1 00:00:00,760 --> 00:00:03,800 Speaker 1: This is the Ben and Ashley I Almost Famous podcast 2 00:00:03,840 --> 00:00:04,680 Speaker 1: with iHeartRadio. 3 00:00:06,200 --> 00:00:10,440 Speaker 2: Hey everybody, it's the almost Famous podcast. I'm Deanna and 4 00:00:10,480 --> 00:00:12,960 Speaker 2: I am here with my producer, Heather, and we've decided 5 00:00:13,000 --> 00:00:17,080 Speaker 2: to call this kind of famous as we recap for you. 6 00:00:17,200 --> 00:00:21,000 Speaker 2: The new Hulu dating show Love Overboard. It's hosted by 7 00:00:21,000 --> 00:00:27,000 Speaker 2: former bachelorette Gabby Wendy. I love this show. I was 8 00:00:27,040 --> 00:00:29,000 Speaker 2: hoping that it would be a big swing for me 9 00:00:29,240 --> 00:00:32,560 Speaker 2: coming into episode three, and it still is. Heather, did 10 00:00:32,600 --> 00:00:34,920 Speaker 2: all of these episodes keep your attention like the first two? 11 00:00:35,520 --> 00:00:38,640 Speaker 3: It sure did, And I think you know my favorite 12 00:00:38,680 --> 00:00:42,319 Speaker 3: thing about it's episode three, right where it happens where 13 00:00:42,360 --> 00:00:47,000 Speaker 3: we get some shipwreckers. That is a new fun element 14 00:00:47,040 --> 00:00:48,559 Speaker 3: that I really love and I can't wait for us 15 00:00:48,600 --> 00:00:53,040 Speaker 3: to dive into. But yeah, I'm also really liking I 16 00:00:53,040 --> 00:00:55,240 Speaker 3: thought I might be bored with it, but I kind 17 00:00:55,240 --> 00:00:58,480 Speaker 3: of love how formatted the show is and I'm just 18 00:00:58,800 --> 00:01:03,520 Speaker 3: I'm anticipating the plank scene, I'm anticipating happy hour. I 19 00:01:04,080 --> 00:01:06,280 Speaker 3: feel like with some of the other dating shows that 20 00:01:06,319 --> 00:01:10,839 Speaker 3: are out there, it's so unformatted and so like every 21 00:01:10,880 --> 00:01:13,440 Speaker 3: single episode is so different it can be hard to follow. 22 00:01:14,400 --> 00:01:17,039 Speaker 3: But I'll point out a couple of things in this 23 00:01:17,120 --> 00:01:20,600 Speaker 3: episode and things that I saw that are obvious ripoffs 24 00:01:20,680 --> 00:01:23,400 Speaker 3: from other dating shows that are currently out there. But 25 00:01:23,400 --> 00:01:25,760 Speaker 3: what about you are? Is it holding your attention? Are 26 00:01:25,800 --> 00:01:26,320 Speaker 3: you loving it? 27 00:01:26,520 --> 00:01:29,800 Speaker 2: I shared in our previous podcast episode that I felt 28 00:01:29,800 --> 00:01:32,280 Speaker 2: like the first episode was really chaotic. It was hitting 29 00:01:32,319 --> 00:01:34,000 Speaker 2: every beat, like, here's where we are, You're gonna live here, 30 00:01:34,000 --> 00:01:35,440 Speaker 2: You're gonna do this, now, clean the floors, now do 31 00:01:35,480 --> 00:01:37,440 Speaker 2: this now, everybody jump up, make cocktails. This is the 32 00:01:37,440 --> 00:01:41,640 Speaker 2: top side or the bottom siders. It felt very spliced 33 00:01:41,760 --> 00:01:45,440 Speaker 2: up and chaotic. But I actually am really loving now 34 00:01:45,560 --> 00:01:47,920 Speaker 2: the flow of the show and the way it's going 35 00:01:48,080 --> 00:01:52,160 Speaker 2: as well as I was unsure with the challenges and 36 00:01:52,200 --> 00:01:55,400 Speaker 2: then the plank ceremony how everything was going to incorporate. 37 00:01:55,840 --> 00:01:59,520 Speaker 2: But yeah, no, I like really love it. And for 38 00:01:59,560 --> 00:02:02,160 Speaker 2: a person like me, Heather, like I need to be 39 00:02:02,200 --> 00:02:04,000 Speaker 2: hooked right away or it's hard for me to get 40 00:02:04,040 --> 00:02:07,760 Speaker 2: into a show. And I'm all in, Like I'm all 41 00:02:07,800 --> 00:02:10,240 Speaker 2: about it. The casting is amazing, the show, the boat. 42 00:02:10,280 --> 00:02:11,880 Speaker 2: I want to go on. I want to like hang 43 00:02:11,880 --> 00:02:12,800 Speaker 2: out top side. 44 00:02:13,240 --> 00:02:15,440 Speaker 3: I know, of course top side only, though. 45 00:02:15,280 --> 00:02:17,400 Speaker 2: On top side only, I'm not cut out for like 46 00:02:18,120 --> 00:02:20,760 Speaker 2: washing floors and stuff. I feel like I'm not quite Bella, 47 00:02:21,200 --> 00:02:24,359 Speaker 2: but I'm not quite Andrew. I like flow somewhere in between. 48 00:02:24,400 --> 00:02:26,280 Speaker 2: I'm not above scrubbing a toilet, but I don't want 49 00:02:26,280 --> 00:02:28,120 Speaker 2: to scrub someone else's toilet. 50 00:02:28,440 --> 00:02:32,040 Speaker 3: And you definitely don't want to do it with a toothbrush. 51 00:02:32,080 --> 00:02:34,079 Speaker 3: We will have to talk about that scene as well. 52 00:02:34,400 --> 00:02:38,000 Speaker 2: Let's jump right in. Episode three opens with the cliffhanger 53 00:02:38,000 --> 00:02:40,840 Speaker 2: from episode two, where Sophia and Enna are on the 54 00:02:40,880 --> 00:02:44,800 Speaker 2: plank and Andrew has to make a decision. We know 55 00:02:44,840 --> 00:02:48,320 Speaker 2: what this looks like. Andrew chooses to send Sofia overboard 56 00:02:48,840 --> 00:02:52,160 Speaker 2: and an Andrew hug and everyone claps for him. Andrew 57 00:02:52,240 --> 00:02:54,720 Speaker 2: says he'd rather hold out for new girls to come 58 00:02:54,800 --> 00:02:58,720 Speaker 2: on the boat, but we flip to later on that night. 59 00:02:58,960 --> 00:03:02,680 Speaker 2: Kai is cut with shaw Day but tells Leela when 60 00:03:02,720 --> 00:03:05,639 Speaker 2: he gets a date he's taking her. Shade knows what's 61 00:03:05,680 --> 00:03:08,280 Speaker 2: going on. She's strategizing so that she can stay on 62 00:03:08,320 --> 00:03:10,480 Speaker 2: the top side. She doesn't particularly strike me as a 63 00:03:10,520 --> 00:03:13,320 Speaker 2: girl that belongs, you know, on the bottom side, But 64 00:03:13,840 --> 00:03:15,640 Speaker 2: I don't know, what do you think? She feels like 65 00:03:15,680 --> 00:03:17,040 Speaker 2: a lot of drama for me. 66 00:03:17,840 --> 00:03:20,560 Speaker 3: Yeah, we obviously see so much of that play out 67 00:03:20,560 --> 00:03:26,880 Speaker 3: this episode. I feel like Shade isn't into anybody. I 68 00:03:26,919 --> 00:03:30,440 Speaker 3: think that she's really trying to stay on the top 69 00:03:30,480 --> 00:03:34,080 Speaker 3: side just for the purpose of staying up there, and 70 00:03:34,120 --> 00:03:35,880 Speaker 3: she's not really a fan of like sleeping in the 71 00:03:35,920 --> 00:03:38,960 Speaker 3: bunk beds, which who wouldn't. But I don't think she 72 00:03:39,480 --> 00:03:45,240 Speaker 3: really has interest in anyone on board, and her personality 73 00:03:45,640 --> 00:03:49,360 Speaker 3: goes kind of quick from here there to everywhere when 74 00:03:49,360 --> 00:03:52,360 Speaker 3: she's upset, which it looks like is kind of a 75 00:03:52,440 --> 00:03:55,840 Speaker 3: turn off to a lot of these guys and the 76 00:03:55,880 --> 00:04:01,080 Speaker 3: girls like so yeah, I really like shut A Like, 77 00:04:01,120 --> 00:04:03,320 Speaker 3: I think she could be fun and I want to 78 00:04:03,320 --> 00:04:05,520 Speaker 3: see her find a connection, but right now, I don't 79 00:04:05,520 --> 00:04:07,920 Speaker 3: feel like she's actually interested in anyone. 80 00:04:08,320 --> 00:04:11,080 Speaker 2: Listen. It doesn't look like a super genuine connection that 81 00:04:11,120 --> 00:04:13,040 Speaker 2: she has had up until this point. And I think 82 00:04:13,040 --> 00:04:15,400 Speaker 2: you're right in saying, like, listen, she's a top side 83 00:04:15,400 --> 00:04:17,320 Speaker 2: girl all the way, Like we can tell that she's 84 00:04:17,320 --> 00:04:19,680 Speaker 2: a top side girl, but she's also a boss. And 85 00:04:19,720 --> 00:04:22,760 Speaker 2: I just believe that when you go on reality television 86 00:04:22,839 --> 00:04:27,640 Speaker 2: in particular, people with that persona tend to be like 87 00:04:27,720 --> 00:04:31,680 Speaker 2: the drama unfortunately, and she is playing that part really well. 88 00:04:31,680 --> 00:04:33,640 Speaker 2: But you're right the other cast members who are, like 89 00:04:34,000 --> 00:04:37,719 Speaker 2: you know, falling in love, they're coupling up, they're there 90 00:04:37,760 --> 00:04:40,400 Speaker 2: for the good time. It rubs everybody the wrong way. 91 00:04:40,400 --> 00:04:41,800 Speaker 2: No one wants to bring No one wants to be 92 00:04:41,800 --> 00:04:42,719 Speaker 2: around a Debbie Downer. 93 00:04:43,200 --> 00:04:45,599 Speaker 3: No, and she I don't. I don't know. We'll get 94 00:04:45,600 --> 00:04:48,240 Speaker 3: into the scene with Delaney. I don't know if it's 95 00:04:48,440 --> 00:04:50,960 Speaker 3: this episode or the next one. But that seemed a 96 00:04:51,040 --> 00:04:54,720 Speaker 3: little bit like doing too much, like it was an 97 00:04:54,839 --> 00:04:57,880 Speaker 3: unnecessary kind of conversation to be having, and it just 98 00:04:57,920 --> 00:05:01,599 Speaker 3: seemed mean spirited. But what I was going to say 99 00:05:01,960 --> 00:05:05,680 Speaker 3: is two about this show. For as many cast members 100 00:05:05,720 --> 00:05:09,920 Speaker 3: as there are, they're not trying to focus too much 101 00:05:09,960 --> 00:05:13,479 Speaker 3: on everybody having a storyline every episode, which I think 102 00:05:13,560 --> 00:05:16,960 Speaker 3: is really good. We have our main storyline, which is 103 00:05:16,960 --> 00:05:19,600 Speaker 3: whoever's going to end up going to that Plank ceremony 104 00:05:19,600 --> 00:05:22,159 Speaker 3: at night, But some of the other ones, like maybe 105 00:05:22,160 --> 00:05:25,799 Speaker 3: the happy couples or the ones that are still getting 106 00:05:25,839 --> 00:05:27,880 Speaker 3: to know each other, we don't get too much screen 107 00:05:27,960 --> 00:05:30,520 Speaker 3: time with them, dependent on the episode, and I think 108 00:05:30,560 --> 00:05:33,159 Speaker 3: that that's making it easier to follow. Do you feel 109 00:05:33,160 --> 00:05:33,679 Speaker 3: the same. 110 00:05:33,520 --> 00:05:37,159 Speaker 2: Way I do. I do whatever. I mean. I just 111 00:05:37,200 --> 00:05:38,840 Speaker 2: love this show for so many reasons. But I do 112 00:05:38,920 --> 00:05:41,480 Speaker 2: feel like it has a very natural flow from a 113 00:05:41,560 --> 00:05:44,400 Speaker 2: viewership side, you know what I mean. We're getting little 114 00:05:44,400 --> 00:05:46,280 Speaker 2: bits of drama, We're getting little bits of love, or 115 00:05:46,279 --> 00:05:48,359 Speaker 2: getting a little bits of funny. I just feel like 116 00:05:49,040 --> 00:05:52,200 Speaker 2: the appeal all together is really attractive because we get 117 00:05:52,200 --> 00:05:54,719 Speaker 2: a little bit of everything. It's not you know, some 118 00:05:54,920 --> 00:05:59,919 Speaker 2: episodes of other reality shows are really heavy on drama 119 00:06:00,360 --> 00:06:02,640 Speaker 2: or chaos or some of the other things. And I 120 00:06:02,680 --> 00:06:05,040 Speaker 2: feel like each episode so far, right we're only in 121 00:06:05,080 --> 00:06:07,760 Speaker 2: episode three, each episode so far has done a really 122 00:06:07,800 --> 00:06:11,320 Speaker 2: good job of having little, even keel bits of small 123 00:06:11,360 --> 00:06:13,360 Speaker 2: things that are taking place on the boat, which keeps 124 00:06:13,360 --> 00:06:13,919 Speaker 2: me watching. 125 00:06:14,000 --> 00:06:16,920 Speaker 3: Honestly, I think it's due to the pacing. I think 126 00:06:16,920 --> 00:06:19,680 Speaker 3: that the show is fast paced, and that's because it 127 00:06:19,720 --> 00:06:22,000 Speaker 3: is formatted. It's like, we have to get to a 128 00:06:22,040 --> 00:06:25,320 Speaker 3: plank ceremony every single episode, you know what I mean. 129 00:06:25,400 --> 00:06:29,120 Speaker 3: So part of that means moving along the stuff earlier 130 00:06:29,160 --> 00:06:32,880 Speaker 3: in the day to give that plank scene. It's dramatic, 131 00:06:33,360 --> 00:06:35,679 Speaker 3: you know, breath of air, so it can like expand 132 00:06:35,720 --> 00:06:38,000 Speaker 3: a little bit. So I like it. I like the 133 00:06:38,120 --> 00:06:39,520 Speaker 3: pacing of this as well. 134 00:06:40,040 --> 00:06:44,400 Speaker 2: Yeah, yeah, let's move on because this is like right now. 135 00:06:44,440 --> 00:06:47,240 Speaker 2: You know, last time it was a different couple. This 136 00:06:47,279 --> 00:06:49,719 Speaker 2: is my new favorite couple. Okay, we've got Tim and Gia. 137 00:06:49,800 --> 00:06:53,520 Speaker 2: I'm all about it. I see the fireworks going on 138 00:06:53,600 --> 00:06:56,520 Speaker 2: between the two of them. Tim is going to continue 139 00:06:56,520 --> 00:07:00,760 Speaker 2: to shoot his shot with Gia. Gia asks Tim why 140 00:07:00,800 --> 00:07:04,640 Speaker 2: they would make good life partners. Tim asks Gia if 141 00:07:04,680 --> 00:07:08,360 Speaker 2: she's scared that he's a boy, which you know, I mean, 142 00:07:08,800 --> 00:07:12,120 Speaker 2: come on, Leela goes and tips off bow. 143 00:07:12,040 --> 00:07:16,920 Speaker 3: Wait a second, Dianna life partners. They've known each other 144 00:07:17,960 --> 00:07:21,040 Speaker 3: since yesterday. I just thought that that was such an 145 00:07:21,080 --> 00:07:24,600 Speaker 3: interesting Do you think we would make good life partners? 146 00:07:25,160 --> 00:07:26,880 Speaker 3: Does she even know his last name? 147 00:07:27,800 --> 00:07:31,000 Speaker 2: I mean, I can appreciate the heavy hitting questions here, 148 00:07:31,080 --> 00:07:34,080 Speaker 2: Heather to make sure we're all on the same page. 149 00:07:34,120 --> 00:07:38,160 Speaker 2: I can appreciate, you know, the goal, the end goal here. Yeah, 150 00:07:38,200 --> 00:07:42,480 Speaker 2: but I do also find it hilarious that like Tim 151 00:07:42,560 --> 00:07:45,000 Speaker 2: is like but please please please tell me that I'm 152 00:07:45,040 --> 00:07:47,560 Speaker 2: not a boy. Tell me that you don't think I am, 153 00:07:47,560 --> 00:07:49,760 Speaker 2: because I'm not. Oh used to be like yesterday, but 154 00:07:49,800 --> 00:07:52,200 Speaker 2: I'm not today. You have changed me. I am a 155 00:07:52,320 --> 00:07:56,320 Speaker 2: changed man. I don't know. It is kind of funny 156 00:07:56,320 --> 00:07:59,200 Speaker 2: the way that they are all just like hopping, you know, 157 00:07:59,440 --> 00:08:04,000 Speaker 2: literally on board right away and filling the roles. But yeah, 158 00:08:04,040 --> 00:08:05,760 Speaker 2: I mean part of me, like every time they're saying 159 00:08:05,800 --> 00:08:08,480 Speaker 2: things like that, I'm like, come on, girl, you barely 160 00:08:08,600 --> 00:08:12,040 Speaker 2: know this man in bachelor world, okay, but like love overboard. 161 00:08:12,040 --> 00:08:13,480 Speaker 2: Come on, girl, I know That's. 162 00:08:13,360 --> 00:08:16,160 Speaker 3: What I'm saying. It's like, are they is this? How 163 00:08:16,320 --> 00:08:20,400 Speaker 3: this can't be? How Like the younger generation talks on dates, right. 164 00:08:20,360 --> 00:08:23,320 Speaker 2: I actually think it is. I haven't been on a 165 00:08:23,320 --> 00:08:26,840 Speaker 2: lot of dates, you know what I mean. But I listen, 166 00:08:27,040 --> 00:08:31,320 Speaker 2: I did, freshly out of divorce Heather run through my 167 00:08:31,440 --> 00:08:35,120 Speaker 2: younger man face, uh huh. And it was a lot 168 00:08:35,120 --> 00:08:37,000 Speaker 2: of fun for a hot minute. But like the thirty 169 00:08:37,040 --> 00:08:41,120 Speaker 2: year olds, yeah, were like it was very It's where 170 00:08:41,160 --> 00:08:45,280 Speaker 2: I struggled. It was very superficial. It was very superficial. 