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Speaker 1: You guys.

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Speaker 2: This is a very special episode of Howard Danner.

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Speaker 1: This is a very very special episode of Howard tan

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Speaker 1: Rito's We are reviewing Skateboard Kid Too. All Right, a

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Speaker 1: film I'm sure you've heard of in the canons of

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Speaker 1: great films. It's critics blamed. Yeah. Yeah, it came out

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Speaker 1: in nineteen ninety five, a year a peak year for

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Speaker 1: these types of films, and it just really stood out

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Speaker 1: amongst the magical skateboard type genre.

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Speaker 2: So yeah, this was This was a movie, a TV movie.

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Speaker 2: I was in, like you said, in nineteen ninety five.

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Speaker 2: Uh so, I believe this was right after Full House

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Speaker 2: rat Oh wait, wait wait this was a TV movie?

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Speaker 2: Oh god, yes, I.

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Speaker 1: Thought it was like a No, but they make like

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Speaker 1: the it's like a straight to video. Yes, no, it's

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Speaker 1: straight to video. Yeah it was it ever shown on TV?

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Speaker 1: I don't think it was ever shown. Now it felt

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Speaker 1: like like a Yeah, it didn't feel like a TV movie.

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Speaker 1: It felt did you feel like a TV movie because

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Speaker 1: it didn't have like that many No, I have I

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Speaker 1: have a DVD, not a DVD.

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Speaker 2: I have a VHS.

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Speaker 1: No player to play it, yeah, no player to play it.

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Speaker 2: No, but the cover art let's talk about the cover

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Speaker 2: art real quick, because you see the magical kid on

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Speaker 2: the magical skateboard flying over Mount Rushmore.

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Speaker 1: Yeah, holding this cover art has no relevance to the movie.

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Speaker 1: There's no, not at all none. There's no Mount Rushmore,

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Speaker 1: no Mount Rushmore. I was looking for thea. I was

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Speaker 1: very bummed. I was like, okay, you know what, there's

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Speaker 1: a dog in it. I'll let it's like, not a

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Speaker 1: dog to.

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Speaker 2: Be found, marry a dog to be found.

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Speaker 1: There's one dog.

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Speaker 2: There's one dog in the sketchy alley when right, right, right,

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Speaker 2: it's walking down the sketchy alley that walks forward and

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Speaker 2: isn't barking, but there's barking over the dog.

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Speaker 1: Yeah. Yeah, that one's laser focused on. Yeah. He was

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Speaker 1: just like I'm taking three steps forward. Yeah.

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Speaker 2: He was supposed to be a menacing dog.

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Speaker 1: And it was very sweet, little baby. But yeah, it

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Speaker 1: has nothing to do with anything.

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Speaker 2: And this is the best part about this podcast is

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Speaker 2: that I can force you to watch things that you

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Speaker 2: would never otherwise.

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Speaker 1: Yeah, it's great, it's great. You've forced me to do

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Speaker 1: several things. Run watch this movie, yeah, you know, learn

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Speaker 1: about new Kids. Yeah, you have really there are a

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Speaker 1: lot of things. I just want you to know that

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Speaker 1: I've done for this friendship, so and I and I

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Speaker 1: and I'm happy to do it. I'm happy to do

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Speaker 1: it and things that I definitely would not have a

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Speaker 1: part of. Yeah.

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Speaker 2: No, I think we should do a whole episode just

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Speaker 2: showing each other our old commercials that we like.

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Speaker 1: Barbie commercials. Oh, I have to find a bunch of them. Yeah,

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Speaker 1: hard to find.

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Speaker 2: My brother just dropped off a whole thing of VHS

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Speaker 2: tapes because they were in my parents' old house and

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Speaker 2: he's in the house.

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Speaker 1: You know what. Send them into Legacy Box. Oh, it's

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Speaker 1: not an advertisement, but I have sent stuff into them,

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Speaker 1: and they're an excellent company that digitizes old photo basically

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Speaker 1: any kind of media and you but yeah, Legacy Box,

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Speaker 1: legacy box dot com, and they send you all the

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Speaker 1: information in the box and you can get it either

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Speaker 1: like sent back as I think you can get it

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Speaker 1: as a DVD or a thumb drive or just like

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Speaker 1: as a digital file, depending on how you want to

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Speaker 1: save eight. Yeah, it's great. I love it. And I've

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Speaker 1: sent a bunch of stuff in photographs and I sent

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Speaker 1: a bunch of VHS tapes into them a while ago

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Speaker 1: to get copied onto stuff I want to, like thumb drives.

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Speaker 1: So yeah, I definitely need to do that because yeah, yeah,

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Speaker 1: and uh and yeah, they're a great companies. So yeah,

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Speaker 1: Legacy box dot com disappearing is not an advertisement. I'm interrupting.

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Speaker 2: Well, because I went through all the VHS tapes looking

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Speaker 2: for the skateboard kid too.

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Speaker 1: This isn't my dad's.

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Speaker 2: Handwriting, so I think this is something he just taped

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Speaker 2: it off of somebody.

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Speaker 1: But look at this.

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Speaker 2: I found one hundred, one hundredth episode. It's in a

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Speaker 2: fancy case like oh, and this feels so old. It

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Speaker 2: says full house, happy birthday, babies, and one hundredth celebration.

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Speaker 2: So does this have like our I know we had

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Speaker 2: a big cake, we had.

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Speaker 1: Probably got our one hundredth episode on it. Well yeah,

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Speaker 1: but does it have like it's like a little party. Yeah,

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Speaker 1: probably the little party after I'm sure it's got all

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Speaker 1: that stuff. I don't know.

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Speaker 2: I can't play it. I gotta send this.

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Speaker 1: And also what I will say is videos from that era,

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Speaker 1: especially they've been in a garage or anywhere hot they are,

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Speaker 1: they will start degrading quite heavily if they haven't already.

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Speaker 1: So yeah, the sooner the better with those kind of things,

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Speaker 1: because you would be surprised at how you know what

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Speaker 1: heat and time will do to you know, thirty year

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Speaker 1: old film.

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Speaker 2: And it's been it's been three decades. So yeah, I

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Speaker 2: gotta get that done. I will put that on my

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Speaker 2: to do list or later today, Well, put this on

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Speaker 2: your to do list.

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Speaker 1: Guys, watch this movie because it is it's so nineties.

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Speaker 1: It punched me in the face. It doesn't get nineties.

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Speaker 1: I got slimed. Yeah, it's like I just want to

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Speaker 1: it's so nineties. Yeah, I don't know, it's so nineties.

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Speaker 1: Andrew Keagan is in it. How about that? Right? Yeah?

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Speaker 2: Yeah, that's how you know this should have been a

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Speaker 2: success because Andrew Keegan was in it.

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Speaker 1: There were some heavy.

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Speaker 2: Hitters in this movie too, but we'll get to that.

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Speaker 2: But let's start with the synopsis, shall we please. People

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Speaker 2: don't know what The Skateboard Kid two is about? First,

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Speaker 2: let me answer the number one burning question on everyone's mind.

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Speaker 2: Is this movie a sequel to the first Skateboard Kid?

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Speaker 2: And the answer is no, No, there's no relationship.

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Speaker 1: Oh right, it doesn't. Well, there's a.

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Speaker 2: Recur the only recurring character is the skateboard. It's like

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Speaker 2: another magical skateboard, but not the characters are different, the

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Speaker 2: people are different.

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Speaker 1: Yeah, I got it, much like the cover art is unrelated.

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Speaker 1: It's just it's almost like this was made by AI

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Speaker 1: before there was AI. Right. Yes, if you were like

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Speaker 1: make a kid's movie about a skateboard like this is

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Speaker 1: what it would do. Yeah, it's it's just yeah any

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Speaker 1: reference of any.

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Speaker 2: H yeah, no reference. So here's your synopsis. With the

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Speaker 2: help of a magical flying skateboard, twelve year old Sammy

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Speaker 2: ends up the hottest skateboarder in town.

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Speaker 1: I thought he was thirteen. He's it one time he's thirteen.

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Speaker 1: Oh yeah, he does say it nice. Thirteen so he

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Speaker 1: looks ten. He looks eat that saw another and they

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Speaker 1: write him like he's ten.

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Speaker 2: But you know, okay, Well, anyways, however, a group of

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Speaker 2: local thrashers don't like the extra competition. They plot to distrashers.

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Speaker 2: By the way, I didn't make it. Look I copied

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Speaker 2: this hilarious.

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Speaker 1: It's hilarious because they they're not great skateboarders.

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Speaker 2: Oh, thrashers are notoriously bad skateboard No, No, thrashers are thrashers

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Speaker 2: are like.

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Speaker 1: You know, like an eighties or like a you know,

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Speaker 1: rad skateboarder. No, these kids are not good, like they

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Speaker 1: are terrible.

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Speaker 2: Yeah yeah, yeah, yeah, no, they're you know, you could

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Speaker 2: definitely tell when the stunt doubles.

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Speaker 1: We'll get to it. They were like local thrashers and

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Speaker 1: you're like they were Yeah, they were like falling off

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Speaker 1: their skateboards.

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Speaker 2: So they plot to destroy any chance of Sammy competing

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Speaker 2: against them in a local tournament. Meanwhile, Sammy's stressed out mom,

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Speaker 2: d Wallace Stone, tries to save the house from being

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Speaker 2: repossessed by the bank and the evil property developer Bruce Davison. Also,

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Speaker 2: Sammy's sister, Tilly, played by the incomparable Andrea Barber, Yeah,

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Speaker 2: manages to fulfill every nineties girl's dream by scoring a

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Speaker 2: date with Andrew Keagan.

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Speaker 1: Yeah.

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Speaker 2: Like this was this was like one of the highlights

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Speaker 2: of my career.

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Speaker 1: Yeah, this was huge. And Tilly what it's Tilly's the store, Tilly.

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Speaker 2: It's very cute Tilly.

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Speaker 1: But I but I imagine Tilly's short for something Tilda.

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Speaker 1: Maybe perhaps Tilda, like Matilda shortened to Tilda Matilda, Tilly, Matilda,

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Speaker 1: Matilda Curtis. That was my ful I don't know, just

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Speaker 1: making things up. I mean it has as much to

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Speaker 1: do with this movie as anything else that's gonna be doing.

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Speaker 1: So yeah, okay, let's let's get into who was directed

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Speaker 1: and written by, because it was directed.

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Speaker 2: By Andrew Stevens, who is also co starring in this

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Speaker 2: film and produced by he does ever see Basically yeah, yeah,

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Speaker 2: it was written by Karen Kelly. And this cast is stacked.

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Speaker 2: I'm not just saying that because I'm in it. Like

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Speaker 2: this is a star all star cast. Like I mentioned

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Speaker 2: Dee waller Stone, she plays the mom Lily.

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Speaker 1: She's a stressed out mom and like every movie that

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Speaker 1: I see her in and she's great.

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Speaker 2: Yeah, I love She's perfect as the stressed out but

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Speaker 2: emotional mom's she nailed it. If you don't know, if

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Speaker 2: you've been living under a rock, she played the momb

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Speaker 2: in Et and she did a bunch of horror films

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Speaker 2: like Kujo, The Hills Have Eyes, and The Howling Yes Epic. Next,

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Speaker 2: we have Bruce Davison as Bert Squire's This guy's done

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Speaker 2: everything under the Sun as well. You'll recognize him as

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Speaker 2: Senator Kelly in X Men. Senator Randall Schaeffer in Ozark,

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Speaker 2: Emma Stone's father in law La Land. And he played

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Speaker 2: the supporting role in Longtime Companion in nineteen eighty eight,

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Speaker 2: and he won a Golden Globe for that role and

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Speaker 2: was nominated for an Oscar that role as well.

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Speaker 1: Yeah, this guy is y done a lot of work.

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Speaker 1: I was like, oh my god, this guy's yeah. I

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Speaker 1: just every time somebody popped on Thestagram was like, wait,

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Speaker 1: there it is. Yes.

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Speaker 2: Yes, You'd think this would just be a bunch of

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Speaker 2: no name, you know, actors just trying to get their

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Speaker 2: sad card, but no, these were actual legit actors.

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Speaker 1: Yes they I would say that, yeah they some of

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Speaker 1: them had already done legit movies, but I'd say a

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Speaker 1: lot of them like this was probably in the beginning

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Speaker 1: of the career. Oh yeah true. Like Bruce Davison, I

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Speaker 1: feel like Andrew Baby, I feel like there were other

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Speaker 1: people in it that I was like, I k know

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Speaker 1: who that person is.

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Speaker 2: Anyway, it's enough, It's like a yeah, it's a it's yes. Uh. Next,

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Speaker 2: we have Andrew Stevens as Penfield's He's a big time producer.

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Speaker 2: He's produced one hundred and eighty films, through his production company,

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Speaker 2: Andrew Stevens Entertainment.

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Speaker 3: Uh.

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Speaker 2: He produced Black Dawn with steven Sagall, Half Past Dead

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Speaker 2: with steven Sagall, and The Whole nine Yards with Bruce

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Speaker 2: Willis and Matthew Perry.

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Speaker 1: Yeah.

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Speaker 2: I like he so Yeah. He played the coach Ken.

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Speaker 1: Yeah, the weird creepy dude that came and talked to

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Speaker 1: children in a park.

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Speaker 2: Yes, we'll get there. But yeah, yeah, but he's I.

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Speaker 1: Didn't I wasn't sure. I wondered who he was. I

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Speaker 1: didn't realize he was so prominent. But yeah, he was

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Speaker 1: the director of the producer. I'm surprised he didn't write

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Speaker 1: this too to be on like Karen Kelly, feels like

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Speaker 1: maybe it's a stage name. I'm just saying that's a

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Speaker 1: stage name, right.

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Speaker 2: It sounds like yeah. Yeah, So next we have trenton

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Speaker 2: Night as Sammy or leading leading man. Uh. He is

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Speaker 2: such a good actor.

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Speaker 1: Actually, this kid's actually good.

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Speaker 2: He's so good. He starred in Munchie and Munchie Strikes Back,

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Speaker 2: which is another Andrew Stevens film, and he was an

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Speaker 2: Invisible Mom and Invisible Mom too with d Wallace Stone.

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Speaker 2: There's a lot of overlap. Okay, it's h Andrew Stevens.

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Speaker 1: He liked to use. I felt like I'd seen him

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Speaker 1: in other stuff or met him somehow, Like, I don't know,

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Speaker 1: his face seemed familiar to me, but he was so good.

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Speaker 2: I was like, he must have starred in a bazillion

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Speaker 2: things and I don't.

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Speaker 1: He was pretty you know what, he was probably one

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Speaker 1: of Judy's clients or something. Oh you know what.

