:18:22,040
Speaker 1: especially back in the day.

357
00:18:22,160 --> 00:18:22,919
Speaker 2: That's just how it was.

358
00:18:23,440 --> 00:18:25,399
Speaker 1: Did you know any of the kids that you were

359
00:18:25,400 --> 00:18:27,080
Speaker 1: working with, Like, had you worked with mar or did

360
00:18:27,080 --> 00:18:29,320
Speaker 1: you know anybody you were working with before filming?

361
00:18:30,640 --> 00:18:34,159
Speaker 3: I mean I knew the adults I knew I obviously

362
00:18:34,240 --> 00:18:36,320
Speaker 3: knew Ernie and some of the other adults, but I

363
00:18:36,320 --> 00:18:39,159
Speaker 3: had never worked with Maraa or Rudy ever, and I

364
00:18:39,280 --> 00:18:42,240
Speaker 3: never seen them around. And we we three became really

365
00:18:42,240 --> 00:18:45,000
Speaker 3: really close, and I I talked tomorrow like two days ago.

366
00:18:45,359 --> 00:18:47,800
Speaker 1: Did you really Yeah, she's cool. Yeah, Yeah, Ivey found

367
00:18:47,800 --> 00:18:49,879
Speaker 1: got a convention. She's a very she's very cool person.

368
00:18:50,000 --> 00:18:55,399
Speaker 2: Yeah. Okay, you've got to decide. I'm gonna ask what

369
00:18:55,600 --> 00:18:56,840
Speaker 2: I'm gonna ask a couple questions.

370
00:18:56,840 --> 00:18:58,879
Speaker 3: First of all, okay, is this a rapid fire?

371
00:18:59,400 --> 00:19:01,960
Speaker 2: What's your favorite scary movie?

372
00:19:02,160 --> 00:19:02,320
Speaker 3: No?

373
00:19:02,720 --> 00:19:07,960
Speaker 2: You, what's your favorite scary movie yet? What is your

374
00:19:08,240 --> 00:19:10,560
Speaker 2: your favorite d com that you've ever been in?

375
00:19:11,400 --> 00:19:15,280
Speaker 3: Mmm? I mean I have to go under wraps. Originally,

376
00:19:15,520 --> 00:19:18,800
Speaker 3: the yeah, the O g because we didn't know what

377
00:19:18,840 --> 00:19:21,280
Speaker 3: it was going to be. There was there was excitement,

378
00:19:21,359 --> 00:19:23,639
Speaker 3: we could do anything we kind of wanted. There was

379
00:19:23,680 --> 00:19:31,240
Speaker 3: no like Disney Guard on it either. There was nothing

380
00:19:31,359 --> 00:19:33,800
Speaker 3: like that. So we were just winging it and hoping

381
00:19:33,840 --> 00:19:36,080
Speaker 3: people liked it, and hoping they liked it. We didn't

382
00:19:36,119 --> 00:19:37,920
Speaker 3: even know if it was going to go on. So

383
00:19:38,280 --> 00:19:43,000
Speaker 3: that's gotta be Number one is just the discovery of

384
00:19:43,040 --> 00:19:47,800
Speaker 3: what a d com is during Yeah, that was very cool.

385
00:19:48,200 --> 00:19:50,520
Speaker 4: Okay, Yes, set the standard.

386
00:19:50,600 --> 00:19:51,000
Speaker 3: That's so.

387
00:19:51,440 --> 00:19:54,960
Speaker 1: Yeah, you started the whole you started starting, you started

388
00:19:54,960 --> 00:19:58,280
Speaker 1: the whole thing. Okay, So which one do you think

389
00:19:58,359 --> 00:20:02,600
Speaker 1: is a better movie? Fan of Worms or Balloon Farm?

390
00:20:02,760 --> 00:20:06,280
Speaker 3: Balloon Farm? And that's there's no thought about that, And

391
00:20:06,320 --> 00:20:09,400
Speaker 3: I know you guys probably don't agree. In my opinion,

392
00:20:10,119 --> 00:20:13,560
Speaker 3: Can of Worms is how for me, how you're describing

393
00:20:13,560 --> 00:20:18,600
Speaker 3: Balloon Farm, it's a little discombobulated. I don't feel it

394
00:20:18,680 --> 00:20:22,320
Speaker 3: quite pulls up to what it was supposed to be.

395
00:20:22,600 --> 00:20:25,040
Speaker 3: I think there are a lot of holes in that story.

396
00:20:25,960 --> 00:20:28,359
Speaker 3: I think with Balloon Farm there's a lot of magic

397
00:20:28,440 --> 00:20:31,240
Speaker 3: and a lot of wonderment in built into it and

398
00:20:31,520 --> 00:20:35,320
Speaker 3: a really great message to keep the magic alive. And

399
00:20:35,320 --> 00:20:41,240
Speaker 3: in Can of Worms, I don't relieve feel that it's

400
00:20:41,400 --> 00:20:44,000
Speaker 3: it's more of like a Grease for me, where it's like,

401
00:20:45,359 --> 00:20:48,000
Speaker 3: all right, Grease two is better, but all right, you

402
00:20:48,000 --> 00:20:48,400
Speaker 3: know for.

403
00:20:48,440 --> 00:20:51,600
Speaker 1: Me, Wow, Okay, I'm gonna be again because I've known

404
00:20:51,640 --> 00:20:52,320
Speaker 1: you for many years.

405
00:20:52,320 --> 00:20:54,760
Speaker 2: I'm gonna be honest. I think it's the lowest score

406
00:20:54,880 --> 00:20:58,320
Speaker 2: I ever gave a DCOM was really it isn't get it.

407
00:20:58,440 --> 00:21:02,520
Speaker 1: I just again And it's one of those things where

408
00:21:02,520 --> 00:21:05,440
Speaker 1: it's it's we kept going like this cast is amazing,

409
00:21:05,520 --> 00:21:06,840
Speaker 1: like the gas is amazing.

410
00:21:07,000 --> 00:21:11,320
Speaker 5: It has nothing to do with any performance or any totally.

411
00:21:12,600 --> 00:21:14,320
Speaker 4: The research line.

412
00:21:14,280 --> 00:21:15,840
Speaker 2: Well with the research that we did.

413
00:21:15,920 --> 00:21:19,280
Speaker 1: So apparently in the book, all the stuff about the

414
00:21:19,280 --> 00:21:22,040
Speaker 1: company coming in to buy the land, all the stuff

415
00:21:22,040 --> 00:21:25,920
Speaker 1: with the FBI, none of that is in there, so

416
00:21:25,960 --> 00:21:27,840
Speaker 1: they just kind of added that stuff for the movie

417
00:21:27,840 --> 00:21:29,600
Speaker 1: and then we're like and then the FBI breaks in

418
00:21:29,720 --> 00:21:30,720
Speaker 1: for some reason, it's like.

419
00:21:30,640 --> 00:21:33,080
Speaker 2: Well, who's what, what are they doing that's illegal? That

420
00:21:33,160 --> 00:21:33,879
Speaker 2: has the FBI.

421
00:21:35,280 --> 00:21:37,119
Speaker 3: I just don't think it was more about illegal. I

422
00:21:37,200 --> 00:21:39,920
Speaker 3: think it was more about what's going on here? And

423
00:21:39,960 --> 00:21:41,520
Speaker 3: it was a moulderin Scully situation.

424
00:21:42,200 --> 00:21:44,960
Speaker 2: That's what we came when we thought et maybe.

425
00:21:44,720 --> 00:21:48,480
Speaker 3: Exactly like situation. This has to be studied, this has

426
00:21:48,520 --> 00:21:51,760
Speaker 3: to be seized. What are you doing? We've got now

427
00:21:51,920 --> 00:21:55,200
Speaker 3: this sample of what you're growing. How is this possible?

428
00:21:55,800 --> 00:21:59,359
Speaker 3: I think that was more of the investigation. We are

429
00:21:59,400 --> 00:22:02,600
Speaker 3: seizing farm because you're clearly doing something.

430
00:22:03,280 --> 00:22:03,840
Speaker 2: Watch it again.

431
00:22:04,160 --> 00:22:06,000
Speaker 1: Maybe I got to watch it. I watch it differently.

432
00:22:06,000 --> 00:22:07,159
Speaker 1: Maybe I was in a bad mood or so.

433
00:22:07,240 --> 00:22:12,000
Speaker 2: It was just it was Yeah, that's also possible.

434
00:22:12,960 --> 00:22:13,520
Speaker 3: It's fun.

435
00:22:13,960 --> 00:22:16,679
Speaker 5: Are we missing any other dcoms or is it the

436
00:22:16,840 --> 00:22:19,719
Speaker 5: is the number three that of d cooms you're in listen?

437
00:22:19,760 --> 00:22:23,080
Speaker 3: I thought it was two. No, it's four, So I

438
00:22:23,119 --> 00:22:24,359
Speaker 3: think it's four.

