WEBVTT - Substitute teacher

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<v Speaker 1>Hello everyone, and welcome back to Alchemy. This it's another

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<v Speaker 1>episode and I am still your guest host, James Heeney.

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<v Speaker 1>I'm sitting in for Kevin Pollock today. Let's meet our

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<v Speaker 1>alchemists in this order. It's it's the same order as

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<v Speaker 1>last time. Cool, it's it's in the repetitive order. Cole

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<v Speaker 1>at what age? Oh? And first of all, just say cool, welcome.

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<v Speaker 1>How are you today? I'm great, James, thanks for having

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<v Speaker 1>me again in particularly at this order. Thank you, thanks

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<v Speaker 1>for following this order a second time with me. I

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<v Speaker 1>found another question that I'm really interested in hearing the

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<v Speaker 1>answer of at what age did you transition from listening

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<v Speaker 1>to children's music to listening to adult music? You know,

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<v Speaker 1>because you've got like a really great adult tasted music,

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<v Speaker 1>And like, I listened to kids music till I was

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<v Speaker 1>in probably junior high. It wasn't like one day I

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<v Speaker 1>was like Dad turned off Raffie put on Leonard Cohen.

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<v Speaker 1>Let's go okay, I know what it's not like, but

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<v Speaker 1>what was it like? What was the transition? Like, I mean,

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<v Speaker 1>I think okay, so like I always listened to I

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<v Speaker 1>don't know if I ever really listened to children's music

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<v Speaker 1>I didn't listen like kids Bop or any of that bullshit.

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<v Speaker 1>Like I think I just listened to whatever, like the

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<v Speaker 1>Muppet Movie soundtrack or um, like my whatever. My parents

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<v Speaker 1>are listening to a lot of Steely Dan if that's

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<v Speaker 1>the kids music. You know, kids love that lyrical play

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<v Speaker 1>of Donalds began, um, and then you know, then a

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<v Speaker 1>lot of like whatever was popular at the time they

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<v Speaker 1>grew up in the eighties, so you know a lot

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<v Speaker 1>of Wham and You Too and that kind of stuff,

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<v Speaker 1>and then a lot of rap and Junior High, and

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<v Speaker 1>then Nirvana's never Mind came out, and then I was like, oh,

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<v Speaker 1>back to rock and roll. And then I just kind

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<v Speaker 1>of never looked back and it was all Indian whatever

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<v Speaker 1>after that. So I don't know. I guess I just

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<v Speaker 1>never really listen to kids music. For sad is listen

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<v Speaker 1>to whatever was in front of me, so to speak.

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<v Speaker 1>M And next up we have Market Gag already, I

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<v Speaker 1>have the King of transitions, like your transition from kids

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<v Speaker 1>music to adult music. I'll say six, I was six there.

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<v Speaker 1>That's a good number. Thank you. That's the correct answer,

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<v Speaker 1>as Kevin would say. Um. Next up we have Mark

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<v Speaker 1>Gagle already, thanks for joining us today. Mark, how are you?

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<v Speaker 1>I'm great? How are you? I'm doing wonderful. But I've

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<v Speaker 1>got a question that I need answered. Hey, I've got

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<v Speaker 1>an answer that needs questioning. If you were going to

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<v Speaker 1>fight to the death in an arena, and your opponent

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<v Speaker 1>would be equipped identically to you, so the same arm

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<v Speaker 1>or same weapon, what what would you suit yourself up

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<v Speaker 1>for battle knowing that you would win? If I knew

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<v Speaker 1>that If I knew that, um, my opponent had the

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<v Speaker 1>exact same armor as me, maybe not the same skills,

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<v Speaker 1>but they would have the same weapons and armor, what

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<v Speaker 1>would you choose? Well, what I would choose is I

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<v Speaker 1>would choose armor that had a very sneaky hole in it.

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<v Speaker 1>Hell yeah, that my opponent did not notice when they

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<v Speaker 1>put the armor on, but I clocked. I know where

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<v Speaker 1>that hole is in the armor. So I would have

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<v Speaker 1>to have some sort of like elaborate embroidered uh like

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<v Speaker 1>character or something to hide that spot. But I knew

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<v Speaker 1>that I would be the only one that knew that

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<v Speaker 1>there was a slit right underneath the eagle's wing where

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<v Speaker 1>I could, you know, just get a knife in there.

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<v Speaker 1>So a knife would be and you would take like

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<v Speaker 1>a probably a small weapon to the I mean, I

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<v Speaker 1>don't want to say what was the weapon you We're

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<v Speaker 1>going to choose. Uh, I would choose, I would I

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<v Speaker 1>would go Uh, I would go a knife and a

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<v Speaker 1>quarter staff. Wow, just to confuse the person. Yeah, just

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<v Speaker 1>so we could beat each other with sticks and that

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<v Speaker 1>this is getting dark. But then I would have my

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<v Speaker 1>knife on me because I knew where that spot was.

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<v Speaker 1>What age did you realize that the spot was there?

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<v Speaker 1>What age are you? Weirdly, I was six and it

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<v Speaker 1>was the exact moment that Rafie tried to stab me,

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<v Speaker 1>and Leonard Cohen jumped in and uh and saved my life.

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<v Speaker 1>And last, but only in this particular repeated order, we

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<v Speaker 1>have Craigkowski. Craig, welcome to Alchemy. This to be here

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<v Speaker 1>first time, long time, first time, long time, wonderful. I've

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<v Speaker 1>got a question that I need answered from you. Now.

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<v Speaker 1>If you could have an AI chip that's completely safe

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<v Speaker 1>implanted in your brain that could access information at the

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<v Speaker 1>same speed as an Internet search, would you get it? No? No, No,

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<v Speaker 1>that feels like a curse. Uh. I'm already pretty good

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<v Speaker 1>with information with trivia, though, as I age, there's there's

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<v Speaker 1>a slight lag, and I enjoy the lag sometimes, you

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<v Speaker 1>know that, Yeah, having to piece things together. And I

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<v Speaker 1>also missed the moments of of people not knowing things.

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<v Speaker 1>And I'm nostalgic for those days of sitting around a

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<v Speaker 1>bar uh booth in the nineties and us trying to

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<v Speaker 1>remember the name of some obscure actor or song or

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<v Speaker 1>whatever and having to collectively piece it together through our

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<v Speaker 1>collective memory, rather than everyone having a device to to

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<v Speaker 1>look that up. So if I had all the information

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<v Speaker 1>accessible to me at any seconds, I would feel like

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<v Speaker 1>it would be a curse. Well, we'll have to agree

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<v Speaker 1>to disagree. Craick, that was the wrong answer. I'm kidding,

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<v Speaker 1>it was right. It's right for you. You made a choice.

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<v Speaker 1>Good for you, all right. So all of today's scene

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<v Speaker 1>That's alchemy this dot com Scene number one actually does

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<v Speaker 1>come from an email listener. It's Sava and it says, Hi,

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<v Speaker 1>Kevin heard you needed some scene suggestions, not too specific,

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<v Speaker 1>not too vague, but just right. How about this substitute teacher?

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<v Speaker 1>Whow we I love the show and all of you alchemists.

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<v Speaker 1>Joey please make me breakfast? Kay? Thanks? Alright? Glass Uh,

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<v Speaker 1>I'm Mr stevens Uh. I'm not sure where Mr Nandez

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<v Speaker 1>was and her lessons plan, and honestly I don't care.

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<v Speaker 1>I've just got this TV here, in this VCR, We're

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<v Speaker 1>gonna show you a movie. Yea, all right? This is

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<v Speaker 1>Ingmar Bergman's The Seventh Seal. Wait what what? It's a

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<v Speaker 1>It's a wonderful exploration of life and death featuring death

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<v Speaker 1>and a chess match. I think you're really gonna watch

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<v Speaker 1>it on VHS. Yes, there's a Criterion Blu Ray edition out.

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<v Speaker 1>It's two. This room is WiFi enabled. You can just

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<v Speaker 1>I understand that. But your your school makes us use

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<v Speaker 1>what they have in the A V room. And what

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<v Speaker 1>they had in the a V room was this dusty

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<v Speaker 1>VHS copy of being mer Bourgman's The Seventh Seal. This

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<v Speaker 1>tube screen television on this rolling card and this DCR.

