WEBVTT - The Spirited Actor - Phyillicia Bishop

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<v Speaker 1>Hello, and welcome to the Spirited Actor Podcast with me

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<v Speaker 1>Tracy Moore. I was a casting director for film and

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<v Speaker 1>TV and commercials for over thirty years. I transitioned to

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<v Speaker 1>a celebrity acting coach after I cast a film New

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<v Speaker 1>Jersey Drive with executive producers Spike Lee and director Nick Domez.

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<v Speaker 1>I auditioned every rapper from biggiees Balls to Tupac, and

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<v Speaker 1>I realized that rappers and musical artists they needed help

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<v Speaker 1>transitioning to acting. My clients consist of musical artists from

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<v Speaker 1>Buster Rhymes to Eve, Missy Elliott, Angela Yee from The

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<v Speaker 1>Breakfast Club, and Vanessa Simmons, to name a few. I

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<v Speaker 1>also coach sports stars and host as well. I feel

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<v Speaker 1>I have the best of both worlds. As a casting director,

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<v Speaker 1>I know exactly what they're looking for, and as an

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<v Speaker 1>acting coach, I can coach you to be remembered in

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<v Speaker 1>that room.

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<v Speaker 2>Now. I know, I know actors want to get the job.

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<v Speaker 2>I get that, but.

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<v Speaker 1>Being remembered by casting director that is powerful. And now

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<v Speaker 1>it's time for meditation of the day. The struggle, like

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<v Speaker 1>life itself, should be joyful. Miriam Miranda, I just want

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<v Speaker 1>to say those people and I know I'm coming strong

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<v Speaker 1>today because I feel it in my spirit. The struggle

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<v Speaker 1>is not set up for you to feel bad. The

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<v Speaker 1>struggle is not set up for you to think that

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<v Speaker 1>it's impossible or that you're not enough. The quote unquote

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<v Speaker 1>struggle is set up for you to reintroduce you to

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<v Speaker 1>the truth of who you are. And you are powerful,

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<v Speaker 1>you are mighty. You can make possible out of impossible.

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<v Speaker 1>You can make a way. This too shall pass. Understand

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<v Speaker 1>that nothing is being dubbe to you, It's being done

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<v Speaker 1>through you. And as you reflect on our guests today

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<v Speaker 1>Felicia Bishop, understand that she took an idea, she took

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<v Speaker 1>a thought, she took something that was God given to her,

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<v Speaker 1>and she made a way.

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<v Speaker 2>She held the vision and today.

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<v Speaker 1>She has created an award winning series that is going

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<v Speaker 1>to sell, that is going to be streaming, and all

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<v Speaker 1>of you will have the joy of experiencing it.

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<v Speaker 2>Today.

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<v Speaker 1>I will not allow the words struggle to deflect, distract,

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<v Speaker 1>or disturb my groove. Before we get started, I like

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<v Speaker 1>to remind everyone to go to Krackle network to use

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<v Speaker 1>seasons one and two of my show Inside the Black

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<v Speaker 1>Box that I co host with the Great Emmy Award

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<v Speaker 1>winning Joe Morton look out for news on season three.

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<v Speaker 1>Soon Welcome to the Spirited Action Podcast with me Tracy Moore.

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<v Speaker 1>That was a loving, a very very loving exhale. For

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<v Speaker 1>those of you who know me, you know when I

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<v Speaker 1>have someone really special and I take my time in

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<v Speaker 1>my introduction because I do have to acknowledge them. I

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<v Speaker 1>don't even know, but when she comes on, we'll ask

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<v Speaker 1>her how many years, But I'm going to gauge at

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<v Speaker 1>least fifteen because my son was really little when she

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<v Speaker 1>met him. Well not little, but he's a grown man now.

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<v Speaker 1>This woman, our guest, Felicia Bishop, was introduced to me

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<v Speaker 1>by my next door neighbor Larry, and he was like, Tracy,

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<v Speaker 1>I want you to meet this actors.

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<v Speaker 2>She's a young woman.

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<v Speaker 1>You know she's coming into the business, and I also

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<v Speaker 1>want you to mentor her, like whatever you're going to

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<v Speaker 1>give her or whatever. I said, okay, cool, because I

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<v Speaker 1>love Larry and Stacy, and he gave her my number.

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<v Speaker 1>I can't remember where we met, but I know we

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<v Speaker 1>met up to talk and go over things, et cetera.

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<v Speaker 1>I fell in love with her when I met her.

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<v Speaker 1>First of all, I think we got the same color eyes.

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<v Speaker 2>Okay, wait, all right, sorry, But her spirit, her passion,

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<v Speaker 2>her joy, I have never, ever, ever, and I'm not

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<v Speaker 2>around her twenty four hours to say, but I have

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<v Speaker 2>known her for a very long time. I've never seen

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<v Speaker 2>her drag, energy, sad.

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<v Speaker 1>I've seen you sometuf on Instagram, but I know her

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<v Speaker 1>as joyous, glorious, joyous.

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<v Speaker 2>Right, She's beyond talented. I had an opportunity a couple

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<v Speaker 2>of years ago to direct a music video.

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<v Speaker 1>Felicia was the first person when I thought of the scenario,

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<v Speaker 1>I was like, I'm want flee shit.

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<v Speaker 2>She gonna be grated, right. I have known this woman.

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<v Speaker 1>I continue to support her, and let me tell you

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<v Speaker 1>why I'm doing mad backflips with a kool Aid smile.

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<v Speaker 1>Felicia's one of those actors that took her career in

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<v Speaker 1>her own hands, and she decided she had a great idea,

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<v Speaker 1>and she decided she was going to write that that idea,

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<v Speaker 1>produce that idea, direct that idea, cats that idea. Whatever

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<v Speaker 1>she needed to do to get in a New York

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<v Speaker 1>minute on, she did it.

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<v Speaker 2>And through that show, she has given opportunities to spirit

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<v Speaker 2>an actor alumni. She has created just great platforms for people,

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<v Speaker 2>and I.

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<v Speaker 1>Can't wait until I get an two directed episode, because

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<v Speaker 1>she did ask me if the ric full way it

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<v Speaker 1>happened was I had to do something new, but Eway,

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<v Speaker 1>I love her. Please stand up for my friend, my colleague,

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<v Speaker 1>Felicia Bischa.

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<v Speaker 3>Thank you, Tracy. That was like the best introduction I've

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<v Speaker 3>ever gotten. I'm so glad to be here. Thank you

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<v Speaker 3>for having me.

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<v Speaker 1>Okay, we kind of have the same color eyes. They're

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<v Speaker 1>not exactly, but I love her eyes. I love's eyes, Felicia.

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<v Speaker 1>When I tell you, I am so happy to have

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<v Speaker 1>you on this podcast and give you this platform because

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<v Speaker 1>I saw your work ethic from day one. Had no

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<v Speaker 1>idea we were going to land here, but I was like, listen,

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<v Speaker 1>keep her close because you might need Dad's Kokua job.

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<v Speaker 2>And I did. I was like, Felicia, if you ever

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<v Speaker 2>need a director full episode up here.

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<v Speaker 3>For you sometime? Yes, No, for sure, it's coming.

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<v Speaker 2>It's coming.

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<v Speaker 3>I know that the dates in the line for us

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<v Speaker 3>that time, but it's gonna come. It's gonna come.

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<v Speaker 2>I believe it too. I'm not going anywhere, and I

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<v Speaker 2>love the show.

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<v Speaker 1>First, let's start at the beginning, Felicia, because I believe.

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<v Speaker 2>That this show is going to be so.

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<v Speaker 1>Incredibly inspirational to actors because you did it. So starting out,

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<v Speaker 1>let's go from the beginning. Yes, you woke up one

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<v Speaker 1>morning and you said I choose acting or did acting

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<v Speaker 1>choose you?

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<v Speaker 3>I think acting chose me. If I want to start

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<v Speaker 3>from the beginning. My mom, Yes, I was always like

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<v Speaker 3>into dance and doing like, of course, creative things. I

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<v Speaker 3>grew up in Brooklyn, but it wasn't until I really

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<v Speaker 3>got to college. I was in a class and I

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<v Speaker 3>was voicing my opinion and the professor at the time,

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<v Speaker 3>I didn't know he was the head of the theater department.

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<v Speaker 3>I thought he was just a professor. And he was like, stay,

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<v Speaker 3>I have to class. I have to talk to you.

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<v Speaker 3>And I was like, oh no, I'm ruffle Feathers again.

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<v Speaker 3>And he was like, no, I need you to audition

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<v Speaker 3>for the play. And I was like, oh, that's not

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<v Speaker 3>my major. My major at the time was communications broadcasting.

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<v Speaker 2>I want to tell.

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<v Speaker 3>You like a talk show host. And he was like, no,

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<v Speaker 3>I need you to audition for this, like this role

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<v Speaker 3>is for you and I was like no. And literally

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<v Speaker 3>the night before I changed my mind. My roommate helped

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<v Speaker 3>me to say just do it, and of course I

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<v Speaker 3>got the part, and then I was in every I

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<v Speaker 3>didn't change my major though, but I was in every

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<v Speaker 3>play after and that's what basically I was like, Oh,

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<v Speaker 3>this is something I want to do, so I definitely

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<v Speaker 3>shows me.

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<v Speaker 1>So when you decided to embark in this career, like

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<v Speaker 1>because I'm gonna start with Larry, how did how did

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<v Speaker 1>you find out about me?

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<v Speaker 2>Or was it what Larry said you should meet my

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<v Speaker 2>next door neighbor because I didn't know that backstory.

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<v Speaker 3>So my whole life has been whatever survival job I

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<v Speaker 3>have has to connect to like my creativity. So at

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<v Speaker 3>the time BMW in Manhattan was in the building of

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<v Speaker 3>and I think they might still be there. It was

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<v Speaker 3>like NBC or something like that, like we're upstairs. I

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<v Speaker 3>was like, oh, I'm want to work here because in

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<v Speaker 3>my head I was like still on my broadcasting acting.

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<v Speaker 3>I'm like someone's gonna see me. Larry used to walk

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<v Speaker 3>past the desk all the time for when customers would

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<v Speaker 3>need his help, and one time we just were talking

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<v Speaker 3>and he was like, you don't look like you belong here,

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<v Speaker 3>Like what do you really do? And that's when I

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<v Speaker 3>was like, I'm actually I want to be an actress.

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<v Speaker 3>And he was like, there's somebody you have to meet.

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<v Speaker 3>He was like, her name is Tracy Da Da Da.

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<v Speaker 3>He gave me the number and he was like, you

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<v Speaker 3>have to Literally that day. I didn't waste any time.

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<v Speaker 3>I was like, and we ended up.

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<v Speaker 2>You're right.

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<v Speaker 3>I don't remember where the coffee shop was, but it

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<v Speaker 3>was a coffee shop and broke yes and we met

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<v Speaker 3>and we sat and we talked and then I was like,

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<v Speaker 3>whatever you need help with, I can help because I

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<v Speaker 3>just want to learn. And that was basically the backstory.

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<v Speaker 3>But it was so funny because Larry wasn't someone from

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<v Speaker 3>NBC or even from being he has his own company.

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<v Speaker 3>He was just there. So it was just like that's

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<v Speaker 3>why it's very important to talk to people you know,

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<v Speaker 3>and like really saying you never know, you never know?

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<v Speaker 1>Yeah, I just knew, and now, like I mean over

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<v Speaker 1>thirty years in casting, Like you know, when people say,

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<v Speaker 1>how do you know? At this point in my life,

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<v Speaker 1>I just know, and you can take my word for

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<v Speaker 1>it or not, but at this point I just knew,

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<v Speaker 1>and I knew sitting down with you and I was

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<v Speaker 1>just like trying to figure it out, like how we

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<v Speaker 1>could work together.

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<v Speaker 2>I just thought, like.

