1 00:00:18,480 --> 00:00:23,239 Speaker 1: So writer, you are our traveling post. You have been 2 00:00:23,280 --> 00:00:26,200 Speaker 1: in a million different places. Where are you today today? 3 00:00:26,280 --> 00:00:33,400 Speaker 1: I am in Humboldt, California, deep deep in northern California. Yeah, 4 00:00:33,440 --> 00:00:35,360 Speaker 1: you know, I know I mentioned on the show before 5 00:00:35,400 --> 00:00:39,400 Speaker 1: I did I've soldo parenting for three months, and so 6 00:00:39,520 --> 00:00:41,720 Speaker 1: my wife came home. Actually she came home for a 7 00:00:41,720 --> 00:00:44,959 Speaker 1: weekend in the middle of her shoot. Um O, our 8 00:00:45,000 --> 00:00:47,720 Speaker 1: son had a rock show and so she came home 9 00:00:47,760 --> 00:00:49,920 Speaker 1: for like forty eight hours for that. It was crazy 10 00:00:50,000 --> 00:00:53,200 Speaker 1: and hectic. You can we can do that real quick. 11 00:00:53,440 --> 00:00:55,640 Speaker 1: I'm sorry, We're gonna need to go back to seven 12 00:00:55,680 --> 00:00:58,560 Speaker 1: year old had a rod rock show, you know. Yes, 13 00:00:59,120 --> 00:01:02,640 Speaker 1: So there's an amaz is in um place. Uh. It's 14 00:01:02,640 --> 00:01:05,800 Speaker 1: like one of these school of rock type you know, 15 00:01:06,240 --> 00:01:10,560 Speaker 1: uh kids music classes, um kind of place and um 16 00:01:11,440 --> 00:01:15,360 Speaker 1: it's called kid Row in Los Angeles, and so my 17 00:01:15,400 --> 00:01:17,000 Speaker 1: son has been going there forever and you know, they 18 00:01:17,040 --> 00:01:19,680 Speaker 1: basically form a band and learned songs and so he 19 00:01:19,760 --> 00:01:23,600 Speaker 1: performed some imagine dragon songs and some other Um. Yeah, 20 00:01:23,600 --> 00:01:25,440 Speaker 1: it was amazing anyway, but that's much cooler than a 21 00:01:25,480 --> 00:01:27,720 Speaker 1: geology show, which was the other option that it could 22 00:01:27,720 --> 00:01:29,920 Speaker 1: have been, and that not that that's a bad thing, 23 00:01:30,360 --> 00:01:34,360 Speaker 1: but but still a whole another way to go. So 24 00:01:34,360 --> 00:01:36,000 Speaker 1: so yeah, so she came on for forty eight hours, 25 00:01:36,000 --> 00:01:37,760 Speaker 1: and while she was home, she could see how, like, 26 00:01:37,840 --> 00:01:40,040 Speaker 1: you know, overwhelmed I was with parenting and whatnot. And 27 00:01:40,280 --> 00:01:42,200 Speaker 1: not only that, but we had this plan. We're going 28 00:01:42,200 --> 00:01:44,520 Speaker 1: to Alaska for three weeks this summer. Um. We're calling 29 00:01:44,560 --> 00:01:47,840 Speaker 1: it Alaskan Summer. And uh. She was like, you need 30 00:01:47,920 --> 00:01:50,720 Speaker 1: to go away and have like a week of just 31 00:01:50,880 --> 00:01:53,240 Speaker 1: writing by yourself before you're going to be able to 32 00:01:53,800 --> 00:01:56,360 Speaker 1: relax on our Alaskan summer. And I was like, thank you. 33 00:01:56,640 --> 00:01:58,160 Speaker 1: So I'm in the middle of that right now. So 34 00:01:58,680 --> 00:02:01,680 Speaker 1: you got a hapen up in Humboldt and I'm just, yeah, 35 00:02:01,880 --> 00:02:04,200 Speaker 1: getting some time away before we head into a family 36 00:02:04,280 --> 00:02:07,280 Speaker 1: vacation for three weeks. Writer, I already saying your praises 37 00:02:07,320 --> 00:02:10,359 Speaker 1: for being able to single parent for three months, um, 38 00:02:10,440 --> 00:02:15,400 Speaker 1: because I have two children and I occasionally single parent 39 00:02:15,480 --> 00:02:20,639 Speaker 1: for like an hour or two here and it's really hard. Yeah, 40 00:02:21,120 --> 00:02:23,360 Speaker 1: it's just really hard to find any alone time. And 41 00:02:23,360 --> 00:02:25,320 Speaker 1: that's what like, literally I've been up here for two 42 00:02:25,400 --> 00:02:28,079 Speaker 1: days and like yesterday it was just the weirdest sensation. 43 00:02:28,160 --> 00:02:30,239 Speaker 1: I kept looking around being like when when somebody gonna 44 00:02:30,280 --> 00:02:32,120 Speaker 1: tell me what I have to do or where I 45 00:02:32,120 --> 00:02:33,959 Speaker 1: have to pick somebody up or go do something to 46 00:02:34,040 --> 00:02:35,720 Speaker 1: be cooking, And it was like, oh, no, I get 47 00:02:35,720 --> 00:02:38,280 Speaker 1: to decide. Uh. Yeah, it's been it's been nice. And 48 00:02:39,160 --> 00:02:42,040 Speaker 1: have so much sympathy for you know, full time solo 49 00:02:42,120 --> 00:02:44,919 Speaker 1: parents out there, especially with multiple kids. It's just you 50 00:02:45,280 --> 00:02:47,079 Speaker 1: never have you know. It's like when you have a kid, 51 00:02:47,080 --> 00:02:48,720 Speaker 1: it's like there's a part of your brain that's just 52 00:02:48,880 --> 00:02:52,200 Speaker 1: constantly activated. Right, It's like you're always aware of your child. 53 00:02:52,240 --> 00:02:54,680 Speaker 1: And and when you have a partner you can share 54 00:02:54,720 --> 00:02:57,720 Speaker 1: that load. Uh, and when you don't, it's just like, oh, 55 00:02:57,720 --> 00:02:59,280 Speaker 1: that part of your brain never gets turned off. So 56 00:02:59,280 --> 00:03:01,560 Speaker 1: it's just exhausting. It's like a mentally exhausting off. You 57 00:03:02,120 --> 00:03:04,200 Speaker 1: are you know, able to get some time to sleep 58 00:03:04,280 --> 00:03:08,079 Speaker 1: or whatever. It's like you never quite feel alone. So 59 00:03:08,360 --> 00:03:12,720 Speaker 1: that's yeah, that's well. Will Where are you? I am 60 00:03:13,080 --> 00:03:17,520 Speaker 1: in an undisclosed location. My testimony is tomorrow, so I'm 61 00:03:17,639 --> 00:03:21,240 Speaker 1: very excited. Now I am. I am right outside of 62 00:03:21,280 --> 00:03:25,760 Speaker 1: Chicago for Fan Expo Chicago. Uh so big Comic Con 63 00:03:26,000 --> 00:03:28,280 Speaker 1: and uh we were all here. This is this is 64 00:03:29,160 --> 00:03:31,120 Speaker 1: I think I was with you. We were all in Chicago, 65 00:03:31,120 --> 00:03:33,160 Speaker 1: weren't we can't yeh, that's yeah, that's the one like 66 00:03:33,240 --> 00:03:35,760 Speaker 1: right near the airport basis. Yes, so I'm like watching 67 00:03:35,800 --> 00:03:38,720 Speaker 1: planes land as we speak right now. And uh yeah, 68 00:03:38,760 --> 00:03:41,000 Speaker 1: I was bought by a much bigger company. So this 69 00:03:41,080 --> 00:03:44,800 Speaker 1: is I was in Denver last weekend, Chicago this weekend. 70 00:03:45,080 --> 00:03:47,280 Speaker 1: Then I go from here to Hartford, then from there 71 00:03:47,320 --> 00:03:50,640 Speaker 1: to Boston, and then from there to Nova Scotia, and 72 00:03:50,680 --> 00:03:54,400 Speaker 1: then from there to San Francisco. So it's it is 73 00:03:54,400 --> 00:03:56,200 Speaker 1: the kind of mayor of the con. Yes, we're doing 74 00:03:56,400 --> 00:04:00,360 Speaker 1: We're on our twentieth anniversary of Kim Possible, so we 75 00:04:00,440 --> 00:04:03,520 Speaker 1: are going to going to do that run, and then 76 00:04:03,560 --> 00:04:06,240 Speaker 1: we're doing our our other podcast, I Hear Voices podcast 77 00:04:06,280 --> 00:04:08,240 Speaker 1: live at all of these big events. So it's a 78 00:04:08,240 --> 00:04:10,160 Speaker 1: ton of fun we're having us. So it's a lot 79 00:04:10,200 --> 00:04:13,320 Speaker 1: of traveling. Writer went away to be alone, and you 80 00:04:13,440 --> 00:04:16,520 Speaker 1: are meeting as many people as humanly things exactly. And 81 00:04:16,560 --> 00:04:19,719 Speaker 1: I just got over COVID so I can hug, kiss, 82 00:04:19,800 --> 00:04:24,919 Speaker 1: lick anybody I want for three months. It's great. Well, 83 00:04:25,120 --> 00:04:28,240 Speaker 1: I'm I'm just here in l A. I don't I 84 00:04:28,240 --> 00:04:32,160 Speaker 1: don't go anywhere I don't do anything. I just don't 85 00:04:32,200 --> 00:04:35,400 Speaker 1: give you that. You don't go anywhere. I absolutely disagree 86 00:04:35,400 --> 00:04:39,760 Speaker 1: with you. Don't do anything. You're doing nine every hour. No, 87 00:04:39,880 --> 00:04:41,440 Speaker 1: you're right. I do a lot of things. I do 88 00:04:41,480 --> 00:04:43,640 Speaker 1: a lot of things. I just do them inside my 89 00:04:43,720 --> 00:04:46,880 Speaker 1: house or in the immediate vicinity around my house. UM. 90 00:04:46,920 --> 00:04:49,960 Speaker 1: I am really excited for our episode today. We are 91 00:04:50,080 --> 00:04:53,920 Speaker 1: recapping episode number one oh seven. Grandma was a rolling Stone, 92 00:04:54,000 --> 00:04:58,359 Speaker 1: and we have our very first non Boy Meets World 93 00:04:58,400 --> 00:05:02,919 Speaker 1: related guest and her name is Lauren Laptus. Please welcome 94 00:05:03,000 --> 00:05:07,040 Speaker 1: Lauren Laptus to the pod. Oh my god, I'm so excited. 95 00:05:07,800 --> 00:05:10,680 Speaker 1: We are so excited. Please. I love the I love 96 00:05:10,720 --> 00:05:13,760 Speaker 1: the podcast. I was actually just listening to the episode 97 00:05:13,760 --> 00:05:15,600 Speaker 1: that came out today right before we started, so I 98 00:05:15,640 --> 00:05:19,240 Speaker 1: didn't get to catch up completely, but I'm pretty caught up. Um, 99 00:05:19,320 --> 00:05:21,440 Speaker 1: and it's so good. I was telling Danielle. I was like, 100 00:05:22,080 --> 00:05:25,880 Speaker 1: I I was so surprised listening to the show, Like 101 00:05:25,960 --> 00:05:30,279 Speaker 1: how honest you guys are about it. And I think 102 00:05:30,279 --> 00:05:33,040 Speaker 1: it makes the podcast so good because it's like I, 103 00:05:33,480 --> 00:05:35,560 Speaker 1: I mean, I did a podcast called Raised by TV 104 00:05:35,640 --> 00:05:38,000 Speaker 1: that writer was on that is was like a nostalgia 105 00:05:38,080 --> 00:05:40,320 Speaker 1: Deep Die with my friend John Gabriel, like going back 106 00:05:40,320 --> 00:05:42,520 Speaker 1: into like all the TV we loved, We talked about 107 00:05:42,520 --> 00:05:45,640 Speaker 1: all this stuff, but like hearing you guys talk about 108 00:05:45,680 --> 00:05:48,360 Speaker 1: your experience as kids doing the show, it just takes 109 00:05:48,360 --> 00:05:50,400 Speaker 1: it to another level. It's so good, Like it's so 110 00:05:50,480 --> 00:05:53,359 Speaker 1: interesting to listen to, and the behind the scenes stuff 111 00:05:53,440 --> 00:05:56,880 Speaker 1: is like blowing my mind. So I love like go 112 00:05:56,960 --> 00:05:58,840 Speaker 1: back and watch this kind of stuff, but to hear 113 00:05:58,960 --> 00:06:01,719 Speaker 1: what was going on is like amazing. Well that means 114 00:06:01,760 --> 00:06:04,000 Speaker 1: a lot coming from you, because you are an absolute 115 00:06:04,120 --> 00:06:08,479 Speaker 1: podcast pro. You are most known for freedom and comedy 116 00:06:08,480 --> 00:06:12,040 Speaker 1: Bang Bang, and you are Emmy nominated. You were in 117 00:06:12,160 --> 00:06:15,400 Speaker 1: Orange is the New Black. You're the wrong missy. I 118 00:06:15,400 --> 00:06:18,080 Speaker 1: mean your list of credits go on and on. Um. 119 00:06:18,120 --> 00:06:21,880 Speaker 