1 00:00:07,000 --> 00:00:12,959 Speaker 1: What's that at beds And I'm pretty sure it's dead. 2 00:00:13,160 --> 00:00:14,480 Speaker 2: He's coming this way. 3 00:00:14,960 --> 00:00:21,240 Speaker 1: Wait a minute, I said, Hyros dress. 4 00:00:23,239 --> 00:00:30,680 Speaker 2: E please? Hey boo, Ro's dressed for less here. Do 5 00:00:30,680 --> 00:00:34,040 Speaker 2: you guys have a good week? I know I did. 6 00:00:35,000 --> 00:00:36,320 Speaker 2: I had a great time. I did this show at 7 00:00:36,400 --> 00:00:39,400 Speaker 2: U c B. I had my play open. It's Pride month, 8 00:00:39,479 --> 00:00:42,000 Speaker 2: and you know I should say Happy Pride, Happy Pride 9 00:00:42,000 --> 00:00:44,640 Speaker 2: Month to everyone. We had La Pride here in La 10 00:00:44,760 --> 00:00:48,239 Speaker 2: over the weekend. And oh, it's a really exciting time 11 00:00:48,320 --> 00:00:51,360 Speaker 2: to be a dry queen. Dry queens are popping up 12 00:00:51,400 --> 00:00:54,680 Speaker 2: all over the place. Actually, you know what. I'm a 13 00:00:55,240 --> 00:00:59,080 Speaker 2: model for this campaign for this company called the Better 14 00:00:59,320 --> 00:01:05,280 Speaker 2: skin Coat. It's a really great skincare line. And they're 15 00:01:05,280 --> 00:01:11,120 Speaker 2: doing this whole campaign with all different kinds of models 16 00:01:11,160 --> 00:01:12,880 Speaker 2: and I happen to be one of them. And it's 17 00:01:12,920 --> 00:01:16,920 Speaker 2: called hashtag for All People. So if you check that out, 18 00:01:17,080 --> 00:01:20,080 Speaker 2: you can see these cute little pictures of me posing 19 00:01:20,080 --> 00:01:22,640 Speaker 2: and stuff. And I get to work with Beverly Johnson 20 00:01:22,840 --> 00:01:26,039 Speaker 2: and it's just you know, it's part of this June 21 00:01:26,120 --> 00:01:30,039 Speaker 2: Pride Month celebration. So I'm really it's really just an 22 00:01:30,080 --> 00:01:33,840 Speaker 2: exciting time to be alive and to be a drag 23 00:01:33,920 --> 00:01:37,480 Speaker 2: queen and a queer person, and of course for me 24 00:01:37,680 --> 00:01:41,200 Speaker 2: here at Gaston, we love everyone and you're all welcome. 25 00:01:43,840 --> 00:01:47,480 Speaker 2: I got a story to tell that came from Eddie 26 00:01:47,840 --> 00:01:50,720 Speaker 2: in the Facebook group. Eddie, thanks for listening, he says. 27 00:01:50,760 --> 00:01:53,600 Speaker 2: I love the show. Thanks Roz, You're such a great host. 28 00:01:53,640 --> 00:01:58,440 Speaker 2: I'll stop it, Eddie so much. Just story, okay, he says. 29 00:01:59,440 --> 00:02:03,920 Speaker 2: So when I was sixteen, my friends and I did 30 00:02:03,960 --> 00:02:08,000 Speaker 2: a seance in my room. Nothing really happened during the seance, 31 00:02:08,240 --> 00:02:11,760 Speaker 2: but we heard a really loud bird call, like it 32 00:02:11,840 --> 00:02:14,440 Speaker 2: was in the room with us, but there was no bird. 33 00:02:16,480 --> 00:02:20,799 Speaker 2: That's my bird call. Then the phone rang ring, ring, ring, 34 00:02:21,200 --> 00:02:23,680 Speaker 2: and no one was there. So we waited a bit 35 00:02:23,760 --> 00:02:26,680 Speaker 2: longer and nothing else happened. So we just gave up 36 00:02:26,680 --> 00:02:31,040 Speaker 2: on the whole thing. That night, and every night after 37 00:02:31,320 --> 00:02:34,600 Speaker 2: for a while, a man in a brown suit would 38 00:02:34,639 --> 00:02:38,640 Speaker 2: be standing at the foot of my bed looking at me. 39 00:02:39,520 --> 00:02:41,240 Speaker 2: I think of this story every time I hear the 40 00:02:41,240 --> 00:02:46,239 Speaker 2: podcast theme song. Lol ah, it's spooky and cooky. Oh 41 00:02:46,280 --> 00:02:49,800 Speaker 2: that's so funny. But he wasn't scary. It felt like 42 00:02:49,880 --> 00:02:53,160 Speaker 2: a brother, or like an older version of myself, like 43 00:02:53,720 --> 00:02:58,840 Speaker 2: some weird. For some reason, for some weird reason, those 44 00:02:59,200 --> 00:03:02,120 Speaker 2: two things kept coming to mine. So I wasn't afraid 45 00:03:02,120 --> 00:03:05,080 Speaker 2: at all. My sister saw him and said to me 46 00:03:05,160 --> 00:03:10,000 Speaker 2: one day, you know, there's a man that stands at 47 00:03:10,040 --> 00:03:13,560 Speaker 2: the foot of yo bead. And I said, I know, 48 00:03:14,080 --> 00:03:17,480 Speaker 2: but he's good. I can tell. She said she could 49 00:03:17,560 --> 00:03:22,480 Speaker 2: tell too. He seemed like a good spirit. We just 50 00:03:22,639 --> 00:03:27,639 Speaker 2: thought it was cool. We could both sense him well. 51 00:03:27,680 --> 00:03:29,840 Speaker 2: After a while, I could tell he wanted to sleep 52 00:03:29,880 --> 00:03:32,959 Speaker 2: in my bed. Okay, I'm getting turned on. After a 53 00:03:33,000 --> 00:03:34,320 Speaker 2: while I could tell he wanted to sleep in my 54 00:03:34,360 --> 00:03:38,360 Speaker 2: bed with me. So after a couple of nights, since 55 00:03:38,400 --> 00:03:41,440 Speaker 2: I wasn't going, since I wasn't getting a bad vibe, 56 00:03:41,760 --> 00:03:44,240 Speaker 2: I told him he could sleep in my bed. Okay, 57 00:03:44,360 --> 00:03:50,040 Speaker 2: where's this going, Eddie? Nothing weird, just you know, a 58 00:03:50,240 --> 00:03:55,480 Speaker 2: comforting thing. It pretty much stops there. He didn't bother 59 00:03:55,640 --> 00:03:58,440 Speaker 2: me and pretty much disappeared after I let him sleep 60 00:03:58,480 --> 00:04:01,400 Speaker 2: with me. Oh, I've been there, and you let him 61 00:04:01,440 --> 00:04:07,040 Speaker 2: sleep with you, scatteral. It took me a while to 62 00:04:07,160 --> 00:04:10,480 Speaker 2: realize who it was. But when I was growing up, 63 00:04:10,600 --> 00:04:13,600 Speaker 2: my grandparents used to sleep in separate rooms, and so 64 00:04:13,840 --> 00:04:16,640 Speaker 2: when we would stay over, I would sleep with my grandpa, 65 00:04:16,720 --> 00:04:19,480 Speaker 2: and my sister would sleep with my grandma in their bed. Oh, 66 00:04:19,560 --> 00:04:23,719 Speaker 2: so is this your grandpa. I'm also named after my grandpa, 67 00:04:23,760 --> 00:04:26,680 Speaker 2: which is why I think I thought the ghost was 68 00:04:26,680 --> 00:04:30,240 Speaker 2: an older version of myself. I also inherited a brown 69 00:04:30,400 --> 00:04:33,440 Speaker 2: tux the one he was wearing, like the one he 70 00:04:33,480 --> 00:04:35,920 Speaker 2: was wearing when standing at the foot of my bed. 71 00:04:36,720 --> 00:04:40,360 Speaker 2: Wait a minute, I just realized something that I've never 72 00:04:40,400 --> 00:04:44,920 Speaker 2: even thought about. So you saw the ghost of your 73 00:04:44,920 --> 00:04:50,360 Speaker 2: grandfather wearing a tuxedo that you also had, probably in 74 00:04:50,400 --> 00:04:55,600 Speaker 2: your closet. So oh, so. 75 00:04:55,680 --> 00:04:56,320 Speaker 1: You could have. 76 00:04:56,680 --> 00:05:02,920 Speaker 2: So clothing can be the ghost ghost of clothing even 77 00:05:02,960 --> 00:05:05,159 Speaker 2: though it still exists. You get what I'm getting at, 78 00:05:05,240 --> 00:05:09,200 Speaker 2: Like that coat is still here on earth, but there's 79 00:05:09,240 --> 00:05:13,760 Speaker 2: a ghost version of it because a ghost is wearing it. 80 00:05:14,920 --> 00:05:17,080 Speaker 2: I've never thought about that, and now my mind is 81 00:05:17,120 --> 00:05:22,239 Speaker 2: completely baffled. Let's get back to the story. My grandpa 82 00:05:22,360 --> 00:05:23,960 Speaker 2: was more like a father to me in a lot 83 00:05:24,000 --> 00:05:26,680 Speaker 2: of ways, and it's comforting to know that he was there. 84 00:05:27,880 --> 00:05:30,719 Speaker 2: Now as an adult, I see him as a swallowtail 85 00:05:30,920 --> 00:05:34,279 Speaker 2: butterfly at times when I wish I could show him 86 00:05:34,279 --> 00:05:37,240 Speaker 2: my life now or wonder what he would think of 87 00:05:37,320 --> 00:05:40,200 Speaker 2: me that butterfly shows up and I know it's him 88 00:05:40,320 --> 00:05:45,359 Speaker 2: sending love. Oh, thank you for creating this space to 89 00:05:45,440 --> 00:05:48,000 Speaker 2: share these stories. I have a couple scary ones I'll 90 00:05:48,000 --> 00:05:50,960 Speaker 2: share eventually. Oh, I can't wait to hear those. Eddie, 91 00:05:51,040 --> 00:05:54,120 Speaker 2: sorry that I thought this was a hot romance story. 92 00:05:54,120 --> 00:05:56,240 Speaker 2: It turns out it was your grandfather. But it ended 93 00:05:56,360 --> 00:05:59,359 Speaker 2: up being a really sweet story. And that's really cool 94 00:05:59,440 --> 00:06:03,040 Speaker 2: that you saw this man at the foot of your 95 00:06:03,040 --> 00:06:06,080 Speaker 2: bed and it wasn't scary, because to me, that's like 96 00:06:07,240 --> 00:06:10,839 Speaker 2: my worst nightmare, but it sounds like a great actually 97 00:06:10,880 --> 00:06:14,520 Speaker 2: a really wonderful experience. So thanks for sending that in. 98 00:06:15,000 --> 00:06:18,240 Speaker 2: And if any of you want to send in a 99 00:06:18,320 --> 00:06:20,279 Speaker 2: story to me, you can either email it to me 100 00:06:20,360 --> 00:06:22,839 Speaker 2: ghosted by Ras at gmail dot com or in this 101 00:06:22,960 --> 00:06:26,880 Speaker 2: Facebook group which is just called ghosted by Ras Jess 102 00:06:26,960 --> 00:06:30,720 Speaker 2: False And you know, Eddie posted that story in the group, 103 00:06:30,800 --> 00:06:32,479 Speaker 2: so if you wanted to, you could comment on it 104 00:06:32,520 --> 00:06:34,640 Speaker 2: and if you had any more questions, or we can 105 00:06:34,680 --> 00:06:39,160 Speaker 2: start this conversation if anybody knows anything about you know, 106 00:06:39,320 --> 00:06:41,800 Speaker 2: clothing being able to be a ghost but still be 107 00:06:41,880 --> 00:06:47,279 Speaker 2: on earth. I can't stop thinking about that now. And yeah, 108 00:06:47,360 --> 00:06:50,440 Speaker 2: another thing I can't stop thinking about is our guest today. 109 00:06:51,400 --> 00:06:56,599 Speaker 2: He is a friend. He is an incredible performers. He's 110 00:06:56,760 --> 00:07:01,039 Speaker 2: you know, worked on Broadway and he's great musical theater 111 00:07:01,080 --> 00:07:04,560 Speaker 2: performer and singer. And he's also a radio personality now 112 00:07:04,600 --> 00:07:06,080 Speaker 2: that you can listen to and he'll tell you all 113 00:07:06,120 --> 00:07:09,039 Speaker 2: about it. Now I'm from Queer Eye. I mean, he's 114 00:07:09,040 --> 00:07:12,120 Speaker 2: all over the place acting, he's a personality. He's great 115 00:07:12,200 --> 00:07:14,680 Speaker 2: and I'm very inspired by him and I'm so happy 116 00:07:14,680 --> 00:07:18,880 Speaker 2: that he was here. So let's listen to Jay Rodriguez. 117 00:07:21,160 --> 00:07:24,920 Speaker 1: Ladies and gentlemen, I am joined by Jay Rodriguez. 118 00:07:25,280 --> 00:07:31,560 Speaker 2: Hi, Jay the radio star. I can't believe I need 119 00:07:31,600 --> 00:07:32,840 Speaker 2: to hear about what your life is like. 120 00:07:32,840 --> 00:07:35,080 Speaker 1: Right now because tectic you do. 121 00:07:35,600 --> 00:07:38,040 Speaker 2: You're on the radio every single morning. 