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<v Speaker 1>Everything I'm doing, everything that happens, I'm just going to

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<v Speaker 1>call you, right, So I do Urban World, I'm going

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<v Speaker 1>to call you. Yes, let me tell you something audience

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<v Speaker 1>every year for the past almost thirty years now, because

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<v Speaker 1>I was one of the first people to start Urban

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<v Speaker 1>World with Stacy Spikes when he started it, and at

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<v Speaker 1>that time, the readings that we did, the actors actually

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<v Speaker 1>sat on stage and chairs. They had podiums to put

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<v Speaker 1>their books and they just sat there and read. And

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<v Speaker 1>so that Stacy was like, you know, Tracy, you could

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<v Speaker 1>you know, form it, you.

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<v Speaker 2>Know, structured it however you want.

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<v Speaker 1>So at first the first two readings, I was like, yeah,

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<v Speaker 1>it kind of stiff, right, And I was like.

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<v Speaker 2>Well, if you guys are going to perform, let's perform, like,

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<v Speaker 2>get rid of the chairs, get rid of the podium

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<v Speaker 2>sots to a stage reading. And that's how it evolved

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<v Speaker 2>into that.

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<v Speaker 1>So I remember putting a bookmark in my head like

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<v Speaker 1>I'm a cast Felicia in a stage reading and a

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<v Speaker 1>couple right.

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<v Speaker 2>I did a couple of books I did, but the

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<v Speaker 2>one that I really liked that you did was it Binga.

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<v Speaker 2>Did you do Binga? I think because the celebrity.

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<v Speaker 3>I was gonna say it was with John David Washington,

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<v Speaker 3>John David Washington.

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<v Speaker 1>That so that was Binga, because you know who else

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<v Speaker 1>was there, Miles Tony Award winning Miles Fross.

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<v Speaker 2>Because Miles with Binga.

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<v Speaker 3>Yes, yes, yes, yes, and ladies and gentlemen.

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<v Speaker 2>This is all before these people.

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<v Speaker 1>Got well, John David Washington was known, Binga was known,

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<v Speaker 1>but no one knew Miles Ross at that time. And

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<v Speaker 1>Miles didn't even have a bonologue to perform for Robbie

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<v Speaker 1>Reid because after so what happened you got is that

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<v Speaker 1>after the reading, I moderate the Q and A with

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<v Speaker 1>the writers, and.

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<v Speaker 2>Then after that BT sponsors this event.

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<v Speaker 1>During that time Robbie read, she would set aside an

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<v Speaker 1>hour for all of the cast and they could do

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<v Speaker 1>a monologue in front of her. At that time, when

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<v Speaker 1>Felicia performed, she was doing the Soul Train TV show.

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<v Speaker 2>She was looking for people. She had told you guys.

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<v Speaker 1>Right, And I sat Miles right next to Robbie and

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<v Speaker 1>I said, Miles, tell her I don't have a monologue,

0:12:31.720 --> 0:12:32.960
<v Speaker 1>but I can see right.

0:12:34.280 --> 0:12:35.760
<v Speaker 2>We laugh about that to this day.

0:12:37.280 --> 0:12:41.120
<v Speaker 1>But every opportunity that I could find to bring Felicia

0:12:41.240 --> 0:12:44.720
<v Speaker 1>or be a part of. Like that's how I felt

0:12:44.840 --> 0:12:51.320
<v Speaker 1>our connection. And then when she decided to write her show,

0:12:51.440 --> 0:12:53.800
<v Speaker 1>her award winning show, Ladies and Gentlemen, I want her

0:12:53.840 --> 0:12:54.839
<v Speaker 1>to tell you about.

0:12:54.640 --> 0:12:59.320
<v Speaker 2>That, I was like, do it.

0:13:00.240 --> 0:13:03.000
<v Speaker 1>This is where you, guys, take your career in your

0:13:03.040 --> 0:13:08.079
<v Speaker 1>own hands, because when Felicia sells this show and it's streaming,

0:13:08.120 --> 0:13:12.840
<v Speaker 1>you guys, nobody can do this show, Felicia. I mean,

0:13:12.880 --> 0:13:16.840
<v Speaker 1>of course, the powers to be are gonna intervene. Okay,

0:13:17.120 --> 0:13:21.240
<v Speaker 1>like inside the black Box. However, this was your brainchild.

0:13:21.640 --> 0:13:23.000
<v Speaker 1>Nobody knows this show but.

0:13:23.040 --> 0:13:24.440
<v Speaker 2>You, and they need you.

0:13:24.880 --> 0:13:27.920
<v Speaker 1>They need you, but this is the kicker. They know

0:13:28.040 --> 0:13:32.840
<v Speaker 1>that you don't need them because you didn't. They They're like,

0:13:32.880 --> 0:13:35.040
<v Speaker 1>we better jump off Felicia because if we don't, she

0:13:35.160 --> 0:13:37.120
<v Speaker 1>don't do it anyway, and then we really not gonna.

0:13:36.880 --> 0:13:38.240
<v Speaker 2>Be a part.

0:13:38.800 --> 0:13:41.480
<v Speaker 1>So I just want to I want you to take

0:13:41.520 --> 0:13:43.120
<v Speaker 1>our audience through this journey.

0:13:43.320 --> 0:13:47.560
<v Speaker 2>How you were inspired to you being on Red Carpet.

0:13:47.600 --> 0:13:50.599
<v Speaker 2>I think it was two weeks ago I saw on Instagram.

0:13:50.679 --> 0:13:53.880
<v Speaker 3>Yes, well now yes it's coming up on the second week.

0:13:53.960 --> 0:13:57.040
<v Speaker 1>Yes, okay, see yeah, because it's still fresh. I still

0:13:57.080 --> 0:14:01.000
<v Speaker 1>got the pictures coming up, so good, so tell us

0:14:01.080 --> 0:14:03.520
<v Speaker 1>that journey because you're going to inspire other actors here.

0:14:04.080 --> 0:14:07.360
<v Speaker 3>So, first of all, I always loved writing, but it

0:14:07.400 --> 0:14:09.599
<v Speaker 3>wasn't until I was in because Tracy didn't tell you

0:14:09.640 --> 0:14:12.200
<v Speaker 3>guys this. But she also teaches an amazing spirited actor

0:14:12.320 --> 0:14:15.640
<v Speaker 3>class that I was also always a part of. But

0:14:15.880 --> 0:14:18.640
<v Speaker 3>in that class there were I believe one of our

0:14:18.640 --> 0:14:22.560
<v Speaker 3>homework exercise was to write a scene. Tracy also likes

0:14:22.600 --> 0:14:25.640
<v Speaker 3>us to use all of our tools like write a scene.

0:14:25.680 --> 0:14:27.040
<v Speaker 3>If you want to act, you also need to know

0:14:27.040 --> 0:14:30.080
<v Speaker 3>the behind scenes. And the scene that I wrote was

0:14:30.280 --> 0:14:32.440
<v Speaker 3>I believe it was about a couple, but very simple.

0:14:33.360 --> 0:14:35.920
<v Speaker 3>But that's what really kicked up my Oh, I can

0:14:35.920 --> 0:14:38.400
<v Speaker 3>write a script because before I used to write in

0:14:38.680 --> 0:14:43.200
<v Speaker 3>book format novels, which is totally different. And then during COVID,

0:14:43.520 --> 0:14:46.840
<v Speaker 3>as we know, everything's shut down, there were no auditions, nothing,

0:14:47.040 --> 0:14:49.200
<v Speaker 3>and a couple of my active friends like Felicia, well,

0:14:49.200 --> 0:14:51.400
<v Speaker 3>you're the writer, so write us some stuff and we

0:14:51.400 --> 0:14:53.640
<v Speaker 3>can try to see if we can film it. So

0:14:53.800 --> 0:14:56.000
<v Speaker 3>that's really how in a New York Minute started because

0:14:56.040 --> 0:14:58.320
<v Speaker 3>it was like, Okay, how can I write this, what

0:14:58.360 --> 0:15:01.480
<v Speaker 3>can we do using our own apart mints, our own resources,

0:15:02.400 --> 0:15:05.800
<v Speaker 3>our own locations, so that we can get something down.

0:15:05.840 --> 0:15:08.440
<v Speaker 3>So during this time period, when we get back in

0:15:08.440 --> 0:15:10.040
<v Speaker 3>front of cast and they're not like, well, what have

0:15:10.080 --> 0:15:12.040
<v Speaker 3>you been doing? Like you know, like what have you

0:15:12.080 --> 0:15:13.960
<v Speaker 3>been doing, we can show you what we've been doing.

0:15:14.040 --> 0:15:16.880
<v Speaker 3>So that's what really started in a New York minute,

0:15:17.200 --> 0:15:19.600
<v Speaker 3>And then as I got deeper into the writing, the

0:15:19.680 --> 0:15:24.600
<v Speaker 3>story really encompasses the African American and Latino community and

0:15:24.640 --> 0:15:29.120
<v Speaker 3>how we don't take therapy seriously and how it's something

0:15:29.160 --> 0:15:33.480
<v Speaker 3>that a lot of men don't really speak about. And

0:15:33.520 --> 0:15:35.400
<v Speaker 3>I wanted to shed a light on that I have brothers,

0:15:35.440 --> 0:15:37.880
<v Speaker 3>but also there are a lot of times in the

0:15:37.960 --> 0:15:40.040
<v Speaker 3>era that we grew up, boys were taught be tough,

0:15:40.080 --> 0:15:42.480
<v Speaker 3>stop crying what you're crying for, don't do this, And

0:15:42.520 --> 0:15:44.600
<v Speaker 3>I wanted to show that these are now the men

0:15:44.720 --> 0:15:46.640
<v Speaker 3>that we have, and it's like it's harder for them

0:15:46.680 --> 0:15:49.120
<v Speaker 3>to be vulnerable, it's harder for them to express their feelings.

0:15:49.520 --> 0:15:51.760
<v Speaker 3>So the show, which was supposed to be at first

0:15:51.840 --> 0:15:54.360
<v Speaker 3>lighthearted about couples and just making it through New York,

0:15:54.760 --> 0:15:57.840
<v Speaker 3>it has this bit of seriousness that it's like other

0:15:57.960 --> 0:16:02.000
<v Speaker 3>men hopefully can relate to everyone can relate to as

0:16:02.040 --> 0:16:03.920
<v Speaker 3>far as like being in New York and doing the

0:16:03.960 --> 0:16:06.520
<v Speaker 3>struggle and trying to find your dream and it's expensive here.

0:16:07.200 --> 0:16:09.120
<v Speaker 3>But then also there's that mental peace, right, how do

0:16:09.160 --> 0:16:12.240
<v Speaker 3>you keep yourself going? How do you motivate yourself to know,

0:16:12.360 --> 0:16:14.880
<v Speaker 3>like a bad day is not every day? And that's

0:16:14.920 --> 0:16:17.680
<v Speaker 3>where the whole thing came in. But of course I

0:16:17.720 --> 0:16:20.680
<v Speaker 3>got to use great actors that are currently spirited actors

0:16:20.720 --> 0:16:26.240
<v Speaker 3>and alumnis Jalisa, Reina, Sasha, and I feel like keeping

0:16:26.240 --> 0:16:28.920
<v Speaker 3>those connections for who you have, whoever you're like in

0:16:29.000 --> 0:16:32.040
<v Speaker 3>classmate or you encounter, is also very important because we

0:16:32.120 --> 0:16:36.240
<v Speaker 3>all have to help each other, right. But yeah, so

0:16:36.360 --> 0:16:39.200
<v Speaker 3>that was go ahead, excuse.

0:16:38.800 --> 0:16:41.400
<v Speaker 2>Me, no, no, no, I was just gonna say.

0:16:41.240 --> 0:16:43.400
<v Speaker 1>I think you met because at that time I was

0:16:43.440 --> 0:16:48.360
<v Speaker 1>also teaching classes next in my house. And I remember

0:16:48.360 --> 0:16:51.200
<v Speaker 1>when you and Sasha got together, maybe you read a

0:16:51.240 --> 0:16:53.320
<v Speaker 1>scene or something together, but after that.

0:16:53.320 --> 0:16:55.280
<v Speaker 2>You guys were locked in as friends. I remember.

0:16:55.400 --> 0:16:59.200
<v Speaker 3>It's true, so true. We never never split after that.

