1
00:00:02,480 --> 00:00:06,760
Speaker 1: Hello everyone, and welcome back to Alchemy. This it's another

2
00:00:06,800 --> 00:00:10,080
Speaker 1: episode and I am still your guest host, James Heeney.

3
00:00:10,280 --> 00:00:13,320
Speaker 1: I'm sitting in for Kevin Pollock today. Let's meet our

4
00:00:13,360 --> 00:00:18,200
Speaker 1: alchemists in this order. It's it's the same order as

5
00:00:18,280 --> 00:00:24,200
Speaker 1: last time. Cool, it's it's in the repetitive order. Cole

6
00:00:24,400 --> 00:00:27,480
Speaker 1: at what age? Oh? And first of all, just say cool, welcome.

7
00:00:27,520 --> 00:00:30,480
Speaker 1: How are you today? I'm great, James, thanks for having

8
00:00:30,520 --> 00:00:33,680
Speaker 1: me again in particularly at this order. Thank you, thanks

9
00:00:33,760 --> 00:00:36,559
Speaker 1: for following this order a second time with me. I

10
00:00:36,560 --> 00:00:39,280
Speaker 1: found another question that I'm really interested in hearing the

11
00:00:39,320 --> 00:00:43,360
Speaker 1: answer of at what age did you transition from listening

12
00:00:43,400 --> 00:00:51,479
Speaker 1: to children's music to listening to adult music? You know,

13
00:00:52,560 --> 00:00:55,560
Speaker 1: because you've got like a really great adult tasted music,

14
00:00:55,760 --> 00:00:57,800
Speaker 1: And like, I listened to kids music till I was

15
00:00:57,840 --> 00:01:02,040
Speaker 1: in probably junior high. It wasn't like one day I

16
00:01:02,120 --> 00:01:07,040
Speaker 1: was like Dad turned off Raffie put on Leonard Cohen.

17
00:01:07,560 --> 00:01:11,200
Speaker 1: Let's go okay, I know what it's not like, but

18
00:01:11,319 --> 00:01:15,720
Speaker 1: what was it like? What was the transition? Like, I mean,

19
00:01:15,720 --> 00:01:18,520
Speaker 1: I think okay, so like I always listened to I

20
00:01:18,520 --> 00:01:20,880
Speaker 1: don't know if I ever really listened to children's music

21
00:01:20,920 --> 00:01:23,160
Speaker 1: I didn't listen like kids Bop or any of that bullshit.

22
00:01:23,319 --> 00:01:26,760
Speaker 1: Like I think I just listened to whatever, like the

23
00:01:26,840 --> 00:01:31,319
Speaker 1: Muppet Movie soundtrack or um, like my whatever. My parents

24
00:01:31,319 --> 00:01:33,000
Speaker 1: are listening to a lot of Steely Dan if that's

25
00:01:33,000 --> 00:01:37,440
Speaker 1: the kids music. You know, kids love that lyrical play

26
00:01:37,480 --> 00:01:41,160
Speaker 1: of Donalds began, um, and then you know, then a

27
00:01:41,200 --> 00:01:43,160
Speaker 1: lot of like whatever was popular at the time they

28
00:01:43,200 --> 00:01:44,840
Speaker 1: grew up in the eighties, so you know a lot

29
00:01:44,880 --> 00:01:47,319
Speaker 1: of Wham and You Too and that kind of stuff,

30
00:01:47,360 --> 00:01:49,560
Speaker 1: and then a lot of rap and Junior High, and

31
00:01:49,600 --> 00:01:52,520
Speaker 1: then Nirvana's never Mind came out, and then I was like, oh,

32
00:01:52,720 --> 00:01:54,400
Speaker 1: back to rock and roll. And then I just kind

33
00:01:54,400 --> 00:01:56,800
Speaker 1: of never looked back and it was all Indian whatever

34
00:01:56,840 --> 00:01:59,280
Speaker 1: after that. So I don't know. I guess I just

35
00:01:59,320 --> 00:02:02,200
Speaker 1: never really listen to kids music. For sad is listen

36
00:02:02,240 --> 00:02:04,600
Speaker 1: to whatever was in front of me, so to speak.

37
00:02:04,920 --> 00:02:09,240
Speaker 1: M And next up we have Market Gag already, I

38
00:02:09,280 --> 00:02:12,919
Speaker 1: have the King of transitions, like your transition from kids

39
00:02:13,040 --> 00:02:16,239
Speaker 1: music to adult music. I'll say six, I was six there.

40
00:02:16,919 --> 00:02:18,919
Speaker 1: That's a good number. Thank you. That's the correct answer,

41
00:02:18,919 --> 00:02:22,079
Speaker 1: as Kevin would say. Um. Next up we have Mark

42
00:02:22,120 --> 00:02:24,960
Speaker 1: Gagle already, thanks for joining us today. Mark, how are you?