122 00:07:38,200 --> 00:07:42,480 Speaker 1: Yeah, it's weird. So I when Lance Bass was hosting 123 00:07:42,520 --> 00:07:46,200 Speaker 1: a show called Dirty Pop on Serious Xmimber out Q, 124 00:07:46,480 --> 00:07:51,760 Speaker 1: which was an LGBTQ serious station that ran for a 125 00:07:51,800 --> 00:07:55,000 Speaker 1: couple of years. Great programming. I really liked it. I 126 00:07:55,040 --> 00:07:57,040 Speaker 1: was actually a diehard fan of it, to be honest, 127 00:07:57,040 --> 00:07:59,000 Speaker 1: I've never heard programming like that. I mean, cater to 128 00:07:59,000 --> 00:08:02,560 Speaker 1: every audience. It was politics, there was just fun entertainment news. 129 00:08:02,560 --> 00:08:05,240 Speaker 1: There was pop culture news like Lance Basted, and it 130 00:08:05,280 --> 00:08:08,280 Speaker 1: really had pillars of the community who maybe you knew, 131 00:08:08,360 --> 00:08:10,960 Speaker 1: some of you didn't know, really kind of giving you 132 00:08:11,000 --> 00:08:15,880 Speaker 1: the inside tea about LGBTQ stuff that kind of kind 133 00:08:15,920 --> 00:08:17,280 Speaker 1: of rolls off our shoulders and we kind of here, 134 00:08:17,320 --> 00:08:18,840 Speaker 1: but we don't really focus in on unless we're at 135 00:08:18,880 --> 00:08:21,200 Speaker 1: a gala or something. And it was so vital. And 136 00:08:21,240 --> 00:08:23,840 Speaker 1: so I guested for Lance a couple times as one 137 00:08:23,840 --> 00:08:26,000 Speaker 1: of his guests, and then when he was out of town, 138 00:08:26,120 --> 00:08:27,240 Speaker 1: they were like, do you want to step in a 139 00:08:27,240 --> 00:08:28,840 Speaker 1: couple of times. It really kind of give me a 140 00:08:28,840 --> 00:08:31,400 Speaker 1: passion for it. So I think you need to be 141 00:08:31,480 --> 00:08:33,920 Speaker 1: specific when you asked the universe for something. So I 142 00:08:33,920 --> 00:08:36,480 Speaker 1: asked the uniforse last year, I said, I'm going to 143 00:08:36,559 --> 00:08:39,040 Speaker 1: be forty and twenty eighteen. In about a month, I'll 144 00:08:39,040 --> 00:08:42,440 Speaker 1: be forty forty four zero. So I was like, I 145 00:08:42,559 --> 00:08:45,080 Speaker 1: want some more stability in my career. I love that 146 00:08:45,120 --> 00:08:47,520 Speaker 1: I'm guest starring, that I've arcd some things, I'm shooting 147 00:08:47,520 --> 00:08:49,960 Speaker 1: films and things are great. I'm like the Puerto Rican 148 00:08:50,000 --> 00:08:51,959 Speaker 1: Andy Cohen for Dance Moms about to go to two 149 00:08:52,000 --> 00:08:55,000 Speaker 1: one hours for them again and so I love the path. 150 00:08:55,120 --> 00:08:58,480 Speaker 1: I just want more of consistency. And the universe brought 151 00:08:58,720 --> 00:09:02,200 Speaker 1: this radio station called Channel Q into my life about 152 00:09:02,240 --> 00:09:05,680 Speaker 1: late August, and we started in September, launched a late 153 00:09:05,760 --> 00:09:09,839 Speaker 1: October early fall that kind of vibe, and I host 154 00:09:09,920 --> 00:09:11,800 Speaker 1: the morning show from six to ten am with MICHAELA. 155 00:09:11,840 --> 00:09:14,760 Speaker 1: Gordon for American Idol Lesbian Funny. She's the drag queen 156 00:09:14,800 --> 00:09:17,720 Speaker 1: and the dynamic as you well know, she's so gorgeous 157 00:09:17,760 --> 00:09:21,920 Speaker 1: she is and she loves being glam and she's very now. Yeah, 158 00:09:21,960 --> 00:09:24,439 Speaker 1: she knows what the kids say, like she just gets it. 159 00:09:24,800 --> 00:09:27,320 Speaker 1: And so thankfully because of al Q and Dirty Pop 160 00:09:27,320 --> 00:09:29,960 Speaker 1: and Lance Bass, I got sort of the feel for 161 00:09:30,000 --> 00:09:32,160 Speaker 1: the radio thing. I really loved it, and now it's 162 00:09:32,600 --> 00:09:35,439 Speaker 1: it's become the gig. Thankfully they let me leave and 163 00:09:35,480 --> 00:09:37,480 Speaker 1: come back to continue doing what I really do, which 164 00:09:37,520 --> 00:09:40,439 Speaker 1: is television, and that's been great, and so there's an 165 00:09:40,480 --> 00:09:43,760 Speaker 1: ease to it now. Also kind of forces you to 166 00:09:43,800 --> 00:09:47,319 Speaker 1: pay attention, like I'm constantly just going through Twitter, following 167 00:09:47,360 --> 00:09:50,360 Speaker 1: all the right news sources, and you feel like a 168 00:09:50,480 --> 00:09:53,080 Speaker 1: big boy at parties when someone chimes in about something 169 00:09:53,120 --> 00:09:55,640 Speaker 1: that ordinarily would have gone over your head. Now you 170 00:09:55,760 --> 00:09:58,280 Speaker 1: have a thought, you've an opinion total because you've talked 171 00:09:58,280 --> 00:10:00,520 Speaker 1: about it for hours, you know. So it's interesting, well. 172 00:10:00,360 --> 00:10:02,720 Speaker 2: And it gives you reason to wake up every morning, 173 00:10:02,920 --> 00:10:05,760 Speaker 2: well at the at the four four thirty, pending on 174 00:10:05,840 --> 00:10:07,839 Speaker 2: what I want to do, that to eat. Oh my god, 175 00:10:07,920 --> 00:10:08,880 Speaker 2: I can't even imagine. 176 00:10:08,960 --> 00:10:10,719 Speaker 1: The sun's not out by the way. Now I get 177 00:10:10,760 --> 00:10:12,640 Speaker 1: to work and it's like the time I get to 178 00:10:12,679 --> 00:10:17,959 Speaker 1: working with these about five fifteen, five thirty, and the 179 00:10:18,040 --> 00:10:20,880 Speaker 1: sun is trying to come out, Like the sky is 180 00:10:20,920 --> 00:10:23,960 Speaker 1: definitely not black. It's like a bluish, which I consider 181 00:10:24,000 --> 00:10:27,360 Speaker 1: an accomplishment. What time you go to bed eight thirty or. 182 00:10:27,360 --> 00:10:30,520 Speaker 2: Oh my god? And you know me, You know. 183 00:10:30,440 --> 00:10:33,079 Speaker 1: That my normal bedtime was like two am as of 184 00:10:33,640 --> 00:10:37,240 Speaker 1: August and sometimes is on the weekends. Listen. I love 185 00:10:37,320 --> 00:10:39,480 Speaker 1: Channel Q and I love everything it stands for, and 186 00:10:39,520 --> 00:10:41,800 Speaker 1: I love being in the in the Ryan Seacrest position 187 00:10:42,280 --> 00:10:45,600 Speaker 1: top billing. You're at the apex of the tribe. I'm 188 00:10:45,600 --> 00:10:48,120 Speaker 1: probably the one who's probably been out invisible and working 189 00:10:48,160 --> 00:10:50,560 Speaker 1: in this space the longest that of everyone on the station. 190 00:10:51,120 --> 00:10:53,959 Speaker 1: That being said, there are downsides to it, like getting 191 00:10:54,040 --> 00:10:56,120 Speaker 1: up that early and so I'm balancing it all. We're 192 00:10:56,120 --> 00:10:58,920 Speaker 1: trying to figure out well maybe maybe, just maybe I 193 00:10:59,080 --> 00:11:02,840 Speaker 1: will I don't know. Year is like turning thirty, but 194 00:11:03,040 --> 00:11:08,160 Speaker 1: like you know, times one hundred, because you're reevaluating where 195 00:11:08,200 --> 00:11:12,040 Speaker 1: you are. And even though I still get carted and 196 00:11:12,080 --> 00:11:15,480 Speaker 1: like I like the way I look everything that's cute. Thanks, 197 00:11:15,679 --> 00:11:18,200 Speaker 1: the real truth is you are still your agent. So 198 00:11:18,280 --> 00:11:20,480 Speaker 1: you are like, well, how am I gonna? Where do 199 00:11:20,520 --> 00:11:22,000 Speaker 1: I want it? Where do I want to live out 200 00:11:22,000 --> 00:11:24,440 Speaker 1: the rest of my life? I had to work in Miami. 201 00:11:24,480 --> 00:11:24,920 Speaker 1: Have you been? 202 00:11:26,280 --> 00:11:27,440 Speaker 2: No, I've never been in Miami. 203 00:11:27,520 --> 00:11:30,880 Speaker 1: It's lovely and I have romanticized it for a very 204 00:11:30,880 --> 00:11:33,200 Speaker 1: long time. I don't know how long I could deal 205 00:11:33,240 --> 00:11:35,160 Speaker 1: with living in Miami, but I've lived there the longest 206 00:11:35,200 --> 00:11:37,319 Speaker 1: three months shooting a series. So when I went there 207 00:11:37,320 --> 00:11:39,800 Speaker 1: for work recently a charity there, the station was like 208 00:11:39,840 --> 00:11:42,439 Speaker 1: when you broadcast out of Miami. When I got up 209 00:11:42,440 --> 00:11:44,440 Speaker 1: and the birds were chirping and the sun was out 210 00:11:44,760 --> 00:11:48,360 Speaker 1: because of course we're on you know, East Coast time, 211 00:11:48,400 --> 00:11:50,800 Speaker 1: which is three hours ahead, so I didn't have to 212 00:11:50,840 --> 00:11:54,599 Speaker 1: report to work until eight thirty in the morning. Luxury 213 00:11:54,720 --> 00:11:57,520 Speaker 1: that I felt like a rich white woman. I did 214 00:11:57,760 --> 00:12:01,600 Speaker 1: and at eight thirty, Oh my god, and I went 215 00:12:01,600 --> 00:12:03,240 Speaker 1: out some midnight, got home by one. 216 00:12:03,440 --> 00:12:06,199 Speaker 2: Oh no, honey. This my lifestyle is staying up until 217 00:12:06,240 --> 00:12:09,280 Speaker 2: four am listening to ghost voices on YouTube. 218 00:12:09,360 --> 00:12:12,720 Speaker 1: First of all, let's untack that how did that begin 219 00:12:12,840 --> 00:12:15,079 Speaker 1: for you? How did this all start for you? I 220 00:12:15,120 --> 00:12:15,640 Speaker 1: don't even know. 221 00:12:16,200 --> 00:12:20,480 Speaker 2: I know, well, I've just always been so fascinated by ghosts. 222 00:12:20,520 --> 00:12:22,840 Speaker 2: My thing because I've had so many ghost experiences. 223 00:12:22,880 --> 00:12:23,680 Speaker 1: I did not know that. 224 00:12:23,880 --> 00:12:28,080 Speaker 2: Yeah, I just like to hear about them. That's my thing, 225 00:12:28,280 --> 00:12:29,080 Speaker 2: is like I want. 226 00:12:29,160 --> 00:12:31,960 Speaker 1: I For years, I've always just gone up to people 227 00:12:31,960 --> 00:12:35,080 Speaker 1: at parties and just been like some who's seen a ghost? 228 00:12:35,200 --> 00:12:38,679 Speaker 1: Yeah yeah, yeah yeah, which you'll be delighted to know 229 00:12:38,760 --> 00:12:39,400 Speaker 1: I actually have. 230 00:12:40,000 --> 00:12:43,000 Speaker 2: Well, I know because you've been on my favorite television 231 00:12:43,040 --> 00:12:46,200 Speaker 2: show of all time, Celebrity Ghost Story. 232 00:12:46,440 --> 00:12:47,079 Speaker 1: So funny. 233 00:12:47,240 --> 00:12:50,920 Speaker 2: I think you're my third personnel from Celebrity Ghost Stories 234 00:12:50,920 --> 00:12:51,800 Speaker 2: that has been on here. 235 00:12:51,920 --> 00:12:54,480 Speaker 1: We love talking about it because it's a very tricky, 236 00:12:54,559 --> 00:12:57,920 Speaker 1: weird topic to bring up, because if you bring it 237 00:12:58,040 --> 00:13:01,240 Speaker 1: up around skeptics, it's hard to navigate. But what I 238 00:13:01,280 --> 00:13:05,040 Speaker 1: love about my story it's it's anchored in my born 239 00:13:05,080 --> 00:13:08,200 Speaker 1: again evangelical Christian mother co signing on my story. 240 00:13:08,280 --> 00:13:10,319 Speaker 2: There you go. I think that's so important to have. 241 00:13:10,520 --> 00:13:10,959 Speaker 2: You know that. 242 00:13:11,080 --> 00:13:15,080 Speaker 1: The little or not believers were like, I know what 243 00:13:15,120 --> 00:13:17,440 Speaker 1: I saw. I know, I can't explain it. 244 00:13:17,559 --> 00:13:19,880 Speaker 2: Yeah, I mean I've even had like someone that doesn't 245 00:13:19,920 --> 00:13:22,640 Speaker 2: believe in any of that stuff come on here and 246 00:13:22,800 --> 00:13:25,679 Speaker 2: was like, I can't explain it, but I saw it. 247 00:13:26,160 --> 00:13:28,040 Speaker 2: Celene last I. 248 00:13:27,960 --> 00:13:30,480 Speaker 1: Love sale, She's the best. 249 00:13:31,280 --> 00:13:34,840 Speaker 2: Okay, wait, so let's talk about your story from celebrity 250 00:13:34,960 --> 00:13:36,959 Speaker 2: because I also you have other stuff to talk with 251 00:13:37,120 --> 00:13:42,760 Speaker 2: you too, that's ghosty. So first question with celebrity ghost stories, 252 00:13:43,679 --> 00:13:45,080 Speaker 2: what was it like being re enacted? 