439
00:22:24,840 --> 00:22:25,920
Speaker 4: So we've got another one.

440
00:22:26,000 --> 00:22:29,080
Speaker 1: No, we got under Wraps, We've got the under Wraps remake,

441
00:22:29,359 --> 00:22:31,960
Speaker 1: and I'm in five.

442
00:22:32,160 --> 00:22:33,159
Speaker 2: Yeah, you can of worms.

443
00:22:33,200 --> 00:22:35,680
Speaker 1: Then we've got Balloon Farm, right, and I think there's

444
00:22:35,680 --> 00:22:36,080
Speaker 1: one more.

445
00:22:36,440 --> 00:22:38,639
Speaker 4: What what's the other one is?

446
00:22:40,119 --> 00:22:40,840
Speaker 3: What is it called?

447
00:22:40,880 --> 00:22:41,080
Speaker 2: Now?

448
00:22:42,080 --> 00:22:45,960
Speaker 3: It was called Breaking Free, but there's and I don't

449
00:22:45,960 --> 00:22:48,640
Speaker 3: know if it's under the Disney Wing or not. It

450
00:22:48,760 --> 00:22:51,080
Speaker 3: might be there might be one more and I have

451
00:22:51,160 --> 00:22:52,679
Speaker 3: to figure it out because I didn't. I didn't even

452
00:22:52,760 --> 00:22:55,640
Speaker 3: remember that the Balloon Farm was under the Disney Wing.

453
00:22:55,920 --> 00:22:57,480
Speaker 2: Breaking Free, yeah, but I.

454
00:22:57,480 --> 00:23:00,720
Speaker 3: Don't think that's the name of it. Now they changed

455
00:23:00,720 --> 00:23:03,000
Speaker 3: the name, and I, for the life of me, remember

456
00:23:03,040 --> 00:23:05,159
Speaker 3: what they changed it too. Maybe they changed it to

457
00:23:05,280 --> 00:23:06,159
Speaker 3: Breaking free or not?

458
00:23:06,600 --> 00:23:10,920
Speaker 1: Is this when troubled cynical teen Rick chooses service at

459
00:23:10,920 --> 00:23:12,000
Speaker 1: a camp for the blind?

460
00:23:12,359 --> 00:23:13,760
Speaker 3: That's it? Yeah, that's it.

461
00:23:13,880 --> 00:23:15,160
Speaker 2: Yeah, it's under breaking free.

462
00:23:15,280 --> 00:23:18,880
Speaker 3: Okay, cool. So there's five. Five, there's five.

463
00:23:19,320 --> 00:23:21,320
Speaker 1: Now were you how many of these movies were you

464
00:23:21,400 --> 00:23:23,200
Speaker 1: doing while you were doing television?

465
00:23:23,240 --> 00:23:25,200
Speaker 2: Like what I mean? Because how many episodes of picket

466
00:23:25,200 --> 00:23:26,080
Speaker 2: Fences were you on?

467
00:23:28,160 --> 00:23:35,240
Speaker 3: I was guaranteed? Uh, I think like at least half,

468
00:23:36,119 --> 00:23:38,760
Speaker 3: like maybe a little bit more of pick Offences for

469
00:23:38,880 --> 00:23:44,159
Speaker 3: the season. So I was doing pick Offences ended in

470
00:23:44,280 --> 00:23:47,480
Speaker 3: ninety like one or two. Okay, So all of these

471
00:23:47,640 --> 00:23:51,080
Speaker 3: really were after I was doing other things other TV

472
00:23:51,280 --> 00:23:51,640
Speaker 3: at the time.

473
00:23:51,880 --> 00:23:53,919
Speaker 2: Yeah, you were.

474
00:23:54,080 --> 00:23:56,800
Speaker 4: You had to have been in theater exactly.

475
00:23:57,040 --> 00:24:00,240
Speaker 5: You had to have been homeschool during this, right, Like,

476
00:24:00,280 --> 00:24:02,160
Speaker 5: there's no way you were still in school. You were

477
00:24:02,200 --> 00:24:03,919
Speaker 5: still in school going into school?

478
00:24:04,920 --> 00:24:05,800
Speaker 2: Wow?

479
00:24:05,840 --> 00:24:09,600
Speaker 4: And I was Were you actually on campus?

480
00:24:10,160 --> 00:24:10,960
Speaker 3: Probably ten?

481
00:24:11,160 --> 00:24:14,040
Speaker 2: Like, I mean, honestly, what else were you taking lessons for?

482
00:24:14,080 --> 00:24:15,920
Speaker 2: You said you were also taking lessons at the time.

483
00:24:16,119 --> 00:24:20,080
Speaker 1: So you're in school, you're doing TV and theater, and

484
00:24:20,160 --> 00:24:21,200
Speaker 1: you're doing these movies.

485
00:24:21,240 --> 00:24:22,760
Speaker 2: What were you also taking lessons for?

486
00:24:23,240 --> 00:24:23,720
Speaker 3: Okay?

487
00:24:24,359 --> 00:24:24,760
Speaker 2: Magic?

488
00:24:25,040 --> 00:24:26,000
Speaker 4: Was it your magic lessons.

489
00:24:27,240 --> 00:24:29,600
Speaker 3: That's the only thing that I never took a lesson

490
00:24:29,640 --> 00:24:39,399
Speaker 3: for natural which was crazy. So let's see gymnastics, tap, ballet, jazz, singing, uh, fencing, uh,

491
00:24:39,880 --> 00:24:49,639
Speaker 3: martial arts. There's so many sevens, golf because my my mom,

492
00:24:49,960 --> 00:24:52,600
Speaker 3: my mom was like, listen whatever I mean. I was

493
00:24:52,600 --> 00:24:56,040
Speaker 3: obviously rollerblading, was playing hockey, I was playing baseball, basketball.

494
00:24:57,320 --> 00:24:59,760
Speaker 2: Ow when did you have the time to do this?

495
00:25:00,040 --> 00:25:05,760
Speaker 3: I never slept. I mean, it's it's normally crazy. Like

496
00:25:05,800 --> 00:25:08,480
Speaker 3: I was playing on school teams too, so it was

497
00:25:08,640 --> 00:25:12,240
Speaker 3: it was not only travel teams, school teams, wreck teams

498
00:25:12,760 --> 00:25:16,000
Speaker 3: on all sports like I played. I literally was playing

499
00:25:16,040 --> 00:25:21,040
Speaker 3: hockey on a few teams until the pandemic hit. That's crazy,

500
00:25:21,640 --> 00:25:22,399
Speaker 3: crazy crazy.

501
00:25:22,640 --> 00:25:24,960
Speaker 2: Did you have good grades too? Were you studying as well?

502
00:25:25,160 --> 00:25:27,480
Speaker 3: Yeah? Yeah, yeah, wow, Yeah, it was totally fine. I

503
00:25:27,560 --> 00:25:30,119
Speaker 3: was taking hockey private hockey lessons too. But because I

504
00:25:30,160 --> 00:25:32,680
Speaker 3: was also on the celebrity hockey team, Like, is that

505
00:25:32,760 --> 00:25:33,320
Speaker 3: someone that like.

506
00:25:33,359 --> 00:25:34,719
Speaker 2: Jason Priestley and everybody?

507
00:25:34,800 --> 00:25:37,159
Speaker 3: Yeah, we all played together. Yeah, Allen's thick, Jason Priestley,

508
00:25:37,240 --> 00:25:42,440
Speaker 3: Jason Hervey. Uh, it was great. What's the Jimmy Craig

509
00:25:42,560 --> 00:25:46,520
Speaker 3: was our goalie, you know, no big deal from eighty.

510
00:25:48,440 --> 00:25:54,680
Speaker 2: Yeah, he's a miracle goalie. These are goalie so much fun.

511
00:25:54,720 --> 00:25:58,200
Speaker 2: Wait did you play other celebrity teams? How did you?

512
00:25:58,440 --> 00:25:58,919
Speaker 2: What do you do?

513
00:25:58,960 --> 00:26:03,480
Speaker 3: You play hired NHL players? Yeah, so we traveled to

514
00:26:03,520 --> 00:26:06,120
Speaker 3: like Pennsylvania and played the retire Philadelphia Flyers and such.

515
00:26:07,840 --> 00:26:08,920
Speaker 2: I mean cool.

516
00:26:09,760 --> 00:26:13,879
Speaker 3: Everybody was so good it's insane. Like they if you

517
00:26:14,040 --> 00:26:16,080
Speaker 3: if you took the names off the back of their

518
00:26:16,160 --> 00:26:18,720
Speaker 3: jersey and the numbers, you'd think they were expro hockey

519
00:26:18,720 --> 00:26:21,159
Speaker 3: players or worker and pro hockey players. They were all

520
00:26:21,160 --> 00:26:21,520
Speaker 3: that good.

