WEBVTT - Mark-Paul Gosselaar

0:00:00.160 --> 0:00:03.160
<v Speaker 1>For me, I've been able. I mean yeah, I've just

0:00:03.160 --> 0:00:06.040
<v Speaker 1>been able to not look like the people that I

0:00:06.080 --> 0:00:09.399
<v Speaker 1>play on screen. And so I've lived this life where

0:00:10.160 --> 0:00:12.000
<v Speaker 1>I've tried it one time where I've walked into a

0:00:12.039 --> 0:00:14.400
<v Speaker 1>restaurant and go, yeah, we can't seet you. Hey, do

0:00:14.440 --> 0:00:16.840
<v Speaker 1>you know who I am? And they're like nope, And

0:00:16.880 --> 0:00:19.639
<v Speaker 1>I'm like, yep, that worked well, because yeah, why would

0:00:19.640 --> 0:00:21.759
<v Speaker 1>you know who I am? I don't look like you really,

0:00:27.320 --> 0:00:31.720
<v Speaker 1>I am Mark Baul Gostler, and I am completely off

0:00:32.400 --> 0:00:36.360
<v Speaker 1>the beat. They like that, don't you. Brian? You like that?

0:00:41.600 --> 0:00:45.760
<v Speaker 2>Welcome back, everybody. You right now are exactly where you

0:00:45.800 --> 0:00:50.760
<v Speaker 2>should be. You're here listening to Off the Beat with me,

0:00:51.120 --> 0:00:55.120
<v Speaker 2>your host, Brian Baumgartner. Today I have with me a

0:00:55.160 --> 0:00:58.760
<v Speaker 2>truly fantastic actor who also happens to be my friend

0:00:59.080 --> 0:01:04.600
<v Speaker 2>and my neighbor, Mark Paul Gossler. You all, most definitely

0:01:05.000 --> 0:01:08.520
<v Speaker 2>if you are between the ages of eighteen and fifty eight,

0:01:09.200 --> 0:01:14.360
<v Speaker 2>know him as the teen heartthrob Zach Morris from Saved

0:01:14.360 --> 0:01:17.120
<v Speaker 2>by the Bell. Yes, the very guy whose picture was

0:01:17.200 --> 0:01:20.399
<v Speaker 2>probably ripped out of an issue of Tiger Beat magazine

0:01:20.440 --> 0:01:23.600
<v Speaker 2>and taped to your bedroom wall or your sisters, or

0:01:23.600 --> 0:01:26.360
<v Speaker 2>your girlfriends or boyfriends, at least if you're of a

0:01:26.360 --> 0:01:30.560
<v Speaker 2>certain age. My producer, Emily actually, and this is true,

0:01:30.880 --> 0:01:33.600
<v Speaker 2>squealed when she heard that he was coming on the show.

0:01:34.160 --> 0:01:36.400
<v Speaker 2>He's got that kind of effect on people, even thirty

0:01:36.440 --> 0:01:40.520
<v Speaker 2>years later. But to be clear, Emily has never squealed

0:01:40.760 --> 0:01:44.440
<v Speaker 2>because I was going to be on the show. Since

0:01:44.480 --> 0:01:47.440
<v Speaker 2>he left the Halls of Bayside High Mark Paul, he's

0:01:47.480 --> 0:01:50.960
<v Speaker 2>worked on a really wide range of projects. Detective John

0:01:51.080 --> 0:01:54.040
<v Speaker 2>Clark on one of my favorite shows which I can't

0:01:54.280 --> 0:01:57.960
<v Speaker 2>wait for you to hear about today, NYPD Blue, Peter

0:01:58.160 --> 0:02:01.520
<v Speaker 2>Bash in the legal comedy Franklin and Bash. He's done

0:02:01.520 --> 0:02:05.440
<v Speaker 2>political dramas like Commander in Chief, The Captain of the Padres,

0:02:05.600 --> 0:02:09.520
<v Speaker 2>un pitched Stay at Home Dad on Kenya Barris' comedy

0:02:10.040 --> 0:02:15.040
<v Speaker 2>Mixed Dish, and most recently and currently, he is exploring

0:02:15.080 --> 0:02:20.959
<v Speaker 2>some downright creepy stuff as a deranged kidnapper on NBC's

0:02:21.800 --> 0:02:26.000
<v Speaker 2>Found He is fantastic and it has just been given

0:02:26.560 --> 0:02:29.520
<v Speaker 2>a season two. He's been in the business since he

0:02:29.600 --> 0:02:31.720
<v Speaker 2>was five years old and he's still finding ways to

0:02:31.800 --> 0:02:36.280
<v Speaker 2>challenge himself and show his versatility. I admire him so much.

0:02:36.720 --> 0:02:39.639
<v Speaker 2>He may be Zach Morris and Emily's heart, but guys,

0:02:39.800 --> 0:02:42.120
<v Speaker 2>he's a lot of other things too. And another thing

0:02:42.200 --> 0:02:44.840
<v Speaker 2>he is is a great podcast guest. I know you're

0:02:44.840 --> 0:02:50.280
<v Speaker 2>gonna love hearing from the talented, the handsome, the neighborly Mark,

0:02:50.400 --> 0:02:51.960
<v Speaker 2>Paul Gossler.

0:02:55.280 --> 0:03:02.919
<v Speaker 3>Bubblin Squeak, I love it, Bubble and Squeig, Bubble and

0:03:03.000 --> 0:03:07.840
<v Speaker 3>Squeaker cook get every month lift over from the night before.

0:03:18.000 --> 0:03:18.880
<v Speaker 2>What's up, neighbor?

0:03:19.600 --> 0:03:20.880
<v Speaker 1>Hey, what's going on?

0:03:22.080 --> 0:03:22.640
<v Speaker 2>How are you?

0:03:23.040 --> 0:03:26.359
<v Speaker 1>I'm doing all right? I mean are you? Are you actually?

0:03:26.440 --> 0:03:28.480
<v Speaker 1>Are we in the same airspace.

0:03:28.040 --> 0:03:31.200
<v Speaker 2>Or were we are in the same airspace? Yes? If

0:03:31.440 --> 0:03:34.839
<v Speaker 2>if a helicopter passes above you, you will hear it

0:03:35.520 --> 0:03:36.480
<v Speaker 2>ten seconds later.

0:03:36.880 --> 0:03:39.560
<v Speaker 1>For me, if something were to go wrong in our area,

0:03:39.680 --> 0:03:43.640
<v Speaker 1>two national treasures would go down, what would what would America?

0:03:43.680 --> 0:03:45.320
<v Speaker 1>What would the world do? What?

0:03:45.920 --> 0:03:49.800
<v Speaker 2>It would be very very sad. I think you're a

0:03:49.920 --> 0:03:52.880
<v Speaker 2>national treasure. I'm I don't know what I am, but

0:03:52.960 --> 0:03:56.440
<v Speaker 2>I don't know about that. How are you liking it

0:03:56.800 --> 0:03:57.360
<v Speaker 2>down here?

0:03:58.440 --> 0:04:01.600
<v Speaker 1>You know? I I I can't put it into words,

0:04:01.600 --> 0:04:08.200
<v Speaker 1>which is not great for a podcast, But we feel

0:04:08.400 --> 0:04:12.120
<v Speaker 1>so fortunate that we are here. I am born and

0:04:12.160 --> 0:04:16.440
<v Speaker 1>raised in Los Angeles. I love California. There's a lot

0:04:16.480 --> 0:04:19.080
<v Speaker 1>of you know, there's a lot of negatives we could

0:04:19.200 --> 0:04:22.240
<v Speaker 1>point at California, but there's also a lot of positives.

0:04:22.279 --> 0:04:25.719
<v Speaker 1>And I think where we are down south here it

0:04:26.000 --> 0:04:33.039
<v Speaker 1>just embodies all the positives. Beautiful air, less people, more space.

0:04:34.000 --> 0:04:36.359
<v Speaker 1>My kids surfed during the week, you know, it's not

0:04:36.440 --> 0:04:38.400
<v Speaker 1>a you know, going to the beach when you were

0:04:38.400 --> 0:04:42.240
<v Speaker 1>in Los Angeles took pretty much the entire day. I

0:04:42.520 --> 0:04:46.279
<v Speaker 1>sometimes go, you know, after drop off of dropping our

0:04:46.360 --> 0:04:48.440
<v Speaker 1>kids off at school, I go do a session real quick.

0:04:48.440 --> 0:04:50.360
<v Speaker 1>I'm back by ten thirty. It's amazing have the rest

0:04:50.360 --> 0:04:52.760
<v Speaker 1>of the day to do other things which would take

0:04:53.200 --> 0:04:57.120
<v Speaker 1>a full day in Los Angeles. It just you realize

0:04:57.120 --> 0:05:00.640
<v Speaker 1>once you're out of there, out of the it's a city.

0:05:01.000 --> 0:05:04.560
<v Speaker 1>You know, we we forget that that Los Angeles because

0:05:04.560 --> 0:05:08.159
<v Speaker 1>it's so so suburban and it's so vast. You forget

0:05:08.240 --> 0:05:12.400
<v Speaker 1>you're actually in a city. It's why it feels that way,

0:05:12.440 --> 0:05:13.440
<v Speaker 1>It's why there's so many people.

0:05:14.440 --> 0:05:17.400
<v Speaker 2>Yeah, you told me a story when I first saw

0:05:17.440 --> 0:05:21.560
<v Speaker 2>you down here, which I was shocked about. But I

0:05:21.600 --> 0:05:23.600
<v Speaker 2>do want you to tell it here because I think

0:05:23.640 --> 0:05:27.880
<v Speaker 2>it's it's very very interesting. You and I were at

0:05:28.360 --> 0:05:32.800
<v Speaker 2>a fan convention together a number of years ago, and

0:05:32.839 --> 0:05:35.800
<v Speaker 2>as I'll set it up and and and you take

0:05:35.839 --> 0:05:39.400
<v Speaker 2>it from there my recollections. We arrived at the airport

0:05:39.640 --> 0:05:42.080
<v Speaker 2>and you were like, are you on you know, my

0:05:42.200 --> 0:05:43.280
<v Speaker 2>flight back back to.

0:05:43.320 --> 0:05:46.400
<v Speaker 1>LA And I, oh, the connection. That that's why the connection.

0:05:46.640 --> 0:05:48.799
<v Speaker 1>It was the connection. We had to make a connection,

0:05:49.000 --> 0:05:52.159
<v Speaker 1>I believe in Dallas and okay, all like there were

0:05:52.200 --> 0:05:54.360
<v Speaker 1>there were a few other people with us, and we

0:05:54.440 --> 0:05:57.960
<v Speaker 1>all went to the gate for La X. You went

0:05:58.000 --> 0:06:00.320
<v Speaker 1>somewhere else and I was like, wait, you not come

0:06:00.400 --> 0:06:03.840
<v Speaker 1>with us, so go ahead? Is that is that the story? Yeah?

0:06:03.920 --> 0:06:06.600
<v Speaker 2>Yeah, And I said, no, I'm going to San Diego.

0:06:06.680 --> 0:06:10.080
<v Speaker 2>I've moved down south. I don't live exactly in San Diego,

0:06:10.120 --> 0:06:12.200
<v Speaker 2>but you know, we lived down here. It's easy to

0:06:12.240 --> 0:06:14.599
<v Speaker 2>fly in San Diego. And I said it was the

0:06:14.600 --> 0:06:19.760
<v Speaker 2>best decision I ever made. Yeah, And you referenced this

0:06:19.880 --> 0:06:22.400
<v Speaker 2>story when we ran into each other and I had

0:06:22.560 --> 0:06:25.320
<v Speaker 2>heard rumors that you lived down here, but we hadn't

0:06:25.360 --> 0:06:26.400
<v Speaker 2>seen each other yet.

0:06:26.680 --> 0:06:30.560
<v Speaker 1>Well, because you told me the exact spot you were

0:06:31.200 --> 0:06:35.240
<v Speaker 1>in and I said, oh, yes, I'm familiar with that.

0:06:35.400 --> 0:06:37.720
<v Speaker 1>I've stayed in that area. There's a there's a beautiful

0:06:37.720 --> 0:06:41.000
<v Speaker 1>hotel in this area, and I've stayed at that hotel,

0:06:41.600 --> 0:06:45.880
<v Speaker 1>and that was you know, I worked here in San

0:06:45.920 --> 0:06:48.200
<v Speaker 1>Diego in twenty sixteen. I was on a show called Pitch.

0:06:49.200 --> 0:06:52.479
<v Speaker 1>We were the San Diego Padres. So we did a

0:06:52.480 --> 0:06:55.279
<v Speaker 1>lot of work at Petco Park, which is a phenomenal

0:06:55.320 --> 0:06:59.880
<v Speaker 1>park to watch a baseball game, concert venues like it

0:07:00.160 --> 0:07:02.600
<v Speaker 1>is state of the art, right, So you go there.

0:07:02.880 --> 0:07:05.240
<v Speaker 1>You could just go there for the food and drink.

0:07:05.680 --> 0:07:08.320
<v Speaker 1>It's just a great place. Getting in and out is easy.

0:07:08.640 --> 0:07:12.200
<v Speaker 1>It's just an easier lifestyle. And so in twenty sixteen,

0:07:12.400 --> 0:07:14.160
<v Speaker 1>my wife and I we rented a house while we

0:07:14.160 --> 0:07:18.400
<v Speaker 1>were filming and love the area. My two older children

0:07:18.560 --> 0:07:21.520
<v Speaker 1>from a previous marriage were too young for us to move.

0:07:21.600 --> 0:07:23.280
<v Speaker 1>We wanted to keep them in the schools that they

0:07:23.280 --> 0:07:26.440
<v Speaker 1>were in in La But I fell in love with

0:07:26.560 --> 0:07:31.080
<v Speaker 1>our particular area a few years after that and said,

0:07:31.120 --> 0:07:33.280
<v Speaker 1>you know, so when I saw you, you said you

0:07:33.320 --> 0:07:35.560
<v Speaker 1>were going there, and I'm like, one of these days, Brian,

0:07:35.720 --> 0:07:38.880
<v Speaker 1>I'm going to be your neighbor. And so sure enough

0:07:38.960 --> 0:07:42.600
<v Speaker 1>last year when when I saw you, you know, we

0:07:42.640 --> 0:07:45.160
<v Speaker 1>made it work. And yeah, again, We just feel so

0:07:45.440 --> 0:07:47.440
<v Speaker 1>fortunate that we were able to make it work. My children.

0:07:48.400 --> 0:07:51.840
<v Speaker 1>My son graduated and he's now in college. My daughter

0:07:51.880 --> 0:07:55.200
<v Speaker 1>is going to graduate her senior year this year. But

0:07:55.280 --> 0:07:57.160
<v Speaker 1>our two younger ones are ten and eight year old,

0:07:57.200 --> 0:08:00.960
<v Speaker 1>go to school out here, and yeah, they're they're thriving,

0:08:01.000 --> 0:08:03.560
<v Speaker 1>and the sports programs out here are amazing. You know what,

0:08:03.600 --> 0:08:05.880
<v Speaker 1>we really shouldn't talk about San Diego because I don't

0:08:05.880 --> 0:08:06.880
<v Speaker 1>want people moving down here.

0:08:07.000 --> 0:08:12.640
<v Speaker 2>It's awful. It really looks out the window right now.

0:08:12.720 --> 0:08:15.720
<v Speaker 2>It's tear it's raining and cold.

0:08:16.160 --> 0:08:18.680
<v Speaker 1>Yeah, so many people out here, there's there's too many.

0:08:18.800 --> 0:08:23.560
<v Speaker 1>It's it's traffic. You can't get anywhere. The food sucks.

0:08:23.760 --> 0:08:26.200
<v Speaker 1>That's another thing. It's so funny. It's like in La.

0:08:26.240 --> 0:08:28.000
<v Speaker 1>When I tell people I move, they're like, yeah, but

0:08:28.200 --> 0:08:34.160
<v Speaker 1>how's the food? And actually I've eaten some really great restaurants,

0:08:34.160 --> 0:08:36.200
<v Speaker 1>more so here than I do in La, because in

0:08:36.320 --> 0:08:38.400
<v Speaker 1>La it was just such a chore to get to

0:08:39.040 --> 0:08:41.640
<v Speaker 1>the restaurants that you would have to have. You know,

0:08:41.760 --> 0:08:44.120
<v Speaker 1>if you went to Craig's, right, you got to know

0:08:44.200 --> 0:08:45.240
<v Speaker 1>Craig to get in.

0:08:45.280 --> 0:08:48.080
<v Speaker 2>It's but you do have to know Craig, that's right.

0:08:48.480 --> 0:08:51.600
<v Speaker 1>And here. It's like you go to these great restaurants

0:08:51.800 --> 0:08:54.280
<v Speaker 1>and you just call and they're like, oh yeah, we

0:08:54.280 --> 0:08:57.240
<v Speaker 1>can totally get you in. You're like wait, really, like

0:08:57.280 --> 0:08:59.439
<v Speaker 1>I don't I don't need an hour in an hour

0:08:59.520 --> 0:09:03.240
<v Speaker 1>in an hour. It's just again though, you don't want

0:09:03.240 --> 0:09:04.320
<v Speaker 1>to come down to San Diego, SA.

