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Speaker 1: Everybody get in your places, Quiet on the sex, quite

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Speaker 1: on the sand, exclusive ship. Hey man, Well, first of all,

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Speaker 1: welcome back to the eighties. Favet um. I feel like

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Speaker 1: we TV one today because we're so uh behind the music,

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Speaker 1: oh man, but music and all of that. We got

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Speaker 1: a real head of day clay Man, I'm talking about

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Speaker 1: this man got a hit record for every letter in

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Speaker 1: the alphabet, not literal. And it's not just one no, no, no,

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Speaker 1: it's hit like that hit hard. You need one though

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Speaker 1: you ain't got nothing with the Z. I'm working on that. Okay, Okay,

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Speaker 1: you're right. I wrote one called Zanza by the other

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Speaker 1: day just because I ain't got no Z. All right,

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Speaker 1: let me finish that. That's crazy. Hold on, I gotta

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Speaker 1: finish it. I don't know you. I gotta google zer

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Speaker 1: come on old for a hundred million records. So one

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Speaker 1: of the coldest niggas in the music game ever produced

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Speaker 1: with Michael Jackson see All your Favorite. All the music

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Speaker 1: went from black People, lay something to do with it,

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Speaker 1: music with the black people in it, that ship to jail,

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Speaker 1: all the ship to win the ship that you love

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Speaker 1: your mama loved the people after Look, he got a

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Speaker 1: hit for everybody in the house, for the kids. They

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Speaker 1: got to hit favy, bump on your face, come over,

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Speaker 1: what's your face? Nigger? None other then Mr Dallas. We

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Speaker 1: can say, we can say a lot more, and that

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Speaker 1: still wouldn't be enough. They still that was amazing. They

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Speaker 1: still wouldn't get it. For everybody who has come on

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Speaker 1: this show and said on this couch has brought your

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Speaker 1: name up. I've been seeing that, man, And that's when

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Speaker 1: I was like, like, damn, that's like um even from

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Speaker 1: of course Give and then Buster, and then I was

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Speaker 1: like I was I would have go on that show.

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Speaker 1: I was like, how I get on that? You don't

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Speaker 1: act like it's hard. What did you? Yeah, you could

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Speaker 1: have shown up. Yeah, niggers would have rounded up and

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Speaker 1: I would have came and got you. I love it.

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Speaker 1: It's one of my favorite show, the crack Ship. I'm

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Speaker 1: I'm Flying ship, don't you like when it comes to

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Speaker 1: Atlanta in the influence and making what the landscape what

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Speaker 1: it is? Man, you have definitely was one of the

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Speaker 1: people who had the foresight to look at the city

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Speaker 1: and say this is that, this is what it's gonna be,

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Speaker 1: this is what it could be. And man, just honor

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Speaker 1: to have you in here with us, Like, that's what crazy.

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Speaker 1: It's been a long time, um, coming from a park

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Speaker 1: and then looking around now to even like, you know,

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Speaker 1: passing the things you can do in Georgia is why

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Speaker 1: I stay in Georgia, you know, because I'm not only

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Speaker 1: me here for one if I go to California with

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Speaker 1: another producer. Right. But you know, we we started this thing.

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Speaker 1: We started out running the Greenbrier on skating the jelly Beans,

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Speaker 1: um dressing the kids from another bad creation of the

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Speaker 1: mall while we was just doing records, like just trying

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Speaker 1: to uh. Then organized noise had they had their studio

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Speaker 1: inside jelly Beans, right, so I'll go there and go

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Speaker 1: skating and be playing the records I'm working on. And

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Speaker 1: then they had actual studio that they gave him inside

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Speaker 1: the skate rink. So that's what organized because they were dancing,

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Speaker 1: like there was dancing and guests and there was some

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Speaker 1: of the dance crews pat Rico um and then yeah,

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Speaker 1: he ended up having a When I first saw Rico, wait,

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Speaker 1: it's crazy because he's the first one I ever seen

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Speaker 1: with a dopeboard phone, like one of the phones that

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Speaker 1: was Yeah, he's standing up in the skate ring on

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Speaker 1: the phone like what is that? I wonder who he

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Speaker 1: was talking to the house phone talking. Yeah, that's crazy.

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Speaker 1: How everybody you know, Atlanta, we seated it, you know,

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Speaker 1: so to see us all grow and all of us, dude,

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Speaker 1: we've been doing it's just been amazing organized going here.

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Speaker 1: Their first THUDEO was in Jellybeans is like, what was it? Like,

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Speaker 1: what did you see in Atlanta earlier to make it say,

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Speaker 1: you know to what it is today? Like all the

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Speaker 1: talent that's in this city, like you. It was crazy

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Speaker 1: because everybody was just like I'm at j D were

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Speaker 1: like seventeen. I think, Um, I made him at a

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Speaker 1: car wash. I knew it him because like, um, Suptimes leather,

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Speaker 1: some of the other stuff he had going. But um,

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Speaker 1: he was liking a little white Herbie love Bug get

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Speaker 1: up because he was like, you know, going through the

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Speaker 1: Suptimes leather phase. Um, I was going in the mental

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Speaker 1: BBD phase. And it's crazy how we lived on the

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Speaker 1: street from each other. Then now we live around these

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Speaker 1: three each other in Saint Springs. But it started off

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Speaker 1: on this college park and me going to his house

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Speaker 1: making beats at his crib before we even did tlc UM,

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Speaker 1: before we even really did another bad creation and all

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Speaker 1: that men tell you my another bad creation story. And

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Speaker 1: then my teacher took my ABC tape and kept it

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Speaker 1: the whole school year. I'm talking about I had that

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Speaker 1: ship when it was the tang to it. I'm talking about,

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Speaker 1: I had it early enough to stut. And then I

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Speaker 1: used to just play the instrumental on just you know,

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Speaker 1: the instrumental because I haded in school and she was hating.

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Speaker 1: He wanted to that. She was big hating because I

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Speaker 1: had to constan single. ABC was huge. Didn't realized that

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Speaker 1: they blew up Befour Boys the man um and so

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Speaker 1: when they were going to Lennox and people start freaking out,

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Speaker 1: they would just start crying because they were like five

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Speaker 1: years old, five to nine and twelve. So yeah, because

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Speaker 1: they's freaking out of people running at the kids. Imagine

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Speaker 1: your five year old being a little Dave and MAYBC,

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Speaker 1: you know, imagine your seven and your eight nine year

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Speaker 1: old being rid Mark g ain't been by eleven, so

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Speaker 1: like he's a kid kid coming It was probably grown

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Speaker 1: titties that was cold. They don't never get the credit

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Speaker 1: they deserved. Bro jealous girl. Yeah, they will be. I mean,

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Speaker 1: you know, like I said, they'll be before boys a

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Speaker 1: man and boys the Man was opening for another bad creation.

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Speaker 1: They're like a phenomenon. Boys the Man was opening for

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Speaker 1: another bad group. The kids took off. They took off

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Speaker 1: fast because of you know, being Asha and I made

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Speaker 1: him a little poison. So it made them just be cool.

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Speaker 1: It made them from God. The road made them like

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Speaker 1: But then you know, when I first saw the kids,

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Speaker 1: they're like they had them in like the drop crowds,

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Speaker 1: like the hammer Pants, like the because you're trying to

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Speaker 1: be like no addition doing any Harvard. I was like, no, man,

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Speaker 1: we gotta make them a little DVD. And we just

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Speaker 1: started flipping them, you know. And so it was so

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Speaker 1: exciting when kids are it, they just caught on like

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Speaker 1: wildfire because this sif they were saying. The song was

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Speaker 1: a little kids were playing intend cards. Was the first

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Speaker 1: flipped the Indian a little flupe. Yeah, man, and I

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Speaker 1: wanted to be in public enemy so bad. When I

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Speaker 1: was a little like Hank Shockley, I used to listen

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Speaker 1: to the Bomb Squad and and like Atlanta was trying

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Speaker 1: to find ourselves. We had kido, we had like rock Heap,

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Speaker 1: the Dream, you know what I'm saying, and stuff like that,

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Speaker 1: maybe ss Man people Brightson, but we were like the

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Speaker 1: first tipping point of like cool young music being able

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Speaker 1: to be made, you know what I'm saying. And it

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Speaker 1: just made it where that tipping point, like even from

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Speaker 1: another creation up, I knew everybody that's ever made it

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Speaker 1: out of here that what's insane, you know, ludicrous. When

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Speaker 1: they had they had to show him. And I founded

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Speaker 1: the first video show for them when they were DJs

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Speaker 1: and they were doing it like a video VJ show,

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Speaker 1: um like ship. It was like like Arnel Starship, but

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Speaker 1: it was supposed to be like dre and Uh from

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Speaker 1: the MTV Love and dre Um. And so it was

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Speaker 1: even before Chris star rapping, and when he started rapping,

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Speaker 1: he started breaking me his record first before he even

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Speaker 1: got the death down, you know, so all of it

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Speaker 1: it's like Sierra Monica's little brother's girlfriend. Yeah, this was

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Speaker 1: like all this everybody that's not that's not a person

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Speaker 1: that's from Atlanta that hadn't been through dark because you know,

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Speaker 1: I opened that studio so long ago, and then I

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Speaker 1: made it so that it was about having people coming

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Speaker 1: in and congregate. Coming in and work in each room.

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Speaker 1: You can hear hear what somebody's working on in the lounge,

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Speaker 1: so you can make yourself better. And um, I always

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Speaker 1: wanted to how the producers were they were were they

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Speaker 1: were rocking, because I was in bad contracts before that,

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Speaker 1: So I don't want to do that ship nobody else.

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Speaker 1: I see you always busted down and like open the

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Speaker 1: whole platform up, man, Like, how how would you say

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Speaker 1: that they had impacted all the business? Like, because when

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Speaker 1: you you could have just been a star by your

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Speaker 1: put on to people. Yeah, it's crazy because we didn't

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Speaker 1: even know what it was doing. Then. I was like,

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Speaker 1: I mean when I first got rowdy, Um, I didn't

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Speaker 1: really want to label. I was just hanging out of Masquerade.

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Speaker 1: I'll slam dancing, I was k left, I was like

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Speaker 1: hanging out with like I was just alternative as hell. Um,

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Speaker 1: but I was doing I just did ABC and Boys

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Speaker 1: the Man and all that. And then so when when

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Speaker 1: Eli and Clive came to me like I uhould have

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Speaker 1: a label, No, man, I don't want the label. Brom

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Speaker 1: just getting my ship off. Um, it was like I

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Speaker 1: was just making a division of the face you know,

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Speaker 1: so it's all right, that could be cool, like signed

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Speaker 1: skateboard kids, you hanging around signing rock bands and ship

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Speaker 1: you know, like all right cool. So that's how I

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Speaker 1: started routing it was it was one office inside of

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Speaker 1: the Face um, but it was supposed to be the

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Speaker 1: hip hop label so to speak, you know, in rock label.

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Speaker 1: And then next thing you know, I got full on

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Speaker 1: staff from New York, two three staff members. And I'm like,

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Speaker 1: because it was like we got a movie, we gotta

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Speaker 1: label like that, it needs to be in New York. Um.

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Speaker 1: And I was so Atlanta at that point, and I

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Speaker 1: was just like, man, all right. So I would up

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Speaker 1: in my office in New York, full on staff, everybody,

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Speaker 1: marketing department, publicity department, everybody that's go back to my office,

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Speaker 1: open the window and smoke a joint. I'd be scared

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Speaker 1: as hell because I'm like, I'm in New York. We

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Speaker 1: don't know in Atlanta, but we don't mess these New

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Speaker 1: York giggs. That that's how we thought about it when

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Speaker 1: we was around. So I wasn't really you know, I

190
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Speaker 1: would go over there every day and do the same

191
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Speaker 1: ship that's the music over my wonder smoke some week

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Speaker 1: and one day one of the in our ladies came

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Speaker 1: and she said, I talked to you for a second.

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Speaker 1: So yeah, she said, do you like anybody out here?

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Speaker 1: So what you mean? He said? You got everybody on

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Speaker 1: pins and needles because they think you don't like the staff,

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Speaker 1: because you don't never go talk to nobody. I said, oh,

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Speaker 1: she said, you might want to have a staff meeting.

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Speaker 1: What's that saide everybody to get together? You meet everybody.

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Speaker 1: That's how green I was. I was still like, and

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Speaker 1: you got the label, yeah, I'm full on the president

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Speaker 1: and it still had the staff meet yet, but you

203
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Speaker 1: shoot everybody worried about sneaking and smoking weed years old

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Speaker 1: and putting your enjoint out or somebody, and they would

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Speaker 1: have took it strong opening my window, my lady, thank

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Speaker 1: you window. In this bit, I was like the window,

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Speaker 1: you got to go upstairs and go outside. My nerves

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Speaker 1: was bad. I was in New York. That was like

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Speaker 1: I'm too cool, like calm, I'm in Atlanta, you know,

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Speaker 1: I'm like, yeah, easily walk around with broken start to

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Speaker 1: shoot on a little five points New York. That was

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Speaker 1: just like everything is frantic and everybody's just going crazy

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Speaker 1: and fast and so I had to settle into that

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Speaker 1: for a minute here. And by the time I did

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Speaker 1: get settled in and did the King and I did

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Speaker 1: flip mo with Buster. Busters helped me help me settle

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Speaker 1: in a lot. That's how the whole story came about

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Speaker 1: because I was like uncomfortable and hanging around anybody up

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Speaker 1: there because I didn't really have a squad. My staff

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Speaker 1: was a staff, so that was York. We couldn't look.

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Speaker 1: If you're good busting rams in New York, you don't

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Speaker 1: gotta hang with nobody. Yeah, it's just the most diet

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Speaker 1: about because motherfucker put his hands on my motherfucking keyboarding.

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Speaker 1: You nigga, and you nigga want to greatness, fight your

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Speaker 1: fucking baby. What's crazy is that he would come to

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Speaker 1: me we first started. He would come to me in

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Speaker 1: the studios and he'll be like, he didn't want to

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Speaker 1: go solo. It was Charlie Brown, I want to go.

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Speaker 1: So he understand he wanted to be in the leaders,

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Speaker 1: but he was getting all his attention. So when he

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Speaker 1: first started, I was like, he played me song after

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Speaker 1: song of the song and everything was just away was

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Speaker 1: so much he just couldn't catch it. You know, for

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Speaker 1: a record, and so he would do that all the time,

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Speaker 1: all the time, all the time, and I'm just like, man,

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Speaker 1: it's good, but it's just like jazz man, And I

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Speaker 1: was like, And then he played the records, not being

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Speaker 1: a nodding off, smoking down front toe leaves and ship

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Speaker 1: with him that that's too strong for me. And then

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Speaker 1: at the end he will always do this. He will

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Speaker 1: wait until I'm telling records and then he'll play me

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Speaker 1: wooha and I wake up and be oh, yeah, yeah.

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Speaker 1: He played my album from the back to the floor.

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Speaker 1: And then again now I'm in New York. Every every

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Speaker 1: time he put out a record from that point he

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Speaker 1: had to come play records for me and get my

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Speaker 1: and get my penishes. So we do it again. I'm

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Speaker 1: in New York. He's playing the song for song. Now

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Speaker 1: they're a little better, you know, they're in this complicated

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Speaker 1: but still songs for songs for song. I'm smoking the

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Speaker 1: fun totally from following the sleep Again out and they goes,

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Speaker 1: do you like what the fun like? But you made

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Speaker 1: me sit through all the records to get through the

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Speaker 1: one up because it was just that but a song.

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Speaker 1: We'll do this all night long, man, and He'll pull

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Speaker 1: that one out all the time, and so that's how

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Speaker 1: we really work with him and Flip Mode. He was like,

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Speaker 1: that's why it was my dog, That's what I was

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Speaker 1: running with. That's what we're coming back and forth to Atlanta. Um.

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Speaker 1: And at the same time, that's when it was hanging

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Speaker 1: with good Mom and everybody in Atlanta, because we got

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Speaker 1: pieces of the story from different people from their bearing

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00:14:01,800 --> 00:14:04,079
Speaker 1: on the pot and just to see how like through

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Speaker 1: it ended up being like guess what I'm saying, every

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00:14:07,440 --> 00:14:10,520
Speaker 1: piece the next back to you. You did. You literally

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Speaker 1: did everything. You're The templest was oh ship that was done?

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00:14:15,160 --> 00:14:20,080
Speaker 1: That was a ridiculous short, like your dad's Austin first Nigga.

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Speaker 1: Then we like al short, like I remember that Nigga

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Speaker 1: came up there and some biker shorts and he had

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Speaker 1: his mother. So Dad, that's what we're doing. He was like, yeah,

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Speaker 1: and everybody after that. I didn't just short Nigga like

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Speaker 1: who and we're just taking Nigga's girlfriends escaping practice and ship.

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Speaker 1: You ain't heard this hard. It's another side of the game.

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Speaker 1: Nigga's credit invented limon Pellerway. It was using nine Perthday,

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00:15:04,240 --> 00:15:07,360
Speaker 1: the nigga showed up with lemon juice and pepper and said,

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Speaker 1: put it on the way. You literally deserved at least

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Speaker 1: in exit in Atlantic, Bro, you did so much Ship.

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Speaker 1: I'm trying to get a street of statue. I'm living.

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Speaker 1: That's this is not an interview. We just came this.

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Speaker 1: We wanted you to come. Really the statue, Well, this

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Speaker 1: is all this is about. We appreciate everything you telling

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Speaker 1: that movie. Know, Bro wanted to come in this bit

283
00:15:36,440 --> 00:15:39,520
Speaker 1: so we could be like, we're selling this million dollars.

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Speaker 1: Often came to here and hear the music business. If

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Speaker 1: you want to change the nigger life, that's up to you.

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Speaker 1: Come on, man, the nigga code. I didn't want to

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Speaker 1: really like start off playing no Ship. I know you'd

288
00:15:55,360 --> 00:15:57,520
Speaker 1: be playing you Like. One of the code is making music.

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00:15:57,560 --> 00:15:59,320
Speaker 1: You probably want to hear Ship, but like in silence

290
00:15:59,360 --> 00:16:02,960
Speaker 1: and some class but nice instrumentals and Ship. Now we

291
00:16:03,080 --> 00:16:04,720
Speaker 1: was gonna make this a hit record. What would you

292
00:16:04,800 --> 00:16:09,960
Speaker 1: do to this? They gotta hey, they gotta pay for

293
00:16:10,000 --> 00:16:16,240
Speaker 1: this potion. We can't necessarily you to do it. But

294
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Speaker 1: if you was gonna do it, really would you do really?

295
00:16:20,400 --> 00:16:22,680
Speaker 1: Really on that? It's about who you put on that

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Speaker 1: and what they do on top of it. At this

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Speaker 1: point I got I'm at Anthony Hamilton's Oh yeah, killing,

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Speaker 1: I'm putting him on now first kill it kill that

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Speaker 1: you hit the right on the head. Though for some reason,

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Speaker 1: I won't live, won't hit. I just won't. I won't

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Speaker 1: perspective on this. You put Anthony him lives on the

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00:16:40,360 --> 00:16:43,640
Speaker 1: same track, and let me see they ain't never heard

303
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Speaker 1: that because they can say both of them now. And

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00:16:47,800 --> 00:16:49,440
Speaker 1: he got a check rock in anyway, so that would

305
00:16:49,440 --> 00:16:52,080
Speaker 1: be like something nobody ever heard before. Hey man, you

306
00:16:52,200 --> 00:16:56,760
Speaker 1: was working with one of the probably the best musician

307
00:16:57,080 --> 00:16:59,960
Speaker 1: in the history of the world. When I say that,

308
00:17:00,000 --> 00:17:02,560
Speaker 1: I'm talking about Michael Jackson Man. How hard was it

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00:17:02,640 --> 00:17:06,679
Speaker 1: to produce music for Michael Jackson Man that it was

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Speaker 1: so crazy bro um when I first when I when

311
00:17:09,800 --> 00:17:13,320
Speaker 1: I first nut here to work with him. Uh then

312
00:17:13,440 --> 00:17:15,680
Speaker 1: he he would show you stuff like he would beat boxing,

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Speaker 1: like I got still had to be coldest. I still

314
00:17:18,240 --> 00:17:19,880
Speaker 1: got beat boxes with him because he was in the room.

315
00:17:19,960 --> 00:17:21,480
Speaker 1: Like that's on something like this he goes straight to

316
00:17:21,600 --> 00:17:26,080
Speaker 1: Michael like sounds like all the other kind of Michael

317
00:17:26,119 --> 00:17:28,720
Speaker 1: Jackson reck as you heard but you can you just

318
00:17:28,760 --> 00:17:33,760
Speaker 1: like drop some of that on Instagram. Just man, Michael Man,

319
00:17:33,840 --> 00:17:38,960
Speaker 1: that ship gonna get off at the loop. We got

320
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Speaker 1: Michael bet Jackson beatboxing tapes. Can I get one? D one?

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Speaker 1: Got one of the most crazy though, is Um. I

322
00:17:52,280 --> 00:17:54,920
Speaker 1: got some man crazy stories with him. When I Um

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Speaker 1: we started working on the project. I saw Jimmy jam

324
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Speaker 1: and Lewis. When I saw them, I walked right past.

325
00:18:00,440 --> 00:18:03,439
Speaker 1: Michael called like, Jimmy Jam Oh ship. I grew up on.

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Speaker 1: I wanted to be in the time. You know what

327
00:18:05,280 --> 00:18:06,680
Speaker 1: I'm saying. I learned to play get it up. I

328
00:18:06,720 --> 00:18:07,840
Speaker 1: was like he had to be like, oh, yeah, that's

329
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Speaker 1: Michael Michael. Are you doing like yo, Jimmy Jam. So

330
00:18:12,480 --> 00:18:16,800
Speaker 1: so Michael was over Michael Michael. I didn't think I

331
00:18:16,920 --> 00:18:20,720
Speaker 1: was hyped enough on him, right, So he convinced to

332
00:18:20,760 --> 00:18:22,560
Speaker 1: taking us to this little like like you know what

333
00:18:22,640 --> 00:18:24,560
Speaker 1: you have your when recording a little time in the studio,

334
00:18:24,560 --> 00:18:25,760
Speaker 1: You have your own room with your records, and now

335
00:18:25,760 --> 00:18:28,159
Speaker 1: your shoe didn't He just stopped putting in videotapes and

336
00:18:28,200 --> 00:18:29,560
Speaker 1: he was the first one wearing the mask. He had

337
00:18:29,600 --> 00:18:32,560
Speaker 1: the mask on and had on he stopped putting on

338
00:18:32,640 --> 00:18:34,639
Speaker 1: tapes and he was like, this is me and Charlie Chaplin.

339
00:18:34,800 --> 00:18:36,840
Speaker 1: So it's him and Charlie Chaplin dancing together. He had

340
00:18:36,880 --> 00:18:40,560
Speaker 1: to integration. He did video integration. Wait a minute, Oh,

341
00:18:40,720 --> 00:18:45,720
Speaker 1: I was about I think it's on the smile. I

342
00:18:45,760 --> 00:18:47,760
Speaker 1: think it's on the smile. On the smile thing he

343
00:18:47,800 --> 00:18:49,760
Speaker 1: put out right, But that's how I'm feeling. I'm like,

344
00:18:49,760 --> 00:18:52,159
Speaker 1: God damn. And then you'll be like, oh, yeah, this

345
00:18:52,280 --> 00:18:54,720
Speaker 1: is me when I was in Africa and everybody, you know,

346
00:18:54,760 --> 00:18:56,840
Speaker 1: three hundred thousand people trying to get into a few

347
00:18:57,000 --> 00:18:58,920
Speaker 1: thousand people inside. Look at this. I'm watching the neffer

348
00:18:59,160 --> 00:19:02,000
Speaker 1: Michael Michael, and every time you put another tape started

349
00:19:02,000 --> 00:19:09,639
Speaker 1: being like, ship, that's him, you know what I'm saying. No,

350
00:19:09,960 --> 00:19:16,680
Speaker 1: this is would killed me right here, so then don't

351
00:19:16,760 --> 00:19:25,480
Speaker 1: never get it up. He put a video here right

352
00:19:26,080 --> 00:19:28,360
Speaker 1: and he's sitting at his piano and he's singing, I'll

353
00:19:28,359 --> 00:19:30,280
Speaker 1: be there. It's kind of like the round, like you know,

354
00:19:30,720 --> 00:19:32,720
Speaker 1: after the with the time stuff like you got tinktop

355
00:19:32,760 --> 00:19:35,800
Speaker 1: on ponytail. The curtains are going and he's singing, I'll

356
00:19:35,840 --> 00:19:37,600
Speaker 1: be there at this piano, right, I'll be there, And

357
00:19:37,640 --> 00:19:39,440
Speaker 1: then he keeps hitting another I'll be there in the background.

358
00:19:39,960 --> 00:19:42,760
Speaker 1: He keeps looking over his shoulder. He starts singing again,

359
00:19:43,359 --> 00:19:45,120
Speaker 1: and he looked over his should again and it's little

360
00:19:45,160 --> 00:19:48,200
Speaker 1: Michael standing there in a little brown outfit with the afro,

361
00:19:49,160 --> 00:19:51,480
Speaker 1: and I looked and he looked back at him, and

362
00:19:51,520 --> 00:19:53,360
Speaker 1: then both of him come over and start singing the song.

363
00:19:53,400 --> 00:19:56,119
Speaker 1: He's sitting next to him, And by the time I

364
00:19:56,200 --> 00:20:00,959
Speaker 1: was just like, who ship, How did to do that right?

365
00:20:01,880 --> 00:20:03,680
Speaker 1: And he said, that's a Pepsi commercial. I just shoted

366
00:20:03,680 --> 00:20:05,520
Speaker 1: it as a demo. That's something we might use, might not.

367
00:20:06,400 --> 00:20:09,160
Speaker 1: By this time, I'm i'm I'm like, okay, I'm through

368
00:20:09,200 --> 00:20:11,399
Speaker 1: the roof. Now he got me. I'm like, that is

369
00:20:11,520 --> 00:20:13,640
Speaker 1: Michael Jackson I'm sitting next to and here like, I'm

370
00:20:13,720 --> 00:20:15,800
Speaker 1: like this is it's crazy. So then I think once

371
00:20:15,800 --> 00:20:17,639
Speaker 1: he got my attention and then we started working on stuff,

372
00:20:17,800 --> 00:20:19,840
Speaker 1: he said that's what he said to me, said, I

373
00:20:19,880 --> 00:20:23,359
Speaker 1: did this song this time around, and he goes, you know, um,

374
00:20:23,400 --> 00:20:25,720
Speaker 1: what was crazy is he sent us to the Museum

375
00:20:25,720 --> 00:20:27,800
Speaker 1: of Tolerance. I don't know if anybody ever went there before,

376
00:20:27,800 --> 00:20:30,680
Speaker 1: Like that was his stimulation around being around. Uh. That

377
00:20:30,760 --> 00:20:32,600
Speaker 1: ship was crazy because I didn't know why we sent

378
00:20:32,760 --> 00:20:34,040
Speaker 1: He sent us there. But when you walk to this

379
00:20:34,119 --> 00:20:37,680
Speaker 1: museum and called you names, it shows you everything nigger, fat, soul,

380
00:20:38,040 --> 00:20:40,040
Speaker 1: honky cracker, all this ship and you end up the

381
00:20:40,080 --> 00:20:48,560
Speaker 1: same room with everybody and you're like, it's like stupid,

382
00:20:49,480 --> 00:20:51,399
Speaker 1: And then you know it went through the whole holocaust.

383
00:20:51,720 --> 00:20:53,399
Speaker 1: So why the time we get back to the studio, Wait,

384
00:20:53,400 --> 00:20:54,920
Speaker 1: why did he make us go? This ship was sad,

385
00:20:55,000 --> 00:20:57,240
Speaker 1: like everybody's crying and throwing babies out the windows of

386
00:20:57,320 --> 00:20:59,000
Speaker 1: holocaust is going on in there, and they're showing you

387
00:20:59,280 --> 00:21:00,520
Speaker 1: all the stuff, and he's what he wants you to

388
00:21:00,560 --> 00:21:03,199
Speaker 1: understand the world, what's happened in the world, because you

389
00:21:03,240 --> 00:21:05,760
Speaker 1: know this this attack, you know, he feels like it's

390
00:21:05,760 --> 00:21:07,760
Speaker 1: a world attack. You know. I like how this nigga?

391
00:21:07,800 --> 00:21:13,359
Speaker 1: Thank you? Like he's like if you understand. Yeah. So

392
00:21:13,440 --> 00:21:15,360
Speaker 1: when we started working the record, he said, I want

393
00:21:15,359 --> 00:21:17,480
Speaker 1: somebody rap on the song Dallas and need somebody really

394
00:21:17,520 --> 00:21:19,359
Speaker 1: good to rap on the song. So I'm thinking, okay,

395
00:21:19,440 --> 00:21:22,040
Speaker 1: let's get trashed, you know because the hip hop raise

396
00:21:22,160 --> 00:21:26,160
Speaker 1: it's kind of commercials ain't too hard because no, no, no no,

397
00:21:26,320 --> 00:21:29,080
Speaker 1: I need somebody. I need some somebody harder, like somebody

398
00:21:29,160 --> 00:21:31,240
Speaker 1: a little bit harder than that. So that's what I said. Well,

399
00:21:31,359 --> 00:21:35,399
Speaker 1: what about Biggie, Yeah, I like him. It's okay. So

400
00:21:35,440 --> 00:21:39,320
Speaker 1: I called Puff like y'all Michael Jackson Biggie to come

401
00:21:39,400 --> 00:21:41,159
Speaker 1: rap on the song. He's like, ship you do now?

402
00:21:45,800 --> 00:21:50,600
Speaker 1: Done now, NIGGI on the way yesterday he left need

403
00:21:50,720 --> 00:21:54,159
Speaker 1: here right now. I'm not here either. This is actually

404
00:21:54,320 --> 00:21:59,919
Speaker 1: recorded for me and Biggest sitting in the car smoking

405
00:22:00,440 --> 00:22:03,560
Speaker 1: outside the studio, listening to the song over and over White,

406
00:22:03,600 --> 00:22:05,159
Speaker 1: I mean over why he's wrapping it. He said, my

407
00:22:05,280 --> 00:22:06,919
Speaker 1: damn that this is He's gonna be night team bro,

408
00:22:07,560 --> 00:22:09,199
Speaker 1: just like this. Crazy. I can't believe I'm sitting in

409
00:22:09,200 --> 00:22:12,040
Speaker 1: the car with you writing a song from Michael Jackson's

410
00:22:12,080 --> 00:22:14,439
Speaker 1: crazy right, And I'm like, yeah, yeah, this ship you know.

411
00:22:15,160 --> 00:22:18,399
Speaker 1: So he started rapping a rap you know, listening, I

412
00:22:18,400 --> 00:22:20,760
Speaker 1: got topps from the phone. Motherfucker's making a cop seat.

413
00:22:20,960 --> 00:22:22,880
Speaker 1: I'm gonna killing nigga. I ain't joking, and they'll smoke

414
00:22:22,960 --> 00:22:25,040
Speaker 1: up me tking smoking. I'm like, oh, shift, I don't know,

415
00:22:25,160 --> 00:22:34,560
Speaker 1: it might be too much. I'm like, oh, you know,

416
00:22:37,160 --> 00:22:39,160
Speaker 1: killing nig ain't joking And the smoke got me choking.

417
00:22:39,880 --> 00:22:43,760
Speaker 1: I was like, okay, um, I don't know, but let's

418
00:22:45,119 --> 00:22:47,119
Speaker 1: let's go and let's let's let him hear it. You

419
00:22:47,160 --> 00:22:49,080
Speaker 1: know what I'm saying. But I was Michael's gonna say,

420
00:22:49,080 --> 00:22:50,280
Speaker 1: you know what, I don't know if I could say this,

421
00:22:50,320 --> 00:22:51,560
Speaker 1: I don't know if I could say that, I don't know.

422
00:22:51,600 --> 00:22:53,920
Speaker 1: I mean, it's ship is going down. He hears that

423
00:22:53,920 --> 00:22:55,600
Speaker 1: ship and he goes, oh my god, I love it.

424
00:22:57,280 --> 00:23:00,520
Speaker 1: That's exactly what I'm trying to say. He wanted some

425
00:23:00,600 --> 00:23:02,679
Speaker 1: man to say, all this ship. He couldn't say. He

426
00:23:02,720 --> 00:23:09,120
Speaker 1: couldn't say I don't know. He didn't cluss, so he'd

427
00:23:09,119 --> 00:23:12,919
Speaker 1: be like, you do the head gorilla, that's what. That's what.

428
00:23:13,160 --> 00:23:18,080
Speaker 1: That's what I would complain to him. What I would

429
00:23:18,080 --> 00:23:20,479
Speaker 1: complaining him about the engineers sometime, like yo, man, this engineer,

430
00:23:20,480 --> 00:23:23,240
Speaker 1: he shady man. Oh he's horrible. He's stinky, such a

431
00:23:23,280 --> 00:23:28,120
Speaker 1: stinky man. He's hard. He's such a stinky monkey, stinky man,

432
00:23:28,320 --> 00:23:30,640
Speaker 1: such a stinky man. He's horrible. He's stinky. It's horrible.

433
00:23:30,680 --> 00:23:32,639
Speaker 1: But he would not say cuss words. Didn't like anybody

434
00:23:32,680 --> 00:23:35,560
Speaker 1: that said like cuss words either. Look, this is my

435
00:23:35,600 --> 00:23:37,520
Speaker 1: last good story for you. I'm sitting in the studio

436
00:23:37,600 --> 00:23:41,720
Speaker 1: one day like this, right, and then he said, well, Dallas,

437
00:23:41,760 --> 00:23:43,480
Speaker 1: you know I built hospitals in Africa, and I did

438
00:23:43,520 --> 00:23:45,680
Speaker 1: all this great stuff. But look what the United States says.

439
00:23:46,040 --> 00:23:49,040
Speaker 1: You showed me a newspaper, says Michael Jackson thinks Africa

440
00:23:49,080 --> 00:23:51,920
Speaker 1: stinks because he got his hand over hand over his nose.

441
00:23:54,440 --> 00:23:56,959
Speaker 1: And he says, so I got some friends coming by today.

442
00:23:56,960 --> 00:23:58,840
Speaker 1: That's just coming from Africa to pay our mits. Right,

443
00:23:58,960 --> 00:24:01,040
Speaker 1: I promise you exactly, I'm about tell you happened just

444
00:24:01,080 --> 00:24:05,320
Speaker 1: like this first sequel. Server shows up looking up. Then

445
00:24:05,840 --> 00:24:08,639
Speaker 1: these girls started coming and dropping red rose pedals on

446
00:24:09,040 --> 00:24:18,760
Speaker 1: the floor right yeah, him, and then automatically exactly like

447
00:24:20,520 --> 00:24:22,240
Speaker 1: they come in. They got the lying here on there

448
00:24:22,320 --> 00:24:23,760
Speaker 1: like the king and the Queen have showed up, and

449
00:24:23,800 --> 00:24:25,679
Speaker 1: they came and say, Michael, we all see there, like

450
00:24:25,800 --> 00:24:27,879
Speaker 1: what the fuck, Michael. We come to thank you for

451
00:24:27,920 --> 00:24:29,879
Speaker 1: what you've done. You've done such a good job in

452
00:24:29,880 --> 00:24:32,240
Speaker 1: Africa with the schools and with the hospitals and with

453
00:24:32,440 --> 00:24:33,840
Speaker 1: this and another thing. We just had to come over

454
00:24:33,880 --> 00:24:35,760
Speaker 1: and give you a gift. So I'm just sitting there

455
00:24:35,760 --> 00:24:39,359
Speaker 1: like what the fund has happening right now? Like and

456
00:24:39,680 --> 00:24:41,959
Speaker 1: after they left. I mean every day we would look

457
00:24:42,000 --> 00:24:44,840
Speaker 1: around like like say, if we sit in this room, right, y'all,

458
00:24:45,080 --> 00:24:47,360
Speaker 1: the red streak could go by, and then you look

459
00:24:47,359 --> 00:24:49,200
Speaker 1: at me like did you just see that? When did

460
00:24:49,200 --> 00:24:53,359
Speaker 1: you see that set? I'm like, man, that's Michael and

461
00:24:53,520 --> 00:24:56,360
Speaker 1: red red streaks. I feel like he was like he

462
00:24:56,359 --> 00:24:58,879
Speaker 1: he was magical. He was he was like he was

463
00:24:58,920 --> 00:25:03,960
Speaker 1: that he was Wait a minute, you tell the story

464
00:25:04,000 --> 00:25:07,600
Speaker 1: too fair, So you're gonna sit here and something. Michael

465
00:25:07,640 --> 00:25:11,280
Speaker 1: Jackson was magic and they just want me to just magical. Man.

466
00:25:11,440 --> 00:25:16,720
Speaker 1: It was like so he could literally just the monkey

467
00:25:16,800 --> 00:25:18,800
Speaker 1: was going crazy. One day with a lounge, the monkey

468
00:25:18,840 --> 00:25:21,359
Speaker 1: just flying everybody. Michael went in there, right, I mean,

469
00:25:21,440 --> 00:25:23,560
Speaker 1: my man, just like what the fund this monkey going crazy?

470
00:25:24,119 --> 00:25:25,919
Speaker 1: Michael comes in the room. This dude jumps up on

471
00:25:26,000 --> 00:25:27,879
Speaker 1: him and puts his thumb and looked at us like

472
00:25:27,920 --> 00:25:29,639
Speaker 1: not never happened with his thumb in his mouth on

473
00:25:29,760 --> 00:25:31,600
Speaker 1: Michael like this, And I was like, what the hell?

474
00:25:32,400 --> 00:25:34,439
Speaker 1: A little monkey was going crazy? He walks in, everything

475
00:25:34,440 --> 00:25:36,640
Speaker 1: goes calm, He draws, he paints like if you see

476
00:25:36,680 --> 00:25:38,480
Speaker 1: some of the Payton's Michael Jackson has done, they looked

477
00:25:38,480 --> 00:25:40,600
Speaker 1: like the cost will do this ship like he was

478
00:25:40,600 --> 00:25:43,360
Speaker 1: just he was incredible. He was insane people, I think

479
00:25:43,440 --> 00:25:45,520
Speaker 1: seeing one part of him, but not like the art

480
00:25:46,240 --> 00:25:48,440
Speaker 1: and oh the business mind this business mine was in credit.

481
00:25:48,520 --> 00:25:54,040
Speaker 1: It's crazy you're saying he could just over there like

482
00:25:54,359 --> 00:25:55,959
Speaker 1: over there. Me and you look at each other and say,

483
00:25:56,000 --> 00:25:59,520
Speaker 1: did you see that? My engineer? There? You see that?

484
00:26:00,560 --> 00:26:05,480
Speaker 1: So he didn't really walk just over there gliding. I

485
00:26:05,480 --> 00:26:06,840
Speaker 1: don't know what he was doing. I just know I

486
00:26:06,880 --> 00:26:10,639
Speaker 1: saw a street. But he was after all this stuff

487
00:26:10,640 --> 00:26:13,399
Speaker 1: he was showing me. I was super impressed that just everything.

488
00:26:13,480 --> 00:26:18,800
Speaker 1: Of course is Michael Jackson. Man. I'm fucked up right

489
00:26:18,840 --> 00:26:22,680
Speaker 1: now because they're all the ship that I've ever heard.

490
00:26:22,760 --> 00:26:27,520
Speaker 1: He was like, nobody ever mentioned that part. Nobody tell

491
00:26:27,600 --> 00:26:29,720
Speaker 1: the real ship man. And I gotta get my life

492
00:26:29,720 --> 00:26:31,720
Speaker 1: together because I don't want motherucker to think I'm just

493
00:26:31,720 --> 00:26:41,040
Speaker 1: out here walking around. I don't know. I don't walk

494
00:26:41,119 --> 00:26:49,919
Speaker 1: around up the pace. How did you give for a

495
00:26:49,920 --> 00:26:55,240
Speaker 1: place to play? You just hurt? He said, over there,

496
00:26:56,160 --> 00:26:59,080
Speaker 1: over there, back over there and over there, And ain't

497
00:26:59,080 --> 00:27:03,879
Speaker 1: nobody like, did you see that? Did you see that ship? Exactly?

498
00:27:04,040 --> 00:27:05,840
Speaker 1: You didn't see him walk over there? You didnt see

499
00:27:05,880 --> 00:27:08,360
Speaker 1: him run over there you saw. He basically just told

500
00:27:08,560 --> 00:27:14,800
Speaker 1: Michael Jackson, you saw motion. He lives inside all over

501
00:27:14,800 --> 00:27:25,360
Speaker 1: our hearts. We ain't gone. He was never here. This

502
00:27:25,440 --> 00:27:30,760
Speaker 1: is the ship. I don't know what do you think

503
00:27:30,760 --> 00:27:36,840
Speaker 1: of this? You got a food tester, bro, you got

504
00:27:36,840 --> 00:27:38,720
Speaker 1: a food tester that make that food, and somebody else

505
00:27:38,720 --> 00:27:43,120
Speaker 1: tester first. This is what's the most important person there

506
00:27:43,160 --> 00:27:50,520
Speaker 1: ever was eating food by myself. I gotta head the

507
00:27:50,560 --> 00:27:54,880
Speaker 1: first night the mother. I don't feel important. Word for fun.

508
00:27:55,880 --> 00:27:58,560
Speaker 1: Whatever I thought I had going on with this little operation.

509
00:27:58,600 --> 00:28:06,119
Speaker 1: Michael Jackson wouldn't approve, but just got damn cussing. He

510
00:28:06,280 --> 00:28:11,159
Speaker 1: like he would love to show he would. Yeah, so

511
00:28:12,440 --> 00:28:15,240
Speaker 1: I knew he was a real I didn't even know.