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<v Speaker 1>So I'm sorry, but this is what we're gonna have

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<v Speaker 1>to use. Our last substitute teacher took us out to

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<v Speaker 1>the movies. Yeah, beat that. Look there's I don't really

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<v Speaker 1>care to beat that. I'm still gonna get paid no

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<v Speaker 1>matter what. I just had to press plan this VCR

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<v Speaker 1>and we went to a pagrele motive oar festival. You

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<v Speaker 1>went to it all, all of our festival. Hi've I

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<v Speaker 1>really want to go see a Parallel Mother is his

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<v Speaker 1>newest I mean, I've heard its fantastic, it's solid. We

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<v Speaker 1>liked it. It's pretty good. It's not as good as

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<v Speaker 1>his older stuff. But I think he's he's looking at

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<v Speaker 1>different themes now. But we can all agree. That substitute teacher,

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<v Speaker 1>I think it was Mr Ferdinand. I don't remember his name,

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<v Speaker 1>but he changed our lives forever, Senor Ferdinand, that's right.

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<v Speaker 1>But do you just want to phone it in? I

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<v Speaker 1>guess that's what the next generation? Okay, I didn't know

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<v Speaker 1>his Ferdinand. We've had a rivalry going since we were

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<v Speaker 1>in substitute teacher school together, the academy Substitute Academy and uh, okay, guys,

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<v Speaker 1>Welcome to Substitute Teacher Academy. Mrs Mrs O'Rourke is not

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<v Speaker 1>here today. Uh, what the hell are you? Who the

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<v Speaker 1>hell are you? Why are you put me sitting next

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<v Speaker 1>to Stevens? I'll look, what's your name? My name is

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<v Speaker 1>Mr Ferdinand. Okay, I'm gonna call you signor Ferdinand. Oh

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<v Speaker 1>why because of my accent? You're gonna call me senor Ferdinand.

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<v Speaker 1>I thought you would enjoy that. Everybody wants to call

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<v Speaker 1>me senor for Okay. Look, I don't know where Mrs

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<v Speaker 1>O'Rourke was in teaching you the the ins and outs

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<v Speaker 1>of substitute teaching, but can can anybody help me out here?

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<v Speaker 1>Where are you in the book? Oh? Man? I think

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<v Speaker 1>we were on chapter fifteen, which was, um, what to

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<v Speaker 1>do with an unreleased student? Okay, okay, um, I'm sorry.

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<v Speaker 1>Is this what you typically substitute teacher is? Sorry, substitute teach?

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<v Speaker 1>You know this seems like an unfamiliar subject to you.

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<v Speaker 1>Look I I fill in, you know. I do a

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<v Speaker 1>lot of him. Okay, I'm mostly a gym teacher. I

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<v Speaker 1>do some some bands, some art. But yeah, today they

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<v Speaker 1>sent me to the substitute teacher academy. Why do you

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<v Speaker 1>not just bring out the brand new VCR that we

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<v Speaker 1>just got. We just watch a movie. You guys want

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<v Speaker 1>to crack that open? Yeah, let's let's do it. Wait

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<v Speaker 1>a second, what if we took advantage of this moment.

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<v Speaker 1>We've got an actual, live substitute teacher. Why don't you

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<v Speaker 1>tell us what it's like in your real life? Um? Well,

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<v Speaker 1>it's it's tough. You know. I call in at six

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<v Speaker 1>am every morning, and sometimes you hear, uh, I got

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<v Speaker 1>nothing for you, Ted, And sometimes you hear, yeah, you're

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<v Speaker 1>going to uh two thousand Oaks, which is like in

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<v Speaker 1>rush to hours, like an hour and a half drive

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<v Speaker 1>for me to uh to do ninth grade bio. But

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<v Speaker 1>what happens once you do get there? Yeah? What happens

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<v Speaker 1>when you get there? Well, I try to park in

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<v Speaker 1>the in the faculty section, and there's always a guy

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<v Speaker 1>saying no, no, no, you can't park here, and I'm like, no, no,

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<v Speaker 1>I'm I'm subbing. I'm subbing. He's like, well, do you

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<v Speaker 1>have your idea of Like, yeah, I have it, but

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<v Speaker 1>then I look and I always forget it. But what

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<v Speaker 1>does this have to do with changing children's lives? I

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<v Speaker 1>don't know. Is that what you're hoping to do. Well,

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<v Speaker 1>that's why we've all signed up to be substitute teachers.

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<v Speaker 1>Why we're all in the academy. Hey, where did you

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<v Speaker 1>go to, Ferdinand? You should be teaching this class. I

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<v Speaker 1>am not ready to teach. No, No, you're you're ready.

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<v Speaker 1>I'm you're ready. I'm ready. In fact, I'm going to

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<v Speaker 1>take a smoke break outside and Ferdinand take over. I

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<v Speaker 1>suppose I should open this book to chapter fift but

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<v Speaker 1>this is not the right book. Bullshit, I'm not learning

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<v Speaker 1>from Ferdinand. I paid for this class. I want a

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<v Speaker 1>real teacher. I'm gonna If you want a real teacher,

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<v Speaker 1>you should not have come to substitute teacher academy. I

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<v Speaker 1>want to be a substitute teacher, not learned from one. Alright, kids,

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<v Speaker 1>fucking alright, fine, you know you want me to live

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<v Speaker 1>up to Ferdinand. Looking their desks, there are plane tickets.

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<v Speaker 1>We're going to Can. That's going to Can. We're going

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<v Speaker 1>now outside ing checked in. Wow, Wow, Wow, we're gonna

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<v Speaker 1>get to see the palm door winner before anybody else does.

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<v Speaker 1>That's right, kids, all right, just this way, I'll watch

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<v Speaker 1>out for the paparazzi line. Excuse us, excuse us. I

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<v Speaker 1>always thought it was plural. Who are you? I'm Eddie? Okay,

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<v Speaker 1>they must be on in that new Richard link later.

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<v Speaker 1>But the kids, all right, kids, just just the way,

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<v Speaker 1>this way, this way. Wait, which one of you is Eddie?

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<v Speaker 1>Which one? I'm Eddie? I'm Eddie. I've got you on

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<v Speaker 1>the jury. What. Yeah, you're gonna be on the jury.

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<v Speaker 1>You're gonna help select the winners. WHOA cool? Thanks Stevens.

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<v Speaker 1>Well there's David Lynch and Bomb June. Ho. Uh, my

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<v Speaker 1>name's Brian. What did you get me? Oh, Brian, you

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<v Speaker 1>get to introduce the screening of the brand new Thomas

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<v Speaker 1>Vinterberg movie. Um, so here, here's this, here's the one

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<v Speaker 1>sheet on it. You can learn a little bit about it,

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<v Speaker 1>and you get to run the Q and A afterwards too.

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<v Speaker 1>I hope you know what to ask about the Dogma

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<v Speaker 1>style of filmmaking, because we're gonna talk about that at length.

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<v Speaker 1>I don't I don't know. I don't know those things.

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<v Speaker 1>Maybe maybe I should not have put you in. No, No,

0:13:51.320 --> 0:13:54.400
<v Speaker 1>you didn't. You should have. You should have. You've changed

0:13:54.480 --> 0:13:59.800
<v Speaker 1>my life. You've changed my life more than that old Ferdinand, teacher,

0:14:01.160 --> 0:14:07.640
<v Speaker 1>little substitute teacher, Ferdinand. Right this way, students, right this way,

0:14:08.080 --> 0:14:15.440
<v Speaker 1>you're all going well, well, well, senor Ferdinand. If it

0:14:15.600 --> 0:14:19.240
<v Speaker 1>is not Stevens. What the hello? Kids? It is nice

0:14:19.280 --> 0:14:22.400
<v Speaker 1>to see you again. I brought a different substitute class

0:14:22.480 --> 0:14:25.160
<v Speaker 1>with me. What are you doing at the Cannes Film Festival?

0:14:25.320 --> 0:14:27.680
<v Speaker 1>I brought my kids here. I brought my kids instead

0:14:27.680 --> 0:14:30.080
<v Speaker 1>of showing them Seventh Seal again, I brought him here.

0:14:30.120 --> 0:14:33.280
<v Speaker 1>And Eddie is on the jury. Oh you got Eddie

0:14:33.280 --> 0:14:36.480
<v Speaker 1>on the jury. Hunt. Well, this is Charlie right here. Charlie,

0:14:36.520 --> 0:14:41.280
<v Speaker 1>tell him what you are doing in this festival. I uh,

0:14:41.520 --> 0:14:46.720
<v Speaker 1>I won a certain regard. That is right. My students

0:14:46.760 --> 0:14:51.240
<v Speaker 1>now win awards. But goodbye. Enjoy your being the help

0:14:51.320 --> 0:14:57.000
<v Speaker 1>at the festival. Bitch. Fernand was besting me in every

0:14:57.120 --> 0:14:58.840
<v Speaker 1>As a kids, we're making a film. We're making it now,

0:14:58.840 --> 0:15:01.440
<v Speaker 1>we're gonna get it. In what we're get, we're gonna get.