0:17:00.400 --> 0:17:03.600
<v Speaker 3>And Rain is amazing too. The crazy part. I met

0:17:03.640 --> 0:17:07.800
<v Speaker 3>raina through taking another class, initially with Yolanda hunt, which

0:17:07.800 --> 0:17:09.560
<v Speaker 3>you also are. So it was just like so many

0:17:09.600 --> 0:17:14.280
<v Speaker 3>things of like just keeping the community together. But after

0:17:14.440 --> 0:17:16.399
<v Speaker 3>going ahead and we shot this throughing COVID and it

0:17:16.480 --> 0:17:19.760
<v Speaker 3>was hard, but we got it through. And then a

0:17:19.800 --> 0:17:22.240
<v Speaker 3>year later we were featured in now the New York

0:17:22.280 --> 0:17:25.480
<v Speaker 3>Latino Film Festival and then also Arts and Arts Festival

0:17:25.560 --> 0:17:28.320
<v Speaker 3>in Calli. And I say all of this because that

0:17:28.440 --> 0:17:31.720
<v Speaker 3>was started twenty twenty one. We're in twenty four. So

0:17:31.760 --> 0:17:34.800
<v Speaker 3>it's just the whole like, don't give up. Everything takes time,

0:17:35.160 --> 0:17:36.960
<v Speaker 3>but you just have to stick to it. Like you

0:17:37.000 --> 0:17:40.199
<v Speaker 3>can change the course or whatever and the journey, but

0:17:40.280 --> 0:17:41.600
<v Speaker 3>that change the end goal.

0:17:42.200 --> 0:17:46.320
<v Speaker 1>Right, And you know what I've learned, Felicia, And you know,

0:17:46.640 --> 0:17:50.040
<v Speaker 1>my show was eighteen years of holding the vision right

0:17:50.119 --> 0:17:53.440
<v Speaker 1>for Inside the Black Box, and what I learned throughout

0:17:53.440 --> 0:17:56.120
<v Speaker 1>the process at the end of season two.

0:17:56.880 --> 0:18:03.400
<v Speaker 2>I'm glad that there are these sort of guide rails,

0:18:03.480 --> 0:18:07.400
<v Speaker 2>guide rails, or what they call them the rails. Right.

0:18:09.880 --> 0:18:13.080
<v Speaker 1>What I mean is I'm glad that when you're on

0:18:13.119 --> 0:18:18.080
<v Speaker 1>a journey pursuing your dream, that it doesn't happen the

0:18:18.080 --> 0:18:21.720
<v Speaker 1>way we want it to happen, right, because ideally, right,

0:18:21.760 --> 0:18:24.360
<v Speaker 1>we're both creators if it happened the.

0:18:24.280 --> 0:18:26.480
<v Speaker 2>Way we want to happen, we would be at.

0:18:26.359 --> 0:18:29.480
<v Speaker 1>The network we want, have the choice of actors all

0:18:29.520 --> 0:18:30.160
<v Speaker 1>of the titles.

0:18:30.200 --> 0:18:30.800
<v Speaker 2>Is that right?

0:18:31.280 --> 0:18:34.000
<v Speaker 1>But that's not the way it rolls in this business.

0:18:34.520 --> 0:18:38.480
<v Speaker 1>You have to go through the boot camp. That's what

0:18:38.640 --> 0:18:42.720
<v Speaker 1>it is. It's the boot camp. Because listen, ladies and gentlemen.

0:18:42.880 --> 0:18:48.359
<v Speaker 1>Right now, Felicia has invested in herself and I'm sure,

0:18:48.560 --> 0:18:50.439
<v Speaker 1>and I pray and I want to be one of

0:18:50.440 --> 0:18:53.159
<v Speaker 1>these people too, but I'm sure people have invested in

0:18:53.240 --> 0:19:00.240
<v Speaker 1>her as well. Right So the financial investment that you

0:19:00.359 --> 0:19:05.080
<v Speaker 1>have right now, it's going to be tenfold when someone

0:19:05.160 --> 0:19:05.679
<v Speaker 1>buys it for.

0:19:05.760 --> 0:19:08.040
<v Speaker 3>Me, thank you.

0:19:08.200 --> 0:19:09.680
<v Speaker 2>Oh oh, no doubt.

0:19:10.320 --> 0:19:14.320
<v Speaker 1>And on top of that, on top of the fact

0:19:14.359 --> 0:19:18.320
<v Speaker 1>that it's going to be tenfold, the wisdom and the

0:19:18.400 --> 0:19:22.600
<v Speaker 1>knowledge that Felicia has gained on this journey because I

0:19:22.680 --> 0:19:27.239
<v Speaker 1>know she is a researcher, a googler. I know she

0:19:27.520 --> 0:19:30.640
<v Speaker 1>covers all of her duetiligence. I work with her, you guys,

0:19:30.640 --> 0:19:34.520
<v Speaker 1>I know. So what I mean by that is that

0:19:35.240 --> 0:19:38.080
<v Speaker 1>when you get in a position like myself and you're

0:19:38.200 --> 0:19:40.920
<v Speaker 1>talking to these quote unquote powers to be a crackle,

0:19:41.160 --> 0:19:43.480
<v Speaker 1>you're talking to these powers to be who have those

0:19:43.560 --> 0:19:47.240
<v Speaker 1>resumes and TV and stuff, you're neck and ut with them.

0:19:47.480 --> 0:19:51.600
<v Speaker 1>There's no, Well, you don't have the experience you're here. No, no,

0:19:51.920 --> 0:19:54.760
<v Speaker 1>Because I'm gonna tell you when you don't have the money,

0:19:54.800 --> 0:19:58.320
<v Speaker 1>the resources, and all of those things to create and

0:19:58.400 --> 0:20:03.440
<v Speaker 1>make something happen the people who have the money, that's

0:20:03.520 --> 0:20:07.600
<v Speaker 1>cute because you could make it happen out enough, Yes,

0:20:07.880 --> 0:20:10.760
<v Speaker 1>and that makes you more powerful, And that, to me

0:20:11.400 --> 0:20:14.439
<v Speaker 1>gives you. Because I kept saying to myself perst season

0:20:15.400 --> 0:20:18.480
<v Speaker 1>of my show, I kept feeling like a little in balance, right,

0:20:18.600 --> 0:20:21.399
<v Speaker 1>like Cracker was here and they were trying to position whatever.

0:20:21.880 --> 0:20:23.360
<v Speaker 1>One day I was in the dress room and I said,

0:20:23.359 --> 0:20:25.320
<v Speaker 1>wait a minute, both of that, well enough. I called

0:20:25.400 --> 0:20:27.240
<v Speaker 1>Jill Morton and asked Jill Morton to be on the

0:20:27.280 --> 0:20:28.879
<v Speaker 1>show and be my co host.

0:20:28.960 --> 0:20:33.240
<v Speaker 2>Right, They didn't, right, gave me such a list.

0:20:33.320 --> 0:20:35.959
<v Speaker 1>So that's why I'm saying that the boot camp is

0:20:36.000 --> 0:20:39.159
<v Speaker 1>not set up to struggle, to make you feel bad,

0:20:39.280 --> 0:20:41.760
<v Speaker 1>to doubt yourself, and all of that is set up

0:20:41.800 --> 0:20:43.720
<v Speaker 1>to prepare you for what you're going to deal with

0:20:43.840 --> 0:20:46.560
<v Speaker 1>when you get in the ring with the powers to

0:20:46.560 --> 0:20:52.720
<v Speaker 1>be that run this Hollywood and then the budget. If

0:20:52.760 --> 0:20:55.879
<v Speaker 1>you could take twenty dollars and make it one hundred,

0:20:56.400 --> 0:20:57.679
<v Speaker 1>imagine when they give.

0:20:57.560 --> 0:21:01.199
<v Speaker 2>You that seven eight figure deal, right, what's you going

0:21:01.280 --> 0:21:01.480
<v Speaker 2>to do?

0:21:03.200 --> 0:21:06.480
<v Speaker 1>So that's what I feel like because I say this, Felicia,

0:21:06.560 --> 0:21:08.560
<v Speaker 1>because I know what the journey is like.

0:21:08.680 --> 0:21:11.960
<v Speaker 2>I've seen you, We've had conversation, I've seen your show.

0:21:12.680 --> 0:21:16.800
<v Speaker 1>But I'm so happy that regardless of what has gone

0:21:16.880 --> 0:21:21.119
<v Speaker 1>on and maybe a camera fill or whatever, you keep going.

0:21:21.480 --> 0:21:25.280
<v Speaker 2>There's nothing in your mindset that's like, I hope this

0:21:25.320 --> 0:21:27.200
<v Speaker 2>she will get picked up, whether.

0:21:26.960 --> 0:21:30.359
<v Speaker 1>You get picked up by Paramount or Pride is gonna

0:21:30.359 --> 0:21:31.120
<v Speaker 1>get picked up.

0:21:32.920 --> 0:21:33.760
<v Speaker 2>There are two men.

0:21:34.720 --> 0:21:39.960
<v Speaker 1>I'm on your team man, and I'm you know when

0:21:40.040 --> 0:21:43.879
<v Speaker 1>when it is time. I'm in a position now working

0:21:43.920 --> 0:21:47.680
<v Speaker 1>with a woman who I said, no, you didn't get

0:21:47.680 --> 0:21:49.720
<v Speaker 1>a chance to meet, Zoe Bridged Bridgman.

0:21:50.160 --> 0:21:51.240
<v Speaker 2>She has.

0:21:51.600 --> 0:21:53.879
<v Speaker 1>Her name is Zoe Bridgeman. She has a production company

0:21:53.880 --> 0:21:59.040
<v Speaker 1>called Late Bloomer Productions. And this is God because this

0:21:59.119 --> 0:22:00.720
<v Speaker 1>is a massive show all of you, and this is

0:22:00.760 --> 0:22:05.560
<v Speaker 1>to you, Felicia. It was a year in July I

0:22:05.600 --> 0:22:09.280
<v Speaker 1>have worked with this woman and July of last year

0:22:09.359 --> 0:22:12.480
<v Speaker 1>she was able to put some financing together and then

0:22:12.880 --> 0:22:19.720
<v Speaker 1>it ran out August September, but Spirit said stay with her, stay.

0:22:19.440 --> 0:22:21.920
<v Speaker 2>With her, And now we cut two.

0:22:22.920 --> 0:22:26.879
<v Speaker 1>Not only does she have financing for her film, but

0:22:27.000 --> 0:22:29.440
<v Speaker 1>she has financing for her production company.

0:22:29.920 --> 0:22:33.919
<v Speaker 3>You see, amazing, amazing Back to.

0:22:34.000 --> 0:22:36.159
<v Speaker 2>You, Felicia. This is what I'm saying.

0:22:36.520 --> 0:22:40.480
<v Speaker 1>You're because when the awards start coming, eyes are on you.

0:22:41.119 --> 0:22:44.760
<v Speaker 1>So right now, there's a community that has their eyes

0:22:44.800 --> 0:22:47.000
<v Speaker 1>on you, watching you see what you're going to do.

0:22:47.040 --> 0:22:50.360
<v Speaker 2>Because the first season is always like that's cute.

0:22:50.440 --> 0:22:54.920
<v Speaker 1>It's the sophomore season that happens, right, So you've gotten there,

0:22:55.200 --> 0:22:57.040
<v Speaker 1>so you got eyes on you, you got.

0:22:56.880 --> 0:22:59.240
<v Speaker 2>People like what she did this and blah blah blah blah.

0:22:59.359 --> 0:23:02.960
<v Speaker 1>Next thing, you know, the awkward black woman goes to

0:23:03.280 --> 0:23:08.280
<v Speaker 1>insecure HBO. That's what I'm holding for you, and I

0:23:08.359 --> 0:23:11.080
<v Speaker 1>know you're going to do it because you put in

0:23:11.119 --> 0:23:12.440
<v Speaker 1>the work and you're deserving.