43
00:02:25,320 --> 00:02:28,880
Speaker 1: I'm great? How are you? I'm doing wonderful. But I've

44
00:02:28,880 --> 00:02:31,680
Speaker 1: got a question that I need answered. Hey, I've got

45
00:02:31,720 --> 00:02:34,560
Speaker 1: an answer that needs questioning. If you were going to

46
00:02:34,639 --> 00:02:37,679
Speaker 1: fight to the death in an arena, and your opponent

47
00:02:37,720 --> 00:02:40,440
Speaker 1: would be equipped identically to you, so the same arm

48
00:02:40,520 --> 00:02:43,000
Speaker 1: or same weapon, what what would you suit yourself up

49
00:02:43,000 --> 00:02:47,440
Speaker 1: for battle knowing that you would win? If I knew

50
00:02:47,480 --> 00:02:51,680
Speaker 1: that If I knew that, um, my opponent had the

51
00:02:51,760 --> 00:02:54,880
Speaker 1: exact same armor as me, maybe not the same skills,

52
00:02:54,919 --> 00:02:57,040
Speaker 1: but they would have the same weapons and armor, what

53
00:02:57,040 --> 00:03:00,280
Speaker 1: would you choose? Well, what I would choose is I

54
00:03:00,280 --> 00:03:05,840
Speaker 1: would choose armor that had a very sneaky hole in it.

55
00:03:06,240 --> 00:03:09,880
Speaker 1: Hell yeah, that my opponent did not notice when they

56
00:03:09,919 --> 00:03:13,360
Speaker 1: put the armor on, but I clocked. I know where

57
00:03:13,440 --> 00:03:15,720
Speaker 1: that hole is in the armor. So I would have

58
00:03:15,720 --> 00:03:19,480
Speaker 1: to have some sort of like elaborate embroidered uh like

59
00:03:19,760 --> 00:03:23,040
Speaker 1: character or something to hide that spot. But I knew

60
00:03:23,120 --> 00:03:25,080
Speaker 1: that I would be the only one that knew that

61
00:03:25,120 --> 00:03:28,959
Speaker 1: there was a slit right underneath the eagle's wing where

62
00:03:28,960 --> 00:03:31,399
Speaker 1: I could, you know, just get a knife in there.

63
00:03:31,520 --> 00:03:33,280
Speaker 1: So a knife would be and you would take like

64
00:03:33,320 --> 00:03:35,800
Speaker 1: a probably a small weapon to the I mean, I

65
00:03:35,800 --> 00:03:37,280
Speaker 1: don't want to say what was the weapon you We're

66
00:03:37,280 --> 00:03:40,600
Speaker 1: going to choose. Uh, I would choose, I would I

67
00:03:40,600 --> 00:03:44,000
Speaker 1: would go Uh, I would go a knife and a

68
00:03:44,080 --> 00:03:47,680
Speaker 1: quarter staff. Wow, just to confuse the person. Yeah, just

69
00:03:47,720 --> 00:03:49,560
Speaker 1: so we could beat each other with sticks and that

70
00:03:49,760 --> 00:03:52,160
Speaker 1: this is getting dark. But then I would have my

71
00:03:52,280 --> 00:03:54,560
Speaker 1: knife on me because I knew where that spot was.

72
00:03:55,120 --> 00:03:57,360
Speaker 1: What age did you realize that the spot was there?

73
00:03:57,400 --> 00:04:01,280
Speaker 1: What age are you? Weirdly, I was six and it

74
00:04:01,360 --> 00:04:04,320
Speaker 1: was the exact moment that Rafie tried to stab me,

75
00:04:05,680 --> 00:04:09,720
Speaker 1: and Leonard Cohen jumped in and uh and saved my life.

76
00:04:11,560 --> 00:04:15,960
Speaker 1: And last, but only in this particular repeated order, we

77
00:04:16,040 --> 00:04:20,800
Speaker 1: have Craigkowski. Craig, welcome to Alchemy. This to be here

78
00:04:21,040 --> 00:04:24,479
Speaker 1: first time, long time, first time, long time, wonderful. I've

79
00:04:24,480 --> 00:04:27,520
Speaker 1: got a question that I need answered from you. Now.

80
00:04:27,560 --> 00:04:31,160
Speaker 1: If you could have an AI chip that's completely safe

81
00:04:31,680 --> 00:04:35,120
Speaker 1: implanted in your brain that could access information at the

82
00:04:35,240 --> 00:04:41,479
Speaker 1: same speed as an Internet search, would you get it? No? No, No,

83
00:04:41,839 --> 00:04:47,400
Speaker 1: that feels like a curse. Uh. I'm already pretty good

84
00:04:47,440 --> 00:04:52,400
Speaker 1: with information with trivia, though, as I age, there's there's

85
00:04:52,440 --> 00:04:55,919
Speaker 1: a slight lag, and I enjoy the lag sometimes, you

86
00:04:55,920 --> 00:05:00,479
Speaker 1: know that, Yeah, having to piece things together. And I

87
00:05:00,520 --> 00:05:06,400
Speaker 1: also missed the moments of of people not knowing things.

88
00:05:06,800 --> 00:05:09,800
Speaker 1: And I'm nostalgic for those days of sitting around a

89
00:05:09,839 --> 00:05:13,800
Speaker 1: bar uh booth in the nineties and us trying to

90
00:05:13,839 --> 00:05:17,400
Speaker 1: remember the name of some obscure actor or song or

91
00:05:17,400 --> 00:05:20,240
Speaker 1: whatever and having to collectively piece it together through our

92
00:05:20,279 --> 00:05:23,560
Speaker 1: collective memory, rather than everyone having a device to to

93
00:05:23,680 --> 00:05:26,520
Speaker 1: look that up. So if I had all the information

94
00:05:27,760 --> 00:05:31,320
Speaker 1: accessible to me at any seconds, I would feel like

95
00:05:31,320 --> 00:05:34,400
Speaker 1: it would be a curse. Well, we'll have to agree

96
00:05:34,440 --> 00:05:39,279
Speaker 1: to disagree. Craick, that was the wrong answer. I'm kidding,

97
00:05:39,320 --> 00:05:41,480
Speaker 1: it was right. It's right for you. You made a choice.