171 00:08:45,360 --> 00:08:49,920 Speaker 2: Like all of the conversations were pretty lackluster. They were 172 00:08:49,920 --> 00:08:51,640 Speaker 2: not deep in any way, you know what I mean. 173 00:08:51,640 --> 00:08:53,120 Speaker 2: And I don't know if it's just because I have 174 00:08:53,160 --> 00:08:56,040 Speaker 2: gotten so much older, but yeah, I feel like it's 175 00:08:56,120 --> 00:08:57,200 Speaker 2: just the generation now. 176 00:08:57,440 --> 00:09:02,160 Speaker 3: But this doesn't seem superficial. This seems like too heavy. 177 00:09:02,400 --> 00:09:04,560 Speaker 3: This seems like the opposite of that. That's what I mean. 178 00:09:04,600 --> 00:09:07,800 Speaker 3: It's like this time she's asking about would they make 179 00:09:07,840 --> 00:09:12,440 Speaker 3: Good Life Partners member James episode two or whatever, being like, 180 00:09:12,520 --> 00:09:17,000 Speaker 3: are you an effective communicator? I just I can't think 181 00:09:17,200 --> 00:09:21,000 Speaker 3: of being on dates with people at their age and 182 00:09:21,120 --> 00:09:27,160 Speaker 3: those kinds of conversations happening organically. So I'm just wondering, people, 183 00:09:27,559 --> 00:09:30,480 Speaker 3: gen z Ers, if you're listening, do you actually talk 184 00:09:30,600 --> 00:09:35,080 Speaker 3: like this on dates? Because I'm I'm I'm confused, I'm cursed. 185 00:09:37,760 --> 00:09:39,600 Speaker 2: I don't even know how to handle it. Part of 186 00:09:39,600 --> 00:09:42,520 Speaker 2: me wants to just like overcompensate here and be like 187 00:09:42,559 --> 00:09:46,080 Speaker 2: it's reality TV, Heather, like they have to there, you know, 188 00:09:46,240 --> 00:09:47,640 Speaker 2: all of the things, and the other part of me 189 00:09:47,760 --> 00:09:50,439 Speaker 2: is like, no, no, no, no, that's what they're like nowadays. 190 00:09:50,559 --> 00:09:51,280 Speaker 2: That's what they're like. 191 00:09:51,480 --> 00:09:54,840 Speaker 3: I have to tell I just don't think. I just 192 00:09:54,880 --> 00:09:57,160 Speaker 3: don't think in my experience of being on set that 193 00:09:57,200 --> 00:10:01,280 Speaker 3: producers are going in there and telling them things to 194 00:10:01,400 --> 00:10:06,480 Speaker 3: say to sound smarter than they are. I just think 195 00:10:06,480 --> 00:10:11,040 Speaker 3: that this is how they're talking, and I'm genuinely confused. 196 00:10:11,040 --> 00:10:14,200 Speaker 3: Do you think we'd meet good Life Partners? I just 197 00:10:14,320 --> 00:10:17,160 Speaker 3: met you anyways. Anyways, you have to tell them about 198 00:10:17,160 --> 00:10:21,240 Speaker 3: this drama between Leela, Gia Bo, the whole thing. 199 00:10:21,480 --> 00:10:24,080 Speaker 2: Well, listen, just when you start to get like a 200 00:10:24,120 --> 00:10:27,360 Speaker 2: little overstimulated with the heaviness of it, we have someone 201 00:10:27,679 --> 00:10:31,000 Speaker 2: like Leela who comes in just to shake things up. 202 00:10:31,000 --> 00:10:33,040 Speaker 2: And listen, we have seen this from her from the 203 00:10:33,160 --> 00:10:36,280 Speaker 2: very first episode. Leela goes and tips off Bow to 204 00:10:36,320 --> 00:10:39,559 Speaker 2: what's going on, right, She tells him to be more 205 00:10:39,559 --> 00:10:42,439 Speaker 2: assertive with Gia, and she also tells Bo that Gia 206 00:10:42,600 --> 00:10:45,520 Speaker 2: is fifty to fifty on both guys. And listen, we 207 00:10:45,559 --> 00:10:48,400 Speaker 2: see Bo he does not like this. I mean, who would. 208 00:10:48,520 --> 00:10:51,880 Speaker 2: I wouldn't, but he is clearly like, oh yeah, no, 209 00:10:51,920 --> 00:10:54,480 Speaker 2: I'm not playing that game. We see him storm off 210 00:10:54,480 --> 00:10:56,240 Speaker 2: the side of the boat. He's done with this conversation. 211 00:10:56,400 --> 00:10:58,080 Speaker 2: He's like, I'm not that guy. 212 00:10:58,960 --> 00:11:01,080 Speaker 3: Do you think she had good intentions when she was 213 00:11:01,120 --> 00:11:04,160 Speaker 3: doing this or do you think that she just likes 214 00:11:04,200 --> 00:11:05,160 Speaker 3: to be in the mix. 215 00:11:06,040 --> 00:11:09,360 Speaker 2: I hate to say it, but I think she likes 216 00:11:09,400 --> 00:11:11,280 Speaker 2: to be in the mix. And I'm saying that just 217 00:11:11,360 --> 00:11:13,960 Speaker 2: based on what we have seen since the first episode. 218 00:11:14,360 --> 00:11:16,800 Speaker 2: She has done this a couple of times now where 219 00:11:16,800 --> 00:11:19,120 Speaker 2: she likes to put herself right in the middle, and 220 00:11:19,160 --> 00:11:21,680 Speaker 2: she likes everybody to know what game they're playing, you 221 00:11:21,720 --> 00:11:23,680 Speaker 2: know what I mean. It doesn't happen to her, but 222 00:11:23,720 --> 00:11:25,280 Speaker 2: she's doing it to other people. So I actually just 223 00:11:25,320 --> 00:11:27,720 Speaker 2: think she kind of likes it. She thinks she's in charge, 224 00:11:27,720 --> 00:11:28,640 Speaker 2: she likes control. 225 00:11:28,960 --> 00:11:32,640 Speaker 3: It doesn't happen to her yet. I think that when 226 00:11:32,640 --> 00:11:36,040 Speaker 3: we see this happen on shows, there's one person who's 227 00:11:36,120 --> 00:11:38,160 Speaker 3: mixing it up a little bit, and then they get 228 00:11:38,160 --> 00:11:41,599 Speaker 3: a taste of their own medicine, and I think that, Leila, 229 00:11:41,760 --> 00:11:43,960 Speaker 3: you might have it coming with how much of the 230 00:11:44,000 --> 00:11:45,839 Speaker 3: mixing you're doing on this boat. 231 00:11:46,200 --> 00:11:52,840 Speaker 2: Bomb bum Well, it doesn't stop there. Leela then goes 232 00:11:52,920 --> 00:11:56,240 Speaker 2: on to GS. She comes clean about everything that she 233 00:11:56,280 --> 00:11:59,959 Speaker 2: has just told bo. Okay, so we see that play out. 234 00:12:00,000 --> 00:12:02,680 Speaker 2: Don't know that part I could have done without. I 235 00:12:02,679 --> 00:12:06,079 Speaker 2: could have done without that part because Gia seems kind 236 00:12:06,080 --> 00:12:08,000 Speaker 2: of unbothered a little bit. And I don't know if 237 00:12:08,040 --> 00:12:10,440 Speaker 2: Leela was also just continuing to stir the pot there 238 00:12:10,600 --> 00:12:12,000 Speaker 2: or she just didn't want it to come back and 239 00:12:12,000 --> 00:12:13,800 Speaker 2: bite her in the ass, you know what I mean, 240 00:12:14,120 --> 00:12:14,520 Speaker 2: I don't know. 241 00:12:14,640 --> 00:12:18,480 Speaker 3: I think she genuinely likes Gia. I think, like I 242 00:12:18,559 --> 00:12:22,360 Speaker 3: think Leela likes to be liked and wants to like 243 00:12:22,440 --> 00:12:25,920 Speaker 3: have friends, and I think that as much as she 244 00:12:26,040 --> 00:12:28,280 Speaker 3: likes drama, I think she was trying to come from 245 00:12:28,320 --> 00:12:30,840 Speaker 3: a good place right with that situation because she I 246 00:12:30,840 --> 00:12:33,079 Speaker 3: think she likes Bo and she was probably like, Bo, 247 00:12:34,400 --> 00:12:36,400 Speaker 3: you gotta step it up. But I think she wasn't 248 00:12:36,440 --> 00:12:39,120 Speaker 3: expecting Bo to be like, Yo, I'm not into somebody 249 00:12:39,160 --> 00:12:41,080 Speaker 3: that kind of thinks they're fifty to fifty on me. 250 00:12:41,200 --> 00:12:43,280 Speaker 3: So it kind of backfired on her in that moment, 251 00:12:43,320 --> 00:12:45,320 Speaker 3: and that's when she had to go into overdrive and 252 00:12:45,360 --> 00:12:47,920 Speaker 3: be like, oh no, no, no, no, no, no, that's not 253 00:12:47,960 --> 00:12:51,240 Speaker 3: what I meant, and she had to course correct. But 254 00:12:51,320 --> 00:12:54,920 Speaker 3: I think in that moment she was coming in a 255 00:12:54,960 --> 00:12:58,280 Speaker 3: good way versus what she did in the last set 256 00:12:58,320 --> 00:13:01,840 Speaker 3: of episodes between Bella and Lo. I think that that 257 00:13:02,040 --> 00:13:06,400 Speaker 3: was a little bit more on the mean spirited side. Yeah. 258 00:13:06,480 --> 00:13:09,480 Speaker 2: I honestly kind of love that Bo reacted that way though, 259 00:13:09,520 --> 00:13:12,200 Speaker 2: because I am like that, like, we're not We're not 260 00:13:12,240 --> 00:13:14,240 Speaker 2: in a place in our life where we're chasing people 261 00:13:14,240 --> 00:13:17,520 Speaker 2: and making them choose us and forcing them to want 262 00:13:17,520 --> 00:13:22,400 Speaker 2: to be with us. Naturally, given especially that situation. People 263 00:13:22,440 --> 00:13:24,520 Speaker 2: should want to be with you, So like I kind 264 00:13:24,520 --> 00:13:27,480 Speaker 2: of have nothing but respect for him, being like, yeah, no, no, 265 00:13:27,679 --> 00:13:29,680 Speaker 2: she's not in it. I'm like, I'm not going there. 266 00:13:29,720 --> 00:13:31,439 Speaker 2: It's not a fight to the death kind of thing. 267 00:13:31,559 --> 00:13:34,560 Speaker 2: Like they have spent some time together at this point, 268 00:13:34,640 --> 00:13:36,360 Speaker 2: she should be able to make a choice one way 269 00:13:36,440 --> 00:13:38,439 Speaker 2: or the other. So I kind of actually at that moment, 270 00:13:38,480 --> 00:13:40,559 Speaker 2: I had nothing but respect for bo in the way 271 00:13:40,559 --> 00:13:41,960 Speaker 2: that he handled that and the way he just kind 272 00:13:41,960 --> 00:13:43,120 Speaker 2: of walked away. He was like, I'm not going to 273 00:13:43,120 --> 00:13:47,800 Speaker 2: play the game. I don't know exactly. Next up, we 274 00:13:47,840 --> 00:13:51,319 Speaker 2: move on to Shade and Keif. This situation is very 275 00:13:51,360 --> 00:13:53,320 Speaker 2: interesting to me. I already told you that in our 276 00:13:53,360 --> 00:13:57,959 Speaker 2: previous podcast. But Keith asks Shade if she plans to 277 00:13:58,000 --> 00:14:00,160 Speaker 2: bring him up to the top again, and she says yes, 278 00:14:00,360 --> 00:14:02,880 Speaker 2: So we'll see how that one continues to play out. 279 00:14:02,880 --> 00:14:04,679 Speaker 2: I have all kinds of feels about the two of them. 280 00:14:04,720 --> 00:14:06,600 Speaker 2: I just don't see it. I just don't see it. 281 00:14:06,760 --> 00:14:09,040 Speaker 3: You're not the only one. I don't see it either. 282 00:14:09,240 --> 00:14:14,280 Speaker 3: I don't think that she's again shut is so gorgeous, 283 00:14:14,640 --> 00:14:17,280 Speaker 3: but I think that she's at this point of the 284 00:14:17,320 --> 00:14:20,800 Speaker 3: show just strategizing. I do not think she's interested in Keith. 285 00:14:21,120 --> 00:14:24,280 Speaker 3: I think she does like a probably a more subdued, 286 00:14:24,520 --> 00:14:27,680 Speaker 3: quiet guy. I could see that being her vibe, But 287 00:14:27,760 --> 00:14:29,240 Speaker 3: I don't think she's interested in him. 288 00:14:29,800 --> 00:14:33,880 Speaker 2: No, I believe that. I believe that she can run 289 00:14:33,920 --> 00:14:37,400 Speaker 2: circles around Keith, and that's why it's not going to work. 290 00:14:37,400 --> 00:14:40,560 Speaker 2: Like she needs like a grown ass man, like a boss, 291 00:14:41,360 --> 00:14:43,280 Speaker 2: you know, not to tell her what to do, but 292 00:14:43,360 --> 00:14:44,840 Speaker 2: just keep her in check just a little bit. And 293 00:14:44,880 --> 00:14:46,720 Speaker 2: I don't think Keith is our guy, so I'm not 294 00:14:46,800 --> 00:14:48,960 Speaker 2: I'm just not seeing it. But anyway, we move on 295 00:14:49,240 --> 00:14:52,720 Speaker 2: and Bo and Gia they have a tough talk in bed. 296 00:14:52,920 --> 00:14:56,080 Speaker 2: BO is upset that Gia didn't come in, she wasn't 297 00:14:56,120 --> 00:14:58,680 Speaker 2: clear about the situation, and she didn't talk to him 298 00:14:58,760 --> 00:15:01,120 Speaker 2: right away. So we're starting to see some of that 299 00:15:01,320 --> 00:15:02,480 Speaker 2: unravel as well. 300 00:15:03,000 --> 00:15:04,800 Speaker 3: What did you think, because I remember I said in 301 00:15:04,840 --> 00:15:07,800 Speaker 3: the last episode, like I thought I could see them 302 00:15:08,440 --> 00:15:14,680 Speaker 3: going the distance on this. I feel like Gia really 303 00:15:14,760 --> 00:15:17,200 Speaker 3: didn't like that she hurt his feelings. Like I thought 304 00:15:17,240 --> 00:15:21,040 Speaker 3: that what this conversation felt very sincere to me, like 305 00:15:21,160 --> 00:15:24,280 Speaker 3: that she was really still interested in him. 306 00:15:24,960 --> 00:15:27,560 Speaker 2: I'm with you. I too think it was really sincere. 307 00:15:27,880 --> 00:15:33,560 Speaker 2: I do believe. I do believe that they have genuine 308 00:15:33,720 --> 00:15:36,960 Speaker 2: affection and concern for each other. I do. I just 309 00:15:37,160 --> 00:15:40,160 Speaker 2: believe that it is stronger with Tim like I believe 310 00:15:40,760 --> 00:15:44,080 Speaker 2: with Bo. It is that friendship level. They have respect 311 00:15:44,080 --> 00:15:46,560 Speaker 2: for one another, there is some attraction, but I believe 312 00:15:46,640 --> 00:15:50,760 Speaker 2: with Tim there is like chemistry, you know, the difference 313 00:15:51,200 --> 00:15:53,800 Speaker 2: you can like someone and think, oh, maybe it'll change 314 00:15:53,840 --> 00:15:56,000 Speaker 2: over time. But I believe with Tim there is that 315 00:15:56,320 --> 00:16:00,920 Speaker 2: instant chemistry, whereas with Bo, they just they connect like 316 00:16:01,000 --> 00:16:04,000 Speaker 2: maybe their souls have a purpose together for whatever reason. 317 00:16:04,080 --> 00:16:08,560 Speaker 2: But I just don't see that that undeniable attraction between 318 00:16:08,560 --> 00:16:10,000 Speaker 2: the two of them. But yeah, I think she like 319 00:16:10,080 --> 00:16:12,600 Speaker 2: genuinely cares for him and why that's why she probably 320 00:16:12,600 --> 00:16:16,360 Speaker 2: feels really torn because I also think deep down she 321 00:16:16,440 --> 00:16:18,920 Speaker 2: knows the truth that she's probably leaning more towards him, 322 00:16:18,920 --> 00:16:20,320 Speaker 2: but she doesn't want to break it to Bow and 323 00:16:20,360 --> 00:16:22,160 Speaker 2: they haven't made it to the plank ceremony, yes, and 324 00:16:22,160 --> 00:16:24,040 Speaker 2: nobody knows who's going home, and she doesn't want to 325 00:16:24,080 --> 00:16:25,840 Speaker 2: leave the top side. But she also kind of likes 326 00:16:25,880 --> 00:16:27,600 Speaker 2: him and he's hot, so they stay the night together. 327 00:16:27,600 --> 00:16:28,920 Speaker 2: You know what, I mean, I believe there's all kinds 328 00:16:28,920 --> 00:16:31,080 Speaker 2: of things that this girl's got to consider at that 329 00:16:31,160 --> 00:16:31,840 Speaker 2: point in time. 330 00:16:32,360 --> 00:16:36,400 Speaker 3: I think this is a classic nice guy versus voice situation. 