WEBVTT - Austin Powers with Atsuko Okatsuka

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<v Speaker 1>On the beck Dol Cast, the questions asked if movies

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<v Speaker 1>have women in um, are all their discussions just boyfriends

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<v Speaker 1>and husbands or do they have individualism? The patriarchy? Zef

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<v Speaker 1>invest start changing it with the Bechdel Cast. Oh yeah, baby, groovy?

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<v Speaker 1>Do I make you Horney? I'm the girl that gets horny? Hello,

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<v Speaker 1>and welcome to the Bechtel Cast. My name is Caitlin Darante.

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<v Speaker 1>My name is Jamie loft Tost, and we have a

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<v Speaker 1>podcast about the representation of women in movies, and we

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<v Speaker 1>use the Bechdel test as a jumping off point. And that,

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<v Speaker 1>of course, is a media metric created by cartoonist Alison Bechtel,

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<v Speaker 1>sometimes called the Bechtel Wallace test, and it requires that

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<v Speaker 1>two female identifying characters with names talk to each other

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<v Speaker 1>about something other than a man. Can we test it

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<v Speaker 1>really quick? Yeah? Baby? Okay, this question will maybe not

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<v Speaker 1>seem immediately relevant, but maybe we'll a little later in

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<v Speaker 1>the show. Okay, Hey, Caitlin, Yeah, Jamie, have you seen Bombshell? Yes?

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<v Speaker 1>I have seen Bombshell and I know what the connection is,

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<v Speaker 1>but I won't spoil it. Stan passes yes, Yes, so

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<v Speaker 1>today this movie is not about bombshell. Today's movie is

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<v Speaker 1>about a man, an international man of mystery. If you will. Um,

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<v Speaker 1>we're covering the Austin Powers movie, focusing on the first one.

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<v Speaker 1>Although I embarrassingly watched the entire trilogy and have some

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<v Speaker 1>things to say. But why we're in a quarantine. We

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<v Speaker 1>I have What else am I gonna do? Here's the thing.

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<v Speaker 1>I feel like bad movies in the quarantine. We still

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<v Speaker 1>we don't have to watch them. That's true, I do.

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<v Speaker 1>I mean I'm excited to talk about it though, because

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<v Speaker 1>I I it's my general understanding and vague knowledge that

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<v Speaker 1>they get worse as they go on. Is that true? Yes,

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<v Speaker 1>I definitely think the third one is the worst one.

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<v Speaker 1>Although none of them are good now, I mean, none

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<v Speaker 1>of them are well, especially especially for our purposes. Uh,

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<v Speaker 1>they're bad, bad, bad, bad bad bad bad spoiler alert.

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<v Speaker 1>But as I was doing some reading, I was reading

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<v Speaker 1>through the plots, I was like, oh, these do see

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<v Speaker 1>them too? Uh to slip from a slippery place in

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<v Speaker 1>the first place. Oh? Yes, indeed. Well, we've got a guest.

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<v Speaker 1>You know where your lover quarantine guest. She's all cord out.

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<v Speaker 1>She is a comedian. She's the host of Let's go

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<v Speaker 1>ots Go, which is a weekly podcast and also sometimes

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<v Speaker 1>a live show when we're not in a quarantine and

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<v Speaker 1>you remember her from our Shrek episode, Never forget Shrek.

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<v Speaker 1>It's Otsko Okotska. Hi, why do you keep giving me

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<v Speaker 1>Mike Myers? Isn't it fun? It's we just did Wayne's World,

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<v Speaker 1>or we would have brought you on to do that

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<v Speaker 1>one next. Dang, well, we're not doing love Gurus so hard,

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<v Speaker 1>too hard to know what else we're gonna do. Thanks

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<v Speaker 1>for letting me miss out on that one. I don't

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<v Speaker 1>I don't get it. I thought it was me for

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<v Speaker 1>the longest time with Mike Myers. For the longest time

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<v Speaker 1>it was I was like, it's me, it's it's it's

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<v Speaker 1>because I didn't grow up here. It's because I don't

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<v Speaker 1>get American humor. You know, something's wrong with me. But no, no,

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<v Speaker 1>it's something's wrong with Mike Myers, and something's wrong with

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<v Speaker 1>the culture. Yeah, because there's just so many movies. There's

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<v Speaker 1>so many pop culture things that you just grow up

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<v Speaker 1>with like an elementary school, like everyone doing at one point,

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<v Speaker 1>like so good, you know, from wrestling, or like everyone

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<v Speaker 1>doing you know, like a Jim carey voice, everyone doing

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<v Speaker 1>sucking baby from you know, uh what we're about to

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<v Speaker 1>talk about? What's that movie called Austin Powers and me

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<v Speaker 1>being like I never laughed, I never even gave like

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<v Speaker 1>a nice you know, being being polite kind of laughed

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<v Speaker 1>to it. So I'm glad you made you had me

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<v Speaker 1>rewatch it. Yes, sorry, I think you bring the freshest

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<v Speaker 1>possible perspective. And also we're so sorry, no, no problem.

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<v Speaker 1>It's good to review what you know, human beings were

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<v Speaker 1>capable of doing and the progress that we've made. Exactly.

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<v Speaker 1>What's your experience with the Austin Powers, I mean this movie,

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<v Speaker 1>but the fran tries in general. I think I watched

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<v Speaker 1>it once, like a long time ago. I remember seeing

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<v Speaker 1>vague like I remember seeing clips of like the one

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<v Speaker 1>Beyonce was in which everyone that was gold member gold member. Yeah,

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<v Speaker 1>Kitten's like, I watched it yesterday, that's right. Caitlin also

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<v Speaker 1>recently watched both National Treasures, which actually sounds like it

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<v Speaker 1>was a more fun task than this, right it was

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<v Speaker 1>for sure. Yeah, well, God bless National Treasure. I'm going

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<v Speaker 1>to need to see that map. That's That's my only

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<v Speaker 1>impression of Nicolas Cage spot on. But yeah, back to

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<v Speaker 1>Austin Powers, Jamie, what's your relationship with the franchise. I

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<v Speaker 1>have not really much of a relationship with this franchise.

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<v Speaker 1>I'd never seen this first movie. I have no love

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<v Speaker 1>or attachment to not to Brat, I have no lover

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<v Speaker 1>attachment to this era of SNL and like all the

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<v Speaker 1>over the top nineties guys, I just it's never I

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<v Speaker 1>wasn't there really for it or was like too young

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<v Speaker 1>for it, and then it just has never done anything

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<v Speaker 1>for me. I did see gold Member at a drive

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<v Speaker 1>through with my cousins because I really liked Beyonce, and

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<v Speaker 1>I remember it being one of the first movies I've

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<v Speaker 1>ever seen that like as a kid, you're like, this

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<v Speaker 1>movie is not good, you know, which is kind of

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<v Speaker 1>like a jarring you feel like of like an intellectual

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<v Speaker 1>master because you're like, wait, every it's like that John

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<v Speaker 1>mulaney sketch where it's like every movie is the best

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<v Speaker 1>movie it kid has ever seen. This was maybe my

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<v Speaker 1>first movie where I'm like, this was not my favorite movie,

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<v Speaker 1>and just like the first time, I actively remember like

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<v Speaker 1>recognizing that Beyonce deserved better. Um. So I have no

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<v Speaker 1>attachment to this franchise. I don't really give a funk

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<v Speaker 1>about Mike Myers outside of Shrek, and that's on me.

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<v Speaker 1>So Caitlyn, what's your history with this franchise? I embarrassingly

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<v Speaker 1>used to love these movies, No shame, thank you. I

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<v Speaker 1>saw the first two when they came out. So when

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<v Speaker 1>I was eleven in and the first Austin Powers movie

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<v Speaker 1>came out like the demo, like I was the and

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<v Speaker 1>then the second one came out two years later, I

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<v Speaker 1>was thirteen. I still did not have very refined taste

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<v Speaker 1>in cinema, so I also loved that movie. By the

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<v Speaker 1>time the third one came out, I feel like I

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<v Speaker 1>had outgrown the franchise. And I did not see that

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<v Speaker 1>one ever until I watched it like two days ago.

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<v Speaker 1>But I saw the first two multiple times. I used

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<v Speaker 1>to quote them constantly. My mom and I to each

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<v Speaker 1>other would say, um, how about no Scott, like times

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<v Speaker 1>a day. These were a big part of my you know,

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<v Speaker 1>tween years. I guess, yeah, I didn't even realize that

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<v Speaker 1>Green is in this movie. I didn't. He's every like

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<v Speaker 1>he's my boss, and I was like, oh, he's every

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<v Speaker 1>movie that came out in this span of five years.

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<v Speaker 1>And it's so funny, Like there the doctor Evil Scott scenes.

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<v Speaker 1>They work for me still for the most part. Yeah,

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<v Speaker 1>there there's some funny stuff there. And ultimately, I mean

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<v Speaker 1>and that for me like ticks the box of all movies,

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<v Speaker 1>which is that ultimately this is a movie about fathers

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<v Speaker 1>and sons, and so this movie is no exception. He

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<v Speaker 1>might have been the only one that was close to

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<v Speaker 1>how the viewers are feeling. Yea, his character, his character

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<v Speaker 1>being like the outside voice being like you suck, I

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<v Speaker 1>hate you. You know. I do love that scene where

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<v Speaker 1>he's like, why don't you just shoot him? Like like

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<v Speaker 1>that's pretty funny. Yeah, I resented this movie for making

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<v Speaker 1>me laugh a little bit. I did an l O

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<v Speaker 1>L once. I I was, I just I still didn't

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<v Speaker 1>get it. I was just like why and why three?

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<v Speaker 1>Why three is a good question, you know what I

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<v Speaker 1>mean that that's so much money. It's so so so

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<v Speaker 1>much money, and I know I get it. It's very quotable.

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<v Speaker 1>I can see it. It's very catchy. You know, it's

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<v Speaker 1>very like the brand. They know the brand very well.

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<v Speaker 1>But yeah, I wasn't I wasn't mad. I was more

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<v Speaker 1>just like I don't get it. I didn't and I

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<v Speaker 1>didn't get like the ace venturas and stuff. So again

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<v Speaker 1>maybe it's me. I don't get it. I don't get masked.

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<v Speaker 1>I don't know. But well, like I grew up on

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<v Speaker 1>a lot of slapstick, you know, but it was when

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<v Speaker 1>it came to like Western slapstick, it was like I

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<v Speaker 1>love Lucy, you know, Charlie Chaplin, like you know, things

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<v Speaker 1>that were like a hundred years old. But even with

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<v Speaker 1>like Japanese comedy, you know, the slapstick, I feel like

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<v Speaker 1>it was still like sticking to the old formula. So

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<v Speaker 1>it was more reminiscent of like Charlie Chaplin type or

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<v Speaker 1>Buster Keaton instead of you know whatever, like like wacky

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<v Speaker 1>for wacky sake, Do I make you honey baby? Yeah?

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<v Speaker 1>A lot of me two situations, you know. It was

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<v Speaker 1>also like I don't know, It's like even if like

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<v Speaker 1>I hadn't seen this movie, but as I was watching it,

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<v Speaker 1>like I just it was so huge that like I

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<v Speaker 1>feel like I had taken up a lot of it

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<v Speaker 1>through cultural osmosis, and then most of the details that

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<v Speaker 1>I didn't know were um, you know, horrifying. Ye can't

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<v Speaker 1>wait to talk about it. I do remember I wonder

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<v Speaker 1>if any listeners will remember there was an a I

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<v Speaker 1>M chat bot that was Austin Powers themed that I

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<v Speaker 1>think it was released as a promotion for the third movie.

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<v Speaker 1>But I was in like I don't know, like maybe

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<v Speaker 1>fourth or fifth grade, and I was at a sleepover

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<v Speaker 1>all night where like me and the other girls at

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<v Speaker 1>the sleepover would write like dirty things to the Austin

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<v Speaker 1>Powers and his it would just auto reply yeah baby,

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<v Speaker 1>and we'd be like, Ah'd be like, You'd be like,

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<v Speaker 1>my mom is a beach and it would be like

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<v Speaker 1>shag Adelic class remember that right? It was. Yeah. I

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<v Speaker 1>liked chat bots. They always knew their character. It was

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<v Speaker 1>always consistent. It was the only consistent thing about the

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<v Speaker 1>Internet at that time, you know, was chat bots would

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<v Speaker 1>always like say three things invitation. Everything else was scary.

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<v Speaker 1>You didn't even know when you would connect to the internet,

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<v Speaker 1>you know, Oh yeah, I could take hours, you don't know. Yeah, yeah, totally,

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<v Speaker 1>but that you could count on. Speaking of Austin Powers

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<v Speaker 1>themed things, have either of you been to that Austin

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<v Speaker 1>Power's theme pop up bar in Glendale that is still there,

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<v Speaker 1>like over a year later. No, I've I've almost gone

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<v Speaker 1>a couple of times and then I'm like, wait, I

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<v Speaker 1>don't know what that is. I'm not going to go

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<v Speaker 1>what Austin Power was themed bar in Glendale. What I've

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<v Speaker 1>never heard this. This is a real thing. It was

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<v Speaker 1>supposed to be a pop up but it I guess

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<v Speaker 1>it was popular enough that people just kept going and

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<v Speaker 1>that it stayed around. Obviously, it's closed now because of

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<v Speaker 1>all the lockdowns and everything. But it's called like the

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<v Speaker 1>Electric Pussycat or something, and it's themed after the club

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<v Speaker 1>in the first movie called the Electric Psychedelic Pussycat Swingers Club.

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<v Speaker 1>And I went to it, and they have various Austin

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<v Speaker 1>Powers like actors dressed up as Austin Powers characters. They

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<v Speaker 1>have a bunch of Austin Powers themed cocktails. Um, I

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<v Speaker 1>think I drank one called like Horny something something Horny,

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<v Speaker 1>I don't know, shag something. But apparently Austin Powers is

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<v Speaker 1>still relevant enough that people were like, yeah, let's make

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<v Speaker 1>a pop up bar in twenty nineteen for sure. I

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<v Speaker 1>mean it's like all the movies I've been to, I

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<v Speaker 1>guess the embarrassing pop up bars I've been to, or

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<v Speaker 1>beetlejuice them. Because I wanted to see what the Scabs.

0:13:07.760 --> 0:13:13.040
<v Speaker 1>Sitch was Yeah, that's fun. That that was fun. And

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<v Speaker 1>then I went to a Big Lebowski themed bar many

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<v Speaker 1>years ago where they only served white Russians, which is

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<v Speaker 1>a funny idea but in practice very gross. R They

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<v Speaker 1>have one in Iceland for Big Lebowski they do. Yeah,

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<v Speaker 1>my friend went to in Rakovic and it was like

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<v Speaker 1>white Russians too. Um it's so funny to see like

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<v Speaker 1>what other cultures like really like about, like you know,

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<v Speaker 1>which movies really spoke to them or whatever, to the

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<v Speaker 1>point they make whole themed bar like that. Um. I Okay.

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<v Speaker 1>One time I did have to do like a benefit

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<v Speaker 1>where they hired a bunch of like actors who could dance,

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<v Speaker 1>so like we had to dress up in like groovy

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<v Speaker 1>ware or whatever sixties like we were like, what does

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<v Speaker 1>that go go? Girls? We had to learn dance moves

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<v Speaker 1>and it was like rich people that we were performing

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<v Speaker 1>for two it was like Austin Powers theme and uh

0:14:09.920 --> 0:14:13.480
<v Speaker 1>so in Austin Powers and impersonator kind of led us

0:14:13.720 --> 0:14:17.040
<v Speaker 1>the whole time. And I remember at the end of

0:14:17.080 --> 0:14:19.840
<v Speaker 1>the gig we got like twenty bucks for doing it.

