1 00:00:02,920 --> 00:00:14,760 Speaker 1: What would you talk about on your on your podcasts show. 2 00:00:15,640 --> 00:00:21,600 Speaker 1: There's clearly a sign that says ring every apartment because 3 00:00:21,640 --> 00:00:28,920 Speaker 1: someone is home where the outside, So ring every apartment, 4 00:00:29,320 --> 00:00:34,000 Speaker 1: someone is home. So when the FedEx dude leaves my 5 00:00:34,159 --> 00:00:38,200 Speaker 1: box of whatever I've ordered outside, I know it means 6 00:00:38,240 --> 00:00:41,080 Speaker 1: that that dude has not rung every apartment because someone 7 00:00:41,159 --> 00:00:43,320 Speaker 1: is always home. And that, Brody, is why I need 8 00:00:43,400 --> 00:00:47,040 Speaker 1: your help. I get get me aggravated right now. I 9 00:00:47,120 --> 00:00:50,600 Speaker 1: have customer service problem. Could you be more specific? Okay, 10 00:00:51,680 --> 00:00:54,160 Speaker 1: because you do? Oh my god, I'm so pissed. First 11 00:00:54,160 --> 00:00:56,560 Speaker 1: of all, it's in the morning show. I'm Bethany Brody. 12 00:00:56,920 --> 00:00:59,320 Speaker 1: It's not Bethany Brody. We have not consummated that marriage, 13 00:00:59,360 --> 00:01:03,279 Speaker 1: not yet. Great Garrett over there, Hey, new dad, new 14 00:01:03,320 --> 00:01:08,679 Speaker 1: Dad number two, Danielle and then Scary. Here's the conundrum 15 00:01:08,680 --> 00:01:11,319 Speaker 1: that I'm facing right now, Sweet gentle listener, I just 16 00:01:11,319 --> 00:01:13,080 Speaker 1: want to say I love conundrum for I just want 17 00:01:13,120 --> 00:01:19,600 Speaker 1: to say that it sounds yeah, yeah, no words great, sugar. Yeah. No, 18 00:01:20,400 --> 00:01:21,959 Speaker 1: It's it's being in the middle of a of a 19 00:01:22,000 --> 00:01:24,360 Speaker 1: situation where you really don't know. It's a complicated situation. 20 00:01:24,600 --> 00:01:27,119 Speaker 1: Well you know what I mean, you do you want 21 00:01:27,120 --> 00:01:29,880 Speaker 1: to continue to play anything, we can do that, we 22 00:01:30,120 --> 00:01:31,800 Speaker 1: can play Gregg to the real guy that knows what 23 00:01:31,840 --> 00:01:36,520 Speaker 1: the word conundrum, Yeah, for sure, lots of m's and 24 00:01:36,600 --> 00:01:38,760 Speaker 1: that both those. I didn't want to stop your thought 25 00:01:39,160 --> 00:01:40,680 Speaker 1: that I do love the word. I like it too. 26 00:01:41,120 --> 00:01:45,040 Speaker 1: I like it too conundrum. So I live with a family. 27 00:01:45,360 --> 00:01:46,800 Speaker 1: I've said this before in the air. I live with 28 00:01:46,800 --> 00:01:49,480 Speaker 1: a family. It's not my family, but my family now. 29 00:01:49,800 --> 00:01:52,120 Speaker 1: And so I live in a house, which means there's 30 00:01:52,120 --> 00:01:53,960 Speaker 1: always somebody in the house because a lot of people 31 00:01:53,960 --> 00:01:59,040 Speaker 1: in this family work from home. And when I order packages, 32 00:02:00,400 --> 00:02:03,400 Speaker 1: you are told there is a sign says ring all 33 00:02:03,440 --> 00:02:07,400 Speaker 1: apartments someone is home, but my person, the dude, it's 34 00:02:07,440 --> 00:02:09,360 Speaker 1: not the regular male person, but like the FedEx person 35 00:02:09,440 --> 00:02:14,920 Speaker 1: or whatever, keeps leaving the packages outside. And this really 36 00:02:15,000 --> 00:02:18,959 Speaker 1: sketchy neighborhood I live in, so that