512
00:28:15,280 --> 00:28:18,200
Speaker 1: You hadn't heard about it. Well, yeah, y'all like y'all,

513
00:28:18,320 --> 00:28:21,119
Speaker 1: what do you think, y'all a large? It ain't that

514
00:28:21,200 --> 00:28:24,720
Speaker 1: we're just so humble. Yeah, that's that's that's the south Man.

515
00:28:25,160 --> 00:28:27,000
Speaker 1: We knew it wasn't. She saw ya was down in Columbus,

516
00:28:27,200 --> 00:28:30,440
Speaker 1: like Columbus, Georgia. When I saw that, Yeah, they loved

517
00:28:30,520 --> 00:28:33,080
Speaker 1: us down there, they gave that's what we were performing

518
00:28:33,119 --> 00:28:35,760
Speaker 1: in the Haunted As Theater. Oh yeah, I saw I

519
00:28:35,800 --> 00:28:37,800
Speaker 1: had to get away from down there. Yeah, so we

520
00:28:37,840 --> 00:28:40,080
Speaker 1: went down there and did the spot. Did nobody want

521
00:28:40,120 --> 00:28:41,880
Speaker 1: to do the show it? And then they was like, man,

522
00:28:41,880 --> 00:28:45,200
Speaker 1: we appreciate you all. We're coming down here, and yeah,

523
00:28:45,200 --> 00:28:49,000
Speaker 1: that's your home town town man. Me and Kim Porter

524
00:28:49,120 --> 00:28:53,360
Speaker 1: and Kim Porters in kindergarten together down there. Frank Thomas

525
00:28:53,960 --> 00:28:58,000
Speaker 1: all listen to hospital hurt. Yeah, come on man, Yeah, man,

526
00:28:58,160 --> 00:29:00,480
Speaker 1: Columbus is crazy because it's his own count on Soliday

527
00:29:00,480 --> 00:29:02,560
Speaker 1: to government, you know, give us open, they give goodies

528
00:29:02,560 --> 00:29:09,160
Speaker 1: on there. Um, they get together, Okay, let's go. Um,

529
00:29:09,840 --> 00:29:12,160
Speaker 1: it's own consolidated government. So we don't really abide by

530
00:29:12,160 --> 00:29:14,840
Speaker 1: George laws because before been in Yeah. So my dad

531
00:29:14,880 --> 00:29:18,240
Speaker 1: used to run the segregated departs down in Columbus when

532
00:29:19,240 --> 00:29:21,160
Speaker 1: in late sixties, like when I contee the Turn of

533
00:29:21,240 --> 00:29:23,000
Speaker 1: the James Brown. All those people would come to town

534
00:29:23,480 --> 00:29:26,000
Speaker 1: said the performance and my dad's plays and stayed at

535
00:29:26,000 --> 00:29:27,960
Speaker 1: the little party houses. And then on this block could

536
00:29:27,960 --> 00:29:31,080
Speaker 1: be like prostitutional houses. It'll be like a game, and

537
00:29:31,240 --> 00:29:33,760
Speaker 1: all the black military guys would come down there to

538
00:29:33,840 --> 00:29:39,360
Speaker 1: hang out. It was sound politicians, money, good fish, sandwichies,

539
00:29:42,720 --> 00:29:52,560
Speaker 1: good music. What you want that big Hamburger was to dollars.

540
00:29:53,280 --> 00:29:59,680
Speaker 1: Let's dollar ind that was black number back and get

541
00:29:59,680 --> 00:30:01,840
Speaker 1: you you can get you a big burglar plate, prize

542
00:30:01,880 --> 00:30:09,200
Speaker 1: in a drink or dollar hair. They're like my mom restaurant. Yeah,

543
00:30:09,240 --> 00:30:10,800
Speaker 1: she had a soul fool restaurant down there called My

544
00:30:10,920 --> 00:30:13,360
Speaker 1: Bills when they kill porter. Grandmother had one on the

545
00:30:13,400 --> 00:30:16,320
Speaker 1: other block. So that's it was just nothing else to

546
00:30:16,360 --> 00:30:17,800
Speaker 1: do that. But that was after all the all the

547
00:30:17,840 --> 00:30:20,280
Speaker 1: prostitution days left and it was just like politicians and

548
00:30:21,000 --> 00:30:23,840
Speaker 1: ye can't make I was trying to get the hell

549
00:30:23,880 --> 00:30:25,400
Speaker 1: out there. I couldn't take it no more. I was

550
00:30:25,440 --> 00:30:27,920
Speaker 1: like because it was just it Columbus. So it ain't

551
00:30:27,920 --> 00:30:29,880
Speaker 1: no hope down there. When I go down there now,

552
00:30:30,320 --> 00:30:31,960
Speaker 1: I'm like, we gotta put my hope in this motherfuck.

553
00:30:31,960 --> 00:30:33,479
Speaker 1: Can we put a factory or can we put like

554
00:30:33,480 --> 00:30:36,400
Speaker 1: a film studio or something down here? Because this is

555
00:30:36,520 --> 00:30:39,160
Speaker 1: the pressing, because it's it's still buildings there that that

556
00:30:39,440 --> 00:30:41,120
Speaker 1: was there when I was there thirty years. It's like

557
00:30:41,280 --> 00:30:42,880
Speaker 1: when I was little, and they still got they got

558
00:30:42,880 --> 00:30:45,480
Speaker 1: moss on them with the same names, but Johnson's barber shop,

559
00:30:46,040 --> 00:30:47,640
Speaker 1: so like you know, so there ain't been no like

560
00:30:47,680 --> 00:30:50,040
Speaker 1: hope and no development down there. So I've been been

561
00:30:50,520 --> 00:30:53,000
Speaker 1: trying to see how they could put something to get

562
00:30:53,040 --> 00:30:54,840
Speaker 1: those people down there something. That's why I'm asking me

563
00:30:54,960 --> 00:30:56,560
Speaker 1: if you went and how it was it. You know,

564
00:30:57,560 --> 00:31:01,240
Speaker 1: the entertainment a little down the Columbus man, especially down

565
00:31:01,320 --> 00:31:04,680
Speaker 1: there after five, man, they've been doing commedy um and

566
00:31:04,760 --> 00:31:09,080
Speaker 1: after five the sports bar down there due to Brown. Yeah, yeah,

567
00:31:09,120 --> 00:31:12,480
Speaker 1: they gotta they gotta laugh, have comedy seeing the show

568
00:31:12,520 --> 00:31:15,160
Speaker 1: a lot of little we do anything down man, I'm

569
00:31:15,240 --> 00:31:17,800
Speaker 1: going down there. Get your house down there? How much

570
00:31:19,800 --> 00:31:23,800
Speaker 1: seventeen thousand dollars. It's about a couple of blocks when

571
00:31:23,800 --> 00:31:26,360
Speaker 1: we do it. They're old, they're stupid. Houses would be

572
00:31:26,440 --> 00:31:31,440
Speaker 1: like one and a half bathrooms and then you get

573
00:31:31,520 --> 00:31:37,480
Speaker 1: like two and a half bedrooms. The half that's the

574
00:31:38,960 --> 00:31:40,920
Speaker 1: kitchen in the little room as soon as you walk

575
00:31:40,960 --> 00:31:46,840
Speaker 1: in the house and you're already in the kitchen. But now,

576
00:31:46,920 --> 00:31:49,560
Speaker 1: if there's some ship down there, like you said, then

577
00:31:49,960 --> 00:31:54,040
Speaker 1: the houses that one ship you gonna crazy people donna

578
00:31:54,080 --> 00:31:57,440
Speaker 1: need if it's a factory, if it's something that hope

579
00:31:57,440 --> 00:32:00,160
Speaker 1: down there, that's what you know. Drumline was about me

580
00:32:00,240 --> 00:32:02,680
Speaker 1: being in a Columbus High School marching band. That's what

581
00:32:02,800 --> 00:32:09,880
Speaker 1: that's about. Shout out to Nick Cannon, Nick, because Nick,

582
00:32:09,960 --> 00:32:13,080
Speaker 1: up we were doing the movie. You're trying to find

583
00:32:13,200 --> 00:32:15,360
Speaker 1: characters that's close to you and how you worried that time,

584
00:32:15,560 --> 00:32:17,760
Speaker 1: you know what I'm saying, and they get a moved

585
00:32:17,800 --> 00:32:20,320
Speaker 1: a whole different perspective. Yeah, it was a high school story,

586
00:32:20,320 --> 00:32:22,360
Speaker 1: and there's always say I was gonna play Kim. Kim

587
00:32:22,480 --> 00:32:24,560
Speaker 1: was always basically kind of what was growing up because

588
00:32:24,560 --> 00:32:27,040
Speaker 1: she's like my best friend, um, but she played bells

589
00:32:27,840 --> 00:32:30,280
Speaker 1: um And so when I when I told the story

590
00:32:30,320 --> 00:32:32,800
Speaker 1: to Fox, I was just I just pitched it one day.

591
00:32:32,800 --> 00:32:34,280
Speaker 1: I was young, So I was like, man, I don't

592
00:32:34,280 --> 00:32:35,600
Speaker 1: know if I got a movie. I did you know

593
00:32:36,200 --> 00:32:38,760
Speaker 1: some musical? You know what about the marching band that's

594
00:32:38,760 --> 00:32:41,640
Speaker 1: like the Macy's Day Parade marching bands? Like no, and

595
00:32:41,720 --> 00:32:44,000
Speaker 1: I came to film about at the bands. I went

596
00:32:44,040 --> 00:32:46,360
Speaker 1: back and showed it to him like like this, and

597
00:32:46,400 --> 00:32:48,480
Speaker 1: they're like what is that and they're playing the leader? No, no, no.

598
00:32:50,600 --> 00:32:52,160
Speaker 1: So I was like, uh, and I just told him

599
00:32:52,160 --> 00:32:53,520
Speaker 1: my story when I was in there, like yeah's about

600
00:32:53,520 --> 00:32:55,600
Speaker 1: this kid that couldn't be music in the Marching Band.

601
00:32:55,800 --> 00:32:58,280
Speaker 1: Really my brother. He was in the Marching Band first,

602
00:32:58,720 --> 00:33:00,800
Speaker 1: and he was a section leader. So by the time

603
00:33:00,840 --> 00:33:03,520
Speaker 1: I went into coming in as a freshman, he was

604
00:33:03,560 --> 00:33:05,680
Speaker 1: leaving out as a senior, and everybody's waiting on my

605
00:33:05,760 --> 00:33:07,120
Speaker 1: ass to come in, you know what I'm saying, Because

606
00:33:07,120 --> 00:33:08,760
Speaker 1: he was sexuallyder so. Now the new section leader wing

607
00:33:08,920 --> 00:33:11,080
Speaker 1: rough me up. They wanted. That's why you got the

608
00:33:11,120 --> 00:33:13,520
Speaker 1: problem with doing the movie. But I was so good

609
00:33:13,720 --> 00:33:15,840
Speaker 1: because he would bring the drums home every day. You

610
00:33:15,880 --> 00:33:17,520
Speaker 1: know what I'm saying. Well, I would practice with his mark,

611
00:33:17,640 --> 00:33:19,600
Speaker 1: with his drum line all the time as a kid,

612
00:33:19,760 --> 00:33:23,440
Speaker 1: so I just knew on my ship out. So by

613
00:33:23,480 --> 00:33:26,360
Speaker 1: the time I got to Marching Band, I played better

614
00:33:26,360 --> 00:33:28,480
Speaker 1: than everybody. But I couldn't reach ship. I still can't

615
00:33:28,480 --> 00:33:35,200
Speaker 1: reach it. You can't remove Hell no, they asked me

616
00:33:35,240 --> 00:33:36,960
Speaker 1: to do this, stay the time for Quincy Jones said,

617
00:33:37,000 --> 00:33:39,320
Speaker 1: Quincy Jones want you to be the music director for

618
00:33:39,440 --> 00:33:41,400
Speaker 1: this thing they're doing. And um Washington d C. And

619
00:33:41,440 --> 00:33:43,760
Speaker 1: he wants you to m d the band. Well, arey cool?

620
00:33:43,760 --> 00:33:49,920
Speaker 1: Ain't no problem to do that. Who's the band? Who's

621
00:33:49,960 --> 00:33:53,560
Speaker 1: the band? I show up? It's damn Herbie Hancock Greg

622
00:33:53,680 --> 00:33:59,760
Speaker 1: Feeling games. Uh, Bobby mcfarren, he was just making all

623
00:33:59,880 --> 00:34:02,320
Speaker 1: his and it was a tribute to him. And it

624
00:34:02,440 --> 00:34:04,480
Speaker 1: was like all these great musicians, and I'm like, I

625
00:34:04,600 --> 00:34:06,920
Speaker 1: cannot read They don't know I cannot read music. How

626
00:34:06,920 --> 00:34:08,560
Speaker 1: I'm gonna tell these people in the play. So so

627
00:34:09,040 --> 00:34:11,200
Speaker 1: I'll be like one to three. They go into the song,

628
00:34:11,760 --> 00:34:14,120
Speaker 1: then it's Herbie Hancock said, let's go to G seven

629
00:34:14,160 --> 00:34:17,600
Speaker 1: minor major. I just like, okay, one, two three, And

630
00:34:21,120 --> 00:34:23,120
Speaker 1: when they started playing, my ears good enough that I'll

631
00:34:23,120 --> 00:34:24,960
Speaker 1: pick up. I'm in there now, we got it. Let's go,

632
00:34:25,000 --> 00:34:26,840
Speaker 1: we can play, we can play thrill, Let's go down. No, no, no,

633
00:34:27,040 --> 00:34:29,520
Speaker 1: don't change it again. Not what if we played that

634
00:34:29,560 --> 00:34:32,120
Speaker 1: in like ce Raids? Look bringing down twelve steps. I'm

635
00:34:32,160 --> 00:34:42,279
Speaker 1: all right ready, holloo, I said, well, ship went to

636
00:34:42,360 --> 00:34:44,160
Speaker 1: the very end when I looked over until heard the

637
00:34:44,160 --> 00:34:46,719
Speaker 1: handcock afterwards, all over and done and all this ship.

638
00:34:47,120 --> 00:34:49,120
Speaker 1: And he was having a jam section and it turned it.

639
00:34:49,200 --> 00:34:50,719
Speaker 1: I was turned because I was turning the sheet music

640
00:34:50,960 --> 00:35:07,880
Speaker 1: when I was playing, like I was, so you know

641
00:35:07,960 --> 00:35:10,800
Speaker 1: what the whole one song? Yeah, man, I should do

642
00:35:10,840 --> 00:35:12,520
Speaker 1: to see this marching man the drumline, I was gonna

643
00:35:12,520 --> 00:35:16,759
Speaker 1: say ship in the morning in first ter band and

644
00:35:16,880 --> 00:35:18,560
Speaker 1: dude looked over. They said, that doesn't mean the music

645
00:35:19,320 --> 00:35:21,960
Speaker 1: like that. That's section is like, you gotta read the music.

646
00:35:22,000 --> 00:35:24,279
Speaker 1: Could read the music? Manat that ship? Yeah, of course

647
00:35:24,280 --> 00:35:27,160
Speaker 1: I want to play that ship. Let's play you hood up?

648
00:35:28,840 --> 00:35:30,239
Speaker 1: You put that sheet music in front of me. That's

649
00:35:30,360 --> 00:35:34,840
Speaker 1: Japanese that ship just like so, yeah, that's so. I

650
00:35:34,920 --> 00:35:38,120
Speaker 1: still don't read. Yeah, don't learn, bro, you've been learned

651
00:35:39,040 --> 00:35:42,439
Speaker 1: to read. Anybody trying to teach you to learn that ship?

652
00:35:44,560 --> 00:35:53,160
Speaker 1: What was I thinking? Some motherfucker's just see that ship

653
00:35:53,200 --> 00:35:56,200
Speaker 1: and know how to I don't know. Brains work exactly

654
00:35:56,480 --> 00:36:00,960
Speaker 1: like your computer. Different, bro, so old niggable. Listen whatever

655
00:36:01,080 --> 00:36:04,719
Speaker 1: that ship is, you got you you don't learn how

656
00:36:04,760 --> 00:36:07,719
Speaker 1: to read that ship. Man, you are really good. I

657
00:36:07,760 --> 00:36:10,600
Speaker 1: ain't never learned how to read ship. And where I am? Hey,

658
00:36:11,160 --> 00:36:15,960
Speaker 1: look at what he did for me. Hold on, that's

659
00:36:16,000 --> 00:36:22,719
Speaker 1: when people used to go to the damn straight that's

660
00:36:22,760 --> 00:36:25,080
Speaker 1: real talk. What do you say when you told him

661
00:36:25,080 --> 00:36:28,200
Speaker 1: you couldn't read the music like we knew mat It

662
00:36:28,360 --> 00:36:29,920
Speaker 1: was like, what you mean you could read the music?

663
00:36:30,040 --> 00:36:31,520
Speaker 1: I was like, I can't use none of that he

664
00:36:31,600 --> 00:36:35,040
Speaker 1: just started laughing. You did a great jobs, got through it.

665
00:36:35,160 --> 00:36:36,200
Speaker 1: You know what I'm saying. I had to do that

666
00:36:36,280 --> 00:36:39,560
Speaker 1: with prints one time too, Like hold up, wait a minute,

667
00:36:39,640 --> 00:36:43,880
Speaker 1: just hold on, man, wait wait, you're not about again.

668
00:36:44,320 --> 00:36:52,440
Speaker 1: He got to You can't if you don't who this is,

669
00:36:52,880 --> 00:36:56,440
Speaker 1: Mr Dallas as he has had the most awesome life

670
00:36:57,520 --> 00:37:01,600
Speaker 1: then a black man has been a loud your hair.

671
00:37:03,080 --> 00:37:08,239
Speaker 1: I'm telling you this, stand bro, whatever you're doing, not

672
00:37:08,440 --> 00:37:12,000
Speaker 1: this man already did the young producer and the landing

673
00:37:12,080 --> 00:37:16,480
Speaker 1: with the popping the place that story you used to

674
00:37:16,560 --> 00:37:19,840
Speaker 1: park your car in the principal spot, Yeah, ye Collins,

675
00:37:21,080 --> 00:37:23,760
Speaker 1: because I was so happy it was a white BMW.

676
00:37:25,239 --> 00:37:29,920
Speaker 1: That's the principle could have a hand one. The principle

677
00:37:30,040 --> 00:37:32,800
Speaker 1: was pulling up you go, okay, don't know what that

678
00:37:33,000 --> 00:37:35,759
Speaker 1: is because I saw Rico away with the phone, right,

679
00:37:35,800 --> 00:37:37,080
Speaker 1: So I got this car. Now, the car used to

680
00:37:37,080 --> 00:37:39,160
Speaker 1: smoke like a motherfucker's leave a blue trailer smoke going

681
00:37:39,160 --> 00:37:41,400
Speaker 1: down the highway. But I just wanted to BMW, was

682
00:37:43,760 --> 00:37:45,960
Speaker 1: that ship was fresh? Look good? Pull up in school

683
00:37:46,000 --> 00:37:48,960
Speaker 1: to you know, saying girls like it? So I decided

684
00:37:48,960 --> 00:37:50,520
Speaker 1: I had to get a phone though, because Rico had

685
00:37:50,520 --> 00:37:52,480
Speaker 1: a phone. So I'm I gotta have a clone in

686
00:37:52,560 --> 00:37:53,799
Speaker 1: this bitch. You know what I'm saying at the top

687
00:37:53,840 --> 00:37:56,080
Speaker 1: of off. So me and my cousin's side, we're gonna

688
00:37:56,080 --> 00:37:58,960
Speaker 1: steal one. So we go to all all apartments on

689
00:37:59,400 --> 00:38:02,080
Speaker 1: bro and on Riverdale. You go up in there. We're

690
00:38:02,080 --> 00:38:03,879
Speaker 1: pushing on the windows to see what window we first,

691
00:38:03,880 --> 00:38:05,319
Speaker 1: you got to see who got a phone in the car.

692
00:38:05,840 --> 00:38:08,200
Speaker 1: They got one, Okay, pushed the window with that crack. Alright,

693
00:38:08,239 --> 00:38:10,600
Speaker 1: let's try the first time. And this is this is bad.

694
00:38:10,640 --> 00:38:14,440
Speaker 1: I'm doing bad things back down that we don't. I

695
00:38:15,440 --> 00:38:17,839
Speaker 1: don't do the tigers on me. It's like he took

696
00:38:17,880 --> 00:38:19,879
Speaker 1: the brick, right, throw the brick, Bam, ship one break

697
00:38:19,880 --> 00:38:21,920
Speaker 1: because Mercedes. We say this at two plot windows when

698
00:38:21,920 --> 00:38:23,759
Speaker 1: you know that. So we go king hot, go back

699
00:38:23,800 --> 00:38:26,200
Speaker 1: around there. Bam, got one the break. So then we

700
00:38:26,320 --> 00:38:28,759
Speaker 1: found a truck, right, this truck got one through it

701
00:38:28,840 --> 00:38:31,040
Speaker 1: through Bam. Here we go. We got it. Get up

702
00:38:31,040 --> 00:38:33,839
Speaker 1: in there and get the phone. We out here next day.

703
00:38:33,960 --> 00:38:35,520
Speaker 1: I'm like, this ship is dope and I gotta take

704
00:38:35,520 --> 00:38:36,960
Speaker 1: it the cartoons so they can hook it up for

705
00:38:37,040 --> 00:38:39,239
Speaker 1: me so to work, all right, So I go to

706
00:38:39,360 --> 00:38:41,440
Speaker 1: cartoons I pull up in and tell the home. But

707
00:38:41,480 --> 00:38:42,759
Speaker 1: I said, yo, man, I need to get my phone

708
00:38:42,800 --> 00:38:45,080
Speaker 1: hooked up. He said, okay, no problem, some problems. He

709
00:38:45,120 --> 00:38:47,040
Speaker 1: comes and looked at it. So I got the phone

710
00:38:47,360 --> 00:38:50,320
Speaker 1: and the base, just the phone. He goes, where's the

711
00:38:50,360 --> 00:38:53,000
Speaker 1: rest of it? What you mean? He said, all the

712
00:38:53,000 --> 00:38:55,759
Speaker 1: stuff they're on the trunk the base, you know. He said,

713
00:38:55,760 --> 00:38:57,000
Speaker 1: you know, the whole system is in the truck. You

714
00:38:57,080 --> 00:39:00,520
Speaker 1: just got the phone right here, something like, oh ship,

715
00:39:01,440 --> 00:39:03,759
Speaker 1: what meant that phone from? And I was like, my

716
00:39:03,880 --> 00:39:05,080
Speaker 1: uncle gave it to me. He said, well tell you.

717
00:39:05,280 --> 00:39:06,600
Speaker 1: He said, tell your uncle you need the rest of

718
00:39:06,680 --> 00:39:09,880
Speaker 1: it because that ship ain't gonna work. That's just the phone.

719
00:39:10,560 --> 00:39:12,400
Speaker 1: So from that point I just double stick goloded that

720
00:39:12,440 --> 00:39:14,520
Speaker 1: ship in the car. Every time I put up to

721
00:39:14,520 --> 00:39:21,160
Speaker 1: the crystal, I thought the store was over. You know,

722
00:39:21,480 --> 00:39:23,560
Speaker 1: it doesn't even matter. I'll pull up that school like

723
00:39:23,640 --> 00:39:25,480
Speaker 1: this and that motherfuck parking in the principal spot on

724
00:39:25,520 --> 00:39:30,680
Speaker 1: the tas phone just looking at hard Bro. And then

725
00:39:30,719 --> 00:39:33,440
Speaker 1: I worked in the jury store in the mall at

726
00:39:33,440 --> 00:39:35,279
Speaker 1: the time. You know, intrigue they stopped all the gold

727
00:39:35,400 --> 00:39:38,200
Speaker 1: chains right and um so what I would do is,

728
00:39:39,080 --> 00:39:40,680
Speaker 1: you know, don't do this at home. This ain't good

729
00:39:40,719 --> 00:39:42,680
Speaker 1: for y'all to go do all right, but you know

730
00:39:42,800 --> 00:39:44,799
Speaker 1: tips what I would do is I'll put the chains

731
00:39:44,800 --> 00:39:49,640
Speaker 1: in the garbage, right, take trash out. So then I'm

732
00:39:49,680 --> 00:39:51,920
Speaker 1: gonna do some school from empty collins like bearing. All

733
00:39:52,000 --> 00:39:54,320
Speaker 1: them would show up. I don't say their name. Okay,

734
00:39:54,360 --> 00:40:12,800
Speaker 1: sorry about day my wife ship. Now I'm in. I

735
00:40:12,840 --> 00:40:17,560
Speaker 1: gotta talk to that. I gotta go down there and

736
00:40:17,600 --> 00:40:20,840
Speaker 1: talk a little people with. But I would go to

737
00:40:20,920 --> 00:40:23,839
Speaker 1: school with all this gold on. I would take all

738
00:40:23,960 --> 00:40:26,520
Speaker 1: of my arms. I had like jewelry, all of my arms,

739
00:40:26,640 --> 00:40:28,440
Speaker 1: chains all on that will have a black long code on,

740
00:40:29,040 --> 00:40:31,560
Speaker 1: some holy jeans as a football leach right, and my

741
00:40:31,680 --> 00:40:34,160
Speaker 1: keyboard would be in in a bag instead of my

742
00:40:34,200 --> 00:40:36,640
Speaker 1: books was waiting. So what I would do is you

743
00:40:36,680 --> 00:40:38,920
Speaker 1: sell them bitches at school, like all day long, like here,

744
00:40:39,560 --> 00:40:41,520
Speaker 1: hunt of dollars for handbone? I got you hunt dollars

745
00:40:41,560 --> 00:40:43,759
Speaker 1: all day long, taking McDonald checks all day and I

746
00:40:43,840 --> 00:40:45,160
Speaker 1: got Now I got a stack. And that's how I

747
00:40:45,239 --> 00:40:47,680
Speaker 1: ended up having to BMW. And it's kind of like

748
00:40:47,840 --> 00:40:49,680
Speaker 1: starting to get my first keyboards and stuff up here.

749
00:40:50,520 --> 00:40:51,759
Speaker 1: Cann't do that at home, but I had to get

750
00:40:51,800 --> 00:40:54,680
Speaker 1: that jury, bro, You've been an entrepreneur your whole life.

751
00:40:56,160 --> 00:40:59,320
Speaker 1: That's a genius as playing this motherfucker was doing some

752
00:41:00,000 --> 00:41:03,439
Speaker 1: well read ship. He probably replaced the ship with fake

753
00:41:03,560 --> 00:41:10,640
Speaker 1: necklaces too. I think it was Old National. If you

754
00:41:10,719 --> 00:41:13,279
Speaker 1: was ever Old National, Godby wrote, and that was your

755
00:41:13,320 --> 00:41:16,000
Speaker 1: stumping ground, then he was just doing Diva ship. It

756
00:41:16,120 --> 00:41:17,320
Speaker 1: was nothing else to do but try to do some

757
00:41:17,440 --> 00:41:19,480
Speaker 1: music and do some Diva ship down in there. If

758
00:41:19,520 --> 00:41:21,080
Speaker 1: you act like we're going to ignore the fact that

759
00:41:21,200 --> 00:41:24,879
Speaker 1: you was just wearing football clues every day, I ain't

760
00:41:24,880 --> 00:41:27,160
Speaker 1: never played football. It was just a thing, you know.

761
00:41:27,320 --> 00:41:29,799
Speaker 1: In Atlanta. You had a little part that back then

762
00:41:29,880 --> 00:41:32,920
Speaker 1: like like me and Divine Stevens will be a voked

763
00:41:33,080 --> 00:41:35,960
Speaker 1: right instead of wearing polo we wanted to look like

764
00:41:36,040 --> 00:41:37,960
Speaker 1: the polo man, you know. So we got a card

765
00:41:37,960 --> 00:41:40,239
Speaker 1: against and you had your boots and the boots tucked in.

766
00:41:40,320 --> 00:41:41,440
Speaker 1: You come to school with the whip and tote them

767
00:41:41,480 --> 00:41:43,960
Speaker 1: neck on in the blazer. You just it skipped the class.

768
00:41:44,000 --> 00:41:46,160
Speaker 1: You just stand out in the hallway, so everybody out there,

769
00:41:46,160 --> 00:41:47,960
Speaker 1: and then that's we started dying the tree torns to

770
00:41:48,000 --> 00:41:51,239
Speaker 1: match the tree torn sweaters. So everybody just started going

771
00:41:51,280 --> 00:41:54,040
Speaker 1: out to the Lenox and stealing ship and taking them

772
00:41:54,040 --> 00:41:57,960
Speaker 1: back to get them get some better ship. Slide out

773
00:41:58,080 --> 00:42:01,160
Speaker 1: Lake shot me and divine the hair up really where

774
00:42:01,280 --> 00:42:03,480
Speaker 1: the death like really where a long coats and like

775
00:42:04,239 --> 00:42:06,440
Speaker 1: just fly it out just me and you know in

776
00:42:06,520 --> 00:42:08,600
Speaker 1: the hallway was like that, you said that I got

777
00:42:08,640 --> 00:42:10,560
Speaker 1: the whole part or whatever. Bring the tennis rack in

778
00:42:10,600 --> 00:42:17,279
Speaker 1: the school with the tree torns and so motherfuckers don't

779
00:42:17,360 --> 00:42:20,399
Speaker 1: know where the ship if if you get it even

780
00:42:20,600 --> 00:42:24,000
Speaker 1: done it this thing he said he wanted to dress

781
00:42:24,080 --> 00:42:27,840
Speaker 1: like the polo man not not. I don't want to

782
00:42:27,920 --> 00:42:30,160
Speaker 1: dress like what they put on the mannequin. I want

783
00:42:30,200 --> 00:42:34,200
Speaker 1: to put right about the polo. Think. I've been facing

784
00:42:34,280 --> 00:42:41,239
Speaker 1: this whole life ship everything. I have never thought that.

785
00:42:41,600 --> 00:42:44,239
Speaker 1: Huh oh we're going back to press. This was all

786
00:42:44,320 --> 00:42:49,879
Speaker 1: leading up to that, don't okay, that's the one bring

787
00:42:49,960 --> 00:42:52,759
Speaker 1: that back. Oh yeah, so Princes. So I grew up

788
00:42:52,800 --> 00:42:55,839
Speaker 1: on prints like everything ever done, all the music I've made.

789
00:42:56,000 --> 00:42:57,800
Speaker 1: I was just sitting on the Prince records over and

790
00:42:57,840 --> 00:43:00,920
Speaker 1: over and I copied the address to I mean off

791
00:43:00,960 --> 00:43:03,080
Speaker 1: the backup a Warner Brothers record. When I was like eight,

792
00:43:04,000 --> 00:43:05,800
Speaker 1: I sent for Dembo on Wanner Brothers off the backup

793
00:43:05,840 --> 00:43:08,920
Speaker 1: a print record. Yeah, they said when it was Carribos

794
00:43:08,960 --> 00:43:11,640
Speaker 1: like cashier. I just copy that, SHI mailed it and

795
00:43:11,680 --> 00:43:14,080
Speaker 1: they all back, we do not accept I'm solicited material.

796
00:43:14,320 --> 00:43:16,000
Speaker 1: But I had Warner Brother's letter head. So I was

797
00:43:16,040 --> 00:43:17,480
Speaker 1: like Mom, I'm looking at this, and she's like, what

798
00:43:17,560 --> 00:43:20,600
Speaker 1: are you doing? And got some prints. You know, I

799
00:43:20,800 --> 00:43:22,120
Speaker 1: was thinking I got it from Prince. I don't know

800
00:43:22,160 --> 00:43:25,120
Speaker 1: too much, but I want to brothers. So then as

801
00:43:25,160 --> 00:43:26,960
Speaker 1: I fast forward through my life, as I started doing

802
00:43:27,040 --> 00:43:29,919
Speaker 1: tlc UM and I would do interviews and say stuff

803
00:43:29,920 --> 00:43:32,520
Speaker 1: about prints, you know, like go up on Prince. So

804
00:43:32,600 --> 00:43:34,759
Speaker 1: one day he tells me in l A Red come

805
00:43:34,840 --> 00:43:37,359
Speaker 1: to Paigeley Park. He had just finished building Paigley Park

806
00:43:37,760 --> 00:43:39,520
Speaker 1: and he had changed his name for the symbol, and

807
00:43:39,640 --> 00:43:42,040
Speaker 1: you know, he was early on the internet. Um. And

808
00:43:42,160 --> 00:43:43,840
Speaker 1: so we go there and I see him walking on

809
00:43:43,920 --> 00:43:46,839
Speaker 1: this long corridor and I'm like, holy sh it, that's him,

810
00:43:47,000 --> 00:43:49,440
Speaker 1: like my idol, like the and he's walking. He's had

811
00:43:49,480 --> 00:43:51,239
Speaker 1: his cane, he's like got his pimp walking. He's coming

812
00:43:51,280 --> 00:43:53,480
Speaker 1: down this quarter. He k he was actually walking. Oh,

813
00:43:53,560 --> 00:43:55,680
Speaker 1: he was walking. They had a cane, but he's pimp walking.

814
00:43:56,239 --> 00:43:57,400
Speaker 1: He pulled up on me and he just put the

815
00:43:57,480 --> 00:43:59,279
Speaker 1: came my face like this and said, Michael Jordan should

816
00:43:59,280 --> 00:44:04,520
Speaker 1: make his own nikes. And I was like, huh, the

817
00:44:04,680 --> 00:44:07,640
Speaker 1: first thing said, the very first thing I ever said

818
00:44:07,640 --> 00:44:10,520
Speaker 1: to me. But then he goes, come here, and now

819
00:44:10,560 --> 00:44:12,120
Speaker 1: I'm just like, now we're going through like one clan.

820
00:44:12,200 --> 00:44:14,000
Speaker 1: He takes me in a room with all these clothes

821
00:44:14,040 --> 00:44:16,000
Speaker 1: and he's like, see everything in here. You make all

822
00:44:16,040 --> 00:44:17,719
Speaker 1: of that. It's all mine. We make everything in the house.

823
00:44:17,880 --> 00:44:19,680
Speaker 1: Everything's in the house. See this, you gotta make your

824
00:44:19,719 --> 00:44:21,560
Speaker 1: own stuff. I'm all right, cool, say he gonna tell

825
00:44:21,560 --> 00:44:23,480
Speaker 1: me Michael Joins you made his own nikes? All right? Cool?

826
00:44:23,840 --> 00:44:25,759
Speaker 1: So then we go in another room. He's stating at

827
00:44:25,760 --> 00:44:28,120
Speaker 1: the at the console singing bet you by Golly, while

828
00:44:28,160 --> 00:44:30,000
Speaker 1: he just sits down and start singing bet you by God.

829
00:44:30,560 --> 00:44:33,239
Speaker 1: He's putting himself in different harmonies and I'm just gonna

830
00:44:33,280 --> 00:44:36,360
Speaker 1: looking at this this insane. He gets up, come on,

831
00:44:36,440 --> 00:44:38,200
Speaker 1: let me show you this, and he's welcoming around Paigeley

832
00:44:38,200 --> 00:44:41,799
Speaker 1: Park showing us all the stuff. Right, So he goes,

833
00:44:41,880 --> 00:44:44,239
Speaker 1: you know what, man, I'm gonna do a concert for

834
00:44:44,320 --> 00:44:47,160
Speaker 1: you because because now because I was just talking about

835
00:44:47,160 --> 00:44:49,359
Speaker 1: all his songs and I know every record, Sister, Party

836
00:44:49,480 --> 00:44:53,239
Speaker 1: up head, all everything besides um And so he's like,

837
00:44:53,320 --> 00:44:54,560
Speaker 1: you come back to night. I'm gon do a concert

838
00:44:54,640 --> 00:44:57,520
Speaker 1: for you. I'm like, ship, okay, So me and l

839
00:44:57,600 --> 00:45:00,200
Speaker 1: a Ly we come back later on that night we're

840
00:45:00,200 --> 00:45:01,759
Speaker 1: going to it is like the glam I mean the

841
00:45:01,800 --> 00:45:05,000
Speaker 1: big studio he has, like in Graffiti Bridge. And so

842
00:45:05,120 --> 00:45:08,600
Speaker 1: now he's called about maybe twenty five people, um from

843
00:45:08,600 --> 00:45:10,440
Speaker 1: being on the internet at that time, you know, he

844
00:45:10,520 --> 00:45:12,920
Speaker 1: had this whole glamp slam thing. So it's just us

845
00:45:13,080 --> 00:45:15,080
Speaker 1: sitting there and all of a sudden, light squad boom,

846
00:45:16,080 --> 00:45:18,759
Speaker 1: smoke comes off. He's on a moving sidewalk playing ninet.

847
00:45:20,440 --> 00:45:23,040
Speaker 1: He's moved coming in this moving sidewalk lights band full

848
00:45:23,120 --> 00:45:26,200
Speaker 1: on concert right, So I'm like, whoa ship? You know.

849
00:45:26,680 --> 00:45:28,520
Speaker 1: Then he starts to go what do you want to

850
00:45:28,560 --> 00:45:30,799
Speaker 1: hear next? And I'm like, she's always in my hair.

851
00:45:30,840 --> 00:45:34,680
Speaker 1: He goes one, two, three, four, what do you want

852
00:45:34,719 --> 00:45:39,279
Speaker 1: to hear next? Um ras baby regular one too, and

853
00:45:39,719 --> 00:45:41,239
Speaker 1: like he would going to him that fast like with

854
00:45:41,360 --> 00:45:44,160
Speaker 1: his band, right. So then he goes and starts jamming

855
00:45:44,160 --> 00:45:46,040
Speaker 1: and he starts playing this song I did call Black

856
00:45:46,080 --> 00:45:48,480
Speaker 1: People on the Holland Place Mobs was record Dednics played

857
00:45:48,480 --> 00:45:49,920
Speaker 1: then other day, thank you, thank you, the nice by

858
00:45:49,920 --> 00:45:58,080
Speaker 1: the way you love you be nice. Um. So he

859
00:45:58,080 --> 00:46:00,359
Speaker 1: starts playing his own black people and and he goes,

860
00:46:00,360 --> 00:46:01,759
Speaker 1: I got one of my favorite producers in the house

861
00:46:01,760 --> 00:46:05,279
Speaker 1: to Dallas come to the stage. Oh no, no, no, no,

862
00:46:05,320 --> 00:46:06,600
Speaker 1: no no no, I'm not going on stage with the

863
00:46:06,640 --> 00:46:09,680
Speaker 1: state with princes. That ain't happening. Like he's gonna outplay you.

864
00:46:09,840 --> 00:46:12,840
Speaker 1: He always battles people. He always challenges people. That he

865
00:46:12,920 --> 00:46:14,320
Speaker 1: did the ship to Linny and I saw what he

866
00:46:14,360 --> 00:46:17,400
Speaker 1: did in liney on that you called. And then he

867
00:46:17,440 --> 00:46:18,919
Speaker 1: started doing the think of the King and he starts

868
00:46:20,280 --> 00:46:21,799
Speaker 1: it's killing the ship. So I'm like, I'm not going

869
00:46:21,880 --> 00:46:24,239
Speaker 1: on the stage. Well, a security guard comes down, say,

870
00:46:28,520 --> 00:46:30,520
Speaker 1: boss wants you on the stage. I said no, no, ma,

871
00:46:30,560 --> 00:46:32,120
Speaker 1: I'm good man, I'm good. He said, no, no, you

872
00:46:32,200 --> 00:46:33,719
Speaker 1: gotta go. I gotta take you to the stage. You

873
00:46:33,719 --> 00:46:38,160
Speaker 1: gotta tell him you're good. Ship. So you keep going.

874
00:46:38,200 --> 00:46:42,480
Speaker 1: Dallas come to the stage on the mic, Yeah, full

875
00:46:42,560 --> 00:46:44,240
Speaker 1: on playing was Dallas that was come to the stage.

876
00:46:44,239 --> 00:46:56,239
Speaker 1: I'm like, Ship, Dallas, I knows musicians are incredible They're like, okay,

877
00:46:56,280 --> 00:46:58,200
Speaker 1: I can play some stuff. I play some instruments here,

878
00:46:58,239 --> 00:47:00,360
Speaker 1: but they play all day. That's all they got to

879
00:47:00,400 --> 00:47:02,719
Speaker 1: don and be ready for one print, say one to

880
00:47:02,920 --> 00:47:05,600
Speaker 1: three players. Right, So I'm gonna funk. Okay, I'm not

881
00:47:05,640 --> 00:47:07,719
Speaker 1: going near a good Todd, that's for sure. So I

882
00:47:07,840 --> 00:47:09,719
Speaker 1: go with a keyboard. Guy is come down, let's just

883
00:47:09,719 --> 00:47:11,480
Speaker 1: play it. So now he's playing a guitar at the time,

884
00:47:11,520 --> 00:47:13,239
Speaker 1: so he's thinking the king on that cool. I got this.

885
00:47:13,440 --> 00:47:16,759
Speaker 1: I go good on the keyboard on. I'm playing with

886
00:47:16,840 --> 00:47:18,279
Speaker 1: him like this here, that's good. I look back for

887
00:47:18,360 --> 00:47:20,440
Speaker 1: two seconds. I look back over here. This nigger want

888
00:47:20,440 --> 00:47:27,960
Speaker 1: to put on a big as keyboard. That ship you

889
00:47:28,040 --> 00:47:30,560
Speaker 1: can carry around like this and it comes back me.

890
00:47:30,640 --> 00:47:36,319
Speaker 1: Come on, get something, not the key talk, but it's big.