0:09:04.559 --> 0:09:10.000
<v Speaker 2>No, it's terrible. Well, you've had to spend a little

0:09:10.040 --> 0:09:13.200
<v Speaker 2>time away working on your new project. I want to

0:09:13.240 --> 0:09:16.079
<v Speaker 2>talk about that and a little bit. But I do

0:09:16.120 --> 0:09:18.920
<v Speaker 2>want to go back and hopefully share with some people

0:09:19.679 --> 0:09:23.160
<v Speaker 2>some things that they don't know about you. Now. You

0:09:23.400 --> 0:09:25.720
<v Speaker 2>you mentioned you're born and raised in l way Ye

0:09:26.760 --> 0:09:33.920
<v Speaker 2>to a Dutch Indonesian family, so you have three cultures

0:09:33.960 --> 0:09:39.040
<v Speaker 2>going on in your household as a child, right, Yeah.

0:09:39.280 --> 0:09:41.480
<v Speaker 1>I was the only one out of my out of

0:09:41.480 --> 0:09:43.640
<v Speaker 1>the four of us my siblings, I have three siblings

0:09:43.920 --> 0:09:47.199
<v Speaker 1>that was born in the States. I came. I came

0:09:47.240 --> 0:09:50.560
<v Speaker 1>way later. My mother was thirty five when she had me,

0:09:50.640 --> 0:09:52.959
<v Speaker 1>which back then, you know, I was born in the seventies.

0:09:53.080 --> 0:09:56.040
<v Speaker 1>Was like, oh boy, right, he's going to come out

0:09:56.040 --> 0:09:59.600
<v Speaker 1>with a horn on his head, which is fine. They

0:09:59.640 --> 0:10:02.080
<v Speaker 1>just shaved down, you know, you can't tell they put

0:10:02.120 --> 0:10:04.200
<v Speaker 1>makeup over it. They can't tell you, but I was

0:10:04.240 --> 0:10:08.600
<v Speaker 1>definitely an oops baby. We had that culture. My mom

0:10:08.800 --> 0:10:12.560
<v Speaker 1>is all Indonesia and my father is Dutch. He actually

0:10:12.640 --> 0:10:16.200
<v Speaker 1>I was talking to Stephanie Seymour yesterday as Stephanie Seymour

0:10:16.600 --> 0:10:21.600
<v Speaker 1>Jane Seymour. Sorry, my apologies, Jane Seymour. And I'm currently

0:10:21.640 --> 0:10:23.920
<v Speaker 1>doing the rounds for my show. Because of the strike,

0:10:23.960 --> 0:10:25.839
<v Speaker 1>we weren't able to do press for my show, so

0:10:26.679 --> 0:10:29.440
<v Speaker 1>as seven or eight episodes in now we're doing press.

0:10:30.120 --> 0:10:31.680
<v Speaker 1>And anyway, she was at a talk show that I

0:10:31.720 --> 0:10:34.320
<v Speaker 1>was going to do and she's Dutch as well, like

0:10:34.360 --> 0:10:37.439
<v Speaker 1>her mother is Dutch. Her father, I believe, is British.

0:10:37.880 --> 0:10:41.280
<v Speaker 1>The connection that we have is that my father his

0:10:41.400 --> 0:10:45.000
<v Speaker 1>family did a lot of work in Indonesia. My father

0:10:45.280 --> 0:10:49.480
<v Speaker 1>and his whole family were taken into internment camps during

0:10:49.480 --> 0:10:55.280
<v Speaker 1>World War Two and kept in Indonesian Japanese internment camps

0:10:55.320 --> 0:11:00.160
<v Speaker 1>in Indonesia. Jane Seymour's mother was in what was in

0:11:00.200 --> 0:11:02.199
<v Speaker 1>the same camps that my father was, and we were

0:11:02.200 --> 0:11:05.120
<v Speaker 1>just talking about it because my father passed away a

0:11:05.120 --> 0:11:08.760
<v Speaker 1>few years ago and we never talked about his experience.

0:11:08.880 --> 0:11:10.400
<v Speaker 1>It was just one of those things like you just

0:11:10.480 --> 0:11:12.600
<v Speaker 1>never brought up. It was my father was in it

0:11:12.640 --> 0:11:15.400
<v Speaker 1>from nine till I believe he was twelve. He was

0:11:15.400 --> 0:11:18.720
<v Speaker 1>in the boys camp. Jane had told me, she's like,

0:11:19.080 --> 0:11:21.520
<v Speaker 1>your father was actually in a boys camp and when

0:11:21.520 --> 0:11:24.880
<v Speaker 1>they turned twelve, they aged out and they went into

0:11:24.920 --> 0:11:27.120
<v Speaker 1>the men's camp. Can you believe, like twelve year old

0:11:27.160 --> 0:11:31.000
<v Speaker 1>boys going into a men's camp where the women were

0:11:31.080 --> 0:11:33.280
<v Speaker 1>kept together. So the mothers and the daughters were all

0:11:33.360 --> 0:11:35.840
<v Speaker 1>kept in the same camps. The fathers were obviously in

0:11:35.880 --> 0:11:38.520
<v Speaker 1>the men's but we never talked about it, and her

0:11:38.559 --> 0:11:44.959
<v Speaker 1>mother logged through sketches her experience, but we had that connection.

0:11:45.080 --> 0:11:48.559
<v Speaker 1>So my father, being Dutch, was in Indonesia. My mother

0:11:49.080 --> 0:11:52.000
<v Speaker 1>during that time, I believe they moved to Holland, and

0:11:52.040 --> 0:11:57.000
<v Speaker 1>then my father mother connected in Holland, actually not in Indonesia,

0:11:57.240 --> 0:12:02.840
<v Speaker 1>and then in the late sixties he's moved to California.

0:12:03.320 --> 0:12:05.800
<v Speaker 1>They moved to the valley San Fernando Valley. I don't

0:12:05.840 --> 0:12:10.160
<v Speaker 1>know why some people actually I actually have Indonesian family,

0:12:10.160 --> 0:12:13.960
<v Speaker 1>a Dutch Indonesian family that came on that same trip

0:12:14.120 --> 0:12:17.960
<v Speaker 1>on the same boat basically, and they resided here in

0:12:18.000 --> 0:12:22.120
<v Speaker 1>San Diego and Poway, and my family went to San

0:12:22.160 --> 0:12:23.880
<v Speaker 1>Fernando Valley and there's a little pocket there that we

0:12:23.880 --> 0:12:25.160
<v Speaker 1>were Dutch indows.

0:12:25.480 --> 0:12:30.240
<v Speaker 2>Huh. Your mom also worked for an airlines. So during

0:12:30.240 --> 0:12:33.520
<v Speaker 2>this time were you traveling a lot? Were you seeing

0:12:33.559 --> 0:12:34.000
<v Speaker 2>the world.

0:12:34.600 --> 0:12:39.000
<v Speaker 1>Yeah, no, we would go quite a bit. She worked

0:12:39.000 --> 0:12:42.720
<v Speaker 1>for KALM, which is the Dutch airlines. She was a

0:12:42.800 --> 0:12:49.800
<v Speaker 1>lounge attendant, so she ran the lounge for KALM, and

0:12:50.960 --> 0:12:53.040
<v Speaker 1>I believe, I mean, we would go even before she

0:12:53.160 --> 0:12:59.120
<v Speaker 1>became a lounge attendant. We would always spend summers and

0:12:59.720 --> 0:13:03.040
<v Speaker 1>chriss during that time. So I spent a lot of

0:13:03.040 --> 0:13:05.920
<v Speaker 1>my time in Holland. I believe Dutch was my first

0:13:06.720 --> 0:13:10.559
<v Speaker 1>language growing up. Really, Yeah, because we that's all we

0:13:10.720 --> 0:13:15.280
<v Speaker 1>spoke in the house and my you spoke Dutch, just Dutch. Yeah,

0:13:15.640 --> 0:13:17.439
<v Speaker 1>there's always our secret language. You know, there's not a

0:13:17.480 --> 0:13:20.320
<v Speaker 1>lot of duchies out there. And uh, you could talk.

0:13:20.440 --> 0:13:22.080
<v Speaker 1>You can talk shit about somebody in the in the

0:13:22.120 --> 0:13:24.520
<v Speaker 1>grocery line until they turned around and then and they

0:13:24.520 --> 0:13:25.840
<v Speaker 1>looked at you and they were Dutch too.

0:13:26.200 --> 0:13:30.880
<v Speaker 2>They were touched too. You started performing at the age

0:13:30.920 --> 0:13:35.400
<v Speaker 2>of five, Yeah, probably. What are you doing at five?

0:13:35.800 --> 0:13:37.400
<v Speaker 2>Are you doing commercials? Yeah?

0:13:37.679 --> 0:13:41.360
<v Speaker 1>Modeling, Yeah, that's exactly right. I mean, my mother had

0:13:41.400 --> 0:13:46.920
<v Speaker 1>a friend who was a print model. You know, back

0:13:47.200 --> 0:13:48.920
<v Speaker 1>back in those days you do with them for Seers

0:13:48.960 --> 0:13:54.080
<v Speaker 1>or may Company or Mervins, and it's that typical story

0:13:54.120 --> 0:13:55.920
<v Speaker 1>of of somebody going to your kid's cute.

0:13:56.559 --> 0:14:01.360
<v Speaker 2>And that's a typical story. But only in Los Angeles

0:14:01.800 --> 0:14:03.720
<v Speaker 2>anywhere else well or.

0:14:04.080 --> 0:14:06.520
<v Speaker 1>No, But I think that happens everywhere, right, because I mean,

0:14:06.520 --> 0:14:08.840
<v Speaker 1>if you're in the if you're in the you know

0:14:09.760 --> 0:14:11.560
<v Speaker 1>they call them fly over states. I mean, you have

0:14:11.600 --> 0:14:15.040
<v Speaker 1>a cute kid, you start doing local trend work, right,

0:14:15.120 --> 0:14:16.880
<v Speaker 1>you just go, Oh, your kid's cute. They should be

0:14:16.880 --> 0:14:19.240
<v Speaker 1>in front of the camera. And then people tell you that,

0:14:19.400 --> 0:14:22.440
<v Speaker 1>and then as a kid, you're like, yeah, I want

0:14:22.440 --> 0:14:24.920
<v Speaker 1>to be in front of a camera, you see. I

0:14:25.000 --> 0:14:28.600
<v Speaker 1>mean at that time, I think my Annie had come

0:14:28.640 --> 0:14:30.600
<v Speaker 1>out and I'm like, wow, there's a there's a kid

0:14:30.880 --> 0:14:34.400
<v Speaker 1>on the screen. That's pretty cool. Eight is enough. I

0:14:34.440 --> 0:14:37.440
<v Speaker 1>think it was around my time. Yeah, happy days, you know,

0:14:37.480 --> 0:14:40.600
<v Speaker 1>so you're seeing all these things. It just happened that

0:14:40.640 --> 0:14:43.720
<v Speaker 1>way where you should I'll introduce you to my agent,

0:14:43.760 --> 0:14:47.640
<v Speaker 1>you should do print work. It just turned into you know,

0:14:47.760 --> 0:14:50.480
<v Speaker 1>like an after school kind of fun thing, like we

0:14:50.600 --> 0:14:54.480
<v Speaker 1>do with our kids, with soccer, baseball, and then I

0:14:54.680 --> 0:14:56.400
<v Speaker 1>just kept progressing.

0:14:56.960 --> 0:14:58.360
<v Speaker 2>Do you remember the first time you're in front of

0:14:58.360 --> 0:14:58.800
<v Speaker 2>the camera.

0:15:00.600 --> 0:15:03.840
<v Speaker 1>I don't know. I have I have really bad memories.

0:15:04.080 --> 0:15:09.120
<v Speaker 1>Uh sorry, not bad memories. I have a bad grasp

0:15:09.240 --> 0:15:13.560
<v Speaker 1>of my memory of that time. I was very much

0:15:13.560 --> 0:15:16.560
<v Speaker 1>into sports and motocross and probably hit my head one

0:15:16.640 --> 0:15:19.480
<v Speaker 1>too many times. It is, there's a there's a lot

0:15:19.480 --> 0:15:22.600
<v Speaker 1>of moments of my life that I've that are just

0:15:22.760 --> 0:15:27.520
<v Speaker 1>not there. But I have little little things come up,

0:15:27.560 --> 0:15:31.720
<v Speaker 1>like print work, you know, the flashes you know from

0:15:31.720 --> 0:15:35.240
<v Speaker 1>from that and standing there and doing different poses, and

0:15:35.320 --> 0:15:38.680
<v Speaker 1>you know, people telling you what to do. Commercials. That

0:15:38.800 --> 0:15:41.360
<v Speaker 1>was the next progression, was going from print to commercials,

0:15:41.400 --> 0:15:43.520
<v Speaker 1>and I remember being on set for some of those.

0:15:44.080 --> 0:15:46.320
<v Speaker 1>I remember one that I that I got hired to

0:15:46.360 --> 0:15:48.840
<v Speaker 1>do and then I got fired. When I got there,

0:15:49.360 --> 0:15:52.720
<v Speaker 1>my consolation prize was just it was for Whammo. So

0:15:52.760 --> 0:15:57.080
<v Speaker 1>I got a big box of Whammo toys. Uh, that

0:15:57.200 --> 0:16:02.040
<v Speaker 1>was my consolation. Also, the guy who basically replaced me

0:16:02.320 --> 0:16:06.440
<v Speaker 1>was Paul Walker, and wow, yeah, Paul, Paul and I

0:16:06.480 --> 0:16:11.200
<v Speaker 1>would Paul and I would again. During that time, you know,

0:16:11.240 --> 0:16:13.120
<v Speaker 1>I grew up with Alfonso Roberto, I grew up with

0:16:13.160 --> 0:16:16.520
<v Speaker 1>Paul Walker. I grew up with later on. You know,

0:16:16.560 --> 0:16:19.440
<v Speaker 1>you would see like Toby Maguire, Leonardo DiCaprio and stuff

0:16:19.480 --> 0:16:20.840
<v Speaker 1>like that. They were a little bit younger than me,

0:16:20.960 --> 0:16:23.640
<v Speaker 1>but there was always a group of us that would

0:16:23.680 --> 0:16:26.080
<v Speaker 1>see each other for every audition. You know. It was

0:16:26.160 --> 0:16:29.120
<v Speaker 1>kind of like that your baseball team. You were just like, hey, guys,

0:16:29.280 --> 0:16:32.880
<v Speaker 1>you know, and you'd you'd compete against them, and I'd

0:16:32.880 --> 0:16:36.200
<v Speaker 1>say Paul would always beat me because he was like

0:16:36.280 --> 0:16:40.880
<v Speaker 1>the quintessential sort of California kid, you know, the hair,

0:16:41.040 --> 0:16:43.960
<v Speaker 1>the blonde hair and the blue eyes, and he was

0:16:44.280 --> 0:16:46.160
<v Speaker 1>he was just he was Paul Walker.

0:16:46.440 --> 0:16:51.800
<v Speaker 2>Right right. I It's always fascinating to me because you know,

0:16:51.920 --> 0:16:54.840
<v Speaker 2>my journey in was so different for me. It was

0:16:54.880 --> 0:16:58.720
<v Speaker 2>about theater. It was sort of an activity that that,

0:16:58.840 --> 0:17:03.760
<v Speaker 2>but that that professional side of it for me truly.

0:17:04.400 --> 0:17:07.200
<v Speaker 2>I mean this wasn't in my consciousness till after college

0:17:07.320 --> 0:17:09.919
<v Speaker 2>and what I wanted to be was an actor. But

0:17:10.080 --> 0:17:15.840
<v Speaker 2>that business side, that working with professionals, that rejection, that

0:17:16.240 --> 0:17:18.399
<v Speaker 2>getting hot, you know, getting a box of toys like

0:17:18.480 --> 0:17:20.560
<v Speaker 2>that wasn't a part of it for me. I mean, sure,

0:17:20.560 --> 0:17:22.880
<v Speaker 2>I would audition for a role and maybe I wouldn't

0:17:22.880 --> 0:17:26.119
<v Speaker 2>get the role I wanted or whatever. But you know,

0:17:26.280 --> 0:17:29.359
<v Speaker 2>it wasn't about money first off, and it wasn't about

0:17:29.359 --> 0:17:32.520
<v Speaker 2>a business. It wasn't about a business. And so I'm

0:17:32.520 --> 0:17:36.240
<v Speaker 2>always fascinated to talk to people who, like you, started

0:17:36.600 --> 0:17:39.640
<v Speaker 2>way earlier, like on the business side. Now, was there

0:17:39.680 --> 0:17:43.000
<v Speaker 2>a moment you talk about it being just like our

0:17:43.080 --> 0:17:46.480
<v Speaker 2>kids playing soccer or whatever else. You're making money, but

0:17:46.560 --> 0:17:50.119
<v Speaker 2>it's an activity. It's something you're doing and you're seeing friends,

0:17:50.200 --> 0:17:54.000
<v Speaker 2>or you're working with people and meeting other kids or whatever.