521
00:26:21,840 --> 00:26:25,000
Speaker 2: Oh my, were you guys going easier? Were you checking

522
00:26:25,040 --> 00:26:25,960
Speaker 2: each other and everything?

523
00:26:26,160 --> 00:26:30,200
Speaker 3: Oh no, it wasn't full check. It was more roller hockey.

524
00:26:30,040 --> 00:26:33,959
Speaker 4: Rules than like hockey is such an aggressive sport.

525
00:26:34,160 --> 00:26:37,280
Speaker 5: I was just watching the game recently within the Stanley

526
00:26:37,280 --> 00:26:40,760
Speaker 5: Cup where the guy got the puck just like to

527
00:26:41,040 --> 00:26:43,160
Speaker 5: the dome, right, I mean it was just.

528
00:26:45,359 --> 00:26:48,600
Speaker 4: I'm like, why would anyone not wear one of those things, Like.

529
00:26:48,560 --> 00:26:53,600
Speaker 5: I don't get it, and to think about like going

530
00:26:53,680 --> 00:26:57,800
Speaker 5: against like.

531
00:26:56,080 --> 00:26:58,480
Speaker 4: Like your life is in danger, right, totally.

532
00:26:58,560 --> 00:27:01,719
Speaker 3: Yeah, It's definitely a Molly in danger girls situation. So

533
00:27:02,080 --> 00:27:05,280
Speaker 3: I was I was skating during warm ups and one

534
00:27:05,280 --> 00:27:07,840
Speaker 3: of the retired flyers. My mom talks about this all

535
00:27:07,840 --> 00:27:11,280
Speaker 3: the time. Uh is obviously gigantic. He was like huge

536
00:27:11,359 --> 00:27:14,240
Speaker 3: five and like as wide as a mack truck and

537
00:27:14,440 --> 00:27:19,040
Speaker 3: just him skating by me, knocking me over. No really,

538
00:27:21,080 --> 00:27:24,879
Speaker 3: I am a hundred pounds and he is.

539
00:27:25,400 --> 00:27:27,760
Speaker 5: I swear to god, I feel like that, and like

540
00:27:27,800 --> 00:27:32,200
Speaker 5: my nerves would just make me so like so clumsy.

541
00:27:32,480 --> 00:27:40,560
Speaker 5: Like the second thinga's on the eyes, Yeah, it's it

542
00:27:40,600 --> 00:27:41,080
Speaker 5: was gnarlay.

543
00:27:44,320 --> 00:27:46,760
Speaker 7: Hey there, Amy Roebuck and t J Holmes here from

544
00:27:46,800 --> 00:27:49,159
Speaker 7: the Amy and TJ podcast, where we are doing the

545
00:27:49,200 --> 00:27:51,399
Speaker 7: exact opposite of taking a summer vacation.

546
00:27:51,560 --> 00:27:52,280
Speaker 3: Yeah, I can't do that.

547
00:27:52,320 --> 00:27:55,280
Speaker 7: There's entirely too much going on in the world right

548
00:27:55,320 --> 00:27:58,000
Speaker 7: now to not be talking about all this stuff. Yes,

549
00:27:58,119 --> 00:28:00,560
Speaker 7: drama at the White House, drama at the World Cup,

550
00:28:00,680 --> 00:28:03,399
Speaker 7: drama about the Reflecting Pool, and yes, drama at the

551
00:28:03,480 --> 00:28:06,119
Speaker 7: Villa Pool on Love Island. All day, every day we

552
00:28:06,200 --> 00:28:08,240
Speaker 7: have you covered with the latest breaking news in the

553
00:28:08,280 --> 00:28:11,240
Speaker 7: stories everyone will be talking about. Listen to Amy and

554
00:28:11,280 --> 00:28:15,080
Speaker 7: TJ on the iHeartRadio app, Apple podcasts or wherever you

555
00:28:15,160 --> 00:28:16,800
Speaker 7: listen to podcasts.

556
00:28:20,040 --> 00:28:21,960
Speaker 1: I have a question, then, which we haven't really talked

557
00:28:22,000 --> 00:28:25,320
Speaker 1: about the last time you're here. You're doing all this stuff,

558
00:28:25,880 --> 00:28:29,320
Speaker 1: You're on every team, you're studying, your taking.

559
00:28:29,840 --> 00:28:32,040
Speaker 2: Did you ever just burnout?

560
00:28:32,440 --> 00:28:33,840
Speaker 1: Was there ever a point where you were just like,

561
00:28:33,920 --> 00:28:36,160
Speaker 1: I can't physically do this anymore.

562
00:28:36,240 --> 00:28:39,000
Speaker 3: Yeah, all the time. I would have a lot of

563
00:28:39,000 --> 00:28:42,520
Speaker 3: burnout because I was doing so much that I just

564
00:28:42,640 --> 00:28:45,400
Speaker 3: I took a lot of time for me when I could,

565
00:28:45,520 --> 00:28:47,760
Speaker 3: so really, I played a lot of video games. Sports

566
00:28:47,760 --> 00:28:51,480
Speaker 3: were kind of my outlet. So whenever I did have burnout,

567
00:28:52,040 --> 00:28:55,400
Speaker 3: which was often, I'm not gonna lie, I would go

568
00:28:55,480 --> 00:28:59,800
Speaker 3: outside and play a sport. I was very good at,

569
00:28:59,800 --> 00:29:04,440
Speaker 3: like making up how to play games by myself outside

570
00:29:04,440 --> 00:29:08,000
Speaker 3: sports like alone, which seems a little wild and weird,

571
00:29:08,040 --> 00:29:09,320
Speaker 3: but I would do that all the time, and I

572
00:29:09,320 --> 00:29:11,920
Speaker 3: would really get lost into video games and kind of

573
00:29:12,040 --> 00:29:15,080
Speaker 3: be in my own kind of world with that, And

574
00:29:15,120 --> 00:29:18,760
Speaker 3: that helped a lot to have those kind of distractions

575
00:29:18,800 --> 00:29:20,960
Speaker 3: to be able to settle my mind. Because I also

576
00:29:21,200 --> 00:29:24,560
Speaker 3: believe I'm not officially diagnosed, but I believe I have ADHD,

577
00:29:26,280 --> 00:29:30,760
Speaker 3: which is probably credit to that why I was able

578
00:29:30,800 --> 00:29:33,200
Speaker 3: to do so many different things at once and tackle

579
00:29:33,240 --> 00:29:35,320
Speaker 3: them all as if it was the only thing. Because

580
00:29:35,320 --> 00:29:36,760
Speaker 3: to me, it was the only thing at the time,

581
00:29:36,800 --> 00:29:40,840
Speaker 3: and I would worry about the other stuff when I could. Yeah.

582
00:29:40,840 --> 00:29:44,200
Speaker 3: I also lived incredibly far away, not incredibly far away,

583
00:29:44,240 --> 00:29:48,200
Speaker 3: but pretty far away from LA growing up, So there

584
00:29:48,240 --> 00:29:50,440
Speaker 3: was a long drive and that was when I memorized

585
00:29:50,440 --> 00:29:52,080
Speaker 3: the lines. That was when I figured out what the

586
00:29:52,120 --> 00:29:54,880
Speaker 3: next thing was and had time to kind of prepare

587
00:29:54,920 --> 00:29:58,080
Speaker 3: for it. But I was always multitasking. I was always

588
00:29:58,120 --> 00:30:02,240
Speaker 3: doing like seven things once, which was crazy.

589
00:30:02,400 --> 00:30:03,920
Speaker 1: And did you ever just want to leave the business?

590
00:30:03,920 --> 00:30:05,600
Speaker 1: Were you ever like I can't I can't do this anymore.

591
00:30:05,600 --> 00:30:07,960
Speaker 1: I can't audition, I can't work, I can't physically do

592
00:30:08,000 --> 00:30:08,600
Speaker 1: this anymore.

593
00:30:08,800 --> 00:30:10,800
Speaker 3: No, that still has never crossed my mind.

594
00:30:11,000 --> 00:30:13,080
Speaker 5: It was just more like I just need time to

595
00:30:13,200 --> 00:30:14,920
Speaker 5: like rest, I'm just tired.

596
00:30:15,840 --> 00:30:19,560
Speaker 3: Yeah, I actually really loved every aspect about it. I

597
00:30:19,640 --> 00:30:22,920
Speaker 3: really loved I really loved performing. I mean, even my

598
00:30:23,400 --> 00:30:27,160
Speaker 3: best hobby is magic. I'm still I'm still performing when

599
00:30:27,160 --> 00:30:32,600
Speaker 3: I'm not performing. So it was really all I wanted

600
00:30:32,640 --> 00:30:35,480
Speaker 3: to do. I would say, if I wasn't acting, I

601
00:30:35,520 --> 00:30:39,400
Speaker 3: would be try to be professional in some sport. Not

602
00:30:39,440 --> 00:30:40,960
Speaker 3: sure which because I'm.