253 00:13:45,880 --> 00:13:49,559 Speaker 1: First of all, I was like I was an adorable kid. Yeah, 254 00:13:49,720 --> 00:13:51,600 Speaker 1: I'm just looking at our guy who's running the board. 255 00:13:51,600 --> 00:13:53,920 Speaker 2: Who's he's the best? 256 00:13:55,440 --> 00:13:58,360 Speaker 1: So here's a piece like I got. I got hit up. 257 00:13:58,800 --> 00:14:00,400 Speaker 1: They slid into my DMS. 258 00:14:00,559 --> 00:14:01,400 Speaker 2: Much like I did. 259 00:14:01,640 --> 00:14:05,520 Speaker 1: Yes, it was the mother of the actor child who 260 00:14:05,559 --> 00:14:07,679 Speaker 1: played me, and she was like, hey, my son is 261 00:14:07,679 --> 00:14:09,559 Speaker 1: playing you in the series, and I was like screen 262 00:14:09,640 --> 00:14:13,920 Speaker 1: grabbing forever, gonna have to mortalize this. I was thrilled 263 00:14:13,920 --> 00:14:17,120 Speaker 1: beyond measure. He was really cute. I think was interesting 264 00:14:17,120 --> 00:14:18,719 Speaker 1: about it because I did give them pictures of me 265 00:14:18,760 --> 00:14:20,920 Speaker 1: as a child. They kind of did a good job 266 00:14:20,960 --> 00:14:23,600 Speaker 1: of casting that. Not so much on my aunts but 267 00:14:23,640 --> 00:14:26,520 Speaker 1: that was tricky, but my mom for sure. There was 268 00:14:26,520 --> 00:14:28,280 Speaker 1: something about the essence of it that like, ooh, I'm 269 00:14:28,280 --> 00:14:32,120 Speaker 1: getting chelse. There's something about, oh, this is creepy. There's 270 00:14:32,160 --> 00:14:40,520 Speaker 1: something about watching something you experienced reenacted. And I don't 271 00:14:40,560 --> 00:14:42,760 Speaker 1: know how they cast those kind of things, but part 272 00:14:42,800 --> 00:14:46,280 Speaker 1: of me thinks they say to people listen, would really 273 00:14:46,320 --> 00:14:49,840 Speaker 1: love it if those playing these roles are open to 274 00:14:49,920 --> 00:14:53,520 Speaker 1: these kind of experiences having happened, because there was an 275 00:14:53,600 --> 00:14:56,600 Speaker 1: odd authenticity to the way they were playing stuff that 276 00:14:56,680 --> 00:14:59,680 Speaker 1: like creeped me out further. It was like not really 277 00:14:59,680 --> 00:15:01,600 Speaker 1: trum sizing, I don't want to say that, but like 278 00:15:01,800 --> 00:15:04,520 Speaker 1: reexperiencing it in the way and I was like too real, 279 00:15:04,600 --> 00:15:05,160 Speaker 1: too real. 280 00:15:05,040 --> 00:15:07,680 Speaker 2: Too real. Yeah, so it really felt like, yeah, I 281 00:15:07,680 --> 00:15:09,360 Speaker 2: thought it did a real, real good job. 282 00:15:10,000 --> 00:15:11,560 Speaker 1: We'll talk about the Should we talk about the Goos story? 283 00:15:12,280 --> 00:15:13,680 Speaker 1: I guess I think I'm getting aead of my se. Yeah. 284 00:15:13,760 --> 00:15:15,400 Speaker 2: Yeah. The show hasn't been on for a couple of years, 285 00:15:15,440 --> 00:15:17,520 Speaker 2: and so maybe a lot of people have not heard it. 286 00:15:17,560 --> 00:15:20,880 Speaker 1: So let's hear it, so I grew up in a 287 00:15:20,880 --> 00:15:24,280 Speaker 1: single parent home. My dad left really young. Coincidentally, my 288 00:15:24,480 --> 00:15:29,360 Speaker 1: mother's sister had a daughter three weeks after I was born. 289 00:15:29,640 --> 00:15:32,880 Speaker 1: My mother's sister was married. So my aunt and my 290 00:15:32,960 --> 00:15:35,880 Speaker 1: mother were close in age and they were like sort 291 00:15:35,880 --> 00:15:37,880 Speaker 1: of best friends. They they grew up in the same 292 00:15:37,960 --> 00:15:40,520 Speaker 1: childhood house. And then my aunt didn't go far. She 293 00:15:40,720 --> 00:15:43,840 Speaker 1: just moved right next door when she got married. Where'd 294 00:15:43,880 --> 00:15:46,640 Speaker 1: you grow up in Long Island? Yeah, so in New 295 00:15:46,720 --> 00:15:50,560 Speaker 1: York and then the suburbs essentially for all time purposes, 296 00:15:50,640 --> 00:15:54,920 Speaker 1: just very suburban upbringing in a very culturally diverse neighborhood. 297 00:15:55,440 --> 00:16:00,440 Speaker 1: And my mother, my grandmother, moved into the home when 298 00:16:00,480 --> 00:16:04,120 Speaker 1: she was fourteen and pregnant and married, which at that 299 00:16:04,200 --> 00:16:08,440 Speaker 1: time was not uncommon. And so she's first generation from 300 00:16:08,440 --> 00:16:12,680 Speaker 1: Puerto Rico. Grandfather moved in and they bought her this home. 301 00:16:13,160 --> 00:16:15,520 Speaker 1: Started a family, and by the time my grandmother was 302 00:16:15,600 --> 00:16:18,440 Speaker 1: twenty one or twenty, she had six kids, no. 303 00:16:18,440 --> 00:16:22,680 Speaker 2: Twins, oh my wait, by the time she was twenty. 304 00:16:24,800 --> 00:16:27,240 Speaker 1: Banging them out every year boom. Of the six kids, 305 00:16:27,240 --> 00:16:30,280 Speaker 1: three boys, three girls, and that was not uncommon. And 306 00:16:30,320 --> 00:16:31,960 Speaker 1: so they grew up with this likee sort of kinship 307 00:16:32,000 --> 00:16:34,560 Speaker 1: that I never I don't have siblings. My brother's twenty 308 00:16:34,600 --> 00:16:37,480 Speaker 1: years younger than me, so I didn't have that experience. 309 00:16:37,560 --> 00:16:40,480 Speaker 1: My mom had me really young, and after my dad left, 310 00:16:41,560 --> 00:16:44,040 Speaker 1: she moved back in with her mother, which made her 311 00:16:44,040 --> 00:16:46,160 Speaker 1: neighbors with her sister who she was close with. So 312 00:16:46,240 --> 00:16:48,560 Speaker 1: my cousin and I were raised as siblings. We often 313 00:16:48,680 --> 00:16:51,760 Speaker 1: vacationed together, okay, And so one of the vacation spots 314 00:16:51,760 --> 00:16:54,400 Speaker 1: for New Yorkers was upstate New York. This place called 315 00:16:54,480 --> 00:16:57,680 Speaker 1: Lake George had a lot outdoorsy activities but also had 316 00:16:57,680 --> 00:17:00,560 Speaker 1: a fun night life scene, and being two women in 317 00:17:00,560 --> 00:17:03,600 Speaker 1: their twenties, it was the perfect place for them to go. 318 00:17:04,320 --> 00:17:06,200 Speaker 1: And my cousin and I were about seven or eight, 319 00:17:06,280 --> 00:17:08,840 Speaker 1: can't quite remember, maybe nine if I really push it. 320 00:17:08,880 --> 00:17:11,359 Speaker 1: If I look back, I'm going by pictures and I'm like, 321 00:17:11,400 --> 00:17:13,439 Speaker 1: I'm trying to remember the dates of these things. But 322 00:17:13,480 --> 00:17:16,520 Speaker 1: it was somewhere in that window where you're like in second, third, 323 00:17:16,760 --> 00:17:19,359 Speaker 1: FOURTHI ish grade. You know, you're not quite in sixth grade, 324 00:17:19,400 --> 00:17:22,080 Speaker 1: but like you're younger than that. That being said, we 325 00:17:22,080 --> 00:17:24,600 Speaker 1: were on this vacation of Lake George and we were 326 00:17:24,640 --> 00:17:27,919 Speaker 1: staying in a hotel, you know, to full sized beds. 327 00:17:28,359 --> 00:17:33,879 Speaker 1: My aunts and my cousin female. What's up, Jackie. So 328 00:17:33,920 --> 00:17:37,120 Speaker 1: we're sleeping closer to the bathroom. So if you open 329 00:17:37,200 --> 00:17:40,000 Speaker 1: the door to the bedroom, to the left is the 330 00:17:40,040 --> 00:17:43,800 Speaker 1: first bed, separated by a nightstand, and then the second bed, 331 00:17:44,040 --> 00:17:45,560 Speaker 1: which was also a full sized bed. And if you 332 00:17:45,640 --> 00:17:48,320 Speaker 1: kept walking further, there was in the distance you could 333 00:17:48,320 --> 00:17:50,800 Speaker 1: see a bathroom. To the right before you hit the 334 00:17:50,840 --> 00:17:53,040 Speaker 1: bathroom was just like a club chair, you know, like 335 00:17:53,080 --> 00:17:56,080 Speaker 1: a chair to sit down and relax in. And then 336 00:17:56,240 --> 00:17:58,880 Speaker 1: in front really remember, oh, I remember it like it 337 00:17:58,920 --> 00:18:01,159 Speaker 1: was yesterday. I can tell you re single detail. And 338 00:18:01,160 --> 00:18:03,359 Speaker 1: then across from the beds, of course, was the television 339 00:18:03,480 --> 00:18:06,480 Speaker 1: like the old school, like yeah, not a flat screen kids, 340 00:18:06,520 --> 00:18:09,000 Speaker 1: we didn't have those yet, but the TV that had 341 00:18:09,040 --> 00:18:12,760 Speaker 1: like thirteen channels, right, and the weird antennas. And then 342 00:18:12,760 --> 00:18:16,320 Speaker 1: when you opened the window, it was one of those windows. 343 00:18:17,400 --> 00:18:19,600 Speaker 1: Rather the blinds were that of like it was fabric 344 00:18:19,640 --> 00:18:21,399 Speaker 1: on one side but kind of plasticy white on the 345 00:18:21,480 --> 00:18:24,000 Speaker 1: other side, and it had the stick and you drag 346 00:18:24,080 --> 00:18:27,119 Speaker 1: the stick to open and then drag the stick to close, right, 347 00:18:27,480 --> 00:18:31,719 Speaker 1: and the window looked down onto the parking lot, and 348 00:18:31,880 --> 00:18:33,800 Speaker 1: just off of the parking lot in the distance you 349 00:18:33,800 --> 00:18:36,239 Speaker 1: could see the pool. So that's the layout of the 350 00:18:36,320 --> 00:18:38,840 Speaker 1: actual mote. It was more of a motel. That's kind 351 00:18:38,840 --> 00:18:39,760 Speaker 1: of vibe of Lake George. 352 00:18:39,800 --> 00:18:41,480 Speaker 2: Do you remember what it was called? You probably, I 353 00:18:41,520 --> 00:18:41,840 Speaker 2: don't want. 354 00:18:41,880 --> 00:18:43,760 Speaker 1: I went through all of them. I looked at to 355 00:18:43,760 --> 00:18:46,679 Speaker 1: try to find whatever, and then like I was like, 356 00:18:46,720 --> 00:18:48,680 Speaker 1: oh gosh, it was tricky because I couldn't figure out 357 00:18:48,720 --> 00:18:52,120 Speaker 1: which I narrow died it onto two. But anyway, so 358 00:18:52,560 --> 00:18:54,680 Speaker 1: we were there and probably drove up like I don't 359 00:18:54,800 --> 00:18:57,120 Speaker 1: like a Friday afternoon and it was probably Friday night. 360 00:18:57,560 --> 00:18:59,359 Speaker 1: We did all the fun things that was. I remember 361 00:18:59,400 --> 00:19:03,160 Speaker 1: there was a wax um there was that's creepy, so creepy. 362 00:19:03,320 --> 00:19:05,439 Speaker 1: There was like not a roller coaster, like a haunted, 363 00:19:05,480 --> 00:19:07,680 Speaker 1: housy thing that you get in it's like a roller 364 00:19:07,720 --> 00:19:08,439 Speaker 1: coaster seating. 365 00:19:08,560 --> 00:19:09,719 Speaker 2: Oh yeah, you just walked through. 366 00:19:09,800 --> 00:19:10,000 Speaker 1: Yeah. 367 00:19:10,080 --> 00:19:11,120 Speaker 2: Oh those are classic. 368 00:19:11,240 --> 00:19:14,399 Speaker 1: Yeah. I went through that. And then that night my 369 00:19:14,600 --> 00:19:17,520 Speaker 1: aunts and my mom rated the mini bar as kids 370 00:19:17,560 --> 00:19:18,639 Speaker 1: in their twenties. 