0:14:20.360 --> 0:14:21.720
<v Speaker 1>I remember at the end of the gig, I was

0:14:21.760 --> 0:14:24.040
<v Speaker 1>like talking to the impersonator and he was like, okay,

0:14:24.080 --> 0:14:27.560
<v Speaker 1>well I gotta go, and he valid his car but

0:14:27.640 --> 0:14:29.920
<v Speaker 1>he had the same exact car as Austin powers to

0:14:30.360 --> 0:14:35.800
<v Speaker 1>oh my god and my mind being blown, and yeah,

0:14:35.840 --> 0:14:38.960
<v Speaker 1>his license plate was off. It was like swingers, like

0:14:39.120 --> 0:14:43.600
<v Speaker 1>twelve or something, you know what I mean. But yeah,

0:14:43.800 --> 0:14:45.920
<v Speaker 1>not all spelled out. Yeah, but I was like, oh

0:14:45.960 --> 0:14:50.760
<v Speaker 1>my god. The level of commitment as an impersonator, you know, like,

0:14:50.800 --> 0:14:55.320
<v Speaker 1>how far does it go? I love a good committed impersonator.

0:14:55.360 --> 0:14:58.880
<v Speaker 1>There's nothing like him in the world. Yeah. And how

0:14:58.920 --> 0:15:02.480
<v Speaker 1>do you feel as an personator about other impersonators you know,

0:15:02.600 --> 0:15:05.640
<v Speaker 1>of like the character that you do? How Yeah, how

0:15:05.640 --> 0:15:09.040
<v Speaker 1>intense is the competition? How intense is the demand? I

0:15:09.040 --> 0:15:11.880
<v Speaker 1>mean you don't really know. Yeah, I don't know. Well,

0:15:12.240 --> 0:15:14.720
<v Speaker 1>should we get into the recap and go from there?

0:15:15.000 --> 0:15:21.160
<v Speaker 1>I suppose ha ha, let's do it. Okay. So the

0:15:21.240 --> 0:15:26.720
<v Speaker 1>film opens, It's nineteen sixty seven. We meet Dr Evil.

0:15:27.680 --> 0:15:32.440
<v Speaker 1>He has a very cute cat named Mr Bigglesworth and

0:15:32.480 --> 0:15:36.000
<v Speaker 1>that cat, of course, has eight nipples, and that's cafex

0:15:36.080 --> 0:15:41.240
<v Speaker 1>with Caitlin. He is trying to have a Dr Evil,

0:15:41.320 --> 0:15:45.120
<v Speaker 1>not Mr Bigglesworth. Dr Evil is trying to have Britain's

0:15:45.360 --> 0:15:51.360
<v Speaker 1>top secret agent assassinated. And this man is Austin Powers.

0:15:52.240 --> 0:15:59.400
<v Speaker 1>And Austin is groovy. He's Randy. All the women love him,

0:15:59.640 --> 0:16:06.960
<v Speaker 1>keep keep going. He's horny, baby, and he and Randy. Yes,

0:16:08.520 --> 0:16:12.600
<v Speaker 1>he's horny, and he makes everyone else horny. I guess, um,

0:16:12.640 --> 0:16:16.160
<v Speaker 1>all the women love him. He meets up with Mrs Kensington,

0:16:17.120 --> 0:16:22.440
<v Speaker 1>his like spy partner, and they receive a message from

0:16:22.840 --> 0:16:27.760
<v Speaker 1>Basil exposition. Um hilarious. I guess that is pretty I mean,

0:16:28.000 --> 0:16:32.200
<v Speaker 1>that's pretty funny. The message says that Dr Evil plans

0:16:32.320 --> 0:16:36.800
<v Speaker 1>to go after Austin Powers at the club tonight. So

0:16:36.880 --> 0:16:41.000
<v Speaker 1>Austin and Mrs Kensington try to stop Dr Evil there,

0:16:41.560 --> 0:16:45.840
<v Speaker 1>but he gets away and then cryogenically freezes himself and

0:16:45.880 --> 0:16:50.760
<v Speaker 1>shoots himself into space. Right. We cut to thirty years

0:16:50.880 --> 0:16:57.440
<v Speaker 1>later and Dr Evil returns, and Austin Powers had also

0:16:57.760 --> 0:17:01.960
<v Speaker 1>offered to freeze himself if Dr Evil should ever return,

0:17:02.920 --> 0:17:06.880
<v Speaker 1>so they thought out Austin Powers and partner him up

0:17:07.000 --> 0:17:13.320
<v Speaker 1>with Mrs Kensington's daughter, Miss Kensington a k a Vanessa

0:17:13.520 --> 0:17:18.000
<v Speaker 1>a k a. Elizabeth Hurley. Right, he proceeds to sexually

0:17:18.040 --> 0:17:26.960
<v Speaker 1>harass her relentlessly and almost Yes, it's cute, it's hilarious.

0:17:27.200 --> 0:17:30.720
<v Speaker 1>You can tell that sexual harassment is actually really awesome

0:17:31.080 --> 0:17:32.960
<v Speaker 1>when he does it for two straight minutes and then

0:17:33.000 --> 0:17:37.920
<v Speaker 1>she turns around. It's like me right, She's like, oh,

0:17:38.040 --> 0:17:45.600
<v Speaker 1>maybe I do like that. He's wearing me down. Meanwhile,

0:17:45.880 --> 0:17:51.760
<v Speaker 1>Dr Evil and his cronies, including this guy named Number

0:17:51.800 --> 0:17:54.000
<v Speaker 1>two who And then this is the point in the

0:17:54.080 --> 0:17:58.280
<v Speaker 1>movie where you're like, what happened to Natalie would? Wait?

0:17:58.320 --> 0:18:02.560
<v Speaker 1>What why was he? Yes, he was Natalie Wood's husband

0:18:02.920 --> 0:18:05.120
<v Speaker 1>and he was on the boat and he knows more

0:18:05.160 --> 0:18:10.240
<v Speaker 1>than he's saying, even more than Christopher Walkin does. Interesting,

0:18:10.560 --> 0:18:13.879
<v Speaker 1>every movie to me is ultimately about what happened to

0:18:13.960 --> 0:18:17.119
<v Speaker 1>Natalie Wood. This is why you all have this podcast.

0:18:17.200 --> 0:18:19.159
<v Speaker 1>This is why you do so good. That's what we've

0:18:19.200 --> 0:18:21.720
<v Speaker 1>been trying to figure out. That's all time, and we

0:18:21.760 --> 0:18:25.520
<v Speaker 1>have not gotten any closer. Um, so that's what I

0:18:25.640 --> 0:18:28.280
<v Speaker 1>But yes, he plays Number two, but also he's he's

0:18:28.440 --> 0:18:29.840
<v Speaker 1>you know, you can see in his eyes he's got

0:18:29.840 --> 0:18:33.439
<v Speaker 1>a secret or want his one eye right. So his

0:18:33.560 --> 0:18:37.560
<v Speaker 1>character Number two and Dr Evil, they all are forming

0:18:37.760 --> 0:18:42.000
<v Speaker 1>a plan to hijack some nuclear weapons and hold the

0:18:42.040 --> 0:18:49.480
<v Speaker 1>world ransom for one hundred billion dollar. I'm so sorry

0:18:49.520 --> 0:18:53.120
<v Speaker 1>for that. Then Dr Evil is introduced to his son

0:18:53.800 --> 0:18:57.119
<v Speaker 1>that was made from the sperm sample that he had

0:18:57.200 --> 0:19:01.240
<v Speaker 1>left behind before he cried genically freezes himself, and this

0:19:01.480 --> 0:19:06.119
<v Speaker 1>son is Scott Uh and that's Seth Green's character, of course.

0:19:06.720 --> 0:19:10.320
<v Speaker 1>Then Austin Powers and Vanessa go to Vegas to try

0:19:10.320 --> 0:19:13.600
<v Speaker 1>to get some intel on Dr Evil and whatever scheme

0:19:13.680 --> 0:19:18.280
<v Speaker 1>he's cooking up, and they play blackjack with Number two,

0:19:18.960 --> 0:19:22.280
<v Speaker 1>And then there's a scene in the bathroom where we

0:19:22.400 --> 0:19:26.000
<v Speaker 1>realized that the character was named number two to set

0:19:26.080 --> 0:19:31.280
<v Speaker 1>up a very long, extended poop joke with um, what's

0:19:31.320 --> 0:19:35.119
<v Speaker 1>his name, Tom Arnold? Yes, he is in the stall

0:19:35.240 --> 0:19:39.199
<v Speaker 1>next to him, and we're like, al right, well, I

0:19:39.240 --> 0:19:43.000
<v Speaker 1>guess you can't say they didn't think about things when

0:19:43.000 --> 0:19:46.280
<v Speaker 1>they were making the movie. There's actually quite a bit

0:19:46.320 --> 0:19:54.000
<v Speaker 1>of thought. It's actually all very clever and good wink wink,

0:19:54.119 --> 0:19:56.920
<v Speaker 1>nudge nudge to it. The jokes had to come first.

0:19:56.960 --> 0:19:59.040
<v Speaker 1>They were like, okay, poop joke, how do we make

0:19:59.119 --> 0:20:03.480
<v Speaker 1>this work with the rest of the plot, you know? Yeah,

0:20:03.520 --> 0:20:07.240
<v Speaker 1>then they like reverse engineer it totally, totally, this is

0:20:07.240 --> 0:20:10.040
<v Speaker 1>what I want a poop joke and okay, well his

0:20:10.119 --> 0:20:12.919
<v Speaker 1>name is number two. That's it. We solved it. I

0:20:12.960 --> 0:20:15.600
<v Speaker 1>guess it wasn't a lot of thinking. Possibly it was

0:20:16.440 --> 0:20:21.160
<v Speaker 1>cut it printed, I mean, screenwriting at its best. So

0:20:21.359 --> 0:20:24.960
<v Speaker 1>then nothing happens for a while except that Austin Powers

0:20:25.000 --> 0:20:30.520
<v Speaker 1>relentlessly and repeatedly sexually harasses Vanessa, which she seems to

0:20:30.560 --> 0:20:34.320
<v Speaker 1>become more and more receptive to. And then Austin Powers

0:20:34.480 --> 0:20:37.679
<v Speaker 1>is tasked with getting information about something called Project Vulcan

0:20:38.200 --> 0:20:42.359
<v Speaker 1>from a character named A Lot of China. And now

0:20:42.400 --> 0:20:47.400
<v Speaker 1>we're like, now this, Now that's why I call feminism.

0:20:50.960 --> 0:20:54.640
<v Speaker 1>Oh boy, there for I mean this, I don't. This

0:20:54.680 --> 0:20:58.639
<v Speaker 1>isn't a compliment. It's just an observation. There's far more

0:20:58.640 --> 0:21:01.840
<v Speaker 1>women in this movie than I expected there to be.

0:21:02.960 --> 0:21:05.880
<v Speaker 1>But that is where that's where it's just, that's where

0:21:05.880 --> 0:21:10.000
<v Speaker 1>it ends. It's not like and the representation is incredible.

0:21:10.200 --> 0:21:13.560
<v Speaker 1>There's more female characters than I thought there'd be. Well,

0:21:13.600 --> 0:21:16.280
<v Speaker 1>and we're we're coming to some of them, including one

0:21:16.320 --> 0:21:22.360
<v Speaker 1>of the Dr Evil's Hench people, Hench. Women. Women can

0:21:22.400 --> 0:21:27.920
<v Speaker 1>be Hench. Now, yes, women can be Hench. And that's feminism. Yes, Hench.

0:21:31.000 --> 0:21:34.800
<v Speaker 1>She's so evil she could hang out with the boys. Yeah. Yeah,

0:21:34.840 --> 0:21:38.160
<v Speaker 1>it's from a big Sheryl Samberg energy. And this is

0:21:38.280 --> 0:21:44.119
<v Speaker 1>of course Frau Forbissena, played by Mindy Sterling, is amazing.

0:21:44.359 --> 0:21:47.080
<v Speaker 1>She's been in like everything ever. She's like one of

0:21:47.119 --> 0:21:51.639
<v Speaker 1>the great character actors. I am indeed, I wonder I

0:21:51.680 --> 0:21:56.200
<v Speaker 1>bet you. I bet I would bet five Quarantine bucks

0:21:57.560 --> 0:22:06.040
<v Speaker 1>five hundred one dollars Squaringen bucks that Mindy Sterling and

0:22:06.080 --> 0:22:10.600
<v Speaker 1>Alfred Molina know each other. Oh. I thought the all

0:22:10.720 --> 0:22:13.480
<v Speaker 1>care directors know each other and they're all friends, and

0:22:13.560 --> 0:22:15.560
<v Speaker 1>this is maybe just my fantasy world, but I feel

0:22:15.600 --> 0:22:17.919
<v Speaker 1>like they know each other. No, I think that's true.

0:22:18.040 --> 0:22:21.800
<v Speaker 1>I I want to believe that as well. Yeah. So anyway,

0:22:22.119 --> 0:22:27.920
<v Speaker 1>feminist icon Fraul Farbissona unveils her latest weapon because she's

0:22:27.920 --> 0:22:32.639
<v Speaker 1>a woman in stem and she developed the fembots. They

0:22:32.720 --> 0:22:35.960
<v Speaker 1>are these killer robots who look like hot women. So

0:22:36.119 --> 0:22:39.399
<v Speaker 1>even more women introduced into the narratiora. This is I

0:22:39.440 --> 0:22:42.119
<v Speaker 1>feel like that was a pretty to me. It was

0:22:42.160 --> 0:22:47.560
<v Speaker 1>like a very cut and dry, like Barbararella parody reference

0:22:48.119 --> 0:22:51.480
<v Speaker 1>which I have not seen. But is it just bos

0:22:51.560 --> 0:22:55.760
<v Speaker 1>and they attack Barbara Ella somehow portrays women even worse,

0:22:55.880 --> 0:22:58.679
<v Speaker 1>it's like one of Jane Fonda's earliest movies, Jane Fonda,

0:22:58.720 --> 0:23:02.280
<v Speaker 1>who who truly is a feminist icon. But she, you know,

0:23:02.400 --> 0:23:04.760
<v Speaker 1>she she really grew into it. And maybe it wasn't

0:23:04.800 --> 0:23:08.120
<v Speaker 1>all the way there at Barbaralla, but like, yeah, it's

0:23:08.119 --> 0:23:12.880
<v Speaker 1>a movie about like a sexy space android lady. I mean,

0:23:13.240 --> 0:23:18.000
<v Speaker 1>it's not satire, but it looks like it. Sure, sure,

0:23:18.520 --> 0:23:21.160
<v Speaker 1>and at least we can give credit to Austin Powers

0:23:21.240 --> 0:23:25.440
<v Speaker 1>for that is that they are satire. I think I

0:23:25.520 --> 0:23:29.439
<v Speaker 1>don't know, I can't tell it's definitely satire, but I

0:23:29.480 --> 0:23:32.040
<v Speaker 1>feel like it makes that like the thing that some

0:23:32.280 --> 0:23:35.840
<v Speaker 1>like satires do where they just are like, oh, well,

0:23:36.119 --> 0:23:37.879
<v Speaker 1>we're just gonna say it's satire, and then we're going

0:23:37.920 --> 0:23:41.439
<v Speaker 1>to assume that we're absolved of anything even to the

0:23:41.520 --> 0:23:45.400
<v Speaker 1>term of like satire theoretically is supposed to make commentary,

