WEBVTT - The House of Boleyn (with Tracy Borman)

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Manky. Listener discretion advised. Hello, I

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<v Speaker 1>am so thrilled to be back again with one of

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<v Speaker 1>my all time favorite historians, the brilliant Tracy Borman. Correct

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<v Speaker 1>me if I'm getting any of these titles wrong, but

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<v Speaker 1>chief Historian of Historic Royal Palaces, Executive of the Heritage

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<v Speaker 1>Education Trust, Chancellor and Professor of Tudor History at Lincoln

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<v Speaker 1>Bishop University, and just all around brilliant best selling writer,

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<v Speaker 1>historian and novelist.

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<v Speaker 2>That is correct. I'm really lovely to hear, so thank

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<v Speaker 2>you ever so much. I'm really thrilled to be back.

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<v Speaker 1>Your new book, The House of Bolin, is out in

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<v Speaker 1>the US on August fourth, and it is a novelization

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<v Speaker 1>of historical fiction about the rise of the Bolin family.

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<v Speaker 1>I think I speak for a lot of people interested

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<v Speaker 1>in this period of history. The Tutors are sort of

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<v Speaker 1>a gateway drug. People are fascinated by that period, Henry's

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<v Speaker 1>six Wives and Anne bull In particularly, and so it

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<v Speaker 1>was such a joy to read this book that presented

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<v Speaker 1>the Bullins in I can say, honestly a light I

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<v Speaker 1>had never seen them before.

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<v Speaker 2>Yeah, well I'm so pleased. That really does make me

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<v Speaker 2>very happy, because, of course you're absolutely right. The Tutors

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<v Speaker 2>are the gateway drug and the Ballins are the gateway

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<v Speaker 2>drug to the Tudors, sort of the most famous family

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<v Speaker 2>in Tudor, England. They've been written about, they've been shown

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<v Speaker 2>on screen, there are websites, all the social media accounts,

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<v Speaker 2>all sorts of things. So I thought, okay, what can

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<v Speaker 2>I do that is different and that is fresh, And

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<v Speaker 2>that's why I decided to set The House of Berlin,

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<v Speaker 2>which is a play on words, at Heva Castle, beautiful

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<v Speaker 2>home in the southeast England countryside. And the reason I

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<v Speaker 2>wanted to do this, apart from bringing a fresh perspective,

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<v Speaker 2>was to show the Ballins as they really were, like

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<v Speaker 2>when they're off duty, when they're not pretending to be

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<v Speaker 2>these slick courtiers and political operators. Heava was their refuge

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<v Speaker 2>and where they went to escape from all of that,

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<v Speaker 2>to escape Henry the Eighth in Anne Berlin's case, and

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<v Speaker 2>so hopefully it's provided a more authentic view of this

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<v Speaker 2>controversial family.

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<v Speaker 1>To rewind a bit before the famous Anne Boleyn, who

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<v Speaker 1>of course became Henry the Eighth's second wife before and

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<v Speaker 1>meteoric rise, who were the Bolins? What was their position

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<v Speaker 1>in Tudor society.

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<v Speaker 2>So one of the great myths is that Henry the

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<v Speaker 2>eighth basically plucked the Ballins from obscurity and made them big.

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<v Speaker 2>And this was definitely not the case, because actually the

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<v Speaker 2>Berlins were probably northern French originally and came over with

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<v Speaker 2>William the Conqueror in ten sixty six. They settled in Norfolk,

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<v Speaker 2>so east of England, in the east of England, and

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<v Speaker 2>they gradually kind of built up their prosperity. They became

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<v Speaker 2>traders in wool, farmers, landowners, and then they started to

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<v Speaker 2>move in royal circles in the fourteen hundredth so at

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<v Speaker 2>least a century before Henry the eighth, they were already

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<v Speaker 2>on the rise big time, and they came into the

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<v Speaker 2>orbit of such monarchs as Richard the Third and Henry

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<v Speaker 2>Yate's father, and really just it built from there. So

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<v Speaker 2>they were absolutely already established both as a family and

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<v Speaker 2>within royal circles by the time Henry the eighth noticed

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<v Speaker 2>Ann Berlin. And we should say as well that Anne

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<v Speaker 2>wasn't the first Berlin who Henry noticed. Really he was.

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<v Speaker 2>He was a very big fan of her father, Thomas,

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<v Speaker 2>who was a rising star in Henry's court and from

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<v Speaker 2>the very beginning of his reign, because Henry came to

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<v Speaker 2>the throne age of seventeen, so he's a very young king,

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<v Speaker 2>and Thomas Belin then was in his mid thirties, so

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<v Speaker 2>I think he was almost like a father figure for

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<v Speaker 2>Henry the eighth. He knew that he had a great

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<v Speaker 2>deal of experience, and he trusted him and promoted him.

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<v Speaker 2>So yeah, it's not just all this. Oh yeah, Henry

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<v Speaker 2>falls in love with Anne and then her whole family rise.

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<v Speaker 2>They're already rising.

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<v Speaker 1>You know. There was a point I think it was

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<v Speaker 1>made in a Gareth Russell history book where he points

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<v Speaker 1>out that also the line between the nobility and the

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<v Speaker 1>wealthy landowners like the Bullins wasn't quite as stark as

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<v Speaker 1>we might imagine with regards to intermarrying, just because there

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<v Speaker 1>weren't that many elite aristocratic families at that time. They

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<v Speaker 1>would run out of people to marry exactly.

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<v Speaker 2>I mean, it gets incestuous, really, and so Garret's absolutely right,

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<v Speaker 2>And actually one particular moment does elevate the Ballins socially

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<v Speaker 2>and that's when Thomas Berlin's father, William, marries Lady Margaret Butler,

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<v Speaker 2>and so she's the mother of Thomas Berlin, and she's

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<v Speaker 2>an Irish noble woman and heiress. She's the daughter of

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<v Speaker 2>the Earl of Ormond, one of the most distinguished nobles

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<v Speaker 2>in Ireland. So I think people aren't that aware that

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<v Speaker 2>the Ballins have this Irish heritage and that's what gave

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<v Speaker 2>them that crucial bit of pedigree. So I think people

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<v Speaker 2>still saw them as new money. You know, they've made

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<v Speaker 2>their wealth from trade, and then thanks to Margaret, that's

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<v Speaker 2>when they become more socially acceptable.

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<v Speaker 1>As you mentioned earlier, there's been plenty of depictions of

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<v Speaker 1>the Bolin's. Maybe the most surface level version of Thomas

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<v Speaker 1>Bolin that sometimes appears in pop culture is that he's

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<v Speaker 1>this Kenai man who uses both of his daughters just

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<v Speaker 1>to you know, for lack of a better phrase, prostitute

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<v Speaker 1>them for the king. Your Thomas Bolin is a much

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<v Speaker 1>more nuanced character, and I it seems more accurate to

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<v Speaker 1>how he actually might have been. Can you speak a

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<v Speaker 1>little bit to how you imagine Thomas Bolin might have

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<v Speaker 1>actually been as a person.