891
00:47:36,640 --> 00:47:43,000
Speaker 1: It's like biking in the dude, he's just wearing. He's

892
00:47:43,000 --> 00:47:45,320
Speaker 1: fucking wearing my ass out. And it is loud in

893
00:47:45,360 --> 00:47:47,200
Speaker 1: the mind too. So I'm not standing the chance. I

894
00:47:47,280 --> 00:47:48,680
Speaker 1: just turned my shot down and turned it down, turn

895
00:47:48,719 --> 00:48:00,680
Speaker 1: the whole body off, and go crazy chilling the ship. Yeah,

896
00:48:00,760 --> 00:48:09,120
Speaker 1: but I gotta do that at least one time. Do

897
00:48:09,200 --> 00:48:11,560
Speaker 1: nothing better than going go with somebody just turning that

898
00:48:11,560 --> 00:48:16,719
Speaker 1: ship down and watch how good. You ain't worry about

899
00:48:16,719 --> 00:48:21,520
Speaker 1: making no mistakes. Now you're just rocking out. So then

900
00:48:21,600 --> 00:48:24,360
Speaker 1: he came to the ladder. One time I stalked with

901
00:48:24,400 --> 00:48:26,239
Speaker 1: them on the phone, and when Dianzelo did how does

902
00:48:26,280 --> 00:48:28,680
Speaker 1: it feel? I was like, man, you should take your

903
00:48:28,760 --> 00:48:33,959
Speaker 1: name Prince back? Really why because it's kind of misting.

904
00:48:34,000 --> 00:48:35,640
Speaker 1: This dude's got the record sound like you was kind

905
00:48:35,640 --> 00:48:37,400
Speaker 1: of make you feel like Prince, You're just going, man,

906
00:48:37,440 --> 00:48:39,600
Speaker 1: this is crazy because we should talk a lot of

907
00:48:39,640 --> 00:48:43,239
Speaker 1: times about masters. I had labels for so long that

908
00:48:44,120 --> 00:48:47,239
Speaker 1: you know, that's why I like the guru other because

909
00:48:47,280 --> 00:48:48,919
Speaker 1: I've been through all the fires, you know what I'm saying.

910
00:48:48,960 --> 00:48:51,480
Speaker 1: So I started having a independent record company myself at

911
00:48:51,520 --> 00:48:54,360
Speaker 1: twenty years old, and from that point on, from that

912
00:48:54,480 --> 00:48:56,960
Speaker 1: the free world everything. So that's in better than in

913
00:48:57,080 --> 00:48:59,040
Speaker 1: his head when he talks to me. And he was

914
00:48:59,040 --> 00:49:02,279
Speaker 1: always Dallas, you know they're own the slaves. When they're

915
00:49:02,280 --> 00:49:04,960
Speaker 1: on the Master, your slave. You know that ship like

916
00:49:05,520 --> 00:49:07,960
Speaker 1: million dollars, What are you doing? You know it's all

917
00:49:08,080 --> 00:49:10,600
Speaker 1: for either this or that. But he was really headstrong

918
00:49:10,640 --> 00:49:12,640
Speaker 1: about doing that. So as I'm talking to him on

919
00:49:12,680 --> 00:49:16,080
Speaker 1: the phone, about taking his name Prints back, the facts

920
00:49:16,160 --> 00:49:19,800
Speaker 1: is coming through free TLC, Free TLC. And I'm like,

921
00:49:20,040 --> 00:49:22,960
Speaker 1: is that you? Yeah? You tell l a red Um,

922
00:49:23,160 --> 00:49:24,680
Speaker 1: you know, when he frees t LC, don't like, what

923
00:49:24,880 --> 00:49:26,680
Speaker 1: what you just gotta do about your name coming back? Bro?

924
00:49:27,000 --> 00:49:29,320
Speaker 1: And He's just like, that's it. You tell La read this.

925
00:49:29,400 --> 00:49:31,120
Speaker 1: So then when he shows up this night and he

926
00:49:31,320 --> 00:49:33,680
Speaker 1: comes to Atlanta to play a Prince concert, I'm like,

927
00:49:33,719 --> 00:49:36,040
Speaker 1: he can't be playing a Prince concert. You know. He

928
00:49:36,080 --> 00:49:37,440
Speaker 1: would have called and said, guess what, I'm playing a

929
00:49:37,440 --> 00:49:39,640
Speaker 1: Prince concert, you know, So show enough. I go down

930
00:49:39,760 --> 00:49:43,200
Speaker 1: to the concert um and he has a room full

931
00:49:43,239 --> 00:49:45,520
Speaker 1: of people sit around like this, and he's trying to

932
00:49:45,600 --> 00:49:47,839
Speaker 1: tell make them play his record because remember they banned

933
00:49:47,880 --> 00:49:49,600
Speaker 1: playing this. Directors. When you're Warner Brothers, you are a

934
00:49:49,680 --> 00:49:51,880
Speaker 1: label like that, the worst thing you can do is

935
00:49:51,920 --> 00:49:53,480
Speaker 1: have a catalog that big and then try to go

936
00:49:53,520 --> 00:49:55,480
Speaker 1: against somebody the end of the day because they're gonna

937
00:49:55,480 --> 00:49:58,040
Speaker 1: beat you with your own catalog, all right. So So

938
00:49:58,640 --> 00:50:00,720
Speaker 1: once he left Warner Brothers and calls all the Rutgers

939
00:50:00,719 --> 00:50:02,160
Speaker 1: and said that I'm gonna go be prints and the

940
00:50:02,200 --> 00:50:04,240
Speaker 1: symbol and the sign and all this, I said, okay,

941
00:50:04,680 --> 00:50:07,200
Speaker 1: go ahead, go attention them. We can put out all

942
00:50:07,200 --> 00:50:08,880
Speaker 1: your ship and it's gonna kill everything you're doing. So

943
00:50:08,960 --> 00:50:10,799
Speaker 1: they put out those B sides. Remember that set they

944
00:50:10,840 --> 00:50:12,480
Speaker 1: did had everything on the B side to this, to

945
00:50:12,600 --> 00:50:15,440
Speaker 1: that the others um and But he came back this

946
00:50:15,600 --> 00:50:18,879
Speaker 1: night trying to get people players record, and he had

947
00:50:18,880 --> 00:50:21,120
Speaker 1: all the radio people in Atlanta sitting in the room

948
00:50:21,200 --> 00:50:23,439
Speaker 1: like this. So I walked in the room and he goes, ah,

949
00:50:24,280 --> 00:50:26,359
Speaker 1: our Dallas is here. Now we can really get down

950
00:50:26,440 --> 00:50:29,359
Speaker 1: to it. Get down the web. I'm telling all them

951
00:50:29,400 --> 00:50:30,960
Speaker 1: they slaves in here because they can't play my record.

952
00:50:31,000 --> 00:50:32,440
Speaker 1: They listened to their masters at the radio station, the

953
00:50:32,480 --> 00:50:36,480
Speaker 1: program directors of master and their slaves. Right, Dallas. I

954
00:50:36,480 --> 00:50:41,040
Speaker 1: don't like I'm in Atlanta. I live with these people.

955
00:50:42,239 --> 00:50:43,800
Speaker 1: I can't be saying that ship like that, you know,

956
00:50:44,239 --> 00:50:47,400
Speaker 1: um and so probably. But I'm looking at him like

957
00:50:47,440 --> 00:50:49,080
Speaker 1: he got his hair flip like that, like the prints covered.

958
00:50:49,120 --> 00:50:52,520
Speaker 1: We got the little uh, you know, the khaki raincoat on,

959
00:50:53,040 --> 00:50:54,279
Speaker 1: and so I keep looking at him like it's he

960
00:50:54,320 --> 00:50:56,440
Speaker 1: gonna play be prints from you tonight. Now say nothing.

961
00:50:56,440 --> 00:50:57,920
Speaker 1: He's gonna just kind of keep going off on them

962
00:50:57,960 --> 00:51:00,360
Speaker 1: like he gonna use yo. So you I got a

963
00:51:00,400 --> 00:51:02,319
Speaker 1: new record coming out. You can't play my record rot

964
00:51:02,520 --> 00:51:05,480
Speaker 1: without your program director, right. And you might be like, well, no,

965
00:51:05,560 --> 00:51:10,239
Speaker 1: I cleared a couple of times see Slave, and I'm

966
00:51:10,280 --> 00:51:13,400
Speaker 1: just over that. That whoa one guy. He goes, you

967
00:51:13,400 --> 00:51:15,080
Speaker 1: can't play my record right because I got a new record.

968
00:51:15,120 --> 00:51:17,640
Speaker 1: One about he says, I got a gospel station. I've

969
00:51:17,640 --> 00:51:24,160
Speaker 1: seen the guard see slave. Um. But then he clears

970
00:51:24,200 --> 00:51:26,080
Speaker 1: it all up. He goes downstairs and we go to

971
00:51:26,120 --> 00:51:27,759
Speaker 1: watch the concert, and I keep thinking, if he comes

972
00:51:27,760 --> 00:51:29,799
Speaker 1: out playing with uptown he comes out with a snare drun,

973
00:51:31,320 --> 00:51:34,040
Speaker 1: He's gonna play this whole print show. Sure enough, he

974
00:51:34,120 --> 00:51:36,399
Speaker 1: came out of the snare drum. He came out full

975
00:51:36,480 --> 00:51:41,560
Speaker 1: on prints, pull on trench coat, first guitar, hair, red bandanna,

976
00:51:41,640 --> 00:51:45,120
Speaker 1: playing head sexuality all the prince ship right. So about

977
00:51:45,160 --> 00:51:47,560
Speaker 1: halfway through the show, he said, turn the lights up

978
00:51:47,560 --> 00:51:50,399
Speaker 1: for a second. Turn the lights up, and he goes.

979
00:51:50,520 --> 00:51:52,879
Speaker 1: Think he's still going to the master slave thing again.

980
00:51:53,120 --> 00:51:55,759
Speaker 1: You know if you if they're on your masters, that

981
00:51:55,840 --> 00:51:59,239
Speaker 1: makes your slaves. Therefore, I got a new record coming out,

982
00:51:59,400 --> 00:52:02,520
Speaker 1: And if anybody want to get my record, Dallas got it,

983
00:52:02,560 --> 00:52:06,680
Speaker 1: go talk to Dallas. I'm like, what lights on? Bright

984
00:52:06,760 --> 00:52:08,040
Speaker 1: light in the house. You got to get it from Dallas.

985
00:52:08,120 --> 00:52:09,440
Speaker 1: Think I think they can take it one to three.

986
00:52:12,440 --> 00:52:20,640
Speaker 1: So I get a dog docd my studio. Bro. It

987
00:52:20,800 --> 00:52:22,920
Speaker 1: was a lot of cards lying down the street right.

988
00:52:23,280 --> 00:52:25,080
Speaker 1: The phone's going off all day long, and I don't

989
00:52:25,080 --> 00:52:26,680
Speaker 1: know what's going on. Like, I don't know what he's

990
00:52:26,680 --> 00:52:31,080
Speaker 1: talking about. I have no idea what he recor. I

991
00:52:31,239 --> 00:52:33,799
Speaker 1: called this people that said Charlotte for my sister. They

992
00:52:33,800 --> 00:52:35,200
Speaker 1: gotta call him and ask him what's going on? This

993
00:52:35,320 --> 00:52:38,319
Speaker 1: is phase if people keep calling my princes, they call him.

994
00:52:38,920 --> 00:52:42,000
Speaker 1: The boss said, how many pieces you want? Yeah? It

995
00:52:42,040 --> 00:52:43,879
Speaker 1: to me, how many pieces I want? He said, don't

996
00:52:43,920 --> 00:52:46,520
Speaker 1: you got a record company a record store? I said, no, man,

997
00:52:46,520 --> 00:52:48,320
Speaker 1: I got a record company. That's a different story. I

998
00:52:48,360 --> 00:52:50,439
Speaker 1: don't have a record store. He said, Oh, he thought

999
00:52:50,520 --> 00:52:52,040
Speaker 1: you wanted to buy his records and put him on

1000
00:52:52,080 --> 00:52:54,239
Speaker 1: the record store. I said, no, man, but y'all got

1001
00:52:54,320 --> 00:52:55,759
Speaker 1: a bunch of people out here. They want to get

1002
00:52:55,760 --> 00:53:03,320
Speaker 1: this ship. He's um, he's you know what that he was.

1003
00:53:03,520 --> 00:53:05,640
Speaker 1: He was just the baddest to me. It was it

1004
00:53:05,800 --> 00:53:07,680
Speaker 1: was just he's the baddest person ever. Hit the planet. Man,

1005
00:53:07,800 --> 00:53:14,200
Speaker 1: that's the craziest ship. Friends. You got his records, like

1006
00:53:14,280 --> 00:53:17,000
Speaker 1: I'm the record store, so it didn't tell you ship

1007
00:53:18,400 --> 00:53:20,040
Speaker 1: I even heard the record. I don't know what he's

1008
00:53:20,040 --> 00:53:22,680
Speaker 1: talking about this. He didn't even ask him about the record.

1009
00:53:22,920 --> 00:53:32,080
Speaker 1: So record, you want something for me to slave? What

1010
00:53:32,280 --> 00:53:39,160
Speaker 1: is this slave? Ship? That used to have read on

1011
00:53:39,239 --> 00:53:46,080
Speaker 1: the side of his face question? Whatever the is he? Man?

1012
00:53:46,360 --> 00:53:49,000
Speaker 1: I saw the piece of an interview that Tiny did

1013
00:53:49,120 --> 00:53:58,160
Speaker 1: and she said, you told him they sung too loud escate. Yeah, well,

1014
00:53:58,360 --> 00:54:07,719
Speaker 1: I mean, well you know when they when they when

1015
00:54:07,760 --> 00:54:11,120
Speaker 1: they because like when they all sunk out, you know

1016
00:54:11,120 --> 00:54:12,880
Speaker 1: what I'm saying, like they all saying, we're saying like

1017
00:54:12,960 --> 00:54:14,879
Speaker 1: full voice for it. So they're saying, you understand whatever

1018
00:54:14,920 --> 00:54:17,800
Speaker 1: the singers full voice and when we're doing like TLC

1019
00:54:18,440 --> 00:54:20,800
Speaker 1: things like that, we're just work. It was just different

1020
00:54:21,040 --> 00:54:22,800
Speaker 1: and they that's what made them, I think, you know,

1021
00:54:23,480 --> 00:54:26,080
Speaker 1: appealed to people because they were singing out like that

1022
00:54:26,120 --> 00:54:28,080
Speaker 1: and they had such an everybody was singing from here,

1023
00:54:28,680 --> 00:54:32,279
Speaker 1: you know, and maybe that's why they was getting into

1024
00:54:32,280 --> 00:54:33,920
Speaker 1: it too, because everybody was just like singing from here.

1025
00:54:34,000 --> 00:54:36,600
Speaker 1: Usually somebody didn't singing from there. Somebody softer, somebody's harder,

1026
00:54:36,680 --> 00:54:39,080
Speaker 1: somebody was saying me loud, all of them singing from

1027
00:54:39,160 --> 00:54:43,439
Speaker 1: here and that was just like now in that sense,

1028
00:54:43,640 --> 00:54:45,960
Speaker 1: you know, even in both were singing like softer and

1029
00:54:46,160 --> 00:54:48,880
Speaker 1: like different in the tones and than escape if you

1030
00:54:48,920 --> 00:54:52,400
Speaker 1: listening escape stuff. Um, so it wasn't it wasn't just louder.

1031
00:54:52,400 --> 00:54:54,759
Speaker 1: It's like really singing from the gut, which makes you

1032
00:54:54,840 --> 00:55:05,000
Speaker 1: think that, right, you got the best goddamn outlook on

1033
00:55:05,160 --> 00:55:10,480
Speaker 1: how Atlanta then changed, Like what's the biggest differences? Oh man, Well,

1034
00:55:10,560 --> 00:55:13,320
Speaker 1: you know what's crazy is like during the late in

1035
00:55:13,440 --> 00:55:15,640
Speaker 1: the early nineties and stuff like we're going to jelly

1036
00:55:15,680 --> 00:55:19,239
Speaker 1: beans and um, you know, it was always it was

1037
00:55:19,320 --> 00:55:21,360
Speaker 1: big dope boys back then, like the Miami Boys was

1038
00:55:21,440 --> 00:55:24,040
Speaker 1: here like and so it was always like dope. It's

1039
00:55:24,040 --> 00:55:26,480
Speaker 1: always like, you know, it was a little little bit crazy.

1040
00:55:26,520 --> 00:55:28,839
Speaker 1: It was always killings and stuff. And then we saw

1041
00:55:28,840 --> 00:55:30,799
Speaker 1: Atlanta go through a phase where music kind of came

1042
00:55:30,840 --> 00:55:33,680
Speaker 1: in and I think people started to say we could

1043
00:55:33,680 --> 00:55:35,680
Speaker 1: do that, and so all they started to change into

1044
00:55:35,680 --> 00:55:39,680
Speaker 1: a whole music focus, like once I did another bad creation, Um,

1045
00:55:40,360 --> 00:55:42,880
Speaker 1: then Germaine did Criss Cross, and then the rest of

1046
00:55:42,920 --> 00:55:45,840
Speaker 1: the development came, we started covering these different spectrums like

1047
00:55:46,360 --> 00:55:48,480
Speaker 1: of the South. That started making us have our own

1048
00:55:48,520 --> 00:55:50,000
Speaker 1: ship going on. You know what I'm saying, Because we

1049
00:55:50,080 --> 00:55:53,600
Speaker 1: are always like New York accepting us, California accepting us.

1050
00:55:53,640 --> 00:55:56,840
Speaker 1: We gotta make our own ship. Um. And that was

1051
00:55:56,920 --> 00:55:59,839
Speaker 1: the first wave of us starting to get like amalgamation

1052
00:56:00,440 --> 00:56:02,920
Speaker 1: because we were put from everybody. We like, Hey Shockley,

1053
00:56:03,000 --> 00:56:04,600
Speaker 1: we like Dr tre We we wan't staring to be

1054
00:56:04,640 --> 00:56:07,160
Speaker 1: like I like everybody. We want to tell me everybody.

1055
00:56:07,719 --> 00:56:11,600
Speaker 1: So it was it was interesting because you know, we

1056
00:56:11,680 --> 00:56:13,000
Speaker 1: didn't really know. We just wanted to get to that.

1057
00:56:13,120 --> 00:56:14,879
Speaker 1: We never we just wanted to get to this point

1058
00:56:14,920 --> 00:56:16,600
Speaker 1: at some point, you know. But first it was about

1059
00:56:16,680 --> 00:56:18,280
Speaker 1: riding now listen to that in your car on twenty

1060
00:56:18,360 --> 00:56:21,640
Speaker 1: five or like dressing the act, putting the pictures to it,

1061
00:56:22,280 --> 00:56:24,560
Speaker 1: making the music like oh ship, and then we just

1062
00:56:24,719 --> 00:56:26,839
Speaker 1: ride out listening to it. Um. And then when people

1063
00:56:26,840 --> 00:56:31,080
Speaker 1: started getting successful, we saw land of change into the

1064
00:56:31,160 --> 00:56:33,160
Speaker 1: record the late the like lawyers started to get wreck,

1065
00:56:33,200 --> 00:56:35,000
Speaker 1: everybody started to get record company because like this ship

1066
00:56:35,000 --> 00:56:36,680
Speaker 1: is popping, we need a record company. We need a

1067
00:56:36,719 --> 00:56:38,840
Speaker 1: record company. So it opened up the gates for a

1068
00:56:38,880 --> 00:56:40,920
Speaker 1: lot of talent to go through also, you know, and

1069
00:56:41,040 --> 00:56:42,920
Speaker 1: then New York in l A. They used to call

1070
00:56:43,000 --> 00:56:44,920
Speaker 1: us like, what do y'all know down there? We don't

1071
00:56:44,960 --> 00:56:47,200
Speaker 1: know what is going on like that, y'all got something

1072
00:56:47,280 --> 00:56:50,759
Speaker 1: crazy going on, like y'all selling record records because other

1073
00:56:50,800 --> 00:56:52,640
Speaker 1: people wasn't selling records like that, like like them in

1074
00:56:52,680 --> 00:56:54,319
Speaker 1: the Mary's and New York Records, they would do their

1075
00:56:54,320 --> 00:56:56,799
Speaker 1: platforms and double platinorms. We were doing like nine ten

1076
00:56:56,880 --> 00:57:00,960
Speaker 1: million records, um ten twelve million records like our first thing.

1077
00:57:01,080 --> 00:57:03,120
Speaker 1: If a record was coming out, people like, damn man,

1078
00:57:03,120 --> 00:57:04,560
Speaker 1: how are you many even gonna sell the first week

1079
00:57:04,560 --> 00:57:12,359
Speaker 1: five thousand and seven hundred thousand up seven ye ninety

1080
00:57:12,360 --> 00:57:15,000
Speaker 1: two all the way up to to like Napster and

1081
00:57:15,440 --> 00:57:18,440
Speaker 1: anything else kicked in because our record range was like

1082
00:57:19,520 --> 00:57:22,240
Speaker 1: distribution back in the day meant that you had trucks

1083
00:57:22,480 --> 00:57:24,880
Speaker 1: and you had the printed from somewhere and the trucks

1084
00:57:24,920 --> 00:57:26,440
Speaker 1: had to take it to Walmart to taking the tower

1085
00:57:26,520 --> 00:57:28,760
Speaker 1: or wherever it's going. And if you were in different

1086
00:57:28,800 --> 00:57:30,840
Speaker 1: territories like if you're in London or if you're in

1087
00:57:31,440 --> 00:57:32,960
Speaker 1: wherever you are in around the world. It wasn't like

1088
00:57:33,040 --> 00:57:34,640
Speaker 1: now you can hit a button and it goes everywhere.

1089
00:57:35,080 --> 00:57:36,800
Speaker 1: They had to literally print them up over there and

1090
00:57:36,840 --> 00:57:39,160
Speaker 1: ship them over there and all this. Right, So so

1091
00:57:39,480 --> 00:57:42,640
Speaker 1: the record sales was different, um, and you know it's

1092
00:57:42,640 --> 00:57:45,160
Speaker 1: like twenty dollars for album, sixteen dollars for albums. So

1093
00:57:45,240 --> 00:57:48,760
Speaker 1: we were making so much money, um, and it was

1094
00:57:48,840 --> 00:57:50,600
Speaker 1: enough for everybody because it was just so much money

1095
00:57:50,640 --> 00:57:53,400
Speaker 1: crammed into that CD cost back then. And then it

1096
00:57:53,480 --> 00:57:56,400
Speaker 1: wasn't that accessible. So if you sold, you sold. It

1097
00:57:56,520 --> 00:57:59,360
Speaker 1: wasn't no other way to get it, you know, to

1098
00:57:59,440 --> 00:58:09,560
Speaker 1: go get Yeah, I got to go get E. Got

1099
00:58:09,680 --> 00:58:12,520
Speaker 1: the new guy coming out, I gotta get the first

1100
00:58:12,600 --> 00:58:15,480
Speaker 1: want to get it. So, you know, seeing that transformation,

1101
00:58:15,520 --> 00:58:17,920
Speaker 1: and then we went through where we were selling so

1102
00:58:18,440 --> 00:58:20,440
Speaker 1: many records down here. It was just like and that

1103
00:58:20,520 --> 00:58:22,960
Speaker 1: suppos making us sustain to this point because we saw

1104
00:58:23,080 --> 00:58:25,960
Speaker 1: so many types of records out of Atlanta, UM, so

1105
00:58:26,040 --> 00:58:27,840
Speaker 1: many types of artists. You started to see people spout

1106
00:58:27,920 --> 00:58:30,000
Speaker 1: up like they're coming up. They'll come to the studio

1107
00:58:30,080 --> 00:58:32,480
Speaker 1: one day, you know, singing a song like you know,

1108
00:58:32,720 --> 00:58:37,720
Speaker 1: Aaron Hall or something. Tell you this story Aaron Hall, right,

1109
00:58:38,240 --> 00:58:41,320
Speaker 1: he was performing gout had this They performed after this

1110
00:58:41,480 --> 00:58:44,080
Speaker 1: comedy show. We had this nigga Aaron Hall singing this

1111
00:58:44,160 --> 00:58:47,760
Speaker 1: song sound exactly like the CD Nigger. This nigga was

1112
00:58:47,880 --> 00:58:52,360
Speaker 1: singing wiped his face and didn't even sunk up the song.

1113
00:58:52,480 --> 00:58:55,160
Speaker 1: I was like, this, the ga't real that ship sent

1114
00:58:55,200 --> 00:58:58,120
Speaker 1: out exactly like the ship like I think it was playing.

1115
00:58:58,200 --> 00:59:00,400
Speaker 1: This nig was singing this ship that's called with no

1116
00:59:00,440 --> 00:59:03,760
Speaker 1: aut of tune. Back then, it's like, if you sing,

1117
00:59:04,000 --> 00:59:05,480
Speaker 1: you have to be able to sing bro with the

1118
00:59:05,520 --> 00:59:07,680
Speaker 1: way that a matter of fact, what would invented auto tune?

1119
00:59:08,120 --> 00:59:10,360
Speaker 1: If people going like even when we did tail C,

1120
00:59:10,520 --> 00:59:12,280
Speaker 1: they like, don't you'll got that thing on their voice,

1121
00:59:12,600 --> 00:59:14,360
Speaker 1: Like it ain't no thing to have on their voice.

1122
00:59:14,400 --> 00:59:16,160
Speaker 1: You just gotta keep doing that until you get right.

1123
00:59:16,640 --> 00:59:18,760
Speaker 1: And so people kept thinking that about stuff that and

1124
00:59:18,800 --> 00:59:21,160
Speaker 1: there's something magic box that fixes it. Like when I

1125
00:59:21,200 --> 00:59:23,680
Speaker 1: was doing another bad creation, I would sam with a

1126
00:59:23,800 --> 00:59:27,480
Speaker 1: whole verse and fix it with a pitch will on

1127
00:59:27,560 --> 00:59:29,320
Speaker 1: the keyboard because there were five You can't you know,

1128
00:59:29,400 --> 00:59:31,080
Speaker 1: you have to have a guideline singing and then try

1129
00:59:31,120 --> 00:59:33,760
Speaker 1: to fix it like this. But you know, I think

1130
00:59:33,800 --> 00:59:36,280
Speaker 1: that's one of the biggest differences today is that you know,

1131
00:59:36,400 --> 00:59:38,440
Speaker 1: you had to be able to have talent because it's

1132
00:59:38,480 --> 00:59:41,440
Speaker 1: been so much money on you to record you like,

1133
00:59:41,960 --> 00:59:44,000
Speaker 1: it's half of the ship you're here right now, more

1134
00:59:44,040 --> 00:59:46,880
Speaker 1: than half of it. We never got signed ever because

1135
00:59:46,920 --> 00:59:48,520
Speaker 1: you have to spend money on the ship. So if

1136
00:59:48,520 --> 00:59:52,040
Speaker 1: somebody came in your room, they going there. Even when

1137
00:59:52,080 --> 00:59:54,280
Speaker 1: the whole ship was going on, everybody's singing on lean

1138
00:59:54,560 --> 00:59:56,280
Speaker 1: like what the funk is this? Like going up on

1139
00:59:56,320 --> 00:59:58,240
Speaker 1: the Tuesdays and those kind of records are coming around

1140
00:59:58,840 --> 01:00:00,920
Speaker 1: and people. I was sitting of being my one day

1141
01:00:01,160 --> 01:00:02,960
Speaker 1: and I was sitting with some of the country people

1142
01:00:03,360 --> 01:00:04,840
Speaker 1: and he was performing at record and I was like,

1143
01:00:04,920 --> 01:00:07,040
Speaker 1: if this song walked into your office in the country

1144
01:00:07,040 --> 01:00:09,240
Speaker 1: in Nashville, what would you say about the what the

1145
01:00:09,400 --> 01:00:12,439
Speaker 1: fund is going on? Because it takes so much money

1146
01:00:12,560 --> 01:00:14,600
Speaker 1: when you're doing music music, It takes money to record

1147
01:00:14,680 --> 01:00:16,560
Speaker 1: the talent. And if you're not talented, I'm not gonna

1148
01:00:16,560 --> 01:00:19,400
Speaker 1: spend my money on you. User generated content came in,

1149
01:00:19,960 --> 01:00:22,120
Speaker 1: let's say around the time a soldier boy right where

1150
01:00:22,200 --> 01:00:23,880
Speaker 1: meant that you can make your music on the computer,

1151
01:00:24,400 --> 01:00:27,360
Speaker 1: upload your music and distribute it at my space. Right,

1152
01:00:27,640 --> 01:00:29,240
Speaker 1: So now you're gonna cut out the distributors. You can't

1153
01:00:29,240 --> 01:00:31,320
Speaker 1: cut out the talent gate. You don't, could I everybody

1154
01:00:31,320 --> 01:00:34,400
Speaker 1: who could say no, And it's only up to the consumers. Now,

1155
01:00:35,040 --> 01:00:37,200
Speaker 1: most of the consumers you got can't saying can't wrap.

1156
01:00:37,320 --> 01:00:39,360
Speaker 1: You can't do nothing that easier either, right. So that's

1157
01:00:39,400 --> 01:00:41,160
Speaker 1: why some of the most simple ship that you wonder

1158
01:00:41,240 --> 01:00:43,080
Speaker 1: why is that making it? Because most of the people

1159
01:00:43,160 --> 01:00:44,919
Speaker 1: are singing and rapping. They can't sing it rap either,

1160
01:00:45,360 --> 01:00:47,320
Speaker 1: so that's easy for them to say that it's easy

1161
01:00:47,360 --> 01:00:49,920
Speaker 1: for them to sing along to that. And when that

1162
01:00:50,000 --> 01:00:53,520
Speaker 1: floodgate opened, instead of it being like, Hey, I want

1163
01:00:53,560 --> 01:00:55,160
Speaker 1: to sing as great as Whitney or I want to

1164
01:00:55,200 --> 01:00:57,680
Speaker 1: sing as great as uh performer, as great as this

1165
01:00:57,760 --> 01:01:00,120
Speaker 1: person and Michael whoever, they started being like, oh my

1166
01:01:00,240 --> 01:01:02,360
Speaker 1: calibers down here, because that ship I can do what

1167
01:01:02,480 --> 01:01:04,360
Speaker 1: he's doing, so I just want to do And so

1168
01:01:04,520 --> 01:01:08,200
Speaker 1: that opened up this gate of user generated content, and

1169
01:01:08,480 --> 01:01:10,480
Speaker 1: it lowered the quality of music that you had to

1170
01:01:10,560 --> 01:01:12,280
Speaker 1: reach for in order to make it like you had

1171
01:01:12,360 --> 01:01:15,120
Speaker 1: to really like go through Like for us, I spent

1172
01:01:15,200 --> 01:01:17,240
Speaker 1: so much time playing keyboards and playing over songs and

1173
01:01:17,400 --> 01:01:18,760
Speaker 1: learning how to write songs. In my life it was

1174
01:01:18,760 --> 01:01:20,080
Speaker 1: just I don't even know how many hours has been

1175
01:01:20,280 --> 01:01:22,360
Speaker 1: don't do sh it else. You know, it wasn't as easiest.

1176
01:01:22,400 --> 01:01:23,600
Speaker 1: Let me turn on my mac and it's gonna do

1177
01:01:23,960 --> 01:01:26,040
Speaker 1: it for me. Or here's the eight or eight sounds,

1178
01:01:26,080 --> 01:01:29,440
Speaker 1: so that's half the song already. So it wasn't you know.

1179
01:01:29,640 --> 01:01:31,160
Speaker 1: We used to search for drum sounds, like how do

1180
01:01:31,240 --> 01:01:32,800
Speaker 1: I find a snare drum? How do I find a

1181
01:01:32,880 --> 01:01:36,600
Speaker 1: high headed Germaine? Ain't using how like our sounds? Was

1182
01:01:36,680 --> 01:01:38,800
Speaker 1: like our gril, like, no, you can't get my sounds, dog,

1183
01:01:38,920 --> 01:01:41,120
Speaker 1: that's myselves, you know what I'm saying now. I was like,

1184
01:01:41,160 --> 01:01:44,560
Speaker 1: wait to keep my sounds. You can have them by

1185
01:01:44,640 --> 01:01:49,760
Speaker 1: this sounds like I heard that your funk up over

1186
01:01:49,800 --> 01:01:55,600
Speaker 1: the Oh you thought I was gonna say so, So

1187
01:01:55,720 --> 01:01:59,800
Speaker 1: you're saying those not my simples, So they're not my simlons.

1188
01:02:00,120 --> 01:02:05,160
Speaker 1: You aint never even triangle your motherfucker life. Okay, never

1189
01:02:05,600 --> 01:02:11,200
Speaker 1: try this wind niggas. Since wind niggas come in on

1190
01:02:11,280 --> 01:02:14,840
Speaker 1: the zella phone, I'll tell you, since wind since people

1191
01:02:14,880 --> 01:02:22,680
Speaker 1: getting there, mother this thing you played the hert molica

1192
01:02:23,080 --> 01:02:24,880
Speaker 1: I used to. I used to be mad I hear them.

1193
01:02:25,240 --> 01:02:27,440
Speaker 1: Then they took my snare drum. I had my ones

1194
01:02:27,480 --> 01:02:29,360
Speaker 1: and that. You know, everybody at some point have your

1195
01:02:29,400 --> 01:02:31,320
Speaker 1: sound that you liked. I would always just be a

1196
01:02:31,320 --> 01:02:33,320
Speaker 1: way at anytime something got popular, I would like go

1197
01:02:33,440 --> 01:02:34,920
Speaker 1: try to do some whole other ship. So if like,

1198
01:02:35,440 --> 01:02:36,960
Speaker 1: if I did enough over here and I'm like, well,

1199
01:02:37,040 --> 01:02:38,680
Speaker 1: let me go do pop rock, let me go do

1200
01:02:38,880 --> 01:02:41,480
Speaker 1: pink and going Steffani and Anna Stagia and Duran Duran

1201
01:02:41,560 --> 01:02:43,000
Speaker 1: and all this kind of stuff. Because I grew up,

1202
01:02:44,240 --> 01:02:45,919
Speaker 1: you know, I grew up on all that ship wanting

1203
01:02:45,920 --> 01:02:48,000
Speaker 1: to beat him and watching them on MTV, Like with

1204
01:02:48,080 --> 01:02:50,400
Speaker 1: the keyboards with the names on the back. I just

1205
01:02:50,480 --> 01:02:53,040
Speaker 1: wanted to have one keyboard dr forward with my name

1206
01:02:53,120 --> 01:02:54,840
Speaker 1: with cord or rolling or something on the back of

1207
01:02:54,880 --> 01:02:57,480
Speaker 1: that ship, you know. And my mom my brother financed

1208
01:02:57,600 --> 01:02:59,400
Speaker 1: for me in Columbus and it took it was like

1209
01:02:59,440 --> 01:03:01,640
Speaker 1: twelve I was took five years of finance the ship.

1210
01:03:02,440 --> 01:03:05,440
Speaker 1: He was broke, broke, broke, broke, broke, you know, and

1211
01:03:05,480 --> 01:03:06,680
Speaker 1: I was like, I got to get the funk out

1212
01:03:06,720 --> 01:03:08,080
Speaker 1: of here, and this is gonna be my saving grace.

1213
01:03:08,320 --> 01:03:12,960
Speaker 1: And yeah, my brother I was down there playing get

1214
01:03:13,000 --> 01:03:15,400
Speaker 1: it Up and Columbus Georgie, right, and then my mom's

1215
01:03:15,640 --> 01:03:17,640
Speaker 1: down and we were in the in the hood hood,

1216
01:03:17,680 --> 01:03:19,360
Speaker 1: and the house was a little crooked, and the restaurant

1217
01:03:19,400 --> 01:03:21,760
Speaker 1: was connected to it, and and that's why she had

1218
01:03:21,800 --> 01:03:24,000
Speaker 1: the soul Fool restaurant. But I was playing get It

1219
01:03:24,080 --> 01:03:25,800
Speaker 1: Up over and over and over again on this keyboard,

1220
01:03:25,800 --> 01:03:28,240
Speaker 1: and he bought me that I've just died to have

1221
01:03:28,400 --> 01:03:30,400
Speaker 1: of rolling g X TV P right. And he came

1222
01:03:30,400 --> 01:03:32,080
Speaker 1: in and Mom said clean up. Mom said, clean up

1223
01:03:32,440 --> 01:03:34,400
Speaker 1: on bud Wiser's you know, I ain't paying attention to it.

1224
01:03:34,760 --> 01:03:36,680
Speaker 1: He picked the keyboard up and throw it and it

1225
01:03:36,800 --> 01:03:39,400
Speaker 1: breaks into like a million pieces and ship. So I'm like,

1226
01:03:39,920 --> 01:03:41,280
Speaker 1: I go in the shock run Now, I just have

1227
01:03:41,360 --> 01:03:43,120
Speaker 1: a knife fetish when I was a kid, because everybody's

1228
01:03:43,120 --> 01:03:46,120
Speaker 1: bigger than me, So I'll just get knifes and play right.

1229
01:03:47,960 --> 01:03:49,960
Speaker 1: You know, you know your brother used to hold you

1230
01:03:50,000 --> 01:03:51,760
Speaker 1: down and put the meets and chips, put the charlie

1231
01:03:51,880 --> 01:03:54,520
Speaker 1: us in because I was the youngest one, so they

1232
01:03:54,520 --> 01:03:55,960
Speaker 1: would do all that ship side of the knife things.

1233
01:03:56,000 --> 01:03:57,640
Speaker 1: I went downstairs. We got the biggest knife I can

1234
01:03:57,680 --> 01:03:59,320
Speaker 1: find out the kitchen. My MoMA, where are you going

1235
01:03:59,360 --> 01:04:02,000
Speaker 1: with that? And he broke my keyboard random stairs a

1236
01:04:02,080 --> 01:04:03,880
Speaker 1: knife and tried to get my brother and Mom, I

1237
01:04:03,960 --> 01:04:05,560
Speaker 1: was like, where you doing? You know? And so I

1238
01:04:05,640 --> 01:04:07,320
Speaker 1: made a big ass deal out of and said fuck that.

1239
01:04:08,240 --> 01:04:10,919
Speaker 1: This dude brought my keyboard. Greyhound bus station is next

1240
01:04:11,000 --> 01:04:13,840
Speaker 1: door for my house, like three down. I packed my

1241
01:04:13,840 --> 01:04:15,680
Speaker 1: ship up and went to Greyhound like I'm going Atlanta.

1242
01:04:16,400 --> 01:04:19,320
Speaker 1: I like twelve. My mom was like, so it was

1243
01:04:19,440 --> 01:04:21,240
Speaker 1: nighttime too. I've been crying all day and ship and

1244
01:04:21,440 --> 01:04:23,680
Speaker 1: I broke my keyboard. So I used to sleep to

1245
01:04:23,720 --> 01:04:28,960
Speaker 1: the keyboard. I started with a castio and I'm like, Mom,

1246
01:04:29,160 --> 01:04:31,000
Speaker 1: every Christmas, gett me a bigger keyboard. You know what

1247
01:04:31,040 --> 01:04:32,920
Speaker 1: I'm saying. And so I got down to some ship

1248
01:04:33,000 --> 01:04:34,720
Speaker 1: that I can actually be in bands with and sound

1249
01:04:34,760 --> 01:04:37,200
Speaker 1: like the ship on the radio. And now you buck

1250
01:04:37,280 --> 01:04:39,360
Speaker 1: my ship up. So she came out of the Breyhound

1251
01:04:39,400 --> 01:04:41,840
Speaker 1: bus station and she was like, yo, what are you doing?

1252
01:04:42,080 --> 01:04:44,080
Speaker 1: Like I'm going Atlanta still Monty Claire. I can't make

1253
01:04:44,120 --> 01:04:46,080
Speaker 1: it down here. This stick and broke my keyboard and

1254
01:04:46,200 --> 01:04:48,280
Speaker 1: she's like, are you serious? She's like, you know, you're

1255
01:04:48,280 --> 01:04:50,439
Speaker 1: just mad. I know you're mad. Just come on back

1256
01:04:50,480 --> 01:04:52,680
Speaker 1: home and like we'll talk about it and tomorrow. If

1257
01:04:52,680 --> 01:04:55,120
Speaker 1: you still feel that way, then you know, I go home,

1258
01:04:56,280 --> 01:04:59,480
Speaker 1: sit there, look at my keyboard all night, mad at ship.

1259
01:04:59,560 --> 01:05:01,640
Speaker 1: I give my up next morning, pack my ship. Take

1260
01:05:01,720 --> 01:05:03,240
Speaker 1: some money out of cash register, because you know you've

1261
01:05:03,240 --> 01:05:05,560
Speaker 1: got our own lit soulful restaurant. Get some money out

1262
01:05:05,560 --> 01:05:19,640
Speaker 1: of cash. I go back to the bus. Stay so yo,

1263
01:05:19,680 --> 01:05:21,479
Speaker 1: what I'm sitting there at this daytime? Now? So I'm ready.

1264
01:05:21,480 --> 01:05:23,520
Speaker 1: I'm waiting on that Lanta bus to come out, mad as.

1265
01:05:24,400 --> 01:05:26,880
Speaker 1: My mom was like, yo, what are you doing? You're

1266
01:05:26,880 --> 01:05:29,160
Speaker 1: really leaving me. I'm like, he broke my keyboard. I

1267
01:05:29,200 --> 01:05:31,000
Speaker 1: can't oot do a big record producer down here. This

1268
01:05:31,120 --> 01:05:33,160
Speaker 1: dude broke my ship. She said, I'll tell you what,

1269
01:05:33,480 --> 01:05:36,200
Speaker 1: if you're that serious, give me some time to set

1270
01:05:36,240 --> 01:05:38,640
Speaker 1: that restaurant. I'm going with you. You ain't leaving me

1271
01:05:38,680 --> 01:05:42,280
Speaker 1: down here, she said, give me three months set the restaurant.

1272
01:05:42,680 --> 01:05:44,800
Speaker 1: I'm going to Lanta with you. I gotta find a job, whatever,

1273
01:05:44,880 --> 01:05:47,200
Speaker 1: but give me time. You had determined to go, We're going.