0:23:45.680 --> 0:23:48.920
<v Speaker 1>which for As and Powers, that's shaky. Well, that's why

0:23:48.960 --> 0:23:50.959
<v Speaker 1>I don't think it is satire. I think it just

0:23:51.040 --> 0:23:53.880
<v Speaker 1>as closer to parody, which is not making any sort

0:23:53.920 --> 0:23:57.600
<v Speaker 1>of commentary. There's like one angle that I feel like

0:23:57.640 --> 0:24:00.639
<v Speaker 1>it could be considered satire. And then but as as

0:24:00.720 --> 0:24:02.680
<v Speaker 1>it pretends to its treatment of women. I think it's

0:24:02.720 --> 0:24:07.240
<v Speaker 1>like total parody, oh for sure. So what happens next

0:24:07.520 --> 0:24:12.400
<v Speaker 1>is Austin and Vanessa sneak into Virticon, which is Dr

0:24:12.480 --> 0:24:18.440
<v Speaker 1>Evil's company or something, and they but they are captured

0:24:18.520 --> 0:24:23.200
<v Speaker 1>and brought to Dr Evil's secret layer, and he's about

0:24:23.240 --> 0:24:26.800
<v Speaker 1>to use this giant drill to burrow to the Earth's

0:24:26.840 --> 0:24:32.639
<v Speaker 1>center and release his nuclear weapons. He's fracking, He's like, RuPaul,

0:24:32.960 --> 0:24:39.800
<v Speaker 1>he's fracking. Wait is RuPaul pro fracking? RuPaul literally? Okay,

0:24:39.880 --> 0:24:42.919
<v Speaker 1>I'm just breaking all sorts of news. RuPaul and his

0:24:43.000 --> 0:24:46.560
<v Speaker 1>husband own a large ranch in Wyoming where there is

0:24:46.680 --> 0:24:52.240
<v Speaker 1>active fracking, and he just like said it recently out

0:24:52.240 --> 0:24:55.040
<v Speaker 1>of nowhere on fucking fresh air. He was just like

0:24:55.400 --> 0:24:57.760
<v Speaker 1>he described fracking in the longest way. He's like, well,

0:24:57.760 --> 0:25:03.200
<v Speaker 1>we contract out so of the land for purposes related

0:25:03.359 --> 0:25:10.560
<v Speaker 1>to PETRELLI embased so and You're like, it's fracking. We

0:25:10.600 --> 0:25:14.400
<v Speaker 1>can't have anything in this world. RuPaul's literally fracking. He's

0:25:14.440 --> 0:25:17.040
<v Speaker 1>like a Republican, isn't he. I feel like all rich

0:25:17.119 --> 0:25:23.160
<v Speaker 1>people just are chaotic evil and like we can't have anything. Well,

0:25:23.200 --> 0:25:28.240
<v Speaker 1>speaking of evil, Dr Evil, thank you, thank you, Caitlin

0:25:29.080 --> 0:25:33.400
<v Speaker 1>Hey anytime he tries to kill Austin and Vanessa with

0:25:33.600 --> 0:25:38.160
<v Speaker 1>mutated sea bass, but it doesn't work and they escape

0:25:38.480 --> 0:25:41.440
<v Speaker 1>and Vanessa goes to find help and Austin stays behind

0:25:41.520 --> 0:25:45.719
<v Speaker 1>to go find Dr Evil and he comes across this

0:25:45.760 --> 0:25:48.840
<v Speaker 1>group of fembots who try to seduce and kill him,

0:25:49.320 --> 0:25:53.920
<v Speaker 1>but he starts dancing around and making them so horny

0:25:54.080 --> 0:25:59.240
<v Speaker 1>that they all malfunction and explode. Meanwhile, Dr Evil starts

0:25:59.280 --> 0:26:03.040
<v Speaker 1>his drill up and Austin and Vanessa burst in and

0:26:03.640 --> 0:26:07.720
<v Speaker 1>they stop him, but Dr Evil gets away shoots himself

0:26:07.720 --> 0:26:10.679
<v Speaker 1>back out into space, and then Austin and Vanessa have

0:26:10.800 --> 0:26:13.840
<v Speaker 1>to escape the layer right before it self destructs. And

0:26:13.880 --> 0:26:17.400
<v Speaker 1>then we cut to three months later. Austin and Vanessa

0:26:17.480 --> 0:26:21.480
<v Speaker 1>have gotten married, and Dr Evil and his cat are

0:26:21.560 --> 0:26:25.840
<v Speaker 1>in space and they're all cold, and he's like, I'm

0:26:25.880 --> 0:26:29.320
<v Speaker 1>gonna get to Austin Powers. And then they're like, all right,

0:26:29.359 --> 0:26:34.080
<v Speaker 1>there's gonna be a sequel. I guess, I guess no

0:26:34.160 --> 0:26:38.879
<v Speaker 1>way around it. So that's the end of the movie.

0:26:39.080 --> 0:26:41.879
<v Speaker 1>Let's take a quick break and then we'll come right back,

0:26:47.720 --> 0:26:54.879
<v Speaker 1>and we're back. Uh feminism in Austin Powers. Where do

0:26:55.240 --> 0:26:58.480
<v Speaker 1>we begin? I mean, just some quick observations off the

0:26:58.680 --> 0:27:01.280
<v Speaker 1>off the top. We've got Will Farrell in brown face

0:27:01.359 --> 0:27:04.800
<v Speaker 1>in the first several minutes of this movie, and I

0:27:04.840 --> 0:27:06.960
<v Speaker 1>believe that this is not the only time that Will

0:27:07.000 --> 0:27:08.760
<v Speaker 1>Farrell has seen in brown face. I think that there's

0:27:08.800 --> 0:27:12.520
<v Speaker 1>also an SNL sketch where he uh did that again,

0:27:13.600 --> 0:27:19.440
<v Speaker 1>which is like, you're not talking about the Native American one,

0:27:20.560 --> 0:27:25.520
<v Speaker 1>the Thanksgiving one recently or no? I oh no, there's more. No,

0:27:25.720 --> 0:27:27.600
<v Speaker 1>I wasn't thinking of that one. Wait, let me pull

0:27:27.720 --> 0:27:30.440
<v Speaker 1>up the one I was thinking of, Well, the one

0:27:30.480 --> 0:27:33.399
<v Speaker 1>I'm talking about. They are they tried, they acknowledge it,

0:27:33.440 --> 0:27:35.879
<v Speaker 1>they try to be like different about it. It was

0:27:36.119 --> 0:27:40.440
<v Speaker 1>just this past Thanksgiving. Okay. Then I then that's probably

0:27:40.480 --> 0:27:43.520
<v Speaker 1>what that was a response to, was the fact that

0:27:43.560 --> 0:27:46.720
<v Speaker 1>he had done brown face, um in like the early

0:27:46.760 --> 0:27:50.800
<v Speaker 1>two thousand's, like probably around or after this movie came out,

0:27:51.000 --> 0:27:53.560
<v Speaker 1>makes sense? Makes sense? Yeah, yeah, yeah, so there was

0:27:54.080 --> 0:27:57.440
<v Speaker 1>you know, there's self awareness going on. That's the thing about,

0:27:58.320 --> 0:28:03.879
<v Speaker 1>you know, self awareness and fear of canceled cancelations. I

0:28:03.960 --> 0:28:06.040
<v Speaker 1>was like, is it is it growth or is it fear?

0:28:06.200 --> 0:28:10.800
<v Speaker 1>You know? Sometimes totally fin line, you saying brown face

0:28:10.840 --> 0:28:13.120
<v Speaker 1>made me think about also the U N characters which

0:28:13.160 --> 0:28:16.600
<v Speaker 1>were just like very it's a small world type like that.

0:28:16.880 --> 0:28:20.800
<v Speaker 1>Oh yeah, right, the German guy literally I think had

0:28:20.800 --> 0:28:24.800
<v Speaker 1>a kill on and maybe a bagpipe. Oh yeah, the

0:28:24.840 --> 0:28:27.560
<v Speaker 1>Scottish guy. And then they're yeah, there's Scottish. I'm so sorry,

0:28:27.600 --> 0:28:32.520
<v Speaker 1>not Germany. I'm getting here. I am being racist. There's

0:28:32.560 --> 0:28:36.000
<v Speaker 1>a lot of broad stereotypes in every possible way in

0:28:36.040 --> 0:28:39.680
<v Speaker 1>this movie, where like, I think that Frau what's her name,

0:28:39.760 --> 0:28:43.080
<v Speaker 1>Mindy Sterling is almost supposed to be like this stern

0:28:43.400 --> 0:28:48.000
<v Speaker 1>like Nazish German woman. Right, So there's definitely a lot

0:28:48.040 --> 0:28:51.120
<v Speaker 1>of broad stereotypes that play. But like and then in

0:28:51.240 --> 0:28:54.320
<v Speaker 1>the u N scene that you're talking about Otsco, when

0:28:54.320 --> 0:28:57.280
<v Speaker 1>they cut to like the group of people and there's

0:28:57.400 --> 0:28:59.560
<v Speaker 1>I mean there's only like it seems like twenty different

0:28:59.600 --> 0:29:03.320
<v Speaker 1>countries represented, but one of them. Did you notice the

0:29:03.320 --> 0:29:06.840
<v Speaker 1>people that they have there to represent Japan? She's like

0:29:06.920 --> 0:29:11.520
<v Speaker 1>they sent a geisha, Yes, there's a geisha. And then

0:29:11.760 --> 0:29:18.040
<v Speaker 1>as sumo wrestler, and those are like that trend continues,

0:29:18.160 --> 0:29:21.920
<v Speaker 1>believe it or not, into the sequels, where it seems

0:29:21.960 --> 0:29:26.160
<v Speaker 1>like Japan specifically. I don't know if Mike Myers or

0:29:26.240 --> 0:29:30.040
<v Speaker 1>the director or someone has a fixation on Japanese culture,

0:29:30.280 --> 0:29:33.440
<v Speaker 1>and it gets referred to more and more and increasingly

0:29:33.440 --> 0:29:36.240
<v Speaker 1>more racist jokes are made in the sequels. There's one

0:29:36.280 --> 0:29:39.640
<v Speaker 1>in particular about Japanese twin sisters in the third movie

0:29:39.760 --> 0:29:42.840
<v Speaker 1>that is just excruciating to watch. I mean, and like this,

0:29:42.960 --> 0:29:47.320
<v Speaker 1>I mean, this entire generation of SNL men are guilty

0:29:47.520 --> 0:29:50.280
<v Speaker 1>of this thing. I mean, we see Will Farrell in

0:29:50.320 --> 0:29:53.760
<v Speaker 1>this movie, Mike Myers, the Love Guru, I mean, say

0:29:53.800 --> 0:29:59.800
<v Speaker 1>no more that whole the promises, Dana Carvey is in

0:30:00.040 --> 0:30:03.520
<v Speaker 1>brown Face and The Master of Disguise five years after this,

0:30:03.680 --> 0:30:06.400
<v Speaker 1>Like it's bigger than Mike Myers, but he's a big

0:30:06.400 --> 0:30:08.760
<v Speaker 1>offender of it too, especially in a movie that is

0:30:08.800 --> 0:30:12.240
<v Speaker 1>like so painfully white that it's like you really had

0:30:12.280 --> 0:30:16.240
<v Speaker 1>to put Will Ferrell in brown face, like it just yeah,

0:30:16.240 --> 0:30:19.600
<v Speaker 1>it couldn't be. But but no one thought anything of it.

0:30:19.720 --> 0:30:21.840
<v Speaker 1>And I like to the point where Will Ferrell did

0:30:21.840 --> 0:30:26.960
<v Speaker 1>brown face again, No totally, yeah, I mean I did

0:30:27.240 --> 0:30:31.360
<v Speaker 1>laugh for a second when you mentioned the sumo wrestler again,

0:30:31.520 --> 0:30:33.560
<v Speaker 1>and I had to track the laugh like in my

0:30:33.760 --> 0:30:37.720
<v Speaker 1>laughing because it was funny or was it because I

0:30:37.720 --> 0:30:39.920
<v Speaker 1>don't know. I mean, I think you have to take

0:30:39.960 --> 0:30:43.120
<v Speaker 1>a step further if it's like parody or satire or whatever.

0:30:43.440 --> 0:30:47.440
<v Speaker 1>Maybe I don't know the difference between the language. Um well,

0:30:47.440 --> 0:30:51.000
<v Speaker 1>actually parody is more like if you don't necessarily have

0:30:51.040 --> 0:30:54.520
<v Speaker 1>a comment, right, it's more like I'm doing a similar version,

0:30:54.720 --> 0:30:57.760
<v Speaker 1>doesn't remind you of that thing? Uh. And the satire

0:30:57.880 --> 0:31:02.080
<v Speaker 1>is like actual, like possible social commentary behind way of

0:31:02.200 --> 0:31:05.760
<v Speaker 1>making okay cool. So I do know the definitions. Um,

0:31:07.160 --> 0:31:11.000
<v Speaker 1>sometimes I don't know. I mean, this isn't my first language. Um,

0:31:11.040 --> 0:31:14.280
<v Speaker 1>but like if they took it a step further and

0:31:14.360 --> 0:31:17.080
<v Speaker 1>like the people representing the u N was like I

0:31:17.080 --> 0:31:20.400
<v Speaker 1>don't know, like a literal like sushi fish or something,

0:31:20.600 --> 0:31:24.000
<v Speaker 1>you know what I mean? And like, uh, maybe that's

0:31:24.000 --> 0:31:27.320
<v Speaker 1>not funny that that's why I would never be hired

0:31:27.360 --> 0:31:30.720
<v Speaker 1>in the writing room for you know, Austin Powers. But

0:31:30.800 --> 0:31:33.960
<v Speaker 1>well that's a compliment to you as well. I'm like,

0:31:34.160 --> 0:31:37.240
<v Speaker 1>what if it was just a little little bagpipe, you know,

0:31:37.400 --> 0:31:41.400
<v Speaker 1>and that was Scotland's leader. I don't know, this is bad,

0:31:41.480 --> 0:31:44.160
<v Speaker 1>so anyway, there's no way I can fix the movie either.

0:31:44.320 --> 0:31:48.680
<v Speaker 1>So what am I talking about? Well, speaking of the

0:31:48.720 --> 0:31:54.440
<v Speaker 1>whole satire and parody thing, so obviously the Austin Powers

0:31:54.520 --> 0:31:58.880
<v Speaker 1>trilogy is a parody of a few different things, that seems,

0:31:58.920 --> 0:32:02.480
<v Speaker 1>but it seems to be merrily the James Bond franchise,

0:32:03.400 --> 0:32:08.440
<v Speaker 1>especially the earlier ones from the sixties and seventies, and

0:32:08.720 --> 0:32:14.640
<v Speaker 1>this is a franchise that is ripe for satire and parody.

0:32:14.680 --> 0:32:19.720
<v Speaker 1>But Austin Powers is not really doing anything to meaningfully

0:32:19.760 --> 0:32:23.800
<v Speaker 1>comment or critique this franchise. It's really just portraying a

0:32:23.800 --> 0:32:27.920
<v Speaker 1>lot of the same problematic tropes that the Bond franchise does,

0:32:28.760 --> 0:32:30.920
<v Speaker 1>especially as we already hinted at it, when it comes

0:32:30.960 --> 0:32:35.680
<v Speaker 1>to female characters. There's no you know, intelligent commentary happening.

0:32:36.320 --> 0:32:39.360
<v Speaker 1>There's no meaningful subversions of of anything. It's just like,

0:32:39.520 --> 0:32:44.120
<v Speaker 1>and hey, remember how horribly the Bond films treated women.