anybody can just 37 00:02:19,160 --> 00:02:22,000 Speaker 1: take them, despite the fact that there's a sign that 38 00:02:22,000 --> 00:02:25,400 Speaker 1: says ring every apartment. So we know that this person 39 00:02:25,440 --> 00:02:27,520 Speaker 1: isn't reading the sign because they haven't tried to ring 40 00:02:27,560 --> 00:02:29,480 Speaker 1: every They just haven't because someone would have heard it. 41 00:02:29,480 --> 00:02:32,760 Speaker 1: Because someone's like, so now I don't know who to 42 00:02:32,800 --> 00:02:35,239 Speaker 1: reach out to and yell at because it's not our person, 43 00:02:35,240 --> 00:02:37,080 Speaker 1: real person, because the no male person is really nice. 44 00:02:37,080 --> 00:02:40,200 Speaker 1: Well wait a second. Can't you just say when you 45 00:02:40,240 --> 00:02:43,320 Speaker 1: get a package, that must must have a signature. So 46 00:02:43,400 --> 00:02:46,480 Speaker 1: therefore they're forced to ring every doorbell to get a signature. No, 47 00:02:46,560 --> 00:02:48,800 Speaker 1: because then they won't. They won't. They won't ring it. 48 00:02:48,840 --> 00:02:52,840 Speaker 1: They'll just take it back with them. I guarantee you no, 49 00:02:52,880 --> 00:02:54,359 Speaker 1: I don't, but I don't want to take it away either. 50 00:02:54,360 --> 00:02:55,920 Speaker 1: I want it and you don't pick it up at 51 00:02:55,919 --> 00:02:58,040 Speaker 1: the post. I got to be careful that you complain 52 00:02:58,080 --> 00:03:00,280 Speaker 1: to because these are the people with your pack. It is. 53 00:03:00,320 --> 00:03:02,200 Speaker 1: This is seeing. This is a good point. So if 54 00:03:02,440 --> 00:03:06,120 Speaker 1: if they find out and they got in trouble your packages, 55 00:03:06,320 --> 00:03:07,960 Speaker 1: say good bye to the mail carry This is the 56 00:03:08,040 --> 00:03:10,919 Speaker 1: mentality of scary. Look, don't complain the restaurant still spitting 57 00:03:10,919 --> 00:03:13,920 Speaker 1: your food. You're like, don't complain, they won't bring your packages. 58 00:03:13,960 --> 00:03:16,840 Speaker 1: They're already not bringing their packages. I do believe that 59 00:03:16,880 --> 00:03:20,120 Speaker 1: if it circles back to the delivery guy, he's gonna 60 00:03:20,160 --> 00:03:27,200 Speaker 1: go off. That's the one that complained about that. That's 61 00:03:27,240 --> 00:03:31,960 Speaker 1: when it's like they have you by the balls, the bulls. 62 00:03:32,480 --> 00:03:34,400 Speaker 1: They have you by the bulls or the package. It 63 00:03:34,440 --> 00:03:36,760 Speaker 1: works both the way, literally, and I don't know what 64 00:03:36,840 --> 00:03:39,120 Speaker 1: to do because it's and you and I'm always at 65 00:03:39,160 --> 00:03:41,320 Speaker 1: work when they come and so I can't like have 66 00:03:41,440 --> 00:03:44,400 Speaker 1: a friendly face to face with them. So I don't 67 00:03:44,520 --> 00:03:50,119 Speaker 1: know when breathing up. Until a year ago, my mom 68 00:03:50,200 --> 00:03:52,600 Speaker 1: lived in an apartment building in Brooklyn on the sixth 69 00:03:52,640 --> 00:03:56,560 Speaker 1: floor of six. They had an elevators going up the 70 00:03:56,560 --> 00:04:00,680 Speaker 1: elevator six floor done, and whenever she got packages, the 71 00:04:00,880 --> 00:04:04,440 Speaker 1: mail carrier, whichever service it was, is supposed to buzz 72 00:04:04,520 --> 00:04:07,080 