331 00:16:37,200 --> 00:16:38,720 Speaker 2: Thank you, I'm so glad you said that. 332 00:16:38,840 --> 00:16:43,040 Speaker 3: I think that Bo's the nice guy and he's calm, 333 00:16:43,080 --> 00:16:47,440 Speaker 3: cool and collected, but he's not and he's listen. He 334 00:16:47,640 --> 00:16:51,120 Speaker 3: set his intentions in the last episode. He sat her down. 335 00:16:51,480 --> 00:16:53,640 Speaker 3: He said, I'm into you. I'm only into you. I 336 00:16:53,640 --> 00:16:56,239 Speaker 3: don't want you to ever question that, like I'm being 337 00:16:56,280 --> 00:17:00,240 Speaker 3: straightforward with you. And Tim has kind of done the 338 00:17:00,280 --> 00:17:04,360 Speaker 3: same thing, but he's done it in I hate this 339 00:17:04,480 --> 00:17:06,520 Speaker 3: term because I don't think the kids use it anymore. 340 00:17:06,600 --> 00:17:08,159 Speaker 3: He does it in a little bit more of a 341 00:17:08,160 --> 00:17:11,920 Speaker 3: swaggy way than both does it, And I think being 342 00:17:13,080 --> 00:17:18,800 Speaker 3: open and honest about his boy ways makes it feel 343 00:17:19,040 --> 00:17:22,920 Speaker 3: endearing to her, like, oh, he's willing to change his 344 00:17:23,600 --> 00:17:28,919 Speaker 3: bad habits for me. And I still think of that, 345 00:17:29,040 --> 00:17:31,359 Speaker 3: maybe not as a red flag but a pink flag 346 00:17:31,440 --> 00:17:34,560 Speaker 3: a girl. And I think that Bow's the nice guy. 347 00:17:34,600 --> 00:17:36,679 Speaker 3: But anyways, what do I know. Let's see how this 348 00:17:36,720 --> 00:17:40,280 Speaker 3: plays out. We got our first challenge of the episode, 349 00:17:40,280 --> 00:17:44,720 Speaker 3: which is called diving for Dirt. There are tubes in 350 00:17:44,760 --> 00:17:48,200 Speaker 3: the ocean full of statements from the Top Side men 351 00:17:48,359 --> 00:17:50,840 Speaker 3: that can be either a truth or a lie, and 352 00:17:50,960 --> 00:17:53,879 Speaker 3: the Downside girls can challenge any of the Top Side 353 00:17:53,960 --> 00:17:57,919 Speaker 3: girls for their man essentially, and they have thirty seconds 354 00:17:57,920 --> 00:18:00,240 Speaker 3: to collect as many tubes as they can. Who Ever 355 00:18:00,240 --> 00:18:03,080 Speaker 3: gets the most wins. Now, I think it's really funny 356 00:18:03,080 --> 00:18:06,480 Speaker 3: with these challenges that it's up to them if they 357 00:18:06,520 --> 00:18:10,480 Speaker 3: want to participate or not. It's not everybody has to play, 358 00:18:11,359 --> 00:18:15,399 Speaker 3: which I think is really interesting. So Bella takes the 359 00:18:15,560 --> 00:18:20,040 Speaker 3: opportunity to challenge Enna for Andrew. She does not win. 360 00:18:20,200 --> 00:18:24,720 Speaker 3: An adult really smokes her in getting all of those tubes. 361 00:18:35,920 --> 00:18:41,080 Speaker 3: So Leela then challenges Shade for Kari. They both move 362 00:18:41,440 --> 00:18:45,760 Speaker 3: extremely slow getting into the water, which is kind of comical, 363 00:18:46,320 --> 00:18:50,640 Speaker 3: and they end up tying because they get the same 364 00:18:50,680 --> 00:18:54,120 Speaker 3: amount of these tubes. So then they have to answer 365 00:18:54,240 --> 00:18:58,080 Speaker 3: questions on what's the truth and what's a lie about Kari, 366 00:18:58,640 --> 00:19:02,119 Speaker 3: and Leela wins and gets to now come to the 367 00:19:02,119 --> 00:19:02,760 Speaker 3: Top Side. 368 00:19:02,920 --> 00:19:05,399 Speaker 2: I like died during this challenge either, like there was 369 00:19:05,440 --> 00:19:06,840 Speaker 2: a part of me on the inside. It was just 370 00:19:06,880 --> 00:19:10,360 Speaker 2: like crying that like the way that they I don't 371 00:19:10,400 --> 00:19:12,119 Speaker 2: know if they just didn't want to get their hair wet, 372 00:19:12,440 --> 00:19:14,199 Speaker 2: or if like their mom didn't toss them in the 373 00:19:14,200 --> 00:19:16,119 Speaker 2: pool at the YMCA when they were really young and 374 00:19:16,160 --> 00:19:18,600 Speaker 2: they didn't know how to swim. But like it was 375 00:19:18,760 --> 00:19:22,200 Speaker 2: painful to watch that, Like neither girl was like dying 376 00:19:22,280 --> 00:19:24,520 Speaker 2: to catch anything to put it in there, you know. 377 00:19:24,640 --> 00:19:27,000 Speaker 3: I was just like, oh, I think one hundred neither 378 00:19:27,040 --> 00:19:29,679 Speaker 3: of them wanted to get wet, And I think that 379 00:19:29,760 --> 00:19:33,119 Speaker 3: the water was cold, Like Leila's face looked like she 380 00:19:33,280 --> 00:19:37,199 Speaker 3: was freezing when she got into that water. So I 381 00:19:37,200 --> 00:19:38,879 Speaker 3: think it was a little bit of a mixture of both. 382 00:19:38,960 --> 00:19:42,760 Speaker 3: But it was very funny because I mean, clearly Shade 383 00:19:42,920 --> 00:19:45,800 Speaker 3: does not care for Kai, and so she's not like 384 00:19:45,880 --> 00:19:47,919 Speaker 3: putting in a whole lot of effort. Na was like, 385 00:19:48,119 --> 00:19:51,600 Speaker 3: absolutely not. She was not leaving the top side at 386 00:19:51,640 --> 00:19:55,000 Speaker 3: that moment. So that's the end of the challenge, which 387 00:19:55,040 --> 00:19:57,920 Speaker 3: means Leela's going to the top side and now Shade 388 00:19:58,040 --> 00:20:00,240 Speaker 3: has to go to the downside for the first time. 389 00:20:00,760 --> 00:20:03,360 Speaker 2: So this is where we start to see the unraveling, right, 390 00:20:03,600 --> 00:20:06,320 Speaker 2: this is where it all starts to go down. Shad 391 00:20:06,320 --> 00:20:10,200 Speaker 2: A is going to the downside and has unfinished business 392 00:20:10,240 --> 00:20:14,240 Speaker 2: with Bella. This kind of makes me laugh so hard. 393 00:20:14,320 --> 00:20:18,840 Speaker 2: Shade confronts Bella about the situation with Keif and Bella. 394 00:20:19,080 --> 00:20:22,240 Speaker 2: Both they denies it, you know what I mean. Bella's 395 00:20:22,280 --> 00:20:25,119 Speaker 2: confused and thinks that there is no way Shade likes 396 00:20:25,200 --> 00:20:29,200 Speaker 2: Keith this much. The confrontation brings down all of the vibes. 397 00:20:29,240 --> 00:20:32,320 Speaker 2: On the downside, Keith doesn't like that Shade's attitude is 398 00:20:32,359 --> 00:20:35,919 Speaker 2: showing up. Bella starts crying again. Shada says that Bella's 399 00:20:35,960 --> 00:20:39,600 Speaker 2: too dramatic. Shade leaves the table and says that she's 400 00:20:39,600 --> 00:20:42,800 Speaker 2: not going to film anymore like it, just like I don't. 401 00:20:43,280 --> 00:20:45,600 Speaker 2: Part of me wonders how much of this was just 402 00:20:45,880 --> 00:20:48,800 Speaker 2: construed or did this really play out like this, because 403 00:20:48,800 --> 00:20:52,040 Speaker 2: it didn't feel very fitting because as viewers, we see 404 00:20:52,080 --> 00:20:53,920 Speaker 2: it pretty early on. You and I were just saying 405 00:20:53,960 --> 00:20:56,160 Speaker 2: this at the top of the episode. I don't see 406 00:20:56,160 --> 00:20:58,840 Speaker 2: it between Shade and Keith on either side. I don't 407 00:20:58,840 --> 00:21:00,840 Speaker 2: see it from her and I don't see it from him. 408 00:21:01,320 --> 00:21:04,600 Speaker 2: But then you know, then there's this, like this made 409 00:21:04,680 --> 00:21:07,600 Speaker 2: up drama about Bella going after. 410 00:21:07,640 --> 00:21:10,919 Speaker 3: He I need everybody to back off my girl Bella. 411 00:21:11,080 --> 00:21:14,280 Speaker 2: I know she's just there for a good time. 412 00:21:14,600 --> 00:21:18,280 Speaker 3: Ella's there for a good time, and she literally has 413 00:21:18,680 --> 00:21:23,520 Speaker 3: four men to choose from, like everybody needs to chill out, 414 00:21:23,720 --> 00:21:28,280 Speaker 3: Like the girl is trying low has basically, for lack 415 00:21:28,320 --> 00:21:32,600 Speaker 3: of a better analogy, made David the fire hydrant and 416 00:21:32,680 --> 00:21:35,359 Speaker 3: she's the puppy, and she is like, that is mine. 417 00:21:35,400 --> 00:21:37,920 Speaker 3: I have peede all over him. You cannot have him, 418 00:21:38,280 --> 00:21:41,560 Speaker 3: So David's out of the mix for Bella. Then she 419 00:21:41,960 --> 00:21:45,040 Speaker 3: tries to talk to Keith and Shade is now jumping 420 00:21:45,080 --> 00:21:47,520 Speaker 3: on her when she's not even with him anymore. 421 00:21:47,880 --> 00:21:49,919 Speaker 2: We see it plain as day that the two of 422 00:21:49,960 --> 00:21:53,960 Speaker 2: them are not together. They're not vibing. There is absolutely 423 00:21:54,000 --> 00:21:57,679 Speaker 2: no chemistry between the two. But you know, sometimes girls 424 00:21:57,720 --> 00:21:59,479 Speaker 2: just like drama, you know what I mean. You always 425 00:21:59,640 --> 00:22:03,199 Speaker 2: you don't want it, but then you want what you 426 00:22:03,240 --> 00:22:04,959 Speaker 2: can't have and you don't want anybody else to have it. 427 00:22:04,960 --> 00:22:06,679 Speaker 2: Have you ever been in a relationship like that? I 428 00:22:06,800 --> 00:22:08,960 Speaker 2: know I have, early on in my twenties when I 429 00:22:09,000 --> 00:22:11,800 Speaker 2: was about these girls' age, I didn't want him, but 430 00:22:11,840 --> 00:22:13,320 Speaker 2: I didn't want anybody else to have him. 431 00:22:13,640 --> 00:22:16,640 Speaker 3: Absolutely not. I have not been in the situation. I'm 432 00:22:16,640 --> 00:22:21,880 Speaker 3: so sorry to say that. Shah Day, You're that bitch 433 00:22:22,000 --> 00:22:26,000 Speaker 3: like you're so cool and you're so pretty, like what like, 434 00:22:26,080 --> 00:22:27,879 Speaker 3: you do not need to be acting like this and 435 00:22:27,920 --> 00:22:30,879 Speaker 3: you don't need to go after Bella Like it just 436 00:22:30,920 --> 00:22:33,880 Speaker 3: felt like low hanging fruit and it's like, I'm upset 437 00:22:34,000 --> 00:22:37,000 Speaker 3: to be here and now I must pick on somebody. 438 00:22:37,320 --> 00:22:39,800 Speaker 3: And it was that was the vibe I was getting, 439 00:22:39,840 --> 00:22:42,520 Speaker 3: And I'm glad that they end up squashing it later 440 00:22:42,560 --> 00:22:45,280 Speaker 3: in the episode and she took accountability for it. It 441 00:22:45,320 --> 00:22:48,520 Speaker 3: sounds like she was very triggered by something that was 442 00:22:48,560 --> 00:22:52,320 Speaker 3: said in that conversation. But baby, you can't say somebody's 443 00:22:52,359 --> 00:22:55,200 Speaker 3: being dramatic and then actually get up in the same breath, 444 00:22:55,280 --> 00:22:58,000 Speaker 3: storm off and say I'm done filming, Cause that's like 445 00:22:58,119 --> 00:22:59,240 Speaker 3: the most dramatic. 446 00:23:00,480 --> 00:23:04,040 Speaker 2: Yeah. Yeah, it was a scene to be had, but 447 00:23:04,280 --> 00:23:06,800 Speaker 2: you know what, that's fine. We move on to happy 448 00:23:06,840 --> 00:23:10,399 Speaker 2: Hour Heather and Corry and Leela. We start to really 449 00:23:10,440 --> 00:23:12,640 Speaker 2: get to see the two of them. They like getting 450 00:23:12,720 --> 00:23:15,040 Speaker 2: to know each other. Then we've got g and Tim. 451 00:23:15,240 --> 00:23:18,919 Speaker 2: They talk about Tim's past relationship. He says he's ready 452 00:23:18,960 --> 00:23:22,080 Speaker 2: for something serious. He says he wants to take her 453 00:23:22,119 --> 00:23:23,720 Speaker 2: on a date. You know, all the perfect things that 454 00:23:23,760 --> 00:23:26,560 Speaker 2: we need to hear. And then it hits us. Okay, 455 00:23:27,000 --> 00:23:31,040 Speaker 2: A boat arrives with a woman on it, Delaney. Yes, 456 00:23:31,359 --> 00:23:34,239 Speaker 2: I love this too. I was not anticipating this, but 457 00:23:34,280 --> 00:23:37,760 Speaker 2: I love every ounce of this. To bring in the 458 00:23:37,920 --> 00:23:42,440 Speaker 2: new hot bodies, a shipwrecker, let's call her Delaney twenty six. 459 00:23:42,640 --> 00:23:46,080 Speaker 2: She's a model who's very low maintenance. She comes walking 460 00:23:46,160 --> 00:23:51,000 Speaker 2: in all what five foot nine of her gorgeous lips, hair, 461 00:23:51,160 --> 00:23:56,520 Speaker 2: the whole thing from the jump. Andrew is interested. Keith 462 00:23:56,600 --> 00:23:59,840 Speaker 2: is interested to meet her too, Lo says, Delaney is 463 00:24:00,119 --> 00:24:06,280 Speaker 2: up close and acquired taste. David doesn't love these jealous comments. Okay. 464 00:24:06,320 --> 00:24:07,919 Speaker 2: So then we start to see a little bit between 465 00:24:07,920 --> 00:24:09,640 Speaker 2: the two of them that's super. 466 00:24:09,400 --> 00:24:12,920 Speaker 3: Rude, and it was trying to be Joki Joki Joki. 467 00:24:13,480 --> 00:24:16,840 Speaker 3: That is low. You're better than that, Okay, I just 468 00:24:16,920 --> 00:24:21,720 Speaker 3: know you are. And it breathes of insecurity when Yes 469 00:24:21,840 --> 00:24:25,240 Speaker 3: and sees another woman. You have not conversed with this person, 470 00:24:25,320 --> 00:24:27,520 Speaker 3: you don't know her, she's been there for five seconds 471 00:24:27,560 --> 00:24:33,640 Speaker 3: and you're making a negative comment about her looks breathes insecurity. 472 00:24:33,800 --> 00:24:37,320 Speaker 2: Don't be that absolutely, it just literally like I don't 473 00:24:37,359 --> 00:24:39,760 Speaker 2: like that anyway, tearing another person apart anyway or the 474 00:24:39,800 --> 00:24:42,639 Speaker 2: other but it also just starts to show the cracks 475 00:24:42,680 --> 00:24:44,280 Speaker 2: between the two of them, you know what I mean. 476 00:24:44,280 --> 00:24:46,600 Speaker 2: They want to look like that top couple. No one 477 00:24:46,600 --> 00:24:47,320 Speaker 2: can break them. 478 00:24:47,600 --> 00:24:50,640 Speaker 3: What did I say? I said this in the last episode. 479 00:24:50,880 --> 00:24:55,639 Speaker 3: Anybody that is raved as the strongest couple that early 480 00:24:55,680 --> 00:25:01,040 Speaker 3: on is bound to have some major breakup or flaws. 481 00:25:01,080 --> 00:25:03,440 Speaker 3: And we do see something else later from David, which 482 00:25:03,480 --> 00:25:04,359 Speaker 3: we have to talk about. 483 00:25:04,480 --> 00:25:06,520 Speaker 2: I cannot wait. I cannot wait. There's so much, There's 484 00:25:06,520 --> 00:25:09,160 Speaker 2: so much, There's so much, all right, we don't stop there. Okay. 485 00:25:09,200 --> 00:25:13,639 Speaker 2: Another boat arrives with another shipwrecker man on it, Prisad. 486 00:25:13,760 --> 00:25:18,040 Speaker 2: He's twenty six. Also so hard that name before. I 487 00:25:18,080 --> 00:25:21,639 Speaker 2: have never heard that name either. Anyway, he's here for 488 00:25:21,680 --> 00:25:23,360 Speaker 2: the genuine reasons. 489 00:25:22,920 --> 00:25:23,119 Speaker 3: You know. 490 00:25:23,200 --> 00:25:26,080 Speaker 2: I love. That makes me so happy, and he wants 491 00:25:26,119 --> 00:25:28,760 Speaker 2: to meet his soulmate. He's twenty six. God knows he's 492 00:25:28,760 --> 00:25:31,880 Speaker 2: going to have at least six more. But we see Enna, 493 00:25:32,359 --> 00:25:35,399 Speaker 2: our girl Anna, who we love. She's super excited to 494 00:25:35,480 --> 00:25:38,159 Speaker 2: meet Prisad, like that's like for her. This is this 495 00:25:38,240 --> 00:25:39,040 Speaker 2: is moving on right. 496 00:25:39,200 --> 00:25:43,720 Speaker 3: Enna is thirty. I believe Margot. Can you double check? 497 00:25:43,760 --> 00:25:46,000 Speaker 3: Can you double check the face she made? I'm pretty 498 00:25:46,040 --> 00:25:50,280 Speaker 3: sure that Enna is thirty and so we get into 499 00:25:50,320 --> 00:25:53,200 Speaker 3: it later, but the other shipwreckers are She's thirty three. 