1: You're also one of my nearest and dearest and closest friends. Yes, 120 00:06:22,480 --> 00:06:25,280 Speaker 1: and uh yeah, we're just really excited to have you here. 121 00:06:25,320 --> 00:06:27,720 Speaker 1: Can you tell me a little bit about like what 122 00:06:27,880 --> 00:06:31,560 Speaker 1: your history or story with Boy Meat's World is. Did 123 00:06:31,560 --> 00:06:33,320 Speaker 1: you watch it as a kid? Oh my god, Yes, 124 00:06:33,480 --> 00:06:37,440 Speaker 1: I watched um every episode five billion times. Um, I 125 00:06:37,480 --> 00:06:40,920 Speaker 1: think I definitely watched it a ton. I watched t 126 00:06:41,040 --> 00:06:43,599 Speaker 1: G I F every week for sure. That was like 127 00:06:43,760 --> 00:06:48,000 Speaker 1: very exciting appointment TV for me. Um, yeah, I've seen 128 00:06:48,040 --> 00:06:50,520 Speaker 1: it all and so and I've definitely watched it as 129 00:06:50,520 --> 00:06:53,080 Speaker 1: an adult as well. It's it's comfort food to me, 130 00:06:53,240 --> 00:06:56,520 Speaker 1: Like I full house, step by Stop, Boy, Meat's World, 131 00:06:56,520 --> 00:06:59,480 Speaker 1: all this stuff like fills like a certain like little 132 00:06:59,640 --> 00:07:04,120 Speaker 1: you know, blanket whole inside of my body. It's so 133 00:07:04,160 --> 00:07:06,960 Speaker 1: funny how that's true for so many people you know 134 00:07:07,200 --> 00:07:09,520 Speaker 1: like that. I don't know, is it just the specific 135 00:07:09,560 --> 00:07:12,680 Speaker 1: era or is that true of everybody for television shows 136 00:07:12,720 --> 00:07:15,480 Speaker 1: that they grow up with. I don't everybody for television. Yeah. 137 00:07:15,480 --> 00:07:17,320 Speaker 1: I think it's a bit because like doing doing my show, 138 00:07:17,360 --> 00:07:19,840 Speaker 1: like we had people on who were older than me, 139 00:07:19,880 --> 00:07:22,400 Speaker 1: and like hearing the shows they cared about from like 140 00:07:22,440 --> 00:07:24,960 Speaker 1: the sixties and stuff, I was like, okay, so it 141 00:07:25,000 --> 00:07:27,840 Speaker 1: feels that way just to revisit that stuff no matter what, 142 00:07:27,920 --> 00:07:30,679 Speaker 1: because it's such a perfect you know, it's not perfect 143 00:07:30,720 --> 00:07:32,360 Speaker 1: time in everyone's life, but it's a safe time and 144 00:07:32,400 --> 00:07:34,600 Speaker 1: that in your brain that you don't know everything yet, 145 00:07:34,680 --> 00:07:39,000 Speaker 1: like you can just kind of completely disconnect by watching 146 00:07:39,000 --> 00:07:42,480 Speaker 1: television because you're not really thinking about anything else, like 147 00:07:42,520 --> 00:07:44,960 Speaker 1: as a kid. Yeah, it's it's amazing for people with 148 00:07:45,000 --> 00:07:47,080 Speaker 1: anxiety too, because it brings him right back to a 149 00:07:47,120 --> 00:07:49,040 Speaker 1: time before all that happened. I mean, how much how 150 00:07:49,040 --> 00:07:51,520 Speaker 1: often do I talk about mash And that's because that's 151 00:07:51,520 --> 00:07:53,440 Speaker 1: sure it does. It's that same thing for me, that 152 00:07:53,520 --> 00:07:55,880 Speaker 1: same feeling of like, oh, I don't have to think, 153 00:07:55,920 --> 00:07:57,160 Speaker 1: I don't have to do anything. I just have to 154 00:07:57,160 --> 00:07:58,480 Speaker 1: go back to a time where I'm sitting in front 155 00:07:58,520 --> 00:08:01,400 Speaker 1: of the television watching Hawkeye, you know. And it's been 156 00:08:01,440 --> 00:08:05,000 Speaker 1: a while for me since I've like, um gone back 157 00:08:05,000 --> 00:08:06,520 Speaker 1: and watched a lot of shows, meaning of just a 158 00:08:06,520 --> 00:08:08,240 Speaker 1: few years because I was doing that podcast, but like 159 00:08:08,760 --> 00:08:10,760 Speaker 1: doing the podcast kind of um took it to a 160 00:08:10,760 --> 00:08:13,280 Speaker 1: different level for me because I was like revisiting them 161 00:08:13,360 --> 00:08:16,600 Speaker 1: so deeply that I started to have less comfort from 162 00:08:16,640 --> 00:08:22,000 Speaker 1: them because I was, yeah, that's exactly what it was. 163 00:08:22,040 --> 00:08:24,600 Speaker 1: But like yesterday, I watched this episode that we're going 164 00:08:24,640 --> 00:08:26,160 Speaker 1: to talk about, and I was like, oh, I should 165 00:08:26,160 --> 00:08:29,000 Speaker 1: do this every day. This feels amazing, and I'm back. 166 00:08:29,120 --> 00:08:31,200 Speaker 1: I was like on the couch, like this is good. 167 00:08:31,520 --> 00:08:34,160 Speaker 1: This is I'm not thinking about because also as an actor, 168 00:08:34,280 --> 00:08:36,640 Speaker 1: I think like watching I watched a lot of reality 169 00:08:36,720 --> 00:08:41,439 Speaker 1: because I like to not think about acting and and 170 00:08:41,480 --> 00:08:43,240 Speaker 1: like going back to what the shows I watched as 171 00:08:43,240 --> 00:08:44,960 Speaker 1: a kid, I wasn't thinking about it that way. I 172 00:08:45,000 --> 00:08:47,320 Speaker 1: wasn't thinking that you guys were real people, so like 173 00:08:47,720 --> 00:08:50,280 Speaker 1: it wasn't like I wasn't going like, oh I heard 174 00:08:50,320 --> 00:08:52,240 Speaker 1: something about that guy or he's you know whatever, Like 175 00:08:52,280 --> 00:08:54,720 Speaker 1: you know, I don't know anything. I'm just watching a 176 00:08:54,800 --> 00:08:59,000 Speaker 1: show of like just a play that feels good. Who 177 00:08:59,080 --> 00:09:03,760 Speaker 1: was your favorite character there? Oh my god? I mean, 178 00:09:04,080 --> 00:09:09,360 Speaker 1: well I loved you all, Um, I love Topanga. Topango 179 00:09:09,520 --> 00:09:12,520 Speaker 1: was kind of like, um, I think I can safely 180 00:09:12,559 --> 00:09:15,520 Speaker 1: say it's like everybody's goal in a different way. Like 181 00:09:15,800 --> 00:09:18,360 Speaker 1: girls wanted to be her, boys wanted to date her. 182 00:09:18,400 --> 00:09:21,360 Speaker 1: It's like she's such a like perfect character, so sweet, 183 00:09:21,480 --> 00:09:24,360 Speaker 1: so funny. Um, and you played it so beautifully and 184 00:09:24,400 --> 00:09:26,959 Speaker 1: you're so cute. It was like that was a character 185 00:09:27,000 --> 00:09:29,080 Speaker 1: that I think everybody loved. But writer, I mean, you 186 00:09:29,120 --> 00:09:31,040 Speaker 1: had the haircut, which I know we've talked about. I 187 00:09:31,080 --> 00:09:36,800 Speaker 1: mean the haircut was epic, like at that point in time, 188 00:09:37,320 --> 00:09:39,040 Speaker 1: and it was so interesting to hear you talk about 189 00:09:39,040 --> 00:09:41,720 Speaker 1: how they kind of made you have this haircut. But 190 00:09:41,760 --> 00:09:47,800 Speaker 1: it's like this is trauma. I am. I'm living tram 191 00:09:48,720 --> 00:09:55,880 Speaker 1: so sorry girl, like in like middle school. It was like, 192 00:09:56,160 --> 00:09:59,839 Speaker 1: that's the ideal boy haircut. So cute. Um and obviously, well, 193 00:10:00,160 --> 00:10:02,640 Speaker 1: you had like some of the funniest moments on the show. 194 00:10:02,880 --> 00:10:05,880 Speaker 1: I think without a doubt hearing you talk about your 195 00:10:05,920 --> 00:10:08,439 Speaker 1: self consciousness watching it back is so funny because I'm 196 00:10:08,480 --> 00:10:14,280 Speaker 1: just like, I watched it this episode. It's an early episode. Yeah, 197 00:10:14,600 --> 00:10:16,559 Speaker 1: season five, He's going to be like, let's watch that again. 198 00:10:17,360 --> 00:10:20,320 Speaker 1: Can we roll that back? I was hysterical. This man 199 00:10:20,440 --> 00:10:23,920 Speaker 1: is not insecure as it goes on. He's honest about 200 00:10:23,920 --> 00:10:27,360 Speaker 1: those first couple episodes. This brings up a very important 201 00:10:27,440 --> 00:10:31,040 Speaker 1: question in my opinion. I watched, we obviously all watched 202 00:10:31,040 --> 00:10:33,360 Speaker 1: episode number one oh seven. Grandma was a rolling stone. 203 00:10:33,400 --> 00:10:34,959 Speaker 1: We'll get into it and a little have a lot 204 00:10:35,040 --> 00:10:39,000 Speaker 1: to say about this. This was finally the very first 205 00:10:39,000 --> 00:10:41,800 Speaker 1: episode you guys filmed, right, We've been talking about that 206 00:10:42,280 --> 00:10:49,480 Speaker 1: for a long time since the first one. Because I 207 00:10:49,600 --> 00:10:51,600 Speaker 1: randomly could not sleep the other night and then I 208 00:10:51,640 --> 00:10:52,920 Speaker 1: was like, what was the name of that woman on 209 00:10:52,960 --> 00:10:54,280 Speaker 1: the show with the talking buddy? And I got on 210 00:10:54,320 --> 00:10:55,480 Speaker 1: my phone in the middle of the night in the 211 00:10:55,559 --> 00:10:57,600 Speaker 1: dark figured out that it was Nicky Cox and then 212 00:10:57,640 --> 00:10:59,720 Speaker 1: I read a whole Wikipedia. I learned a lot. Well, 213 00:11:00,120 --> 00:11:06,120 Speaker 1: she was my first girlfriend. My first Los Angeles was 214 00:11:06,200 --> 00:11:08,800 Speaker 1: Nicky Cox. She was fifteen, I was sixteen. It was 215 00:11:08,880 --> 00:11:10,400 Speaker 1: like we dated for like a month. I think we 216 00:11:10,440 --> 00:11:13,080 Speaker 1: held hands once. It was my mind is blown because 217 00:11:13,080 --> 00:11:15,920 Speaker 1: then well that wasn't in the wicki um, but they 218 00:11:15,960 --> 00:11:18,920 Speaker 1: took it out. Somebody edited that out. They didn't mention 219 00:11:18,920 --> 00:11:27,679 Speaker 1: that she was Nicky Cox. Thank you, just like we're 220 00:11:27,679 --> 00:11:33,320 Speaker 1: gonna getting ready to bob cat. She was. My mind 221 00:11:33,440 --> 00:11:36,920 Speaker 1: was blown. She was yeah, and David Kevin I was like, 222 00:11:36,960 --> 00:11:38,280 Speaker 1: how did that go down? I want to hear the 223 00:11:38,280 --> 00:11:42,520 Speaker 1: podcast about that. Yeah, it's Nicky and I reconnected like 224 00:11:42,880 --> 00:11:45,120 Speaker 1: four or five years ago and had a really nice 225 00:11:45,200 --> 00:11:48,959 Speaker 1: kind of email exchange for a good two or three months, 226 00:11:48,960 --> 00:11:52,079 Speaker 1: and then she dropped off the planet again. So she 227 00:11:52,080 --> 00:11:54,880 Speaker 1: she does that occasionally, but she's gonna totally sweet. Wait, 228 00:11:54,920 --> 00:11:57,480 Speaker 1: so where does this episode number one oh seven fall 229 00:11:57,520 --> 00:12:00,680 Speaker 1: in the order of how you guys shot at them? 230 00:12:00,760 --> 00:12:06,200 Speaker 1: I believe right right before right after Corris Alternative Friends. Okay, 231 00:12:06,240 --> 00:12:09,000 Speaker 1: so this was either are like third or fourth one 232 00:12:09,360 --> 00:12:11,760 Speaker 1: or right after Coreris Alternative Friends. This might have been 233 00:12:11,760 --> 00:12:14,960 Speaker 1: immediately after that I feel like we started we started 234 00:12:14,960 --> 00:12:17,559 Speaker 1: to get on track near here, didn't we Like now 235 00:12:17,800 --> 00:12:19,400 Speaker 1: they kind of started to air