0:15:02.040 --> 0:15:04.080
<v Speaker 1>She'll be able to complete a film and get it

0:15:04.160 --> 0:15:07.320
<v Speaker 1>submitted and accepted. You see how long that ride carpet

0:15:07.360 --> 0:15:10.160
<v Speaker 1>line is. You see how long that line is for

0:15:10.200 --> 0:15:12.120
<v Speaker 1>them to do the step and repeats. You can make

0:15:12.160 --> 0:15:14.160
<v Speaker 1>this film we can get it into competition and we

0:15:14.200 --> 0:15:17.920
<v Speaker 1>can win this thing, all right, Mr Stevens, uh already. Well,

0:15:17.960 --> 0:15:19.920
<v Speaker 1>I got a phone and can shoot video on it,

0:15:19.960 --> 0:15:22.240
<v Speaker 1>and I can upload it pretty quick. Great. This is

0:15:22.320 --> 0:15:24.200
<v Speaker 1>just like the dogma style of filmmaking that I was

0:15:24.240 --> 0:15:27.440
<v Speaker 1>talking about earlier. Vincherberg will love this alright. And I

0:15:27.920 --> 0:15:30.360
<v Speaker 1>ran into Juliet Panosh that the water fountain. She says

0:15:30.400 --> 0:15:35.760
<v Speaker 1>she's between projects. Scrabber. She's great, She's so underrated. Okay,

0:15:35.800 --> 0:15:40.320
<v Speaker 1>let's see there's uh oh, there's uh Audrey Tattoo. Maybe

0:15:40.560 --> 0:15:43.720
<v Speaker 1>excuse me, Audrey, are you? Are you really at the moment? No,

0:15:44.920 --> 0:15:47.000
<v Speaker 1>would you like to do our dogma style filmmaking? That

0:15:47.120 --> 0:15:54.080
<v Speaker 1>the uh my substitute for fifth grade classes doing great? Fantastic?

0:15:54.720 --> 0:15:57.600
<v Speaker 1>Uh Oh, there's Yannis Kaminsky. He can lens it. He's

0:15:57.600 --> 0:16:01.480
<v Speaker 1>an amazing sint of photographer. Yahoo's yahoosa. Yeah, what do

0:16:01.480 --> 0:16:03.400
<v Speaker 1>you want? Will you shoot our film for us on

0:16:03.440 --> 0:16:07.600
<v Speaker 1>this one? Not fantastic. It's an iPhone eleven. I know

0:16:07.640 --> 0:16:11.920
<v Speaker 1>it's not the pro, but I think it's still pretty good. Alright.

0:16:11.960 --> 0:16:14.560
<v Speaker 1>It's me Brian, and I was wondering if maybe there

0:16:14.600 --> 0:16:18.280
<v Speaker 1>was a role for me in this movie. Still, someone's

0:16:18.280 --> 0:16:22.760
<v Speaker 1>got to write it. And William Goldman just died, so um,

0:16:23.080 --> 0:16:26.760
<v Speaker 1>you want to write it? Kid? And the bomb door

0:16:27.000 --> 0:16:35.520
<v Speaker 1>goes to Mr Stevens fourth grade class. We did Yes, Yes,

0:16:36.120 --> 0:16:40.160
<v Speaker 1>I knew it. Oh wow, Oh my gosh, guys, this

0:16:40.280 --> 0:16:42.960
<v Speaker 1>is I'm timing. This is a twelve minute standing ovation.

0:16:43.520 --> 0:16:47.400
<v Speaker 1>This is amazing. This is what all my treats have

0:16:47.480 --> 0:16:50.480
<v Speaker 1>been like. This is what all my dreams have been like.

0:16:50.840 --> 0:16:54.240
<v Speaker 1>This is reel, this is real, this is really happening.

0:16:54.920 --> 0:17:00.000
<v Speaker 1>Mr Stevens, Wake up, you fell asleep. Mr Stevens. Mr Stevens,

0:17:00.160 --> 0:17:03.800
<v Speaker 1>h Oh my gosh, kids, I'm sorry, the movie is over.

0:17:05.280 --> 0:17:09.760
<v Speaker 1>Do you learn a lot we learned about chess and death?

0:17:11.560 --> 0:17:18.960
<v Speaker 1>Do you love maximum seats performance? At least man? And

0:17:19.240 --> 0:17:31.480
<v Speaker 1>that scene scene number two is coming from Alchemaniac Dougie, Hey, Alchemists,

0:17:31.840 --> 0:17:34.800
<v Speaker 1>I've been following Joey around for the better part of

0:17:34.920 --> 0:17:38.680
<v Speaker 1>six months. Everything seemed normal until about three days ago.

0:17:39.119 --> 0:17:42.680
<v Speaker 1>For now, listeners of Alchemy, this high your Deli meat

0:17:42.880 --> 0:17:48.040
<v Speaker 1>update soon scene suggestion. A seemingly innocent game of Duck

0:17:48.160 --> 0:17:53.200
<v Speaker 1>duck goose turns wildly violent in this jarring Who done it?

0:17:58.520 --> 0:18:01.520
<v Speaker 1>I feel like we're a little old be playing children's games.

0:18:03.280 --> 0:18:07.840
<v Speaker 1>Come on, get over over yourself, Barry. I mean, there's

0:18:07.840 --> 0:18:12.040
<v Speaker 1>no game better than Duck Duck Goose. Yea, Barry, How

0:18:12.040 --> 0:18:16.480
<v Speaker 1>else are you gonna learn about lifeble? The unbearable tension?

0:18:17.080 --> 0:18:20.200
<v Speaker 1>Who will be the goose? And once you are the goose?

0:18:20.359 --> 0:18:22.760
<v Speaker 1>Are you ready to be the goose? Are you ready

0:18:22.800 --> 0:18:26.359
<v Speaker 1>to jump up and run at any moment's notice, Barry?

0:18:26.640 --> 0:18:29.240
<v Speaker 1>Burst of adrenaline you get it's great for your heart.

0:18:30.560 --> 0:18:32.600
<v Speaker 1>I don't know. I've got kind of a blood pressure

0:18:32.680 --> 0:18:34.720
<v Speaker 1>thing going on, and I don't know if bursts of

0:18:34.840 --> 0:18:37.720
<v Speaker 1>energy or really what I need. She's the christ Berry.

0:18:37.800 --> 0:18:40.080
<v Speaker 1>It's like you don't even want to be in this treehouse.

0:18:41.000 --> 0:18:43.720
<v Speaker 1>I mean, I honestly don't want to be in this treehouse.

0:18:43.760 --> 0:18:45.840
<v Speaker 1>It was a little difficult to get up into it,

0:18:45.880 --> 0:18:48.719
<v Speaker 1>and it's I mean, luckily there's not many of us

0:18:48.800 --> 0:18:50.520
<v Speaker 1>up here, but it's a little small, like it was

0:18:50.560 --> 0:18:57.400
<v Speaker 1>built for kids. Yeah, kids at heart, Yeah, Barry, we're

0:18:57.440 --> 0:19:03.280
<v Speaker 1>trying to have a caprissn Barry. Okay, stabbed right through

0:19:03.320 --> 0:19:07.560
<v Speaker 1>to the other side. Wow, you're strong, Berry. Here's another one.

0:19:07.880 --> 0:19:09.600
<v Speaker 1>You know what, things aren't like they used to be

0:19:09.640 --> 0:19:11.760
<v Speaker 1>when we were kids. Okay, I've grown up quite a bit.

0:19:11.760 --> 0:19:14.920
<v Speaker 1>I got a family, I got a job. Shut your mouth,

0:19:15.000 --> 0:19:18.399
<v Speaker 1>step down, stepped down with the straw. You shut your

0:19:18.440 --> 0:19:21.560
<v Speaker 1>mouth about that berry? We said, we swore his kids.

0:19:21.560 --> 0:19:23.240
<v Speaker 1>We took a blood oath. We were never going to

0:19:23.359 --> 0:19:29.679
<v Speaker 1>grow up and we never will. Well, I guess if

0:19:29.720 --> 0:19:31.240
<v Speaker 1>I just put my finger on the other side of

0:19:31.240 --> 0:19:33.159
<v Speaker 1>this bag, I can squeeze it into my mouth. Are

0:19:33.200 --> 0:19:35.679
<v Speaker 1>you still having trouble with the fucking caprice sign? I'm

0:19:35.720 --> 0:19:43.000
<v Speaker 1>not gonna waste a straw throid. Duck. Oh, it's started, Duck.