0:17:54.280 --> 0:17:58.840
<v Speaker 2>Is there a moment for you where you go, this

0:17:58.920 --> 0:17:59.639
<v Speaker 2>is what I want to do.

0:18:00.680 --> 0:18:04.000
<v Speaker 1>That came way later. That came probably after Saved by

0:18:04.000 --> 0:18:08.959
<v Speaker 1>the Bell actually way later. For me. It was never

0:18:09.000 --> 0:18:12.680
<v Speaker 1>about the money. I was having fun. There were times,

0:18:12.720 --> 0:18:14.719
<v Speaker 1>I mean my mom pushed me. I'm not you know,

0:18:14.800 --> 0:18:16.960
<v Speaker 1>I think she. I have to push my son to

0:18:17.000 --> 0:18:18.919
<v Speaker 1>play baseball sometimes, and he loves baseball. That's what he

0:18:18.920 --> 0:18:20.359
<v Speaker 1>wants to be. He wants to be a baseball player.

0:18:20.920 --> 0:18:22.720
<v Speaker 1>Yet I still have to tell him, you know, we

0:18:22.800 --> 0:18:24.399
<v Speaker 1>got to go to practice and he's like, oh, I

0:18:24.440 --> 0:18:26.199
<v Speaker 1>want you know, he wants to hang out with his

0:18:26.200 --> 0:18:30.200
<v Speaker 1>friends or play Xbox whatever. So you know, my mom

0:18:30.240 --> 0:18:31.680
<v Speaker 1>had to push me at times. There was a lot

0:18:31.720 --> 0:18:36.200
<v Speaker 1>of I'd say the biggest negative through that initial process

0:18:36.600 --> 0:18:38.240
<v Speaker 1>before saved by the Bell and I think I got

0:18:38.280 --> 0:18:41.119
<v Speaker 1>saved by the bell and I was twelve, Miss Bliss,

0:18:41.160 --> 0:18:44.960
<v Speaker 1>and then it went on. The biggest negative was the rejection. Right,

0:18:45.040 --> 0:18:46.879
<v Speaker 1>so you talk about going in for auditions, and for

0:18:46.960 --> 0:18:49.479
<v Speaker 1>people who aren't in the business, going in for an

0:18:49.480 --> 0:18:52.960
<v Speaker 1>audition is a job interview. You go in, you sell yourself,

0:18:52.960 --> 0:18:54.640
<v Speaker 1>you show your resume, you show what you can do,

0:18:54.960 --> 0:18:57.880
<v Speaker 1>you tell them why you're the right person for this job,

0:18:58.600 --> 0:19:03.480
<v Speaker 1>and you don't I'd say ninety percent of the time,

0:19:03.520 --> 0:19:07.560
<v Speaker 1>even more, you don't get the job. And as a child,

0:19:07.720 --> 0:19:10.600
<v Speaker 1>that was the biggest negative, you know, trying to explain

0:19:10.600 --> 0:19:12.680
<v Speaker 1>to your kid, they don't like the way you look,

0:19:14.119 --> 0:19:17.359
<v Speaker 1>You shit the bed on your dialogue, you were terrible,

0:19:17.480 --> 0:19:20.840
<v Speaker 1>you're a bad actor. There's a whole plethora of things

0:19:20.840 --> 0:19:22.639
<v Speaker 1>like why you know, and some of it are completely

0:19:22.680 --> 0:19:24.480
<v Speaker 1>out of your control. They just they just went a

0:19:24.480 --> 0:19:29.080
<v Speaker 1>different direction. Trying to process that as a child is

0:19:29.200 --> 0:19:32.200
<v Speaker 1>probably that was the biggest negative and probably the biggest

0:19:32.280 --> 0:19:34.679
<v Speaker 1>hurdle to get over because it's just not easy. You know,

0:19:34.720 --> 0:19:37.640
<v Speaker 1>it's competitive. I took it as exactly what I said

0:19:37.760 --> 0:19:40.000
<v Speaker 1>was I was going in to compete against my peers,

0:19:40.280 --> 0:19:42.720
<v Speaker 1>and I wanted to win this job. So that first

0:19:42.760 --> 0:19:45.560
<v Speaker 1>time that I was replaced by Paul Walker, that really hurt.

0:19:45.800 --> 0:19:49.720
<v Speaker 1>I mean trying to understand you were replaced, you got

0:19:49.760 --> 0:19:52.480
<v Speaker 1>the job, and then another kid comes in and takes

0:19:52.480 --> 0:19:55.679
<v Speaker 1>your place. I could not process that. And I'm a

0:19:55.880 --> 0:19:58.520
<v Speaker 1>very competitive person. It's the reason you and I don't

0:19:58.520 --> 0:20:02.440
<v Speaker 1>play golf together is because I don't want to play

0:20:02.520 --> 0:20:06.760
<v Speaker 1>bad poorly. I can't do things just for the sake

0:20:06.800 --> 0:20:09.359
<v Speaker 1>of doing things like I have to. I have to

0:20:09.400 --> 0:20:12.359
<v Speaker 1>be good at something otherwise I just I'll do it.

0:20:12.400 --> 0:20:14.280
<v Speaker 1>But I'm doing it by myself and no one's watching.

0:20:16.640 --> 0:20:22.240
<v Speaker 1>There's a there's a masturbation, Joe. Yeah, yeah, I said.

0:20:23.160 --> 0:20:27.439
<v Speaker 1>But the thing with you know, I didn't take it

0:20:27.480 --> 0:20:29.720
<v Speaker 1>as a business. I understood the importance of what we

0:20:29.760 --> 0:20:34.120
<v Speaker 1>did as as as a child like I remember walking

0:20:34.160 --> 0:20:36.080
<v Speaker 1>on to the stage of Save by the Bell and

0:20:36.080 --> 0:20:39.840
<v Speaker 1>one of our directors, Don Barnhart, who directed the majority

0:20:39.840 --> 0:20:42.359
<v Speaker 1>of them, said, the minute you open this door and

0:20:42.440 --> 0:20:44.200
<v Speaker 1>walk on this stage, you are no longer a twelve

0:20:44.240 --> 0:20:46.360
<v Speaker 1>year old. You are an adult. This is a business.

0:20:46.359 --> 0:20:48.560
<v Speaker 1>You have to treat it like one. I was fully

0:20:48.600 --> 0:20:50.639
<v Speaker 1>aware of that. I didn't need to have that conversation,

0:20:50.720 --> 0:20:54.359
<v Speaker 1>and I think he was just you know, reiterating that

0:20:54.480 --> 0:20:57.359
<v Speaker 1>and just making sure that I understood it. But I

0:20:57.440 --> 0:21:00.280
<v Speaker 1>knew the importance of the business, never under did the

0:21:00.320 --> 0:21:02.960
<v Speaker 1>money aspect of it, which you know, I mean, looking

0:21:03.040 --> 0:21:06.600
<v Speaker 1>back in hindsight, that's something I wish I'd probably taken

0:21:06.680 --> 0:21:10.760
<v Speaker 1>more interest in. But we had nice things. We had

0:21:10.760 --> 0:21:13.919
<v Speaker 1>a you know, nice cars, and we lived in a

0:21:14.200 --> 0:21:19.240
<v Speaker 1>nice area. We were very middle class. And yeah, I'm

0:21:19.280 --> 0:21:22.080
<v Speaker 1>sure what I did for a living sort of paid

0:21:22.119 --> 0:21:25.439
<v Speaker 1>for some of that stuff. It just happens, right, I mean,

0:21:25.560 --> 0:21:29.280
<v Speaker 1>you see these stories. I was part of that story.

0:21:29.359 --> 0:21:33.040
<v Speaker 1>It's just I think because I didn't want and also

0:21:33.560 --> 0:21:36.600
<v Speaker 1>I was doing it just because I liked it and

0:21:36.640 --> 0:21:39.040
<v Speaker 1>not because I wanted to be famous, and not because

0:21:39.480 --> 0:21:42.320
<v Speaker 1>I had some goal. It wasn't until after Saved by

0:21:42.320 --> 0:21:44.359
<v Speaker 1>the Bell that I said, oh, I guess this is

0:21:44.440 --> 0:21:47.440
<v Speaker 1>my career, that this is what I should be doing,

0:21:48.480 --> 0:21:53.440
<v Speaker 1>and I'm in a position to continue and making a

0:21:53.480 --> 0:21:55.320
<v Speaker 1>lot of money, might as well keep going.

0:21:57.359 --> 0:21:59.360
<v Speaker 2>You just mentioned you made some bad deals. You've said

0:21:59.400 --> 0:22:02.640
<v Speaker 2>it before on that show and despite all of its

0:22:02.640 --> 0:22:07.960
<v Speaker 2>success and it making you America's sweetheart, like for the

0:22:08.119 --> 0:22:10.439
<v Speaker 2>entirety of your life, you don't see a ton of

0:22:10.440 --> 0:22:15.520
<v Speaker 2>residuals from that franchise. Does your experience specifically, And we

0:22:15.520 --> 0:22:17.400
<v Speaker 2>don't have to go too deep onto this, but did

0:22:17.440 --> 0:22:20.040
<v Speaker 2>this color your take on this recent strike?

0:22:20.760 --> 0:22:24.240
<v Speaker 1>Uh? No, there were other things about the recent strike

0:22:24.320 --> 0:22:27.600
<v Speaker 1>that I was more concerned with. Ai, I mean, that's

0:22:27.760 --> 0:22:31.000
<v Speaker 1>that's a big one. Yeah, the wages and also just

0:22:31.880 --> 0:22:34.119
<v Speaker 1>relocation fee is a big thing for me. We currently

0:22:34.119 --> 0:22:37.120
<v Speaker 1>film our show in Atlanta, and the way they get

0:22:37.160 --> 0:22:41.840
<v Speaker 1>around you know, these incentives and local hires is it's

0:22:41.880 --> 0:22:45.200
<v Speaker 1>a joke. It's a joke. So there were other things.

0:22:45.200 --> 0:22:49.879
<v Speaker 1>But for me, the merchandise was was just poorly handled

0:22:49.960 --> 0:22:53.960
<v Speaker 1>by my representation At the time. There just wasn't any

0:22:53.960 --> 0:22:58.000
<v Speaker 1>precedent for a Saturday morning show with with you know,

0:22:58.160 --> 0:23:01.800
<v Speaker 1>live live audience and no one. We never thought the

0:23:01.840 --> 0:23:05.320
<v Speaker 1>show was going to be the success it is today.

0:23:05.359 --> 0:23:10.080
<v Speaker 1>It was a small success. Back then. There was there

0:23:10.119 --> 0:23:12.920
<v Speaker 1>was no metrics that we could rely on like social

0:23:13.000 --> 0:23:16.680
<v Speaker 1>media now right that you could say, oh boy, there's

0:23:16.720 --> 0:23:19.919
<v Speaker 1>a whole audience out there that that follows us. The

0:23:19.960 --> 0:23:22.679
<v Speaker 1>only way we would ever gauge how successful things were

0:23:22.720 --> 0:23:24.560
<v Speaker 1>going is if we did a mall tour. We go

0:23:24.600 --> 0:23:26.639
<v Speaker 1>to Mall of America and there'd be a line of

0:23:26.680 --> 0:23:28.760
<v Speaker 1>two thousand people waiting to get your autograph. It's it's

0:23:28.760 --> 0:23:30.160
<v Speaker 1>no different than these fan fests.

0:23:29.960 --> 0:23:32.280
<v Speaker 2>That we do right, right, right, and you're going, Wow.

0:23:32.160 --> 0:23:52.520
<v Speaker 1>People actually are watching, are watching? This is insane.

0:23:53.920 --> 0:23:55.639
<v Speaker 2>You and I are about the same age. I didn't

0:23:55.760 --> 0:23:58.639
<v Speaker 2>I didn't. I didn't do a check. But we're we're close.

0:23:58.960 --> 0:24:00.840
<v Speaker 2>I think you're probably ten years older, but.

0:24:03.160 --> 0:24:04.800
<v Speaker 1>I'm actually going to turn fifty next year.

0:24:04.840 --> 0:24:11.240
<v Speaker 2>Brian, congratulations, welcome to the club. A lot of people

0:24:11.240 --> 0:24:13.680
<v Speaker 2>don't know. You mentioned it briefly. Saved by the Bell

0:24:14.119 --> 0:24:18.359
<v Speaker 2>started as well in a way Good Morning Miss Bliss.

0:24:18.960 --> 0:24:24.679
<v Speaker 2>You played Zach Morris. It lasted one season, and you know,

0:24:25.400 --> 0:24:29.240
<v Speaker 2>I had several actually long conversations both on the podcast

0:24:29.280 --> 0:24:34.360
<v Speaker 2>and not with Kevin Riley, who was our savior at

0:24:34.480 --> 0:24:39.119
<v Speaker 2>NBC once he became chairman and kept the office on

0:24:39.200 --> 0:24:43.080
<v Speaker 2>the air. He was at least a big part of

0:24:43.119 --> 0:24:48.600
<v Speaker 2>the decision to change up Good Morning, Miss Bliss launch

0:24:48.680 --> 0:24:53.359
<v Speaker 2>it into reimagine it and launch it into this new show,

0:24:54.000 --> 0:24:58.320
<v Speaker 2>Saved by the Bell playing on Saturday mornings in front

0:24:58.320 --> 0:25:01.399
<v Speaker 2>of a live audience. Were no cartoon owns anymore, and

0:25:01.480 --> 0:25:05.440
<v Speaker 2>to try to hit this tweener audience that had sort

0:25:05.480 --> 0:25:09.280
<v Speaker 2>of you know, or the idea being, we've graduated from

0:25:09.359 --> 0:25:13.920
<v Speaker 2>Tom and Jerry and Sylvester the Cat whatever it is,

0:25:14.160 --> 0:25:16.800
<v Speaker 2>and now we're going to watch something that's more about

0:25:17.080 --> 0:25:21.200
<v Speaker 2>kids our age. So, first off, do you remember auditioning.

0:25:21.320 --> 0:25:23.560
<v Speaker 2>You're auditioning for a ton of shows at this time.

0:25:24.160 --> 0:25:26.400
<v Speaker 2>You've done shows like The Twilight Zone and Wonder Years,

0:25:26.400 --> 0:25:28.719
<v Speaker 2>a Punky Brewster and blah blah blah. Do you remember

0:25:28.760 --> 0:25:31.320
<v Speaker 2>the audition for Good Morning, Miss Bliss.

0:25:31.600 --> 0:25:36.560
<v Speaker 1>Yeah. I actually had spent this summer at a Marine

0:25:36.600 --> 0:25:40.439
<v Speaker 1>Military academy camp in Harlingen, Texas. I wanted to go

0:25:40.440 --> 0:25:42.800
<v Speaker 1>to high school. I wanted to be a Marine. I

0:25:42.800 --> 0:25:45.439
<v Speaker 1>wanted to be a Marine to play football. So I

0:25:45.440 --> 0:25:48.880
<v Speaker 1>went to this camp to go through the initiation process

0:25:48.920 --> 0:25:52.679
<v Speaker 1>of being accepted to this school in South Texas. I

0:25:52.720 --> 0:25:57.920
<v Speaker 1>came back my hair was buzzed, for the lack of

0:25:57.960 --> 0:25:59.840
<v Speaker 1>a better turn. The boot camp to get into this thing,

0:26:01.000 --> 0:26:03.920
<v Speaker 1>and I started growing out. My mom put in highlights,

0:26:04.000 --> 0:26:07.760
<v Speaker 1>blonde highlights and stuff like that. So there's the the

0:26:07.920 --> 0:26:11.639
<v Speaker 1>sort of over the top blondish hair go in for

0:26:11.720 --> 0:26:15.160
<v Speaker 1>the audition. I don't remember my process, but I do

0:26:15.280 --> 0:26:19.800
<v Speaker 1>remember going in and seeing Dustin Diamond really, you know,

0:26:19.920 --> 0:26:24.880
<v Speaker 1>reading the script and knowing what screech he was seeing

0:26:24.960 --> 0:26:27.680
<v Speaker 1>Dustin Diamond, and I just went, Yep, that's the kid

0:26:27.880 --> 0:26:30.920
<v Speaker 1>that he's going to get this. He's not going out

0:26:30.920 --> 0:26:34.679
<v Speaker 1>for Zach Morris, so I'm good there. Yeah, but I

0:26:34.720 --> 0:26:39.040
<v Speaker 1>do remember seeing him. I don't remember much about Say

0:26:39.080 --> 0:26:42.040
<v Speaker 1>By the I mean Miss Bliss, other than Hayley Mills

0:26:42.080 --> 0:26:45.000
<v Speaker 1>was very nice and Dennis Haskins and the rest of

0:26:45.040 --> 0:26:50.720
<v Speaker 1>the cast. I do remember where I was and where

0:26:50.760 --> 0:26:54.760
<v Speaker 1>I read the script for say by the Bell. So

0:26:54.800 --> 0:26:59.480
<v Speaker 1>again we do Miss Bliss and it moves on, and

0:26:59.560 --> 0:27:03.000
<v Speaker 1>then you know, we get a call from Peter Ingle,

0:27:03.600 --> 0:27:06.040
<v Speaker 1>who was the creator said by the Bell and basically

0:27:06.200 --> 0:27:10.480
<v Speaker 1>says I'm going to spin it off and wanted me

0:27:10.600 --> 0:27:14.160
<v Speaker 1>to read the script. I lived in this three bedroom

0:27:14.320 --> 0:27:16.600
<v Speaker 1>house actually was like a two bedroom, but my bedroom

0:27:16.720 --> 0:27:20.159
<v Speaker 1>was sort of this open area that we had, like

0:27:20.240 --> 0:27:22.840
<v Speaker 1>one of those partitions that blocked it off. So there

0:27:22.840 --> 0:27:24.560
<v Speaker 1>wasn't like a quiet area for me to read it.

