WEBVTT - Skateboard Kid 2 minsode

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<v Speaker 1>You guys.

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<v Speaker 2>This is a very special episode of Howard Danner.

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<v Speaker 1>This is a very very special episode of Howard tan

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<v Speaker 1>Rito's We are reviewing Skateboard Kid Too. All Right, a

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<v Speaker 1>film I'm sure you've heard of in the canons of

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<v Speaker 1>great films. It's critics blamed. Yeah. Yeah, it came out

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<v Speaker 1>in nineteen ninety five, a year a peak year for

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<v Speaker 1>these types of films, and it just really stood out

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<v Speaker 1>amongst the magical skateboard type genre.

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<v Speaker 2>So yeah, this was This was a movie, a TV movie.

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<v Speaker 2>I was in, like you said, in nineteen ninety five.

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<v Speaker 2>Uh so, I believe this was right after Full House

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<v Speaker 2>rat Oh wait, wait wait this was a TV movie?

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<v Speaker 2>Oh god, yes, I.

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<v Speaker 1>Thought it was like a No, but they make like

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<v Speaker 1>the it's like a straight to video. Yes, no, it's

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<v Speaker 1>straight to video. Yeah it was it ever shown on TV?

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<v Speaker 1>I don't think it was ever shown. Now it felt

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<v Speaker 1>like like a Yeah, it didn't feel like a TV movie.

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<v Speaker 1>It felt did you feel like a TV movie because

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<v Speaker 1>it didn't have like that many No, I have I

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<v Speaker 1>have a DVD, not a DVD.

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<v Speaker 2>I have a VHS.

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<v Speaker 1>No player to play it, yeah, no player to play it.

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<v Speaker 2>No, but the cover art let's talk about the cover

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<v Speaker 2>art real quick, because you see the magical kid on

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<v Speaker 2>the magical skateboard flying over Mount Rushmore.

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<v Speaker 1>Yeah, holding this cover art has no relevance to the movie.

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<v Speaker 1>There's no, not at all none. There's no Mount Rushmore,

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<v Speaker 1>no Mount Rushmore. I was looking for thea. I was

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<v Speaker 1>very bummed. I was like, okay, you know what, there's

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<v Speaker 1>a dog in it. I'll let it's like, not a

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<v Speaker 1>dog to.

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<v Speaker 2>Be found, marry a dog to be found.

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<v Speaker 1>There's one dog.

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<v Speaker 2>There's one dog in the sketchy alley when right, right, right,

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<v Speaker 2>it's walking down the sketchy alley that walks forward and

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<v Speaker 2>isn't barking, but there's barking over the dog.

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<v Speaker 1>Yeah. Yeah, that one's laser focused on. Yeah. He was

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<v Speaker 1>just like I'm taking three steps forward. Yeah.

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<v Speaker 2>He was supposed to be a menacing dog.

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<v Speaker 1>And it was very sweet, little baby. But yeah, it

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<v Speaker 1>has nothing to do with anything.

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<v Speaker 2>And this is the best part about this podcast is

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<v Speaker 2>that I can force you to watch things that you

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<v Speaker 2>would never otherwise.

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<v Speaker 1>Yeah, it's great, it's great. You've forced me to do

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<v Speaker 1>several things. Run watch this movie, yeah, you know, learn

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<v Speaker 1>about new Kids. Yeah, you have really there are a

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<v Speaker 1>lot of things. I just want you to know that

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<v Speaker 1>I've done for this friendship, so and I and I

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<v Speaker 1>and I'm happy to do it. I'm happy to do

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<v Speaker 1>it and things that I definitely would not have a

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<v Speaker 1>part of. Yeah.

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<v Speaker 2>No, I think we should do a whole episode just

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<v Speaker 2>showing each other our old commercials that we like.

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<v Speaker 1>Barbie commercials. Oh, I have to find a bunch of them. Yeah,

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<v Speaker 1>hard to find.

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<v Speaker 2>My brother just dropped off a whole thing of VHS

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<v Speaker 2>tapes because they were in my parents' old house and

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<v Speaker 2>he's in the house.

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<v Speaker 1>You know what. Send them into Legacy Box. Oh, it's

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<v Speaker 1>not an advertisement, but I have sent stuff into them,

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<v Speaker 1>and they're an excellent company that digitizes old photo basically

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<v Speaker 1>any kind of media and you but yeah, Legacy Box,

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<v Speaker 1>legacy box dot com, and they send you all the

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<v Speaker 1>information in the box and you can get it either

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<v Speaker 1>like sent back as I think you can get it

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<v Speaker 1>as a DVD or a thumb drive or just like

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<v Speaker 1>as a digital file, depending on how you want to

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<v Speaker 1>save eight. Yeah, it's great. I love it. And I've

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<v Speaker 1>sent a bunch of stuff in photographs and I sent

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<v Speaker 1>a bunch of VHS tapes into them a while ago

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<v Speaker 1>to get copied onto stuff I want to, like thumb drives.

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<v Speaker 1>So yeah, I definitely need to do that because yeah, yeah,

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<v Speaker 1>and uh and yeah, they're a great companies. So yeah,

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<v Speaker 1>Legacy box dot com disappearing is not an advertisement. I'm interrupting.

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<v Speaker 2>Well, because I went through all the VHS tapes looking

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<v Speaker 2>for the skateboard kid too.

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<v Speaker 1>This isn't my dad's.

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<v Speaker 2>Handwriting, so I think this is something he just taped

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<v Speaker 2>it off of somebody.

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<v Speaker 1>But look at this.

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<v Speaker 2>I found one hundred, one hundredth episode. It's in a

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<v Speaker 2>fancy case like oh, and this feels so old. It

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<v Speaker 2>says full house, happy birthday, babies, and one hundredth celebration.

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<v Speaker 2>So does this have like our I know we had

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<v Speaker 2>a big cake, we had.

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<v Speaker 1>Probably got our one hundredth episode on it. Well yeah,

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<v Speaker 1>but does it have like it's like a little party. Yeah,

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<v Speaker 1>probably the little party after I'm sure it's got all

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<v Speaker 1>that stuff. I don't know.

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<v Speaker 2>I can't play it. I gotta send this.

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<v Speaker 1>And also what I will say is videos from that era,

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<v Speaker 1>especially they've been in a garage or anywhere hot they are,

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<v Speaker 1>they will start degrading quite heavily if they haven't already.

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<v Speaker 1>So yeah, the sooner the better with those kind of things,

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<v Speaker 1>because you would be surprised at how you know what

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<v Speaker 1>heat and time will do to you know, thirty year

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<v Speaker 1>old film.

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<v Speaker 2>And it's been it's been three decades. So yeah, I

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<v Speaker 2>gotta get that done. I will put that on my

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<v Speaker 2>to do list or later today, Well, put this on

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<v Speaker 2>your to do list.

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<v Speaker 1>Guys, watch this movie because it is it's so nineties.

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<v Speaker 1>It punched me in the face. It doesn't get nineties.

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<v Speaker 1>I got slimed. Yeah, it's like I just want to

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<v Speaker 1>it's so nineties. Yeah, I don't know, it's so nineties.

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<v Speaker 1>Andrew Keagan is in it. How about that? Right? Yeah?

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<v Speaker 2>Yeah, that's how you know this should have been a

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<v Speaker 2>success because Andrew Keegan was in it.

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<v Speaker 1>There were some heavy.

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<v Speaker 2>Hitters in this movie too, but we'll get to that.

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<v Speaker 2>But let's start with the synopsis, shall we please. People

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<v Speaker 2>don't know what The Skateboard Kid two is about? First,

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<v Speaker 2>let me answer the number one burning question on everyone's mind.

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<v Speaker 2>Is this movie a sequel to the first Skateboard Kid?

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<v Speaker 2>And the answer is no, No, there's no relationship.

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<v Speaker 1>Oh right, it doesn't. Well, there's a.

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<v Speaker 2>Recur the only recurring character is the skateboard. It's like

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<v Speaker 2>another magical skateboard, but not the characters are different, the

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<v Speaker 2>people are different.

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<v Speaker 1>Yeah, I got it, much like the cover art is unrelated.

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<v Speaker 1>It's just it's almost like this was made by AI

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<v Speaker 1>before there was AI. Right. Yes, if you were like

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<v Speaker 1>make a kid's movie about a skateboard like this is

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<v Speaker 1>what it would do. Yeah, it's it's just yeah any

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<v Speaker 1>reference of any.

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<v Speaker 2>H yeah, no reference. So here's your synopsis. With the

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<v Speaker 2>help of a magical flying skateboard, twelve year old Sammy

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<v Speaker 2>ends up the hottest skateboarder in town.

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<v Speaker 1>I thought he was thirteen. He's it one time he's thirteen.

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<v Speaker 1>Oh yeah, he does say it nice. Thirteen so he

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<v Speaker 1>looks ten. He looks eat that saw another and they

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<v Speaker 1>write him like he's ten.

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<v Speaker 2>But you know, okay, Well, anyways, however, a group of

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<v Speaker 2>local thrashers don't like the extra competition. They plot to distrashers.

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<v Speaker 2>By the way, I didn't make it. Look I copied

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<v Speaker 2>this hilarious.

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<v Speaker 1>It's hilarious because they they're not great skateboarders.

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<v Speaker 2>Oh, thrashers are notoriously bad skateboard No, No, thrashers are thrashers

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<v Speaker 2>are like.

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<v Speaker 1>You know, like an eighties or like a you know,

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<v Speaker 1>rad skateboarder. No, these kids are not good, like they

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<v Speaker 1>are terrible.

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<v Speaker 2>Yeah yeah, yeah, yeah, no, they're you know, you could

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<v Speaker 2>definitely tell when the stunt doubles.

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<v Speaker 1>We'll get to it. They were like local thrashers and

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<v Speaker 1>you're like they were Yeah, they were like falling off

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<v Speaker 1>their skateboards.

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<v Speaker 2>So they plot to destroy any chance of Sammy competing

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<v Speaker 2>against them in a local tournament. Meanwhile, Sammy's stressed out mom,

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<v Speaker 2>d Wallace Stone, tries to save the house from being

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<v Speaker 2>repossessed by the bank and the evil property developer Bruce Davison. Also,

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<v Speaker 2>Sammy's sister, Tilly, played by the incomparable Andrea Barber, Yeah,

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<v Speaker 2>manages to fulfill every nineties girl's dream by scoring a

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<v Speaker 2>date with Andrew Keagan.

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<v Speaker 1>Yeah.

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<v Speaker 2>Like this was this was like one of the highlights

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<v Speaker 2>of my career.

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<v Speaker 1>Yeah, this was huge. And Tilly what it's Tilly's the store, Tilly.

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<v Speaker 2>It's very cute Tilly.

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<v Speaker 1>But I but I imagine Tilly's short for something Tilda.

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<v Speaker 1>Maybe perhaps Tilda, like Matilda shortened to Tilda Matilda, Tilly, Matilda,

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<v Speaker 1>Matilda Curtis. That was my ful I don't know, just

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<v Speaker 1>making things up. I mean it has as much to

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<v Speaker 1>do with this movie as anything else that's gonna be doing.

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<v Speaker 1>So yeah, okay, let's let's get into who was directed

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<v Speaker 1>and written by, because it was directed.

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<v Speaker 2>By Andrew Stevens, who is also co starring in this

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<v Speaker 2>film and produced by he does ever see Basically yeah, yeah,

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<v Speaker 2>it was written by Karen Kelly. And this cast is stacked.

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<v Speaker 2>I'm not just saying that because I'm in it. Like

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<v Speaker 2>this is a star all star cast. Like I mentioned

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<v Speaker 2>Dee waller Stone, she plays the mom Lily.

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<v Speaker 1>She's a stressed out mom and like every movie that

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<v Speaker 1>I see her in and she's great.

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<v Speaker 2>Yeah, I love She's perfect as the stressed out but

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<v Speaker 2>emotional mom's she nailed it. If you don't know, if

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<v Speaker 2>you've been living under a rock, she played the momb

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<v Speaker 2>in Et and she did a bunch of horror films

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<v Speaker 2>like Kujo, The Hills Have Eyes, and The Howling Yes Epic. Next,

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<v Speaker 2>we have Bruce Davison as Bert Squire's This guy's done

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<v Speaker 2>everything under the Sun as well. You'll recognize him as

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<v Speaker 2>Senator Kelly in X Men. Senator Randall Schaeffer in Ozark,

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<v Speaker 2>Emma Stone's father in law La Land. And he played

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<v Speaker 2>the supporting role in Longtime Companion in nineteen eighty eight,

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<v Speaker 2>and he won a Golden Globe for that role and

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<v Speaker 2>was nominated for an Oscar that role as well.

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<v Speaker 1>Yeah, this guy is y done a lot of work.

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<v Speaker 1>I was like, oh my god, this guy's yeah. I

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<v Speaker 1>just every time somebody popped on Thestagram was like, wait,

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<v Speaker 1>there it is. Yes.

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<v Speaker 2>Yes, You'd think this would just be a bunch of

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<v Speaker 2>no name, you know, actors just trying to get their

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<v Speaker 2>sad card, but no, these were actual legit actors.

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<v Speaker 1>Yes they I would say that, yeah they some of

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<v Speaker 1>them had already done legit movies, but I'd say a

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<v Speaker 1>lot of them like this was probably in the beginning

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<v Speaker 1>of the career. Oh yeah true. Like Bruce Davison, I

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<v Speaker 1>feel like Andrew Baby, I feel like there were other

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<v Speaker 1>people in it that I was like, I k know

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<v Speaker 1>who that person is.

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<v Speaker 2>Anyway, it's enough, It's like a yeah, it's a it's yes. Uh. Next,

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<v Speaker 2>we have Andrew Stevens as Penfield's He's a big time producer.

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<v Speaker 2>He's produced one hundred and eighty films, through his production company,

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<v Speaker 2>Andrew Stevens Entertainment.

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<v Speaker 3>Uh.

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<v Speaker 2>He produced Black Dawn with steven Sagall, Half Past Dead

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<v Speaker 2>with steven Sagall, and The Whole nine Yards with Bruce

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<v Speaker 2>Willis and Matthew Perry.

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<v Speaker 1>Yeah.

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<v Speaker 2>I like he so Yeah. He played the coach Ken.

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<v Speaker 1>Yeah, the weird creepy dude that came and talked to

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<v Speaker 1>children in a park.

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<v Speaker 2>Yes, we'll get there. But yeah, yeah, but he's I.

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<v Speaker 1>Didn't I wasn't sure. I wondered who he was. I

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<v Speaker 1>didn't realize he was so prominent. But yeah, he was

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<v Speaker 1>the director of the producer. I'm surprised he didn't write

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<v Speaker 1>this too to be on like Karen Kelly, feels like

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<v Speaker 1>maybe it's a stage name. I'm just saying that's a

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<v Speaker 1>stage name, right.

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<v Speaker 2>It sounds like yeah. Yeah, So next we have trenton

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<v Speaker 2>Night as Sammy or leading leading man. Uh. He is

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<v Speaker 2>such a good actor.

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<v Speaker 1>Actually, this kid's actually good.

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<v Speaker 2>He's so good. He starred in Munchie and Munchie Strikes Back,

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<v Speaker 2>which is another Andrew Stevens film, and he was an

0:11:45.559 --> 0:11:49.920
<v Speaker 2>Invisible Mom and Invisible Mom too with d Wallace Stone.

0:11:50.400 --> 0:11:54.320
<v Speaker 2>There's a lot of overlap. Okay, it's h Andrew Stevens.

0:11:54.400 --> 0:11:57.000
<v Speaker 1>He liked to use. I felt like I'd seen him

0:11:57.320 --> 0:11:59.959
<v Speaker 1>in other stuff or met him somehow, Like, I don't know,

0:12:00.160 --> 0:12:03.160
<v Speaker 1>his face seemed familiar to me, but he was so good.

0:12:03.240 --> 0:12:05.679
<v Speaker 2>I was like, he must have starred in a bazillion

0:12:06.040 --> 0:12:07.120
<v Speaker 2>things and I don't.