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<v Speaker 2>Yeah, absolutely, I should say, I did a huge amount

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<v Speaker 2>of research for this novel. Even though I've been researching

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<v Speaker 2>the Berlins for years, I really wanted to go in

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<v Speaker 2>deep for this, and everything I found out about Thomas

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<v Speaker 2>Bolin pointed to him being an affectionate father who was

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<v Speaker 2>trying to protect his family, not use them as collateral

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<v Speaker 2>damage in his rise to the top. And so you

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<v Speaker 2>just have to look at the way he really invests

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<v Speaker 2>in Annebolin's education, and he sunk her abroad when she's

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<v Speaker 2>twelve or thereabouts, and he also keeps one of Ann's

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<v Speaker 2>left so Anne writes to him when she's just about eleven,

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<v Speaker 2>twelve years old. He cherishes that letter and keeps it

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<v Speaker 2>with him always, and you can see how often he's

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<v Speaker 2>read it as well. This is a man lots of

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<v Speaker 2>papers pass his desk. There's no reason why he would

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<v Speaker 2>keep this letter from his twelve year old daughter unless

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<v Speaker 2>it meant something. And I do think as well, Thomas

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<v Speaker 2>genuinely wanted to protect Anne when he kept bringing her

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<v Speaker 2>back to Heava. When Henry starts to show her interest

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<v Speaker 2>and pursue her, this isn't a strategy. I don't think

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<v Speaker 2>it's always presented as oh, yeah, you know there's treat

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<v Speaker 2>to me keeping Keen, drive Henry mad with frustrated lost,

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<v Speaker 2>and then he'll marry Anne. I don't think it was.

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<v Speaker 2>I think genuinely Thomas knew how dangerous the king was

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<v Speaker 2>and he wanted to protect his order.

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<v Speaker 1>From that, especially given how it ended with Anne, which

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<v Speaker 1>I don't know if anyone could have seen coming. How

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<v Speaker 1>you know the king would be quite that dangerous that

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<v Speaker 1>takes such a melancholy note.

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<v Speaker 2>Absolutely, I mean, honestly, I think even seconds before Anne

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<v Speaker 2>died on the scaffold at the Tower, he didn't think

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<v Speaker 2>it was going to happen. Eyewitnesses noted that as she

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<v Speaker 2>walked to the scaffold, she kept looking over her shoulder,

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<v Speaker 2>expecting a messenger from the King, saying, Okay, look, I've

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<v Speaker 2>taught you a lesson now and the whole thing's off.

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<v Speaker 2>Oh and I'll just send you Henri. And I just

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<v Speaker 2>think it's heartbreaking because it was unprecedented for a Queen

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<v Speaker 2>of England to be executed, and I think it shocked everybody.

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<v Speaker 2>And I do think, you know, I work at the

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<v Speaker 2>Tower of London and we've done a lot of research

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<v Speaker 2>into this and the fact that they just use an

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<v Speaker 2>old arrow chest as a coffin says to me that

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<v Speaker 2>nobody thought this was going to happen. They hadn't prepared

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<v Speaker 2>for it. And you know, Henry does go through with it,

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<v Speaker 2>and it must have been just beyond shocking.

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<v Speaker 1>I think you speak about that retree beat back to

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<v Speaker 1>Hever Castle in this book. Obviously the House of Bolin

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<v Speaker 1>focuses on Hever particularly so for those unfamiliar with the

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<v Speaker 1>broad strokes of the story. After Anne comes back from France,

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<v Speaker 1>she's very sophisticated. She's learned European courtly manners and fashion

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<v Speaker 1>catches Henry's eye. And then can you take us through

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<v Speaker 1>the story about when she leaves court them.

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<v Speaker 2>Yeah, absolutely, and arrives at the English court in the

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<v Speaker 2>spring of fifteen twenty two, and she stands out from

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<v Speaker 2>the beginning because she has had these several years in

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<v Speaker 2>France and before that in the Netherlands, and she literally

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<v Speaker 2>has a you know, jennase qua. She's dressed in French fashion,

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<v Speaker 2>and she probably speaks with a bit of a French accent,

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<v Speaker 2>I like to think, and she has charisma. I would

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<v Speaker 2>really like to emphasize this about the Berlins, because yes,

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<v Speaker 2>they were brilliant and politically shrewd and all the rest

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<v Speaker 2>of it. But they were a charismatic lot, and I

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<v Speaker 2>think that it's a big part of the appeal for

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<v Speaker 2>Henry the Eighth. And all of the commentators at the

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<v Speaker 2>time are at pains to point out that Anne is

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<v Speaker 2>not beautiful. They all say the same one. She's got

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<v Speaker 2>dark hair when blonde hairs fashionable, her skin is swarthy,

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<v Speaker 2>not pale, and all the rest of it. But she

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<v Speaker 2>has this X factor, this allure, and soon she has

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<v Speaker 2>a whole host of male admirers. I think she's just

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<v Speaker 2>proof that, hey, looks don't matter. If you've got the

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<v Speaker 2>kind of self confidence and the charisma and you know

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<v Speaker 2>you're special, you're gonna get quite a few admirers. And

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<v Speaker 2>that's exactly what happened.

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<v Speaker 1>It's why men don't understand why women love Benedict Cumberbatch.

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<v Speaker 1>Sometimes it's not the traditional leading man looks.

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<v Speaker 2>I couldn't agree more. Absolutely, people who on paper shouldn't be,

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<v Speaker 2>you know, heart throbs, they end up being because of

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<v Speaker 2>that that kind of twinkle in the eye, that confidence,

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<v Speaker 2>and that's definitely what Anne had. And you know, one

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<v Speaker 2>of her first suters was sort of irish cousin of hers,

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<v Speaker 2>James Butler, so from her grandmother Margaret's family. But she

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<v Speaker 2>didn't like the idea. She thought, I can do better

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<v Speaker 2>than that. I don't really want to go and live

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<v Speaker 2>in Ireland. So she sets her sights higher to Henry Percy,

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<v Speaker 2>or Earl of Northumberland, one of the most eligible bachelors

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<v Speaker 2>in court, and he seems to have fallen in love

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<v Speaker 2>with her. But then Cardinal Woolsey, Henry the Yates Minister,

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<v Speaker 2>gets in the way of that. And then finally, in

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<v Speaker 2>about fifteen twenty six, so four years after Anne first

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<v Speaker 2>appeared at court, Henry notices her big time. He rides

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<v Speaker 2>out in this joust wearing an embroidered heart that's in

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<v Speaker 2>flames and a motto in French that means I did

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<v Speaker 2>declare I dare not. In other words, somebody has my heart,

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<v Speaker 2>but I darn't, So here it is everybody knows. By

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<v Speaker 2>then he's fallen for Anne Berlyn. And then the next

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<v Speaker 2>several years I spent Henry trying to, you know, just

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<v Speaker 2>persuade Anne to be his mistress because it's too difficult

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<v Speaker 2>to get this annulment of his first marriage to Catherine

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<v Speaker 2>of Arrogant so he's absolutely he's trying for the annulment,

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<v Speaker 2>but he's desperate to have Anne. And this is when

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<v Speaker 2>her visits to Heava start become more and more frequent.