0:27:24.600 --> 0:27:28.399
<v Speaker 1>So I went into the bathroom, the powder room, and

0:27:28.440 --> 0:27:30.760
<v Speaker 1>I read the Save by the Bell script in the

0:27:30.800 --> 0:27:33.160
<v Speaker 1>powder room and I remember reading it and it opens

0:27:33.200 --> 0:27:35.760
<v Speaker 1>up with Zach Morris and he's talking to the camera

0:27:36.680 --> 0:27:40.600
<v Speaker 1>and I just I was, wow, this is a mate.

0:27:40.640 --> 0:27:44.040
<v Speaker 1>I'm Ferris Bueller. I get to do what Ferris Bueller did.

0:27:44.680 --> 0:27:47.480
<v Speaker 1>And that's all I can remember was this is exactly

0:27:47.520 --> 0:27:50.000
<v Speaker 1>like I. That was my favorite movie growing up, right.

0:27:50.040 --> 0:27:54.919
<v Speaker 1>I was like, I just and the character Ferris and

0:27:54.960 --> 0:27:58.359
<v Speaker 1>his friend and Sloan and oh, I'm like, this is

0:27:58.440 --> 0:28:02.359
<v Speaker 1>I get to do this? And between Miss Bliss, I

0:28:02.400 --> 0:28:04.640
<v Speaker 1>think and Saved by the Bell, I had just done

0:28:04.640 --> 0:28:07.439
<v Speaker 1>a film with Alan Arkin. His wife had written a

0:28:07.440 --> 0:28:11.280
<v Speaker 1>book he I believe. I don't know sure if Alan

0:28:11.320 --> 0:28:13.240
<v Speaker 1>directed or if she directed it, but anyway, it was

0:28:13.280 --> 0:28:15.840
<v Speaker 1>a family movie and we shot it and I lived

0:28:15.840 --> 0:28:17.760
<v Speaker 1>with Alan for about a month while we were shooting it,

0:28:18.440 --> 0:28:20.920
<v Speaker 1>and I became really good friends with Alan Arkin, and

0:28:21.160 --> 0:28:23.840
<v Speaker 1>he was a mentor. And I read the script and

0:28:23.880 --> 0:28:26.400
<v Speaker 1>I called Alan next day and I said, Alan, I'm

0:28:26.760 --> 0:28:30.520
<v Speaker 1>I've just been offered to do this sitcom and he

0:28:30.640 --> 0:28:35.440
<v Speaker 1>is don't do it. And I was like, wait, wait,

0:28:35.440 --> 0:28:37.440
<v Speaker 1>you don't understand. It's it's a sitcom. I get to

0:28:37.440 --> 0:28:40.120
<v Speaker 1>play this Character's like, don't, don't, don't, don't do a sitcom.

0:28:40.240 --> 0:28:42.640
<v Speaker 1>You're you're you're gonna do film. You're gonna be fine.

0:28:42.800 --> 0:28:44.560
<v Speaker 1>Just trust me. You just want to stay on this

0:28:44.600 --> 0:28:47.120
<v Speaker 1>path that you're going You did, you did that, Keep

0:28:47.120 --> 0:28:49.280
<v Speaker 1>doing film. You're gonna be You're gonna be fine. And

0:28:49.320 --> 0:28:52.480
<v Speaker 1>I obviously didn't listen to him. I I didn't understand

0:28:52.520 --> 0:28:53.800
<v Speaker 1>what he was talking about. I didn't know that you

0:28:53.800 --> 0:28:56.560
<v Speaker 1>had to make a choice right right, But back then

0:28:56.720 --> 0:29:00.880
<v Speaker 1>there was a definitive line. You either were television actor

0:29:01.000 --> 0:29:03.720
<v Speaker 1>or you were a film actor. You definitely didn't do commercials.

0:29:03.760 --> 0:29:07.160
<v Speaker 1>You didn't do you didn't sing. You could do Broadway,

0:29:08.000 --> 0:29:11.400
<v Speaker 1>you could do theater, but you did not cross the

0:29:11.440 --> 0:29:15.040
<v Speaker 1>lines in television and film. Which now you know, it's great,

0:29:15.360 --> 0:29:18.640
<v Speaker 1>it's amazing for creative people like us because we can

0:29:18.680 --> 0:29:21.840
<v Speaker 1>do everything right. But then I understand what Alan was

0:29:21.880 --> 0:29:25.800
<v Speaker 1>saying was like, you're going to not typecat, but you're

0:29:25.840 --> 0:29:29.719
<v Speaker 1>going to pigeonhole yourself pigeonhole. Yeah, but that that was

0:29:29.880 --> 0:29:31.320
<v Speaker 1>the thing with to say by the bell was it

0:29:31.400 --> 0:29:33.800
<v Speaker 1>was is that is so crazy?

0:29:34.520 --> 0:29:35.440
<v Speaker 2>You're fifteen?

0:29:36.400 --> 0:29:36.520
<v Speaker 1>Uh?

0:29:36.640 --> 0:29:39.560
<v Speaker 2>Did you feel prepared for a lead role like it?

0:29:39.640 --> 0:29:41.320
<v Speaker 2>Were you nervous at all? Or were you just like

0:29:41.880 --> 0:29:44.520
<v Speaker 2>I'm freaking Ferris Bueller now let's go.

0:29:45.560 --> 0:29:52.280
<v Speaker 1>No. I mean that character was how I perceived the

0:29:52.720 --> 0:29:55.720
<v Speaker 1>people in my school, like the popular people in my school,

0:29:55.800 --> 0:29:59.640
<v Speaker 1>like they they had this swagger they had. It was

0:29:59.680 --> 0:30:02.320
<v Speaker 1>everything I wasn't. I was a very quiet kid. I

0:30:02.600 --> 0:30:06.160
<v Speaker 1>I think if you asked people in my school that

0:30:06.240 --> 0:30:09.840
<v Speaker 1>I went to up in Valencia, California, you know who

0:30:09.880 --> 0:30:12.640
<v Speaker 1>I was. They probably didn't even know I went there.

0:30:13.440 --> 0:30:15.920
<v Speaker 1>I wasn't a jock, although I wanted to be a jock.

0:30:16.240 --> 0:30:19.800
<v Speaker 1>I wasn't, you know, one of the sort of art

0:30:20.000 --> 0:30:23.040
<v Speaker 1>artsy kids, and wasn't a slacker. I kind of just

0:30:23.240 --> 0:30:26.360
<v Speaker 1>went around. I just I had. I didn't have a

0:30:26.360 --> 0:30:29.720
<v Speaker 1>lot of friends and and sort of sort of was

0:30:29.720 --> 0:30:32.000
<v Speaker 1>in the shadows a lot because also I was working,

0:30:32.040 --> 0:30:33.760
<v Speaker 1>and so if I worked, I was just away for

0:30:33.800 --> 0:30:37.840
<v Speaker 1>a little bit. But Zach Morris was just I just

0:30:37.960 --> 0:30:42.560
<v Speaker 1>really enjoyed playing him because he was everything I wanted

0:30:42.600 --> 0:30:44.840
<v Speaker 1>to be. Right. I had the cool clothes, he had

0:30:44.840 --> 0:30:47.400
<v Speaker 1>the shoes, he had the phone, he had the girls,

0:30:47.480 --> 0:30:51.480
<v Speaker 1>and it just was it wasn't me at all. Like

0:30:51.880 --> 0:30:53.880
<v Speaker 1>I didn't like being in front of a camera all

0:30:53.920 --> 0:30:56.360
<v Speaker 1>that much. I didn't like rehearsing. I you know, I

0:30:56.400 --> 0:30:58.280
<v Speaker 1>had bad skin at the time, and so I was

0:30:58.360 --> 0:31:02.320
<v Speaker 1>conscious of that. And uh, you know it's like Zach was,

0:31:02.960 --> 0:31:05.080
<v Speaker 1>Yeah everything I want to I wanted to be at

0:31:05.080 --> 0:31:05.880
<v Speaker 1>that at that moment.

0:31:06.440 --> 0:31:08.560
<v Speaker 2>How much school did you go to once that launched?

0:31:08.600 --> 0:31:11.320
<v Speaker 2>And did you feel a change? Nothing?

0:31:11.600 --> 0:31:15.360
<v Speaker 1>Yeah? No, I mean, you know, you go to set school.

0:31:15.640 --> 0:31:18.280
<v Speaker 1>I mean we had a great teacher's name was Sydney Sharon.

0:31:19.240 --> 0:31:21.760
<v Speaker 1>He's passed. He was amazing. He was he was a

0:31:21.800 --> 0:31:25.440
<v Speaker 1>great educator. The problem was is that I you know,

0:31:26.320 --> 0:31:28.760
<v Speaker 1>I look at my kids too, and it's like school.

0:31:28.920 --> 0:31:30.520
<v Speaker 1>You know, if I can, if I could be playing

0:31:30.600 --> 0:31:36.240
<v Speaker 1>sports and do other things, sure, school. So I manipulated

0:31:36.280 --> 0:31:38.360
<v Speaker 1>a system. I mean, when you do homeschooling, you know,

0:31:38.400 --> 0:31:42.080
<v Speaker 1>it's a it's a lot of worksheets and things like that.

0:31:42.160 --> 0:31:43.960
<v Speaker 1>And I would I would find the codes for the

0:31:43.960 --> 0:31:48.560
<v Speaker 1>worksheets and just put them in and manipulate my scores

0:31:48.640 --> 0:31:52.200
<v Speaker 1>or whatever. I mean, yeah, we for anybody ELSEO that

0:31:52.240 --> 0:31:54.800
<v Speaker 1>doesn't know the process. You need fifteen hours of school

0:31:55.240 --> 0:31:59.280
<v Speaker 1>per week, and what happens is you start banking time.

0:31:59.400 --> 0:32:02.720
<v Speaker 1>So for us, we would film on a Friday, and

0:32:02.800 --> 0:32:07.160
<v Speaker 1>so Monday through Thursday was probably our biggest amounts of school.

0:32:07.200 --> 0:32:10.120
<v Speaker 1>You would maybe do four hours on Monday and then

0:32:10.480 --> 0:32:14.600
<v Speaker 1>four on Tuesday, and then three and then two and

0:32:14.640 --> 0:32:16.560
<v Speaker 1>then one on Friday. So you just needed to do

0:32:16.640 --> 0:32:19.360
<v Speaker 1>one hour a day was the minimum, but you could

0:32:19.400 --> 0:32:23.320
<v Speaker 1>bank more hours during during the week to total fifteen

0:32:24.360 --> 0:32:25.960
<v Speaker 1>because Fridays were our biggest day.

0:32:26.440 --> 0:32:29.600
<v Speaker 2>Yeah, of course, because you weren't going to school. Once

0:32:29.640 --> 0:32:33.240
<v Speaker 2>this goes, you're not feeling yet. Like I did that.

0:32:33.760 --> 0:32:36.480
<v Speaker 1>I went to I did go to sort of a

0:32:37.360 --> 0:32:39.479
<v Speaker 1>what what they call it a vocational school. I mean

0:32:39.800 --> 0:32:45.239
<v Speaker 1>it's basically a school for either your I mean, you

0:32:45.280 --> 0:32:47.080
<v Speaker 1>just don't have the capacity to go to school, so

0:32:47.120 --> 0:32:49.520
<v Speaker 1>you go to this sort of you know, it was

0:32:49.600 --> 0:32:51.640
<v Speaker 1>it was in these bungalows off to the side of

0:32:51.640 --> 0:32:55.440
<v Speaker 1>the school, or you were a working kid because of

0:32:56.080 --> 0:32:58.840
<v Speaker 1>some reason, like your parent is a stay at home

0:32:58.960 --> 0:33:02.520
<v Speaker 1>for some reason. But I would go there. I had

0:33:02.600 --> 0:33:04.880
<v Speaker 1>normal friends, I you know, I hung out with the

0:33:04.920 --> 0:33:10.600
<v Speaker 1>neighborhood guys, and no one seemed to care. It's it's

0:33:10.640 --> 0:33:13.400
<v Speaker 1>really weird, Like I don't have this thing of oh,

0:33:13.440 --> 0:33:16.120
<v Speaker 1>walking into a room and everyone going, hey, that's a

0:33:16.160 --> 0:33:22.680
<v Speaker 1>guy on it just I yeah, it didn't. I never

0:33:22.720 --> 0:33:26.040
<v Speaker 1>had that. So I walked around for you know, my

0:33:26.160 --> 0:33:28.000
<v Speaker 1>childhood is is just feeling like, oh, I have a

0:33:28.080 --> 0:33:31.720
<v Speaker 1>job and I come back and I'm just the guy

0:33:31.760 --> 0:33:34.120
<v Speaker 1>that lives on that street and you know, goes to

0:33:34.160 --> 0:33:35.800
<v Speaker 1>school there. And it was no different.

0:33:36.200 --> 0:33:39.520
<v Speaker 2>That's fascinating. Unless you went to a mall, unless you

0:33:39.560 --> 0:33:41.480
<v Speaker 2>went to a signing, unless it was like here's Zach

0:33:41.560 --> 0:33:42.960
<v Speaker 2>Morris's correct.

0:33:43.360 --> 0:33:46.120
<v Speaker 1>A specific event that I would go to. Then it

0:33:46.200 --> 0:33:49.000
<v Speaker 1>was oh, you know, but other than that, because again

0:33:49.200 --> 0:33:53.720
<v Speaker 1>I didn't have blonde hair when I wasn't sure, when

0:33:53.760 --> 0:33:54.400
<v Speaker 1>I wasn't working.

0:33:55.160 --> 0:33:59.120
<v Speaker 2>Yeah, it's funny, you know, like this experiment that happens.

0:33:59.800 --> 0:34:02.840
<v Speaker 2>I mean, I mean it's so genius in a way, right,

0:34:03.040 --> 0:34:07.120
<v Speaker 2>Like how do we keep people watching the network? Well,

0:34:07.120 --> 0:34:09.960
<v Speaker 2>they're aging out of these shows. Let's find something else.

0:34:10.560 --> 0:34:13.840
<v Speaker 2>And I think for people of my hour, a little

0:34:13.840 --> 0:34:16.439
<v Speaker 2>bit younger, a little bit older, like which of course

0:34:16.520 --> 0:34:20.600
<v Speaker 2>is totally different. Now it's YouTube and YouTube kids and

0:34:20.840 --> 0:34:24.440
<v Speaker 2>stream whatever show they want to stream. But at that

0:34:24.719 --> 0:34:31.120
<v Speaker 2>time you had grown up with, before soccer, before baseball.

0:34:31.239 --> 0:34:35.080
<v Speaker 2>Whatever happens, Mom and dad are sleeping off a bender

0:34:35.280 --> 0:34:38.200
<v Speaker 2>or whatever, and you're gonna get up and watch Saturday

0:34:38.200 --> 0:34:42.479
<v Speaker 2>Morning cartoons and everybody is watching exactly the same thing

0:34:43.000 --> 0:34:48.840
<v Speaker 2>at exactly the same time. And suddenly here are people,

0:34:49.200 --> 0:34:53.960
<v Speaker 2>meaning you, who are our age that we're now seeing

0:34:54.000 --> 0:34:57.560
<v Speaker 2>on TV. Sort of this, I mean, I didn't even

0:34:57.560 --> 0:34:59.759
<v Speaker 2>want to This is such a weird parallel. But it

0:34:59.840 --> 0:35:03.439
<v Speaker 2>is like the office, like in a way where you're

0:35:03.560 --> 0:35:06.959
<v Speaker 2>like seeing an experience that you have that you can

0:35:06.960 --> 0:35:10.840
<v Speaker 2>connect with on some level. Right, you work in an

0:35:10.880 --> 0:35:14.440
<v Speaker 2>office or you go to school, and you see this dynamic,

0:35:14.600 --> 0:35:20.400
<v Speaker 2>you feel the relationship dynamic, the love dynamics, the friend dynamics.