371 00:19:18,240 --> 00:19:20,600 Speaker 2: Two as you right, Yeah, they're so young. 372 00:19:20,840 --> 00:19:23,280 Speaker 1: I mean that's what we do anyway, So if there's 373 00:19:23,320 --> 00:19:27,520 Speaker 1: mini bar here, we'd rate it. That being said, they're keiking. Now. 374 00:19:27,560 --> 00:19:30,360 Speaker 1: My cousin is sleeping closest to the bathroom right, that's 375 00:19:30,359 --> 00:19:33,480 Speaker 1: furthest from the door. I'm sleeping on a different bed 376 00:19:33,640 --> 00:19:37,760 Speaker 1: closest to the door. And our parents, our mothers are 377 00:19:37,800 --> 00:19:40,919 Speaker 1: conversy and kicking over those little mini colouas and the 378 00:19:40,960 --> 00:19:44,280 Speaker 1: mini smear knops at the nightstand right, So they're sitting 379 00:19:44,280 --> 00:19:45,840 Speaker 1: on the bed facing each other, much like you and 380 00:19:45,880 --> 00:19:48,760 Speaker 1: I are right now right nights standing here, TV there, 381 00:19:48,920 --> 00:19:54,240 Speaker 1: bathroom there, door behind me, and so we are like, 382 00:19:54,440 --> 00:19:56,320 Speaker 1: you know, I hear them, and you know when you're 383 00:19:56,320 --> 00:19:59,800 Speaker 1: a kid and adults are talking and you're just not 384 00:20:00,200 --> 00:20:02,240 Speaker 1: for bed, and you know, have the TV on because 385 00:20:02,240 --> 00:20:05,480 Speaker 1: adults who are drinking, you're like and you're like pretending 386 00:20:05,480 --> 00:20:06,720 Speaker 1: you're a sleep so you can just. 387 00:20:06,640 --> 00:20:07,960 Speaker 2: Like, oh, when I was a kid, I always want 388 00:20:08,000 --> 00:20:09,600 Speaker 2: to know, like what are the adults talking about? 389 00:20:09,680 --> 00:20:11,600 Speaker 1: Right? And they were talking about adult things and I 390 00:20:11,680 --> 00:20:14,640 Speaker 1: was like, and I just ear raised and char lean 391 00:20:14,680 --> 00:20:18,480 Speaker 1: in that being said nosey mcnsersin like kind of like 392 00:20:18,520 --> 00:20:20,679 Speaker 1: started rolling over and like you want to open and 393 00:20:20,720 --> 00:20:23,320 Speaker 1: pretended to be awakening, pulled the cover up to just 394 00:20:23,440 --> 00:20:26,280 Speaker 1: enough where I could see my catch the conversation. Then 395 00:20:26,320 --> 00:20:28,840 Speaker 1: it became like a TV show, right, and they were 396 00:20:28,840 --> 00:20:32,240 Speaker 1: so drunk and key king that they didn't really think 397 00:20:32,320 --> 00:20:35,160 Speaker 1: anything to check on the kids who might be somewhat awake, 398 00:20:35,160 --> 00:20:36,600 Speaker 1: because like, who cares whatever as long as they're not 399 00:20:36,600 --> 00:20:40,680 Speaker 1: making noise. Yeah, Well, the only light they had on 400 00:20:40,920 --> 00:20:44,520 Speaker 1: was the bathroom line, which again is furthest from where 401 00:20:44,560 --> 00:20:48,359 Speaker 1: I am sleeping. So all of a sudden there was 402 00:20:48,520 --> 00:20:50,639 Speaker 1: you know what happens if you put your hand in 403 00:20:50,680 --> 00:20:53,880 Speaker 1: front of a light bulb, you can see the presence 404 00:20:54,160 --> 00:20:58,600 Speaker 1: something might disappears for a second, right, And that happened, 405 00:20:58,960 --> 00:21:02,119 Speaker 1: And as it began to happen, you're alerted of a change, 406 00:21:02,119 --> 00:21:04,639 Speaker 1: so you perk up in your everyone's eyes go to 407 00:21:04,720 --> 00:21:07,320 Speaker 1: that direction, and we saw the figure of a man 408 00:21:07,480 --> 00:21:12,160 Speaker 1: nineteen fifties, very madman, trench coat fedora, pass from one 409 00:21:12,200 --> 00:21:16,240 Speaker 1: side of it to another. My mother screamed to the 410 00:21:16,280 --> 00:21:19,600 Speaker 1: top of her lungs, reached back and grabbed me. You 411 00:21:19,760 --> 00:21:23,359 Speaker 1: know that familiar from watching Animal Planet would dogs grab 412 00:21:23,440 --> 00:21:26,040 Speaker 1: another dog by the scruff of their neck to carry 413 00:21:26,040 --> 00:21:29,200 Speaker 1: them to a safe space. It was very that aka 414 00:21:29,480 --> 00:21:32,960 Speaker 1: Puerto Rican mother grabs you. That being said, it was 415 00:21:33,040 --> 00:21:36,359 Speaker 1: like I heard them, and then my mother screamed, which 416 00:21:36,440 --> 00:21:39,720 Speaker 1: triggered my aunt to turn. She saw something that didn't 417 00:21:39,760 --> 00:21:44,720 Speaker 1: register as right. She screamed, scruffed her daughter, and then 418 00:21:45,000 --> 00:21:48,360 Speaker 1: me and my cousin were dragged out of the room. Now, 419 00:21:48,400 --> 00:21:51,160 Speaker 1: at the time, smurfs was very popular, and plush dolls, 420 00:21:51,240 --> 00:21:53,359 Speaker 1: right teddy Bears were popular. So I had to pop 421 00:21:53,359 --> 00:21:57,119 Speaker 1: a smurf like plush doll like that I had been 422 00:21:57,160 --> 00:21:59,280 Speaker 1: sleeping with and using as like you know, like a 423 00:21:59,280 --> 00:22:02,600 Speaker 1: body pillar, I guess you could say, And I can't 424 00:22:02,600 --> 00:22:08,639 Speaker 1: remember exa, but I so I went into basically grabbed 425 00:22:08,640 --> 00:22:10,560 Speaker 1: the thing and I left it on the bed. It 426 00:22:10,600 --> 00:22:14,280 Speaker 1: didn't make its way past the center where I had 427 00:22:14,320 --> 00:22:17,600 Speaker 1: been spooning it, right, and so it stayed on the bed. 428 00:22:17,640 --> 00:22:19,760 Speaker 1: I know because it's red on white linen, so you 429 00:22:20,000 --> 00:22:22,639 Speaker 1: can easily see that's still there. Leaving the room, they 430 00:22:22,680 --> 00:22:25,040 Speaker 1: go down to security, they are literally wearing you can 431 00:22:25,200 --> 00:22:30,320 Speaker 1: totally in pictures, barefoot, manicured, but barefoot long t shirt. Right. 432 00:22:30,640 --> 00:22:32,959 Speaker 1: Two women in their twenties, one with it what we 433 00:22:33,000 --> 00:22:34,960 Speaker 1: call the Puerto Rican dooby doo, which is where if 434 00:22:35,000 --> 00:22:37,120 Speaker 1: you have curly hair, you wet it and you wrap 435 00:22:37,160 --> 00:22:38,679 Speaker 1: it around and you bobby pin it all the way 436 00:22:38,720 --> 00:22:41,120 Speaker 1: around so you can wake up dry totally and it's 437 00:22:41,119 --> 00:22:43,639 Speaker 1: straight doing yeah, and the other one rollers. So the 438 00:22:43,640 --> 00:22:46,040 Speaker 1: we're down at like the security does with some guy 439 00:22:46,040 --> 00:22:48,119 Speaker 1: who like looks like he's straight out of light Tails 440 00:22:48,119 --> 00:22:51,000 Speaker 1: from the crypt, and I remember, like it was yesterday. 441 00:22:51,040 --> 00:22:57,520 Speaker 1: It was like perfect iconic motel person at hired for 442 00:22:57,560 --> 00:23:01,320 Speaker 1: after hours. Yeah, I mean like where you're like Central Casting, 443 00:23:01,520 --> 00:23:05,160 Speaker 1: Central Casting, murderers slash whatever. But but then like when 444 00:23:05,160 --> 00:23:07,200 Speaker 1: he speaks, you're like, oh you're sweet. You just look scary, 445 00:23:07,280 --> 00:23:10,840 Speaker 1: so good job for you. Yeah, and like the like 446 00:23:11,080 --> 00:23:14,960 Speaker 1: a grounds keeper, look, thank you groundskeeper is exactly it. 447 00:23:16,359 --> 00:23:19,080 Speaker 1: I hope that's like his nickname on Instagram. So he 448 00:23:19,320 --> 00:23:22,440 Speaker 1: literally we get down there and my mom air like someone, 449 00:23:23,160 --> 00:23:26,639 Speaker 1: we have kids, we have kids. They're like scream crying 450 00:23:26,880 --> 00:23:28,800 Speaker 1: because they were a little drunk, but they were like 451 00:23:29,400 --> 00:23:32,359 Speaker 1: blaming the hotel for allowing them to be in a 452 00:23:32,440 --> 00:23:35,359 Speaker 1: room that was unsafe, so they really worked up about it. 453 00:23:35,400 --> 00:23:36,640 Speaker 1: But I know what I saw, so I was like, yeah, 454 00:23:36,800 --> 00:23:38,680 Speaker 1: they're right on this, like all coast sign. I didn't 455 00:23:38,680 --> 00:23:39,280 Speaker 1: have any kalua. 456 00:23:39,359 --> 00:23:42,560 Speaker 2: But wait a minute, Okay, so but this man just 457 00:23:42,640 --> 00:23:43,960 Speaker 2: appeared out of nowhere. 458 00:23:44,119 --> 00:23:46,239 Speaker 1: Right, Yes, So if you could imagine it where it's 459 00:23:46,240 --> 00:23:48,600 Speaker 1: one of those things where the door opens would have 460 00:23:48,680 --> 00:23:53,240 Speaker 1: opened and there's like, uh, it's not quite a walltic event. 461 00:23:53,240 --> 00:23:55,040 Speaker 1: They would have been like if you open the door, 462 00:23:55,119 --> 00:23:57,359 Speaker 1: it opened just a little bit, and there was like 463 00:23:57,480 --> 00:23:59,400 Speaker 1: a little bit of a closet, like a hanging things 464 00:23:59,440 --> 00:24:01,159 Speaker 1: if you want to see things out, and like a 465 00:24:01,160 --> 00:24:03,720 Speaker 1: little bit of a mini vanity. Then a mirror here, sink, 466 00:24:03,960 --> 00:24:06,200 Speaker 1: that's where you directly look at. And then to right 467 00:24:06,359 --> 00:24:11,160 Speaker 1: is the shower. And okay, so you're looking at so yes, 468 00:24:11,280 --> 00:24:14,480 Speaker 1: there was a little not necessarily just a box that 469 00:24:15,200 --> 00:24:17,680 Speaker 1: when you're looking at the bathroom from the door, what 470 00:24:17,720 --> 00:24:19,520 Speaker 1: you see is not the full space of the bathroom. 471 00:24:19,560 --> 00:24:21,919 Speaker 1: That's not the full width of it. Right, So he 472 00:24:22,040 --> 00:24:26,600 Speaker 1: basically in our vision went from left to right. And 473 00:24:26,600 --> 00:24:29,400 Speaker 1: and because of the back light and the room itself 474 00:24:29,480 --> 00:24:31,719 Speaker 1: was dark and they were using that as for ambient lighting. 475 00:24:32,320 --> 00:24:34,600 Speaker 1: There was big confusion as to if it was a person, 476 00:24:35,160 --> 00:24:37,720 Speaker 1: if it was an animal, if it's a big bat, 477 00:24:37,760 --> 00:24:40,680 Speaker 1: what was the thing. At this point, they just feel 478 00:24:40,720 --> 00:24:42,359 Speaker 1: very safe, so we go back down. 479 00:24:42,280 --> 00:24:46,320 Speaker 2: Side of the ghost was never absolutely not, No did 480 00:24:46,320 --> 00:24:47,280 Speaker 2: you guys believe in this. 481 00:24:47,680 --> 00:24:50,360 Speaker 1: At this point, I think we're sort of a religious 482 00:24:50,400 --> 00:24:53,280 Speaker 1: We've not discovered a Catholicism, which they all grew up with. 483 00:24:53,520 --> 00:24:56,120 Speaker 1: We've not done our Holy Communion yet, we're probably basically 484 00:24:56,119 --> 00:25:00,040 Speaker 1: at this point heathen. So we go downstairs and the 485 00:25:00,160 --> 00:25:01,440 Speaker 1: guy who was like, Okay, I'll go up there and 486 00:25:01,520 --> 00:25:03,080 Speaker 1: check it out for you. And he goes up and 487 00:25:03,080 --> 00:25:04,399 Speaker 1: they feel little better. And I was a man and 488 00:25:04,600 --> 00:25:08,560 Speaker 1: in the dynamic, right, and everyone walks upstairs and he 489 00:25:08,920 --> 00:25:12,199 Speaker 1: walks in. He's got this big, like, you know, big flashlight, 490 00:25:13,359 --> 00:25:16,440 Speaker 1: and he goes in and turn all the lights, looks 491 00:25:16,520 --> 00:25:18,560 Speaker 1: under the beds op in the closet. There's nothing, Ladies, 492 00:25:18,600 --> 00:25:21,760 Speaker 1: there's nothing here. And now here's the issue. They've been drinking. 