0:19:44.400 --> 0:19:49.040
<v Speaker 1>Please don't please don't duck. Okay, well, aren't we gonna

0:19:49.080 --> 0:19:53.760
<v Speaker 1>wait for ted Duck? Please stop? Just hold off for

0:19:53.800 --> 0:20:02.239
<v Speaker 1>a second. Please, there's only two of us, Duck. Can

0:20:02.280 --> 0:20:03.879
<v Speaker 1>we hold Can we just have a time out? Is

0:20:03.920 --> 0:20:09.840
<v Speaker 1>there no time out? Duck? What's the matter, barry Duck?

0:20:10.119 --> 0:20:12.040
<v Speaker 1>I just feel like that we should wait for everyone

0:20:12.040 --> 0:20:18.040
<v Speaker 1>to arrive. Good Duck. Well you I feel tizzy, Duck.

0:20:20.080 --> 0:20:23.040
<v Speaker 1>You time out? Time out? Please some time out? And

0:20:23.040 --> 0:20:28.720
<v Speaker 1>tuk duck duck. Any minute now, I'm going to say

0:20:28.760 --> 0:20:33.920
<v Speaker 1>the word duck. Huh duck. Are you getting dizzy? You're

0:20:33.960 --> 0:20:43.879
<v Speaker 1>spinning around them. Ted's in the house, talk somebody. You

0:20:43.960 --> 0:20:46.959
<v Speaker 1>got it all right? Oh we just started. We just

0:20:47.119 --> 0:20:50.359
<v Speaker 1>started the game, but just you like to finish it, Ted,

0:20:50.440 --> 0:20:52.480
<v Speaker 1>if you can just talk some sense of to these guys,

0:20:52.480 --> 0:20:55.800
<v Speaker 1>we don't need to play children's teams stop right? Are

0:20:55.800 --> 0:20:58.080
<v Speaker 1>you serious? I mean I've been waiting for the d

0:20:58.240 --> 0:21:01.760
<v Speaker 1>d G all afternoon. Well, you were the king of

0:21:01.800 --> 0:21:08.639
<v Speaker 1>this man, You've always been the king of this right, No, Barry,

0:21:08.680 --> 0:21:12.520
<v Speaker 1>you are sweating really badly. I just I'm not in

0:21:12.560 --> 0:21:14.280
<v Speaker 1>the same shape I used to be as a kid.

0:21:14.359 --> 0:21:16.879
<v Speaker 1>That I'm a little afraid of heights. I don't know

0:21:16.920 --> 0:21:19.960
<v Speaker 1>why we're gonna play in a treehouse, Duck. This is

0:21:19.960 --> 0:21:22.440
<v Speaker 1>where we made the blood oath. Duck. I know it.

0:21:25.440 --> 0:21:30.120
<v Speaker 1>We're not playing, Barry, We're bonding, Okay, Duck, All right,

0:21:33.160 --> 0:21:41.119
<v Speaker 1>duh Duck. Ted, did you have a problem with the

0:21:41.160 --> 0:21:44.080
<v Speaker 1>capri son? No, what an easy, dude, It's come on,

0:21:44.160 --> 0:21:53.600
<v Speaker 1>it's the elementary m hm. Duck, are you okay? Maybe

0:21:53.720 --> 0:21:56.320
<v Speaker 1>maybe we can make the circle a little smaller so

0:21:56.440 --> 0:22:02.600
<v Speaker 1>that there's more room to run around it. Room, okay, Duck.

0:22:02.960 --> 0:22:09.600
<v Speaker 1>Could I have a quick time out, Duck? There's no timeouse, right, duck.

0:22:12.480 --> 0:22:14.520
<v Speaker 1>All right, what have we got, Detective? A lot of

0:22:14.560 --> 0:22:17.800
<v Speaker 1>blood in this treehouse. Jesus Christ, I never seen this

0:22:18.040 --> 0:22:22.639
<v Speaker 1>much blood in the treehouse before. Uh it takes some

0:22:22.720 --> 0:22:26.720
<v Speaker 1>more pictures of that corner over there. What are we

0:22:26.760 --> 0:22:31.280
<v Speaker 1>looking at here? All those three sons? What how many

0:22:31.320 --> 0:22:36.760
<v Speaker 1>bodies be looking at well? I mean we got three bodies. Yeah,

0:22:37.080 --> 0:22:41.000
<v Speaker 1>we got a big pilot caprice sons over there, all

0:22:41.119 --> 0:22:44.440
<v Speaker 1>stabbed all the way through. Okay, well do you think

0:22:44.480 --> 0:22:52.600
<v Speaker 1>that means Jesus, I haven't seen this. It's a a

0:22:52.880 --> 0:22:58.800
<v Speaker 1>six oh eighty six. Sure. Remember the squeeze at killer. Yeah,

0:22:58.840 --> 0:23:01.560
<v Speaker 1>we never caught the guy. Yeah, I never caught him.

0:23:01.840 --> 0:23:04.880
<v Speaker 1>Traced him back to this very neighborhood, but still never

0:23:05.000 --> 0:23:08.879
<v Speaker 1>caught the squeeze a killer, never found him. Burry your

0:23:08.920 --> 0:23:12.800
<v Speaker 1>home early age? I from your friends. Oh yeah, we

0:23:12.840 --> 0:23:15.600
<v Speaker 1>took all our clothes off before we we well, we left,

0:23:15.680 --> 0:23:20.680
<v Speaker 1>so that's why I'm in my underwear. Whatever. Crazy, I'm

0:23:20.680 --> 0:23:22.919
<v Speaker 1>gonna go up in a shower real quick. Is there

0:23:22.960 --> 0:23:27.440
<v Speaker 1>gonna be dinner soon? I thought we would go out tonight.

0:23:28.359 --> 0:23:34.680
<v Speaker 1>Out tonight? Yeah, okay, okay, I mean it's my birthday,

0:23:35.600 --> 0:23:38.199
<v Speaker 1>which you remember, right of course? I got you a

0:23:38.240 --> 0:23:46.080
<v Speaker 1>birthday present for your birthday. It's a it's uh getting delivered. Okay, Well,

0:23:46.119 --> 0:23:48.119
<v Speaker 1>I thought we'd go to, you know, a nice French

0:23:48.119 --> 0:23:55.439
<v Speaker 1>place tonight, maybe get some duck a duck very duck. No, no,

0:23:55.600 --> 0:23:58.600
<v Speaker 1>why don't we go somewhere for something like duck? No,

0:23:59.400 --> 0:24:04.520
<v Speaker 1>I don't want I can't talk burgers. I don't want burgers. Berry.

0:24:04.600 --> 0:24:14.120
<v Speaker 1>I went duck no duck. She got another body. Detective Jesus,

0:24:14.160 --> 0:24:17.960
<v Speaker 1>what happened here? I don't know. No capris sons though

0:24:18.000 --> 0:24:21.800
<v Speaker 1>anywhere in side. Non. Oh, this is a shame too.

0:24:22.320 --> 0:24:26.840
<v Speaker 1>Look at this. Look on it right the the birthday.

0:24:30.040 --> 0:24:32.919
<v Speaker 1>What a bummer, I know, geez, But they pulled us

0:24:32.920 --> 0:24:35.080
<v Speaker 1>off of that crime seemed to go to this crime scene.

0:24:35.280 --> 0:24:38.840
<v Speaker 1>It's weird, right, like weird. It's almost like with Chase

0:24:38.920 --> 0:24:41.920
<v Speaker 1>in the same Wait a minute, you think with Chase

0:24:42.000 --> 0:24:47.040
<v Speaker 1>in the same killer around town? I think this is connected? No,

0:24:48.200 --> 0:24:51.120
<v Speaker 1>I mean could? I mean it could be two murders

0:24:51.480 --> 0:24:57.080
<v Speaker 1>identical on the same night in the same town. Made

0:24:57.160 --> 0:25:03.320
<v Speaker 1>this since six o eighties? Eggs? Oh sorry, hey, boss,

0:25:03.400 --> 0:25:09.440
<v Speaker 1>I slept at the office tonight. Just wanted to know.

0:25:09.520 --> 0:25:13.160
<v Speaker 1>It's a little weird. The initiative. Barry problems at home,

0:25:13.280 --> 0:25:16.800
<v Speaker 1>So I forgere to be okay if I just crashed here?