Speaker 1: the intercom. They buzzed the door downstairs opens up into 73 00:04:07,120 --> 00:04:08,880 Speaker 1: the lobby, and you go up the elevator and leave 74 00:04:08,880 --> 00:04:10,800 Speaker 1: the package by the door. You can't leave it in 75 00:04:10,840 --> 00:04:14,640 Speaker 1: the hallway with all the little boxes because there's no 76 00:04:14,680 --> 00:04:18,040 Speaker 1: place to put a package. So they would constantly leave 77 00:04:18,120 --> 00:04:21,640 Speaker 1: notes like, oh nobody rang me in. My mother was 78 00:04:21,720 --> 00:04:25,039 Speaker 1: home all day. She wasn't going anywhere. She didn't leave 79 00:04:25,480 --> 00:04:27,000 Speaker 1: because she said, oh, I go man, what are you 80 00:04:27,040 --> 00:04:30,240 Speaker 1: going today? I can't leave. I'm expecting a package. She's 81 00:04:30,279 --> 00:04:33,000 Speaker 1: one of those people. I can't go out. I'm expecting 82 00:04:33,040 --> 00:04:37,800 Speaker 1: a package. That recently, with von FiOS installation, I said, 83 00:04:38,040 --> 00:04:41,720 Speaker 1: I can't leave because the fires. But that's that's an appointment. 84 00:04:41,760 --> 00:04:43,920 Speaker 1: My mother would know there's a package arriving that week, 85 00:04:44,560 --> 00:04:47,560 Speaker 1: would go out until I can't Maybe by Thursday, I 86 00:04:47,560 --> 00:04:49,000 Speaker 1: can go out, but I can't go out during the week. 87 00:04:49,360 --> 00:04:51,400 Speaker 1: So they would leave notes no one was home. My 88 00:04:51,480 --> 00:04:54,840 Speaker 1: mother would go, that's bullshit, right yeah, or they go, oh, 89 00:04:55,080 --> 00:04:58,040 Speaker 1: the elevator wasn't working. Bullshit. The elevator works every day. 90 00:04:58,480 --> 00:05:00,560 Speaker 1: She'd be aware of it if it wasn't work. So 91 00:05:00,800 --> 00:05:04,640 Speaker 1: she called the mail carrier company and the post office 92 00:05:04,680 --> 00:05:08,440 Speaker 1: because it's two different and she complained, and one guy 93 00:05:08,520 --> 00:05:11,160 Speaker 1: got transferred off the route, and one guy never made 94 00:05:11,200 --> 00:05:14,200 Speaker 1: that mistake again and brought the package up the elevator. 95 00:05:14,279 --> 00:05:17,880 Speaker 1: And she wasn't afraid that. He was just gonna say, 96 00:05:18,160 --> 00:05:20,720 Speaker 1: or she I don't know, have you met me. That's 97 00:05:20,720 --> 00:05:23,800 Speaker 1: a different world. We're in a different world now there 98 00:05:23,920 --> 00:05:27,800 Speaker 1: was last year. I don't know what what's changed. You 99 00:05:27,920 --> 00:05:31,280 Speaker 1: think our government change is going to affect that. I'm 100 00:05:31,320 --> 00:05:33,920 Speaker 1: saying nothing else has changed. Bill wouldn't do it. I 101 00:05:34,000 --> 00:05:35,719 Speaker 1: mean I would do it, but I would be careful 102 00:05:35,720 --> 00:05:38,520 Speaker 1: about how I didn't do that. Your packaging. She'll get 103 00:05:38,560 --> 00:05:40,840 Speaker 1: a refund if they don't deliver the package, she'll then 104 00:05:40,880 --> 00:05:42,480 Speaker 1: she'll get a refun from the company. We want to 105 00:05:42,560 --> 00:05:45,320 Speaker 1: constantly chase down packages. Well, the alternative is they're not 106 00:05:45,400 --> 00:05:48,240 Speaker 1: bringing our package. She's already not getting a package. The 107 00:05:48,360 --> 00:05:51,400 Speaker 1: thing you don't know is there's a middleman in this message. 