98
00:05:41,560 --> 00:05:45,520
Speaker 1: Good for you, all right. So all of today's scene

99
00:05:45,560 --> 00:05:50,279
Speaker 1: suggestions come from listener emails, and if you want priority,

100
00:05:50,480 --> 00:05:53,599
Speaker 1: consider becoming a Patreon v I P. You'll also get

101
00:05:53,640 --> 00:05:57,840
Speaker 1: exclusive content like bonus scenes and access to live shows.

102
00:05:58,400 --> 00:06:00,240
Speaker 1: Uh And if you want to get that, it on

103
00:06:00,320 --> 00:06:04,560
Speaker 1: over to Patreon dot com, slash alchemy this, or if

104
00:06:04,640 --> 00:06:08,120
Speaker 1: you'd like to submit using suggestion the old timey way,

105
00:06:08,320 --> 00:06:12,120
Speaker 1: email us at alchemy this email at gmail dot com.

106
00:06:12,120 --> 00:06:18,400
Speaker 1: That's alchemy this dot com Scene number one actually does

107
00:06:18,480 --> 00:06:22,280
Speaker 1: come from an email listener. It's Sava and it says, Hi,

108
00:06:22,400 --> 00:06:26,240
Speaker 1: Kevin heard you needed some scene suggestions, not too specific,

109
00:06:26,560 --> 00:06:31,520
Speaker 1: not too vague, but just right. How about this substitute teacher?

110
00:06:32,440 --> 00:06:35,320
Speaker 1: Whow we I love the show and all of you alchemists.

111
00:06:35,640 --> 00:06:43,120
Speaker 1: Joey please make me breakfast? Kay? Thanks? Alright? Glass Uh,

112
00:06:43,279 --> 00:06:49,880
Speaker 1: I'm Mr stevens Uh. I'm not sure where Mr Nandez

113
00:06:49,920 --> 00:06:52,719
Speaker 1: was and her lessons plan, and honestly I don't care.

114
00:06:52,839 --> 00:06:55,160
Speaker 1: I've just got this TV here, in this VCR, We're

115
00:06:55,160 --> 00:06:59,560
Speaker 1: gonna show you a movie. Yea, all right? This is

116
00:06:59,720 --> 00:07:04,520
Speaker 1: Ingmar Bergman's The Seventh Seal. Wait what what? It's a

117
00:07:04,800 --> 00:07:09,760
Speaker 1: It's a wonderful exploration of life and death featuring death

118
00:07:09,840 --> 00:07:13,720
Speaker 1: and a chess match. I think you're really gonna watch

119
00:07:13,760 --> 00:07:20,960
Speaker 1: it on VHS. Yes, there's a Criterion Blu Ray edition out.

120
00:07:22,080 --> 00:07:27,360
Speaker 1: It's two. This room is WiFi enabled. You can just

121
00:07:28,280 --> 00:07:32,240
Speaker 1: I understand that. But your your school makes us use

122
00:07:32,360 --> 00:07:34,680
Speaker 1: what they have in the A V room. And what

123
00:07:34,720 --> 00:07:36,800
Speaker 1: they had in the a V room was this dusty

124
00:07:36,920 --> 00:07:40,640
Speaker 1: VHS copy of being mer Bourgman's The Seventh Seal. This

125
00:07:41,120 --> 00:07:44,640
Speaker 1: tube screen television on this rolling card and this DCR.

126
00:07:44,800 --> 00:07:46,960
Speaker 1: So I'm sorry, but this is what we're gonna have

127
00:07:47,000 --> 00:07:50,320
Speaker 1: to use. Our last substitute teacher took us out to

128
00:07:50,440 --> 00:07:58,679
Speaker 1: the movies. Yeah, beat that. Look there's I don't really

129
00:07:58,680 --> 00:08:00,640
Speaker 1: care to beat that. I'm still gonna get paid no

130
00:08:00,680 --> 00:08:02,600
Speaker 1: matter what. I just had to press plan this VCR

131
00:08:02,680 --> 00:08:07,280
Speaker 1: and we went to a pagrele motive oar festival. You

132
00:08:07,360 --> 00:08:11,280
Speaker 1: went to it all, all of our festival. Hi've I

133
00:08:11,320 --> 00:08:13,000
Speaker 1: really want to go see a Parallel Mother is his

134
00:08:13,000 --> 00:08:17,640
Speaker 1: newest I mean, I've heard its fantastic, it's solid. We

135
00:08:17,720 --> 00:08:20,480
Speaker 1: liked it. It's pretty good. It's not as good as

136
00:08:20,480 --> 00:08:22,800
Speaker 1: his older stuff. But I think he's he's looking at

137
00:08:22,800 --> 00:08:27,160
Speaker 1: different themes now. But we can all agree. That substitute teacher,

138
00:08:27,200 --> 00:08:32,839
Speaker 1: I think it was Mr Ferdinand. I don't remember his name,

139
00:08:32,880 --> 00:08:37,480
Speaker 1: but he changed our lives forever, Senor Ferdinand, that's right.

