1 00:00:02,240 --> 00:00:07,400 Speaker 1: Previously on Miller High Life Presents The Heavyweight Diaries. Think Johnny, Think, 2 00:00:07,520 --> 00:00:11,640 Speaker 1: good Night, Podstar, Crossed Sandwiches, good Night Healthcare, Timothy Nelson, 3 00:00:11,640 --> 00:00:15,160 Speaker 1: good night, Twitter follower. I'm seeing a co reporting situation. 4 00:00:15,240 --> 00:00:34,120 Speaker 1: I had saved the show, but at what price? I 5 00:00:34,120 --> 00:00:39,720 Speaker 1: guess you could say I've always enjoyed sandwiches, whispers Timothy Nelson. 6 00:00:40,840 --> 00:00:44,920 Speaker 1: He leans into the studio microphone with eyes shut. He 7 00:00:45,040 --> 00:00:50,279 Speaker 1: is being soulful, and I want to die. I've been 8 00:00:50,280 --> 00:00:53,120 Speaker 1: interviewing this man for the past five and a half 9 00:00:53,240 --> 00:00:57,760 Speaker 1: hours as he meticulously recounts the tedious backstory to a 10 00:00:57,840 --> 00:01:02,320 Speaker 1: subway sandwich order from the night in question. He is 11 00:01:02,400 --> 00:01:05,560 Speaker 1: walking me through what feels like a real time history 12 00:01:05,760 --> 00:01:09,800 Speaker 1: of his sandwich eating habits. We've devoted over an hour 13 00:01:09,920 --> 00:01:12,720 Speaker 1: to his love of open face sandwiches as a boy. 14 00:01:13,319 --> 00:01:17,959 Speaker 1: Discovering peeda pockets in his twenties was another hour, Pannini's 15 00:01:18,000 --> 00:01:21,240 Speaker 1: in his thirties, an hour and a half. And I 16 00:01:21,280 --> 00:01:25,480 Speaker 1: don't know how long we talked about tuna melts under 17 00:01:25,520 --> 00:01:29,399 Speaker 1: the studio table. My fingernails dig into the palm of 18 00:01:29,480 --> 00:01:32,960 Speaker 1: my hand. I don't think I can endure much more. 19 00:01:34,120 --> 00:01:38,200 Speaker 1: And then there's Olive's Timothy Nelson says with a sly grin. 20 00:01:38,880 --> 00:01:41,800 Speaker 1: You see, when I first discovered them at the tender 21 00:01:41,840 --> 00:01:45,679 Speaker 1: age of five, they looked like marbles, and so of 22 00:01:45,760 --> 00:01:49,480 Speaker 1: course I enjoyed shoving them up my nose. They felt 23 00:01:49,480 --> 00:01:53,760 Speaker 1: good up there. It is the longest, most in depth 24 00:01:53,920 --> 00:01:57,840 Speaker 1: interview of my career, all in service to an idiot's 25 00:01:57,880 --> 00:02:02,920 Speaker 1: tale a man orders a sand and receives the wrong one. 26 00:02:03,080 --> 00:02:07,320 Speaker 1: But after extensive test marketing with influencers from Generation double 27 00:02:07,440 --> 00:02:11,840 Speaker 1: Z and other key demographics, the haircuts on the advertising 28 00:02:11,880 --> 00:02:16,880 Speaker 1: team have seized on Nelson's story, calling it immensely relatable 29 00:02:17,320 --> 00:02:23,800 Speaker 1: and honest but truthful, as well as brand safe. They've 30 00:02:23,840 --> 00:02:27,720 Speaker 1: even hired a professional fashion photographer to shoot Nelson and 31 00:02:27,760 --> 00:02:33,400 Speaker 1: I quote hanging out. The most punishing photographic tableau features 32 00:02:33,480 --> 00:02:36,440 Speaker 1: us spooning each other on a custom made six foot 33 00:02:36,560 --> 00:02:46,600 Speaker 1: long baguette. By the time I hit my thirties, continues 34 00:02:46,680 --> 00:02:51,920 Speaker 1: Timothy Nelson heroes became a staple roast beef cheese slaw, 35 00:02:52,160 --> 00:02:57,000 Speaker 1: ham salad, chicken salad, grilled chicken salad, which leads us 36 00:02:57,000 --> 00:03:01,639 Speaker 1: to the night of the Crisscross sandwiches. I said, exasperated, 37 00:03:02,840 --> 00:03:07,120 Speaker 1: oh no, he retorts. My discovery of heroes came years 38 00:03:07,160 --> 00:03:10,960 Speaker 1: before that night, and I only got into subway sandwiches 39 00:03:10,960 --> 00:03:16,920 Speaker 1: in my forties. So much comes before Giro's burrito's. Not 40 00:03:17,040 --> 00:03:21,360 Speaker 1: to mention non burrito raps. It's really quite fascinating how 41 00:03:21,400 --> 00:03:25,040 Speaker 1: many different kinds of raps there are. Can we get 42 00:03:25,040 --> 00:03:29,720 Speaker 1: to the night in question? I bark, My patience completely eroded. 