0:12:07.160 --> 0:12:08.560
<v Speaker 1>He was pretty you know what, he was probably one

0:12:08.559 --> 0:12:11.120
<v Speaker 1>of Judy's clients or something. Oh you know what.

0:12:12.280 --> 0:12:17.160
<v Speaker 2>He seemed like Judy Savage material, the precocious kid.

0:12:18.360 --> 0:12:18.480
<v Speaker 3>Uh.

0:12:18.640 --> 0:12:20.079
<v Speaker 2>We have Andrew Barber as Tilly.

0:12:20.800 --> 0:12:21.800
<v Speaker 1>Yeah. I don't know if you've.

0:12:21.720 --> 0:12:23.920
<v Speaker 2>Ever heard of her, but she's freaking fantastic.

0:12:24.120 --> 0:12:26.640
<v Speaker 1>God, this is Yeah.

0:12:27.080 --> 0:12:32.280
<v Speaker 2>Then we have Andrew Keegan as Thrasher Dan Foster. If

0:12:32.320 --> 0:12:35.440
<v Speaker 2>you don't recognize this guy, where have you been? He's

0:12:35.640 --> 0:12:38.240
<v Speaker 2>He was in Ten Things I Hate About You, Independence

0:12:38.320 --> 0:12:41.160
<v Speaker 2>Day Seventh, Heaven, thunder Ally, Step by Step, Party of Five,

0:12:41.200 --> 0:12:44.520
<v Speaker 2>and of course Full House. Indeed, on our Very Lady

0:12:44.640 --> 0:12:49.200
<v Speaker 2>episode he played your well, the last episode last We Take.

0:12:49.200 --> 0:12:55.479
<v Speaker 1>Yeah, last, yeah, he played he was indeed sorry sorry Kimmy.

0:12:58.440 --> 0:13:02.240
<v Speaker 2>Yeah, well that episode to have come first. And then

0:13:02.320 --> 0:13:04.920
<v Speaker 2>I did this movie, yes, Andrew, so yeah, because it

0:13:05.000 --> 0:13:06.960
<v Speaker 2>was like I took yourself actually.

0:13:06.760 --> 0:13:10.800
<v Speaker 1>Okay, wow, Well okay, no, yeah, actually it would have

0:13:10.920 --> 0:13:13.800
<v Speaker 1>because we ended in ninety four and this was ninety five.

0:13:14.040 --> 0:13:16.360
<v Speaker 2>Yeah, okay, yeah, So okay, that that all tracks.

0:13:16.440 --> 0:13:19.319
<v Speaker 1>I mean, either way, I don't it's it's not weird.

0:13:19.360 --> 0:13:20.079
<v Speaker 1>It's not weird, like at.

0:13:20.000 --> 0:13:21.640
<v Speaker 2>First I believe it was that weird. It's not like

0:13:21.760 --> 0:13:25.080
<v Speaker 2>this as a as a nineties child actor, this is what.

0:13:26.360 --> 0:13:28.400
<v Speaker 1>The same people well maybe I don't know.

0:13:29.320 --> 0:13:31.760
<v Speaker 2>I don't know as a but no is as an actor,

0:13:31.880 --> 0:13:33.280
<v Speaker 2>this is not weird.

0:13:33.400 --> 0:13:36.080
<v Speaker 1>You've kissed people that you made god no, I mean

0:13:36.120 --> 0:13:39.600
<v Speaker 1>if you've done a Hallmark movie, basically you've made out

0:13:39.640 --> 0:13:42.319
<v Speaker 1>with everyone that's ever done a Hallmark movie, like you know,

0:13:43.760 --> 0:13:47.600
<v Speaker 1>like three Degrees of Yeah, separation, Yeah, totally.

0:13:48.800 --> 0:13:54.640
<v Speaker 2>Next, we have Turin Bay as Zeno, this bizarre character.

0:13:55.080 --> 0:13:58.599
<v Speaker 1>This weird I don't know, but he was happy with

0:13:58.720 --> 0:14:03.400
<v Speaker 1>the creepy people and the children is it's really.

0:14:07.080 --> 0:14:10.280
<v Speaker 2>Got through the cast list. So yeah, he's I don't

0:14:10.320 --> 0:14:12.720
<v Speaker 2>know what he's done. He was very popular in the forties,

0:14:13.000 --> 0:14:16.520
<v Speaker 2>known for his suave demeanor, exotically handsome looks, and well

0:14:16.640 --> 0:14:20.200
<v Speaker 2>modulated voice I think, And it's the voice is key

0:14:20.240 --> 0:14:22.440
<v Speaker 2>because the skateboard talks, and that's his voice.

0:14:22.560 --> 0:14:25.400
<v Speaker 1>Yes, I think it was his voice that really, you know. Yeah,

0:14:25.440 --> 0:14:27.480
<v Speaker 1>he had a great role for him. It was like

0:14:27.840 --> 0:14:32.080
<v Speaker 1>like it sounded like like Kit from night Rider, you

0:14:32.160 --> 0:14:34.840
<v Speaker 1>know what I mean, like that sort of Yeah, it.

0:14:34.920 --> 0:14:36.400
<v Speaker 2>Was giving Kit from night Writer.

0:14:36.560 --> 0:14:37.000
<v Speaker 1>I like them.

0:14:38.200 --> 0:14:42.000
<v Speaker 2>Next, we have Brooks Stanley as Mickey Kincaid, the cute

0:14:42.040 --> 0:14:44.160
<v Speaker 2>little girl who was the best friend of Sammy.

0:14:44.960 --> 0:14:45.520
<v Speaker 1>She was great.

0:14:45.720 --> 0:14:49.200
<v Speaker 2>She appeared in Picket Fences, Grace Underfire in fifteen episodes

0:14:49.240 --> 0:14:52.200
<v Speaker 2>of the second Half. This girl, she didn't have a

0:14:52.240 --> 0:14:52.640
<v Speaker 2>whole lot of.

0:14:52.640 --> 0:14:55.840
<v Speaker 1>Credits, and I thought she's so pre cooked, like she should.

0:14:55.600 --> 0:14:57.280
<v Speaker 2>Have done a million things, you know.

0:14:58.440 --> 0:14:58.560
<v Speaker 3>Uh.

0:14:59.120 --> 0:15:04.240
<v Speaker 2>And then we have Pablo Orlando as the villain Jay Squires.

0:15:04.720 --> 0:15:07.360
<v Speaker 2>This kid is so good and he only has four

0:15:07.480 --> 0:15:08.800
<v Speaker 2>credits on IMDb.

0:15:09.120 --> 0:15:10.240
<v Speaker 1>I was shocked.

0:15:11.040 --> 0:15:14.120
<v Speaker 2>He was in Dangerous Minds, the Tin Soldier, nine episodes

0:15:14.160 --> 0:15:17.880
<v Speaker 2>of George with George Foreman, and Skateboard Kid Too.

0:15:18.200 --> 0:15:19.920
<v Speaker 1>Those are his only credits. And I'm like, he's so good.

0:15:20.760 --> 0:15:21.840
<v Speaker 2>Can do more stuff.

0:15:23.400 --> 0:15:30.840
<v Speaker 1>Young justin Timberlake, look the macaroni but like not to crispy,

0:15:31.160 --> 0:15:33.520
<v Speaker 1>but yeah, totally.

0:15:34.240 --> 0:15:36.960
<v Speaker 2>And last I have to mention the other friend in

0:15:37.040 --> 0:15:41.000
<v Speaker 2>the Friendship Trio is Willie Santos. Uh. He is actually

0:15:41.240 --> 0:15:43.600
<v Speaker 2>not a professional actor. He's a professional skateboarder.

0:15:43.640 --> 0:15:47.000
<v Speaker 1>He was the one. They have a bunch of Santos

0:15:47.080 --> 0:15:48.560
<v Speaker 1>shirts on was his.

0:15:48.800 --> 0:15:51.400
<v Speaker 2>That he was one of the original skaters on the

0:15:51.600 --> 0:15:54.160
<v Speaker 2>Tony Hawk Birdhouse team. So he's a big deal.

0:15:54.880 --> 0:15:56.240
<v Speaker 1>If you're into the skating world.

0:15:57.680 --> 0:16:00.440
<v Speaker 2>You can watch this on YouTube and boy, have you

0:16:00.520 --> 0:16:02.640
<v Speaker 2>better You had better go out and watch it.

0:16:03.400 --> 0:16:05.440
<v Speaker 1>Probably the only place you can find it now.

0:16:06.000 --> 0:16:08.800
<v Speaker 2>I was. I was surprised we found it even on YouTube.

0:16:10.880 --> 0:16:12.160
<v Speaker 2>I know, what do we want to go through? Some

0:16:12.320 --> 0:16:16.080
<v Speaker 2>comments from fans the critics? Yeah, that's okay. So here's

0:16:16.120 --> 0:16:21.080
<v Speaker 2>some comment YouTube comments from fans. Omg. Andrew Keagan played

0:16:21.080 --> 0:16:24.040
<v Speaker 2>Stephanie Tanner's love crush in Full House, and now Andrew

0:16:24.080 --> 0:16:26.720
<v Speaker 2>Keagan plays Kimmy Gibbler's crush in this movie.

0:16:27.040 --> 0:16:30.280
<v Speaker 1>Lol. I mean there's always the joke about Andrew that

0:16:30.600 --> 0:16:33.800
<v Speaker 1>he made out with everyone on every show in the

0:16:33.920 --> 0:16:37.520
<v Speaker 1>night that was he was did the teen heartthrob, he

0:16:37.760 --> 0:16:40.560
<v Speaker 1>was the love You killed it every single show? Yes,

0:16:40.760 --> 0:16:45.520
<v Speaker 1>he killed it? Yeah? Oh, here we go another comment.

0:16:46.360 --> 0:16:49.000
<v Speaker 1>I've wanted to find this movie again for about twenty

0:16:49.080 --> 0:16:51.560
<v Speaker 1>five years now. I couldn't remember the name of it.

0:16:51.960 --> 0:16:55.280
<v Speaker 1>Finally fucking found it. I don't know, I just like

0:16:55.360 --> 0:16:58.760
<v Speaker 1>bleeped myself there. I'm so happy I found this and

0:16:58.880 --> 0:17:03.160
<v Speaker 1>watched it, and also severely sad that it's so bad. Lol,

0:17:03.400 --> 0:17:07.480
<v Speaker 1>thanks for uploading. And that is exactly the sentiment. You

0:17:07.880 --> 0:17:12.760
<v Speaker 1>are both thankful and horrified. It's like watching Xanadu, which

0:17:12.760 --> 0:17:16.040
<v Speaker 1>I do with Stele Lea. You're like, I am so

0:17:17.560 --> 0:17:21.879
<v Speaker 1>thankful that this terrible thing exists to laugh at because

0:17:21.880 --> 0:17:26.639
<v Speaker 1>it's it's amazing. It's so bad, it's amazing.

0:17:26.880 --> 0:17:29.240
<v Speaker 2>It's it's just yeah, it's it's.

0:17:29.160 --> 0:17:31.600
<v Speaker 1>A ridiculous watch of it. It's the it's the cult

0:17:31.920 --> 0:17:33.960
<v Speaker 1>classic of it where you're like, oh, this is it's

0:17:34.560 --> 0:17:38.119
<v Speaker 1>there's just bad and then there's like wow, and you're like,

0:17:38.240 --> 0:17:41.080
<v Speaker 1>I have to watch it. I love it, gotta watch it. Yep.

0:17:41.119 --> 0:17:45.120
<v Speaker 2>The bad makes it, Yes, just so good. Uh one

0:17:45.160 --> 0:17:48.520
<v Speaker 2>more comment, I finally found this movie. You know, it's

0:17:48.520 --> 0:17:50.640
<v Speaker 2>a trend like people keep can't find.

0:17:51.040 --> 0:17:53.920
<v Speaker 1>Yeah, you're looking for as a kid. It's not like,

0:17:54.200 --> 0:17:57.280
<v Speaker 1>you know, every blockbuster had Skateboard Kid too, and there's

0:17:57.400 --> 0:18:00.240
<v Speaker 1>no more blockbusters, so you're really it's a.

0:18:00.240 --> 0:18:03.880
<v Speaker 2>Stretch everyone's like, where is this h I finally found

0:18:03.880 --> 0:18:05.880
<v Speaker 2>this movie as a child, I watched it and did

0:18:05.920 --> 0:18:08.840
<v Speaker 2>the same as in the movie, put money in an

0:18:08.920 --> 0:18:12.800
<v Speaker 2>envelope and dropped it into the mailbox. However, a skateboard

0:18:12.880 --> 0:18:16.879
<v Speaker 2>never appeared in my house. Oh did you ever do

0:18:16.960 --> 0:18:20.400
<v Speaker 2>that send like cash in an envelope to like get

0:18:20.560 --> 0:18:23.000
<v Speaker 2>I don't know, I some prize or something.

0:18:23.119 --> 0:18:25.320
<v Speaker 1>I think so. No, I don't think I ever did.

0:18:25.400 --> 0:18:27.400
<v Speaker 1>But I remembered the stuff on the cereal box where

0:18:27.400 --> 0:18:30.200
<v Speaker 1>it was like send in three ninety nine. Yeah, I

0:18:30.320 --> 0:18:32.880
<v Speaker 1>didn't have to be a check though. Oh you would

0:18:32.880 --> 0:18:35.760
<v Speaker 1>have been fine. I would have been find a cerial

0:18:35.840 --> 0:18:38.440
<v Speaker 1>box and do it right now. You will be the

0:18:38.560 --> 0:18:40.920
<v Speaker 1>only one that can still do it. Your trances of

0:18:40.960 --> 0:18:42.720
<v Speaker 1>winning are great. Thank you.

0:18:43.200 --> 0:18:45.560
<v Speaker 2>I've got my check books right or I can write

0:18:45.560 --> 0:18:48.600
<v Speaker 2>a check right now. But I remember that being the

0:18:48.640 --> 0:18:51.879
<v Speaker 2>thing you could send cash via USPS and it was

0:18:51.960 --> 0:18:54.360
<v Speaker 2>not a scary thing. You just send your cash, it'll

0:18:54.359 --> 0:18:55.760
<v Speaker 2>get there. I mean, no one's going to steal it.

0:18:55.880 --> 0:18:57.200
<v Speaker 1>Yeah, it was.

0:18:57.600 --> 0:18:59.720
<v Speaker 2>We were more innocent back in nineteen ninety.

0:19:00.320 --> 0:19:01.760
<v Speaker 1>Well, I mean, I don't know that kid didn't get

0:19:01.760 --> 0:19:04.560
<v Speaker 1>his ten dollars back, so somebody stole it, So somebody,

0:19:04.640 --> 0:19:07.680
<v Speaker 1>somebody is stealing it. Yeah. Uh, let's hear what the

0:19:07.720 --> 0:19:10.400
<v Speaker 1>critics think about this, because god.

0:19:10.440 --> 0:19:15.920
<v Speaker 2>Oh no, yeah, people who are actually qualified to judgment.

0:19:16.280 --> 0:19:21.359
<v Speaker 1>It's actually not horrible. Oh okay, okay, so let's here's

0:19:21.560 --> 0:19:23.520
<v Speaker 1>here we go. I'll read it to you because then

0:19:23.720 --> 0:19:24.800
<v Speaker 1>it lands a little softer.

0:19:24.920 --> 0:19:36.320
<v Speaker 2>Okay, Okay, Hey there, faner Ritos. We have a very

0:19:36.520 --> 0:19:37.840
<v Speaker 2>exciting announcement to make.

0:19:38.400 --> 0:19:41.439
<v Speaker 1>We are hosting a live event on June fifth at

0:19:41.480 --> 0:19:44.200
<v Speaker 1>the iHeartRadio Theater in Burbank, California.