0:23:12.520 --> 0:23:17.520
<v Speaker 2>OPTU thank you so, because I'm holt of that vision

0:23:17.560 --> 0:23:21.240
<v Speaker 2>and that's where I am. Where do you see in

0:23:21.280 --> 0:23:22.040
<v Speaker 2>a New York men?

0:23:22.720 --> 0:23:25.720
<v Speaker 3>So season two, I'm glad you said that is actually

0:23:25.720 --> 0:23:29.520
<v Speaker 3>coming out November, which we're so excited about because it's

0:23:29.520 --> 0:23:33.719
<v Speaker 3>in November. Yes, Okay, we don't have the exact date,

0:23:33.760 --> 0:23:37.560
<v Speaker 3>but it's coming November. And you're so right about season

0:23:37.600 --> 0:23:40.199
<v Speaker 3>one being that whole like, oh, you're learning, and then

0:23:40.240 --> 0:23:42.560
<v Speaker 3>season two like, Okay, we know we have to do

0:23:42.600 --> 0:23:46.120
<v Speaker 3>this different kind of thing, and it's amazing to see

0:23:46.119 --> 0:23:49.520
<v Speaker 3>the journey already And honestly, what I really want for this,

0:23:49.680 --> 0:23:53.520
<v Speaker 3>no matter what production picks it up or network, it's

0:23:53.560 --> 0:23:55.840
<v Speaker 3>more of to make sure that I had, like you said,

0:23:55.840 --> 0:23:58.080
<v Speaker 3>have something under my belt that when something else comes

0:23:58.160 --> 0:24:00.159
<v Speaker 3>up with if I write something else, It's like, I'm

0:24:00.200 --> 0:24:01.960
<v Speaker 3>not a new beginner at this. This is not my

0:24:01.960 --> 0:24:07.159
<v Speaker 3>first radio so making it a great, strong foundation is

0:24:07.200 --> 0:24:09.159
<v Speaker 3>what's really more important to me than getting picked up.

0:24:09.200 --> 0:24:13.040
<v Speaker 3>But I would love I love Peacock. I would love

0:24:13.080 --> 0:24:19.320
<v Speaker 3>for Peacock everything that allowed. But yeah, honestly, any kind

0:24:19.320 --> 0:24:21.560
<v Speaker 3>of streaming everor that is going to get them the

0:24:21.640 --> 0:24:25.760
<v Speaker 3>story across effectively, because I feel like the story needs

0:24:25.800 --> 0:24:28.679
<v Speaker 3>to be told about mental health in the minority communities.

0:24:29.520 --> 0:24:30.240
<v Speaker 2>Absolutely.

0:24:30.760 --> 0:24:33.480
<v Speaker 1>I am Fulicia, I'm gonna tell you, I just left

0:24:33.480 --> 0:24:34.640
<v Speaker 1>two sets in May.

0:24:35.160 --> 0:24:36.920
<v Speaker 2>One was the Lifetime movie.

0:24:37.119 --> 0:24:42.320
<v Speaker 1>Obduction at HBCU with Lcory Notaton and then Naked Gunn

0:24:42.400 --> 0:24:48.600
<v Speaker 1>I coached Buster and these both in Atlanta. And what

0:24:48.720 --> 0:24:52.720
<v Speaker 1>I am stressing with actors right now is that the studios,

0:24:53.440 --> 0:24:59.120
<v Speaker 1>including yourself, have discovered that you can shoot in twelve, fifteen, seventeen,

0:24:59.200 --> 0:25:03.840
<v Speaker 1>twenty one day. And what that means for actors you

0:25:03.880 --> 0:25:07.080
<v Speaker 1>don't have I just coached someone the other day and said, listen,

0:25:07.400 --> 0:25:09.920
<v Speaker 1>you don't have warm up time anymore on the set.

0:25:10.040 --> 0:25:13.320
<v Speaker 1>Do you understand you don't have let me run lines

0:25:13.359 --> 0:25:16.879
<v Speaker 1>on the set. You have you better get there volcanic

0:25:16.880 --> 0:25:21.080
<v Speaker 1>coott right, you better have at least I personally would

0:25:21.119 --> 0:25:27.679
<v Speaker 1>say anywhere between five to seven choices per see, just some.

0:25:27.760 --> 0:25:32.360
<v Speaker 2>Work here, because what you don't want to do. And

0:25:32.440 --> 0:25:36.560
<v Speaker 2>I worked with one of the topics actresses in the

0:25:36.600 --> 0:25:42.000
<v Speaker 2>business Victory nonven, and she was asking for a second take.

0:25:43.760 --> 0:25:47.800
<v Speaker 1>So if you're not prepared and put everything in that

0:25:47.920 --> 0:25:53.360
<v Speaker 1>first take, they're going to be sadly, sadly disappointed when

0:25:53.400 --> 0:25:58.280
<v Speaker 1>the director says moving on, and you're like, I felt

0:25:58.320 --> 0:26:01.560
<v Speaker 1>my eyelash if I left eye and they're like whatever,

0:26:02.280 --> 0:26:10.480
<v Speaker 1>moving on. So the urgency of having it together is

0:26:10.600 --> 0:26:12.360
<v Speaker 1>more at stakes than it's ever.

0:26:12.240 --> 0:26:14.080
<v Speaker 2>Been in the history of Hollywood.

0:26:14.080 --> 0:26:19.280
<v Speaker 1>Because I come from four six eight week shoots depending

0:26:19.359 --> 0:26:23.640
<v Speaker 1>upon the budget. The other thing is what I want

0:26:23.680 --> 0:26:24.840
<v Speaker 1>to say to you.

0:26:26.200 --> 0:26:27.000
<v Speaker 2>I applaud you.

0:26:27.600 --> 0:26:30.240
<v Speaker 1>I applaud you for doing the work that you are

0:26:30.280 --> 0:26:32.760
<v Speaker 1>because in essence, you are preparing them.

0:26:32.960 --> 0:26:37.439
<v Speaker 2>But the story is what we need because what I

0:26:37.520 --> 0:26:45.200
<v Speaker 2>saw Felicia in Atlanta on both sets anxiety stress.

0:26:45.240 --> 0:26:49.200
<v Speaker 1>And I've never worked at Tyler Perry's studios, but I

0:26:49.320 --> 0:26:51.879
<v Speaker 1>know from actors telling me it moves fast.

0:26:52.280 --> 0:26:55.600
<v Speaker 2>Scripts changed so much and if you.

0:26:55.600 --> 0:26:59.240
<v Speaker 1>Are not grounded in some way, that can definitely affect

0:26:59.240 --> 0:27:04.360
<v Speaker 1>your mentally. And the thing that people have when I'm

0:27:04.400 --> 0:27:06.680
<v Speaker 1>on set and working with them, they have the advantage

0:27:06.680 --> 0:27:09.040
<v Speaker 1>of me sitting in video village. I can take a

0:27:09.080 --> 0:27:13.720
<v Speaker 1>shot of where the camera is so you and then

0:27:13.720 --> 0:27:16.159
<v Speaker 1>come and say, Felicia, this is the this is a

0:27:16.240 --> 0:27:18.640
<v Speaker 1>close up they're doing, this is the why that they're doing,

0:27:19.040 --> 0:27:21.600
<v Speaker 1>or make help you make the adjustments. If the director

0:27:21.640 --> 0:27:23.960
<v Speaker 1>says I don't have any notes, I'm cool.

0:27:26.520 --> 0:27:28.400
<v Speaker 2>So you are.

0:27:28.160 --> 0:27:31.800
<v Speaker 1>Preparing them, which I love. But at the same time,

0:27:33.119 --> 0:27:37.480
<v Speaker 1>this show is definitely bringing the awareness that people need.

0:27:37.600 --> 0:27:40.440
<v Speaker 2>Actors need if they have that they need to talk

0:27:40.480 --> 0:27:44.719
<v Speaker 2>to someone and they need to because you know how

0:27:44.840 --> 0:27:45.520
<v Speaker 2>set moves.

0:27:45.640 --> 0:27:49.840
<v Speaker 1>You know and if an actor is not mentally stable

0:27:49.840 --> 0:27:53.440
<v Speaker 1>in that process, that could cause you know, and that's

0:27:53.560 --> 0:27:56.879
<v Speaker 1>just what I saw and sense on the film where actors,

0:27:57.080 --> 0:27:58.439
<v Speaker 1>you know, actors were coming up to me.

0:27:58.520 --> 0:28:00.159
<v Speaker 2>I didn't even know, can I run lines with you?

0:28:00.160 --> 0:28:01.680
<v Speaker 1>And I'm like, first of all, I'm with the notary

0:28:01.760 --> 0:28:03.760
<v Speaker 1>or not, and then second of all, I don't run line.

0:28:03.960 --> 0:28:08.080
<v Speaker 2>That's your homework done the home if anything.

0:28:08.040 --> 0:28:10.760
<v Speaker 1>Read with Naori because you're the scene with her and

0:28:10.880 --> 0:28:13.440
<v Speaker 1>vibe and get that energy, but I'm not in mine.

0:28:13.920 --> 0:28:14.520
<v Speaker 2>That's your one.

0:28:15.000 --> 0:28:17.480
<v Speaker 1>So I just wanted to say thank you because I

0:28:17.520 --> 0:28:20.760
<v Speaker 1>think that on two levels, you're going to bring a

0:28:20.880 --> 0:28:24.840
<v Speaker 1>dynamic awareness with this story, but also encouraging people if

0:28:24.880 --> 0:28:28.320
<v Speaker 1>you need help, still help because it's okay.

0:28:28.400 --> 0:28:30.040
<v Speaker 2>There's no shame at texting me.

0:28:30.680 --> 0:28:34.159
<v Speaker 3>Yes, it's okay to talk to someone, especially because you

0:28:34.200 --> 0:28:35.639
<v Speaker 3>know a lot of times people don't want to talk

0:28:35.680 --> 0:28:37.720
<v Speaker 3>to someone close to them. Why because you're like, I

0:28:37.760 --> 0:28:39.600
<v Speaker 3>don't want this person in my business. Just think about this.

0:28:39.920 --> 0:28:41.760
<v Speaker 3>You have a stranger knowing your business and they can't

0:28:41.840 --> 0:28:43.040
<v Speaker 3>legally tell anybody.

0:28:43.360 --> 0:28:44.920
<v Speaker 2>Well, it's like you can get it out.

0:28:45.040 --> 0:28:47.400
<v Speaker 3>I always say the first step to healing and anything

0:28:47.760 --> 0:28:51.160
<v Speaker 3>is getting it out, whether it's voice, paper, pen, music,

0:28:51.480 --> 0:28:52.960
<v Speaker 3>but you kind of got to get it out of

0:28:53.000 --> 0:28:55.120
<v Speaker 3>your Your body holds so much tension you have to

0:28:55.160 --> 0:28:58.920
<v Speaker 3>release it in some way. So yeah, for therapy, there's

0:28:59.000 --> 0:29:01.400
<v Speaker 3>different ways, but like definitely is something that should be

0:29:01.400 --> 0:29:01.880
<v Speaker 3>talked about.

0:29:02.920 --> 0:29:04.560
<v Speaker 2>I highly encourage therapy.

0:29:04.960 --> 0:29:10.480
<v Speaker 1>I encourage marriage therapy, counseling before you get married, before, before, before,

0:29:11.360 --> 0:29:14.480
<v Speaker 1>I've experienced it during my marriage.

0:29:14.760 --> 0:29:18.640
<v Speaker 2>But I will say this, you know, just and I

0:29:18.760 --> 0:29:20.680
<v Speaker 2>pray that, and I know this is a part of

0:29:20.720 --> 0:29:23.640
<v Speaker 2>your message too in your story that if you.

0:29:23.680 --> 0:29:27.680
<v Speaker 1>Do, it's okay. There's nothing quote unquote wrong with you.

0:29:27.920 --> 0:29:30.440
<v Speaker 1>Because I said to my doctor. I love when I

0:29:30.480 --> 0:29:33.920
<v Speaker 1>when I see my doctor and she says, well, you know,

0:29:34.080 --> 0:29:36.000
<v Speaker 1>your blood pressure is up just a little bit.