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Speaker 2: He seemed like Judy Savage material, the precocious kid.

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Speaker 3: Uh.

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Speaker 2: We have Andrew Barber as Tilly.

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Speaker 1: Yeah. I don't know if you've.

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Speaker 2: Ever heard of her, but she's freaking fantastic.

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Speaker 1: God, this is Yeah.

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Speaker 2: Then we have Andrew Keegan as Thrasher Dan Foster. If

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Speaker 2: you don't recognize this guy, where have you been? He's

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Speaker 2: He was in Ten Things I Hate About You, Independence

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Speaker 2: Day Seventh, Heaven, thunder Ally, Step by Step, Party of Five,

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Speaker 2: and of course Full House. Indeed, on our Very Lady

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Speaker 2: episode he played your well, the last episode last We Take.

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Speaker 1: Yeah, last, yeah, he played he was indeed sorry sorry Kimmy.

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Speaker 2: Yeah, well that episode to have come first. And then

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Speaker 2: I did this movie, yes, Andrew, so yeah, because it

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Speaker 2: was like I took yourself actually.

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Speaker 1: Okay, wow, Well okay, no, yeah, actually it would have

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Speaker 1: because we ended in ninety four and this was ninety five.

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Speaker 2: Yeah, okay, yeah, So okay, that that all tracks.

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Speaker 1: I mean, either way, I don't it's it's not weird.

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Speaker 1: It's not weird, like at.

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Speaker 2: First I believe it was that weird. It's not like

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Speaker 2: this as a as a nineties child actor, this is what.

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Speaker 1: The same people well maybe I don't know.

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Speaker 2: I don't know as a but no is as an actor,

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Speaker 2: this is not weird.

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Speaker 1: You've kissed people that you made god no, I mean

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Speaker 1: if you've done a Hallmark movie, basically you've made out

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Speaker 1: with everyone that's ever done a Hallmark movie, like you know,

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Speaker 1: like three Degrees of Yeah, separation, Yeah, totally.

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Speaker 2: Next, we have Turin Bay as Zeno, this bizarre character.

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Speaker 1: This weird I don't know, but he was happy with

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Speaker 1: the creepy people and the children is it's really.

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Speaker 2: Got through the cast list. So yeah, he's I don't

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Speaker 2: know what he's done. He was very popular in the forties,

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Speaker 2: known for his suave demeanor, exotically handsome looks, and well

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Speaker 2: modulated voice I think, And it's the voice is key

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Speaker 2: because the skateboard talks, and that's his voice.

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Speaker 1: Yes, I think it was his voice that really, you know. Yeah,

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Speaker 1: he had a great role for him. It was like

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Speaker 1: like it sounded like like Kit from night Rider, you

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Speaker 1: know what I mean, like that sort of Yeah, it.

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Speaker 2: Was giving Kit from night Writer.

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Speaker 1: I like them.

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Speaker 2: Next, we have Brooks Stanley as Mickey Kincaid, the cute

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Speaker 2: little girl who was the best friend of Sammy.

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Speaker 1: She was great.

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Speaker 2: She appeared in Picket Fences, Grace Underfire in fifteen episodes

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Speaker 2: of the second Half. This girl, she didn't have a

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Speaker 2: whole lot of.

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Speaker 1: Credits, and I thought she's so pre cooked, like she should.

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Speaker 2: Have done a million things, you know.

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Speaker 3: Uh.

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Speaker 2: And then we have Pablo Orlando as the villain Jay Squires.

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Speaker 2: This kid is so good and he only has four

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Speaker 2: credits on IMDb.

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Speaker 1: I was shocked.

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Speaker 2: He was in Dangerous Minds, the Tin Soldier, nine episodes

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Speaker 2: of George with George Foreman, and Skateboard Kid Too.

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Speaker 1: Those are his only credits. And I'm like, he's so good.

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Speaker 2: Can do more stuff.

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Speaker 1: Young justin Timberlake, look the macaroni but like not to crispy,

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Speaker 1: but yeah, totally.

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Speaker 2: And last I have to mention the other friend in

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Speaker 2: the Friendship Trio is Willie Santos. Uh. He is actually

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Speaker 2: not a professional actor. He's a professional skateboarder.

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Speaker 1: He was the one. They have a bunch of Santos

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Speaker 1: shirts on was his.

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Speaker 2: That he was one of the original skaters on the

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Speaker 2: Tony Hawk Birdhouse team. So he's a big deal.

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Speaker 1: If you're into the skating world.

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Speaker 2: You can watch this on YouTube and boy, have you

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Speaker 2: better You had better go out and watch it.

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Speaker 1: Probably the only place you can find it now.

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Speaker 2: I was. I was surprised we found it even on YouTube.

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Speaker 2: I know, what do we want to go through? Some

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Speaker 2: comments from fans the critics? Yeah, that's okay. So here's

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Speaker 2: some comment YouTube comments from fans. Omg. Andrew Keagan played

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Speaker 2: Stephanie Tanner's love crush in Full House, and now Andrew

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Speaker 2: Keagan plays Kimmy Gibbler's crush in this movie.

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Speaker 1: Lol. I mean there's always the joke about Andrew that

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Speaker 1: he made out with everyone on every show in the

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Speaker 1: night that was he was did the teen heartthrob, he

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Speaker 1: was the love You killed it every single show? Yes,

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Speaker 1: he killed it? Yeah? Oh, here we go another comment.

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Speaker 1: I've wanted to find this movie again for about twenty

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Speaker 1: five years now. I couldn't remember the name of it.

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Speaker 1: Finally fucking found it. I don't know, I just like

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Speaker 1: bleeped myself there. I'm so happy I found this and

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Speaker 1: watched it, and also severely sad that it's so bad. Lol,

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Speaker 1: thanks for uploading. And that is exactly the sentiment. You

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Speaker 1: are both thankful and horrified. It's like watching Xanadu, which

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Speaker 1: I do with Stele Lea. You're like, I am so

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Speaker 1: thankful that this terrible thing exists to laugh at because

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Speaker 1: it's it's amazing. It's so bad, it's amazing.

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Speaker 2: It's it's just yeah, it's it's.

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Speaker 1: A ridiculous watch of it. It's the it's the cult

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Speaker 1: classic of it where you're like, oh, this is it's

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Speaker 1: there's just bad and then there's like wow, and you're like,

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Speaker 1: I have to watch it. I love it, gotta watch it. Yep.

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Speaker 2: The bad makes it, Yes, just so good. Uh one

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Speaker 2: more comment, I finally found this movie. You know, it's

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Speaker 2: a trend like people keep can't find.

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Speaker 1: Yeah, you're looking for as a kid. It's not like,

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Speaker 1: you know, every blockbuster had Skateboard Kid too, and there's

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Speaker 1: no more blockbusters, so you're really it's a.

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Speaker 2: Stretch everyone's like, where is this h I finally found

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Speaker 2: this movie as a child, I watched it and did

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Speaker 2: the same as in the movie, put money in an

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Speaker 2: envelope and dropped it into the mailbox. However, a skateboard

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Speaker 2: never appeared in my house. Oh did you ever do

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Speaker 2: that send like cash in an envelope to like get

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Speaker 2: I don't know, I some prize or something.

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Speaker 1: I think so. No, I don't think I ever did.

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Speaker 1: But I remembered the stuff on the cereal box where

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Speaker 1: it was like send in three ninety nine. Yeah, I

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Speaker 1: didn't have to be a check though. Oh you would

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Speaker 1: have been fine. I would have been find a cerial

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Speaker 1: box and do it right now. You will be the

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Speaker 1: only one that can still do it. Your trances of

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Speaker 1: winning are great. Thank you.

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Speaker 2: I've got my check books right or I can write

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Speaker 2: a check right now. But I remember that being the

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Speaker 2: thing you could send cash via USPS and it was

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Speaker 2: not a scary thing. You just send your cash, it'll

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Speaker 2: get there. I mean, no one's going to steal it.

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Speaker 1: Yeah, it was.

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Speaker 2: We were more innocent back in nineteen ninety.

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Speaker 1: Well, I mean, I don't know that kid didn't get

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Speaker 1: his ten dollars back, so somebody stole it, So somebody,

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Speaker 1: somebody is stealing it. Yeah. Uh, let's hear what the

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Speaker 1: critics think about this, because god.

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Speaker 2: Oh no, yeah, people who are actually qualified to judgment.

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Speaker 1: It's actually not horrible. Oh okay, okay, so let's here's

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Speaker 1: here we go. I'll read it to you because then

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Speaker 1: it lands a little softer.

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Speaker 2: Okay, Okay, Hey there, faner Ritos. We have a very

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Speaker 2: exciting announcement to make.

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Speaker 1: We are hosting a live event on June fifth at

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Speaker 1: the iHeartRadio Theater in Burbank, California.

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Speaker 2: And it is not just any live event, oh no,

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Speaker 2: in honor of Jesse and Becky's wedding in season four.

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Speaker 2: Not only will this event be wedding themed, we will

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Speaker 2: also have John Stamos and Laurie Lachlan joining us amazing.

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Speaker 1: Plus we have a few special guests who will be

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Speaker 1: making an appearance as well. Trust us, it is going

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Speaker 1: to be the vow renewal of the season of the year. Okay,

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Speaker 1: We've never done anything like this. I'm so exciting. I

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Speaker 1: don't know what's going to happen, and if you listen

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Speaker 1: to this podcast, you know you don't either.

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Speaker 2: So but we promise it will be entertaining.

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Speaker 1: You can buy tickets.

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00:20:23,480 --> 00:20:26,480
Speaker 2: Click the link in our Instagram bio how Rude podcast

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Speaker 2: to purchase.

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Speaker 1: We can't wait to see you guys there, So dress

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Speaker 1: in your best wedding attire on June fifth, and we

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Speaker 1: will see you at Jesse and Becky's now renewal. Yay.

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Speaker 1: TV Guide magazine said that the sequel shows a vast

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Speaker 1: improvement over the original nineteen ninety three film, adding that

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Speaker 1: it is often quite witty, witty everything compliment. I cannot

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Speaker 1: imagine what would be a vast improvement. So bad was

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Speaker 1: the qualify as? But now I feel like I need

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Speaker 1: to find Skateboard Kid one. Yeah, maybe we need to

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Speaker 1: watch How could it be worse? I mean it was

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Speaker 1: very hard to follow Skateboard Kid two, obviously having no

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Speaker 1: knowledge of Skateboard Kid one. Right, right, but yeah, but

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Speaker 1: uh so it was often quite witty.

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Speaker 2: See okay, quite whitty.

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Speaker 1: See that.

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Speaker 2: I'll take that compliment.

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Speaker 1: It's the only only compliment because on IMDb and the

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Speaker 1: audience members, which is, you know, the people have spoken.

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Speaker 1: It has a score of three point eight out of

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Speaker 1: ten on IMDb, and the audience has rated it a

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Speaker 1: total of thirty two percent on Rotten Tomatoes, which means

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Speaker 1: that a third of people I haven't commented on it. Okay,

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Speaker 1: that's a great way of friends people have commented on It's. Yeah, like,

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Speaker 1: out of the one hundred percent that have watched, thirty

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Speaker 1: two percent of people have said that this was terrible.

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Speaker 1: This is higher than I expected. I really expected like

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Speaker 1: two stars. Yeah, one percent. I expected this to be

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Speaker 1: far lower. So I know, and now I'm my my

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Speaker 1: interest is peaked, and I want to go find one

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Speaker 1: star movies on IMDb because it's got to be just

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Speaker 1: I don't know, it's.

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Speaker 2: Got to be a great way to spend your spare time.

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Speaker 1: I'm not going to remember this. I'm not gonna remember

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Speaker 1: I said this and actually do it. But right now

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Speaker 1: I'm like, I bet that there's some jewels in there. Anyway,

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Speaker 1: it would be.

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Speaker 2: One star movies would be great to have on in

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Speaker 2: the background while you're doing your lego sets.

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Speaker 1: I'm just saying it's true. Yeah, I have to ask you,

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Speaker 1: says you start in this movie, what are your like,

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Speaker 1: what are your overall thoughts of this movie?

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Speaker 2: Like?

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Speaker 1: What how was it filming it? Did you enjoy it?

435
00:22:49,800 --> 00:22:52,359
Speaker 1: Do you remember it? Was it like how long was

436
00:22:52,400 --> 00:22:54,600
Speaker 1: your schedule? How many days were you on set? Like

437
00:22:54,680 --> 00:22:55,679
Speaker 1: it is the scoop.

438
00:22:56,480 --> 00:22:59,680
Speaker 2: Yeah, I freaking loved this movie. I loved it as

439
00:22:59,840 --> 00:23:04,040
Speaker 2: a well. I must have been nineteen in nineteen ninety five. Yeah,

440
00:23:04,040 --> 00:23:07,000
Speaker 2: I was eighteen or nineteen. I loved it then.

441
00:23:07,400 --> 00:23:08,520
Speaker 1: I loved it now.

442
00:23:08,760 --> 00:23:12,000
Speaker 2: I love these cheesy eighties and nineties movies, you know,

443
00:23:12,040 --> 00:23:13,760
Speaker 2: I'm a big fan of that. The worse it is,

444
00:23:13,920 --> 00:23:14,560
Speaker 2: the more I love it.

445
00:23:14,840 --> 00:23:17,280
Speaker 1: Me too. And it was a great experience.

446
00:23:17,280 --> 00:23:18,920
Speaker 2: Like see, it was great for me because it was

447
00:23:19,000 --> 00:23:21,600
Speaker 2: one of my first single cam okay experience. It's very

448
00:23:21,680 --> 00:23:26,320
Speaker 2: different than multiicam as you know. Yes, so yeah, it

449
00:23:26,400 --> 00:23:28,080
Speaker 2: was a bit of an adjustment to the single cam

450
00:23:28,160 --> 00:23:30,320
Speaker 2: thing because you know, everything is worse slow.

451
00:23:30,160 --> 00:23:32,960
Speaker 1: By single cam. We mean that usually there's one or

452
00:23:33,040 --> 00:23:35,440
Speaker 1: two cameras shooting. There's usually an A to B cam,

453
00:23:36,040 --> 00:23:39,720
Speaker 1: but it means often you are shooting on location, so

454
00:23:39,800 --> 00:23:43,159
Speaker 1: you're in an enclosed space, so and you're getting different

455
00:23:43,240 --> 00:23:45,879
Speaker 1: shots and different lighting setups. It's not like on a

456
00:23:45,960 --> 00:23:49,560
Speaker 1: sitcom where the stage is sort of pre lit and

457
00:23:49,840 --> 00:23:52,760
Speaker 1: done and there's four cameras that are on the outside

458
00:23:52,800 --> 00:23:56,800
Speaker 1: and it's done a like a theater stage production. So

459
00:23:56,920 --> 00:24:00,159
Speaker 1: that's why it's a lot different, and you it's a

460
00:24:00,200 --> 00:24:02,560
Speaker 1: lot more technical, and you move stuff around so you get,

461
00:24:02,680 --> 00:24:04,639
Speaker 1: you know, one angle, and you do a scene and

462
00:24:04,720 --> 00:24:06,320
Speaker 1: one time and then you're like, okay, now we're gonna

463
00:24:06,400 --> 00:24:08,960
Speaker 1: totally relight everything and reposition the cameras and do it.