140
00:08:38,480 --> 00:08:40,280
Speaker 1: But do you just want to phone it in? I

141
00:08:40,280 --> 00:08:42,640
Speaker 1: guess that's what the next generation? Okay, I didn't know

142
00:08:42,720 --> 00:08:45,240
Speaker 1: his Ferdinand. We've had a rivalry going since we were

143
00:08:45,240 --> 00:08:52,800
Speaker 1: in substitute teacher school together, the academy Substitute Academy and uh, okay, guys,

144
00:08:52,840 --> 00:08:57,000
Speaker 1: Welcome to Substitute Teacher Academy. Mrs Mrs O'Rourke is not

145
00:08:57,080 --> 00:09:01,760
Speaker 1: here today. Uh, what the hell are you? Who the

146
00:09:01,800 --> 00:09:03,480
Speaker 1: hell are you? Why are you put me sitting next

147
00:09:03,480 --> 00:09:08,079
Speaker 1: to Stevens? I'll look, what's your name? My name is

148
00:09:08,200 --> 00:09:13,880
Speaker 1: Mr Ferdinand. Okay, I'm gonna call you signor Ferdinand. Oh

149
00:09:13,920 --> 00:09:16,520
Speaker 1: why because of my accent? You're gonna call me senor Ferdinand.

150
00:09:16,640 --> 00:09:19,800
Speaker 1: I thought you would enjoy that. Everybody wants to call

151
00:09:19,800 --> 00:09:25,000
Speaker 1: me senor for Okay. Look, I don't know where Mrs

152
00:09:25,000 --> 00:09:28,240
Speaker 1: O'Rourke was in teaching you the the ins and outs

153
00:09:28,280 --> 00:09:32,920
Speaker 1: of substitute teaching, but can can anybody help me out here?

154
00:09:32,960 --> 00:09:36,680
Speaker 1: Where are you in the book? Oh? Man? I think

155
00:09:36,760 --> 00:09:40,120
Speaker 1: we were on chapter fifteen, which was, um, what to

156
00:09:40,160 --> 00:09:47,560
Speaker 1: do with an unreleased student? Okay, okay, um, I'm sorry.

157
00:09:47,720 --> 00:09:53,040
Speaker 1: Is this what you typically substitute teacher is? Sorry, substitute teach?

158
00:09:53,520 --> 00:09:56,880
Speaker 1: You know this seems like an unfamiliar subject to you.

159
00:09:58,000 --> 00:09:59,599
Speaker 1: Look I I fill in, you know. I do a

160
00:09:59,640 --> 00:10:03,240
Speaker 1: lot of him. Okay, I'm mostly a gym teacher. I

161
00:10:03,320 --> 00:10:07,320
Speaker 1: do some some bands, some art. But yeah, today they

162
00:10:07,320 --> 00:10:09,840
Speaker 1: sent me to the substitute teacher academy. Why do you

163
00:10:09,840 --> 00:10:13,280
Speaker 1: not just bring out the brand new VCR that we

164
00:10:13,400 --> 00:10:16,760
Speaker 1: just got. We just watch a movie. You guys want

165
00:10:16,760 --> 00:10:21,880
Speaker 1: to crack that open? Yeah, let's let's do it. Wait

166
00:10:21,920 --> 00:10:25,000
Speaker 1: a second, what if we took advantage of this moment.

167
00:10:25,080 --> 00:10:27,840
Speaker 1: We've got an actual, live substitute teacher. Why don't you

168
00:10:27,840 --> 00:10:33,240
Speaker 1: tell us what it's like in your real life? Um? Well,

169
00:10:33,240 --> 00:10:35,679
Speaker 1: it's it's tough. You know. I call in at six

170
00:10:35,720 --> 00:10:40,240
Speaker 1: am every morning, and sometimes you hear, uh, I got

171
00:10:40,240 --> 00:10:44,319
Speaker 1: nothing for you, Ted, And sometimes you hear, yeah, you're

172
00:10:44,360 --> 00:10:46,960
Speaker 1: going to uh two thousand Oaks, which is like in

173
00:10:47,160 --> 00:10:49,440
Speaker 1: rush to hours, like an hour and a half drive

174
00:10:49,920 --> 00:10:56,200
Speaker 1: for me to uh to do ninth grade bio. But

175
00:10:56,720 --> 00:10:59,440
Speaker 1: what happens once you do get there? Yeah? What happens

176
00:10:59,440 --> 00:11:02,920
Speaker 1: when you get there? Well, I try to park in

177
00:11:03,040 --> 00:11:06,600
Speaker 1: the in the faculty section, and there's always a guy

178
00:11:06,640 --> 00:11:09,559
Speaker 1: saying no, no, no, you can't park here, and I'm like, no, no,

179
00:11:09,640 --> 00:11:11,600
Speaker 1: I'm I'm subbing. I'm subbing. He's like, well, do you

180
00:11:11,640 --> 00:11:14,400
Speaker 1: have your idea of Like, yeah, I have it, but

181
00:11:14,480 --> 00:11:17,280
Speaker 1: then I look and I always forget it. But what

182
00:11:17,360 --> 00:11:21,240
Speaker 1: does this have to do with changing children's lives? I

183
00:11:21,280 --> 00:11:25,360
Speaker 1: don't know. Is that what you're hoping to do. Well,

184
00:11:25,400 --> 00:11:28,080
Speaker 1: that's why we've all signed up to be substitute teachers.