0:29:36.160 --> 0:29:38.360
<v Speaker 2>Nothing, you know, I don't need to give you medication now,

0:29:38.560 --> 0:29:39.440
<v Speaker 2>just making you aware.

0:29:39.640 --> 0:29:41.840
<v Speaker 1>And I always say to her, can you introduce me

0:29:41.960 --> 0:29:45.240
<v Speaker 1>to that person that has no high blood pressure, that's

0:29:45.320 --> 0:29:49.680
<v Speaker 1>just living, yo, just to live in this world. I

0:29:49.720 --> 0:29:53.120
<v Speaker 1>got high pressure, right forget about my day to day,

0:29:53.200 --> 0:29:56.640
<v Speaker 1>my children, my grandchild, just living and walking out of

0:29:56.640 --> 0:29:57.200
<v Speaker 1>my door.

0:29:58.000 --> 0:29:58.240
<v Speaker 2>Right.

0:29:58.480 --> 0:30:02.080
<v Speaker 1>So I think it's a carre is to assume or

0:30:02.120 --> 0:30:05.720
<v Speaker 1>to think that there's anybody on the face of this world,

0:30:05.760 --> 0:30:11.200
<v Speaker 1>this earth and globally who's walking around dope, blood, precious, chilling.

0:30:11.760 --> 0:30:15.480
<v Speaker 1>Something is going on somewhere in your life or your

0:30:15.520 --> 0:30:16.560
<v Speaker 1>extended family.

0:30:16.640 --> 0:30:19.520
<v Speaker 2>Something. We have five minutes. I want to give it

0:30:19.560 --> 0:30:22.560
<v Speaker 2>all to you, whatever words that you want to inspire,

0:30:22.920 --> 0:30:26.000
<v Speaker 2>whatever experience that you walked away with and said yes,

0:30:26.600 --> 0:30:28.440
<v Speaker 2>I want them to hear you.

0:30:29.440 --> 0:30:32.320
<v Speaker 3>Yes for sure. So I think the number one advice

0:30:32.360 --> 0:30:35.280
<v Speaker 3>that I always start to tell everyone is if you

0:30:35.440 --> 0:30:37.080
<v Speaker 3>have like, if you can feel it and you can

0:30:37.120 --> 0:30:40.120
<v Speaker 3>think it, it can come. So no matter what that

0:30:40.240 --> 0:30:43.760
<v Speaker 3>dream is, it doesn't have to be something creative, whatever

0:30:43.800 --> 0:30:46.000
<v Speaker 3>it is. If you envision a certain car, if you

0:30:46.080 --> 0:30:49.280
<v Speaker 3>envision a certain home, God in the universe, or whatever

0:30:49.280 --> 0:30:51.800
<v Speaker 3>you believe in, doesn't give you that feeling for no reason.

0:30:52.320 --> 0:30:54.680
<v Speaker 3>So I'm always like, and it doesn't matter, like you

0:30:54.720 --> 0:30:56.600
<v Speaker 3>don't have to run and sprint to the finish line,

0:30:56.640 --> 0:30:59.760
<v Speaker 3>but don't ever give up those feelings, because I feel

0:30:59.800 --> 0:31:02.920
<v Speaker 3>like the minute you do is when you're also struggling

0:31:02.960 --> 0:31:04.840
<v Speaker 3>with yourself of like do I have to choose or

0:31:04.840 --> 0:31:07.120
<v Speaker 3>what do I pick? Like, No, that's your goal and

0:31:07.120 --> 0:31:09.200
<v Speaker 3>that's what you want. It's okay to want, and it's

0:31:09.240 --> 0:31:11.720
<v Speaker 3>also okay to want different things. You don't have to

0:31:11.720 --> 0:31:15.000
<v Speaker 3>stay on one path forever. Those are things that I

0:31:15.040 --> 0:31:18.840
<v Speaker 3>definitely always keep to keep myself going that whole jolly thing.

0:31:18.920 --> 0:31:21.240
<v Speaker 3>Like you said, it's like, yes, I am usually keep

0:31:21.240 --> 0:31:23.240
<v Speaker 3>myself in good spirits because I don't like to feel

0:31:23.280 --> 0:31:25.960
<v Speaker 3>down for too long. But it is work. It's journaling,

0:31:26.040 --> 0:31:29.160
<v Speaker 3>it's talking to people, it's having great mentors like you, Tracy.

0:31:29.320 --> 0:31:31.640
<v Speaker 3>It's like knowing that if I do get a big

0:31:31.680 --> 0:31:33.960
<v Speaker 3>audition because I deal do still act, I can call

0:31:34.000 --> 0:31:35.280
<v Speaker 3>Trace to say, hey, I need you to brun this

0:31:35.360 --> 0:31:39.720
<v Speaker 3>with me. It's having those resources and just knowing that

0:31:40.120 --> 0:31:42.680
<v Speaker 3>no matter what, even if you're down, it's okay. The

0:31:42.760 --> 0:31:44.160
<v Speaker 3>only way from down, and this is one of the

0:31:44.200 --> 0:31:46.720
<v Speaker 3>biggest lines in the web series is up. So if

0:31:46.720 --> 0:31:49.960
<v Speaker 3>you hit rock bottom, it's okay. You have to get up,

0:31:50.800 --> 0:31:53.560
<v Speaker 3>and it's okay to be down. It's not a bad thing.

0:31:53.680 --> 0:31:57.640
<v Speaker 3>That's just life, the role of the life. But for sure,

0:31:57.760 --> 0:32:01.080
<v Speaker 3>just always make sure you keep resources around you and

0:32:01.280 --> 0:32:04.040
<v Speaker 3>it's okay to let all the emotions out, like at

0:32:04.080 --> 0:32:05.800
<v Speaker 3>any time, it's okay.

0:32:06.640 --> 0:32:11.320
<v Speaker 1>Well, police, I want to say this, excuse me, I

0:32:11.360 --> 0:32:15.360
<v Speaker 1>started a new class called the Playground, which is a membership.

0:32:15.880 --> 0:32:20.360
<v Speaker 1>Basically it is fifty dollars a month and it is

0:32:20.400 --> 0:32:24.400
<v Speaker 1>a three hour class and it's the playground where we're

0:32:24.400 --> 0:32:31.880
<v Speaker 1>coming to play. And the last hour is for industry

0:32:31.920 --> 0:32:39.680
<v Speaker 1>guests to answer questions, give inspirational feedback, allow actors to

0:32:39.880 --> 0:32:46.640
<v Speaker 1>vent positively, and give them some sort of virtual embrace,

0:32:46.840 --> 0:32:49.640
<v Speaker 1>because you know, I do want to hug my people,

0:32:49.720 --> 0:32:51.920
<v Speaker 1>but you know, the virus is still out there, son,

0:32:53.440 --> 0:32:57.160
<v Speaker 1>That's why I just called. I'm still but I want

0:32:57.240 --> 0:33:00.240
<v Speaker 1>to extend an invitation to you. We're going to play

0:33:00.280 --> 0:33:03.240
<v Speaker 1>tomorrow from twelve to three at the South Oxford I'm

0:33:03.240 --> 0:33:08.480
<v Speaker 1>telling you audience at twelve to three at South Oxford Space,

0:33:08.520 --> 0:33:11.760
<v Speaker 1>which is one thirty eight South Oxford Place in Brooklyn,

0:33:11.800 --> 0:33:15.000
<v Speaker 1>near the Bar play Center. You do have to register

0:33:15.160 --> 0:33:18.560
<v Speaker 1>to come in, but industry guests are an invitation only.

0:33:19.120 --> 0:33:21.840
<v Speaker 2>We have seven industry guests.

0:33:21.520 --> 0:33:26.480
<v Speaker 1>Coming tomorrow, three of which are casting directors, and I've

0:33:26.600 --> 0:33:29.520
<v Speaker 1>just confirmed a director that I'm really excited about because

0:33:29.560 --> 0:33:33.840
<v Speaker 1>he just got a film with Lifetime, just got it amazing.

0:33:35.320 --> 0:33:38.840
<v Speaker 1>So I would love for you to come and be

0:33:38.920 --> 0:33:41.880
<v Speaker 1>our industry guests, and if you can't make it. Tomorrow,

0:33:42.240 --> 0:33:45.320
<v Speaker 1>last Saturday of every month, we are at the playground.

0:33:45.560 --> 0:33:48.840
<v Speaker 1>We come to play It's going to be a safe, supportive,

0:33:48.960 --> 0:33:52.440
<v Speaker 1>loving environment for actors to.

0:33:52.280 --> 0:33:55.600
<v Speaker 2>Work on monologues, work on new ones, bring in I

0:33:55.640 --> 0:33:58.360
<v Speaker 2>have in the scenes. I have an actor coming tomorrow

0:33:58.400 --> 0:34:01.200
<v Speaker 2>that's bringing in a scene that he's doing on Sunday,

0:34:01.280 --> 0:34:05.040
<v Speaker 2>so he wants to work with someone. So it really

0:34:05.120 --> 0:34:07.560
<v Speaker 2>is and like you, you can come in and bring

0:34:07.560 --> 0:34:10.160
<v Speaker 2>in a scene that you're working with, maybe it's stuck

0:34:10.280 --> 0:34:12.520
<v Speaker 2>or whatever. You can bring in the scene. They can

0:34:12.560 --> 0:34:13.239
<v Speaker 2>read for you.

0:34:13.239 --> 0:34:15.319
<v Speaker 1>You can cast out of the actors that are gonna

0:34:15.320 --> 0:34:18.920
<v Speaker 1>be there. I want actors to have fun. I'm trying

0:34:18.960 --> 0:34:21.120
<v Speaker 1>to get ahead of the stress. I'm trying to get

0:34:21.120 --> 0:34:24.439
<v Speaker 1>ahead of the anxiety and remind the actors why they're

0:34:24.440 --> 0:34:27.799
<v Speaker 1>doing this in the first place. So this is your

0:34:27.960 --> 0:34:30.799
<v Speaker 1>I would love to have you there. So let me

0:34:30.920 --> 0:34:33.160
<v Speaker 1>know we're gonna go put. We'll be in the playground

0:34:33.239 --> 0:34:37.040
<v Speaker 1>tomorrow from twelve to three. We got playground rules and

0:34:37.080 --> 0:34:40.200
<v Speaker 1>we got a playgrounds, can't you that's amazing?

0:34:40.320 --> 0:34:42.520
<v Speaker 3>No, I love thank you for them. No, I'll definitely

0:34:42.560 --> 0:34:44.960
<v Speaker 3>come tomorrow. Okay, yes, yes.

0:34:44.840 --> 0:34:45.919
<v Speaker 2>Yeah, we're doing a wrong.

0:34:46.239 --> 0:34:49.799
<v Speaker 1>And I'm such a kid, like I am a big kid,

0:34:49.840 --> 0:34:53.080
<v Speaker 1>because all last night I was thinking, what do.

0:34:53.000 --> 0:34:54.279
<v Speaker 2>I need in the playground?

0:34:54.480 --> 0:34:57.920
<v Speaker 1>I need balloons, I need a cotton candy machine.

0:34:57.960 --> 0:35:00.800
<v Speaker 2>I was like, all right, Tys, calm down, just the idea.

0:35:00.880 --> 0:35:06.040
<v Speaker 2>It's not literally so you're not going anywhere, Felicia.

0:35:06.120 --> 0:35:08.799
<v Speaker 1>I'm bringing on our co executive producer of the show,

0:35:08.880 --> 0:35:11.279
<v Speaker 1>else Lathan and Elsa is going to bring on the

0:35:11.320 --> 0:35:16.200
<v Speaker 1>actors who have been so I pray inspired by this

0:35:16.320 --> 0:35:16.920
<v Speaker 1>young woman.