464
00:24:09,000 --> 00:24:12,040
Speaker 1: And you do that usually several multiple times in a

465
00:24:12,080 --> 00:24:14,200
Speaker 1: lot of set up, say in the single cablel forever

466
00:24:15,000 --> 00:24:16,440
Speaker 1: for sorry.

467
00:24:16,680 --> 00:24:19,520
Speaker 2: It's a hard adjustment coming from the sitcom world, it's

468
00:24:19,600 --> 00:24:21,920
Speaker 2: it's a hard adjustment. And you know what else I

469
00:24:22,040 --> 00:24:25,359
Speaker 2: realized it. I don't love single cam because you don't

470
00:24:25,520 --> 00:24:27,639
Speaker 2: get to hang out with the whole cast for the

471
00:24:27,720 --> 00:24:30,000
Speaker 2: whole time. Like you know, you're only there on the

472
00:24:30,080 --> 00:24:32,720
Speaker 2: days that they're doing your scenes. So I wasn't part

473
00:24:32,760 --> 00:24:36,320
Speaker 2: of the skateboarding scenes. I wasn't like all these crazy scenes.

474
00:24:37,040 --> 00:24:38,639
Speaker 2: I didn't get to hang out with a bunch of.

475
00:24:38,600 --> 00:24:40,640
Speaker 1: The other kids. It's like you can do a movie

476
00:24:40,960 --> 00:24:43,720
Speaker 1: with someone and never see them, you know, never see.

477
00:24:43,560 --> 00:24:47,000
Speaker 2: Them, right, So I kind of I prefer the sitcom

478
00:24:47,040 --> 00:24:49,359
Speaker 2: world where you're with the whole cast, you can see

479
00:24:49,680 --> 00:24:53,560
Speaker 2: the other actors performing their scenes. This I was just like, yeah,

480
00:24:53,880 --> 00:24:56,040
Speaker 2: I was a small part of it and never got

481
00:24:56,080 --> 00:24:57,359
Speaker 2: to be part of the skateboarding scene.

482
00:24:57,600 --> 00:25:01,359
Speaker 1: So, which is a shame, because you you are a

483
00:25:01,440 --> 00:25:06,159
Speaker 1: world class skateboarder. You took it up after you started unicycling, right,

484
00:25:07,160 --> 00:25:10,000
Speaker 1: that's what you should have done. Ridden your unicycle right

485
00:25:10,119 --> 00:25:13,159
Speaker 1: through the middle of them, up that ramp, halfpipe it.

486
00:25:13,280 --> 00:25:15,399
Speaker 1: I bet you could do it. Yeah, that would have

487
00:25:15,480 --> 00:25:17,359
Speaker 1: fit you know, that would not have been weird in

488
00:25:17,440 --> 00:25:20,639
Speaker 1: this movie. Actually, I feel like skateboard Kid three is

489
00:25:20,840 --> 00:25:25,000
Speaker 1: actually unicycle Kid three, because again it has as much

490
00:25:25,080 --> 00:25:28,600
Speaker 1: to do with the first two as anything. So it's

491
00:25:28,800 --> 00:25:32,440
Speaker 1: unicycle Kid three and now it's a magical unicycle which

492
00:25:33,160 --> 00:25:35,040
Speaker 1: really tracks. I feel like that that.

493
00:25:35,440 --> 00:25:40,639
Speaker 2: Yeah, that makes total sense. I might start running right now.

494
00:25:41,560 --> 00:25:43,160
Speaker 1: Send that to the DGA. It's gonna be huge.

495
00:25:43,840 --> 00:25:46,600
Speaker 2: But what did you think as an audience member, Joe,

496
00:25:47,040 --> 00:25:47,520
Speaker 2: what was you?

497
00:25:47,680 --> 00:25:51,680
Speaker 1: What were your overright this? I think my face was

498
00:25:51,880 --> 00:25:55,800
Speaker 1: like the whole time, you know what I mean, like

499
00:25:55,920 --> 00:25:59,000
Speaker 1: my I don't know that my lower jaw met my

500
00:25:59,200 --> 00:26:04,359
Speaker 1: upper jaw were quite some time. I was I was

501
00:26:04,640 --> 00:26:08,160
Speaker 1: agg I believe, as they say, it's a great word word,

502
00:26:08,720 --> 00:26:12,919
Speaker 1: but it means like it's not horrified but just goky,

503
00:26:13,200 --> 00:26:16,399
Speaker 1: like just sort of like I can't believe this. And

504
00:26:17,119 --> 00:26:23,600
Speaker 1: that was from jump from from the the the the

505
00:26:24,520 --> 00:26:31,800
Speaker 1: pixelated beginning sequence which is at the sky, which I

506
00:26:31,920 --> 00:26:36,480
Speaker 1: think might actually be the background from that Soaring over

507
00:26:36,600 --> 00:26:40,040
Speaker 1: California ride at Disney. Sure, that's what I felt like

508
00:26:40,119 --> 00:26:42,520
Speaker 1: I was on. I was expecting to smell orange fields

509
00:26:42,520 --> 00:26:45,879
Speaker 1: all of a sudden, but yeah, that and it was

510
00:26:47,040 --> 00:26:52,080
Speaker 1: it was like someone did it and I and I'm

511
00:26:52,280 --> 00:26:54,320
Speaker 1: making fun of this because it's amazing, you guys, and

512
00:26:54,400 --> 00:26:59,320
Speaker 1: Aby knows I'm good. Like this is. But it feels

513
00:26:59,640 --> 00:27:04,600
Speaker 1: even the opening sequences like like the visual effects are like, uh,

514
00:27:05,200 --> 00:27:08,119
Speaker 1: when you took a computer class in like seventh or

515
00:27:08,160 --> 00:27:12,200
Speaker 1: eighth grade on those macintoshes with the green things and

516
00:27:12,440 --> 00:27:15,000
Speaker 1: you were like writing code and it was really like

517
00:27:15,280 --> 00:27:18,119
Speaker 1: moving a snake or something around. Like it feels like

518
00:27:19,400 --> 00:27:24,199
Speaker 1: somehow they did the visual effects on that because they

519
00:27:24,240 --> 00:27:30,119
Speaker 1: are that great and it's they're fabulous, and this is

520
00:27:30,320 --> 00:27:32,520
Speaker 1: this is by the way, this is a nothing of

521
00:27:32,640 --> 00:27:37,080
Speaker 1: the skateboard and the other things, but the flying sequences

522
00:27:37,440 --> 00:27:39,080
Speaker 1: are a sight to behold.

523
00:27:39,680 --> 00:27:42,560
Speaker 2: Yes, it opens with Sammy, Uh, he's having a nightmare

524
00:27:42,640 --> 00:27:43,560
Speaker 2: where he's or a dream.

525
00:27:43,600 --> 00:27:43,920
Speaker 1: I don't know.

526
00:27:43,960 --> 00:27:47,639
Speaker 2: He's flying in the air and it's so well nightmare.

527
00:27:47,760 --> 00:27:49,720
Speaker 1: But no, well that becomes in the beginning, but no,

528
00:27:49,840 --> 00:27:52,760
Speaker 1: it doesn't. It open with it. We go into the garage.

529
00:27:53,440 --> 00:27:56,399
Speaker 1: We open in the garage flash mac right, yea in

530
00:27:57,080 --> 00:27:59,880
Speaker 1: the suit when the flashback when he's a little kid,

531
00:28:00,600 --> 00:28:03,920
Speaker 1: which yes, I didn't get was a flashback, and was

532
00:28:04,040 --> 00:28:10,520
Speaker 1: wondering why they were walking into the shed. Well, no,

533
00:28:10,960 --> 00:28:12,440
Speaker 1: when they opened the door, I was like, is it

534
00:28:12,600 --> 00:28:13,919
Speaker 1: are they dead? What's happening?

535
00:28:13,960 --> 00:28:16,800
Speaker 2: And then yes, but have been adjacent?

536
00:28:16,920 --> 00:28:19,640
Speaker 1: Yes, yeah, and just I love how he unzipped from

537
00:28:19,760 --> 00:28:23,840
Speaker 1: one coverall in the mechanic thing just right, unzipped into

538
00:28:24,240 --> 00:28:27,119
Speaker 1: air force uniform and his helmet was right there to

539
00:28:27,160 --> 00:28:30,840
Speaker 1: go flying a jetplane. Yeah, it was. It was effective

540
00:28:31,080 --> 00:28:33,720
Speaker 1: that and he told us that if only he could

541
00:28:33,760 --> 00:28:38,479
Speaker 1: fly this plane, all foreshadowing something terrible happening.

542
00:28:40,080 --> 00:28:42,360
Speaker 2: I don't know why I'm always doing productions where the

543
00:28:42,440 --> 00:28:44,440
Speaker 2: dad is dead. It was someone's dead apparent.

544
00:28:44,920 --> 00:28:48,000
Speaker 1: Well that's I mean, that's a pretty common theme. It's

545
00:28:48,080 --> 00:28:51,280
Speaker 1: dead parent. I either you're happy or sad about it,

546
00:28:51,320 --> 00:28:52,680
Speaker 1: you know what I mean. It's either worked out well

547
00:28:52,840 --> 00:28:55,440
Speaker 1: or not so it's a lot of things start there.

548
00:28:58,000 --> 00:29:00,760
Speaker 1: Oh boy. So yeah, so we started this weird shed

549
00:29:00,880 --> 00:29:05,000
Speaker 1: scene where he has breakaway clothes and that was in

550
00:29:05,000 --> 00:29:06,760
Speaker 1: an air Force suit and he walks out of a

551
00:29:06,840 --> 00:29:11,080
Speaker 1: door into the white light, and then we foreshadowing, then

552
00:29:11,160 --> 00:29:13,600
Speaker 1: it foreshadows. Then we realized he is gone.

553
00:29:14,000 --> 00:29:14,680
Speaker 2: He had die.

554
00:29:14,720 --> 00:29:17,400
Speaker 1: He died because he was the only air Force flying

555
00:29:17,440 --> 00:29:17,840
Speaker 1: a plane.

556
00:29:18,080 --> 00:29:20,640
Speaker 2: Yep. And it ties into this kids, Yeah, who's having

557
00:29:20,720 --> 00:29:23,520
Speaker 2: nightmares about our dreams or whatever about flying through the sky.

558
00:29:23,680 --> 00:29:27,360
Speaker 1: He wants, well, they're they're playing with the airplane, aren't

559
00:29:27,360 --> 00:29:30,080
Speaker 1: they the thing that flies around like one of those

560
00:29:30,120 --> 00:29:32,760
Speaker 1: airplanes on a string. Which, yeah, I was like, how

561
00:29:32,840 --> 00:29:34,360
Speaker 1: do you guys not get dizzy? They were just spinning

562
00:29:34,400 --> 00:29:37,000
Speaker 1: in circles. I would have gotten sick totally. But and

563
00:29:37,080 --> 00:29:40,560
Speaker 1: then they tow the car, right, Oh yeah, the car,

564
00:29:40,760 --> 00:29:45,560
Speaker 1: the car that dad has sold in the flashback has.

565
00:29:45,480 --> 00:29:49,680
Speaker 2: To be sold because mom can't pay the mortgage on

566
00:29:49,760 --> 00:29:51,280
Speaker 2: the house because his dad's gone.

567
00:29:52,120 --> 00:29:52,720
Speaker 1: Yep, yep.

568
00:29:52,720 --> 00:29:54,800
Speaker 2: I guess that life insurance just wasn't enough.

569
00:29:55,480 --> 00:29:58,160
Speaker 1: You know, Danny Tanner. That's all I'm saying, right.

570
00:29:58,120 --> 00:30:01,240
Speaker 2: The difference between this single mom and then single Danny

571
00:30:01,280 --> 00:30:04,120
Speaker 2: Tanner and his mansion in San Francisco.

572
00:30:04,200 --> 00:30:05,680
Speaker 1: Yeah, craziness.

573
00:30:06,040 --> 00:30:10,480
Speaker 2: Oh yeah, So what were some of your favorite scenes

574
00:30:11,000 --> 00:30:16,440
Speaker 2: in this movie? Oh, you have to just narrow it down.

575
00:30:17,360 --> 00:30:26,160
Speaker 1: I mean when they're walking through the weird warehouse that

576
00:30:26,280 --> 00:30:28,400
Speaker 1: he winds up in, where you're like, why is this

577
00:30:28,640 --> 00:30:33,320
Speaker 1: child going alone through alleyways into a warehouse by himself?

578
00:30:33,920 --> 00:30:36,200
Speaker 1: Has no one taught him better? But then there's a

579
00:30:36,240 --> 00:30:38,320
Speaker 1: lot of problematic things through the whole movie that answer

580
00:30:38,360 --> 00:30:40,640
Speaker 1: that question, and the answer is no, no one has

581
00:30:40,680 --> 00:30:42,560
Speaker 1: taught him better not to talk to strangers and go

582
00:30:42,640 --> 00:30:46,840
Speaker 1: into weird alleys. So they go into this warehouse thing

583
00:30:47,040 --> 00:30:53,480
Speaker 1: where Zeno eventually appears, and it was it was giving.

584
00:30:53,640 --> 00:30:56,040
Speaker 1: It was giving Xanadu vibes. Maybe because I just watched

585
00:30:56,080 --> 00:30:59,760
Speaker 1: it recently, but it was giving, like magical man appears

586
00:31:00,200 --> 00:31:03,440
Speaker 1: and lights and flashing things and and nothing makes sense,

587
00:31:04,400 --> 00:31:07,920
Speaker 1: but where they're walking through, like the bookshelves that are

588
00:31:07,960 --> 00:31:12,040
Speaker 1: empty and the light and that, like it was cool,

589
00:31:12,640 --> 00:31:15,880
Speaker 1: but I it was I I was like, what is

590
00:31:16,320 --> 00:31:17,000
Speaker 1: gonna happen?

591
00:31:17,760 --> 00:31:20,680
Speaker 2: Like I thought it was setting up for a creepy.