108 00:05:51,680 --> 00:05:54,520 Speaker 1: So like, if if I was able to talk to 109 00:05:54,640 --> 00:05:57,560 Speaker 1: the package delivery person, I could say, look, can you 110 00:05:57,640 --> 00:06:00,560 Speaker 1: really help me out? I know that you know it's 111 00:06:00,640 --> 00:06:02,520 Speaker 1: called out and whatever, but it would really help me 112 00:06:02,560 --> 00:06:04,000 Speaker 1: out if you would just make sure to ring everything, 113 00:06:04,080 --> 00:06:06,159 Speaker 1: like be nice to them and get them on your side. 114 00:06:06,520 --> 00:06:09,320 Speaker 1: But if I'm giving the message to their boss, I 115 00:06:09,360 --> 00:06:10,840 Speaker 1: don't know if their boss is gonna be like, Yo, 116 00:06:11,360 --> 00:06:13,400 Speaker 1: this bitch said that she's not getting her packages. What 117 00:06:13,480 --> 00:06:17,360 Speaker 1: the funk you doing? God that I like the way 118 00:06:17,360 --> 00:06:20,920 Speaker 1: you went from Wisconsin Bethany now living in New York, Bethany. 119 00:06:21,360 --> 00:06:23,400 Speaker 1: So you don't know how they're going to say the 120 00:06:23,440 --> 00:06:25,000 Speaker 1: message and then it might get you in trouble in 121 00:06:25,000 --> 00:06:30,159 Speaker 1: your package is gonna be kicked down? The said fragile. Yeah, 122 00:06:30,520 --> 00:06:33,680 Speaker 1: but here's the thing. If you call up nicely and say, 123 00:06:34,200 --> 00:06:37,080 Speaker 1: you know, I just I really need my medical supplies, 124 00:06:37,160 --> 00:06:39,920 Speaker 1: and if I don't get those packages. There's no way 125 00:06:40,040 --> 00:06:42,360 Speaker 1: you know that that middle That manager is not going 126 00:06:42,400 --> 00:06:43,839 Speaker 1: to call up and go, yeah, it's bitch called up, 127 00:06:45,800 --> 00:06:47,280 Speaker 1: so you might as well not be nice. Doesn't matter. 128 00:06:47,320 --> 00:06:49,360 Speaker 1: He's gonna say what he wants to say. But the 129 00:06:49,440 --> 00:06:51,800 Speaker 1: manager may say, you're making me look bad. This is 130 00:06:51,839 --> 00:06:55,600 Speaker 1: the fifth complaint we've got about you, right, and you're 131 00:06:55,600 --> 00:06:58,120 Speaker 1: gonna be in trouble. Ring the woman's bell, you can 132 00:06:58,200 --> 00:07:00,080 Speaker 1: be sure if he's not ringing your bell, he's not 133 00:07:00,160 --> 00:07:02,800 Speaker 1: ringing o the bells. That's a good point. See this 134 00:07:02,880 --> 00:07:05,119 Speaker 1: is why I like you guys. You're like my Emily post. 135 00:07:05,520 --> 00:07:07,800 Speaker 1: And if FedEx doesn't keep ringing the bell, I'm just 136 00:07:07,880 --> 00:07:10,280 Speaker 1: using fedais an example. I'm not saying this FedEx, then 137 00:07:10,320 --> 00:07:12,760 Speaker 1: you're gonna call ups next time? Or haven't forbid? To 138 00:07:12,800 --> 00:07:14,400 Speaker 1: go off the board and call the t mobile of 139 00:07:14,440 --> 00:07:22,800 Speaker 1: Delivery Services DHL. How many other people living like like that? 140 00:07:22,920 --> 00:07:25,280 Speaker 1: Third choice? I like Arci Cola. By the way, how 141 00:07:25,320 --> 00:07:28,360 Speaker 1: many people there's a handful. Okay, so there's multiple there's 142 00:07:28,400 --> 00:07:31,000 Speaker 1: like a bunch of different What if you put notes 143 00:07:31,120 --> 00:07:33,560 Speaker 