0:35:18.120 --> 0:35:22.920
<v Speaker 4>How could they not thank you, Felicia. That was fantastic. No. Absolutely,

0:35:23.280 --> 0:35:26.840
<v Speaker 4>So today we have two of our spirited actors, one

0:35:27.440 --> 0:35:31.799
<v Speaker 4>semi og spirited actor and one new spirited actor. We

0:35:31.920 --> 0:35:35.080
<v Speaker 4>have mister Aaron Bolware. You can come on camera, Aaron,

0:35:35.920 --> 0:35:38.040
<v Speaker 4>and we have mister Damian Long he can come on

0:35:38.080 --> 0:35:38.759
<v Speaker 4>camera as well.

0:35:39.440 --> 0:35:43.320
<v Speaker 2>Yeah, I would. I would consider both of them ogs. Now, Okay, No,

0:35:43.480 --> 0:35:44.920
<v Speaker 2>it has nothing to do with age.

0:35:44.960 --> 0:35:50.200
<v Speaker 1>It's just you know, no, you know, I'm telling them audience,

0:35:50.239 --> 0:35:51.200
<v Speaker 1>it's not about age.

0:35:51.200 --> 0:35:55.120
<v Speaker 2>It's about you know, their commitment to the spirited actor.

0:35:55.400 --> 0:35:59.160
<v Speaker 4>All right, absolutely, absolutely, thank you guys for being here.

0:35:59.400 --> 0:36:01.280
<v Speaker 4>Aaron you can you're up first. What's your question?

0:36:02.960 --> 0:36:06.560
<v Speaker 5>Felicia, thank you for taking the time out. When I

0:36:06.600 --> 0:36:08.040
<v Speaker 5>was first asked a coo here and to ask you

0:36:08.080 --> 0:36:09.640
<v Speaker 5>a question, I was like, what can I ask him?

0:36:10.320 --> 0:36:13.160
<v Speaker 5>So it was interesting to hear that you're a Googler

0:36:13.600 --> 0:36:17.719
<v Speaker 5>and you research, so I researched you. So I went

0:36:17.760 --> 0:36:21.239
<v Speaker 5>out on your id IMDb pro and I see that

0:36:21.320 --> 0:36:22.960
<v Speaker 5>you did, Uh, what's that?

0:36:23.440 --> 0:36:24.200
<v Speaker 2>Stupid cupid?

0:36:24.440 --> 0:36:25.040
<v Speaker 6>I watched that.

0:36:25.840 --> 0:36:28.239
<v Speaker 5>I watched that, and then I've watched New York in

0:36:28.320 --> 0:36:29.279
<v Speaker 5>the New York Minute too.

0:36:30.200 --> 0:36:35.080
<v Speaker 6>So my question is what is the key to.

0:36:35.920 --> 0:36:40.200
<v Speaker 5>Writing a creative like writing something really creative that resonates

0:36:40.239 --> 0:36:40.720
<v Speaker 5>with people.

0:36:41.920 --> 0:36:42.400
<v Speaker 2>Mm hmmm.

0:36:43.560 --> 0:36:45.719
<v Speaker 3>I think the key is to always and I know

0:36:45.760 --> 0:36:47.440
<v Speaker 3>a lot of people are shy away from this, but

0:36:47.520 --> 0:36:50.840
<v Speaker 3>putting your own personal story in it so something that

0:36:50.880 --> 0:36:53.000
<v Speaker 3>a lot of people don't know. In a New York Minute,

0:36:53.200 --> 0:36:56.400
<v Speaker 3>I am every single one of those female characters, like

0:36:56.480 --> 0:36:59.279
<v Speaker 3>I have been in that stage of my life in

0:36:59.400 --> 0:37:01.600
<v Speaker 3>every so it was almost like, yes, you can create,

0:37:01.640 --> 0:37:04.120
<v Speaker 3>but in order for people to relate or be personal

0:37:04.200 --> 0:37:07.399
<v Speaker 3>to something, you got to add person like personal experiences.

0:37:08.200 --> 0:37:09.400
<v Speaker 3>So I think a lot of people are like, oh,

0:37:09.400 --> 0:37:11.160
<v Speaker 3>I don't want to tell my story, like it doesn't

0:37:11.200 --> 0:37:13.399
<v Speaker 3>have to be your story to the tea, but bring

0:37:13.440 --> 0:37:15.640
<v Speaker 3>in how you feel into the story. How would you

0:37:15.760 --> 0:37:19.319
<v Speaker 3>react to something, because I feel like sometimes people get

0:37:19.360 --> 0:37:21.960
<v Speaker 3>so caught up in the script and the lines. It's like, no, realistically,

0:37:22.000 --> 0:37:23.479
<v Speaker 3>somebody breaks your cup, what are.

0:37:23.360 --> 0:37:23.840
<v Speaker 4>You going to do?

0:37:24.239 --> 0:37:26.240
<v Speaker 3>Like you know, like you don't have to say a line,

0:37:26.320 --> 0:37:29.080
<v Speaker 3>but how does that make you feel? So I think

0:37:29.120 --> 0:37:31.960
<v Speaker 3>the key is to always personal and also with the research.

0:37:33.320 --> 0:37:36.640
<v Speaker 3>The Latino community is also big in my web series.

0:37:36.760 --> 0:37:39.480
<v Speaker 3>I'm not like, I don't self identify, but I have friends,

0:37:39.520 --> 0:37:42.120
<v Speaker 3>so I asked them, I asked research to make sure

0:37:42.160 --> 0:37:45.480
<v Speaker 3>that you're also making their voices amplified from them and

0:37:45.520 --> 0:37:48.040
<v Speaker 3>their point of view. I think that's also very important.

0:37:48.040 --> 0:37:52.640
<v Speaker 3>But definitely bringing in your own personal experiences. That's what's

0:37:52.640 --> 0:37:55.320
<v Speaker 3>helped with Stupid Cupid in the New York Minute, the series,

0:37:55.760 --> 0:37:57.400
<v Speaker 3>it's always something like personal.

0:37:58.800 --> 0:38:01.879
<v Speaker 1>And I just want to ask that, Aaron, because I'm

0:38:01.920 --> 0:38:05.040
<v Speaker 1>feeling your writing creative vibes right now. As soon as

0:38:05.080 --> 0:38:07.200
<v Speaker 1>you said, I was like, Aaron's getting ready to work

0:38:07.200 --> 0:38:10.000
<v Speaker 1>on something or he is working on something. But the

0:38:10.040 --> 0:38:14.759
<v Speaker 1>best advice that I got in finding Forrester from Sir

0:38:14.880 --> 0:38:21.120
<v Speaker 1>Sean Connery was write what you know, right, what you know,

0:38:21.200 --> 0:38:25.040
<v Speaker 1>because nobody else has that experience that you have globally,

0:38:25.280 --> 0:38:28.360
<v Speaker 1>like universally if you write about death or grieving or

0:38:29.000 --> 0:38:34.400
<v Speaker 1>marriage weddings, that's universal, but it's not. Your experience is

0:38:34.440 --> 0:38:38.000
<v Speaker 1>not their experience, which makes it a unique story.

0:38:38.920 --> 0:38:39.600
<v Speaker 2>Write what you know?

0:38:42.200 --> 0:38:47.280
<v Speaker 4>Okay, ladies, Awesome, that's awesome, awesome advice. Damn, what's your question?

0:38:47.360 --> 0:38:47.480
<v Speaker 2>Sir?

0:38:49.040 --> 0:38:49.840
<v Speaker 6>Absolicious?

0:38:49.880 --> 0:38:54.400
<v Speaker 7>So I wasn't familiar with your work, but now I'm

0:38:54.440 --> 0:38:59.640
<v Speaker 7>going to be a big fan. And really my question was,

0:39:00.400 --> 0:39:02.719
<v Speaker 7>you know, piggybagging off of Erond's how do you go

0:39:02.880 --> 0:39:04.800
<v Speaker 7>about writing.

0:39:04.440 --> 0:39:09.920
<v Speaker 6>Something you know where you feel like it's good enough

0:39:10.640 --> 0:39:11.520
<v Speaker 6>to you.

0:39:11.400 --> 0:39:14.680
<v Speaker 8>Know, not only tell your story but have it resonate

0:39:14.880 --> 0:39:18.959
<v Speaker 8>with others on a level where they'll keep coming back

0:39:19.320 --> 0:39:20.240
<v Speaker 8>time and time again.

0:39:20.920 --> 0:39:26.400
<v Speaker 3>You know, that's a good question. I'm always practicing, I know,

0:39:26.440 --> 0:39:28.520
<v Speaker 3>I said journaling, but I also I have two journals,

0:39:28.520 --> 0:39:30.000
<v Speaker 3>like a personal one and one of like when I

0:39:30.040 --> 0:39:32.040
<v Speaker 3>think of a story, I just write it kind of thing.

0:39:32.840 --> 0:39:35.160
<v Speaker 3>But I think the thing of keeping people coming back

0:39:35.360 --> 0:39:38.480
<v Speaker 3>is not giving away the whole story in one shot.

0:39:38.640 --> 0:39:41.480
<v Speaker 3>So because this is a web series and episode, there's

0:39:41.480 --> 0:39:43.040
<v Speaker 3>a lot of times where I'm like, I know the ending.

0:39:43.040 --> 0:39:45.080
<v Speaker 3>I want everyone to know, and then it's like, wait,

0:39:45.640 --> 0:39:47.279
<v Speaker 3>you have to kind of go back. It's a lot

0:39:47.280 --> 0:39:50.239
<v Speaker 3>of rewriting, a lot of rereading or sending it to

0:39:50.280 --> 0:39:53.160
<v Speaker 3>someone what do you think about this, and making sure

0:39:53.200 --> 0:39:55.600
<v Speaker 3>you're like, okay, if this is the cliffhanger or if

0:39:55.600 --> 0:39:57.640
<v Speaker 3>this is what is the juicy part? How can I

0:39:57.680 --> 0:40:01.360
<v Speaker 3>extend that middle before we get there? So that's really

0:40:01.400 --> 0:40:03.279
<v Speaker 3>what keeps at the end of every episode. What we

0:40:03.400 --> 0:40:05.600
<v Speaker 3>tried to do was have it where it's like.

0:40:05.640 --> 0:40:06.920
<v Speaker 2>But I need to know what happened to her?

0:40:07.200 --> 0:40:09.320
<v Speaker 3>Or why didn't we find out what happened to this person?

0:40:09.640 --> 0:40:11.759
<v Speaker 3>And even if you don't answer all of the questions,

0:40:12.200 --> 0:40:15.200
<v Speaker 3>keeping those we're all curious minds, right, So keeping those

0:40:15.239 --> 0:40:18.560
<v Speaker 3>open ended parts of a scene will have someone use

0:40:18.600 --> 0:40:21.560
<v Speaker 3>their own creativity or want to know more. But that's

0:40:21.640 --> 0:40:23.800
<v Speaker 3>usually what I do. It's a it's a lot of rewriting,

0:40:24.040 --> 0:40:26.680
<v Speaker 3>a lot of like, let me go back, hold on this,

0:40:26.920 --> 0:40:28.120
<v Speaker 3>this gives it away too fast?

0:40:28.120 --> 0:40:28.520
<v Speaker 2>Who else?

0:40:28.560 --> 0:40:31.760
<v Speaker 3>What other character can we throw in here? That's really

0:40:31.920 --> 0:40:32.400
<v Speaker 3>what it is.

0:40:33.600 --> 0:40:37.560
<v Speaker 2>Gotcha thank you great questions, great great questions.

0:40:38.360 --> 0:40:42.839
<v Speaker 1>Well Felicia and Damien. Let me just let you know

0:40:43.320 --> 0:40:46.560
<v Speaker 1>she is watching the scene. But she has season three

0:40:46.600 --> 0:40:49.320
<v Speaker 1>coming up. I just want to tell you very season three,

0:40:49.719 --> 0:40:52.600
<v Speaker 1>and I think she gonna be asking director Tracy Boyd

0:40:52.600 --> 0:40:55.080
<v Speaker 1>into an episode. I mean, I don't rumors in the street.

0:40:55.320 --> 0:40:57.560
<v Speaker 1>They're in the street. They're always in the street, all right.