where we shot them 236 00:12:19,400 --> 00:12:22,240 Speaker 1: a little bit. The first few were jumbled, and then 237 00:12:22,280 --> 00:12:24,679 Speaker 1: they kind of started to go in order. Yeah, but 238 00:12:24,760 --> 00:12:27,480 Speaker 1: this is clearly where they were writing one for you Will. 239 00:12:27,520 --> 00:12:29,920 Speaker 1: I mean this this, I mean besides obviously the guest 240 00:12:30,040 --> 00:12:32,800 Speaker 1: you know, the Grandma storyline, It feels like this is 241 00:12:32,840 --> 00:12:35,400 Speaker 1: where and I remember filming this one and watching those 242 00:12:35,400 --> 00:12:38,160 Speaker 1: scenes with you and realizing how funny you were. I 243 00:12:38,160 --> 00:12:40,040 Speaker 1: think that this was where we were sort of Eric 244 00:12:40,080 --> 00:12:43,320 Speaker 1: finally found his voice. That's what I was going to say. 245 00:12:43,360 --> 00:12:45,439 Speaker 1: I actually was thinking this was like the first episode 246 00:12:45,480 --> 00:12:47,400 Speaker 1: you guys filmed, and I was going to say, how 247 00:12:47,440 --> 00:12:49,600 Speaker 1: did why did you get worse after this one? Because 248 00:12:49,760 --> 00:12:54,800 Speaker 1: you were chest stride? This is the episode where he 249 00:12:54,840 --> 00:12:57,240 Speaker 1: hit his stride. Yeah, this is the one. This is 250 00:12:57,280 --> 00:12:59,720 Speaker 1: this is like Eric, Eric was Eric, and a lot 251 00:12:59,840 --> 00:13:02,600 Speaker 1: was first time for I mean, I remember finally getting 252 00:13:02,760 --> 00:13:07,079 Speaker 1: the stones, the gall to to go. I'm going to 253 00:13:07,160 --> 00:13:09,120 Speaker 1: go talk to Michael Jacobs. I mean, he was this 254 00:13:09,480 --> 00:13:12,400 Speaker 1: mythical creature that I was sixteen at the time, and 255 00:13:12,400 --> 00:13:14,000 Speaker 1: I was like, I I, oh my god, but I 256 00:13:14,000 --> 00:13:16,520 Speaker 1: went and I actually I said Mark, because I'm not 257 00:13:16,520 --> 00:13:20,360 Speaker 1: sure I knew his name. Michael, Um, I want to 258 00:13:20,400 --> 00:13:22,959 Speaker 1: do a scene with William Daniels. And this was what 259 00:13:23,120 --> 00:13:25,280 Speaker 1: I think maybe two weeks before he did this one, 260 00:13:25,360 --> 00:13:27,000 Speaker 1: and he said, all right, well we're writing something, but 261 00:13:27,040 --> 00:13:28,720 Speaker 1: I'll make sure there's more in there for it. And 262 00:13:28,760 --> 00:13:30,680 Speaker 1: then he came up to me, it's like, you're gonna 263 00:13:30,720 --> 00:13:32,080 Speaker 1: like what you got. You're gonna like what you got, 264 00:13:32,080 --> 00:13:34,120 Speaker 1: and so this I like, I asked, like, please let 265 00:13:34,120 --> 00:13:38,360 Speaker 1: me work with It worked like the two of the 266 00:13:38,520 --> 00:13:40,280 Speaker 1: Never We we We've talked in a lot of these 267 00:13:40,280 --> 00:13:42,360 Speaker 1: episodes about pairing people up, like they keep trying to 268 00:13:42,400 --> 00:13:44,240 Speaker 1: pair people up, and you never know what's gonna work 269 00:13:44,240 --> 00:13:46,480 Speaker 1: and what's gonna match and what's not gonna match. And 270 00:13:46,520 --> 00:13:48,760 Speaker 1: it worked. It was for some reason, Eric and Bill, 271 00:13:49,880 --> 00:13:52,400 Speaker 1: you know, Eric and Feenie worked together and kind of 272 00:13:52,440 --> 00:13:54,160 Speaker 1: then became the template for a lot of the stuff 273 00:13:54,200 --> 00:13:55,920 Speaker 1: that happened in the future. I mean it was it 274 00:13:56,000 --> 00:13:59,000 Speaker 1: was more Feenie and Corey early, but then it really 275 00:13:59,080 --> 00:14:01,200 Speaker 1: like I was always part heard up with Bill. But 276 00:14:01,240 --> 00:14:02,640 Speaker 1: I want to talk about this later when we get 277 00:14:02,640 --> 00:14:04,800 Speaker 1: into it, because there are there are key differences to 278 00:14:04,800 --> 00:14:07,200 Speaker 1: the relationship at this point between young Bill. I feel 279 00:14:07,240 --> 00:14:10,480 Speaker 1: like the characters are very different than they but we 280 00:14:10,480 --> 00:14:13,200 Speaker 1: can talk about it little nuggets of Eric being stupid 281 00:14:13,320 --> 00:14:16,600 Speaker 1: and little nuggets little not just tiny little. Oh he's 282 00:14:16,679 --> 00:14:31,040 Speaker 1: not as smart as we think. Um please. So the 283 00:14:31,160 --> 00:14:33,640 Speaker 1: episode is about that Phoene's niece is coming for a 284 00:14:33,720 --> 00:14:36,360 Speaker 1: visit and Eric gets Morgan to help in asking her out, 285 00:14:36,440 --> 00:14:38,760 Speaker 1: but he's also getting Morgan to ask a lot of 286 00:14:38,800 --> 00:14:41,800 Speaker 1: girls out. Uh. Corey and the kids Grandma come for 287 00:14:41,880 --> 00:14:44,000 Speaker 1: the weekend and she makes a promise to Corey, but 288 00:14:44,080 --> 00:14:46,640 Speaker 1: he is disappointed when she leaves early and he misses 289 00:14:46,640 --> 00:14:49,200 Speaker 1: out on a fishing trip that Shawn ends up going 290 00:14:49,200 --> 00:14:53,160 Speaker 1: on with Alan Matthews. So this was directed by David Trainer, 291 00:14:53,240 --> 00:14:55,400 Speaker 1: as all the episodes in the first and second seasons 292 00:14:55,400 --> 00:14:58,320 Speaker 1: were the writers Michael Jacobs, April Kelly and Ed Dector, 293 00:14:58,640 --> 00:15:01,400 Speaker 1: who was one of the EPs at the time. I 294 00:15:01,440 --> 00:15:07,480 Speaker 1: didn't know that Doctor and Strauss ever wrote episodes separately. Well, 295 00:15:07,480 --> 00:15:11,320 Speaker 1: this my rundown just says at Dector, but that doesn't 296 00:15:11,360 --> 00:15:13,960 Speaker 1: necessarily mean that it wasn't temperature. It says Dector and 297 00:15:14,000 --> 00:15:16,680 Speaker 1: Strouss and the and the opening crawl. Okay, I'll double 298 00:15:16,760 --> 00:15:19,880 Speaker 1: check that they always wrote together. Um, as you said, 299 00:15:19,960 --> 00:15:23,480 Speaker 1: this aired out of order, so that's why you weren't 300 00:15:23,520 --> 00:15:26,640 Speaker 1: there yet. No, I had are so it aired. Actually, 301 00:15:26,880 --> 00:15:29,520 Speaker 1: it's possible that they filmed this right before I had 302 00:15:29,560 --> 00:15:31,560 Speaker 1: been on an episode, or they filmed it right after 303 00:15:31,640 --> 00:15:33,800 Speaker 1: I had been on an episode. But I was in 304 00:15:33,840 --> 00:15:37,160 Speaker 1: episode one oh four Corey's Alternative Friends, and Topeka was 305 00:15:37,280 --> 00:15:40,680 Speaker 1: only supposed to be in that one episode. After I 306 00:15:40,760 --> 00:15:43,360 Speaker 1: did that one episode, they knew they wanted to bring 307 00:15:43,400 --> 00:15:46,240 Speaker 1: me back for more, but it hadn't I hadn't already 308 00:15:46,240 --> 00:15:49,760 Speaker 1: been included in storylines. So there were still many episodes 309 00:15:49,840 --> 00:15:52,040 Speaker 1: that they did that I wasn't in. Because many did 310 00:15:52,080 --> 00:15:53,720 Speaker 1: you end up doing in the in the first season? 311 00:15:53,760 --> 00:16:00,200 Speaker 1: Were you in like after at half the season? I 312 00:16:00,240 --> 00:16:02,520 Speaker 1: think so. I think once I come back, I may 313 00:16:02,520 --> 00:16:07,600 Speaker 1: be in everyone after that, But for I don't really know. Um, 314 00:16:07,640 --> 00:16:09,560 Speaker 1: but I feel like I did close to thirteen. But 315 00:16:09,640 --> 00:16:12,440 Speaker 1: we'll figure. We'll see after the season's over. I don't 316 00:16:12,440 --> 00:16:14,400 Speaker 1: really know. And we're you still a guest at that 317 00:16:14,480 --> 00:16:18,880 Speaker 1: point where you considered recurring, I was regular guest. No, 318 00:16:19,080 --> 00:16:21,520 Speaker 1: I was not a series regular. I was recurring in 319 00:16:21,560 --> 00:16:25,240 Speaker 1: the season one, and then I was a series regular. 320 00:16:25,960 --> 00:16:28,600 Speaker 1: Well I was, I was considered a series regular in 321 00:16:28,640 --> 00:16:31,120 Speaker 1: season two, but I still didn't get to do every episode. 322 00:16:31,360 --> 00:16:34,280 Speaker 1: So I was a series regular who was guaranteed thirteen 323 00:16:34,640 --> 00:16:37,640 Speaker 1: and then I think I ended up doing like nineteen 324 00:16:37,680 --> 00:16:39,720 Speaker 1: out of twenty two or something. You did. You did 325 00:16:39,800 --> 00:16:42,080 Speaker 1: like the poster shoot and everything for season two, though, 326 00:16:42,080 --> 00:16:43,680 Speaker 1: didn't you, like, aren't you on all the posters? I 327 00:16:43,720 --> 00:16:47,360 Speaker 1: don't think, and I don't even think she gets opening 328 00:16:47,360 --> 00:16:50,520 Speaker 1: credits until season three to have to find out. But 329 00:16:50,560 --> 00:16:53,600 Speaker 1: I remember being confusing, and I remember being upset on 330 00:16:53,640 --> 00:16:58,480 Speaker 1: your behalf. It was honestly even working so hard, and 331 00:16:58,600 --> 00:17:02,520 Speaker 1: she's not. Maybe we've talked about it for sure privately, 332 00:17:02,560 --> 00:17:07,480 Speaker 1: but if you guys knew the pay disparity even after 333 00:17:07,640 --> 00:17:11,480 Speaker 1: I became a series regular, and it was always um. 334 00:17:11,840 --> 00:17:15,440 Speaker 1: The excuse that was used was that, well, we didn't 335 00:17:15,440 --> 00:17:16,840 Speaker 1: know you were going to be on the show. We 336 00:17:16,880 --> 00:17:19,560 Speaker 1: didn't know you. We weren't anticipating you, like wouldn't make 337 00:17:19,800 --> 00:17:24,359 Speaker 1: any sense. But when you get the credit that someone 338 00:17:24,400 --> 00:17:27,520 Speaker 1: else did know by season two, I was accounted for. 339 00:17:27,640 --> 00:17:29,360 Speaker 1: I get that. In season one, I wasn't a part 340 00:17:29,400 --> 00:17:31,879 Speaker 1: of the budget. You weren't anticipating having another series regular, 341 00:17:31,880 --> 00:17:34,239 Speaker 1: but like by season two that excuse should go out 342 00:17:34,280 --> 00:17:36,199 Speaker 1: the window. And then season three rolled around and it 343 00:17:36,240 --> 00:17:38,480 Speaker 1: was still the same excuse, and there was we'll we'll 344 00:17:38,480 --> 00:17:40,080 Speaker 1: get to it. I don't remember exactly where it was. 345 00:17:40,119 --> 00:17:43,000 Speaker 1: I'll have to do some research with contacting Judy Savage, 346 00:17:43,040 --> 00:17:44,320 Speaker 1: who was my agent at the time. I'll have to 347 00:17:44,359 --> 00:17:51,080 Speaker 1: ask her and my dad, my fantastic agent, writer and 348 00:17:51,119 --> 00:17:53,280 Speaker 1: I had the same agent for most of the show, 349 00:17:54,000 --> 00:17:56,639 Speaker 1: and she was fantastic, still is fantastic, and her agency, 350 00:17:56,680 --> 00:17:58,919 Speaker 1: the Savage Agency, is still a fantastic kids agent if 351 00:17:58,960 --> 00:18:00,920 Speaker 1: you're looking to get your kid in any agent. Um, 352 00:18:01,680 --> 00:18:03,120 Speaker 1: so we'll have to get We'll have to get into 353 00:18:03,160 --> 00:18:07,000 Speaker 1: that because you were seriously, I mean, they're still the 354 00:18:07,000 --> 00:18:10,480 Speaker 1: page disparagy there when then they are clearly building Corean 355 00:18:10,520 --> 00:18:13,119 Speaker 1: to Panga as a thing. Yeah, oh yeah, I had to. 356 00:18:13,400 --> 00:18:15,200 Speaker 1: I had to threaten to not show up to a table. 