185
00:11:28,280 --> 00:11:33,160
Speaker 1: Why we're all in the academy. Hey, where did you

186
00:11:33,280 --> 00:11:37,360
Speaker 1: go to, Ferdinand? You should be teaching this class. I

187
00:11:37,720 --> 00:11:40,120
Speaker 1: am not ready to teach. No, No, you're you're ready.

188
00:11:40,440 --> 00:11:42,760
Speaker 1: I'm you're ready. I'm ready. In fact, I'm going to

189
00:11:42,800 --> 00:11:48,760
Speaker 1: take a smoke break outside and Ferdinand take over. I

190
00:11:48,840 --> 00:11:54,200
Speaker 1: suppose I should open this book to chapter fift but

191
00:11:54,320 --> 00:11:59,720
Speaker 1: this is not the right book. Bullshit, I'm not learning

192
00:11:59,760 --> 00:12:03,040
Speaker 1: from Ferdinand. I paid for this class. I want a

193
00:12:03,080 --> 00:12:06,400
Speaker 1: real teacher. I'm gonna If you want a real teacher,

194
00:12:06,440 --> 00:12:09,160
Speaker 1: you should not have come to substitute teacher academy. I

195
00:12:09,240 --> 00:12:13,880
Speaker 1: want to be a substitute teacher, not learned from one. Alright, kids,

196
00:12:13,920 --> 00:12:16,160
Speaker 1: fucking alright, fine, you know you want me to live

197
00:12:16,200 --> 00:12:20,280
Speaker 1: up to Ferdinand. Looking their desks, there are plane tickets.

198
00:12:20,320 --> 00:12:23,920
Speaker 1: We're going to Can. That's going to Can. We're going

199
00:12:24,000 --> 00:12:35,960
Speaker 1: now outside ing checked in. Wow, Wow, Wow, we're gonna

200
00:12:36,000 --> 00:12:39,040
Speaker 1: get to see the palm door winner before anybody else does.

201
00:12:39,360 --> 00:12:41,800
Speaker 1: That's right, kids, all right, just this way, I'll watch

202
00:12:41,800 --> 00:12:45,240
Speaker 1: out for the paparazzi line. Excuse us, excuse us. I

203
00:12:45,280 --> 00:12:52,720
Speaker 1: always thought it was plural. Who are you? I'm Eddie? Okay,

204
00:12:53,720 --> 00:12:55,880
Speaker 1: they must be on in that new Richard link later.

205
00:12:56,000 --> 00:12:59,800
Speaker 1: But the kids, all right, kids, just just the way,

206
00:12:59,880 --> 00:13:02,520
Speaker 1: this way, this way. Wait, which one of you is Eddie?

207
00:13:02,559 --> 00:13:05,760
Speaker 1: Which one? I'm Eddie? I'm Eddie. I've got you on

208
00:13:05,800 --> 00:13:09,280
Speaker 1: the jury. What. Yeah, you're gonna be on the jury.

209
00:13:09,280 --> 00:13:15,559
Speaker 1: You're gonna help select the winners. WHOA cool? Thanks Stevens.

210
00:13:16,000 --> 00:13:21,480
Speaker 1: Well there's David Lynch and Bomb June. Ho. Uh, my

211
00:13:21,600 --> 00:13:25,720
Speaker 1: name's Brian. What did you get me? Oh, Brian, you

212
00:13:25,720 --> 00:13:29,960
Speaker 1: get to introduce the screening of the brand new Thomas

213
00:13:30,040 --> 00:13:35,880
Speaker 1: Vinterberg movie. Um, so here, here's this, here's the one

214
00:13:35,880 --> 00:13:37,679
Speaker 1: sheet on it. You can learn a little bit about it,

215
00:13:37,679 --> 00:13:39,480
Speaker 1: and you get to run the Q and A afterwards too.

216
00:13:39,559 --> 00:13:42,080
Speaker 1: I hope you know what to ask about the Dogma

217
00:13:42,080 --> 00:13:44,480
Speaker 1: style of filmmaking, because we're gonna talk about that at length.

218
00:13:44,520 --> 00:13:46,600
Speaker 1: I don't I don't know. I don't know those things.

219
00:13:48,760 --> 00:13:51,240
Speaker 1: Maybe maybe I should not have put you in. No, No,

220
00:13:51,320 --> 00:13:54,400
Speaker 1: you didn't. You should have. You should have. You've changed

221
00:13:54,480 --> 00:13:59,800
Speaker 1: my life. You've changed my life more than that old Ferdinand, teacher,

222
00:14:01,160 --> 00:14:07,640
Speaker 1: little substitute teacher, Ferdinand. Right this way, students, right this way,

223
00:14:08,080 --> 00:14:15,440
Speaker 1: you're all going well, well, well, senor Ferdinand. If it

224
00:14:15,600 --> 00:14:19,240
Speaker 1: is not Stevens. What the hello? Kids? It is nice

225
00:14:19,280 --> 00:14:22,400
Speaker 1: to see you again. I brought a different substitute class

226
00:14:22,480 --> 00:14:25,160
Speaker 1: with me. What are you doing at the Cannes Film Festival?

227
00:14:25,320 --> 00:14:27,680
Speaker 1: I brought my kids here. I brought my kids instead

228
00:14:27,680 --> 00:14:30,080
Speaker 1: of showing them Seventh Seal again, I brought him here.