0:19:44.560 --> 0:19:48.240
<v Speaker 2>And it is not just any live event, oh no,

0:19:48.640 --> 0:19:52.080
<v Speaker 2>in honor of Jesse and Becky's wedding in season four.

0:19:52.520 --> 0:19:55.080
<v Speaker 2>Not only will this event be wedding themed, we will

0:19:55.119 --> 0:20:00.280
<v Speaker 2>also have John Stamos and Laurie Lachlan joining us amazing.

0:20:00.359 --> 0:20:02.760
<v Speaker 1>Plus we have a few special guests who will be

0:20:02.800 --> 0:20:05.919
<v Speaker 1>making an appearance as well. Trust us, it is going

0:20:06.000 --> 0:20:11.280
<v Speaker 1>to be the vow renewal of the season of the year. Okay,

0:20:11.880 --> 0:20:14.800
<v Speaker 1>We've never done anything like this. I'm so exciting. I

0:20:14.920 --> 0:20:16.520
<v Speaker 1>don't know what's going to happen, and if you listen

0:20:16.560 --> 0:20:18.680
<v Speaker 1>to this podcast, you know you don't either.

0:20:18.880 --> 0:20:22.320
<v Speaker 2>So but we promise it will be entertaining.

0:20:22.560 --> 0:20:23.399
<v Speaker 1>You can buy tickets.

0:20:23.480 --> 0:20:26.480
<v Speaker 2>Click the link in our Instagram bio how Rude podcast

0:20:26.800 --> 0:20:27.320
<v Speaker 2>to purchase.

0:20:27.760 --> 0:20:30.560
<v Speaker 1>We can't wait to see you guys there, So dress

0:20:30.720 --> 0:20:33.960
<v Speaker 1>in your best wedding attire on June fifth, and we

0:20:34.080 --> 0:20:37.560
<v Speaker 1>will see you at Jesse and Becky's now renewal. Yay.

0:20:38.359 --> 0:20:42.159
<v Speaker 1>TV Guide magazine said that the sequel shows a vast

0:20:42.400 --> 0:20:47.680
<v Speaker 1>improvement over the original nineteen ninety three film, adding that

0:20:47.880 --> 0:20:56.040
<v Speaker 1>it is often quite witty, witty everything compliment. I cannot

0:20:56.520 --> 0:21:06.520
<v Speaker 1>imagine what would be a vast improvement. So bad was

0:21:06.600 --> 0:21:10.000
<v Speaker 1>the qualify as? But now I feel like I need

0:21:10.080 --> 0:21:13.399
<v Speaker 1>to find Skateboard Kid one. Yeah, maybe we need to

0:21:13.520 --> 0:21:16.680
<v Speaker 1>watch How could it be worse? I mean it was

0:21:16.840 --> 0:21:19.720
<v Speaker 1>very hard to follow Skateboard Kid two, obviously having no

0:21:19.840 --> 0:21:23.159
<v Speaker 1>knowledge of Skateboard Kid one. Right, right, but yeah, but

0:21:23.520 --> 0:21:25.280
<v Speaker 1>uh so it was often quite witty.

0:21:25.440 --> 0:21:26.520
<v Speaker 2>See okay, quite whitty.

0:21:26.840 --> 0:21:27.200
<v Speaker 1>See that.

0:21:27.320 --> 0:21:28.360
<v Speaker 2>I'll take that compliment.

0:21:28.520 --> 0:21:33.879
<v Speaker 1>It's the only only compliment because on IMDb and the

0:21:34.000 --> 0:21:36.479
<v Speaker 1>audience members, which is, you know, the people have spoken.

0:21:36.680 --> 0:21:38.359
<v Speaker 1>It has a score of three point eight out of

0:21:38.440 --> 0:21:42.399
<v Speaker 1>ten on IMDb, and the audience has rated it a

0:21:42.480 --> 0:21:46.240
<v Speaker 1>total of thirty two percent on Rotten Tomatoes, which means

0:21:46.640 --> 0:21:53.399
<v Speaker 1>that a third of people I haven't commented on it. Okay,

0:21:53.960 --> 0:21:58.200
<v Speaker 1>that's a great way of friends people have commented on It's. Yeah, like,

0:21:58.320 --> 0:22:00.359
<v Speaker 1>out of the one hundred percent that have watched, thirty

0:22:00.400 --> 0:22:03.080
<v Speaker 1>two percent of people have said that this was terrible.

0:22:04.080 --> 0:22:06.480
<v Speaker 1>This is higher than I expected. I really expected like

0:22:06.760 --> 0:22:10.119
<v Speaker 1>two stars. Yeah, one percent. I expected this to be

0:22:10.440 --> 0:22:12.840
<v Speaker 1>far lower. So I know, and now I'm my my

0:22:13.000 --> 0:22:15.280
<v Speaker 1>interest is peaked, and I want to go find one

0:22:15.400 --> 0:22:20.440
<v Speaker 1>star movies on IMDb because it's got to be just

0:22:21.520 --> 0:22:22.439
<v Speaker 1>I don't know, it's.

0:22:22.320 --> 0:22:24.240
<v Speaker 2>Got to be a great way to spend your spare time.

0:22:24.320 --> 0:22:26.240
<v Speaker 1>I'm not going to remember this. I'm not gonna remember

0:22:26.240 --> 0:22:28.199
<v Speaker 1>I said this and actually do it. But right now

0:22:28.240 --> 0:22:31.959
<v Speaker 1>I'm like, I bet that there's some jewels in there. Anyway,

0:22:32.119 --> 0:22:32.520
<v Speaker 1>it would be.

0:22:32.800 --> 0:22:34.560
<v Speaker 2>One star movies would be great to have on in

0:22:34.600 --> 0:22:36.359
<v Speaker 2>the background while you're doing your lego sets.

0:22:36.480 --> 0:22:40.680
<v Speaker 1>I'm just saying it's true. Yeah, I have to ask you,

0:22:40.760 --> 0:22:43.119
<v Speaker 1>says you start in this movie, what are your like,

0:22:43.200 --> 0:22:45.160
<v Speaker 1>what are your overall thoughts of this movie?

0:22:45.400 --> 0:22:45.440
<v Speaker 2>Like?

0:22:46.560 --> 0:22:49.240
<v Speaker 1>What how was it filming it? Did you enjoy it?

0:22:49.800 --> 0:22:52.359
<v Speaker 1>Do you remember it? Was it like how long was

0:22:52.400 --> 0:22:54.600
<v Speaker 1>your schedule? How many days were you on set? Like

0:22:54.680 --> 0:22:55.679
<v Speaker 1>it is the scoop.

0:22:56.480 --> 0:22:59.680
<v Speaker 2>Yeah, I freaking loved this movie. I loved it as

0:22:59.840 --> 0:23:04.040
<v Speaker 2>a well. I must have been nineteen in nineteen ninety five. Yeah,

0:23:04.040 --> 0:23:07.000
<v Speaker 2>I was eighteen or nineteen. I loved it then.

0:23:07.400 --> 0:23:08.520
<v Speaker 1>I loved it now.

0:23:08.760 --> 0:23:12.000
<v Speaker 2>I love these cheesy eighties and nineties movies, you know,

0:23:12.040 --> 0:23:13.760
<v Speaker 2>I'm a big fan of that. The worse it is,

0:23:13.920 --> 0:23:14.560
<v Speaker 2>the more I love it.

0:23:14.840 --> 0:23:17.280
<v Speaker 1>Me too. And it was a great experience.

0:23:17.280 --> 0:23:18.920
<v Speaker 2>Like see, it was great for me because it was

0:23:19.000 --> 0:23:21.600
<v Speaker 2>one of my first single cam okay experience. It's very

0:23:21.680 --> 0:23:26.320
<v Speaker 2>different than multiicam as you know. Yes, so yeah, it

0:23:26.400 --> 0:23:28.080
<v Speaker 2>was a bit of an adjustment to the single cam

0:23:28.160 --> 0:23:30.320
<v Speaker 2>thing because you know, everything is worse slow.

0:23:30.160 --> 0:23:32.960
<v Speaker 1>By single cam. We mean that usually there's one or

0:23:33.040 --> 0:23:35.440
<v Speaker 1>two cameras shooting. There's usually an A to B cam,

0:23:36.040 --> 0:23:39.720
<v Speaker 1>but it means often you are shooting on location, so

0:23:39.800 --> 0:23:43.159
<v Speaker 1>you're in an enclosed space, so and you're getting different

0:23:43.240 --> 0:23:45.879
<v Speaker 1>shots and different lighting setups. It's not like on a

0:23:45.960 --> 0:23:49.560
<v Speaker 1>sitcom where the stage is sort of pre lit and

0:23:49.840 --> 0:23:52.760
<v Speaker 1>done and there's four cameras that are on the outside

0:23:52.800 --> 0:23:56.800
<v Speaker 1>and it's done a like a theater stage production. So

0:23:56.920 --> 0:24:00.159
<v Speaker 1>that's why it's a lot different, and you it's a

0:24:00.200 --> 0:24:02.560
<v Speaker 1>lot more technical, and you move stuff around so you get,

0:24:02.680 --> 0:24:04.639
<v Speaker 1>you know, one angle, and you do a scene and

0:24:04.720 --> 0:24:06.320
<v Speaker 1>one time and then you're like, okay, now we're gonna

0:24:06.400 --> 0:24:08.960
<v Speaker 1>totally relight everything and reposition the cameras and do it.

0:24:09.000 --> 0:24:12.040
<v Speaker 1>And you do that usually several multiple times in a

0:24:12.080 --> 0:24:14.200
<v Speaker 1>lot of set up, say in the single cablel forever

0:24:15.000 --> 0:24:16.440
<v Speaker 1>for sorry.

0:24:16.680 --> 0:24:19.520
<v Speaker 2>It's a hard adjustment coming from the sitcom world, it's

0:24:19.600 --> 0:24:21.920
<v Speaker 2>it's a hard adjustment. And you know what else I

0:24:22.040 --> 0:24:25.359
<v Speaker 2>realized it. I don't love single cam because you don't

0:24:25.520 --> 0:24:27.639
<v Speaker 2>get to hang out with the whole cast for the

0:24:27.720 --> 0:24:30.000
<v Speaker 2>whole time. Like you know, you're only there on the

0:24:30.080 --> 0:24:32.720
<v Speaker 2>days that they're doing your scenes. So I wasn't part

0:24:32.760 --> 0:24:36.320
<v Speaker 2>of the skateboarding scenes. I wasn't like all these crazy scenes.

0:24:37.040 --> 0:24:38.639
<v Speaker 2>I didn't get to hang out with a bunch of.

0:24:38.600 --> 0:24:40.640
<v Speaker 1>The other kids. It's like you can do a movie

0:24:40.960 --> 0:24:43.720
<v Speaker 1>with someone and never see them, you know, never see.

0:24:43.560 --> 0:24:47.000
<v Speaker 2>Them, right, So I kind of I prefer the sitcom

0:24:47.040 --> 0:24:49.359
<v Speaker 2>world where you're with the whole cast, you can see

0:24:49.680 --> 0:24:53.560
<v Speaker 2>the other actors performing their scenes. This I was just like, yeah,

0:24:53.880 --> 0:24:56.040
<v Speaker 2>I was a small part of it and never got

0:24:56.080 --> 0:24:57.359
<v Speaker 2>to be part of the skateboarding scene.

0:24:57.600 --> 0:25:01.359
<v Speaker 1>So, which is a shame, because you you are a

0:25:01.440 --> 0:25:06.159
<v Speaker 1>world class skateboarder. You took it up after you started unicycling, right,

0:25:07.160 --> 0:25:10.000
<v Speaker 1>that's what you should have done. Ridden your unicycle right

0:25:10.119 --> 0:25:13.159
<v Speaker 1>through the middle of them, up that ramp, halfpipe it.

0:25:13.280 --> 0:25:15.399
<v Speaker 1>I bet you could do it. Yeah, that would have

0:25:15.480 --> 0:25:17.359
<v Speaker 1>fit you know, that would not have been weird in

0:25:17.440 --> 0:25:20.639
<v Speaker 1>this movie. Actually, I feel like skateboard Kid three is

0:25:20.840 --> 0:25:25.000
<v Speaker 1>actually unicycle Kid three, because again it has as much

0:25:25.080 --> 0:25:28.600
<v Speaker 1>to do with the first two as anything. So it's

0:25:28.800 --> 0:25:32.440
<v Speaker 1>unicycle Kid three and now it's a magical unicycle which

0:25:33.160 --> 0:25:35.040
<v Speaker 1>really tracks. I feel like that that.

0:25:35.440 --> 0:25:40.639
<v Speaker 2>Yeah, that makes total sense. I might start running right now.

0:25:41.560 --> 0:25:43.160
<v Speaker 1>Send that to the DGA. It's gonna be huge.

0:25:43.840 --> 0:25:46.600
<v Speaker 2>But what did you think as an audience member, Joe,

0:25:47.040 --> 0:25:47.520
<v Speaker 2>what was you?

0:25:47.680 --> 0:25:51.680
<v Speaker 1>What were your overright this? I think my face was

0:25:51.880 --> 0:25:55.800
<v Speaker 1>like the whole time, you know what I mean, like

0:25:55.920 --> 0:25:59.000
<v Speaker 1>my I don't know that my lower jaw met my

0:25:59.200 --> 0:26:04.359
<v Speaker 1>upper jaw were quite some time. I was I was

0:26:04.640 --> 0:26:08.160
<v Speaker 1>agg I believe, as they say, it's a great word word,

0:26:08.720 --> 0:26:12.919
<v Speaker 1>but it means like it's not horrified but just goky,

0:26:13.200 --> 0:26:16.399
<v Speaker 1>like just sort of like I can't believe this. And

0:26:17.119 --> 0:26:23.600
<v Speaker 1>that was from jump from from the the the the

0:26:24.520 --> 0:26:31.800
<v Speaker 1>pixelated beginning sequence which is at the sky, which I

0:26:31.920 --> 0:26:36.480
<v Speaker 1>think might actually be the background from that Soaring over

0:26:36.600 --> 0:26:40.040
<v Speaker 1>California ride at Disney. Sure, that's what I felt like

0:26:40.119 --> 0:26:42.520
<v Speaker 1>I was on. I was expecting to smell orange fields

0:26:42.520 --> 0:26:45.879
<v Speaker 1>all of a sudden, but yeah, that and it was

0:26:47.040 --> 0:26:52.080
<v Speaker 1>it was like someone did it and I and I'm

0:26:52.280 --> 0:26:54.320
<v Speaker 1>making fun of this because it's amazing, you guys, and

0:26:54.400 --> 0:26:59.320
<v Speaker 1>Aby knows I'm good. Like this is. But it feels

0:26:59.640 --> 0:27:04.600
<v Speaker 1>even the opening sequences like like the visual effects are like, uh,

0:27:05.200 --> 0:27:08.119
<v Speaker 1>when you took a computer class in like seventh or

0:27:08.160 --> 0:27:12.200
<v Speaker 1>eighth grade on those macintoshes with the green things and

0:27:12.440 --> 0:27:15.000
<v Speaker 1>you were like writing code and it was really like

0:27:15.280 --> 0:27:18.119
<v Speaker 1>moving a snake or something around. Like it feels like

0:27:19.400 --> 0:27:24.199
<v Speaker 1>somehow they did the visual effects on that because they

0:27:24.240 --> 0:27:30.119
<v Speaker 1>are that great and it's they're fabulous, and this is

0:27:30.320 --> 0:27:32.520
<v Speaker 1>this is by the way, this is a nothing of

0:27:32.640 --> 0:27:37.080
<v Speaker 1>the skateboard and the other things, but the flying sequences

0:27:37.440 --> 0:27:39.080
<v Speaker 1>are a sight to behold.

0:27:39.680 --> 0:27:42.560
<v Speaker 2>Yes, it opens with Sammy, Uh, he's having a nightmare

0:27:42.640 --> 0:27:43.560
<v Speaker 2>where he's or a dream.

0:27:43.600 --> 0:27:43.920
<v Speaker 1>I don't know.