0:32:44.520 --> 0:32:48.040
<v Speaker 1>Let's do the same exact thing thirty years later. Yeah,

0:32:48.240 --> 0:32:50.080
<v Speaker 1>Well that's the thing is that. Yeah. I think that

0:32:50.320 --> 0:32:55.520
<v Speaker 1>the one point that I could see this movie attempting

0:32:55.960 --> 0:33:03.160
<v Speaker 1>parody on is the masculinity aspect of these characters that

0:33:03.480 --> 0:33:07.479
<v Speaker 1>I feel like Austin Powers himself, in some ways is

0:33:07.520 --> 0:33:11.280
<v Speaker 1>somewhat satirical with and it's not like smart satire or

0:33:11.320 --> 0:33:13.520
<v Speaker 1>even good satire, but I think that the fact that

0:33:13.560 --> 0:33:17.200
<v Speaker 1>like they make references to like, oh, he's this like

0:33:17.360 --> 0:33:20.800
<v Speaker 1>ladies man that you would see in the seventies, and

0:33:20.840 --> 0:33:22.200
<v Speaker 1>we didn't. None of us grew up with this, so

0:33:22.200 --> 0:33:25.000
<v Speaker 1>it's kind of like we're basing this on sort of

0:33:25.200 --> 0:33:28.080
<v Speaker 1>secondhand knowledge, but that's who he's based on, like a

0:33:28.200 --> 0:33:31.680
<v Speaker 1>James Bond type of like a character like that. And

0:33:31.720 --> 0:33:34.920
<v Speaker 1>then to give him like, oh, he he uses a

0:33:35.000 --> 0:33:40.960
<v Speaker 1>penis pump or like somehow sexually like quote unquote impotent. Um.

0:33:41.000 --> 0:33:43.040
<v Speaker 1>I feel like that's at least an attempt at some

0:33:43.160 --> 0:33:46.840
<v Speaker 1>satire of saying like, oh, well, maybe these hyper masculine

0:33:46.920 --> 0:33:52.040
<v Speaker 1>characters were not as like that's an unrealistic standard. I

0:33:52.080 --> 0:33:54.120
<v Speaker 1>don't think it's done smartly, but that's that was the

0:33:54.160 --> 0:33:58.320
<v Speaker 1>place where I saw like an attempt. But then but

0:33:58.440 --> 0:34:00.720
<v Speaker 1>even so, a lot of the out of the movie

0:34:00.800 --> 0:34:05.120
<v Speaker 1>undermines that were it's hard to make the argument that like, oh,

0:34:05.160 --> 0:34:10.040
<v Speaker 1>like Austin Powers is this like unconventional looking sex icon,

0:34:10.320 --> 0:34:13.680
<v Speaker 1>but he still only surrounds himself with like young, conventionally

0:34:13.760 --> 0:34:18.200
<v Speaker 1>hot white girls. So like you can't really give the

0:34:18.239 --> 0:34:20.840
<v Speaker 1>movie any credit for that because it doesn't extend the

0:34:20.920 --> 0:34:24.799
<v Speaker 1>same the same for women in any way where even

0:34:24.960 --> 0:34:29.400
<v Speaker 1>like it's so it is wildly ridiculous to be and

0:34:29.480 --> 0:34:32.200
<v Speaker 1>doesn't seem based and satire at all. Just like what

0:34:32.320 --> 0:34:36.960
<v Speaker 1>the writing is that we only see like Austin Powers

0:34:37.040 --> 0:34:42.760
<v Speaker 1>is partner originally in the seventies, is Vanessa's mother, And theoretically,

0:34:42.800 --> 0:34:45.520
<v Speaker 1>like I have, like a better version of this movie

0:34:45.719 --> 0:34:48.840
<v Speaker 1>is to like see her come back and them have

0:34:48.960 --> 0:34:52.200
<v Speaker 1>to like reconnect as she has like age, she's had

0:34:52.239 --> 0:34:55.239
<v Speaker 1>a family, she's done all this stuff, and then she

0:34:55.280 --> 0:34:57.880
<v Speaker 1>has to like reconnect with this guy she used to

0:34:57.960 --> 0:35:01.480
<v Speaker 1>work with in the seventies, Like that is more interesting

0:35:01.560 --> 0:35:04.000
<v Speaker 1>to me than like, and now she's got a hot

0:35:04.080 --> 0:35:06.760
<v Speaker 1>daughter and her mother and daughter are going to bond

0:35:06.880 --> 0:35:11.840
<v Speaker 1>over both inexplicably liking this guy. Like I just I was,

0:35:12.320 --> 0:35:15.160
<v Speaker 1>I thought it really sucked at that they just completely

0:35:15.280 --> 0:35:19.960
<v Speaker 1>wrote Vanessa's mother out immediately like that just the only

0:35:20.080 --> 0:35:23.520
<v Speaker 1>the only three line was that Austin possibly sucked her too.

0:35:24.040 --> 0:35:27.560
<v Speaker 1>It sounds like you definitely did, and that he loved her. Yeah,

0:35:27.640 --> 0:35:30.240
<v Speaker 1>he like really loved her. It was like a weird

0:35:30.680 --> 0:35:34.279
<v Speaker 1>it's like a weird Mrs Robinson kind of like, yeah,

0:35:34.320 --> 0:35:37.600
<v Speaker 1>I loved her, but she's not available anymore. But then

0:35:37.600 --> 0:35:39.799
<v Speaker 1>they dropped that entirely, and he's like, well, I guess

0:35:39.840 --> 0:35:43.799
<v Speaker 1>I'm just in love with her daughter. Now you're like, yeah, yeah,

0:35:44.280 --> 0:35:46.360
<v Speaker 1>they're different like they I mean, I feel like that

0:35:46.480 --> 0:35:49.799
<v Speaker 1>the logic of the movie extends as far as like

0:35:50.560 --> 0:35:54.239
<v Speaker 1>mothers and daughters are pretty much the same person, which

0:35:54.280 --> 0:35:57.160
<v Speaker 1>is fun, which is like, Okay, that's a new level

0:35:57.200 --> 0:35:59.719
<v Speaker 1>of not writing a female character has just been well,

0:35:59.800 --> 0:36:02.640
<v Speaker 1>they're related, so like you can actually have sex with either,

0:36:02.719 --> 0:36:04.719
<v Speaker 1>and it's basically the same thing. And they have the

0:36:04.800 --> 0:36:08.200
<v Speaker 1>same jobs, and they have the same spy partner, like

0:36:08.280 --> 0:36:11.200
<v Speaker 1>they you know, they do everything the same. The only

0:36:11.239 --> 0:36:14.480
<v Speaker 1>thing was different was I guess that you know, the

0:36:14.600 --> 0:36:18.200
<v Speaker 1>mom was married to someone else. It's it's just so

0:36:18.280 --> 0:36:22.160
<v Speaker 1>like lazy and just bizarre, I mean, and that like

0:36:22.280 --> 0:36:26.960
<v Speaker 1>reinforces the whole like the way that this movie views women,

0:36:27.000 --> 0:36:29.319
<v Speaker 1>which is that if they're over a certain age or

0:36:29.360 --> 0:36:31.839
<v Speaker 1>they don't look a certain way, then there's no point

0:36:31.840 --> 0:36:34.480
<v Speaker 1>in having them on screen. Yeah, but the guy got

0:36:34.520 --> 0:36:39.240
<v Speaker 1>to keep his hots because he was frozen or whatever.

0:36:39.480 --> 0:36:42.759
<v Speaker 1>But he's not even hot. Like it's just like like men,

0:36:42.960 --> 0:36:45.160
<v Speaker 1>men are allowed to look a lot like it's It

0:36:45.200 --> 0:36:48.120
<v Speaker 1>almost reminds me of like what we see an animation

0:36:48.200 --> 0:36:50.520
<v Speaker 1>a lot, because this is a very cartoony movie of

0:36:50.640 --> 0:36:54.160
<v Speaker 1>like male characters are allowed to look a lot of

0:36:54.200 --> 0:36:57.680
<v Speaker 1>different ways, and there's different body types, and there's like

0:36:57.880 --> 0:37:02.120
<v Speaker 1>Mike Myers has more body diversity in this movie all

0:37:02.160 --> 0:37:05.919
<v Speaker 1>of the female characters. Like, it's just it's very true

0:37:05.920 --> 0:37:07.840
<v Speaker 1>that well, the only thing he was body shamed about

0:37:07.880 --> 0:37:10.640
<v Speaker 1>was his teeth, and he got to fix that at

0:37:10.680 --> 0:37:13.919
<v Speaker 1>the end, he and and he still got the girl.

0:37:14.000 --> 0:37:16.879
<v Speaker 1>So like, I don't feel bad. It's he felt bad

0:37:16.880 --> 0:37:22.840
<v Speaker 1>about his teeth one time, ye, but I do you also,

0:37:23.000 --> 0:37:25.760
<v Speaker 1>I also don't remember, and correct me if I'm wrong.

0:37:26.280 --> 0:37:29.160
<v Speaker 1>But the moment where Vanessa did flip and she's like,

0:37:29.239 --> 0:37:33.080
<v Speaker 1>I do like him what happened? That was confusing to

0:37:33.120 --> 0:37:35.919
<v Speaker 1>me as well. Okay, yeah, I have this whole thing

0:37:36.160 --> 0:37:39.600
<v Speaker 1>beat by beat kind of mapped out because it barely

0:37:39.640 --> 0:37:44.279
<v Speaker 1>makes sense. But here's very good. Yeah, the story beats

0:37:44.280 --> 0:37:48.520
<v Speaker 1>as they relate to Miss Kensington. So she's introduced with

0:37:48.680 --> 0:37:53.520
<v Speaker 1>a very male gaze panning shot starting at her feet,

0:37:53.640 --> 0:37:57.440
<v Speaker 1>slow pan up her entire figure, objectifying to the extreme.

0:37:57.920 --> 0:38:01.800
<v Speaker 1>Austin powers then sexual harasses her for a few minutes,

0:38:02.200 --> 0:38:04.800
<v Speaker 1>she finally says, like, do me a favor and stop

0:38:04.840 --> 0:38:08.160
<v Speaker 1>calling me baby. You can address me as Agent Kensington.

0:38:08.600 --> 0:38:11.160
<v Speaker 1>Except she's going to backtrack on it in two seconds

0:38:11.520 --> 0:38:15.359
<v Speaker 1>exactly because he's like, oh, come on, and she's like,

0:38:15.440 --> 0:38:18.880
<v Speaker 1>all right, then, Vanessa, you can call me Vanessa. So

0:38:18.960 --> 0:38:22.080
<v Speaker 1>then we cut to a scene on Austin's private jet,

0:38:22.440 --> 0:38:25.839
<v Speaker 1>and this conversation is very frustrating, and it goes like this.

0:38:26.440 --> 0:38:30.200
<v Speaker 1>Austin says, how does a hot chick like you end

0:38:30.280 --> 0:38:33.680
<v Speaker 1>up working at the Ministry of Defense? And she's like, well,

0:38:33.719 --> 0:38:37.480
<v Speaker 1>I went to Oxford and I excelled in several subjects.

0:38:37.600 --> 0:38:40.600
<v Speaker 1>I ended up specializing in foreign languages. I really wanted

0:38:40.640 --> 0:38:42.960
<v Speaker 1>to travel, you know, see the world. He interrupts her,

0:38:43.000 --> 0:38:45.680
<v Speaker 1>and he says, that's fascinating, Vanessa, listen, why don't we

0:38:45.719 --> 0:38:50.160
<v Speaker 1>go in the back and shag amazing hilarious. She says, no,

0:38:50.680 --> 0:38:54.280
<v Speaker 1>please concentrate on the mission, like give your libido arrest.

0:38:54.960 --> 0:38:57.200
<v Speaker 1>And then he's like, okay, well let me show you

0:38:57.239 --> 0:39:01.200
<v Speaker 1>something and he beckons her over to his head. Then

0:39:01.320 --> 0:39:03.279
<v Speaker 1>he kind of springs this whole thing on her where

0:39:03.280 --> 0:39:06.120
<v Speaker 1>he's like, do I make you honey, baby? Do I

0:39:06.200 --> 0:39:09.400
<v Speaker 1>make you randy blah blah blah um. He pretends to

0:39:09.600 --> 0:39:12.279
<v Speaker 1>fall on top of her. She's like screaming and being like,

0:39:12.320 --> 0:39:16.000
<v Speaker 1>get off me, get away. She then jumps up and says,

0:39:16.160 --> 0:39:18.640
<v Speaker 1>I will never have sex with you, Mr. Powers. Ever,

0:39:18.960 --> 0:39:20.680
<v Speaker 1>if you were the last man on earth and I

0:39:20.760 --> 0:39:23.160
<v Speaker 1>was the last woman on Earth and the future of

0:39:23.160 --> 0:39:26.919
<v Speaker 1>the human race depended on our having sex simply for procreation,

0:39:27.200 --> 0:39:29.799
<v Speaker 1>I would still not have sex with you. And he's

0:39:29.840 --> 0:39:33.480
<v Speaker 1>like but then the scene ends with her like kind

0:39:33.520 --> 0:39:39.120
<v Speaker 1>of giggling at him and his antics, and it's it's like, yeah,

0:39:39.400 --> 0:39:42.439
<v Speaker 1>I guess foreshadowing of what's to come, which is him

0:39:42.480 --> 0:39:45.440
<v Speaker 1>wearing her down and her changing her mind. So a

0:39:45.480 --> 0:39:49.600
<v Speaker 1>little bit later, they arrive at a hotel in Vegas

0:39:50.160 --> 0:39:52.680
<v Speaker 1>and again Austin Powers is like, when are you going

0:39:52.719 --> 0:39:55.319
<v Speaker 1>to have sex with me? And she's like stop it,

0:39:55.600 --> 0:39:57.880
<v Speaker 1>and he's like, oh, I was just kidding. I'm just

0:39:57.920 --> 0:40:00.439
<v Speaker 1>trying to get a rise out of you. Then she's

0:40:00.480 --> 0:40:04.560
<v Speaker 1>like oh you and it's like no, he is like

0:40:04.719 --> 0:40:07.640
<v Speaker 1>sexually harassing you within an inch of your life right now,

0:40:07.680 --> 0:40:11.360
<v Speaker 1>Like well, that was yeah, that was like something that

0:40:11.440 --> 0:40:14.520
<v Speaker 1>really stood out to me of like a major failing

0:40:14.680 --> 0:40:18.239
<v Speaker 1>of the movie. Where I read UM was it was

0:40:18.280 --> 0:40:22.000
<v Speaker 1>a g Q piece that came out on the twentieth anniversary,

0:40:22.000 --> 0:40:24.400
<v Speaker 1>so like three years ago it came out and the

0:40:24.840 --> 0:40:28.080
<v Speaker 1>um let me see the author of the piece made

0:40:28.160 --> 0:40:32.080
<v Speaker 1>I think a pretty like smart comparison writer named Tom

0:40:32.120 --> 0:40:35.520
<v Speaker 1>Philip who's great um. He draws a line from Austin

0:40:35.560 --> 0:40:41.040
<v Speaker 1>Powers to mcgrouper and basically says that mcgrouber succeeds as

0:40:41.040 --> 0:40:45.920
<v Speaker 1>a satire where Austin Powers failed because mcgrouber, if I mean,

0:40:46.120 --> 0:40:48.800
<v Speaker 1>I like that movie a lot, it's like at least

0:40:48.840 --> 0:40:53.319
<v Speaker 1>holds the character accountable for fucking up at least some