357 00:18:15,400 --> 00:18:21,119 Speaker 1: You're lucky to be on a TV show. Yeah, that 358 00:18:21,520 --> 00:18:25,880 Speaker 1: is how I felt. And when grown ups like agents 359 00:18:25,880 --> 00:18:28,400 Speaker 1: and you know, parents, who are you know? And unfortunately, 360 00:18:28,440 --> 00:18:30,439 Speaker 1: why would your parents be willing to you know, they 361 00:18:30,440 --> 00:18:32,399 Speaker 1: don't they're not comfortable in the industry. My dad was 362 00:18:32,440 --> 00:18:36,600 Speaker 1: listening to My dad was not having it. My dad 363 00:18:36,600 --> 00:18:40,199 Speaker 1: and Judy Savage were doing the negotiations with ABC and 364 00:18:40,400 --> 00:18:44,080 Speaker 1: or did azing and and they said to us, you're 365 00:18:44,080 --> 00:18:46,360 Speaker 1: not you have to not go. And I was sobbing. 366 00:18:46,680 --> 00:18:50,680 Speaker 1: Of course I have to go, and you're gonna lose 367 00:18:50,720 --> 00:18:52,320 Speaker 1: this job for me. And that's what I kept saying 368 00:18:52,320 --> 00:18:54,800 Speaker 1: to Judy and my dad was because they would be like, listen, 369 00:18:55,040 --> 00:18:57,200 Speaker 1: what you know, this is what you should be getting. 370 00:18:57,280 --> 00:18:59,159 Speaker 1: This is where we're at. And the only way to 371 00:18:59,200 --> 00:19:01,560 Speaker 1: get it is if they know that you're serious about 372 00:19:01,600 --> 00:19:03,840 Speaker 1: not coming back unless you get treated fairly. And I 373 00:19:03,880 --> 00:19:06,800 Speaker 1: was like, but I don't feel that way. Just do anything. 374 00:19:07,080 --> 00:19:09,240 Speaker 1: Just do not lose this job for me. That's how 375 00:19:09,280 --> 00:19:11,800 Speaker 1: I feel. If they end up firing me because I 376 00:19:11,840 --> 00:19:14,080 Speaker 1: don't show up to a table read, I will never 377 00:19:14,240 --> 00:19:18,679 Speaker 1: speak to my family's um and I did. I ended up. 378 00:19:18,680 --> 00:19:22,320 Speaker 1: I ended up a sausage of child actor like, this 379 00:19:22,400 --> 00:19:24,679 Speaker 1: is how the sausage gets made. I know. Well, anyway, 380 00:19:24,720 --> 00:19:27,440 Speaker 1: I'm not in this episode. Let's talk about this episode. 381 00:19:28,400 --> 00:19:31,320 Speaker 1: So this is our huge episode for Boy Meats World 382 00:19:31,359 --> 00:19:36,159 Speaker 1: because we have two amazing guest stars through. McClanahan was 383 00:19:36,280 --> 00:19:39,800 Speaker 1: so excited, right and she got the she got the 384 00:19:39,840 --> 00:19:42,600 Speaker 1: guest star applause she did right when she came in. 385 00:19:42,680 --> 00:19:45,120 Speaker 1: It was I wanted to ask you about that? Can 386 00:19:45,160 --> 00:19:50,280 Speaker 1: I pause already? Yes? Um did? Did the audience at 387 00:19:50,280 --> 00:19:52,920 Speaker 1: that point know she was there? Was that a surprise reveal? 388 00:19:53,560 --> 00:19:57,840 Speaker 1: They save her? It's a surprise reveal. So they introduced 389 00:19:57,840 --> 00:20:00,119 Speaker 1: the main cat always was whenever you had a big 390 00:20:00,119 --> 00:20:02,440 Speaker 1: guest star like that, you saved them. So you introduced 391 00:20:02,440 --> 00:20:04,680 Speaker 1: the man. A group of kids, didn't They didn't they 392 00:20:04,720 --> 00:20:06,320 Speaker 1: make them clap? Do you really think a group of 393 00:20:06,440 --> 00:20:10,000 Speaker 1: kids knew who Rue McClanahan was. No, but you have 394 00:20:10,080 --> 00:20:12,000 Speaker 1: to remember she was. I mean, Golden Girls was not 395 00:20:12,119 --> 00:20:15,439 Speaker 1: that long before our show. It seems like just in 396 00:20:15,560 --> 00:20:17,639 Speaker 1: history now, But she was not a whole tounch of 397 00:20:17,680 --> 00:20:19,520 Speaker 1: eleven year olds that were like, we gotta get home 398 00:20:19,520 --> 00:20:22,359 Speaker 1: and see Golden Girls. Will they had applause lights I 399 00:20:22,400 --> 00:20:25,560 Speaker 1: also like, that's what I'm saying, as they literally had. 400 00:20:26,760 --> 00:20:29,639 Speaker 1: They told them to clap. It wasn't like, IMU McClanahan 401 00:20:29,720 --> 00:20:32,000 Speaker 1: bake because she's a huge star for eleven year olds, 402 00:20:32,240 --> 00:20:35,200 Speaker 1: But I I was eleven I loved her. I watched 403 00:20:35,240 --> 00:20:37,919 Speaker 1: Golden Girls from five years old on like I that 404 00:20:38,040 --> 00:20:40,840 Speaker 1: was and that show also really holds up just so, 405 00:20:40,880 --> 00:20:44,160 Speaker 1: it's an amazing show, hilarious, so funny. Still scares people 406 00:20:44,200 --> 00:20:46,719 Speaker 1: that the girl, the women on Golden Girls were in 407 00:20:46,840 --> 00:20:50,600 Speaker 1: their fifties. I could. I looked up her age on 408 00:20:50,760 --> 00:20:52,360 Speaker 1: this episode because I was trying to do the math, 409 00:20:52,400 --> 00:20:53,840 Speaker 1: and I was like, she's in her fifties on this 410 00:20:55,160 --> 00:20:59,520 Speaker 1: she's fifties the Golden Girls. My wife cried when she 411 00:20:59,600 --> 00:21:03,119 Speaker 1: found out that the Golden Girls were in their fifties. 412 00:21:03,480 --> 00:21:05,959 Speaker 1: It's not right. And the oldest one was the was 413 00:21:06,040 --> 00:21:11,159 Speaker 1: younger than daughter Sophia. I was younger than Dorothy. But anyway, no, 414 00:21:11,320 --> 00:21:13,359 Speaker 1: so they so rude, Can I can? I just very quickly, 415 00:21:13,359 --> 00:21:15,320 Speaker 1: here's one thing that was amazing about this episode to me. 416 00:21:15,600 --> 00:21:20,399 Speaker 1: I remember Rue McClanahan being in like every scene and 417 00:21:20,480 --> 00:21:22,960 Speaker 1: she wasn't She was in like two scenes of the show. 418 00:21:23,040 --> 00:21:25,840 Speaker 1: I remember her being like the crux of the thing. 419 00:21:25,880 --> 00:21:28,840 Speaker 1: But it was really about how she wasn't there, right 420 00:21:29,359 --> 00:21:34,080 Speaker 1: and that And did you have in memories of meeting her? Yeah, 421 00:21:34,119 --> 00:21:37,199 Speaker 1: I mean yes, right, do you remember meeting her? I 422 00:21:37,200 --> 00:21:39,199 Speaker 1: mean I mean I remember because it was just in 423 00:21:39,280 --> 00:21:43,360 Speaker 1: the least. Yeah, it was. It was. It was very 424 00:21:43,400 --> 00:21:45,840 Speaker 1: She was very sweet, I mean again from from what 425 00:21:45,880 --> 00:21:48,040 Speaker 1: I remember, and she kind of came in and it 426 00:21:48,160 --> 00:21:50,800 Speaker 1: was she did her stuff and she was very professional 427 00:21:50,840 --> 00:21:52,800 Speaker 1: and like she didn't hang out with us or anything, 428 00:21:53,480 --> 00:21:55,800 Speaker 1: but um, she was very nice, you know. She she 429 00:21:55,920 --> 00:21:57,280 Speaker 1: came in and did her thing. But I was a 430 00:21:57,359 --> 00:22:00,240 Speaker 1: huge Golden Girls fan, so I was floored. I year 431 00:22:00,480 --> 00:22:02,600 Speaker 1: if they were trying to have her come back as 432 00:22:02,640 --> 00:22:05,480 Speaker 1: a recurring character. It seemed like like that would have 433 00:22:05,520 --> 00:22:07,680 Speaker 1: been the smart move if they could get her right. Yeah, 434 00:22:08,200 --> 00:22:11,120 Speaker 1: when I saw the title, I thought, oh, no, grandma dies, 435 00:22:11,240 --> 00:22:13,280 Speaker 1: and then I saw who the Grandma's Like, no, she doesn't. 436 00:22:16,440 --> 00:22:23,879 Speaker 1: Episode seven, I don't know are we are we jumping 437 00:22:23,880 --> 00:22:26,080 Speaker 1: into the living room scene and we already passed the no, no, 438 00:22:26,200 --> 00:22:28,520 Speaker 1: we haven't. We haven't even heard it. I haven't even 439 00:22:28,560 --> 00:22:31,840 Speaker 1: said that. Our second guest star is Carrie Russell. Yeah, 440 00:22:32,240 --> 00:22:35,880 Speaker 1: so Carrie Russell as Jessica, Phoene's niece. And then now 441 00:22:35,920 --> 00:22:38,200 Speaker 1: we are into the episode. We're in Phoenie's backyard core 442 00:22:38,280 --> 00:22:40,240 Speaker 1: and shown are picking snails off of Phoenie's plants for 443 00:22:40,280 --> 00:22:43,120 Speaker 1: when they go fishing. Alan says fish don't eat snails. 444 00:22:43,320 --> 00:22:45,960 Speaker 1: Phoenie laugh saying he was mistaken, and I wrote down 445 00:22:45,960 --> 00:22:48,719 Speaker 1: that this is maybe the first time I've seen a 446 00:22:48,760 --> 00:22:52,199 Speaker 1: Phoenie smile. I had to rewind it because I was like, 447 00:22:52,280 --> 00:22:54,960 Speaker 1: I want to get exactly what's happening here? Does every 448 00:22:55,080 --> 00:23:01,040 Speaker 1: does it? You were already confused. I wasn't confused, but 449 00:23:01,080 --> 00:23:02,640 Speaker 1: I thought if I was a kid, I don't think 450 00:23:02,640 --> 00:23:04,040 Speaker 1: I would get this joke. And then so I was like, 451 00:23:04,200 --> 00:23:07,359 Speaker 1: I want to understand the joke. Okay, he's saying you 452 00:23:07,440 --> 00:23:09,159 Speaker 1: have to pick snails, and then he's just trying to 453 00:23:09,160 --> 00:23:10,840 Speaker 1: get them to take the snails off his plants. But 454 00:23:10,880 --> 00:23:13,600 Speaker 1: then he's convinced that. I mean, I got it. I'm not. 455 00:23:13,800 --> 00:23:16,959 Speaker 1: I'm not nine, but I did. Just rewinded to go 456 00:23:17,240 --> 00:23:20,760 Speaker 1: let's just see how this plays out. It wasn't a 457 00:23:20,880 --> 00:23:24,359 Speaker 1: huge laugh. It wasn't It wasn't it didn't kill but 458 00:23:24,400 --> 00:23:31,280 Speaker 1: it was. But it's going to what we've talked about before, 459 00:23:31,320 --> 00:23:33,280 Speaker 1: where all the others saved by the bells and all 460 00:23:33,280 --> 00:23:35,440 Speaker 1: the shows at the time, the kids always pulled the 461 00:23:35,480 --> 00:23:37,840 Speaker 1: fast one on the teacher. It's kind of interesting to 462 00:23:37,840 --> 00:23:40,240 Speaker 1: see the teacher pulling a fast one on these once 463 00:23:40,240 --> 00:23:42,680 Speaker 1: in a while. No, you're right, and it was cute. 464 00:23:43,080 --> 00:23:45,399 Speaker 1: I thought. Sean and Corey's reaction was very cute and 465 00:23:45,400 --> 00:23:50,080 Speaker 1: they're kind of like, hey, wait, and you know this 466 00:23:50,119 --> 00:23:52,440 Speaker 1: is the second time Phoene has pulled a fast one, 467 00:23:52,480 --> 00:23:55,159 Speaker 1: because we it was at the pilot where Corey the 468 00:23:55,240 --> 00:23:57,960 Speaker 1: painted shutters, Yeah, that's that's right on the fence where 469 00:23:57,960 --> 00:23:59,840 Speaker 1: Corey is like, I'm I'm you're gonna pay me this 470 00:23:59,840 --> 00:24:02,080 Speaker 1: some out and he adds it up wrong and Phoenie's like, okay, great, 471 00:24:02,160 --> 00:24:05,359 Speaker 1: So it's like, yeah, he's Phoenie's pulling a fast one, 472 00:24:05,400 --> 00:24:08,120 Speaker 1: and all the kids left right here, and like I said, 473 00:24:08,160 --> 00:24:10,600 Speaker 1: it's the first time you really see Phoenie smile and 474 00:24:10,600 --> 00:24:13,280 Speaker 1: you realize that he has a life and interests outside 475 00:24:13,280 --> 00:24:15,719 Speaker 1: of being a teacher, and it's it's actually very endearing 476 00:24:15,760 --> 00:24:18,240 Speaker 1: to watch. Um and writer, I'd like to talk about 477 00:24:18,240 --> 00:24:22,560 Speaker 1: your clothes again. Are this? Was this a closer all 478 00:24:22,560 --> 00:24:24,680 Speaker 1: I got? Do I have any lines in this scene? 