0:25:16.840 --> 0:25:22.960
<v Speaker 1>Nobody's sure? Sure? Hm, hey boss, what do you want

0:25:22.960 --> 0:25:25.000
<v Speaker 1>me and uh me and Andy to put this ladder

0:25:26.520 --> 0:25:31.480
<v Speaker 1>uh closer to the room next to my office? I think, well, sure,

0:25:31.520 --> 0:25:33.840
<v Speaker 1>we're swinging around here. Hey, watch out the pal duck

0:25:34.880 --> 0:25:40.200
<v Speaker 1>duck duck. Most myth sit there on that one. Maybe

0:25:40.320 --> 0:25:42.840
<v Speaker 1>maybe bring it around a little closer to it, going

0:25:42.880 --> 0:25:46.000
<v Speaker 1>it the other way, okay, turning around? Okay, everybody, duck duck.

0:25:46.280 --> 0:25:51.480
<v Speaker 1>I can't take it. I can't take it. Boston Berry,

0:25:51.480 --> 0:25:56.080
<v Speaker 1>what what are you doing with that knife? Jesus Christ? Mad?

0:25:57.920 --> 0:26:00.240
<v Speaker 1>What are these movers have to do with anything? I

0:26:00.280 --> 0:26:05.440
<v Speaker 1>don't know? How's it connected? Three more bodies, three more bodies.

0:26:06.880 --> 0:26:09.720
<v Speaker 1>We are terrible detectives. If we can't figure this out.

0:26:10.080 --> 0:26:12.359
<v Speaker 1>I feel like we're just always a step behind. You know,

0:26:13.080 --> 0:26:15.040
<v Speaker 1>you know what? You know? What always helps me think?

0:26:15.440 --> 0:26:18.520
<v Speaker 1>What's that? Those little animal shape boats out on Echo

0:26:18.600 --> 0:26:21.360
<v Speaker 1>Park Lake? Yeah? You want to go get on those

0:26:21.400 --> 0:26:24.040
<v Speaker 1>little boats? You bet? I love? That would be fun.

0:26:24.400 --> 0:26:28.959
<v Speaker 1>Let's do that. So what do you want to push up?

0:26:29.040 --> 0:26:32.880
<v Speaker 1>You want a strawberry shortcake? I gotta I gotta get

0:26:33.880 --> 0:26:37.159
<v Speaker 1>I'll get a waffle cone with like vanilla ice cream

0:26:37.480 --> 0:26:43.399
<v Speaker 1>and um just fudge. Alright, boring, Okay, boring, it's after

0:26:43.440 --> 0:26:54.960
<v Speaker 1>the hardwords from top gun ghost. What's your problem? Bell?

0:26:56.440 --> 0:27:02.200
<v Speaker 1>Poor ice cream never had a chance. Unbelievable. It was

0:27:02.240 --> 0:27:04.119
<v Speaker 1>so close to the boats were about to go on.

0:27:04.440 --> 0:27:07.760
<v Speaker 1>You know, it's weird like we were on our way

0:27:07.840 --> 0:27:12.000
<v Speaker 1>to the duck boats and he is, can I can

0:27:12.040 --> 0:27:14.880
<v Speaker 1>I help in any way here? Officers? I I did

0:27:14.920 --> 0:27:20.880
<v Speaker 1>play a surgeon on E. R. Fords, huge fan, very

0:27:21.000 --> 0:27:28.880
<v Speaker 1>underrated Revenge Revenge thee Well that's a classic. Sure did

0:27:28.920 --> 0:27:31.760
<v Speaker 1>you see anything weird around here? And you happen to

0:27:31.800 --> 0:27:35.639
<v Speaker 1>notice the murderer? Well, I you know, I walk, you know,

0:27:36.040 --> 0:27:39.000
<v Speaker 1>two laps around the Echo Park Lake, you know the

0:27:39.320 --> 0:27:42.000
<v Speaker 1>day you know, I gotta state stand shape to be

0:27:42.040 --> 0:27:46.480
<v Speaker 1>on TV. Uh. And now that I've you know, I've

0:27:46.840 --> 0:27:50.479
<v Speaker 1>I've found uh new love with mayor winning him uh

0:27:50.680 --> 0:27:54.280
<v Speaker 1>later in life. Congratulations than you. And hey heard you

0:27:54.280 --> 0:27:56.680
<v Speaker 1>stepped in for the sick actor with COVID and grow

0:27:56.760 --> 0:27:59.840
<v Speaker 1>from the North Country last week. Hey you read the book.

0:28:00.119 --> 0:28:03.280
<v Speaker 1>That's fantastic. I did you know there's a lot going

0:28:03.320 --> 0:28:10.520
<v Speaker 1>on with me these days. But yeah, yeah, I mean basically, yeah, yeah,

0:28:10.560 --> 0:28:13.360
<v Speaker 1>you said you wanted to help with the murders. There

0:28:13.440 --> 0:28:15.640
<v Speaker 1>was a guy yelling goose at me, which I get

0:28:15.640 --> 0:28:19.280
<v Speaker 1>a lot. I get that, you know, sure, sometimes people

0:28:19.320 --> 0:28:22.560
<v Speaker 1>just yell you are yeah, that's not your name though,

0:28:22.760 --> 0:28:26.520
<v Speaker 1>that's not my name. Your name was your name. You

0:28:26.600 --> 0:28:30.640
<v Speaker 1>might if we call you goose. Oh that's that's that's

0:28:30.720 --> 0:28:35.080
<v Speaker 1>so fun, that's real fun. You got to see Top Gun, Maverick,

0:28:35.200 --> 0:28:38.480
<v Speaker 1>Are you interested in that? They invited me to the premier.

0:28:38.600 --> 0:28:41.040
<v Speaker 1>I'm mayor and I have plans that night, so I'm

0:28:41.080 --> 0:28:43.840
<v Speaker 1>I'm not sure, but you know, I have to be

0:28:43.880 --> 0:28:45.680
<v Speaker 1>ready for a girl for the North Country. You know.

0:28:46.120 --> 0:28:50.120
<v Speaker 1>You know there was a guy with a knife. Yeah yeah,

0:28:50.400 --> 0:28:52.240
<v Speaker 1>that gout after that guy was I don't know why,

0:28:52.240 --> 0:28:53.680
<v Speaker 1>I'm just thinking of it now, but after the guy

0:28:53.760 --> 0:28:56.920
<v Speaker 1>yelled goose at me, there was a guy standing right

0:28:56.960 --> 0:28:59.440
<v Speaker 1>next to him with a knife. But then I turned

0:28:59.440 --> 0:29:02.240
<v Speaker 1>the corner and up walking around the lake was seven

0:29:02.240 --> 0:29:05.240
<v Speaker 1>minutes standing ovation. That can top gun average? Seven minutes.

0:29:05.320 --> 0:29:08.600
<v Speaker 1>Oh yeah, I'll believe those kids. Those kids got twelve,

0:29:08.640 --> 0:29:11.560
<v Speaker 1>they got twelve Yeah, yeah, yeah, well they did. I

0:29:11.600 --> 0:29:13.840
<v Speaker 1>mean the movie they made was at Juliet, but ocean

0:29:14.120 --> 0:29:19.360
<v Speaker 1>uh never never better. She's always good, she's always good.

0:29:19.480 --> 0:29:22.560
<v Speaker 1>So good. All right, So you turn the corner the

0:29:22.600 --> 0:29:24.280
<v Speaker 1>guy with to night, all right, we'll go that direction.

0:29:24.280 --> 0:29:26.360
<v Speaker 1>What were we trace the staff? Well, I'm gonna get

0:29:26.360 --> 0:29:30.360
<v Speaker 1>on one of the duck boats. Who's that running at us?

0:29:31.600 --> 0:29:33.640
<v Speaker 1>Oh jeesus? Hey, hey, Anthony, is that the guy that

0:29:33.720 --> 0:29:36.240
<v Speaker 1>you saw? The guy you saw? I think I think

0:29:36.240 --> 0:29:38.720
<v Speaker 1>it's that guy. Put us right now? Which one of

0:29:38.800 --> 0:29:45.720
<v Speaker 1>you guys said? It said? What the D word? It's

0:29:45.840 --> 0:29:52.280
<v Speaker 1>driving me crazy? It's driving me crazy? All right, sir?

0:29:52.360 --> 0:29:55.040
<v Speaker 1>Put down the knife. Put it down. I can't put

0:29:55.080 --> 0:29:58.680
<v Speaker 1>it down. I can't. I need to put it in.