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<v Speaker 1>For those who maybe don't quite know how the story ends,

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<v Speaker 1>from Anne's perspective, it is a daunting task to think,

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<v Speaker 1>I'm going to cast aside this Spanish princess of major pedigree,

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<v Speaker 1>with major world allies and break from the Catholic Church.

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<v Speaker 1>Why wouldn't Anne just become Henry's mistress? Are there not?

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<v Speaker 1>I mean, there are some material benefits to that, but

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<v Speaker 1>there are costs as well.

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<v Speaker 2>Yeah, I think there are absolutely, And I think one

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<v Speaker 2>of the biggest reasons why Anne wouldn't be Henry's mistress

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<v Speaker 2>is she'd seen what happened to her sister. So Mary

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<v Speaker 2>Berlin was also a mistress of Henry the Eighth, one

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<v Speaker 2>of a few ladies at court who had that distinction.

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<v Speaker 2>And what it proved was that Henry quickly loses interest

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<v Speaker 2>when he has what he wants. He's a natural hunter.

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<v Speaker 2>Is that he wants something that's out of reach. And

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<v Speaker 2>with Mary Berlin, yet they have an affair for a while.

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<v Speaker 2>They may have had a child, her daughter Catherine could

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<v Speaker 2>have been Henry's and then she's discarded her reputation in ruins,

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<v Speaker 2>and Anne, from the very beginning, and to her great credit,

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<v Speaker 2>wants more for herself than that. It comes back to

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<v Speaker 2>that kind of self confidence, that self belief, which is

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<v Speaker 2>rare I think in a woman at this time, or

0:13:32.840 --> 0:13:35.200
<v Speaker 2>at least she might feel it, but society might not

0:13:35.320 --> 0:13:38.320
<v Speaker 2>let her express it. But Anne is backed by her

0:13:38.360 --> 0:13:41.320
<v Speaker 2>father in this. He doesn't want to see another daughter

0:13:41.400 --> 0:13:45.400
<v Speaker 2>ruined as well. I think there's another reason though. During

0:13:45.440 --> 0:13:49.000
<v Speaker 2>my research for the House of Berlin, I found evidence

0:13:49.040 --> 0:13:52.440
<v Speaker 2>to suggest that actually there was somebody else who had

0:13:52.520 --> 0:13:55.600
<v Speaker 2>Anne's heart, And it didn't seem at all to me

0:13:56.520 --> 0:14:00.080
<v Speaker 2>that there was any love on Anne's part, or even

0:13:59.840 --> 0:14:03.680
<v Speaker 2>attraction really on her part towards Henry. It seems to

0:14:03.679 --> 0:14:06.080
<v Speaker 2>have been all one way. Now, the frustrating thing is

0:14:06.440 --> 0:14:08.960
<v Speaker 2>we have all of Henry's love letters to Anne, we

0:14:09.040 --> 0:14:12.880
<v Speaker 2>don't have her replies, so that is a one sided

0:14:12.960 --> 0:14:15.240
<v Speaker 2>story that history has left us. But I kind of

0:14:15.280 --> 0:14:19.600
<v Speaker 2>explored the possibility that she doesn't want Henry and she's

0:14:19.680 --> 0:14:23.520
<v Speaker 2>coming back to Heava genuinely because she wants to escape him,

0:14:23.800 --> 0:14:27.760
<v Speaker 2>and perhaps because Heaver is quite close to somebody who

0:14:27.800 --> 0:14:28.760
<v Speaker 2>does have her heart.

0:14:29.560 --> 0:14:33.400
<v Speaker 1>It's also a very tricky situation because Henry is the boss.

0:14:34.000 --> 0:14:35.800
<v Speaker 1>Even if you don't want to become his mistress, you

0:14:35.800 --> 0:14:36.640
<v Speaker 1>don't want to make him.

0:14:36.600 --> 0:14:41.360
<v Speaker 2>Upset exactly, and there's only so long you can say

0:14:41.400 --> 0:14:45.040
<v Speaker 2>no to the King of England. He especially like Henry,

0:14:45.480 --> 0:14:48.800
<v Speaker 2>who I kind of think is a spoilt child really,

0:14:49.400 --> 0:14:52.520
<v Speaker 2>and yes, he wants what he can't have, and then

0:14:52.600 --> 0:14:57.000
<v Speaker 2>he gets very, very angry and frustrated when things don't

0:14:57.000 --> 0:15:00.720
<v Speaker 2>go his way, and he is dangerous. Early in his

0:15:00.760 --> 0:15:04.480
<v Speaker 2>reign he executes two of his father's ministers on no

0:15:04.680 --> 0:15:08.640
<v Speaker 2>charge whatsoever, really, and people know this by the time

0:15:08.880 --> 0:15:11.800
<v Speaker 2>that he starts courting Anne in the mid fifteen twenties,

0:15:11.960 --> 0:15:16.240
<v Speaker 2>and Thomas blind certainly knows it. And what a dangerous world.

0:15:16.480 --> 0:15:18.600
<v Speaker 2>He probably thinks. No, Anne would be better off just

0:15:18.760 --> 0:15:21.920
<v Speaker 2>marrying a local nobleman and steering well clear.

0:15:22.760 --> 0:15:26.680
<v Speaker 1>I mean, in retrospect, I think she would have been, I.

0:15:26.720 --> 0:15:30.880
<v Speaker 2>Know, and it's those great what if moments if only

0:15:31.480 --> 0:15:34.600
<v Speaker 2>she had been allowed to follow her heart, I think, yeah,

0:15:34.640 --> 0:15:36.480
<v Speaker 2>things would have turned out very differently.

0:15:37.520 --> 0:15:40.800
<v Speaker 1>And as you point out, Henry is not a patient man.

0:15:40.920 --> 0:15:44.880
<v Speaker 1>I always found it interesting when reading about him constructing

0:15:44.880 --> 0:15:49.480
<v Speaker 1>his castles, making his architects never in work overtime, because

0:15:49.520 --> 0:15:52.480
<v Speaker 1>when he had an idea, he wanted it immediately.

0:15:52.720 --> 0:15:57.240
<v Speaker 2>Absolutely so impatient. He doesn't like waiting, whether it's palaces

0:15:57.320 --> 0:16:00.640
<v Speaker 2>or wives, he wants it now. And then yet the

0:16:00.680 --> 0:16:02.680
<v Speaker 2>thing he kind of sates his appetite, and then he

0:16:02.720 --> 0:16:04.760
<v Speaker 2>moves on to the next thing. And that's why, you know,

0:16:04.800 --> 0:16:07.360
<v Speaker 2>he builds more palaces than any other king. It's about

0:16:07.400 --> 0:16:11.040
<v Speaker 2>sixty of them in his repertoire. And it's just the

0:16:11.080 --> 0:16:14.520
<v Speaker 2>same with every He has these great passions and then

0:16:14.560 --> 0:16:16.400
<v Speaker 2>they burn out and then he's onto the next thing.

0:16:16.880 --> 0:16:19.280
<v Speaker 2>And I think Anne noticed that, and so did her

0:16:19.320 --> 0:16:22.080
<v Speaker 2>father and thinks, yeah, I'm going to tread a bit

0:16:22.120 --> 0:16:25.640
<v Speaker 2>carefully here, But as I said, there comes a point

0:16:25.680 --> 0:16:28.800
<v Speaker 2>where you have to succumb to the inevitable. And that's

0:16:28.840 --> 0:16:31.120
<v Speaker 2>eventually what happens with Anne.