0:35:20.920 --> 0:35:23.640
<v Speaker 2>Here's a model, here's a I can't think of the

0:35:23.680 --> 0:35:26.240
<v Speaker 2>word of, Like this is the popular guy, and here's

0:35:26.280 --> 0:35:30.640
<v Speaker 2>the but everybody's friends and everybody gets along, like there's

0:35:30.680 --> 0:35:34.319
<v Speaker 2>nobody who doesn't know that show from that that grew

0:35:34.400 --> 0:35:38.160
<v Speaker 2>up in that timeframe. Right, do you feel that? Do

0:35:38.239 --> 0:35:41.600
<v Speaker 2>you experience you? Obviously you do. It's a stupid question.

0:35:42.400 --> 0:35:43.239
<v Speaker 2>You must feel that.

0:35:43.920 --> 0:35:47.600
<v Speaker 1>I Mom, you talk about a person that didn't grow up.

0:35:47.600 --> 0:35:51.359
<v Speaker 1>My wife My wife never watched the show. No, she didn't. No,

0:35:51.440 --> 0:35:55.200
<v Speaker 1>never watch the show. Yeah, as she grew up in

0:35:55.239 --> 0:35:57.920
<v Speaker 1>England until she was twelve and then moved to Montreal

0:35:58.040 --> 0:36:00.399
<v Speaker 1>and she made a way down here. But even while

0:36:00.440 --> 0:36:02.879
<v Speaker 1>she was twelve and in Canada, she didn't watch the show.

0:36:04.600 --> 0:36:05.080
<v Speaker 2>Interesting.

0:36:05.320 --> 0:36:10.920
<v Speaker 1>Yeah, it's it's interesting though, Brian, because I look back

0:36:11.160 --> 0:36:15.000
<v Speaker 1>on my career and I've been very fortunate to play

0:36:15.080 --> 0:36:16.480
<v Speaker 1>characters I changed.

0:36:16.560 --> 0:36:17.120
<v Speaker 2>I love that.

0:36:18.040 --> 0:36:21.680
<v Speaker 1>It's it's weird you wouldn't think of me. And I

0:36:21.680 --> 0:36:25.560
<v Speaker 1>don't consider myself a character actor, but I've played characters.

0:36:25.600 --> 0:36:29.279
<v Speaker 1>I I played Zach. Zach was a character. I mean

0:36:29.320 --> 0:36:32.399
<v Speaker 1>I dyed my hair for that every every week. Once

0:36:32.440 --> 0:36:35.040
<v Speaker 1>I finished that, I didn't work for three years. I

0:36:35.080 --> 0:36:38.480
<v Speaker 1>didn't work. We were about two years and it was

0:36:38.480 --> 0:36:41.759
<v Speaker 1>for another NBC movie the Week, remember those things in

0:36:41.800 --> 0:36:44.600
<v Speaker 1>those movie of the Weeks, and auditioned for it. It

0:36:44.640 --> 0:36:47.920
<v Speaker 1>was with Candace Cameron Burret and my hair was was

0:36:48.440 --> 0:36:50.480
<v Speaker 1>it's natural color and people were like, hey, where's the

0:36:50.480 --> 0:36:53.799
<v Speaker 1>blond hair. And then shortly after that, I did some

0:36:53.880 --> 0:36:56.520
<v Speaker 1>other things for Dick Wolf, and then I did NYPD

0:36:56.640 --> 0:36:59.160
<v Speaker 1>Blue and with with with the way I looked in

0:36:59.239 --> 0:37:02.279
<v Speaker 1>that and then you know, I've always been able even

0:37:02.320 --> 0:37:07.440
<v Speaker 1>on television, which does not push in the direction for characters. Right,

0:37:07.480 --> 0:37:10.440
<v Speaker 1>Like when they when they hire Brian Baumbaguner, there's a

0:37:10.560 --> 0:37:13.239
<v Speaker 1>specific they want Brian bar mcguner to play this role

0:37:13.280 --> 0:37:15.959
<v Speaker 1>because they have this vision of you playing this role.

0:37:16.600 --> 0:37:19.600
<v Speaker 1>For me, I've been able. I mean, yeah, I've just

0:37:19.640 --> 0:37:22.400
<v Speaker 1>been able to to not look like the people that

0:37:22.440 --> 0:37:25.560
<v Speaker 1>I play on screen. And so I've lived this life

0:37:25.600 --> 0:37:28.359
<v Speaker 1>where I've tried it one time when I've walked into

0:37:28.360 --> 0:37:30.799
<v Speaker 1>the restaurant and go, yeah, we can't see you. Hey,

0:37:30.800 --> 0:37:32.600
<v Speaker 1>do you know who I am? And they're like nope.

0:37:33.320 --> 0:37:35.879
<v Speaker 1>I'm like, yep, that that worked well, because yeah, why

0:37:35.880 --> 0:37:38.839
<v Speaker 1>would you know who I am? I don't look like you. Yeah, yeah,

0:37:38.920 --> 0:37:39.759
<v Speaker 1>that I have.

0:37:40.200 --> 0:37:45.279
<v Speaker 2>I have an advantage there, you do, like exactly advantage there? Yeah,

0:37:45.320 --> 0:37:48.920
<v Speaker 2>for sure, I love this conversation and that we're having

0:37:48.960 --> 0:37:52.279
<v Speaker 2>it because see, I am a character actor, right, and

0:37:52.440 --> 0:37:55.440
<v Speaker 2>whether it's you know, I mean people have said it's

0:37:55.480 --> 0:37:57.480
<v Speaker 2>weird to talk about yourself and the third person, but

0:37:57.640 --> 0:38:03.399
<v Speaker 2>like you're so unlike this character that everybody knows you as, right,

0:38:03.600 --> 0:38:06.160
<v Speaker 2>and I play the bad guy or I played that

0:38:06.200 --> 0:38:10.919
<v Speaker 2>this right, But you are. You're exactly right, you are

0:38:11.040 --> 0:38:15.239
<v Speaker 2>a character actor. But you started so young, and so

0:38:15.360 --> 0:38:19.239
<v Speaker 2>the assumption is at that young age, oh, that's that's

0:38:19.280 --> 0:38:19.759
<v Speaker 2>who he is.

0:38:19.880 --> 0:38:20.640
<v Speaker 1>That's who I was.

0:38:21.040 --> 0:38:24.759
<v Speaker 2>Certainly he's not. He's not putting that on. That's he's

0:38:24.760 --> 0:38:29.239
<v Speaker 2>got the blonde hair. He's the cool guy California surfery.

0:38:30.080 --> 0:38:35.120
<v Speaker 2>That's fascinating. We have to move to truly one of

0:38:35.160 --> 0:38:39.400
<v Speaker 2>my favorite shows of all time, and certainly what I

0:38:39.400 --> 0:38:42.200
<v Speaker 2>would put up there with anything at least before this

0:38:42.320 --> 0:38:44.440
<v Speaker 2>sort of what they call the Golden age of television

0:38:44.440 --> 0:38:49.719
<v Speaker 2>recently is I mean, I was an enormous NYPD Blue fan,

0:38:50.280 --> 0:38:55.440
<v Speaker 2>and for me, your work on that show was spectacular.

0:38:56.320 --> 0:39:04.640
<v Speaker 2>Was intense, dark, understated, but playing opposite Dennis Franz and

0:39:04.960 --> 0:39:09.640
<v Speaker 2>simple wits the way that you guys worked together so much.

0:39:09.760 --> 0:39:11.680
<v Speaker 2>And I and I say this with all sincerity and

0:39:11.719 --> 0:39:14.080
<v Speaker 2>not to undermine it, because I'm not the first person

0:39:14.120 --> 0:39:17.560
<v Speaker 2>that has has said that about your work. But you know,

0:39:17.600 --> 0:39:21.080
<v Speaker 2>you had the Caruso years, which sort of started it,

0:39:21.280 --> 0:39:25.480
<v Speaker 2>and then Jimmy Smith sort of became the Jimmy Smith's thing,

0:39:25.600 --> 0:39:29.839
<v Speaker 2>and obviously his his departure from that show became sort

0:39:29.880 --> 0:39:33.120
<v Speaker 2>of a huge iconic television moment. But your work on

0:39:33.200 --> 0:39:38.839
<v Speaker 2>that show for such a long time was spectacular and

0:39:39.120 --> 0:39:43.440
<v Speaker 2>for me, being ignorant and not knowing that you were

0:39:43.440 --> 0:39:46.319
<v Speaker 2>playing a character when you were a kid, for me,

0:39:46.600 --> 0:39:51.200
<v Speaker 2>that launched you for me in my consciousness in an

0:39:51.360 --> 0:39:56.160
<v Speaker 2>entirely different way. And I just remember because right, I mean, Dennis,

0:39:56.480 --> 0:39:59.800
<v Speaker 2>he gets the firework, got he got, he got the

0:39:59.800 --> 0:40:03.600
<v Speaker 2>f But I remember watching that show and just being like,

0:40:04.440 --> 0:40:08.960
<v Speaker 2>you know what heat meaning you is doing was so great.

0:40:09.120 --> 0:40:11.360
<v Speaker 2>Talk to me just a little bit about your experience

0:40:11.800 --> 0:40:15.120
<v Speaker 2>on that show and did you feel that in terms

0:40:15.120 --> 0:40:18.920
<v Speaker 2>of the consciousness of America whatever that means, that that

0:40:18.960 --> 0:40:20.279
<v Speaker 2>it was, it was redefining you.

0:40:20.840 --> 0:40:25.480
<v Speaker 1>Yeah, thank you for all those kind words. And just

0:40:25.520 --> 0:40:29.560
<v Speaker 1>to be clear, NYPD Blue was a project. I've never

0:40:29.640 --> 0:40:33.920
<v Speaker 1>acted less on that show. I mean, I look at

0:40:33.920 --> 0:40:37.239
<v Speaker 1>my work and and when you're given and you know this,

0:40:37.480 --> 0:40:42.800
<v Speaker 1>when you're given dialogue like that, and by the way, dialogue.

0:40:42.800 --> 0:40:45.239
<v Speaker 1>When I say dialogue like that, I mean that was

0:40:45.280 --> 0:40:48.600
<v Speaker 1>with the Milch era with Stephen Bochco. So Stephen Bochco

0:40:49.280 --> 0:40:52.960
<v Speaker 1>being you know, at the top and sort of controlling

0:40:53.880 --> 0:40:56.719
<v Speaker 1>Milch who could get out of control. But produce some

0:40:57.800 --> 0:41:02.120
<v Speaker 1>his characters, and his words were just poetry. You had

0:41:02.160 --> 0:41:04.480
<v Speaker 1>to say every single word the way it was on

0:41:05.000 --> 0:41:07.759
<v Speaker 1>the page, and you never questioned it, you know, you

0:41:07.800 --> 0:41:10.120
<v Speaker 1>just you just did it. So for me, I just

0:41:10.560 --> 0:41:12.680
<v Speaker 1>I remember Denna said to me, you know, probably the

0:41:13.080 --> 0:41:16.040
<v Speaker 1>first month or so, at some point he says, less

0:41:16.080 --> 0:41:20.640
<v Speaker 1>is more. You need to just give less. Our cameras

0:41:20.640 --> 0:41:24.360
<v Speaker 1>are right in your face. And yeah, I just feel

0:41:24.360 --> 0:41:29.080
<v Speaker 1>like I gave so little in that role. But leading

0:41:29.160 --> 0:41:32.440
<v Speaker 1>up to it, the anxiety that I had walking onto

0:41:32.440 --> 0:41:36.479
<v Speaker 1>that set my journey was that I auditioned for the role.

0:41:37.160 --> 0:41:40.640
<v Speaker 1>I auditioned for a project called Philly. Kim Delaney had

0:41:40.719 --> 0:41:44.760
<v Speaker 1>left NYPD Blue. She went to go to her own show,

0:41:44.800 --> 0:41:47.719
<v Speaker 1>which was Stephen's show, and it was called Philly. I

0:41:47.800 --> 0:41:49.239
<v Speaker 1>don't know if she was a DA or if she

0:41:49.280 --> 0:41:53.279
<v Speaker 1>was a public was a lawyer in Philadelphia, something like that.

0:41:53.719 --> 0:41:56.319
<v Speaker 1>And there was a role a younger, you know, a

0:41:56.320 --> 0:41:59.640
<v Speaker 1>partner of hers or whatever and attorney. And I had

0:41:59.680 --> 0:42:03.560
<v Speaker 1>just finished a film with Tom Evertt Scott and I

0:42:03.640 --> 0:42:06.360
<v Speaker 1>go in for the audition. Again, very competitive, right, You

0:42:06.400 --> 0:42:08.320
<v Speaker 1>want to get everything. You think you're right for everything.

0:42:08.320 --> 0:42:10.000
<v Speaker 1>You have to have that mentality in this business, so

0:42:10.040 --> 0:42:11.480
<v Speaker 1>you have to go in and go I'm right for this,

0:42:12.040 --> 0:42:14.480
<v Speaker 1>even when you know you're absolutely all right.

0:42:14.880 --> 0:42:15.040
<v Speaker 2>Right.

0:42:15.080 --> 0:42:17.400
<v Speaker 1>I remember sitting on the Fox lot. I was in

0:42:17.440 --> 0:42:20.600
<v Speaker 1>the parking lot and I got a message from my

0:42:21.200 --> 0:42:23.279
<v Speaker 1>manager saying, you don't need to go in there to

0:42:23.440 --> 0:42:26.200
<v Speaker 1>offered it to Tom Evert Scott. You know what Tom

0:42:26.200 --> 0:42:28.560
<v Speaker 1>Everts Scott for this role. I go, we're completely different.

0:42:28.600 --> 0:42:31.200
<v Speaker 1>I got this is I'm right for this. Why would

0:42:31.200 --> 0:42:32.960
<v Speaker 1>they offer it to him? Did he go in? Did

0:42:32.960 --> 0:42:35.080
<v Speaker 1>he read? They're like no, it was a straight up offer.

0:42:35.120 --> 0:42:37.759
<v Speaker 1>I'm like, well, that's bullshit. I'm I go, I gotta

0:42:37.840 --> 0:42:40.600
<v Speaker 1>I'm going in and they go, well, yeah, okay, just

0:42:40.640 --> 0:42:42.919
<v Speaker 1>go in and meet Steven. And so you know, nothing

0:42:42.920 --> 0:42:45.239
<v Speaker 1>against Tom. It just it doesn't matter who you are.

0:42:45.320 --> 0:42:48.600
<v Speaker 1>I want to beat you. And so I go in

0:42:49.160 --> 0:42:51.640
<v Speaker 1>and Steven's there, and I'd never met Steven, and I'm

0:42:51.680 --> 0:42:54.759
<v Speaker 1>not a business guy. I don't know these people. I'm

0:42:54.800 --> 0:42:57.799
<v Speaker 1>in my late twenties, and but I walk in. I

0:42:57.800 --> 0:43:02.160
<v Speaker 1>see this man, white hair, sol sitting there, tennis shoes on,

0:43:03.080 --> 0:43:04.759
<v Speaker 1>and I don't know the history of you know, an

0:43:04.840 --> 0:43:08.239
<v Speaker 1>NHYPD Blue. I've heard things, you know, but it wasn't

0:43:08.320 --> 0:43:10.760
<v Speaker 1>wasn't my wheelhouse. I go and I do the audition.

0:43:10.960 --> 0:43:13.360
<v Speaker 1>After the audition, he and I know this. I know

0:43:13.400 --> 0:43:15.359
<v Speaker 1>they've already offered this to Tom. And he looks at

0:43:15.600 --> 0:43:17.560
<v Speaker 1>He looks at me, and he goes, you know what,

0:43:17.600 --> 0:43:20.239
<v Speaker 1>You're really good. And I said thank you, sir, and

0:43:20.280 --> 0:43:23.560
<v Speaker 1>he goes, I'd like to work with you someday. And

0:43:23.600 --> 0:43:25.840
<v Speaker 1>I was like, oh, there it is. I already know that.

0:43:25.920 --> 0:43:27.920
<v Speaker 1>You know they've offered it as a Tom. This is

0:43:27.960 --> 0:43:30.839
<v Speaker 1>a nice way of him saying, you know you didn't

0:43:30.840 --> 0:43:32.920
<v Speaker 1>get the job, son, because I want to work with

0:43:32.960 --> 0:43:34.879
<v Speaker 1>you one of these days. And well, thank you so much.