1274
01:05:47,920 --> 01:05:50,200
Speaker 1: She left. He came up and she started working at

1275
01:05:50,240 --> 01:05:53,040
Speaker 1: po Folks on Old National. While she was doing that,

1276
01:05:53,800 --> 01:05:57,480
Speaker 1: I was in Charlestown like this all day long. Wires

1277
01:05:57,520 --> 01:05:59,760
Speaker 1: went into the bathroom. Nig was recording like the chip

1278
01:06:00,000 --> 01:06:02,640
Speaker 1: and someone dudes in the neighborhood come singing recording all

1279
01:06:02,640 --> 01:06:04,400
Speaker 1: the time. She comes home with flower on her face,

1280
01:06:04,480 --> 01:06:07,240
Speaker 1: mad as hell, like my selling. My brother is selling

1281
01:06:07,280 --> 01:06:09,280
Speaker 1: dope up and down. Got me wrong. We just had

1282
01:06:09,320 --> 01:06:11,120
Speaker 1: a foot all going on all day. That's why the

1283
01:06:11,160 --> 01:06:13,040
Speaker 1: A T L my uncle George. Then the movie was

1284
01:06:13,120 --> 01:06:15,080
Speaker 1: real and we used to get locked in there was

1285
01:06:15,160 --> 01:06:17,600
Speaker 1: a safe way all national something like that and clean

1286
01:06:17,720 --> 01:06:21,560
Speaker 1: up that night. And we were skating every Sunday. And

1287
01:06:22,360 --> 01:06:24,920
Speaker 1: during that time, it was like it was just empt up. Bro.

1288
01:06:24,960 --> 01:06:26,920
Speaker 1: It was just like everything you could have going down,

1289
01:06:27,040 --> 01:06:29,000
Speaker 1: dope deals all day long, dope deals going on that

1290
01:06:30,240 --> 01:06:45,000
Speaker 1: it don't do. This is regularly my whole life book.

1291
01:06:45,040 --> 01:06:50,920
Speaker 1: First of all, you know over there first and foremost

1292
01:06:54,360 --> 01:07:01,080
Speaker 1: come in and listening to the ship, and you like,

1293
01:07:03,920 --> 01:07:07,720
Speaker 1: but we don't have not because they're slaves and slave food.

1294
01:07:16,200 --> 01:07:21,000
Speaker 1: Work with everybody from even JT. Money. J T Money,

1295
01:07:21,240 --> 01:07:24,720
Speaker 1: that's one of my favorite people. What people don't realize

1296
01:07:24,760 --> 01:07:27,200
Speaker 1: that Tricky Steward then who that right? They don't know

1297
01:07:27,200 --> 01:07:29,840
Speaker 1: who they they did? Who that that's Tricky Stewart And Bro,

1298
01:07:30,000 --> 01:07:32,400
Speaker 1: we just found out you produced mustn't be the money,

1299
01:07:32,600 --> 01:07:40,120
Speaker 1: Oh ship you are the infamous producer. But that is

1300
01:07:40,240 --> 01:07:59,280
Speaker 1: awesome researching. Yeah, yeah, your work, hold on, hold on,

1301
01:07:59,400 --> 01:08:01,520
Speaker 1: hold on, let me now that's a good one. All right.

1302
01:08:01,600 --> 01:08:14,920
Speaker 1: So the Shug Night is up my studio exactly. He

1303
01:08:15,080 --> 01:08:16,639
Speaker 1: had the studio right, I had a group of legal

1304
01:08:16,840 --> 01:08:18,720
Speaker 1: making Jamal. So he was trying to get work from

1305
01:08:18,800 --> 01:08:22,519
Speaker 1: from Dre and from uh Colin Wolf. So he's that

1306
01:08:22,600 --> 01:08:25,160
Speaker 1: one day Msid Dallas. He I'm saying this, once you

1307
01:08:25,240 --> 01:08:26,439
Speaker 1: do a song on him. You know we got him

1308
01:08:26,479 --> 01:08:29,040
Speaker 1: on death row. Now I want to He wants you to.

1309
01:08:29,080 --> 01:08:30,560
Speaker 1: He wants you to do a record on him. My

1310
01:08:30,720 --> 01:08:33,600
Speaker 1: initial sponsor was like, no, man. I mean he's like,

1311
01:08:33,600 --> 01:08:35,320
Speaker 1: he's a football player. I love deal and he's great.

1312
01:08:35,400 --> 01:08:37,960
Speaker 1: He got go to club, the club, all that, But

1313
01:08:38,320 --> 01:08:40,880
Speaker 1: singing a song, No man, he want to wrap a song.

1314
01:08:42,080 --> 01:08:44,680
Speaker 1: He wants you to do it. I'm like, shug man,

1315
01:08:44,720 --> 01:08:46,560
Speaker 1: I'm nothing. I'm talking to Shugar by the way, so

1316
01:08:46,640 --> 01:08:49,519
Speaker 1: I'm like, ship, I'm in this instance right now, Like

1317
01:08:49,640 --> 01:08:51,479
Speaker 1: what do I do what I'm saying. I'm like, no, man,

1318
01:08:51,560 --> 01:08:53,640
Speaker 1: It's just I don't know if I can do that. Bro,

1319
01:08:53,720 --> 01:08:56,920
Speaker 1: I don't think that's gonna work out. I'll be right back.

1320
01:08:57,720 --> 01:08:59,360
Speaker 1: He come back in. He got het. He got a

1321
01:08:59,400 --> 01:09:03,160
Speaker 1: photo album full of cars. Pick a car. It's a Lamborghinis,

1322
01:09:03,280 --> 01:09:05,559
Speaker 1: is Rolls, Royces, it's all I pick a car, man,

1323
01:09:05,640 --> 01:09:07,400
Speaker 1: this whatever car you want to get to, you go

1324
01:09:07,439 --> 01:09:08,560
Speaker 1: ahead and take care of that for me with the

1325
01:09:09,840 --> 01:09:11,519
Speaker 1: I'm like, think of myself. I can't not take a

1326
01:09:11,560 --> 01:09:12,960
Speaker 1: car from this nigger. That's gonna make me go like

1327
01:09:13,000 --> 01:09:14,639
Speaker 1: he gonna don't be really in debt and I can't

1328
01:09:14,640 --> 01:09:18,880
Speaker 1: do this, like know what I'm saying, like, and I

1329
01:09:18,960 --> 01:09:22,360
Speaker 1: got you, I can't do that either. So he goes God.

1330
01:09:22,400 --> 01:09:24,920
Speaker 1: Then talk to Danny, come back, said, then really want

1331
01:09:24,960 --> 01:09:27,200
Speaker 1: to do the song? Man? Now I'm feeling like a

1332
01:09:27,200 --> 01:09:33,000
Speaker 1: sneak about and be liking you're gonna do it? He said, though,

1333
01:09:33,840 --> 01:09:36,479
Speaker 1: I'll tell you what he just wants you to do.

1334
01:09:36,640 --> 01:09:38,760
Speaker 1: Must be the money or must be the music. Man,

1335
01:09:39,120 --> 01:09:40,960
Speaker 1: I give you two hundred fifty dollars to do that

1336
01:09:41,120 --> 01:09:42,840
Speaker 1: right now, I said, you want me to take must

1337
01:09:42,840 --> 01:09:44,720
Speaker 1: be the music, and must want me to do that

1338
01:09:44,880 --> 01:09:46,880
Speaker 1: now for two and fifty. I get you right now.

1339
01:09:47,040 --> 01:09:48,519
Speaker 1: I got the record in the back of my nigger.

1340
01:09:49,040 --> 01:09:50,920
Speaker 1: Let's go. I went straight back to the back, went

1341
01:09:50,920 --> 01:09:53,840
Speaker 1: through my records put up. Oh yeah, most be the music.

1342
01:09:53,880 --> 01:09:56,679
Speaker 1: I love this record. Let's go put it together. Boom boom.

1343
01:09:56,720 --> 01:09:58,479
Speaker 1: That's the most money I got paid for one song,

1344
01:09:58,880 --> 01:10:01,280
Speaker 1: like at one time like that, shout out the shout

1345
01:10:01,320 --> 01:10:07,760
Speaker 1: out the money due, shout out the d because nobody,

1346
01:10:08,120 --> 01:10:10,000
Speaker 1: nobody knew. And then by the time I didn't think,

1347
01:10:10,160 --> 01:10:11,640
Speaker 1: I didn't think deal was gonna go through all the

1348
01:10:11,680 --> 01:10:12,960
Speaker 1: way with it. But the times, by the time they

1349
01:10:13,040 --> 01:10:15,800
Speaker 1: did it, he was full on. You know he did.

1350
01:10:16,000 --> 01:10:18,320
Speaker 1: He did it all the way. Nobody right, nobody know

1351
01:10:18,400 --> 01:10:22,760
Speaker 1: I did that because I was like, oh man, you

1352
01:10:22,840 --> 01:10:29,799
Speaker 1: can't have done so much music with everybody who's good Madonna?

1353
01:10:30,320 --> 01:10:33,200
Speaker 1: Oh yeah, that's the That's the freakiest nick in the world.

1354
01:10:34,160 --> 01:10:38,080
Speaker 1: I just want to know. That's the freakiest thing in

1355
01:10:38,160 --> 01:10:41,639
Speaker 1: the world right there. That you know how every crew

1356
01:10:41,720 --> 01:10:46,120
Speaker 1: got a nick. That's him. He got an ankle, like

1357
01:10:46,240 --> 01:10:52,639
Speaker 1: his ankles to be out. Think it remains the same temperature.

1358
01:10:52,680 --> 01:11:01,040
Speaker 1: No manly this season, yo, man, it was crazy because

1359
01:11:01,439 --> 01:11:05,799
Speaker 1: h work with Madonna. It was more like, you know again,

1360
01:11:05,960 --> 01:11:08,439
Speaker 1: I'm Atlanta to death. I got like dress down there here,

1361
01:11:08,760 --> 01:11:11,439
Speaker 1: I'm at my studio, like I'm just in my own ship,

1362
01:11:11,479 --> 01:11:14,479
Speaker 1: and I ain't really like too you know, checking by anybody.

1363
01:11:14,520 --> 01:11:17,240
Speaker 1: But then they called. It said, okay, she called a

1364
01:11:17,320 --> 01:11:20,720
Speaker 1: studio and my security guard calling, so much come about

1365
01:11:20,720 --> 01:11:24,320
Speaker 1: she went down on the goddamn phone. Somebody, somebod. She

1366
01:11:24,360 --> 01:11:28,080
Speaker 1: went down on the phone. So I'm like, huh. He's like, no,

1367
01:11:28,160 --> 01:11:29,640
Speaker 1: I told him when I knew it wasn't hert man,

1368
01:11:29,720 --> 01:11:31,240
Speaker 1: so you know, but it did have called like one

1369
01:11:31,320 --> 01:11:33,080
Speaker 1: or two times or something like that. So I'm like,

1370
01:11:33,720 --> 01:11:34,920
Speaker 1: and this wasn't the back day when you had to

1371
01:11:34,960 --> 01:11:36,280
Speaker 1: text and all that, so it's just like all right.

1372
01:11:36,720 --> 01:11:38,120
Speaker 1: So then they called again. He's like, you want to

1373
01:11:38,120 --> 01:11:39,640
Speaker 1: take this call? And I say yeah, and then I

1374
01:11:39,720 --> 01:11:42,360
Speaker 1: pay the phone. She goes Dallas. I'm like, holy shit,

1375
01:11:43,320 --> 01:11:45,439
Speaker 1: this is Madonna, ain't it. So yeah, it's like, oh,

1376
01:11:45,600 --> 01:11:47,200
Speaker 1: because you wan't expect to be calling the studio. But

1377
01:11:47,240 --> 01:11:49,639
Speaker 1: the manager talked to mine before I give him a number.

1378
01:11:49,680 --> 01:11:52,639
Speaker 1: So she's like, I want to come to come to Atlanta,

1379
01:11:53,040 --> 01:11:55,880
Speaker 1: um and come out of a meet with you. And

1380
01:11:56,080 --> 01:11:58,200
Speaker 1: so I'm like all right, So she comes down. I'm

1381
01:11:58,200 --> 01:12:00,720
Speaker 1: still Atlanta to death. Bro. I'm like, back then, I

1382
01:12:00,760 --> 01:12:03,240
Speaker 1: didn't talk at all. I wasn't talking to nobody. I

1383
01:12:03,320 --> 01:12:06,560
Speaker 1: was just like chilling, and so she came in and

1384
01:12:06,600 --> 01:12:08,160
Speaker 1: then we started to She's like, yeah with one of

1385
01:12:08,200 --> 01:12:10,519
Speaker 1: my record to sound like what you do, I love you,

1386
01:12:10,600 --> 01:12:12,880
Speaker 1: recons I love this, and then the other and so

1387
01:12:13,080 --> 01:12:16,320
Speaker 1: she said, so we hit it off good, and she goes, um, well,

1388
01:12:16,400 --> 01:12:19,880
Speaker 1: I got I'm gonna be in California when you come

1389
01:12:19,880 --> 01:12:22,880
Speaker 1: out to Miami and California come meet the people were

1390
01:12:22,880 --> 01:12:25,000
Speaker 1: working without a lie. So I'm kind of like on

1391
01:12:25,000 --> 01:12:27,960
Speaker 1: a little Madonna tour. Right, the first stop is gonna

1392
01:12:27,960 --> 01:12:30,800
Speaker 1: be l A and then we go to Miami, right,

1393
01:12:31,560 --> 01:12:33,080
Speaker 1: let meet her out there. So I go to l

1394
01:12:33,120 --> 01:12:35,720
Speaker 1: A and she got this. She has this castle. Is

1395
01:12:35,760 --> 01:12:37,880
Speaker 1: the castle I think al Capone and somebody's living. But

1396
01:12:37,920 --> 01:12:40,400
Speaker 1: she painted the ship in burgundy and yellow stripes the

1397
01:12:40,439 --> 01:12:48,400
Speaker 1: whole castle. Right, Wait a minute, she was a castle.

1398
01:12:50,680 --> 01:12:51,880
Speaker 1: But this is what she had told me about the

1399
01:12:51,920 --> 01:12:58,839
Speaker 1: castle down because sn't be saying so regular Nigga McDonald

1400
01:12:58,920 --> 01:13:00,880
Speaker 1: got a castle. She was a castle. But she painted

1401
01:13:00,920 --> 01:13:03,360
Speaker 1: the ship striped right like burgnady yellow or something that

1402
01:13:03,439 --> 01:13:05,800
Speaker 1: was a big about it. So I go to go

1403
01:13:05,880 --> 01:13:07,519
Speaker 1: to the house. She ain't there. The housekeeper was there,

1404
01:13:07,560 --> 01:13:11,200
Speaker 1: but she had told me already and I was talking, Um,

1405
01:13:11,600 --> 01:13:14,920
Speaker 1: she goes, you know, I got a ghost, that's what

1406
01:13:15,040 --> 01:13:16,479
Speaker 1: you mean. She got a ghost at my place in

1407
01:13:16,640 --> 01:13:18,439
Speaker 1: l A. And I could tell us a woman because

1408
01:13:18,479 --> 01:13:21,160
Speaker 1: she throws my shoes around sometimes buy something like a

1409
01:13:21,240 --> 01:13:23,000
Speaker 1: carpet or something. I come in the room and it's missing.

1410
01:13:23,920 --> 01:13:35,479
Speaker 1: So all right, I know, so for real? Right, So

1411
01:13:35,560 --> 01:13:38,120
Speaker 1: I go to this house and uh and and she's

1412
01:13:38,120 --> 01:13:39,560
Speaker 1: not dead supposed me in LA But she's like, go

1413
01:13:39,640 --> 01:13:41,400
Speaker 1: stay at the castle while you know, me and my

1414
01:13:41,479 --> 01:13:44,000
Speaker 1: man Dai Gates we grew up in there, and we're like, ship,

1415
01:13:44,160 --> 01:13:46,840
Speaker 1: look at this castle like we're just like this is

1416
01:13:47,000 --> 01:13:50,920
Speaker 1: out of control. Long castle tables, big castle doors, like

1417
01:13:51,439 --> 01:13:53,680
Speaker 1: everything was just insane. We ain't never seen nothing like

1418
01:13:53,760 --> 01:13:56,560
Speaker 1: that being from Atlanta either. So I go in the

1419
01:13:56,680 --> 01:13:58,519
Speaker 1: room and so we jumped on the bell and ship

1420
01:13:58,600 --> 01:14:01,240
Speaker 1: it's turn on. Bet so like watching TV, like sitting

1421
01:14:01,240 --> 01:14:03,160
Speaker 1: there drinking beer, like smoking because it's just me and

1422
01:14:03,240 --> 01:14:05,400
Speaker 1: day there, you know what I'm saying. And the housekeepers downstairs.

1423
01:14:05,560 --> 01:14:08,439
Speaker 1: Right so this this a wall like walk out the

1424
01:14:08,479 --> 01:14:11,479
Speaker 1: doors like like shall those doors against those walls right there?

1425
01:14:11,479 --> 01:14:14,600
Speaker 1: They flat? The castle doors huge, it's flat against the

1426
01:14:14,680 --> 01:14:17,040
Speaker 1: wall right. So we've been in there just tripping, like

1427
01:14:17,120 --> 01:14:19,599
Speaker 1: I'm just like bugging, like we have my daughter fucking

1428
01:14:19,760 --> 01:14:22,720
Speaker 1: roll like, you know, get ready to walk out to

1429
01:14:22,720 --> 01:14:24,679
Speaker 1: go to my meeting at that damn castle. Door slam

1430
01:14:25,040 --> 01:14:29,360
Speaker 1: so hard, bro it just went show was I was like,

1431
01:14:29,720 --> 01:14:33,200
Speaker 1: what the fuck? Dave was like, what the fun was that?

1432
01:14:33,360 --> 01:14:35,160
Speaker 1: Because it's impossible for the door to do it right?

1433
01:14:35,560 --> 01:14:37,320
Speaker 1: Housekeepers coming up the steps. She's like, oh yeah, that's

1434
01:14:37,320 --> 01:14:38,760
Speaker 1: the got she would just Madge. I was in the room.

1435
01:14:40,000 --> 01:14:42,280
Speaker 1: I still got the garage open that because I left

1436
01:14:44,160 --> 01:14:45,479
Speaker 1: I was supposed to go back there night, so I

1437
01:14:45,560 --> 01:14:50,760
Speaker 1: had the gate slam. It was insane. Um. And then

1438
01:14:50,800 --> 01:14:53,639
Speaker 1: by the time we started working together, I was hanging

1439
01:14:53,640 --> 01:14:55,840
Speaker 1: on my man, I would say, with my man Jack

1440
01:14:55,880 --> 01:14:58,639
Speaker 1: and the Haitian Jack. I was hanging with him. Um.

1441
01:15:02,560 --> 01:15:05,559
Speaker 1: When I started working with Madonna, and that's how they

1442
01:15:05,600 --> 01:15:08,040
Speaker 1: got there. Uh you know, the two Podcas and Jack

1443
01:15:08,160 --> 01:15:11,760
Speaker 1: went Donna connection, all of that ship started going on

1444
01:15:11,760 --> 01:15:20,519
Speaker 1: at the same time. But history just like it's like

1445
01:15:20,720 --> 01:15:30,080
Speaker 1: Martin Luther King was like, we got you, dude. We

1446
01:15:30,200 --> 01:15:32,040
Speaker 1: came up in an era, but like everything was just

1447
01:15:32,360 --> 01:15:34,600
Speaker 1: like I think it was the verge of everything you know,

1448
01:15:34,760 --> 01:15:36,479
Speaker 1: a start and everything, and then it was a fresh

1449
01:15:36,520 --> 01:15:39,639
Speaker 1: the city started rolling, The city started being like everybody

1450
01:15:39,680 --> 01:15:42,200
Speaker 1: just became interested in us. Everybody from everywhere became interested

1451
01:15:42,200 --> 01:15:43,720
Speaker 1: in Atlanta, Like what's going on there? How do we

1452
01:15:43,720 --> 01:15:44,880
Speaker 1: get a sound of it? How do we get a

1453
01:15:45,040 --> 01:15:48,080
Speaker 1: piece of it? And it just became that that time

1454
01:15:48,160 --> 01:15:51,800
Speaker 1: when everybody was rolling, like the East Coast West coast

1455
01:15:51,800 --> 01:15:55,000
Speaker 1: battle started here right down at the Jaguar is it

1456
01:15:55,120 --> 01:15:57,240
Speaker 1: right right at the club here? But all of us

1457
01:15:57,280 --> 01:16:00,040
Speaker 1: in there j D's party is like, you know, so

1458
01:16:00,120 --> 01:16:01,719
Speaker 1: much stuff has happening, all of us in the spot,

1459
01:16:02,360 --> 01:16:05,040
Speaker 1: and that's puff from that sugar, and there's the beef

1460
01:16:05,080 --> 01:16:07,040
Speaker 1: in the club and everybody's all tents and ship. And

1461
01:16:07,080 --> 01:16:09,040
Speaker 1: then next thing, you know, because I saw his boy

1462
01:16:09,080 --> 01:16:11,519
Speaker 1: get popped across the street. Then if you go East coast,

1463
01:16:11,560 --> 01:16:14,200
Speaker 1: West Coast, from that point on, all that ship just

1464
01:16:14,280 --> 01:16:16,559
Speaker 1: kept going and kept going. But I'll started right out here.

1465
01:16:17,360 --> 01:16:23,120
Speaker 1: It's crazy, good man. It's a product to everybody. Um.

1466
01:16:23,360 --> 01:16:25,080
Speaker 1: And then you know, for me doing that time, I

1467
01:16:25,160 --> 01:16:28,280
Speaker 1: was just working with everybody. Mick Jagger and Stevie Nicks

1468
01:16:28,360 --> 01:16:31,639
Speaker 1: and every big kind of rock star started breaking into town.

1469
01:16:32,280 --> 01:16:34,120
Speaker 1: Kind of just rolling around the Lanta with with people

1470
01:16:34,160 --> 01:16:35,800
Speaker 1: like that, and then it's taking up giving them, taking

1471
01:16:35,800 --> 01:16:37,880
Speaker 1: them the m JQ, like taking Janet Jackson m JQ

1472
01:16:38,880 --> 01:16:41,200
Speaker 1: people up when you was doing it right, Like Nigger,

1473
01:16:41,640 --> 01:16:43,400
Speaker 1: I might have been half, but I was an old

1474
01:16:43,520 --> 01:16:55,360
Speaker 1: national last night. Bro. That is want of God. Bro.

1475
01:16:56,560 --> 01:17:10,120
Speaker 1: It was baby Brown, motherfuck, it was JT Money and

1476
01:17:10,160 --> 01:17:13,680
Speaker 1: Nigga would have yellow soon though that he wasn't talk

1477
01:17:13,720 --> 01:17:15,200
Speaker 1: to you to nobody because you know, he heard the

1478
01:17:15,280 --> 01:17:18,559
Speaker 1: music in his head. So that's what you just say,

1479
01:17:19,600 --> 01:17:21,479
Speaker 1: that is, don't be talking because he hears music in

1480
01:17:21,560 --> 01:17:28,080
Speaker 1: his He I don't movie. I was just I was

1481
01:17:29,080 --> 01:17:30,679
Speaker 1: thing was it was a trip because I was really

1482
01:17:30,720 --> 01:17:32,759
Speaker 1: just shot ship and so I would have my shades

1483
01:17:32,760 --> 01:17:34,800
Speaker 1: on all time because I don't want to be sucking nobody, right,

1484
01:17:35,280 --> 01:17:36,760
Speaker 1: But then it was like, oh that was that was

1485
01:17:36,840 --> 01:17:38,760
Speaker 1: how cool he is. I I just want to go home,

1486
01:17:39,240 --> 01:17:40,880
Speaker 1: Like I don't even want to be here. I don't

1487
01:17:40,880 --> 01:17:42,439
Speaker 1: want to class frank, I want to do none of

1488
01:17:42,479 --> 01:17:43,880
Speaker 1: that ship. I wanta go to problem. I just gonna

1489
01:17:43,880 --> 01:17:46,040
Speaker 1: go to crib. But I was always that dude, and

1490
01:17:46,240 --> 01:17:49,400
Speaker 1: so they just kind of came along with the territory

1491
01:17:49,479 --> 01:17:51,280
Speaker 1: and been doing so much at the same time. Man,

1492
01:17:51,439 --> 01:17:53,640
Speaker 1: you just knew what to do when to do it,

1493
01:17:54,200 --> 01:17:58,400
Speaker 1: Like your timing is impeccable. Yeah, this motherfucker ain't missing

1494
01:17:58,479 --> 01:18:01,080
Speaker 1: none of the shots when it was time. Like he

1495
01:18:01,240 --> 01:18:07,760
Speaker 1: knew when it was time to go that restaurant. Got McDonald's. Come.

1496
01:18:08,560 --> 01:18:13,800
Speaker 1: I promise you I'm being mcdonnad's castle a goat. That's

1497
01:18:13,800 --> 01:18:17,759
Speaker 1: the party enough now, he stayed one night before around

1498
01:18:17,840 --> 01:18:23,320
Speaker 1: like Madonna, ain't ship be leaving you in a hearted

1499
01:18:25,400 --> 01:18:28,960
Speaker 1: Those ain't even tame old goats. Man downa stay in

1500
01:18:29,000 --> 01:18:32,920
Speaker 1: my house there. The people down the is gonna be mad.

1501
01:18:33,960 --> 01:18:38,640
Speaker 1: She got the They don't like let me watching my

1502
01:18:38,880 --> 01:18:43,719
Speaker 1: dashing this ship on a bl got damnes just passive, aggressive,

1503
01:18:43,760 --> 01:18:58,360
Speaker 1: old white begg nigga. I wish you would leave. You

1504
01:18:58,439 --> 01:19:07,760
Speaker 1: gotta kill my ass pas neighbor, damn man. Gals gotta

1505
01:19:07,760 --> 01:19:10,880
Speaker 1: work the other way too, though. You gotta hunt the

1506
01:19:10,880 --> 01:19:14,040
Speaker 1: ship out of white people's gotta be some black goats

1507
01:19:14,439 --> 01:19:19,040
Speaker 1: with them. You know, somebody gentrified the crack house there

1508
01:19:19,040 --> 01:19:29,280
Speaker 1: in the middle night and Stoe just cut one baby

1509
01:19:29,600 --> 01:19:34,639
Speaker 1: in my wallet. Every morning I wake up, it's tweet

1510
01:19:34,920 --> 01:19:40,040
Speaker 1: and I know I'm not trimming this any bus just leave?

1511
01:19:41,760 --> 01:19:50,759
Speaker 1: Did you win this? Bagging sod on the counter? He slept,

1512
01:19:54,520 --> 01:20:06,519
Speaker 1: keep dpping the meat ball. It was crazy get revenge

1513
01:20:06,600 --> 01:20:12,960
Speaker 1: out there, just hooking the cable ship. I don't know

1514
01:20:13,040 --> 01:20:18,120
Speaker 1: why he keeps going to beach. I'm just thinking, why

1515
01:20:18,160 --> 01:20:23,880
Speaker 1: could pay any boy? The TV just prop on the

1516
01:20:24,000 --> 01:20:31,680
Speaker 1: middle of the night. Oh man, it's I think we

1517
01:20:31,760 --> 01:20:34,200
Speaker 1: got it. Used to be a point where in Atlanta

1518
01:20:34,800 --> 01:20:36,960
Speaker 1: we didn't. We didn't really, you know, that's for New

1519
01:20:37,040 --> 01:20:39,080
Speaker 1: York people at all. Right, So I got to the

1520
01:20:39,120 --> 01:20:40,880
Speaker 1: point that even when people want to come down here

1521
01:20:40,880 --> 01:20:42,760
Speaker 1: and start calling each other, like big boy, stop calling

1522
01:20:42,800 --> 01:20:44,120
Speaker 1: out you. You know, queen, the teeth of them trying

1523
01:20:44,120 --> 01:20:45,360
Speaker 1: to buy land, were gonna live and do that ship?

1524
01:20:45,439 --> 01:20:47,840
Speaker 1: I don't know, dog, you know them they're trying to

1525
01:20:47,840 --> 01:20:49,280
Speaker 1: buy land on old National. We don't let them do

1526
01:20:49,320 --> 01:20:50,680
Speaker 1: that ship. I don't know, man, what y'all think? What

1527
01:20:50,720 --> 01:20:53,320
Speaker 1: you think? What you think? This is country. We protect

1528
01:20:53,360 --> 01:20:55,760
Speaker 1: that ship because so many people ran in, ran in

1529
01:20:55,920 --> 01:20:59,240
Speaker 1: here and either sucked us over or ran out or

1530
01:20:59,320 --> 01:21:01,479
Speaker 1: kind of you know, took the culture, ran out. You know,

1531
01:21:01,560 --> 01:21:03,880
Speaker 1: so we always been yepping them. Was worse about it,

1532
01:21:04,479 --> 01:21:07,080
Speaker 1: yepping it was just like, oh no, no, no, no

1533
01:21:10,600 --> 01:21:20,240
Speaker 1: coming down here. Yeah. But then when I left, I

1534
01:21:20,320 --> 01:21:23,439
Speaker 1: had Rowdy in New York, and um, l A was

1535
01:21:23,479 --> 01:21:25,920
Speaker 1: supposed to have Rowley been the rap label, but then

1536
01:21:26,080 --> 01:21:28,439
Speaker 1: l A some kind away sound outcast to the face

1537
01:21:28,520 --> 01:21:30,920
Speaker 1: and I'm like, well, hold on, it's supposed to be

1538
01:21:30,920 --> 01:21:33,000
Speaker 1: the rap label. Oh man, thank you for the like

1539
01:21:33,160 --> 01:21:35,160
Speaker 1: them like that, do anything. I like our cash. I'm

1540
01:21:35,200 --> 01:21:40,679
Speaker 1: from Atlanta. What you're talking about, well, you know, because

1541
01:21:40,720 --> 01:21:43,720
Speaker 1: I didn't read motherfucker be doing because how it is,

1542
01:21:43,960 --> 01:21:45,960
Speaker 1: they had just you know, players Ball took off from

1543
01:21:46,000 --> 01:21:50,280
Speaker 1: being a record that was a Christmas song, and when

1544
01:21:50,320 --> 01:21:52,200
Speaker 1: it took off, they needed something to take off because

1545
01:21:52,280 --> 01:21:54,040
Speaker 1: the Face at that point was just getting that went

1546
01:21:54,120 --> 01:21:56,080
Speaker 1: through a lot of down you know, acts that that's

1547
01:21:56,120 --> 01:21:57,559
Speaker 1: put a lot of money and stuff like that before

1548
01:21:57,560 --> 01:22:01,040
Speaker 1: they really start making money again. Um. And so then

1549
01:22:01,080 --> 01:22:02,400
Speaker 1: I was I got mad. I was like, you know what,

1550
01:22:02,520 --> 01:22:04,519
Speaker 1: I'm up here in New York. I don't want to

1551
01:22:04,560 --> 01:22:06,240
Speaker 1: be up in this motherfucker in the first place. And

1552
01:22:06,320 --> 01:22:10,200
Speaker 1: then you're gonna sign outcast to the face. I'm out.

1553
01:22:10,439 --> 01:22:11,920
Speaker 1: So I'm in the classes. I gotta go to Atlanta.

1554
01:22:11,920 --> 01:22:14,640
Speaker 1: I don't want to be up here and um. So

1555
01:22:14,800 --> 01:22:17,720
Speaker 1: he was like, all right, well, because I thought it

1556
01:22:17,760 --> 01:22:19,439
Speaker 1: was gonna be like okay, we'll wenna close the label down.

1557
01:22:19,800 --> 01:22:21,400
Speaker 1: No no, no, no no no no, take it with you.

1558
01:22:21,600 --> 01:22:23,840
Speaker 1: Let's start over like just you know, if you want

1559
01:22:23,840 --> 01:22:25,519
Speaker 1: to go to Atlanta, understand. And at the same time,

1560
01:22:25,560 --> 01:22:28,000
Speaker 1: Puff Puff had got into it um with Andre and

1561
01:22:28,120 --> 01:22:30,360
Speaker 1: I was getting fired for Uptown. So he called me

1562
01:22:30,439 --> 01:22:32,600
Speaker 1: and was like, Dode, I don't know what to do,

1563
01:22:32,960 --> 01:22:35,160
Speaker 1: you know, And so I flew up to New Jersey.

1564
01:22:35,880 --> 01:22:37,160
Speaker 1: I was like, dude, you should have a label once

1565
01:22:37,200 --> 01:22:39,200
Speaker 1: you start your own ship too. When he's starting he

1566
01:22:39,280 --> 01:22:42,000
Speaker 1: had already been doing records with with Uptown. We had

1567
01:22:42,120 --> 01:22:43,840
Speaker 1: I had like two labels at the time, Roddy and

1568
01:22:43,880 --> 01:22:45,920
Speaker 1: I had another one called Lamp. And I said, you

1569
01:22:45,920 --> 01:22:48,599
Speaker 1: should start your own label, dude, just just move beyond ship.

1570
01:22:49,240 --> 01:22:51,960
Speaker 1: So then we took him to Aris to he didn't

1571
01:22:52,000 --> 01:22:54,679
Speaker 1: deal with clide. I said another thing is here, take

1572
01:22:54,760 --> 01:22:56,720
Speaker 1: my offices because I want to go home. So he

1573
01:22:56,840 --> 01:22:58,840
Speaker 1: took those offices, the Rowdy offices, and made the bad

1574
01:22:58,880 --> 01:23:01,920
Speaker 1: Boy offices. And then I moved Routy down here street

1575
01:23:02,800 --> 01:23:04,519
Speaker 1: and took the floor of Mary out the street and

1576
01:23:04,560 --> 01:23:11,400
Speaker 1: then shot Monica. Man, I wasn't. I was like like

1577
01:23:11,560 --> 01:23:13,680
Speaker 1: at one point I was like, you know that ship

1578
01:23:13,720 --> 01:23:15,439
Speaker 1: should be a movie, but then you would tell the

1579
01:23:15,520 --> 01:23:19,320
Speaker 1: story and I was like, oh, nig that is but

1580
01:23:19,720 --> 01:23:21,920
Speaker 1: you got even motion. It didn't need to be a

1581
01:23:22,040 --> 01:23:27,760
Speaker 1: movie unless you're going this movie. So you gave your

1582
01:23:27,840 --> 01:23:30,960
Speaker 1: office the plumb yeah, and he turned him into the

1583
01:23:31,000 --> 01:23:32,920
Speaker 1: bad Boy offices and then I got office down. Now

1584
01:23:33,000 --> 01:23:36,120
Speaker 1: this is crazy about my office downtown or Mary other Street.

1585
01:23:36,400 --> 01:23:38,920
Speaker 1: There was a full floor a crossing the newspaper right

1586
01:23:39,560 --> 01:23:41,880
Speaker 1: and you know who the parking like guys was Alex

1587
01:23:41,920 --> 01:23:45,920
Speaker 1: and them. I was, I just getting a g entertainment.

1588
01:23:46,160 --> 01:23:48,000
Speaker 1: Here was the park like guys, they were only collective

1589
01:23:48,040 --> 01:23:51,880
Speaker 1: tickets for the for the yeah shout out Dallas. He

1590
01:23:51,960 --> 01:23:54,040
Speaker 1: was he started with us long before, you know, a

1591
01:23:54,080 --> 01:23:56,280
Speaker 1: long time ago. But like just to see everybody evolved

1592
01:23:56,880 --> 01:23:59,200
Speaker 1: into what they've evolved to shock up being at the

1593
01:23:59,240 --> 01:24:02,000
Speaker 1: Spotify now when he was at at the radio stations,

1594
01:24:02,040 --> 01:24:05,200
Speaker 1: like everybody is just evolved into you know, growing as people.

1595
01:24:05,240 --> 01:24:17,160
Speaker 1: I guess we don't even know it. What what do

1596
01:24:17,360 --> 01:24:22,920
Speaker 1: you say? What can you say? Come back to like

1597
01:24:23,680 --> 01:24:29,360
Speaker 1: whatever you TLC. Don't ask him because I'm sure he did.

1598
01:24:29,920 --> 01:24:34,599
Speaker 1: Especially if she is over freaking the cage. It's over.

1599
01:24:34,720 --> 01:24:40,680
Speaker 1: Don't even ask who's having to blast back? Then Hey

1600
01:24:40,760 --> 01:24:59,040
Speaker 1: I talk to you. Do you like me? Man? TLC Man.

1601
01:24:59,080 --> 01:25:02,120
Speaker 1: It was right here in the la It was funny

1602
01:25:02,160 --> 01:25:04,680
Speaker 1: when I'm when I stopped, you wanted to have a

1603
01:25:04,760 --> 01:25:06,640
Speaker 1: meeting with them. I knew t Bos from the skating ring,

1604
01:25:06,880 --> 01:25:09,400
Speaker 1: like atl supposed to be called jelly Beans by the way,

1605
01:25:09,600 --> 01:25:12,840
Speaker 1: and um, and so Lauren London kind of plays t

1606
01:25:12,960 --> 01:25:15,880
Speaker 1: bos character and like what she We wasn't dating them,

1607
01:25:15,880 --> 01:25:17,360
Speaker 1: but she was like she she was a real tomboy,

1608
01:25:17,439 --> 01:25:18,800
Speaker 1: Like she'd be an escaping me with a hat down

1609
01:25:18,880 --> 01:25:20,719
Speaker 1: like this, and she danced and she seeking with everybody

1610
01:25:20,800 --> 01:25:23,400
Speaker 1: she you know, you know, so she was part of me.

1611
01:25:24,000 --> 01:25:27,559
Speaker 1: Rico t Bos all of us knew each other, divine.

1612
01:25:27,880 --> 01:25:31,640
Speaker 1: We were all at the skating rink. Um. And when

1613
01:25:31,680 --> 01:25:33,240
Speaker 1: they when I went to meet with them, because they

1614
01:25:33,479 --> 01:25:35,439
Speaker 1: said I got this group and so I want to

1615
01:25:35,439 --> 01:25:36,960
Speaker 1: meet with him. I'm like by the time, I was like, Okay,

1616
01:25:37,000 --> 01:25:39,200
Speaker 1: come on, everybody want to be a group in Atlanta? Now? Does?

1617
01:25:39,240 --> 01:25:41,680
Speaker 1: Everybody started popping up with acts acts off black three

1618
01:25:41,920 --> 01:25:44,120
Speaker 1: Black girls. This so that everybody was just popping over

1619
01:25:44,120 --> 01:25:46,960
Speaker 1: with act and so when I said with them, I'm like, oh, shoot,

1620
01:25:47,000 --> 01:25:48,080
Speaker 1: you want to be in there. Y'all gonna be a

1621
01:25:48,120 --> 01:25:51,120
Speaker 1: group too, and it's like I was like, yeah, you know,

1622
01:25:51,160 --> 01:25:52,200
Speaker 1: I don't know what to do with them. So they

1623
01:25:52,240 --> 01:25:54,880
Speaker 1: started they performed like one of the Teddy Rally songs,

1624
01:25:55,000 --> 01:25:56,200
Speaker 1: and I was like, I know to do it them,

1625
01:25:56,439 --> 01:25:59,360
Speaker 1: you know. Um, and then that's when you started writing

1626
01:25:59,360 --> 01:26:02,120
Speaker 1: all the songs and um, We're just living out at

1627
01:26:02,120 --> 01:26:03,920
Speaker 1: the time because they were like that in the first place.

1628
01:26:03,960 --> 01:26:05,960
Speaker 1: We were just young and wild and you know, making

1629
01:26:06,000 --> 01:26:09,040
Speaker 1: directors about what we were doing for real, and then

1630
01:26:09,120 --> 01:26:11,200
Speaker 1: all this ship started happening, like you know, the help'll

1631
01:26:11,240 --> 01:26:13,800
Speaker 1: started putting the thing on them. When the girls was

1632
01:26:13,840 --> 01:26:18,880
Speaker 1: really insecure about that movie was like the lifetime. But

1633
01:26:19,000 --> 01:26:22,800
Speaker 1: you know what's crazy is people just didn't understand. There

1634
01:26:22,880 --> 01:26:25,840
Speaker 1: wasn't telling the truth. It wasn't about it wasn't about

1635
01:26:26,360 --> 01:26:27,800
Speaker 1: what was happening. And now it's like you don't tell

1636
01:26:27,840 --> 01:26:29,360
Speaker 1: them the truth, Like one thing about me and my artist.

1637
01:26:29,360 --> 01:26:30,680
Speaker 1: I'm gonna tell you how it is. This is how

1638
01:26:30,760 --> 01:26:32,519
Speaker 1: it is right here, I'm gonna spend this. You can

1639
01:26:32,600 --> 01:26:33,600
Speaker 1: do that we're gonna do this and gonna do that.

1640
01:26:33,680 --> 01:26:36,439
Speaker 1: That's this, that's that, that's how this is. They they

1641
01:26:36,439 --> 01:26:38,240
Speaker 1: didn't do that back in the industry. Back then, it

1642
01:26:38,360 --> 01:26:39,880
Speaker 1: was more like what you didn't know is what made

1643
01:26:39,920 --> 01:26:42,880
Speaker 1: the money and instead of what you did. Though, so

1644
01:26:43,760 --> 01:26:46,679
Speaker 1: you know, if somebody came to right and said, hey, um, well,

1645
01:26:47,040 --> 01:26:49,799
Speaker 1: your video is gonna cost two and a half million dollars,

1646
01:26:50,320 --> 01:26:52,280
Speaker 1: this is gonna cost that, this is gonna cost that,

1647
01:26:52,680 --> 01:26:54,360
Speaker 1: your your balance is going to be right here. Do

1648
01:26:54,400 --> 01:26:55,600
Speaker 1: you want to go ahead and move on with this?