0:27:43.960 --> 0:27:47.639
<v Speaker 2>He's flying in the air and it's so well nightmare.

0:27:47.760 --> 0:27:49.720
<v Speaker 1>But no, well that becomes in the beginning, but no,

0:27:49.840 --> 0:27:52.760
<v Speaker 1>it doesn't. It open with it. We go into the garage.

0:27:53.440 --> 0:27:56.399
<v Speaker 1>We open in the garage flash mac right, yea in

0:27:57.080 --> 0:27:59.880
<v Speaker 1>the suit when the flashback when he's a little kid,

0:28:00.600 --> 0:28:03.920
<v Speaker 1>which yes, I didn't get was a flashback, and was

0:28:04.040 --> 0:28:10.520
<v Speaker 1>wondering why they were walking into the shed. Well, no,

0:28:10.960 --> 0:28:12.440
<v Speaker 1>when they opened the door, I was like, is it

0:28:12.600 --> 0:28:13.919
<v Speaker 1>are they dead? What's happening?

0:28:13.960 --> 0:28:16.800
<v Speaker 2>And then yes, but have been adjacent?

0:28:16.920 --> 0:28:19.640
<v Speaker 1>Yes, yeah, and just I love how he unzipped from

0:28:19.760 --> 0:28:23.840
<v Speaker 1>one coverall in the mechanic thing just right, unzipped into

0:28:24.240 --> 0:28:27.119
<v Speaker 1>air force uniform and his helmet was right there to

0:28:27.160 --> 0:28:30.840
<v Speaker 1>go flying a jetplane. Yeah, it was. It was effective

0:28:31.080 --> 0:28:33.720
<v Speaker 1>that and he told us that if only he could

0:28:33.760 --> 0:28:38.479
<v Speaker 1>fly this plane, all foreshadowing something terrible happening.

0:28:40.080 --> 0:28:42.360
<v Speaker 2>I don't know why I'm always doing productions where the

0:28:42.440 --> 0:28:44.440
<v Speaker 2>dad is dead. It was someone's dead apparent.

0:28:44.920 --> 0:28:48.000
<v Speaker 1>Well that's I mean, that's a pretty common theme. It's

0:28:48.080 --> 0:28:51.280
<v Speaker 1>dead parent. I either you're happy or sad about it,

0:28:51.320 --> 0:28:52.680
<v Speaker 1>you know what I mean. It's either worked out well

0:28:52.840 --> 0:28:55.440
<v Speaker 1>or not so it's a lot of things start there.

0:28:58.000 --> 0:29:00.760
<v Speaker 1>Oh boy. So yeah, so we started this weird shed

0:29:00.880 --> 0:29:05.000
<v Speaker 1>scene where he has breakaway clothes and that was in

0:29:05.000 --> 0:29:06.760
<v Speaker 1>an air Force suit and he walks out of a

0:29:06.840 --> 0:29:11.080
<v Speaker 1>door into the white light, and then we foreshadowing, then

0:29:11.160 --> 0:29:13.600
<v Speaker 1>it foreshadows. Then we realized he is gone.

0:29:14.000 --> 0:29:14.680
<v Speaker 2>He had die.

0:29:14.720 --> 0:29:17.400
<v Speaker 1>He died because he was the only air Force flying

0:29:17.440 --> 0:29:17.840
<v Speaker 1>a plane.

0:29:18.080 --> 0:29:20.640
<v Speaker 2>Yep. And it ties into this kids, Yeah, who's having

0:29:20.720 --> 0:29:23.520
<v Speaker 2>nightmares about our dreams or whatever about flying through the sky.

0:29:23.680 --> 0:29:27.360
<v Speaker 1>He wants, well, they're they're playing with the airplane, aren't

0:29:27.360 --> 0:29:30.080
<v Speaker 1>they the thing that flies around like one of those

0:29:30.120 --> 0:29:32.760
<v Speaker 1>airplanes on a string. Which, yeah, I was like, how

0:29:32.840 --> 0:29:34.360
<v Speaker 1>do you guys not get dizzy? They were just spinning

0:29:34.400 --> 0:29:37.000
<v Speaker 1>in circles. I would have gotten sick totally. But and

0:29:37.080 --> 0:29:40.560
<v Speaker 1>then they tow the car, right, Oh yeah, the car,

0:29:40.760 --> 0:29:45.560
<v Speaker 1>the car that dad has sold in the flashback has.

0:29:45.480 --> 0:29:49.680
<v Speaker 2>To be sold because mom can't pay the mortgage on

0:29:49.760 --> 0:29:51.280
<v Speaker 2>the house because his dad's gone.

0:29:52.120 --> 0:29:52.720
<v Speaker 1>Yep, yep.

0:29:52.720 --> 0:29:54.800
<v Speaker 2>I guess that life insurance just wasn't enough.

0:29:55.480 --> 0:29:58.160
<v Speaker 1>You know, Danny Tanner. That's all I'm saying, right.

0:29:58.120 --> 0:30:01.240
<v Speaker 2>The difference between this single mom and then single Danny

0:30:01.280 --> 0:30:04.120
<v Speaker 2>Tanner and his mansion in San Francisco.

0:30:04.200 --> 0:30:05.680
<v Speaker 1>Yeah, craziness.

0:30:06.040 --> 0:30:10.480
<v Speaker 2>Oh yeah, So what were some of your favorite scenes

0:30:11.000 --> 0:30:16.440
<v Speaker 2>in this movie? Oh, you have to just narrow it down.

0:30:17.360 --> 0:30:26.160
<v Speaker 1>I mean when they're walking through the weird warehouse that

0:30:26.280 --> 0:30:28.400
<v Speaker 1>he winds up in, where you're like, why is this

0:30:28.640 --> 0:30:33.320
<v Speaker 1>child going alone through alleyways into a warehouse by himself?

0:30:33.920 --> 0:30:36.200
<v Speaker 1>Has no one taught him better? But then there's a

0:30:36.240 --> 0:30:38.320
<v Speaker 1>lot of problematic things through the whole movie that answer

0:30:38.360 --> 0:30:40.640
<v Speaker 1>that question, and the answer is no, no one has

0:30:40.680 --> 0:30:42.560
<v Speaker 1>taught him better not to talk to strangers and go

0:30:42.640 --> 0:30:46.840
<v Speaker 1>into weird alleys. So they go into this warehouse thing

0:30:47.040 --> 0:30:53.480
<v Speaker 1>where Zeno eventually appears, and it was it was giving.

0:30:53.640 --> 0:30:56.040
<v Speaker 1>It was giving Xanadu vibes. Maybe because I just watched

0:30:56.080 --> 0:30:59.760
<v Speaker 1>it recently, but it was giving, like magical man appears

0:31:00.200 --> 0:31:03.440
<v Speaker 1>and lights and flashing things and and nothing makes sense,

0:31:04.400 --> 0:31:07.920
<v Speaker 1>but where they're walking through, like the bookshelves that are

0:31:07.960 --> 0:31:12.040
<v Speaker 1>empty and the light and that, like it was cool,

0:31:12.640 --> 0:31:15.880
<v Speaker 1>but I it was I I was like, what is

0:31:16.320 --> 0:31:17.000
<v Speaker 1>gonna happen?

0:31:17.760 --> 0:31:20.680
<v Speaker 2>Like I thought it was setting up for a creepy.

0:31:20.480 --> 0:31:24.760
<v Speaker 1>It was creepy. It was creepy. It was it felt

0:31:24.840 --> 0:31:28.440
<v Speaker 1>ominous and also I was like doing the like I

0:31:28.640 --> 0:31:31.600
<v Speaker 1>was trying to duck around the bookshelf because it was

0:31:31.800 --> 0:31:38.240
<v Speaker 1>neither above nor below his face. It was somewhere around

0:31:38.360 --> 0:31:42.200
<v Speaker 1>his chin most of my time, so you couldn't see

0:31:42.400 --> 0:31:46.920
<v Speaker 1>his face as he's talking, and you want to because

0:31:46.960 --> 0:31:50.479
<v Speaker 1>it's not anyway. That was great. That was and then

0:31:50.560 --> 0:31:53.600
<v Speaker 1>he then he disappears into a light bulb.

0:31:55.000 --> 0:31:59.400
<v Speaker 2>Fantastics but again special effects, fantastic love it. This scene

0:31:59.520 --> 0:32:02.160
<v Speaker 2>was kind of reminiscent of The Never Ending Story. Did

0:32:02.200 --> 0:32:04.120
<v Speaker 2>you watch that when the kid goes into the book

0:32:04.520 --> 0:32:07.080
<v Speaker 2>is it a break store? Yeah, and he talks to

0:32:07.160 --> 0:32:09.440
<v Speaker 2>a guy like it was sort of giving like that

0:32:10.040 --> 0:32:13.040
<v Speaker 2>set up where he opens the book and the yeah,

0:32:13.120 --> 0:32:13.800
<v Speaker 2>the nothing that.

0:32:13.960 --> 0:32:15.160
<v Speaker 1>Yeah, it was supported.

0:32:15.280 --> 0:32:16.600
<v Speaker 2>Yeah, it's sort of sort of like and.

0:32:18.160 --> 0:32:24.560
<v Speaker 1>Let me tell you, we're introduced to Starduster, start up,

0:32:24.640 --> 0:32:29.560
<v Speaker 1>Startarduster at this point, the skateboard and the skateboard. Yeah,

0:32:29.640 --> 0:32:33.360
<v Speaker 1>it's pretty amazing, and it doesn't talk yet, not not

0:32:33.480 --> 0:32:35.400
<v Speaker 1>at this point. No, because that's a surprise.

0:32:36.320 --> 0:32:37.080
<v Speaker 2>Yes, we have to wait.

0:32:37.120 --> 0:32:37.600
<v Speaker 1>We're building.

0:32:37.640 --> 0:32:42.280
<v Speaker 2>We're building to the reveal that this skateboard can talk

0:32:42.760 --> 0:32:46.680
<v Speaker 2>and that he can fly and turned this little boy

0:32:46.800 --> 0:32:51.000
<v Speaker 2>who's never skated before into a professional world class skateboarder.

0:32:51.160 --> 0:32:51.360
<v Speaker 1>Yeah.

0:32:52.520 --> 0:32:52.640
<v Speaker 2>Uh.

0:32:53.640 --> 0:33:00.760
<v Speaker 1>And how that happens is between the squire's kid mm hmm,

0:33:00.960 --> 0:33:04.920
<v Speaker 1>and he challenges the younger kid. Oh no, they meet

0:33:05.000 --> 0:33:08.960
<v Speaker 1>in like that weird sort of back alley wash thing

0:33:10.480 --> 0:33:14.080
<v Speaker 1>first and have the skate thing right before they can share. Yeah,

0:33:14.120 --> 0:33:16.280
<v Speaker 1>the La River bed or whatever. Okay, oh, yes, so

0:33:16.360 --> 0:33:21.520
<v Speaker 1>they do that and he like skates, uh, but like

0:33:21.680 --> 0:33:24.080
<v Speaker 1>he kind of doesn't he fall or something like Starduster

0:33:24.280 --> 0:33:28.040
<v Speaker 1>isn't uh turned, Starduster's not totally worked. The starduster is

0:33:28.080 --> 0:33:30.400
<v Speaker 1>not totally working, and so like some things have happened,

0:33:30.440 --> 0:33:32.080
<v Speaker 1>but he thinks he can do it, and he goes

0:33:32.160 --> 0:33:35.480
<v Speaker 1>down there and he just makes it kind of makes.

0:33:35.400 --> 0:33:38.040
<v Speaker 2>A fool of himself, but it's trying to show off

0:33:38.080 --> 0:33:39.760
<v Speaker 2>for the big boys, who I guess they're supposed to

0:33:39.800 --> 0:33:41.440
<v Speaker 2>be the same age, but he looks eight and they

0:33:41.520 --> 0:33:41.840
<v Speaker 2>look right.

0:33:42.040 --> 0:33:44.360
<v Speaker 1>Well yeah, yeah, yeah, it was shocked. I was like,

0:33:44.360 --> 0:33:47.400
<v Speaker 1>you guys the same age, but yes, and this is

0:33:47.520 --> 0:33:49.040
<v Speaker 1>part of the crew that Andrew Keegan is with.

0:33:49.320 --> 0:33:49.440
<v Speaker 2>Uh.

0:33:50.360 --> 0:33:54.440
<v Speaker 1>And I'm also a side note, convinced that the best

0:33:54.520 --> 0:33:59.840
<v Speaker 1>friend Mickey Uh. For almost the whole movie, I was

0:34:00.080 --> 0:34:03.360
<v Speaker 1>almost sure that she couldn't actually ride her bike because

0:34:04.200 --> 0:34:07.520
<v Speaker 1>you never saw her riding it. Really that I remember

0:34:07.600 --> 0:34:09.520
<v Speaker 1>every time you saw the kids, she was walking with

0:34:09.600 --> 0:34:15.800
<v Speaker 1>the bike, and I wondered, why is this bike so important?

0:34:15.960 --> 0:34:19.840
<v Speaker 1>Which we later find out but it's critical, it's critical.

0:34:19.880 --> 0:34:21.640
<v Speaker 1>But we also find out that yes, she can ride

0:34:21.680 --> 0:34:25.120
<v Speaker 1>that bike, and yeah, and she has a much better stunt.

0:34:25.480 --> 0:34:27.359
<v Speaker 1>But anyway, I was just like, why is she never

0:34:28.080 --> 0:34:30.279
<v Speaker 1>on the bike? She always walking the bike. Anyway, She's

0:34:30.280 --> 0:34:32.719
<v Speaker 1>always walking bike. But then I did in the wash

0:34:33.239 --> 0:34:35.880
<v Speaker 1>and h and he makes a fool himself. But then

0:34:35.880 --> 0:34:39.120
<v Speaker 1>they kind of challenge each other to a thing, a duel,

0:34:39.200 --> 0:34:45.160
<v Speaker 1>to a duel, Yeah, a skateboarding duel on obviously great

0:34:45.200 --> 0:34:49.000
<v Speaker 1>hill for skateboarding. They basically go and have this challenge

0:34:49.080 --> 0:34:52.560
<v Speaker 1>on like a dirt road. I was like, who skateboards

0:34:52.640 --> 0:34:54.560
<v Speaker 1>on this? Don't you know what I mean?

0:34:55.320 --> 0:34:58.520
<v Speaker 2>Yeah, this was not a very you know, big budget production.

0:34:58.760 --> 0:35:01.600
<v Speaker 1>We were a little well and he didn't need a

0:35:01.640 --> 0:35:07.480
<v Speaker 1>skateboard because as he goes flying down the hill, guess what, people,

0:35:08.760 --> 0:35:14.160
<v Speaker 1>Starduster comes to life at the perfect moment because basically

0:35:14.320 --> 0:35:17.840
<v Speaker 1>this kid is trying to kill him. Yeah, if we

0:35:17.960 --> 0:35:21.120
<v Speaker 1>really acknowledge it. The kid is literally playing chicken and

0:35:21.200 --> 0:35:23.160
<v Speaker 1>trying to send this kid off of a cliff.

0:35:23.880 --> 0:35:27.040
<v Speaker 2>It's very dark when you think think about.

0:35:26.800 --> 0:35:29.160
<v Speaker 1>It, You're like, oh my god, he could have died.

0:35:29.880 --> 0:35:34.320
<v Speaker 1>And instead of dying, he has a magical skateboard, thankfully,

0:35:34.480 --> 0:35:36.560
<v Speaker 1>or this movie would have been real short and real dark.

0:35:37.840 --> 0:35:43.840
<v Speaker 1>And he goes flying like a bird over the trees

0:35:44.120 --> 0:35:48.239
<v Speaker 1>and lands safely, much to the shock of all of

0:35:48.280 --> 0:35:52.120
<v Speaker 1>the skater boys and himself. Skater boys are very impressed

0:35:52.160 --> 0:35:53.960
<v Speaker 1>by this. They are very impressed, and I was very

0:35:54.000 --> 0:35:56.720
<v Speaker 1>impressed by the visual effects of him flying.