0:29:59.440 --> 0:30:02.000
<v Speaker 1>I need to put it in. The guy who just

0:30:02.120 --> 0:30:09.040
<v Speaker 1>said duck well, you just said it. Oh wow, God,

0:30:11.520 --> 0:30:14.600
<v Speaker 1>before are you the squeeze killer? We're using squeeze killer,

0:30:14.640 --> 0:30:26.320
<v Speaker 1>pleez killing. And that's scene number two. And here is

0:30:26.440 --> 0:30:29.640
<v Speaker 1>scene number three coming in from the emails. It's from

0:30:29.720 --> 0:30:34.000
<v Speaker 1>Robert Williams. This scene suggestion just came to me as

0:30:34.040 --> 0:30:36.320
<v Speaker 1>I was getting out of the shower. And if I

0:30:36.360 --> 0:30:39.080
<v Speaker 1>don't tell it to you now, I'll never remember it again.

0:30:39.840 --> 0:30:45.080
<v Speaker 1>The fifty seven Annual Shampoo Taste Maker Awards, and why

0:30:45.160 --> 0:30:48.520
<v Speaker 1>yes I did swallow some raw shampoo, and yes it

0:30:48.640 --> 0:30:52.680
<v Speaker 1>did have the same consistency as Joey's favorite beverage, all

0:30:52.760 --> 0:31:06.000
<v Speaker 1>the best. God, what are you getting, coconut m Honestly,

0:31:06.040 --> 0:31:12.000
<v Speaker 1>this tastes more like a conditioner than a shampoo. Let

0:31:12.000 --> 0:31:15.880
<v Speaker 1>me let me swirl it around for a bit. That's

0:31:15.920 --> 0:31:19.760
<v Speaker 1>kind of a milky consistency. Is it possible this is

0:31:19.760 --> 0:31:24.160
<v Speaker 1>a shampoo conditional combination? It is, and which I thought

0:31:24.160 --> 0:31:27.840
<v Speaker 1>we had ruled them ineligible. No, it's that's not eligible

0:31:27.880 --> 0:31:32.480
<v Speaker 1>at all. I just want pure pooh. Yeah, pure pooh,

0:31:32.800 --> 0:31:38.520
<v Speaker 1>pure pooh. You know everything is so fruity and so

0:31:39.040 --> 0:31:45.000
<v Speaker 1>perfume and flowery. Why don't we ever get any savory shampoos? Gentlemen?

0:31:45.480 --> 0:31:53.200
<v Speaker 1>All he said, p L classic. That was a good year.

0:31:53.320 --> 0:31:58.680
<v Speaker 1>That was a good year. Mm hmm. Pirate ion zinc

0:31:59.040 --> 0:32:04.320
<v Speaker 1>in a shampoo bay some water llly good? That like good?

0:32:04.600 --> 0:32:06.600
<v Speaker 1>You don't that you could spit. You don't have to

0:32:06.600 --> 0:32:10.400
<v Speaker 1>swallow it if you do nothing. Well, I like to swallow,

0:32:10.480 --> 0:32:12.640
<v Speaker 1>So if I don't swallow, I don't know how it

0:32:12.680 --> 0:32:16.600
<v Speaker 1>goes down. And what kind of taste maker judge would

0:32:16.600 --> 0:32:20.280
<v Speaker 1>I be then m yes, yes, Well, the new varietas

0:32:20.360 --> 0:32:22.600
<v Speaker 1>that you will be judging will be coming in momentarily.

0:32:22.760 --> 0:32:25.200
<v Speaker 1>I just wanted to give you a good riot to

0:32:25.240 --> 0:32:28.760
<v Speaker 1>try it first, and I would like to introduce you

0:32:28.800 --> 0:32:31.520
<v Speaker 1>to some as it make us. Tell them I'm not

0:32:31.600 --> 0:32:33.840
<v Speaker 1>ready yet. Tell them the new varietals will be there

0:32:33.840 --> 0:32:39.520
<v Speaker 1>in a few minutes. Thank god, damnit, thank god, damnit. Savory, savory, savory.

0:32:39.520 --> 0:32:42.840
<v Speaker 1>No one's ever made a savory sampoo, and that does

0:32:42.840 --> 0:32:46.640
<v Speaker 1>them to be Yeah, please, you must make it quickly. Look,

0:32:46.680 --> 0:32:52.280
<v Speaker 1>I've tried everything. I've tried rosemary, I've tried garlic. Nothing

0:32:52.640 --> 0:32:57.760
<v Speaker 1>seems to work. This is not this, say is yours?

0:32:57.800 --> 0:32:59.120
<v Speaker 1>If you want to is this said? What do you

0:32:59.160 --> 0:33:04.200
<v Speaker 1>have to produce? Fine? Fine, I didn't want to have

0:33:04.240 --> 0:33:07.479
<v Speaker 1>to do this, but I'm I'm going to have to

0:33:07.520 --> 0:33:12.640
<v Speaker 1>call the big gun in. Well you sure you want

0:33:12.680 --> 0:33:15.680
<v Speaker 1>to do this? Yeah, there's nothing else I can do.

0:33:17.080 --> 0:33:20.400
<v Speaker 1>I gotta call him in. Okay, May God to have

0:33:20.480 --> 0:33:25.120
<v Speaker 1>miss May God have mercy on the souls of everyone here. Yes,

0:33:27.440 --> 0:33:29.920
<v Speaker 1>all right, let me just aim this light at the sky.

0:33:30.120 --> 0:33:34.000
<v Speaker 1>That's how I call him. Oh, the hold on, let

0:33:34.040 --> 0:33:36.160
<v Speaker 1>me I gotta If I am you got have to

0:33:36.160 --> 0:33:38.520
<v Speaker 1>aim it with the shampoo bottle is face up so

0:33:38.560 --> 0:33:41.479
<v Speaker 1>we can see that. Okay, there there, there it is

0:33:42.800 --> 0:33:45.840
<v Speaker 1>be here any minute. I feel like a failure for

0:33:45.880 --> 0:33:50.160
<v Speaker 1>having to call him in another failure. It is me,

0:33:50.800 --> 0:33:58.360
<v Speaker 1>Suave Shampoo, taste maker, extraordinary suave swave. Oh thank god

0:33:58.360 --> 0:34:01.840
<v Speaker 1>you're here, sir. We we we have an emergency. They

0:34:01.880 --> 0:34:05.040
<v Speaker 1>want savory shampoo and we cannot figure out how to

0:34:05.120 --> 0:34:09.560
<v Speaker 1>make one shavory shampoo. Who who asks for such a thing?

0:34:10.080 --> 0:34:13.719
<v Speaker 1>The people that the tastemaker rewards, the ones making all

0:34:13.719 --> 0:34:16.719
<v Speaker 1>the calls. People are tired of sweet and fruity shampoos.

0:34:16.719 --> 0:34:20.359
<v Speaker 1>They've had their fill of herbal essences. They want spice essences,

0:34:20.520 --> 0:34:25.120
<v Speaker 1>spice essences and vegetable essences and perhaps even new Mommy

0:34:25.280 --> 0:34:30.919
<v Speaker 1>meet essences. Actually makes sense. The industry has been going

0:34:31.000 --> 0:34:33.960
<v Speaker 1>this way for a long time. Maybe what we should

0:34:34.000 --> 0:34:42.560
<v Speaker 1>do is locally sourced some meats, Deli meats. You're saying, wow, well,

0:34:42.600 --> 0:34:45.200
<v Speaker 1>the herbal essences is fine, but it's not giving me

0:34:45.239 --> 0:34:49.840
<v Speaker 1>an orgasm like the woman in the commercial. Yes, it

0:34:49.960 --> 0:34:56.239
<v Speaker 1>says that is very extreme interptation, but it sounds like

0:34:56.239 --> 0:35:00.759
<v Speaker 1>you're describing false advertising all are you saying that it

0:35:00.800 --> 0:35:05.080
<v Speaker 1>doesn't give you an orgasm. I'm saying it doesn't give

0:35:05.080 --> 0:35:07.120
<v Speaker 1>me an orgasm. It's not giving me an orgasm. But

0:35:07.200 --> 0:35:13.160
<v Speaker 1>you're saying that's an extreme interpretation. They'll they have this

0:35:13.800 --> 0:35:20.480
<v Speaker 1>Eilish splink. Riet will make you come. Uh. Yeah, I'd

0:35:20.480 --> 0:35:23.120
<v Speaker 1>like to hire you to represent me in court. You're

0:35:23.160 --> 0:35:25.200
<v Speaker 1>that lawyer I've been hearing so much about about the

0:35:25.520 --> 0:35:28.799
<v Speaker 1>false advertising claims. Yeah, I took a knife and I

0:35:28.840 --> 0:35:31.319
<v Speaker 1>whittled off a little chunk of this Irish spring. And

0:35:31.360 --> 0:35:34.799
<v Speaker 1>guess what I was not standing underneath the waterfall in Ireland.