0:40:53.480 --> 0:40:57.040
<v Speaker 1>of the time. Where Austin Powers, it's almost like a

0:40:57.160 --> 0:41:01.040
<v Speaker 1>boomer uncle attitude towards him, where they're like, well, he

0:41:01.160 --> 0:41:04.960
<v Speaker 1>doesn't understand, so it's fine. He can't be held accountable

0:41:05.000 --> 0:41:07.120
<v Speaker 1>for his actions because he doesn't understand what things are

0:41:07.120 --> 0:41:11.759
<v Speaker 1>like and and and that like the movie does not

0:41:11.880 --> 0:41:14.920
<v Speaker 1>extend the logic any further where like Vanessa has to

0:41:14.960 --> 0:41:17.000
<v Speaker 1>forgive him for these things because he doesn't get it,

0:41:17.080 --> 0:41:19.920
<v Speaker 1>and like there's no onus on Awesome Powers to have

0:41:20.000 --> 0:41:24.000
<v Speaker 1>to grow as a person, right exactly except to accept

0:41:24.160 --> 0:41:26.480
<v Speaker 1>monogamy into his life. That's the one thing he has

0:41:26.520 --> 0:41:30.120
<v Speaker 1>to do right, and that comes pretty much next where

0:41:30.880 --> 0:41:34.440
<v Speaker 1>the next major thing that happens between them is um,

0:41:34.440 --> 0:41:37.280
<v Speaker 1>we see Vanessa on the phone with her mom, who

0:41:37.320 --> 0:41:39.960
<v Speaker 1>also does not seem to have really aged at all

0:41:40.000 --> 0:41:42.120
<v Speaker 1>in thirty years, so like even though she would be

0:41:42.160 --> 0:41:45.480
<v Speaker 1>thirty years older, like she's not visibly thirty years older,

0:41:46.040 --> 0:41:48.839
<v Speaker 1>because heaven forbid we have a woman like in her

0:41:48.880 --> 0:41:52.400
<v Speaker 1>sixties on screen. Um. And when we do have a

0:41:52.440 --> 0:41:57.280
<v Speaker 1>woman in her sixties on screen, it's basil expositions mother

0:41:57.480 --> 0:42:01.480
<v Speaker 1>and she gets the face, gets called a man. Yeah,

0:42:01.520 --> 0:42:04.479
<v Speaker 1>there's so much. God, I'm just being reminded of so much.

0:42:04.560 --> 0:42:08.120
<v Speaker 1>That was so upsetting because, just to sidetrack a little bit,

0:42:08.160 --> 0:42:10.399
<v Speaker 1>there's that moment in the beginning of the movie where

0:42:10.480 --> 0:42:13.799
<v Speaker 1>like they're still in like sixty seven, they're in that

0:42:13.880 --> 0:42:17.279
<v Speaker 1>club and there's a woman who approaches Austin Powers and

0:42:17.480 --> 0:42:20.640
<v Speaker 1>he punches her in the face and everyone's like, oh

0:42:20.680 --> 0:42:22.600
<v Speaker 1>my god, what just happened? And then it cuts to

0:42:22.880 --> 0:42:26.680
<v Speaker 1>this woman is now suddenly a man, and you know,

0:42:26.840 --> 0:42:29.800
<v Speaker 1>Austin Powers pulls the wig off and it's like, see

0:42:29.840 --> 0:42:33.040
<v Speaker 1>he was a man. He's trying to kill me, which is,

0:42:33.120 --> 0:42:37.520
<v Speaker 1>I mean, what the like, that's horrible obviously, and then

0:42:37.960 --> 0:42:40.680
<v Speaker 1>the same thing happens later in the movie, except this

0:42:40.719 --> 0:42:44.560
<v Speaker 1>time he just thought that an older woman was a man,

0:42:45.200 --> 0:42:48.440
<v Speaker 1>punches this woman in the face and then everyone's like,

0:42:48.480 --> 0:42:51.040
<v Speaker 1>oh my god, why did you punch Basil's mother And

0:42:51.080 --> 0:42:53.879
<v Speaker 1>he's like, ah, I thought she was a man. That's

0:42:53.920 --> 0:42:58.640
<v Speaker 1>the worst part is it's a callback. It's uh. Anyway,

0:42:58.760 --> 0:43:03.520
<v Speaker 1>So Vanessa is talking to her mother. She says something like,

0:43:03.560 --> 0:43:06.040
<v Speaker 1>oh wow, I can't believe you were able to resist

0:43:06.080 --> 0:43:10.120
<v Speaker 1>Austin Powers charms like you should want to have sex

0:43:10.160 --> 0:43:12.680
<v Speaker 1>with him because he's the most charming man alive, and

0:43:12.760 --> 0:43:15.160
<v Speaker 1>Vanessa is like, um, I don't see it. I don't

0:43:15.160 --> 0:43:19.200
<v Speaker 1>know what you're talking about. Blah blah blah. Then there's

0:43:19.239 --> 0:43:22.560
<v Speaker 1>a very quick scene where they're actually doing some work.

0:43:22.640 --> 0:43:24.799
<v Speaker 1>They're trying to find dr evil, but it lasts for

0:43:24.920 --> 0:43:28.720
<v Speaker 1>like thirty seconds, and then suddenly Austin Powers is like, Wow,

0:43:28.760 --> 0:43:31.160
<v Speaker 1>you're so beautiful. I'm going to take you out for

0:43:31.200 --> 0:43:33.160
<v Speaker 1>a night on the town. And then we cut to

0:43:33.200 --> 0:43:36.000
<v Speaker 1>this like romantic date that they're on. They're drinking champagne

0:43:36.560 --> 0:43:40.560
<v Speaker 1>bert back Iraq is serenading them, they're dancing, cut to

0:43:40.600 --> 0:43:43.239
<v Speaker 1>them playing twister in their hotel room, and then all

0:43:43.239 --> 0:43:47.400
<v Speaker 1>of a sudden, she's like, t he Austin, you're awesome,

0:43:47.440 --> 0:43:51.120
<v Speaker 1>You're so funny, Come have champagne with me. And then

0:43:51.320 --> 0:43:54.120
<v Speaker 1>there's this scene where, like the moment where she's trying

0:43:54.120 --> 0:43:57.359
<v Speaker 1>to come onto him because I guess her mother convinced

0:43:57.360 --> 0:44:00.000
<v Speaker 1>her that she should like him, Like that's my best

0:44:00.160 --> 0:44:03.959
<v Speaker 1>guess for why she has suddenly made this shift, because

0:44:04.040 --> 0:44:06.600
<v Speaker 1>she's she's like, kiss me, blah blah blah, and he's like, no,

0:44:06.800 --> 0:44:09.040
<v Speaker 1>you're you're smashed. It wouldn't be right. I'm not going

0:44:09.080 --> 0:44:11.920
<v Speaker 1>to kiss you when you're drunk. Why that he became

0:44:11.960 --> 0:44:15.879
<v Speaker 1>a gentleman right there, all of a sudden, right even

0:44:15.880 --> 0:44:19.319
<v Speaker 1>though he's been sexually harassing her NonStop for every moment

0:44:19.400 --> 0:44:22.520
<v Speaker 1>up till this point. And she's like, no, I finally

0:44:22.560 --> 0:44:25.200
<v Speaker 1>see what my mom was talking about. You're so funny,

0:44:25.239 --> 0:44:28.920
<v Speaker 1>you're so charming. And it's like, where is this coming from?

0:44:28.920 --> 0:44:33.560
<v Speaker 1>Like the choice to make her make this shift after

0:44:33.680 --> 0:44:38.040
<v Speaker 1>he's sexually harassed her NonStop, it's so frustrating. It's almost

0:44:38.040 --> 0:44:40.480
<v Speaker 1>like oh maybe, It's like, oh maybe she needed to

0:44:40.480 --> 0:44:43.680
<v Speaker 1>be told she was beautiful, because that's what set it off.

0:44:44.120 --> 0:44:47.000
<v Speaker 1>It was so weird, you know, in broad daylights, Like

0:44:47.000 --> 0:44:50.239
<v Speaker 1>he saw her in broad daylight for once outside and

0:44:50.360 --> 0:44:52.560
<v Speaker 1>he was just like, oh my god, you're so beautiful,

0:44:52.680 --> 0:44:56.279
<v Speaker 1>and she was like, yes, nine out on town. I

0:44:56.920 --> 0:45:00.440
<v Speaker 1>don't care. Can't make sense of it. And there's a

0:45:00.480 --> 0:45:03.600
<v Speaker 1>little bit of time where like Austin has sex with

0:45:04.040 --> 0:45:07.160
<v Speaker 1>a lot of vagina, which how could we not have

0:45:07.480 --> 0:45:11.840
<v Speaker 1>brought that up? I mean, that's an obvious like parody

0:45:12.120 --> 0:45:16.040
<v Speaker 1>for the pussy Galore character from whatever bad film that is.

0:45:16.080 --> 0:45:19.440
<v Speaker 1>But like, but again it's like, what is the commentary

0:45:19.480 --> 0:45:23.000
<v Speaker 1>I think it's just kind of doing it again. She's

0:45:23.040 --> 0:45:25.880
<v Speaker 1>like the she's the fem fatale, but her name is

0:45:25.880 --> 0:45:30.399
<v Speaker 1>even somehow goofier than pussy Galore. Like they're just there's

0:45:30.440 --> 0:45:33.440
<v Speaker 1>no commentary there. It just is you've got to be

0:45:33.480 --> 0:45:36.799
<v Speaker 1>smarter than what you're trying to make fun of exactly,

0:45:36.840 --> 0:45:39.719
<v Speaker 1>and this movie is not. But you know, he has

0:45:39.760 --> 0:45:43.680
<v Speaker 1>sex with her and then Vanessa's like, well, gee whiz,

0:45:43.840 --> 0:45:46.640
<v Speaker 1>if you want us to have a relationship, you gotta

0:45:47.080 --> 0:45:49.240
<v Speaker 1>get it through your head at the times have change.

0:45:49.400 --> 0:45:52.680
<v Speaker 1>This is the nineties because I guess now she wants

0:45:52.680 --> 0:45:54.760
<v Speaker 1>a relationship. But it's like, Okay, all of a sudden,

0:45:54.800 --> 0:45:58.759
<v Speaker 1>they're in a relationship. That wasn't I thought I had

0:45:58.800 --> 0:46:03.359
<v Speaker 1>missed something too. I was like, because she didn't, I

0:46:03.440 --> 0:46:06.799
<v Speaker 1>was like, wait, did I like black? Like what? And

0:46:06.840 --> 0:46:11.080
<v Speaker 1>then she it's that classic move that movies do, and

0:46:11.160 --> 0:46:14.600
<v Speaker 1>by classic I mean bad where they're they're like, oh,

0:46:14.719 --> 0:46:16.680
<v Speaker 1>she's at the top of her field. She's really good

0:46:16.680 --> 0:46:18.920
<v Speaker 1>at her job. And then we kind of see that

0:46:18.960 --> 0:46:20.960
<v Speaker 1>happen like one time. But then for the most part,

0:46:21.000 --> 0:46:24.839
<v Speaker 1>she just becomes the love interest and she is like

0:46:24.880 --> 0:46:27.160
<v Speaker 1>I'm a little bit jealous, and you're like, oh, my

0:46:27.280 --> 0:46:29.920
<v Speaker 1>fucking guy, like the bad look for everyone, like she

0:46:30.480 --> 0:46:32.600
<v Speaker 1>they're not in a relationship, but then when she says

0:46:32.760 --> 0:46:34.719
<v Speaker 1>that they are, he's like, oh, we are. And then

0:46:34.719 --> 0:46:37.239
<v Speaker 1>it just gets confusing. You almost feel like there's like

0:46:37.280 --> 0:46:40.520
<v Speaker 1>a missing scene there or something totally where like she

0:46:40.640 --> 0:46:43.960
<v Speaker 1>has completely come around, which like why would she? But

0:46:44.160 --> 0:46:46.160
<v Speaker 1>of course the movie makes her make the choice to

0:46:47.040 --> 0:46:51.120
<v Speaker 1>come around, and then suddenly they're in a relationship, and

0:46:51.160 --> 0:46:54.960
<v Speaker 1>then cut to the end and they are married. Um,

0:46:55.080 --> 0:46:59.440
<v Speaker 1>and then cut to the following movie, The Spy Who

0:46:59.480 --> 0:47:04.160
<v Speaker 1>Shagged me. That movie opens with Austin Powers discovering that

0:47:04.440 --> 0:47:10.360
<v Speaker 1>his his wife Vanessa, was a fembot the whole time,

0:47:11.000 --> 0:47:15.080
<v Speaker 1>who tries to kill him and then she explodes. You know,

0:47:15.200 --> 0:47:17.000
<v Speaker 1>it's this whole thing where he's like, oh wow, I

0:47:17.040 --> 0:47:20.440
<v Speaker 1>can't believe my beautiful wife, the love of my life,

0:47:20.480 --> 0:47:23.359
<v Speaker 1>was a fembott all along. And then he's like, wait

0:47:23.400 --> 0:47:30.759
<v Speaker 1>a minute, that means I'm single again. Yaya what that's

0:47:30.800 --> 0:47:34.760
<v Speaker 1>how they saw That's how they solve getting rid of her, Yes, exactly,

0:47:35.200 --> 0:47:39.800
<v Speaker 1>which okay, So I was like, maybe again it's I

0:47:39.840 --> 0:47:43.120
<v Speaker 1>guess it's sort of parody in terms of maybe it's satire.