1649
01:26:55,720 --> 01:26:58,439
Speaker 1: They would have said yeah, right, But you say no,

1650
01:26:58,840 --> 01:27:00,519
Speaker 1: It's just that after you shoot all that ship and

1651
01:27:00,560 --> 01:27:03,200
Speaker 1: after you see how expensive it all is and you

1652
01:27:03,240 --> 01:27:04,960
Speaker 1: look at the books and you say, you know, this

1653
01:27:05,040 --> 01:27:07,200
Speaker 1: is how much money we spent on the project. They

1654
01:27:07,240 --> 01:27:10,000
Speaker 1: just didn't understanding that, you know, And so that they

1655
01:27:10,160 --> 01:27:12,280
Speaker 1: sometimes ignorance is bliss. Like the way that they got

1656
01:27:12,360 --> 01:27:14,920
Speaker 1: the deal is they kept saying, I remember they kept saying,

1657
01:27:14,920 --> 01:27:16,720
Speaker 1: Mary J. Blige got this much money, We ain't got

1658
01:27:16,760 --> 01:27:18,600
Speaker 1: that much, And it wasn't true. They just heard that

1659
01:27:18,640 --> 01:27:20,680
Speaker 1: in the streets. Man J. Blige got this so much

1660
01:27:20,720 --> 01:27:22,559
Speaker 1: weekend and so there was just like VEJ Blige got

1661
01:27:22,560 --> 01:27:25,479
Speaker 1: two h million dollars. I don't think she got two

1662
01:27:25,520 --> 01:27:27,519
Speaker 1: hundred million dollars like this was on the second album.

1663
01:27:28,479 --> 01:27:30,320
Speaker 1: Yes they did. They gave away more money than us,

1664
01:27:30,400 --> 01:27:32,559
Speaker 1: So them not backing down off of that, and then

1665
01:27:32,600 --> 01:27:35,599
Speaker 1: them going up to Arista and um taking new girls

1666
01:27:35,600 --> 01:27:37,400
Speaker 1: from tech Wood. They took a whole crewel girls from

1667
01:27:37,439 --> 01:27:40,000
Speaker 1: tech Wood and put them in the car and they

1668
01:27:40,120 --> 01:27:42,160
Speaker 1: drove straight to New York. These girls don't know no

1669
01:27:42,240 --> 01:27:45,240
Speaker 1: about nobody at all. They just no tech Wood. They

1670
01:27:45,280 --> 01:27:47,840
Speaker 1: took them to Aresta. Them girls were up in their

1671
01:27:47,840 --> 01:27:49,920
Speaker 1: puffles on the phone. They went up in the um

1672
01:27:50,120 --> 01:27:54,960
Speaker 1: in the office on the phone. TLCD talked to Claude Davis,

1673
01:27:55,800 --> 01:27:58,680
Speaker 1: but what's this going on? And the girls went in

1674
01:27:58,840 --> 01:28:01,240
Speaker 1: stood behind cloud like this, big old girls like check

1675
01:28:01,320 --> 01:28:03,880
Speaker 1: with girls took behind like this, and it was like,

1676
01:28:03,960 --> 01:28:05,280
Speaker 1: we want to know what our country said. Hell they

1677
01:28:05,320 --> 01:28:07,439
Speaker 1: said you got the money? You said he they's got

1678
01:28:07,479 --> 01:28:08,840
Speaker 1: the money. We wouldn't know who got the money, so

1679
01:28:08,880 --> 01:28:10,599
Speaker 1: we ain't leaven too. We found out who got the money.

1680
01:28:11,000 --> 01:28:12,600
Speaker 1: While they doing that, the other girls is going up

1681
01:28:12,640 --> 01:28:14,320
Speaker 1: and down as to taking down claques off the wall

1682
01:28:14,360 --> 01:28:17,240
Speaker 1: to take home. Oh ship, We din't Houston, oh ship.

1683
01:28:17,640 --> 01:28:21,400
Speaker 1: See they're taking the plaques off the airs, the walls

1684
01:28:21,640 --> 01:28:29,320
Speaker 1: and taking but you take the t's and they wouldn't.

1685
01:28:29,360 --> 01:28:30,880
Speaker 1: They wouldn't get off. They weren't leave until l A

1686
01:28:30,960 --> 01:28:33,120
Speaker 1: and Clive got on the phone and speaker phone and

1687
01:28:33,439 --> 01:28:35,360
Speaker 1: said whatever it was in front of them, and then

1688
01:28:35,400 --> 01:28:36,760
Speaker 1: that's how they got to deal. Kind of, we got

1689
01:28:36,840 --> 01:28:40,439
Speaker 1: the deal worked out, you know, but if somebody it's

1690
01:28:40,479 --> 01:28:42,560
Speaker 1: just back then in that day, so much money was

1691
01:28:42,600 --> 01:28:44,719
Speaker 1: being spent and nobody is telling you all these chargebacks

1692
01:28:44,760 --> 01:28:46,120
Speaker 1: you got. And if they did tell you what you

1693
01:28:46,160 --> 01:28:48,040
Speaker 1: was getting charged for, you you still would have said, yeah,

1694
01:28:48,040 --> 01:28:49,360
Speaker 1: you want to shoot your vie. You would have said, oh,

1695
01:28:49,720 --> 01:28:51,240
Speaker 1: I don't know if I want to use Hyke Williams.

1696
01:28:51,640 --> 01:28:53,320
Speaker 1: You know, let me shoot one four hundred and fifty

1697
01:28:53,320 --> 01:28:55,240
Speaker 1: thousand instead of two million. That would even across your

1698
01:28:55,240 --> 01:28:56,720
Speaker 1: mind because you don't even know nothing about one of

1699
01:28:56,760 --> 01:28:59,160
Speaker 1: that as an artist, right, So you still would have

1700
01:28:59,240 --> 01:29:02,040
Speaker 1: did the same thing. Just that not having information and

1701
01:29:02,080 --> 01:29:04,000
Speaker 1: everybody's gonna always come out like the bad guy on

1702
01:29:04,080 --> 01:29:06,640
Speaker 1: the other side of not showing you the information, you know,

1703
01:29:07,120 --> 01:29:09,960
Speaker 1: that's the that was the real key to it. Everybody

1704
01:29:10,040 --> 01:29:12,439
Speaker 1: has been through that same scenario if you've been into

1705
01:29:12,439 --> 01:29:14,720
Speaker 1: the record business, because recoupment it takes it takes a

1706
01:29:14,760 --> 01:29:16,799
Speaker 1: minute for you to coop the money that somebody, somebody

1707
01:29:16,840 --> 01:29:19,360
Speaker 1: said to you right now, Hey man, you'll give me

1708
01:29:19,400 --> 01:29:21,400
Speaker 1: twenty thousand dollars and I get back to you. So

1709
01:29:21,479 --> 01:29:23,880
Speaker 1: what now? I want six forty thousand. Only get that back?

1710
01:29:24,400 --> 01:29:26,719
Speaker 1: Then you want your money back? You know you're pointing

1711
01:29:26,800 --> 01:29:34,280
Speaker 1: meat on down. Know that's how it is. He was right,

1712
01:29:35,600 --> 01:29:40,760
Speaker 1: and I was going to look away. You do not

1713
01:29:40,920 --> 01:29:42,920
Speaker 1: want the mother bucker asking you for you wanted thousand?

1714
01:29:43,040 --> 01:29:46,320
Speaker 1: Now what who got? What's it going on? Come on

1715
01:29:46,520 --> 01:29:51,439
Speaker 1: that alant is the king of the flip. Though we

1716
01:29:51,439 --> 01:29:54,160
Speaker 1: don't have the best in my pay and I mean

1717
01:29:54,200 --> 01:29:55,840
Speaker 1: other than probably New Orleans, but we don't have the

1718
01:29:55,880 --> 01:29:57,519
Speaker 1: best run of like dudes coming out of the streets

1719
01:29:57,640 --> 01:29:59,439
Speaker 1: already have been dope boys before and flip the ship

1720
01:29:59,479 --> 01:30:02,400
Speaker 1: in the career um and flipped it into real vible

1721
01:30:02,439 --> 01:30:05,840
Speaker 1: businesses to employee other people. That's because back then the

1722
01:30:05,880 --> 01:30:08,920
Speaker 1: dope boys went to jail. Like they got to the

1723
01:30:08,960 --> 01:30:10,960
Speaker 1: point where I think even the people in Atlanta know

1724
01:30:11,160 --> 01:30:13,600
Speaker 1: they knew Like in bm MEFO was running around and

1725
01:30:13,640 --> 01:30:15,800
Speaker 1: taking out billboards and dumb for money out of the

1726
01:30:15,920 --> 01:30:17,960
Speaker 1: helicopters and doing all the ship they're doing in like

1727
01:30:18,000 --> 01:30:20,599
Speaker 1: the city didn't know when Jeez had like a thousand

1728
01:30:20,800 --> 01:30:24,240
Speaker 1: Snowman uh CDs out everywhere, nobody couldn't you have more

1729
01:30:24,280 --> 01:30:26,880
Speaker 1: making stage and theybody ever could have out and that

1730
01:30:27,000 --> 01:30:30,040
Speaker 1: was breaking them. So they really took that street mentality

1731
01:30:30,600 --> 01:30:32,320
Speaker 1: and flipped it. Back in the day, it used to

1732
01:30:32,320 --> 01:30:34,360
Speaker 1: be gangsters doing it anyway, like the Tommy Montolas and

1733
01:30:34,360 --> 01:30:36,760
Speaker 1: all them was other kind of gangsters. But seeing that

1734
01:30:36,840 --> 01:30:40,000
Speaker 1: happened in Atlanta where you know, the real hustle became

1735
01:30:40,360 --> 01:30:42,000
Speaker 1: how do we flip these records, you know, and how

1736
01:30:42,040 --> 01:30:44,439
Speaker 1: do we turn these records into successful records? And that's

1737
01:30:44,439 --> 01:30:46,200
Speaker 1: how it changed. Like we were coming up and like

1738
01:30:46,280 --> 01:30:48,320
Speaker 1: how do we play these dudes came up and how

1739
01:30:48,400 --> 01:30:50,320
Speaker 1: we got the dope game? How we slipped this ship

1740
01:30:50,479 --> 01:30:53,360
Speaker 1: into into music. Um. I remember I did the Hard

1741
01:30:53,400 --> 01:30:55,120
Speaker 1: Boys back in the day, and that was one of

1742
01:30:55,160 --> 01:30:57,479
Speaker 1: the first Royal Cenn was one of the first kind

1743
01:30:57,520 --> 01:31:00,320
Speaker 1: of wrap groups out of here. Um to try you know,

1744
01:31:00,840 --> 01:31:02,760
Speaker 1: the fire what was being done here already. That's what

1745
01:31:02,840 --> 01:31:06,880
Speaker 1: I'm saying, Man, how far you go back right there.

1746
01:31:09,800 --> 01:31:16,240
Speaker 1: Remember James Brown was working on that's since that's crazy, um,

1747
01:31:17,080 --> 01:31:24,960
Speaker 1: James Brown to him. But my stepdad played for James him.

1748
01:31:25,360 --> 01:31:31,280
Speaker 1: You never okay, I'll tell you the funny as James

1749
01:31:31,280 --> 01:31:33,400
Speaker 1: Brown story. Right, So I went on. I used to

1750
01:31:33,400 --> 01:31:34,720
Speaker 1: go in the road with them when I was a kid,

1751
01:31:35,080 --> 01:31:38,000
Speaker 1: them in the Jav's right, my stepdad who plays all

1752
01:31:38,000 --> 01:31:40,360
Speaker 1: the guitaries, Jimmy Nolan. I think if the thing. So

1753
01:31:40,439 --> 01:31:43,719
Speaker 1: I wake up in the morning in third grade smoking

1754
01:31:43,800 --> 01:31:46,840
Speaker 1: pie's a joint with him, right, and play those licks

1755
01:31:46,880 --> 01:31:49,080
Speaker 1: like think if the thinking, think the thinging. He played

1756
01:31:49,080 --> 01:31:50,720
Speaker 1: all those licks here on James Brown. So we get

1757
01:31:50,760 --> 01:31:51,840
Speaker 1: up in the morning. That was my thing. I was

1758
01:31:51,840 --> 01:31:53,760
Speaker 1: shot school anyway, so nobody knew I was smoking. We'll

1759
01:31:53,760 --> 01:32:02,519
Speaker 1: eat the third grade then, yeah, just the best life

1760
01:32:03,439 --> 01:32:14,120
Speaker 1: save a black man, James James Brown. Right. So they

1761
01:32:14,200 --> 01:32:15,719
Speaker 1: so we own this be on this tour the summer

1762
01:32:15,760 --> 01:32:17,920
Speaker 1: to us. I'm on with the JBS. And so they're

1763
01:32:17,960 --> 01:32:20,560
Speaker 1: line up in this in the hallway and you know,

1764
01:32:20,640 --> 01:32:23,160
Speaker 1: we're talking smoking waiting him to come out this dressing room. Right,

1765
01:32:23,200 --> 01:32:25,800
Speaker 1: They got their light blue tuxedos on and they're talking

1766
01:32:25,840 --> 01:32:28,160
Speaker 1: ship and talking the cigarettes. I was standing next to

1767
01:32:28,240 --> 01:32:31,519
Speaker 1: my step pops, and so James comes out of the room,

1768
01:32:32,080 --> 01:32:34,000
Speaker 1: crowds out that he comes out fired up. He walks

1769
01:32:34,040 --> 01:32:43,679
Speaker 1: by and slapped the ship out of everybody. I'm terrified.

1770
01:32:46,400 --> 01:32:55,360
Speaker 1: I'm terrified and grown ass man. He stopped to sunk

1771
01:32:55,360 --> 01:32:59,600
Speaker 1: out all of that. Just remember thinking, I hope you

1772
01:32:59,640 --> 01:33:04,280
Speaker 1: don't can hit me. But so I got we got

1773
01:33:04,360 --> 01:33:05,800
Speaker 1: after it was over, I got back on the bus

1774
01:33:05,880 --> 01:33:07,880
Speaker 1: with them and it was talking just like ship, you know,

1775
01:33:08,000 --> 01:33:09,680
Speaker 1: this bad show, like dad, like they didn't even pay

1776
01:33:09,680 --> 01:33:11,960
Speaker 1: attends on something. Why did he hit you all like that?

1777
01:33:13,880 --> 01:33:17,360
Speaker 1: He don't wants to mess up, he said, to get

1778
01:33:17,360 --> 01:33:19,360
Speaker 1: our attention, to make sure we're paying attention, you know,

1779
01:33:19,520 --> 01:33:21,280
Speaker 1: so if you see us out there like that, he's

1780
01:33:21,320 --> 01:33:25,680
Speaker 1: like yeah, and he's like, he's so we don't sunk up. Um,

1781
01:33:27,640 --> 01:33:41,400
Speaker 1: I can if one person sunk up, like they're playing about,

1782
01:33:41,400 --> 01:33:44,720
Speaker 1: how must one time one person leave everybody? Everybody'll can

1783
01:33:44,760 --> 01:33:48,640
Speaker 1: find your way back. And he didn't played that. He

1784
01:33:48,720 --> 01:33:51,439
Speaker 1: was just like that. That's how he kept that. I'm taping,

1785
01:33:51,479 --> 01:33:53,920
Speaker 1: but yeah, that's it's good to help me. Now. Fast

1786
01:33:53,960 --> 01:33:57,800
Speaker 1: forward Catherine Bruton, who she's ahead of being mine Um

1787
01:33:57,880 --> 01:34:00,360
Speaker 1: that all of us love very much. She's going into

1788
01:34:00,400 --> 01:34:03,880
Speaker 1: being this one year. And she goes, you know, I

1789
01:34:03,960 --> 01:34:06,960
Speaker 1: think I want to start an award ceremony to be

1790
01:34:07,040 --> 01:34:09,000
Speaker 1: in my awards And the first thing I want to

1791
01:34:09,000 --> 01:34:10,680
Speaker 1: do is I want to honor James Brown, and I

1792
01:34:10,840 --> 01:34:13,600
Speaker 1: want you and for Real and Rodney jerkins Um and

1793
01:34:13,760 --> 01:34:19,559
Speaker 1: Chad to be the JBS. And so I'm like, holy ship,

1794
01:34:20,760 --> 01:34:30,080
Speaker 1: this is crazy. Put that in me. I was swaying.

1795
01:34:31,000 --> 01:34:32,559
Speaker 1: I didn't even think this much. I didn't even think

1796
01:34:32,600 --> 01:34:34,840
Speaker 1: this dude remembered me because of how long it was ago.

1797
01:34:34,920 --> 01:34:36,640
Speaker 1: But I guess through music and stuff, everybody kind of

1798
01:34:36,680 --> 01:34:39,639
Speaker 1: the world got out whatever. So here I am on stage,

1799
01:34:40,400 --> 01:34:43,600
Speaker 1: James is performing what it is what it is, and

1800
01:34:43,640 --> 01:34:46,280
Speaker 1: I'm playing. I think you think, think of Real is

1801
01:34:46,280 --> 01:34:48,320
Speaker 1: playing drums and don't like this ship's crazy. I'm like,

1802
01:34:48,400 --> 01:34:50,639
Speaker 1: this is whoever thought I'd be playing the same ship

1803
01:34:50,720 --> 01:34:52,560
Speaker 1: behind James Brown. And my step dad taught me to

1804
01:34:52,640 --> 01:34:57,519
Speaker 1: play with James right and after we finished playing, he goes, now, wat,

1805
01:34:59,000 --> 01:35:02,479
Speaker 1: I don't know, oh ship, And I'm like, He's like,

1806
01:35:02,640 --> 01:35:05,160
Speaker 1: they come. He said, y'all know I know long I

1807
01:35:05,240 --> 01:35:07,360
Speaker 1: know this boy. And then could I used to be

1808
01:35:07,400 --> 01:35:09,360
Speaker 1: on the Sweet Childs Organ when they will be practicing,

1809
01:35:09,479 --> 01:35:11,680
Speaker 1: I'll be on the Sweet Childs Organ like chilling and

1810
01:35:11,760 --> 01:35:13,720
Speaker 1: he's going to swee Charles Organ. And I was like,

1811
01:35:14,240 --> 01:35:15,920
Speaker 1: then bought that flashback up to. I was like, that's

1812
01:35:15,920 --> 01:35:17,200
Speaker 1: the same day you slapped the ship out of here

1813
01:35:23,960 --> 01:35:31,679
Speaker 1: careful circle. Damn. I remember that day. I remember that terrified.

1814
01:35:31,680 --> 01:35:33,519
Speaker 1: You don't forget them ships like something scale like that.

1815
01:35:33,640 --> 01:35:38,200
Speaker 1: You just be like, that's just crazy. He slapped them straight.

1816
01:35:38,240 --> 01:35:53,200
Speaker 1: There would nobody laughing, no more having the good sides.

1817
01:35:56,800 --> 01:36:06,519
Speaker 1: James Brown slapped the phone after that. Dudes who worked

1818
01:36:06,560 --> 01:36:09,320
Speaker 1: oover b like I looked at it like John Washington Dynamite,

1819
01:36:09,600 --> 01:36:12,320
Speaker 1: Washingmontson Dynamite. That's a good that's a good documentary about James.

1820
01:36:12,760 --> 01:36:14,240
Speaker 1: You'll see all this stuff, some of that stuff, and

1821
01:36:14,280 --> 01:36:18,360
Speaker 1: then all that's the whole documentary just about James Brown. SAP.

1822
01:36:22,760 --> 01:36:24,800
Speaker 1: I knew you would suck them up, and they messed up.

1823
01:36:25,439 --> 01:36:29,680
Speaker 1: I gotta do it ahead of time. You get you

1824
01:36:29,760 --> 01:36:38,880
Speaker 1: don't right he was slapping the damn man. Oh yeah,

1825
01:36:38,880 --> 01:36:41,120
Speaker 1: it's been. There's been. There's been so many stuff. I mean,

1826
01:36:41,160 --> 01:36:44,080
Speaker 1: I know y'all heard when Buster was on here, he

1827
01:36:44,160 --> 01:36:46,200
Speaker 1: was telling you about everybody being in the studio, right.

1828
01:36:46,680 --> 01:36:48,600
Speaker 1: But George Clinton, what he did is he came in

1829
01:36:49,600 --> 01:36:52,479
Speaker 1: and I've seen I haven't seen the Mothership Land when

1830
01:36:52,479 --> 01:36:54,879
Speaker 1: out a little in Columbus, right, because my mom's restaurant

1831
01:36:55,000 --> 01:36:57,439
Speaker 1: is down the street from the coliseum. Right. So I've

1832
01:36:57,439 --> 01:36:58,920
Speaker 1: seen all this ship when I was little, like the

1833
01:36:59,080 --> 01:37:01,320
Speaker 1: Mothership Land because everybody come to eat sold food and

1834
01:37:01,479 --> 01:37:04,960
Speaker 1: go play, right, Commodoors Zap. My brother would take my

1835
01:37:05,360 --> 01:37:08,720
Speaker 1: my elementary school snare drum and sneak in the back

1836
01:37:08,760 --> 01:37:13,720
Speaker 1: of the countant, got snap drums, zap Rogers drummer and

1837
01:37:13,800 --> 01:37:17,800
Speaker 1: then then we go boom. We in backstage all the time, right.

1838
01:37:18,439 --> 01:37:20,000
Speaker 1: And so I've been able to be One of the

1839
01:37:20,040 --> 01:37:21,519
Speaker 1: things that's been the trip is I've seen all these

1840
01:37:21,560 --> 01:37:23,240
Speaker 1: people as a kid that I would just see the

1841
01:37:23,280 --> 01:37:25,439
Speaker 1: tour bus sitting outside of the restaurant. They go to

1842
01:37:25,479 --> 01:37:28,600
Speaker 1: Commodoors through what's sitting side restaurant, there's George Clinton. So

1843
01:37:28,680 --> 01:37:31,040
Speaker 1: as I started to get you up in music, um,

1844
01:37:31,120 --> 01:37:32,479
Speaker 1: I started to work with all these people, work with

1845
01:37:32,600 --> 01:37:35,960
Speaker 1: line on, work with George. And when George started coming

1846
01:37:36,000 --> 01:37:40,280
Speaker 1: to Dark and he's just one weekend, he came in

1847
01:37:40,320 --> 01:37:41,960
Speaker 1: there on a Friday or something, right, is I want

1848
01:37:41,960 --> 01:37:43,920
Speaker 1: to use the studio? Sorry, dude, we got it. I

1849
01:37:44,080 --> 01:37:47,000
Speaker 1: left him when that town that came back. I'm sitting

1850
01:37:47,040 --> 01:37:48,720
Speaker 1: there a room in my studio. I'm sitting there are

1851
01:37:48,720 --> 01:37:50,160
Speaker 1: two or three o'clock in the morning. George just comes

1852
01:37:50,200 --> 01:37:51,240
Speaker 1: out of one of the room to do do do

1853
01:37:51,360 --> 01:37:53,439
Speaker 1: do smoking? We need to do so dude, you've been

1854
01:37:53,479 --> 01:37:54,960
Speaker 1: here this whole time. It's like, yeah, man, ain't leaving

1855
01:37:54,960 --> 01:38:00,360
Speaker 1: this motherfucker. So then if you surround that with At

1856
01:38:00,400 --> 01:38:05,200
Speaker 1: the same time, I had Diamond d too, Short Buster Um,

1857
01:38:05,720 --> 01:38:09,120
Speaker 1: Eric Simon, an outcast, and Goody. We all used to

1858
01:38:09,160 --> 01:38:11,759
Speaker 1: be a dark and we used to hold these forums

1859
01:38:12,360 --> 01:38:15,240
Speaker 1: and George would sit down and tell us about the horsebook.

1860
01:38:15,240 --> 01:38:17,360
Speaker 1: Like they're saying. He would tell us ship like, yeah,

1861
01:38:17,360 --> 01:38:19,160
Speaker 1: you're gonna see it flood in places you've never seen

1862
01:38:19,200 --> 01:38:21,080
Speaker 1: the flood before. And then they're gonna come on TV

1863
01:38:21,160 --> 01:38:22,960
Speaker 1: and say, hey, we're female, we'll give you flood on

1864
01:38:23,000 --> 01:38:25,639
Speaker 1: his insurance. It was like, really, they're gonna make it flood. Yeah,

1865
01:38:25,680 --> 01:38:27,400
Speaker 1: they got weather machines and they're gonna make it rain.

1866
01:38:27,400 --> 01:38:30,960
Speaker 1: It's gonna flood everywhere. So he kept telling us every

1867
01:38:31,280 --> 01:38:33,200
Speaker 1: all the ship that started to happen. He was telling

1868
01:38:33,320 --> 01:38:34,679
Speaker 1: us in these sessions, and then all of a sudden,

1869
01:38:34,720 --> 01:38:36,519
Speaker 1: one day people are rollboating by the top of the

1870
01:38:36,640 --> 01:38:39,240
Speaker 1: houses in Chicago, I mean in Illinois and Milwaukee, and

1871
01:38:40,080 --> 01:38:42,320
Speaker 1: you know, like the rowboat but over your you've hot

1872
01:38:42,400 --> 01:38:45,400
Speaker 1: much water. That is so And then the commercial come on,

1873
01:38:45,560 --> 01:38:48,439
Speaker 1: we're female, We're the only ones can give you like this, dude.

1874
01:38:49,200 --> 01:38:51,920
Speaker 1: All the ship that checks the checks turning into cash cars.

1875
01:38:52,120 --> 01:38:54,120
Speaker 1: All this stuff he told us a long time ago,

1876
01:38:54,120 --> 01:38:55,920
Speaker 1: and he was telling us all in this room. And

1877
01:38:55,960 --> 01:38:58,920
Speaker 1: that's when when Goody Mom started doing self therapy and stuff.

1878
01:38:59,000 --> 01:39:01,599
Speaker 1: Is when we were having these New World Order forums

1879
01:39:01,640 --> 01:39:04,519
Speaker 1: in the studio. But look at that group like too Short,

1880
01:39:04,680 --> 01:39:08,280
Speaker 1: Diamond d Buster, Eric Sermon Illegal, all of us will

1881
01:39:08,280 --> 01:39:12,080
Speaker 1: be in this whole little squad and every day who

1882
01:39:12,240 --> 01:39:14,439
Speaker 1: holding forum like this and Georgia just download us with

1883
01:39:14,560 --> 01:39:18,519
Speaker 1: crazy ship like NASA sending a person on the road

1884
01:39:18,560 --> 01:39:20,439
Speaker 1: with them. When he was talking about spaceships all the time,

1885
01:39:20,560 --> 01:39:23,120
Speaker 1: because anything you play with with space, NASA want to know,

1886
01:39:23,120 --> 01:39:24,720
Speaker 1: they don't care if you're joking or not. Anything you're

1887
01:39:24,760 --> 01:39:27,200
Speaker 1: talking about. The motherships and all that kind of stuff

1888
01:39:27,479 --> 01:39:28,800
Speaker 1: they want to know. So they sent the person on

1889
01:39:28,840 --> 01:39:29,960
Speaker 1: the road with him, and they were so hot they

1890
01:39:29,960 --> 01:39:31,679
Speaker 1: didn't even know who the person was for a long time.

1891
01:39:33,240 --> 01:39:39,080
Speaker 1: Who I thought he was with you? I thought he

1892
01:39:39,160 --> 01:39:52,800
Speaker 1: was with you thirty seven show would be like to

1893
01:39:52,840 --> 01:39:54,320
Speaker 1: many people on the stage, so he didn't really know

1894
01:39:54,360 --> 01:39:55,920
Speaker 1: who was who was with him or what you know,

1895
01:39:56,160 --> 01:39:59,000
Speaker 1: And so he would just download us with all this ship.

1896
01:39:59,400 --> 01:40:02,320
Speaker 1: And one day I'll pull up to the studio and

1897
01:40:02,400 --> 01:40:06,439
Speaker 1: the Short and George and all of them that standing

1898
01:40:06,439 --> 01:40:08,960
Speaker 1: outside and everybody's looking up in the sky like this.

1899
01:40:09,600 --> 01:40:11,800
Speaker 1: I don't like, what are they doing? And I pull

1900
01:40:11,880 --> 01:40:13,560
Speaker 1: up Short and like, yo, nigga, we're just seeing a

1901
01:40:13,640 --> 01:40:19,680
Speaker 1: fucking UFO. I'm like, what, Like it's like afternoon time.

1902
01:40:19,720 --> 01:40:21,639
Speaker 1: It's like it ain't dark here, It's like it's still

1903
01:40:21,680 --> 01:40:24,000
Speaker 1: like the afternoontime. And all of them literally but they're

1904
01:40:24,000 --> 01:40:26,320
Speaker 1: sitting up with their head called everybody the whole inside

1905
01:40:26,360 --> 01:40:28,400
Speaker 1: and all of our back. It's like, yo, we just

1906
01:40:28,680 --> 01:40:31,760
Speaker 1: saw the fucking fo all of us did. And I'm like,

1907
01:40:31,800 --> 01:40:33,320
Speaker 1: what was it light? And they're like you had lights

1908
01:40:33,360 --> 01:40:35,439
Speaker 1: going like this in the v it was sitting over

1909
01:40:35,479 --> 01:40:38,639
Speaker 1: to them studio, I said, that's what I was looking

1910
01:40:38,640 --> 01:40:40,960
Speaker 1: at when I when I pulled up, there's like nigga, yes,

1911
01:40:41,760 --> 01:40:45,160
Speaker 1: like y'all niggas is high for really like really, but

1912
01:40:45,439 --> 01:40:47,120
Speaker 1: everybody was saying it, so I can understand it was

1913
01:40:47,160 --> 01:40:48,920
Speaker 1: like one or two people, but it's all of them,

1914
01:40:48,920 --> 01:40:51,760
Speaker 1: all of this, like nigga, you see that ship, you know,

1915
01:40:51,840 --> 01:40:54,000
Speaker 1: And so George always come tell us stories about you know,

1916
01:40:54,160 --> 01:40:56,439
Speaker 1: the ships, saying there's always been that guy. Um, but

1917
01:40:56,520 --> 01:40:59,080
Speaker 1: all of us basically setting there and just pulled all

1918
01:40:59,200 --> 01:41:01,439
Speaker 1: kinds of energy from um those sessions that he would do.

1919
01:41:01,800 --> 01:41:04,840
Speaker 1: And and it started like everybody's just kind of doing

1920
01:41:04,920 --> 01:41:07,759
Speaker 1: that inalgagation of working together, like working all in different

1921
01:41:07,880 --> 01:41:10,200
Speaker 1: rooms and you know, two shows doing getting in Georgia's

1922
01:41:10,200 --> 01:41:13,760
Speaker 1: producing that um. But it was like it was, you know,

1923
01:41:13,960 --> 01:41:17,040
Speaker 1: I feel like Atlanta has that thing where, especially from

1924
01:41:17,040 --> 01:41:19,479
Speaker 1: a label standpoint, everybody is that country. You know what

1925
01:41:19,520 --> 01:41:21,680
Speaker 1: I'm saying. You can go by somebody house, white your

1926
01:41:21,680 --> 01:41:23,680
Speaker 1: feet for you, go ms Johnson house and take them

1927
01:41:23,720 --> 01:41:25,479
Speaker 1: goals out for you going and so everybody has a

1928
01:41:25,520 --> 01:41:28,720
Speaker 1: sense of respect about each other and love for each

1929
01:41:28,720 --> 01:41:31,880
Speaker 1: other and all that. UM. So I just feel like, um,

1930
01:41:32,120 --> 01:41:34,800
Speaker 1: where to see it come from those kind of days

1931
01:41:34,840 --> 01:41:37,240
Speaker 1: and then to see it going to you know, everybody

1932
01:41:37,280 --> 01:41:39,080
Speaker 1: really shooting each other, everybody really taking it to the

1933
01:41:39,160 --> 01:41:41,519
Speaker 1: next level, was like, Okay, everything he's going to for

1934
01:41:41,600 --> 01:41:44,000
Speaker 1: Atlanta was really about the colecticness that we brought together.

1935
01:41:44,160 --> 01:41:46,519
Speaker 1: Atlanta is really about cash and doing Curtis Mayfield and

1936
01:41:47,000 --> 01:41:50,000
Speaker 1: these names coming out of the the hood with her

1937
01:41:50,120 --> 01:41:52,080
Speaker 1: pants on, the gold teeth in the calac you know

1938
01:41:52,120 --> 01:41:53,920
Speaker 1: what I'm saying, And like that difference is what makes

1939
01:41:54,000 --> 01:41:56,360
Speaker 1: us really Atlanta. So I think that that's really now

1940
01:41:57,240 --> 01:41:59,880
Speaker 1: what I missed the most about it. Um, there's got

1941
01:42:00,040 --> 01:42:02,000
Speaker 1: really linear. When it used to be so creative, we

1942
01:42:02,080 --> 01:42:03,960
Speaker 1: should be like this is the place where you push

1943
01:42:04,000 --> 01:42:06,320
Speaker 1: your creativity to the match, Like I'm bringing the football

1944
01:42:06,400 --> 01:42:09,120
Speaker 1: clease back. You should have gone, We should have done.

1945
01:42:09,880 --> 01:42:21,720
Speaker 1: You know, that's why had the football show from just

1946
01:42:21,800 --> 01:42:23,960
Speaker 1: what other playing a flute? Now it's different. He don't

1947
01:42:23,960 --> 01:42:26,559
Speaker 1: need to do nothing. Is that a flute? I think

1948
01:42:26,680 --> 01:42:28,720
Speaker 1: it's like a type of flute, but I thought it

1949
01:42:28,800 --> 01:42:32,800
Speaker 1: was an obo or some ship. Maybe it's it's a

1950
01:42:32,840 --> 01:42:36,840
Speaker 1: collected kind of like probably like the combination of two

1951
01:42:36,920 --> 01:42:39,439
Speaker 1: of them. But I thought it was a joke. At first,

1952
01:42:39,479 --> 01:42:42,640
Speaker 1: but he really liked it might be able soon. I

1953
01:42:42,680 --> 01:42:45,080
Speaker 1: know it ain't a regular flue because we're holding like this. Yeah,

1954
01:42:45,479 --> 01:42:49,479
Speaker 1: it's something. It's something too. It's an alto sax don't

1955
01:42:49,520 --> 01:42:52,439
Speaker 1: know whatever the stretched out saxophone is. I don't know.

1956
01:42:52,640 --> 01:42:55,719
Speaker 1: You know, they don't get me here the laugh about

1957
01:42:56,800 --> 01:43:01,320
Speaker 1: I'm still shrimping that spatios telling us it's a chance

1958
01:43:01,400 --> 01:43:08,599
Speaker 1: our partner Faba was not lying when he so get

1959
01:43:08,680 --> 01:43:11,840
Speaker 1: fascinated by the ship that was in the air. Nigga,

1960
01:43:12,320 --> 01:43:17,320
Speaker 1: Michael Jackson go from right here over there, come over

1961
01:43:17,720 --> 01:43:24,200
Speaker 1: and ain't nobody sing ship? Just the shirt whatever? I

1962
01:43:24,240 --> 01:43:26,000
Speaker 1: hope if he didn't even have on the red shirt,

1963
01:43:26,080 --> 01:43:28,400
Speaker 1: that's exactly what I was thinking. Crazy said, you'll see

1964
01:43:28,439 --> 01:43:31,160
Speaker 1: him driving down intour in in advent itself, driving itself

1965
01:43:31,160 --> 01:43:34,960
Speaker 1: to the studio. And does he not know how many

1966
01:43:35,000 --> 01:43:38,360
Speaker 1: people like Michael Jackson needs the rent shirt, same hat,

1967
01:43:38,479 --> 01:43:41,519
Speaker 1: whindle down black van had rims and everything on it.

1968
01:43:41,760 --> 01:43:44,120
Speaker 1: And he'd me be sitting in the red like if

1969
01:43:44,160 --> 01:43:45,519
Speaker 1: I think of the l A. They probably thought that

1970
01:43:45,600 --> 01:43:46,960
Speaker 1: look at this thing and trying to look like Michael

1971
01:43:47,000 --> 01:43:49,200
Speaker 1: Jackson like, but we would get we would be walking

1972
01:43:49,240 --> 01:43:50,880
Speaker 1: to the studio, like going to get something to eat,

1973
01:43:50,960 --> 01:43:57,360
Speaker 1: and he'll be sending a red like like Mike c

1974
01:43:59,320 --> 01:44:01,800
Speaker 1: Michael Rod. He had to be trapped though, right, I

1975
01:44:01,960 --> 01:44:04,040
Speaker 1: just think that's l A. So like l A is

1976
01:44:04,120 --> 01:44:06,559
Speaker 1: like that. You never if that's really that's not him.

1977
01:44:06,640 --> 01:44:08,040
Speaker 1: That's like all these other people that look like him

1978
01:44:08,120 --> 01:44:10,320
Speaker 1: probably like riding down the street like you know, they

1979
01:44:10,520 --> 01:44:15,559
Speaker 1: probably just didn't think twice about it. That's cold is hell.

1980
01:44:16,920 --> 01:44:19,360
Speaker 1: It's so it's so crazy because you like even if

1981
01:44:19,400 --> 01:44:22,280
Speaker 1: you saw that man in the van like alright, man,

1982
01:44:25,479 --> 01:44:31,519
Speaker 1: ain't no way, like Michael Jackson at that light though,

1983
01:44:31,600 --> 01:44:33,960
Speaker 1: and you're hitting the blunt and it's the long line

1984
01:44:34,000 --> 01:44:47,559
Speaker 1: of you look you look at this that man that's

1985
01:44:47,840 --> 01:44:55,080
Speaker 1: wild ship it is yo. Hey man, I can't believe

1986
01:44:55,120 --> 01:44:57,360
Speaker 1: you came through the trap just to talk a little

1987
01:44:57,400 --> 01:44:59,479
Speaker 1: ship with us like that man and put us up

1988
01:44:59,560 --> 01:45:03,599
Speaker 1: on all the game. So it's all we needed, man

1989
01:45:03,640 --> 01:45:05,280
Speaker 1: any time. Bro, That's what we I mean, that's what

1990
01:45:05,320 --> 01:45:07,160
Speaker 1: we gotta do. That that's what keeps us in Atlanta. No,

1991
01:45:07,280 --> 01:45:10,360
Speaker 1: we didn't kicking you know, Brown slapped the ship out

1992
01:45:10,400 --> 01:45:14,639
Speaker 1: of everybody. Everybody, but photo show. You're making me think

1993
01:45:14,680 --> 01:45:18,960
Speaker 1: of pursuing this whole entertainment ship room. You gotta rule

1994
01:45:19,040 --> 01:45:22,679
Speaker 1: with the iron fished said so much to start snapping

1995
01:45:22,800 --> 01:45:27,839
Speaker 1: people and pointing your cane at motherfucker's and being aggressed

1996
01:45:27,840 --> 01:45:31,360
Speaker 1: about the situation. So we I just launched D A

1997
01:45:31,479 --> 01:45:33,960
Speaker 1: d for everybody who didn't know it. Um, So I

1998
01:45:34,040 --> 01:45:40,400
Speaker 1: got my my what from trying to go Um, I

1999
01:45:40,479 --> 01:45:42,679
Speaker 1: really got you know, I always one of the distribution

2000
01:45:42,800 --> 01:45:45,200
Speaker 1: come in the first place. But after me seeing like

2001
01:45:45,560 --> 01:45:48,400
Speaker 1: I feel like artists, really talented artists, was starting the

2002
01:45:48,400 --> 01:45:50,719
Speaker 1: places and kind of throwing this in the ocean because

2003
01:45:50,840 --> 01:45:53,720
Speaker 1: there was nobody to guide him. I know, distribution something

2004
01:45:53,760 --> 01:45:55,200
Speaker 1: that ain't supposed to about that. It supposed to be

2005
01:45:55,280 --> 01:45:57,599
Speaker 1: just upload, just shaid and did you figure it out? Um?

2006
01:45:57,640 --> 01:46:00,280
Speaker 1: But d A d um. It's different. But as you

2007
01:46:00,360 --> 01:46:02,519
Speaker 1: do get you know, a person to help me navigate,

2008
01:46:02,640 --> 01:46:04,479
Speaker 1: especially if you're somebody who knows the lingal and and

2009
01:46:04,520 --> 01:46:06,400
Speaker 1: you're an artist enough to know what you're talking about.

2010
01:46:06,720 --> 01:46:08,360
Speaker 1: And if you're not artist enough to have already built

2011
01:46:08,360 --> 01:46:10,560
Speaker 1: yourself up something, then you need somebody to point you

2012
01:46:10,560 --> 01:46:14,759
Speaker 1: in directions or some ship. Um. And it's exciting because

2013
01:46:15,200 --> 01:46:16,600
Speaker 1: it's a different story now because I get to hear

2014
01:46:16,720 --> 01:46:19,360
Speaker 1: music everywhere, you know, all over the world. People gonna

2015
01:46:19,360 --> 01:46:22,000
Speaker 1: load up, load up their music. Um, what kind of

2016
01:46:22,000 --> 01:46:24,920
Speaker 1: should you like to listen to? Anything that's great? Bro?

2017
01:46:25,080 --> 01:46:29,080
Speaker 1: Like what's crazy? Yeah? Some great ship that you don't like?

2018
01:46:29,200 --> 01:46:31,479
Speaker 1: The people the most great ship is discovered, Like you

2019
01:46:31,600 --> 01:46:33,360
Speaker 1: hear it and you'd be like, man, I even when

2020
01:46:33,400 --> 01:46:34,920
Speaker 1: I heard the rest of the development the first time,

2021
01:46:35,080 --> 01:46:37,640
Speaker 1: and it's like speech played it for me before it

2022
01:46:37,880 --> 01:46:39,479
Speaker 1: came out. This to this stuff right here, Man, tell

2023
01:46:39,479 --> 01:46:40,920
Speaker 1: me what you think. And I was just like, god damn,

2024
01:46:40,960 --> 01:46:44,719
Speaker 1: they got harmonicas and slave ship going on and African

2025
01:46:44,840 --> 01:46:46,400
Speaker 1: ship going on in college and it was just like

2026
01:46:46,800 --> 01:46:57,120
Speaker 1: and then used to be so it was like, you know,

2027
01:46:57,200 --> 01:46:59,720
Speaker 1: it's playing. I'm excited about finding new music and like

2028
01:47:00,080 --> 01:47:02,680
Speaker 1: seeing people like we had this kid in Birmingham and

2029
01:47:02,760 --> 01:47:05,000
Speaker 1: signed up. And when you actually see their face when

2030
01:47:05,000 --> 01:47:06,840
Speaker 1: you pop up, when the coup pops up on the

2031
01:47:06,880 --> 01:47:08,280
Speaker 1: screen and talk to them when they manage it for

2032
01:47:08,320 --> 01:47:09,960
Speaker 1: a while, the blue boom, So what you got going on?