0:35:57.600 --> 0:36:01.000
<v Speaker 2>Oh it's so realistic. I really thought he was flying.

0:36:01.680 --> 0:36:04.839
<v Speaker 1>Oh wow. It was likely he didn't have the money

0:36:04.960 --> 0:36:07.200
<v Speaker 1>for a harness, and so they lean him up against

0:36:07.239 --> 0:36:09.920
<v Speaker 1>a table that they covered it in a green cloth,

0:36:10.680 --> 0:36:13.960
<v Speaker 1>and he was pretending to fly, but like was leaned

0:36:14.120 --> 0:36:18.200
<v Speaker 1>up against something. There was there was That's exactly what

0:36:18.280 --> 0:36:21.200
<v Speaker 1>it was. I'm sure I wasn't there there was another

0:36:21.400 --> 0:36:23.600
<v Speaker 1>thing where he's flying and he's actually in the harness

0:36:23.760 --> 0:36:26.800
<v Speaker 1>and his jeans are up to his rkle height, you know,

0:36:28.239 --> 0:36:30.200
<v Speaker 1>and you're like, why does he look so strange? You're like, oh,

0:36:30.239 --> 0:36:32.880
<v Speaker 1>because he's wearing a weird harness but this one just

0:36:33.000 --> 0:36:35.520
<v Speaker 1>looked like they were like, look, we we spent all

0:36:35.600 --> 0:36:39.360
<v Speaker 1>our harness money. So just lean forward and pretend like

0:36:39.440 --> 0:36:41.880
<v Speaker 1>you're flying. And he was like doing the worm. It

0:36:42.000 --> 0:36:45.160
<v Speaker 1>was great. It was great. I was I was like,

0:36:45.560 --> 0:36:50.120
<v Speaker 1>I don't know how you're flying straight, sir, but it's yeah.

0:36:50.000 --> 0:36:51.320
<v Speaker 2>It's I'm telling you.

0:36:51.400 --> 0:36:56.359
<v Speaker 1>This is again, such a gem. Just you're a dog.

0:36:56.920 --> 0:37:00.839
<v Speaker 1>I was like, what is he doing? Oh good, yeah,

0:37:01.640 --> 0:37:05.719
<v Speaker 1>oh skateboards anyway, Kids survives yeah, and goes on to

0:37:06.560 --> 0:37:10.080
<v Speaker 1>to you know, basically become best friends with a skateboard,

0:37:10.200 --> 0:37:15.520
<v Speaker 1>which is sad well he and he ignores uh Mickey

0:37:15.800 --> 0:37:19.440
<v Speaker 1>his best friend. Oh she was the best. Can we

0:37:19.600 --> 0:37:24.200
<v Speaker 1>talk about the amount of just casual misogyny in this

0:37:24.400 --> 0:37:30.239
<v Speaker 1>movie though, Oh the Kids insults women several times. He's like,

0:37:30.360 --> 0:37:34.160
<v Speaker 1>oh women whatever. Yeah, there's several comments where I'm like,

0:37:35.120 --> 0:37:37.839
<v Speaker 1>where he likes is and the skateboard says to him,

0:37:38.160 --> 0:37:41.120
<v Speaker 1>you only appreciate like a quote that says you only

0:37:41.200 --> 0:37:44.960
<v Speaker 1>appreciate women when you run out of socks. Oh yeah,

0:37:45.200 --> 0:37:48.120
<v Speaker 1>that was. And if you listen to something like that,

0:37:48.239 --> 0:37:51.759
<v Speaker 1>whole banter back and forth is like, oh, women are useless, like, ew, gross,

0:37:51.880 --> 0:37:54.040
<v Speaker 1>they're disgusting. I know, yeah, but hey when you need

0:37:54.120 --> 0:37:55.839
<v Speaker 1>him to do your laundry and it's good damn around,

0:37:56.080 --> 0:37:56.360
<v Speaker 1>I was.

0:37:56.360 --> 0:38:02.360
<v Speaker 4>Like, what, Yeah, a misogynistic skateboard then creepy dude with

0:38:02.520 --> 0:38:06.759
<v Speaker 4>the ponytail at one point like tries to seduce mom

0:38:06.880 --> 0:38:09.680
<v Speaker 4>in order to get her house and comes on so

0:38:10.040 --> 0:38:14.600
<v Speaker 4>strong and is so inappropriate and like creepy ray pee vibe.

0:38:14.920 --> 0:38:18.759
<v Speaker 2>Uh oh yeah, Bruce Davison is a creepy.

0:38:18.840 --> 0:38:23.400
<v Speaker 1>He basically yeah, he is. Uh yeah, He's a total

0:38:23.520 --> 0:38:27.520
<v Speaker 1>rape douchebag. And it made me uncomfortable, made me super uncomfortable.

0:38:27.960 --> 0:38:30.320
<v Speaker 1>Ken Fields may be uncomfortable when he pulls up in

0:38:30.400 --> 0:38:33.600
<v Speaker 1>a in a expensive car in his little shorts and

0:38:33.719 --> 0:38:37.360
<v Speaker 1>gets out to watch some young boys skateboarding. He was like,

0:38:39.239 --> 0:38:43.120
<v Speaker 1>excuse me, sir, what are you doing? Yeah, and then

0:38:43.160 --> 0:38:47.040
<v Speaker 1>he's like, hey, kid, you ever try skateboarding? I was like, no,

0:38:47.440 --> 0:38:50.040
<v Speaker 1>this is what you warned every kid about, Like no,

0:38:50.320 --> 0:38:52.239
<v Speaker 1>don't ask the man skateboarding. And then he's like, I

0:38:52.320 --> 0:38:54.759
<v Speaker 1>could really build your career. And you're like, oh, it's

0:38:54.760 --> 0:38:56.120
<v Speaker 1>gonna be the coach. It's always the coach.

0:38:56.760 --> 0:38:59.040
<v Speaker 2>And I was missing with Candy like give the kids

0:38:59.600 --> 0:39:02.160
<v Speaker 2>and he had a panel van you know, and.

0:39:02.200 --> 0:39:04.560
<v Speaker 1>The promise of a puppy somewhere. No, instead it was

0:39:04.640 --> 0:39:10.520
<v Speaker 1>the promise of of money and fame. Yeah. And luckily

0:39:11.040 --> 0:39:17.360
<v Speaker 1>this wasn't uh dateline and it was a nineteen nineties

0:39:18.000 --> 0:39:20.800
<v Speaker 1>skateboard magic movie, so could have got Bair to this.

0:39:21.320 --> 0:39:24.799
<v Speaker 2>This is a critical plot point. So because the goal

0:39:25.080 --> 0:39:28.040
<v Speaker 2>is so the villain, the villain boy Jay I think

0:39:28.080 --> 0:39:33.000
<v Speaker 2>his name is Yeah there justin Timberlake, just yeah, Jay Squires.

0:39:33.320 --> 0:39:36.759
<v Speaker 2>Jay Squires decides he wants that magical skateboard because he

0:39:37.360 --> 0:39:38.240
<v Speaker 2>has to win this turn.

0:39:38.239 --> 0:39:41.920
<v Speaker 1>Because the kid didn't die. Yes, his first plan didn't work.

0:39:42.520 --> 0:39:45.399
<v Speaker 2>So he and his dad, Bruce Davison decide, Okay, we're

0:39:45.440 --> 0:39:48.520
<v Speaker 2>going to distract the people that live in the Curtis house. Yeah,

0:39:48.800 --> 0:39:51.520
<v Speaker 2>so that that Jay Squires can go in and steal

0:39:51.760 --> 0:39:52.600
<v Speaker 2>the magical skateboarder.

0:39:52.640 --> 0:39:57.160
<v Speaker 1>So what do they both do? They both like go

0:39:57.400 --> 0:39:59.640
<v Speaker 1>after the women of the house in a creepy way.

0:40:00.320 --> 0:40:02.960
<v Speaker 2>Oh yeah, well, and they wrope Andrew Keagan is this thing.

0:40:03.680 --> 0:40:06.520
<v Speaker 2>Bruce David Davidson is the rape dude with the wall

0:40:06.560 --> 0:40:06.960
<v Speaker 2>of stone.

0:40:07.040 --> 0:40:08.799
<v Speaker 1>He's like shows up at her house with flowers after

0:40:08.920 --> 0:40:11.919
<v Speaker 1>he's also just been on her property all the time,

0:40:12.120 --> 0:40:17.759
<v Speaker 1>measuring for stuff, trespassing, trespassing, and uh, she hates him.

0:40:18.440 --> 0:40:21.520
<v Speaker 1>And then he shows up like with flowers and like

0:40:21.680 --> 0:40:25.560
<v Speaker 1>tries to seduce her and she Uh. As a woman,

0:40:25.600 --> 0:40:27.040
<v Speaker 1>I watched it and I was like, Oh, she's so

0:40:27.160 --> 0:40:29.799
<v Speaker 1>uncomfortable and wants to shut the door but she can't

0:40:29.880 --> 0:40:33.000
<v Speaker 1>because he's there. Yeah, so it was I was definitely

0:40:33.040 --> 0:40:36.560
<v Speaker 1>watching it with different eyes. Yeah. Yeah, she says, yes,

0:40:36.600 --> 0:40:38.120
<v Speaker 1>I'm like, you don't have to, Like, you don't have

0:40:38.320 --> 0:40:40.839
<v Speaker 1>you go to dinner with him. She literally says if

0:40:40.880 --> 0:40:44.080
<v Speaker 1>I go to dinner with you, will you stop harassing me?

0:40:44.640 --> 0:40:47.320
<v Speaker 1>And I was like, well, if that ain't a nineteen

0:40:47.480 --> 0:40:51.880
<v Speaker 1>ninety five statement of I mean that right that that

0:40:52.080 --> 0:40:53.320
<v Speaker 1>has gone away completely.

0:40:53.400 --> 0:40:55.200
<v Speaker 2>Well, she's she's under duresst wall of.

0:40:55.200 --> 0:40:59.200
<v Speaker 1>Stone, stressed out mom, stressed out single mom. Right, dad's

0:40:59.239 --> 0:41:02.040
<v Speaker 1>either dead or often you know, Tahiti with someone else.

0:41:02.080 --> 0:41:04.960
<v Speaker 1>And she's got an alien in a closet. So she's

0:41:05.000 --> 0:41:09.480
<v Speaker 1>always got very big problems Aliens in closets. Uh, you know,

0:41:09.960 --> 0:41:15.240
<v Speaker 1>kids drunk at school, Uh, you know, losing a house,

0:41:16.040 --> 0:41:17.240
<v Speaker 1>legible skateboards.

0:41:17.800 --> 0:41:21.200
<v Speaker 2>She's so stressful, this is like woman a break. Yeah,

0:41:22.200 --> 0:41:25.920
<v Speaker 2>and then Jay Squires convinces his buddy Andrew Keegan.

0:41:26.200 --> 0:41:29.319
<v Speaker 1>To ask Tilly me out on a date to get

0:41:29.360 --> 0:41:31.360
<v Speaker 1>me out of the house too. Now we need to

0:41:31.400 --> 0:41:34.560
<v Speaker 1>back up a little bit because we haven't spoken nearly

0:41:34.680 --> 0:41:38.839
<v Speaker 1>enough about Tilly. That is. That is why we're here. Okay,

0:41:38.960 --> 0:41:41.200
<v Speaker 1>that is why we're here. Let me get a sip

0:41:41.280 --> 0:41:52.040
<v Speaker 1>of tea and yeah, I need my coffee. Did you

0:41:52.280 --> 0:41:55.680
<v Speaker 1>find any plot holes in like, I mean, I that's

0:41:55.760 --> 0:42:00.600
<v Speaker 1>not a question, uh, because yes answers yes, that that

0:42:00.840 --> 0:42:03.600
<v Speaker 1>the entire movie is a plot hole. It's just yeah,

0:42:04.160 --> 0:42:08.560
<v Speaker 1>but like, is there any with your character in particular?

0:42:08.719 --> 0:42:09.799
<v Speaker 1>Because I found one?

0:42:09.920 --> 0:42:11.040
<v Speaker 2>Oh you did?

0:42:11.640 --> 0:42:13.680
<v Speaker 1>Oh? I did? Well? Yeah, I don't know if it's

0:42:13.719 --> 0:42:16.120
<v Speaker 1>a plot hole. It was a minor detail? Is it?

0:42:16.200 --> 0:42:16.719
<v Speaker 2>The dress is?

0:42:17.800 --> 0:42:17.880
<v Speaker 1>Oh?

0:42:17.880 --> 0:42:20.160
<v Speaker 2>Okay, so it's the dress. So there's one scene I

0:42:20.280 --> 0:42:20.759
<v Speaker 2>had to add.

0:42:20.800 --> 0:42:23.320
<v Speaker 1>I was gonna say there's one scene where you're libbing,

0:42:23.400 --> 0:42:25.439
<v Speaker 1>because you can always kind of tone on that because

0:42:25.440 --> 0:42:27.839
<v Speaker 1>they're like h yeah, and you're like ah yeah, because

0:42:27.840 --> 0:42:30.640
<v Speaker 1>it's uncomfortable. I hate it when they're just like and

0:42:30.800 --> 0:42:31.160
<v Speaker 1>I do it.

0:42:31.200 --> 0:42:33.000
<v Speaker 2>I'm on the phone because I'm a teenage girl. So

0:42:33.040 --> 0:42:35.080
<v Speaker 2>I'm on the phone for ninety percent of the.

0:42:35.120 --> 0:42:37.480
<v Speaker 1>Movie almost yeah, logically attached to you.

0:42:38.400 --> 0:42:38.600
<v Speaker 3>Yes.

0:42:39.160 --> 0:42:42.359
<v Speaker 2>So so Andrew Stevens, the director is just like, just talk,

0:42:42.560 --> 0:42:44.640
<v Speaker 2>just talk like a teenage girl would talk. And I'm like, okay,

0:42:44.680 --> 0:42:47.239
<v Speaker 2>but this is a really long, freaking scene where they're

0:42:47.239 --> 0:42:49.800
<v Speaker 2>trying to steal my nail polish or something like that,

0:42:49.840 --> 0:42:50.280
<v Speaker 2>and it's.

0:42:50.160 --> 0:42:53.040
<v Speaker 1>Got to be that you're like talking during the whole

0:42:53.200 --> 0:42:57.160
<v Speaker 1>shot of them getting in the like it's a oh right, and.

0:42:57.360 --> 0:43:00.640
<v Speaker 2>It's long and lengthy, anomally talking, and the scene so

0:43:00.760 --> 0:43:03.080
<v Speaker 2>you only hear me with my bad ad libbine right,

0:43:03.160 --> 0:43:04.400
<v Speaker 2>which was the scene wasn't And.

0:43:04.440 --> 0:43:07.000
<v Speaker 1>You can't really be quiet as if someone is responding

0:43:07.120 --> 0:43:09.160
<v Speaker 1>fully because then it just leaves dead air and they

0:43:09.200 --> 0:43:10.880
<v Speaker 1>want you to be talking in it. So yeah, it

0:43:10.960 --> 0:43:12.600
<v Speaker 1>feels awkward and weird.

0:43:12.760 --> 0:43:15.080
<v Speaker 2>So I'm like, I'll talk about my dress for this

0:43:15.400 --> 0:43:18.200
<v Speaker 2>dance that's coming up, I'll talk about my nails, I'll

0:43:18.239 --> 0:43:20.759
<v Speaker 2>talk about my hair, I'll throw some shade at my mom.

0:43:21.560 --> 0:43:23.440
<v Speaker 2>It worked, but at one point I was like, can

0:43:23.480 --> 0:43:23.879
<v Speaker 2>we cut?

0:43:24.120 --> 0:43:25.239
<v Speaker 1>Like where are we gonna cut?