0:35:35.120 --> 0:35:37.480
<v Speaker 1>So I would like my three dollars and fifty nine

0:35:37.480 --> 0:35:40.160
<v Speaker 1>cents back. Please, do you think you can represent me

0:35:40.160 --> 0:35:45.640
<v Speaker 1>in my case? Well, I I think I could just

0:35:45.840 --> 0:35:48.840
<v Speaker 1>give you three dollars fifty cents, because I gotta be honest,

0:35:48.880 --> 0:35:51.640
<v Speaker 1>My fees are much higher than three dollars fifty cents.

0:35:52.200 --> 0:35:56.600
<v Speaker 1>But this is about the principle of false advertising. And

0:35:56.680 --> 0:35:59.359
<v Speaker 1>may I say I drank nasty and I never once

0:35:59.400 --> 0:36:02.520
<v Speaker 1>fell backward into a pool. All right, well maybe now,

0:36:03.080 --> 0:36:04.840
<v Speaker 1>maybe now we've got a couple of different things that

0:36:04.920 --> 0:36:08.759
<v Speaker 1>we can put into one class action suit. Wait, I

0:36:08.800 --> 0:36:11.240
<v Speaker 1>thought class action was a bunch of people suing one company,

0:36:11.239 --> 0:36:17.200
<v Speaker 1>not one person suing a bunch of companies traditionally. Well,

0:36:17.280 --> 0:36:20.760
<v Speaker 1>I guess what we have here today, ladies and gentlemen,

0:36:20.800 --> 0:36:27.360
<v Speaker 1>is a reverse class action. Uh we have one man

0:36:27.560 --> 0:36:34.320
<v Speaker 1>is suing a hundred and companies. That's right, your honor. Okay,

0:36:34.800 --> 0:36:37.319
<v Speaker 1>head count to see if the companies are all represented here?

0:36:38.840 --> 0:36:47.799
<v Speaker 1>Uh starbursts here, great Pringles, Yeah, yeah, I was able

0:36:47.840 --> 0:36:52.480
<v Speaker 1>to stop, Pringles. I was able to stop. All right,

0:36:53.000 --> 0:36:59.160
<v Speaker 1>heyday he again. Alright, wait are you representing all of

0:36:59.200 --> 0:37:03.640
<v Speaker 1>the bar? Well? Are they all like subsidiarias of craft

0:37:03.760 --> 0:37:08.160
<v Speaker 1>or something? Many of them are, yes, and I we

0:37:08.239 --> 0:37:10.239
<v Speaker 1>could probably cut run into the chase and a lot

0:37:10.280 --> 0:37:14.640
<v Speaker 1>of these you can't stop popping, Pringles. Uh, there just

0:37:14.719 --> 0:37:17.560
<v Speaker 1>hasn't been enough time that's gone by until the next

0:37:17.560 --> 0:37:21.799
<v Speaker 1>time you pop. And what what possible problem? Could you have?

0:37:21.840 --> 0:37:27.760
<v Speaker 1>A pay day? Sir? Yes, the title itself. I opened

0:37:27.840 --> 0:37:29.959
<v Speaker 1>up the package and you know what was in there?

0:37:30.160 --> 0:37:35.280
<v Speaker 1>Not a check? Also, you expected to Actually I expected

0:37:35.320 --> 0:37:38.160
<v Speaker 1>a paycheck. If it's pay day, I'm what am I gonna?

0:37:38.160 --> 0:37:40.520
<v Speaker 1>What am I working for? Peanuts? What am I an elephant?

0:37:40.760 --> 0:37:45.799
<v Speaker 1>Do I look like an elephant? Your honor. You don't

0:37:45.800 --> 0:37:49.839
<v Speaker 1>look like an elephant. Mr Prescott. Uh, great, we will

0:37:49.840 --> 0:37:54.799
<v Speaker 1>have got a hundred companies to go. Yep, all right,

0:37:55.520 --> 0:37:59.840
<v Speaker 1>let's see here cheese. It's are these all snack related?

0:38:00.000 --> 0:38:02.960
<v Speaker 1>By the way, most of them are snacks, many of

0:38:03.000 --> 0:38:06.960
<v Speaker 1>them are snacks. A few of them are airlines. Well,

0:38:07.040 --> 0:38:12.239
<v Speaker 1>let's let's jump ahead. What what exactly, quantis? What's your

0:38:12.239 --> 0:38:17.200
<v Speaker 1>problem with quantas? Uh, there's no you. And it looks

0:38:17.239 --> 0:38:20.000
<v Speaker 1>like it's weird. That is weird. It looks like cantus.

0:38:20.040 --> 0:38:23.120
<v Speaker 1>And you know what, my mom always told me that, uh,

0:38:23.280 --> 0:38:25.920
<v Speaker 1>it's not about what you can't do, it's about what

0:38:26.000 --> 0:38:28.719
<v Speaker 1>you can do. And it also kind of implies that

0:38:28.760 --> 0:38:33.000
<v Speaker 1>you're gonna get a koala hugging you on the flight, right, Yeah,

0:38:33.239 --> 0:38:38.960
<v Speaker 1>and the advertisement siding with him, it doesn't sea. I'm

0:38:39.040 --> 0:38:44.640
<v Speaker 1>just talking the witness right now. Well, speaking of feeding,

0:38:44.640 --> 0:38:47.839
<v Speaker 1>I am hungry. So if if we could get if

0:38:47.920 --> 0:38:50.439
<v Speaker 1>I could get some of those pringles, No, no, no,

0:38:50.719 --> 0:38:53.920
<v Speaker 1>be careful, no no, no, you know what, It'll be

0:38:53.960 --> 0:38:59.239
<v Speaker 1>fine because apparently you can stop you can't stop false advertising,

0:38:59.280 --> 0:39:03.920
<v Speaker 1>false advertise, saying I rest my case your honor favor

0:39:04.000 --> 0:39:09.959
<v Speaker 1>of the plaintiff and now we've got ham, ham and cloven.

0:39:10.000 --> 0:39:13.480
<v Speaker 1>It will go inside of the shampool. I want you

0:39:13.560 --> 0:39:17.000
<v Speaker 1>to bring this ham clothes shampoo to the taste makers.

0:39:17.719 --> 0:39:23.359
<v Speaker 1>Let's just I will do. This is valu levolutionary. Let's

0:39:23.360 --> 0:39:26.920
<v Speaker 1>see how it goes in it. So some of has

0:39:26.960 --> 0:39:29.560
<v Speaker 1>just crossed the ass off of this bottle of shampoo

0:39:29.640 --> 0:39:35.320
<v Speaker 1>to make hampoo collect This is a valley flash made

0:39:35.360 --> 0:39:39.880
<v Speaker 1>on the pembasis. So take this week is let us

0:39:39.920 --> 0:39:44.400
<v Speaker 1>know yourself right and we're actual pigs slaughtered for the

0:39:44.440 --> 0:39:51.160
<v Speaker 1>shampoo this there's no wrong there's no wrong answer this.

0:39:51.239 --> 0:39:55.799
<v Speaker 1>I do not know. It's a fair flash, fat flash.

0:39:56.280 --> 0:40:01.080
<v Speaker 1>Well it is there. It is savory. It's salty. Mm hmm.

0:40:01.640 --> 0:40:04.280
<v Speaker 1>I'm getting you know, I'm getting it all over my tongue.

0:40:04.760 --> 0:40:14.080
<v Speaker 1>Huh um. Yeah, there's a new mommy burst there. If

0:40:14.120 --> 0:40:20.520
<v Speaker 1>the initial salty for it's got like a thick salty

0:40:20.640 --> 0:40:25.279
<v Speaker 1>texture and I'm swallowing it. It's um hm. It's gotta

0:40:26.320 --> 0:40:31.719
<v Speaker 1>texture that's reminiscent of something. Does it also clean your hair?

0:40:31.840 --> 0:40:34.680
<v Speaker 1>Is it just like shampoo? The taste like hands? You

0:40:34.760 --> 0:40:36.600
<v Speaker 1>know it does clean your hair. It clean your hair.

0:40:38.160 --> 0:40:42.960
<v Speaker 1>That's a lesser concern. Did may I ask, did you ejaculate?

0:40:44.360 --> 0:40:48.040
<v Speaker 1>Actually a little bit? A little bit? This is good,

0:40:48.160 --> 0:40:49.960
<v Speaker 1>This is good. We all says this to have us

0:40:50.040 --> 0:40:55.360
<v Speaker 1>insists then, ah, that good. This is a very positive feedback.