0:16:37.640 --> 0:16:41.520
<v Speaker 1>So Henry, while Anne is at Heaver begins sending her

0:16:42.160 --> 0:16:46.360
<v Speaker 1>extravagant gifts to try to woo her. Yeah, it's a

0:16:46.400 --> 0:16:49.400
<v Speaker 1>fascinating period of history just because it feels so modern.

0:16:49.800 --> 0:16:52.760
<v Speaker 1>But what sort of gifts does a monarch send to

0:16:52.920 --> 0:16:54.320
<v Speaker 1>woo a would be mistress.

0:16:55.160 --> 0:16:58.280
<v Speaker 2>So money is one of the gifts, just yeah, give

0:16:58.360 --> 0:17:03.280
<v Speaker 2>me the cash, you know, jewelry, and there is one

0:17:03.400 --> 0:17:06.879
<v Speaker 2>particular gift that Henry, so the story goes, gives to

0:17:06.920 --> 0:17:11.679
<v Speaker 2>Anne and it causes some controversy. So Henry has a

0:17:11.960 --> 0:17:16.199
<v Speaker 2>rival for Anne's heart in the form of court poet

0:17:16.760 --> 0:17:21.080
<v Speaker 2>Thomas Wyatt, who grows up very close to where Anne lives.

0:17:21.119 --> 0:17:26.280
<v Speaker 2>Their childhood friends, their fathers are friends. And Henry gives

0:17:26.359 --> 0:17:31.600
<v Speaker 2>Ann a heart shaped ruby on a chain and then

0:17:31.680 --> 0:17:36.120
<v Speaker 2>he's playing bowls with his rival, Thomas Wyatt, and Thomas

0:17:36.160 --> 0:17:40.720
<v Speaker 2>Wyatt then just pauses in the game and reaches for

0:17:40.800 --> 0:17:44.159
<v Speaker 2>something in his pocket and it's that ruby on the

0:17:44.280 --> 0:17:46.600
<v Speaker 2>chain that Henry had given Anne, and he kind of

0:17:46.680 --> 0:17:49.000
<v Speaker 2>dangles it in front of Henry and look what Anne

0:17:49.080 --> 0:17:52.600
<v Speaker 2>gave me, something that she didn't care about. Clearly, Henry

0:17:52.680 --> 0:17:57.919
<v Speaker 2>is furious and he storms off the bowling green, refuses

0:17:57.960 --> 0:18:01.040
<v Speaker 2>to finish the match, and yeah, he's game. From that

0:18:01.200 --> 0:18:03.560
<v Speaker 2>take forward, he's Okay, I've really got to try and

0:18:03.560 --> 0:18:06.560
<v Speaker 2>get Anne because clearly I have a rival in Wyatt.

0:18:06.880 --> 0:18:08.800
<v Speaker 2>So it's an intriguing little.

0:18:08.600 --> 0:18:12.880
<v Speaker 1>Story, especially because to fast forward a bit, it's Wyatt's son,

0:18:13.560 --> 0:18:17.159
<v Speaker 1>isn't it who leads the rebellion that almost costs AND's

0:18:17.240 --> 0:18:21.200
<v Speaker 1>daughter her life. Yeah, the Wyatts are always causing troubles

0:18:21.280 --> 0:18:22.080
<v Speaker 1>for these girls.

0:18:22.760 --> 0:18:28.240
<v Speaker 2>Those Wyatts. Yeah, they're troublesome. But it seems irresistible. But absolutely,

0:18:28.800 --> 0:18:30.680
<v Speaker 2>And this is the point you know, we were making

0:18:30.720 --> 0:18:34.159
<v Speaker 2>earlier about just how tightly knit this world is. You

0:18:34.200 --> 0:18:36.399
<v Speaker 2>see the same names, and then the sons of that

0:18:36.480 --> 0:18:40.000
<v Speaker 2>person you're cropping up again and again, and indeed the daughters.

0:18:40.720 --> 0:18:45.240
<v Speaker 2>So yeah, it's a very close knit world. The Tudor aristocracy.

0:18:46.880 --> 0:18:51.320
<v Speaker 1>Hever Castle is so vivid in this novel. Obviously you

0:18:51.440 --> 0:18:55.520
<v Speaker 1>are chief historian of historic royal palaces. I've been lucky

0:18:55.600 --> 0:18:58.639
<v Speaker 1>enough to visit hebre Castle, but even if I hadn't,

0:18:58.920 --> 0:19:01.560
<v Speaker 1>just reading this novel, I would have felt as though

0:19:01.680 --> 0:19:04.280
<v Speaker 1>I were there. But for those who haven't been lucky

0:19:04.359 --> 0:19:07.600
<v Speaker 1>enough to visit, can you describe what it is? Because

0:19:07.640 --> 0:19:10.560
<v Speaker 1>I think when people hear Castle they think different things.

0:19:11.600 --> 0:19:13.720
<v Speaker 2>Yes they do, they do. And I'm so pleased it

0:19:13.720 --> 0:19:17.240
<v Speaker 2>came across vividly few because that was absolutely my ambition

0:19:17.359 --> 0:19:20.399
<v Speaker 2>for this book. In fact, I said to my editor,

0:19:20.440 --> 0:19:22.359
<v Speaker 2>I want heav to be like a character in the

0:19:22.359 --> 0:19:26.560
<v Speaker 2>book more than just a backdrop. I really wanted the

0:19:26.600 --> 0:19:30.960
<v Speaker 2>readers to feel immersed in this beautiful home. So Heva

0:19:31.480 --> 0:19:34.639
<v Speaker 2>is sort of like a fairytale castle. It's got turrets

0:19:35.200 --> 0:19:39.200
<v Speaker 2>and a moat and a drawbridge, it's got three port coluses.

0:19:39.520 --> 0:19:44.320
<v Speaker 2>But it is quite small and modest as castles go,

0:19:44.600 --> 0:19:48.600
<v Speaker 2>so it's nothing on the scale of say Hampton Court

0:19:48.800 --> 0:19:52.040
<v Speaker 2>or Annek Castle up in the northeast of England. It's

0:19:52.200 --> 0:19:55.520
<v Speaker 2>kind of pocket sized, so that makes it feel very intimate.

0:19:56.119 --> 0:19:58.520
<v Speaker 2>Now it has been altered over the centuries, but in

0:19:58.560 --> 0:20:02.359
<v Speaker 2>recent years the curators lovingly restored it to how it

0:20:02.359 --> 0:20:04.199
<v Speaker 2>would have looked in the time of the Blints, and

0:20:04.240 --> 0:20:07.040
<v Speaker 2>it is just amazing, even down to the rush matting

0:20:07.080 --> 0:20:09.200
<v Speaker 2>on the floors where you get the scent from that,

0:20:09.720 --> 0:20:13.280
<v Speaker 2>and I just found it wonderfully evocative. I spent, as

0:20:13.280 --> 0:20:16.040
<v Speaker 2>you can imagine, a lot of time at Heaver when

0:20:16.080 --> 0:20:19.159
<v Speaker 2>I was researching this novel, and visiting it at different

0:20:19.160 --> 0:20:22.320
<v Speaker 2>times of the year was so important as well. It changes,

0:20:22.400 --> 0:20:26.159
<v Speaker 2>the smells, change the colors, the ivy on the outside

0:20:26.160 --> 0:20:29.200
<v Speaker 2>of the castle. It sort of turns red in autumn.