0:43:35.000 --> 0:43:37.560
<v Speaker 1>It was a pleasure. Two weeks later, got a call,

0:43:38.520 --> 0:43:40.840
<v Speaker 1>you know, mister Botchko would like Mark Paul to be

0:43:40.880 --> 0:43:45.000
<v Speaker 1>a part of NYPD Blue. Didn't say the capacity, didn't

0:43:45.000 --> 0:43:47.279
<v Speaker 1>say like I'm thinking oh, And we jumped at it. It

0:43:47.280 --> 0:43:49.359
<v Speaker 1>was during pilot season. You know you're you're jumping at

0:43:49.400 --> 0:43:51.960
<v Speaker 1>things like this. We had heard rumors that Rick Schroeder

0:43:51.960 --> 0:43:54.879
<v Speaker 1>who was going to leave, so in your in my mind,

0:43:54.880 --> 0:43:56.640
<v Speaker 1>I'm like, oh, I get to play a beat cop.

0:43:56.719 --> 0:43:58.759
<v Speaker 1>I get to play a uniform, right, And that's all

0:43:58.760 --> 0:44:00.839
<v Speaker 1>it was. Was would he be interested. Of course, yeah,

0:44:00.880 --> 0:44:03.080
<v Speaker 1>we jump on it. Then to come to find out

0:44:03.080 --> 0:44:05.600
<v Speaker 1>that I'm gonna be Sip what's his partner? Are you

0:44:06.040 --> 0:44:10.600
<v Speaker 1>kidding me? I mean I auditioned for Philly. I never

0:44:10.680 --> 0:44:14.560
<v Speaker 1>played a cop, so he doesn't see me as I'm

0:44:14.560 --> 0:44:17.319
<v Speaker 1>playing in New York Detective Like, it doesn't make any

0:44:17.400 --> 0:44:19.880
<v Speaker 1>sense to me, Like, I'm like, what is this a joke?

0:44:20.000 --> 0:44:22.320
<v Speaker 1>Like why are you putting me in this position? I

0:44:22.360 --> 0:44:25.040
<v Speaker 1>haven't done anything to warrant this position. And at the time,

0:44:25.120 --> 0:44:27.680
<v Speaker 1>you know, the internet's kind of going around. I believe

0:44:27.719 --> 0:44:31.440
<v Speaker 1>there was a critic named Alan Steppenwall that had a

0:44:31.480 --> 0:44:35.880
<v Speaker 1>blog about, you know, because people were passionate about NYPD Blue.

0:44:35.920 --> 0:44:39.759
<v Speaker 1>I mean, oh yeah, right, it's like the Office. It's

0:44:39.840 --> 0:44:45.080
<v Speaker 1>it's I mean, people the rabbit about things. And yeah,

0:44:45.320 --> 0:44:48.040
<v Speaker 1>I mean you say, not only am I going to

0:44:48.040 --> 0:44:50.560
<v Speaker 1>bring in a child actor once, I'm going to do

0:44:50.600 --> 0:44:54.280
<v Speaker 1>it again the guy who played you know, Silver Spoons,

0:44:54.280 --> 0:44:56.520
<v Speaker 1>and now the guy who played Zach Morris on on

0:44:56.640 --> 0:44:58.640
<v Speaker 1>Save by the Bells coming in to play Sip what's

0:44:58.640 --> 0:45:01.440
<v Speaker 1>his partner? I happened to read a lot of the

0:45:01.480 --> 0:45:03.759
<v Speaker 1>blogs that were going on, or a lot of the

0:45:03.800 --> 0:45:07.200
<v Speaker 1>posts and it was not pretty, and I just had

0:45:07.400 --> 0:45:10.479
<v Speaker 1>so much anxiety to walk on that set. The first

0:45:10.480 --> 0:45:12.960
<v Speaker 1>time I met Dennis was at a you know, before

0:45:13.000 --> 0:45:16.319
<v Speaker 1>the season, you do the photo shoot and yeah, yeah,

0:45:16.360 --> 0:45:18.080
<v Speaker 1>I don't know what that is, but they do this

0:45:18.120 --> 0:45:20.800
<v Speaker 1>every season for shows, where you come in and you

0:45:20.800 --> 0:45:22.880
<v Speaker 1>you take these photos and you do these like, you know,

0:45:23.000 --> 0:45:25.400
<v Speaker 1>little bumpers and teasers and stuff like that.

0:45:26.320 --> 0:45:29.040
<v Speaker 2>Whirls, yeah, put it. They put it where they are

0:45:29.040 --> 0:45:31.920
<v Speaker 2>about to go to commercial or yeah exactly.

0:45:31.480 --> 0:45:34.760
<v Speaker 1>Yeah, yeah, yeah. And and so that's where I met Dennis.

0:45:34.840 --> 0:45:38.520
<v Speaker 1>And I remember him walking on the some lot and

0:45:38.560 --> 0:45:41.239
<v Speaker 1>I see him walking towards me. And of course, before then,

0:45:41.640 --> 0:45:43.880
<v Speaker 1>I wasn't a fan. I never saw an episode of

0:45:44.120 --> 0:45:48.080
<v Speaker 1>NYPD Blue. So before that I'm watching the show religiously.

0:45:48.400 --> 0:45:51.319
<v Speaker 1>I'm like getting as much information as it possibly can.

0:45:51.880 --> 0:45:54.840
<v Speaker 1>And so I'm seeing this man's work and like, this

0:45:54.920 --> 0:45:57.680
<v Speaker 1>guy's a beast, right, I mean, he's he is the

0:45:57.880 --> 0:46:01.880
<v Speaker 1>real deal. Nine times nominated for an Emmy, four times

0:46:01.880 --> 0:46:05.000
<v Speaker 1>he wins. I mean, this is an actor. I don't

0:46:05.000 --> 0:46:07.000
<v Speaker 1>consider myself an actor at this point. I don't I

0:46:07.000 --> 0:46:09.920
<v Speaker 1>don't consider what I'm doing. I'm just like it's like

0:46:09.960 --> 0:46:13.080
<v Speaker 1>we I'm having fun, you know that trying to make

0:46:13.080 --> 0:46:15.960
<v Speaker 1>a living. I see him walking up to me and

0:46:16.000 --> 0:46:19.319
<v Speaker 1>there's sipoets, you know, this sort of being, you know,

0:46:19.760 --> 0:46:23.279
<v Speaker 1>and he just has his arms outstretched and he just

0:46:23.280 --> 0:46:26.520
<v Speaker 1>gives me the biggest bear hug you can possibly imagine,

0:46:26.920 --> 0:46:30.160
<v Speaker 1>and he just says, welcome to our family. I'm so

0:46:30.200 --> 0:46:32.799
<v Speaker 1>excited to work with you. I can't wait. And I

0:46:32.880 --> 0:46:36.560
<v Speaker 1>was like wow. And that was Dennis from the very

0:46:36.600 --> 0:46:41.800
<v Speaker 1>beginning until the very end, just the most lovable guy

0:46:42.440 --> 0:46:45.279
<v Speaker 1>you would ever want to be on cameras with, or

0:46:45.600 --> 0:46:49.640
<v Speaker 1>or or you know, in a casual situation. His work ethic,

0:46:50.800 --> 0:46:55.799
<v Speaker 1>approached his work with the same sort of intensity and excitement,

0:46:56.080 --> 0:46:58.919
<v Speaker 1>you know when when he got his dialogue and how

0:46:58.960 --> 0:47:02.319
<v Speaker 1>he went to his approach and knowing his dialogue, and

0:47:03.080 --> 0:47:05.600
<v Speaker 1>I learned so much in those four years that that

0:47:05.960 --> 0:47:09.759
<v Speaker 1>was the he shaped me. And and that process with

0:47:09.800 --> 0:47:13.640
<v Speaker 1>Stephen Boschko who became a mentor as well, and everyone

0:47:13.680 --> 0:47:17.200
<v Speaker 1>on that Mark Tinker, Bill Clark, that was a moment

0:47:17.280 --> 0:47:20.600
<v Speaker 1>in my journey that I will never forget. And I'm

0:47:20.680 --> 0:47:23.200
<v Speaker 1>so thankful that I had that, because you're right, that

0:47:23.320 --> 0:47:26.359
<v Speaker 1>was the start of my adult career. That I think

0:47:26.360 --> 0:47:28.399
<v Speaker 1>that's that's not even I don't want to say adult career.

0:47:28.560 --> 0:47:31.880
<v Speaker 1>That was the start of my career really of understanding

0:47:32.520 --> 0:47:34.680
<v Speaker 1>you know, what I was doing and and and the

0:47:34.719 --> 0:47:37.799
<v Speaker 1>impact you could have, and yeah, just just working with

0:47:37.840 --> 0:47:38.800
<v Speaker 1>the best it was.

0:47:38.640 --> 0:48:00.080
<v Speaker 2>It was amazing, you know the office, particularly as you know,

0:48:00.280 --> 0:48:02.960
<v Speaker 2>by the way we were we were not a Saturday

0:48:03.000 --> 0:48:06.279
<v Speaker 2>morning show, and we were shooting sixty plus hours a week.

0:48:06.320 --> 0:48:08.680
<v Speaker 2>Don't cry for us. We were doing thirty episodes a

0:48:08.760 --> 0:48:09.960
<v Speaker 2>year some seasons.

0:48:10.200 --> 0:48:12.839
<v Speaker 1>Wow, Andy, how many days would it take to film

0:48:12.880 --> 0:48:13.520
<v Speaker 1>one episode?

0:48:14.040 --> 0:48:14.279
<v Speaker 2>Five?

0:48:15.280 --> 0:48:17.560
<v Speaker 1>But you guys were a single camera, right, say it

0:48:17.560 --> 0:48:19.960
<v Speaker 1>was a single camera, so it was five okay.

0:48:20.560 --> 0:48:24.080
<v Speaker 2>Yeah, so like twelve to fourteen a day. You know,

0:48:24.320 --> 0:48:27.560
<v Speaker 2>by the end of this these seasons, when you get

0:48:27.600 --> 0:48:31.560
<v Speaker 2>into episodes twenty two to twenty six, sometimes the scripts

0:48:31.600 --> 0:48:33.279
<v Speaker 2>come a little bit late.

0:48:33.719 --> 0:48:33.919
<v Speaker 1>Yep.

0:48:34.000 --> 0:48:37.960
<v Speaker 2>It is famous as genius as the writers in milch Is.

0:48:38.400 --> 0:48:42.719
<v Speaker 2>You guys would get scripts very late at times. Yet

0:48:42.760 --> 0:48:45.840
<v Speaker 2>as you said, now, we could mess with the words

0:48:46.239 --> 0:48:48.880
<v Speaker 2>a little bit, and we could mess with the timings,

0:48:48.880 --> 0:48:52.040
<v Speaker 2>but you guys could not. How difficult was that or

0:48:52.080 --> 0:48:56.959
<v Speaker 2>did you just consider it a challenge, a exciting challenge, a.

0:48:57.760 --> 0:49:01.600
<v Speaker 1>Well, so I was fortunate and unfortunate because I would

0:49:01.600 --> 0:49:03.920
<v Speaker 1>have loved to work with Milch left the year before

0:49:04.239 --> 0:49:07.839
<v Speaker 1>I So I came on. Yeah, no, no, no no,

0:49:07.920 --> 0:49:11.040
<v Speaker 1>but it was a it was a thing that I

0:49:11.120 --> 0:49:15.759
<v Speaker 1>came on, uh, season nine, because it was going to

0:49:15.800 --> 0:49:18.719
<v Speaker 1>be the last season we ended up. It was, yeah,

0:49:18.840 --> 0:49:21.320
<v Speaker 1>it was like nine, that's it, Milch is leaving. Milch

0:49:21.360 --> 0:49:24.640
<v Speaker 1>went on to do something else for ABC. They were

0:49:24.680 --> 0:49:27.239
<v Speaker 1>just like, yeah, nine, and you know, it just it

0:49:27.400 --> 0:49:30.600
<v Speaker 1>just the show became very expensive to shoot and licensing fee,

0:49:30.600 --> 0:49:32.279
<v Speaker 1>you know how th stuff works. And they were like, yeah,

0:49:32.320 --> 0:49:34.440
<v Speaker 1>we'll just we got a we got we got to

0:49:34.480 --> 0:49:38.240
<v Speaker 1>season twelve. Milch was kind of there, but not writing

0:49:38.280 --> 0:49:42.799
<v Speaker 1>the script, so the process became much more refined. They

0:49:42.800 --> 0:49:44.520
<v Speaker 1>didn't have to rely on Milch. It's one of the

0:49:44.560 --> 0:49:47.280
<v Speaker 1>reasons I believe that I think I don't I hate talking,

0:49:47.480 --> 0:49:49.040
<v Speaker 1>you know, putting words in his mouth, but I believe

0:49:49.040 --> 0:49:51.520
<v Speaker 1>that's why Smith's left was because of that process of it.

0:49:51.640 --> 0:49:53.719
<v Speaker 1>He just couldn't take it with With Milch. They had

0:49:53.760 --> 0:49:56.040
<v Speaker 1>pagers on like they would come on set, they would

0:49:56.080 --> 0:49:59.480
<v Speaker 1>rehearse something, which you know, they had words and pages,

0:49:59.520 --> 0:50:01.320
<v Speaker 1>and then they would rehearse it. Milt should see it

0:50:01.360 --> 0:50:03.840
<v Speaker 1>and say nope, everybody'd leave, I got to rewrite this.

0:50:04.360 --> 0:50:06.080
<v Speaker 1>They would all have pages on them. They would just

0:50:06.120 --> 0:50:08.120
<v Speaker 1>be out and about and then they would get a

0:50:08.160 --> 0:50:10.479
<v Speaker 1>call saying, you know, come back in, and they would

0:50:10.480 --> 0:50:15.360
<v Speaker 1>do something again, and or they'd film an entire scene

0:50:15.640 --> 0:50:18.080
<v Speaker 1>and spend you know, three four hours on it, and

0:50:18.120 --> 0:50:21.279
<v Speaker 1>Milt would see it and go, nope, I gotta we're

0:50:21.280 --> 0:50:22.520
<v Speaker 1>gonna redo this, and so.

0:50:23.040 --> 0:50:25.200
<v Speaker 2>You but it wasn't quite like that.

0:50:25.280 --> 0:50:26.759
<v Speaker 1>No, no, no, when I came on, it was a

0:50:26.800 --> 0:50:29.680
<v Speaker 1>well oiled machine. It was like that the year before

0:50:30.040 --> 0:50:34.080
<v Speaker 1>with with Schroeder, and then Schroeder left and Milch left,

0:50:34.080 --> 0:50:38.520
<v Speaker 1>and then when I came on, Botch go really, you know,

0:50:38.640 --> 0:50:40.920
<v Speaker 1>clamp down on that, and was very it was. It

0:50:41.000 --> 0:50:44.520
<v Speaker 1>was a very yeah. And I was always told and

0:50:44.520 --> 0:50:47.320
<v Speaker 1>and you know, Dennis, Dennis was okay with that. Dennis

0:50:47.320 --> 0:50:49.799
<v Speaker 1>being a theater actor, you know, he was able to

0:50:49.800 --> 0:50:53.000
<v Speaker 1>to you know, take the pages and process it and

0:50:53.040 --> 0:50:55.799
<v Speaker 1>get it out there. But there's some certain actors I

0:50:55.800 --> 0:50:58.400
<v Speaker 1>can't do that. I completely understand. I actually would have

0:50:58.480 --> 0:51:00.799
<v Speaker 1>been fine with it because coming from sort of that

0:51:00.840 --> 0:51:04.200
<v Speaker 1>sitcom you know, where you're you're given lines alts.

0:51:05.239 --> 0:51:10.000
<v Speaker 2>Yeah, yeah, yeah, Well you got four years out of

0:51:10.040 --> 0:51:14.240
<v Speaker 2>it and finished finished it up. Talk to me a little,

0:51:14.320 --> 0:51:18.239
<v Speaker 2>just a little about when it ended. How difficult was

0:51:18.239 --> 0:51:20.960
<v Speaker 2>that to you? I know that myself as well as

0:51:22.040 --> 0:51:25.880
<v Speaker 2>much of the television viewers in America, there were not

0:51:26.360 --> 0:51:30.799
<v Speaker 2>dry eyes in people's houses. How difficult was that for you?

0:51:31.840 --> 0:51:35.279
<v Speaker 1>Yeah? I I it was. It was terrible. I mean

0:51:35.480 --> 0:51:38.600
<v Speaker 1>I feel like we could have continued with that show.

0:51:38.800 --> 0:51:39.399
<v Speaker 2>I don't.

0:51:39.440 --> 0:51:43.759
<v Speaker 1>I don't really know why. I think, you know, there's

0:51:43.760 --> 0:51:47.000
<v Speaker 1>a point where it's completely out of our control, but

0:51:47.040 --> 0:51:50.839
<v Speaker 1>there's you know, people that are above us that just

0:51:50.920 --> 0:51:54.200
<v Speaker 1>decided to move on with things. I would have liked

0:51:54.200 --> 0:51:57.840
<v Speaker 1>that show to continue. I'm not sure if Dennis was done,

0:51:58.400 --> 0:52:00.319
<v Speaker 1>but if that was the reason. There was a lot

0:52:00.320 --> 0:52:04.200
<v Speaker 1>of speculation that the show could not survive with without Dennis,

0:52:04.239 --> 0:52:07.080
<v Speaker 1>and there's some truth to that. I think for me,

0:52:07.480 --> 0:52:10.280
<v Speaker 1>I felt that way. Looking at it now, I'm like, well,

0:52:10.719 --> 0:52:14.200
<v Speaker 1>I don't know, maybe we could, you know, maybe you

0:52:14.200 --> 0:52:16.920
<v Speaker 1>could do it. I mean you see how Low and

0:52:17.080 --> 0:52:20.719
<v Speaker 1>Order has has reinvented itself over and over and over again.