1: under or left notes and said, is anyone else having 144 00:07:33,640 --> 00:07:36,440 Speaker 1: this problem? And see how many other people are having 145 00:07:36,480 --> 00:07:40,160 Speaker 1: the problem, and then if if it's a lot of people, 146 00:07:40,240 --> 00:07:42,440 Speaker 1: then complain about it. It's so it's interesting. So it's 147 00:07:42,480 --> 00:07:46,000 Speaker 1: a it's one it's it's a bunch of different apartments 148 00:07:46,560 --> 00:07:50,160 Speaker 1: inside a home. So but it's all one family. And 149 00:07:50,200 --> 00:07:53,240 Speaker 1: so we're all on an email loop like it's literally 150 00:07:53,680 --> 00:07:56,280 Speaker 1: this whole family. And then me got it, so we 151 00:07:56,360 --> 00:07:57,880 Speaker 1: all know that, like mine are the only ones too 152 00:07:57,960 --> 00:08:00,600 Speaker 1: that they're not ringing for. You need a ring doorbell 153 00:08:01,360 --> 00:08:04,240 Speaker 1: and with a camera that has a motion sensor. Can 154 00:08:04,280 --> 00:08:06,000 Speaker 1: you use those on apartment buildings? You put them on 155 00:08:06,040 --> 00:08:08,040 Speaker 1: the front. Yeah, it's like a sticker that that you 156 00:08:08,080 --> 00:08:10,000 Speaker 1: put out there pretty much. And then and then you 157 00:08:10,080 --> 00:08:13,520 Speaker 1: replaced the button with a ring button and has a 158 00:08:13,720 --> 00:08:15,960 Speaker 1: camera in it. And then you could be sitting anywhere 159 00:08:15,960 --> 00:08:19,400 Speaker 1: you want and you go, hey, idiot, ring the bell. 160 00:08:19,480 --> 00:08:23,240 Speaker 1: I'm watching you. Don't walk away from me. Ring the bell. 161 00:08:23,440 --> 00:08:26,440 Speaker 1: Come back with my package you yes, you're with the 162 00:08:26,520 --> 00:08:28,840 Speaker 1: gray hair, Go back and ring the bell like a 163 00:08:28,920 --> 00:08:32,280 Speaker 1: side tie. That's what you need. A ring doorbell that's 164 00:08:32,320 --> 00:08:36,439 Speaker 1: not a paid advertisement, not a sponsor. Yeah, Scotty b 165 00:08:36,559 --> 00:08:39,840 Speaker 1: has that he monitors all day. Scotty sits in his studio. 166 00:08:41,120 --> 00:08:43,319 Speaker 1: My husband I like yelling at people, comes up on 167 00:08:43,440 --> 00:08:46,599 Speaker 1: his phone and he's like Joey and he scares the 168 00:08:46,640 --> 00:08:49,199 Speaker 1: crap out of my front my kid's friends, Joey Spencer 169 00:08:49,280 --> 00:08:52,840 Speaker 1: is not home. Okay, we'll come back. I haven't never 170 00:08:52,880 --> 00:08:55,120 Speaker 1: seen a commercial where these two kids are loitering like 171 00:08:55,160 --> 00:08:56,839 Speaker 1: they're gonna break in the house and the guy says, hey, 172 00:08:56,880 --> 00:08:58,400 Speaker 1: what are you doing there? And they run off because 173 00:08:58,400 --> 00:09:00,640 Speaker 1: they heard a voice out of nowhere. Thank thing with Bethany. 174 00:09:00,720 --> 00:09:03,760 Speaker 1: Hey what are you doing with my package back here? Oh? 175 00:09:03,920 --> 00:09:06,480 Speaker 1: Don't you know I need that package? A That was 176 00:09:06,520 --> 00:09:09,480 Speaker 1: a terrible Midwestern act. I was not doing a Midwestern accent. 177 00:09:09,640 --> 00:09:14,040 Speaker 1: You do Chinese. No. I was watching an episode of 178 00:09:14,080 --> 00:09:16,160 Speaker 1: Twin Peaks over the weekend and this woman was doing 179 00:09:16,559 --> 00:09:20,280 Speaker 1: the most offensively bad Midwestern accent, and I was so pissed. 