0:20:29.880 --> 0:20:32.520
<v Speaker 2>The inspiration for the book cover by the way Ah

0:20:32.560 --> 0:20:35.160
<v Speaker 2>and it was just a joy I did. Somebody once

0:20:35.200 --> 0:20:36.800
<v Speaker 2>told me, you know, if you're writing a novel, you

0:20:36.800 --> 0:20:39.040
<v Speaker 2>should set it somewhere that you want to spend time,

0:20:39.160 --> 0:20:41.320
<v Speaker 2>and so I thought, yeap, Heava, that would be a

0:20:41.359 --> 0:20:43.120
<v Speaker 2>nice place to hang out for a while. But I'm

0:20:43.160 --> 0:20:46.720
<v Speaker 2>really pleased it came across so vividly because it felt

0:20:46.760 --> 0:20:48.879
<v Speaker 2>like that to me, and I got to know it

0:20:49.040 --> 0:20:53.200
<v Speaker 2>so well that, you know, even when I was writing,

0:20:53.320 --> 0:20:56.080
<v Speaker 2>as I often was sitting here in my study at home,

0:20:56.440 --> 0:20:58.399
<v Speaker 2>I could just close my eyes and imagine it and

0:20:58.880 --> 0:21:02.040
<v Speaker 2>smell the wood smoke as you pass through the courtyard

0:21:02.200 --> 0:21:04.840
<v Speaker 2>and all the rest of it. So that was a

0:21:04.960 --> 0:21:07.040
<v Speaker 2>joy bringing to life the world of Weaver.

0:21:08.480 --> 0:21:12.080
<v Speaker 1>As chief Historian of historic Royal Palaces, what does that

0:21:12.200 --> 0:21:13.320
<v Speaker 1>job consist of?

0:21:14.200 --> 0:21:16.840
<v Speaker 2>Honestly, it's the best job I've ever had, and I

0:21:16.960 --> 0:21:19.959
<v Speaker 2>kind of I've got major imposter syndrome about it because

0:21:21.080 --> 0:21:24.639
<v Speaker 2>I get to research the history of the palaces. But

0:21:25.240 --> 0:21:28.119
<v Speaker 2>what I spend most of my time doing is communicating

0:21:28.119 --> 0:21:31.200
<v Speaker 2>that history. So I do a lot of filming. There's

0:21:31.200 --> 0:21:34.119
<v Speaker 2>a long running series Inside the Tower of London that

0:21:34.160 --> 0:21:37.639
<v Speaker 2>I'm part of. I make podcasts, I write content for

0:21:37.720 --> 0:21:41.320
<v Speaker 2>our website, I do social media videos. We've got a

0:21:41.359 --> 0:21:43.919
<v Speaker 2>YouTube channel now, so I spend a lot of my

0:21:44.000 --> 0:21:47.480
<v Speaker 2>time talking about the history of the palaces, the people

0:21:47.520 --> 0:21:51.159
<v Speaker 2>who lived in them, the events that took place. For

0:21:51.200 --> 0:21:54.520
<v Speaker 2>a historian is a dream job, and that's why I

0:21:55.320 --> 0:21:59.320
<v Speaker 2>just it's pinched me moment every day because I've worked

0:21:59.359 --> 0:22:02.800
<v Speaker 2>for the palaces eighteen years and it still feels so

0:22:03.040 --> 0:22:06.000
<v Speaker 2>new so old at the same time, bits of it,

0:22:06.080 --> 0:22:09.280
<v Speaker 2>but it feels like there's always something new to discover.

0:22:09.520 --> 0:22:13.560
<v Speaker 2>That Hampton Court has got one three hundred and sixty

0:22:13.640 --> 0:22:16.240
<v Speaker 2>rooms and I still haven't been in all of them,

0:22:17.000 --> 0:22:18.920
<v Speaker 2>and you know, that's just one of the sixth palaces.

0:22:19.040 --> 0:22:24.399
<v Speaker 2>So it's an amazing, amazing privilege to be chief historian. Now,

0:22:24.400 --> 0:22:25.880
<v Speaker 2>I kind of wish I could go back and tell

0:22:25.960 --> 0:22:29.960
<v Speaker 2>my sort of hopeful but slightly disillusioned eighteen year old

0:22:30.000 --> 0:22:32.200
<v Speaker 2>self while I was just applying for loads of jobs

0:22:32.240 --> 0:22:34.800
<v Speaker 2>and getting knockbacks that yeah, be all right, it's going

0:22:34.840 --> 0:22:35.280
<v Speaker 2>to be okay.

0:22:36.880 --> 0:22:39.560
<v Speaker 1>Did you learn anything new about Heaver while you were

0:22:39.600 --> 0:22:40.600
<v Speaker 1>researching this book?

0:22:41.600 --> 0:22:46.000
<v Speaker 2>I did new for me, probably not new for heav

0:22:46.600 --> 0:22:51.399
<v Speaker 2>because the curators their knowledge is so extensive. But I

0:22:51.640 --> 0:22:55.320
<v Speaker 2>really went into every nook and cranny of that castle,

0:22:55.800 --> 0:22:59.959
<v Speaker 2>and two particularly thrilling moments for me. We're standing in

0:23:00.080 --> 0:23:03.600
<v Speaker 2>what's called the best bedchamber, which is probably the chamber

0:23:03.600 --> 0:23:07.280
<v Speaker 2>where Thomas Berlin and his wife Elizabeth slept. But also

0:23:07.720 --> 0:23:11.840
<v Speaker 2>it was a very hierarchical castle because the best bedchamber

0:23:11.840 --> 0:23:15.040
<v Speaker 2>would then be given to whoever ranked the highest. So

0:23:15.160 --> 0:23:18.960
<v Speaker 2>when Anne started to be courted by Henry the Eighth,

0:23:19.119 --> 0:23:21.560
<v Speaker 2>she got bumped up and she got in the best bedchamber,

0:23:22.000 --> 0:23:24.760
<v Speaker 2>and it was I've restored it so beautiful, and they

0:23:24.800 --> 0:23:28.200
<v Speaker 2>think that it was in that room that Henry sorry

0:23:28.240 --> 0:23:30.920
<v Speaker 2>that Anne would have been reading the love letters from Henry,

0:23:31.040 --> 0:23:33.399
<v Speaker 2>and so to stand there and they've actually got some

0:23:33.480 --> 0:23:36.320
<v Speaker 2>fact similars of those letters in the room, fine tingling,

0:23:36.720 --> 0:23:39.240
<v Speaker 2>and then going up on the roof, which I'd never

0:23:39.280 --> 0:23:43.680
<v Speaker 2>done before, and just looking out across the Wheeld of Kent,