493 00:25:22,800 --> 00:25:24,960 Speaker 1: So now it's like, ladies, maybe because he walks in, 494 00:25:25,040 --> 00:25:29,600 Speaker 1: he sees they've been drinking, so that it's like, but 495 00:25:29,720 --> 00:25:31,439 Speaker 1: I know what I saw, right, So, and I'm like, 496 00:25:31,880 --> 00:25:34,560 Speaker 1: I'm the kid who my mom would take me to 497 00:25:34,680 --> 00:25:37,360 Speaker 1: jazzer sized class and I would sit on the sides 498 00:25:37,400 --> 00:25:41,480 Speaker 1: completely quiet, and then they'd be like, Janet, your son's 499 00:25:41,520 --> 00:25:44,720 Speaker 1: really precious. How long has he been a mute? Because 500 00:25:44,760 --> 00:25:47,919 Speaker 1: I wouldn't talk so like I'm an observer, so like 501 00:25:47,960 --> 00:25:50,119 Speaker 1: I was picked up on everything, and so it was 502 00:25:50,160 --> 00:25:51,800 Speaker 1: not uncommon for me to just to kind of be 503 00:25:51,920 --> 00:25:54,480 Speaker 1: more observant than I shouldn't see things I shouldn't have seen. 504 00:25:54,960 --> 00:25:56,640 Speaker 1: That being said, he comes in, he's like, ladies, listen, 505 00:25:56,680 --> 00:25:58,000 Speaker 1: there's nothing. He don't I don't know what you want 506 00:25:58,040 --> 00:26:00,040 Speaker 1: to do. I can put you into the room and like, none, no, 507 00:26:01,000 --> 00:26:03,359 Speaker 1: it's two in the morning. No, No, A burd in 508 00:26:03,359 --> 00:26:04,640 Speaker 1: the hand is better than two in the bush. They're 509 00:26:04,680 --> 00:26:07,000 Speaker 1: giving them all these like weird long Island quotes, and 510 00:26:07,040 --> 00:26:08,680 Speaker 1: they're like, we're out of here, crack a dog. We're 511 00:26:08,720 --> 00:26:12,040 Speaker 1: at here. So we try to fake some sleep. Everyone 512 00:26:12,119 --> 00:26:14,800 Speaker 1: just basically faking sleep. The door is typical dripple locked. 513 00:26:14,800 --> 00:26:18,879 Speaker 1: They've gone through everything. The bags are packed, and I 514 00:26:18,920 --> 00:26:23,840 Speaker 1: remember I had a blue samsonight hard luggage, the kind 515 00:26:23,840 --> 00:26:26,760 Speaker 1: where you like slide the sides of it and it 516 00:26:26,840 --> 00:26:28,920 Speaker 1: opens and then you pull it up very mad many 517 00:26:29,400 --> 00:26:31,159 Speaker 1: that's probably my grandfather's is something, and that's where all 518 00:26:31,160 --> 00:26:33,399 Speaker 1: my little weekend clothes were, and so everything was in 519 00:26:33,440 --> 00:26:35,800 Speaker 1: there and was open so that I could switch out 520 00:26:35,880 --> 00:26:37,840 Speaker 1: what my pajamas were for what I was gonna wear 521 00:26:37,840 --> 00:26:39,679 Speaker 1: and then put the teddy bred, do the whole business 522 00:26:39,680 --> 00:26:43,560 Speaker 1: and leave. So it's now, you know, bedtime, everyone's to sleep. 523 00:26:43,680 --> 00:26:46,640 Speaker 1: The gentle snoring of the communal masses of Rodriguez clan 524 00:26:47,080 --> 00:26:51,440 Speaker 1: is happening, and I just can't sleep. There's something very unsettling, 525 00:26:51,720 --> 00:26:54,199 Speaker 1: but it's it's not unsettling in the space of like 526 00:26:54,240 --> 00:26:58,760 Speaker 1: feeling threatening. It's just very much like I can't sleep. 527 00:26:59,240 --> 00:27:01,240 Speaker 1: So I open so I like to sleep a little 528 00:27:01,240 --> 00:27:03,600 Speaker 1: more heads up, so I put the usually two pillows 529 00:27:03,840 --> 00:27:06,480 Speaker 1: so I'm not flat, but I'm always a little angled up. 530 00:27:07,840 --> 00:27:10,080 Speaker 1: And so when I opened my eyes, I saw a 531 00:27:10,119 --> 00:27:15,159 Speaker 1: man at the left corner of the room, and who creepy. 532 00:27:15,280 --> 00:27:18,800 Speaker 1: I'm like getting emotional. So the guy is sitting there, 533 00:27:18,840 --> 00:27:22,200 Speaker 1: and it literally stood up in my best version of 534 00:27:22,400 --> 00:27:25,679 Speaker 1: me being thirty nine years old. Now looks like a 535 00:27:25,760 --> 00:27:32,520 Speaker 1: character out of Madman, because it's a plain shirt, time 536 00:27:32,560 --> 00:27:34,960 Speaker 1: specific tie that would have made sense in that era, 537 00:27:35,400 --> 00:27:38,159 Speaker 1: with a trench coat over like just this whole look 538 00:27:38,800 --> 00:27:43,119 Speaker 1: that is at first slightly threatening. But this isn't so terrible. 539 00:27:43,119 --> 00:27:45,160 Speaker 1: But growing up, you know where I grew up, where 540 00:27:45,160 --> 00:27:47,720 Speaker 1: it was like really ethnically mixed. You only saw white 541 00:27:47,760 --> 00:27:49,520 Speaker 1: people if they like, if you were getting in trouble, 542 00:27:49,520 --> 00:27:51,800 Speaker 1: you know what I mean, so like and so it 543 00:27:51,880 --> 00:27:54,439 Speaker 1: was like scary. And so then I was like, I 544 00:27:54,480 --> 00:27:56,800 Speaker 1: didn't know. It was very paralyzing. You know that kind 545 00:27:56,880 --> 00:27:59,359 Speaker 1: of sleep where you want to wake up and you 546 00:27:59,400 --> 00:28:02,320 Speaker 1: can't move, that kind of sleeper press, that kind of vibe. 547 00:28:02,680 --> 00:28:05,119 Speaker 1: It kind of felt like that. But I could blink, 548 00:28:05,240 --> 00:28:07,800 Speaker 1: I could move my face. It was just more of 549 00:28:07,840 --> 00:28:11,520 Speaker 1: a sheer. I don't know what this experience is. I 550 00:28:11,600 --> 00:28:15,640 Speaker 1: clearly now know you are what we saw. But in 551 00:28:15,680 --> 00:28:18,680 Speaker 1: this moment and in this exchange that's silent. 552 00:28:18,840 --> 00:28:19,840 Speaker 2: You're just staring at you. 553 00:28:20,040 --> 00:28:23,439 Speaker 1: Yes, you don't feel threatening, you don't feel unsafe, you 554 00:28:23,480 --> 00:28:28,480 Speaker 1: don't feel false. You feel like this is something I'm 555 00:28:28,520 --> 00:28:30,920 Speaker 1: just supposed to sit in. And so didn't know what 556 00:28:31,560 --> 00:28:34,160 Speaker 1: my response was supposed to be. And my only thought 557 00:28:34,320 --> 00:28:37,160 Speaker 1: was to kind of barter with him, and I remember 558 00:28:37,359 --> 00:28:40,560 Speaker 1: trying to offer him my teddy bear, my papa smurved 559 00:28:40,600 --> 00:28:43,720 Speaker 1: teddy bear. Oh this is the crazy, this is the 560 00:28:43,760 --> 00:28:46,440 Speaker 1: tea left my teddy bear on the on the bed. 561 00:28:46,800 --> 00:28:51,360 Speaker 1: And then when we came back, the gripkeeper dude he 562 00:28:51,400 --> 00:28:57,040 Speaker 1: found it under the bed was on the bed because 563 00:28:57,080 --> 00:28:59,960 Speaker 1: I got pulled from it, and I remember like making trying, 564 00:29:00,080 --> 00:29:02,160 Speaker 1: you know, when you try and throw an age appropriate 565 00:29:02,200 --> 00:29:04,400 Speaker 1: tantrum and they won't have it because there's a bigger 566 00:29:04,480 --> 00:29:06,920 Speaker 1: issue to play. That was what happened in that moment, 567 00:29:07,040 --> 00:29:08,640 Speaker 1: and so I got so it was under there. So 568 00:29:08,720 --> 00:29:10,120 Speaker 1: I was like, I already knew that what I was 569 00:29:10,120 --> 00:29:14,240 Speaker 1: holding was like to my thumb, Yeah, yeah, but I 570 00:29:14,280 --> 00:29:17,000 Speaker 1: didn't know. You don't think magic or ghosty things at 571 00:29:17,000 --> 00:29:19,120 Speaker 1: that point. You're not thinking anything like that. And then 572 00:29:19,120 --> 00:29:22,560 Speaker 1: when you see someone in this kind of moment, it's 573 00:29:22,720 --> 00:29:25,000 Speaker 1: very eerie. But there is a piece. And people talk 574 00:29:25,040 --> 00:29:28,400 Speaker 1: about this a lot when they experience something supernatural in 575 00:29:28,440 --> 00:29:33,400 Speaker 1: any space, there is a kind of piece or well, okay, 576 00:29:33,600 --> 00:29:35,520 Speaker 1: the Vegas thing, we'll talk about that a minute. There's 577 00:29:35,520 --> 00:29:37,760 Speaker 1: a difference between when you see something that you know 578 00:29:37,960 --> 00:29:43,880 Speaker 1: is not of this world, yes, and there's a you 579 00:29:43,920 --> 00:29:46,280 Speaker 1: can either feel threatened or you feel a piece. I've 580 00:29:46,280 --> 00:29:48,560 Speaker 1: heard you probably no better mean you've been talking to people. 581 00:29:48,760 --> 00:29:51,600 Speaker 1: I felt an immediate peace, and I didn't understand it now. 582 00:29:51,640 --> 00:29:54,160 Speaker 1: Mind you, my data had left probably three or four 583 00:29:54,240 --> 00:29:57,880 Speaker 1: years prior. I didn't really have any male role models 584 00:29:58,000 --> 00:30:00,720 Speaker 1: in that time, and you're just in the space where 585 00:30:00,720 --> 00:30:04,840 Speaker 1: it just feels too real to even imagine. 586 00:30:05,120 --> 00:30:07,640 Speaker 2: And physically though, I always like to ask people when 587 00:30:07,640 --> 00:30:09,800 Speaker 2: they see yeah, yeah, yeah, did he look like you 588 00:30:09,840 --> 00:30:12,400 Speaker 2: and I right now? Or did you could you see through? 589 00:30:12,440 --> 00:30:14,400 Speaker 1: Almost I felt like it looked like you and I 590 00:30:14,480 --> 00:30:16,520 Speaker 1: right now, but with the lights turned off and these 591 00:30:16,600 --> 00:30:19,840 Speaker 1: lights on because you had the ambient. They wanted to 592 00:30:19,840 --> 00:30:21,960 Speaker 1: sleep with the window a little bit open because they 593 00:30:22,000 --> 00:30:24,000 Speaker 1: didn't trust it. They were like, we don't want to 594 00:30:24,040 --> 00:30:25,920 Speaker 1: be locked into this space, you know what I mean, 595 00:30:26,040 --> 00:30:28,920 Speaker 1: Like the like a little like just in case let 596 00:30:28,920 --> 00:30:30,960 Speaker 1: them hear us screams, and they put the little little 597 00:30:30,960 --> 00:30:32,840 Speaker 1: squeakyy with the scream just in case they scream, people 598 00:30:32,880 --> 00:30:35,240 Speaker 1: can hear them. My mom is still like that. She's 599 00:30:35,280 --> 00:30:36,720 Speaker 1: also the kind of woman who says, like, no, I 600 00:30:36,760 --> 00:30:38,760 Speaker 1: don't care what nobody says. The leopard could never change 601 00:30:38,760 --> 00:30:42,959 Speaker 1: its stripes. She's very that woman. So for us, like 602 00:30:43,080 --> 00:30:46,720 Speaker 1: the moment in that, for me, seeing something other worldly 603 00:30:46,760 --> 00:30:51,080 Speaker 1: meant maybe it's this is something unexplainable. I'm sure I'm 604 00:30:51,080 --> 00:30:52,520 Speaker 1: wrong in this. I did. I had a lot of 605 00:30:52,520 --> 00:30:54,680 Speaker 1: self doubt in what I was looking at, so I 606 00:30:54,720 --> 00:30:56,720 Speaker 1: offered the guy the Papa Smurf, and he was like, 607 00:30:56,880 --> 00:30:58,760 Speaker 1: and I distinctly remember this, and this is going back 608 00:30:58,800 --> 00:31:00,640 Speaker 1: to the actor who played it. I just think about 609 00:31:00,720 --> 00:31:04,440 Speaker 1: him being like shaking his head and he just looked 610 00:31:04,440 --> 00:31:08,120 Speaker 1: at me with this calming energy. And then it went 611 00:31:08,200 --> 00:31:13,080 Speaker 1: from like being frightened of him to him caretaking or 612 00:31:14,040 --> 00:31:19,240 Speaker 1: wanting to provide some sense of calmness to the situation. 