0:40:58.680 --> 0:41:01.120
<v Speaker 1>But I want you guys the whole time. When we

0:41:01.160 --> 0:41:03.839
<v Speaker 1>come back with the Spirited Actor Podcast, we are going

0:41:03.920 --> 0:41:05.080
<v Speaker 1>to do class and session.

0:41:05.480 --> 0:41:09.160
<v Speaker 2>I'm excited. I'm excited to see Felicia in this position.

0:41:10.680 --> 0:41:14.120
<v Speaker 1>This is so exciting to be because she's been on

0:41:14.160 --> 0:41:16.680
<v Speaker 1>the other end, Ladies and gentlemen, she has been a

0:41:16.719 --> 0:41:17.600
<v Speaker 1>class in session.

0:41:17.960 --> 0:41:19.520
<v Speaker 2>So sit back, Sit tight.

0:41:19.880 --> 0:41:22.520
<v Speaker 1>We're gonna be right back with the Spirited Actor Podcast

0:41:22.600 --> 0:41:28.040
<v Speaker 1>with Me Tracy Moore and the lovely, the lovely Felicia Bishop.

0:41:29.600 --> 0:41:33.560
<v Speaker 1>Welcome back to the Spirited Actor Podcast with Me Tracy Moore.

0:41:33.800 --> 0:41:38.160
<v Speaker 1>You guys miss out on the fun doing the breaks anyway.

0:41:38.800 --> 0:41:42.000
<v Speaker 1>I am so happy to still have Felicia Bishop with us.

0:41:42.080 --> 0:41:46.560
<v Speaker 1>She is the executive producer, writer, I'm gonna put director,

0:41:46.800 --> 0:41:51.280
<v Speaker 1>casting director, and starring. She is in her own series,

0:41:51.719 --> 0:41:54.319
<v Speaker 1>award winning in a New York Minute. Check it out

0:41:54.320 --> 0:41:58.239
<v Speaker 1>on YouTube. We are going into class and session. Can't

0:41:58.239 --> 0:42:00.400
<v Speaker 1>wait to hear and see her do this. This is

0:42:00.400 --> 0:42:01.400
<v Speaker 1>Stunn be on.

0:42:02.280 --> 0:42:06.000
<v Speaker 2>So I'll say you bring on our actors and the sea.

0:42:06.320 --> 0:42:12.120
<v Speaker 4>Thank you, yes, yes, So today's classing session will feature

0:42:12.520 --> 0:42:19.279
<v Speaker 4>mister Aaron Boulware. Welcome back Aaron and mister Damien Long.

0:42:19.360 --> 0:42:21.360
<v Speaker 4>This is his first time in doing class and Session

0:42:21.360 --> 0:42:22.239
<v Speaker 4>on the podcast.

0:42:23.040 --> 0:42:25.239
<v Speaker 6>Welcome dam Thank you, thank you.

0:42:26.840 --> 0:42:26.920
<v Speaker 2>So.

0:42:27.080 --> 0:42:32.040
<v Speaker 4>Today's scene is the Climb written by Reddie Pittman. Exterior

0:42:32.200 --> 0:42:36.080
<v Speaker 4>Mountain Trail evening. Newly engaged Cameron is a fit young

0:42:36.120 --> 0:42:39.640
<v Speaker 4>man currently scaling his latest mountain trail. He sees a

0:42:39.680 --> 0:42:41.960
<v Speaker 4>small nook in the distance. There seems to be a

0:42:42.000 --> 0:42:45.040
<v Speaker 4>fire lit. As he approaches, he sees an older man

0:42:45.120 --> 0:42:47.960
<v Speaker 4>wrapped in a heavy blanket with his head head down,

0:42:48.080 --> 0:42:49.080
<v Speaker 4>sitting by the fire.

0:42:52.400 --> 0:42:56.040
<v Speaker 6>Hey, sir, how you doing a You matter if I

0:42:56.040 --> 0:42:56.520
<v Speaker 6>sit with you?

0:42:58.200 --> 0:43:01.839
<v Speaker 4>The old man, Julius respond, without breaking his attention from the.

0:43:01.800 --> 0:43:04.760
<v Speaker 6>Flame, doesn't bother me. Go ahead.

0:43:06.360 --> 0:43:09.000
<v Speaker 4>Cameron sits down close to the fire and gets comfortable.

0:43:09.600 --> 0:43:11.959
<v Speaker 6>Not to that side the block the wind.

0:43:13.360 --> 0:43:18.240
<v Speaker 4>Karen moves to the other side next to Julius.

0:43:18.280 --> 0:43:22.320
<v Speaker 8>My fault, I guess keeping that fire going is pretty important.

0:43:22.400 --> 0:43:23.920
<v Speaker 6>Huh.

0:43:24.400 --> 0:43:27.840
<v Speaker 5>If it dies, we die, simple?

0:43:31.840 --> 0:43:32.400
<v Speaker 6>Okay?

0:43:33.040 --> 0:43:35.920
<v Speaker 2>Sure? Uh?

0:43:35.960 --> 0:43:37.720
<v Speaker 6>How long did you say you were up here?

0:43:39.680 --> 0:43:42.879
<v Speaker 5>A bit too long for my taste, not long enough

0:43:42.880 --> 0:43:45.920
<v Speaker 5>for the creatures waiting to eat my carcass.

0:43:47.480 --> 0:43:50.920
<v Speaker 4>Julius cracks a smile, while Cameron nervously chuckles.

0:43:52.200 --> 0:43:56.200
<v Speaker 9>Yeah, I mean, I'm Cam.

0:43:57.400 --> 0:44:02.080
<v Speaker 6>I just got engaged. That's why I'm out here. Yeah.

0:44:02.280 --> 0:44:06.440
<v Speaker 8>Man, she's such a great girl, you know. She she's funny,

0:44:06.520 --> 0:44:10.480
<v Speaker 8>she's she's cute. She's a software engineered so you know

0:44:10.560 --> 0:44:11.680
<v Speaker 8>she makes great money too.

0:44:13.440 --> 0:44:16.440
<v Speaker 4>Julius smirks as he gathers a small pile of snow

0:44:16.520 --> 0:44:19.120
<v Speaker 4>on the ground with one hand and stokes the fire

0:44:19.160 --> 0:44:19.600
<v Speaker 4>with the other.

0:44:21.680 --> 0:44:24.520
<v Speaker 5>Really, she seems ambitious and smart.

0:44:25.360 --> 0:44:31.319
<v Speaker 9>Good for you, Yeah man, I mean, and I never

0:44:31.440 --> 0:44:35.960
<v Speaker 9>truly believed in you know, romance, true love until I

0:44:36.000 --> 0:44:39.680
<v Speaker 9>met her, And now I just want to spend the

0:44:39.680 --> 0:44:41.280
<v Speaker 9>rest of my life with her.

0:44:42.040 --> 0:44:45.120
<v Speaker 4>Just then, the mountain shakes and the small avalanche drops them,

0:44:45.360 --> 0:44:47.839
<v Speaker 4>drops them in the traps, them in the nook.

0:44:49.400 --> 0:44:50.279
<v Speaker 6>What the fuck was that.

0:44:53.280 --> 0:44:56.600
<v Speaker 5>He got a small avalanche? Lucky it wasn't bigger.

0:44:58.080 --> 0:45:00.640
<v Speaker 6>Lucky? Look is this dude?

0:45:00.640 --> 0:45:01.400
<v Speaker 2>We're tracked?

0:45:01.719 --> 0:45:03.040
<v Speaker 6>How are we gonna get out of here?

0:45:04.880 --> 0:45:08.080
<v Speaker 4>Julius continues to stoke the fire as it begins to fade.

0:45:12.280 --> 0:45:16.319
<v Speaker 5>Please save your energy, You're gonna need it.

0:45:18.600 --> 0:45:19.200
<v Speaker 2>You see.

0:45:19.680 --> 0:45:25.120
<v Speaker 5>I love my family, but I'm an old man and

0:45:25.200 --> 0:45:30.080
<v Speaker 5>I've lived a full life. This fire, this fire can

0:45:30.760 --> 0:45:35.920
<v Speaker 5>fully only no, only can comfort one of us throughout

0:45:35.960 --> 0:45:36.319
<v Speaker 5>the night.

0:45:41.320 --> 0:45:44.879
<v Speaker 6>What are you saying? You said, I'm gonna have to.

0:45:46.280 --> 0:45:48.680
<v Speaker 4>Juliu's nods and pulls a large knife from his pocket.

0:45:54.640 --> 0:45:56.200
<v Speaker 5>My daughter is.

0:45:56.200 --> 0:46:03.120
<v Speaker 6>Newly engaged too, what I said? Congrats man?

0:46:05.320 --> 0:46:05.720
<v Speaker 5>Thanks?

0:46:06.480 --> 0:46:09.560
<v Speaker 6>She really she really likes the guy.

0:46:10.280 --> 0:46:13.680
<v Speaker 5>She says, he's really fit and kind of a thrill seeker.

0:46:15.760 --> 0:46:20.560
<v Speaker 5>But one night I overheard her confiding to her mother

0:46:21.640 --> 0:46:26.400
<v Speaker 5>that when he drinks too much, he gets abusive.

0:46:28.120 --> 0:46:31.640
<v Speaker 4>Henry looks a little confused, then his eyes widening concerned

0:46:31.680 --> 0:46:33.960
<v Speaker 4>as Julius drops the blanket and lifts his head.

0:46:37.400 --> 0:46:41.920
<v Speaker 6>Mister Sherman, Oh, mister Sherman.

0:46:44.520 --> 0:46:48.160
<v Speaker 5>Very respectful of you, but you weren't respectful when you

0:46:48.280 --> 0:46:49.080
<v Speaker 5>hit my daughter.

0:46:49.480 --> 0:46:52.800
<v Speaker 6>No, no, that was a mistake. It was a mistaken

0:46:53.200 --> 0:46:58.840
<v Speaker 6>I get help. You're not good enough for buye. It

0:46:58.880 --> 0:46:59.879
<v Speaker 6>won't happen again, missus.

0:47:01.320 --> 0:47:06.160
<v Speaker 2>Oh, I know it won't. I know it won't.

0:47:07.320 --> 0:47:09.400
<v Speaker 4>Julius clinches the knife and then grabs some of the

0:47:09.440 --> 0:47:14.160
<v Speaker 4>snow from the pile and smothers this fire scene.

0:47:17.440 --> 0:47:21.560
<v Speaker 2>Oh my god, that took a terrible twist, right.

0:47:21.840 --> 0:47:22.160
<v Speaker 1>I'm.

0:47:24.000 --> 0:47:29.920
<v Speaker 3>Oh my god, okay, Felicia's you so okay? First, Damien,

0:47:30.080 --> 0:47:34.080
<v Speaker 3>I loved your facial expressions, even from the jump of

0:47:34.160 --> 0:47:36.719
<v Speaker 3>like when the avalanche came down. All of that was

0:47:36.840 --> 0:47:41.719
<v Speaker 3>so good. And I especially love that I felt the

0:47:41.719 --> 0:47:45.160
<v Speaker 3>whole surprises, like even though it's my first time hearing it,

0:47:45.280 --> 0:47:47.680
<v Speaker 3>you both of you did great on like, oh wow,

0:47:47.719 --> 0:47:49.719
<v Speaker 3>I had no idea this was happening kind of thing.

0:47:50.800 --> 0:47:52.880
<v Speaker 3>And Aaron. I loved how you just played it so

0:47:53.040 --> 0:47:55.680
<v Speaker 3>cool in the beginning with the blanket on, and then

0:47:56.000 --> 0:47:58.359
<v Speaker 3>once the blanket came off, it was like, oh yeah,

0:47:58.360 --> 0:48:01.240
<v Speaker 3>I got you. As soon as you said the line

0:48:01.360 --> 0:48:05.920
<v Speaker 3>of my daughter got newly engaged too, I was like,

0:48:06.080 --> 0:48:09.879
<v Speaker 3>oh no, I was like, what's happening here? But I

0:48:09.920 --> 0:48:13.360
<v Speaker 3>love that you both stayed in the characters so well

0:48:13.800 --> 0:48:16.520
<v Speaker 3>that I believed it. I believe that you were a dad.