0:23:43.840 --> 0:23:46.000
<v Speaker 2>the sort of the it's in this valley you can

0:23:46.000 --> 0:23:49.960
<v Speaker 2>see the sort of sweeping hillsides, and just imagining Anne

0:23:50.040 --> 0:23:52.320
<v Speaker 2>up there sort of waiting and watching for yet another

0:23:52.359 --> 0:23:56.119
<v Speaker 2>messenger to arrive with another letter from the king, because

0:23:56.160 --> 0:23:59.160
<v Speaker 2>it was while she was at Heaver for Christmas actually

0:23:59.600 --> 0:24:02.560
<v Speaker 2>in fifteen twenty six that she received one of those

0:24:02.640 --> 0:24:06.560
<v Speaker 2>letters and for the first time Henry talked of marriage,

0:24:07.000 --> 0:24:10.240
<v Speaker 2>and that must have been huge. Imagine those conversations around

0:24:10.280 --> 0:24:13.240
<v Speaker 2>the dinner table that Christmas. So I guess what the

0:24:13.320 --> 0:24:15.920
<v Speaker 2>King's just proposed. Of course it'll be a few years

0:24:16.000 --> 0:24:18.840
<v Speaker 2>until she does actually marry him, but yeah, you get

0:24:19.000 --> 0:24:21.960
<v Speaker 2>such a sense of their story at Heva. You can

0:24:22.040 --> 0:24:24.960
<v Speaker 2>see how it kind of played out and how important

0:24:25.000 --> 0:24:26.720
<v Speaker 2>Heava was to that family.

0:24:27.960 --> 0:24:30.520
<v Speaker 1>What I find fascinating in this book is not only

0:24:30.640 --> 0:24:34.680
<v Speaker 1>is Heaver a character, but you make the Bolins and

0:24:34.720 --> 0:24:38.720
<v Speaker 1>their family members come alive so vividly in ways that

0:24:38.800 --> 0:24:42.040
<v Speaker 1>I just hadn't seen before. One example that stuck out

0:24:42.040 --> 0:24:46.480
<v Speaker 1>to me is Jane Bolin, the wife of Ann's brother,

0:24:46.600 --> 0:24:49.920
<v Speaker 1>so her sister in law. I think in most other

0:24:50.040 --> 0:24:56.159
<v Speaker 1>media she's usually portrayed as conniving and backstabbing. She testifies

0:24:56.160 --> 0:24:59.080
<v Speaker 1>against Anne Bolin. I don't know if that's the proper phrase,

0:24:59.160 --> 0:25:02.639
<v Speaker 1>but you're Jane is a more nuanced character. Can you

0:25:02.680 --> 0:25:05.240
<v Speaker 1>speak a little bit about about the girl who married

0:25:05.280 --> 0:25:06.200
<v Speaker 1>into the Bolins?

0:25:07.000 --> 0:25:09.760
<v Speaker 2>Yes, so Jane Parker as she was before she married

0:25:09.800 --> 0:25:13.719
<v Speaker 2>Anne's brother George. I feel very passionately about Jane because

0:25:13.760 --> 0:25:17.280
<v Speaker 2>she has been so maligned. She is always a villain

0:25:17.720 --> 0:25:21.359
<v Speaker 2>in every single portrayal you see, even my beloved wolf Hall,

0:25:21.440 --> 0:25:24.720
<v Speaker 2>which I absolutely love, But she's still a nasty piece

0:25:24.760 --> 0:25:27.520
<v Speaker 2>of work. There's no evidence for that. And I filmed

0:25:27.520 --> 0:25:30.080
<v Speaker 2>a documentary about Jane a number of years ago, so

0:25:30.160 --> 0:25:33.600
<v Speaker 2>I researched her in some detail, and actually she is

0:25:33.720 --> 0:25:36.120
<v Speaker 2>always seen, You're quite right as the one who provides

0:25:36.160 --> 0:25:39.720
<v Speaker 2>the vital evidence that really sends her sister in law

0:25:39.800 --> 0:25:43.199
<v Speaker 2>and her husband to their deaths. That's not backed up

0:25:43.359 --> 0:25:46.280
<v Speaker 2>by the sources. And in fact, what we do have

0:25:46.440 --> 0:25:49.280
<v Speaker 2>is a letter from Jane to the King pleading to

0:25:49.359 --> 0:25:52.000
<v Speaker 2>be allowed to see her husband George when he's in

0:25:52.040 --> 0:25:56.040
<v Speaker 2>the tower and so pleading for his life. Really, her

0:25:56.119 --> 0:26:01.920
<v Speaker 2>villainous reputation only gathered ground during the reign of Anne's

0:26:02.000 --> 0:26:05.280
<v Speaker 2>daughter Elizabeth, and it was a difficult one for Elizabeth

0:26:05.320 --> 0:26:10.439
<v Speaker 2>because she was passionate about rehabilitating her mother and proving

0:26:10.440 --> 0:26:13.399
<v Speaker 2>to the world that she wasn't this wicked adulteress. But

0:26:13.520 --> 0:26:17.679
<v Speaker 2>she couldn't criticize her father for putting her mother to

0:26:17.720 --> 0:26:19.920
<v Speaker 2>death because her father's Henry the Eighth, that's the one

0:26:20.000 --> 0:26:22.919
<v Speaker 2>she owes her throne to so instead she looks for

0:26:22.960 --> 0:26:25.520
<v Speaker 2>other scapegoats. One of them is Thomas Cromwell, and the

0:26:25.520 --> 0:26:29.919
<v Speaker 2>other is Lady Jane Berlin or Lady Rochford as she

0:26:30.080 --> 0:26:34.320
<v Speaker 2>is then, and so that's when the villainy begins. It's

0:26:34.400 --> 0:26:36.520
<v Speaker 2>much as I love Elizabeth, she's kind of to blame

0:26:37.000 --> 0:26:41.879
<v Speaker 2>for the blackening of Jane's character, very very unfairly. So

0:26:41.960 --> 0:26:45.720
<v Speaker 2>I was determined to present a different Jane in this book,

0:26:45.760 --> 0:26:48.400
<v Speaker 2>and as you say, more nuanced. She has her own

0:26:48.520 --> 0:26:51.879
<v Speaker 2>journey in this and I hope a more sympathetic version.

0:26:52.760 --> 0:26:56.359
<v Speaker 1>I love it because it also reminded me how much

0:26:56.600 --> 0:27:01.000
<v Speaker 1>history is just hearsay that people believe and repeat over

0:27:01.040 --> 0:27:04.720
<v Speaker 1>and over. In the course of doing this podcast over

0:27:05.000 --> 0:27:09.280
<v Speaker 1>too many years to admit, it's astonishing how often once

0:27:09.320 --> 0:27:11.639
<v Speaker 1>you go back to the actual source you realize it

0:27:11.640 --> 0:27:12.960
<v Speaker 1>doesn't say what you've been told.

0:27:13.000 --> 0:27:16.320
<v Speaker 2>It says yeah, in fact earlier today. And I'm not

0:27:16.359 --> 0:27:20.359
<v Speaker 2>just saying this to boast I within the archives at

0:27:20.400 --> 0:27:21.359
<v Speaker 2>Westminster Abbey.