613 00:31:20,640 --> 00:31:22,800 Speaker 1: And then I fell asleep and when I woke up, 614 00:31:22,880 --> 00:31:24,800 Speaker 1: he was gone. There's a big mad dash to get 615 00:31:24,800 --> 00:31:27,000 Speaker 1: out of there because they had a choice of driving 616 00:31:27,000 --> 00:31:29,120 Speaker 1: home in the dark. When you're in late George, there's 617 00:31:29,360 --> 00:31:31,480 Speaker 1: there's miles and miles of miles with no street lights. 618 00:31:31,520 --> 00:31:38,200 Speaker 1: Oh no, right, so they were like nope. So then 619 00:31:38,240 --> 00:31:41,320 Speaker 1: we get back. We're stocking everything in and which is whatever, 620 00:31:41,880 --> 00:31:44,840 Speaker 1: and can't find in the morning, brush, my teeth, shower everything, 621 00:31:45,000 --> 00:31:47,040 Speaker 1: can't find the Teddybear, I can't find Papa Smurf. 622 00:31:47,240 --> 00:31:49,040 Speaker 2: So he did want to assume that. 623 00:31:48,960 --> 00:31:52,480 Speaker 1: My mom had taken it and put it in my luggage. Right, yeah, 624 00:31:52,640 --> 00:31:56,040 Speaker 1: don't know this. So we got in whatever and I'm like, 625 00:31:56,120 --> 00:31:58,320 Speaker 1: where's and I open I can't find again. I'm throwing 626 00:31:58,560 --> 00:32:02,560 Speaker 1: typical tantrum like, no, no, no, God, are we going? Puts in 627 00:32:02,600 --> 00:32:05,040 Speaker 1: the car Chevy Nover silver and put it in the 628 00:32:05,080 --> 00:32:07,760 Speaker 1: trunk and we drive off. We're about to drive off, 629 00:32:07,760 --> 00:32:10,000 Speaker 1: and then in the parking lot, I look up and 630 00:32:10,040 --> 00:32:11,920 Speaker 1: the curtain moves and I see him again, and he 631 00:32:12,040 --> 00:32:15,320 Speaker 1: just waves at me like this, but not like like 632 00:32:15,360 --> 00:32:17,880 Speaker 1: a very like goodbye, goodbye. 633 00:32:18,160 --> 00:32:19,560 Speaker 2: And You're like, wait, where was the bear? 634 00:32:20,840 --> 00:32:23,080 Speaker 1: Literally no idea. I literally in my mind, I'm like, 635 00:32:23,160 --> 00:32:26,440 Speaker 1: did he keep it whatever? I don't know where to 636 00:32:26,480 --> 00:32:28,640 Speaker 1: this day, if maybe we just misplaced it or it 637 00:32:28,680 --> 00:32:31,040 Speaker 1: was I have no idea. I like to think that 638 00:32:31,080 --> 00:32:33,040 Speaker 1: the guy kept it, but I didn't know the backstory. 639 00:32:33,160 --> 00:32:37,120 Speaker 1: So years later I had this experience and I had 640 00:32:37,120 --> 00:32:39,320 Speaker 1: to see and I and I want to I brought 641 00:32:39,360 --> 00:32:41,720 Speaker 1: it up because because my aunt was always like, very 642 00:32:41,760 --> 00:32:44,760 Speaker 1: superstitious about things, and so I always wondered if, since 643 00:32:44,800 --> 00:32:47,600 Speaker 1: she's not my mom is very evangelical, my aunt is not. 644 00:32:48,240 --> 00:32:49,800 Speaker 1: So I thought it'd be safer to bring up to 645 00:32:49,800 --> 00:32:51,120 Speaker 1: my aunt. And I was like, remember the time we're 646 00:32:51,120 --> 00:32:52,720 Speaker 1: in Lake George, you guys freaked out because you thought 647 00:32:52,720 --> 00:32:56,520 Speaker 1: you saw the ghost person. She was like and She's 648 00:32:56,560 --> 00:32:58,760 Speaker 1: like and then the guy remember then he lost his son. 649 00:32:58,920 --> 00:33:01,440 Speaker 1: I was like what, and she was like yeah, because 650 00:33:01,480 --> 00:33:04,520 Speaker 1: momber they got almost we didn't tell you because you 651 00:33:04,520 --> 00:33:09,440 Speaker 1: guys would okay, well the guy Okay, So look, here's 652 00:33:09,440 --> 00:33:11,320 Speaker 1: what happened back in the fifties to something. There was 653 00:33:11,320 --> 00:33:13,160 Speaker 1: some I'm talking to my aunt now. She was like, 654 00:33:13,200 --> 00:33:14,600 Speaker 1: there was some guy and he was there with his 655 00:33:14,640 --> 00:33:16,640 Speaker 1: family and then like the kid was not paying, he 656 00:33:16,680 --> 00:33:18,880 Speaker 1: was not paying send she was kids, and the kid 657 00:33:18,880 --> 00:33:21,040 Speaker 1: went to do a die or something and he hid 658 00:33:21,040 --> 00:33:23,400 Speaker 1: his head on the shallow and he died in the pool. 659 00:33:23,480 --> 00:33:27,440 Speaker 1: And and so the rumor is, and the legend has 660 00:33:27,480 --> 00:33:31,440 Speaker 1: it that essentially that father still lingers in the hotel 661 00:33:31,800 --> 00:33:33,760 Speaker 1: because he never had closure. He would go back and 662 00:33:33,880 --> 00:33:36,520 Speaker 1: visit the place where he'd lost his son, and he 663 00:33:36,640 --> 00:33:40,360 Speaker 1: just never could turn the page on feling like he 664 00:33:40,440 --> 00:33:43,520 Speaker 1: was responsible for allowing his son to die in his presence. 665 00:33:43,680 --> 00:33:47,200 Speaker 2: And the landlord or the groundkeeper guy told. 666 00:33:47,000 --> 00:33:49,040 Speaker 1: My mom and my aunt that at the time, but 667 00:33:49,120 --> 00:33:51,200 Speaker 1: they didn't think that was pretty infinite information and. 668 00:33:51,240 --> 00:33:53,520 Speaker 2: Tell us yeah, well, yeah, they didn't want the kids 669 00:33:53,520 --> 00:33:56,640 Speaker 2: to be terrified. Yeah, so that was the Yeah, And 670 00:33:56,680 --> 00:33:59,560 Speaker 2: so you just went to bed just like mom, guess 671 00:33:59,560 --> 00:34:00,680 Speaker 2: this guy's daring at me. 672 00:34:00,920 --> 00:34:02,800 Speaker 1: It wasn't like h I think it's also one of 673 00:34:02,840 --> 00:34:05,640 Speaker 1: those things when you're like super just already tired and 674 00:34:05,680 --> 00:34:07,560 Speaker 1: hyped up, and you just trust it and you're trying 675 00:34:08,000 --> 00:34:10,440 Speaker 1: not to fall asleep. I don't know, and this is 676 00:34:10,480 --> 00:34:14,280 Speaker 1: probably maybe a Zach Magen's question if supernatural can empower 677 00:34:14,320 --> 00:34:16,240 Speaker 1: you to feel somewhat sleepy or if there's a force 678 00:34:16,280 --> 00:34:19,920 Speaker 1: with that. I don't know energetically what, I don't know. 679 00:34:20,000 --> 00:34:22,279 Speaker 1: I know people feel cold, do they feel chill? But 680 00:34:22,320 --> 00:34:25,960 Speaker 1: I felt so at peace that something about the calm 681 00:34:25,960 --> 00:34:35,680 Speaker 1: mixed with my previous anxiety and fear really lulled me. Wow. 682 00:34:36,400 --> 00:34:39,960 Speaker 2: And then the ghost sent you a DM on Instagram. 683 00:34:39,400 --> 00:34:41,640 Speaker 1: And was like, hey, bitch, bit I played you before. 684 00:34:43,040 --> 00:34:47,560 Speaker 2: Okay, wait you so you also went to Zach Beggins's. 685 00:34:47,760 --> 00:34:50,879 Speaker 1: Uh what is it called museum? 686 00:34:51,000 --> 00:34:51,960 Speaker 2: Yeah, in La Vega. 687 00:34:52,040 --> 00:34:54,560 Speaker 1: So Kendra Wilkinson, who I did sex tips for straight 688 00:34:54,600 --> 00:34:56,719 Speaker 1: women from a gay man from She's best known for 689 00:34:57,760 --> 00:35:00,520 Speaker 1: Hugh Hefner's hit series Girls and story Girl. 690 00:35:00,560 --> 00:35:02,400 Speaker 2: We're getting bridge it up in here. You know Bridget's 691 00:35:02,400 --> 00:35:05,640 Speaker 2: a ghost. Oh she's a ghost of Fiicionado. 692 00:35:05,719 --> 00:35:07,520 Speaker 1: Oh my god, okay. So Kendrick and I go because 693 00:35:07,520 --> 00:35:09,680 Speaker 1: we're gagged. And it's like right around Halloween. This is 694 00:35:09,680 --> 00:35:13,160 Speaker 1: two years ago ish, and we were in Vegas headlining 695 00:35:13,160 --> 00:35:15,600 Speaker 1: and she was like, Zach Baggins, hit me up. He's 696 00:35:15,600 --> 00:35:17,360 Speaker 1: saying he'll give us a privateur you down. I was like, 697 00:35:17,400 --> 00:35:19,359 Speaker 1: I'm so down. Let's go. So I meet her there 698 00:35:20,800 --> 00:35:22,520 Speaker 1: and I thought it was like a private tour like 699 00:35:22,560 --> 00:35:24,920 Speaker 1: other people. No, bitch, it was like us and Kendra's 700 00:35:24,960 --> 00:35:29,680 Speaker 1: two other friends. Fine, we get there and this tour 701 00:35:29,719 --> 00:35:31,040 Speaker 1: guy he's giving us a tour and he gives us 702 00:35:31,040 --> 00:35:32,520 Speaker 1: a tour of the first three rooms. We're already like 703 00:35:32,560 --> 00:35:38,440 Speaker 1: appropriately wigged out because it's a lot of uh creepy memorabilia. 704 00:35:38,760 --> 00:35:42,120 Speaker 1: There's one part of it. Then there are objects and 705 00:35:42,280 --> 00:35:46,520 Speaker 1: items and rooms and things like trucks like he's got 706 00:35:46,600 --> 00:35:51,560 Speaker 1: Kavorkians van oh No in the museum that he used 707 00:35:51,560 --> 00:35:54,640 Speaker 1: to kill people in or euthanized or however you gonna 708 00:35:54,680 --> 00:35:55,000 Speaker 1: look at it. 709 00:35:55,040 --> 00:35:58,760 Speaker 2: Yeah, he's got like possessed dells. He just got the 710 00:35:58,760 --> 00:36:03,040 Speaker 2: the rocking chair from the case that inspired the movie 711 00:36:03,080 --> 00:36:05,319 Speaker 2: The Conjuring. Great stuff like that. 712 00:36:05,440 --> 00:36:09,399 Speaker 1: So Zach Baggins from Ghost Adventures some ghost adventures. Who's 713 00:36:09,400 --> 00:36:13,880 Speaker 1: a freaking haughty and delightful and so I'm passionate about this. 714 00:36:13,960 --> 00:36:16,799 Speaker 1: You can't help but feel a sense of transference from 715 00:36:16,880 --> 00:36:21,480 Speaker 1: his energetic telling of these stories. I mean, he curated 716 00:36:21,520 --> 00:36:24,520 Speaker 1: this entire museum. When I tell you, it is like 717 00:36:26,040 --> 00:36:33,040 Speaker 1: a beautifully organized hoarder's nightmare. There's so much, so much 718 00:36:33,120 --> 00:36:36,680 Speaker 1: with meaning and clean and tidy. Like when you walk 719 00:36:36,719 --> 00:36:39,239 Speaker 1: through it, you're like, who had the time to do 720 00:36:39,280 --> 00:36:39,719 Speaker 1: all this? 721 00:36:40,000 --> 00:36:40,239 Speaker 2: Yeah? 722 00:36:40,360 --> 00:36:43,399 Speaker 1: It is layers upon floors upon rooms that have been 723 00:36:43,480 --> 00:36:48,600 Speaker 1: thoughtfully put together, And it's just that's the constant refrain, 724 00:36:49,160 --> 00:36:50,440 Speaker 1: very thoughtfully put together. 725 00:36:50,719 --> 00:36:52,719 Speaker 2: I'm not messing around with that stuff. That's why somebody 726 00:36:52,760 --> 00:36:55,600 Speaker 2: told me something at the museum. I think it was 727 00:36:55,840 --> 00:36:58,799 Speaker 2: this great host of one of the shows here. Her 728 00:36:58,880 --> 00:37:00,759 Speaker 2: name is Meg Malloy. She was she went to it, 729 00:37:00,800 --> 00:37:02,920 Speaker 2: and she told me that they told them like, you know, 730 00:37:02,920 --> 00:37:04,200 Speaker 2: if you're sensitive. 731 00:37:05,000 --> 00:37:06,120 Speaker 1: They tell you, don't come in. 732 00:37:06,239 --> 00:37:08,759 Speaker 2: And I am I'm a sensitive one. Huh. 733 00:37:08,800 --> 00:37:10,520 Speaker 1: I know you're also now a journalist. 