0:48:16.560 --> 0:48:19.400
<v Speaker 3>I believe that you know, Damien, that you were this

0:48:19.600 --> 0:48:22.319
<v Speaker 3>thrill seeker and that you're outside in the Wilderness, like

0:48:22.719 --> 0:48:24.480
<v Speaker 3>I believed every moment of it. I think this was

0:48:24.520 --> 0:48:26.359
<v Speaker 3>a great job, a really good job.

0:48:27.080 --> 0:48:27.800
<v Speaker 2>Oh my god.

0:48:28.120 --> 0:48:31.120
<v Speaker 1>I you know, I'm the worst, Felicia, because I believe,

0:48:31.400 --> 0:48:35.319
<v Speaker 1>like when I'm blocked in, you know, people hate to

0:48:35.360 --> 0:48:37.759
<v Speaker 1>watch TV or movies with me because I'm like this,

0:48:38.520 --> 0:48:42.960
<v Speaker 1>you don't know, funny story. Really quickly, Naory not had

0:48:43.280 --> 0:48:45.960
<v Speaker 1>a screening for the Lifetime movie.

0:48:46.200 --> 0:48:47.400
<v Speaker 2>So I go to the screening.

0:48:47.800 --> 0:48:51.080
<v Speaker 1>Notoria is sitting like it's very informal in this like

0:48:52.120 --> 0:48:54.960
<v Speaker 1>the Soho house, but the Dumble House in Brooklyn, right,

0:48:55.280 --> 0:48:56.600
<v Speaker 1>So they have couches chairs.

0:48:56.600 --> 0:48:59.799
<v Speaker 2>I'm in this couch one row behind her. She tells me,

0:49:00.320 --> 0:49:00.759
<v Speaker 2>She's like.

0:49:00.719 --> 0:49:03.759
<v Speaker 1>Tracy, you were really into that movie. I would turn

0:49:03.800 --> 0:49:06.160
<v Speaker 1>around to just get eye contacted you to.

0:49:06.120 --> 0:49:09.239
<v Speaker 2>Say remember that scene or remember what happened here? She said.

0:49:09.280 --> 0:49:12.359
<v Speaker 2>I was like I was in it.

0:49:12.640 --> 0:49:16.400
<v Speaker 1>So I'm saying that to say when I even when

0:49:16.440 --> 0:49:19.279
<v Speaker 1>Aaron said my daughters get married, I was still like

0:49:20.560 --> 0:49:20.960
<v Speaker 1>it was.

0:49:22.480 --> 0:49:28.160
<v Speaker 2>Then. I was like, You're gonna en it was great.

0:49:28.280 --> 0:49:30.560
<v Speaker 2>I believe. I believe. So I'm gonna give you guys

0:49:30.600 --> 0:49:32.840
<v Speaker 2>around on the clause, Felicia Bishop.

0:49:33.000 --> 0:49:36.160
<v Speaker 3>That was really Goodla award.

0:49:35.840 --> 0:49:38.360
<v Speaker 2>Winning Bishop ladies and gentlemen.

0:49:39.000 --> 0:49:42.919
<v Speaker 1>Yeah, she did it, and I'm gonna tell you right now,

0:49:43.120 --> 0:49:48.319
<v Speaker 1>now is the time to be to have her awareness

0:49:48.400 --> 0:49:49.000
<v Speaker 1>around you.

0:49:49.600 --> 0:49:53.920
<v Speaker 2>So Elsa will send you Aaron and Damien's pitch your

0:49:53.920 --> 0:49:57.520
<v Speaker 2>resumes so you can have that for season three in

0:49:57.520 --> 0:49:59.400
<v Speaker 2>the New York for sure.

0:49:59.480 --> 0:50:01.799
<v Speaker 3>I've even working on something else called the bench and

0:50:01.840 --> 0:50:04.960
<v Speaker 3>it's a shorter thing. So yeah, no, this is really nice.

0:50:05.200 --> 0:50:09.120
<v Speaker 2>Yeah, nice, nice, Felicia. You know how I feel. You

0:50:09.280 --> 0:50:13.400
<v Speaker 2>know there is always love for you forever. I'm so

0:50:13.640 --> 0:50:14.200
<v Speaker 2>proud of you.

0:50:14.880 --> 0:50:17.480
<v Speaker 1>Thank you, And I did tell you I wouldn't be

0:50:17.560 --> 0:50:19.600
<v Speaker 1>asking you for a job, and I'm so proud to

0:50:19.640 --> 0:50:20.760
<v Speaker 1>be asking you for a job.

0:50:21.560 --> 0:50:26.279
<v Speaker 2>I'll send by real to you, Aaron Damien, thank you.

0:50:26.239 --> 0:50:29.080
<v Speaker 1>For showing Felicia what we do here and who we

0:50:29.120 --> 0:50:31.720
<v Speaker 1>are as the spirited actors. I also want to extend

0:50:31.760 --> 0:50:34.319
<v Speaker 1>an invitation to Aaron and Damiens to come to the

0:50:34.320 --> 0:50:39.080
<v Speaker 1>playground because listen, the zoom was on fire Wednesday night.

0:50:39.239 --> 0:50:42.359
<v Speaker 1>I can't even imagine what's going to happen tomorrow. And

0:50:42.560 --> 0:50:44.960
<v Speaker 1>industry people are like, can I come to the playground, Tracy,

0:50:45.000 --> 0:50:45.359
<v Speaker 1>I'm like.

0:50:45.360 --> 0:50:48.000
<v Speaker 2>Yes, say it, put it out there. I've come to

0:50:48.080 --> 0:50:51.880
<v Speaker 2>the playground play so right now we have seven industry

0:50:51.920 --> 0:50:55.360
<v Speaker 2>guests coming tomorrow, eight including Felicia.

0:50:55.320 --> 0:50:57.600
<v Speaker 1>And I don't know what the Night is going to

0:50:59.360 --> 0:51:01.920
<v Speaker 1>present to us, but Felicia, thank.

0:51:01.800 --> 0:51:04.239
<v Speaker 2>You again for being on the Spirited Active Podcast. We

0:51:04.280 --> 0:51:07.520
<v Speaker 2>support you, we love you, and you are the reason

0:51:07.719 --> 0:51:10.719
<v Speaker 2>why I get up and I'm inspired to do what

0:51:10.800 --> 0:51:11.040
<v Speaker 2>I do.

0:51:11.880 --> 0:51:15.200
<v Speaker 3>Thank you so much. Thank you Tracie for being a

0:51:15.200 --> 0:51:18.600
<v Speaker 3>great mentor. We're having this amazing platform again. Eron and Damien,

0:51:18.680 --> 0:51:19.800
<v Speaker 3>you were amazing.

0:51:22.360 --> 0:51:24.520
<v Speaker 2>And when we come back, ladies and gentlemen on the

0:51:24.560 --> 0:51:27.200
<v Speaker 2>Spirited act Podcast, when we Trady more, I'm gonna give

0:51:27.239 --> 0:51:29.399
<v Speaker 2>you mad love, mad Love.

0:51:31.520 --> 0:51:35.120
<v Speaker 1>And now it's time for Kudos Corner. Kudos Corner is

0:51:35.160 --> 0:51:39.759
<v Speaker 1>where we celebrate, support and just love up on spirited

0:51:39.800 --> 0:51:44.680
<v Speaker 1>actors and introduce them to you. This week's Kudos Corner

0:51:44.719 --> 0:51:48.799
<v Speaker 1>puts the spotlight on spirited actor Mark Gutier. Mark has

0:51:48.840 --> 0:51:53.320
<v Speaker 1>been a featured actor on shows including Law and Order, SVU,

0:51:54.000 --> 0:51:58.480
<v Speaker 1>Evil Lives Here, and The First forty Eight. Also a

0:51:58.520 --> 0:52:02.920
<v Speaker 1>gifted writer, he wrote, executive produced, and was one of

0:52:02.960 --> 0:52:07.359
<v Speaker 1>the leads of the award winning short Black Roundtable, which

0:52:07.440 --> 0:52:11.600
<v Speaker 1>was directed by my good friend Michael Boogie Pickney. Mark

0:52:11.680 --> 0:52:17.120
<v Speaker 1>recently joined the cast of fellow Spirited actor Felicia Bishop's

0:52:17.120 --> 0:52:20.600
<v Speaker 1>web series In a New York Minute for its upcoming

0:52:20.680 --> 0:52:25.919
<v Speaker 1>second season. Kudos to Mark Butier and now it's time

0:52:25.960 --> 0:52:27.800
<v Speaker 1>to give luck. Now.

0:52:28.440 --> 0:52:29.919
<v Speaker 2>I know we're in an election year.

0:52:30.239 --> 0:52:33.080
<v Speaker 1>I'm not going to speak politically, but this is what

0:52:33.160 --> 0:52:38.920
<v Speaker 1>I will say. Words and images have power. I grew

0:52:39.000 --> 0:52:42.839
<v Speaker 1>up at a time where politicians talked about.

0:52:42.520 --> 0:52:44.480
<v Speaker 2>Each other's.

0:52:45.320 --> 0:52:52.399
<v Speaker 1>Let's say, you know mistakes or there, or you know

0:52:52.520 --> 0:52:57.480
<v Speaker 1>a bad track record. They talked about each other's work,

0:52:57.560 --> 0:53:02.240
<v Speaker 1>ethics or issues. Right now, we're in a time.

0:53:02.000 --> 0:53:06.120
<v Speaker 2>Where people are really disgusting in terms of dragging people's names,

0:53:06.440 --> 0:53:10.840
<v Speaker 2>in terms of creating stories against other cultures.

0:53:11.600 --> 0:53:16.040
<v Speaker 1>Where did we get to this point? How did this happen?

0:53:17.040 --> 0:53:21.439
<v Speaker 1>Words and images are powerful, and it's so important that

0:53:21.520 --> 0:53:24.760
<v Speaker 1>you are conscious of the words in which you use

0:53:25.600 --> 0:53:29.520
<v Speaker 1>because they affect other people's lives.

0:53:29.719 --> 0:53:34.000
<v Speaker 2>It's a domino effect. Words create.

0:53:35.120 --> 0:53:38.040
<v Speaker 1>And I pray that we go back to the day

0:53:38.480 --> 0:53:41.719
<v Speaker 1>what we are talking about each other's work ethics or

0:53:41.800 --> 0:53:48.600
<v Speaker 1>work records as opposed to damaging and tearing down someone's character.

0:53:50.440 --> 0:53:51.879
<v Speaker 2>That's what it really should.

0:53:51.560 --> 0:53:53.000
<v Speaker 4>Be about.

0:53:53.960 --> 0:53:59.000
<v Speaker 2>Hi. Everyone. The Spirited Actor Podcast with Tracy Moore now

0:53:59.160 --> 0:54:01.200
<v Speaker 2>has a YouTube channel.

0:54:01.760 --> 0:54:06.120
<v Speaker 1>You'll get to see exclusive video footage from our podcast taping,

0:54:06.560 --> 0:54:08.400
<v Speaker 1>as well as your favorite.

0:54:07.960 --> 0:54:09.160
<v Speaker 2>Segments from the show.

0:54:09.719 --> 0:54:14.000
<v Speaker 1>Make sure to like our videos, subscribe to our channel,

0:54:14.239 --> 0:54:16.120
<v Speaker 1>and share with all your friends.

0:54:16.760 --> 0:54:18.839
<v Speaker 2>Don't forget to also follow.

0:54:18.600 --> 0:54:22.400
<v Speaker 1>Us on Instagram, at the Spirited Actor and at both

0:54:22.520 --> 0:54:26.640
<v Speaker 1>Tracy Moore and at the Spirited Actor Podcast with Tracy

0:54:26.640 --> 0:54:31.120
<v Speaker 1>Moore on Facebook and X. Thank you for joining us

0:54:31.200 --> 0:54:35.160
<v Speaker 1>on The Spirited Actor Podcast with me Tracy Moore. I

0:54:35.239 --> 0:54:50.400
<v Speaker 1>look forward to our next Spirited podcast. Thank you