603
00:30:41,000 --> 00:30:44,480
Speaker 2: Small, but golf. If you were good at golf.

604
00:30:44,600 --> 00:30:47,320
Speaker 3: Golfer hockey, like I was really a good hockey player.

605
00:30:47,760 --> 00:30:49,560
Speaker 1: Yeah, but I mean, I guess put you on skates,

606
00:30:49,640 --> 00:30:51,760
Speaker 1: You've still got some size then when you got skates

607
00:30:51,760 --> 00:30:52,560
Speaker 1: on and all that kind of.

608
00:30:52,720 --> 00:30:55,080
Speaker 3: Then on normal height, unnormal height when I'm on skates.

609
00:30:55,280 --> 00:30:59,320
Speaker 3: But but I but I'm It's one of the only

610
00:30:59,400 --> 00:31:01,560
Speaker 3: few sports where you can be short and succeed because

611
00:31:01,680 --> 00:31:05,400
Speaker 3: leverage is what matters most. So baseball is also one

612
00:31:05,400 --> 00:31:07,840
Speaker 3: of those where you can be shorter and succeed. You know, sure,

613
00:31:07,880 --> 00:31:10,720
Speaker 3: there's plenty of baseball players that are that are pretty

614
00:31:10,760 --> 00:31:13,240
Speaker 3: small and you can succeed. You can succeed in basketball

615
00:31:13,280 --> 00:31:15,640
Speaker 3: if you're short. You just have to be that good

616
00:31:16,160 --> 00:31:18,720
Speaker 3: and teams have to have that need for the fill

617
00:31:18,800 --> 00:31:23,800
Speaker 3: because it is an incredibly political sport. All sports are

618
00:31:23,880 --> 00:31:27,000
Speaker 3: very political, and it's all about what need they have

619
00:31:27,120 --> 00:31:30,200
Speaker 3: to fill and do you match that mold to be

620
00:31:30,520 --> 00:31:32,840
Speaker 3: in professional sports, it's not always about like you're the

621
00:31:32,880 --> 00:31:34,640
Speaker 3: best at that, but does not mean you were going

622
00:31:34,680 --> 00:31:36,320
Speaker 3: to be on the team. It's the same in the

623
00:31:36,360 --> 00:31:40,120
Speaker 3: acting business. Just because you enter and you blow them away,

624
00:31:40,120 --> 00:31:41,400
Speaker 3: doesn't mean you're going to fit in the cast.

625
00:31:41,920 --> 00:31:42,400
Speaker 2: Yeah.

626
00:31:42,520 --> 00:31:44,959
Speaker 1: No, I always I always said entertained. True entertainers are

627
00:31:44,960 --> 00:31:47,600
Speaker 1: people who can't do something else. It's like, it's like,

628
00:31:47,640 --> 00:31:51,440
Speaker 1: I just I can't not entertain somehow, I just I can't.

629
00:31:51,600 --> 00:31:52,960
Speaker 2: I can't not do it. I have to.

630
00:31:53,360 --> 00:31:56,280
Speaker 3: I've tried to have other jobs me too, it's not

631
00:31:56,760 --> 00:31:57,520
Speaker 3: it doesn't work.

632
00:31:57,640 --> 00:31:57,760
Speaker 7: Now.

633
00:31:57,840 --> 00:32:01,200
Speaker 3: I am very bad at it. Like I I waited

634
00:32:01,280 --> 00:32:04,719
Speaker 3: tables for like a day and I had drinks on

635
00:32:04,760 --> 00:32:07,120
Speaker 3: there and I took a drink off and then spilled

636
00:32:07,160 --> 00:32:08,920
Speaker 3: all the rest on everybody else because I was like,

637
00:32:08,920 --> 00:32:11,480
Speaker 3: oh weight changes. Yeah, I didn't know that. And you

638
00:32:11,600 --> 00:32:13,960
Speaker 3: think I've learned from the first time.

639
00:32:15,440 --> 00:32:16,280
Speaker 2: You know the You know.

640
00:32:16,360 --> 00:32:18,600
Speaker 1: The funniest thing is I guarantee you if you then

641
00:32:18,680 --> 00:32:20,800
Speaker 1: did a job where you were playing a waiter, you

642
00:32:20,840 --> 00:32:22,200
Speaker 1: wouldn't have spilled a drop.

643
00:32:22,240 --> 00:32:26,360
Speaker 3: No, because there's a double stick tape.

644
00:32:27,120 --> 00:32:27,520
Speaker 2: For sure.

645
00:32:28,640 --> 00:32:30,840
Speaker 3: Maybe like here carry this, and I'd be like, hey, look,

646
00:32:31,040 --> 00:32:32,240
Speaker 3: you got it spending it?

647
00:32:33,040 --> 00:32:35,360
Speaker 1: Oh man, all right, Well we can't let you leave

648
00:32:36,160 --> 00:32:39,440
Speaker 1: without can you do Can you do some magic for us?

649
00:32:40,120 --> 00:32:43,080
Speaker 3: I'm going to give you, guys an option. I have

650
00:32:43,520 --> 00:32:45,640
Speaker 3: two options. So last time I did a card trick,

651
00:32:45,720 --> 00:32:47,240
Speaker 3: I can do another card trick, or I can do

652
00:32:47,280 --> 00:32:48,920
Speaker 3: a trick with something completely different.

653
00:32:49,080 --> 00:32:49,760
Speaker 2: Can you do both?

654
00:32:51,040 --> 00:32:51,280
Speaker 3: Okay?

655
00:32:51,360 --> 00:32:53,479
Speaker 2: Good, Well, it's magic. I want to see everything.

656
00:32:53,840 --> 00:32:56,320
Speaker 3: Do you guys have a do you have a no? Listen,

657
00:32:57,320 --> 00:32:58,920
Speaker 3: what I'm going to use doesn't have a lot of

658
00:32:58,920 --> 00:33:02,080
Speaker 3: color options. But do you happen to have a favorite color?

659
00:33:02,880 --> 00:33:03,440
Speaker 2: I do? Yeah?

660
00:33:03,960 --> 00:33:06,320
Speaker 3: Okay, what's your favorite? Oh? Your favorite color is green?

661
00:33:06,760 --> 00:33:09,080
Speaker 4: Just tell him you might have not I don't want

662
00:33:09,120 --> 00:33:10,160
Speaker 4: to guess it will.

663
00:33:12,280 --> 00:33:16,360
Speaker 3: It doesn't matter. I was just wondering. That's all that

664
00:33:16,480 --> 00:33:19,160
Speaker 3: kind of matters. Now here's the thing is that this

665
00:33:19,240 --> 00:33:21,959
Speaker 3: is This is a rubber band, and rubber bands are

666
00:33:22,000 --> 00:33:24,400
Speaker 3: strange because if you actually play with them like this,

667
00:33:24,520 --> 00:33:26,840
Speaker 3: you can see that that most rubber bands, if you'll

668
00:33:26,880 --> 00:33:29,320
Speaker 3: wear this against the black shirt there, you can see

669
00:33:29,320 --> 00:33:31,480
Speaker 3: that it's a green rubber band. Most rubber bands, when

670
00:33:31,480 --> 00:33:33,760
Speaker 3: you stretch them like too far, they'll break. This one

671
00:33:33,800 --> 00:33:36,800
Speaker 3: comes back together, which is really really nice. So what

672
00:33:37,440 --> 00:33:40,000
Speaker 3: we're gonna pick a different color, a sabrina, which would

673
00:33:40,040 --> 00:33:40,320
Speaker 3: you like?

674
00:33:40,960 --> 00:33:41,480
Speaker 4: Red?

675
00:33:42,080 --> 00:33:44,440
Speaker 3: Okay, great, So we're gonna have also a green rubber

676
00:33:44,480 --> 00:33:46,640
Speaker 3: band and a red rubber band. Look, it's Christmas colors,

677
00:33:46,720 --> 00:33:49,800
Speaker 3: but it's it's not Christmas. It is just beginning of summer.

678
00:33:50,080 --> 00:33:52,040
Speaker 3: So we have the green rubber band and the red

679
00:33:52,120 --> 00:33:56,600
Speaker 3: rubber band. Have you ever seen those like Christmas links? Yeah,

680
00:33:56,720 --> 00:33:58,720
Speaker 3: that you get you can count down to like Christmas

681
00:33:58,800 --> 00:33:59,280
Speaker 3: Day or what? Hell?

682
00:33:59,320 --> 00:34:01,120
Speaker 4: Oh yeah yeah, you look really.