0:40:56.160 --> 0:41:00.239
<v Speaker 1>We hope it. It's a place as well as it was. Yes,

0:41:00.280 --> 0:41:03.400
<v Speaker 1>this is the fifty seven year, so we hope since

0:41:03.440 --> 0:41:08.879
<v Speaker 1>this is a work place. Well, there's a long, long

0:41:08.920 --> 0:41:12.320
<v Speaker 1>tradition of shampoo tasting, and I'm honored to be a

0:41:12.360 --> 0:41:14.719
<v Speaker 1>part of it in any way, shape or form. But

0:41:14.880 --> 0:41:17.680
<v Speaker 1>I must say, as part of the same tradition, this

0:41:17.760 --> 0:41:23.680
<v Speaker 1>is wildly new. It's wildly new on my tongue, because

0:41:23.719 --> 0:41:29.480
<v Speaker 1>this is a fantastic This is a definitely ac creation

0:41:29.600 --> 0:41:34.160
<v Speaker 1>that there is not outsourced to anyone else. This is

0:41:34.520 --> 0:41:38.440
<v Speaker 1>from in the house, and this was not not added

0:41:39.480 --> 0:41:43.240
<v Speaker 1>by and one, wait a minute, did somebod these shine

0:41:43.320 --> 0:41:47.120
<v Speaker 1>the shampoo signal into the sky? What is this? What

0:41:47.320 --> 0:41:50.920
<v Speaker 1>shampool thing? I do not know what you speak? No, no,

0:41:51.080 --> 0:41:54.239
<v Speaker 1>I see it's actually still up against the clouds. Yes,

0:41:54.320 --> 0:41:58.239
<v Speaker 1>that's silhouette of an itchy scalp. No, we have been

0:41:58.280 --> 0:42:03.560
<v Speaker 1>found out to hold Then I will be what happened

0:42:03.560 --> 0:42:05.839
<v Speaker 1>auf there? Do they like? It's? They did but they

0:42:05.840 --> 0:42:07.759
<v Speaker 1>saw the signal. You did not take the single down,

0:42:09.480 --> 0:42:12.080
<v Speaker 1>Mr Swap. What do we do? Really is too late?

0:42:12.280 --> 0:42:14.680
<v Speaker 1>The Dan Drift will shake it down now like snow

0:42:14.800 --> 0:42:17.799
<v Speaker 1>upon New York and Christmas? Is that a metaphor? Well?

0:42:17.920 --> 0:42:21.920
<v Speaker 1>Actual Dan truly? What is going to happen? Oh God,

0:42:23.239 --> 0:42:28.719
<v Speaker 1>Dad Driff is raining down, Duck Duck. And that's our

0:42:28.760 --> 0:42:33.200
<v Speaker 1>show for the day. Thank you alchemists for joining me

0:42:33.320 --> 0:42:36.080
<v Speaker 1>this week. What a fun time. Let's find out what

0:42:36.160 --> 0:42:39.720
<v Speaker 1>the alchemists are doing. I'm gonna go in reverse order. Craig,

0:42:40.360 --> 0:42:45.759
<v Speaker 1>what's up? What's up? Thanks for joining? What's going on

0:42:45.880 --> 0:42:50.919
<v Speaker 1>in Craig's life? Oh? Man? So much? Uh? I don't

0:42:50.920 --> 0:42:54.759
<v Speaker 1>know when this will air, but I did a little

0:42:54.800 --> 0:42:56.759
<v Speaker 1>part for History of the World Part two, the mel

0:42:56.880 --> 0:43:02.040
<v Speaker 1>Brooks TV series. What playing playing Joseph Stalin, who I

0:43:02.080 --> 0:43:05.400
<v Speaker 1>also played in Drunk History? So I guess I have

0:43:05.520 --> 0:43:14.640
<v Speaker 1>a type. Wow, that's incredible. The type is fascist dictators alright? Uh?

0:43:14.719 --> 0:43:19.840
<v Speaker 1>And then Market Cagliardi, what is going on in the hissy?

0:43:20.400 --> 0:43:24.960
<v Speaker 1>Well here in this hissy, it's uh, no fascisy up

0:43:25.040 --> 0:43:29.399
<v Speaker 1>in this hissy like in the KIZZI. Um, we got

0:43:29.440 --> 0:43:32.680
<v Speaker 1>this with Mark and how weekly dropping on the Maximum

0:43:32.760 --> 0:43:35.719
<v Speaker 1>Fund Network. We settle all of your arguments. Uh. And

0:43:35.840 --> 0:43:39.279
<v Speaker 1>then also UM season two, Blood and Treasure coming out

0:43:39.440 --> 0:43:44.920
<v Speaker 1>July sev on Paramount Plus our New Home. And if

0:43:45.000 --> 0:43:47.200
<v Speaker 1>you live in the l A area, First Thursday of

0:43:47.239 --> 0:43:49.960
<v Speaker 1>every month, I'm sorry, Second Thursday of every month, we

0:43:50.080 --> 0:43:53.080
<v Speaker 1>are at Lineage Performing Arts Center with what you will

0:43:53.239 --> 0:43:55.640
<v Speaker 1>a Shakespearean unplay. And if you don't know what that is,

0:43:56.000 --> 0:44:01.040
<v Speaker 1>come see the show. I cannot wait. Cool, what's going on?

0:44:01.760 --> 0:44:05.239
<v Speaker 1>Well at Cold Stratton, Rat Stratton, Cool and Socials. No

0:44:05.480 --> 0:44:09.360
<v Speaker 1>spiders were harmed in this episode. Thank god, we're freaking

0:44:09.400 --> 0:44:12.160
<v Speaker 1>out for once, I know, right. Uh So when the

0:44:12.200 --> 0:44:15.320
<v Speaker 1>pandemic started back in I put out this list of

0:44:15.360 --> 0:44:18.759
<v Speaker 1>a hundred lesser known movies to stream because every list

0:44:18.840 --> 0:44:20.719
<v Speaker 1>I looked at was like Blade Runner, and I was like,

0:44:20.840 --> 0:44:24.359
<v Speaker 1>I know, so that's on my website cold Stratton dot com.

0:44:24.480 --> 0:44:27.160
<v Speaker 1>But I've been working on a supplemental list, which is

0:44:27.160 --> 0:44:29.680
<v Speaker 1>almost done. So it's gonna be a hundred additional movies

0:44:30.120 --> 0:44:32.839
<v Speaker 1>that you can stream at home that are lesser known.

0:44:33.000 --> 0:44:34.719
<v Speaker 1>So there are things that you might not be aware of,

0:44:34.840 --> 0:44:37.239
<v Speaker 1>you may have not seen before, that will hopefully be

0:44:37.440 --> 0:44:39.560
<v Speaker 1>done in the next week or so. So by the

0:44:39.600 --> 0:44:41.560
<v Speaker 1>time this comes out, hopeflly it will be out there.

0:44:41.640 --> 0:44:44.160
<v Speaker 1>So if not, it will be there soon. Uh cold

0:44:44.160 --> 0:44:46.640
<v Speaker 1>Stratton dot comment on socials and stuff too, so you

0:44:46.680 --> 0:44:50.800
<v Speaker 1>can find some new stuff to stream. It sounds exciting.

0:44:51.400 --> 0:44:53.480
<v Speaker 1>There's still ride ups and photos and stuff too. It's

0:44:53.520 --> 0:44:55.680
<v Speaker 1>not just like a list, it's it's very in depth.

0:44:56.120 --> 0:44:58.239
<v Speaker 1>There should be like a movie watching club that goes

0:44:58.280 --> 0:45:01.520
<v Speaker 1>along with it to follow an order. It seems like

0:45:01.560 --> 0:45:03.160
<v Speaker 1>it would be a nice it would be a nice

0:45:03.200 --> 0:45:05.920
<v Speaker 1>group to join. I'm gonna have to gather some friends

0:45:06.000 --> 0:45:10.239
<v Speaker 1>to get that going. There we go and uh, well,

0:45:10.440 --> 0:45:13.520
<v Speaker 1>let's thank our engineer and producer to the stars, Mr

0:45:13.640 --> 0:45:19.200
<v Speaker 1>Doug Babe, and the fine folks at I Heart Media.

0:45:19.600 --> 0:45:22.560
<v Speaker 1>I'm your guest host James Heeney, and I thank you

0:45:22.640 --> 0:45:24.879
<v Speaker 1>for listening to the Alchemy this it didn't tell next

0:45:24.920 --> 0:45:26.239
<v Speaker 1>time o