0:43:25.360 --> 0:43:29.520
<v Speaker 2>I'm just rambling, right, So anyways, So yeah, so Tilly

0:43:29.600 --> 0:43:32.960
<v Speaker 2>talks about her dress in this one scene, and then

0:43:33.080 --> 0:43:37.480
<v Speaker 2>later on, after Andrew Keagan asks Tilly out to go

0:43:37.719 --> 0:43:40.440
<v Speaker 2>to this fall dance, she's like, oh my god, I

0:43:40.480 --> 0:43:41.920
<v Speaker 2>need a dress. I don't have a dress. And I'm like,

0:43:42.000 --> 0:43:43.160
<v Speaker 2>she was just talking like.

0:43:43.480 --> 0:43:45.160
<v Speaker 1>Dance a mess. I need to get him done, and yeah,

0:43:45.239 --> 0:43:48.759
<v Speaker 1>she's yes, maybe she was so excited that she was

0:43:48.800 --> 0:43:51.800
<v Speaker 1>just so excited that she forgot let's go with that.

0:43:52.320 --> 0:43:55.640
<v Speaker 2>Yes, that's exactly, which.

0:43:55.480 --> 0:43:58.560
<v Speaker 1>Again is sad because he's only there to distract her

0:43:58.680 --> 0:44:00.640
<v Speaker 1>and doesn't really like her in the beginning.

0:44:00.680 --> 0:44:03.600
<v Speaker 2>But you can be you can see Andrew Keegan strugg

0:44:03.640 --> 0:44:05.280
<v Speaker 2>and this was a note he got from the director

0:44:05.440 --> 0:44:08.560
<v Speaker 2>smiling shoot this several times about smiling.

0:44:08.600 --> 0:44:11.320
<v Speaker 1>Stop like being oh, I just like it looks like

0:44:11.400 --> 0:44:14.200
<v Speaker 1>he's gonna laugh or something like oh no.

0:44:14.360 --> 0:44:17.600
<v Speaker 2>The note was you could they wanted to see Andrew

0:44:17.640 --> 0:44:20.520
<v Speaker 2>Keagan struggling with this, like he's not a bad guy,

0:44:21.160 --> 0:44:24.279
<v Speaker 2>but he's acting like a bad guy with this whatever.

0:44:25.160 --> 0:44:27.600
<v Speaker 2>So you can see he feels bad that he's asking

0:44:27.719 --> 0:44:31.279
<v Speaker 2>Tilly out only as part of this tist plan and

0:44:31.360 --> 0:44:32.960
<v Speaker 2>he kind of struggling, but he kind of feels bad

0:44:32.960 --> 0:44:35.279
<v Speaker 2>about and you can see that you can absolutely see it. Yes,

0:44:35.480 --> 0:44:36.759
<v Speaker 2>Andrew knocked this out of the park.

0:44:36.840 --> 0:44:40.120
<v Speaker 1>Yes, and what not that they wanted to see that

0:44:40.320 --> 0:44:41.120
<v Speaker 1>contract was the note?

0:44:41.400 --> 0:44:43.640
<v Speaker 2>Yeah, because it was more just kind of straightforward, like, hey,

0:44:43.640 --> 0:44:46.520
<v Speaker 2>I'm going to ask you out starting here's.

0:44:46.880 --> 0:44:49.000
<v Speaker 1>Here's what's happening under the surface.

0:44:49.200 --> 0:44:51.600
<v Speaker 2>Right, this note was kind of like struggle with it

0:44:51.719 --> 0:44:54.719
<v Speaker 2>more and just look, I don't know, look like you're

0:44:55.080 --> 0:44:57.239
<v Speaker 2>like you kind of feel bad, like you feel bad, right,

0:44:57.680 --> 0:44:59.839
<v Speaker 2>And I could see that, Yeah, he has he walks away,

0:45:00.080 --> 0:45:02.960
<v Speaker 2>He's kind of just like pauses and looks around, just

0:45:03.120 --> 0:45:04.520
<v Speaker 2>like what I'm a dick man?

0:45:04.600 --> 0:45:05.320
<v Speaker 1>Yeah? Did I just do?

0:45:05.440 --> 0:45:06.759
<v Speaker 2>Why am I participating in this?

0:45:06.920 --> 0:45:11.560
<v Speaker 1>Yeah? Truly truly? Uh but yeah he then you know,

0:45:11.680 --> 0:45:12.759
<v Speaker 1>your character freezes out.

0:45:12.920 --> 0:45:15.080
<v Speaker 2>I I do.

0:45:16.640 --> 0:45:19.560
<v Speaker 1>Wish I had gotten to know tillymore, though we don't.

0:45:19.760 --> 0:45:23.240
<v Speaker 1>We really only see her uh attached to the phone,

0:45:24.040 --> 0:45:26.960
<v Speaker 1>right or he's on the phone awkward at the dance,

0:45:27.480 --> 0:45:30.279
<v Speaker 1>which you were great, but like intentionally awkward not but

0:45:30.480 --> 0:45:34.320
<v Speaker 1>but it was written to be yes, yes, uh, we

0:45:34.440 --> 0:45:38.360
<v Speaker 1>did that swimmingly well. Oh to say nothing of the extras,

0:45:39.840 --> 0:45:41.279
<v Speaker 1>Oh well that was okay.

0:45:41.360 --> 0:45:44.680
<v Speaker 2>First, you you probably know we weren't at an actual dance.

0:45:45.520 --> 0:45:47.680
<v Speaker 2>All those extrack footage.

0:45:47.760 --> 0:45:52.920
<v Speaker 1>It was like, you guys, I'm not kidding. I've rewound

0:45:53.000 --> 0:45:56.320
<v Speaker 1>it a couple of times during the clips of the

0:45:56.520 --> 0:46:00.239
<v Speaker 1>kids just dancing because it was so it's an and

0:46:00.400 --> 0:46:02.440
<v Speaker 1>I know as an actor and I had to do

0:46:02.560 --> 0:46:05.759
<v Speaker 1>this recently on a in a scene and there was

0:46:05.840 --> 0:46:08.480
<v Speaker 1>no music, so I played music because we were doing

0:46:08.520 --> 0:46:10.640
<v Speaker 1>it was mos and so I played music like in

0:46:10.719 --> 0:46:13.120
<v Speaker 1>the background and was like we were trying to make

0:46:13.200 --> 0:46:15.680
<v Speaker 1>it as normal as possible rather than just like waving

0:46:15.719 --> 0:46:18.680
<v Speaker 1>our arms and having a party silently, because that's really awkward.

0:46:19.600 --> 0:46:21.520
<v Speaker 2>But it's really nothing dancing that.

0:46:23.719 --> 0:46:24.160
<v Speaker 1>No notes.

0:46:24.600 --> 0:46:27.439
<v Speaker 3>There was one kids that was giving it his all,

0:46:28.960 --> 0:46:31.759
<v Speaker 3>left it all on the floor. These kids looked some

0:46:31.880 --> 0:46:34.359
<v Speaker 3>of them looked very young, some looked too old. Well,

0:46:34.480 --> 0:46:36.840
<v Speaker 3>some were dress that's kind of isn't it.

0:46:37.000 --> 0:46:37.200
<v Speaker 2>You know.

0:46:38.680 --> 0:46:42.920
<v Speaker 1>You got six feet kids, mustaches are very different.

0:46:43.480 --> 0:46:45.439
<v Speaker 2>Yes, it's so true.

0:46:46.239 --> 0:46:48.080
<v Speaker 1>But no, we that was all stock footage.

0:46:48.239 --> 0:46:50.840
<v Speaker 2>We just shot like I think in that same warehouse

0:46:50.920 --> 0:46:53.800
<v Speaker 2>with the creepy Sanno or whatever his name is.

0:46:53.880 --> 0:46:57.560
<v Speaker 1>That was stock. You guys, Like when you walked there

0:46:57.600 --> 0:46:58.880
<v Speaker 1>was no dance scene. There was.

0:46:59.040 --> 0:47:01.200
<v Speaker 2>They just put a like a background with a table

0:47:01.239 --> 0:47:03.719
<v Speaker 2>of snacks and side balloons up. We just got that

0:47:03.760 --> 0:47:06.400
<v Speaker 2>scene with like there were what two extras or two background.

0:47:06.000 --> 0:47:08.880
<v Speaker 1>Actors and then the kids dancing and everything was just.

0:47:09.040 --> 0:47:10.120
<v Speaker 2>So that was stock foot.

0:47:10.160 --> 0:47:10.600
<v Speaker 1>We didn't know.

0:47:10.719 --> 0:47:12.520
<v Speaker 2>That wasn't that wasn't what I shot.

0:47:12.880 --> 0:47:17.600
<v Speaker 1>That was better. It's even better.

0:47:18.239 --> 0:47:21.040
<v Speaker 2>We couldn't afford a whole dance scene. Heck no, we

0:47:21.120 --> 0:47:24.920
<v Speaker 2>could afford one wall, one background and a table full

0:47:24.960 --> 0:47:25.400
<v Speaker 2>of snacks.

0:47:25.960 --> 0:47:30.920
<v Speaker 1>Punch. Okay, that's even that's amazing. I love that.

0:47:32.040 --> 0:47:34.279
<v Speaker 2>And that scene was very it was It was as

0:47:34.360 --> 0:47:37.120
<v Speaker 2>awkward to act as it was written, like we're supposed

0:47:37.120 --> 0:47:39.320
<v Speaker 2>to be Andrew again until they are just kind of

0:47:39.360 --> 0:47:41.800
<v Speaker 2>like they don't know what to say, so awkward.

0:47:43.000 --> 0:47:45.719
<v Speaker 1>And yeah, that was just as awkward to perform as

0:47:45.760 --> 0:47:48.680
<v Speaker 1>it was well it read to read it perfectly. It

0:47:48.920 --> 0:47:52.560
<v Speaker 1>was the level of awkward and uncomfortable was palpable.

0:47:52.920 --> 0:47:55.920
<v Speaker 5>And now I know it's because you were acting, so

0:47:57.280 --> 0:47:59.520
<v Speaker 5>no acting records, no acting or you were like I

0:47:59.640 --> 0:48:03.240
<v Speaker 5>am his method right now, I am living at the moment.

0:48:04.400 --> 0:48:07.239
<v Speaker 1>Yes, okay, yeah, I was gonna ask like, how was

0:48:07.280 --> 0:48:08.800
<v Speaker 1>that scene? Was it one of those scenes that you

0:48:08.880 --> 0:48:10.480
<v Speaker 1>had to shoot all day because of all the extras,

0:48:11.160 --> 0:48:15.799
<v Speaker 1>and now I know it took twenty minutes. Like I said,

0:48:16.040 --> 0:48:18.480
<v Speaker 1>it's like this movie was made by AI before there

0:48:18.640 --> 0:48:21.399
<v Speaker 1>was Ai. You know. It was like we just cut

0:48:21.440 --> 0:48:24.839
<v Speaker 1>out the middle end and we're just gonna fake everything. Yeah,

0:48:25.000 --> 0:48:27.920
<v Speaker 1>the director had to get very creative. And I asked him,

0:48:29.440 --> 0:48:32.279
<v Speaker 1>as you do. Was he also shooting it himself? Was

0:48:32.360 --> 0:48:33.120
<v Speaker 1>he the camera op?

0:48:33.920 --> 0:48:36.600
<v Speaker 2>I want to say yes, probably. You know, he was

0:48:36.640 --> 0:48:38.040
<v Speaker 2>the studio teacher right right.

0:48:38.160 --> 0:48:39.600
<v Speaker 1>He was everything.

0:48:39.640 --> 0:48:41.280
<v Speaker 2>He was a director, he was everything.

0:48:42.320 --> 0:48:44.200
<v Speaker 1>What did you What did you think about your wardrobe?

0:48:44.200 --> 0:48:46.520
<v Speaker 1>Because this was definitely not Kimmy Gibler wardrobe. Was it

0:48:46.640 --> 0:48:51.080
<v Speaker 1>a relief to not be in that well? Yes, on

0:48:51.200 --> 0:48:51.640
<v Speaker 1>one hand.

0:48:52.360 --> 0:48:54.480
<v Speaker 2>On the other hand, when I first started watching this

0:48:54.560 --> 0:48:58.400
<v Speaker 2>movie last night, I was like, did we not have

0:48:58.520 --> 0:48:59.120
<v Speaker 2>a budget for.

0:48:59.160 --> 0:48:59.919
<v Speaker 1>A wardrobe depart?

0:49:00.080 --> 0:49:03.200
<v Speaker 2>Like the wardrobe was really terrible on all accounts, not

0:49:03.280 --> 0:49:05.840
<v Speaker 2>just till you know I thought that, Yes. Then I

0:49:05.920 --> 0:49:07.880
<v Speaker 2>started recognizing.

0:49:07.360 --> 0:49:11.640
<v Speaker 1>Some of the oversized flannel shirts and there was there

0:49:11.719 --> 0:49:13.840
<v Speaker 1>was a red and blue one that you had that

0:49:13.960 --> 0:49:15.879
<v Speaker 1>you were wearing, and that was I was like, that's

0:49:15.920 --> 0:49:21.680
<v Speaker 1>Andrew's shirt. I don't know why I remembered that that again,

0:49:22.480 --> 0:49:24.840
<v Speaker 1>Why do I know these things? I think there's a

0:49:25.000 --> 0:49:28.600
<v Speaker 1>picture of us in it. Yes, it was abe shirt,

0:49:29.440 --> 0:49:31.480
<v Speaker 1>it was a wardrobe shirt. But that those were all

0:49:31.560 --> 0:49:34.200
<v Speaker 1>my own clothes. That's what I thought. I was like this,

0:49:34.640 --> 0:49:39.280
<v Speaker 1>bring your own BYO c S party. Yeah, your own clothes.

0:49:40.040 --> 0:49:42.040
<v Speaker 2>Yes, and so I thought wow, and I've never been

0:49:42.840 --> 0:49:43.840
<v Speaker 2>I hate fashion.

0:49:43.960 --> 0:49:44.319
<v Speaker 1>I don't.

0:49:44.480 --> 0:49:46.120
<v Speaker 2>I just don't want to think about it. I would

0:49:46.160 --> 0:49:47.160
<v Speaker 2>wear the same thing every day.

0:49:47.040 --> 0:49:47.439
<v Speaker 1>If I could.

0:49:47.800 --> 0:49:49.400
<v Speaker 2>So I didn't put fashion.

0:49:49.400 --> 0:49:51.279
<v Speaker 1>I could, if you want it, I could, but I don't.

0:49:51.280 --> 0:49:53.960
<v Speaker 1>I don't want to. I'm just Steve jobs it and

0:49:54.120 --> 0:49:56.600
<v Speaker 1>like just get you know, black pants and black turtleneck.

0:49:57.560 --> 0:50:00.160
<v Speaker 1>I would love that. I would do love that to

0:50:00.200 --> 0:50:03.480
<v Speaker 1>wear the same dance holding every day. Nothing nothing, You're

0:50:03.520 --> 0:50:06.800
<v Speaker 1>Andrea damn Barber. You were in skateboard kid too. You

0:50:06.880 --> 0:50:08.080
<v Speaker 1>can do whatever the hell you want.

0:50:08.760 --> 0:50:12.920
<v Speaker 2>Yeah, an ego boost. Yes, But let's talk about the dress.

0:50:13.040 --> 0:50:14.160
<v Speaker 2>The dance dress.

0:50:14.440 --> 0:50:16.360
<v Speaker 1>That was beautiful.

0:50:16.480 --> 0:50:18.359
<v Speaker 2>It was my own dress my junior year.

0:50:18.520 --> 0:50:22.080
<v Speaker 1>I was gonna says I remember you again. I was like,

0:50:22.160 --> 0:50:24.480
<v Speaker 1>I remember you wearing this dress because I remember you

0:50:25.160 --> 0:50:28.680
<v Speaker 1>like seeing pictures of you in it. Yes, yes, this

0:50:29.040 --> 0:50:31.880
<v Speaker 1>was Oh I love this, you love this dress.