592
00:31:20,480 --> 00:31:24,760
Speaker 1: It was creepy. It was creepy. It was it felt

593
00:31:24,840 --> 00:31:28,440
Speaker 1: ominous and also I was like doing the like I

594
00:31:28,640 --> 00:31:31,600
Speaker 1: was trying to duck around the bookshelf because it was

595
00:31:31,800 --> 00:31:38,240
Speaker 1: neither above nor below his face. It was somewhere around

596
00:31:38,360 --> 00:31:42,200
Speaker 1: his chin most of my time, so you couldn't see

597
00:31:42,400 --> 00:31:46,920
Speaker 1: his face as he's talking, and you want to because

598
00:31:46,960 --> 00:31:50,479
Speaker 1: it's not anyway. That was great. That was and then

599
00:31:50,560 --> 00:31:53,600
Speaker 1: he then he disappears into a light bulb.

600
00:31:55,000 --> 00:31:59,400
Speaker 2: Fantastics but again special effects, fantastic love it. This scene

601
00:31:59,520 --> 00:32:02,160
Speaker 2: was kind of reminiscent of The Never Ending Story. Did

602
00:32:02,200 --> 00:32:04,120
Speaker 2: you watch that when the kid goes into the book

603
00:32:04,520 --> 00:32:07,080
Speaker 2: is it a break store? Yeah, and he talks to

604
00:32:07,160 --> 00:32:09,440
Speaker 2: a guy like it was sort of giving like that

605
00:32:10,040 --> 00:32:13,040
Speaker 2: set up where he opens the book and the yeah,

606
00:32:13,120 --> 00:32:13,800
Speaker 2: the nothing that.

607
00:32:13,960 --> 00:32:15,160
Speaker 1: Yeah, it was supported.

608
00:32:15,280 --> 00:32:16,600
Speaker 2: Yeah, it's sort of sort of like and.

609
00:32:18,160 --> 00:32:24,560
Speaker 1: Let me tell you, we're introduced to Starduster, start up,

610
00:32:24,640 --> 00:32:29,560
Speaker 1: Startarduster at this point, the skateboard and the skateboard. Yeah,

611
00:32:29,640 --> 00:32:33,360
Speaker 1: it's pretty amazing, and it doesn't talk yet, not not

612
00:32:33,480 --> 00:32:35,400
Speaker 1: at this point. No, because that's a surprise.

613
00:32:36,320 --> 00:32:37,080
Speaker 2: Yes, we have to wait.

614
00:32:37,120 --> 00:32:37,600
Speaker 1: We're building.

615
00:32:37,640 --> 00:32:42,280
Speaker 2: We're building to the reveal that this skateboard can talk

616
00:32:42,760 --> 00:32:46,680
Speaker 2: and that he can fly and turned this little boy

617
00:32:46,800 --> 00:32:51,000
Speaker 2: who's never skated before into a professional world class skateboarder.

618
00:32:51,160 --> 00:32:51,360
Speaker 1: Yeah.

619
00:32:52,520 --> 00:32:52,640
Speaker 2: Uh.

620
00:32:53,640 --> 00:33:00,760
Speaker 1: And how that happens is between the squire's kid mm hmm,

621
00:33:00,960 --> 00:33:04,920
Speaker 1: and he challenges the younger kid. Oh no, they meet

622
00:33:05,000 --> 00:33:08,960
Speaker 1: in like that weird sort of back alley wash thing

623
00:33:10,480 --> 00:33:14,080
Speaker 1: first and have the skate thing right before they can share. Yeah,

624
00:33:14,120 --> 00:33:16,280
Speaker 1: the La River bed or whatever. Okay, oh, yes, so

625
00:33:16,360 --> 00:33:21,520
Speaker 1: they do that and he like skates, uh, but like

626
00:33:21,680 --> 00:33:24,080
Speaker 1: he kind of doesn't he fall or something like Starduster

627
00:33:24,280 --> 00:33:28,040
Speaker 1: isn't uh turned, Starduster's not totally worked. The starduster is

628
00:33:28,080 --> 00:33:30,400
Speaker 1: not totally working, and so like some things have happened,

629
00:33:30,440 --> 00:33:32,080
Speaker 1: but he thinks he can do it, and he goes

630
00:33:32,160 --> 00:33:35,480
Speaker 1: down there and he just makes it kind of makes.

631
00:33:35,400 --> 00:33:38,040
Speaker 2: A fool of himself, but it's trying to show off

632
00:33:38,080 --> 00:33:39,760
Speaker 2: for the big boys, who I guess they're supposed to

633
00:33:39,800 --> 00:33:41,440
Speaker 2: be the same age, but he looks eight and they

634
00:33:41,520 --> 00:33:41,840
Speaker 2: look right.

635
00:33:42,040 --> 00:33:44,360
Speaker 1: Well yeah, yeah, yeah, it was shocked. I was like,

636
00:33:44,360 --> 00:33:47,400
Speaker 1: you guys the same age, but yes, and this is

637
00:33:47,520 --> 00:33:49,040
Speaker 1: part of the crew that Andrew Keegan is with.

638
00:33:49,320 --> 00:33:49,440
Speaker 2: Uh.

639
00:33:50,360 --> 00:33:54,440
Speaker 1: And I'm also a side note, convinced that the best

640
00:33:54,520 --> 00:33:59,840
Speaker 1: friend Mickey Uh. For almost the whole movie, I was

641
00:34:00,080 --> 00:34:03,360
Speaker 1: almost sure that she couldn't actually ride her bike because

642
00:34:04,200 --> 00:34:07,520
Speaker 1: you never saw her riding it. Really that I remember

643
00:34:07,600 --> 00:34:09,520
Speaker 1: every time you saw the kids, she was walking with

644
00:34:09,600 --> 00:34:15,800
Speaker 1: the bike, and I wondered, why is this bike so important?

645
00:34:15,960 --> 00:34:19,840
Speaker 1: Which we later find out but it's critical, it's critical.

646
00:34:19,880 --> 00:34:21,640
Speaker 1: But we also find out that yes, she can ride

647
00:34:21,680 --> 00:34:25,120
Speaker 1: that bike, and yeah, and she has a much better stunt.

648
00:34:25,480 --> 00:34:27,359
Speaker 1: But anyway, I was just like, why is she never

649
00:34:28,080 --> 00:34:30,279
Speaker 1: on the bike? She always walking the bike. Anyway, She's

650
00:34:30,280 --> 00:34:32,719
Speaker 1: always walking bike. But then I did in the wash

651
00:34:33,239 --> 00:34:35,880
Speaker 1: and h and he makes a fool himself. But then

652
00:34:35,880 --> 00:34:39,120
Speaker 1: they kind of challenge each other to a thing, a duel,

653
00:34:39,200 --> 00:34:45,160
Speaker 1: to a duel, Yeah, a skateboarding duel on obviously great

654
00:34:45,200 --> 00:34:49,000
Speaker 1: hill for skateboarding. They basically go and have this challenge

655
00:34:49,080 --> 00:34:52,560
Speaker 1: on like a dirt road. I was like, who skateboards

656
00:34:52,640 --> 00:34:54,560
Speaker 1: on this? Don't you know what I mean?

657
00:34:55,320 --> 00:34:58,520
Speaker 2: Yeah, this was not a very you know, big budget production.

658
00:34:58,760 --> 00:35:01,600
Speaker 1: We were a little well and he didn't need a

659
00:35:01,640 --> 00:35:07,480
Speaker 1: skateboard because as he goes flying down the hill, guess what, people,

660
00:35:08,760 --> 00:35:14,160
Speaker 1: Starduster comes to life at the perfect moment because basically

661
00:35:14,320 --> 00:35:17,840
Speaker 1: this kid is trying to kill him. Yeah, if we

662
00:35:17,960 --> 00:35:21,120
Speaker 1: really acknowledge it. The kid is literally playing chicken and

663
00:35:21,200 --> 00:35:23,160
Speaker 1: trying to send this kid off of a cliff.

664
00:35:23,880 --> 00:35:27,040
Speaker 2: It's very dark when you think think about.

665
00:35:26,800 --> 00:35:29,160
Speaker 1: It, You're like, oh my god, he could have died.

666
00:35:29,880 --> 00:35:34,320
Speaker 1: And instead of dying, he has a magical skateboard, thankfully,

667
00:35:34,480 --> 00:35:36,560
Speaker 1: or this movie would have been real short and real dark.

668
00:35:37,840 --> 00:35:43,840
Speaker 1: And he goes flying like a bird over the trees

669
00:35:44,120 --> 00:35:48,239
Speaker 1: and lands safely, much to the shock of all of

670
00:35:48,280 --> 00:35:52,120
Speaker 1: the skater boys and himself. Skater boys are very impressed

671
00:35:52,160 --> 00:35:53,960
Speaker 1: by this. They are very impressed, and I was very

672
00:35:54,000 --> 00:35:56,720
Speaker 1: impressed by the visual effects of him flying.

673
00:35:57,600 --> 00:36:01,000
Speaker 2: Oh it's so realistic. I really thought he was flying.

674
00:36:01,680 --> 00:36:04,839
Speaker 1: Oh wow. It was likely he didn't have the money

675
00:36:04,960 --> 00:36:07,200
Speaker 1: for a harness, and so they lean him up against

676
00:36:07,239 --> 00:36:09,920
Speaker 1: a table that they covered it in a green cloth,

677
00:36:10,680 --> 00:36:13,960
Speaker 1: and he was pretending to fly, but like was leaned

678
00:36:14,120 --> 00:36:18,200
Speaker 1: up against something. There was there was That's exactly what

679
00:36:18,280 --> 00:36:21,200
Speaker 1: it was. I'm sure I wasn't there there was another

680
00:36:21,400 --> 00:36:23,600
Speaker 1: thing where he's flying and he's actually in the harness

681
00:36:23,760 --> 00:36:26,800
Speaker 1: and his jeans are up to his rkle height, you know,

682
00:36:28,239 --> 00:36:30,200
Speaker 1: and you're like, why does he look so strange? You're like, oh,

683
00:36:30,239 --> 00:36:32,880
Speaker 1: because he's wearing a weird harness but this one just

684
00:36:33,000 --> 00:36:35,520
Speaker 1: looked like they were like, look, we we spent all

685
00:36:35,600 --> 00:36:39,360
Speaker 1: our harness money. So just lean forward and pretend like

686
00:36:39,440 --> 00:36:41,880
Speaker 1: you're flying. And he was like doing the worm. It

687
00:36:42,000 --> 00:36:45,160
Speaker 1: was great. It was great. I was I was like,

688
00:36:45,560 --> 00:36:50,120
Speaker 1: I don't know how you're flying straight, sir, but it's yeah.

689
00:36:50,000 --> 00:36:51,320
Speaker 2: It's I'm telling you.

690
00:36:51,400 --> 00:36:56,359
Speaker 1: This is again, such a gem. Just you're a dog.

691
00:36:56,920 --> 00:37:00,839
Speaker 1: I was like, what is he doing? Oh good, yeah,

692
00:37:01,640 --> 00:37:05,719
Speaker 1: oh skateboards anyway, Kids survives yeah, and goes on to

693
00:37:06,560 --> 00:37:10,080
Speaker 1: to you know, basically become best friends with a skateboard,

694
00:37:10,200 --> 00:37:15,520
Speaker 1: which is sad well he and he ignores uh Mickey

695
00:37:15,800 --> 00:37:19,440
Speaker 1: his best friend. Oh she was the best. Can we

696
00:37:19,600 --> 00:37:24,200
Speaker 1: talk about the amount of just casual misogyny in this

697
00:37:24,400 --> 00:37:30,239
Speaker 1: movie though, Oh the Kids insults women several times. He's like,

698
00:37:30,360 --> 00:37:34,160
Speaker 1: oh women whatever. Yeah, there's several comments where I'm like,

699
00:37:35,120 --> 00:37:37,839
Speaker 1: where he likes is and the skateboard says to him,

700
00:37:38,160 --> 00:37:41,120
Speaker 1: you only appreciate like a quote that says you only

701
00:37:41,200 --> 00:37:44,960
Speaker 1: appreciate women when you run out of socks. Oh yeah,

702
00:37:45,200 --> 00:37:48,120
Speaker 1: that was. And if you listen to something like that,

703
00:37:48,239 --> 00:37:51,759
Speaker 1: whole banter back and forth is like, oh, women are useless, like, ew, gross,

704
00:37:51,880 --> 00:37:54,040
Speaker 1: they're disgusting. I know, yeah, but hey when you need

705
00:37:54,120 --> 00:37:55,839
Speaker 1: him to do your laundry and it's good damn around,

706
00:37:56,080 --> 00:37:56,360
Speaker 1: I was.

707
00:37:56,360 --> 00:38:02,360
Speaker 4: Like, what, Yeah, a misogynistic skateboard then creepy dude with

708
00:38:02,520 --> 00:38:06,759
Speaker 4: the ponytail at one point like tries to seduce mom

709
00:38:06,880 --> 00:38:09,680
Speaker 4: in order to get her house and comes on so

710
00:38:10,040 --> 00:38:14,600
Speaker 4: strong and is so inappropriate and like creepy ray pee vibe.

711
00:38:14,920 --> 00:38:18,759
Speaker 2: Uh oh yeah, Bruce Davison is a creepy.

712
00:38:18,840 --> 00:38:23,400
Speaker 1: He basically yeah, he is. Uh yeah, He's a total

713
00:38:23,520 --> 00:38:27,520
Speaker 1: rape douchebag. And it made me uncomfortable, made me super uncomfortable.

714
00:38:27,960 --> 00:38:30,320
Speaker 1: Ken Fields may be uncomfortable when he pulls up in

715
00:38:30,400 --> 00:38:33,600
Speaker 1: a in a expensive car in his little shorts and

716
00:38:33,719 --> 00:38:37,360
Speaker 1: gets out to watch some young boys skateboarding. He was like,

717
00:38:39,239 --> 00:38:43,120
Speaker 1: excuse me, sir, what are you doing? Yeah, and then

718
00:38:43,160 --> 00:38:47,040
Speaker 1: he's like, hey, kid, you ever try skateboarding? I was like, no,

719
00:38:47,440 --> 00:38:50,040
Speaker 1: this is what you warned every kid about, Like no,

720
00:38:50,320 --> 00:38:52,239
Speaker 1: don't ask the man skateboarding. And then he's like, I

721
00:38:52,320 --> 00:38:54,759
Speaker 1: could really build your career. And you're like, oh, it's

722
00:38:54,760 --> 00:38:56,120
Speaker 1: gonna be the coach. It's always the coach.