0:47:43.160 --> 0:47:46.440
<v Speaker 1>I don't know, it's I think the acknowledgement that, like

0:47:47.040 --> 0:47:52.440
<v Speaker 1>the Bond franchise and similar like action spy franchises, treat

0:47:52.480 --> 0:47:56.560
<v Speaker 1>women as though they are expendable and disposable, because at

0:47:56.560 --> 0:47:59.680
<v Speaker 1>the beginning of this movie, the main female character from

0:47:59.680 --> 0:48:01.759
<v Speaker 1>the first movie is made to be evil for no

0:48:01.840 --> 0:48:05.000
<v Speaker 1>reason and then killed off immediately. But again, there's no

0:48:05.080 --> 0:48:09.000
<v Speaker 1>commentary being offered here. It's just again participating in the

0:48:09.080 --> 0:48:12.000
<v Speaker 1>same sex as trope. I have. I have a question

0:48:12.000 --> 0:48:15.320
<v Speaker 1>about that. Does that mean that Mrs Kensington is also

0:48:15.440 --> 0:48:18.719
<v Speaker 1>an evil person. She was in on it, and that's

0:48:18.760 --> 0:48:21.600
<v Speaker 1>not really her daughter that was. It makes no sense

0:48:21.800 --> 0:48:23.640
<v Speaker 1>that wasn't. And then I'm also like, why wouldn't they

0:48:23.640 --> 0:48:28.080
<v Speaker 1>have frozen Mrs Kensington Like, yeah, it doesn't make sense

0:48:28.120 --> 0:48:30.480
<v Speaker 1>to me because she was like in theory Austin Powers

0:48:30.600 --> 0:48:35.040
<v Speaker 1>is equal. I don't get it that. And after this

0:48:35.120 --> 0:48:38.799
<v Speaker 1>happens in the sequel, basil exposition is like, yeah, we

0:48:38.880 --> 0:48:41.399
<v Speaker 1>knew she was a fembot the whole time, and then

0:48:41.400 --> 0:48:44.360
<v Speaker 1>like Austin Powers gives this weird look and I guess

0:48:44.360 --> 0:48:48.600
<v Speaker 1>that excuses the lack of narrative justification for why they

0:48:48.840 --> 0:48:51.920
<v Speaker 1>killed her off. But it's just like, are you fucking

0:48:52.000 --> 0:48:57.080
<v Speaker 1>kidding me? Right right? You're just like what? Um? But anyway,

0:48:57.080 --> 0:48:59.799
<v Speaker 1>so back to the first movie, Um, yes, the way

0:48:59.800 --> 0:49:03.080
<v Speaker 1>that she is, I mean, it was just deplorable to

0:49:03.120 --> 0:49:07.719
<v Speaker 1>see her be sexually harassed by him NonStop, but then

0:49:07.760 --> 0:49:11.279
<v Speaker 1>to also see her like secretly be like t he

0:49:11.480 --> 0:49:14.799
<v Speaker 1>I actually kind of like this, right, I mean, it

0:49:14.880 --> 0:49:18.760
<v Speaker 1>just sets up every bad precedent that like movies, especially

0:49:19.040 --> 0:49:22.520
<v Speaker 1>especially at a movie that like realistically was targeted at

0:49:22.640 --> 0:49:27.560
<v Speaker 1>young men, Like that is just every irresponsible thing you

0:49:27.600 --> 0:49:30.160
<v Speaker 1>can do with the movie for young men is like

0:49:30.719 --> 0:49:32.719
<v Speaker 1>tell them it's okay to sectually her ask people that

0:49:32.760 --> 0:49:36.200
<v Speaker 1>this is what women actually want, that women are to

0:49:36.200 --> 0:49:39.680
<v Speaker 1>be viewed a certain way, like like it's it comes

0:49:39.719 --> 0:49:43.000
<v Speaker 1>down again to like the responsibility of like I think

0:49:43.120 --> 0:49:46.480
<v Speaker 1>Mike Myers thinks this is satire for them. I think, like,

0:49:47.040 --> 0:49:49.840
<v Speaker 1>and if that's the case, then it's like you carry

0:49:49.840 --> 0:49:53.160
<v Speaker 1>your responsibility with that you have, like you. It drives

0:49:53.200 --> 0:49:57.520
<v Speaker 1>me like up a wall when people suggest like, well,

0:49:57.680 --> 0:50:00.640
<v Speaker 1>I don't actually need to take my audience into account

0:50:00.640 --> 0:50:02.440
<v Speaker 1>when I make things. I make whatever I want and

0:50:02.440 --> 0:50:05.080
<v Speaker 1>blah blah blah, where it's like Mike Myers, you know,

0:50:05.239 --> 0:50:11.239
<v Speaker 1>your audience is like preteen, Like it's kids and like

0:50:11.360 --> 0:50:14.239
<v Speaker 1>and young people and like, you know, movies like this

0:50:14.400 --> 0:50:17.640
<v Speaker 1>definitely have like a lasting impact, even though it seems

0:50:17.760 --> 0:50:20.960
<v Speaker 1>goofy and stupid and mostly just something that annoying people

0:50:21.080 --> 0:50:25.560
<v Speaker 1>quote still for some reason, but it does have elastic

0:50:25.560 --> 0:50:29.399
<v Speaker 1>effect on people. And it's like, yeah, if you that

0:50:29.480 --> 0:50:32.040
<v Speaker 1>was so that little giggle shot really killed me. I

0:50:32.080 --> 0:50:35.440
<v Speaker 1>hate you know it has it has a lasting effect

0:50:35.440 --> 0:50:37.480
<v Speaker 1>on people because there are people out there who go,

0:50:38.080 --> 0:50:42.640
<v Speaker 1>I am going to make money dressing up like him,

0:50:43.239 --> 0:50:46.520
<v Speaker 1>driving a car just like him and doing and doing

0:50:46.560 --> 0:50:49.960
<v Speaker 1>weird dinner parties because I mean, I guess you kind

0:50:49.960 --> 0:50:51.560
<v Speaker 1>of have to look like the person. You have to

0:50:51.600 --> 0:50:54.719
<v Speaker 1>be practical about that too. You can't just want to

0:50:54.760 --> 0:50:58.480
<v Speaker 1>impersonate anybody, right, You have to have at least similar features.

0:50:58.520 --> 0:51:02.239
<v Speaker 1>So maybe you don't have a choice, but you know, maybe, yeah,

0:51:02.320 --> 0:51:05.440
<v Speaker 1>maybe he was just he just looked already exactly like

0:51:05.480 --> 0:51:07.239
<v Speaker 1>Austin Powers, and he's like, well, I can make a

0:51:07.320 --> 0:51:09.760
<v Speaker 1>career out of this. And for the people who don't

0:51:09.760 --> 0:51:12.480
<v Speaker 1>look like him, they set up a pop up bar

0:51:12.600 --> 0:51:19.960
<v Speaker 1>in Glendale, California. I liked seeing Carrie Fisher. I she's

0:51:20.000 --> 0:51:23.920
<v Speaker 1>deserved so much better. But it was like a bright spot.

0:51:24.000 --> 0:51:29.359
<v Speaker 1>You're like, oh, there's someone here. I like, this is good. Uh,

0:51:29.440 --> 0:51:32.560
<v Speaker 1>We've got to take a groovy little break, but we'll

0:51:32.600 --> 0:51:41.160
<v Speaker 1>be right back, baby. There is a chunk at the

0:51:41.360 --> 0:51:45.120
<v Speaker 1>end that went a little better than I expected. It's

0:51:45.120 --> 0:51:47.239
<v Speaker 1>not to say that it's good at all, but I

0:51:47.320 --> 0:51:50.360
<v Speaker 1>was like, oh, this isn't as horrible as I was

0:51:50.440 --> 0:51:53.200
<v Speaker 1>expecting it to be, considering everything that's happened up till

0:51:53.239 --> 0:51:57.040
<v Speaker 1>this point. But um, at the end, both Vanessa and

0:51:57.200 --> 0:52:00.799
<v Speaker 1>Austin are there like near dr evils secret layer, and

0:52:00.800 --> 0:52:04.920
<v Speaker 1>they get captured and they are largely able to escape.

0:52:05.000 --> 0:52:08.000
<v Speaker 1>This is when they're like surrounded by the like mutated

0:52:08.080 --> 0:52:12.080
<v Speaker 1>sea bass or whatever. They're able to escape largely because

0:52:12.120 --> 0:52:15.480
<v Speaker 1>of all the dental equipment that she brought with her.

0:52:16.360 --> 0:52:19.520
<v Speaker 1>Then she goes and gets help and brings back an army,

0:52:19.719 --> 0:52:23.239
<v Speaker 1>so she was more active than I was thinking. I

0:52:23.280 --> 0:52:25.800
<v Speaker 1>was like, Oh, she's probably just gonna get like tied

0:52:25.920 --> 0:52:29.520
<v Speaker 1>up and damseled and infringed, and that does happen a

0:52:29.600 --> 0:52:34.360
<v Speaker 1>moment later, when um a lot of vagina is holding

0:52:34.400 --> 0:52:37.520
<v Speaker 1>her hostage, but then Vanessa chops her and escapes on

0:52:37.560 --> 0:52:39.799
<v Speaker 1>her own. She does not need to be saved by

0:52:39.840 --> 0:52:42.280
<v Speaker 1>Austin powers. So I was like, Okay, that's a little

0:52:42.360 --> 0:52:46.120
<v Speaker 1>better than what I was expecting. I was, yeah, I

0:52:46.160 --> 0:52:49.640
<v Speaker 1>was like. The other thing I noticed about that scene too,

0:52:49.800 --> 0:52:52.200
<v Speaker 1>is like it was almost I don't know how intentional

0:52:52.280 --> 0:52:54.480
<v Speaker 1>it was, but it was a bit of an inversion

0:52:54.760 --> 0:52:57.040
<v Speaker 1>of like how you would normally expect this seems to

0:52:57.080 --> 0:53:01.360
<v Speaker 1>go because she was actively the action hero of the

0:53:01.400 --> 0:53:05.600
<v Speaker 1>scene while Austin is trying to use his sexual whiles

0:53:05.719 --> 0:53:07.960
<v Speaker 1>to get out of a situation and I feel like

0:53:08.040 --> 0:53:12.279
<v Speaker 1>normally you would see that dynamic in the reverse where

0:53:12.360 --> 0:53:15.680
<v Speaker 1>like a woman has to seduce someone to get out

0:53:15.680 --> 0:53:18.960
<v Speaker 1>of a compromising situation. We've seen that a billion, a

0:53:19.120 --> 0:53:25.560
<v Speaker 1>hundred billion times one hundred billion. I mean, in that scene,

0:53:25.600 --> 0:53:28.120
<v Speaker 1>at least Austin is the person that has to use

0:53:28.239 --> 0:53:32.279
<v Speaker 1>his like sexual whiles to get out of a compromising situation.

0:53:32.480 --> 0:53:35.520
<v Speaker 1>So it's not much, but it was better than like

0:53:35.560 --> 0:53:37.560
<v Speaker 1>you're saying, it was like slightly better than what I

0:53:37.640 --> 0:53:40.680
<v Speaker 1>was expected for it. But then that just means that

0:53:40.760 --> 0:53:44.040
<v Speaker 1>all those fembots have to die. We see like, oh, yes,

0:53:44.080 --> 0:53:46.360
<v Speaker 1>we love to see a woman get punched or explode

0:53:46.400 --> 0:53:51.960
<v Speaker 1>in this yes, because they couldn't handle a man, you know,

0:53:52.040 --> 0:53:55.680
<v Speaker 1>being so sexy. And with the fembots, it's like, I mean, honestly,

0:53:55.760 --> 0:53:58.759
<v Speaker 1>like I still think the aesthetic of the fembots is

0:53:58.840 --> 0:54:02.279
<v Speaker 1>like kind of iconic, but that's just because that it's

0:54:02.320 --> 0:54:06.520
<v Speaker 1>barbarella um and I you can draw a direct line

0:54:06.520 --> 0:54:09.520
<v Speaker 1>from do you remember that Katy Perry music video where

0:54:09.560 --> 0:54:12.960
<v Speaker 1>she shoots out of her booth? Thought of that, Well,

0:54:13.000 --> 0:54:17.839
<v Speaker 1>that's a brilliant commentary anyway, the but the fem bats

0:54:17.880 --> 0:54:20.840
<v Speaker 1>are ultimately like this, um you know, they're they're carrying

0:54:20.840 --> 0:54:23.480
<v Speaker 1>out I mean, I guess that Frau far Bisina did

0:54:23.840 --> 0:54:27.799
<v Speaker 1>invent them, but they're ultimately like these sexy ladies that

0:54:28.000 --> 0:54:30.759
<v Speaker 1>don't have names, who are meant to carry out the

0:54:30.920 --> 0:54:36.760
<v Speaker 1>wishes of Doctor Evil. So not feminist icons. Fraul far Bisina,

0:54:37.160 --> 0:54:40.000
<v Speaker 1>I think is the best female character of the franchise.

0:54:40.280 --> 0:54:43.520
<v Speaker 1>She's pretty much the only consistent one. She and all

0:54:43.560 --> 0:54:45.959
<v Speaker 1>of them. She's in all of them. Oh that's fine,

0:54:46.960 --> 0:54:50.080
<v Speaker 1>but she's not necessarily you know, treated I think the

0:54:50.200 --> 0:54:53.239
<v Speaker 1>second movie a joke has made at her expense. Where

0:54:54.000 --> 0:54:58.480
<v Speaker 1>so Dr Evil and Austin Powers go back in time too,

0:54:58.520 --> 0:55:01.880
<v Speaker 1>I think nineteen sixty nine, and that's where most of

0:55:01.880 --> 0:55:06.320
<v Speaker 1>the movie takes place. So Dr Evil he's like, oh wow,

0:55:06.400 --> 0:55:09.040
<v Speaker 1>number two, you look so young and handsome in nineteen

0:55:09.160 --> 0:55:13.080
<v Speaker 1>sixty nine. And he's literally played by Rob Low, you know,

0:55:13.239 --> 0:55:16.920
<v Speaker 1>one of the handsomest mental A deleted scene from the

0:55:16.960 --> 0:55:20.520
<v Speaker 1>first movie too, I saw really interested. So I guess

0:55:20.520 --> 0:55:23.440
<v Speaker 1>he was there from the jump, I guess. I mean,

0:55:23.640 --> 0:55:25.600
<v Speaker 1>but he was in Wayne's world too, So maybe him

0:55:25.600 --> 0:55:28.680
<v Speaker 1>and Mike Myers are just like they're best friends. Maybe,

0:55:28.719 --> 0:55:31.279
<v Speaker 1>but anyway, so he so number two gets to be

0:55:31.320 --> 0:55:33.400
<v Speaker 1>played like the young version of number two gets to

0:55:33.440 --> 0:55:37.080
<v Speaker 1>be played by a very handsome actor. Whereas the joke

0:55:37.239 --> 0:55:40.360
<v Speaker 1>is made that she looks the same, exact same, she

0:55:40.400 --> 0:55:43.239
<v Speaker 1>doesn't get to be I guess the joke is like, oh,

0:55:43.520 --> 0:55:47.640
<v Speaker 1>she's you know, pretty average looking, no matter what decade

0:55:47.719 --> 0:55:51.120
<v Speaker 1>it is. I mean, there is the good thing there,

0:55:51.160 --> 0:55:54.920
<v Speaker 1>which is that Mindy Sterling is getting paid. Yes, there's

0:55:54.960 --> 0:55:57.000
<v Speaker 1>no one in the second movie. It sounds like that

0:55:57.080 --> 0:56:01.280
<v Speaker 1>knows what happened to Natalie Wood. That's true, that's true.

0:56:01.920 --> 0:56:05.320
<v Speaker 1>And just while we're on the second movie, a couple

0:56:05.719 --> 0:56:09.880
<v Speaker 1>things to say about that real quick that Heather Graham

0:56:10.160 --> 0:56:13.000
<v Speaker 1>Um plays a character named Felicity Shaguell. She is the

0:56:13.040 --> 0:56:18.080
<v Speaker 1>main female character, and like Um ally to Austin Powers,

0:56:18.920 --> 0:56:23.839
<v Speaker 1>she is shown as being extremely horny for Austin right

0:56:23.960 --> 0:56:27.200
<v Speaker 1>from the jump. But the big obstacle of that movie

0:56:27.320 --> 0:56:29.600
<v Speaker 1>is that he can't do anything about it because he's

0:56:29.680 --> 0:56:33.960
<v Speaker 1>lost his mojo, which again might be slight commentary on

0:56:34.000 --> 0:56:36.840
<v Speaker 1>what you were talking about earlier, Jamie, with like the

0:56:36.920 --> 0:56:43.240
<v Speaker 1>masculinity aspect of this type of like you know, British superspy,

0:56:43.760 --> 0:56:46.239
<v Speaker 1>but like again I don't I don't know what they're

0:56:46.280 --> 0:56:50.000
<v Speaker 1>trying to say with this the commentary, it's the audience

0:56:50.000 --> 0:56:52.399
<v Speaker 1>of this movie is like I think a little bit

0:56:52.560 --> 0:56:55.680
<v Speaker 1>jarring and confusing, because it's like most people see this

0:56:55.800 --> 0:56:58.719
<v Speaker 1>movie are and like quoting this movie are kids and

0:56:58.760 --> 0:57:02.200
<v Speaker 1>teenagers who just based on the time the movie came out,

0:57:02.200 --> 0:57:06.000
<v Speaker 1>would have no like life understanding of what the movie

0:57:06.200 --> 0:57:09.480
<v Speaker 1>is parodying. But then it's making all these references that

0:57:09.520 --> 0:57:12.560
<v Speaker 1>seem to be for their parents. But that's not like

0:57:12.640 --> 0:57:14.600
<v Speaker 1>I'm sure parents are watching the movie, but not in

0:57:14.600 --> 0:57:17.200
<v Speaker 1>the same like what. It's just weird. It's just like

0:57:17.240 --> 0:57:20.040
<v Speaker 1>it's just kind of Uncanny Valley, and like I think

0:57:20.080 --> 0:57:22.320
<v Speaker 1>Mike Myers is not making it for kids, but that's

0:57:22.360 --> 0:57:26.160
<v Speaker 1>who's watching it, and so for the intended commentary just

0:57:26.200 --> 0:57:29.320
<v Speaker 1>gets completely lost. If there is any I don't know.