734 00:37:11,320 --> 00:37:12,279 Speaker 2: Yeah, for the arts. 735 00:37:12,360 --> 00:37:15,600 Speaker 1: They are just put his best. 736 00:37:17,640 --> 00:37:19,440 Speaker 2: Hey, you want to listen to some ghost voices. 737 00:37:19,760 --> 00:37:22,200 Speaker 1: I'm dying to listen to ghost voices because I used 738 00:37:22,200 --> 00:37:23,759 Speaker 1: to love them, and when they slowed them down and 739 00:37:23,800 --> 00:37:26,680 Speaker 1: you're like, oh, he said, peanut butter sandwich got out. 740 00:37:26,920 --> 00:37:28,839 Speaker 2: Well, okay, we're gonna play a game. 741 00:37:29,000 --> 00:37:34,520 Speaker 1: Okay. EVP or ev P. 742 00:37:36,160 --> 00:37:39,480 Speaker 2: So EVPs. It's what they call electronic voice phenomenon. It's 743 00:37:39,520 --> 00:37:41,840 Speaker 2: when you see in those TV shows Zach Begans, you know, 744 00:37:41,880 --> 00:37:44,640 Speaker 2: the Ghost Adventures, they say we heard this ghost say 745 00:37:44,640 --> 00:37:46,880 Speaker 2: this or that. What I like to do is I 746 00:37:46,920 --> 00:37:50,600 Speaker 2: like to find recordings of ghosts and you're gonna guess 747 00:37:50,640 --> 00:37:55,400 Speaker 2: what the investigator believes that it says. Now, in all 748 00:37:55,440 --> 00:37:57,800 Speaker 2: these scenarios, I don't doubt that they did catch something. 749 00:37:57,880 --> 00:37:59,600 Speaker 2: We're just trying to I want to hear what you 750 00:37:59,640 --> 00:38:02,680 Speaker 2: think they say, and then we're gonna guess what the 751 00:38:02,680 --> 00:38:09,200 Speaker 2: investigator believed. The first one comes from Kelly Marie on YouTube. 752 00:38:09,239 --> 00:38:12,040 Speaker 1: Is that the name of the ghost, So that's just her, No, this. 753 00:38:11,920 --> 00:38:17,480 Speaker 2: Is the investigator, Kelly Marie. She recorded this on the 754 00:38:17,600 --> 00:38:21,520 Speaker 2: first no on the eighteenth of January two thousand and 755 00:38:21,600 --> 00:38:26,960 Speaker 2: nine at Old Highway three twenty two and Lake Cherokee Bottoms, 756 00:38:27,000 --> 00:38:31,520 Speaker 2: which I from my research is in Henderson, Texas. I 757 00:38:31,560 --> 00:38:35,719 Speaker 2: believe this was the site of an auto accident where 758 00:38:35,760 --> 00:38:38,040 Speaker 2: four people were killed in nineteen sixty eight. 759 00:38:38,200 --> 00:38:40,280 Speaker 1: And then it's my job to tell you what they're saying. 760 00:38:40,440 --> 00:38:48,080 Speaker 2: Yeah, so just listen to it's here it goes. It's 761 00:38:48,160 --> 00:38:51,080 Speaker 2: kind of loud, kind of loud. I think it's like 762 00:38:51,080 --> 00:38:51,759 Speaker 2: outdoor noise. 763 00:38:51,920 --> 00:38:54,200 Speaker 1: They do it on repeat on the Ghost Hunter Show. 764 00:38:54,200 --> 00:38:54,560 Speaker 1: Can I hear it? 765 00:38:54,560 --> 00:38:56,799 Speaker 2: When we're talking to repeat as you want, It's gonna 766 00:38:56,800 --> 00:38:58,040 Speaker 2: be a lot. It's a lot of ambient noise. But 767 00:38:58,040 --> 00:39:04,400 Speaker 2: we're listening for a whisper. Okay, m hm, did you 768 00:39:04,480 --> 00:39:04,719 Speaker 2: hear it? 769 00:39:04,960 --> 00:39:07,080 Speaker 1: I heard him whisper? Can we turn turn it up? 770 00:39:07,080 --> 00:39:09,239 Speaker 2: Though, I'll turn it back up. Here you go one 771 00:39:09,280 --> 00:39:09,640 Speaker 2: more time. 772 00:39:15,640 --> 00:39:18,600 Speaker 1: Watch out, watch out, watch out? 773 00:39:18,920 --> 00:39:21,800 Speaker 2: Okay, what's definitely to speak ghost. 774 00:39:21,840 --> 00:39:23,520 Speaker 1: It's it's a value to anyone. 775 00:39:23,920 --> 00:39:25,440 Speaker 2: I think that it's a Texas voice because to me 776 00:39:25,480 --> 00:39:29,319 Speaker 2: it sounds like an accent. Is it a woodrow like 777 00:39:29,360 --> 00:39:31,399 Speaker 2: the name Woodrow? B? 778 00:39:32,160 --> 00:39:34,120 Speaker 1: What's wrong? C? 779 00:39:35,120 --> 00:39:37,239 Speaker 2: Let's go? Or D? 780 00:39:38,520 --> 00:39:42,239 Speaker 1: Was the D? Baby girl? I mean it's probably D, 781 00:39:43,560 --> 00:39:47,560 Speaker 1: but it's Texas. No, No, it's probably. 782 00:39:49,640 --> 00:39:51,640 Speaker 2: That's what I thought it sounds like. But they think 783 00:39:51,640 --> 00:39:53,800 Speaker 2: it's what's wrong. But if you listen to it, it 784 00:39:53,920 --> 00:39:57,080 Speaker 2: sounds straight up like some Matthew McConaughey, Texas. 785 00:39:57,239 --> 00:39:58,759 Speaker 1: What's wrong? Listen? 786 00:40:01,360 --> 00:40:02,600 Speaker 2: So it does kind of sound. 787 00:40:02,440 --> 00:40:05,520 Speaker 1: Like Woodrow Woodrow. Do we know anyone who died around 788 00:40:05,520 --> 00:40:06,240 Speaker 1: there named Woodrow? 789 00:40:06,320 --> 00:40:06,680 Speaker 2: I don't know. 790 00:40:07,320 --> 00:40:09,840 Speaker 1: Maybe, Okay, okay, here's the that's who killed him. Probably 791 00:40:09,880 --> 00:40:11,600 Speaker 1: Woodrow could be he's out there. 792 00:40:12,200 --> 00:40:15,880 Speaker 2: This next one is from Black rowan paran No Black 793 00:40:16,000 --> 00:40:23,360 Speaker 2: Raven paranormal. They recorded this at penn Hurst Asylum in Spring. 794 00:40:23,680 --> 00:40:25,600 Speaker 1: Would you ever, by the way, listen, I have a 795 00:40:25,640 --> 00:40:29,960 Speaker 1: real question, honest question, if some paranormal team was like, 796 00:40:30,000 --> 00:40:33,160 Speaker 1: you know what, Rose, you should come with us, and 797 00:40:33,200 --> 00:40:35,640 Speaker 1: we want to just suit you up with paranormal gear 798 00:40:35,640 --> 00:40:37,759 Speaker 1: and send you into rooms at asylums on your own, 799 00:40:37,840 --> 00:40:40,200 Speaker 1: just to see if you can document your experience. Maybe 800 00:40:40,239 --> 00:40:43,080 Speaker 1: your energy would welcome something that ours can't. Would you go? 801 00:40:43,239 --> 00:40:46,360 Speaker 2: I say, no, I'm never going back what you wouldn't 802 00:40:46,400 --> 00:40:51,279 Speaker 2: have already been of asylums. Okay, guess what this one's saying. 803 00:40:54,960 --> 00:40:57,080 Speaker 2: It's kind of a whisper again. Wait, let's see it. 804 00:41:06,239 --> 00:41:08,120 Speaker 1: Get on me. What you thought was? 805 00:41:08,160 --> 00:41:08,920 Speaker 2: Is that what you said? 806 00:41:11,840 --> 00:41:17,840 Speaker 1: What would sound like that? That's what I hear. It 807 00:41:17,920 --> 00:41:19,880 Speaker 1: sounds like a hard case sound. 808 00:41:19,760 --> 00:41:23,520 Speaker 2: Yeah, I definitely hear that. Here, I'll give you some options. 809 00:41:24,080 --> 00:41:28,560 Speaker 2: Is it a I'm calling Maury? Maybe they need like 810 00:41:29,560 --> 00:41:35,560 Speaker 2: it might have been by a can of corn beef. 811 00:41:35,719 --> 00:41:36,799 Speaker 1: Well delicious. 812 00:41:37,280 --> 00:41:44,680 Speaker 2: D can't ignore me? It's or D wait? D, Yeah 813 00:41:44,760 --> 00:41:49,480 Speaker 2: that was C. This is D. Quit snoring? Maybe like 814 00:41:49,880 --> 00:41:50,959 Speaker 2: something they're bunk. 815 00:41:51,040 --> 00:41:54,040 Speaker 1: Can't ignore me? Am you here one more time? 816 00:41:58,200 --> 00:42:02,640 Speaker 2: Oh yeah, there's some buddy, somebody's spirit saying you can't 817 00:42:02,680 --> 00:42:04,840 Speaker 2: ignore me. That is scary. 818 00:42:05,040 --> 00:42:07,160 Speaker 1: Sounds like an ex wife. 819 00:42:08,040 --> 00:42:11,040 Speaker 2: Sounds like my ex wife, Jay Rodriguez. 820 00:42:11,520 --> 00:42:13,719 Speaker 1: Is that it? That's all the ghosts you have for me? 821 00:42:14,000 --> 00:42:17,040 Speaker 2: I think that's about it. Wait, didn't you say what 822 00:42:17,200 --> 00:42:18,040 Speaker 2: was your other story? 823 00:42:18,360 --> 00:42:19,880 Speaker 1: By The story was in Key West, So it's in 824 00:42:19,960 --> 00:42:22,800 Speaker 1: the Key Wes Coctor Classic forstole. It's like a bartender competition. 825 00:42:22,840 --> 00:42:25,560 Speaker 1: They go around and bring all the best partenders in 826 00:42:25,560 --> 00:42:27,879 Speaker 1: the US down to Key West. Then they're all fight 827 00:42:27,960 --> 00:42:31,080 Speaker 1: for about ten thousand dollars for their favorite lgbtqu charity. 828 00:42:31,080 --> 00:42:34,160 Speaker 1: And I've been the co host for years and the 829 00:42:34,200 --> 00:42:38,319 Speaker 1: city itself is very haunteds is haunted. Absolutely. You think 830 00:42:38,360 --> 00:42:40,520 Speaker 1: about all the pirate ships that have crashed into there 831 00:42:40,560 --> 00:42:43,399 Speaker 1: have been around those parts from date for decades. There's 832 00:42:43,440 --> 00:42:46,840 Speaker 1: a lot of cemeteries there that literally look like something 833 00:42:46,960 --> 00:42:50,520 Speaker 1: from New Orleans turn of the century. That's kind of 834 00:42:50,520 --> 00:42:53,440 Speaker 1: the shape they're in. A lot of iguanas and roosters 835 00:42:53,520 --> 00:42:56,160 Speaker 1: run ragged like that. You cannot kill her or try 836 00:42:56,160 --> 00:42:58,400 Speaker 1: to reduce the rooster of population. So it's just a 837 00:42:58,480 --> 00:43:01,600 Speaker 1: kind of city that feel the rooster goes. I mean, 838 00:43:01,600 --> 00:43:03,560 Speaker 1: there's just a lot of tomfoolery and there's like the 839 00:43:03,560 --> 00:43:09,920 Speaker 1: weak cocadoo boo, that's how did you like? That's how 840 00:43:09,920 --> 00:43:14,920 Speaker 1: they go. Yeah, but there's something mystical about that place. 841 00:43:15,239 --> 00:43:17,200 Speaker 1: So I'm staying at Bourbon Street Pub, which is like 842 00:43:17,239 --> 00:43:19,600 Speaker 1: an infamous gay bar there that also has like an 843 00:43:19,600 --> 00:43:21,759 Speaker 1: outdoor pool, outdoor patio and the whole thing in the 844 00:43:21,760 --> 00:43:23,680 Speaker 1: back and a gay bar. And it's a hotel. And 845 00:43:23,719 --> 00:43:25,600 Speaker 1: they put me in the first year. So I'm saying 846 00:43:25,640 --> 00:43:27,319 Speaker 1: in this room that they was like their fancy room 847 00:43:27,680 --> 00:43:30,720 Speaker 1: was decorated like Blanche Devereau's room. 848 00:43:30,560 --> 00:43:31,640 Speaker 2: And that's fancy to me. 849 00:43:31,840 --> 00:43:33,560 Speaker 1: I know, well, it was a lot of wicker. That 850 00:43:33,640 --> 00:43:35,319 Speaker 1: being said, it was very golden girls askue, and I 851 00:43:35,320 --> 00:43:36,920 Speaker 1: was thrilled to even just have a place I was 852 00:43:36,960 --> 00:43:39,680 Speaker 1: like cool, here we go key West. And in the 853 00:43:39,719 --> 00:43:42,920 Speaker 1: bedroom I was in the immediate bedroom area was pretty 854 00:43:42,920 --> 00:43:44,960 Speaker 1: small and decent, but there was an upstairs loft that 855 00:43:45,120 --> 00:43:49,840 Speaker 1: provided another bedroom, right, and in this loft again wicker. 856 00:43:49,880 --> 00:43:51,760 Speaker 1: They had sort of an attic ceiling. So I sleppt 857 00:43:51,760 --> 00:43:55,040 Speaker 1: downstairs with the attic felt a little like clashphobia. Can't 858 00:43:55,080 --> 00:43:57,800 Speaker 1: do it. But they had one of those chairs. Do 859 00:43:57,800 --> 00:43:59,920 Speaker 1: you know the wicker chairs that people used to take 860 00:43:59,920 --> 00:44:03,120 Speaker 1: the bridal photo in. Oh, you're like a big huge Yeah, 861 00:44:03,160 --> 00:44:04,800 Speaker 1: that's up there too, which is already creepy. 