2033
01:47:10,080 --> 01:47:12,880
Speaker 1: You got any more songs? And just that a little

2034
01:47:12,880 --> 01:47:15,680
Speaker 1: bit right there. Um kind of helps real artists. So

2035
01:47:15,720 --> 01:47:18,559
Speaker 1: it's really for real artists. That's really been like getting

2036
01:47:18,560 --> 01:47:20,040
Speaker 1: the door shut on them and ship like they know

2037
01:47:20,120 --> 01:47:22,960
Speaker 1: they're talented, they super fire, they played they saying they

2038
01:47:23,000 --> 01:47:25,840
Speaker 1: do all this whatever going for him, but nobody's really

2039
01:47:25,880 --> 01:47:29,320
Speaker 1: giving them any any outlet. So what advice do you

2040
01:47:29,400 --> 01:47:33,680
Speaker 1: give talented people? If you if you're really talented. Um,

2041
01:47:33,960 --> 01:47:36,680
Speaker 1: it's like it's a it's a weird obsession, you know,

2042
01:47:36,800 --> 01:47:38,840
Speaker 1: it's one of those things that it just died, you

2043
01:47:39,000 --> 01:47:41,080
Speaker 1: die and just like just aggravate you all the time

2044
01:47:41,120 --> 01:47:44,920
Speaker 1: to do it. Um And in that case, you're gonna

2045
01:47:45,000 --> 01:47:47,280
Speaker 1: delight gonna hit you at some point if you're just

2046
01:47:47,320 --> 01:47:49,920
Speaker 1: doing what you're supposed to be doing. Always. That's how

2047
01:47:49,960 --> 01:47:52,960
Speaker 1: it happened every one of us around here period. Like

2048
01:47:53,000 --> 01:47:54,840
Speaker 1: that's why I would pop up over like you know,

2049
01:47:54,880 --> 01:47:56,360
Speaker 1: remember me, I was in the group that came to

2050
01:47:56,439 --> 01:47:58,599
Speaker 1: Dart a long time ago. Like the light gonna shine

2051
01:47:58,640 --> 01:48:00,920
Speaker 1: if they keep if it's not a person to tell

2052
01:48:00,960 --> 01:48:03,400
Speaker 1: the truth, it's not a person that came through my

2053
01:48:03,520 --> 01:48:06,439
Speaker 1: studio that didn't make it, not because of me, but

2054
01:48:06,640 --> 01:48:08,679
Speaker 1: because it was the opportunity for them to recording there

2055
01:48:09,240 --> 01:48:10,640
Speaker 1: or whatever it was. But I don't care if it

2056
01:48:10,720 --> 01:48:14,560
Speaker 1: was one twelve or y'll like it's just everybody that

2057
01:48:15,040 --> 01:48:17,400
Speaker 1: since the time I made it, it's not a person

2058
01:48:17,479 --> 01:48:19,519
Speaker 1: in the Atlanta that I haven't seen doing it in

2059
01:48:19,560 --> 01:48:21,880
Speaker 1: a lightning shine on him with somewhere, Like even look

2060
01:48:21,920 --> 01:48:24,880
Speaker 1: at Coach k with Coach he had Hollywood and the

2061
01:48:24,880 --> 01:48:26,400
Speaker 1: stuff he was doing in m j q S and

2062
01:48:26,439 --> 01:48:28,560
Speaker 1: all this, Like there's plenty of times Coach could have

2063
01:48:28,600 --> 01:48:30,720
Speaker 1: stopped there when when SOMETHINGE happened or whatever. But like

2064
01:48:30,720 --> 01:48:32,840
Speaker 1: the reason he's coached that he is now because he didn't,

2065
01:48:33,160 --> 01:48:34,960
Speaker 1: and he's doing what he's been doing that whole time,

2066
01:48:35,040 --> 01:48:36,840
Speaker 1: back then all the way up to now. So I

2067
01:48:36,880 --> 01:48:40,280
Speaker 1: feel like that's happened with everybody period that I've seen

2068
01:48:40,400 --> 01:48:42,599
Speaker 1: put effort into what they're doing in the cities. Happening

2069
01:48:42,600 --> 01:48:44,800
Speaker 1: to y'all to the same way exactly, Because I was

2070
01:48:44,840 --> 01:48:47,240
Speaker 1: just about to say, man our o G called you

2071
01:48:47,400 --> 01:48:51,920
Speaker 1: to O G. He showed us a whole lot about

2072
01:48:51,960 --> 01:48:54,120
Speaker 1: the comedy games. Who was that? What was doing running

2073
01:48:54,120 --> 01:48:57,200
Speaker 1: around over there? And yeah, Holland Place, monsters and when

2074
01:48:57,200 --> 01:48:59,640
Speaker 1: I was really the masquerade and all this stuff, he

2075
01:48:59,680 --> 01:49:02,760
Speaker 1: was all that back you know, um and it was

2076
01:49:02,880 --> 01:49:05,439
Speaker 1: Crow all these dudes that was just like the really

2077
01:49:05,520 --> 01:49:07,640
Speaker 1: fabric that made a lot of different to where it

2078
01:49:07,720 --> 01:49:09,519
Speaker 1: is now. It gave us the right to be that way,

2079
01:49:09,520 --> 01:49:12,040
Speaker 1: you know what I'm saying. Um, so that man, it's

2080
01:49:12,200 --> 01:49:14,200
Speaker 1: it's it's we love where his head that we love

2081
01:49:14,240 --> 01:49:17,800
Speaker 1: what's going. We're gonna keep expanding it, keep growing it,

2082
01:49:17,800 --> 01:49:20,400
Speaker 1: and I think, keep giving opportunities, you know what I'm saying.

2083
01:49:20,439 --> 01:49:23,400
Speaker 1: So we had Rowdy back up D A D. I'm

2084
01:49:23,439 --> 01:49:25,160
Speaker 1: just that back for the opportunity and for the difference.

2085
01:49:25,320 --> 01:49:28,439
Speaker 1: Are you back in the game again? Yeah? Man, we

2086
01:49:28,520 --> 01:49:31,280
Speaker 1: got to So you tell man you got the show

2087
01:49:31,960 --> 01:49:36,200
Speaker 1: and take seven hundred new motherfucking with star time. Man.

2088
01:49:36,280 --> 01:49:41,880
Speaker 1: I got to ride the squad crazy. Um, we have

2089
01:49:42,040 --> 01:49:43,960
Speaker 1: some people who do plants and ship. I don't know

2090
01:49:44,040 --> 01:49:46,759
Speaker 1: if you need some flint this time we're going full

2091
01:49:47,439 --> 01:49:50,479
Speaker 1: circle with it. We got some niggers make gumbo real good.

2092
01:49:51,000 --> 01:49:52,400
Speaker 1: I had to go out of the tap. I had

2093
01:49:52,439 --> 01:49:54,439
Speaker 1: to go attack. I feel like Edward was getting left out.

2094
01:49:54,680 --> 01:49:56,040
Speaker 1: I had to go. I got j wise and went

2095
01:49:56,080 --> 01:49:58,720
Speaker 1: down to Edwood. I said before I started. I was like, man,

2096
01:49:59,400 --> 01:50:01,360
Speaker 1: so we pop Roully back up. I'm want straight to

2097
01:50:01,439 --> 01:50:03,960
Speaker 1: as I'm going straight to where because I hang out

2098
01:50:04,000 --> 01:50:05,280
Speaker 1: down that would go down there all the time and

2099
01:50:05,360 --> 01:50:07,559
Speaker 1: be a sound table in other places and they can

2100
01:50:07,600 --> 01:50:10,519
Speaker 1: not commit. And just being in that element of Atlanta,

2101
01:50:10,720 --> 01:50:13,479
Speaker 1: and I was like, I'm gonna bring this ship back up,

2102
01:50:13,560 --> 01:50:14,960
Speaker 1: and this is what I want to elevate right here,

2103
01:50:15,040 --> 01:50:17,040
Speaker 1: this cultural element right here is what I want to

2104
01:50:17,040 --> 01:50:19,599
Speaker 1: start off. And so I met j Wise. I was like, Yo,

2105
01:50:20,160 --> 01:50:22,200
Speaker 1: you don't get this thing plugged then, and you already

2106
01:50:22,240 --> 01:50:24,280
Speaker 1: got the Fielter Through the playlists academy he was doing,

2107
01:50:24,760 --> 01:50:26,200
Speaker 1: we did a pop up on them. We saw like

2108
01:50:26,320 --> 01:50:29,519
Speaker 1: sixty acting like two days, and so out of those

2109
01:50:29,560 --> 01:50:31,160
Speaker 1: sixty acts, I was like, all right, let's just start

2110
01:50:31,200 --> 01:50:33,479
Speaker 1: getting this rolling. And we started with Johnny because I

2111
01:50:33,560 --> 01:50:36,040
Speaker 1: knew that like that, the difference got to be cracked

2112
01:50:36,080 --> 01:50:37,680
Speaker 1: through around at some point you gotta just kind of

2113
01:50:37,720 --> 01:50:39,120
Speaker 1: hit it over the head. And so when I heard

2114
01:50:39,120 --> 01:50:40,479
Speaker 1: shut the funk up, I was like, we gotta go

2115
01:50:40,520 --> 01:50:42,960
Speaker 1: with Johnny Polo. We gotta go. And and why hadn't

2116
01:50:42,960 --> 01:50:45,040
Speaker 1: nobody heard the bonfire? And why adn't nobody heard of

2117
01:50:45,120 --> 01:50:47,080
Speaker 1: this other underground shoot in Atlanta? Is happening that you

2118
01:50:47,160 --> 01:50:51,000
Speaker 1: see black people doing like these incredibly creative, positive things,

2119
01:50:51,080 --> 01:50:53,040
Speaker 1: You know what I'm saying? The only thing that was

2120
01:50:53,040 --> 01:50:55,920
Speaker 1: getting shown is but here, Lucia and I'm fighting. Here's

2121
01:50:55,920 --> 01:50:58,200
Speaker 1: somebody shooting at the case, somebody shooting at this, here's

2122
01:50:58,200 --> 01:51:00,680
Speaker 1: somebody shooting at that. And that's like none of us

2123
01:51:00,760 --> 01:51:03,240
Speaker 1: really came up like into that to that extent. Everything

2124
01:51:03,439 --> 01:51:05,680
Speaker 1: by the Atlanta was really creative, you know, even if

2125
01:51:05,720 --> 01:51:07,240
Speaker 1: he was a thug, even if you even if you

2126
01:51:07,280 --> 01:51:09,439
Speaker 1: are young though, he's still super creative, you know. But

2127
01:51:09,520 --> 01:51:11,400
Speaker 1: that's what it's about. Its being the difference here. So

2128
01:51:11,680 --> 01:51:14,280
Speaker 1: with Rowdy, I'm hoping for I'm hoping for the difference.

2129
01:51:14,320 --> 01:51:16,639
Speaker 1: I'm hoping for all that ship that we a here

2130
01:51:16,680 --> 01:51:18,640
Speaker 1: and that we did and it's it's got to be

2131
01:51:18,720 --> 01:51:21,280
Speaker 1: the new culture kids like that that need that that outlet.

2132
01:51:21,400 --> 01:51:24,720
Speaker 1: So we're back, man, we'd like to be crazy. Yep,

2133
01:51:27,680 --> 01:51:30,960
Speaker 1: crazy b Shall we take some questions from the fans

2134
01:51:31,040 --> 01:51:36,759
Speaker 1: from the audience, Oh ship and even go to Monica

2135
01:51:36,800 --> 01:51:39,160
Speaker 1: do That's what was crazy though to day about the

2136
01:51:39,280 --> 01:51:48,400
Speaker 1: nice is um, well it wasn't. It was Yeah for

2137
01:51:48,479 --> 01:51:58,400
Speaker 1: the awards, Yeah, we did have mom she came through here.

2138
01:51:59,560 --> 01:52:04,400
Speaker 1: Somebody stole on somebody. Oh that that mean oh back back,

2139
01:52:04,479 --> 01:52:06,840
Speaker 1: and I mean but you know what's funny though, because

2140
01:52:06,840 --> 01:52:09,439
Speaker 1: you don't watch the versus. If you watch the versus yourself,

2141
01:52:10,080 --> 01:52:12,479
Speaker 1: I have to say nothing else. Like everybody saw what

2142
01:52:12,600 --> 01:52:14,519
Speaker 1: Shade was being in and out of there like you

2143
01:52:14,520 --> 01:52:16,720
Speaker 1: see people on it. Did she just doing shade? Oh

2144
01:52:16,920 --> 01:52:18,559
Speaker 1: that's why she beat old. That's why my Monica could

2145
01:52:18,560 --> 01:52:20,680
Speaker 1: be are like, Oh, that's why. It's just that's the

2146
01:52:21,280 --> 01:52:23,360
Speaker 1: it's just a difference in being from l A at

2147
01:52:23,400 --> 01:52:27,599
Speaker 1: the time, from Atlanta the time or period this period. Monica.

2148
01:52:27,760 --> 01:52:30,240
Speaker 1: One thing about her was she's always been very like

2149
01:52:31,280 --> 01:52:32,960
Speaker 1: starting off worst, she's as tough as hell. She was

2150
01:52:34,120 --> 01:52:35,720
Speaker 1: mad a lot of times, like because she was just

2151
01:52:35,800 --> 01:52:37,680
Speaker 1: like mad at maybe her pops and what was going

2152
01:52:37,720 --> 01:52:40,120
Speaker 1: on the environment she was in, and so she was

2153
01:52:40,200 --> 01:52:41,960
Speaker 1: mistaying for real, She's coming in and just be rolling

2154
01:52:41,960 --> 01:52:43,679
Speaker 1: the eyes all day long, and like wearing a bunch

2155
01:52:43,680 --> 01:52:45,920
Speaker 1: of little damn change to Greenbriar Fleet Market, a bunch

2156
01:52:45,960 --> 01:52:50,280
Speaker 1: of little a little sweatsuit, always in a sweatsuit. And

2157
01:52:51,240 --> 01:52:53,600
Speaker 1: when she started calling me Dad, really young when she

2158
01:52:53,760 --> 01:52:55,599
Speaker 1: first because her mom said, look, I hope this don't

2159
01:52:55,600 --> 01:52:57,080
Speaker 1: bother you, because I'm just glad that she's looking at

2160
01:52:57,240 --> 01:53:00,439
Speaker 1: looking at somebody as a male figure different than the

2161
01:53:00,479 --> 01:53:02,479
Speaker 1: way she looked at what's been going on in her life,

2162
01:53:02,560 --> 01:53:04,479
Speaker 1: because that's why all this anger comes. I'm going to

2163
01:53:04,720 --> 01:53:07,040
Speaker 1: the vocal booth, and she was just the rope ro

2164
01:53:07,240 --> 01:53:10,320
Speaker 1: ro ro ron, Like what did you want? Because you

2165
01:53:10,320 --> 01:53:12,240
Speaker 1: wouldn't see it come out of sid Yeah, Dad, I'm ready,

2166
01:53:12,360 --> 01:53:14,800
Speaker 1: let's do another part. But it would come out of

2167
01:53:14,800 --> 01:53:16,640
Speaker 1: her in other ways, like she would be fights to

2168
01:53:16,680 --> 01:53:19,960
Speaker 1: get valid with, you know who if somebody she was

2169
01:53:20,000 --> 01:53:23,360
Speaker 1: snapped fast, you know, and she went through a whole

2170
01:53:23,600 --> 01:53:27,040
Speaker 1: lot of ship um like coming up like just always

2171
01:53:27,080 --> 01:53:29,720
Speaker 1: in Lela Valley, you know, always take care of who

2172
01:53:29,800 --> 01:53:31,400
Speaker 1: she was winning the projects and things like that. And

2173
01:53:31,479 --> 01:53:33,920
Speaker 1: by the time she's funny because we hell every time

2174
01:53:34,320 --> 01:53:36,320
Speaker 1: we would get Monica to one point, she should do

2175
01:53:36,439 --> 01:53:38,600
Speaker 1: something else. Like we shot the first don't take a

2176
01:53:38,800 --> 01:53:42,320
Speaker 1: personal video down checked us down on old National. Next

2177
01:53:42,400 --> 01:53:44,040
Speaker 1: day after we just shot, she had her head down

2178
01:53:44,080 --> 01:53:45,960
Speaker 1: to here she got on new jerseys all that next day,

2179
01:53:45,960 --> 01:53:48,320
Speaker 1: I see her had all the way off and I'm like,

2180
01:53:48,439 --> 01:53:50,519
Speaker 1: what we gotta We just put shot a video. They're

2181
01:53:50,560 --> 01:53:52,400
Speaker 1: not gonna think you the same person. Let's shoot another one.

2182
01:53:52,439 --> 01:53:54,320
Speaker 1: So we shot the one in black and white. Then

2183
01:53:54,400 --> 01:53:56,120
Speaker 1: by the time we got to the next thing. You know,

2184
01:53:56,160 --> 01:53:59,559
Speaker 1: she got a tattoo, but she's fourteen, the biggest tattoo

2185
01:53:59,600 --> 01:54:01,680
Speaker 1: on arm, and I'm like, this is not during the

2186
01:54:01,760 --> 01:54:03,800
Speaker 1: time where that was supposed to be acceptable, like like

2187
01:54:03,840 --> 01:54:05,840
Speaker 1: you got what you know, so with the band on.

2188
01:54:06,720 --> 01:54:08,360
Speaker 1: So everybody's like, oh, Monica got a band on. All

2189
01:54:08,439 --> 01:54:12,280
Speaker 1: that's cute. You know, she's hiding the tattoo. Um she

2190
01:54:12,400 --> 01:54:14,800
Speaker 1: shows up, she's she shows up one day to studio

2191
01:54:14,880 --> 01:54:16,640
Speaker 1: and she got see murder in the car. Yeah, this

2192
01:54:16,680 --> 01:54:20,720
Speaker 1: is my boyfriend. I'm like, okay, you see murders ready

2193
01:54:20,720 --> 01:54:22,280
Speaker 1: to go kill. He's mad that day's going to do

2194
01:54:22,360 --> 01:54:24,960
Speaker 1: something hard. Man, we gotta go tax somebody. I'm like, okay, honey,

2195
01:54:26,680 --> 01:54:29,160
Speaker 1: think it's mad about while somebody. So Honey's like, you

2196
01:54:29,200 --> 01:54:39,960
Speaker 1: gotta get better. First of all, she called Dad. You

2197
01:54:40,000 --> 01:54:41,800
Speaker 1: know what's funny, dude running but they even called me

2198
01:54:41,880 --> 01:54:43,440
Speaker 1: Dan the latta for a long time, like even bit

2199
01:54:43,480 --> 01:54:44,760
Speaker 1: boy and then my guest because you know, it's one

2200
01:54:44,760 --> 01:54:46,840
Speaker 1: of those things where he's like Dad, you know. And

2201
01:54:46,960 --> 01:54:48,800
Speaker 1: plus I used to sit and talk to everybody about ship,

2202
01:54:48,920 --> 01:54:50,680
Speaker 1: like if you got any contracts you're going through, if

2203
01:54:50,680 --> 01:54:52,600
Speaker 1: you got any name's go talk to me, man, let

2204
01:54:52,640 --> 01:54:54,320
Speaker 1: me tell you what I went through first, like, let

2205
01:54:54,400 --> 01:54:56,240
Speaker 1: me help you not make the mistake I made, because

2206
01:54:56,240 --> 01:54:57,800
Speaker 1: if I made it, if you don't do it, then

2207
01:54:57,840 --> 01:55:00,680
Speaker 1: I feel better about the fund up. I did the

2208
01:55:01,160 --> 01:55:03,120
Speaker 1: wrong decision I made, you know what I'm saying. Not

2209
01:55:03,280 --> 01:55:05,160
Speaker 1: me and new face gotta figure out what the fun

2210
01:55:05,320 --> 01:55:08,720
Speaker 1: bad Wale did that make you see murders. We gotta

2211
01:55:08,760 --> 01:55:12,400
Speaker 1: start a whole investment. It was nor it was I

2212
01:55:12,560 --> 01:55:14,800
Speaker 1: think that it was either he said they said something

2213
01:55:14,800 --> 01:55:16,400
Speaker 1: about little Romeo, or maybe it was a rapp with

2214
01:55:16,400 --> 01:55:17,920
Speaker 1: little room, you know, it was something like a little

2215
01:55:17,920 --> 01:55:21,040
Speaker 1: ship like that, But it was it was. He was

2216
01:55:21,200 --> 01:55:26,960
Speaker 1: mad and we had no idea. Let's see, murder was happening,

2217
01:55:28,400 --> 01:55:34,160
Speaker 1: and then you can't be walking like Dallas. You can't

2218
01:55:34,160 --> 01:55:36,320
Speaker 1: be having a date. Somebody named murder because he looked

2219
01:55:36,360 --> 01:55:38,760
Speaker 1: at Monica like his whitney. He looked at it, especially

2220
01:55:38,920 --> 01:55:40,600
Speaker 1: coming up singing for You I Will and all the

2221
01:55:40,840 --> 01:55:43,400
Speaker 1: pop songs. They started to go there, and then we

2222
01:55:43,480 --> 01:55:46,200
Speaker 1: got to the second half of Street Symphony and the

2223
01:55:46,240 --> 01:55:48,120
Speaker 1: boy's mind and stuff, and he's like, dall Us, no, no, no, no,

2224
01:55:48,160 --> 01:55:49,440
Speaker 1: you have to talk to it. You can't be dating

2225
01:55:49,480 --> 01:55:52,600
Speaker 1: somebody named Murder. It's not good for image. And I'm like, well,

2226
01:55:52,680 --> 01:55:54,760
Speaker 1: he just wrapped on the Street Symphony. So you're gonna

2227
01:55:54,800 --> 01:55:56,520
Speaker 1: tell her that that ship ain't going out because she's

2228
01:55:56,560 --> 01:55:59,480
Speaker 1: gonna she ain't like that I have to talk to

2229
01:55:59,560 --> 01:56:01,560
Speaker 1: her about, says, what are you talking to about? That?

2230
01:56:01,640 --> 01:56:08,120
Speaker 1: She's got two divings, putting the teeth right here, you

2231
01:56:08,360 --> 01:56:11,480
Speaker 1: come back different every time she was full of time.

2232
01:56:11,720 --> 01:56:13,360
Speaker 1: One time she had a Lincoln conn of n bro

2233
01:56:13,600 --> 01:56:16,200
Speaker 1: around with a rag top and sitting on like thirty

2234
01:56:16,280 --> 01:56:18,120
Speaker 1: five or so. And I would know if she put

2235
01:56:18,160 --> 01:56:22,160
Speaker 1: up to the studio because of the Trump Valley, like

2236
01:56:25,080 --> 01:56:29,880
Speaker 1: like we who thought she would? But we knew, we

2237
01:56:30,040 --> 01:56:37,520
Speaker 1: knew she Like yeah, that's why she left. But you know,

2238
01:56:37,600 --> 01:56:39,959
Speaker 1: I'm proud of what she's turn she's turned into exactly

2239
01:56:40,080 --> 01:56:42,680
Speaker 1: what her songs were so grown for her, like when

2240
01:56:42,760 --> 01:56:45,200
Speaker 1: she was singing wild, love You so Much, or like

2241
01:56:46,000 --> 01:56:49,720
Speaker 1: you know, Angel of Mind, these songs like she sings

2242
01:56:49,760 --> 01:56:52,120
Speaker 1: them now and then now it really makes sense because

2243
01:56:52,120 --> 01:56:53,360
Speaker 1: she's going up to be singing them. So when you

2244
01:56:53,400 --> 01:56:55,680
Speaker 1: go to one of her shows, everybody singing the songs

2245
01:56:55,760 --> 01:56:58,960
Speaker 1: like Age Old of Mine, you know, but she was singing.

2246
01:56:59,040 --> 01:57:00,960
Speaker 1: He's a thirteen and four teen years old, so it's

2247
01:57:00,960 --> 01:57:03,160
Speaker 1: great that she could grow into her songs. He sung

2248
01:57:03,440 --> 01:57:06,520
Speaker 1: the same, she sounds the same, more control. But when

2249
01:57:06,560 --> 01:57:08,640
Speaker 1: you hear the songs now coming from her from a

2250
01:57:08,680 --> 01:57:14,960
Speaker 1: grown up standpoint, it's it's like, yeah, yeah, she didn't

2251
01:57:15,000 --> 01:57:17,640
Speaker 1: rely on like you know and mont just get fly

2252
01:57:17,880 --> 01:57:20,280
Speaker 1: every day. Like you look at our Instagram mode going in,

2253
01:57:20,520 --> 01:57:22,600
Speaker 1: she'd be like flying out somebody and she just don't

2254
01:57:22,600 --> 01:57:25,360
Speaker 1: hear the curve of like, Okay, maybe I ain't married

2255
01:57:25,360 --> 01:57:27,920
Speaker 1: no more. So I'm flying it way out and she's

2256
01:57:27,960 --> 01:57:30,440
Speaker 1: doing it. She's doing her thing. I'm proud of. Yeah,

2257
01:57:31,400 --> 01:57:35,960
Speaker 1: we love it here. Yeah, I always more than we

2258
01:57:36,080 --> 01:57:43,480
Speaker 1: always love it Dad, Man, that ship is crazy. You

2259
01:57:43,560 --> 01:57:47,200
Speaker 1: didn't really set here and sucked me up today. Then

2260
01:57:48,840 --> 01:57:57,360
Speaker 1: we got Michael Jackson, France, James Brown, Madonna, Madonna's Goals,

2261
01:57:58,720 --> 01:58:15,640
Speaker 1: s NFE, George oh Man, Quincy, Joan Quincy Joan, He's

2262
01:58:15,960 --> 01:58:18,560
Speaker 1: Quincy he uh tab. When I was going to get

2263
01:58:18,600 --> 01:58:21,520
Speaker 1: drum Line made, um, it was it was taking me

2264
01:58:21,560 --> 01:58:23,400
Speaker 1: a long time, right, It took me ten years to

2265
01:58:23,400 --> 01:58:25,120
Speaker 1: make drum Line. By the way, I stuck with that

2266
01:58:25,160 --> 01:58:27,720
Speaker 1: ship for ten years. Um, just just trying to get

2267
01:58:27,760 --> 01:58:29,840
Speaker 1: it right, trying to get it. If you don't make

2268
01:58:29,880 --> 01:58:32,320
Speaker 1: them moving on Hollywood, they can all of a sudden say,

2269
01:58:32,320 --> 01:58:34,080
Speaker 1: hold on, we ain't gonna make it, but we don't

2270
01:58:34,080 --> 01:58:35,520
Speaker 1: want nobody else to make it either, so we're gonna

2271
01:58:35,800 --> 01:58:38,040
Speaker 1: keep it. Turn around so you can't get it back

2272
01:58:38,400 --> 01:58:39,960
Speaker 1: to go make it nowhere else, and then you can't

2273
01:58:39,960 --> 01:58:41,520
Speaker 1: make it with them. So that happened the drum line.

2274
01:58:41,840 --> 01:58:44,840
Speaker 1: So I go to Quincy and I said, man, no,

2275
01:58:45,040 --> 01:58:47,680
Speaker 1: I got this watching band movie. That's that's uh stuck.

2276
01:58:47,960 --> 01:58:50,160
Speaker 1: How do I get this unstuck? Man? Like? What did

2277
01:58:50,200 --> 01:58:52,040
Speaker 1: you do? He showed me. He put in a video

2278
01:58:52,600 --> 01:58:57,480
Speaker 1: right of Oprah Danny Glove. They looked like they came

2279
01:58:57,520 --> 01:59:00,000
Speaker 1: out to Western Mall. They had on like like Oprah

2280
01:59:00,040 --> 01:59:02,360
Speaker 1: had like peak sweatpants with like lime green and flip

2281
01:59:02,440 --> 01:59:05,960
Speaker 1: flaps and like hair all over the place. Danny Glover. Look,

2282
01:59:06,000 --> 01:59:07,320
Speaker 1: I mean, they looked just like they is hanging out

2283
01:59:07,320 --> 01:59:08,560
Speaker 1: the west of the mall. And then then in this

2284
01:59:08,720 --> 01:59:12,920
Speaker 1: theater and um, and he's recording and uh and they're

2285
01:59:12,920 --> 01:59:15,080
Speaker 1: doing the color purple. They're acting out like test for

2286
01:59:15,120 --> 01:59:18,240
Speaker 1: the color purple. Right, he goes to me, says who

2287
01:59:18,320 --> 01:59:21,840
Speaker 1: you think holding the camera? I say, you said, nope,

2288
01:59:22,240 --> 01:59:26,440
Speaker 1: Steven Spielberg, I said, holding the camp quarter. He said, yeah,

2289
01:59:27,040 --> 01:59:28,560
Speaker 1: you gotta get somebody Jewish you want to get that

2290
01:59:28,640 --> 01:59:32,960
Speaker 1: movie made. So I said really, he said yeah. He

2291
01:59:32,960 --> 01:59:34,640
Speaker 1: said you got to have somebody Jewish inside to really

2292
01:59:34,640 --> 01:59:36,480
Speaker 1: getting made, like you want to get a made. So

2293
01:59:36,800 --> 01:59:39,960
Speaker 1: at the time, I'll signed a m Sony and Jody Gerson.

2294
01:59:40,040 --> 01:59:42,120
Speaker 1: Who's who sign me? Right? So I called her, I

2295
01:59:42,120 --> 01:59:43,800
Speaker 1: said yo. When she said I need to find somebody

2296
01:59:43,880 --> 01:59:47,200
Speaker 1: Jewish to make this movie, she said, she said, well,

2297
01:59:47,240 --> 01:59:50,040
Speaker 1: I'm Jewish. She said, can I co produce it with you?

2298
01:59:50,120 --> 01:59:51,280
Speaker 1: If you do it? I said yes. She said good

2299
01:59:51,320 --> 01:59:53,280
Speaker 1: because I got my friend Wendy find him and she

2300
01:59:53,400 --> 01:59:57,800
Speaker 1: just came up forest dumping cashaway. So I go back

2301
01:59:57,840 --> 01:59:59,360
Speaker 1: in the fox when I say, hey, I got Wendy

2302
01:59:59,400 --> 02:00:01,120
Speaker 1: find him and I'm gonna make drum lines. And she's like,

2303
02:00:01,160 --> 02:00:03,480
Speaker 1: They're like, yeah, right, you got her, you got her.

2304
02:00:03,480 --> 02:00:05,760
Speaker 1: You can do whatever you want. So she looked at me.

2305
02:00:05,960 --> 02:00:08,000
Speaker 1: Lady said, I have no idea what this movie is about.

2306
02:00:08,200 --> 02:00:10,080
Speaker 1: I have no idea what the Marching Band is, but

2307
02:00:10,120 --> 02:00:12,720
Speaker 1: I think you do. So I'm just gonna fort you

2308
02:00:12,760 --> 02:00:14,440
Speaker 1: out so you can make the movie. I'm probably make

2309
02:00:14,440 --> 02:00:16,440
Speaker 1: a lot of money. You probably won't, but that's how

2310
02:00:16,480 --> 02:00:18,200
Speaker 1: it's gonna go for your first film, but you'll get

2311
02:00:18,240 --> 02:00:21,440
Speaker 1: it made. So okay. So I came back to Atlanta

2312
02:00:21,920 --> 02:00:23,960
Speaker 1: with the with the anybody thought I think when I

2313
02:00:24,000 --> 02:00:26,720
Speaker 1: was making drumline, everybody thought I was. I don't know

2314
02:00:26,760 --> 02:00:28,080
Speaker 1: what they thought I was doing, because I got the

2315
02:00:28,120 --> 02:00:30,360
Speaker 1: hook up was out and some kind of beat like

2316
02:00:30,680 --> 02:00:32,760
Speaker 1: I think snowing the bluff, you know, it was out.

2317
02:00:33,360 --> 02:00:36,000
Speaker 1: So I think the people thought I was making like Mother.

2318
02:00:36,480 --> 02:00:38,560
Speaker 1: I don't think nobody was expecting you. I was about

2319
02:00:38,560 --> 02:00:44,320
Speaker 1: to say I couldn't get people in the movie. I wanted,

2320
02:00:44,320 --> 02:00:46,440
Speaker 1: I'll be like, yo, man, the Luda man, can't you

2321
02:00:46,440 --> 02:00:48,080
Speaker 1: do this part for me? Like? Oh no, man, it

2322
02:00:48,200 --> 02:00:51,440
Speaker 1: might be like you know and um. So then the

2323
02:00:51,480 --> 02:00:54,480
Speaker 1: movie went from thirteen million to eighteen million because they

2324
02:00:54,520 --> 02:00:56,840
Speaker 1: didn't realize how much I had to record the marching bands, right,

2325
02:00:57,040 --> 02:00:59,360
Speaker 1: write songs for the marching bands, record them in the warehouse,

2326
02:00:59,360 --> 02:01:01,560
Speaker 1: and they have them for a back. So it became

2327
02:01:01,600 --> 02:01:04,080
Speaker 1: a lot of a lot of came more money. And

2328
02:01:04,160 --> 02:01:05,960
Speaker 1: so they called me from Fox and said Yo, this

2329
02:01:06,080 --> 02:01:08,120
Speaker 1: movie is going from thirteen and eighteen put white people

2330
02:01:08,120 --> 02:01:10,720
Speaker 1: in it. So I said, okay, well how many white people?

2331
02:01:11,600 --> 02:01:14,960
Speaker 1: Because if I don't get this right, white people ain't

2332
02:01:14,960 --> 02:01:16,480
Speaker 1: gonna like it. You know what I'm saying, This is

2333
02:01:16,480 --> 02:01:18,880
Speaker 1: a Marcher brand movie, said we don't care put white

2334
02:01:18,920 --> 02:01:20,920
Speaker 1: people in the movie. The budget just going over. So

2335
02:01:20,960 --> 02:01:22,360
Speaker 1: I say, I gotta figure this out. I go to

2336
02:01:22,400 --> 02:01:24,520
Speaker 1: the AU Center and then having a step show, right,

2337
02:01:25,120 --> 02:01:29,040
Speaker 1: so fab fab the sigma comes out and they got

2338
02:01:29,120 --> 02:01:30,320
Speaker 1: this dude. I think I thought he had on the

2339
02:01:30,400 --> 02:01:32,160
Speaker 1: mask because I thought he was doing the eminem and

2340
02:01:32,200 --> 02:01:34,080
Speaker 1: everybody got their gigs or whatever, they got all they

2341
02:01:34,680 --> 02:01:36,880
Speaker 1: suits on. They got this white kid, blind hair. But

2342
02:01:36,960 --> 02:01:38,640
Speaker 1: what I'm sitting there, I swear some masks. I think

2343
02:01:38,640 --> 02:01:40,720
Speaker 1: he gonna take it off. So I'm like, oh, ship,

2344
02:01:41,000 --> 02:01:42,760
Speaker 1: this is a white kid in five made a sigma

2345
02:01:43,720 --> 02:01:45,840
Speaker 1: they hold on. So then I started looking on the

2346
02:01:45,880 --> 02:01:47,800
Speaker 1: au to see if it was some character like that

2347
02:01:47,880 --> 02:01:49,480
Speaker 1: in the A Center. And it was just a kid

2348
02:01:49,760 --> 02:01:52,200
Speaker 1: that lived down the street from the A Center. You

2349
02:01:52,240 --> 02:01:54,400
Speaker 1: always want to be a drum major. And he had

2350
02:01:54,440 --> 02:01:56,120
Speaker 1: red hair and freckles too, and he woul played the

2351
02:01:56,160 --> 02:01:58,680
Speaker 1: hell like the symbols of Morris Brown. So then I'm like, okay,

2352
02:01:58,720 --> 02:02:00,720
Speaker 1: we can figure this out. They said no want white bands,

2353
02:02:00,800 --> 02:02:04,160
Speaker 1: so I actually put Georgia Tech toward the State. Whoever

2354
02:02:04,240 --> 02:02:06,680
Speaker 1: had white bands. I put them all in drumline. But

2355
02:02:07,000 --> 02:02:10,800
Speaker 1: it was fucking atrocious. Cause imagine that. Imagine seeing him

2356
02:02:10,800 --> 02:02:15,280
Speaker 1: stand there going then and and then imagine like thing

2357
02:02:15,960 --> 02:02:21,120
Speaker 1: anybody else just to State. So you're like this, you

2358
02:02:21,200 --> 02:02:22,840
Speaker 1: can't do this to the schools. You know what I'm saying.

2359
02:02:23,280 --> 02:02:27,760
Speaker 1: Fam You by the way, like we didn't get in

2360
02:02:27,800 --> 02:02:34,400
Speaker 1: there because we can't lose. Yeah, the story like he's like,

2361
02:02:34,440 --> 02:02:36,480
Speaker 1: we're not getting We're not getting that to lose. So

2362
02:02:36,600 --> 02:02:39,960
Speaker 1: what I did was made of fake school. Right, I'll

2363
02:02:40,000 --> 02:02:42,480
Speaker 1: make Atlanta, A and T don't exist. It's a fake school,

2364
02:02:42,560 --> 02:02:46,400
Speaker 1: so that nobody had to lose to another school. Right.

2365
02:02:46,440 --> 02:02:48,680
Speaker 1: I wasn't gonna be able with Camerason Fam be so

2366
02:02:49,360 --> 02:02:52,360
Speaker 1: throughing whatever, Right, so make a fake He was still like,

2367
02:02:52,400 --> 02:03:00,040
Speaker 1: we're not losing them either. Fictitious school. So school you

2368
02:03:00,160 --> 02:03:07,040
Speaker 1: made up the record were roll? Yeah, that's because I

2369
02:03:07,120 --> 02:03:10,520
Speaker 1: wanted to see us there. And then stuffs with the Cabins,

2370
02:03:10,600 --> 02:03:12,880
Speaker 1: most of the band Lanta and most of the high

2371
02:03:12,880 --> 02:03:15,600
Speaker 1: school man. So we just called ourselves making up everything.

2372
02:03:15,640 --> 02:03:17,440
Speaker 1: Then people started coming to Atlanta looking for the school.

2373
02:03:17,800 --> 02:03:20,320
Speaker 1: They want to go there, like that's in North Carolina brot.

2374
02:03:23,640 --> 02:03:26,280
Speaker 1: They said, you can get me into the band program

2375
02:03:29,640 --> 02:03:39,600
Speaker 1: him and old girls. Damn, that's crazy as hill. But

2376
02:03:40,240 --> 02:03:42,320
Speaker 1: but doing that, I wish. I wish I had had

2377
02:03:42,360 --> 02:03:44,880
Speaker 1: a got like two percent every every movie that come here.

2378
02:03:44,920 --> 02:03:46,200
Speaker 1: Because I had to go. I had to go to

2379
02:03:46,680 --> 02:03:49,640
Speaker 1: pass the film bill, right, So I went before the

2380
02:03:49,680 --> 02:03:51,960
Speaker 1: State of Georgia and tried to pitch, Hey, I need

2381
02:03:52,000 --> 02:03:54,400
Speaker 1: you all to, like the Lord, make a film bill

2382
02:03:54,480 --> 02:03:55,800
Speaker 1: for us so I could film a t L here.

2383
02:03:55,800 --> 02:03:57,280
Speaker 1: They want to send me to New Orleans to shoot

2384
02:03:57,320 --> 02:04:00,600
Speaker 1: a t L. I'm like, how must shot ring movie

2385
02:04:00,600 --> 02:04:02,400
Speaker 1: with all my friends in it that I skated with

2386
02:04:03,320 --> 02:04:05,320
Speaker 1: in New Orleans with ladies cheaper to shoot it out there?

2387
02:04:05,400 --> 02:04:07,760
Speaker 1: So get ready to shoot out there? So then I

2388
02:04:07,840 --> 02:04:10,160
Speaker 1: went to, uh, you know, I went to start lobbing

2389
02:04:10,280 --> 02:04:12,200
Speaker 1: down here, going to sunny for doing. Then we're going, yo, man,

2390
02:04:12,240 --> 02:04:13,600
Speaker 1: we got a film build. I want to shoot a

2391
02:04:13,640 --> 02:04:17,000
Speaker 1: TI in Atlanta. Um And so I was just kind

2392
02:04:17,040 --> 02:04:19,600
Speaker 1: of talking. I was like, yeah, tell the governor if

2393
02:04:19,600 --> 02:04:20,960
Speaker 1: he want because they said, what sunny for? You want

2394
02:04:20,960 --> 02:04:22,400
Speaker 1: to talk to you about this? Yeah? Right, tell me

2395
02:04:22,400 --> 02:04:24,760
Speaker 1: you wanta talk to me? Ton to my house? Right,

2396
02:04:25,520 --> 02:04:27,720
Speaker 1: So I was just talking ship obviously all right, because

2397
02:04:28,120 --> 02:04:30,320
Speaker 1: he was Republican and Democrat was so far away from

2398
02:04:30,360 --> 02:04:31,960
Speaker 1: that happening. I thought they would never happen my life.

2399
02:04:32,720 --> 02:04:35,160
Speaker 1: But I was suddenly having a thing at my house. Um,

2400
02:04:35,480 --> 02:04:37,440
Speaker 1: like this little may box evan or something they were doing.

2401
02:04:37,480 --> 02:04:42,040
Speaker 1: And then a little I think it was introducing the car,

2402
02:04:42,240 --> 02:04:50,640
Speaker 1: some showing they brought it to your house to introduce it.