0:50:32.560 --> 0:50:36.960
<v Speaker 2>I love. This was custom made design. It like talk

0:50:36.960 --> 0:50:37.640
<v Speaker 2>about special.

0:50:37.800 --> 0:50:38.759
<v Speaker 1>I was.

0:50:38.960 --> 0:50:40.440
<v Speaker 2>Yeah, it was gorgeous.

0:50:40.480 --> 0:50:40.880
<v Speaker 1>I loved it.

0:50:41.000 --> 0:50:43.239
<v Speaker 2>Yes, so I got I'm glad I got to wear.

0:50:43.160 --> 0:50:46.319
<v Speaker 1>It on screen. It was good to describe it for everyone. Uh,

0:50:47.480 --> 0:50:49.400
<v Speaker 1>even though I want to hold it from withhold it

0:50:49.440 --> 0:50:51.359
<v Speaker 1>from you so you actually go watch Skateboard Kid too.

0:50:52.280 --> 0:50:55.080
<v Speaker 1>It was green velvet off the shoulder, just like you

0:50:55.200 --> 0:50:57.239
<v Speaker 1>described it in the in the scene, but off the

0:50:57.280 --> 0:51:02.080
<v Speaker 1>shoulder green velvet. Sort of an a line skirt line skirt,

0:51:02.880 --> 0:51:04.960
<v Speaker 1>not even a line, but like a like a little

0:51:05.080 --> 0:51:07.320
<v Speaker 1>bit of a swing sort of to it, you know

0:51:07.360 --> 0:51:10.920
<v Speaker 1>what I mean, like a swing. Yeah, and uh, the

0:51:11.040 --> 0:51:14.000
<v Speaker 1>fitted fitted bodice and it had like a lace applice

0:51:14.480 --> 0:51:18.560
<v Speaker 1>in sort of a like across the colotage and into

0:51:18.880 --> 0:51:22.839
<v Speaker 1>the uh, into the the cleavage area. But it wasn't

0:51:22.920 --> 0:51:24.920
<v Speaker 1>like but there was an it was right. It was

0:51:25.040 --> 0:51:27.160
<v Speaker 1>like where that would be was all like this pretty

0:51:27.239 --> 0:51:30.720
<v Speaker 1>lace and pearl stuff. And yeah, you it was gorgeous.

0:51:30.760 --> 0:51:31.640
<v Speaker 1>It fit you beautifully.

0:51:31.920 --> 0:51:33.360
<v Speaker 2>You looked I felt beautiful.

0:51:33.360 --> 0:51:37.279
<v Speaker 1>It looks so pretty. I looked her hair down and like,

0:51:38.160 --> 0:51:42.759
<v Speaker 1>it was nice to see you being like normal, you know,

0:51:43.160 --> 0:51:44.839
<v Speaker 1>and not have to be like, I mean you were

0:51:45.080 --> 0:51:47.080
<v Speaker 1>still kind of the fun silly, you know, calling your

0:51:47.120 --> 0:51:48.080
<v Speaker 1>brother Booker and whatever.

0:51:48.200 --> 0:51:50.360
<v Speaker 2>But oh yeah, there was some Kimmy Gibbler moments like

0:51:50.440 --> 0:51:53.000
<v Speaker 2>yelling like get it hair or whatever I was doing.

0:51:53.840 --> 0:51:56.919
<v Speaker 1>I did have to wonder my hair, Like I feel

0:51:57.000 --> 0:51:59.800
<v Speaker 1>like the hair. Did I do my own hair for

0:51:59.880 --> 0:52:04.720
<v Speaker 1>the movie, because it except for the dancing the Andandrew

0:52:04.880 --> 0:52:08.200
<v Speaker 1>was busy curling your hair and shooting the movie, so

0:52:08.480 --> 0:52:12.040
<v Speaker 1>he was was camera opping with the other.

0:52:13.760 --> 0:52:17.480
<v Speaker 2>Because he Yeah, but I had several scenes where I

0:52:17.560 --> 0:52:20.680
<v Speaker 2>had like that founding father's ponytail in the back right,

0:52:20.800 --> 0:52:22.560
<v Speaker 2>it just didn't look very quaft, and so I'm like,

0:52:22.640 --> 0:52:25.320
<v Speaker 2>did I just throw my hair back now that ponytail?

0:52:25.600 --> 0:52:28.560
<v Speaker 1>That's what was probably just like someone doing makeup and

0:52:28.680 --> 0:52:32.960
<v Speaker 1>hair that was like, hey, I've put makeup and hair

0:52:33.040 --> 0:52:36.000
<v Speaker 1>on myself before, how hard can it be? You know,

0:52:36.160 --> 0:52:38.880
<v Speaker 1>and like like that's I feel like that was probably

0:52:39.160 --> 0:52:42.560
<v Speaker 1>what was in the budget for it. That's it's not right, Yeah,

0:52:42.920 --> 0:52:44.640
<v Speaker 1>something like I have a bag of makeup at home,

0:52:44.800 --> 0:52:47.200
<v Speaker 1>Sure I'll use that, you know, and they were like

0:52:47.960 --> 0:52:52.960
<v Speaker 1>pull it back, yeah, and no time anything else. I

0:52:53.040 --> 0:52:55.600
<v Speaker 1>don't know, yeah, but no, your hair. But in the

0:52:56.440 --> 0:53:00.000
<v Speaker 1>dance scene. You know, you had the little nineties ringlets.

0:53:00.040 --> 0:53:03.960
<v Speaker 2>The ringlets, it was half up. I really I never

0:53:04.080 --> 0:53:06.920
<v Speaker 2>felt more beautiful on TV. Well you looked, Yeah, you

0:53:07.000 --> 0:53:08.680
<v Speaker 2>look very pretty. Thank you.

0:53:09.080 --> 0:53:12.960
<v Speaker 1>I love I love that. Any moments while you were

0:53:13.040 --> 0:53:18.040
<v Speaker 1>filming the movie that particularly stand out good, bad, or indifferent?

0:53:18.800 --> 0:53:20.839
<v Speaker 1>Oh yeah, well so probably the go to the bad.

0:53:20.880 --> 0:53:23.480
<v Speaker 1>The indifferent probably isn't very interesting, but yeah.

0:53:23.520 --> 0:53:25.560
<v Speaker 2>I have I have one for all that will fit

0:53:25.920 --> 0:53:26.760
<v Speaker 2>all of them category.

0:53:27.080 --> 0:53:28.000
<v Speaker 1>Yeah, it hit me.

0:53:28.480 --> 0:53:32.880
<v Speaker 2>So the scene where Andrew Keegan is bringing to Lee

0:53:32.960 --> 0:53:36.040
<v Speaker 2>home from the dance, right, we are on the front

0:53:36.560 --> 0:53:40.400
<v Speaker 2>stoop right the front port. Yes, and there's like some

0:53:40.600 --> 0:53:42.920
<v Speaker 2>talk He's like, well, I guess I go there's like some.

0:53:43.320 --> 0:53:45.279
<v Speaker 1>You on the porch of someone's house that didn't give

0:53:45.280 --> 0:53:46.239
<v Speaker 1>you permission to shoot there?

0:53:46.960 --> 0:53:48.759
<v Speaker 2>Oh no, we had rented the house. Was that we

0:53:48.960 --> 0:53:50.560
<v Speaker 2>we actually shot inside that house?

0:53:50.760 --> 0:53:53.120
<v Speaker 1>And Okay, I got it because I was. That would

0:53:53.120 --> 0:53:56.960
<v Speaker 1>have been amazing. The porch light's really great.

0:53:57.960 --> 0:54:03.080
<v Speaker 2>Talk about it, just talk about it was Bruce Davison's shot.

0:54:04.800 --> 0:54:07.120
<v Speaker 1>So yes, with like the lighting is very soft.

0:54:07.320 --> 0:54:09.000
<v Speaker 2>I'm wearing Andrew Keagan's jacket.

0:54:09.120 --> 0:54:09.759
<v Speaker 1>I take it off.

0:54:09.800 --> 0:54:13.399
<v Speaker 2>I hand it to him our fingertips, brunt, I look

0:54:13.480 --> 0:54:16.319
<v Speaker 2>down four hundred times at these fingertips, right.

0:54:17.080 --> 0:54:17.800
<v Speaker 3>And then.

0:54:19.239 --> 0:54:21.240
<v Speaker 1>They cut the kiss.

0:54:21.880 --> 0:54:26.040
<v Speaker 2>There was a kiss, people, I kissed Andrew Keagan alongside

0:54:26.120 --> 0:54:29.480
<v Speaker 2>nine hundred other You know, I could.

0:54:29.320 --> 0:54:35.239
<v Speaker 1>Sell t shirts that say that I can't. I thought,

0:54:35.400 --> 0:54:39.320
<v Speaker 1>was this shirt? Yes, so I know it's in the

0:54:39.440 --> 0:54:42.800
<v Speaker 1>original like DVD or VHS tape.

0:54:42.920 --> 0:54:43.560
<v Speaker 2>I've seen it.

0:54:43.680 --> 0:54:45.799
<v Speaker 1>I've seen it. I got it. The director's cut.

0:54:46.360 --> 0:54:49.080
<v Speaker 2>I need the director's mom has a picture. She has

0:54:49.120 --> 0:54:50.640
<v Speaker 2>a picture of this, so I will find.

0:54:50.440 --> 0:54:54.920
<v Speaker 1>It and bring it. Picture of you guys kiss. Yes, amazing, Right,

0:54:55.280 --> 0:54:58.160
<v Speaker 1>that's a very like, that's a very Sherry Barber moment.

0:54:58.920 --> 0:55:01.680
<v Speaker 1>Oh yeah, she had no shap. Just get a picture

0:55:01.719 --> 0:55:01.880
<v Speaker 1>of this.

0:55:03.840 --> 0:55:06.640
<v Speaker 2>So, for whatever reason, it's cut from this YouTube version.

0:55:06.840 --> 0:55:07.640
<v Speaker 1>I'm so mad.

0:55:07.719 --> 0:55:09.800
<v Speaker 2>I rewound it three times and I am for it.

0:55:10.000 --> 0:55:10.960
<v Speaker 1>Really disappointed.

0:55:11.160 --> 0:55:13.240
<v Speaker 2>Yeah, because then I was in love with Andrew Keagan.

0:55:13.360 --> 0:55:16.320
<v Speaker 1>Of course I was. Also I was in love with

0:55:16.400 --> 0:55:20.440
<v Speaker 1>Andrew in the nineties, right after our after our stream kiss. Yes,

0:55:20.600 --> 0:55:23.279
<v Speaker 1>that was it was literally, that's the joke. Now we're

0:55:23.320 --> 0:55:26.520
<v Speaker 1>like like he was just it was just a little

0:55:26.760 --> 0:55:32.000
<v Speaker 1>you know, it was it was he was everything that

0:55:32.120 --> 0:55:33.839
<v Speaker 1>a thirteen or fourteen year old boy with a lot

0:55:33.880 --> 0:55:36.600
<v Speaker 1>of attention would be. So yeah, he was making out

0:55:36.600 --> 0:55:37.800
<v Speaker 1>with everybody. It was hilarious.

0:55:37.800 --> 0:55:40.799
<v Speaker 2>It's those long locks, I tell you it's it's magical hair.

0:55:40.960 --> 0:55:44.440
<v Speaker 2>He had magical magical hair, truly. Yeah, it's true, like

0:55:44.520 --> 0:55:46.239
<v Speaker 2>with the tentacles sort of. Yeah.

0:55:46.960 --> 0:55:49.200
<v Speaker 1>Yeah, So I'm so sad that you didn't get to

0:55:49.239 --> 0:55:53.000
<v Speaker 1>see that epic. I am too, so wonderful. I know

0:55:53.080 --> 0:55:55.160
<v Speaker 1>you were tearing your your garage apart. You were like,

0:55:55.200 --> 0:55:58.680
<v Speaker 1>I am looking for it, like it for the show.

0:55:58.800 --> 0:56:00.200
<v Speaker 1>So it'll it'll appear.

0:56:00.440 --> 0:56:04.440
<v Speaker 2>When it's meant too. Yeah, whenever, whenever I organize my garage.

0:56:04.440 --> 0:56:06.600
<v Speaker 2>Oh boy, be patient, be patient.

0:56:06.960 --> 0:56:10.520
<v Speaker 1>Yeah, Oh my goodness. If they did a reboot of

0:56:10.640 --> 0:56:15.840
<v Speaker 1>this film, okay in twenty twenty five, who should be

0:56:16.520 --> 0:56:18.000
<v Speaker 1>who would be in it? And we don't have to

0:56:18.080 --> 0:56:20.800
<v Speaker 1>go like all of the characters necessarily, right? But I

0:56:20.840 --> 0:56:23.800
<v Speaker 1>can't cast everybody? Yeah yeah, but like who would be

0:56:24.400 --> 0:56:32.480
<v Speaker 1>who'd be Sammy? Oh? Who'd be they? You I put?

0:56:32.560 --> 0:56:33.520
<v Speaker 1>You know, I didn't cast.

0:56:33.920 --> 0:56:36.960
<v Speaker 2>I did not cast Tilly. I can't really imagine anybody

0:56:37.040 --> 0:56:41.799
<v Speaker 2>but myself. But uh no, I put Matthew Morrison as

0:56:41.920 --> 0:56:43.440
<v Speaker 2>the coach recruiter.

0:56:44.239 --> 0:56:46.680
<v Speaker 1>He's kind of because he kind of he also for sure,

0:56:47.760 --> 0:56:49.200
<v Speaker 1>yeah you can do that. Well.

0:56:49.440 --> 0:56:52.920
<v Speaker 2>The actor Andrew Stevens, the actual actor, he he was

0:56:53.040 --> 0:56:54.760
<v Speaker 2>kind of like, I don't know if he was smarmy

0:56:55.000 --> 0:56:57.280
<v Speaker 2>or just kind of like he was too good looking

0:56:57.360 --> 0:56:59.600
<v Speaker 2>to be buying the I'm like, he's got to be

0:57:00.400 --> 0:57:02.279
<v Speaker 2>in front of the camera. He's kind of suave, he's

0:57:02.320 --> 0:57:05.320
<v Speaker 2>got his hair is perfectly quaffed, and he romances do

0:57:05.320 --> 0:57:05.960
<v Speaker 2>you wall of Stone?

0:57:06.000 --> 0:57:09.600
<v Speaker 1>Well that was That's the thing why he's probably writing

0:57:09.640 --> 0:57:12.520
<v Speaker 1>and directing and producing and is gripping his own movie

0:57:12.560 --> 0:57:14.680
<v Speaker 1>because he's like, I should be in front. No no, no, no,

0:57:14.760 --> 0:57:17.320
<v Speaker 1>no no. No offense to Andrew Stevens if you're out there, fabulous.

0:57:17.600 --> 0:57:19.320
<v Speaker 1>We were all this is what we do as filmmakers.

0:57:19.360 --> 0:57:21.200
<v Speaker 1>You write and you're like, I'm putting myself and everything.

0:57:22.000 --> 0:57:25.760
<v Speaker 1>No shame like that, but yeah, that's right, respect because

0:57:25.800 --> 0:57:29.640
<v Speaker 1>that's what we do. But but yeah, it's definitely like

0:57:29.760 --> 0:57:31.680
<v Speaker 1>you're like, ah, oh yeah, okay.

0:57:31.560 --> 0:57:34.960
<v Speaker 2>Matthew Morrison, I don't know why I picked him. It

0:57:35.120 --> 0:57:38.000
<v Speaker 2>was a little harder for Okay, so for the main family,

0:57:38.960 --> 0:57:43.120
<v Speaker 2>I'm gonna go with uh, and again, I don't know

0:57:43.320 --> 0:57:45.520
<v Speaker 2>child actors of twenty twenty five, because so I have.

0:57:45.840 --> 0:57:48.000
<v Speaker 2>I'm picking the child actors that I'm with because those

0:57:48.040 --> 0:57:51.040
<v Speaker 2>are the ones that I'm aware of, So right, yeah, yeah.