0:52:20.760 --> 0:52:24.240
<v Speaker 1>But that's not the show that NYPD blue was. It wasn't.

0:52:24.360 --> 0:52:27.000
<v Speaker 1>I mean, at its core, I guess it's a procedural,

0:52:27.200 --> 0:52:28.480
<v Speaker 1>but it was so much more than that.

0:52:28.840 --> 0:52:33.279
<v Speaker 2>Oh my god, Yes, the relationships and character building and

0:52:33.640 --> 0:52:37.680
<v Speaker 2>the rawness. Yeah, and weird. I mean, it's funny. I

0:52:37.719 --> 0:52:40.640
<v Speaker 2>was such a huge fan of that. That shaky camera.

0:52:40.719 --> 0:52:43.359
<v Speaker 2>That got a whole lot of press. However, many years

0:52:43.400 --> 0:52:46.719
<v Speaker 2>later for a comedy, our shaky camera got a lot,

0:52:47.160 --> 0:52:49.600
<v Speaker 2>got a lot of press when we started out. Yeah,

0:52:49.719 --> 0:52:52.880
<v Speaker 2>it's uh, it's funny how that stuff works.

0:52:53.040 --> 0:52:55.279
<v Speaker 1>We we were so the way they filmed that too,

0:52:55.480 --> 0:53:00.720
<v Speaker 1>I mean, it's it's it's it's shaped how I direct

0:53:01.280 --> 0:53:04.720
<v Speaker 1>and understand how to direct. Mark Tinker directed the majority

0:53:04.760 --> 0:53:08.000
<v Speaker 1>of our shows, and he was an executive producer as well.

0:53:08.000 --> 0:53:12.359
<v Speaker 1>And that style and how Tinker would sort of edit

0:53:12.560 --> 0:53:14.960
<v Speaker 1>in his mind while he was shooting. He would be

0:53:14.960 --> 0:53:17.640
<v Speaker 1>looking at the screens and we'd have like three cameras going,

0:53:17.920 --> 0:53:20.919
<v Speaker 1>and he would sit there with a microphone, and each

0:53:20.960 --> 0:53:23.640
<v Speaker 1>of the camera operators and the focus pullers would have

0:53:24.320 --> 0:53:28.560
<v Speaker 1>earbuds in and he would you know, say dirty words

0:53:28.560 --> 0:53:31.040
<v Speaker 1>to them in their ears as we're filming. But also

0:53:31.080 --> 0:53:35.239
<v Speaker 1>he would basically tell them going closer, pull out, you know,

0:53:35.400 --> 0:53:38.680
<v Speaker 1>go to go to Dennis, go to Henry, you know,

0:53:38.719 --> 0:53:41.759
<v Speaker 1>so he was editing while he was filming, and that

0:53:41.760 --> 0:53:44.640
<v Speaker 1>that's why you would get those camera swings and zoom

0:53:44.680 --> 0:53:47.120
<v Speaker 1>ins and and things like that. So it was a

0:53:47.160 --> 0:53:50.400
<v Speaker 1>really cool process. And I think I haven't worked with

0:53:50.440 --> 0:53:54.120
<v Speaker 1>Tinkers since, but I do believe he incorporates that into

0:53:54.120 --> 0:53:57.600
<v Speaker 1>shows that he is either show running or directing. It's

0:53:57.600 --> 0:54:00.640
<v Speaker 1>just a really cool way of getting what you want

0:54:00.680 --> 0:54:05.360
<v Speaker 1>and being really efficient. And I think his record was

0:54:05.840 --> 0:54:08.880
<v Speaker 1>filming an episode of NYPD Blue, a full episode in

0:54:09.000 --> 0:54:12.600
<v Speaker 1>under six days. That's insane because it became that way.

0:54:12.640 --> 0:54:14.040
<v Speaker 1>You know, it's towards the end of the run. You're

0:54:14.080 --> 0:54:16.799
<v Speaker 1>like trying to challenge yourself as a director as well. Right,

0:54:16.960 --> 0:54:19.439
<v Speaker 1>you've done twelve seasons of this, so you know, trying

0:54:19.440 --> 0:54:21.600
<v Speaker 1>to trying to be as efficient as possible. It's pretty cool.

0:54:21.640 --> 0:54:26.800
<v Speaker 2>Although I will say, you know that moving camera is helpful.

0:54:27.560 --> 0:54:31.560
<v Speaker 1>It is what I but not only efficiency, but for acting.

0:54:31.760 --> 0:54:35.239
<v Speaker 1>I really love when you know, it's like being in

0:54:35.320 --> 0:54:38.719
<v Speaker 1>theater right, like you're on you think you're in the background,

0:54:39.120 --> 0:54:41.640
<v Speaker 1>and I and NYPD Blue and same with the office

0:54:41.680 --> 0:54:44.160
<v Speaker 1>would do that, like it pulls focus to the rear

0:54:44.320 --> 0:54:48.160
<v Speaker 1>of a reaction that you give. I love that that style,

0:54:48.640 --> 0:54:51.400
<v Speaker 1>and as an actor, you don't get bored, right, You're not.

0:54:51.480 --> 0:54:55.600
<v Speaker 1>Oh it's it's Steve's you know coverage. I I'm just

0:54:55.600 --> 0:54:58.080
<v Speaker 1>gonna sit here and just give him kind of of

0:54:58.080 --> 0:54:59.120
<v Speaker 1>what I would do.

0:55:00.200 --> 0:55:04.000
<v Speaker 2>You'll get caught for sure. Yeah. I could talk to

0:55:04.040 --> 0:55:07.200
<v Speaker 2>you about all this all day, but uh, you you

0:55:07.239 --> 0:55:11.000
<v Speaker 2>have such an amazing mix after your career starts comedy drama,

0:55:11.680 --> 0:55:14.960
<v Speaker 2>Franklin and Bash, raising the bar, Truth be told, pitch

0:55:15.320 --> 0:55:18.279
<v Speaker 2>down here in San Diego. The passage, by the way,

0:55:18.440 --> 0:55:21.000
<v Speaker 2>mixed dish. I don't even know if it's fair to

0:55:21.040 --> 0:55:24.160
<v Speaker 2>say I was up for I don't remember. I think

0:55:24.200 --> 0:55:27.000
<v Speaker 2>you and I are like, there are details that go away.

0:55:27.560 --> 0:55:31.560
<v Speaker 2>Your best friend, I don't even remember who got it,

0:55:32.040 --> 0:55:35.040
<v Speaker 2>And I went to and I don't remember the character's name,

0:55:35.160 --> 0:55:38.160
<v Speaker 2>and I went to when I was going to talk

0:55:38.160 --> 0:55:39.920
<v Speaker 2>to you, I went to research this and I was like,

0:55:40.640 --> 0:55:43.279
<v Speaker 2>what was it? Gary Cole? And then I was like, no,

0:55:43.480 --> 0:55:46.520
<v Speaker 2>that was that was older. It was your best friend.

0:55:46.880 --> 0:55:50.120
<v Speaker 2>That's all I remember. Yeah, and I'm sure the actor

0:55:50.200 --> 0:55:52.880
<v Speaker 2>was spectacular, but would have been it would have been

0:55:52.960 --> 0:55:54.080
<v Speaker 2>better for you.

0:55:54.080 --> 0:55:59.000
<v Speaker 1>You were too expensive. You seriously, I'm telling you that

0:55:59.000 --> 0:56:02.440
<v Speaker 1>it really comes down to the because and I forgive

0:56:02.440 --> 0:56:06.880
<v Speaker 1>me the minute I do. The minute I'm done with something,

0:56:07.000 --> 0:56:09.800
<v Speaker 1>even a day's worth of work, I tend to forget,

0:56:09.880 --> 0:56:11.120
<v Speaker 1>like it's just I have to That's this is the

0:56:11.120 --> 0:56:13.399
<v Speaker 1>way my brain works. I have to process other things,

0:56:14.200 --> 0:56:18.520
<v Speaker 1>and I don't have the capacity. Uh. But the actor

0:56:18.560 --> 0:56:21.000
<v Speaker 1>I remember, I see his face. I don't know his name.

0:56:21.040 --> 0:56:25.080
<v Speaker 1>He was really good, completely like you and him are

0:56:25.160 --> 0:56:28.520
<v Speaker 1>not alike. I do remember them going out for names,

0:56:29.080 --> 0:56:32.080
<v Speaker 1>and I consider you obviously a name, but I know

0:56:32.160 --> 0:56:34.359
<v Speaker 1>that there wasn't any money in it. You know, there's

0:56:34.360 --> 0:56:36.680
<v Speaker 1>so many other things. You can't make me feel better now.

0:56:36.800 --> 0:56:39.640
<v Speaker 1>I don't feel bad still, but that would have been

0:56:40.160 --> 0:56:42.399
<v Speaker 1>a lot of fun to work with you. And I've

0:56:42.440 --> 0:56:45.799
<v Speaker 1>now seen and remembering what the kind of character was,

0:56:45.920 --> 0:56:48.840
<v Speaker 1>that would have been a lot of fun to be

0:56:48.960 --> 0:56:50.560
<v Speaker 1>He was a bit of a slacker, that guy.

0:56:50.760 --> 0:56:54.960
<v Speaker 2>Like Okay, I don't even remember. Yeah, I don't remember.

0:56:55.080 --> 0:56:57.160
<v Speaker 1>I think I think you know that happens when when

0:56:57.160 --> 0:57:00.640
<v Speaker 1>a project comes up. They always do this, every project,

0:57:00.640 --> 0:57:02.479
<v Speaker 1>they shoot for the moon, right, They're like, we want

0:57:02.560 --> 0:57:04.879
<v Speaker 1>Brian for this, and You're like, Okay, great, Yeah, let's

0:57:04.880 --> 0:57:07.160
<v Speaker 1>go for Brian. And then it settles in of like

0:57:07.440 --> 0:57:11.080
<v Speaker 1>Brian gets this much per episode. You're like, yeah, maybe

0:57:11.120 --> 0:57:13.080
<v Speaker 1>we won't go for Brian. And then you go to

0:57:13.239 --> 0:57:15.040
<v Speaker 1>you know, you go to your next tier and you're like,

0:57:15.040 --> 0:57:17.000
<v Speaker 1>we want them, and then you realize like, oh, they

0:57:17.000 --> 0:57:17.720
<v Speaker 1>live in Europe.

0:57:18.080 --> 0:57:24.920
<v Speaker 2>Oh right right? Comedy drama, you don't care. It's about

0:57:24.920 --> 0:57:26.200
<v Speaker 2>creating a character, right.

0:57:26.360 --> 0:57:29.760
<v Speaker 1>Yeah, No, I don't mind. I prefer drama. I think

0:57:29.800 --> 0:57:33.200
<v Speaker 1>comedy is really tough. I struggle with comedy a little

0:57:33.240 --> 0:57:34.640
<v Speaker 1>bit more than I do with drama.

0:57:34.760 --> 0:57:38.920
<v Speaker 2>Your new show, hit show I just read this morning.

0:57:38.960 --> 0:57:42.760
<v Speaker 2>Maybe it was announced a while ago. Season two is

0:57:43.040 --> 0:57:49.120
<v Speaker 2>coming on My mothership. On the mothership NBC new show

0:57:49.280 --> 0:57:56.920
<v Speaker 2>Found so different. Interesting talk about NYPD blue, Like there

0:57:57.000 --> 0:58:02.320
<v Speaker 2>is some depth to this show and issues that are

0:58:02.360 --> 0:58:05.800
<v Speaker 2>being discussed in this show that you don't typically see

0:58:05.880 --> 0:58:10.720
<v Speaker 2>in network television. You are playing not just drama, but

0:58:10.920 --> 0:58:16.720
<v Speaker 2>you your character incredibly dark but so well done as usual.

0:58:16.920 --> 0:58:19.600
<v Speaker 2>How what has your experience been like on Found.

0:58:20.480 --> 0:58:25.560
<v Speaker 1>It's been it's been a challenge that's been rewarded with

0:58:25.600 --> 0:58:28.200
<v Speaker 1>the second season, which is always our intention. I mean,

0:58:28.320 --> 0:58:29.840
<v Speaker 1>I never go into I don't know about you, but

0:58:29.920 --> 0:58:31.720
<v Speaker 1>you never go into a project going, I hope it

0:58:31.760 --> 0:58:36.000
<v Speaker 1>only gets one season, you know, pitch truth be told.

0:58:36.040 --> 0:58:39.080
<v Speaker 1>I mean all these projects you go into going, I

0:58:39.120 --> 0:58:42.200
<v Speaker 1>want seven season and I want to retire, you know,

0:58:42.720 --> 0:58:45.080
<v Speaker 1>I just want to I want to get that residual

0:58:45.160 --> 0:58:47.600
<v Speaker 1>money that has been eluded. I didn't get it that

0:58:47.720 --> 0:58:50.240
<v Speaker 1>much on NYPD Blue because I came in late in

0:58:50.320 --> 0:58:52.480
<v Speaker 1>the in the game. Didn't get it on Saved by

0:58:52.520 --> 0:58:57.320
<v Speaker 1>the Bell Franklin Bash. We did forty episodes and four

0:58:57.400 --> 0:59:02.520
<v Speaker 1>years on TNT. I mean, you know nothing, you know

0:59:02.600 --> 0:59:05.200
<v Speaker 1>mixed Dish. I was like, yes, here we go. I'm

0:59:05.280 --> 0:59:08.240
<v Speaker 1>coming on. I'm going to ride these coat tails of Blackish.

0:59:08.440 --> 0:59:10.880
<v Speaker 1>This is it. I'm done. I get to do this show,

0:59:10.880 --> 0:59:14.120
<v Speaker 1>which I love, I like the people. I'm gonna this

0:59:14.240 --> 0:59:17.040
<v Speaker 1>is it. I've made it. First season. We do twenty

0:59:17.120 --> 0:59:20.320
<v Speaker 1>three and I'm like, yes, because I love working. I

0:59:20.400 --> 0:59:22.000
<v Speaker 1>love I love I love the reward.

0:59:22.080 --> 0:59:22.400
<v Speaker 2>I love.

0:59:22.920 --> 0:59:26.280
<v Speaker 1>You know, you worked your ass off, you get paid great,

0:59:26.320 --> 0:59:29.760
<v Speaker 1>and you know you get to take great family vacations.

0:59:29.760 --> 0:59:32.320
<v Speaker 1>What's not to love? So bring it on. Like when

0:59:32.440 --> 0:59:34.200
<v Speaker 1>when they say you know you're gonna do twenty two

0:59:34.360 --> 0:59:36.960
<v Speaker 1>or whatever, the next season on Mixed Ish, we did thirteen,

0:59:37.600 --> 0:59:40.040
<v Speaker 1>so we found we did you know? We started with

0:59:40.160 --> 0:59:41.920
<v Speaker 1>thirteen and now we're going to do twenty two this

0:59:41.960 --> 0:59:46.200
<v Speaker 1>second season, and I'm just so excited. It's a very

0:59:46.280 --> 0:59:49.760
<v Speaker 1>challenging role. It's a role that I haven't played. You know,

0:59:49.800 --> 0:59:53.960
<v Speaker 1>I've played some darker characters, but nothing quite like him.

0:59:54.920 --> 0:59:59.400
<v Speaker 1>The name of the characters Sir Sure and Sir is despicable.

0:59:59.480 --> 1:00:02.960
<v Speaker 1>I mean, it's it's just a it's a gross He's

1:00:02.960 --> 1:00:06.640
<v Speaker 1>a gross human being with not a lot of redeemable qualities,

1:00:06.680 --> 1:00:10.240
<v Speaker 1>and I don't know that he deserves any redemption. When

1:00:10.280 --> 1:00:14.800
<v Speaker 1>I asked the showrunner and Kidji, you know, I like

1:00:14.880 --> 1:00:18.000
<v Speaker 1>to do research on my roles and understand where the

1:00:18.040 --> 1:00:20.280
<v Speaker 1>writers coming from. And I asked her, I said, you know,

1:00:20.560 --> 1:00:24.240
<v Speaker 1>is there anybody out there that I should model Sir after?