2403
02:04:51,320 --> 02:04:56,120
Speaker 1: The ship wasn't good enough to introduce it. We made this, mo,

2404
02:05:00,760 --> 02:05:02,760
Speaker 1: who are you in in life? When? When the when

2405
02:05:02,800 --> 02:05:05,480
Speaker 1: the may back is the little cost ship they do that?

2406
02:05:06,960 --> 02:05:11,520
Speaker 1: Where the fuck? Not the mercedesan man, not the three

2407
02:05:11,640 --> 02:05:16,320
Speaker 1: fifty A little who was in Atlanta too? Because this

2408
02:05:16,480 --> 02:05:17,760
Speaker 1: is like I just got my house. It took me

2409
02:05:17,800 --> 02:05:19,920
Speaker 1: like six years to build my house whatever, right, and

2410
02:05:20,000 --> 02:05:22,800
Speaker 1: I just finished it. My ship was built. Ain't crazy

2411
02:05:25,240 --> 02:05:28,080
Speaker 1: already built? Most the nerd to be living in that bitch,

2412
02:05:29,320 --> 02:05:32,280
Speaker 1: The nerd of these things keep me leading about the

2413
02:05:32,480 --> 02:05:42,240
Speaker 1: US out So always anything y'all, a little made bag

2414
02:05:42,360 --> 02:05:48,520
Speaker 1: ship they can start root out my yard. He worried

2415
02:05:48,520 --> 02:05:50,880
Speaker 1: about this little amazing ship. I don't know what the

2416
02:05:50,960 --> 02:05:58,760
Speaker 1: pictures got through this give part of this and something

2417
02:05:58,800 --> 02:06:01,320
Speaker 1: for due to my house. And my assisters said, Yo,

2418
02:06:01,320 --> 02:06:04,160
Speaker 1: the governor's coming. He's coming here. I'm just talking ship.

2419
02:06:04,200 --> 02:06:05,440
Speaker 1: What I'm gonna say to do when you get here,

2420
02:06:05,800 --> 02:06:07,760
Speaker 1: I don't know, but here on the way. So my

2421
02:06:07,840 --> 02:06:09,560
Speaker 1: thing was like, we'll put the kids in white polos,

2422
02:06:10,160 --> 02:06:12,360
Speaker 1: give me my white polo shark. We're gonna do this thing, right.

2423
02:06:12,440 --> 02:06:14,960
Speaker 1: So he comes in and were white poloed out like

2424
02:06:15,040 --> 02:06:17,360
Speaker 1: there's people some party going on in there. So he's like, Dallas,

2425
02:06:17,440 --> 02:06:18,480
Speaker 1: I don't know what to do. You know, can you

2426
02:06:18,560 --> 02:06:20,760
Speaker 1: go speak at the G eight summit and help us

2427
02:06:20,800 --> 02:06:22,400
Speaker 1: get this. I'm just not familiar with what this takes,

2428
02:06:22,440 --> 02:06:23,560
Speaker 1: you know. So I'm like just like, yeah, I'll go

2429
02:06:23,600 --> 02:06:25,160
Speaker 1: to Jay something. I got this ship. I speak on

2430
02:06:25,280 --> 02:06:27,280
Speaker 1: a guy that we're gonna do this year. Yeah. Now

2431
02:06:28,040 --> 02:06:29,560
Speaker 1: keep in mind, and I'm lobbying for this, so I

2432
02:06:29,600 --> 02:06:32,400
Speaker 1: got lobbyists, you know, going to past this building all

2433
02:06:32,400 --> 02:06:35,080
Speaker 1: this ship. So I'm thinking, here it is the night

2434
02:06:35,160 --> 02:06:36,840
Speaker 1: before the G eight summing and Jake some of this

2435
02:06:36,920 --> 02:06:42,920
Speaker 1: in Cea Island Savannah. Right, I'm up now we know where, right,

2436
02:06:43,800 --> 02:06:45,720
Speaker 1: I'm working the night before. I'm making beach. My man,

2437
02:06:45,800 --> 02:06:46,920
Speaker 1: keep going, you know you gotta do the ship the

2438
02:06:46,960 --> 02:06:49,200
Speaker 1: mom Yeah, they be going out to the summing. I

2439
02:06:49,280 --> 02:06:51,480
Speaker 1: got this ship. I'm thinking it's the fucking G four.

2440
02:06:51,520 --> 02:06:53,560
Speaker 1: You know that channel G four. They got the games

2441
02:06:53,600 --> 02:06:57,240
Speaker 1: and ship. Right, I'm thinking I'm going to the G

2442
02:06:57,400 --> 02:07:00,240
Speaker 1: four or something. Right, So I'm on the planet. I'm

2443
02:07:00,280 --> 02:07:04,160
Speaker 1: on the way to playing like this. This thing is like,

2444
02:07:04,200 --> 02:07:05,760
Speaker 1: you're crazy. What are you doing. I'm like, maybe cood,

2445
02:07:05,800 --> 02:07:07,120
Speaker 1: I'll be ready. I get on the plane. I'm thinking

2446
02:07:07,120 --> 02:07:14,240
Speaker 1: bloody Jake, bloody Mary. Yeah, so now Savanna. Ain't that fun? Right?

2447
02:07:14,680 --> 02:07:17,400
Speaker 1: So he started to fly in Savanna. I started looking

2448
02:07:17,400 --> 02:07:20,120
Speaker 1: down and I see tanks, like military tanks everywhere, and like,

2449
02:07:20,160 --> 02:07:22,560
Speaker 1: what's going on? He's like, you're gonna speak at the

2450
02:07:22,600 --> 02:07:25,040
Speaker 1: gathing what you're talking about? Like? Yeah, but why they

2451
02:07:25,080 --> 02:07:27,760
Speaker 1: got tanks? Like what are you thinking going? I said,

2452
02:07:28,200 --> 02:07:30,840
Speaker 1: you know the video games, like the games they're showing you,

2453
02:07:31,680 --> 02:07:34,440
Speaker 1: showing talking about entertainment, showing you new stuff. He's like, no,

2454
02:07:34,560 --> 02:07:36,480
Speaker 1: my man, you're going to speak. But George Bush and

2455
02:07:36,520 --> 02:07:39,080
Speaker 1: Tony Blair all the world leaders are there. All the

2456
02:07:39,120 --> 02:07:42,280
Speaker 1: world leaders are there, and I'm laying and I'm seeing

2457
02:07:42,320 --> 02:07:45,080
Speaker 1: hummers and tanks and like ship. So I got a

2458
02:07:45,080 --> 02:07:46,680
Speaker 1: speech this later wrote for me. I ain't even look

2459
02:07:46,680 --> 02:07:48,320
Speaker 1: at this yet because I thought I was going to

2460
02:07:48,360 --> 02:07:51,560
Speaker 1: this place. I'm just gonna wing it, you know. Yeah,

2461
02:07:51,600 --> 02:08:02,440
Speaker 1: I like games, the new Xbox expeditiously. Man, I get

2462
02:08:02,520 --> 02:08:04,400
Speaker 1: up there. I'm nervous as in hell. I get I

2463
02:08:04,480 --> 02:08:05,800
Speaker 1: walk up in the room. All you can see the

2464
02:08:05,880 --> 02:08:07,880
Speaker 1: suits and flags from the United Nations and all these

2465
02:08:07,880 --> 02:08:11,160
Speaker 1: different countries and ship. Oh man, I smelled like something

2466
02:08:11,200 --> 02:08:13,280
Speaker 1: with the valooded Marors or something, because I've been drinking

2467
02:08:13,320 --> 02:08:15,120
Speaker 1: the whole time. When I got them playing and I

2468
02:08:15,200 --> 02:08:17,120
Speaker 1: had to leave there. I went into a bathroom and

2469
02:08:17,160 --> 02:08:18,720
Speaker 1: wash my face off and ship because I didn't know

2470
02:08:18,760 --> 02:08:20,760
Speaker 1: I was going try to get my little ship together.

2471
02:08:20,960 --> 02:08:23,440
Speaker 1: And then I get there and I haven't looked at

2472
02:08:23,480 --> 02:08:26,160
Speaker 1: this speech. And I opened the speech up with the

2473
02:08:26,200 --> 02:08:32,160
Speaker 1: podium and it's every big word you've never seen your life, right,

2474
02:08:33,720 --> 02:08:36,880
Speaker 1: I'm like, oh shit, and I'm just looking at I'm

2475
02:08:36,920 --> 02:08:40,480
Speaker 1: just like it says on behalf of the Congressional State

2476
02:08:40,520 --> 02:08:42,280
Speaker 1: of Georgia's how to start off, and then everything else.

2477
02:08:42,320 --> 02:08:45,440
Speaker 1: I'm just like too big. I'm just looking around the room,

2478
02:08:46,440 --> 02:08:49,000
Speaker 1: sitting there and like all suits. So I just like

2479
02:08:49,480 --> 02:08:51,080
Speaker 1: I just borrowed this up. I was like, man, okay,

2480
02:08:51,280 --> 02:08:53,960
Speaker 1: check this out. I'm from College Walk right, and I'm

2481
02:08:53,960 --> 02:08:55,600
Speaker 1: trying to make this movie here right, and it's from

2482
02:08:55,680 --> 02:08:57,560
Speaker 1: Atlanta by Atlanta. We should be making here. Why are

2483
02:08:57,600 --> 02:08:59,240
Speaker 1: you trying to send me in New Orleans? Like this

2484
02:08:59,360 --> 02:09:02,160
Speaker 1: place could be the Swiss Alps, it could be any place.

2485
02:09:02,240 --> 02:09:04,000
Speaker 1: Georgia could be anywhere. It could be this, that and

2486
02:09:04,000 --> 02:09:06,000
Speaker 1: the other. Just so much money. You're missing so much

2487
02:09:06,000 --> 02:09:07,720
Speaker 1: stuff here. We gotta keep our cuning me here. These

2488
02:09:07,760 --> 02:09:09,440
Speaker 1: kids are going to school in Georgia State and all

2489
02:09:09,480 --> 02:09:11,040
Speaker 1: these art schools, and they can't go out here to

2490
02:09:11,040 --> 02:09:13,040
Speaker 1: work nowhere. They got to go to Hollywood. You're missed

2491
02:09:13,120 --> 02:09:14,960
Speaker 1: the whole industry. By the time I finished with a

2492
02:09:14,960 --> 02:09:17,520
Speaker 1: start of standing Ovation, everybody behind it was going and

2493
02:09:17,600 --> 02:09:20,040
Speaker 1: like I was saying, and we appreciate that, Like that

2494
02:09:20,200 --> 02:09:26,200
Speaker 1: was said, what yeah, I got them right here growing

2495
02:09:26,320 --> 02:09:29,600
Speaker 1: up the storm whatever you said opened up the floodgate,

2496
02:09:29,640 --> 02:09:35,360
Speaker 1: because they came yep um so that yeah, they opened

2497
02:09:35,360 --> 02:09:38,280
Speaker 1: the floodgate. Bro It was like, I'm trying to get

2498
02:09:38,280 --> 02:09:39,920
Speaker 1: a big statue, like want like a lap statue of

2499
02:09:39,960 --> 02:09:47,080
Speaker 1: liberty status. What's on the statue that you didn't even do?

2500
02:09:47,280 --> 02:09:50,360
Speaker 1: It could be outside of you dunking on the monk.

2501
02:09:52,400 --> 02:09:55,839
Speaker 1: I got one go here. We're gonna have to reduce

2502
02:09:55,880 --> 02:09:58,920
Speaker 1: Storm Mountain. You gotta put him up there. Oh yeah,

2503
02:10:00,040 --> 02:10:01,600
Speaker 1: been for outcasts to go up there. They're gonna never

2504
02:10:01,720 --> 02:10:06,520
Speaker 1: let us go up there. About you out care. And

2505
02:10:06,600 --> 02:10:09,320
Speaker 1: then it's like a little mount rush mom, because it

2506
02:10:09,400 --> 02:10:13,920
Speaker 1: ain't everything that came back to the one they used

2507
02:10:13,920 --> 02:10:15,880
Speaker 1: to burn. They used to see in our textbooks. They

2508
02:10:15,960 --> 02:10:18,120
Speaker 1: used to have pitch to Store Mount with crosses bunting

2509
02:10:18,120 --> 02:10:19,880
Speaker 1: on top of them. So I was, I'm always care

2510
02:10:19,920 --> 02:10:21,920
Speaker 1: to go to Staw Mount. I've probably been there one time.

2511
02:10:22,320 --> 02:10:24,280
Speaker 1: They didn't do that ship back in the day either.

2512
02:10:24,360 --> 02:10:27,760
Speaker 1: They built the ship when it was clearly racist. Oh yeah,

2513
02:10:27,920 --> 02:10:30,360
Speaker 1: that ship was finished in the seventies and ship they

2514
02:10:30,440 --> 02:10:32,280
Speaker 1: had to lie about what the funk they were building?

2515
02:10:32,360 --> 02:10:35,640
Speaker 1: Who that? But we gotta figure out we gotta figure

2516
02:10:35,640 --> 02:10:38,840
Speaker 1: out buckheads like somebody, you gotta figure somebody gotta But

2517
02:10:39,560 --> 02:10:41,800
Speaker 1: I understand they can't be next from Atlanta because nobody's

2518
02:10:41,800 --> 02:10:46,240
Speaker 1: getting shot in South Dacabo and the regular Greenbriar solid Linics.

2519
02:10:46,280 --> 02:10:49,680
Speaker 1: So I feel like that it's just getting crazy out here,

2520
02:10:49,680 --> 02:10:51,760
Speaker 1: and we at at some point on or the police

2521
02:10:51,800 --> 02:10:54,160
Speaker 1: to man, somebody had did something about it. It's evenly

2522
02:10:54,200 --> 02:10:57,120
Speaker 1: getting out of control. And I feel like Atlanta for

2523
02:10:57,200 --> 02:10:58,720
Speaker 1: the dudes that said certain things. We just like two

2524
02:10:58,760 --> 02:11:01,040
Speaker 1: chains were saying, we don't stop people in the club.

2525
02:11:01,640 --> 02:11:03,680
Speaker 1: You know what I'm saying, we don't do it. It's

2526
02:11:03,720 --> 02:11:06,360
Speaker 1: just weird that it's it's taking its toll and they

2527
02:11:06,400 --> 02:11:08,840
Speaker 1: got to really flip this up down here and get

2528
02:11:09,040 --> 02:11:10,840
Speaker 1: get us, get us safer. Don't go to far Role.

2529
02:11:10,880 --> 02:11:12,000
Speaker 1: By the way, if you can't go to far Row,

2530
02:11:12,040 --> 02:11:13,560
Speaker 1: if you don't watch it was then a til school.

2531
02:11:14,120 --> 02:11:15,760
Speaker 1: But you've ben sitting there watching that. That should I

2532
02:11:15,840 --> 02:11:17,200
Speaker 1: be scared to go everywhere. So I don't look at

2533
02:11:17,240 --> 02:11:21,400
Speaker 1: that because I don't find myself. This thing got shot

2534
02:11:21,440 --> 02:11:24,200
Speaker 1: at the corner. This to the bus out everybody windows

2535
02:11:24,240 --> 02:11:25,720
Speaker 1: like even coming down here. They got my gun in

2536
02:11:25,800 --> 02:11:32,360
Speaker 1: the car. I don't know, man, I'm just like he said,

2537
02:11:32,400 --> 02:11:34,160
Speaker 1: he said the West End. I didn't even tell me

2538
02:11:34,200 --> 02:11:36,200
Speaker 1: I was coming to the to the to the creative spot.

2539
02:11:36,400 --> 02:11:38,560
Speaker 1: He said, Holy, by the west End, By the west

2540
02:11:38,680 --> 02:11:45,720
Speaker 1: End you've been looking at. Got my sling shot over there.

2541
02:11:47,480 --> 02:11:50,440
Speaker 1: I got my sling shot on me too. Don't round

2542
02:11:52,360 --> 02:11:54,160
Speaker 1: letting it happen to you. Man, it's too much good

2543
02:11:54,200 --> 02:11:56,360
Speaker 1: ship that you do out here in the world. But

2544
02:11:56,520 --> 02:11:58,680
Speaker 1: look at all the ship that you so I'm protected

2545
02:11:58,760 --> 02:12:02,880
Speaker 1: by it. I'm protected by the Lord. Man in Michael,

2546
02:12:05,480 --> 02:12:09,920
Speaker 1: he could go, fright, you gotta get the Lord's credit.

2547
02:12:10,520 --> 02:12:15,000
Speaker 1: Lord again to Michael. Another big thing I want my

2548
02:12:15,040 --> 02:12:17,120
Speaker 1: big announcement to make that I think Aboudy ship proud

2549
02:12:17,120 --> 02:12:18,760
Speaker 1: of from Atlanta, is that we are getting out on

2550
02:12:18,920 --> 02:12:22,320
Speaker 1: Walk of Fame, like to start walking in Hollywood so

2551
02:12:22,440 --> 02:12:24,320
Speaker 1: you will like and they're gonna put it. I thought

2552
02:12:24,320 --> 02:12:25,520
Speaker 1: they was trying to make a stick it on Marle

2553
02:12:25,560 --> 02:12:28,080
Speaker 1: Luther King, which has been fine too, but he was like, no, no, no,

2554
02:12:28,160 --> 02:12:30,800
Speaker 1: we gotta be over there at the stadium. You know,

2555
02:12:30,920 --> 02:12:32,360
Speaker 1: we need to be right where everybody walking out the

2556
02:12:32,400 --> 02:12:34,720
Speaker 1: soccer games and you know they're coming out of Philips Arena,

2557
02:12:36,280 --> 02:12:44,640
Speaker 1: you know, so we gotta go. I do it. Well,

2558
02:12:44,880 --> 02:12:47,040
Speaker 1: it's expensive, so you do start with the first time

2559
02:12:47,320 --> 02:12:59,200
Speaker 1: and then let me get on you let's do together.

2560
02:13:07,040 --> 02:13:14,240
Speaker 1: Will be definitely towards the end, towards the end, towards

2561
02:13:14,240 --> 02:13:21,680
Speaker 1: the end. Up there still you know you're the end.

2562
02:13:21,720 --> 02:13:23,560
Speaker 1: When you see Carlos in Clayton, you almost out of

2563
02:13:24,960 --> 02:13:29,000
Speaker 1: Carlos Magan. Right, you're gonna take that own straight. That's

2564
02:13:29,000 --> 02:13:30,680
Speaker 1: what's cool about it. It's the entertainment walked. So it

2565
02:13:30,720 --> 02:13:33,960
Speaker 1: will include y'all, will include actors, will include sports. Who

2566
02:13:33,960 --> 02:13:36,600
Speaker 1: won't just be music. You gotta be at the front.

2567
02:13:36,720 --> 02:13:42,000
Speaker 1: You gotta statue. I gotta ask one more thing. What

2568
02:13:42,200 --> 02:13:49,800
Speaker 1: was the wildest night in the land Austin's wildest night

2569
02:13:49,920 --> 02:13:59,000
Speaker 1: in the boy? Damn really? So it's me Whitney Houston,

2570
02:13:59,160 --> 02:14:11,240
Speaker 1: you can tell. And Stevenson why you keep taking it? Well,

2571
02:14:11,280 --> 02:14:12,760
Speaker 1: you know we had that, We had that wave that

2572
02:14:12,840 --> 02:14:15,440
Speaker 1: kicked in by the Y two K where everybody's on ecstasy.

2573
02:14:16,040 --> 02:14:19,040
Speaker 1: The ks came in and met some bess in then

2574
02:14:19,160 --> 02:14:21,800
Speaker 1: like that's when the first hit Atlanta, like like the

2575
02:14:21,920 --> 02:14:24,880
Speaker 1: real fun epidemics. Everybody was why everybody's out and like

2576
02:14:25,000 --> 02:14:26,880
Speaker 1: happy as hell and going to m j q S

2577
02:14:26,960 --> 02:14:28,960
Speaker 1: and ship and like so me and Sleepy Brown and

2578
02:14:29,080 --> 02:14:34,040
Speaker 1: Enjoy and Gilt and uh, it wasn't under like all

2579
02:14:34,080 --> 02:14:36,400
Speaker 1: of us in stalled hanging on a little packet on

2580
02:14:36,400 --> 02:14:40,000
Speaker 1: a little squad and um so we're I think it's

2581
02:14:40,000 --> 02:14:41,520
Speaker 1: like Christmas or something like that. But all of us

2582
02:14:41,560 --> 02:14:43,200
Speaker 1: have been like the name m j q S and

2583
02:14:43,560 --> 02:14:44,800
Speaker 1: we just thought it was a good idea, like, you

2584
02:14:44,840 --> 02:14:46,760
Speaker 1: know what, we gotta go Christmas shop on tomorrow. You

2585
02:14:46,800 --> 02:14:49,480
Speaker 1: know what I'm saying, won't we just still don't go

2586
02:14:49,480 --> 02:14:54,360
Speaker 1: to the mall? No, So that makes sense, right, especially

2587
02:14:56,280 --> 02:14:59,600
Speaker 1: oh man, what makes sense? Right? We having to go

2588
02:14:59,680 --> 02:15:01,480
Speaker 1: into the malls though, But all of us didn't decided

2589
02:15:01,480 --> 02:15:05,520
Speaker 1: we should all about matching sweatsuits, right, need sleepy all

2590
02:15:05,520 --> 02:15:07,280
Speaker 1: the stuff in the Kapa sweatsuits with the chicks on

2591
02:15:07,360 --> 02:15:09,480
Speaker 1: the sleeve. So now all of us are switching sills

2592
02:15:09,480 --> 02:15:10,960
Speaker 1: in the mall that we're in a whole another world

2593
02:15:10,960 --> 02:15:13,200
Speaker 1: because we just joint. But by the time we all

2594
02:15:13,200 --> 02:15:15,280
Speaker 1: look around the stop and he was sleeping on the

2595
02:15:15,720 --> 02:15:21,040
Speaker 1: on the counters and witches like sleeping in between sitting here,

2596
02:15:21,040 --> 02:15:23,720
Speaker 1: and then all that mcarma calming. The nightclub used to

2597
02:15:23,720 --> 02:15:25,600
Speaker 1: be all wildest days because it used to be we

2598
02:15:25,680 --> 02:15:29,440
Speaker 1: used to go underground and you didn't go We didn't

2599
02:15:29,480 --> 02:15:31,520
Speaker 1: go out into two in the morning, like nobody went

2600
02:15:31,560 --> 02:15:33,440
Speaker 1: out of nine, ten, eleven o'clock. That was an Atlanta

2601
02:15:33,480 --> 02:15:35,040
Speaker 1: thing to do. He went out like one two o'clock.

2602
02:15:35,560 --> 02:15:37,560
Speaker 1: You just stay out, come out, come back home the

2603
02:15:37,640 --> 02:15:39,680
Speaker 1: daylights out, you know what I'm saying. And the karma

2604
02:15:40,520 --> 02:15:42,560
Speaker 1: that was just like a whole another like I don't

2605
02:15:42,560 --> 02:15:44,160
Speaker 1: know if it was it might have been the block,

2606
02:15:44,200 --> 02:15:46,200
Speaker 1: it might have been this. I don't know how sinister

2607
02:15:46,280 --> 02:15:48,960
Speaker 1: it was. Just sinister it was. It was. It was fun,

2608
02:15:49,720 --> 02:15:51,960
Speaker 1: but it was dark because it was downstairs and I

2609
02:15:52,000 --> 02:15:54,800
Speaker 1: think across from where they had the Federal the Federal

2610
02:15:54,880 --> 02:15:57,440
Speaker 1: building that used to have slaves across the street basically,

2611
02:15:57,960 --> 02:15:59,960
Speaker 1: so he got this real eerie feeling going on away

2612
02:16:00,080 --> 02:16:02,560
Speaker 1: everybody in the whole place be on the roll and

2613
02:16:02,600 --> 02:16:05,840
Speaker 1: they fucking face off. That was to me. That was

2614
02:16:05,920 --> 02:16:07,680
Speaker 1: the To me though, that was the funnest time until

2615
02:16:07,760 --> 02:16:12,280
Speaker 1: the until the ecstasy started going after hours. So when

2616
02:16:12,320 --> 02:16:14,480
Speaker 1: the actually started turning to after hours like where like

2617
02:16:14,480 --> 02:16:15,880
Speaker 1: because that wasn't really a for that. It was more

2618
02:16:15,960 --> 02:16:17,560
Speaker 1: like heyn hang out the white kids when hang out

2619
02:16:17,560 --> 02:16:19,160
Speaker 1: and get mixed, and the m j ques and the airport.

2620
02:16:19,200 --> 02:16:21,760
Speaker 1: When it started really moving to the after hours, into

2621
02:16:21,840 --> 02:16:24,280
Speaker 1: the black kids start taking After that, I was started

2622
02:16:24,280 --> 02:16:26,760
Speaker 1: getting dangerous, start getting crazy. But I would say that

2623
02:16:26,960 --> 02:16:29,720
Speaker 1: that those nights period, because it wouldn't be one night.

2624
02:16:29,720 --> 02:16:31,880
Speaker 1: I would think it would be an era. And that

2625
02:16:32,040 --> 02:16:34,200
Speaker 1: era was like to me, the fun ist era, because

2626
02:16:34,320 --> 02:16:36,840
Speaker 1: it was I think it was new. It wasn't. It

2627
02:16:36,920 --> 02:16:39,520
Speaker 1: didn't feel dangerous. It felt like fun people. You listen

2628
02:16:39,560 --> 02:16:41,240
Speaker 1: to music and you go out and it was just

2629
02:16:41,320 --> 02:16:42,920
Speaker 1: something new to everybody. And you could tell when the

2630
02:16:42,959 --> 02:16:45,040
Speaker 1: new person tried it because they were don't walk to

2631
02:16:45,120 --> 02:16:49,560
Speaker 1: the club and they're like, oh ship this we everybody there. Goddamn.

2632
02:16:49,920 --> 02:17:00,360
Speaker 1: Ain't you know we saw the white people doing it.

2633
02:17:00,480 --> 02:17:05,280
Speaker 1: We didn't know they glow sticks. You'd be like, we're

2634
02:17:05,280 --> 02:17:07,080
Speaker 1: not letting niggers know this ship is going on out here.

2635
02:17:07,080 --> 02:17:09,160
Speaker 1: Everybody's feeling good. You know what I'm saying. You don't

2636
02:17:09,200 --> 02:17:12,600
Speaker 1: let you go wandering all this play out motherfucker's vis

2637
02:17:19,280 --> 02:17:20,800
Speaker 1: But yeah, it's an error, man. I feel like that

2638
02:17:21,959 --> 02:17:23,760
Speaker 1: it's I don't know really now, like when I look

2639
02:17:23,840 --> 02:17:26,200
Speaker 1: at um, when I look at that and I look

2640
02:17:26,200 --> 02:17:28,480
Speaker 1: at people even in the scenes and being out like

2641
02:17:29,120 --> 02:17:31,360
Speaker 1: it's a whole different city. You know, it's a lot

2642
02:17:31,600 --> 02:17:33,840
Speaker 1: it's going a lot more metropolitan. You watching belt Line

2643
02:17:33,840 --> 02:17:35,320
Speaker 1: and then you've got like it's it's a lot more

2644
02:17:35,360 --> 02:17:39,680
Speaker 1: culturally uh significant then we were before. You know, we're

2645
02:17:39,720 --> 02:17:41,960
Speaker 1: the most coachurally signficant place when we're down planning right

2646
02:17:41,959 --> 02:17:44,560
Speaker 1: now because we got a lot of SATs, but just

2647
02:17:45,080 --> 02:17:47,480
Speaker 1: everything like in music and culture and and everybody. If

2648
02:17:47,480 --> 02:17:49,040
Speaker 1: you look at Atlanta, it's a lot of people from

2649
02:17:49,080 --> 02:17:52,840
Speaker 1: everywhere else, but like the culture that really resides from

2650
02:17:52,920 --> 02:17:54,840
Speaker 1: being from here, Like the same ship that makes you

2651
02:17:54,920 --> 02:17:56,560
Speaker 1: change the tree torns, the same ship to make soldier

2652
02:17:56,600 --> 02:18:00,240
Speaker 1: were put uh white out on his glasses. You know,

2653
02:18:00,440 --> 02:18:02,240
Speaker 1: it's always something new, and it's always some of the

2654
02:18:02,280 --> 02:18:04,200
Speaker 1: trend and culture. And I always say, the kids here,

2655
02:18:04,760 --> 02:18:06,440
Speaker 1: you don't understand that they had been that long that

2656
02:18:06,520 --> 02:18:08,320
Speaker 1: you ash couldn't go in the same bathroom like they

2657
02:18:08,360 --> 02:18:10,240
Speaker 1: would have put the dollars on your spade you down

2658
02:18:10,360 --> 02:18:13,120
Speaker 1: right here on the Edgewood sixty years ago. That didn't

2659
02:18:13,160 --> 02:18:15,560
Speaker 1: no long time ago. So what we've accomplished during this

2660
02:18:15,640 --> 02:18:17,760
Speaker 1: time of being here, we would come this way more

2661
02:18:17,800 --> 02:18:20,080
Speaker 1: like when you see dudes like I wonder what mort

2662
02:18:20,160 --> 02:18:22,280
Speaker 1: Luther King and don't think about like themigos, like when

2663
02:18:22,320 --> 02:18:30,600
Speaker 1: they see dudes with their cars and cart baby, you

2664
02:18:30,640 --> 02:18:36,000
Speaker 1: know what back I want to hear vo. This was

2665
02:18:36,040 --> 02:18:37,840
Speaker 1: all about the economy. They didn't want you to get rich,

2666
02:18:38,040 --> 02:18:40,720
Speaker 1: wouldn't like that. And when you look at a little bit,

2667
02:18:40,720 --> 02:18:42,360
Speaker 1: you know, look at a little baby. Look at these dudes,

2668
02:18:42,360 --> 02:18:44,560
Speaker 1: you say, men like, it's so much loot. They got

2669
02:18:44,640 --> 02:18:46,760
Speaker 1: money stacked on their ears. They got cars and ship

2670
02:18:46,840 --> 02:18:48,480
Speaker 1: for days. And this is about the economy. They wouldn't

2671
02:18:48,520 --> 02:18:50,879
Speaker 1: let you have green. That's what it's about. What about

2672
02:18:50,879 --> 02:18:52,680
Speaker 1: black and white, It was about we don't want you

2673
02:18:53,080 --> 02:18:56,960
Speaker 1: to make no money. So that the store owners, the

2674
02:18:57,160 --> 02:18:59,600
Speaker 1: drug store man. It was all these people saying, you know,

2675
02:19:00,400 --> 02:19:02,480
Speaker 1: the coup, they're gonna take over our ship. So as

2676
02:19:02,520 --> 02:19:04,240
Speaker 1: business owners, they didn't want you to have the green.

2677
02:19:04,920 --> 02:19:07,200
Speaker 1: And when we kind of kicked through, like I remember

2678
02:19:07,200 --> 02:19:08,960
Speaker 1: when we first started making money, like me and j

2679
02:19:09,120 --> 02:19:12,960
Speaker 1: D around Atlanta, the accountess was weird. Everybody was weird,

2680
02:19:13,040 --> 02:19:15,480
Speaker 1: like what y'all doing? Like how do you get money

2681
02:19:15,520 --> 02:19:17,760
Speaker 1: like that? Because it was no legal way that they

2682
02:19:17,800 --> 02:19:20,320
Speaker 1: knew to make money without going to school, accounting, lawyer

2683
02:19:20,400 --> 02:19:22,400
Speaker 1: in or whatever. So we're doing music and they don't

2684
02:19:22,480 --> 02:19:24,800
Speaker 1: understand if for check comes in it's like five dollars

2685
02:19:24,840 --> 02:19:27,000
Speaker 1: a kid like, then they're like, what are you'all doing?

2686
02:19:27,720 --> 02:19:29,000
Speaker 1: How does this stay up? They didn't want to give

2687
02:19:29,040 --> 02:19:31,080
Speaker 1: you loans for ship because you're still like y'all black.

2688
02:19:31,440 --> 02:19:32,680
Speaker 1: You know what I'm saying. You can't get no loan

2689
02:19:32,760 --> 02:19:35,400
Speaker 1: for our house? Like I got money in the bight? Well,

2690
02:19:35,440 --> 02:19:37,959
Speaker 1: how does you get money into make How does warranties work?

2691
02:19:38,000 --> 02:19:40,080
Speaker 1: What is that? How does that? We educated the city

2692
02:19:40,959 --> 02:19:45,920
Speaker 1: and like accountess of it, you to account, I would

2693
02:19:45,920 --> 02:19:50,080
Speaker 1: be so you don't get the count didn't count My

2694
02:19:50,240 --> 02:19:57,600
Speaker 1: ship is Frank Lucas and you accounts because nobody knew

2695
02:19:57,600 --> 02:19:59,800
Speaker 1: about royalties. And then these young black kids got checks

2696
02:20:00,120 --> 02:20:03,440
Speaker 1: in with money and like every six months so like

2697
02:20:03,600 --> 02:20:06,200
Speaker 1: sometimes my own money, and then six months go by

2698
02:20:06,400 --> 02:20:08,039
Speaker 1: they don't see no money coming in and then it's

2699
02:20:08,040 --> 02:20:10,480
Speaker 1: another period of royalty is coming again. So they just

2700
02:20:10,520 --> 02:20:12,640
Speaker 1: didn't understand how that worked. And when they figured it out,

2701
02:20:12,720 --> 02:20:16,119
Speaker 1: there was like we gotta get we gotta we gotta

2702
02:20:16,160 --> 02:20:18,640
Speaker 1: gold mine going here, because it was it's a reoccurring

2703
02:20:18,760 --> 02:20:20,840
Speaker 1: you know, it's a reoccurring cycle. The artist is out

2704
02:20:20,879 --> 02:20:23,240
Speaker 1: now and the artist that's gonna be out three years

2705
02:20:23,240 --> 02:20:25,720
Speaker 1: from now. Still loud here right now, coming up, you know.

2706
02:20:25,840 --> 02:20:27,800
Speaker 1: So it's always gonna be the cycle around Atlanta that

2707
02:20:27,840 --> 02:20:45,520
Speaker 1: this keeps doing that. This man philosophical, geographical, historically. I

2708
02:20:45,600 --> 02:20:55,440
Speaker 1: don't know. I'm missing something spiritual. I'm still missing some bro.

2709
02:20:55,600 --> 02:21:02,480
Speaker 1: This dude got every letter in the album. Literally, Yeah,

2710
02:21:02,520 --> 02:21:04,520
Speaker 1: that tripped me out. I don't know. I don't really know.

2711
02:21:04,600 --> 02:21:06,800
Speaker 1: I was just doing, Um I had to do something

2712
02:21:06,840 --> 02:21:08,600
Speaker 1: one day, and we'll go to Wikipedia and look at

2713
02:21:08,640 --> 02:21:11,000
Speaker 1: the songs and listen them out for us, and like, damn,

2714
02:21:11,040 --> 02:21:12,600
Speaker 1: we gotta click in the eight. But we were doing

2715
02:21:12,600 --> 02:21:14,680
Speaker 1: album projects too, so it's like I was doing so

2716
02:21:15,320 --> 02:21:17,360
Speaker 1: many songs, man, So yeah, you got to thick on

2717
02:21:17,440 --> 02:21:18,880
Speaker 1: the ad and go to eight songs and be go

2718
02:21:19,000 --> 02:21:20,640
Speaker 1: to be songs and see you go to see songs,

2719
02:21:21,280 --> 02:21:24,200
Speaker 1: And I forgot I did so many records, but for real,

2720
02:21:24,240 --> 02:21:26,320
Speaker 1: because when you're doing them every day like that for

2721
02:21:26,440 --> 02:21:29,160
Speaker 1: so many years, like even when Denis was playing another night,

2722
02:21:29,160 --> 02:21:30,960
Speaker 1: That's why I was tripled. I wasn't never tears because

2723
02:21:31,000 --> 02:21:35,480
Speaker 1: I'm like, oh, ship, where did you get this from? Oh?

2724
02:21:35,600 --> 02:21:37,800
Speaker 1: All the time, bro, I've been listening sometime in the ready,

2725
02:21:37,840 --> 02:21:39,320
Speaker 1: and I'm like, did I do the song? And then

2726
02:21:39,360 --> 02:21:41,960
Speaker 1: I says, having something, I did do the song? Hold

2727
02:21:42,320 --> 02:21:51,600
Speaker 1: hey big for that. Yeah, man, but I listened to

2728
02:21:51,720 --> 02:21:54,560
Speaker 1: songs coming a radio now to say did I do

2729
02:21:54,680 --> 02:21:58,320
Speaker 1: that or this? Exam it or something deeper? You have

2730
02:21:58,440 --> 02:22:01,000
Speaker 1: to you have to hit ship and be like, oh yeah,

2731
02:22:01,360 --> 02:22:03,160
Speaker 1: when I got deeper, you all got deeper. You get

2732
02:22:03,160 --> 02:22:04,840
Speaker 1: deeper because it's better than sasam because you get to

2733
02:22:05,160 --> 02:22:07,800
Speaker 1: go and see who really did ship? So like yeah,

2734
02:22:07,879 --> 02:22:09,800
Speaker 1: like plenty of times I've been sitting there and I

2735
02:22:09,920 --> 02:22:11,520
Speaker 1: do this song and did not not do the song?

2736
02:22:11,680 --> 02:22:13,280
Speaker 1: Oh yeah, that's makeson great. I did do that song.

2737
02:22:16,040 --> 02:22:18,560
Speaker 1: You did so many songs you don't even know the

2738
02:22:18,680 --> 02:22:21,720
Speaker 1: song that you did. You ever heard the Ship and

2739
02:22:21,800 --> 02:22:26,200
Speaker 1: being like man, this ain't me. Yeah, and then you

2740
02:22:26,320 --> 02:22:28,600
Speaker 1: looked at he was like, damn, this was me. I

2741
02:22:28,640 --> 02:22:30,600
Speaker 1: did a whole. I did a whole Mason Great album,

2742
02:22:30,680 --> 02:22:32,200
Speaker 1: but that I didn't know it was me until I

2743
02:22:32,320 --> 02:22:34,240
Speaker 1: was like because of what I'm sounding the same, you know,

2744
02:22:34,320 --> 02:22:35,560
Speaker 1: like when you work with artists and like, I know

2745
02:22:35,640 --> 02:22:38,920
Speaker 1: I worked with Mason Gray, and then I was just

2746
02:22:39,000 --> 02:22:47,240
Speaker 1: like symbols, you know, my goddamn symbols. Yeah, man, so

2747
02:22:47,440 --> 02:22:50,720
Speaker 1: that's I've been blessed. So I'm you know, now it's

2748
02:22:50,760 --> 02:22:52,840
Speaker 1: about me helping out everybody else to get to that point. Man.

2749
02:22:53,000 --> 02:22:54,200
Speaker 1: You know, you know the kid when you just got

2750
02:22:54,240 --> 02:22:55,920
Speaker 1: your you're supposed to have your own stuff. As a man,

2751
02:22:55,959 --> 02:22:57,760
Speaker 1: you're supposed to be like, that's my house, that's my day,

2752
02:22:57,879 --> 02:22:59,240
Speaker 1: that's my day. I take care of my mom's away.

2753
02:22:59,720 --> 02:23:01,200
Speaker 1: But like when you do that for other people, and

2754
02:23:01,240 --> 02:23:03,360
Speaker 1: you got a whole bunch of people with that going on,

2755
02:23:03,520 --> 02:23:06,120
Speaker 1: then that's what you like. That's when you did something

2756
02:23:06,240 --> 02:23:08,600
Speaker 1: like when you're responsible for everybody else's houses and everybody

2757
02:23:08,640 --> 02:23:11,280
Speaker 1: else's cause nobody else's kids going to school. Hell yeah,

2758
02:23:11,360 --> 02:23:13,280
Speaker 1: that's what I said. Man, you brought at least three

2759
02:23:13,360 --> 02:23:17,120
Speaker 1: Huntred motherfucker's with at least Oh yeah. So about this

2760
02:23:17,200 --> 02:23:19,400
Speaker 1: little Maye mag ship they'll be doing in your yard. Man,

2761
02:23:20,560 --> 02:23:24,400
Speaker 1: when when they're doing another one of them, when do

2762
02:23:24,480 --> 02:23:26,560
Speaker 1: they come out? Because they don't see me. No, even

2763
02:23:27,959 --> 02:23:29,560
Speaker 1: they just used it for like the show. You know,

2764
02:23:29,720 --> 02:23:32,160
Speaker 1: it's because it's it's after this. I just hope by

2765
02:23:32,240 --> 02:23:34,920
Speaker 1: the summertime maybe everybody got things back under control. I

2766
02:23:34,959 --> 02:23:37,480
Speaker 1: think it'll be next summer. But at least we are

2767
02:23:37,520 --> 02:23:39,080
Speaker 1: on the right track to like going. But I don't think.

2768
02:23:39,080 --> 02:23:40,840
Speaker 1: I don't know what happened Atlanta. Don't get it because

2769
02:23:41,800 --> 02:23:43,400
Speaker 1: I don't think Atlanta was shut down. You look at

2770
02:23:43,440 --> 02:23:45,840
Speaker 1: compounds of thousand nigs on top of each other. It's like, so,

2771
02:23:45,879 --> 02:23:52,880
Speaker 1: I don't know if it's herd immunity. I heard I

2772
02:23:52,920 --> 02:23:54,640
Speaker 1: ain't got it. I heard it ain't going to either.