500 00:25:53,600 --> 00:25:57,560 Speaker 3: So even though these shipwreckers that are coming in are 501 00:25:57,680 --> 00:26:01,440 Speaker 3: fairly young episode. 502 00:26:00,960 --> 00:26:03,800 Speaker 2: I mean, but but we're those people who are thirty 503 00:26:03,920 --> 00:26:06,280 Speaker 2: and over, we're seeing that on this show in particular, 504 00:26:06,440 --> 00:26:10,000 Speaker 2: they're really significantly older, you know what I mean than 505 00:26:10,040 --> 00:26:11,800 Speaker 2: some of the other castmates on this show. 506 00:26:13,160 --> 00:26:16,720 Speaker 3: Yeah, especially the ones that you're talking to. Any Yeah, 507 00:26:16,760 --> 00:26:19,680 Speaker 3: I don't know. I don't know Enna about the the 508 00:26:19,760 --> 00:26:21,080 Speaker 3: Prisad of it all. 509 00:26:24,040 --> 00:26:27,080 Speaker 2: It's fine, it's fine. We're gonna see more. Let's see 510 00:26:27,119 --> 00:26:30,040 Speaker 2: the newbies. Delaney and Prisad have to go to the 511 00:26:30,080 --> 00:26:33,600 Speaker 2: downside Shade and Bella clear the air. They hug it out. 512 00:26:33,680 --> 00:26:36,320 Speaker 2: They're best friends again, which is great to see, and 513 00:26:36,400 --> 00:26:39,600 Speaker 2: Bella says in an interview that she still doesn't trust 514 00:26:39,680 --> 00:26:42,600 Speaker 2: shaw Dai girl. You should not, you should not. 515 00:26:43,160 --> 00:26:48,199 Speaker 3: Bella is my queen. I mean, honestly, she is the 516 00:26:48,240 --> 00:26:54,360 Speaker 3: reason I'm watching, and she gives me amaya papayah. From 517 00:26:54,400 --> 00:26:59,119 Speaker 3: this last season of Love Island was kind of like 518 00:26:59,160 --> 00:27:02,320 Speaker 3: getting jerked around by different guys, and was also constantly 519 00:27:02,320 --> 00:27:05,480 Speaker 3: crying on the end of the show and we were 520 00:27:05,520 --> 00:27:08,080 Speaker 3: all so many of us were so invested in her 521 00:27:08,119 --> 00:27:11,000 Speaker 3: love story. And that is how I'm feeling about Bella 522 00:27:11,160 --> 00:27:14,720 Speaker 3: because Amaya Papaya kept getting dumped and like kept being 523 00:27:14,760 --> 00:27:17,879 Speaker 3: the single one in the villa and all she wanted 524 00:27:17,960 --> 00:27:20,800 Speaker 3: was to be loved. And finally this guy came in 525 00:27:20,840 --> 00:27:23,680 Speaker 3: towards the end, they coupled up, they ended up winning 526 00:27:23,760 --> 00:27:26,840 Speaker 3: the season. And this is what I'm rooting for for 527 00:27:26,960 --> 00:27:30,200 Speaker 3: my Bella. I'm rooting for a guy to come in 528 00:27:30,280 --> 00:27:32,199 Speaker 3: and at the very end, she makes it to the 529 00:27:32,240 --> 00:27:34,959 Speaker 3: top side and she wins this thing. I'm actually like, 530 00:27:35,200 --> 00:27:37,720 Speaker 3: she is the one now that I'm holding out for this. 531 00:27:38,080 --> 00:27:40,200 Speaker 2: I'm here for it. You Know what I'm also really 532 00:27:40,280 --> 00:27:43,000 Speaker 2: loving about this show is that when we were introduced 533 00:27:43,000 --> 00:27:48,040 Speaker 2: to all of these people on the first episode, my 534 00:27:48,160 --> 00:27:51,520 Speaker 2: favorites have changed. And I love that about television if 535 00:27:51,520 --> 00:27:53,399 Speaker 2: it keeps us on our toes like that. And I 536 00:27:53,520 --> 00:27:55,919 Speaker 2: really loved in A. You know, when we recorded our 537 00:27:55,920 --> 00:27:58,840 Speaker 2: first podcast, I was like, she is gold, Like she's everything. 538 00:27:58,920 --> 00:28:01,320 Speaker 2: She's everything. But the I'm with you, the more we 539 00:28:01,359 --> 00:28:05,040 Speaker 2: see Bella and her personality, She's so funny and just 540 00:28:05,040 --> 00:28:06,680 Speaker 2: the way she turns it on and turns it off 541 00:28:06,720 --> 00:28:08,719 Speaker 2: like I'm here for her. I do. I'm with you, 542 00:28:08,840 --> 00:28:11,240 Speaker 2: And in the end, whatever it looks like, I'd love 543 00:28:11,280 --> 00:28:13,680 Speaker 2: for her to ride off into the sunset with her 544 00:28:13,800 --> 00:28:15,919 Speaker 2: night and shining armor and her fairy tale ending at 545 00:28:16,000 --> 00:28:17,960 Speaker 2: least for like ten days or something like that. 546 00:28:18,280 --> 00:28:22,280 Speaker 3: She's so funny. I just Bella, I love you. You're 547 00:28:22,320 --> 00:28:23,360 Speaker 3: my favorite right now. 548 00:28:23,400 --> 00:28:26,800 Speaker 2: For sure we're gonna become best friends. I'm gonna hang 549 00:28:26,880 --> 00:28:29,240 Speaker 2: up here and then find her on Instagram and I'm 550 00:28:29,240 --> 00:28:31,040 Speaker 2: gonna message her, and I'm gonna tell her that, like 551 00:28:31,080 --> 00:28:32,880 Speaker 2: I just I have a spare room, she can come 552 00:28:32,920 --> 00:28:34,600 Speaker 2: and hang out me and my kids, you know what 553 00:28:34,680 --> 00:28:38,480 Speaker 2: I mean. Just make it real weird, all right? Uh? 554 00:28:38,680 --> 00:28:41,600 Speaker 2: Tim is rewarded by Gabby. He gets to go on 555 00:28:41,640 --> 00:28:44,160 Speaker 2: a date with a top side woman of his choice. 556 00:28:44,160 --> 00:28:47,320 Speaker 2: So then we go into the next day. Tim comes 557 00:28:47,360 --> 00:28:51,080 Speaker 2: in all looking handsome, and he interrupts breakfast to invite 558 00:28:51,160 --> 00:28:53,960 Speaker 2: Gia to go on a date. All right, g and 559 00:28:54,040 --> 00:28:57,560 Speaker 2: Tim they go to a vineyard and stomp on grapes 560 00:28:57,560 --> 00:29:01,120 Speaker 2: with their feet. Super cute, super romantic, feels very lovey. 561 00:29:01,720 --> 00:29:04,160 Speaker 2: Have you ever done that? I've never I liked to 562 00:29:04,240 --> 00:29:05,960 Speaker 2: drink wine way too much. I wasn't trying to like 563 00:29:06,000 --> 00:29:07,479 Speaker 2: put my feet in it. I was just like, now, 564 00:29:07,600 --> 00:29:09,840 Speaker 2: sing it down my throat. I live a whole new 565 00:29:09,880 --> 00:29:12,800 Speaker 2: life now, Heather. Yes, I never done that. 566 00:29:13,120 --> 00:29:16,840 Speaker 3: But it was so weird. I mean, I can get 567 00:29:16,920 --> 00:29:19,600 Speaker 3: the stomping the grapes thing, but when they started to 568 00:29:19,600 --> 00:29:22,520 Speaker 3: put the grapes on his chest, and that's where I 569 00:29:22,600 --> 00:29:26,360 Speaker 3: checked out, squish them. And then he put them in 570 00:29:26,440 --> 00:29:29,680 Speaker 3: her boobs and was easy grapes out of her boobs, 571 00:29:29,880 --> 00:29:31,840 Speaker 3: but then goes in for the kiss and she's like, no, 572 00:29:31,920 --> 00:29:33,160 Speaker 3: this is where I draw the line. 573 00:29:33,200 --> 00:29:36,440 Speaker 2: I was like, baby, he doesn't just put them in 574 00:29:36,600 --> 00:29:39,200 Speaker 2: between her boobs. He like takes them. It is a 575 00:29:39,360 --> 00:29:42,160 Speaker 2: very sexual moment. It's a very he like takes them 576 00:29:42,160 --> 00:29:45,400 Speaker 2: and like rubs them down, like the crevas in between 577 00:29:45,480 --> 00:29:47,440 Speaker 2: her breasts and like rubs them down. 578 00:29:47,920 --> 00:29:52,000 Speaker 3: What I'm saying, Gia, Gia, you were shooting a little 579 00:29:52,080 --> 00:29:55,360 Speaker 3: mini porno just now. And it's like, oh, kiss me, 580 00:29:55,600 --> 00:29:57,560 Speaker 3: absolutely not. This is where I draw the line. 581 00:29:57,600 --> 00:29:59,960 Speaker 2: I draw the line, feel me up, rub me down, 582 00:30:00,120 --> 00:30:02,120 Speaker 2: but like you may not put your tongue in my mouth. 583 00:30:02,240 --> 00:30:05,880 Speaker 2: Absolutely not, sir. I listen. I was with you, Heather, 584 00:30:06,160 --> 00:30:09,080 Speaker 2: because also given that moment, we are seeing the passion 585 00:30:09,120 --> 00:30:11,320 Speaker 2: between the two, I kind of wanted to see them 586 00:30:11,360 --> 00:30:13,320 Speaker 2: like stick their tongues in each other's mouths and see 587 00:30:13,320 --> 00:30:15,760 Speaker 2: if it was there, because I feel it as a viewer. 588 00:30:16,200 --> 00:30:18,680 Speaker 2: But you know, that's fine. I'll just keep waiting for 589 00:30:18,720 --> 00:30:19,479 Speaker 2: the love story. 590 00:30:20,000 --> 00:30:23,600 Speaker 3: I just thought it was so weird, and it was 591 00:30:23,680 --> 00:30:25,560 Speaker 3: like it was like she was doing it out of 592 00:30:25,600 --> 00:30:29,760 Speaker 3: respect for Bo, not kissing him. So then I'm like, Okay, 593 00:30:30,080 --> 00:30:34,000 Speaker 3: I'm right, she's really into Bow. She's really into Bo. Guys, 594 00:30:34,240 --> 00:30:34,640 Speaker 3: she's not. 595 00:30:35,480 --> 00:30:39,600 Speaker 2: She's not okay, but if all right, let's play Devil's 596 00:30:39,640 --> 00:30:42,800 Speaker 2: advocate advocate for a second. I don't think she's really 597 00:30:42,800 --> 00:30:45,520 Speaker 2: into Bow, but I believe out of respect for him 598 00:30:45,720 --> 00:30:47,920 Speaker 2: and probably the conversations that they have had that we 599 00:30:48,000 --> 00:30:50,240 Speaker 2: have not seen, she is not going to do him 600 00:30:50,240 --> 00:30:52,320 Speaker 2: dirty like that, Like I can appreciate. 601 00:30:51,840 --> 00:30:53,640 Speaker 3: That she's not going to do him dirty. She just 602 00:30:53,680 --> 00:30:57,160 Speaker 3: had this guy licking up her chest, Like what are 603 00:30:57,200 --> 00:30:58,160 Speaker 3: we talking about? 604 00:30:58,600 --> 00:31:01,160 Speaker 2: I'm too nice, Heather, I'm just too We just went. 605 00:31:01,000 --> 00:31:05,800 Speaker 3: From rated R to like a G rating He's like, 606 00:31:06,600 --> 00:31:10,239 Speaker 3: I just it felt so strange. I was just like 607 00:31:10,360 --> 00:31:13,800 Speaker 3: I hope Tim doesn't have like blue balls right now 608 00:31:13,840 --> 00:31:16,719 Speaker 3: in this situation or whatever is happening, because that was 609 00:31:16,760 --> 00:31:18,640 Speaker 3: just like some major whiplash. 610 00:31:19,200 --> 00:31:21,880 Speaker 2: Some of the dates are truly very interesting where we 611 00:31:21,880 --> 00:31:24,040 Speaker 2: look at them and they would be like normal, and 612 00:31:24,080 --> 00:31:26,680 Speaker 2: then they just immediately get off the boat go on 613 00:31:26,720 --> 00:31:29,080 Speaker 2: a date and they turn into these like R rated 614 00:31:29,160 --> 00:31:32,560 Speaker 2: scenes in this television show that I'm like, Wow, how 615 00:31:32,600 --> 00:31:35,840 Speaker 2: did they go from point A to point B so quickly? 616 00:31:36,400 --> 00:31:38,520 Speaker 2: You know, I'm not really following sometimes on some of 617 00:31:38,560 --> 00:31:41,440 Speaker 2: the dates, but I don't need over sexualized things to 618 00:31:41,480 --> 00:31:46,320 Speaker 2: begin with, so it's fine. We see Bo on the yacht. 619 00:31:46,360 --> 00:31:49,000 Speaker 2: He's super stressed about Gea. On the date. He says 620 00:31:49,840 --> 00:31:53,080 Speaker 2: if they left the show now, he'd pursue a relationship 621 00:31:53,120 --> 00:31:55,800 Speaker 2: with her. So we're seeing that he's really into her, 622 00:31:55,880 --> 00:31:59,640 Speaker 2: that he really really likes her, and it was whatever. 623 00:32:00,240 --> 00:32:02,720 Speaker 2: It really interesting because I don't see that coming from her. 624 00:32:02,960 --> 00:32:05,000 Speaker 2: I believe that they have a connection, but I don't 625 00:32:05,040 --> 00:32:06,920 Speaker 2: see that coming from her. I don't believe that it 626 00:32:06,960 --> 00:32:11,400 Speaker 2: is reciprocated. But it's fine. Thereby we're back to Tim 627 00:32:11,480 --> 00:32:13,840 Speaker 2: and Gia. He says he's full on lover boy in 628 00:32:13,840 --> 00:32:17,880 Speaker 2: a relationship he's thirty years old and ready to retire 629 00:32:17,960 --> 00:32:20,800 Speaker 2: his boy ways. You know, all the things that every 630 00:32:20,800 --> 00:32:23,000 Speaker 2: girl wants to hear. She's changed him. 631 00:32:23,000 --> 00:32:26,560 Speaker 3: The things that every boy says. Gia just letting you know. 632 00:32:27,000 --> 00:32:30,440 Speaker 2: Come on, she's hook line and sinker. She's fallen for it. 633 00:32:30,800 --> 00:32:33,640 Speaker 2: She's stressing out about her plank ceremony like it's all 634 00:32:33,720 --> 00:32:39,200 Speaker 2: about to go down. So this, for me, was the 635 00:32:39,240 --> 00:32:42,560 Speaker 2: most anticipated point of the episode, was the plank ceremony, 636 00:32:42,600 --> 00:32:44,880 Speaker 2: because I feel like, in a matter of moments, it's 637 00:32:44,920 --> 00:32:47,600 Speaker 2: all about to play out, and I really need this 638 00:32:47,640 --> 00:32:49,800 Speaker 2: for myself, just me, Heather. I need to see it 639 00:32:49,880 --> 00:32:51,880 Speaker 2: all play out because I believe she's destined to be 640 00:32:51,920 --> 00:32:54,600 Speaker 2: with Tim. I believe there's a connection between her and Bow, 641 00:32:54,640 --> 00:32:56,640 Speaker 2: but I don't see the chemistry like her and Tim have. 642 00:32:56,880 --> 00:32:59,360 Speaker 2: So it's fine. Gia is sad. She's going to be 643 00:32:59,400 --> 00:33:03,040 Speaker 2: hurting someone feelings. It's clearly, you know, putting her through torture. 644 00:33:03,520 --> 00:33:05,560 Speaker 2: She wants to hear what both men have to say 645 00:33:05,560 --> 00:33:09,360 Speaker 2: on the plank. She gets super emotional over her decision. 646 00:33:09,800 --> 00:33:12,640 Speaker 2: Tim and Bow walk the plank. This is the moment 647 00:33:13,000 --> 00:33:17,520 Speaker 2: that I've been waiting for. Tim pleads to stay. He says, 648 00:33:17,560 --> 00:33:20,440 Speaker 2: all the best moments he's had on board that he's 649 00:33:20,440 --> 00:33:23,080 Speaker 2: been having with Gia. He's taking a risk for her. 650 00:33:23,640 --> 00:33:26,960 Speaker 2: Bo says, when he saw Gia everything became real. He's 651 00:33:27,000 --> 00:33:30,320 Speaker 2: only had eyes for her. He would never ever lie 652 00:33:30,440 --> 00:33:34,320 Speaker 2: to her. Then the big shaker, were you devastated? Giasen's 653 00:33:34,320 --> 00:33:39,720 Speaker 2: bow is actually shook. And I make these shows for 654 00:33:39,760 --> 00:33:41,920 Speaker 2: a living. I should have seen this coming from a 655 00:33:41,920 --> 00:33:45,200 Speaker 2: mile away, but I thought, there's no way she is 656 00:33:45,280 --> 00:33:49,600 Speaker 2: going to send Bo overboard. She hasn't even kissed Tim. 657 00:33:49,960 --> 00:33:52,440 Speaker 2: But then I thought about it later and I thought, 658 00:33:52,840 --> 00:33:53,960 Speaker 2: has she even kissed Bo? 659 00:33:54,760 --> 00:33:55,560 Speaker 3: I feel like they have. 660 00:33:56,160 --> 00:33:58,120 Speaker 2: I feel like they have, But now that you say that, 661 00:33:58,160 --> 00:34:01,640 Speaker 2: but we see them really cozy in the bedroom on 662 00:34:01,720 --> 00:34:04,640 Speaker 2: the top side, like they are definitely canoodling and stuff. 663 00:34:04,680 --> 00:34:08,000 Speaker 2: I remember those moments where they're like definitely on top 664 00:34:08,080 --> 00:34:11,600 Speaker 2: of each other and like, you know, feeling each other. 665 00:34:12,160 --> 00:34:14,759 Speaker 2: But yeah, now that you say that, I'm not sure 666 00:34:14,800 --> 00:34:17,240 Speaker 2: I've seen a real kiss whatever Heather, I was not shook. 