479 00:24:24,760 --> 00:24:28,680 Speaker 1: I don't think you do. I don't think I do. Man, 480 00:24:28,800 --> 00:24:36,520 Speaker 1: I know you say bye Dad, that's not in the scene. Man, 481 00:24:36,760 --> 00:24:40,840 Speaker 1: you don't need line this scene. I literally like walk 482 00:24:40,880 --> 00:24:42,760 Speaker 1: all the way across the room and like post up 483 00:24:42,800 --> 00:24:45,680 Speaker 1: on the bench. Listen, no one knows the lines because, 484 00:24:45,680 --> 00:24:48,800 Speaker 1: like Lauren is saying, you didn't need them. Natural charisma, 485 00:24:48,880 --> 00:24:50,480 Speaker 1: you don't need. You don't need to say a word. 486 00:24:51,280 --> 00:24:54,560 Speaker 1: We get it all. But I do want to know. 487 00:24:54,840 --> 00:24:57,479 Speaker 1: Do you remember at all? This was a so you 488 00:24:57,520 --> 00:25:01,520 Speaker 1: had on a bright blue long sleeve pattern short sleeve 489 00:25:01,600 --> 00:25:03,480 Speaker 1: that comes down to mid forour arms. And then there 490 00:25:03,560 --> 00:25:06,720 Speaker 1: is a white hooded thing that I can't see what 491 00:25:06,840 --> 00:25:11,439 Speaker 1: that is under a denim vest, but I could believe 492 00:25:11,520 --> 00:25:16,879 Speaker 1: the white hood maybe sewn into the vest. Okay, so 493 00:25:16,920 --> 00:25:21,359 Speaker 1: it was a big you two shirts and then are 494 00:25:21,359 --> 00:25:25,439 Speaker 1: pretty good looking outfit as far as the yeah, it was, 495 00:25:25,600 --> 00:25:28,440 Speaker 1: it was smaller, it was more tailored to you. And 496 00:25:28,680 --> 00:25:30,960 Speaker 1: they've managed to get the look of four shirts with 497 00:25:31,040 --> 00:25:34,040 Speaker 1: only giving you three shirts. How did you not melt 498 00:25:34,080 --> 00:25:37,760 Speaker 1: every night wearing thirty two lowers? Then? While I was 499 00:25:37,880 --> 00:25:42,159 Speaker 1: panicked about changing clothes, Yeah, you remember that the sets 500 00:25:42,160 --> 00:25:46,240 Speaker 1: are thirty six degrees on tape nights like it's it's 501 00:25:46,240 --> 00:25:50,640 Speaker 1: literally forty degrees and then with the lights on, we're 502 00:25:50,640 --> 00:25:54,000 Speaker 1: all still sweating. But anyway, Okay, so they realized that 503 00:25:54,000 --> 00:25:56,000 Speaker 1: Feeny knows how to fish, and Eric is not going 504 00:25:56,000 --> 00:25:58,239 Speaker 1: fishing because he has discovered girls. So then we are 505 00:25:58,280 --> 00:26:01,040 Speaker 1: into the living room. Eric is meaning Morgan to help 506 00:26:01,119 --> 00:26:03,399 Speaker 1: him meet girls. And here's the pair up that we 507 00:26:03,440 --> 00:26:05,920 Speaker 1: often talk about. Well, where you are with Lily nix 508 00:26:06,000 --> 00:26:09,520 Speaker 1: A Morgan and you're feeding her treats like a pet 509 00:26:10,119 --> 00:26:15,639 Speaker 1: Umi and your mom loved it. Of course, of course 510 00:26:15,720 --> 00:26:17,960 Speaker 1: all on board. Oh you're gonna take your little sister 511 00:26:18,040 --> 00:26:21,359 Speaker 1: to the mall at sixteen to bribe her to get 512 00:26:21,480 --> 00:26:25,280 Speaker 1: help you get women? Girls? Good for you, was the 513 00:26:25,520 --> 00:26:27,760 Speaker 1: was the answer we got. It's like, okay, okay, here's 514 00:26:27,760 --> 00:26:29,640 Speaker 1: my question, and maybe we need to watch it back. 515 00:26:29,720 --> 00:26:32,480 Speaker 1: But I think you are lip reading Lily a little bit. 516 00:26:32,640 --> 00:26:36,320 Speaker 1: And I can see that no no, no, no no, no, 517 00:26:36,320 --> 00:26:39,120 Speaker 1: no no no, because it's her lines, that's her. I'm 518 00:26:39,160 --> 00:26:43,560 Speaker 1: getting her too, So that's like layers act. I don't 519 00:26:43,560 --> 00:26:46,120 Speaker 1: know all I wrote down like, well's lip reading, Yeah, 520 00:26:46,119 --> 00:26:48,160 Speaker 1: you know that was That was a Michael Jacobs note. 521 00:26:48,359 --> 00:26:51,760 Speaker 1: That was Michael Jacob's note. He said, when she says 522 00:26:51,800 --> 00:26:54,640 Speaker 1: the line, mouth along with her, like you're like, oh 523 00:26:54,680 --> 00:26:58,320 Speaker 1: my god, she's getting the line. Part of the bat's 524 00:26:58,359 --> 00:27:00,160 Speaker 1: to make it very obvious that you're the one who 525 00:27:00,160 --> 00:27:03,000 Speaker 1: told her what to say. Yeah, so that was and 526 00:27:03,080 --> 00:27:04,520 Speaker 1: that's not to say at some point in the future, 527 00:27:04,560 --> 00:27:06,800 Speaker 1: I won't read somebody else totally by my own fault, 528 00:27:06,840 --> 00:27:08,960 Speaker 1: but in that that's one sense. It was a Michael 529 00:27:09,040 --> 00:27:21,760 Speaker 1: Jacob's note. Did you ever call her weasel? Like? After season? 530 00:27:21,920 --> 00:27:25,800 Speaker 1: No weasel? That was like, I'm energy boy, like weasel. 531 00:27:25,920 --> 00:27:27,920 Speaker 1: They tried to make that work for three episodes and 532 00:27:27,960 --> 00:27:29,600 Speaker 1: they're like, I'm not gonna do that anymore. And that 533 00:27:29,640 --> 00:27:31,280 Speaker 1: was it. I think it's really cute you did it 534 00:27:31,320 --> 00:27:33,280 Speaker 1: in a previous episode where you called her weasel and 535 00:27:33,280 --> 00:27:35,240 Speaker 1: then you nickname. The nickname was wease. I just thought 536 00:27:35,280 --> 00:27:36,600 Speaker 1: it was really cute. I wish I wish it would 537 00:27:36,600 --> 00:27:39,120 Speaker 1: have stuck around. Yeah, And they tried to make Eric 538 00:27:39,160 --> 00:27:40,800 Speaker 1: and Morgan work like that was gonna be a thing, 539 00:27:40,880 --> 00:27:43,600 Speaker 1: and then that and it just didn't. It was very cute, 540 00:27:43,800 --> 00:27:47,560 Speaker 1: and the girl was so great, she's so sweet, she 541 00:27:47,680 --> 00:27:50,600 Speaker 1: was adorable, she's very funny. Um and then we hear 542 00:27:50,600 --> 00:27:54,760 Speaker 1: a Winnebago playing and Grandma comes through the front door. 543 00:27:55,520 --> 00:27:59,960 Speaker 1: And this is the most show Busney nineties commentaries I've 544 00:28:00,040 --> 00:28:03,359 Speaker 1: ever seen. It was just it was a reminder of 545 00:28:03,400 --> 00:28:06,960 Speaker 1: like how much we were still like in the live 546 00:28:07,040 --> 00:28:09,280 Speaker 1: show business, you know what I mean, Like it felt 547 00:28:09,359 --> 00:28:11,080 Speaker 1: very old timing in a way that you just don't 548 00:28:11,119 --> 00:28:13,720 Speaker 1: have that anymore, Like when you were in The Perfect 549 00:28:14,000 --> 00:28:15,920 Speaker 1: Window that was like the best. I mean, I still 550 00:28:15,920 --> 00:28:18,080 Speaker 1: think that was the best TV. But it's like that 551 00:28:18,160 --> 00:28:20,520 Speaker 1: was the most fun you could have, Like someone making 552 00:28:20,520 --> 00:28:23,480 Speaker 1: an entrance like that, everyone going crazy, like waiting for 553 00:28:23,520 --> 00:28:26,520 Speaker 1: it to die down, like that's just so fun for 554 00:28:26,640 --> 00:28:30,439 Speaker 1: a while, for your lame, for your laughs. You know 555 00:28:30,480 --> 00:28:33,400 Speaker 1: what else? I noticed first here and then it came 556 00:28:33,400 --> 00:28:36,520 Speaker 1: back around when in the scene with Corey and Alan 557 00:28:36,680 --> 00:28:40,600 Speaker 1: in the kitchen when he's making the sandwich, the way 558 00:28:40,640 --> 00:28:45,240 Speaker 1: we used props in us in scenes to actually really 559 00:28:45,280 --> 00:28:48,080 Speaker 1: make it feel natural and like what somebody does when 560 00:28:48,080 --> 00:28:49,720 Speaker 1: they come in and they've got gifts and they've got 561 00:28:49,720 --> 00:28:51,720 Speaker 1: a backpack and they're pulling things out and they're showing 562 00:28:51,760 --> 00:28:54,840 Speaker 1: things and like still doing all of that while outward 563 00:28:54,840 --> 00:28:57,920 Speaker 1: facing toward the camera and remembering all of her lines. 564 00:28:58,400 --> 00:29:02,000 Speaker 1: It was like, yeah, it was just good acting business. 565 00:29:02,240 --> 00:29:05,560 Speaker 1: Great it did. It felt like a big performance and 566 00:29:05,600 --> 00:29:08,680 Speaker 1: she I mean, she is a superstar. It just feels 567 00:29:08,720 --> 00:29:11,280 Speaker 1: you felt like a superstar just walked onto the same 568 00:29:12,200 --> 00:29:15,200 Speaker 1: It was really fun. I mean, what an entrance. UM. 569 00:29:15,320 --> 00:29:17,560 Speaker 1: So they're all excited to see Grandma. She's got gifts 570 00:29:17,560 --> 00:29:20,400 Speaker 1: for everybody. She says she's staying for the weekend. Everybody's 571 00:29:20,400 --> 00:29:23,400 Speaker 1: got to cancel their plans. Grandma's gonna take Morgan shopping. 572 00:29:23,560 --> 00:29:25,640 Speaker 1: She's gonna take Eric to go meet girls at the 573 00:29:25,640 --> 00:29:32,360 Speaker 1: auto show, and she's everybody's special thing. She goes and 574 00:29:32,560 --> 00:29:36,480 Speaker 1: with Corey it's baseball. It's perfect exactly the cal Ripkin card, 575 00:29:37,080 --> 00:29:39,320 Speaker 1: his rookie card and they're gonna go get it signed. 576 00:29:39,440 --> 00:29:43,520 Speaker 1: And Corey jumps on Grandma and which was pretty aggressive. 577 00:29:43,600 --> 00:29:45,560 Speaker 1: I think the jumping. I was looking at ru going 578 00:29:45,560 --> 00:29:48,600 Speaker 1: and she okay, She's like falling back on Morgan's like 579 00:29:48,600 --> 00:29:52,720 Speaker 1: they're rushing. It's like, oh man, they're like about to 580 00:29:52,760 --> 00:29:57,160 Speaker 1: kill this little girl. Everyone's fine. Do you guys remember though? 