723
00:38:56,760 --> 00:38:59,040
Speaker 2: And I was missing with Candy like give the kids

724
00:38:59,600 --> 00:39:02,160
Speaker 2: and he had a panel van you know, and.

725
00:39:02,200 --> 00:39:04,560
Speaker 1: The promise of a puppy somewhere. No, instead it was

726
00:39:04,640 --> 00:39:10,520
Speaker 1: the promise of of money and fame. Yeah. And luckily

727
00:39:11,040 --> 00:39:17,360
Speaker 1: this wasn't uh dateline and it was a nineteen nineties

728
00:39:18,000 --> 00:39:20,800
Speaker 1: skateboard magic movie, so could have got Bair to this.

729
00:39:21,320 --> 00:39:24,799
Speaker 2: This is a critical plot point. So because the goal

730
00:39:25,080 --> 00:39:28,040
Speaker 2: is so the villain, the villain boy Jay I think

731
00:39:28,080 --> 00:39:33,000
Speaker 2: his name is Yeah there justin Timberlake, just yeah, Jay Squires.

732
00:39:33,320 --> 00:39:36,759
Speaker 2: Jay Squires decides he wants that magical skateboard because he

733
00:39:37,360 --> 00:39:38,240
Speaker 2: has to win this turn.

734
00:39:38,239 --> 00:39:41,920
Speaker 1: Because the kid didn't die. Yes, his first plan didn't work.

735
00:39:42,520 --> 00:39:45,399
Speaker 2: So he and his dad, Bruce Davison decide, Okay, we're

736
00:39:45,440 --> 00:39:48,520
Speaker 2: going to distract the people that live in the Curtis house. Yeah,

737
00:39:48,800 --> 00:39:51,520
Speaker 2: so that that Jay Squires can go in and steal

738
00:39:51,760 --> 00:39:52,600
Speaker 2: the magical skateboarder.

739
00:39:52,640 --> 00:39:57,160
Speaker 1: So what do they both do? They both like go

740
00:39:57,400 --> 00:39:59,640
Speaker 1: after the women of the house in a creepy way.

741
00:40:00,320 --> 00:40:02,960
Speaker 2: Oh yeah, well, and they wrope Andrew Keagan is this thing.

742
00:40:03,680 --> 00:40:06,520
Speaker 2: Bruce David Davidson is the rape dude with the wall

743
00:40:06,560 --> 00:40:06,960
Speaker 2: of stone.

744
00:40:07,040 --> 00:40:08,799
Speaker 1: He's like shows up at her house with flowers after

745
00:40:08,920 --> 00:40:11,919
Speaker 1: he's also just been on her property all the time,

746
00:40:12,120 --> 00:40:17,759
Speaker 1: measuring for stuff, trespassing, trespassing, and uh, she hates him.

747
00:40:18,440 --> 00:40:21,520
Speaker 1: And then he shows up like with flowers and like

748
00:40:21,680 --> 00:40:25,560
Speaker 1: tries to seduce her and she Uh. As a woman,

749
00:40:25,600 --> 00:40:27,040
Speaker 1: I watched it and I was like, Oh, she's so

750
00:40:27,160 --> 00:40:29,799
Speaker 1: uncomfortable and wants to shut the door but she can't

751
00:40:29,880 --> 00:40:33,000
Speaker 1: because he's there. Yeah, so it was I was definitely

752
00:40:33,040 --> 00:40:36,560
Speaker 1: watching it with different eyes. Yeah. Yeah, she says, yes,

753
00:40:36,600 --> 00:40:38,120
Speaker 1: I'm like, you don't have to, Like, you don't have

754
00:40:38,320 --> 00:40:40,839
Speaker 1: you go to dinner with him. She literally says if

755
00:40:40,880 --> 00:40:44,080
Speaker 1: I go to dinner with you, will you stop harassing me?

756
00:40:44,640 --> 00:40:47,320
Speaker 1: And I was like, well, if that ain't a nineteen

757
00:40:47,480 --> 00:40:51,880
Speaker 1: ninety five statement of I mean that right that that

758
00:40:52,080 --> 00:40:53,320
Speaker 1: has gone away completely.

759
00:40:53,400 --> 00:40:55,200
Speaker 2: Well, she's she's under duresst wall of.

760
00:40:55,200 --> 00:40:59,200
Speaker 1: Stone, stressed out mom, stressed out single mom. Right, dad's

761
00:40:59,239 --> 00:41:02,040
Speaker 1: either dead or often you know, Tahiti with someone else.

762
00:41:02,080 --> 00:41:04,960
Speaker 1: And she's got an alien in a closet. So she's

763
00:41:05,000 --> 00:41:09,480
Speaker 1: always got very big problems Aliens in closets. Uh, you know,

764
00:41:09,960 --> 00:41:15,240
Speaker 1: kids drunk at school, Uh, you know, losing a house,

765
00:41:16,040 --> 00:41:17,240
Speaker 1: legible skateboards.

766
00:41:17,800 --> 00:41:21,200
Speaker 2: She's so stressful, this is like woman a break. Yeah,

767
00:41:22,200 --> 00:41:25,920
Speaker 2: and then Jay Squires convinces his buddy Andrew Keegan.

768
00:41:26,200 --> 00:41:29,319
Speaker 1: To ask Tilly me out on a date to get

769
00:41:29,360 --> 00:41:31,360
Speaker 1: me out of the house too. Now we need to

770
00:41:31,400 --> 00:41:34,560
Speaker 1: back up a little bit because we haven't spoken nearly

771
00:41:34,680 --> 00:41:38,839
Speaker 1: enough about Tilly. That is. That is why we're here. Okay,

772
00:41:38,960 --> 00:41:41,200
Speaker 1: that is why we're here. Let me get a sip

773
00:41:41,280 --> 00:41:52,040
Speaker 1: of tea and yeah, I need my coffee. Did you

774
00:41:52,280 --> 00:41:55,680
Speaker 1: find any plot holes in like, I mean, I that's

775
00:41:55,760 --> 00:42:00,600
Speaker 1: not a question, uh, because yes answers yes, that that

776
00:42:00,840 --> 00:42:03,600
Speaker 1: the entire movie is a plot hole. It's just yeah,

777
00:42:04,160 --> 00:42:08,560
Speaker 1: but like, is there any with your character in particular?

778
00:42:08,719 --> 00:42:09,799
Speaker 1: Because I found one?

779
00:42:09,920 --> 00:42:11,040
Speaker 2: Oh you did?

780
00:42:11,640 --> 00:42:13,680
Speaker 1: Oh? I did? Well? Yeah, I don't know if it's

781
00:42:13,719 --> 00:42:16,120
Speaker 1: a plot hole. It was a minor detail? Is it?

782
00:42:16,200 --> 00:42:16,719
Speaker 2: The dress is?

783
00:42:17,800 --> 00:42:17,880
Speaker 1: Oh?

784
00:42:17,880 --> 00:42:20,160
Speaker 2: Okay, so it's the dress. So there's one scene I

785
00:42:20,280 --> 00:42:20,759
Speaker 2: had to add.

786
00:42:20,800 --> 00:42:23,320
Speaker 1: I was gonna say there's one scene where you're libbing,

787
00:42:23,400 --> 00:42:25,439
Speaker 1: because you can always kind of tone on that because

788
00:42:25,440 --> 00:42:27,839
Speaker 1: they're like h yeah, and you're like ah yeah, because

789
00:42:27,840 --> 00:42:30,640
Speaker 1: it's uncomfortable. I hate it when they're just like and

790
00:42:30,800 --> 00:42:31,160
Speaker 1: I do it.

791
00:42:31,200 --> 00:42:33,000
Speaker 2: I'm on the phone because I'm a teenage girl. So

792
00:42:33,040 --> 00:42:35,080
Speaker 2: I'm on the phone for ninety percent of the.

793
00:42:35,120 --> 00:42:37,480
Speaker 1: Movie almost yeah, logically attached to you.

794
00:42:38,400 --> 00:42:38,600
Speaker 3: Yes.

795
00:42:39,160 --> 00:42:42,359
Speaker 2: So so Andrew Stevens, the director is just like, just talk,

796
00:42:42,560 --> 00:42:44,640
Speaker 2: just talk like a teenage girl would talk. And I'm like, okay,

797
00:42:44,680 --> 00:42:47,239
Speaker 2: but this is a really long, freaking scene where they're

798
00:42:47,239 --> 00:42:49,800
Speaker 2: trying to steal my nail polish or something like that,

799
00:42:49,840 --> 00:42:50,280
Speaker 2: and it's.

800
00:42:50,160 --> 00:42:53,040
Speaker 1: Got to be that you're like talking during the whole

801
00:42:53,200 --> 00:42:57,160
Speaker 1: shot of them getting in the like it's a oh right, and.

802
00:42:57,360 --> 00:43:00,640
Speaker 2: It's long and lengthy, anomally talking, and the scene so

803
00:43:00,760 --> 00:43:03,080
Speaker 2: you only hear me with my bad ad libbine right,

804
00:43:03,160 --> 00:43:04,400
Speaker 2: which was the scene wasn't And.

805
00:43:04,440 --> 00:43:07,000
Speaker 1: You can't really be quiet as if someone is responding

806
00:43:07,120 --> 00:43:09,160
Speaker 1: fully because then it just leaves dead air and they

807
00:43:09,200 --> 00:43:10,880
Speaker 1: want you to be talking in it. So yeah, it

808
00:43:10,960 --> 00:43:12,600
Speaker 1: feels awkward and weird.

809
00:43:12,760 --> 00:43:15,080
Speaker 2: So I'm like, I'll talk about my dress for this

810
00:43:15,400 --> 00:43:18,200
Speaker 2: dance that's coming up, I'll talk about my nails, I'll

811
00:43:18,239 --> 00:43:20,759
Speaker 2: talk about my hair, I'll throw some shade at my mom.

812
00:43:21,560 --> 00:43:23,440
Speaker 2: It worked, but at one point I was like, can

813
00:43:23,480 --> 00:43:23,879
Speaker 2: we cut?

814
00:43:24,120 --> 00:43:25,239
Speaker 1: Like where are we gonna cut?

815
00:43:25,360 --> 00:43:29,520
Speaker 2: I'm just rambling, right, So anyways, So yeah, so Tilly

816
00:43:29,600 --> 00:43:32,960
Speaker 2: talks about her dress in this one scene, and then

817
00:43:33,080 --> 00:43:37,480
Speaker 2: later on, after Andrew Keagan asks Tilly out to go

818
00:43:37,719 --> 00:43:40,440
Speaker 2: to this fall dance, she's like, oh my god, I

819
00:43:40,480 --> 00:43:41,920
Speaker 2: need a dress. I don't have a dress. And I'm like,

820
00:43:42,000 --> 00:43:43,160
Speaker 2: she was just talking like.

821
00:43:43,480 --> 00:43:45,160
Speaker 1: Dance a mess. I need to get him done, and yeah,

822
00:43:45,239 --> 00:43:48,759
Speaker 1: she's yes, maybe she was so excited that she was

823
00:43:48,800 --> 00:43:51,800
Speaker 1: just so excited that she forgot let's go with that.

824
00:43:52,320 --> 00:43:55,640
Speaker 2: Yes, that's exactly, which.

825
00:43:55,480 --> 00:43:58,560
Speaker 1: Again is sad because he's only there to distract her

826
00:43:58,680 --> 00:44:00,640
Speaker 1: and doesn't really like her in the beginning.

827
00:44:00,680 --> 00:44:03,600
Speaker 2: But you can be you can see Andrew Keegan strugg

828
00:44:03,640 --> 00:44:05,280
Speaker 2: and this was a note he got from the director

829
00:44:05,440 --> 00:44:08,560
Speaker 2: smiling shoot this several times about smiling.

830
00:44:08,600 --> 00:44:11,320
Speaker 1: Stop like being oh, I just like it looks like

831
00:44:11,400 --> 00:44:14,200
Speaker 1: he's gonna laugh or something like oh no.

832
00:44:14,360 --> 00:44:17,600
Speaker 2: The note was you could they wanted to see Andrew

833
00:44:17,640 --> 00:44:20,520
Speaker 2: Keagan struggling with this, like he's not a bad guy,

834
00:44:21,160 --> 00:44:24,279
Speaker 2: but he's acting like a bad guy with this whatever.

835
00:44:25,160 --> 00:44:27,600
Speaker 2: So you can see he feels bad that he's asking

836
00:44:27,719 --> 00:44:31,279
Speaker 2: Tilly out only as part of this tist plan and

837
00:44:31,360 --> 00:44:32,960
Speaker 2: he kind of struggling, but he kind of feels bad

838
00:44:32,960 --> 00:44:35,279
Speaker 2: about and you can see that you can absolutely see it. Yes,

839
00:44:35,480 --> 00:44:36,759
Speaker 2: Andrew knocked this out of the park.

840
00:44:36,840 --> 00:44:40,120
Speaker 1: Yes, and what not that they wanted to see that

841
00:44:40,320 --> 00:44:41,120
Speaker 1: contract was the note?

842
00:44:41,400 --> 00:44:43,640
Speaker 2: Yeah, because it was more just kind of straightforward, like, hey,

843
00:44:43,640 --> 00:44:46,520
Speaker 2: I'm going to ask you out starting here's.

844
00:44:46,880 --> 00:44:49,000
Speaker 1: Here's what's happening under the surface.

845
00:44:49,200 --> 00:44:51,600
Speaker 2: Right, this note was kind of like struggle with it

846
00:44:51,719 --> 00:44:54,719
Speaker 2: more and just look, I don't know, look like you're

847
00:44:55,080 --> 00:44:57,239
Speaker 2: like you kind of feel bad, like you feel bad, right,

848
00:44:57,680 --> 00:44:59,839
Speaker 2: And I could see that, Yeah, he has he walks away,

849
00:45:00,080 --> 00:45:02,960
Speaker 2: He's kind of just like pauses and looks around, just

850
00:45:03,120 --> 00:45:04,520
Speaker 2: like what I'm a dick man?

851
00:45:04,600 --> 00:45:05,320
Speaker 1: Yeah? Did I just do?

852
00:45:05,440 --> 00:45:06,759
Speaker 2: Why am I participating in this?

853
00:45:06,920 --> 00:45:11,560
Speaker 1: Yeah? Truly truly? Uh but yeah he then you know,

854
00:45:11,680 --> 00:45:12,759
Speaker 1: your character freezes out.

855
00:45:12,920 --> 00:45:15,080
Speaker 2: I I do.

856
00:45:16,640 --> 00:45:19,560
Speaker 1: Wish I had gotten to know tillymore, though we don't.