667 00:34:17,280 --> 00:34:19,760 Speaker 2: I thought the whole time she was choosing Tim. And again, 668 00:34:19,880 --> 00:34:21,719 Speaker 2: I just don't know if it was because I saw 669 00:34:21,760 --> 00:34:24,160 Speaker 2: some physical chemistry that I did not see with Bo. 670 00:34:24,960 --> 00:34:26,520 Speaker 2: But I was sad for our boy Bo. 671 00:34:27,160 --> 00:34:30,400 Speaker 3: I mean, they had this whole plan about getting to 672 00:34:30,480 --> 00:34:34,879 Speaker 3: the top side together, they had a mission, they made 673 00:34:34,880 --> 00:34:39,840 Speaker 3: it happen, and then it's just guys. Tale is oldest 674 00:34:39,840 --> 00:34:43,799 Speaker 3: time nice guy versus boy. She chose the boy, and 675 00:34:44,600 --> 00:34:46,520 Speaker 3: I really hope this doesn't come to bite her in 676 00:34:46,560 --> 00:34:47,279 Speaker 3: the as later. 677 00:34:47,760 --> 00:34:50,400 Speaker 2: You know what it is. It's the safe against like 678 00:34:50,640 --> 00:34:54,560 Speaker 2: the fun like it just it always wins. Bo was 679 00:34:54,600 --> 00:34:56,839 Speaker 2: a safe bet. I think she I think she liked him, 680 00:34:56,840 --> 00:34:58,759 Speaker 2: but he was a safe bet for her. Tim was 681 00:34:58,800 --> 00:35:01,359 Speaker 2: the iffy one and that's where she went. But I mean, 682 00:35:01,400 --> 00:35:05,000 Speaker 2: she's clearly torn up over it. She cries, Tim promises 683 00:35:05,040 --> 00:35:07,000 Speaker 2: he won't hurt her. You know, we get that whole 684 00:35:07,040 --> 00:35:10,120 Speaker 2: like just that whole thing. I expect nothing less from 685 00:35:10,160 --> 00:35:13,600 Speaker 2: Tim to promise her that he won't hurt her. I 686 00:35:13,640 --> 00:35:14,440 Speaker 2: expect nothing. 687 00:35:14,320 --> 00:35:16,520 Speaker 3: Less until somebody new shows up. 688 00:35:16,600 --> 00:35:16,880 Speaker 2: Gia. 689 00:35:17,080 --> 00:35:18,960 Speaker 3: I just watch out, Gia, you. 690 00:35:18,920 --> 00:35:32,880 Speaker 2: Said it not me. Episode four. I am like full on, 691 00:35:33,360 --> 00:35:36,560 Speaker 2: like just obsessed with this show. I could not get enough. 692 00:35:36,719 --> 00:35:39,000 Speaker 2: I told you I binged all four episodes in like 693 00:35:39,040 --> 00:35:43,000 Speaker 2: my first sitting. So Episode four starts with Tim being 694 00:35:43,080 --> 00:35:45,279 Speaker 2: happy to be back on the top side. I bet 695 00:35:45,320 --> 00:35:47,439 Speaker 2: he is happy. Bro's about to live his best life. 696 00:35:47,840 --> 00:35:51,359 Speaker 3: At this point, though, we've only had two people at 697 00:35:51,360 --> 00:35:53,880 Speaker 3: this point, right, who have not been to the downside, 698 00:35:53,920 --> 00:35:58,360 Speaker 3: and that's David and Low. Yes, right, they're the only 699 00:35:58,440 --> 00:36:01,640 Speaker 3: ones who have maintained being on the top side this 700 00:36:01,760 --> 00:36:04,560 Speaker 3: whole time. Well, we're going to get to it later 701 00:36:04,640 --> 00:36:07,560 Speaker 3: this episode that Enna goes down to the downside. But 702 00:36:08,680 --> 00:36:12,560 Speaker 3: they're the only ones after episode four who have stayed 703 00:36:12,560 --> 00:36:13,440 Speaker 3: there the whole time. 704 00:36:13,520 --> 00:36:16,600 Speaker 2: But we're still seeing Dave, We're still seeing David and 705 00:36:16,600 --> 00:36:19,479 Speaker 2: Low that they're really cozy up there. It's not really 706 00:36:19,520 --> 00:36:22,480 Speaker 2: shaking up yet, Like they're really really cozy. They're very 707 00:36:22,480 --> 00:36:23,240 Speaker 2: happy together. 708 00:36:23,560 --> 00:36:25,600 Speaker 3: I think one's cozier than the other, and I think 709 00:36:25,640 --> 00:36:27,040 Speaker 3: one's happier than the other. 710 00:36:27,400 --> 00:36:30,439 Speaker 2: I think you are right. You are seeing things very clearly, Heather. 711 00:36:30,719 --> 00:36:31,600 Speaker 3: I am with you. 712 00:36:33,200 --> 00:36:36,760 Speaker 2: Delaney and Keith they're talking now. We found we find 713 00:36:36,800 --> 00:36:39,319 Speaker 2: out that Keith doesn't drink. I kind of saw this 714 00:36:39,400 --> 00:36:41,080 Speaker 2: as a person who doesn't drink. I saw it from 715 00:36:41,080 --> 00:36:43,640 Speaker 2: episode one, like he never has a cocktail, he's never 716 00:36:43,880 --> 00:36:47,239 Speaker 2: at ten. And I thought for myself, you know, as 717 00:36:47,280 --> 00:36:49,319 Speaker 2: I'm like plotting in my own head, how I'm going 718 00:36:49,400 --> 00:36:52,319 Speaker 2: to get on love overboard. I thought, how is this 719 00:36:52,440 --> 00:36:55,880 Speaker 2: guy keeping up? You know what I mean? Like hanging 720 00:36:55,920 --> 00:36:59,239 Speaker 2: out with all of these people not drinking alcohol. He's 721 00:36:59,280 --> 00:37:02,120 Speaker 2: not into them. When the stuff gets like, you know, 722 00:37:02,360 --> 00:37:05,320 Speaker 2: all shaky, he kind of sees himself out of the drama. 723 00:37:05,480 --> 00:37:09,920 Speaker 2: But anyway, he's a cop. He's a cop. I'm so 724 00:37:10,239 --> 00:37:14,560 Speaker 2: surprised that he shared that with everybody. I don't know. 725 00:37:14,719 --> 00:37:18,680 Speaker 2: He's looking for someone with similar morals and beliefs to him, 726 00:37:19,120 --> 00:37:22,279 Speaker 2: which is very interesting given his situation. I find it 727 00:37:22,520 --> 00:37:26,360 Speaker 2: fascinating for a man who does not drink, he's a 728 00:37:26,400 --> 00:37:29,480 Speaker 2: police officer to go and live on a yacht for 729 00:37:29,560 --> 00:37:34,279 Speaker 2: the summer and date on reality television, Like what did 730 00:37:34,320 --> 00:37:36,040 Speaker 2: his leave of absence look like? Heather. 731 00:37:36,320 --> 00:37:42,040 Speaker 3: It's not typical to get cops on reality TV, that's 732 00:37:42,040 --> 00:37:44,120 Speaker 3: for sure. I will say. I think I've gotten a 733 00:37:44,120 --> 00:37:50,120 Speaker 3: couple of firefighters, a couple of EMTs on shows dating 734 00:37:50,160 --> 00:37:56,880 Speaker 3: shows specifically, I've called firehouses and shared casting information, and 735 00:37:56,920 --> 00:37:59,520 Speaker 3: they're pretty gung ho. Usually at the fire department they 736 00:37:59,719 --> 00:38:04,000 Speaker 3: like that stuff. Cops, that's a different situation. It makes 737 00:38:04,040 --> 00:38:08,040 Speaker 3: me wonder what kind of cop he is. We don't 738 00:38:08,040 --> 00:38:12,000 Speaker 3: really get into that too much. It makes me wonder, yes, 739 00:38:12,080 --> 00:38:14,600 Speaker 3: if he was maybe he's an active cop, but was 740 00:38:15,320 --> 00:38:17,719 Speaker 3: you know, taking a leave of absence to try and 741 00:38:17,800 --> 00:38:21,200 Speaker 3: figure some things out in his life and this opportunity came. 742 00:38:21,080 --> 00:38:23,040 Speaker 2: About because how does he go back? 743 00:38:23,719 --> 00:38:26,640 Speaker 3: Well, you have to ask permission too from your job 744 00:38:26,800 --> 00:38:30,600 Speaker 3: to take off for a show, and usually they want 745 00:38:30,640 --> 00:38:32,960 Speaker 3: to know what it is, and you know, with the 746 00:38:33,000 --> 00:38:39,080 Speaker 3: police department, I'm sure they would be critical in wanting 747 00:38:39,160 --> 00:38:42,400 Speaker 3: to know, you know, the name of the show, the 748 00:38:42,520 --> 00:38:45,080 Speaker 3: vibe and all that kind of stuff, and being very 749 00:38:45,080 --> 00:38:48,759 Speaker 3: adam it probably about him never saying exactly where he's 750 00:38:48,800 --> 00:38:52,920 Speaker 3: a cop at he came across pretty stoic to me. 751 00:38:53,120 --> 00:38:55,680 Speaker 3: For a cop, I would have thought cops are a 752 00:38:55,680 --> 00:39:02,920 Speaker 3: little bit more gregarious and just like kind of macho. 753 00:39:03,120 --> 00:39:05,480 Speaker 3: I don't know, that's like a really terrible. 754 00:39:06,080 --> 00:39:08,520 Speaker 2: I actually disagree, Heather. I have a lot of friends 755 00:39:08,520 --> 00:39:10,960 Speaker 2: who are married to cops, and not that they can't 756 00:39:11,000 --> 00:39:13,040 Speaker 2: be that, but I actually find them to be a 757 00:39:13,080 --> 00:39:19,759 Speaker 2: little bit more reserved, introverted, stoic, especially in group scenarios 758 00:39:19,800 --> 00:39:22,040 Speaker 2: like that, Especially in group scenarios like that, And I 759 00:39:22,080 --> 00:39:24,040 Speaker 2: don't know if that's just part of their persona or 760 00:39:25,080 --> 00:39:28,360 Speaker 2: you know, protecting their career in a way or given 761 00:39:28,640 --> 00:39:31,719 Speaker 2: the day and time that we live in currently, you 762 00:39:31,719 --> 00:39:34,680 Speaker 2: know what I mean. But yeah, I actually I actually 763 00:39:34,680 --> 00:39:39,080 Speaker 2: found it very very fitting. His personality matched for me. 764 00:39:39,520 --> 00:39:43,440 Speaker 3: We have some interesting careers on this ship to you know, 765 00:39:43,560 --> 00:39:47,000 Speaker 3: besides the model influencer, we also have David. We didn't 766 00:39:47,040 --> 00:39:50,680 Speaker 3: talk about his career. He works with children that have 767 00:39:50,880 --> 00:39:52,480 Speaker 3: mental health issues. 768 00:39:53,280 --> 00:39:57,480 Speaker 2: I also found that very fascinating. My children are in therapy, 769 00:39:57,560 --> 00:40:01,239 Speaker 2: and if I happen to pop on love oh and 770 00:40:01,360 --> 00:40:05,880 Speaker 2: saw my daughter's therapist fighting for love in this situation, 771 00:40:06,120 --> 00:40:08,640 Speaker 2: I would be like, huh, I'm questioning all my life 772 00:40:08,719 --> 00:40:10,480 Speaker 2: choices and where my paychecks are going. 773 00:40:10,600 --> 00:40:12,759 Speaker 3: But didn't you also think it was interesting that in 774 00:40:12,840 --> 00:40:14,879 Speaker 3: the same breath where he was like, yeah, I work 775 00:40:14,920 --> 00:40:18,200 Speaker 3: with children that have mental health issues, and then I 776 00:40:18,280 --> 00:40:19,320 Speaker 3: like to party at night. 777 00:40:19,880 --> 00:40:23,879 Speaker 2: And I like girls with big fake boobs. Yeah yeah, 778 00:40:23,880 --> 00:40:27,080 Speaker 2: I absolutely was like, huh, I'm thinking twice about this. 779 00:40:27,239 --> 00:40:31,080 Speaker 3: I mean, we are all multifaceted human beings. And if David, 780 00:40:31,440 --> 00:40:34,480 Speaker 3: like has this incredibly rewarding career and that's how he 781 00:40:34,520 --> 00:40:36,800 Speaker 3: blows off steam at the end of the day, that's great. 782 00:40:37,239 --> 00:40:40,640 Speaker 3: But it was very fascinating to have a cop a 783 00:40:40,719 --> 00:40:45,680 Speaker 3: mental health specialist amongst you know, models and influencers, and 784 00:40:46,360 --> 00:40:50,320 Speaker 3: pretty surprised. We don't have any professional athletes or former 785 00:40:50,360 --> 00:40:54,520 Speaker 3: professional athletes on the boat, but maybe that's coming. That's 786 00:40:54,560 --> 00:40:56,680 Speaker 3: usually another job that we tend to see in the 787 00:40:56,760 --> 00:40:57,760 Speaker 3: dating show realm. 788 00:40:58,280 --> 00:41:04,680 Speaker 2: Yeah, yeah, those who are literally in between jobs. It's fine, 789 00:41:04,840 --> 00:41:07,600 Speaker 2: everything is fine. Keith is going to write off into 790 00:41:07,640 --> 00:41:11,280 Speaker 2: the sunset. He's just a doll, my sweet little reserved man. 791 00:41:12,400 --> 00:41:14,839 Speaker 2: Shod A is irritated by the whole situation. I don't 792 00:41:14,880 --> 00:41:17,640 Speaker 2: know if you recognize that she is irritated by Keith 793 00:41:17,680 --> 00:41:21,040 Speaker 2: and Delaney talking. She thinks that Keith should show her 794 00:41:21,080 --> 00:41:23,440 Speaker 2: a little respect. And we know our girl Shade, she's 795 00:41:23,440 --> 00:41:25,960 Speaker 2: a little bit demanding when it comes to all of 796 00:41:25,960 --> 00:41:30,320 Speaker 2: these things. But Tim and Gea they have their first kiss. 797 00:41:30,520 --> 00:41:33,640 Speaker 2: It finally happens for the two of them. I'm like, 798 00:41:33,760 --> 00:41:34,880 Speaker 2: all about it, awkward. 799 00:41:37,800 --> 00:41:40,640 Speaker 3: I couldn't stop looking at how sweaty Tim was. 800 00:41:44,320 --> 00:41:47,120 Speaker 2: I don't know, I didn't I didn't mind it. 801 00:41:47,520 --> 00:41:50,120 Speaker 3: I didn't mind it. And I couldn't stop looking at 802 00:41:50,120 --> 00:41:53,440 Speaker 3: how flippy his hair was on the ends. Like it's 803 00:41:53,480 --> 00:41:56,480 Speaker 3: a very interesting haircut that the young men are all 804 00:41:56,560 --> 00:41:59,600 Speaker 3: rocking these days. It's, you know, it's tight, and then 805 00:41:59,600 --> 00:42:02,680 Speaker 3: it's it's kind of mulledy, it's kind of not and 806 00:42:02,719 --> 00:42:05,800 Speaker 3: I was just like noticing, like all the flippy ends 807 00:42:06,320 --> 00:42:09,960 Speaker 3: and the sweatiness, and I was like, I don't know, 808 00:42:10,360 --> 00:42:11,640 Speaker 3: I don't know about this. 809 00:42:12,200 --> 00:42:15,799 Speaker 2: Oh, I'm all about it. I'm all in. I'm invested 810 00:42:16,000 --> 00:42:20,240 Speaker 2: in their relationship. I'm invested in their connection. I'm all 811 00:42:20,320 --> 00:42:21,240 Speaker 2: about it, Heather. 812 00:42:21,400 --> 00:42:26,040 Speaker 3: I don't see it. I'm rooting for Bella, the one 813 00:42:26,040 --> 00:42:26,759 Speaker 3: I'm rooting for. 814 00:42:26,920 --> 00:42:28,880 Speaker 2: I'm just gonna stick to your girl. That's so funny 815 00:42:29,040 --> 00:42:29,480 Speaker 2: to Bella. 816 00:42:29,719 --> 00:42:33,000 Speaker 3: I think I gotta believe that that girl finds something. 817 00:42:33,520 --> 00:42:36,000 Speaker 2: Well. I hope so, because I need more of her. 818 00:42:36,040 --> 00:42:37,719 Speaker 2: I'm not ready for her to go home. And if 819 00:42:37,760 --> 00:42:39,800 Speaker 2: there is a plank ceremony and she has to jump, 820 00:42:39,840 --> 00:42:41,400 Speaker 2: I'm not ready for it. I might I might have 821 00:42:41,440 --> 00:42:43,920 Speaker 2: to quit. I will not be Okay, that can't happen. 822 00:42:44,239 --> 00:42:47,960 Speaker 2: It's fine. The drama doesn't start there. We see Shade. 