862 00:44:04,840 --> 00:44:07,160 Speaker 2: Why is that up there? That's for a photo? Wop? 863 00:44:07,600 --> 00:44:11,400 Speaker 1: Who knows why? So I'm sleeping and I hear like 864 00:44:11,480 --> 00:44:14,520 Speaker 1: the shifting of duvet. I hear noise like, but it's 865 00:44:14,520 --> 00:44:17,360 Speaker 1: a very specific sound, like the shifting of a human 866 00:44:17,480 --> 00:44:19,480 Speaker 1: in duveate. You know when you're like when you're in 867 00:44:19,520 --> 00:44:22,720 Speaker 1: a hotel and you twisting drinking, get comfortable with the fabric. 868 00:44:22,880 --> 00:44:25,120 Speaker 1: Now it is keys. So the ac was blasting, but 869 00:44:25,120 --> 00:44:27,840 Speaker 1: you can hear this other sound that sounds like, you 870 00:44:28,000 --> 00:44:28,719 Speaker 1: know what it is. 871 00:44:28,920 --> 00:44:32,040 Speaker 2: It sounds like it's there's an intelligent form probably. 872 00:44:32,440 --> 00:44:35,080 Speaker 1: And you just honestly just kept me up all night. 873 00:44:35,320 --> 00:44:37,399 Speaker 1: Never my wildest that I think it would be that. 874 00:44:38,040 --> 00:44:40,359 Speaker 1: So the next day I complained about it and wanted 875 00:44:40,360 --> 00:44:42,279 Speaker 1: to get another room, and they're like, oh no, no, 876 00:44:42,360 --> 00:44:44,080 Speaker 1: you got the special room. And I was like, what, 877 00:44:44,480 --> 00:44:47,799 Speaker 1: like that room's notoriously haunted. You met and there's a 878 00:44:47,880 --> 00:44:49,279 Speaker 1: name for her and I can't remember it. It was 879 00:44:49,360 --> 00:44:52,440 Speaker 1: like upstairs Sally or something like that, Sir Sally, it 880 00:44:52,480 --> 00:44:55,399 Speaker 1: was something like that. And they're saying that basically there 881 00:44:55,440 --> 00:44:59,160 Speaker 1: is just a gentle presence upstairs who deems that room 882 00:44:59,200 --> 00:45:02,480 Speaker 1: her own. She company, but she loves to interact with them. 883 00:45:02,480 --> 00:45:04,560 Speaker 1: It's something they take pride in. I'm like, maybe you 884 00:45:04,560 --> 00:45:06,600 Speaker 1: should have said that. I should have said that upon chicken, 885 00:45:07,239 --> 00:45:11,959 Speaker 1: Oh my gosh, she's a big wicker chair. That's that's 886 00:45:11,960 --> 00:45:14,320 Speaker 1: like an easter bunny. And a lot of days they there, 887 00:45:14,360 --> 00:45:16,480 Speaker 1: like in Key West, which is already like there's like 888 00:45:16,560 --> 00:45:18,640 Speaker 1: it's clothing optional on some days in the backpool. So 889 00:45:18,640 --> 00:45:21,120 Speaker 1: I'm like, the things pour upstairs, Sally is seen. 890 00:45:21,239 --> 00:45:23,879 Speaker 2: Oh she's just like I've been there, done that. Shut 891 00:45:24,120 --> 00:45:25,200 Speaker 2: I'm upstairs, Sally. 892 00:45:25,360 --> 00:45:26,720 Speaker 1: She'll never go downstairs again. 893 00:45:26,960 --> 00:45:31,960 Speaker 2: Downstairs, Jay, you are a hotel ghost magnet. 894 00:45:32,520 --> 00:45:34,640 Speaker 1: That's real. What if that's the thing. 895 00:45:34,760 --> 00:45:35,439 Speaker 2: There's your show. 896 00:45:36,640 --> 00:45:38,399 Speaker 1: That's what we're going. We're taking this on the road. Guys, 897 00:45:38,400 --> 00:45:38,880 Speaker 1: are we all good? 898 00:45:38,960 --> 00:45:40,360 Speaker 2: Let's pitch it. 899 00:45:40,520 --> 00:45:42,359 Speaker 1: Russ, you won't go. 900 00:45:42,280 --> 00:45:44,719 Speaker 2: In with me? Hell no, I'm not dealing with no 901 00:45:44,840 --> 00:45:45,720 Speaker 2: upstairs Sally. 902 00:45:45,840 --> 00:45:47,920 Speaker 1: You just come back with the story and I'll report 903 00:45:47,960 --> 00:45:50,680 Speaker 1: on it. Exactly fantastic. That's why this show is so popular. 904 00:45:51,040 --> 00:45:53,959 Speaker 2: Tell me where what you got going on? Where people 905 00:45:54,239 --> 00:45:54,680 Speaker 2: find you? 906 00:45:54,960 --> 00:45:57,600 Speaker 1: I'm on a new hool series called Dolphace Guessing on 907 00:45:57,640 --> 00:46:00,360 Speaker 1: that opposite Cat Dennings. That'll be out I think this 908 00:46:00,360 --> 00:46:00,879 Speaker 1: summer fall. 909 00:46:00,920 --> 00:46:02,759 Speaker 2: And then I literally just met her last week. 910 00:46:02,880 --> 00:46:05,240 Speaker 1: She's lovely. Every year we decided to do a pilot together. 911 00:46:05,640 --> 00:46:07,000 Speaker 1: Rather last year I did a pilot with her, and 912 00:46:07,000 --> 00:46:08,759 Speaker 1: this year I did a series which is really fun 913 00:46:09,320 --> 00:46:11,279 Speaker 1: right around the same week, which is odd. And then 914 00:46:11,280 --> 00:46:13,279 Speaker 1: I'm hosting two one hour specials for Dance Moms, the 915 00:46:13,320 --> 00:46:15,160 Speaker 1: reunion specials, one with the little girls, one with the 916 00:46:15,160 --> 00:46:17,360 Speaker 1: adults where they'll probably scream at each other. I'm nervous. 917 00:46:17,480 --> 00:46:20,520 Speaker 1: Fun and of course you can always find me on 918 00:46:20,719 --> 00:46:23,759 Speaker 1: we Are Channel Q, which is nationally syndicated FM and 919 00:46:24,000 --> 00:46:28,719 Speaker 1: digital station for those who like the LGBTQ community, and 920 00:46:29,120 --> 00:46:30,880 Speaker 1: it's easy to find. You can yell at your Alexa, 921 00:46:30,960 --> 00:46:33,279 Speaker 1: Hey Alexa, play Channel QUE on radio dot com. You 922 00:46:33,280 --> 00:46:34,840 Speaker 1: can get the radio dot com app, or if you 923 00:46:34,880 --> 00:46:37,919 Speaker 1: live in La you could just go to ninety seven 924 00:46:37,960 --> 00:46:40,000 Speaker 1: one HT two and just listen to us there. And 925 00:46:40,040 --> 00:46:42,160 Speaker 1: it's so easy. Just final just say how to listen 926 00:46:42,200 --> 00:46:43,920 Speaker 1: to Channel Q and it'll all come up on your 927 00:46:43,960 --> 00:46:48,520 Speaker 1: Google search. Yay. Yeah. And then official Jai Rodriguez on Instagram, 928 00:46:48,640 --> 00:46:52,439 Speaker 1: Ji Rodriguez on Twitter, Facebook, same, everything's got a blue 929 00:46:52,520 --> 00:46:54,440 Speaker 1: check mark. I'm really kind of hard to miss. If 930 00:46:54,440 --> 00:46:56,640 Speaker 1: it looks like Mario Lopez, that's probably not me. 931 00:46:57,719 --> 00:46:58,600 Speaker 2: You keep busy. 932 00:46:58,960 --> 00:47:01,480 Speaker 1: I'm trying typical Puerto Rican I have to have sixteen 933 00:47:01,560 --> 00:47:04,080 Speaker 1: jobs at all times. That's great, Yeah, it's comforting it. 934 00:47:09,719 --> 00:47:12,879 Speaker 2: I am so happy that he brought up the Zach 935 00:47:12,960 --> 00:47:17,080 Speaker 2: Begins Museum in Las Vegas because I've actually, for a 936 00:47:17,160 --> 00:47:21,359 Speaker 2: couple of months now been thinking about going there, and 937 00:47:22,320 --> 00:47:24,279 Speaker 2: you know, I've had a little bit of time, and 938 00:47:24,320 --> 00:47:27,759 Speaker 2: I really have been, you know, picking out dates when's 939 00:47:27,760 --> 00:47:29,239 Speaker 2: a good time for me to go over to Las 940 00:47:29,320 --> 00:47:33,200 Speaker 2: Vegas and check it out. But then I don't know 941 00:47:33,239 --> 00:47:37,200 Speaker 2: if you saw this on TMZ. The headline is Zach 942 00:47:37,280 --> 00:47:42,880 Speaker 2: Begins closes haunted rocking chair. Too much creepy stuff happening 943 00:47:42,920 --> 00:47:47,520 Speaker 2: on cam. So you know, he got this rocking chair. 944 00:47:47,600 --> 00:47:50,480 Speaker 2: They call it the Devil's rocking Chair, which is the 945 00:47:50,560 --> 00:47:55,280 Speaker 2: chair that has ties to Lorraine Warren and the whole 946 00:47:55,560 --> 00:47:58,520 Speaker 2: you know, the devil made me do it case and 947 00:47:59,120 --> 00:48:02,640 Speaker 2: on TMZ. I'll post this on the Facebook page ghosted 948 00:48:02,640 --> 00:48:05,560 Speaker 2: by Ross dressful Us. This whole article that has some 949 00:48:05,680 --> 00:48:11,600 Speaker 2: videos of this woman fainting. I guess there. It says 950 00:48:11,600 --> 00:48:15,319 Speaker 2: that there was a light focused on the chair went 951 00:48:15,360 --> 00:48:18,200 Speaker 2: out when a power cord was mysteriously yanked out of 952 00:48:18,200 --> 00:48:22,720 Speaker 2: the wall. And then this woman she's bawling and she says, 953 00:48:22,880 --> 00:48:24,920 Speaker 2: why did this happen? Why is this happening to me? 954 00:48:25,840 --> 00:48:30,319 Speaker 2: And she fell unconscious. It's just it sounds crazy and 955 00:48:30,440 --> 00:48:32,120 Speaker 2: I don't know that this is something that I want 956 00:48:32,160 --> 00:48:36,320 Speaker 2: to do. Holy shit, he dropped sixty seven thousand dollars 957 00:48:36,320 --> 00:48:41,839 Speaker 2: on that rocking chair. Yeah, well, honey, you just made 958 00:48:41,840 --> 00:48:46,759 Speaker 2: a deal with the devil. Literally. So check out the 959 00:48:46,840 --> 00:48:51,960 Speaker 2: Facebook page ghosted by Rol's dressful Us. There's also the 960 00:48:53,000 --> 00:48:56,120 Speaker 2: Facebook group ghosted by Ros's dress for us. Please join. 961 00:48:56,239 --> 00:49:01,440 Speaker 2: We're building a beautiful community there, and you know, leave 962 00:49:01,480 --> 00:49:04,560 Speaker 2: us a five star review. It really does help if 963 00:49:04,600 --> 00:49:07,520 Speaker 2: you just leave five star rating. If you have something 964 00:49:07,640 --> 00:49:10,160 Speaker 2: nice to say, please say it. If you don't have 965 00:49:10,239 --> 00:49:13,400 Speaker 2: something nice to say, just send me an email or something. 966 00:49:13,560 --> 00:49:15,920 Speaker 2: Let me know. You don't have to do it there. 967 00:49:16,400 --> 00:49:21,240 Speaker 2: And you know I'm on Instagram at Ro's dres Fales. 968 00:49:21,520 --> 00:49:24,840 Speaker 2: If you're in Boise, I'm going to be doing performance 969 00:49:24,880 --> 00:49:31,000 Speaker 2: of Mean Gays for Boise Pride the fourteenth this Friday tomorrow, 970 00:49:31,640 --> 00:49:34,920 Speaker 2: and I've got I've got a lot of exciting stuff 971 00:49:34,920 --> 00:49:37,279 Speaker 2: coming up, this play Virgin that I'm in. I've got 972 00:49:37,320 --> 00:49:42,160 Speaker 2: the dates on my social media and also I'll be 973 00:49:42,200 --> 00:49:46,360 Speaker 2: hosting Ross Matthews Brunch at Rockwell on the twenty ninth. 974 00:49:48,000 --> 00:49:53,480 Speaker 2: The twenty a twenty first, I have my comedy game 975 00:49:53,520 --> 00:49:55,840 Speaker 2: show though once Over. It's going to be a Pride edition, 976 00:49:56,280 --> 00:49:59,360 Speaker 2: which is at the world famous Hollywood Improv with Sam 977 00:49:59,440 --> 00:50:02,000 Speaker 2: Panca and Drew drog He's going to be aghast and 978 00:50:02,000 --> 00:50:05,799 Speaker 2: it's going to be so gay and fabulous and hilarious 979 00:50:06,000 --> 00:50:08,080 Speaker 2: and it's at ten thirty on the twenty first. So 980 00:50:08,120 --> 00:50:10,800 Speaker 2: I'd love to see you there. I love you all, 981 00:50:11,200 --> 00:50:13,600 Speaker 2: both living and dead. But if I didn't ask you 982 00:50:13,640 --> 00:50:15,520 Speaker 2: to haunt me, don't haunt me. 983 00:50:16,040 --> 00:50:30,960 Speaker 1: Gay Back Star Bane's on there a pod a podcast 984 00:50:31,000 --> 00:50:31,400 Speaker 1: network