683
00:34:00,880 --> 00:34:05,800
Speaker 3: Really carefully, it'll look like these are actually linked. Is

684
00:34:08,440 --> 00:34:11,680
Speaker 3: Oh my god, which is really nice. And you can

685
00:34:11,719 --> 00:34:15,640
Speaker 3: see this one come off of that link. You can

686
00:34:15,680 --> 00:34:18,480
Speaker 3: see the second one. Watch it very carefully. It comes

687
00:34:18,480 --> 00:34:20,960
Speaker 3: off of that link as well. Now I'll show you

688
00:34:21,000 --> 00:34:24,600
Speaker 3: one more time. Okay, just one more time. We put

689
00:34:24,600 --> 00:34:27,000
Speaker 3: this up here. You can see that it really does link.

690
00:34:27,200 --> 00:34:31,280
Speaker 3: It's really on there from all different sides. It doesn't

691
00:34:31,360 --> 00:34:34,640
Speaker 3: matter how you see it or what you see. And

692
00:34:35,080 --> 00:34:37,560
Speaker 3: just like that, it does come right off. And they

693
00:34:37,680 --> 00:34:41,839
Speaker 3: just are two separated rubber bands, which is really fun.

694
00:34:41,880 --> 00:34:45,160
Speaker 3: I don't know how that works, but it's it's fun.

695
00:34:45,200 --> 00:34:48,880
Speaker 3: It's fun to look at so much.

696
00:34:49,560 --> 00:34:51,799
Speaker 2: Man, my god, I wish it. If I could have

697
00:34:51,800 --> 00:34:53,920
Speaker 2: one skill, it would be magic. I just can't do it.

698
00:34:54,280 --> 00:34:57,880
Speaker 3: You can't. I promise you I could teach you both.

699
00:34:58,400 --> 00:35:01,560
Speaker 3: It is. It is cha fun skill. I am going

700
00:35:01,600 --> 00:35:03,480
Speaker 3: to be at the Magic Castle again in August. If

701
00:35:03,480 --> 00:35:04,120
Speaker 3: you guys want to.

702
00:35:04,040 --> 00:35:07,640
Speaker 4: Come you are I do, I do?

703
00:35:07,719 --> 00:35:10,239
Speaker 2: I do? I do? I do? We'll go there, yes, Yeah,

704
00:35:10,400 --> 00:35:10,960
Speaker 2: I love that.

705
00:35:10,960 --> 00:35:15,320
Speaker 3: It's it's so much fun, like yeah, so please come.

706
00:35:18,280 --> 00:35:21,480
Speaker 2: You're not done, You're dead.

707
00:35:22,000 --> 00:35:24,399
Speaker 5: I feel like such a little kid when I feel

708
00:35:24,440 --> 00:35:26,200
Speaker 5: like such a little kid when I watch magic.

709
00:35:26,239 --> 00:35:27,520
Speaker 4: I love it, like I'm like.

710
00:35:29,280 --> 00:35:31,520
Speaker 3: It literally is so much fun. And it's so much

711
00:35:31,520 --> 00:35:34,800
Speaker 3: fun on set too, because it's just it's one of

712
00:35:34,840 --> 00:35:39,400
Speaker 3: the most beautiful, like time wasters. Yes, ys of just

713
00:35:39,520 --> 00:35:41,560
Speaker 3: entertaining and it works on your improv skills, which I

714
00:35:41,600 --> 00:35:45,799
Speaker 3: really enjoy it. So that's pretty fun. We have two

715
00:35:45,880 --> 00:35:48,759
Speaker 3: sets for of a Kind that these are in fact

716
00:35:48,800 --> 00:35:50,759
Speaker 3: normal cards. I did get them just out of the

717
00:35:50,800 --> 00:35:52,319
Speaker 3: deck of cards. I could do this with your decord cards.

718
00:35:52,360 --> 00:35:54,400
Speaker 3: I could do this with any deck of cards. It

719
00:35:54,440 --> 00:35:56,880
Speaker 3: does not matter. I have to say that before and

720
00:35:56,960 --> 00:35:58,799
Speaker 3: now I'm going to stand up for this because it's

721
00:35:58,840 --> 00:36:01,279
Speaker 3: probably better if I'm if I'm leaning down, I'm gonna

722
00:36:01,320 --> 00:36:04,200
Speaker 3: move my chair kind of out of the way here

723
00:36:04,400 --> 00:36:12,839
Speaker 3: and I may just actually everything that's going on here.

724
00:36:13,040 --> 00:36:15,759
Speaker 3: Two different sets of four of a kind. Now, I'm

725
00:36:15,760 --> 00:36:18,480
Speaker 3: going to keep the sevens over here and leave the

726
00:36:18,600 --> 00:36:20,680
Speaker 3: queens just like that. I want you to watch the

727
00:36:20,760 --> 00:36:23,280
Speaker 3: queens as they become the sevens. And these are the queens,

728
00:36:23,719 --> 00:36:29,920
Speaker 3: so everything that's too was that a little fast? Okaytlie,

729
00:36:31,560 --> 00:36:33,560
Speaker 3: but now you know what to expect. So they're going

730
00:36:33,600 --> 00:36:36,960
Speaker 3: to switch places with the queens, and the sevens are

731
00:36:37,000 --> 00:36:39,840
Speaker 3: going to switch places. So just remember that that the

732
00:36:39,920 --> 00:36:42,960
Speaker 3: queens and the sevens are all going to switch places,

733
00:36:43,000 --> 00:36:46,680
Speaker 3: and I'll take the queens. I will kind of shuffle

734
00:36:47,400 --> 00:36:50,120
Speaker 3: let's shuffle up queens. Actually I'm up here, so you

735
00:36:50,160 --> 00:36:52,560
Speaker 3: can see that a queen is going underneath here, which

736
00:36:52,640 --> 00:36:55,160
Speaker 3: leaves me with the four sevens. Now, I'm going to

737
00:36:55,200 --> 00:36:57,800
Speaker 3: take those four sevens and we're gonna make them change

738
00:36:57,840 --> 00:36:59,759
Speaker 3: into queens one at a time. I'm telling you what's

739
00:36:59,760 --> 00:37:02,440
Speaker 3: gonna happen, so that you can see when one of

740
00:37:02,480 --> 00:37:05,799
Speaker 3: them changes into a queen. We're going to do it again.

741
00:37:05,840 --> 00:37:07,960
Speaker 3: We're going to do it again. So you can actually

742
00:37:08,440 --> 00:37:13,160
Speaker 3: see that this seven closest to me becomes a queen.

743
00:37:13,239 --> 00:37:18,560
Speaker 3: You can see that this face down seven becomes a queen.

744
00:37:18,600 --> 00:37:22,680
Speaker 3: You can see that this last seven here actually becomes

745
00:37:23,080 --> 00:37:25,440
Speaker 3: a queen, leaving us with all four queens. But you

746
00:37:25,440 --> 00:37:28,319
Speaker 3: guys know that that's not the truth you saw a

747
00:37:28,480 --> 00:37:31,560
Speaker 3: queen go underneath my arm, which is very very true,

748
00:37:31,880 --> 00:37:34,520
Speaker 3: and that would mean that these aren't actually queens at all.

749
00:37:34,560 --> 00:37:39,879
Speaker 3: These are actually the seven saying because underneath my arm

750
00:37:40,080 --> 00:37:44,200
Speaker 3: is in fact the queens, which they wear the entire time.

751
00:37:44,320 --> 00:37:47,279
Speaker 3: And that's the four Queen four sevens. And if you

752
00:37:48,120 --> 00:37:50,280
Speaker 3: give them to you, because it doesn't really matter.

753
00:37:50,320 --> 00:37:55,960
Speaker 5: Oh my god, damn, like right there, it was right there,

754
00:37:57,680 --> 00:37:58,000
Speaker 5: all right.

755
00:37:58,040 --> 00:38:03,840
Speaker 1: I have a question, Yeah, are are are the majority

756
00:38:03,840 --> 00:38:05,080
Speaker 1: of the tricks that you do?

757
00:38:05,080 --> 00:38:07,960
Speaker 2: Do you invent them or are they tricks that have

758
00:38:08,000 --> 00:38:08,840
Speaker 2: been around for a while.

759
00:38:10,880 --> 00:38:14,240
Speaker 3: I would say it's a combination of things. The tricks

760
00:38:14,239 --> 00:38:17,960
Speaker 3: that I showed you today are not mine. If you

761
00:38:18,000 --> 00:38:22,480
Speaker 3: want titles, the first one is is is link from

762
00:38:22,840 --> 00:38:26,160
Speaker 3: uh Marcus Eddie and Daniel Garcia's five That is Marcus

763
00:38:26,280 --> 00:38:30,000
Speaker 3: Eddie's link. The second version of that was missing Link

764
00:38:30,080 --> 00:38:33,560
Speaker 3: by Chris Kenner. And then the two the two card

765
00:38:33,600 --> 00:38:37,200
Speaker 3: tricks were two of the two of the four of

766
00:38:37,239 --> 00:38:41,600
Speaker 3: the four what's it called? Variations of something called swapshop?