180 00:09:21,120 --> 00:09:23,280 Speaker 1: She was supposed to be like in North Dakota, and 181 00:09:23,360 --> 00:09:25,679 Speaker 1: it was so bad. It was like South Dakota. I 182 00:09:25,720 --> 00:09:28,560 Speaker 1: mean like, it wasn't even close to it was the accent. 183 00:09:28,640 --> 00:09:31,719 Speaker 1: I just did my interpretation of a Wisconsin accent, the 184 00:09:31,840 --> 00:09:35,360 Speaker 1: equivalent of when Danielle Scary and Garrett and I hear 185 00:09:35,880 --> 00:09:38,360 Speaker 1: a bad New York acc Yes, like couldn't get a 186 00:09:38,440 --> 00:09:41,480 Speaker 1: cup of coffee over year nuts. Yeah, And then people 187 00:09:41,520 --> 00:09:43,640 Speaker 1: tell me, well, they're not they're doing a commercial, but 188 00:09:43,679 --> 00:09:45,480 Speaker 1: they're not from New York. Well, then why don't you 189 00:09:45,520 --> 00:09:47,959 Speaker 1: get somebody from New York do your commercial? Even my 190 00:09:48,120 --> 00:09:50,520 Speaker 1: husband will say, Okay, that person is not British and 191 00:09:50,640 --> 00:09:52,760 Speaker 1: she's doing a British commercial, and I, well, why don't 192 00:09:52,760 --> 00:09:55,840 Speaker 1: they get acase they're actors, they've been cast in that commercial. 193 00:09:55,920 --> 00:10:00,560 Speaker 1: There's one Japanese car company. It's a big Japanese car company, 194 00:10:00,960 --> 00:10:03,800 Speaker 1: and they have a guy for a long time. Hey, 195 00:10:04,240 --> 00:10:06,760 Speaker 1: when you're driving in New York and you hit potholes, 196 00:10:06,800 --> 00:10:09,240 Speaker 1: you want a car it's gonna hold up. And I'm thinking, 197 00:10:09,679 --> 00:10:13,240 Speaker 1: you idiot, piece of crap California voiceover actor. I got 198 00:10:13,280 --> 00:10:15,280 Speaker 1: a Japanese car company trying to get a New York 199 00:10:15,320 --> 00:10:18,559 Speaker 1: guy to do a voice over. Stop it yer. But 200 00:10:18,640 --> 00:10:21,080 Speaker 1: that guy, put on his resume, can do an East 201 00:10:21,160 --> 00:10:24,000 Speaker 1: Coast New York dialect, and then the person casting him 202 00:10:24,160 --> 00:10:26,840 Speaker 1: doesn't know any different so assumes that it sounds normal. 203 00:10:27,000 --> 00:10:29,240 Speaker 1: There's one commercial. I have to try remember who it is, 204 00:10:29,520 --> 00:10:31,480 Speaker 1: but it's a Boston guy doing a New York accent 205 00:10:32,640 --> 00:10:35,400 Speaker 1: and and and it's it's blatant. He's like when you're 206 00:10:35,440 --> 00:10:37,440 Speaker 1: in the streets over it's like, I can't do Boston. 207 00:10:38,120 --> 00:10:40,439 Speaker 1: But it's like, you know, the pact the cat. It's 208 00:10:40,480 --> 00:10:42,760 Speaker 1: like when you're driving a cat in New York. You know, 209 00:10:42,800 --> 00:10:45,520 Speaker 1: I'm like, oh my god, it is a Patriots fan 210 00:10:45,960 --> 00:10:48,800 Speaker 1: New Yorker is going to Boston. And but some guy 211 00:10:48,880 --> 00:10:50,880 Speaker 1: in l A was like, we need a Northeastern accent. 