823 00:42:48,000 --> 00:42:51,160 Speaker 2: She confronts Keith. She wants to know if they still 824 00:42:51,160 --> 00:42:53,600 Speaker 2: have a connection, and he says that they can be friends, 825 00:42:53,640 --> 00:42:58,080 Speaker 2: which catches her completely off guard. I expect nothing less 826 00:42:58,120 --> 00:43:00,120 Speaker 2: from Shade. She is going to be thrown off by 827 00:43:00,120 --> 00:43:03,359 Speaker 2: this because I think she's just trying to find, you know, 828 00:43:03,440 --> 00:43:06,200 Speaker 2: her place, and there really isn't one for her at 829 00:43:06,200 --> 00:43:08,080 Speaker 2: this moment, which I believe is where a lot of 830 00:43:08,120 --> 00:43:12,400 Speaker 2: the drama comes from. But it's fine Low. Low is 831 00:43:12,440 --> 00:43:14,719 Speaker 2: in it to win it. She's already dreaming of a 832 00:43:14,800 --> 00:43:18,840 Speaker 2: life off the boat with David and Tim and Gia. 833 00:43:19,120 --> 00:43:22,200 Speaker 2: They go to bed for the first time. Tim isn't 834 00:43:22,280 --> 00:43:27,359 Speaker 2: really interested in having sex our boy here, he's not 835 00:43:27,440 --> 00:43:29,760 Speaker 2: interested in having sex on the boat, while Gias says 836 00:43:29,760 --> 00:43:32,520 Speaker 2: that she's a very sexual person, but she also doesn't 837 00:43:32,520 --> 00:43:35,000 Speaker 2: really want to have sex with him on the boat. 838 00:43:35,080 --> 00:43:37,360 Speaker 3: Which means we're going to be seeing them having sex 839 00:43:37,400 --> 00:43:39,200 Speaker 3: in a closet next week. 840 00:43:39,640 --> 00:43:40,200 Speaker 2: I can't wait. 841 00:43:40,360 --> 00:43:44,759 Speaker 3: So and that is a intentional edit to put in 842 00:43:45,719 --> 00:43:48,000 Speaker 3: that somebody says that they're not going to have sex 843 00:43:48,280 --> 00:43:51,600 Speaker 3: so that they can show them having sex in like 844 00:43:51,640 --> 00:43:55,839 Speaker 3: a future episode, Like you two stop, like they're both like. 845 00:43:56,680 --> 00:43:58,479 Speaker 2: Just as hot as they are. The way she's laying 846 00:43:58,480 --> 00:44:00,680 Speaker 2: there in a little top. They've been dream and he's 847 00:44:00,719 --> 00:44:04,080 Speaker 2: taking her her Casadia from her, and he's like we're 848 00:44:04,120 --> 00:44:06,399 Speaker 2: not going to do this right now, and she's like, yeah, 849 00:44:06,400 --> 00:44:09,200 Speaker 2: absolutely not, but like I love it so like we're 850 00:44:09,200 --> 00:44:11,360 Speaker 2: not going to but like in two days when we 851 00:44:11,400 --> 00:44:12,719 Speaker 2: get off the boat, let's do it. 852 00:44:13,320 --> 00:44:17,000 Speaker 3: Yeah. No, like we're going to be seeing them sneak 853 00:44:17,040 --> 00:44:20,160 Speaker 3: into a closet, think that there's no cameras, forget that 854 00:44:20,200 --> 00:44:23,319 Speaker 3: they're micd and that's where it's going to be. 855 00:44:23,880 --> 00:44:26,160 Speaker 2: I am holding on to every single bar. 856 00:44:26,200 --> 00:44:26,919 Speaker 3: Watch out, guys. 857 00:44:26,960 --> 00:44:31,360 Speaker 2: I'm yeah, okay, So if you thought the drama with 858 00:44:31,440 --> 00:44:36,680 Speaker 2: Shade was done, we have more. This moment for me 859 00:44:36,800 --> 00:44:40,920 Speaker 2: is so cringe. She basically tries to tell Delaney that 860 00:44:41,000 --> 00:44:45,000 Speaker 2: she can have Keith because she's looking for someone more 861 00:44:45,040 --> 00:44:49,279 Speaker 2: into art and literature, which Delaney totally takes as a 862 00:44:49,280 --> 00:44:51,319 Speaker 2: dig at her as well, which I actually kind of 863 00:44:51,320 --> 00:44:54,960 Speaker 2: saw it that way, or so many things about this fight. 864 00:44:55,280 --> 00:44:57,400 Speaker 2: I'm also like, come on, girl, like there's just too 865 00:44:57,480 --> 00:44:59,720 Speaker 2: much drama. We don't have to do this. Delaney's barely 866 00:44:59,719 --> 00:45:01,880 Speaker 2: been there for like two seconds. Let her wash her face. 867 00:45:02,040 --> 00:45:04,080 Speaker 2: She's clearly in that tiny bathroom just trying to get 868 00:45:04,080 --> 00:45:06,600 Speaker 2: her makeup off for the night, get a little bed rest, 869 00:45:07,200 --> 00:45:11,479 Speaker 2: and I don't know if she knows where Delaney is from, 870 00:45:11,520 --> 00:45:13,319 Speaker 2: but I would have been offended as well. She is 871 00:45:13,400 --> 00:45:16,520 Speaker 2: literally saying like Keith is not intelligent enough for her. 872 00:45:16,600 --> 00:45:21,000 Speaker 2: He's not you know, revolutionized or whatever. I would absolutely 873 00:45:21,000 --> 00:45:23,720 Speaker 2: take offense to that, because they are both from small 874 00:45:23,719 --> 00:45:25,759 Speaker 2: towns out in the middle of nowhere whatever. I would 875 00:45:25,760 --> 00:45:29,080 Speaker 2: take offense to that. But I also love that Delaney 876 00:45:29,120 --> 00:45:29,839 Speaker 2: didn't back down. 877 00:45:31,000 --> 00:45:34,560 Speaker 3: She didn't. And also, let's be so for real, Shade, 878 00:45:34,719 --> 00:45:38,879 Speaker 3: there was no good intention with that conversation. You had 879 00:45:39,080 --> 00:45:42,319 Speaker 3: no right to go up to her and be like, girl, 880 00:45:42,360 --> 00:45:44,840 Speaker 3: by the way, you can have him. He said he 881 00:45:44,880 --> 00:45:48,319 Speaker 3: didn't want you. Girl. Like five seconds ago, you were like, hey, 882 00:45:48,360 --> 00:45:50,560 Speaker 3: so we're still good, right, like we still have a connection, 883 00:45:50,719 --> 00:45:53,359 Speaker 3: and he was like, no, we can be friends. You 884 00:45:53,440 --> 00:45:55,000 Speaker 3: have no right to then go up to the girl 885 00:45:55,040 --> 00:45:57,200 Speaker 3: and be like, by the way, girl, just let you 886 00:45:57,320 --> 00:46:00,960 Speaker 3: know you can have him. No, no, no, no, no no. 887 00:46:03,920 --> 00:46:06,520 Speaker 2: I also love that our girl Bella comes in and 888 00:46:06,520 --> 00:46:09,560 Speaker 2: she's like, girl, put it to rest, shaw day, come 889 00:46:09,600 --> 00:46:12,919 Speaker 2: on in here, tuck yourself in bed, Leave that poor 890 00:46:12,960 --> 00:46:15,560 Speaker 2: girl alone. We're not doing this tonight, honey. This is 891 00:46:15,640 --> 00:46:17,520 Speaker 2: not a tonight conversation. 892 00:46:17,360 --> 00:46:20,680 Speaker 3: For somebody who keeps getting called dramatic. I mean we 893 00:46:20,920 --> 00:46:23,279 Speaker 3: need to like be holding up a mirror, shaw Day, 894 00:46:23,400 --> 00:46:26,719 Speaker 3: because Bella is the one coming in here to diffuse 895 00:46:26,800 --> 00:46:27,280 Speaker 3: the bomb. 896 00:46:29,640 --> 00:46:32,279 Speaker 2: I'm so attached to these people, Heather, I cannot help it. 897 00:46:32,320 --> 00:46:35,040 Speaker 2: I am so attached to each one of these people. 898 00:46:35,560 --> 00:46:38,640 Speaker 2: And when that moment happened, and then I'm literally I 899 00:46:39,040 --> 00:46:42,239 Speaker 2: love Also is it? Will you tell me? Is it 900 00:46:42,280 --> 00:46:46,160 Speaker 2: the fourth dimension, fourth whatever? Where we see it's playing 901 00:46:46,200 --> 00:46:49,040 Speaker 2: out on that little tiny camera in the bathroom. 902 00:46:49,719 --> 00:46:53,600 Speaker 3: Oh, the breaking the fourth wall. Yes, we was playing 903 00:46:53,680 --> 00:46:55,719 Speaker 3: on a little camera in the bathroom. 904 00:46:56,200 --> 00:46:58,520 Speaker 2: You see it like playing out from a camera that 905 00:46:58,520 --> 00:47:00,759 Speaker 2: they have placed in the bathroom because Laney was in there, 906 00:47:00,800 --> 00:47:02,359 Speaker 2: she's trying to get ready for bed. Then you've got 907 00:47:02,520 --> 00:47:04,879 Speaker 2: shaw Day. We're seeing her face that she's like making 908 00:47:04,920 --> 00:47:07,480 Speaker 2: all this conflict, and we're seeing the back of Delaney's head, 909 00:47:07,480 --> 00:47:09,160 Speaker 2: and then we see Bella come in in the doorway 910 00:47:09,200 --> 00:47:12,800 Speaker 2: and she's like, girl, girl, Hey, hey, tonight's not the night, honey, 911 00:47:12,920 --> 00:47:13,759 Speaker 2: let's go night night. 912 00:47:14,440 --> 00:47:16,600 Speaker 3: It's less about breaking the fourth wall in that scene, 913 00:47:16,600 --> 00:47:19,000 Speaker 3: and we're just actually being a fly on the wall. 914 00:47:19,280 --> 00:47:22,480 Speaker 3: And that's because those rooms are so small that they 915 00:47:22,520 --> 00:47:25,400 Speaker 3: have to use cameras in the corners because a camera 916 00:47:25,480 --> 00:47:28,960 Speaker 3: crew can't fit in those rooms with the talent. That's 917 00:47:29,000 --> 00:47:31,160 Speaker 3: why they have to have stationary cameras set up. 918 00:47:31,320 --> 00:47:33,839 Speaker 2: I actually, like, really love it because it does make 919 00:47:33,920 --> 00:47:36,880 Speaker 2: me feel a part of the drama. I feel like 920 00:47:36,920 --> 00:47:38,440 Speaker 2: I'm in there and I'm a part of the drama, 921 00:47:38,480 --> 00:47:39,880 Speaker 2: and i am just a fly on the wall and 922 00:47:39,880 --> 00:47:42,680 Speaker 2: I'm getting to watch every last bit of it take place. 923 00:47:43,120 --> 00:47:46,560 Speaker 2: It's fine. Delaney goes in, she works the part, she 924 00:47:46,640 --> 00:47:49,719 Speaker 2: gets some you know, some comfort from Keif, and we 925 00:47:49,760 --> 00:47:51,920 Speaker 2: can see the spark starts to fly between the two 926 00:47:51,960 --> 00:47:55,200 Speaker 2: of them. They're they're like moving on in the right direction. 927 00:48:06,120 --> 00:48:10,560 Speaker 2: The next day we see the Downsiders cleaning toilets with toothbrushes. Heather, 928 00:48:10,640 --> 00:48:11,919 Speaker 2: I knew that you loved this. 929 00:48:13,000 --> 00:48:17,240 Speaker 3: It felt like somebody said, like, you don't clean a 930 00:48:17,280 --> 00:48:19,960 Speaker 3: toilet with a toothbrush unless you're in prison. And I 931 00:48:20,120 --> 00:48:24,320 Speaker 3: was like, yeah, this is giving weird prison vibes right now. 932 00:48:24,440 --> 00:48:26,760 Speaker 3: Like I know that they were doing it for the scene, 933 00:48:26,800 --> 00:48:29,800 Speaker 3: like those aren't their toothbrushes, and that's not how toilets 934 00:48:29,840 --> 00:48:32,520 Speaker 3: get cleaned on a super yacht. But I was like, 935 00:48:32,840 --> 00:48:36,200 Speaker 3: why are we doing this? Why are we doing toothbrush 936 00:48:36,280 --> 00:48:41,319 Speaker 3: toilet cleaning scene like youw oh? It makes for great 937 00:48:41,360 --> 00:48:43,480 Speaker 3: but it gives just a good scene of Lexi and 938 00:48:43,600 --> 00:48:47,920 Speaker 3: James trying to strategize, which again, we love the strategy 939 00:48:48,000 --> 00:48:50,480 Speaker 3: of this game show because that's what makes it so 940 00:48:50,600 --> 00:48:54,640 Speaker 3: different and fun because they're vibing down below, but they 941 00:48:54,719 --> 00:48:57,400 Speaker 3: know they can't win the show this way, like with 942 00:48:57,480 --> 00:48:59,880 Speaker 3: them just being down, so they have to strategize to 943 00:48:59,880 --> 00:49:03,200 Speaker 3: get up to the top together. And I do kind 944 00:49:03,239 --> 00:49:05,560 Speaker 3: of love seeing this little moment between them. 945 00:49:05,960 --> 00:49:08,040 Speaker 2: I told you I love them. I love them. I 946 00:49:08,080 --> 00:49:10,400 Speaker 2: have so many favorites I can't keep them straight, but 947 00:49:10,480 --> 00:49:13,080 Speaker 2: I like love the two of them. I love them 948 00:49:13,200 --> 00:49:14,920 Speaker 2: the litle kiitie pies. I can't wait to get a 949 00:49:14,920 --> 00:49:16,960 Speaker 2: little more of them, and I hope that they make 950 00:49:17,000 --> 00:49:18,680 Speaker 2: it to the top side because I want to see 951 00:49:19,120 --> 00:49:22,200 Speaker 2: more of an intimate part of their relationship. Because remember, 952 00:49:23,040 --> 00:49:25,279 Speaker 2: he was not having sex when he came on to 953 00:49:25,320 --> 00:49:26,120 Speaker 2: the boat. 954 00:49:26,719 --> 00:49:29,560 Speaker 3: Yeah, however long that was, he doesn't really say how 955 00:49:29,600 --> 00:49:34,719 Speaker 3: long his celibacy streak was. I think it's safe to say, though, 956 00:49:34,760 --> 00:49:38,000 Speaker 3: that David and Low are not having a celibacy streak, 957 00:49:38,239 --> 00:49:42,000 Speaker 3: and I found it extremely weird that I can't even 958 00:49:42,040 --> 00:49:45,560 Speaker 3: remember who he says this to, just randomly. He says 959 00:49:45,719 --> 00:49:48,279 Speaker 3: on the boat to another guy that he's had sex 960 00:49:48,320 --> 00:49:51,719 Speaker 3: with Low multiple times, but he's never orgasmed, and he 961 00:49:51,800 --> 00:49:57,600 Speaker 3: thinks that sexual compatibility is important. I would be flabbergasted 962 00:49:57,840 --> 00:50:01,680 Speaker 3: if he said that about me on camera on a 963 00:50:01,880 --> 00:50:07,399 Speaker 3: gigantic show. And they producers keep playing this up, right, 964 00:50:07,480 --> 00:50:11,760 Speaker 3: So we're seeing David saying some stuff behind her back, 965 00:50:12,120 --> 00:50:14,520 Speaker 3: whether it's the he doesn't like the negative comment she 966 00:50:14,520 --> 00:50:17,319 Speaker 3: made about Delaney, whether it's now that you know their 967 00:50:17,400 --> 00:50:21,120 Speaker 3: sexual compatibility isn't great, while we're seeing Low in every 968 00:50:21,120 --> 00:50:24,439 Speaker 3: other scene being like he's my man. I can't wait 969 00:50:24,560 --> 00:50:27,359 Speaker 3: until we're off this boat. Da da da, which is 970 00:50:27,560 --> 00:50:30,280 Speaker 3: just you guys. I'm so sorry. This is a huge, 971 00:50:30,400 --> 00:50:32,960 Speaker 3: huge setup for them to fail. They are going to 972 00:50:33,040 --> 00:50:35,480 Speaker 3: fail as a couple. They are not going to make it, 973 00:50:35,600 --> 00:50:37,960 Speaker 3: and it's because of the way they are showing this 974 00:50:38,080 --> 00:50:41,040 Speaker 3: playing out that this is I already see the writing 975 00:50:41,040 --> 00:50:41,520 Speaker 3: on the wall. 976 00:50:41,920 --> 00:50:44,399 Speaker 2: The writing's on the wall with these two. I'm not 977 00:50:44,520 --> 00:50:48,400 Speaker 2: just embarrassed for her though, Heather, he's too young to 978 00:50:48,640 --> 00:50:53,240 Speaker 2: not be having orgasms at his age. It's a pretty 979 00:50:53,400 --> 00:50:57,360 Speaker 2: done deal. So I'm also slightly embarrassed for him that 980 00:50:57,440 --> 00:50:59,640 Speaker 2: he is saying that they have done this multiple times 981 00:50:59,640 --> 00:51:02,120 Speaker 2: and he's not orgasmed. 982 00:51:02,200 --> 00:51:04,160 Speaker 3: Yeah, but I know he's saying that in the way 983 00:51:04,280 --> 00:51:07,200 Speaker 3: that he's not taking it responsibility for his own body. 984 00:51:07,440 --> 00:51:09,759 Speaker 2: Oh for sure. Does he strike us as a guy 985 00:51:09,760 --> 00:51:11,319 Speaker 2: that would be like a little man I should see 986 00:51:11,320 --> 00:51:14,200 Speaker 2: a doctor. Absolutely not. Of course, it's the woman's problem. 987 00:51:14,520 --> 00:51:17,360 Speaker 3: He's a mental health person. He should be a little 988 00:51:17,360 --> 00:51:20,440 Speaker 3: bit more sensitive with this. Sorry, David. 989 00:51:20,800 --> 00:51:23,320 Speaker 2: Oh, that was my first Dick. Maybe not my first, 990 00:51:23,320 --> 00:51:25,799 Speaker 2: but it was. It was like at Dick with. 991 00:51:25,760 --> 00:51:30,480 Speaker 3: David, she's your favorite last episode. I can't with this. 992 00:51:30,640 --> 00:51:32,640 Speaker 2: I have changed my mind. I told you I'm in 993 00:51:32,680 --> 00:51:35,560 Speaker 2: love with other people now. I have moved on from David. 994 00:51:35,600 --> 00:51:38,080 Speaker 2: He is no longer the apple of my eye. I 995 00:51:38,120 --> 00:51:38,960 Speaker 2: have moved on. 996 00:51:39,600 --> 00:51:42,600 Speaker 3: I'm ready to see David on the downside now. After 997 00:51:42,640 --> 00:51:45,440 Speaker 3: this comment, I'm like, maybe you should go take a 998 00:51:45,440 --> 00:51:48,359 Speaker 3: toothbrush and get to some toilets pretty soon. I think 999 00:51:48,520 --> 00:51:50,960 Speaker 3: that your turn is coming. I think you've been on 1000 00:51:50,960 --> 00:51:52,200 Speaker 3: the top side a little too long. 1001 00:51:52,440 --> 00:51:54,840 Speaker 2: Yeah, he's getting a little too cozy. It's so fine, 1002 00:51:55,000 --> 00:51:59,239 Speaker 2: all as well. Two new hot men come, Heather. This 1003 00:51:59,280 --> 00:52:02,759 Speaker 2: has become just the highlight of the episodes for me. 1004 00:52:02,800 --> 00:52:06,279 Speaker 2: When we get new contestants on the show, I'm all about, 1005 00:52:06,360 --> 00:52:08,319 Speaker 2: let's see what they look like, Let's see how young 1006 00:52:08,360 --> 00:52:10,560 Speaker 2: they are, let's see what they have to offer. And 1007 00:52:10,640 --> 00:52:13,840 Speaker 2: we get these two hot guys riding the boat. I 1008 00:52:13,920 --> 00:52:15,840 Speaker 2: love this scene where they're coming in on these little 1009 00:52:15,840 --> 00:52:17,960 Speaker 2: tiny boats, Heather, and they're on the front and they're 1010 00:52:18,000 --> 00:52:21,600 Speaker 2: stretched out and their abs are flexed. They're so happy. 