229
00:14:30,120 --> 00:14:33,280
Speaker 1: And Eddie is on the jury. Oh you got Eddie

230
00:14:33,280 --> 00:14:36,480
Speaker 1: on the jury. Hunt. Well, this is Charlie right here. Charlie,

231
00:14:36,520 --> 00:14:41,280
Speaker 1: tell him what you are doing in this festival. I uh,

232
00:14:41,520 --> 00:14:46,720
Speaker 1: I won a certain regard. That is right. My students

233
00:14:46,760 --> 00:14:51,240
Speaker 1: now win awards. But goodbye. Enjoy your being the help

234
00:14:51,320 --> 00:14:57,000
Speaker 1: at the festival. Bitch. Fernand was besting me in every

235
00:14:57,120 --> 00:14:58,840
Speaker 1: As a kids, we're making a film. We're making it now,

236
00:14:58,840 --> 00:15:01,440
Speaker 1: we're gonna get it. In what we're get, we're gonna get.

237
00:15:02,040 --> 00:15:04,080
Speaker 1: She'll be able to complete a film and get it

238
00:15:04,160 --> 00:15:07,320
Speaker 1: submitted and accepted. You see how long that ride carpet

239
00:15:07,360 --> 00:15:10,160
Speaker 1: line is. You see how long that line is for

240
00:15:10,200 --> 00:15:12,120
Speaker 1: them to do the step and repeats. You can make

241
00:15:12,160 --> 00:15:14,160
Speaker 1: this film we can get it into competition and we

242
00:15:14,200 --> 00:15:17,920
Speaker 1: can win this thing, all right, Mr Stevens, uh already. Well,

243
00:15:17,960 --> 00:15:19,920
Speaker 1: I got a phone and can shoot video on it,

244
00:15:19,960 --> 00:15:22,240
Speaker 1: and I can upload it pretty quick. Great. This is

245
00:15:22,320 --> 00:15:24,200
Speaker 1: just like the dogma style of filmmaking that I was

246
00:15:24,240 --> 00:15:27,440
Speaker 1: talking about earlier. Vincherberg will love this alright. And I

247
00:15:27,920 --> 00:15:30,360
Speaker 1: ran into Juliet Panosh that the water fountain. She says

248
00:15:30,400 --> 00:15:35,760
Speaker 1: she's between projects. Scrabber. She's great, She's so underrated. Okay,

249
00:15:35,800 --> 00:15:40,320
Speaker 1: let's see there's uh oh, there's uh Audrey Tattoo. Maybe

250
00:15:40,560 --> 00:15:43,720
Speaker 1: excuse me, Audrey, are you? Are you really at the moment? No,

251
00:15:44,920 --> 00:15:47,000
Speaker 1: would you like to do our dogma style filmmaking? That

252
00:15:47,120 --> 00:15:54,080
Speaker 1: the uh my substitute for fifth grade classes doing great? Fantastic?

253
00:15:54,720 --> 00:15:57,600
Speaker 1: Uh Oh, there's Yannis Kaminsky. He can lens it. He's

254
00:15:57,600 --> 00:16:01,480
Speaker 1: an amazing sint of photographer. Yahoo's yahoosa. Yeah, what do

255
00:16:01,480 --> 00:16:03,400
Speaker 1: you want? Will you shoot our film for us on

256
00:16:03,440 --> 00:16:07,600
Speaker 1: this one? Not fantastic. It's an iPhone eleven. I know

257
00:16:07,640 --> 00:16:11,920
Speaker 1: it's not the pro, but I think it's still pretty good. Alright.

258
00:16:11,960 --> 00:16:14,560
Speaker 1: It's me Brian, and I was wondering if maybe there

259
00:16:14,600 --> 00:16:18,280
Speaker 1: was a role for me in this movie. Still, someone's

260
00:16:18,280 --> 00:16:22,760
Speaker 1: got to write it. And William Goldman just died, so um,

261
00:16:23,080 --> 00:16:26,760
Speaker 1: you want to write it? Kid? And the bomb door

262
00:16:27,000 --> 00:16:35,520
Speaker 1: goes to Mr Stevens fourth grade class. We did Yes, Yes,

263
00:16:36,120 --> 00:16:40,160
Speaker 1: I knew it. Oh wow, Oh my gosh, guys, this

264
00:16:40,280 --> 00:16:42,960
Speaker 1: is I'm timing. This is a twelve minute standing ovation.

265
00:16:43,520 --> 00:16:47,400
Speaker 1: This is amazing. This is what all my treats have

266
00:16:47,480 --> 00:16:50,480
Speaker 1: been like. This is what all my dreams have been like.

267
00:16:50,840 --> 00:16:54,240
Speaker 1: This is reel, this is real, this is really happening.

268
00:16:54,920 --> 00:17:00,000
Speaker 1: Mr Stevens, Wake up, you fell asleep. Mr Stevens. Mr Stevens,

269
00:17:00,160 --> 00:17:03,800
Speaker 1: h Oh my gosh, kids, I'm sorry, the movie is over.

270
00:17:05,280 --> 00:17:09,760
Speaker 1: Do you learn a lot we learned about chess and death?

271
00:17:11,560 --> 00:17:18,960
Speaker 1: Do you love maximum seats performance? At least man? And

272
00:17:19,240 --> 00:17:31,480
Speaker 1: that scene scene number two is coming from Alchemaniac Dougie, Hey, Alchemists,

273
00:17:31,840 --> 00:17:34,800
Speaker 1: I've been following Joey around for the better part of

274
00:17:34,920 --> 00:17:38,680
Speaker 1: six months. Everything seemed normal until about three days ago.