43 00:03:30,800 --> 00:03:34,240 Speaker 1: I'm just trying to set the stage, Timothy Nelson shouts. 44 00:03:34,280 --> 00:03:38,880 Speaker 1: Back Stage setting is a key part of storytelling. So 45 00:03:39,120 --> 00:03:42,720 Speaker 1: is keeping your interviewer from falling into an anger sleep. 46 00:03:43,120 --> 00:03:46,760 Speaker 1: I say, just let me tell the story the way 47 00:03:46,800 --> 00:03:50,960 Speaker 1: it needs to be told, says Nelson. It needs to 48 00:03:51,000 --> 00:03:56,400 Speaker 1: be told to a psychiatrist. I shriek, possibly the jailhouse kind. 49 00:03:57,360 --> 00:03:59,800 Speaker 1: I don't know why I ever let Alex talk me 50 00:03:59,880 --> 00:04:05,200 Speaker 1: in into this fiasco, yells Timothy Nelson, talk you into it? 51 00:04:05,240 --> 00:04:08,800 Speaker 1: I ask, I can't believe the depths to which I've sunk, 52 00:04:09,760 --> 00:04:14,440 Speaker 1: and you call yourself an interviewer, christ Timothy Nelson, I 53 00:04:14,480 --> 00:04:19,680 Speaker 1: feel like I'm talking to a cactus, and abnormally stupid cactus. 54 00:04:20,480 --> 00:04:23,279 Speaker 1: Just as I'm about to scream in Timothy Nelson's face 55 00:04:23,520 --> 00:04:26,880 Speaker 1: that I hate him, hate everything about him that I 56 00:04:26,920 --> 00:04:30,040 Speaker 1: have hated him before I even knew him, hated him 57 00:04:30,040 --> 00:04:33,560 Speaker 1: when he was just an innocent child. I catch sight 58 00:04:33,880 --> 00:04:38,680 Speaker 1: of the recording light, which is not on. In fact, 59 00:04:39,480 --> 00:04:45,719 Speaker 1: it is off. We've not been recording. I whisper, my 60 00:04:45,880 --> 00:04:52,239 Speaker 1: voice hoarse. What Nelson asks, We've just spent the past 61 00:04:52,240 --> 00:04:55,919 Speaker 1: six hours, I say, pretending to have a delightful conversation 62 00:04:56,480 --> 00:05:01,040 Speaker 1: about your stomach turning culinary habits for absolute lutely no reason. 63 00:05:01,680 --> 00:05:06,280 Speaker 1: Because you never hit record. My eyes tear up and 64 00:05:06,320 --> 00:05:11,799 Speaker 1: my jaw starts to twitch. I never hit record. Timothy 65 00:05:11,839 --> 00:05:16,480 Speaker 1: Nelson repeats, that's rich. You're supposed to be the interviewer, 66 00:05:16,600 --> 00:05:22,280 Speaker 1: you cactus. It's your job to press record. Energy drinks 67 00:05:22,279 --> 00:05:26,479 Speaker 1: and raspberry wine coolers litter the floor beneath Timothy Nelson's feet. 68 00:05:27,160 --> 00:05:29,960 Speaker 1: The room is thick with the smell of our body odor, 69 00:05:30,320 --> 00:05:32,880 Speaker 1: though neither of us can detect it, as we've not 70 00:05:33,080 --> 00:05:46,640 Speaker 1: smelled fresh air in six hours. All for nothing. This 71 00:05:46,720 --> 00:05:49,839 Speaker 1: is a bad dream, I babble. I gave up my 72 00:05:49,920 --> 00:05:54,159 Speaker 1: two year old son's first ukulele lesson for this. I 73 00:05:54,320 --> 00:05:57,240 Speaker 1: passed up my best friend's bachelor party in Las Vegas, 74 00:05:57,640 --> 00:06:02,719 Speaker 1: says Timothy Nelson. We had back Street Boys tickets. We 75 00:06:02,800 --> 00:06:06,760 Speaker 1: stare at each other, breathing hard, when suddenly, like the 76 00:06:06,760 --> 00:06:10,159 Speaker 1: bear from the Revenant, Timothy Nelson is upon me, and 77 00:06:10,279 --> 00:06:13,560 Speaker 1: I am upon Timothy Nelson as he tries to lock 78 00:06:13,640 --> 00:06:16,480 Speaker 1: my head, I, like the bear from the House at 79 00:06:16,520 --> 00:06:20,520 Speaker 1: Pooh Corner, attempt to bear hug his waist. For but 80 00:06:20,600 --> 00:06:24,000 Speaker 1: a moment, we are locked in a nauseatingly intimate embrace 81 00:06:24,680 --> 