1011 00:52:21,680 --> 00:52:23,879 Speaker 2: They're just like their hair is blowing in the wind. 1012 00:52:23,920 --> 00:52:26,359 Speaker 2: We get to see Bradley and Jake coming in hot 1013 00:52:26,400 --> 00:52:31,239 Speaker 2: as can be. Okay, Jake is twenty three, Heather. I 1014 00:52:31,400 --> 00:52:36,200 Speaker 2: almost felt gross watching Jake. He's so young. I'm forty four, 1015 00:52:36,320 --> 00:52:39,040 Speaker 2: so I'm twenty one years older than him. It almost 1016 00:52:39,080 --> 00:52:43,359 Speaker 2: felt gross for me, just for me to watch this 1017 00:52:43,480 --> 00:52:48,279 Speaker 2: young adult coming in half naked. It's fine. He's a 1018 00:52:48,280 --> 00:52:50,880 Speaker 2: personal trainer, of course he is. Did you see his abs? 1019 00:52:51,640 --> 00:52:55,280 Speaker 2: He's bold and if he wants a woman, he's gonna 1020 00:52:55,320 --> 00:52:58,600 Speaker 2: get her. At twenty three, Hunty, you should, but listen, 1021 00:52:58,640 --> 00:53:01,719 Speaker 2: Bradley's not that much. The two of them are two 1022 00:53:01,719 --> 00:53:05,480 Speaker 2: peas in a pod. Bradley is only twenty five. I 1023 00:53:05,520 --> 00:53:07,919 Speaker 2: was like, where did they find these two? Of course, 1024 00:53:07,960 --> 00:53:09,200 Speaker 2: they have all the free time in the world to 1025 00:53:09,239 --> 00:53:11,480 Speaker 2: film a reality show right now, and they're like barely 1026 00:53:11,520 --> 00:53:15,839 Speaker 2: in their twenties. Bradley says that he's kind of been 1027 00:53:15,880 --> 00:53:19,799 Speaker 2: a slut lately. At least he's keeping it real. But 1028 00:53:19,880 --> 00:53:23,600 Speaker 2: he's ready for a relationship at twenty five, and he's 1029 00:53:23,719 --> 00:53:27,560 Speaker 2: looking for an emotional connection. Heather, are you buying? 1030 00:53:28,040 --> 00:53:33,160 Speaker 3: Absolutely not, okay. Anybody that has the self awareness to 1031 00:53:33,200 --> 00:53:37,040 Speaker 3: call themselves a slut is happy about that, and he 1032 00:53:37,360 --> 00:53:40,920 Speaker 3: is not looking for anything serious. These are the things 1033 00:53:40,920 --> 00:53:44,200 Speaker 3: that men say because they think that's what women want 1034 00:53:44,239 --> 00:53:47,640 Speaker 3: to hear, and ladies, we have to stop accepting these 1035 00:53:47,719 --> 00:53:51,319 Speaker 3: kinds of things because this is These are two gigantic 1036 00:53:51,400 --> 00:53:55,160 Speaker 3: red flags rolling up on this ship together. That is 1037 00:53:55,200 --> 00:53:58,839 Speaker 3: exactly what it is. Anybody who calls himself a slut 1038 00:53:59,160 --> 00:54:04,200 Speaker 3: is not calming down anytime soon, very much enjoying that 1039 00:54:04,400 --> 00:54:05,479 Speaker 3: space that he's in. 1040 00:54:05,800 --> 00:54:07,240 Speaker 2: He is in his learning era. 1041 00:54:09,120 --> 00:54:10,799 Speaker 3: I have to say though, that we get into this 1042 00:54:10,920 --> 00:54:15,520 Speaker 3: next challenge, which is called Hearts of Darkness. This is 1043 00:54:15,680 --> 00:54:18,759 Speaker 3: a straight up for anybody who watches Love Island, this 1044 00:54:18,840 --> 00:54:22,040 Speaker 3: is a straight up ripoff of the heart rate challenge 1045 00:54:22,080 --> 00:54:24,840 Speaker 3: that we see every season on that show, which is 1046 00:54:24,880 --> 00:54:28,439 Speaker 3: a big thing on Love Island. They make everybody take 1047 00:54:28,520 --> 00:54:30,680 Speaker 3: turns to get their heart rate up and it is 1048 00:54:30,760 --> 00:54:35,000 Speaker 3: a full on challenge between the entire cast again on 1049 00:54:35,080 --> 00:54:38,360 Speaker 3: this show. Because there's a prize to be one of 1050 00:54:38,400 --> 00:54:41,520 Speaker 3: getting on the top side. Only people who are willing 1051 00:54:41,560 --> 00:54:46,640 Speaker 3: to challenge the top side men get involved in this challenge. 1052 00:54:47,160 --> 00:54:52,440 Speaker 3: So for Low, James is willing to challenge David, Leela, 1053 00:54:52,600 --> 00:54:57,080 Speaker 3: Keith and Bradley are both willing to challenge Karai. For Jia, 1054 00:54:57,640 --> 00:55:00,719 Speaker 3: no one is willing to challenge Tim, she's not in 1055 00:55:00,800 --> 00:55:05,760 Speaker 3: it why, And for Enna, Jake and Prisad are willing 1056 00:55:05,800 --> 00:55:09,360 Speaker 3: to challenge Andrew. So the challenge will be that the 1057 00:55:09,480 --> 00:55:13,279 Speaker 3: two new men have to play in this game as well, 1058 00:55:13,520 --> 00:55:17,040 Speaker 3: but each Chop Side woman will be blindfolded and be 1059 00:55:17,280 --> 00:55:20,600 Speaker 3: connected to a heart rate monitor to determine how turned 1060 00:55:20,680 --> 00:55:25,600 Speaker 3: on they get. Whichever guy clocks the highest heart rate wins. Obviously, 1061 00:55:25,800 --> 00:55:30,160 Speaker 3: Bella is salivating by the way. She's not involved in 1062 00:55:30,160 --> 00:55:33,279 Speaker 3: this challenge, but poor thing really wants to be. And 1063 00:55:33,320 --> 00:55:36,520 Speaker 3: then there's this like weird perfume integration. 1064 00:55:36,719 --> 00:55:39,239 Speaker 2: Heather, what is that is that just product placement? Is 1065 00:55:39,239 --> 00:55:41,400 Speaker 2: that what that was? It did not fit for me. 1066 00:55:41,600 --> 00:55:43,920 Speaker 2: It felt like they dropped right there. 1067 00:55:44,080 --> 00:55:47,279 Speaker 3: I was like, what, it's a commercial. So they had 1068 00:55:47,320 --> 00:55:49,520 Speaker 3: to say sent Birds so many times, they had to 1069 00:55:49,560 --> 00:55:52,720 Speaker 3: show sent Bird logo so many times, and that's because 1070 00:55:52,719 --> 00:55:57,239 Speaker 3: cent Bird paid to have their commercial within the show 1071 00:55:57,360 --> 00:56:01,480 Speaker 3: persons on the outsides, because you're not skipping through an 1072 00:56:01,480 --> 00:56:04,399 Speaker 3: integration when you watch it, so that's a more premium 1073 00:56:04,560 --> 00:56:08,440 Speaker 3: spot to be featured. Just like we're not getting alcohol 1074 00:56:08,480 --> 00:56:11,040 Speaker 3: placement on this show, but that is something that you 1075 00:56:11,080 --> 00:56:13,160 Speaker 3: tend to see on a lot of these dating shows. 1076 00:56:13,400 --> 00:56:16,200 Speaker 3: They'll be sponsored by an alcohol brand and then you 1077 00:56:16,360 --> 00:56:20,200 Speaker 3: just see them drinking that the entire season. So yeah, 1078 00:56:20,200 --> 00:56:20,680 Speaker 3: that was a. 1079 00:56:20,640 --> 00:56:21,960 Speaker 2: Weird, weird. 1080 00:56:22,080 --> 00:56:24,239 Speaker 3: It was weird for me to integration here because then 1081 00:56:24,239 --> 00:56:27,880 Speaker 3: they start spraying the perfume on their dicks, and it 1082 00:56:27,960 --> 00:56:32,040 Speaker 3: was like, that's so weird, so strange, so strange. So 1083 00:56:32,160 --> 00:56:36,359 Speaker 3: Low is up first, David straddles her, picks her up, 1084 00:56:36,560 --> 00:56:40,800 Speaker 3: licks her all over her body, and her toes a 1085 00:56:40,840 --> 00:56:45,799 Speaker 3: little uncomfy with that. James takes off his belt and 1086 00:56:45,960 --> 00:56:48,600 Speaker 3: ties her up with it. He was really trying to 1087 00:56:48,640 --> 00:56:51,880 Speaker 3: do something with that I don't think it worked. Next 1088 00:56:51,960 --> 00:56:56,279 Speaker 3: is Leela. She has Keith. He uses a duster on 1089 00:56:56,400 --> 00:57:00,239 Speaker 3: her body, which is not sexy and kind of groshs. 1090 00:57:02,360 --> 00:57:06,799 Speaker 3: It was weird. It was very strange, and Keith, it 1091 00:57:07,080 --> 00:57:09,920 Speaker 3: made it look like you were not sure what to 1092 00:57:09,960 --> 00:57:14,560 Speaker 3: do at all. Bradley is next. This is weird. He's 1093 00:57:14,640 --> 00:57:17,120 Speaker 3: just been on this boat for five seconds and he's 1094 00:57:17,200 --> 00:57:20,520 Speaker 3: already shirtless and grinding this woman that he does not 1095 00:57:20,680 --> 00:57:23,640 Speaker 3: know at all. And the best part is that Bella 1096 00:57:23,720 --> 00:57:27,840 Speaker 3: is watching and she likes what she sees. Bella is 1097 00:57:27,880 --> 00:57:30,400 Speaker 3: like getting really turned on by watching him grind on 1098 00:57:30,440 --> 00:57:31,120 Speaker 3: another woman. 1099 00:57:31,600 --> 00:57:34,760 Speaker 2: Can I just for a second. I don't like when 1100 00:57:34,840 --> 00:57:38,320 Speaker 2: shows do this, Like I live my life very much 1101 00:57:38,480 --> 00:57:41,360 Speaker 2: like a woman in the streets of a freak in 1102 00:57:41,360 --> 00:57:41,840 Speaker 2: the sheets? 1103 00:57:41,920 --> 00:57:42,160 Speaker 3: Is that? 1104 00:57:42,240 --> 00:57:44,280 Speaker 2: How is it Luda who tells me that's how I 1105 00:57:44,320 --> 00:57:47,400 Speaker 2: need to live my life? Yeah, these things like this 1106 00:57:47,520 --> 00:57:50,960 Speaker 2: make me so uncomfortable, Heather, like, I, if I was 1107 00:57:51,000 --> 00:57:53,480 Speaker 2: there in person, I just could not participate. There's no 1108 00:57:53,600 --> 00:57:57,640 Speaker 2: way I could sit in a chair and allow Keith, 1109 00:57:57,760 --> 00:58:00,760 Speaker 2: of all people, because he doesn't ooh, who's that sex 1110 00:58:00,760 --> 00:58:04,360 Speaker 2: appeal for me to use a duster on my body? 1111 00:58:04,400 --> 00:58:09,800 Speaker 2: I would be so so uncomfortable with this entire scenario. 1112 00:58:10,080 --> 00:58:15,840 Speaker 2: Like it's a fine line of like we're porn stars 1113 00:58:16,240 --> 00:58:20,560 Speaker 2: or we're reality stars. For me, it's a very fine line. 1114 00:58:21,000 --> 00:58:24,800 Speaker 3: Yeah, it's definitely uncomfy for sure, But like I said, 1115 00:58:24,880 --> 00:58:27,640 Speaker 3: it's so strange that so many shows are doing this 1116 00:58:27,760 --> 00:58:32,360 Speaker 3: exact challenge now over and over again. Next is Kari 1117 00:58:32,520 --> 00:58:36,960 Speaker 3: and this he says that they haven't even kissed. Leila 1118 00:58:37,080 --> 00:58:40,680 Speaker 3: and Carai haven't even kissed yet, but she kisses her 1119 00:58:40,720 --> 00:58:44,520 Speaker 3: all over her neck and she's like into it. That 1120 00:58:44,720 --> 00:58:49,800 Speaker 3: is Enna, and Andrew kisses her and picks her up, 1121 00:58:49,880 --> 00:58:53,160 Speaker 3: and she's kind of like whoa over it? And then 1122 00:58:53,560 --> 00:58:57,680 Speaker 3: Jake let's strum where Jake is twenty three, Enna is 1123 00:58:57,880 --> 00:59:03,080 Speaker 3: thirty three, jakes her up, licks her chest again. He's 1124 00:59:03,240 --> 00:59:04,520 Speaker 3: been here for five. 1125 00:59:04,320 --> 00:59:09,040 Speaker 2: Seconds at twenty three though, go big or go home, Heather, 1126 00:59:09,160 --> 00:59:11,840 Speaker 2: I guess, so we close out though. 1127 00:59:11,840 --> 00:59:16,640 Speaker 3: On Prisad he says he says his strategy is sexy scary, 1128 00:59:17,040 --> 00:59:21,040 Speaker 3: which actually made me laugh out loud when he said that, 1129 00:59:21,200 --> 00:59:24,920 Speaker 3: like sexy scary is like he like jolted her and 1130 00:59:24,960 --> 00:59:26,960 Speaker 3: then he kind of like dropped her, and then it's 1131 00:59:27,000 --> 00:59:30,480 Speaker 3: like it was just so ridiculous. But then he has 1132 00:59:30,520 --> 00:59:33,760 Speaker 3: to go on and says he has been told that 1133 00:59:33,800 --> 00:59:36,960 Speaker 3: he looks like a vampire, and then he starts fighting 1134 00:59:37,240 --> 00:59:40,440 Speaker 3: at her neck and I was just losing it. I 1135 00:59:40,600 --> 00:59:44,600 Speaker 3: was laughing so hard. This scene was hilarious. And then 1136 00:59:44,720 --> 00:59:49,120 Speaker 3: Andrew saying an interview that he thinks that the only 1137 00:59:49,200 --> 00:59:51,440 Speaker 3: reason Perisad got her heart rate up was because he 1138 00:59:51,520 --> 00:59:56,680 Speaker 3: was scaring her. So funny. It was just so funny. 1139 00:59:56,760 --> 00:59:58,960 Speaker 3: If anybody, you know, what would have worked on me 1140 01:00:00,280 --> 01:00:04,360 Speaker 3: is if not even anything sexual, but if somebody came 1141 01:00:04,720 --> 01:00:10,680 Speaker 3: and tickled me in this situation and I'm blindfolded, my 1142 01:00:10,760 --> 01:00:14,040 Speaker 3: heart rate probably would have been pumping like crazy, like 1143 01:00:15,280 --> 01:00:16,920 Speaker 3: and I don't know who's tickling me, and I don't 1144 01:00:16,960 --> 01:00:20,240 Speaker 3: know how long it's going on. I'm actually probably gonna laugh, 1145 01:00:20,360 --> 01:00:22,040 Speaker 3: like laugh so hard, and then my heart rate's going 1146 01:00:22,080 --> 01:00:25,560 Speaker 3: to be up, and then I like, I'm very ticklish. 1147 01:00:25,680 --> 01:00:27,000 Speaker 3: It's weird, it's so strange. 1148 01:00:27,560 --> 01:00:29,720 Speaker 2: Oh my god, I love it. Well, now we all know. 1149 01:00:30,200 --> 01:00:34,400 Speaker 2: Now we all know how to really get you riled up, Heather. 1150 01:00:34,800 --> 01:00:39,920 Speaker 3: The challenge results are for low David wins fine, For 1151 01:00:40,120 --> 01:00:45,000 Speaker 3: Leila cry wins okay, fine, But for Enna Prisad wins. 1152 01:00:47,080 --> 01:00:51,520 Speaker 3: It's just this sexy, scary thing. And so again Enna 1153 01:00:51,760 --> 01:00:54,440 Speaker 3: is faced with this you know thing. Is she going 1154 01:00:54,520 --> 01:00:57,600 Speaker 3: to follow her current match, which is Andrew, who she's 1155 01:00:57,600 --> 01:01:00,200 Speaker 3: not in a relationship with but she has a friendship with. 1156 01:01:00,440 --> 01:01:03,040 Speaker 3: She going to follow him down to the downside? Or 1157 01:01:03,080 --> 01:01:05,880 Speaker 3: is she going to stay with Prisad. Now, the last 1158 01:01:05,880 --> 01:01:08,240 Speaker 3: time she had this choice, she stayed up top because 1159 01:01:08,280 --> 01:01:11,040 Speaker 3: she did not want to give that up. She shockingly 1160 01:01:11,120 --> 01:01:12,760 Speaker 3: chooses to go to the downside. 