212 00:10:50,960 --> 00:10:54,120 Speaker 1: The guy's resume musta can do a Northeast accent. Let 213 00:10:54,160 --> 00:10:56,360 Speaker 1: me tell you something, if you're not from the Northeast, 214 00:10:56,559 --> 00:10:59,640 Speaker 1: you drive five blocks, it's a different accent. And see 215 00:10:59,720 --> 00:11:02,200 Speaker 1: to me, they still all sound the same. Danielle's bronk 216 00:11:02,240 --> 00:11:05,000 Speaker 1: sounds nothing like my Brooklyn different and our Brooklyn and 217 00:11:05,080 --> 00:11:07,640 Speaker 1: bronk found nothing like Long Island or Statn Island, you 218 00:11:07,679 --> 00:11:10,880 Speaker 1: know that Jersey that's British too, Like my husband's dialect 219 00:11:10,960 --> 00:11:13,000 Speaker 1: is different. And if you listen to the Spice girls talk, 220 00:11:14,120 --> 00:11:17,800 Speaker 1: there's five of them and they're all from different parts 221 00:11:18,400 --> 00:11:20,880 Speaker 1: of the UK and they all have different dialects, and 222 00:11:20,920 --> 00:11:23,679 Speaker 1: you can you can hear it how excited are Oh 223 00:11:23,760 --> 00:11:25,959 Speaker 1: my gosh, I have a heart attack. I cannot wait. 224 00:11:26,000 --> 00:11:29,199 Speaker 1: Who's your favorite? Ginger was always my favorite, then she 225 00:11:29,320 --> 00:11:33,319 Speaker 1: left the group, and then scary became no, and then 226 00:11:33,360 --> 00:11:39,640 Speaker 1: scary became my favorite. We're so conditioned to say scary 227 00:11:40,080 --> 00:11:45,000 Speaker 1: that when you meant scary, you still scary. Scary publicity 228 00:11:45,360 --> 00:11:49,400 Speaker 1: it looks really different. It looks amazing, awesome. I needed 229 00:11:49,480 --> 00:11:51,840 Speaker 1: to see this, not to bring back to Twin Peaks, 230 00:11:51,920 --> 00:11:54,480 Speaker 1: but did anyone else else here ever watch Twin Peaks? 231 00:11:54,960 --> 00:11:58,280 Speaker 1: Probably a Twin Peaks the way Danielle is so. The 232 00:11:58,360 --> 00:12:02,320 Speaker 1: only reasons it is because I had never seen it before, 233 00:12:02,360 --> 00:12:07,640 Speaker 1: so I binged the seasons and then immediately watched the season. 234 00:12:08,040 --> 00:12:12,120 Speaker 1: And so it is people aging twenty five years very poorly, 235 00:12:12,720 --> 00:12:16,360 Speaker 1: very quickly, and it was really sad. And so because 236 00:12:16,480 --> 00:12:19,480 Speaker 1: this was shot back in the nineties when people were 237 00:12:19,520 --> 00:12:22,640 Speaker 1: still smoking a lot, people weren't wearing sun protection as much, 238 00:12:23,080 --> 00:12:26,960 Speaker 1: so it's only right. So it's good to see publicity 239 00:12:27,000 --> 00:12:30,000 Speaker 1: shots of people who have aged well because otherwise it 240 00:12:30,040 --> 00:12:32,800 Speaker 1: makes you fear time. And even if they've had workedne 241 00:12:33,200 --> 00:12:35,600 Speaker 1: it's not overdone. It's not like, oh my gosh, they 242 00:12:35,600 --> 00:12:37,360 Speaker 1: can't move their faces. You know how this happens to 243 00:12:37,440 --> 00:12:41,559 Speaker 1: a lot now teenagers that are binge watching old TV shows. 244 00:12:42,120 --> 00:12:45,160 Speaker 1: So my kids, um, about a year ago, watched all 245 00:12:45,320 --> 00:12:47,960 Speaker 1: the episodes of Friends that they don't know the actors. 