857
00:45:19,760 --> 00:45:23,240
Speaker 1: We really only see her uh attached to the phone,

858
00:45:24,040 --> 00:45:26,960
Speaker 1: right or he's on the phone awkward at the dance,

859
00:45:27,480 --> 00:45:30,279
Speaker 1: which you were great, but like intentionally awkward not but

860
00:45:30,480 --> 00:45:34,320
Speaker 1: but it was written to be yes, yes, uh, we

861
00:45:34,440 --> 00:45:38,360
Speaker 1: did that swimmingly well. Oh to say nothing of the extras,

862
00:45:39,840 --> 00:45:41,279
Speaker 1: Oh well that was okay.

863
00:45:41,360 --> 00:45:44,680
Speaker 2: First, you you probably know we weren't at an actual dance.

864
00:45:45,520 --> 00:45:47,680
Speaker 2: All those extrack footage.

865
00:45:47,760 --> 00:45:52,920
Speaker 1: It was like, you guys, I'm not kidding. I've rewound

866
00:45:53,000 --> 00:45:56,320
Speaker 1: it a couple of times during the clips of the

867
00:45:56,520 --> 00:46:00,239
Speaker 1: kids just dancing because it was so it's an and

868
00:46:00,400 --> 00:46:02,440
Speaker 1: I know as an actor and I had to do

869
00:46:02,560 --> 00:46:05,759
Speaker 1: this recently on a in a scene and there was

870
00:46:05,840 --> 00:46:08,480
Speaker 1: no music, so I played music because we were doing

871
00:46:08,520 --> 00:46:10,640
Speaker 1: it was mos and so I played music like in

872
00:46:10,719 --> 00:46:13,120
Speaker 1: the background and was like we were trying to make

873
00:46:13,200 --> 00:46:15,680
Speaker 1: it as normal as possible rather than just like waving

874
00:46:15,719 --> 00:46:18,680
Speaker 1: our arms and having a party silently, because that's really awkward.

875
00:46:19,600 --> 00:46:21,520
Speaker 2: But it's really nothing dancing that.

876
00:46:23,719 --> 00:46:24,160
Speaker 1: No notes.

877
00:46:24,600 --> 00:46:27,439
Speaker 3: There was one kids that was giving it his all,

878
00:46:28,960 --> 00:46:31,759
Speaker 3: left it all on the floor. These kids looked some

879
00:46:31,880 --> 00:46:34,359
Speaker 3: of them looked very young, some looked too old. Well,

880
00:46:34,480 --> 00:46:36,840
Speaker 3: some were dress that's kind of isn't it.

881
00:46:37,000 --> 00:46:37,200
Speaker 2: You know.

882
00:46:38,680 --> 00:46:42,920
Speaker 1: You got six feet kids, mustaches are very different.

883
00:46:43,480 --> 00:46:45,439
Speaker 2: Yes, it's so true.

884
00:46:46,239 --> 00:46:48,080
Speaker 1: But no, we that was all stock footage.

885
00:46:48,239 --> 00:46:50,840
Speaker 2: We just shot like I think in that same warehouse

886
00:46:50,920 --> 00:46:53,800
Speaker 2: with the creepy Sanno or whatever his name is.

887
00:46:53,880 --> 00:46:57,560
Speaker 1: That was stock. You guys, Like when you walked there

888
00:46:57,600 --> 00:46:58,880
Speaker 1: was no dance scene. There was.

889
00:46:59,040 --> 00:47:01,200
Speaker 2: They just put a like a background with a table

890
00:47:01,239 --> 00:47:03,719
Speaker 2: of snacks and side balloons up. We just got that

891
00:47:03,760 --> 00:47:06,400
Speaker 2: scene with like there were what two extras or two background.

892
00:47:06,000 --> 00:47:08,880
Speaker 1: Actors and then the kids dancing and everything was just.

893
00:47:09,040 --> 00:47:10,120
Speaker 2: So that was stock foot.

894
00:47:10,160 --> 00:47:10,600
Speaker 1: We didn't know.

895
00:47:10,719 --> 00:47:12,520
Speaker 2: That wasn't that wasn't what I shot.

896
00:47:12,880 --> 00:47:17,600
Speaker 1: That was better. It's even better.

897
00:47:18,239 --> 00:47:21,040
Speaker 2: We couldn't afford a whole dance scene. Heck no, we

898
00:47:21,120 --> 00:47:24,920
Speaker 2: could afford one wall, one background and a table full

899
00:47:24,960 --> 00:47:25,400
Speaker 2: of snacks.

900
00:47:25,960 --> 00:47:30,920
Speaker 1: Punch. Okay, that's even that's amazing. I love that.

901
00:47:32,040 --> 00:47:34,279
Speaker 2: And that scene was very it was It was as

902
00:47:34,360 --> 00:47:37,120
Speaker 2: awkward to act as it was written, like we're supposed

903
00:47:37,120 --> 00:47:39,320
Speaker 2: to be Andrew again until they are just kind of

904
00:47:39,360 --> 00:47:41,800
Speaker 2: like they don't know what to say, so awkward.

905
00:47:43,000 --> 00:47:45,719
Speaker 1: And yeah, that was just as awkward to perform as

906
00:47:45,760 --> 00:47:48,680
Speaker 1: it was well it read to read it perfectly. It

907
00:47:48,920 --> 00:47:52,560
Speaker 1: was the level of awkward and uncomfortable was palpable.

908
00:47:52,920 --> 00:47:55,920
Speaker 5: And now I know it's because you were acting, so

909
00:47:57,280 --> 00:47:59,520
Speaker 5: no acting records, no acting or you were like I

910
00:47:59,640 --> 00:48:03,240
Speaker 5: am his method right now, I am living at the moment.

911
00:48:04,400 --> 00:48:07,239
Speaker 1: Yes, okay, yeah, I was gonna ask like, how was

912
00:48:07,280 --> 00:48:08,800
Speaker 1: that scene? Was it one of those scenes that you

913
00:48:08,880 --> 00:48:10,480
Speaker 1: had to shoot all day because of all the extras,

914
00:48:11,160 --> 00:48:15,799
Speaker 1: and now I know it took twenty minutes. Like I said,

915
00:48:16,040 --> 00:48:18,480
Speaker 1: it's like this movie was made by AI before there

916
00:48:18,640 --> 00:48:21,399
Speaker 1: was Ai. You know. It was like we just cut

917
00:48:21,440 --> 00:48:24,839
Speaker 1: out the middle end and we're just gonna fake everything. Yeah,

918
00:48:25,000 --> 00:48:27,920
Speaker 1: the director had to get very creative. And I asked him,

919
00:48:29,440 --> 00:48:32,279
Speaker 1: as you do. Was he also shooting it himself? Was

920
00:48:32,360 --> 00:48:33,120
Speaker 1: he the camera op?

921
00:48:33,920 --> 00:48:36,600
Speaker 2: I want to say yes, probably. You know, he was

922
00:48:36,640 --> 00:48:38,040
Speaker 2: the studio teacher right right.

923
00:48:38,160 --> 00:48:39,600
Speaker 1: He was everything.

924
00:48:39,640 --> 00:48:41,280
Speaker 2: He was a director, he was everything.

925
00:48:42,320 --> 00:48:44,200
Speaker 1: What did you What did you think about your wardrobe?

926
00:48:44,200 --> 00:48:46,520
Speaker 1: Because this was definitely not Kimmy Gibler wardrobe. Was it

927
00:48:46,640 --> 00:48:51,080
Speaker 1: a relief to not be in that well? Yes, on

928
00:48:51,200 --> 00:48:51,640
Speaker 1: one hand.

929
00:48:52,360 --> 00:48:54,480
Speaker 2: On the other hand, when I first started watching this

930
00:48:54,560 --> 00:48:58,400
Speaker 2: movie last night, I was like, did we not have

931
00:48:58,520 --> 00:48:59,120
Speaker 2: a budget for.

932
00:48:59,160 --> 00:48:59,919
Speaker 1: A wardrobe depart?

933
00:49:00,080 --> 00:49:03,200
Speaker 2: Like the wardrobe was really terrible on all accounts, not

934
00:49:03,280 --> 00:49:05,840
Speaker 2: just till you know I thought that, Yes. Then I

935
00:49:05,920 --> 00:49:07,880
Speaker 2: started recognizing.

936
00:49:07,360 --> 00:49:11,640
Speaker 1: Some of the oversized flannel shirts and there was there

937
00:49:11,719 --> 00:49:13,840
Speaker 1: was a red and blue one that you had that

938
00:49:13,960 --> 00:49:15,879
Speaker 1: you were wearing, and that was I was like, that's

939
00:49:15,920 --> 00:49:21,680
Speaker 1: Andrew's shirt. I don't know why I remembered that that again,

940
00:49:22,480 --> 00:49:24,840
Speaker 1: Why do I know these things? I think there's a

941
00:49:25,000 --> 00:49:28,600
Speaker 1: picture of us in it. Yes, it was abe shirt,

942
00:49:29,440 --> 00:49:31,480
Speaker 1: it was a wardrobe shirt. But that those were all

943
00:49:31,560 --> 00:49:34,200
Speaker 1: my own clothes. That's what I thought. I was like this,

944
00:49:34,640 --> 00:49:39,280
Speaker 1: bring your own BYO c S party. Yeah, your own clothes.

945
00:49:40,040 --> 00:49:42,040
Speaker 2: Yes, and so I thought wow, and I've never been

946
00:49:42,840 --> 00:49:43,840
Speaker 2: I hate fashion.

947
00:49:43,960 --> 00:49:44,319
Speaker 1: I don't.

948
00:49:44,480 --> 00:49:46,120
Speaker 2: I just don't want to think about it. I would

949
00:49:46,160 --> 00:49:47,160
Speaker 2: wear the same thing every day.

950
00:49:47,040 --> 00:49:47,439
Speaker 1: If I could.

951
00:49:47,800 --> 00:49:49,400
Speaker 2: So I didn't put fashion.

952
00:49:49,400 --> 00:49:51,279
Speaker 1: I could, if you want it, I could, but I don't.

953
00:49:51,280 --> 00:49:53,960
Speaker 1: I don't want to. I'm just Steve jobs it and

954
00:49:54,120 --> 00:49:56,600
Speaker 1: like just get you know, black pants and black turtleneck.

955
00:49:57,560 --> 00:50:00,160
Speaker 1: I would love that. I would do love that to

956
00:50:00,200 --> 00:50:03,480
Speaker 1: wear the same dance holding every day. Nothing nothing, You're

957
00:50:03,520 --> 00:50:06,800
Speaker 1: Andrea damn Barber. You were in skateboard kid too. You

958
00:50:06,880 --> 00:50:08,080
Speaker 1: can do whatever the hell you want.

959
00:50:08,760 --> 00:50:12,920
Speaker 2: Yeah, an ego boost. Yes, But let's talk about the dress.

960
00:50:13,040 --> 00:50:14,160
Speaker 2: The dance dress.

961
00:50:14,440 --> 00:50:16,360
Speaker 1: That was beautiful.

962
00:50:16,480 --> 00:50:18,359
Speaker 2: It was my own dress my junior year.

963
00:50:18,520 --> 00:50:22,080
Speaker 1: I was gonna says I remember you again. I was like,

964
00:50:22,160 --> 00:50:24,480
Speaker 1: I remember you wearing this dress because I remember you

965
00:50:25,160 --> 00:50:28,680
Speaker 1: like seeing pictures of you in it. Yes, yes, this

966
00:50:29,040 --> 00:50:31,880
Speaker 1: was Oh I love this, you love this dress.

967
00:50:32,560 --> 00:50:36,960
Speaker 2: I love. This was custom made design. It like talk

968
00:50:36,960 --> 00:50:37,640
Speaker 2: about special.

969
00:50:37,800 --> 00:50:38,759
Speaker 1: I was.

970
00:50:38,960 --> 00:50:40,440
Speaker 2: Yeah, it was gorgeous.

971
00:50:40,480 --> 00:50:40,880
Speaker 1: I loved it.

972
00:50:41,000 --> 00:50:43,239
Speaker 2: Yes, so I got I'm glad I got to wear.

973
00:50:43,160 --> 00:50:46,319
Speaker 1: It on screen. It was good to describe it for everyone. Uh,

974
00:50:47,480 --> 00:50:49,400
Speaker 1: even though I want to hold it from withhold it

975
00:50:49,440 --> 00:50:51,359
Speaker 1: from you so you actually go watch Skateboard Kid too.

976
00:50:52,280 --> 00:50:55,080
Speaker 1: It was green velvet off the shoulder, just like you

977
00:50:55,200 --> 00:50:57,239
Speaker 1: described it in the in the scene, but off the

978
00:50:57,280 --> 00:51:02,080
Speaker 1: shoulder green velvet. Sort of an a line skirt line skirt,

979
00:51:02,880 --> 00:51:04,960
Speaker 1: not even a line, but like a like a little

980
00:51:05,080 --> 00:51:07,320
Speaker 1: bit of a swing sort of to it, you know

981
00:51:07,360 --> 00:51:10,920
Speaker 1: what I mean, like a swing. Yeah, and uh, the

982
00:51:11,040 --> 00:51:14,000
Speaker 1: fitted fitted bodice and it had like a lace applice

983
00:51:14,480 --> 00:51:18,560
Speaker 1: in sort of a like across the colotage and into

984
00:51:18,880 --> 00:51:22,839
Speaker 1: the uh, into the the cleavage area. But it wasn't

985
00:51:22,920 --> 00:51:24,920
Speaker 1: like but there was an it was right. It was

986
00:51:25,040 --> 00:51:27,160
Speaker 1: like where that would be was all like this pretty

987
00:51:27,239 --> 00:51:30,720
Speaker 1: lace and pearl stuff. And yeah, you it was gorgeous.

988
00:51:30,760 --> 00:51:31,640
Speaker 1: It fit you beautifully.

989
00:51:31,920 --> 00:51:33,360
Speaker 2: You looked I felt beautiful.

990
00:51:33,360 --> 00:51:37,279
Speaker 1: It looks so pretty. I looked her hair down and like,

991
00:51:38,160 --> 00:51:42,759
Speaker 1: it was nice to see you being like normal, you know,

992
00:51:43,160 --> 00:51:44,839
Speaker 1: and not have to be like, I mean you were

993
00:51:45,080 --> 00:51:47,080
Speaker 1: still kind of the fun silly, you know, calling your

994
00:51:47,120 --> 00:51:48,080
Speaker 1: brother Booker and whatever.

995
00:51:48,200 --> 00:51:50,360
Speaker 2: But oh yeah, there was some Kimmy Gibbler moments like

996
00:51:50,440 --> 00:51:53,000
Speaker 2: yelling like get it hair or whatever I was doing.