767
00:38:41,640 --> 00:38:45,279
Speaker 3: But my buddy by my buddy Kyle Parnell and now

768
00:38:45,320 --> 00:38:46,920
Speaker 3: can you two of his four phases?

769
00:38:47,040 --> 00:38:47,719
Speaker 1: Can I can?

770
00:38:47,719 --> 00:38:49,359
Speaker 2: I can I ask, can you show us one that

771
00:38:49,400 --> 00:38:50,160
Speaker 2: you created?

772
00:38:50,640 --> 00:38:52,480
Speaker 3: Yeah? Sure, God I love this.

773
00:38:53,640 --> 00:38:56,600
Speaker 5: Wait, but so before you get before you go into that,

774
00:38:56,680 --> 00:38:59,759
Speaker 5: so you're saying these were someone else's, Like, how do

775
00:38:59,800 --> 00:39:02,680
Speaker 5: you learned? Like did you go online to learn that?

776
00:39:02,840 --> 00:39:02,920
Speaker 3: Like?

777
00:39:03,120 --> 00:39:06,200
Speaker 4: Or do people like each other?

778
00:39:06,480 --> 00:39:06,719
Speaker 6: Yeah?

779
00:39:07,160 --> 00:39:07,600
Speaker 2: Like how do.

780
00:39:07,600 --> 00:39:12,120
Speaker 3: You like teach courses? I teach okay castle, and I

781
00:39:12,160 --> 00:39:15,800
Speaker 3: also teach privately, so I do teach people. Most of

782
00:39:15,800 --> 00:39:19,200
Speaker 3: the time, you do find them online. Uh. With Swapshop.

783
00:39:19,640 --> 00:39:21,640
Speaker 3: Kyle is a really good friend of mine, so he

784
00:39:21,760 --> 00:39:24,399
Speaker 3: was like, do you know have you seen my stand

785
00:39:24,480 --> 00:39:26,600
Speaker 3: up reset for Swapshop. I was like no, but that

786
00:39:27,200 --> 00:39:30,000
Speaker 3: is incredible and I would love.

787
00:39:29,920 --> 00:39:30,239
Speaker 2: To learn that.

788
00:39:30,280 --> 00:39:32,440
Speaker 3: He was like, here's all of swapshop and I was like, look, okay,

789
00:39:32,480 --> 00:39:32,759
Speaker 3: thank You.

790
00:39:34,680 --> 00:39:35,640
Speaker 2: Share with each other?

791
00:39:36,320 --> 00:39:39,880
Speaker 3: Yeah yeah, when when when you're really close, you know,

792
00:39:40,000 --> 00:39:42,760
Speaker 3: they absolutely share. Like I I don't have a problem

793
00:39:44,239 --> 00:39:47,440
Speaker 3: teaching or or or sending someone my lecture notes because

794
00:39:47,480 --> 00:39:48,840
Speaker 3: the trick I'm about to show you is on my

795
00:39:48,840 --> 00:39:50,520
Speaker 3: electron nottes and here I'll don't just send you my

796
00:39:50,600 --> 00:39:53,600
Speaker 3: lecture notes. It's totally fine. I do. I do a

797
00:39:53,640 --> 00:39:58,120
Speaker 3: lecture on strolling magic, and I scrolling magic. Yeah, that's

798
00:39:58,120 --> 00:40:00,239
Speaker 3: like if you were at a wedding and you s like,

799
00:40:00,480 --> 00:40:03,279
Speaker 3: I'm the magician and they're like, like the cocktail Hour.

800
00:40:03,680 --> 00:40:05,960
Speaker 3: That's a version of strolling magic. So I'm a two

801
00:40:06,040 --> 00:40:10,160
Speaker 3: time champion at the Magic Castle for strolling Magic, which

802
00:40:10,200 --> 00:40:12,440
Speaker 3: means I can't win the award again. My name's on

803
00:40:12,480 --> 00:40:14,880
Speaker 3: a trophy twice and that's the amount that you're allowed

804
00:40:14,920 --> 00:40:19,840
Speaker 3: to win it, and that's it. And because it's against

805
00:40:19,880 --> 00:40:22,680
Speaker 3: the rules, every single award at the Castle, you can

806
00:40:22,719 --> 00:40:25,920
Speaker 3: only win twice. So Joshua Seth has won it. You know,

807
00:40:26,000 --> 00:40:28,239
Speaker 3: Joshua Seth. He was at CSD when we were there

808
00:40:28,920 --> 00:40:32,560
Speaker 3: and he taught me the reverse Waterfall shuffle, which was

809
00:40:33,000 --> 00:40:35,160
Speaker 3: which is this shuffle which I really really enjoy It

810
00:40:35,200 --> 00:40:37,719
Speaker 3: looks so pretty. So he taught me that, which is

811
00:40:37,840 --> 00:40:42,480
Speaker 3: very very cool. Wow. So so yeah, anyway, uh, this

812
00:40:42,560 --> 00:40:46,040
Speaker 3: is rubber bandit. This is one of my favorite tricks

813
00:40:46,040 --> 00:40:48,680
Speaker 3: and it is absolutely something I invented based off of

814
00:40:48,719 --> 00:40:51,799
Speaker 3: another effect by Ed Ellis, but I used as a

815
00:40:51,800 --> 00:40:53,200
Speaker 3: prop with it. I didn't want to use a prop.

816
00:40:53,320 --> 00:40:55,279
Speaker 3: There's a something at the end that I was like,

817
00:40:55,440 --> 00:40:57,000
Speaker 3: I want to cut that, so I kind of made

818
00:40:57,000 --> 00:41:01,319
Speaker 3: my own treasure Sobrina, could you just name a card.

819
00:41:01,440 --> 00:41:02,160
Speaker 3: It doesn't matter.

820
00:41:02,440 --> 00:41:04,239
Speaker 4: Seven of diamonds, okay.

821
00:41:04,000 --> 00:41:07,399
Speaker 3: I just want you to see that we have we

822
00:41:07,440 --> 00:41:12,280
Speaker 3: have different cards here, Oh good to seven of diamonds.

823
00:41:12,440 --> 00:41:14,439
Speaker 3: We do have a seven of diamonds, which is which

824
00:41:14,480 --> 00:41:16,719
Speaker 3: is really nice. Now I'm gonna put this here inside

825
00:41:16,760 --> 00:41:19,120
Speaker 3: my back pocket. I want you to see everything. I

826
00:41:19,160 --> 00:41:22,359
Speaker 3: have a wallet, and inside my wallet, I do, in

827
00:41:22,400 --> 00:41:25,000
Speaker 3: fact have a card, and I have a seven of diamonds.

828
00:41:27,080 --> 00:41:29,719
Speaker 3: Put that aside for now because we're going to do

829
00:41:29,760 --> 00:41:31,680
Speaker 3: something a little bit different. Now, I'm going to take

830
00:41:31,719 --> 00:41:34,160
Speaker 3: that seven of diamonds from my wallet. I'm gonna put

831
00:41:34,160 --> 00:41:37,000
Speaker 3: it inside the deck and I'm gonna shuffle it back

832
00:41:37,040 --> 00:41:40,040
Speaker 3: inside like this, and I'm gonna shuffle it even further

833
00:41:40,120 --> 00:41:44,000
Speaker 3: so that way you know that I'm confusing you. So shuffle, shuffle,

834
00:41:45,040 --> 00:41:48,560
Speaker 3: and you can see that it's not the top card.

835
00:41:48,600 --> 00:41:50,560
Speaker 3: I can prove that. You can feel it if you want,

836
00:41:50,600 --> 00:41:52,919
Speaker 3: it's not the bottom card. These are all very important things.

837
00:41:53,040 --> 00:41:55,200
Speaker 3: But we will take uh where did I put that

838
00:41:55,280 --> 00:41:58,120
Speaker 3: a rubber band? And we have this rubber band here,

839
00:41:58,360 --> 00:42:01,000
Speaker 3: I'm going to uh uh double up, huh huh. That's

840
00:42:01,000 --> 00:42:03,759
Speaker 3: a sir, mix a lot, and I'm gonna go ahead

841
00:42:03,800 --> 00:42:06,920
Speaker 3: and take this and put that around so that you

842
00:42:06,920 --> 00:42:09,480
Speaker 3: can see that it's around the entire deck. Now, this

843
00:42:09,640 --> 00:42:12,239
Speaker 3: makes it difficult for me to manipulate the cards. It's

844
00:42:12,280 --> 00:42:15,239
Speaker 3: not impossible, it's just difficult. But I want to make

845
00:42:15,280 --> 00:42:19,040
Speaker 3: it impossible. So we're gonna double the double, which yeah,

846
00:42:19,040 --> 00:42:20,880
Speaker 3: that's impossible, so I will do that. But what I

847
00:42:20,920 --> 00:42:23,880
Speaker 3: will do is make it just difficult. So it's just difficult.