1161 01:01:13,080 --> 01:01:17,120 Speaker 2: I was shocked. She's definitely a top side kind of girl. 1162 01:01:18,240 --> 01:01:21,600 Speaker 2: But what I think it really comes down to is 1163 01:01:21,640 --> 01:01:25,560 Speaker 2: like she didn't like Prisad that much like Andrews. She 1164 01:01:25,560 --> 01:01:28,680 Speaker 2: could tolerate Perisad. She was not having it. Must have 1165 01:01:28,720 --> 01:01:30,480 Speaker 2: been that hair flip in the back, you know what 1166 01:01:30,480 --> 01:01:32,840 Speaker 2: I mean. She's not having any part of that. 1167 01:01:33,040 --> 01:01:34,800 Speaker 3: You didn't want to wake up in the middle of 1168 01:01:34,880 --> 01:01:37,440 Speaker 3: the night getting scared, I think is what happened. She 1169 01:01:37,480 --> 01:01:42,240 Speaker 3: didn't want to have a scary part two in the sheets. No. 1170 01:01:42,680 --> 01:01:44,760 Speaker 3: Perisad then gets to choose who to bring up to 1171 01:01:44,800 --> 01:01:46,960 Speaker 3: the top side with him, and he chooses Delaney because 1172 01:01:46,960 --> 01:01:49,760 Speaker 3: they arrived at the same time. He literally knows no 1173 01:01:49,800 --> 01:01:55,120 Speaker 3: One Lo and David. Lo says David has made her 1174 01:01:55,520 --> 01:01:59,040 Speaker 3: like physical touch, and Low starts to ask about what 1175 01:01:59,080 --> 01:02:02,320 Speaker 3: it would be like off the boat and Persad and Delaney. 1176 01:02:02,800 --> 01:02:06,560 Speaker 3: Delaney says that she doesn't like cocky guys and has 1177 01:02:06,680 --> 01:02:09,400 Speaker 3: mostly dated guys like Persad. She doesn't say that to 1178 01:02:09,440 --> 01:02:12,080 Speaker 3: his face, but that's kind of you know what she's 1179 01:02:12,080 --> 01:02:14,000 Speaker 3: saying in her interview, all right. 1180 01:02:14,120 --> 01:02:16,480 Speaker 2: Next up in the episode, as we see the happy hour, 1181 01:02:16,600 --> 01:02:18,640 Speaker 2: I kind of look forward to the happy hour because 1182 01:02:18,680 --> 01:02:21,440 Speaker 2: we get to see a little play between the topsiders 1183 01:02:21,480 --> 01:02:24,760 Speaker 2: and the downsiders, you know what I mean. Keith pulls 1184 01:02:24,840 --> 01:02:28,880 Speaker 2: Delaney for a chat. Delaney feels the closest to him 1185 01:02:28,920 --> 01:02:31,640 Speaker 2: and enjoys getting to know him. She tells Keith she's 1186 01:02:31,720 --> 01:02:35,840 Speaker 2: not interested in Prisad, not that I thought she was 1187 01:02:35,920 --> 01:02:38,720 Speaker 2: interested in Pisad. I'm not seeing it at all. But 1188 01:02:38,800 --> 01:02:41,920 Speaker 2: I kind of also don't see it between Keith and Delaney, 1189 01:02:42,000 --> 01:02:45,680 Speaker 2: Like it's like they're both two scared little young adults. 1190 01:02:46,080 --> 01:02:48,960 Speaker 2: I'm not seeing the attraction, but it's got to be 1191 01:02:48,960 --> 01:02:51,480 Speaker 2: better than Prosad because I for sure don't see that. 1192 01:02:51,600 --> 01:02:53,880 Speaker 2: But that leads us into the next scene, which I'm 1193 01:02:53,920 --> 01:02:57,760 Speaker 2: like dying on the inside because it shows them. At bedtime, 1194 01:02:58,280 --> 01:03:03,040 Speaker 2: and Delaney asks Prisad, she says, I want to sleep 1195 01:03:03,120 --> 01:03:06,160 Speaker 2: alone in the bed. She is not trying to snuggle him, 1196 01:03:06,200 --> 01:03:08,640 Speaker 2: and he I think, if I remember correctly the Arison 1197 01:03:08,640 --> 01:03:10,600 Speaker 2: mom where he was like, oh no, no, we'll just sleep. 1198 01:03:10,680 --> 01:03:14,919 Speaker 2: I'm not trying to take your clothes off, and she's like, yeah, duh, duh. 1199 01:03:15,120 --> 01:03:17,240 Speaker 2: I'm also not going to allow you to do that. 1200 01:03:17,360 --> 01:03:20,400 Speaker 2: But like, I'll take the king sized bed to myself. 1201 01:03:21,200 --> 01:03:25,440 Speaker 3: Prisad gives me Andrew with long hair, like it's just 1202 01:03:25,560 --> 01:03:29,840 Speaker 3: like he's a modelly, hot guy who the lights are 1203 01:03:29,880 --> 01:03:32,640 Speaker 3: on but maybe nobody's home. Prisad, I feel like, you're 1204 01:03:32,640 --> 01:03:34,760 Speaker 3: probably cool guy, but that's how they're showing you on 1205 01:03:34,840 --> 01:03:35,320 Speaker 3: this show. 1206 01:03:35,760 --> 01:03:38,320 Speaker 2: I also think the same thing that he gave very 1207 01:03:38,440 --> 01:03:43,000 Speaker 2: much off like Andrew, like he says that he likes Delaney, 1208 01:03:43,040 --> 01:03:45,880 Speaker 2: that he's feeling it. He clearly is seeing something there 1209 01:03:46,040 --> 01:03:48,960 Speaker 2: that's not there at all. I'm just amazed when guys 1210 01:03:49,000 --> 01:03:51,640 Speaker 2: do this, that they don't read the room clearly, or 1211 01:03:51,680 --> 01:03:56,040 Speaker 2: that they are so self absorbed that they don't quite 1212 01:03:56,720 --> 01:03:58,840 Speaker 2: see the signs and the writing on the wall. Those 1213 01:03:58,880 --> 01:04:00,520 Speaker 2: are the ones that you have to be really black 1214 01:04:00,520 --> 01:04:03,200 Speaker 2: and white with totally totally whatever. 1215 01:04:03,560 --> 01:04:08,520 Speaker 3: But then we see the Downsiders cleaning and speaking of 1216 01:04:08,720 --> 01:04:12,720 Speaker 3: not getting the vibes, Like Bella is really interested in 1217 01:04:12,760 --> 01:04:15,480 Speaker 3: Bradley and she's like thinking she's playing it cool, and 1218 01:04:15,520 --> 01:04:18,800 Speaker 3: he's like, yeah, she's kind of like a sister, I know. 1219 01:04:19,480 --> 01:04:23,480 Speaker 2: And listen, Ella, they're working that whole scene in the 1220 01:04:23,520 --> 01:04:27,439 Speaker 2: hallway and you can see our girl, Bella. We love her, 1221 01:04:27,800 --> 01:04:32,280 Speaker 2: just batting her eyes, looking all cute talking to him, 1222 01:04:32,480 --> 01:04:35,760 Speaker 2: and she says, I'm trying to play it safe. She's 1223 01:04:35,760 --> 01:04:37,640 Speaker 2: not gonna lay it all on table. She's not gonna 1224 01:04:37,680 --> 01:04:40,520 Speaker 2: come on strong. But I believe that this is biting 1225 01:04:40,520 --> 01:04:42,520 Speaker 2: her in the in the ass really at the end 1226 01:04:42,520 --> 01:04:45,240 Speaker 2: of the day because she I think she really really 1227 01:04:45,280 --> 01:04:45,800 Speaker 2: wants him. 1228 01:04:46,280 --> 01:04:48,680 Speaker 3: I think we're gonna see a turn. I think we're 1229 01:04:48,680 --> 01:04:51,600 Speaker 3: gonna see a friends to love her situation. I'm calling 1230 01:04:51,640 --> 01:04:54,200 Speaker 3: it now with him with that. 1231 01:04:54,120 --> 01:04:57,200 Speaker 2: Sweet little baby, She's gonna she's gonna rock him like 1232 01:04:57,240 --> 01:04:58,560 Speaker 2: a baby at the end of the night. 1233 01:04:58,960 --> 01:05:02,240 Speaker 3: I think that Bradley might have a little friends to 1234 01:05:02,320 --> 01:05:03,800 Speaker 3: Lover's moment with her. 1235 01:05:04,400 --> 01:05:07,080 Speaker 2: Well. I can't wait to see how that plays out 1236 01:05:07,120 --> 01:05:09,680 Speaker 2: for our girl Bella. But Keith gets the text from 1237 01:05:09,720 --> 01:05:11,720 Speaker 2: Gabby saying that he gets to go on a date 1238 01:05:12,000 --> 01:05:14,160 Speaker 2: with a top side woman of his choice. Right, so 1239 01:05:14,280 --> 01:05:17,000 Speaker 2: we know, I know, I don't know if you know, 1240 01:05:17,080 --> 01:05:21,960 Speaker 2: but I know Keith chooses Delaney for the date. I'm 1241 01:05:22,080 --> 01:05:24,480 Speaker 2: still not seeing it, Heather, I'm not seeing it. They 1242 01:05:24,480 --> 01:05:26,280 Speaker 2: go on a date, they do some pottery, and here 1243 01:05:26,280 --> 01:05:27,880 Speaker 2: we are on another date on this show, and they 1244 01:05:27,920 --> 01:05:29,960 Speaker 2: have to over sexualize it, right, It can't just be 1245 01:05:30,000 --> 01:05:32,240 Speaker 2: a date where these two people go they make some 1246 01:05:32,320 --> 01:05:35,360 Speaker 2: pottery and they have a good time. It's got to 1247 01:05:35,360 --> 01:05:38,400 Speaker 2: be over sexualized. And I just don't quite understand it. 1248 01:05:38,480 --> 01:05:39,840 Speaker 2: I felt weird watching. 1249 01:05:40,240 --> 01:05:43,560 Speaker 3: I think it's funny. It's all in humor, and like 1250 01:05:43,680 --> 01:05:46,840 Speaker 3: I just I just wonder personally what it's like in 1251 01:05:46,880 --> 01:05:49,800 Speaker 3: the edit bay when they're making these, because you know 1252 01:05:49,920 --> 01:05:54,120 Speaker 3: that the editor is like, oh, okay, choose shot of 1253 01:05:54,280 --> 01:05:58,920 Speaker 3: finger going into clay. Choose finger going into clay again, 1254 01:05:59,640 --> 01:06:02,400 Speaker 3: to the weird words like deeper. 1255 01:06:02,520 --> 01:06:05,760 Speaker 2: Overlay when Keith moans loudly like come. 1256 01:06:05,760 --> 01:06:09,280 Speaker 3: On, Like you know, it wasn't probably sexual or funny 1257 01:06:09,400 --> 01:06:13,520 Speaker 3: or anything in the moment, but it's just I give 1258 01:06:13,560 --> 01:06:16,160 Speaker 3: my hat to you. The editors of this show, because 1259 01:06:16,200 --> 01:06:19,920 Speaker 3: you're really making some funny scenes happen. And I know 1260 01:06:20,040 --> 01:06:22,440 Speaker 3: that that's what This was, a whole edited scene to 1261 01:06:22,480 --> 01:06:23,160 Speaker 3: make it look. 1262 01:06:23,040 --> 01:06:26,160 Speaker 2: Like that it really was. It's fine. We get to 1263 01:06:26,160 --> 01:06:29,080 Speaker 2: see more of Keith and his story during this situation, 1264 01:06:29,720 --> 01:06:31,720 Speaker 2: and it was kind of nice to get a little 1265 01:06:31,760 --> 01:06:33,800 Speaker 2: bit more of his backstory. He talks about why he 1266 01:06:33,880 --> 01:06:36,080 Speaker 2: became a cop and how he's ready for a wife 1267 01:06:36,120 --> 01:06:41,240 Speaker 2: and kids, And it's the first time I really felt 1268 01:06:41,280 --> 01:06:46,720 Speaker 2: like as a viewer that Delaney shows genuine interest. Before that, 1269 01:06:47,000 --> 01:06:48,640 Speaker 2: it didn't feel like that. It just felt like she 1270 01:06:48,720 --> 01:06:51,960 Speaker 2: was playing a part. She's on a show. But this 1271 01:06:52,000 --> 01:06:53,920 Speaker 2: is the first time that I see like she shows 1272 01:06:54,120 --> 01:06:57,680 Speaker 2: genuine interest in Keith, which I don't know. Maybe we'll 1273 01:06:57,720 --> 01:06:59,680 Speaker 2: see something play out between the two, and I don't know, 1274 01:06:59,680 --> 01:07:00,360 Speaker 2: do you see it. 1275 01:07:00,760 --> 01:07:03,800 Speaker 3: I think that she is like, Okay, out of the 1276 01:07:03,840 --> 01:07:06,280 Speaker 3: guys here, this is the guy that I vibe with 1277 01:07:06,360 --> 01:07:10,760 Speaker 3: the most until somebody new shows up. Like that's how 1278 01:07:10,800 --> 01:07:13,040 Speaker 3: I think she's like playing it. She's like, I'm not 1279 01:07:13,120 --> 01:07:15,600 Speaker 3: into this perisad guy. Everybody else seems to be kind 1280 01:07:15,600 --> 01:07:18,120 Speaker 3: of coupled up with somebody, so I'll stick with this 1281 01:07:18,200 --> 01:07:21,000 Speaker 3: guy for now. I think that's the vibe I'm getting. 1282 01:07:21,360 --> 01:07:23,560 Speaker 2: Yeah, yeah, I'm kind of with you there. It's fine. 1283 01:07:23,560 --> 01:07:25,760 Speaker 2: They get back to the boat. Here we are, We've 1284 01:07:25,760 --> 01:07:28,480 Speaker 2: got another plank ceremony. It's Keith and Pisad. They walk 1285 01:07:28,520 --> 01:07:32,040 Speaker 2: the plank. Keith talks about them being very comfortable and 1286 01:07:32,120 --> 01:07:36,520 Speaker 2: compatible and that he loved their date. Prisad says that 1287 01:07:36,560 --> 01:07:39,320 Speaker 2: Delaney's beautiful on the inside and the out because he 1288 01:07:39,400 --> 01:07:42,320 Speaker 2: spent you know, six hours with her, so he should know. 1289 01:07:43,480 --> 01:07:46,200 Speaker 2: He sees a future for them off this yacht, and 1290 01:07:46,200 --> 01:07:50,080 Speaker 2: I'm like, Pisad, you're you're one in the same, my friend. 1291 01:07:50,160 --> 01:07:54,240 Speaker 2: But it's fine. Delaney sends Prisad straight overboard. It was 1292 01:07:54,320 --> 01:07:56,200 Speaker 2: not in his future, poor guy. 1293 01:07:56,520 --> 01:07:58,720 Speaker 3: I think we all knew that watching and it sounds 1294 01:07:58,760 --> 01:08:01,280 Speaker 3: like the cast New Tube, because they said as they 1295 01:08:01,280 --> 01:08:03,600 Speaker 3: were walking up, they were like, we have to act 1296 01:08:03,640 --> 01:08:07,480 Speaker 3: surprised or something by the results. So everybody was hooting 1297 01:08:07,520 --> 01:08:11,120 Speaker 3: and hollering for keif keif they kept going, So I 1298 01:08:11,120 --> 01:08:13,120 Speaker 3: think everybody knew that this was kind of like a 1299 01:08:13,200 --> 01:08:13,840 Speaker 3: done deal. 1300 01:08:14,120 --> 01:08:17,280 Speaker 2: I kind of died though, like after Prasad dumps overboard 1301 01:08:17,760 --> 01:08:19,840 Speaker 2: and then Keith is done and the first thing that 1302 01:08:19,880 --> 01:08:22,519 Speaker 2: he does is he flexes towards all the guys on 1303 01:08:22,560 --> 01:08:25,559 Speaker 2: the balcony. He doesn't run to Delaney and hug her 1304 01:08:25,920 --> 01:08:28,280 Speaker 2: and kiss her or tell her how sweet she is. 1305 01:08:28,320 --> 01:08:32,200 Speaker 2: He literally like flexes his biceps to the men on 1306 01:08:32,240 --> 01:08:36,519 Speaker 2: the second level. What's wrong with guys? What's wrong with them? 1307 01:08:37,000 --> 01:08:41,799 Speaker 3: Anyways? Another successful set of episodes from Love Overboard. Guys, 1308 01:08:41,840 --> 01:08:46,240 Speaker 3: Please tell us in our comments or on our dms. 1309 01:08:46,320 --> 01:08:48,559 Speaker 3: Are you loving this show? What do you love about it? 1310 01:08:48,680 --> 01:08:51,040 Speaker 3: What are you not liking about it? Who are you 1311 01:08:51,920 --> 01:08:55,280 Speaker 3: rooting for to win this season? I'm still rooting for 1312 01:08:55,400 --> 01:08:58,679 Speaker 3: Bella to make a comeback. That's That's who I'm rooting 1313 01:08:58,720 --> 01:08:59,559 Speaker 3: for right now. 1314 01:08:59,640 --> 01:09:01,760 Speaker 2: I'm on it for Lexi and James. I'm not sure 1315 01:09:01,760 --> 01:09:03,519 Speaker 2: if you saw the preview, but we get a little 1316 01:09:03,560 --> 01:09:05,720 Speaker 2: lap dance, something going down in the hot tub, and 1317 01:09:05,760 --> 01:09:06,599 Speaker 2: I'm ready for it. 1318 01:09:06,840 --> 01:09:09,840 Speaker 3: Okay, we'll have to talk about that next episode as well. 1319 01:09:09,920 --> 01:09:13,559 Speaker 3: As it looks like we get two more female shipwreckers joining. 1320 01:09:13,800 --> 01:09:16,000 Speaker 3: I feel like the boat's getting a little crowded. We 1321 01:09:16,080 --> 01:09:18,760 Speaker 3: might be doing a double elimination or something. 1322 01:09:18,800 --> 01:09:22,080 Speaker 2: Thing starting. Is the boat getting rocky, Heather, I think. 1323 01:09:21,920 --> 01:09:24,719 Speaker 3: It's getting Rocky. I think it's getting a little full 1324 01:09:24,960 --> 01:09:29,960 Speaker 3: and obviously we see in the preview more drama to come. 1325 01:09:30,200 --> 01:09:34,160 Speaker 3: So this has been really fun. Stay tuned for more. 1326 01:09:34,320 --> 01:09:37,400 Speaker 3: We will be breaking down this season probably the rest 1327 01:09:37,439 --> 01:09:40,200 Speaker 3: of this week, just because all the episodes are out now, 1328 01:09:40,320 --> 01:09:43,040 Speaker 3: so if you haven't watched thus far, definitely have time 1329 01:09:43,080 --> 01:09:48,400 Speaker 3: to catch up. But that's all for today. She's been 1330 01:09:48,439 --> 01:09:51,040 Speaker 3: Deanna and I've been Heather. Thanks guys. 1331 01:09:52,200 --> 01:09:55,160 Speaker 1: Follow the Ben and Ashley I Almost Famous podcast on 1332 01:09:55,240 --> 01:09:58,440 Speaker 1: iHeartRadio or subscribe wherever you listen to podcasts.