997
00:51:53,840 --> 00:51:56,919
Speaker 1: I did have to wonder my hair, Like I feel

998
00:51:57,000 --> 00:51:59,800
Speaker 1: like the hair. Did I do my own hair for

999
00:51:59,880 --> 00:52:04,720
Speaker 1: the movie, because it except for the dancing the Andandrew

1000
00:52:04,880 --> 00:52:08,200
Speaker 1: was busy curling your hair and shooting the movie, so

1001
00:52:08,480 --> 00:52:12,040
Speaker 1: he was was camera opping with the other.

1002
00:52:13,760 --> 00:52:17,480
Speaker 2: Because he Yeah, but I had several scenes where I

1003
00:52:17,560 --> 00:52:20,680
Speaker 2: had like that founding father's ponytail in the back right,

1004
00:52:20,800 --> 00:52:22,560
Speaker 2: it just didn't look very quaft, and so I'm like,

1005
00:52:22,640 --> 00:52:25,320
Speaker 2: did I just throw my hair back now that ponytail?

1006
00:52:25,600 --> 00:52:28,560
Speaker 1: That's what was probably just like someone doing makeup and

1007
00:52:28,680 --> 00:52:32,960
Speaker 1: hair that was like, hey, I've put makeup and hair

1008
00:52:33,040 --> 00:52:36,000
Speaker 1: on myself before, how hard can it be? You know,

1009
00:52:36,160 --> 00:52:38,880
Speaker 1: and like like that's I feel like that was probably

1010
00:52:39,160 --> 00:52:42,560
Speaker 1: what was in the budget for it. That's it's not right, Yeah,

1011
00:52:42,920 --> 00:52:44,640
Speaker 1: something like I have a bag of makeup at home,

1012
00:52:44,800 --> 00:52:47,200
Speaker 1: Sure I'll use that, you know, and they were like

1013
00:52:47,960 --> 00:52:52,960
Speaker 1: pull it back, yeah, and no time anything else. I

1014
00:52:53,040 --> 00:52:55,600
Speaker 1: don't know, yeah, but no, your hair. But in the

1015
00:52:56,440 --> 00:53:00,000
Speaker 1: dance scene. You know, you had the little nineties ringlets.

1016
00:53:00,040 --> 00:53:03,960
Speaker 2: The ringlets, it was half up. I really I never

1017
00:53:04,080 --> 00:53:06,920
Speaker 2: felt more beautiful on TV. Well you looked, Yeah, you

1018
00:53:07,000 --> 00:53:08,680
Speaker 2: look very pretty. Thank you.

1019
00:53:09,080 --> 00:53:12,960
Speaker 1: I love I love that. Any moments while you were

1020
00:53:13,040 --> 00:53:18,040
Speaker 1: filming the movie that particularly stand out good, bad, or indifferent?

1021
00:53:18,800 --> 00:53:20,839
Speaker 1: Oh yeah, well so probably the go to the bad.

1022
00:53:20,880 --> 00:53:23,480
Speaker 1: The indifferent probably isn't very interesting, but yeah.

1023
00:53:23,520 --> 00:53:25,560
Speaker 2: I have I have one for all that will fit

1024
00:53:25,920 --> 00:53:26,760
Speaker 2: all of them category.

1025
00:53:27,080 --> 00:53:28,000
Speaker 1: Yeah, it hit me.

1026
00:53:28,480 --> 00:53:32,880
Speaker 2: So the scene where Andrew Keegan is bringing to Lee

1027
00:53:32,960 --> 00:53:36,040
Speaker 2: home from the dance, right, we are on the front

1028
00:53:36,560 --> 00:53:40,400
Speaker 2: stoop right the front port. Yes, and there's like some

1029
00:53:40,600 --> 00:53:42,920
Speaker 2: talk He's like, well, I guess I go there's like some.

1030
00:53:43,320 --> 00:53:45,279
Speaker 1: You on the porch of someone's house that didn't give

1031
00:53:45,280 --> 00:53:46,239
Speaker 1: you permission to shoot there?

1032
00:53:46,960 --> 00:53:48,759
Speaker 2: Oh no, we had rented the house. Was that we

1033
00:53:48,960 --> 00:53:50,560
Speaker 2: we actually shot inside that house?

1034
00:53:50,760 --> 00:53:53,120
Speaker 1: And Okay, I got it because I was. That would

1035
00:53:53,120 --> 00:53:56,960
Speaker 1: have been amazing. The porch light's really great.

1036
00:53:57,960 --> 00:54:03,080
Speaker 2: Talk about it, just talk about it was Bruce Davison's shot.

1037
00:54:04,800 --> 00:54:07,120
Speaker 1: So yes, with like the lighting is very soft.

1038
00:54:07,320 --> 00:54:09,000
Speaker 2: I'm wearing Andrew Keagan's jacket.

1039
00:54:09,120 --> 00:54:09,759
Speaker 1: I take it off.

1040
00:54:09,800 --> 00:54:13,399
Speaker 2: I hand it to him our fingertips, brunt, I look

1041
00:54:13,480 --> 00:54:16,319
Speaker 2: down four hundred times at these fingertips, right.

1042
00:54:17,080 --> 00:54:17,800
Speaker 3: And then.

1043
00:54:19,239 --> 00:54:21,240
Speaker 1: They cut the kiss.

1044
00:54:21,880 --> 00:54:26,040
Speaker 2: There was a kiss, people, I kissed Andrew Keagan alongside

1045
00:54:26,120 --> 00:54:29,480
Speaker 2: nine hundred other You know, I could.

1046
00:54:29,320 --> 00:54:35,239
Speaker 1: Sell t shirts that say that I can't. I thought,

1047
00:54:35,400 --> 00:54:39,320
Speaker 1: was this shirt? Yes, so I know it's in the

1048
00:54:39,440 --> 00:54:42,800
Speaker 1: original like DVD or VHS tape.

1049
00:54:42,920 --> 00:54:43,560
Speaker 2: I've seen it.

1050
00:54:43,680 --> 00:54:45,799
Speaker 1: I've seen it. I got it. The director's cut.

1051
00:54:46,360 --> 00:54:49,080
Speaker 2: I need the director's mom has a picture. She has

1052
00:54:49,120 --> 00:54:50,640
Speaker 2: a picture of this, so I will find.

1053
00:54:50,440 --> 00:54:54,920
Speaker 1: It and bring it. Picture of you guys kiss. Yes, amazing, Right,

1054
00:54:55,280 --> 00:54:58,160
Speaker 1: that's a very like, that's a very Sherry Barber moment.

1055
00:54:58,920 --> 00:55:01,680
Speaker 1: Oh yeah, she had no shap. Just get a picture

1056
00:55:01,719 --> 00:55:01,880
Speaker 1: of this.

1057
00:55:03,840 --> 00:55:06,640
Speaker 2: So, for whatever reason, it's cut from this YouTube version.

1058
00:55:06,840 --> 00:55:07,640
Speaker 1: I'm so mad.

1059
00:55:07,719 --> 00:55:09,800
Speaker 2: I rewound it three times and I am for it.

1060
00:55:10,000 --> 00:55:10,960
Speaker 1: Really disappointed.

1061
00:55:11,160 --> 00:55:13,240
Speaker 2: Yeah, because then I was in love with Andrew Keagan.

1062
00:55:13,360 --> 00:55:16,320
Speaker 1: Of course I was. Also I was in love with

1063
00:55:16,400 --> 00:55:20,440
Speaker 1: Andrew in the nineties, right after our after our stream kiss. Yes,

1064
00:55:20,600 --> 00:55:23,279
Speaker 1: that was it was literally, that's the joke. Now we're

1065
00:55:23,320 --> 00:55:26,520
Speaker 1: like like he was just it was just a little

1066
00:55:26,760 --> 00:55:32,000
Speaker 1: you know, it was it was he was everything that

1067
00:55:32,120 --> 00:55:33,839
Speaker 1: a thirteen or fourteen year old boy with a lot

1068
00:55:33,880 --> 00:55:36,600
Speaker 1: of attention would be. So yeah, he was making out

1069
00:55:36,600 --> 00:55:37,800
Speaker 1: with everybody. It was hilarious.

1070
00:55:37,800 --> 00:55:40,799
Speaker 2: It's those long locks, I tell you it's it's magical hair.

1071
00:55:40,960 --> 00:55:44,440
Speaker 2: He had magical magical hair, truly. Yeah, it's true, like

1072
00:55:44,520 --> 00:55:46,239
Speaker 2: with the tentacles sort of. Yeah.

1073
00:55:46,960 --> 00:55:49,200
Speaker 1: Yeah, So I'm so sad that you didn't get to

1074
00:55:49,239 --> 00:55:53,000
Speaker 1: see that epic. I am too, so wonderful. I know

1075
00:55:53,080 --> 00:55:55,160
Speaker 1: you were tearing your your garage apart. You were like,

1076
00:55:55,200 --> 00:55:58,680
Speaker 1: I am looking for it, like it for the show.

1077
00:55:58,800 --> 00:56:00,200
Speaker 1: So it'll it'll appear.

1078
00:56:00,440 --> 00:56:04,440
Speaker 2: When it's meant too. Yeah, whenever, whenever I organize my garage.

1079
00:56:04,440 --> 00:56:06,600
Speaker 2: Oh boy, be patient, be patient.

1080
00:56:06,960 --> 00:56:10,520
Speaker 1: Yeah, Oh my goodness. If they did a reboot of

1081
00:56:10,640 --> 00:56:15,840
Speaker 1: this film, okay in twenty twenty five, who should be

1082
00:56:16,520 --> 00:56:18,000
Speaker 1: who would be in it? And we don't have to

1083
00:56:18,080 --> 00:56:20,800
Speaker 1: go like all of the characters necessarily, right? But I

1084
00:56:20,840 --> 00:56:23,800
Speaker 1: can't cast everybody? Yeah yeah, but like who would be

1085
00:56:24,400 --> 00:56:32,480
Speaker 1: who'd be Sammy? Oh? Who'd be they? You I put?

1086
00:56:32,560 --> 00:56:33,520
Speaker 1: You know, I didn't cast.

1087
00:56:33,920 --> 00:56:36,960
Speaker 2: I did not cast Tilly. I can't really imagine anybody

1088
00:56:37,040 --> 00:56:41,799
Speaker 2: but myself. But uh no, I put Matthew Morrison as

1089
00:56:41,920 --> 00:56:43,440
Speaker 2: the coach recruiter.

1090
00:56:44,239 --> 00:56:46,680
Speaker 1: He's kind of because he kind of he also for sure,

1091
00:56:47,760 --> 00:56:49,200
Speaker 1: yeah you can do that. Well.

1092
00:56:49,440 --> 00:56:52,920
Speaker 2: The actor Andrew Stevens, the actual actor, he he was

1093
00:56:53,040 --> 00:56:54,760
Speaker 2: kind of like, I don't know if he was smarmy

1094
00:56:55,000 --> 00:56:57,280
Speaker 2: or just kind of like he was too good looking

1095
00:56:57,360 --> 00:56:59,600
Speaker 2: to be buying the I'm like, he's got to be

1096
00:57:00,400 --> 00:57:02,279
Speaker 2: in front of the camera. He's kind of suave, he's

1097
00:57:02,320 --> 00:57:05,320
Speaker 2: got his hair is perfectly quaffed, and he romances do

1098
00:57:05,320 --> 00:57:05,960
Speaker 2: you wall of Stone?

1099
00:57:06,000 --> 00:57:09,600
Speaker 1: Well that was That's the thing why he's probably writing

1100
00:57:09,640 --> 00:57:12,520
Speaker 1: and directing and producing and is gripping his own movie

1101
00:57:12,560 --> 00:57:14,680
Speaker 1: because he's like, I should be in front. No no, no, no,

1102
00:57:14,760 --> 00:57:17,320
Speaker 1: no no. No offense to Andrew Stevens if you're out there, fabulous.

1103
00:57:17,600 --> 00:57:19,320
Speaker 1: We were all this is what we do as filmmakers.

1104
00:57:19,360 --> 00:57:21,200
Speaker 1: You write and you're like, I'm putting myself and everything.

1105
00:57:22,000 --> 00:57:25,760
Speaker 1: No shame like that, but yeah, that's right, respect because

1106
00:57:25,800 --> 00:57:29,640
Speaker 1: that's what we do. But but yeah, it's definitely like

1107
00:57:29,760 --> 00:57:31,680
Speaker 1: you're like, ah, oh yeah, okay.

1108
00:57:31,560 --> 00:57:34,960
Speaker 2: Matthew Morrison, I don't know why I picked him. It

1109
00:57:35,120 --> 00:57:38,000
Speaker 2: was a little harder for Okay, so for the main family,

1110
00:57:38,960 --> 00:57:43,120
Speaker 2: I'm gonna go with uh, and again, I don't know

1111
00:57:43,320 --> 00:57:45,520
Speaker 2: child actors of twenty twenty five, because so I have.

1112
00:57:45,840 --> 00:57:48,000
Speaker 2: I'm picking the child actors that I'm with because those

1113
00:57:48,040 --> 00:57:51,040
Speaker 2: are the ones that I'm aware of, So right, yeah, yeah.

1114
00:57:51,240 --> 00:57:55,920
Speaker 2: The main actress in that girl Lele Gabrielle Nevea. She'd

1115
00:57:55,960 --> 00:58:02,160
Speaker 2: be a perfect Tilly. I would think she's she's a

1116
00:58:02,200 --> 00:58:04,320
Speaker 2: good kid, she's a good sibling, but she kind of

1117
00:58:04,400 --> 00:58:06,480
Speaker 2: can harass her little brother a little bit.

1118
00:58:06,560 --> 00:58:07,720
Speaker 1: I just think she'd be perfect.

1119
00:58:08,200 --> 00:58:12,240
Speaker 2: And the Andrew Keagan character would be Elijah Cooper, who

1120
00:58:12,520 --> 00:58:15,919
Speaker 2: was kind of her little like a love interest or whatever.

1121
00:58:16,080 --> 00:58:16,280
Speaker 1: In that.

1122
00:58:17,040 --> 00:58:19,520
Speaker 2: They were great actors, great kids, and I'm like, yeah,

1123
00:58:19,520 --> 00:58:21,800
Speaker 2: it'll be perfect in this role. So I have passed

1124
00:58:21,880 --> 00:58:27,080
Speaker 2: them and the mom. The mom was tough for me too.