848
00:42:24,000 --> 00:42:25,759
Speaker 3: It can then I can then shake and it can

849
00:42:25,760 --> 00:42:28,520
Speaker 3: be around only one, which is of course.

850
00:42:28,440 --> 00:42:33,200
Speaker 2: Come on, it's really nice.

851
00:42:34,440 --> 00:42:35,399
Speaker 3: So that that is mine.

852
00:42:36,960 --> 00:42:40,400
Speaker 4: That's that is so good.

853
00:42:40,840 --> 00:42:42,919
Speaker 1: So you teach so like we can, I can hire

854
00:42:42,960 --> 00:42:44,520
Speaker 1: you to, like, you know, teach me magic.

855
00:42:44,640 --> 00:42:49,239
Speaker 4: Really, I got checked in with you. Have you called that?

856
00:42:49,920 --> 00:42:53,840
Speaker 2: No, I'm one of those people do something and I'm.

857
00:42:53,719 --> 00:42:55,719
Speaker 4: Like this interview, teach you.

858
00:42:55,719 --> 00:42:58,880
Speaker 2: You gotta go, you gotta want to learn?

859
00:42:58,960 --> 00:43:04,920
Speaker 5: Fine, yeah, I really definitely, definitely definitely We've got to

860
00:43:05,000 --> 00:43:09,200
Speaker 5: come see your whole your whole show. I appreciate that

861
00:43:09,200 --> 00:43:12,319
Speaker 5: the magic Castle. That would be such a fun night

862
00:43:12,480 --> 00:43:13,520
Speaker 5: and I would love that.

863
00:43:14,120 --> 00:43:19,879
Speaker 2: So that's percent we're figuring that out. Yes, okay, So well,

864
00:43:19,920 --> 00:43:22,560
Speaker 2: I mean, thank you so much for joining us again.

865
00:43:22,640 --> 00:43:25,640
Speaker 1: I also love hearing that we have just an awesome

866
00:43:25,680 --> 00:43:27,600
Speaker 1: excuse to watch another one of your movies.

867
00:43:27,400 --> 00:43:28,319
Speaker 2: And bring you back.

868
00:43:29,400 --> 00:43:32,120
Speaker 3: I'm so excited for that. I'm really thrilled that you

869
00:43:32,120 --> 00:43:35,160
Speaker 3: guys hand me back. Thank you very much for having

870
00:43:35,160 --> 00:43:37,200
Speaker 3: me back. That it really doesn't mean a lot.

871
00:43:37,800 --> 00:43:41,319
Speaker 5: Their career is just so incredible. You have thank you

872
00:43:41,440 --> 00:43:44,040
Speaker 5: done so much. And I just I mean, and to

873
00:43:44,160 --> 00:43:47,839
Speaker 5: hear how busy you were when you weren't working, when

874
00:43:47,880 --> 00:43:50,760
Speaker 5: I'm thinking you were just probably exhausted from the amount

875
00:43:50,800 --> 00:43:52,000
Speaker 5: of work you were doing.

876
00:43:52,400 --> 00:43:54,640
Speaker 4: And that was wild, child.

877
00:43:55,000 --> 00:43:56,840
Speaker 3: Yeah, a lot of that other stuff was you know,

878
00:43:56,960 --> 00:44:00,160
Speaker 3: running on fumes. Like my gymnastics class was like a

879
00:44:00,200 --> 00:44:02,560
Speaker 3: great It was a while there where I was actually

880
00:44:02,600 --> 00:44:05,720
Speaker 3: like training to go to the Olympics and that was crazy.

881
00:44:05,800 --> 00:44:07,560
Speaker 3: But I and.

882
00:44:07,560 --> 00:44:09,799
Speaker 5: It just is that your mom just kept having you

883
00:44:09,880 --> 00:44:12,240
Speaker 5: try stuff and you just happened to be extraordinary.

884
00:44:12,680 --> 00:44:14,280
Speaker 2: Well, just sounds like you're a natural athlete.

885
00:44:15,440 --> 00:44:19,200
Speaker 3: You could do anything kind of like that, which is

886
00:44:19,239 --> 00:44:23,600
Speaker 3: which is kind of crazy. But really her excuse was, listen,

887
00:44:23,680 --> 00:44:25,799
Speaker 3: you have to focus on one thing, so it can

888
00:44:25,840 --> 00:44:30,360
Speaker 3: either be hockey, baseball, or or acting. Because that was

889
00:44:30,400 --> 00:44:33,640
Speaker 3: the three major things that I or gymnastics. Those were

890
00:44:33,680 --> 00:44:35,960
Speaker 3: the four major things that I really really was like

891
00:44:36,200 --> 00:44:39,360
Speaker 3: selling at and really good at and and had an interest.

892
00:44:39,360 --> 00:44:42,920
Speaker 3: And she's like, you got to pick one because I can't.

893
00:44:43,120 --> 00:44:45,680
Speaker 3: I can't go full force on everything. I picked acting

894
00:44:46,120 --> 00:44:52,880
Speaker 3: because at five whatever, six seven, whatever, whatever it was,

895
00:44:54,200 --> 00:44:58,279
Speaker 3: I realized that I was small. I realized I was

896
00:44:58,320 --> 00:45:00,440
Speaker 3: a lot smaller than the other kids, and I realized

897
00:45:00,480 --> 00:45:07,120
Speaker 3: that I probably wasn't going to have the body type

898
00:45:07,400 --> 00:45:11,239
Speaker 3: that would have exceeded really well in sports, no matter

899
00:45:11,239 --> 00:45:14,440
Speaker 3: how good my skill became. So I was like, you

900
00:45:14,440 --> 00:45:17,160
Speaker 3: know what if I if I say acting, which is

901
00:45:17,239 --> 00:45:21,120
Speaker 3: what I was succeeding the most at, I can still

902
00:45:21,160 --> 00:45:24,239
Speaker 3: do everything. If I choose a sport, I have to

903
00:45:24,320 --> 00:45:25,640
Speaker 3: only go I can't.

904
00:45:25,680 --> 00:45:28,200
Speaker 2: That's your life. Yeah, yeah, I've got to.

905
00:45:28,320 --> 00:45:30,040
Speaker 3: Like, if I choose gymnastics, I gotta be in the

906
00:45:30,080 --> 00:45:33,640
Speaker 3: gym five days a week for eight hours otherwise it's

907
00:45:33,640 --> 00:45:34,920
Speaker 3: not gonna work. Yeah.

908
00:45:35,000 --> 00:45:38,279
Speaker 1: I dated a I dated a competitive figure skater and

909
00:45:38,280 --> 00:45:39,920
Speaker 1: it was just that was her life.

910
00:45:40,200 --> 00:45:42,960
Speaker 2: My whole family training training three time. Yeah, so that's

911
00:45:43,040 --> 00:45:43,759
Speaker 2: that was her life.

912
00:45:43,840 --> 00:45:46,560
Speaker 1: She trained three times a day and that was what

913
00:45:46,640 --> 00:45:49,520
Speaker 1: she did that was Yeah, she was the runner up

914
00:45:49,520 --> 00:45:52,239
Speaker 1: to Canadian Nationals and then I was going to win

915
00:45:52,280 --> 00:45:53,320
Speaker 1: the next year and got.

916
00:45:53,160 --> 00:45:55,960
Speaker 2: Mono and and oh no.

917
00:45:55,880 --> 00:45:58,520
Speaker 1: So but it was I mean, that was that was

918
00:45:58,600 --> 00:46:00,600
Speaker 1: her life. And it wasn't like, oh, you're gonna do

919
00:46:00,640 --> 00:46:01,600
Speaker 1: this and this and this and this.

920
00:46:01,719 --> 00:46:04,640
Speaker 2: It was you're a skater. So if that's yeah, if you.

921
00:46:04,560 --> 00:46:07,160
Speaker 1: Picked one of those sports, that's the idea that you

922
00:46:07,200 --> 00:46:09,600
Speaker 1: were already self aware enough at five or six to

923
00:46:09,640 --> 00:46:11,600
Speaker 1: be like, no, I don't think I'm gonna have the

924
00:46:11,600 --> 00:46:13,000
Speaker 1: body type when I grow up, So I'm going to

925
00:46:13,040 --> 00:46:14,680
Speaker 1: focus on this thing that I'm awesome at.

926
00:46:15,040 --> 00:46:15,239
Speaker 2: Right.