0:57:29.480 --> 0:57:33.040
<v Speaker 1>I wasn't alive in the sixties in England, I was.

0:57:34.800 --> 0:57:37.360
<v Speaker 1>It is so interesting with that said, is that like

0:57:37.440 --> 0:57:40.160
<v Speaker 1>the audience you weren't making it for or the fans,

0:57:40.200 --> 0:57:42.520
<v Speaker 1>and because they don't get the references, that means they're

0:57:42.560 --> 0:57:45.240
<v Speaker 1>taking it at face value and actually liking that. I

0:57:45.280 --> 0:57:48.200
<v Speaker 1>mean no, I mean not as a read at all.

0:57:48.320 --> 0:57:50.520
<v Speaker 1>On people who did watch it as kids and they

0:57:50.920 --> 0:57:55.280
<v Speaker 1>liked it, Caitlin, thank you, you know, but um, it's

0:57:55.320 --> 0:57:57.840
<v Speaker 1>it's so weird to It's kind of like some Sasha

0:57:57.880 --> 0:58:01.560
<v Speaker 1>Bear and Cohen movies where people who he's making fun

0:58:01.600 --> 0:58:04.000
<v Speaker 1>of like it and they have no idea he's making

0:58:04.040 --> 0:58:10.400
<v Speaker 1>fun of them, you know, right right, because they're just like, oh,

0:58:10.560 --> 0:58:14.600
<v Speaker 1>sex jokes, homo jokes or whatever, you know, and so

0:58:14.640 --> 0:58:20.640
<v Speaker 1>they don't get that there he's making fun of homo phobia. Right. Wait,

0:58:20.680 --> 0:58:22.760
<v Speaker 1>so how do he lose his mojo? Is it because

0:58:22.800 --> 0:58:26.000
<v Speaker 1>he lost his wife and he's sad about oh? He Oh,

0:58:26.320 --> 0:58:30.360
<v Speaker 1>I'd love to tell you. Nope, nothing like that. It

0:58:30.520 --> 0:58:34.920
<v Speaker 1>is that the character Fat Bastard steals it from him.

0:58:34.960 --> 0:58:38.960
<v Speaker 1>So of course we have Fat Bastard. This is one

0:58:39.280 --> 0:58:42.600
<v Speaker 1>long fat shaming joke. One of the worst, if not

0:58:42.720 --> 0:58:46.440
<v Speaker 1>the worst offender of a fat joke in movie history,

0:58:46.640 --> 0:58:50.280
<v Speaker 1>is the character Fat Bastard. He shows up again in

0:58:50.320 --> 0:58:54.920
<v Speaker 1>the third movie as well. It is despicable. Similarly, I

0:58:54.960 --> 0:58:58.640
<v Speaker 1>would argue that the mini Me character, many many jokes

0:58:58.680 --> 0:59:03.280
<v Speaker 1>are made at the pens of Verne Troyer and his

0:59:03.560 --> 0:59:06.520
<v Speaker 1>size and his body rest in power. Um so you

0:59:06.600 --> 0:59:11.560
<v Speaker 1>have all these This doesn't happen to a large degree

0:59:11.600 --> 0:59:13.840
<v Speaker 1>in the first movie, but starting with the second movie

0:59:14.440 --> 0:59:18.400
<v Speaker 1>of this trilogy, there is all these jokes made at

0:59:18.440 --> 0:59:21.720
<v Speaker 1>the expense of various people's bodies and and looks and

0:59:21.760 --> 0:59:27.120
<v Speaker 1>things like that, so that is obviously unacceptable. The most

0:59:27.160 --> 0:59:32.439
<v Speaker 1>important thing though about Austin Powers too, is that when

0:59:32.440 --> 0:59:36.640
<v Speaker 1>they're tracking Fat Bastard, at one point Austin's like the

0:59:36.680 --> 0:59:44.320
<v Speaker 1>signals come through. He's at Paddington Station. So it's forgiven

0:59:44.440 --> 0:59:50.320
<v Speaker 1>it's for you. No, but there is the Paddington reference. Um.

0:59:50.360 --> 0:59:53.920
<v Speaker 1>And if only this movie about a British person wearing

0:59:53.960 --> 0:59:57.000
<v Speaker 1>a blue jacket was not about Austin Powers and it

0:59:57.040 --> 1:00:01.520
<v Speaker 1>was instead about Paddington Bear. If I may, I think

1:00:01.520 --> 1:00:03.920
<v Speaker 1>that maybe this I don't know, if this is this

1:00:04.000 --> 1:00:07.200
<v Speaker 1>isn't really an Alpha Molina type movie. No, No, he

1:00:07.240 --> 1:00:09.720
<v Speaker 1>would not set foot on that set. I don't think so.

1:00:09.840 --> 1:00:12.400
<v Speaker 1>And even if he was offered a part um, he

1:00:12.480 --> 1:00:15.680
<v Speaker 1>was probably busy shooting his iconic part in Boogie Nights,

1:00:15.720 --> 1:00:22.680
<v Speaker 1>which comes out the same year. True interesting, y'all know there.

1:00:22.760 --> 1:00:25.280
<v Speaker 1>I just have his Wikipedia page open at all times.

1:00:29.000 --> 1:00:31.320
<v Speaker 1>And then as far as like Austin Powers three, this

1:00:31.400 --> 1:00:33.160
<v Speaker 1>is the one I'm least familiar with. I only saw

1:00:33.200 --> 1:00:37.400
<v Speaker 1>it once, but there's just the Beyonce one. There's a

1:00:37.440 --> 1:00:42.160
<v Speaker 1>whole slew of racist jokes throughout the movie. Is she

1:00:42.760 --> 1:00:47.640
<v Speaker 1>his love interest? Um, she's like his like spy partner.

1:00:47.720 --> 1:00:50.720
<v Speaker 1>I don't think they ever have any sort of I

1:00:50.760 --> 1:00:53.280
<v Speaker 1>don't remember. I think they do kiss at the end.

1:00:53.320 --> 1:00:55.760
<v Speaker 1>I think yeah, but it's not quite it's not quite

1:00:55.800 --> 1:00:58.520
<v Speaker 1>framed the same way as it is in the first

1:00:58.560 --> 1:01:00.600
<v Speaker 1>two movies. I hate that B and I had to

1:01:00.760 --> 1:01:04.120
<v Speaker 1>kiss Mike Myers, But then I would also be pissed

1:01:04.160 --> 1:01:06.560
<v Speaker 1>if he had no interest in Beyonce at all, you

1:01:06.600 --> 1:01:10.880
<v Speaker 1>know right, That would also be racist, right, Like, oh,

1:01:11.080 --> 1:01:14.920
<v Speaker 1>is it because she's black? You know right? Well, yeah,

1:01:15.160 --> 1:01:18.280
<v Speaker 1>we've talked about that a lot in recent episodes of

1:01:18.360 --> 1:01:23.040
<v Speaker 1>like this, especially in this era, like a resistance to

1:01:23.040 --> 1:01:27.120
<v Speaker 1>showing any interracial couples on screen, and how like it

1:01:27.240 --> 1:01:32.040
<v Speaker 1>sometimes gets confused even by us at certain points of like, oh,

1:01:32.080 --> 1:01:34.520
<v Speaker 1>that's cool that they didn't force a love interest, and

1:01:34.520 --> 1:01:36.680
<v Speaker 1>and then like, I mean it was when we were

1:01:36.680 --> 1:01:39.360
<v Speaker 1>talking about bad boys, but it was like, oh, well

1:01:39.400 --> 1:01:42.040
<v Speaker 1>that was because in this time, it wasn't that they

1:01:42.040 --> 1:01:45.120
<v Speaker 1>were doing something feminists, is that they were doing something racist.

1:01:46.240 --> 1:01:52.760
<v Speaker 1>Oh totally yes, if if memory serves, they do share

1:01:52.960 --> 1:01:55.000
<v Speaker 1>They are like flirting a lot throughout the movie, and

1:01:55.040 --> 1:01:57.400
<v Speaker 1>they do share a kiss at the end, but he

1:01:57.600 --> 1:02:01.120
<v Speaker 1>is not trying to shag the time, not trying to

1:02:01.720 --> 1:02:05.360
<v Speaker 1>shag her relentlessly in a harassing way. Again, as far

1:02:05.400 --> 1:02:08.520
<v Speaker 1>as I was like watching like in the middle of

1:02:08.720 --> 1:02:12.680
<v Speaker 1>the night. So who knows what my memory is doing.

1:02:12.920 --> 1:02:16.360
<v Speaker 1>But either way, none of these movies are good and

1:02:16.360 --> 1:02:23.000
<v Speaker 1>they're all treat women terribly. Also, I mean, just because

1:02:23.040 --> 1:02:25.240
<v Speaker 1>we referenced it at the top of the episode, this

1:02:25.280 --> 1:02:28.040
<v Speaker 1>movie this true. I mean they are all three directed

1:02:28.040 --> 1:02:31.920
<v Speaker 1>by Jay Roach Caitlin. Oh I believe they are. Yes,

1:02:32.640 --> 1:02:34.880
<v Speaker 1>so j ro okay. So this is like one of

1:02:34.920 --> 1:02:38.320
<v Speaker 1>my least favorite trends in recent movie history. I hate

1:02:38.320 --> 1:02:40.640
<v Speaker 1>it so much. We've talked about it before on the

1:02:40.720 --> 1:02:47.640
<v Speaker 1>Mate Treon, But this whole like trend of men who

1:02:47.760 --> 1:02:52.920
<v Speaker 1>directed incredibly offensive broad nineties and early two thousands comedies

1:02:53.240 --> 1:02:57.480
<v Speaker 1>getting this second act now directing movies that are supposed

1:02:57.520 --> 1:03:01.480
<v Speaker 1>to be feminist or like or I guess progressive in general.

1:03:01.560 --> 1:03:04.480
<v Speaker 1>Where you have the Fairly Brothers with Green Book, which

1:03:04.520 --> 1:03:08.560
<v Speaker 1>is a trash movie that want a ton of oscars,

1:03:08.760 --> 1:03:11.240
<v Speaker 1>Eric you have, I mean for but in Jay Roach

1:03:11.560 --> 1:03:15.960
<v Speaker 1>directed Bombshell, which was supposed to be the feminist movie

1:03:16.200 --> 1:03:19.840
<v Speaker 1>of the movie season. It wasn't. It didn't make any

1:03:19.880 --> 1:03:22.720
<v Speaker 1>fucking sense and it wasn't very good. But this is

1:03:22.720 --> 1:03:26.640
<v Speaker 1>the fact that like these prestige projects that are about

1:03:27.240 --> 1:03:29.840
<v Speaker 1>women and people of color, and they're just being given

1:03:29.840 --> 1:03:33.880
<v Speaker 1>to these guys that did these outwardly, like their whole

1:03:34.000 --> 1:03:39.920
<v Speaker 1>resume is like across the board. J roaches resume is sexist, sexist, sexist.

1:03:39.960 --> 1:03:42.080
<v Speaker 1>What I didn't say that right any of the three

1:03:42.080 --> 1:03:47.160
<v Speaker 1>times understood, but like but but then that they're like, yeah,

1:03:47.240 --> 1:03:50.600
<v Speaker 1>you know what, he should get an opportunity to direct

1:03:50.640 --> 1:03:54.439
<v Speaker 1>a movie about misogyny in the workplace, Like on what

1:03:54.640 --> 1:03:58.880
<v Speaker 1>fucking grounds? It's just whoa, you're blowing my mind right now.

1:03:58.920 --> 1:04:02.400
<v Speaker 1>I had no idea. That's wow, that this is the

1:04:02.760 --> 1:04:05.120
<v Speaker 1>this is how the system gets recycled over and over.

1:04:05.640 --> 1:04:07.960
<v Speaker 1>Of course it's the people who were here first, and

1:04:08.000 --> 1:04:10.560
<v Speaker 1>it's dudes like him, and of course they wore in

1:04:10.600 --> 1:04:13.160
<v Speaker 1>the times. That was what that's so fucked up. He's

1:04:13.200 --> 1:04:16.080
<v Speaker 1>the one who directed bomb Yeah, I mean, they're not

1:04:16.120 --> 1:04:19.680
<v Speaker 1>getting you talent. No, it's like of all the I mean,

1:04:20.800 --> 1:04:23.680
<v Speaker 1>of all the stories that needed to be directed by

1:04:23.720 --> 1:04:26.840
<v Speaker 1>a woman, and then also like why we are like, oh,

1:04:26.880 --> 1:04:30.120
<v Speaker 1>the first Me Too movie is about like women on

1:04:30.160 --> 1:04:33.800
<v Speaker 1>Fox News, Like all right, but so it's like shitty

1:04:33.840 --> 1:04:35.800
<v Speaker 1>on a number of levels. But if you want to

1:04:35.840 --> 1:04:38.680
<v Speaker 1>tell that story, why hand that to the director of

1:04:38.760 --> 1:04:41.960
<v Speaker 1>all three Austin Powers? Just like, on what fucking grounds

1:04:42.360 --> 1:04:46.240
<v Speaker 1>does that make sense? Well, Jamie, because he also directed

1:04:46.560 --> 1:04:53.040
<v Speaker 1>Meet the Parents and Meet the Fockers. I like, I

1:04:53.080 --> 1:04:56.240
<v Speaker 1>don't I've every I mean, I I don't know anything

1:04:56.280 --> 1:04:58.680
<v Speaker 1>about this man personally, but you just like on on

1:04:58.840 --> 1:05:02.640
<v Speaker 1>paper and on like the resume translating to that, it

1:05:02.720 --> 1:05:04.800
<v Speaker 1>just makes no sense. And it just it's like it

1:05:04.840 --> 1:05:07.840
<v Speaker 1>seems like a slap in the face to female filmmakers

1:05:07.920 --> 1:05:10.880
<v Speaker 1>as a whole. Yes, oh my god. I wonder what

1:05:11.040 --> 1:05:13.480
<v Speaker 1>side by side the scenes from Fembots, if there are

1:05:13.480 --> 1:05:16.120
<v Speaker 1>any scenes and bombshell that kind of like side by side.

1:05:16.400 --> 1:05:18.920
<v Speaker 1>I'm just thinking it's like three three blonde women, you know,

1:05:19.040 --> 1:05:22.160
<v Speaker 1>three blonde women. There were six blond fembots, you know,

1:05:22.200 --> 1:05:24.480
<v Speaker 1>like if if it's like there's some like shot the

1:05:24.560 --> 1:05:27.720
<v Speaker 1>shot storyboard like similar. I don't know, I wonder if

1:05:27.720 --> 1:05:30.080
<v Speaker 1>he used that as a pitch, you know, like, oh,

1:05:30.200 --> 1:05:33.160
<v Speaker 1>this is a scene from Austin Powers. Okay, so I'm picturing,

1:05:33.480 --> 1:05:35.360
<v Speaker 1>you know, how the fembots were like this, this is

1:05:35.400 --> 1:05:37.680
<v Speaker 1>how the girls and Bombshell are going to be standing.