1125
00:58:27,640 --> 00:58:30,440
Speaker 2: I picked one of the Maori sisters, Mowery's sisters, Tia

1126
00:58:30,560 --> 00:58:32,560
Speaker 2: or Tamara. Either one would have been great, but I

1127
00:58:32,600 --> 00:58:35,920
Speaker 2: see them as teenagers. It's hard to imagine them as moms,

1128
00:58:35,960 --> 00:58:38,520
Speaker 2: even though they play moms all the time now. But

1129
00:58:39,040 --> 00:58:40,800
Speaker 2: I think they would be good as the Dee waller

1130
00:58:40,920 --> 00:58:43,920
Speaker 2: Stone emotional mother who's under a lot of stress.

1131
00:58:44,120 --> 00:58:46,440
Speaker 1: Yeah, you know what, why not? I like that?

1132
00:58:47,080 --> 00:58:52,959
Speaker 2: And then for the boy. I struggled with the boy. Okay,

1133
00:58:53,040 --> 00:58:57,520
Speaker 2: the little kid from Young Sheldon Ian Armitage. I kept

1134
00:58:57,560 --> 00:59:00,280
Speaker 2: picturing him, although I don't know if that's quite right

1135
00:59:01,560 --> 00:59:04,080
Speaker 2: because he's so buttoned up in Young Sheldon. But he's

1136
00:59:04,080 --> 00:59:06,800
Speaker 2: a good actor, so I think the precociousness of.

1137
00:59:07,320 --> 00:59:11,680
Speaker 1: Character of Sammy absolutely and then they kind of looked

1138
00:59:11,840 --> 00:59:16,360
Speaker 1: similar you young boy with yeah, yeah, that's exactly what

1139
00:59:16,360 --> 00:59:17,520
Speaker 1: I was saying. I was like, oh, the kid from

1140
00:59:17,520 --> 00:59:20,240
Speaker 1: Young Sheldon because I could sort of like the haircut

1141
00:59:20,320 --> 00:59:24,440
Speaker 1: and the facial features around fatally, and then I, yeah,

1142
00:59:24,480 --> 00:59:26,280
Speaker 1: I didn't really recast like a lot of it because

1143
00:59:26,280 --> 00:59:27,880
Speaker 1: I was like, I want to get your opinion.

1144
00:59:28,040 --> 00:59:30,440
Speaker 2: That's that's all the recasting that I did. I couldn't

1145
00:59:30,440 --> 00:59:30,720
Speaker 2: think of.

1146
00:59:30,960 --> 00:59:34,600
Speaker 1: What about the skateboard? Who would you cast as well? Skateboard?

1147
00:59:34,920 --> 00:59:37,080
Speaker 1: It would be the voice of this the Zeno or

1148
00:59:37,960 --> 00:59:38,800
Speaker 1: whatever cast.

1149
00:59:40,120 --> 00:59:43,480
Speaker 2: I would cast Michael J. Fox's skateboard from the back

1150
00:59:43,520 --> 00:59:47,680
Speaker 2: of the Future movies as the talking skateboard and then

1151
00:59:48,520 --> 00:59:53,360
Speaker 2: perfect as Xano Xano Xana do Xeno.

1152
00:59:53,880 --> 00:59:59,360
Speaker 1: Zeno not Xenu scientologists. Uh what was the name of

1153
00:59:59,400 --> 01:00:06,080
Speaker 1: the crew? Okay, uh Zeno Zeno? He weird accent. I

1154
01:00:06,120 --> 01:00:08,800
Speaker 1: would cast what was it? Was it Voltaire?

1155
01:00:08,920 --> 01:00:14,440
Speaker 2: No? What was the name in big the the mechanical

1156
01:00:15,080 --> 01:00:16,800
Speaker 2: weird fortune teller dude?

1157
01:00:17,000 --> 01:00:17,160
Speaker 1: Is it?

1158
01:00:17,520 --> 01:00:17,680
Speaker 2: Oh?

1159
01:00:20,800 --> 01:00:29,440
Speaker 1: Yeah, I know what? No? Yeah, what am I thinking of? Yeah? Voultron, No,

1160
01:00:29,800 --> 01:00:33,080
Speaker 1: that's Ultron Zultron, Ultron.

1161
01:00:38,920 --> 01:00:43,920
Speaker 2: Brain fog Zoltar, So Zoltar would be the zand guy

1162
01:00:44,520 --> 01:00:46,320
Speaker 2: and then Zeno Guy Zeno.

1163
01:00:46,880 --> 01:00:49,520
Speaker 1: I don't know. Is it just because it feels a

1164
01:00:49,520 --> 01:00:52,240
Speaker 1: little type casting. It's a stretch.

1165
01:00:52,400 --> 01:00:54,880
Speaker 2: It's a stretch, but it still has that like magical

1166
01:00:54,960 --> 01:00:57,440
Speaker 2: mystical quality where he can make things happen.

1167
01:00:58,120 --> 01:01:02,080
Speaker 1: So you'd replace the human man with a with an animatronic.

1168
01:01:02,400 --> 01:01:04,280
Speaker 2: Uh, this is my this is my.

1169
01:01:04,360 --> 01:01:06,920
Speaker 1: Okay, I like that. That's good. That's basically what's happening

1170
01:01:06,960 --> 01:01:07,560
Speaker 1: now in the business.

1171
01:01:07,920 --> 01:01:10,920
Speaker 2: So yeah, that's how I would race It's my it's

1172
01:01:11,000 --> 01:01:13,480
Speaker 2: my movie twenty twenty five. I am going to recast

1173
01:01:13,640 --> 01:01:16,320
Speaker 2: these are the people or animatronics that I am.

1174
01:01:16,800 --> 01:01:19,520
Speaker 1: What's happening? Yes? Love it? There you go, I love it.

1175
01:01:19,680 --> 01:01:21,240
Speaker 2: It doesn't get better than that, people.

1176
01:01:21,160 --> 01:01:24,360
Speaker 1: It really doesn't. So let's wrap it up with this.

1177
01:01:25,960 --> 01:01:27,960
Speaker 1: Since this is a maxim enisode, which we knew it

1178
01:01:28,000 --> 01:01:30,840
Speaker 1: was episode. This is not this is not a minisode.

1179
01:01:30,840 --> 01:01:33,560
Speaker 1: This isn't well, it's a maximnisode, which means it's the

1180
01:01:33,720 --> 01:01:36,280
Speaker 1: same length usually as a Sharer episode. But we're not

1181
01:01:36,320 --> 01:01:38,880
Speaker 1: calling it that. Uh, but we will wrap it up.

1182
01:01:38,920 --> 01:01:40,680
Speaker 1: On a scale of one to ten. What would you

1183
01:01:41,640 --> 01:01:44,600
Speaker 1: the Levist movie? Yes, I'm biased, I don't care. I'm

1184
01:01:44,640 --> 01:01:47,040
Speaker 1: giving it at eleven. It's everything you want in a

1185
01:01:47,120 --> 01:01:50,720
Speaker 1: nineties movie, even the bad parts. It's everything you want

1186
01:01:50,800 --> 01:01:53,000
Speaker 1: and things you know you didn't even know you wanted.

1187
01:01:53,480 --> 01:01:55,720
Speaker 1: The stunt doubles that are twice the size of the

1188
01:01:55,800 --> 01:01:58,680
Speaker 1: actors and twice the age, that's what we didn't even

1189
01:01:58,720 --> 01:02:01,640
Speaker 1: bring them up. I've been talking an hour and we

1190
01:02:01,720 --> 01:02:05,520
Speaker 1: didn't talk about the shape shifting stunt doubles that went

1191
01:02:05,640 --> 01:02:09,320
Speaker 1: from children to adult sized and then back to Joel.

1192
01:02:09,280 --> 01:02:12,280
Speaker 2: And probably thirty five years old playing an eight year

1193
01:02:12,320 --> 01:02:14,280
Speaker 2: old playing a thirteen year old.

1194
01:02:14,200 --> 01:02:16,120
Speaker 1: Right, and you were like, is that a man? And

1195
01:02:16,200 --> 01:02:18,720
Speaker 1: then yeah, and then he'd like land it. You're like, oh,

1196
01:02:19,000 --> 01:02:21,080
Speaker 1: just like one little stunt or one scene.

1197
01:02:21,200 --> 01:02:25,040
Speaker 2: It's the whole freaking movie, the tournament. It's a lot,

1198
01:02:25,320 --> 01:02:26,440
Speaker 2: so it's very obvious.

1199
01:02:26,800 --> 01:02:29,760
Speaker 1: Yeah. Yeah, that is also where I give it.

1200
01:02:29,840 --> 01:02:33,320
Speaker 2: It's great because of just the ridiculousness of the stunt

1201
01:02:33,440 --> 01:02:34,640
Speaker 2: casting there.

1202
01:02:34,760 --> 01:02:36,960
Speaker 1: I mean, the kid hangs from the back of a

1203
01:02:37,040 --> 01:02:42,439
Speaker 1: police car. He flies to the shrine auditorium terrifyingly high.

1204
01:02:42,520 --> 01:02:45,880
Speaker 1: By the way, he's handling that super well, like if

1205
01:02:46,360 --> 01:02:48,280
Speaker 1: you were in a hot air balloon, you'd be freaking out,

1206
01:02:48,280 --> 01:02:51,880
Speaker 1: and he's just on a skateboard that's flying. It's very brave,

1207
01:02:52,600 --> 01:02:55,320
Speaker 1: very very brave, and also has great timing. It makes

1208
01:02:55,360 --> 01:02:59,480
Speaker 1: it to the tournament in time. But yeah, yeah, yeah,

1209
01:03:00,160 --> 01:03:01,960
Speaker 1: I am giving it a ten. I'm giving it a

1210
01:03:02,080 --> 01:03:07,320
Speaker 1: ten on because I was in it, your friend, your

1211
01:03:07,400 --> 01:03:09,880
Speaker 1: friend of a million years, because I well, I was

1212
01:03:09,920 --> 01:03:13,080
Speaker 1: gonna say, because I am also biased in that I

1213
01:03:13,560 --> 01:03:17,479
Speaker 1: love how much you love it, and and I also

1214
01:03:17,720 --> 01:03:20,800
Speaker 1: again loved seeing you as something other than Kimmy. It

1215
01:03:20,920 --> 01:03:24,480
Speaker 1: was fun. I always like seeing you when you are

1216
01:03:25,000 --> 01:03:26,840
Speaker 1: on you know, when you were on that girlele, it

1217
01:03:26,920 --> 01:03:29,640
Speaker 1: was like, so fun to see you as a different character.

1218
01:03:30,560 --> 01:03:32,960
Speaker 1: But yeah, I ten out of ten. You guys, go

1219
01:03:33,560 --> 01:03:36,680
Speaker 1: watch this on YouTube. I'm not going to be disappointed

1220
01:03:37,120 --> 01:03:39,080
Speaker 1: even if you you know, and I don't care if

1221
01:03:39,080 --> 01:03:41,720
Speaker 1: you want to watch it like on double speed. Fine, fine,

1222
01:03:41,760 --> 01:03:44,040
Speaker 1: that's okay. Skip you know what, skip through all of

1223
01:03:44,080 --> 01:03:46,600
Speaker 1: the credits, which I tried to do several times, and

1224
01:03:47,200 --> 01:03:50,120
Speaker 1: it just kept skipping to the next video and then

1225
01:03:50,160 --> 01:03:52,120
Speaker 1: I had to go back, and then it kept starting

1226
01:03:52,160 --> 01:03:54,480
Speaker 1: me over again. So I really watched the first like

1227
01:03:54,600 --> 01:03:57,200
Speaker 1: thirty seconds of this movie multiple times. That's what it

1228
01:03:57,280 --> 01:04:01,360
Speaker 1: made an impression on you. Yeah, Jason, but let me

1229
01:04:01,440 --> 01:04:07,120
Speaker 1: tell you, go watch it. Go go support ab in

1230
01:04:07,320 --> 01:04:10,560
Speaker 1: this movie and rate it on IMDb.

1231
01:04:10,760 --> 01:04:12,400
Speaker 2: I need more on IMDb.

1232
01:04:13,120 --> 01:04:15,400
Speaker 1: Bring the ratings up. Let's bring that to a four

1233
01:04:15,600 --> 01:04:18,320
Speaker 1: at least. Come at least let's round it to a four.

1234
01:04:18,360 --> 01:04:20,080
Speaker 2: Okay for sure, let's do.

1235
01:04:20,280 --> 01:04:20,800
Speaker 1: We can do it.

1236
01:04:20,920 --> 01:04:22,240
Speaker 2: Fan Ritos, come on, we.

1237
01:04:22,240 --> 01:04:24,160
Speaker 1: Can do it. We can do it. And in the meantime,

1238
01:04:24,280 --> 01:04:27,480
Speaker 1: while you are rating that movie, why don't you just

1239
01:04:27,640 --> 01:04:30,440
Speaker 1: you know, hop on over and like and subscribe and

1240
01:04:30,680 --> 01:04:35,040
Speaker 1: rate Howard Tan Rito Yeah, but yeah, we don't leave

1241
01:04:35,080 --> 01:04:37,520
Speaker 1: any comments about how our minisodes are never minisodes in

1242
01:04:37,520 --> 01:04:39,760
Speaker 1: their maxisods. And it's the same. We know, we know

1243
01:04:39,960 --> 01:04:42,920
Speaker 1: it's okay, we get it, we get it. But we

1244
01:04:43,040 --> 01:04:46,320
Speaker 1: love you guys, you really do. And this was such

1245
01:04:46,320 --> 01:04:47,400
Speaker 1: a fun episode to do.

1246
01:04:47,600 --> 01:04:50,360
Speaker 2: So I got a big kick out of it. I

1247
01:04:50,360 --> 01:04:51,320
Speaker 2: don't know if anyone else.

1248
01:04:51,200 --> 01:04:52,800
Speaker 1: Did, but I got a big kick out of it.

1249
01:04:53,000 --> 01:04:55,800
Speaker 1: Oh I know you did, to absolutely thrilled. So yeah,

1250
01:04:55,880 --> 01:04:58,600
Speaker 1: follow us on Instagram at how Rude Podcast you can

1251
01:04:58,640 --> 01:05:02,280
Speaker 1: send us an email, and how Tannerritos at gmail dot com.

1252
01:05:03,000 --> 01:05:06,800
Speaker 1: And uh yeah, you guys. Remember the world is small.

1253
01:05:07,840 --> 01:05:13,720
Speaker 1: The house is full of magic skateboards, so many many

1254
01:05:13,920 --> 01:05:18,320
Speaker 1: stardusters everywhere. Love star dust, Yeah, I love it. Long

1255
01:05:18,400 --> 01:05:22,120
Speaker 1: live star Duster. Oh you could, Yeah, you could fly

1256
01:05:22,280 --> 01:05:24,640
Speaker 1: to the moon with as many stardusters as there are,

1257
01:05:24,800 --> 01:05:27,720
Speaker 1: and I might try. Bye Bye