246 00:12:48,120 --> 00:12:49,880 Speaker 1: They didn't know them at the time. They was like, oh, Friends, 247 00:12:50,080 --> 00:12:53,760 Speaker 1: everybody's watching it. They binge watched Friends. Then we're watching 248 00:12:53,800 --> 00:12:56,000 Speaker 1: the Tonight Show one night and Matthew Perry walks out, 249 00:12:56,960 --> 00:13:00,559 Speaker 1: What the hell happened to Matthew Perry. I that at home, 250 00:13:01,400 --> 00:13:04,160 Speaker 1: nothing happened to him. He did Friends twenty years ago. 251 00:13:04,720 --> 00:13:09,559 Speaker 1: Oh my god, he looks terrible because because I've grown 252 00:13:09,600 --> 00:13:12,480 Speaker 1: with Matthew Perry, I watched Matthew Perry age. So it's 253 00:13:12,520 --> 00:13:14,959 Speaker 1: not like shocking, but like what Bethany's saying when you 254 00:13:15,080 --> 00:13:18,280 Speaker 1: see like, uh, you know Matthew Perry well with with 255 00:13:18,600 --> 00:13:24,040 Speaker 1: what's what's the with? Um with Monica? And uh Chandler Bing. 256 00:13:24,880 --> 00:13:27,199 Speaker 1: You watch Chandler Bing and and all of a sudden 257 00:13:27,360 --> 00:13:30,480 Speaker 1: he's so much older, you know, like, oh my god, 258 00:13:31,000 --> 00:13:32,880 Speaker 1: you know I do it on purpose, I'll go, you 259 00:13:32,960 --> 00:13:36,280 Speaker 1: want to see what they look like now? So like 260 00:13:36,400 --> 00:13:40,320 Speaker 1: we were watching TV show Full House and the kids 261 00:13:40,360 --> 00:13:41,719 Speaker 1: are watching them, I go, you want to see what 262 00:13:41,800 --> 00:13:43,800 Speaker 1: they used to look like? We did the Oven and 263 00:13:43,880 --> 00:13:46,480 Speaker 1: they're like, oh my gosh, it's so crazy. There was 264 00:13:46,559 --> 00:13:50,319 Speaker 1: one actress that I did not recognize. Like, there's this 265 00:13:50,440 --> 00:13:54,839 Speaker 1: scene where seen where these four women are sitting in 266 00:13:54,920 --> 00:13:57,360 Speaker 1: a bar booth and they're having this whole scene that 267 00:13:57,440 --> 00:13:59,520 Speaker 1: you know that was just plugged in because they wanted 268 00:13:59,559 --> 00:14:02,000 Speaker 1: to have these actresses, isn't it. I didn't know who 269 00:14:02,120 --> 00:14:04,280 Speaker 1: the actresses were or why they were there until I 270 00:14:04,360 --> 00:14:07,400 Speaker 1: looked it up and I'm like, oh crap, that's one 271 00:14:07,480 --> 00:14:10,760 Speaker 1: of them. Well, that's that's Will and Grace. They all 272 00:14:10,840 --> 00:14:13,160 Speaker 1: aged well eleven years later, they'll look the same full 273 00:14:13,240 --> 00:14:16,240 Speaker 1: house to they all aged really bast will you watch 274 00:14:16,559 --> 00:14:20,360 Speaker 1: they're bringing Rosanne back. That cast does not look like 275 00:14:20,440 --> 00:14:23,640 Speaker 1: they did years ago. I feel like new Becky still 276 00:14:23,720 --> 00:14:27,800 Speaker 1: looks like she used to. Boy. Yeah, both Becky's are 277 00:14:27,840 --> 00:14:32,720 Speaker 1: on it. Which one plays Becky Becky? I don't know Becky. 278 00:14:33,200 --> 00:14:35,760 Speaker 1: What's Becky two playing? I I don't know, but they 279 00:14:36,040 --> 00:14:39,640 Speaker 1: were both in the They made one of them I think, 280 00:14:39,720 --> 00:14:42,240 Speaker 1: like a neighbor a friend, but they worked into the show. 281 00:14:42,760 --> 00:14:44,880 Speaker 1: They're not gonna pull the Alston Twins with Becky want 282 00:14:44,920 --> 00:14:47,800 Speaker 1: and Becky two. No, they're not the same girld. They 283 00:14:47,840 --> 00:14:53,080 Speaker 1: could make it that it's fantasy, could do anything. Watch 284 00:14:53,160 --> 00:15:00,080 Speaker 1: twin Peaks and Minute Morning Show m