0:27:21.640 --> 0:27:24.440
<v Speaker 1>It is a wonderful boast. I'm very jealous.

0:27:24.560 --> 0:27:27.919
<v Speaker 2>Yeah, it's a good boast. The reason I'm saying this

0:27:28.119 --> 0:27:31.280
<v Speaker 2>is because the archivist said exactly that what you've just said.

0:27:31.520 --> 0:27:34.359
<v Speaker 2>He said. So often there's a so called fact and

0:27:34.359 --> 0:27:36.159
<v Speaker 2>then you look into it and you look at the

0:27:36.160 --> 0:27:38.040
<v Speaker 2>source of it, and you realize the source isn't there,

0:27:38.480 --> 0:27:41.480
<v Speaker 2>and it's just one of those things that become established

0:27:41.920 --> 0:27:45.159
<v Speaker 2>and it's not backed up by any of the archives

0:27:45.520 --> 0:27:49.600
<v Speaker 2>stretching back for centuries. And it happens a lot. It happens,

0:27:49.640 --> 0:27:51.520
<v Speaker 2>and there are I think there are so many myths

0:27:52.040 --> 0:27:55.120
<v Speaker 2>about the Ballins, in particularly, we've already talked about that

0:27:55.200 --> 0:27:59.360
<v Speaker 2>myth that they were these schemas, these social climbers who

0:27:59.359 --> 0:28:01.920
<v Speaker 2>put ambition before everything else. You know. Then of course

0:28:01.920 --> 0:28:04.239
<v Speaker 2>you have the myth that Anne was an adulteress, and

0:28:04.280 --> 0:28:06.160
<v Speaker 2>then that she was a witch and that she had

0:28:06.359 --> 0:28:09.879
<v Speaker 2>a sixth finger on one hand. Again, no contemporary evidence

0:28:09.920 --> 0:28:12.080
<v Speaker 2>for that whatsoever.

0:28:11.760 --> 0:28:14.480
<v Speaker 1>But if she did, that would have been irritight proof

0:28:14.480 --> 0:28:17.360
<v Speaker 1>that she's a witch. We just done the record, of course.

0:28:17.880 --> 0:28:20.240
<v Speaker 2>Yeah, I mean what else could it possibly mean? You know?

0:28:20.600 --> 0:28:24.040
<v Speaker 2>So yeah, quite often you've scratched beneath the surface and

0:28:24.040 --> 0:28:28.080
<v Speaker 2>there's nothing there to back up these myths. So even

0:28:28.160 --> 0:28:31.879
<v Speaker 2>though the House of Berlin is a novel, I hope

0:28:32.040 --> 0:28:35.040
<v Speaker 2>I've been able to dispel some of those myths, and

0:28:35.080 --> 0:28:37.639
<v Speaker 2>I have included quite a lengthy author's note at the

0:28:37.760 --> 0:28:40.000
<v Speaker 2>end to make it clear you know that these are

0:28:40.000 --> 0:28:42.960
<v Speaker 2>the known facts. This is the evidence because personally I

0:28:43.040 --> 0:28:46.360
<v Speaker 2>read a lot of historical fiction, and I always really

0:28:46.400 --> 0:28:48.800
<v Speaker 2>appreciate an author's note at the end.

0:28:49.760 --> 0:28:52.160
<v Speaker 1>One thing that I just want to ask you as

0:28:52.200 --> 0:28:55.560
<v Speaker 1>a writer is how is your approach to writing fiction

0:28:56.080 --> 0:28:58.200
<v Speaker 1>different from when you're writing a history book.

0:28:59.160 --> 0:29:01.800
<v Speaker 2>One big difference is that when I'm writing a history book,

0:29:02.200 --> 0:29:05.400
<v Speaker 2>I research and writers I go, and I suppose I

0:29:05.520 --> 0:29:08.160
<v Speaker 2>do that with my novels. But the difference is with nonfiction,

0:29:08.280 --> 0:29:11.000
<v Speaker 2>I don't write it in order, so I do the

0:29:11.040 --> 0:29:14.160
<v Speaker 2>research and I might find something out that goes into

0:29:14.200 --> 0:29:17.520
<v Speaker 2>chapter seventeen one day and then chapter two the next,

0:29:17.560 --> 0:29:21.200
<v Speaker 2>and so it kind of comes together, but not necessarily

0:29:21.200 --> 0:29:23.920
<v Speaker 2>in the right order, because it's led by the research,

0:29:24.640 --> 0:29:26.320
<v Speaker 2>and then it does take shape by the way, I

0:29:26.360 --> 0:29:29.600
<v Speaker 2>would highly recommend to any of your listeners this approach

0:29:29.680 --> 0:29:32.720
<v Speaker 2>of research and write, because for my first couple of books,

0:29:32.840 --> 0:29:35.000
<v Speaker 2>did I just spent months and months doing all the

0:29:35.040 --> 0:29:38.240
<v Speaker 2>research and then I had the writing to do, and

0:29:38.280 --> 0:29:42.120
<v Speaker 2>it's not as efficient. I don't think it produces such

0:29:42.120 --> 0:29:46.320
<v Speaker 2>a good book in a way, because you're constantly editing yourself.

0:29:46.360 --> 0:29:50.640
<v Speaker 2>If you write from the beginning novel, I'm writing from

0:29:50.720 --> 0:29:53.680
<v Speaker 2>day one, but I write it sequentially. I start at

0:29:53.680 --> 0:29:56.480
<v Speaker 2>the beginning, I work my way through, because with a novel,

0:29:56.480 --> 0:29:58.400
<v Speaker 2>I do have a kind of skeleton of what it's

0:29:58.440 --> 0:30:02.480
<v Speaker 2>going to be and the structure. But each chapter I

0:30:02.520 --> 0:30:04.760
<v Speaker 2>don't know where it's going to go. So I started,

0:30:04.880 --> 0:30:07.800
<v Speaker 2>and as I'm writing, ideas occur to me and I think, oh, yeah,

0:30:07.840 --> 0:30:10.640
<v Speaker 2>that could be a nice little subplot. It's quite nice

0:30:10.640 --> 0:30:15.440
<v Speaker 2>for the creative process to just leave lots of flexibility

0:30:15.680 --> 0:30:18.880
<v Speaker 2>to develop characters and storylines. But I do for the

0:30:18.920 --> 0:30:20.720
<v Speaker 2>sake of my sanity, I have to start at the

0:30:20.760 --> 0:30:23.160
<v Speaker 2>beginning and just work all the way through. I know

0:30:23.800 --> 0:30:26.600
<v Speaker 2>Hillary Mantel, for example, she was definitely not like that.

0:30:26.640 --> 0:30:29.880
<v Speaker 2>She was a big fan of just writing up random

0:30:29.960 --> 0:30:32.840
<v Speaker 2>scenes and then at the end knitting them all together.

0:30:33.160 --> 0:30:36.160
<v Speaker 2>But yeah, and who am I to criticize Hillary Mantel

0:30:36.360 --> 0:30:36.920
<v Speaker 2>at all?