581 00:29:57,200 --> 00:29:59,400 Speaker 1: That kind of like the rehearsal stuff with that at 582 00:29:59,440 --> 00:30:04,760 Speaker 1: Michael was very big on um being very real with 583 00:30:05,360 --> 00:30:07,719 Speaker 1: your physical moves. I remember it on Girl Meets World too, 584 00:30:07,720 --> 00:30:09,520 Speaker 1: where he'd be like, no, I really need the girls 585 00:30:09,560 --> 00:30:11,440 Speaker 1: to fly through the bedroom window. And it was like, 586 00:30:12,760 --> 00:30:15,280 Speaker 1: you mean you want them to appear as though they 587 00:30:15,320 --> 00:30:17,600 Speaker 1: fly through the bedroom window. They can't actually fly through 588 00:30:17,640 --> 00:30:19,600 Speaker 1: bedroom window. But he if if it meant somebody was 589 00:30:19,600 --> 00:30:21,240 Speaker 1: going to fall on someone and jump on someone, He's like, 590 00:30:21,240 --> 00:30:22,040 Speaker 1: what do we have to do? Do Do we have to 591 00:30:22,040 --> 00:30:23,800 Speaker 1: put pillows? Like how do we make it happen? You 592 00:30:23,880 --> 00:30:25,600 Speaker 1: just need to make it happen. I want that to 593 00:30:25,840 --> 00:30:27,480 Speaker 1: I want that to happen. I want Ben to jump 594 00:30:27,520 --> 00:30:29,360 Speaker 1: on her and I want her to fall back on Lily, 595 00:30:29,440 --> 00:30:34,120 Speaker 1: like I can remember those rehearsals. You know, he really 596 00:30:34,640 --> 00:30:36,840 Speaker 1: you said real, but it's actually the opposite. I think 597 00:30:37,080 --> 00:30:39,360 Speaker 1: he wants to Actually he wants it to be physical 598 00:30:39,400 --> 00:30:42,280 Speaker 1: comedy that's real. But the way he envisions it, in 599 00:30:42,280 --> 00:30:44,960 Speaker 1: the way he writes it is often extremely cartooning. That's 600 00:30:44,960 --> 00:30:47,640 Speaker 1: exactly what I mean he want so on the page 601 00:30:47,720 --> 00:30:49,680 Speaker 1: it would be this cartoony thing. He's like, no, no, no, 602 00:30:49,760 --> 00:30:51,680 Speaker 1: we pick him up and we throw him through the door. 603 00:30:52,040 --> 00:30:54,920 Speaker 1: And you're like, that's not the way reality works, and 604 00:30:54,960 --> 00:30:57,760 Speaker 1: you'd have to explain. But then there are some actors 605 00:30:57,800 --> 00:31:00,640 Speaker 1: like Mr Wilford l who could you can just pull 606 00:31:00,880 --> 00:31:03,560 Speaker 1: pull magic tricks, you know, physically can do stuff that 607 00:31:03,600 --> 00:31:06,160 Speaker 1: seem impossible. Like we'll get to the bag throwing later. 608 00:31:06,240 --> 00:31:09,480 Speaker 1: You know, like that is a very cartoony script beat 609 00:31:09,560 --> 00:31:12,920 Speaker 1: that Will pulls off miraculous and it's hysterical. You know, 610 00:31:13,040 --> 00:31:14,680 Speaker 1: he makes it his own. Those are the kinds of 611 00:31:14,720 --> 00:31:17,080 Speaker 1: things like that's why Michael loved writing for somebody like 612 00:31:17,080 --> 00:31:19,760 Speaker 1: Will is it. Will would just throw his body holly 613 00:31:19,800 --> 00:31:22,040 Speaker 1: into these things, you know. Um, and then there are 614 00:31:22,040 --> 00:31:23,600 Speaker 1: a lot of times when actors just have a hard 615 00:31:23,600 --> 00:31:26,440 Speaker 1: time doing that. You know it is it's old schools, uh, 616 00:31:26,680 --> 00:31:29,120 Speaker 1: you know, live acting style to be you have to 617 00:31:29,200 --> 00:31:31,240 Speaker 1: really embody it, you have to physically do these kinds 618 00:31:31,240 --> 00:31:34,280 Speaker 1: of crazy things. But yeah, Michael had had a cartoony 619 00:31:34,360 --> 00:31:37,560 Speaker 1: vision of how human reality worked. Yeah, but I think 620 00:31:37,560 --> 00:31:42,320 Speaker 1: it also like it's like really clear when you're describing 621 00:31:42,360 --> 00:31:44,560 Speaker 1: that that that's part of what made the show so 622 00:31:44,920 --> 00:31:48,040 Speaker 1: like long lasting, because it's like there's such an extreme 623 00:31:48,120 --> 00:31:49,760 Speaker 1: commitment all the time, and I think a lot of 624 00:31:49,800 --> 00:31:52,600 Speaker 1: shows that get canceled really fast you're lacking that, Like 625 00:31:52,800 --> 00:31:55,520 Speaker 1: there's like a clear tone and like decisions being made 626 00:31:55,600 --> 00:31:57,640 Speaker 1: about like that kind of stuff. And like what you 627 00:31:57,640 --> 00:31:59,840 Speaker 1: were saying about all the props, Daniel, like even like 628 00:32:00,120 --> 00:32:02,320 Speaker 1: making the muffins and stuff like it felt so real, 629 00:32:02,440 --> 00:32:04,200 Speaker 1: like it's just like I was walking, Mom is really 630 00:32:04,200 --> 00:32:06,720 Speaker 1: doing that, Like I don't know, there's some shows didn't 631 00:32:06,720 --> 00:32:09,480 Speaker 1: have that for sure. Yeah, there was a writer that 632 00:32:09,560 --> 00:32:11,560 Speaker 1: was the perfect way of saying it. It was written 633 00:32:11,720 --> 00:32:14,000 Speaker 1: very on the page. It was written very cartoon like, 634 00:32:14,120 --> 00:32:16,600 Speaker 1: but what he wanted was very real, physical comedy. He 635 00:32:16,680 --> 00:32:20,120 Speaker 1: actually wanted a character to touch the other character. I 636 00:32:20,200 --> 00:32:23,800 Speaker 1: want Rue McClanahan to have her shoulders be shaken and 637 00:32:23,840 --> 00:32:26,080 Speaker 1: Lily being crushed under her grandma, Like I can I 638 00:32:26,120 --> 00:32:28,320 Speaker 1: can imagine. I can remember him even though I was 639 00:32:28,440 --> 00:32:30,880 Speaker 1: not there, I can envision it right now that I 640 00:32:30,920 --> 00:32:33,000 Speaker 1: can during a run through, he was probably like, no, 641 00:32:33,440 --> 00:32:36,000 Speaker 1: you actually need to jump on her shoulders and Lily 642 00:32:36,120 --> 00:32:38,480 Speaker 1: you get buried under your Like that was a vision 643 00:32:38,480 --> 00:32:40,680 Speaker 1: that would be very important to him. Um, And I 644 00:32:40,720 --> 00:32:42,200 Speaker 1: do think that part of the reason for that is 645 00:32:42,200 --> 00:32:44,640 Speaker 1: that it helps sell the relationship between the family. You 646 00:32:44,720 --> 00:32:46,680 Speaker 1: buy that they're a real family that does this and 647 00:32:46,720 --> 00:32:48,880 Speaker 1: has this dynamic all the time. So it does go 648 00:32:48,920 --> 00:32:51,240 Speaker 1: a long way. Not to get too psychological, but Michael 649 00:32:51,280 --> 00:32:54,720 Speaker 1: Jacobs was a huge comic book fan, like like a 650 00:32:54,840 --> 00:32:57,560 Speaker 1: ridiculous amount of comic books, and as a comic book nerd, 651 00:32:58,040 --> 00:33:01,000 Speaker 1: you're reading something that's cartoony, but you want it to 652 00:33:01,080 --> 00:33:03,840 Speaker 1: be real. You want Superman and be real, you want 653 00:33:03,840 --> 00:33:06,120 Speaker 1: Batman and be real. You want to see these bold, 654 00:33:06,200 --> 00:33:09,000 Speaker 1: big egg cartoon moves on the page and then you're 655 00:33:09,040 --> 00:33:11,400 Speaker 1: imagining the yeah, and you want them to be real. 656 00:33:11,480 --> 00:33:14,040 Speaker 1: So that's kind of what you do. Okay, So we 657 00:33:14,040 --> 00:33:16,800 Speaker 1: continue into the living room. Grandma and Eric walk in 658 00:33:17,120 --> 00:33:20,800 Speaker 1: and uh, Eric shows Corey his arms signed by the 659 00:33:20,880 --> 00:33:25,080 Speaker 1: Lamborghini girl. I knew that. So I'm sitting there watching 660 00:33:25,120 --> 00:33:28,120 Speaker 1: the episode with my wife. I swear to you, I 661 00:33:28,160 --> 00:33:31,680 Speaker 1: have not seen it any amount of this episode since 662 00:33:31,720 --> 00:33:34,720 Speaker 1: it first aired, and about thirty seconds before I turned 663 00:33:34,720 --> 00:33:39,080 Speaker 1: to my wife and I go, Grazzilla Turtziana. The second 664 00:33:39,120 --> 00:33:41,360 Speaker 1: you said that name, I was like, oh, I remember that. 665 00:33:41,480 --> 00:33:43,040 Speaker 1: We used to say that. I guess he said it 666 00:33:43,080 --> 00:33:46,080 Speaker 1: for years afterwards, but I totally totally remembered the name too. 667 00:33:46,120 --> 00:33:48,400 Speaker 1: It was so funny. Remember. The other thing my wife 668 00:33:48,400 --> 00:33:51,120 Speaker 1: said was halfway through the first scene, she went, why 669 00:33:51,200 --> 00:33:54,280 Speaker 1: is your head nodding so much? And I was I 670 00:33:54,320 --> 00:33:57,040 Speaker 1: was just I'd sit in the background and I would agree. 671 00:33:57,080 --> 00:33:59,800 Speaker 1: I just agree with everybody said George cleaned it the 672 00:33:59,800 --> 00:34:02,280 Speaker 1: whole time. When she was nodding, My head had got 673 00:34:02,280 --> 00:34:03,800 Speaker 1: a haircut too. I don't think we I don't think 674 00:34:03,800 --> 00:34:06,280 Speaker 1: it's talked about enough. You had a good hair. Sit 675 00:34:06,440 --> 00:34:08,560 Speaker 1: next to Rider if you're if you're the ugly show pony. 676 00:34:08,600 --> 00:34:12,120 Speaker 1: It doesn't matter the whole, the whole cast great hair, 677 00:34:12,280 --> 00:34:16,719 Speaker 1: great hair, I mean, and then carry I know I 678 00:34:17,080 --> 00:34:19,439 Speaker 1: wrote that down to that. You know they cast Carrie 679 00:34:19,480 --> 00:34:21,480 Speaker 1: Russell partially because of that hair. Michael has a hair 680 00:34:21,560 --> 00:34:27,080 Speaker 1: obsession for all. So he's got his arms signed by 681 00:34:27,080 --> 00:34:31,239 Speaker 1: Graziela Trziana, the Lamborghini Girl. They compare the Lamborghini Girl 682 00:34:31,280 --> 00:34:33,600 Speaker 1: to cal Ripken. Corey is like, you cannot compare cal 683 00:34:33,680 --> 00:34:36,520 Speaker 1: Ripkin's way better. Grandma said she's tired, her dogs are barking. 684 00:34:36,560 --> 00:34:39,839 Speaker 1: She takes her shoes off, and Corey asks, but you're 685 00:34:39,880 --> 00:34:42,200 Speaker 1: not too tired to take me tomorrow to meet cal Ripkin. 