275
00:17:39,119 --> 00:17:42,680
Speaker 1: For now, listeners of Alchemy, this high your Deli meat

276
00:17:42,880 --> 00:17:48,040
Speaker 1: update soon scene suggestion. A seemingly innocent game of Duck

277
00:17:48,160 --> 00:17:53,200
Speaker 1: duck goose turns wildly violent in this jarring Who done it?

278
00:17:58,520 --> 00:18:01,520
Speaker 1: I feel like we're a little old be playing children's games.

279
00:18:03,280 --> 00:18:07,840
Speaker 1: Come on, get over over yourself, Barry. I mean, there's

280
00:18:07,840 --> 00:18:12,040
Speaker 1: no game better than Duck Duck Goose. Yea, Barry, How

281
00:18:12,040 --> 00:18:16,480
Speaker 1: else are you gonna learn about lifeble? The unbearable tension?

282
00:18:17,080 --> 00:18:20,200
Speaker 1: Who will be the goose? And once you are the goose?

283
00:18:20,359 --> 00:18:22,760
Speaker 1: Are you ready to be the goose? Are you ready

284
00:18:22,800 --> 00:18:26,359
Speaker 1: to jump up and run at any moment's notice, Barry?

285
00:18:26,640 --> 00:18:29,240
Speaker 1: Burst of adrenaline you get it's great for your heart.

286
00:18:30,560 --> 00:18:32,600
Speaker 1: I don't know. I've got kind of a blood pressure

287
00:18:32,680 --> 00:18:34,720
Speaker 1: thing going on, and I don't know if bursts of

288
00:18:34,840 --> 00:18:37,720
Speaker 1: energy or really what I need. She's the christ Berry.

289
00:18:37,800 --> 00:18:40,080
Speaker 1: It's like you don't even want to be in this treehouse.

290
00:18:41,000 --> 00:18:43,720
Speaker 1: I mean, I honestly don't want to be in this treehouse.

291
00:18:43,760 --> 00:18:45,840
Speaker 1: It was a little difficult to get up into it,

292
00:18:45,880 --> 00:18:48,719
Speaker 1: and it's I mean, luckily there's not many of us

293
00:18:48,800 --> 00:18:50,520
Speaker 1: up here, but it's a little small, like it was

294
00:18:50,560 --> 00:18:57,400
Speaker 1: built for kids. Yeah, kids at heart, Yeah, Barry, we're

295
00:18:57,440 --> 00:19:03,280
Speaker 1: trying to have a caprissn Barry. Okay, stabbed right through

296
00:19:03,320 --> 00:19:07,560
Speaker 1: to the other side. Wow, you're strong, Berry. Here's another one.

297
00:19:07,880 --> 00:19:09,600
Speaker 1: You know what, things aren't like they used to be

298
00:19:09,640 --> 00:19:11,760
Speaker 1: when we were kids. Okay, I've grown up quite a bit.

299
00:19:11,760 --> 00:19:14,920
Speaker 1: I got a family, I got a job. Shut your mouth,

300
00:19:15,000 --> 00:19:18,399
Speaker 1: step down, stepped down with the straw. You shut your

301
00:19:18,440 --> 00:19:21,560
Speaker 1: mouth about that berry? We said, we swore his kids.

302
00:19:21,560 --> 00:19:23,240
Speaker 1: We took a blood oath. We were never going to

303
00:19:23,359 --> 00:19:29,679
Speaker 1: grow up and we never will. Well, I guess if

304
00:19:29,720 --> 00:19:31,240
Speaker 1: I just put my finger on the other side of

305
00:19:31,240 --> 00:19:33,159
Speaker 1: this bag, I can squeeze it into my mouth. Are

306
00:19:33,200 --> 00:19:35,679
Speaker 1: you still having trouble with the fucking caprice sign? I'm

307
00:19:35,720 --> 00:19:43,000
Speaker 1: not gonna waste a straw throid. Duck. Oh, it's started, Duck.

308
00:19:44,400 --> 00:19:49,040
Speaker 1: Please don't please don't duck. Okay, well, aren't we gonna

309
00:19:49,080 --> 00:19:53,760
Speaker 1: wait for ted Duck? Please stop? Just hold off for

310
00:19:53,800 --> 00:20:02,239
Speaker 1: a second. Please, there's only two of us, Duck. Can

311
00:20:02,280 --> 00:20:03,879
Speaker 1: we hold Can we just have a time out? Is

312
00:20:03,920 --> 00:20:09,840
Speaker 1: there no time out? Duck? What's the matter, barry Duck?

313
00:20:10,119 --> 00:20:12,040
Speaker 1: I just feel like that we should wait for everyone

314
00:20:12,040 --> 00:20:18,040
Speaker 1: to arrive. Good Duck. Well you I feel tizzy, Duck.