0:57:51.240 --> 0:57:55.920
<v Speaker 2>The main actress in that girl Lele Gabrielle Nevea. She'd

0:57:55.960 --> 0:58:02.160
<v Speaker 2>be a perfect Tilly. I would think she's she's a

0:58:02.200 --> 0:58:04.320
<v Speaker 2>good kid, she's a good sibling, but she kind of

0:58:04.400 --> 0:58:06.480
<v Speaker 2>can harass her little brother a little bit.

0:58:06.560 --> 0:58:07.720
<v Speaker 1>I just think she'd be perfect.

0:58:08.200 --> 0:58:12.240
<v Speaker 2>And the Andrew Keagan character would be Elijah Cooper, who

0:58:12.520 --> 0:58:15.919
<v Speaker 2>was kind of her little like a love interest or whatever.

0:58:16.080 --> 0:58:16.280
<v Speaker 1>In that.

0:58:17.040 --> 0:58:19.520
<v Speaker 2>They were great actors, great kids, and I'm like, yeah,

0:58:19.520 --> 0:58:21.800
<v Speaker 2>it'll be perfect in this role. So I have passed

0:58:21.880 --> 0:58:27.080
<v Speaker 2>them and the mom. The mom was tough for me too.

0:58:27.640 --> 0:58:30.440
<v Speaker 2>I picked one of the Maori sisters, Mowery's sisters, Tia

0:58:30.560 --> 0:58:32.560
<v Speaker 2>or Tamara. Either one would have been great, but I

0:58:32.600 --> 0:58:35.920
<v Speaker 2>see them as teenagers. It's hard to imagine them as moms,

0:58:35.960 --> 0:58:38.520
<v Speaker 2>even though they play moms all the time now. But

0:58:39.040 --> 0:58:40.800
<v Speaker 2>I think they would be good as the Dee waller

0:58:40.920 --> 0:58:43.920
<v Speaker 2>Stone emotional mother who's under a lot of stress.

0:58:44.120 --> 0:58:46.440
<v Speaker 1>Yeah, you know what, why not? I like that?

0:58:47.080 --> 0:58:52.959
<v Speaker 2>And then for the boy. I struggled with the boy. Okay,

0:58:53.040 --> 0:58:57.520
<v Speaker 2>the little kid from Young Sheldon Ian Armitage. I kept

0:58:57.560 --> 0:59:00.280
<v Speaker 2>picturing him, although I don't know if that's quite right

0:59:01.560 --> 0:59:04.080
<v Speaker 2>because he's so buttoned up in Young Sheldon. But he's

0:59:04.080 --> 0:59:06.800
<v Speaker 2>a good actor, so I think the precociousness of.

0:59:07.320 --> 0:59:11.680
<v Speaker 1>Character of Sammy absolutely and then they kind of looked

0:59:11.840 --> 0:59:16.360
<v Speaker 1>similar you young boy with yeah, yeah, that's exactly what

0:59:16.360 --> 0:59:17.520
<v Speaker 1>I was saying. I was like, oh, the kid from

0:59:17.520 --> 0:59:20.240
<v Speaker 1>Young Sheldon because I could sort of like the haircut

0:59:20.320 --> 0:59:24.440
<v Speaker 1>and the facial features around fatally, and then I, yeah,

0:59:24.480 --> 0:59:26.280
<v Speaker 1>I didn't really recast like a lot of it because

0:59:26.280 --> 0:59:27.880
<v Speaker 1>I was like, I want to get your opinion.

0:59:28.040 --> 0:59:30.440
<v Speaker 2>That's that's all the recasting that I did. I couldn't

0:59:30.440 --> 0:59:30.720
<v Speaker 2>think of.

0:59:30.960 --> 0:59:34.600
<v Speaker 1>What about the skateboard? Who would you cast as well? Skateboard?

0:59:34.920 --> 0:59:37.080
<v Speaker 1>It would be the voice of this the Zeno or

0:59:37.960 --> 0:59:38.800
<v Speaker 1>whatever cast.

0:59:40.120 --> 0:59:43.480
<v Speaker 2>I would cast Michael J. Fox's skateboard from the back

0:59:43.520 --> 0:59:47.680
<v Speaker 2>of the Future movies as the talking skateboard and then

0:59:48.520 --> 0:59:53.360
<v Speaker 2>perfect as Xano Xano Xana do Xeno.

0:59:53.880 --> 0:59:59.360
<v Speaker 1>Zeno not Xenu scientologists. Uh what was the name of

0:59:59.400 --> 1:00:06.080
<v Speaker 1>the crew? Okay, uh Zeno Zeno? He weird accent. I

1:00:06.120 --> 1:00:08.800
<v Speaker 1>would cast what was it? Was it Voltaire?

1:00:08.920 --> 1:00:14.440
<v Speaker 2>No? What was the name in big the the mechanical

1:00:15.080 --> 1:00:16.800
<v Speaker 2>weird fortune teller dude?

1:00:17.000 --> 1:00:17.160
<v Speaker 1>Is it?

1:00:17.520 --> 1:00:17.680
<v Speaker 2>Oh?

1:00:20.800 --> 1:00:29.440
<v Speaker 1>Yeah, I know what? No? Yeah, what am I thinking of? Yeah? Voultron, No,

1:00:29.800 --> 1:00:33.080
<v Speaker 1>that's Ultron Zultron, Ultron.

1:00:38.920 --> 1:00:43.920
<v Speaker 2>Brain fog Zoltar, So Zoltar would be the zand guy

1:00:44.520 --> 1:00:46.320
<v Speaker 2>and then Zeno Guy Zeno.

1:00:46.880 --> 1:00:49.520
<v Speaker 1>I don't know. Is it just because it feels a

1:00:49.520 --> 1:00:52.240
<v Speaker 1>little type casting. It's a stretch.

1:00:52.400 --> 1:00:54.880
<v Speaker 2>It's a stretch, but it still has that like magical

1:00:54.960 --> 1:00:57.440
<v Speaker 2>mystical quality where he can make things happen.

1:00:58.120 --> 1:01:02.080
<v Speaker 1>So you'd replace the human man with a with an animatronic.

1:01:02.400 --> 1:01:04.280
<v Speaker 2>Uh, this is my this is my.

1:01:04.360 --> 1:01:06.920
<v Speaker 1>Okay, I like that. That's good. That's basically what's happening

1:01:06.960 --> 1:01:07.560
<v Speaker 1>now in the business.

1:01:07.920 --> 1:01:10.920
<v Speaker 2>So yeah, that's how I would race It's my it's

1:01:11.000 --> 1:01:13.480
<v Speaker 2>my movie twenty twenty five. I am going to recast

1:01:13.640 --> 1:01:16.320
<v Speaker 2>these are the people or animatronics that I am.

1:01:16.800 --> 1:01:19.520
<v Speaker 1>What's happening? Yes? Love it? There you go, I love it.

1:01:19.680 --> 1:01:21.240
<v Speaker 2>It doesn't get better than that, people.

1:01:21.160 --> 1:01:24.360
<v Speaker 1>It really doesn't. So let's wrap it up with this.

1:01:25.960 --> 1:01:27.960
<v Speaker 1>Since this is a maxim enisode, which we knew it

1:01:28.000 --> 1:01:30.840
<v Speaker 1>was episode. This is not this is not a minisode.

1:01:30.840 --> 1:01:33.560
<v Speaker 1>This isn't well, it's a maximnisode, which means it's the

1:01:33.720 --> 1:01:36.280
<v Speaker 1>same length usually as a Sharer episode. But we're not

1:01:36.320 --> 1:01:38.880
<v Speaker 1>calling it that. Uh, but we will wrap it up.

1:01:38.920 --> 1:01:40.680
<v Speaker 1>On a scale of one to ten. What would you

1:01:41.640 --> 1:01:44.600
<v Speaker 1>the Levist movie? Yes, I'm biased, I don't care. I'm

1:01:44.640 --> 1:01:47.040
<v Speaker 1>giving it at eleven. It's everything you want in a

1:01:47.120 --> 1:01:50.720
<v Speaker 1>nineties movie, even the bad parts. It's everything you want

1:01:50.800 --> 1:01:53.000
<v Speaker 1>and things you know you didn't even know you wanted.

1:01:53.480 --> 1:01:55.720
<v Speaker 1>The stunt doubles that are twice the size of the

1:01:55.800 --> 1:01:58.680
<v Speaker 1>actors and twice the age, that's what we didn't even

1:01:58.720 --> 1:02:01.640
<v Speaker 1>bring them up. I've been talking an hour and we

1:02:01.720 --> 1:02:05.520
<v Speaker 1>didn't talk about the shape shifting stunt doubles that went

1:02:05.640 --> 1:02:09.320
<v Speaker 1>from children to adult sized and then back to Joel.

1:02:09.280 --> 1:02:12.280
<v Speaker 2>And probably thirty five years old playing an eight year

1:02:12.320 --> 1:02:14.280
<v Speaker 2>old playing a thirteen year old.

1:02:14.200 --> 1:02:16.120
<v Speaker 1>Right, and you were like, is that a man? And

1:02:16.200 --> 1:02:18.720
<v Speaker 1>then yeah, and then he'd like land it. You're like, oh,

1:02:19.000 --> 1:02:21.080
<v Speaker 1>just like one little stunt or one scene.

1:02:21.200 --> 1:02:25.040
<v Speaker 2>It's the whole freaking movie, the tournament. It's a lot,

1:02:25.320 --> 1:02:26.440
<v Speaker 2>so it's very obvious.

1:02:26.800 --> 1:02:29.760
<v Speaker 1>Yeah. Yeah, that is also where I give it.

1:02:29.840 --> 1:02:33.320
<v Speaker 2>It's great because of just the ridiculousness of the stunt

1:02:33.440 --> 1:02:34.640
<v Speaker 2>casting there.

1:02:34.760 --> 1:02:36.960
<v Speaker 1>I mean, the kid hangs from the back of a

1:02:37.040 --> 1:02:42.439
<v Speaker 1>police car. He flies to the shrine auditorium terrifyingly high.

1:02:42.520 --> 1:02:45.880
<v Speaker 1>By the way, he's handling that super well, like if

1:02:46.360 --> 1:02:48.280
<v Speaker 1>you were in a hot air balloon, you'd be freaking out,

1:02:48.280 --> 1:02:51.880
<v Speaker 1>and he's just on a skateboard that's flying. It's very brave,

1:02:52.600 --> 1:02:55.320
<v Speaker 1>very very brave, and also has great timing. It makes

1:02:55.360 --> 1:02:59.480
<v Speaker 1>it to the tournament in time. But yeah, yeah, yeah,

1:03:00.160 --> 1:03:01.960
<v Speaker 1>I am giving it a ten. I'm giving it a

1:03:02.080 --> 1:03:07.320
<v Speaker 1>ten on because I was in it, your friend, your

1:03:07.400 --> 1:03:09.880
<v Speaker 1>friend of a million years, because I well, I was

1:03:09.920 --> 1:03:13.080
<v Speaker 1>gonna say, because I am also biased in that I

1:03:13.560 --> 1:03:17.479
<v Speaker 1>love how much you love it, and and I also

1:03:17.720 --> 1:03:20.800
<v Speaker 1>again loved seeing you as something other than Kimmy. It

1:03:20.920 --> 1:03:24.480
<v Speaker 1>was fun. I always like seeing you when you are

1:03:25.000 --> 1:03:26.840
<v Speaker 1>on you know, when you were on that girlele, it

1:03:26.920 --> 1:03:29.640
<v Speaker 1>was like, so fun to see you as a different character.

1:03:30.560 --> 1:03:32.960
<v Speaker 1>But yeah, I ten out of ten. You guys, go

1:03:33.560 --> 1:03:36.680
<v Speaker 1>watch this on YouTube. I'm not going to be disappointed

1:03:37.120 --> 1:03:39.080
<v Speaker 1>even if you you know, and I don't care if

1:03:39.080 --> 1:03:41.720
<v Speaker 1>you want to watch it like on double speed. Fine, fine,

1:03:41.760 --> 1:03:44.040
<v Speaker 1>that's okay. Skip you know what, skip through all of

1:03:44.080 --> 1:03:46.600
<v Speaker 1>the credits, which I tried to do several times, and

1:03:47.200 --> 1:03:50.120
<v Speaker 1>it just kept skipping to the next video and then

1:03:50.160 --> 1:03:52.120
<v Speaker 1>I had to go back, and then it kept starting

1:03:52.160 --> 1:03:54.480
<v Speaker 1>me over again. So I really watched the first like

1:03:54.600 --> 1:03:57.200
<v Speaker 1>thirty seconds of this movie multiple times. That's what it

1:03:57.280 --> 1:04:01.360
<v Speaker 1>made an impression on you. Yeah, Jason, but let me

1:04:01.440 --> 1:04:07.120
<v Speaker 1>tell you, go watch it. Go go support ab in

1:04:07.320 --> 1:04:10.560
<v Speaker 1>this movie and rate it on IMDb.

1:04:10.760 --> 1:04:12.400
<v Speaker 2>I need more on IMDb.

1:04:13.120 --> 1:04:15.400
<v Speaker 1>Bring the ratings up. Let's bring that to a four

1:04:15.600 --> 1:04:18.320
<v Speaker 1>at least. Come at least let's round it to a four.

1:04:18.360 --> 1:04:20.080
<v Speaker 2>Okay for sure, let's do.

1:04:20.280 --> 1:04:20.800
<v Speaker 1>We can do it.

1:04:20.920 --> 1:04:22.240
<v Speaker 2>Fan Ritos, come on, we.

1:04:22.240 --> 1:04:24.160
<v Speaker 1>Can do it. We can do it. And in the meantime,

1:04:24.280 --> 1:04:27.480
<v Speaker 1>while you are rating that movie, why don't you just

1:04:27.640 --> 1:04:30.440
<v Speaker 1>you know, hop on over and like and subscribe and

1:04:30.680 --> 1:04:35.040
<v Speaker 1>rate Howard Tan Rito Yeah, but yeah, we don't leave

1:04:35.080 --> 1:04:37.520
<v Speaker 1>any comments about how our minisodes are never minisodes in

1:04:37.520 --> 1:04:39.760
<v Speaker 1>their maxisods. And it's the same. We know, we know

1:04:39.960 --> 1:04:42.920
<v Speaker 1>it's okay, we get it, we get it. But we

1:04:43.040 --> 1:04:46.320
<v Speaker 1>love you guys, you really do. And this was such

1:04:46.320 --> 1:04:47.400
<v Speaker 1>a fun episode to do.

1:04:47.600 --> 1:04:50.360
<v Speaker 2>So I got a big kick out of it. I

1:04:50.360 --> 1:04:51.320
<v Speaker 2>don't know if anyone else.

1:04:51.200 --> 1:04:52.800
<v Speaker 1>Did, but I got a big kick out of it.

1:04:53.000 --> 1:04:55.800
<v Speaker 1>Oh I know you did, to absolutely thrilled. So yeah,

1:04:55.880 --> 1:04:58.600
<v Speaker 1>follow us on Instagram at how Rude Podcast you can

1:04:58.640 --> 1:05:02.280
<v Speaker 1>send us an email, and how Tannerritos at gmail dot com.

1:05:03.000 --> 1:05:06.800
<v Speaker 1>And uh yeah, you guys. Remember the world is small.

1:05:07.840 --> 1:05:13.720
<v Speaker 1>The house is full of magic skateboards, so many many

1:05:13.920 --> 1:05:18.320
<v Speaker 1>stardusters everywhere. Love star dust, Yeah, I love it. Long

1:05:18.400 --> 1:05:22.120
<v Speaker 1>live star Duster. Oh you could, Yeah, you could fly

1:05:22.280 --> 1:05:24.640
<v Speaker 1>to the moon with as many stardusters as there are,

1:05:24.800 --> 1:05:27.720
<v Speaker 1>and I might try. Bye Bye