686 00:34:42,280 --> 00:34:44,680 Speaker 1: And she says, absolutely not. I'm so excited to spend 687 00:34:44,719 --> 00:34:48,400 Speaker 1: the day with you tomorrow. Um and then uh in 688 00:34:48,440 --> 00:34:51,520 Speaker 1: the kitchen, Eric, here's Poenie knocking on the back door, 689 00:34:51,600 --> 00:34:54,560 Speaker 1: so he lets him in. Phoenie asks how to entertain 690 00:34:54,640 --> 00:34:59,279 Speaker 1: a girl Eric's age, and Eric asks if Poenie is 691 00:34:59,440 --> 00:35:05,240 Speaker 1: dating a teenage girl? And then Eric raises his eyebrows 692 00:35:05,280 --> 00:35:11,960 Speaker 1: like it's very cool. It's it's Mr Phoenix and it's 693 00:35:12,160 --> 00:35:15,719 Speaker 1: just a moment that doesn't land. Well, what does he 694 00:35:16,239 --> 00:35:22,680 Speaker 1: not since the Eisenhower? Hey year old man, are you 695 00:35:22,880 --> 00:35:27,640 Speaker 1: dating a teenage girl and you're a teacher? Like that 696 00:35:27,680 --> 00:35:30,239 Speaker 1: would be the grossest thing you could tell. Even in 697 00:35:30,280 --> 00:35:32,240 Speaker 1: the way the audience laughs that, it kind of falters 698 00:35:32,280 --> 00:35:34,200 Speaker 1: a little bit. I could I could hear a couple 699 00:35:34,200 --> 00:35:37,479 Speaker 1: of people being like, that would not be good about 700 00:35:37,560 --> 00:35:41,240 Speaker 1: Mr Phoene dating I think about Mr dating teenager answer 701 00:35:41,880 --> 00:35:44,400 Speaker 1: it was perfect not since the eisenhowerd And then you 702 00:35:44,440 --> 00:35:47,120 Speaker 1: get it that he's like disgusting, you know, he thinks 703 00:35:47,120 --> 00:35:49,319 Speaker 1: it's gross, and we're all saved and we can go 704 00:35:49,360 --> 00:35:52,040 Speaker 1: back to loving Mr Feenie. So this is the scene 705 00:35:52,080 --> 00:35:54,640 Speaker 1: that I remember during run through, like realizing how much 706 00:35:54,640 --> 00:35:58,560 Speaker 1: of me Will was. And I remember the excitement in 707 00:35:58,600 --> 00:36:01,000 Speaker 1: the room for the first run through because you know, 708 00:36:01,040 --> 00:36:03,040 Speaker 1: I obviously hadn't been there for the rehearsals for this, 709 00:36:03,480 --> 00:36:06,480 Speaker 1: but even just I remember little beats like the way 710 00:36:06,520 --> 00:36:08,560 Speaker 1: Will was eating the pizza because it was during the 711 00:36:08,600 --> 00:36:11,360 Speaker 1: run through you you got the pizza and you you know, Danielle, 712 00:36:11,360 --> 00:36:14,000 Speaker 1: you were talking earlier about room walking in with all 713 00:36:14,040 --> 00:36:17,560 Speaker 1: the business. Like business is so essential for acting. You know, 714 00:36:17,600 --> 00:36:19,759 Speaker 1: it's like what you do with your hands, and it's 715 00:36:19,800 --> 00:36:21,520 Speaker 1: always a way to sort of get out of your 716 00:36:21,560 --> 00:36:25,760 Speaker 1: head and to make yourself busy without being too focused 717 00:36:25,760 --> 00:36:27,719 Speaker 1: on the conflict within the scene with another actor. So 718 00:36:27,800 --> 00:36:32,719 Speaker 1: business is like an essential writing, acting directing technique. And 719 00:36:32,960 --> 00:36:35,920 Speaker 1: Will you found this business with the pizza. And I 720 00:36:35,920 --> 00:36:37,560 Speaker 1: don't even know if I can't remember it was written 721 00:36:37,640 --> 00:36:40,000 Speaker 1: or not, but watching it when we were in rehearsals 722 00:36:40,120 --> 00:36:42,320 Speaker 1: and you actually held a piece of pizza for the rehearsal, 723 00:36:42,760 --> 00:36:44,719 Speaker 1: and then like even just you stumbling back into the 724 00:36:44,800 --> 00:36:46,920 Speaker 1: chair on your way, it was like you just clearly 725 00:36:46,960 --> 00:36:50,200 Speaker 1: found your comedic voice. This week, I feel like as 726 00:36:50,200 --> 00:36:52,680 Speaker 1: at and it was such a fun like oh my god. 727 00:36:52,880 --> 00:36:55,200 Speaker 1: And of course come against Bill as the straight man, 728 00:36:55,400 --> 00:36:58,480 Speaker 1: you know, like your character and and and you know 729 00:36:58,680 --> 00:37:00,960 Speaker 1: it just portends what's what's to come, which is so 730 00:37:01,080 --> 00:37:03,160 Speaker 1: much more of this right like the rest of the scene, 731 00:37:03,200 --> 00:37:05,160 Speaker 1: the rest of the show. This scene is going to 732 00:37:05,160 --> 00:37:07,600 Speaker 1: play out in some form or another many many times, 733 00:37:07,600 --> 00:37:09,840 Speaker 1: and this one is really good. Yeah, this scene was 734 00:37:09,840 --> 00:37:11,520 Speaker 1: was nuts for me because I was just so happy 735 00:37:11,560 --> 00:37:14,040 Speaker 1: to be working with Bill. I finally felt a joke 736 00:37:14,360 --> 00:37:17,279 Speaker 1: like when you it's you know when you when you 737 00:37:17,360 --> 00:37:19,319 Speaker 1: hit a joke, when you actually hit a joke, you 738 00:37:19,320 --> 00:37:21,479 Speaker 1: can feel it. It's like you're ringing ringing a tuning fork. 739 00:37:21,480 --> 00:37:24,160 Speaker 1: And I never felt that before, and I was like, 740 00:37:24,440 --> 00:37:27,239 Speaker 1: exciting it is. It's huge. It's like, oh man, I 741 00:37:27,640 --> 00:37:30,359 Speaker 1: got it. And the first one of the first big 742 00:37:30,440 --> 00:37:32,520 Speaker 1: laughs I ever got was a mistake, and it was 743 00:37:32,560 --> 00:37:35,000 Speaker 1: a mistake during that scene and it was our first 744 00:37:35,080 --> 00:37:38,560 Speaker 1: run through ever and the line is, I would love 745 00:37:38,960 --> 00:37:41,799 Speaker 1: to meet your niece, Mr Feenie, And I said, I 746 00:37:41,800 --> 00:37:46,160 Speaker 1: would love to meet your feast, Mr Ninie, and the 747 00:37:46,280 --> 00:37:49,759 Speaker 1: writers and producers went like laughed hysterically, and it was 748 00:37:49,840 --> 00:37:51,879 Speaker 1: written on the chalkboard in the writer's room, I want 749 00:37:51,920 --> 00:37:53,759 Speaker 1: to meet your feast, Mr Ninie for the rest of 750 00:37:53,760 --> 00:37:58,680 Speaker 1: the season. And yeah, it was just I remember them 751 00:37:58,760 --> 00:38:02,239 Speaker 1: and hearing even did it as a mistake, Hearing that 752 00:38:02,600 --> 00:38:06,719 Speaker 1: natural laughter blast you from one side because they're standing there, 753 00:38:06,840 --> 00:38:10,040 Speaker 1: you know, next to you. Was was it's a drug, 754 00:38:10,120 --> 00:38:13,160 Speaker 1: it's a manag it's also but it's also the fact 755 00:38:13,200 --> 00:38:15,960 Speaker 1: that they laughed and welcomed your mistake. Was you know, 756 00:38:16,040 --> 00:38:17,960 Speaker 1: that's part of the safety net that you need to 757 00:38:17,960 --> 00:38:20,319 Speaker 1: in order to find comedy and to be funny. And 758 00:38:20,360 --> 00:38:22,800 Speaker 1: I think, like, especially as kids, you're always terrified that 759 00:38:22,800 --> 00:38:25,160 Speaker 1: you're gonna do something wrong, and like you think that 760 00:38:25,239 --> 00:38:27,120 Speaker 1: messing up your lines, are saying the words out of 761 00:38:27,200 --> 00:38:29,520 Speaker 1: order is going to ruin it, and then you've you know, 762 00:38:29,560 --> 00:38:31,720 Speaker 1: not done your job. And the fact that they laughed 763 00:38:31,719 --> 00:38:33,359 Speaker 1: and made it part of it. Like, no, no, this 764 00:38:33,360 --> 00:38:35,600 Speaker 1: scene totally worked. It doesn't matter that you said feast 765 00:38:35,719 --> 00:38:39,040 Speaker 1: neany or whatever that Like, I'm sure it was a 766 00:38:39,120 --> 00:38:42,239 Speaker 1: huge step into comfort, you know, and recognizing that, like 767 00:38:42,400 --> 00:38:44,719 Speaker 1: you can stumble, you can screw things up, and like 768 00:38:44,840 --> 00:38:46,799 Speaker 1: that's not the point. The point is to just be 769 00:38:46,840 --> 00:38:48,879 Speaker 1: funny and to be confident and to you know, let 770 00:38:48,920 --> 00:38:52,560 Speaker 1: yourself allow yourself the freedom to make mistakes. Yeah, it 771 00:38:52,640 --> 00:38:54,359 Speaker 1: was great. This is this is by far, I would 772 00:38:54,440 --> 00:38:57,200 Speaker 1: argue this is my as an actor, my most important 773 00:38:57,239 --> 00:38:59,920 Speaker 1: episode of the entire show. Like it this helped me 774 00:39:00,040 --> 00:39:03,279 Speaker 1: kind of find my voice and feel more comfortable and yeah, 775 00:39:03,280 --> 00:39:05,040 Speaker 1: it was this was great for me. There really was 776 00:39:05,320 --> 00:39:07,759 Speaker 1: like a light switch had just been flipped and you 777 00:39:07,920 --> 00:39:10,319 Speaker 1: were lit up from within and suddenly you were in 778 00:39:10,360 --> 00:39:11,920 Speaker 1: your skin and it was I mean, it really is 779 00:39:11,920 --> 00:39:13,960 Speaker 1: because I was saying all along, you've been hard on 780 00:39:14,000 --> 00:39:16,920 Speaker 1: yourself in the other episodes, but seeing you in this 781 00:39:16,960 --> 00:39:20,040 Speaker 1: episode compared to what we had seen in the previous episode, 782 00:39:20,680 --> 00:39:23,279 Speaker 1: it is very apparent that you were uncomfortable before and 783 00:39:23,320 --> 00:39:26,760 Speaker 1: that now you are very comfortable. So welcome will Fredell 784 00:39:26,920 --> 00:39:29,719 Speaker 1: to the show. Joined the show is Eric Matthews in 785 00:39:29,920 --> 00:39:33,799 Speaker 1: episode seven. So Phoeney just really wants to know how 786 00:39:33,840 --> 00:39:37,800 Speaker 1: you keep a teenage girl entertained, and uh, he says, basically, 787 00:39:37,880 --> 00:39:40,520 Speaker 1: it's some combination of dinner in a movie, dinner in 788 00:39:40,520 --> 00:39:43,879 Speaker 1: a movie, and um. But Eric says, you know, oh, 789 00:39:44,040 --> 00:39:46,840 Speaker 1: I definitely cannot entertain your niece for you I have 790 00:39:46,880 --> 00:39:56,720 Speaker 1: strepped throat and yeah, really it was eating the pizza. Um. 791 00:39:56,840 --> 00:40:00,400 Speaker 1: And so Corey comes down into the kitchen. Um. Actually, 792 00:40:00,480 --> 00:40:02,680 Speaker 1: so that you guys end that scene that you're not 793 00:40:02,680 --> 00:40:05,719 Speaker 1: going to entertain his niece and he basically leaves and 794 00:40:05,760 --> 00:40:10,239 Speaker 1: then right, yeah, that was and that was kind of 795 00:40:10,280 --> 00:40:12,879 Speaker 1: a like, h it was like it was a funny joke, 796 00:40:12,960 --> 00:40:14,680 Speaker 1: but they went out kind of hard on it, like 797 00:40:14,680 --> 00:40:20,200 Speaker 1: it was kind of like, yeah, don't do that, girl 798 00:40:20,440 --> 00:40:24,279 Speaker 1: rude phoene um. So then the next scene is still 799 00:40:24,280 --> 00:40:26,799 Speaker 1: in the kitchen, Corey walks down and he asks where 800 00:40:26,920 --> 00:40:31,000 Speaker 1: grandma is, and Amy is um baking blueberry muffins and 801 00:40:31,040 --> 00:40:34,000 Speaker 1: Corey she asks if Corey wants to help. Then Eric 802 00:40:34,040 --> 00:40:35,959 Speaker 1: comes down and asks how long he can go without 803 00:40:36,000 --> 00:40:38,839 Speaker 1: taking a shower so that he can keep his autographed 804 00:40:38,960 --> 00:40:45,800 Speaker 1: arm intact. And then Eric spots Carrie Russell as Jessica 805 00:40:46,400 --> 00:40:48,319 Speaker 1: in the backyard. Yeah, and the way you say it, 806 00:40:48,360 --> 00:40:51,200 Speaker 1: they're like, I've got other interests other than girl girl girl. 807 00:40:51,239 --> 00:40:54,399 Speaker 1: There she is. It was really funny. Can I say 808 00:40:54,440 --> 00:40:57,400 Speaker 1: one thing about um? The mom I thought was really sweet, 809 00:40:57,440 --> 00:40:59,440 Speaker 1: Like and I think maybe this is my adult version 810 00:40:59,480 --> 00:41:01,360 Speaker 1: of my cell watching the show now, But there was 811 00:41:01,440 --> 00:41:04,359 Speaker 1: like he says like some about the grandma and then 812 00:41:04,400 --> 00:41:06,200 Speaker 1: she's like, why don't we make muffins. I'm like she 813 00:41:06,320 --> 00:41:09,520 Speaker 1: knows something and it's as a kid, you don't catch 814 00:41:09,520 --> 00:41:11,719 Speaker 1: that at all, but it's there's something sweet about her, 815 00:41:11,800 --> 00:41:16,560 Speaker 1: just like pivoting his interests into something. It's really great 816 00:41:16,680 --> 00:41:19,359 Speaker 1: and Betsy played that so great because it was like 817 00:41:19,800 --> 00:41:21,600 Speaker 1: you can tell it's but kept the scene moving, but 818 00:41:21,640 --> 00:41:24,040 Speaker 1: you could just enough to be like, oh no, yeah. 819 