1:05:37.960 --> 1:05:41.880
<v Speaker 1>It's kind of like this. Yeah, so that's a not

1:05:42.080 --> 1:05:45.560
<v Speaker 1>very fun fact. My, my. The only fun fact I

1:05:45.600 --> 1:05:50.320
<v Speaker 1>could find about this movie that was fun was that scene.

1:05:50.400 --> 1:05:52.520
<v Speaker 1>I mean, there's like those two scenes that have those

1:05:52.560 --> 1:05:57.840
<v Speaker 1>extended visual jokes about dicks and boobies because movies for

1:05:58.480 --> 1:06:04.560
<v Speaker 1>nine year olds, Um, but whatever, And what if they're okay, hilarious?

1:06:04.560 --> 1:06:07.680
<v Speaker 1>Saw Jamie had while watching the movie. What if you

1:06:08.080 --> 1:06:11.240
<v Speaker 1>watched the end and it was like cinematography Roger Deakins.

1:06:12.000 --> 1:06:18.240
<v Speaker 1>Just what if Roger Deakins literally orchestrated those boobies and

1:06:18.600 --> 1:06:22.600
<v Speaker 1>PP shots anyways? Um, well it's not him, but that

1:06:22.600 --> 1:06:26.760
<v Speaker 1>would be really funny if that was Roger Deakins. Anyways, Um,

1:06:26.920 --> 1:06:29.680
<v Speaker 1>that scene, that last scene with all the melons and

1:06:29.680 --> 1:06:32.480
<v Speaker 1>the boobies and all the whole booby thing that was

1:06:32.760 --> 1:06:38.600
<v Speaker 1>shot at the Scientology Celebrity Center, what weird? What? Okay?

1:06:38.600 --> 1:06:40.919
<v Speaker 1>Hold on, there's just too many things. My mind needs

1:06:40.960 --> 1:06:44.400
<v Speaker 1>to calm down. Yeah, you're gonna you're gonna explode like

1:06:44.400 --> 1:06:49.479
<v Speaker 1>like one of the thumbs. Wait okay, wait, everything's wrong

1:06:49.560 --> 1:06:54.320
<v Speaker 1>with everything, Everything's very wrong. Hold on, I need to um,

1:06:54.440 --> 1:06:58.960
<v Speaker 1>I need to calm down. Wait okay, So everything about

1:06:59.040 --> 1:07:02.439
<v Speaker 1>this movie is remind me of just everything wrong with

1:07:02.520 --> 1:07:05.560
<v Speaker 1>like the nineties, not just nineties. It's like very in

1:07:05.680 --> 1:07:10.520
<v Speaker 1>cell from like the Judo Chop to now Scientology. It's

1:07:11.400 --> 1:07:16.200
<v Speaker 1>this is all very like toxic in cell shit, you

1:07:16.200 --> 1:07:19.480
<v Speaker 1>know what. Well, also because for some reason, like every

1:07:19.680 --> 1:07:23.520
<v Speaker 1>guy loser who's like who gets toxic about not getting

1:07:23.680 --> 1:07:28.120
<v Speaker 1>um laid gets really into like martial arts too, and

1:07:28.200 --> 1:07:33.200
<v Speaker 1>so every time no for real, it's like um uh

1:07:33.240 --> 1:07:35.760
<v Speaker 1>you know, Putin is like a black belt, you know

1:07:35.760 --> 1:07:39.640
<v Speaker 1>what I mean. It's always like weird evil people. It's

1:07:39.680 --> 1:07:42.880
<v Speaker 1>always like evil dudes like who are like not getting

1:07:42.960 --> 1:07:47.640
<v Speaker 1>laid and like you know, are angry about it. Um

1:07:47.720 --> 1:07:50.960
<v Speaker 1>that gets really so like the references to Judo freaked

1:07:50.960 --> 1:07:54.040
<v Speaker 1>me out, to like Judo chop, you know, in Awesome Powers,

1:07:54.440 --> 1:07:57.200
<v Speaker 1>because I was like everything like the obsession with Japan,

1:07:57.840 --> 1:08:00.640
<v Speaker 1>you know, obsession with boobies, dumb sex oaks, and poop

1:08:00.720 --> 1:08:05.280
<v Speaker 1>jokes and uh, I mean the scientology I can't explain

1:08:05.400 --> 1:08:08.800
<v Speaker 1>right now, but like did they just offer it? I

1:08:08.880 --> 1:08:13.160
<v Speaker 1>don't know, I guess yeah, it was a free Everything

1:08:13.160 --> 1:08:15.000
<v Speaker 1>else seemed kind of like they could shoot it for

1:08:15.120 --> 1:08:17.519
<v Speaker 1>pretty low budge. I mean the u n was just

1:08:17.560 --> 1:08:20.160
<v Speaker 1>like a dark room, right, Like the background was just

1:08:20.240 --> 1:08:24.640
<v Speaker 1>black right. I think the first movie had a sixteen

1:08:24.800 --> 1:08:28.320
<v Speaker 1>point five million dollar budget, which is yeah, not pretty

1:08:28.360 --> 1:08:33.960
<v Speaker 1>low for a studio comedy at like action comedy. Yeah. Yeah,

1:08:34.160 --> 1:08:36.280
<v Speaker 1>I wonder how much that budget goes up between the

1:08:36.280 --> 1:08:38.920
<v Speaker 1>first and the second one. Oh, I have it right here.

1:08:39.000 --> 1:08:42.920
<v Speaker 1>It uh pretty much doubles for The Spy Who Shagged Me,

1:08:43.439 --> 1:08:47.599
<v Speaker 1>and then that again nearly doubles for the third movie. Um,

1:08:47.680 --> 1:08:52.360
<v Speaker 1>these movies grossed. The first one didn't do super well.

1:08:52.560 --> 1:08:55.280
<v Speaker 1>It was a success, but I read that part of

1:08:55.280 --> 1:08:57.200
<v Speaker 1>the reason it didn't do well is it didn't do

1:08:57.280 --> 1:08:59.960
<v Speaker 1>well in England because it came out right after Prince

1:09:00.080 --> 1:09:03.680
<v Speaker 1>us Die passed away and no one was fucking with

1:09:03.760 --> 1:09:05.360
<v Speaker 1>it at that time, because I think that they were

1:09:05.360 --> 1:09:08.040
<v Speaker 1>really banking on it being very successful in England as well,

1:09:08.080 --> 1:09:13.160
<v Speaker 1>but everyone in England was bummed out. Um, I'm seeing

1:09:13.200 --> 1:09:15.599
<v Speaker 1>two different figures here, and I don't know exactly which

1:09:15.600 --> 1:09:17.559
<v Speaker 1>one is which, so I'll just stay the lower one

1:09:17.600 --> 1:09:22.120
<v Speaker 1>to be safe. But worldwide these movies, the trilogy grossed

1:09:22.680 --> 1:09:27.360
<v Speaker 1>about six hundred and seventy five million dollars um as

1:09:27.400 --> 1:09:33.040
<v Speaker 1>a trilogy across the world. So you're like, You're like,

1:09:33.080 --> 1:09:37.240
<v Speaker 1>the people were sad about Princess Diana's death and they

1:09:37.320 --> 1:09:39.719
<v Speaker 1>knew watching the movie would not make them feel better,

1:09:40.160 --> 1:09:45.439
<v Speaker 1>and so they just avoided it pretty much. I don't know,

1:09:45.920 --> 1:09:50.160
<v Speaker 1>does anyone have any other final thoughts? I can't wait

1:09:50.240 --> 1:09:55.840
<v Speaker 1>to do another Mike Myers movie? Oh yeah, you got

1:09:56.920 --> 1:09:59.160
<v Speaker 1>what do you do? You want to come back for? Um?

1:09:59.240 --> 1:10:02.080
<v Speaker 1>So I marry an axe murderer or whatever the book

1:10:02.120 --> 1:10:05.840
<v Speaker 1>that movie is? Sure? I haven't seen that our our

1:10:06.000 --> 1:10:10.479
<v Speaker 1>number one request. Most people haven't. Um yeah, Well, next

1:10:10.520 --> 1:10:12.519
<v Speaker 1>time we'll have you on for a movie that you

1:10:12.560 --> 1:10:17.360
<v Speaker 1>actually want to talk. We've punished you long enough. No, no, no,

1:10:17.400 --> 1:10:20.000
<v Speaker 1>it's fine. Look, I have we have time right now.

1:10:20.000 --> 1:10:22.679
<v Speaker 1>I have time right now. It's like, yeah, we visit

1:10:22.720 --> 1:10:27.680
<v Speaker 1>awesome powers, we appreciate it. Yes, Uh, let's figure out

1:10:27.680 --> 1:10:32.439
<v Speaker 1>if the movie passes the Bechtel test. No it doesn't.

1:10:33.560 --> 1:10:36.000
<v Speaker 1>I had my fingers crossed for when Vanessa and her

1:10:36.000 --> 1:10:40.160
<v Speaker 1>mother were talking, but they always talked about fucking Austin Powers.

1:10:40.280 --> 1:10:43.719
<v Speaker 1>So yeah, I think that's the only time women interact

1:10:43.720 --> 1:10:48.640
<v Speaker 1>in the entire movie, because like frail Farbistina does not

1:10:48.720 --> 1:10:51.760
<v Speaker 1>interact with her femboss. They don't have names and they

1:10:51.760 --> 1:10:56.360
<v Speaker 1>don't have names. Um yeah, maybe a lot of Vagina

1:10:56.479 --> 1:11:01.000
<v Speaker 1>when she's like kidnapping Vanessa, but I don't know if

1:11:01.000 --> 1:11:05.320
<v Speaker 1>they talk either. We didn't see that conversation. Yeah. No,

1:11:05.760 --> 1:11:09.320
<v Speaker 1>I don't think this movie passes the Bechtel test, and

1:11:09.400 --> 1:11:13.280
<v Speaker 1>if it does, it shouldn't write unless the sea bass

1:11:13.400 --> 1:11:16.759
<v Speaker 1>the mutated sea beasts were all female fish and they talked,

1:11:16.920 --> 1:11:19.559
<v Speaker 1>but we didn't see it. There better be a deleted

1:11:19.600 --> 1:11:23.920
<v Speaker 1>scene where that happens. And if not pissed, let's rate

1:11:24.000 --> 1:11:26.519
<v Speaker 1>it on our nipple scale zero to five nipples based

1:11:26.520 --> 1:11:30.080
<v Speaker 1>on its representation of women. I think I'm gonna just

1:11:30.120 --> 1:11:32.719
<v Speaker 1>go ahead and give this zero nipples. Give it a

1:11:32.880 --> 1:11:38.160
<v Speaker 1>zero as well. I'm going to give it a concaved nipple. Yeah.

1:11:39.280 --> 1:11:43.840
<v Speaker 1>I mean, everything about it is despicable. It does not

1:11:43.960 --> 1:11:48.040
<v Speaker 1>get any better as the franchise goes forward. There was

1:11:48.080 --> 1:11:53.120
<v Speaker 1>an opportunity to provide meaningful commentary on this type of

1:11:53.160 --> 1:11:59.280
<v Speaker 1>like spy action franchise, because I mean, we talked about

1:11:59.320 --> 1:12:03.080
<v Speaker 1>one of the Bond movies so far on the podcast, um,

1:12:03.120 --> 1:12:05.160
<v Speaker 1>and it was one of the more recent ones, and

1:12:05.200 --> 1:12:09.880
<v Speaker 1>it's still do we have to talk about another one? No? Well,

1:12:10.280 --> 1:12:13.320
<v Speaker 1>so I was like, oh, we can do Austin Powers.

1:12:13.320 --> 1:12:18.160
<v Speaker 1>Because originally, um, the newest Bond installment was supposed to

1:12:18.240 --> 1:12:22.400
<v Speaker 1>come out in early April, but everything, you know, not

1:12:22.479 --> 1:12:25.320
<v Speaker 1>being released in theaters. So that's why I was like, Oh,

1:12:25.400 --> 1:12:29.000
<v Speaker 1>let's do an Austin Powers movie instead. So that's why

1:12:29.000 --> 1:12:31.639
<v Speaker 1>we're releasing this episode. Now you know all of our

1:12:31.680 --> 1:12:36.439
<v Speaker 1>plans that fall into ship. But it's actually fine. Mulan

1:12:36.560 --> 1:12:40.800
<v Speaker 1>didn't come out, but our episode did, so basically it

1:12:40.920 --> 1:12:44.799
<v Speaker 1>came out basically Mulan came, yeah and look whatever. Oh

1:12:44.920 --> 1:12:47.240
<v Speaker 1>by the way, I wanted to before we leave, I

1:12:47.240 --> 1:12:50.240
<v Speaker 1>said concave nipple, not to body shame, but because it's

1:12:50.240 --> 1:12:55.160
<v Speaker 1>like a negative nipple. Oh so yeah, what I meant was,

1:12:55.920 --> 1:12:59.400
<v Speaker 1>it's a it's a negative one. Got it. God, I

1:12:59.439 --> 1:13:04.960
<v Speaker 1>think I've lost ability to really like swarm sentences because no, honestly,

1:13:04.960 --> 1:13:07.600
<v Speaker 1>I haven't seen people and I know anyways, thank you

1:13:07.680 --> 1:13:12.160
<v Speaker 1>for having me on that would be that's my last thought. Uh,

1:13:12.160 --> 1:13:14.360
<v Speaker 1>we're we're so glad to have had you. Thank you

1:13:14.400 --> 1:13:16.920
<v Speaker 1>so much for being here. And a natsco. What would

1:13:16.960 --> 1:13:21.519
<v Speaker 1>you like to plug? And where can people follow you

1:13:21.640 --> 1:13:24.559
<v Speaker 1>online and check out your stuff? You can just define

1:13:24.600 --> 1:13:27.920
<v Speaker 1>me at Outsco Comedy a T s uk O Comedy.

1:13:28.120 --> 1:13:32.080
<v Speaker 1>That's where I'm at. Yeah, and check out let's go

1:13:32.120 --> 1:13:35.920
<v Speaker 1>outs Go the podcast and the live show and the

1:13:35.960 --> 1:13:39.719
<v Speaker 1>future Quimby Show. Yes since the future equip Yes coming

1:13:39.760 --> 1:13:44.080
<v Speaker 1>to your phone so we'll see you know, yeah, we'll

1:13:44.080 --> 1:13:47.679
<v Speaker 1>see what happens. It's coming, It's coming. Yes, I can't

1:13:47.680 --> 1:13:54.479
<v Speaker 1>wait on. You can follow us on all the places, Twitter, Instagram, Patreon, ak.

1:13:54.680 --> 1:13:57.080
<v Speaker 1>Matreon is five dollars a month and it gets you

1:13:57.120 --> 1:14:00.680
<v Speaker 1>too bonus episodes of the podcast every single that's at

1:14:00.720 --> 1:14:05.840
<v Speaker 1>patreon dot com, slash Bechdel Cast and our t Public

1:14:05.920 --> 1:14:09.400
<v Speaker 1>store te public dot com slash. The Bechdel Cast has

1:14:09.520 --> 1:14:16.000
<v Speaker 1>all of your merch needs and um without much further ado. Yeah,

1:14:16.200 --> 1:14:27.640
<v Speaker 1>baby Shagdelic or something Harney Harney that horny Bye bye