2773
02:23:58,280 --> 02:24:01,240
Speaker 1: I heard this ship is out of here, Like man,

2774
02:24:01,400 --> 02:24:06,520
Speaker 1: I try to stay separated. Think about the vaccine, been

2775
02:24:06,560 --> 02:24:11,440
Speaker 1: taking it this whole time. That's what this is, this

2776
02:24:11,600 --> 02:24:15,600
Speaker 1: someth of that good old vaccine. I don't know. I

2777
02:24:15,640 --> 02:24:17,800
Speaker 1: don't know about that ship just yet. I don't want

2778
02:24:17,800 --> 02:24:21,120
Speaker 1: to say yes or no. I would just stay safe,

2779
02:24:22,080 --> 02:24:24,320
Speaker 1: but stay in the crib. I need to know what

2780
02:24:24,480 --> 02:24:31,320
Speaker 1: sense wash the ingredients real. I'm allergic allergic to a

2781
02:24:31,400 --> 02:24:34,160
Speaker 1: bunch of ship man. I heard, but tron killers off these.

2782
02:24:34,160 --> 02:24:37,520
Speaker 1: I'll be drinking that every day. Get it up off. Yeah,

2783
02:24:39,160 --> 02:24:42,600
Speaker 1: the corona can't hang with the liquor the weeds like

2784
02:24:42,720 --> 02:24:47,760
Speaker 1: a rock star lifestyle. She's gonna be done that. She's

2785
02:24:47,800 --> 02:24:50,039
Speaker 1: gonna leave on the next sneed. Yeah, we can hope

2786
02:24:50,680 --> 02:24:55,120
Speaker 1: they're doing too much Chap on this week Chap Yeah,

2787
02:24:55,360 --> 02:24:59,400
Speaker 1: this Chap of week. This is my weed. This is

2788
02:24:59,440 --> 02:25:02,760
Speaker 1: smoking like exactly, so I'm just smoking swishes. I smoke

2789
02:25:02,800 --> 02:25:05,080
Speaker 1: a joint. I get high as hell I get. I

2790
02:25:05,160 --> 02:25:10,560
Speaker 1: get sitting at the green light high. Yeah. This is

2791
02:25:13,480 --> 02:25:17,680
Speaker 1: what ship man? What more can you say? Man? That

2792
02:25:17,920 --> 02:25:27,800
Speaker 1: is Austin in the Trap eighty five Chap shows. What

2793
02:25:28,000 --> 02:25:36,279
Speaker 1: what what are you anything? Anything coming up in the promo?

2794
02:25:37,040 --> 02:25:40,520
Speaker 1: You know this great Ship Records, Roy Records in the building. Um,

2795
02:25:41,200 --> 02:25:44,160
Speaker 1: Johnny Apolo e Chapo deuced me. No, we got the

2796
02:25:44,200 --> 02:25:49,080
Speaker 1: whole squad, chop the hip major Um oh yeah, oh yeah,

2797
02:25:49,200 --> 02:25:51,200
Speaker 1: that's that's popular demand. That's our new record is out

2798
02:25:51,280 --> 02:25:54,039
Speaker 1: right now. Go check the record down old chap record

2799
02:25:54,200 --> 02:25:56,440
Speaker 1: And if you're around town, you know it's to get

2800
02:25:56,440 --> 02:25:59,640
Speaker 1: with these trades. It's just nice size trades coming that back.

2801
02:25:59,720 --> 02:26:03,800
Speaker 1: That's all some nice trades, you know music. Um, we

2802
02:26:03,920 --> 02:26:05,640
Speaker 1: got the whole set up. You got the whole setup

2803
02:26:06,600 --> 02:26:10,160
Speaker 1: right now. Um. But yeah, we're dropping records. Everybody. Check out,

2804
02:26:10,320 --> 02:26:13,119
Speaker 1: go to go to Spotify, look at the Rowdy Records playlist.

2805
02:26:13,320 --> 02:26:15,120
Speaker 1: We've been dropping records all year. We're gonna drop a

2806
02:26:15,160 --> 02:26:18,040
Speaker 1: lot more this year. Um it just you know, we're

2807
02:26:18,080 --> 02:26:19,960
Speaker 1: trying to get moving. Man. In the time with the pandemic,

2808
02:26:20,000 --> 02:26:22,840
Speaker 1: it's a little harder. But yeah, we need a v

2809
02:26:23,280 --> 02:26:25,440
Speaker 1: X in a Z so you can have a song

2810
02:26:25,600 --> 02:26:29,879
Speaker 1: for every letter. Now, b X and Z. I got work.

2811
02:26:30,120 --> 02:26:34,360
Speaker 1: I'm going to the Yeah three of those. Yeah, I

2812
02:26:34,440 --> 02:26:36,160
Speaker 1: gotta go back now, I got something. I gotta go like,

2813
02:26:36,240 --> 02:26:46,040
Speaker 1: focus on this broth. Yeah it's me from She Smooth.

2814
02:26:53,680 --> 02:27:00,280
Speaker 1: What we got? We got set up? Mike, what is this? Okay?

2815
02:27:01,440 --> 02:27:04,080
Speaker 1: Ain't Dallas? Any time you want to come through him

2816
02:27:04,120 --> 02:27:08,280
Speaker 1: and kick it and bless the game. This is only

2817
02:27:09,240 --> 02:27:12,360
Speaker 1: one ninety nine of all this ship he has done.

2818
02:27:12,959 --> 02:27:15,480
Speaker 1: Any time you need to come through and put us

2819
02:27:15,520 --> 02:27:23,160
Speaker 1: back up. Man, I got times and you probably That's

2820
02:27:23,160 --> 02:27:25,160
Speaker 1: what I was thinking with when I was listening to

2821
02:27:25,200 --> 02:27:28,840
Speaker 1: the Nice the other day. Um My Charlottees called me.

2822
02:27:28,879 --> 02:27:31,080
Speaker 1: She said, damn, I didn't even play this. He didn't

2823
02:27:31,160 --> 02:27:32,680
Speaker 1: play that. They didn't play this, they didn't play that

2824
02:27:33,040 --> 02:27:35,600
Speaker 1: play because it was just a trip to see how

2825
02:27:35,680 --> 02:27:39,280
Speaker 1: many how many records he played? That was like, you know,

2826
02:27:39,400 --> 02:27:41,880
Speaker 1: either album records or records I did on somebody that

2827
02:27:42,240 --> 02:27:44,360
Speaker 1: that he just dug in the crate for it. So

2828
02:27:45,720 --> 02:27:48,120
Speaker 1: so I gotta go ask some more songs to the alphabet.

2829
02:27:48,640 --> 02:27:51,040
Speaker 1: You know, I can't be can't be slacking over here,

2830
02:27:51,200 --> 02:27:54,400
Speaker 1: like like Tiger Wood. You'll watched the Tiger Woods that

2831
02:27:55,680 --> 02:27:58,840
Speaker 1: made never came man and said nothing about my I

2832
02:27:58,879 --> 02:28:01,280
Speaker 1: would have never came out said but the victory story.

2833
02:28:01,320 --> 02:28:03,400
Speaker 1: And that guy, I think he's gonna get to the nineteam.

2834
02:28:03,440 --> 02:28:05,199
Speaker 1: I think he gonna get to that. That Jack Nicholas,

2835
02:28:05,280 --> 02:28:09,200
Speaker 1: now that he's he's a mad. He broke his back

2836
02:28:09,240 --> 02:28:12,760
Speaker 1: three times. He don't have back surgery three times or

2837
02:28:12,920 --> 02:28:15,400
Speaker 1: the like. He went through the craziness all that. Now

2838
02:28:15,440 --> 02:28:17,640
Speaker 1: he didn't bounced back out again. And one of nineteen

2839
02:28:17,680 --> 02:28:22,360
Speaker 1: so he did some ship where he hit the club

2840
02:28:22,600 --> 02:28:25,800
Speaker 1: with a lesser club, and he hit it further than

2841
02:28:25,879 --> 02:28:28,840
Speaker 1: the other dude did. Like he just stunted on and

2842
02:28:28,879 --> 02:28:31,600
Speaker 1: didn't watched the ship. Watch that. He went through a

2843
02:28:31,600 --> 02:28:34,840
Speaker 1: lot of ship. But that's the gangster ship about it.

2844
02:28:35,320 --> 02:28:37,400
Speaker 1: It's so much he didn't he took way more ship

2845
02:28:37,520 --> 02:28:39,920
Speaker 1: than the average nigga would have took because he would

2846
02:28:39,959 --> 02:28:42,320
Speaker 1: have he would have been down. Now get out to

2847
02:28:42,360 --> 02:28:45,880
Speaker 1: dump damn camera. He ain't did none of that ship.

2848
02:28:46,200 --> 02:28:50,280
Speaker 1: Dallas would have slapped the Brown talking would just come

2849
02:28:50,320 --> 02:28:54,640
Speaker 1: out with the wrong tap top with silk shirt on

2850
02:28:56,040 --> 02:28:58,560
Speaker 1: one button button just a little the little bottom button.

2851
02:28:59,080 --> 02:29:05,560
Speaker 1: Dalla's tell us sprink some glitter on them, just how

2852
02:29:05,640 --> 02:29:07,240
Speaker 1: we live. I got the outfits at the crib tooth.

2853
02:29:07,240 --> 02:29:08,640
Speaker 1: Im gonna try it on one day. I got. I

2854
02:29:08,680 --> 02:29:11,160
Speaker 1: got like the sex machine outfit, like with the whole

2855
02:29:11,200 --> 02:29:14,320
Speaker 1: in the right here with the whole James Brown. Yeah,

2856
02:29:14,360 --> 02:29:17,480
Speaker 1: I got a lot of closing ship. Stop telling people

2857
02:29:17,560 --> 02:29:23,520
Speaker 1: ship like the National Treasure. Wait a minute, don't tell

2858
02:29:23,600 --> 02:29:26,760
Speaker 1: nobody where you live. It's gonna be something grouping bits

2859
02:29:26,800 --> 02:29:30,080
Speaker 1: trying to wear the ship out. I brown it this ship,

2860
02:29:31,720 --> 02:29:34,480
Speaker 1: my brother. You understand if I asked some ship like that,

2861
02:29:34,600 --> 02:29:38,120
Speaker 1: they don't just send till I got company. I'm coming

2862
02:29:38,160 --> 02:29:44,480
Speaker 1: down there, man, What then you got on living in America?

2863
02:29:50,560 --> 02:29:56,760
Speaker 1: Let's do an afternoon I snicker came down, said that

2864
02:29:56,879 --> 02:30:06,640
Speaker 1: bullshit you now with the James Brown jumpsuit and that ship.

2865
02:30:07,080 --> 02:30:11,120
Speaker 1: You got a new face? He got you, bro, Probably

2866
02:30:11,879 --> 02:30:15,360
Speaker 1: he probably got you new face. What's your great man? Look?

2867
02:30:16,000 --> 02:30:19,160
Speaker 1: You know? New face? Of course you got all the

2868
02:30:19,280 --> 02:30:24,720
Speaker 1: ship another one flip. Oh yeah, he probably got your

2869
02:30:24,720 --> 02:30:31,959
Speaker 1: dem on table. Recognize that all another money, damn missing

2870
02:30:32,080 --> 02:30:35,440
Speaker 1: autographed by yourself a Monica as well, already Robby Records.

2871
02:30:36,320 --> 02:30:42,880
Speaker 1: You know me so damn he show. But then we

2872
02:30:43,000 --> 02:30:50,600
Speaker 1: got the first album, Damn ship, I'm just looking at

2873
02:30:50,640 --> 02:30:53,240
Speaker 1: cassettes like you ain't seen a cassette. I don't know, man,

2874
02:30:53,920 --> 02:30:56,360
Speaker 1: Damn I told you watch our new face ship. He

2875
02:30:56,440 --> 02:31:03,039
Speaker 1: having a little fallout MS sufficion, fall off in your lap,

2876
02:31:07,800 --> 02:31:17,160
Speaker 1: new place? What is that? Man? Don't look called it out? Damn,

2877
02:31:17,240 --> 02:31:26,520
Speaker 1: this is crazy, this is this is this is a trick. Oh,

2878
02:31:26,640 --> 02:31:28,600
Speaker 1: these little niggas with the baddest niggas e in life.

2879
02:31:28,920 --> 02:31:30,720
Speaker 1: I quit the music business. That for a while. That

2880
02:31:30,760 --> 02:31:32,960
Speaker 1: ship was crazy. They made you quit the music busing

2881
02:31:33,440 --> 02:31:36,200
Speaker 1: these little niggas. For one, they were like twelve eleven thirteen,

2882
02:31:36,400 --> 02:31:39,240
Speaker 1: and like they left. I tricked me. She told me

2883
02:31:39,440 --> 02:31:42,280
Speaker 1: she's like, yo, I got the baddest little rap group

2884
02:31:42,320 --> 02:31:44,040
Speaker 1: you ever seen. When she brought them niggas around like

2885
02:31:44,040 --> 02:31:47,120
Speaker 1: a little red man and the little tracks right, and

2886
02:31:47,240 --> 02:31:49,360
Speaker 1: they were like finishing each other sentences and they were

2887
02:31:49,440 --> 02:31:51,080
Speaker 1: like you know, yeah yeah. So I'm like, I'm these

2888
02:31:51,080 --> 02:31:52,480
Speaker 1: litt dudes a cool, so left I was like, I

2889
02:31:52,520 --> 02:31:54,960
Speaker 1: gotta go too, I mean back, didn't I mean she

2890
02:31:55,120 --> 02:31:57,160
Speaker 1: brought them to me and little left the next day, right,

2891
02:31:57,879 --> 02:32:00,360
Speaker 1: I did not know. These little niggas were like Iron's

2892
02:32:00,440 --> 02:32:03,320
Speaker 1: like that, bro. First thing they do to start stealing

2893
02:32:03,360 --> 02:32:06,160
Speaker 1: the engineer's cars, they would put pillows on that because

2894
02:32:06,160 --> 02:32:07,520
Speaker 1: it was too little, so it was a pillow in

2895
02:32:07,520 --> 02:32:12,400
Speaker 1: the seat, still the engineer's car. Right. Then the first

2896
02:32:12,440 --> 02:32:15,440
Speaker 1: time they brought it back, they told the police that

2897
02:32:15,640 --> 02:32:17,240
Speaker 1: their mom was drunk and some ship and they took

2898
02:32:17,280 --> 02:32:19,240
Speaker 1: the car because to go help out anyway, they got

2899
02:32:19,280 --> 02:32:21,080
Speaker 1: the police to bring them escort them back to the dark.

2900
02:32:21,840 --> 02:32:24,560
Speaker 1: Well then they go. They made it back to the studio,

2901
02:32:25,000 --> 02:32:26,640
Speaker 1: but on the studio you have to go down the

2902
02:32:26,760 --> 02:32:29,119
Speaker 1: side like this, the park in the back. They scraped

2903
02:32:29,160 --> 02:32:31,480
Speaker 1: this car up the whole fucking way down the back,

2904
02:32:31,600 --> 02:32:35,920
Speaker 1: right all right. So then one day I get a call, um,

2905
02:32:36,120 --> 02:32:38,120
Speaker 1: do you have a son named the Morris edwardson? Like no,

2906
02:32:39,240 --> 02:32:42,800
Speaker 1: like this the Clay County Police, we got your son

2907
02:32:42,920 --> 02:32:44,920
Speaker 1: down here, So I don't have a son. Like what

2908
02:32:45,040 --> 02:32:47,480
Speaker 1: about Malik tell us leak tell us lak hear in

2909
02:32:47,480 --> 02:32:50,720
Speaker 1: the background. What did they do? Well, we found him

2910
02:32:50,720 --> 02:32:53,080
Speaker 1: in a stolen Cherokee and he crashed into a house

2911
02:32:53,160 --> 02:32:56,160
Speaker 1: on Riverdale Road through somebody's living room. He had a

2912
02:32:56,200 --> 02:33:02,160
Speaker 1: pistol in the car and weed. I'm okay. So they

2913
02:33:02,240 --> 02:33:04,400
Speaker 1: were constantly doing like this, and then check this out.

2914
02:33:04,400 --> 02:33:07,959
Speaker 1: I sent them on a promo tour. Right, they were.

2915
02:33:08,040 --> 02:33:09,680
Speaker 1: The kids were great. They were like, you know, everybody

2916
02:33:09,760 --> 02:33:11,320
Speaker 1: was like loving them because they were just bad as hell.

2917
02:33:11,400 --> 02:33:13,480
Speaker 1: They cussed like the motherfucker. They right there on wraps.

2918
02:33:14,200 --> 02:33:17,520
Speaker 1: They like just the ultimate little two kids. Right, I

2919
02:33:17,640 --> 02:33:19,720
Speaker 1: take them. I'm supposed to go in the promo tour.

2920
02:33:20,440 --> 02:33:24,480
Speaker 1: And we started this five dollar promo tour, half million

2921
02:33:24,480 --> 02:33:26,880
Speaker 1: dollar promo tour. They go to l A the first

2922
02:33:26,920 --> 02:33:32,160
Speaker 1: stop and never left. They got to the first stop

2923
02:33:32,240 --> 02:33:36,160
Speaker 1: and got with got with Snoop and Ray and Shugar. Right,

2924
02:33:41,160 --> 02:33:43,240
Speaker 1: they got with Sugar Ben and then Snoop and Dra

2925
02:33:44,120 --> 02:33:45,880
Speaker 1: and of course Drey and Snooper was had as hell,

2926
02:33:45,920 --> 02:33:47,280
Speaker 1: and so it's like they wanted to be up on

2927
02:33:47,360 --> 02:33:49,520
Speaker 1: the Dray and Snoop and then so they stayed there

2928
02:33:49,680 --> 02:33:52,440
Speaker 1: and stayed there and the BMG was like they're supposed

2929
02:33:52,440 --> 02:33:54,360
Speaker 1: to be in Seattle tomorrow. They're telling the people, we

2930
02:33:54,440 --> 02:33:55,640
Speaker 1: can hit you in the head with a hammer. You

2931
02:33:55,680 --> 02:33:58,000
Speaker 1: try to make us leave, y'all. And so the ladies

2932
02:33:58,000 --> 02:33:59,200
Speaker 1: they did threaten to hit him in the head with

2933
02:33:59,240 --> 02:34:01,080
Speaker 1: a hammer. I kids, be honest, tour no more them

2934
02:34:01,120 --> 02:34:04,840
Speaker 1: something like ship. Well now they're really staying out there now.

2935
02:34:04,879 --> 02:34:08,000
Speaker 1: It's still been like two or three weeks now. Claude

2936
02:34:08,080 --> 02:34:11,200
Speaker 1: Davids like Dallas gotta go get them. I gotta go

2937
02:34:11,280 --> 02:34:15,000
Speaker 1: get them from death Row. I'm not going to get them.

2938
02:34:15,800 --> 02:34:17,760
Speaker 1: She's like, Dallas their stars, you have to go get them.

2939
02:34:18,840 --> 02:34:23,000
Speaker 1: So I'm like, all right, So yeah, I'm going to

2940
02:34:23,080 --> 02:34:26,119
Speaker 1: death Row and get off the elevator, right, and plus

2941
02:34:26,400 --> 02:34:28,440
Speaker 1: I got the elevator that it's just death rows, big

2942
02:34:28,520 --> 02:34:31,840
Speaker 1: niggas everywhere. Ain't no frontiture nowhere. Ain't no furniture in

2943
02:34:31,920 --> 02:34:42,040
Speaker 1: the nigga. I ain't little furniture. They're like, I'm like,

2944
02:34:42,120 --> 02:34:43,880
Speaker 1: whatever they do, and they're here, they're sucking around just

2945
02:34:44,000 --> 02:34:46,240
Speaker 1: like it's a fold out table fold out here in

2946
02:34:46,280 --> 02:34:49,080
Speaker 1: the red death row, big rug And so I'm like,

2947
02:34:49,480 --> 02:34:51,480
Speaker 1: you know, so going there and we're gonna talk to sugars.

2948
02:34:51,480 --> 02:34:53,080
Speaker 1: So you're like, man, you know, we should do these

2949
02:34:53,120 --> 02:34:55,320
Speaker 1: gets together. Man, you know what I'm saying. All Right,

2950
02:34:55,320 --> 02:34:57,000
Speaker 1: the saying loyal you know what it is, Dallas. They

2951
02:34:57,040 --> 02:34:58,840
Speaker 1: got out here, they got around Dre and Snoop. Now

2952
02:34:58,840 --> 02:35:00,360
Speaker 1: they want to be on death rolls. Well, we just

2953
02:35:00,400 --> 02:35:02,040
Speaker 1: do death row rowdy. I was like, won't you just

2954
02:35:02,120 --> 02:35:05,160
Speaker 1: keep them a little Motherfucker's like, you just give me

2955
02:35:05,200 --> 02:35:06,880
Speaker 1: a check for what I've spent on them, and you

2956
02:35:06,959 --> 02:35:09,560
Speaker 1: just have them because this same will get it, you know.

2957
02:35:10,360 --> 02:35:11,880
Speaker 1: And then he said, man, well you know we're working

2958
02:35:11,920 --> 02:35:13,840
Speaker 1: something out. You know. That's once you know they've their hands,

2959
02:35:13,959 --> 02:35:16,000
Speaker 1: you know. Like I'm like, you know, let me. I

2960
02:35:16,080 --> 02:35:19,480
Speaker 1: just gotta get out of here safe. And so then

2961
02:35:19,520 --> 02:35:22,320
Speaker 1: I see the kids. They come in, they're all like, yo, man,

2962
02:35:22,400 --> 02:35:25,240
Speaker 1: it ain't mis him him, it ain't needs him man.

2963
02:35:25,720 --> 02:35:28,000
Speaker 1: So I'm like, all right, I'm going back to the Atlanta.

2964
02:35:28,000 --> 02:35:30,080
Speaker 1: I catch you all later on. Right by the time

2965
02:35:30,080 --> 02:35:34,680
Speaker 1: I get back to Atlanta, right, Malik show up a

2966
02:35:34,760 --> 02:35:38,360
Speaker 1: few days later and he's like, yo, man, you know

2967
02:35:38,480 --> 02:35:40,680
Speaker 1: I can't be working with this nigger out there like that. Man,

2968
02:35:40,680 --> 02:35:42,760
Speaker 1: I want to be solo. You want to be solo

2969
02:35:43,280 --> 02:35:45,160
Speaker 1: like they started solo ship on Earli. I'm like, you can't.

2970
02:35:45,240 --> 02:35:47,920
Speaker 1: Just let's finish the group first. Whatever. But he got

2971
02:35:48,000 --> 02:35:51,199
Speaker 1: convinced that that somebody puts something on him, like roots

2972
02:35:51,280 --> 02:35:53,920
Speaker 1: or something relief. There's like thirteen and like, man, I

2973
02:35:54,000 --> 02:35:56,160
Speaker 1: think that my grandma somebody puts roots. Told me, man,

2974
02:35:56,200 --> 02:35:57,600
Speaker 1: I just want to be back in Atlanta. I think

2975
02:35:57,640 --> 02:35:59,600
Speaker 1: he just went getting his way out like winged in

2976
02:35:59,800 --> 02:36:01,560
Speaker 1: l A. He saw a chance for him to come

2977
02:36:01,600 --> 02:36:04,400
Speaker 1: back out here. And by the time they got here, bro,

2978
02:36:04,480 --> 02:36:06,160
Speaker 1: they they had everything is so set for the kids.

2979
02:36:06,240 --> 02:36:09,920
Speaker 1: But they were so wow and so bad and with

2980
02:36:10,000 --> 02:36:11,680
Speaker 1: the ship at the whole time that we couldn't you know,

2981
02:36:11,760 --> 02:36:14,400
Speaker 1: they would have been huge at this point, um, because

2982
02:36:14,440 --> 02:36:16,600
Speaker 1: it was righting the rhymes are like twelve years old

2983
02:36:16,640 --> 02:36:18,440
Speaker 1: and just cutting nigger's legs off with the rhymes, like

2984
02:36:18,480 --> 02:36:20,240
Speaker 1: you don't want to big niggas. Didn't want to battle

2985
02:36:20,280 --> 02:36:22,480
Speaker 1: rap them because they literally they out wrap you. And

2986
02:36:23,480 --> 02:36:25,720
Speaker 1: but they got stuck out. This was a crazy part

2987
02:36:25,800 --> 02:36:28,640
Speaker 1: we the So then it did work. They're supposed to do.

2988
02:36:28,760 --> 02:36:32,360
Speaker 1: This all makes sense, But they missed the whole promo tour, right.

2989
02:36:33,000 --> 02:36:35,920
Speaker 1: So now the building the words come up for that year, right,

2990
02:36:36,320 --> 02:36:38,280
Speaker 1: So now these are the categories. These are the this

2991
02:36:38,400 --> 02:36:40,840
Speaker 1: is who's up for it? Rap Record of the Year

2992
02:36:41,920 --> 02:36:45,800
Speaker 1: dig will planet is cool like that your papaade. Not

2993
02:36:45,840 --> 02:36:49,879
Speaker 1: everyb nature. You know, this is just going yeah song

2994
02:36:49,959 --> 02:36:53,920
Speaker 1: got the song illegal, we get busy. Everybody said who's that?

2995
02:36:56,320 --> 02:36:58,880
Speaker 1: And the win it is illegal? We get busy, right,

2996
02:36:59,120 --> 02:37:01,840
Speaker 1: you see everybody like who who is that? Because you

2997
02:37:01,920 --> 02:37:04,480
Speaker 1: know any way Clive had played out the politics. Uh.

2998
02:37:05,360 --> 02:37:07,119
Speaker 1: I mean when you think got like thirteen Bill bore

2999
02:37:07,120 --> 02:37:09,520
Speaker 1: the wards that year, so it's an arrest thing. You know.

3000
02:37:09,600 --> 02:37:11,040
Speaker 1: It's like when they ask the things and it's just

3001
02:37:11,120 --> 02:37:13,200
Speaker 1: that they didn't feel a glass up so it just

3002
02:37:13,280 --> 02:37:16,720
Speaker 1: looked it didn't like who the how do you know

3003
02:37:16,760 --> 02:37:19,360
Speaker 1: what to see him for? But there's most talented little

3004
02:37:19,400 --> 02:37:22,080
Speaker 1: kids man that like it was bad as fun. But

3005
02:37:22,240 --> 02:37:24,440
Speaker 1: after that I needed to I took a rap break.

3006
02:37:28,120 --> 02:37:29,400
Speaker 1: I had to take a little rap break because they

3007
02:37:29,440 --> 02:37:33,440
Speaker 1: were just like that's like they're young, so you can't

3008
02:37:33,480 --> 02:37:35,240
Speaker 1: do nothing with them in because they're too young. So

3009
02:37:35,800 --> 02:37:37,840
Speaker 1: what they were it's like thirteen fourteen. Yeah, I sho

3010
02:37:38,040 --> 02:37:42,320
Speaker 1: would have killed them little niggas, little rotil. You would

3011
02:37:42,360 --> 02:37:46,920
Speaker 1: have been responsible. They were signed around it. The man ain't.

3012
02:37:47,720 --> 02:37:51,600
Speaker 1: I can't believe you left some kids with all the

3013
02:37:51,640 --> 02:37:54,959
Speaker 1: ship you said, that's the most irresponsible ship they went.

3014
02:37:55,240 --> 02:38:05,640
Speaker 1: They were bothered Bobby Bobby King with corrupting dads and

3015
02:38:05,680 --> 02:38:09,280
Speaker 1: they want to come back out here. Are you gonna

3016
02:38:09,280 --> 02:38:12,199
Speaker 1: send me into the nines day to go get them ship?

3017
02:38:13,520 --> 02:38:20,879
Speaker 1: Damn full of history. I'm sure that tap brought back memory.

3018
02:38:20,959 --> 02:38:25,560
Speaker 1: It did. I was just like, damn, man, you got

3019
02:38:25,640 --> 02:38:30,440
Speaker 1: your other artists over here too. Jamal, I hear bad.

3020
02:38:30,560 --> 02:38:33,480
Speaker 1: The Jaman is crazy. He's like he was always like

3021
02:38:33,560 --> 02:38:35,040
Speaker 1: the that's he's the route he went in the first

3022
02:38:35,040 --> 02:38:37,920
Speaker 1: place because he always want to fight boxing Lea Leak

3023
02:38:37,920 --> 02:38:39,400
Speaker 1: didn't get it because he wants to be all smooth,

3024
02:38:39,440 --> 02:38:41,840
Speaker 1: and Jamal was just out, just straight up philly out

3025
02:38:41,879 --> 02:38:45,280
Speaker 1: of control. He went death squad for a long time.

3026
02:38:45,280 --> 02:38:48,760
Speaker 1: They both of them. Man Like I was, it's I

3027
02:38:48,800 --> 02:38:52,240
Speaker 1: would like to see kids as talented as they are,

3028
02:38:52,760 --> 02:38:56,600
Speaker 1: as talented as they wore. I feel like the I

3029
02:38:56,600 --> 02:38:58,120
Speaker 1: don't know, all the access and all other ship is

3030
02:38:58,120 --> 02:39:00,040
Speaker 1: weakening everybody. And what they're hearing is what the what

3031
02:39:00,120 --> 02:39:02,400
Speaker 1: they got to live up to is so low. Where

3032
02:39:02,440 --> 02:39:04,440
Speaker 1: they were trying to live up to, you know, rappers

3033
02:39:04,480 --> 02:39:06,600
Speaker 1: and mcs. They was like trying to battle wrap people

3034
02:39:06,600 --> 02:39:08,320
Speaker 1: and learn how to wrap better. And have more skills

3035
02:39:08,360 --> 02:39:10,240
Speaker 1: and all that kind of stuff. So I feel like,

3036
02:39:11,160 --> 02:39:14,200
Speaker 1: just now, yeah, the bar is low. It's not hard

3037
02:39:14,240 --> 02:39:15,880
Speaker 1: to do it. You know what I'm saying. What everybody

3038
02:39:15,959 --> 02:39:17,200
Speaker 1: doing it? Just like, oh, I can do that too.

3039
02:39:18,680 --> 02:39:22,360
Speaker 1: That She was like, crazy, I can't believe these concepts, bro,

3040
02:39:24,480 --> 02:39:25,960
Speaker 1: they looks so little. Was it a little bit like

3041
02:39:26,040 --> 02:39:31,640
Speaker 1: this back there? Because eight tracks with the fat Ones?

3042
02:39:32,520 --> 02:39:39,240
Speaker 1: She look like, man, that's dear tlcan this is crazy

3043
02:39:39,320 --> 02:39:44,080
Speaker 1: because we are like we um, that's DL killed this

3044
02:39:44,240 --> 02:39:48,600
Speaker 1: discover when we first did we first finished famil, you left,

3045
02:39:48,640 --> 02:39:51,040
Speaker 1: I quit the group doing the whole record. She was like,

3046
02:39:51,160 --> 02:39:53,280
Speaker 1: all right, I ain't. I ain't y'all ain't doing my

3047
02:39:53,360 --> 02:39:57,160
Speaker 1: ideas and I'm quitting um. And so I had to

3048
02:39:57,200 --> 02:40:00,040
Speaker 1: create the virtual VICKI to wrapping all the songs, and

3049
02:40:00,160 --> 02:40:02,800
Speaker 1: so I would take the macintoge take each word like

3050
02:40:02,879 --> 02:40:04,640
Speaker 1: you're listening to silly Hole in any of those songs.

3051
02:40:04,720 --> 02:40:06,320
Speaker 1: Most of the songs you hear the robot wrapping, You

3052
02:40:06,360 --> 02:40:08,160
Speaker 1: hear the computer rapping in it. And I had to

3053
02:40:08,200 --> 02:40:10,600
Speaker 1: take it and put it in UM keyboard to make

3054
02:40:10,640 --> 02:40:12,080
Speaker 1: a rap on be. So you know you can't get

3055
02:40:12,120 --> 02:40:14,840
Speaker 1: with this fune you just who to give it up like,

3056
02:40:14,920 --> 02:40:16,760
Speaker 1: because she told he was like, she's not the group,

3057
02:40:16,800 --> 02:40:18,440
Speaker 1: so that we gotta make a virtual version of her.

3058
02:40:19,200 --> 02:40:21,360
Speaker 1: And so most of the records is like me making

3059
02:40:21,400 --> 02:40:25,720
Speaker 1: the computer rap in the song. Because she was just like,

3060
02:40:25,840 --> 02:40:27,760
Speaker 1: I'm not doing this more. I quit. She quickly the

3061
02:40:27,840 --> 02:40:32,840
Speaker 1: beginning of us recording so that she was a death

3062
02:40:32,920 --> 02:40:36,440
Speaker 1: row too. She started like, damn, man, that road really

3063
02:40:36,520 --> 02:40:41,080
Speaker 1: has some good weed. Huh, definitely the chronic. I ain't

3064
02:40:41,120 --> 02:40:50,920
Speaker 1: going that that now. Man. He cool, he cool, he

3065
02:40:51,280 --> 02:40:56,680
Speaker 1: feeling this. Yeah, that need me prinking him coming back

3066
02:40:56,800 --> 02:41:00,600
Speaker 1: talking about spirits and ship. Let me get the jet.

3067
02:41:03,840 --> 02:41:08,320
Speaker 1: Damn what what shugar telling me? You don't want to

3068
02:41:08,320 --> 02:41:10,720
Speaker 1: be over there in the moment, but I do. But

3069
02:41:11,040 --> 02:41:15,560
Speaker 1: I'm gonna go home. Can we call down? Put that

3070
02:41:15,640 --> 02:41:21,160
Speaker 1: goddamn phone up. Don't make me get them big niggers outside.

3071
02:41:21,200 --> 02:41:26,320
Speaker 1: We're gonna stand outside all day. That's why it was

3072
02:41:26,400 --> 02:41:30,760
Speaker 1: a real fighting. They have been standing up. Man. Let's

3073
02:41:30,800 --> 02:41:34,480
Speaker 1: just lean back to back like boards go. Why do

3074
02:41:34,520 --> 02:41:38,280
Speaker 1: you think shoot chair? You think we're just gonna come

3075
02:41:38,320 --> 02:41:41,720
Speaker 1: down here everything and be gool? He said, like keeps

3076
02:41:41,760 --> 02:41:47,960
Speaker 1: us anger? Did you see work making hands hurt? We

3077
02:41:48,120 --> 02:41:54,879
Speaker 1: did got damn chickens was so crazy. They do everything.

3078
02:41:55,040 --> 02:41:57,400
Speaker 1: I'll play a basketball that, I'll wrap you down. I'll

3079
02:41:57,440 --> 02:42:01,640
Speaker 1: gamble you there, I'll hustle you and still keys take

3080
02:42:01,680 --> 02:42:03,800
Speaker 1: your card. Drive in the North Carolina while you're in

3081
02:42:03,840 --> 02:42:18,120
Speaker 1: the session. Big, he's out of control. Confirmed. That's what

3082
02:42:18,160 --> 02:42:20,360
Speaker 1: taught me how to roll the blunts. They taught me

3083
02:42:20,400 --> 02:42:23,400
Speaker 1: how to roll the blunts when I first After Lisa

3084
02:42:23,480 --> 02:42:25,440
Speaker 1: left the next day, they looked little looked at me, said,

3085
02:42:26,000 --> 02:42:28,400
Speaker 1: you know where weed that. I was like a little

3086
02:42:28,480 --> 02:42:30,960
Speaker 1: nig I'm not smoking no weed with you. The kid,

3087
02:42:31,520 --> 02:42:36,800
Speaker 1: he's all right, let's put his own. He took the

3088
02:42:36,879 --> 02:42:39,760
Speaker 1: blood and he took the ship standing in the opening

3089
02:42:39,840 --> 02:42:43,280
Speaker 1: dumping the shows. What is that? What are you doing?

3090
02:42:43,360 --> 02:42:45,480
Speaker 1: Is I'm rolling it? You take the stuff out and

3091
02:42:45,560 --> 02:42:57,400
Speaker 1: see you take this out? All right? That is it's

3092
02:42:57,480 --> 02:43:00,440
Speaker 1: so much black history. And that was the first ship

3093
02:43:00,560 --> 02:43:06,720
Speaker 1: again in February. But I'm so fucked up right now,

3094
02:43:08,480 --> 02:43:13,480
Speaker 1: just finding out that Michael Jackson was an emotion. Everything

3095
02:43:13,560 --> 02:43:16,400
Speaker 1: you said after that sucked me up. He's able to

3096
02:43:16,480 --> 02:43:23,640
Speaker 1: trans from over there. Now I'm wondering that, like will

3097
02:43:23,720 --> 02:43:28,320
Speaker 1: he come back or did he ever leave? Where's he going.

3098
02:43:28,760 --> 02:43:31,600
Speaker 1: Don't you think it's just insane that no matter who

3099
02:43:31,680 --> 02:43:34,920
Speaker 1: comes into this world, they're gonna sing and no, I

3100
02:43:35,000 --> 02:43:37,000
Speaker 1: love Michael Jackson. I don't care, like it's never been

3101
02:43:37,040 --> 02:43:39,120
Speaker 1: a child that came into the world, a baby kid whatever,

3102
02:43:39,360 --> 02:43:41,480
Speaker 1: like how do you still know this? Like they don't

3103
02:43:41,520 --> 02:43:44,560
Speaker 1: don't don't here to take a prints like that or

3104
02:43:44,720 --> 02:43:47,400
Speaker 1: eldest to nobody else, but like every kid on how

3105
02:43:47,440 --> 02:43:49,480
Speaker 1: the little time with it just like you know, so

3106
02:43:49,560 --> 02:43:53,039
Speaker 1: I feel like his spirit because if they see little

3107
02:43:53,080 --> 02:43:56,920
Speaker 1: kids be watching like and then still that's like Michael

3108
02:43:56,959 --> 02:43:59,039
Speaker 1: still Like I feel like he got like all artists

3109
02:43:59,080 --> 02:44:02,520
Speaker 1: when they get when everybody passed, of course the stuff

3110
02:44:02,600 --> 02:44:04,040
Speaker 1: just gets more valuab because they can't get to you

3111
02:44:04,120 --> 02:44:08,360
Speaker 1: no more. Um. But I feel like that that this

3112
02:44:08,840 --> 02:44:11,000
Speaker 1: him as an artist period just resonates in a way

3113
02:44:11,040 --> 02:44:15,080
Speaker 1: and seeing nobody really do like that. It's crazy people

3114
02:44:15,120 --> 02:44:17,440
Speaker 1: like characters do it, but you haven't really seen a

3115
02:44:17,480 --> 02:44:19,960
Speaker 1: person that resonates like the whole life like they stayed

3116
02:44:20,080 --> 02:44:24,119
Speaker 1: one person in the whole life home and watching Michael

3117
02:44:24,200 --> 02:44:30,200
Speaker 1: Jackson ship just to be like there you go, you saw,

3118
02:44:30,680 --> 02:44:36,400
Speaker 1: you saw, you saw. No d is said this nigger

3119
02:44:36,480 --> 02:44:48,080
Speaker 1: can go that was right. I want to just tidle

3120
02:44:48,160 --> 02:44:50,560
Speaker 1: this ship. Michael Jordan should just make his own Nick

3121
02:44:53,040 --> 02:44:55,320
Speaker 1: Michael Jordan get this ship and he might have to

3122
02:44:55,360 --> 02:45:00,240
Speaker 1: come over here. And then Michael Jordan, he gonna charges

3123
02:45:00,280 --> 02:45:07,520
Speaker 1: two hundred to come on. He ain't gotta go. I

3124
02:45:07,600 --> 02:45:13,520
Speaker 1: gotta put in. I'm not m J. I want you

3125
02:45:13,640 --> 02:45:15,760
Speaker 1: on the game. You said, they said they talk about

3126
02:45:15,840 --> 02:45:17,640
Speaker 1: m J on the tyger Woods was like he started

3127
02:45:17,680 --> 02:45:23,640
Speaker 1: hanging m J. And Uhl Barkley. What you say? He said?

3128
02:45:23,680 --> 02:45:25,680
Speaker 1: What do I tell the women? And Michael Jones like

3129
02:45:25,800 --> 02:45:31,440
Speaker 1: tell you t Woods stupid? That's the party, big dummy,

3130
02:45:33,320 --> 02:45:37,760
Speaker 1: like friends, go over there and get you the buzzard.

3131
02:45:38,680 --> 02:45:49,240
Speaker 1: What you doing? Watch your pro Hey, Michael Jordan's Oh, Dallas, Austin.

3132
02:45:49,520 --> 02:45:52,920
Speaker 1: You ain't have to two places in Texas. The names

3133
02:45:52,920 --> 02:45:57,240
Speaker 1: so big, you gotta take up to Texas. What I'm saying,

3134
02:45:58,640 --> 02:46:03,240
Speaker 1: you know you didn't have to do. Man named after

3135
02:46:03,320 --> 02:46:06,720
Speaker 1: this doctor named Dr Dallas more a word like a

3136
02:46:06,760 --> 02:46:10,040
Speaker 1: spiritual who do doctor? What you call it? It's like

3137
02:46:10,440 --> 02:46:13,920
Speaker 1: Donald Donaldson, Bill Georgia like it's like a you look

3138
02:46:13,959 --> 02:46:20,760
Speaker 1: him up. He's chicken turned into a serpent. The serpent.

3139
02:46:21,560 --> 02:46:23,560
Speaker 1: That baby gonna be a boy, Trust me on that.

3140
02:46:24,360 --> 02:46:33,840
Speaker 1: What baby. Okay, look look at put the tl C up.

3141
02:46:34,200 --> 02:46:43,720
Speaker 1: You got the TLC all, probably the TlCl. Look at man,

3142
02:46:43,760 --> 02:46:45,920
Speaker 1: we ain't gonna hold you hostage in here. We're damn

3143
02:46:45,959 --> 02:46:51,080
Speaker 1: sure appreciate you. I hope you said the last legend

3144
02:46:53,160 --> 02:47:00,480
Speaker 1: that was a we're out of here. Let's go. Let

3145
02:47:00,560 --> 02:47:08,520
Speaker 1: you boy, we appreciate it. Let's get a picture right quick.

3146
02:47:11,480 --> 02:47:18,520
Speaker 1: So here, let's get a photo somebody, Why shout Cody

3147
02:47:18,640 --> 02:47:19,439
Speaker 1: Ze Mannelo