1:00:24.360 --> 1:00:27.200
<v Speaker 1>And she's said probably, out of all the sickos that

1:00:27.240 --> 1:00:30.960
<v Speaker 1>we've had in society, Ted Bundy was the one that

1:00:31.000 --> 1:00:34.680
<v Speaker 1>you should probably base him off of. He was charming,

1:00:35.040 --> 1:00:38.240
<v Speaker 1>he was, you know, decent looking guy. He was able

1:00:38.240 --> 1:00:43.160
<v Speaker 1>to use those two qualities to disarm his victims to

1:00:43.200 --> 1:00:46.720
<v Speaker 1>do some monstrous things. But that was who she wanted sir.

1:00:47.520 --> 1:00:50.040
<v Speaker 1>You know, he was also a very smart man and

1:00:50.160 --> 1:00:54.240
<v Speaker 1>uses intellect to sort of work his way into the

1:00:54.280 --> 1:00:56.920
<v Speaker 1>lives of his victims. So that's who she wanted me

1:00:56.960 --> 1:01:02.240
<v Speaker 1>to emulate. You know, not great people, but the show itself.

1:01:02.320 --> 1:01:06.640
<v Speaker 1>I mean, you're right, it does stand for something that

1:01:07.000 --> 1:01:11.000
<v Speaker 1>is often not approached on network television. I thought when

1:01:11.040 --> 1:01:15.000
<v Speaker 1>I read it pilot season of twenty twenty two, this

1:01:15.120 --> 1:01:17.280
<v Speaker 1>was one of the pilots of that season that was

1:01:17.880 --> 1:01:20.200
<v Speaker 1>you know, a lot of people wanted to be a

1:01:20.200 --> 1:01:23.520
<v Speaker 1>part of it was so well written. Sheanola Hampton, was

1:01:23.560 --> 1:01:28.200
<v Speaker 1>already attached her sort of history and pedigree and like

1:01:28.480 --> 1:01:32.439
<v Speaker 1>who she is as a person. Everything was positive and

1:01:32.520 --> 1:01:34.440
<v Speaker 1>you know, she's just she's like one of those Dennis

1:01:34.440 --> 1:01:36.600
<v Speaker 1>Franz people. Right when you meet her, she's like, Oh,

1:01:37.760 --> 1:01:40.400
<v Speaker 1>this is going to be an absolute treat to work with.

1:01:40.600 --> 1:01:42.720
<v Speaker 1>She's the real deal. She was a producer on the show.

1:01:42.840 --> 1:01:44.600
<v Speaker 1>She had a deal with NBC, so she was already

1:01:44.600 --> 1:01:49.880
<v Speaker 1>attached working with Greg Berlanty. Like as actors, like, you

1:01:49.920 --> 1:01:53.120
<v Speaker 1>see these things and the boxes are being checked and

1:01:53.120 --> 1:01:55.760
<v Speaker 1>you're like, right, it lines up. Doesn't mean it's a

1:01:55.760 --> 1:01:59.040
<v Speaker 1>guarantee for anything. You're still taking a risk with a

1:01:59.160 --> 1:02:01.680
<v Speaker 1>character in this This was a definite risk. I mean,

1:02:01.720 --> 1:02:04.440
<v Speaker 1>this was a character that you could get skewered on.

1:02:05.080 --> 1:02:07.680
<v Speaker 1>But it seemed have worked and NBC loves it and

1:02:07.680 --> 1:02:10.720
<v Speaker 1>I love being with NBC. Still, Mad Day canceled, saved

1:02:10.720 --> 1:02:12.760
<v Speaker 1>by the Bill to reboot. But you know, I can't

1:02:12.920 --> 1:02:14.680
<v Speaker 1>can't win them all. But I was bummed that we

1:02:14.680 --> 1:02:17.080
<v Speaker 1>didn't get more than two seasons out of that. But

1:02:17.160 --> 1:02:19.080
<v Speaker 1>I still, you know, I started my career here and

1:02:19.520 --> 1:02:23.040
<v Speaker 1>hopefully this is the one that ends it. Always looking

1:02:23.040 --> 1:02:25.520
<v Speaker 1>for that. Indeed, I want to start playing golf like you.

1:02:25.520 --> 1:02:30.640
<v Speaker 2>Brian, do you ever have you? Have you? Has there

1:02:30.640 --> 1:02:34.840
<v Speaker 2>been any discussion or have you talked about any similarities

1:02:34.920 --> 1:02:40.160
<v Speaker 2>with obviously not a real monster, but Hannibal Lecter. Has

1:02:40.200 --> 1:02:43.640
<v Speaker 2>there been any conversation on the team or in your

1:02:43.640 --> 1:02:45.560
<v Speaker 2>own mind about that that character.

1:02:46.600 --> 1:02:49.680
<v Speaker 1>I was a huge fan growing up of the Silence

1:02:49.680 --> 1:02:52.680
<v Speaker 1>of the Lambs and some of the sequels as well,

1:02:52.720 --> 1:02:57.760
<v Speaker 1>with Gary Oldman and Rayleota and some great stuff. I

1:02:57.880 --> 1:03:02.760
<v Speaker 1>never proached it from that angle. Yeah, I never really

1:03:02.800 --> 1:03:03.800
<v Speaker 1>approached it from there.

1:03:04.520 --> 1:03:08.640
<v Speaker 2>There are similarities, yeah, And you know I'm attempting to

1:03:08.680 --> 1:03:12.680
<v Speaker 2>not give stuff away I've been watching but an imprisoned

1:03:12.840 --> 1:03:15.880
<v Speaker 2>if you will back, you can give it away.

1:03:15.960 --> 1:03:18.760
<v Speaker 1>I mean we've been giving it away this entire time. Basically,

1:03:19.280 --> 1:03:23.680
<v Speaker 1>I kidnapped a girl when she was sixteen. She escapes.

1:03:23.840 --> 1:03:28.960
<v Speaker 1>Years later, she becomes an advocate to find people who

1:03:29.080 --> 1:03:32.280
<v Speaker 1>are lost and in need of being found but don't

1:03:32.280 --> 1:03:34.360
<v Speaker 1>have the means or funds.

1:03:34.520 --> 1:03:37.760
<v Speaker 2>From marketized communities. Correct, yes, yeah.

1:03:37.280 --> 1:03:41.640
<v Speaker 1>And she has a band of she has a team

1:03:42.280 --> 1:03:45.760
<v Speaker 1>that each has a specific role and ability to help

1:03:45.800 --> 1:03:50.160
<v Speaker 1>in that process. You know, pr people, attorneys, ex military,

1:03:50.720 --> 1:03:54.720
<v Speaker 1>and they help find these people that need to be found. She,

1:03:55.280 --> 1:03:59.160
<v Speaker 1>like I said, it's escaped and starts this company. At

1:03:59.160 --> 1:04:04.080
<v Speaker 1>some point she her kidnapper and imprisons him in her

1:04:04.080 --> 1:04:10.720
<v Speaker 1>basement and uses his intellect and knowledge of what he

1:04:10.760 --> 1:04:13.920
<v Speaker 1>would do given the situation of some of these kidnap

1:04:14.200 --> 1:04:19.000
<v Speaker 1>people or you know, their loss, and I guess just

1:04:19.120 --> 1:04:23.840
<v Speaker 1>using his knowledge to help solve the cases. But my

1:04:23.960 --> 1:04:26.720
<v Speaker 1>character and people say, oh, he's doing it for redemption.

1:04:26.840 --> 1:04:28.480
<v Speaker 1>He feels bad that he did it to her, and

1:04:28.520 --> 1:04:30.640
<v Speaker 1>it's like, no, that's not it at all. I don't

1:04:30.680 --> 1:04:32.880
<v Speaker 1>think my character and I've never played it that way

1:04:32.920 --> 1:04:36.480
<v Speaker 1>where he's doing this for to find redemption. He's doing

1:04:36.520 --> 1:04:40.840
<v Speaker 1>it because this is his entire journey with Gabrielle. And

1:04:40.880 --> 1:04:44.480
<v Speaker 1>that's Shanola's character is he just wants to be in

1:04:44.520 --> 1:04:47.320
<v Speaker 1>her company. He wants to be in her presence, and

1:04:47.360 --> 1:04:49.400
<v Speaker 1>it doesn't matter that he's living in her basement and

1:04:49.400 --> 1:04:52.960
<v Speaker 1>that he's falling ill down there. The fact that he

1:04:53.080 --> 1:04:55.560
<v Speaker 1>just gets to be with her is everything that he

1:04:55.640 --> 1:04:57.880
<v Speaker 1>ever wanted. And then you know he helps with the

1:04:57.920 --> 1:05:00.200
<v Speaker 1>cases because he likes to see her do well, wants

1:05:00.240 --> 1:05:03.240
<v Speaker 1>to see her do well. But yeah, when I think

1:05:03.240 --> 1:05:05.080
<v Speaker 1>about it, like the Signs of the Lambs, like, there's

1:05:05.120 --> 1:05:08.280
<v Speaker 1>nothing sexual about these two characters, even though you think

1:05:08.520 --> 1:05:10.480
<v Speaker 1>because it's a male and female that there is some

1:05:10.840 --> 1:05:13.120
<v Speaker 1>sexual component to it, but there there really isn't and

1:05:13.160 --> 1:05:16.080
<v Speaker 1>it's not on our show. And I never felt that

1:05:16.120 --> 1:05:18.240
<v Speaker 1>way with what the Signs of the Lambs either.

1:05:18.560 --> 1:05:24.320
<v Speaker 2>Right, It's fascinating. It is the kind of show that

1:05:24.360 --> 1:05:28.520
<v Speaker 2>network television should be doing. So I'm so glad even

1:05:28.560 --> 1:05:31.920
<v Speaker 2>with the strike that it well, it's it's gotten, it's

1:05:31.920 --> 1:05:35.440
<v Speaker 2>gotten plenty of attention because of the team assembled, as

1:05:35.440 --> 1:05:40.120
<v Speaker 2>you mentioned, and and and it's good. So congratulations you

1:05:40.320 --> 1:05:43.520
<v Speaker 2>season two back in hot Atlanta.

1:05:43.880 --> 1:05:47.480
<v Speaker 1>Oh, I'll tell you that's hard. I love Atlanta. I

1:05:47.520 --> 1:05:51.400
<v Speaker 1>love Atlanta. It's I mean it is you filmed the

1:05:51.440 --> 1:05:54.360
<v Speaker 1>Office in Los Angeles, right, Yes, it's tough. You know.

1:05:54.440 --> 1:05:57.240
<v Speaker 1>It's anytime we're away from our family. And I'm am

1:05:57.720 --> 1:05:59.360
<v Speaker 1>like you, We're just family men. You know if I

1:05:59.400 --> 1:06:02.480
<v Speaker 1>consider my off a husband and a father and an

1:06:02.520 --> 1:06:05.280
<v Speaker 1>actor in that order, and so whenever I have to

1:06:05.480 --> 1:06:07.760
<v Speaker 1>be away from my family, it's really hard for me

1:06:08.320 --> 1:06:11.960
<v Speaker 1>going back though. And again, at this point, everybody should

1:06:12.000 --> 1:06:14.520
<v Speaker 1>turn off your however, you're listening to this because I'm

1:06:14.520 --> 1:06:18.080
<v Speaker 1>going to endorse San Diego again and we don't want

1:06:18.120 --> 1:06:21.680
<v Speaker 1>you to move down here. But the airport is amazing

1:06:21.920 --> 1:06:24.760
<v Speaker 1>in San Diego, and yeah that I have to, I

1:06:24.840 --> 1:06:28.360
<v Speaker 1>travel back and forth sometimes twice a week to be home.

1:06:29.080 --> 1:06:32.600
<v Speaker 1>I could never do that in La at Lax. Neither

1:06:32.680 --> 1:06:34.200
<v Speaker 1>what I ever want to. I would, I would, I

1:06:34.200 --> 1:06:36.280
<v Speaker 1>would go out of my mind. But the fact that

1:06:36.320 --> 1:06:38.360
<v Speaker 1>we have such a great airport here, I'm able to

1:06:38.360 --> 1:06:41.120
<v Speaker 1>come back and forth between Atlanta and here.

1:06:41.880 --> 1:06:45.360
<v Speaker 2>Oh, I know that flight very very well. Those flights,

1:06:45.440 --> 1:06:48.840
<v Speaker 2>there's at least a few of them, So that's that's

1:06:48.880 --> 1:06:49.520
<v Speaker 2>also rare.

1:06:50.320 --> 1:06:50.520
<v Speaker 1>MP.

1:06:51.240 --> 1:06:55.360
<v Speaker 2>Thank you so so much for coming on and being

1:06:55.400 --> 1:06:57.760
<v Speaker 2>so candid and talking to me. I found it fascinating,

1:06:57.800 --> 1:07:00.720
<v Speaker 2>and I wish you all of the best. I hope

1:07:01.240 --> 1:07:03.240
<v Speaker 2>that this is the end for you. If you're ready

1:07:03.240 --> 1:07:06.400
<v Speaker 2>for the end, let's make this be the end. Well,

1:07:06.440 --> 1:07:09.320
<v Speaker 2>another seven years from now, another seven years from now,

1:07:09.320 --> 1:07:10.560
<v Speaker 2>it'll be the end.

1:07:10.840 --> 1:07:14.040
<v Speaker 1>But and I say that, and I don't know if

1:07:14.080 --> 1:07:16.480
<v Speaker 1>I say that in jest. I've I've mean, look, I've

1:07:16.520 --> 1:07:19.840
<v Speaker 1>had a long career so far. I'm it would be

1:07:20.000 --> 1:07:23.280
<v Speaker 1>nice for me to In my head, I'm like, wouldn't

1:07:23.280 --> 1:07:26.040
<v Speaker 1>it be nice if I could just say no, Like

1:07:26.080 --> 1:07:30.520
<v Speaker 1>I'm always feeling like I'm still saying yes yeah to

1:07:30.520 --> 1:07:33.000
<v Speaker 1>take things, and you know, get I get antsy, Like

1:07:33.120 --> 1:07:36.480
<v Speaker 1>people say, oh, you constantly work, and I do, but

1:07:36.520 --> 1:07:40.760
<v Speaker 1>that's my choice. Like I actively am out there really

1:07:40.840 --> 1:07:44.040
<v Speaker 1>hustling because you know, we have kids and we have

1:07:44.080 --> 1:07:47.000
<v Speaker 1>a certain lifestyle. We like having them and it's life, right.

1:07:47.040 --> 1:07:48.440
<v Speaker 1>But so I'd love to get to that point where

1:07:48.480 --> 1:07:49.880
<v Speaker 1>you're like, nah, I'm good.

1:07:50.600 --> 1:07:53.320
<v Speaker 2>Nah. I know, well, you're on the road all the time.

1:07:53.640 --> 1:07:56.000
<v Speaker 2>I'm on the road. It's funny because one of my

1:07:56.040 --> 1:07:59.240
<v Speaker 2>producers was just asking me, like thirty minutes before we started,

1:07:59.280 --> 1:08:02.200
<v Speaker 2>like much you guys hang out and I'm like, I'm

1:08:02.240 --> 1:08:06.000
<v Speaker 2>always so happy when I see him, but we were

1:08:06.080 --> 1:08:10.600
<v Speaker 2>never here at the same time, and now he's leaving again.

1:08:10.720 --> 1:08:13.040
<v Speaker 2>Well we'll figure it out. We'll go have dinner. I

1:08:13.080 --> 1:08:15.360
<v Speaker 2>wish you all the best and thank you. Thank you

1:08:15.400 --> 1:08:17.840
<v Speaker 2>so much for coming on and chatting with me.

1:08:18.160 --> 1:08:19.479
<v Speaker 1>Thanks Brian, thanks for having me on.

1:08:31.800 --> 1:08:36.040
<v Speaker 2>So great to talk to you, MPG. And yes, I

1:08:36.080 --> 1:08:39.720
<v Speaker 2>will see you around the neighborhood everybody else. You can

1:08:39.800 --> 1:08:46.240
<v Speaker 2>see him on Found airing Thursdays, my old night on NBC.

1:08:46.760 --> 1:08:49.240
<v Speaker 2>But guess what, with the magic of technology, you can

1:08:49.280 --> 1:08:52.160
<v Speaker 2>stream it any day you want. And I will see

1:08:52.160 --> 1:08:56.160
<v Speaker 2>you next time right here on Off the Beat. Until then,

1:08:56.680 --> 1:09:08.600
<v Speaker 2>have a great week. Off the Beat is hosted and

1:09:08.680 --> 1:09:13.439
<v Speaker 2>executive produced by me Brian Baumgartner, alongside our executive producer

1:09:13.640 --> 1:09:17.680
<v Speaker 2>Lang Lee. Our senior producer is Diego Tapia. Our producers

1:09:17.680 --> 1:09:21.400
<v Speaker 2>are Liz Hayes, Hannah Harris, and Emily Carr. Our talent

1:09:21.439 --> 1:09:25.479
<v Speaker 2>producer is Ryan Papa Zachary, and our intern is Ali

1:09:25.640 --> 1:09:30.240
<v Speaker 2>Amir Saheed. Our theme song Bubble and Squeak, performed by

1:09:30.439 --> 1:09:32.320
<v Speaker 2>the one and Only Creed Brad