0:30:37.240 --> 0:30:42.320
<v Speaker 1>It worked for her, absolutely, But no, that does seem like,

0:30:42.400 --> 0:30:44.600
<v Speaker 1>unless you're a Hillary Mantel, I think that would drive

0:30:44.680 --> 0:30:48.520
<v Speaker 1>most of us a little insane. Yeah, yeah, you do

0:30:48.640 --> 0:30:52.080
<v Speaker 1>mention inventing new characters. And before I let you go,

0:30:52.160 --> 0:30:55.480
<v Speaker 1>one of my favorite characters that you invented was a

0:30:55.560 --> 0:30:56.640
<v Speaker 1>character called Esther.

0:30:57.120 --> 0:30:59.560
<v Speaker 2>Oh, I just loved her.

0:30:59.640 --> 0:31:03.200
<v Speaker 1>I believe she was not there was no historical evidence

0:31:03.320 --> 0:31:06.360
<v Speaker 1>for her. No, can you speak a little bit about

0:31:06.600 --> 0:31:09.680
<v Speaker 1>the decision to invent that character and how she what

0:31:09.840 --> 0:31:11.080
<v Speaker 1>roles you played in the novel.

0:31:11.640 --> 0:31:14.440
<v Speaker 2>I'm so pleased you liked Esther because she was my favorite.

0:31:15.080 --> 0:31:18.800
<v Speaker 2>So the reason I made Esther up is because there's

0:31:18.840 --> 0:31:23.800
<v Speaker 2>hardly any evidence surviving for the household that served the

0:31:23.880 --> 0:31:26.840
<v Speaker 2>villain the hever. So there's only one name of a

0:31:26.880 --> 0:31:30.479
<v Speaker 2>servant that survived, and that's Robert Cranwell, Thomas's Stewart, who

0:31:30.520 --> 0:31:33.000
<v Speaker 2>I made a pretty horrible villain in this novel. But

0:31:33.240 --> 0:31:38.120
<v Speaker 2>Esther is the lady's made to Anne. And what I

0:31:38.200 --> 0:31:40.960
<v Speaker 2>wanted with this novel, because the action never leaves Heaver,

0:31:41.200 --> 0:31:44.520
<v Speaker 2>I needed to give the reader lots of other storylines,

0:31:44.640 --> 0:31:46.840
<v Speaker 2>so even if Anne is away at court, there's still

0:31:46.960 --> 0:31:51.720
<v Speaker 2>lots going on. And Esther's story, as you will know,

0:31:52.440 --> 0:31:55.520
<v Speaker 2>is quite dramatic. It has a lot of tragedy, but

0:31:55.600 --> 0:31:58.600
<v Speaker 2>it has hope as well, and I really wanted to

0:31:58.640 --> 0:32:01.760
<v Speaker 2>convey this warm character. But also have her as a

0:32:01.800 --> 0:32:06.560
<v Speaker 2>confidant to Anne, and that was entirely authentic. Servants in

0:32:06.640 --> 0:32:10.520
<v Speaker 2>later centuries become much more deferential. They have to be

0:32:10.560 --> 0:32:13.840
<v Speaker 2>seen and not heard by their masters. But in the

0:32:13.920 --> 0:32:18.160
<v Speaker 2>Tudor period they're more like companions, and so you know,

0:32:18.200 --> 0:32:20.080
<v Speaker 2>people like Anne would have been sharing her in the

0:32:20.120 --> 0:32:24.560
<v Speaker 2>most thoughts and fears and secrets with her servant who

0:32:24.600 --> 0:32:27.680
<v Speaker 2>I've made esther, And so it enabled me to get

0:32:27.720 --> 0:32:31.400
<v Speaker 2>into Anne's head again. Rather than just have her constantly

0:32:31.440 --> 0:32:34.320
<v Speaker 2>thinking to herself, she can be expressing what she feels

0:32:34.760 --> 0:32:38.720
<v Speaker 2>to her trusted servant, her beloved servant, esther. So I

0:32:38.800 --> 0:32:41.760
<v Speaker 2>really enjoyed drawing that particular character.

0:32:42.600 --> 0:32:44.800
<v Speaker 1>And as you allude to, it gives the reader this

0:32:44.960 --> 0:32:49.400
<v Speaker 1>delightful upstairs, downstairs, down to an abbey itch to scratch

0:32:49.480 --> 0:32:50.680
<v Speaker 1>that I just loved.

0:32:51.800 --> 0:32:53.800
<v Speaker 2>Please you said it, because down to Abbe was my

0:32:53.920 --> 0:32:56.480
<v Speaker 2>inspiration with this. I'm a big fan, and I just

0:32:56.520 --> 0:33:00.120
<v Speaker 2>thought you get so involved in the servants storylines as well,

0:33:00.160 --> 0:33:02.200
<v Speaker 2>and so that's what I wanted to achieve with the

0:33:02.200 --> 0:33:02.920
<v Speaker 2>House of Berlin.

0:33:03.720 --> 0:33:07.720
<v Speaker 1>It was absolutely wonderful. You're just such a brilliant writer

0:33:07.920 --> 0:33:11.520
<v Speaker 1>of history books. Your books truly have been invaluable in

0:33:11.560 --> 0:33:15.200
<v Speaker 1>the research. As I'm writing episodes of this podcast. It's

0:33:15.280 --> 0:33:17.480
<v Speaker 1>so wonderful to speak to you. I'm such a fan

0:33:17.520 --> 0:33:20.400
<v Speaker 1>of your fiction as well. The House of Bolin is

0:33:20.480 --> 0:33:23.640
<v Speaker 1>out in the US on August fourth. If you're a

0:33:23.680 --> 0:33:26.600
<v Speaker 1>tutor lover like me, you will absolutely love this book.

0:33:27.000 --> 0:33:29.840
<v Speaker 1>Tracy Burman, thank you so much for joining us.

0:33:30.080 --> 0:33:32.120
<v Speaker 2>Oh, thank you so much for having me. It's been

0:33:32.160 --> 0:33:37.040
<v Speaker 2>an absolute joy.

0:33:41.640 --> 0:33:45.520
<v Speaker 1>Noble Blood is a production of iHeartRadio and Grim and

0:33:45.560 --> 0:33:49.120
<v Speaker 1>Mild from Aaron Mankey. Noble Blood is hosted by me

0:33:49.400 --> 0:33:53.920
<v Speaker 1>Danash Schwartz. Writers for Noble Blood are Hannah Johnston, hannah's Wick,

0:33:54.320 --> 0:33:58.880
<v Speaker 1>Paul Jaffey, Natasha Laski, and me Dana Swartz. The show

0:33:59.040 --> 0:34:02.720
<v Speaker 1>is edited and produced by Jesse Funk and Nomes Griffin,

0:34:03.120 --> 0:34:08.759
<v Speaker 1>with supervising producer rima il Kaali and executive producers Aaron Manke,

0:34:09.080 --> 0:34:13.600
<v Speaker 1>Trevor Young, and Matt Frederick. For more podcasts from iHeartRadio,

0:34:13.840 --> 0:34:18.200
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

0:34:18.200 --> 0:34:19.240
<v Speaker 1>to your favorite shows.