927
00:46:16,080 --> 00:46:20,440
Speaker 3: I look back on it and go, how, how, how

928
00:46:20,640 --> 00:46:22,680
Speaker 3: how do you have that self awareness? But I guess

929
00:46:22,719 --> 00:46:26,880
Speaker 3: it's just because in the industry, you you are forced

930
00:46:26,960 --> 00:46:29,960
Speaker 3: into an adult world so fast that if you do

931
00:46:30,080 --> 00:46:32,319
Speaker 3: not keep up with the joneses in that regard, you're

932
00:46:32,480 --> 00:46:34,239
Speaker 3: you're just so in the dust. And you go you

933
00:46:34,280 --> 00:46:37,120
Speaker 3: both know that, Like, it's just whether you're dancing, whether

934
00:46:37,160 --> 00:46:41,400
Speaker 3: you're singing, acting, whatever it is you're performing, you're in

935
00:46:41,440 --> 00:46:44,360
Speaker 3: an adult world. It is a different animal. You gotta

936
00:46:44,400 --> 00:46:48,200
Speaker 3: be gotta be there. So I chose acting. I stuck

937
00:46:48,239 --> 00:46:50,480
Speaker 3: down that road. I was able to do all of

938
00:46:50,520 --> 00:46:52,600
Speaker 3: these other lessons and keep up with it because I

939
00:46:52,680 --> 00:46:56,239
Speaker 3: knew they were like celebrity basketball, celebrity hockey, celebrity celebrities,

940
00:46:56,680 --> 00:46:59,440
Speaker 3: celebrity golf, whatever. Well I was like, great, I can

941
00:46:59,440 --> 00:47:02,319
Speaker 3: still play all of my sports and use them now

942
00:47:02,360 --> 00:47:03,560
Speaker 3: as just like not a job.

943
00:47:04,480 --> 00:47:09,719
Speaker 2: Yes, yes, let's do that. That's amazing. Well, thank you

944
00:47:09,760 --> 00:47:10,040
Speaker 2: so much.

945
00:47:10,120 --> 00:47:12,120
Speaker 1: And we're gonna cover more when you come back and

946
00:47:12,719 --> 00:47:15,279
Speaker 1: the next time you come back. Yeah, I'm gonna have

947
00:47:15,360 --> 00:47:17,719
Speaker 1: memorized some kind of magic trip to do one back

948
00:47:17,800 --> 00:47:20,279
Speaker 1: for you. Yes, I don't know what it's gonna be,

949
00:47:20,320 --> 00:47:22,239
Speaker 1: but I'm gonna learn a magic trip to do to

950
00:47:22,280 --> 00:47:23,839
Speaker 1: do it back to you for the next time you're here.

951
00:47:24,000 --> 00:47:25,759
Speaker 4: Okay, that is I learned that.

952
00:47:25,920 --> 00:47:26,560
Speaker 3: Very exciting.

953
00:47:26,640 --> 00:47:28,560
Speaker 2: Oh one last question before we let you go. Who's

954
00:47:28,600 --> 00:47:29,520
Speaker 2: your favorite magician?

955
00:47:29,960 --> 00:47:33,440
Speaker 3: Oh, that's a really good question. My favorite magician is

956
00:47:33,520 --> 00:47:38,759
Speaker 3: Johnny Ace Palmer. He is the first ever Grand pre

957
00:47:39,239 --> 00:47:43,920
Speaker 3: Fism winner that was a close up magician And if

958
00:47:43,920 --> 00:47:45,759
Speaker 3: you do not know who he is, please look up

959
00:47:46,120 --> 00:47:50,359
Speaker 3: Johnny Ace Palmer. He is a master in misdirection. He's

960
00:47:50,400 --> 00:47:56,960
Speaker 3: one of the nicest humans in the world and he's

961
00:47:57,000 --> 00:47:59,480
Speaker 3: like really really incredible.

962
00:48:00,000 --> 00:48:04,280
Speaker 2: Okay, Johnny, Yeah, all right, good, I got some homework.

963
00:48:04,680 --> 00:48:07,120
Speaker 3: Rob Za Brecky is also you know, my my my

964
00:48:07,200 --> 00:48:12,480
Speaker 3: father is also incredible. He is a performance driven magician.

965
00:48:12,560 --> 00:48:16,399
Speaker 3: Still has great skill, but his performance is second to none.

966
00:48:16,840 --> 00:48:22,400
Speaker 3: Uh and Johnny is Palmer as like a magician. Honorable

967
00:48:22,440 --> 00:48:26,040
Speaker 3: mention is Danny de Ortiz. But there you go. You

968
00:48:26,120 --> 00:48:27,120
Speaker 3: have three to look up.

969
00:48:27,200 --> 00:48:28,960
Speaker 2: I got my homework. I got my homework.

970
00:48:29,520 --> 00:48:29,680
Speaker 3: Yeah.

971
00:48:30,120 --> 00:48:32,359
Speaker 2: Well, thank you Adam so much for joining us. This

972
00:48:32,440 --> 00:48:32,799
Speaker 2: is cool.

973
00:48:33,760 --> 00:48:34,600
Speaker 3: Thank you for having me.

974
00:48:34,680 --> 00:48:36,520
Speaker 2: Yeah, you will be back, and when you are, I'm

975
00:48:36,520 --> 00:48:38,279
Speaker 2: going to be the amazing will.

976
00:48:39,440 --> 00:48:43,520
Speaker 3: I cannot wait. And notice how your fingers never leave

977
00:48:43,560 --> 00:48:44,160
Speaker 3: your poems.

978
00:48:44,320 --> 00:48:47,920
Speaker 2: Yes except there.

979
00:48:53,239 --> 00:48:56,520
Speaker 3: I have no idea, no clue see it. You're gonna be.

980
00:48:58,040 --> 00:49:05,319
Speaker 2: Thanks so much, man, we'll see you next time. I

981
00:49:05,360 --> 00:49:07,440
Speaker 2: always have so much fun talking to him.

982
00:49:07,719 --> 00:49:12,359
Speaker 5: I know, he's seems like the sweetest guy. Every he's

983
00:49:12,400 --> 00:49:15,120
Speaker 5: like the nice it's so nice, and I just he

984
00:49:15,320 --> 00:49:18,640
Speaker 5: always just never ceases to like amaze me of like

985
00:49:18,760 --> 00:49:21,680
Speaker 5: how many things he's just like really good at.

986
00:49:22,160 --> 00:49:24,160
Speaker 1: He's one of those guys where like and he's he's

987
00:49:24,200 --> 00:49:25,560
Speaker 1: that guy where you're like, hey, you want to go

988
00:49:25,600 --> 00:49:26,880
Speaker 1: bully and he's like, yeah, all right, and then he

989
00:49:26,880 --> 00:49:27,760
Speaker 1: bowls like a two twenty.

990
00:49:27,800 --> 00:49:29,320
Speaker 2: He's like, he's that guy where you're like, are you

991
00:49:29,400 --> 00:49:31,239
Speaker 2: kidding me? You're just good at everything you do.

992
00:49:31,719 --> 00:49:34,080
Speaker 1: Well, thank you everybody so much for joining us, and

993
00:49:34,160 --> 00:49:36,320
Speaker 1: don't forget check out Johnny Ace Palmer.

994
00:49:36,440 --> 00:49:39,600
Speaker 2: I want to go check out this comedian. But also,

995
00:49:40,040 --> 00:49:42,880
Speaker 2: uh yeah, keep just Whisper.

996
00:49:42,560 --> 00:49:44,960
Speaker 1: Balloon Farm around Adham because he seems to really like

997
00:49:45,000 --> 00:49:46,839
Speaker 1: that movie and I didn't want to burst his burst

998
00:49:46,920 --> 00:49:49,120
Speaker 1: his balloon by being like, man, we did not like it.

999
00:49:49,640 --> 00:49:51,640
Speaker 1: But I love how he's always He's also he's an actor,

1000
00:49:51,680 --> 00:49:53,120
Speaker 1: so he's like, dude, it might not be for you.

1001
00:49:53,239 --> 00:49:55,040
Speaker 2: Like he's right, you know, not all my stuff is

1002
00:49:55,080 --> 00:49:55,600
Speaker 2: going to be for you.

1003
00:49:55,680 --> 00:49:58,200
Speaker 1: That's how I am with my my thing. Certain things

1004
00:49:58,200 --> 00:50:00,439
Speaker 1: I like people hate in my career. It's like, yeah,

1005
00:50:00,440 --> 00:50:02,360
Speaker 1: it's not for you if.

1006
00:50:02,239 --> 00:50:05,160
Speaker 5: You don't buy the dog being down and that we've

1007
00:50:05,200 --> 00:50:07,440
Speaker 5: got the dog out. Only way to do that was

1008
00:50:07,480 --> 00:50:09,680
Speaker 5: the singing that's.

1009
00:50:09,520 --> 00:50:11,279
Speaker 3: On me, you man.

1010
00:50:11,680 --> 00:50:13,480
Speaker 4: Like everyone else seemed to like it.

1011
00:50:13,719 --> 00:50:16,440
Speaker 2: I get that, I get it. If you hate it,

1012
00:50:16,520 --> 00:50:17,440
Speaker 2: that's on you, bro.

1013
00:50:18,560 --> 00:50:34,120
Speaker 1: Oh yeah, we will see you next time, Bye everybody, Bye,