00:41:24,280 --> 00:41:25,799 Speaker 1: And the parents, I mean you've talked about it a 820 00:41:25,800 --> 00:41:29,920 Speaker 1: bit when you had Um Rusty on, but it was 821 00:41:30,320 --> 00:41:35,040 Speaker 1: they're both so genuine and it feels so comforting to 822 00:41:35,080 --> 00:41:37,120 Speaker 1: watch them. I think that's also a big part of 823 00:41:37,200 --> 00:41:40,000 Speaker 1: like this ensemble. That's so like they have such a 824 00:41:40,080 --> 00:41:43,600 Speaker 1: nice grounding weight that Um carries it that you don't 825 00:41:43,640 --> 00:41:46,440 Speaker 1: really realize when you're watching it as a kid, but 826 00:41:46,520 --> 00:41:48,879 Speaker 1: it's like, oh, the parents are such an integral part 827 00:41:48,880 --> 00:41:52,319 Speaker 1: of the show because it's like they're they're keeping this 828 00:41:52,400 --> 00:41:54,200 Speaker 1: sort of like all these kids who are often always 829 00:41:54,200 --> 00:41:55,920 Speaker 1: funny things like they're kind of just like weighing it down, 830 00:41:55,960 --> 00:42:00,239 Speaker 1: giving it like real real life. They're so relaxed, they 831 00:42:00,239 --> 00:42:03,040 Speaker 1: don't they don't get rattled. That's neither one of them 832 00:42:03,080 --> 00:42:05,800 Speaker 1: as characters or as actors, ever feel out of control, 833 00:42:06,160 --> 00:42:08,440 Speaker 1: and that's really important. I think, you know, we talked 834 00:42:08,480 --> 00:42:10,520 Speaker 1: about it later, but you know, when when Rusty and 835 00:42:10,560 --> 00:42:13,080 Speaker 1: Ben have they're seen, I was surprised by how like 836 00:42:13,640 --> 00:42:16,800 Speaker 1: it actually minimizes all this, you know, like because Rusty 837 00:42:16,920 --> 00:42:20,279 Speaker 1: is like, yeah, that's a small man. That's like a 838 00:42:20,480 --> 00:42:23,440 Speaker 1: wonderful Like, oh, it's all this problem then all this 839 00:42:23,520 --> 00:42:25,799 Speaker 1: feeling of like lack of love is I We'll get 840 00:42:25,840 --> 00:42:27,480 Speaker 1: to it. But no, that yeah, I think that that's 841 00:42:27,520 --> 00:42:30,520 Speaker 1: to your point, To your point, the parents are intentionally 842 00:42:30,840 --> 00:42:35,520 Speaker 1: in control. You know, there's just not question rattled. Can 843 00:42:35,520 --> 00:42:37,520 Speaker 1: I ask you a question because you you brought it 844 00:42:37,560 --> 00:42:39,000 Speaker 1: up a little bit and it's something that we've touched 845 00:42:39,000 --> 00:42:40,920 Speaker 1: on a little bit. You said you watched this as 846 00:42:40,960 --> 00:42:42,640 Speaker 1: a kid, and now you're watching as an adult. Is 847 00:42:42,680 --> 00:42:45,520 Speaker 1: it like watching a whole different show because you're seeing 848 00:42:45,520 --> 00:42:48,080 Speaker 1: it through the eyes and of an adult now. I 849 00:42:48,080 --> 00:42:50,719 Speaker 1: do think there's a bit of that. I mean now 850 00:42:51,040 --> 00:42:53,520 Speaker 1: I also have the experience of doing multicam shows myself now, 851 00:42:53,560 --> 00:42:55,759 Speaker 1: so that adds like a layer of like understanding that 852 00:42:55,800 --> 00:42:59,319 Speaker 1: I didn't have. But I think just the storylines I 853 00:42:59,520 --> 00:43:01,920 Speaker 1: seeing them different. I see it differently as an adult, 854 00:43:01,960 --> 00:43:04,200 Speaker 1: Like that thing. I mean just noticing like, oh, she 855 00:43:04,320 --> 00:43:06,239 Speaker 1: has a secret that she's not telling him. It's like, Oh, 856 00:43:06,239 --> 00:43:07,960 Speaker 1: she's trying to take care of him, She's being a 857 00:43:07,960 --> 00:43:10,719 Speaker 1: good mom. It's like definitely wasn't caring about that. You 858 00:43:10,760 --> 00:43:12,520 Speaker 1: know at the time, like what does core I want 859 00:43:12,560 --> 00:43:15,920 Speaker 1: to do? You know, so not thinking of that way, 860 00:43:16,360 --> 00:43:18,040 Speaker 1: but it's nice to see it that way. I think, 861 00:43:18,040 --> 00:43:20,600 Speaker 1: like and seeing Phoenie like and thinking about these actors 862 00:43:20,600 --> 00:43:22,279 Speaker 1: and listening to you guys talk about it, I think 863 00:43:22,520 --> 00:43:25,680 Speaker 1: is is opening up this other just world of thought 864 00:43:25,719 --> 00:43:29,160 Speaker 1: with it. Just how you know, these adult actors were 865 00:43:29,160 --> 00:43:33,359 Speaker 1: coming into the show having interesting careers and then going 866 00:43:33,360 --> 00:43:35,880 Speaker 1: like I'm gonna do this show that's focused on a child, 867 00:43:35,960 --> 00:43:37,640 Speaker 1: and like what does that mean for me? And like 868 00:43:37,760 --> 00:43:39,719 Speaker 1: is this what I want to do? And and the 869 00:43:39,760 --> 00:43:42,640 Speaker 1: ways that they come into it and like rise to 870 00:43:42,719 --> 00:43:45,560 Speaker 1: that and like actually elevate the show so much that 871 00:43:45,600 --> 00:43:48,480 Speaker 1: within the way they probably weren't expecting to bring, you know, 872 00:43:48,560 --> 00:43:51,560 Speaker 1: as like taking that job or like, um, what they're 873 00:43:51,560 --> 00:43:54,160 Speaker 1: signing up for, you know, but it's it's like it 874 00:43:53,680 --> 00:43:56,719 Speaker 1: it made the show so much more in a way 875 00:43:56,760 --> 00:43:58,920 Speaker 1: that you don't fully recognize when you're just watching at 876 00:43:58,920 --> 00:44:01,960 Speaker 1: service level. Um. But yeah, I mean it's it's definitely 877 00:44:02,040 --> 00:44:05,359 Speaker 1: different watching as an adult for sure. UM. Side note, 878 00:44:05,400 --> 00:44:07,200 Speaker 1: my friend, I was just thinking. My friend in sixth 879 00:44:07,239 --> 00:44:09,319 Speaker 1: grade went to a taping and I was so jealous. 880 00:44:09,360 --> 00:44:12,040 Speaker 1: She went to l a and with her dad and 881 00:44:12,080 --> 00:44:13,520 Speaker 1: he took her to see boy Meats World and she 882 00:44:13,520 --> 00:44:16,359 Speaker 1: had the script. Um. I don't know how she got 883 00:44:16,400 --> 00:44:17,880 Speaker 1: the script, but she brought it back and I was 884 00:44:18,480 --> 00:44:21,400 Speaker 1: and they would do contest during our tape night to 885 00:44:21,400 --> 00:44:25,439 Speaker 1: give away signed scripts. Was there really? Yeah, you don't 886 00:44:25,440 --> 00:44:28,160 Speaker 1: remember we signed ten scripts every night. Every tape night, 887 00:44:28,200 --> 00:44:30,440 Speaker 1: we would sign ten scripts and then or five or 888 00:44:30,480 --> 00:44:32,080 Speaker 1: I think it was ten, and then they would give 889 00:44:32,120 --> 00:44:34,840 Speaker 1: them out by kids got up and sang or people 890 00:44:34,840 --> 00:44:36,960 Speaker 1: got up and did anything. They would have contest. I 891 00:44:37,040 --> 00:44:39,239 Speaker 1: remember the contest, but it was for a script. I do. 892 00:44:39,960 --> 00:44:42,040 Speaker 1: Those were the prizes were signed scripts. So there's a 893 00:44:42,120 --> 00:44:44,279 Speaker 1: lot of people out there who probably have signed you know, 894 00:44:44,360 --> 00:44:46,160 Speaker 1: full cast signed and I think even the guest stars 895 00:44:46,160 --> 00:44:49,520 Speaker 1: would sign them um for that week. So I remember 896 00:44:49,520 --> 00:44:51,400 Speaker 1: every tape night before we went backstage, we'd have to 897 00:44:51,400 --> 00:44:53,799 Speaker 1: sign ten scrips. Yeah. Last week at Comic Con, I 898 00:44:53,840 --> 00:44:56,680 Speaker 1: signed a number of scripts that I could tell were original. 899 00:44:56,719 --> 00:44:59,040 Speaker 1: They had they had been ripped off, but they had 900 00:44:59,080 --> 00:45:01,160 Speaker 1: the stickers in the up a right hand corner where 901 00:45:01,200 --> 00:45:05,120 Speaker 1: that we're they were actual. Like I signed a number 902 00:45:05,120 --> 00:45:06,719 Speaker 1: of them where it's like, oh, so somebody's kind of 903 00:45:06,719 --> 00:45:08,279 Speaker 1: flood in the market with these, and they had ripped 904 00:45:08,280 --> 00:45:12,160 Speaker 1: off whoever it was who had got it to their identity. Yeah, 905 00:45:12,239 --> 00:45:13,880 Speaker 1: but I was like, that is these are real And 906 00:45:13,880 --> 00:45:15,080 Speaker 1: I said to the guys like I wonder if this 907 00:45:15,080 --> 00:45:16,600 Speaker 1: is real. It's like, no, this, this is real. I 908 00:45:16,640 --> 00:45:19,360 Speaker 1: can tell this is real. So yeah, those are starting 909 00:45:19,360 --> 00:45:25,000 Speaker 1: to come out. Now, that's interesting. Here's a really, really 910 00:45:25,000 --> 00:45:27,719 Speaker 1: really inside baseball question. But I honestly can't remember. Did 911 00:45:27,760 --> 00:45:32,600 Speaker 1: we use letters or numbers for our scenes? This is 912 00:45:32,600 --> 00:45:39,040 Speaker 1: a big divide in the sitcom world sometimes so seen A. Okay, 913 00:45:39,040 --> 00:45:42,560 Speaker 1: that's right, it was the same one girl. I don't know. Yeah, 914 00:45:42,640 --> 00:45:45,040 Speaker 1: are you sure we didn't remember? Okay, cool, I couldn't remember. 915 00:45:45,040 --> 00:45:46,600 Speaker 1: I was like, you know, because it becomes so important, 916 00:45:46,600 --> 00:45:48,920 Speaker 1: like what scene are we in? And it sitcoms they 917 00:45:48,920 --> 00:45:51,359 Speaker 1: either do one one, one two, one three or one 918 00:45:51,440 --> 00:45:55,000 Speaker 1: A one B one scene and retrained me because as 919 00:45:55,000 --> 00:45:56,960 Speaker 1: I'm watching the episode, I'll be writing notes and I'll 920 00:45:56,960 --> 00:45:58,600 Speaker 1: be like, oh, it's the cold open, it's act one 921 00:45:58,640 --> 00:46:01,880 Speaker 1: cen A. I'll still write that out as I'm doing it. Okay, 922 00:46:01,880 --> 00:46:04,200 Speaker 1: this conversation is going amazingly well, and we have so 923 00:46:04,400 --> 00:46:06,560 Speaker 1: much more to get to with Lauren Lapkiss, So we 924 00:46:06,600 --> 00:46:08,560 Speaker 1: are going to split this up into two episodes, so 925 00:46:08,600 --> 00:46:10,840 Speaker 1: I hope you don't mind join us for the next episode. 926 00:46:10,920 --> 00:46:14,080 Speaker 1: You will not be disappointed. We love you all. Hod 927 00:46:14,160 --> 00:46:18,720 Speaker 1: dismissed Cod Meets World as an I heart podcast, produced 928 00:46:18,719 --> 00:46:22,440 Speaker 1: and hosted by Daniel Fisher, Wilfredel and Writer Strong. Executive 929 00:46:22,440 --> 00:46:25,840 Speaker 1: producers Jensen Carpon, Amy Sugarman Executive in charge of production, 930 00:46:25,920 --> 00:46:30,840 Speaker 1: Danielle Romo, producer and editor, Tara sud Bash producer, Lorraine Verruez, 931 00:46:31,040 --> 00:46:34,480 Speaker 1: engineer and Boy Meets World super fan Easton Allen. Our 932 00:46:34,560 --> 00:46:37,480 Speaker 1: theme song is by Kyle Morton of Typhoon. Follow us 933 00:46:37,480 --> 00:46:40,319 Speaker 1: on Instagram at Pod Meets World Show or email us 934 00:46:40,360 --> 00:46:43,240 Speaker 1: at Pod Meets World Show at gmail dot com.