00:06:28,520 Speaker 1: before we crash into the shelves, knocking over a series 82 00:06:28,560 --> 00:06:33,280 Speaker 1: of non heavyweight related peabody statuettes, some rolls of Gimblet's 83 00:06:33,279 --> 00:06:37,960 Speaker 1: promotional toilet paper three ply all, and several heavy sacks 84 00:06:38,000 --> 00:06:42,400 Speaker 1: of money bearing the Spotify logo. It's enough of a 85 00:06:42,480 --> 00:06:46,880 Speaker 1: racket to cause several Gimlet employees and adjacent studios to 86 00:06:46,960 --> 00:06:57,600 Speaker 1: come rushing in. Timothy Nelson and I separate. Nothing to 87 00:06:57,640 --> 00:07:01,360 Speaker 1: see here, I say, adjusting the collar on my shirt. 88 00:07:02,400 --> 00:07:07,279 Speaker 1: One too many cider jacks, says Nelson. The gathering crowd 89 00:07:07,400 --> 00:07:11,600 Speaker 1: stands around, holding their noses and gawking at us, until, 90 00:07:11,960 --> 00:07:16,360 Speaker 1: in a puff of sea breeze and sandalwood, Bloomberg suddenly appears. 91 00:07:17,400 --> 00:07:23,800 Speaker 1: Everybody scatters fellas he cries, there's no time for horseplay. 92 00:07:24,280 --> 00:07:27,080 Speaker 1: We have a season premiere rap party to think of. 93 00:07:27,800 --> 00:07:31,760 Speaker 1: We are going to have a tastefully appointed fountain overflowing 94 00:07:32,280 --> 00:07:42,600 Speaker 1: with Miller High Life, the Champagne of beers. It's going 95 00:07:42,640 --> 00:07:46,280 Speaker 1: to be so exclusive that even invited guests will only 96 00:07:46,360 --> 00:07:49,440 Speaker 1: learn of it the day after it happens, and even 97 00:07:49,520 --> 00:07:55,080 Speaker 1: then only on title. I guess I did overreact a little, 98 00:07:55,320 --> 00:08:00,320 Speaker 1: says Timothy Nelson, extending his hand. Just thinking of all 99 00:08:00,360 --> 00:08:04,120 Speaker 1: the horrible Timothy Nelson related nooks and crannies this hand 100 00:08:04,280 --> 00:08:07,840 Speaker 1: is ventured, is enough to make my abdominal pips wilt. 101 00:08:08,720 --> 00:08:12,080 Speaker 1: But there was Bloomberg so full of hope for the 102 00:08:12,120 --> 00:08:17,720 Speaker 1: sponsorship deals, in ancillary revenues, licensing opportunities, and marketing hooks, 103 00:08:18,800 --> 00:08:22,880 Speaker 1: but also for the story of this cursed subway sandwich. 104 00:08:24,440 --> 00:08:27,240 Speaker 1: I should never have tried to strike you, I say, 105 00:08:27,720 --> 00:08:33,400 Speaker 1: accepting Nelson's hand. Bloomberg exits the studio, leaving Timothy Nelson 106 00:08:33,400 --> 00:08:37,439 Speaker 1: and I alone. We eye each other warily, and each 107 00:08:37,559 --> 00:08:41,520 Speaker 1: take our seats. Nelson behind the guest Mic and I 108 00:08:42,000 --> 00:08:47,360 Speaker 1: behind the host Mike, and then I press the record button. 109 00:08:48,960 --> 00:08:52,959 Speaker 1: I guess you could say I've always enjoyed sandwiches, says 110 00:08:53,000 --> 00:09:01,240 Speaker 1: Timothy Nelson as my pips explode in chapter seven of 111 00:09:01,280 --> 00:09:04,400 Speaker 1: the Heavyweight Diaries. The next season of Heavyweight will begin 112 00:09:04,520 --> 00:09:08,080 Speaker 1: in two weeks on September twenty sixth. Remember if you 113 00:09:08,080 --> 00:09:11,520 Speaker 1: don't listen to Heavyweight on Spotify, Jim Gimblet's head of 114 00:09:11,559 --> 00:09:15,360 Speaker 1: finance and Operations will tan my Canadian hide. But good. 115 00:09:16,080 --> 00:09:20,120 Speaker 1: Heavyweight is me Jonathan Goldstein, along with Jorge just Stevie Lane, 116 00:09:20,360 --> 00:09:24,359 Speaker 1: Khalila Holt, and Va Parker. This episode was mixed by Emamonger, 117 00:09:24,760 --> 00:09:28,400 Speaker 1: music by Bobby Lord. Our ad music is Vivaldi's Spring, 118 00:09:28,480 --> 00:09:32,360 Speaker 1: performed by the Wichita State University Chamber Players. We'll have 119 00:09:32,440 --> 00:09:35,440 Speaker 1: the final chapter of the Heavyweight Diaries next week