315
00:20:20,080 --> 00:20:23,040
Speaker 1: You time out? Time out? Please some time out? And

316
00:20:23,040 --> 00:20:28,720
Speaker 1: tuk duck duck. Any minute now, I'm going to say

317
00:20:28,760 --> 00:20:33,920
Speaker 1: the word duck. Huh duck. Are you getting dizzy? You're

318
00:20:33,960 --> 00:20:43,879
Speaker 1: spinning around them. Ted's in the house, talk somebody. You

319
00:20:43,960 --> 00:20:46,959
Speaker 1: got it all right? Oh we just started. We just

320
00:20:47,119 --> 00:20:50,359
Speaker 1: started the game, but just you like to finish it, Ted,

321
00:20:50,440 --> 00:20:52,480
Speaker 1: if you can just talk some sense of to these guys,

322
00:20:52,480 --> 00:20:55,800
Speaker 1: we don't need to play children's teams stop right? Are

323
00:20:55,800 --> 00:20:58,080
Speaker 1: you serious? I mean I've been waiting for the d

324
00:20:58,240 --> 00:21:01,760
Speaker 1: d G all afternoon. Well, you were the king of

325
00:21:01,800 --> 00:21:08,639
Speaker 1: this man, You've always been the king of this right, No, Barry,

326
00:21:08,680 --> 00:21:12,520
Speaker 1: you are sweating really badly. I just I'm not in

327
00:21:12,560 --> 00:21:14,280
Speaker 1: the same shape I used to be as a kid.

328
00:21:14,359 --> 00:21:16,879
Speaker 1: That I'm a little afraid of heights. I don't know

329
00:21:16,920 --> 00:21:19,960
Speaker 1: why we're gonna play in a treehouse, Duck. This is

330
00:21:19,960 --> 00:21:22,440
Speaker 1: where we made the blood oath. Duck. I know it.

331
00:21:25,440 --> 00:21:30,120
Speaker 1: We're not playing, Barry, We're bonding, Okay, Duck, All right,

332
00:21:33,160 --> 00:21:41,119
Speaker 1: duh Duck. Ted, did you have a problem with the

333
00:21:41,160 --> 00:21:44,080
Speaker 1: capri son? No, what an easy, dude, It's come on,

334
00:21:44,160 --> 00:21:53,600
Speaker 1: it's the elementary m hm. Duck, are you okay? Maybe

335
00:21:53,720 --> 00:21:56,320
Speaker 1: maybe we can make the circle a little smaller so

336
00:21:56,440 --> 00:22:02,600
Speaker 1: that there's more room to run around it. Room, okay, Duck.

337
00:22:02,960 --> 00:22:09,600
Speaker 1: Could I have a quick time out, Duck? There's no timeouse, right, duck.

338
00:22:12,480 --> 00:22:14,520
Speaker 1: All right, what have we got, Detective? A lot of

339
00:22:14,560 --> 00:22:17,800
Speaker 1: blood in this treehouse. Jesus Christ, I never seen this

340
00:22:18,040 --> 00:22:22,639
Speaker 1: much blood in the treehouse before. Uh it takes some

341
00:22:22,720 --> 00:22:26,720
Speaker 1: more pictures of that corner over there. What are we

342
00:22:26,760 --> 00:22:31,280
Speaker 1: looking at here? All those three sons? What how many

343
00:22:31,320 --> 00:22:36,760
Speaker 1: bodies be looking at well? I mean we got three bodies. Yeah,

344
00:22:37,080 --> 00:22:41,000
Speaker 1: we got a big pilot caprice sons over there, all

345
00:22:41,119 --> 00:22:44,440
Speaker 1: stabbed all the way through. Okay, well do you think

346
00:22:44,480 --> 00:22:52,600
Speaker 1: that means Jesus, I haven't seen this. It's a a

347
00:22:52,880 --> 00:22:58,800
Speaker 1: six oh eighty six. Sure. Remember the squeeze at killer. Yeah,

348
00:22:58,840 --> 00:23:01,560
Speaker 1: we never caught the guy. Yeah, I never caught him.

349
00:23:01,840 --> 00:23:04,880
Speaker 1: Traced him back to this very neighborhood, but still never

350
00:23:05,000 --> 00:23:08,879
Speaker 1: caught the squeeze a killer, never found him. Burry your

351
00:23:08,920 --> 00:23:12,800
Speaker 1: home early age? I from your friends. Oh yeah, we

352
00:23:12,840 --> 00:23:15,600
Speaker 1: took all our clothes off before we we well, we left,

353
00:23:15,680 --> 00:23:20,680
Speaker 1: so that's why I'm in my underwear. Whatever. Crazy, I'm

354
00:23:20,680 --> 00:23:22,919
Speaker 1: gonna go up in a shower real quick. Is there

355
00:23:22,960 --> 00:23:27,440
Speaker 1: gonna be dinner soon? I thought we would go out tonight.

356
00:23:28,359 --> 00:23:34,680
Speaker 1: Out tonight? Yeah, okay, okay, I mean it's my birthday,

357
00:23:35,600 --> 00:23:38,199
Speaker 1: which you remember, right of course? I got you a

358
00:23:38,240 --> 00:23:46,080
Speaker 1: birthday present for your birthday. It's a it's uh getting delivered. Okay, Well,

359
00:23:46,119 --> 00:23:48,119
Speaker 1: I thought we'd go to, you know, a nice French

360
00:23:48,119 --> 00:23:55,439
Speaker 1: place tonight, maybe get some duck a duck very duck. No, no,

361
00:23:55,600 --> 00:23:58,600
Speaker 1: why don't we go somewhere for something like duck? No,

362
00:23:59,400 --> 00:24:04,520
Speaker 1: I don't want I can't talk burgers. I don't want burgers. Berry.

363
00:24:04,600 --> 00:24:14,120
Speaker 1: I went duck no duck. She got another body. Detective Jesus,

364
00:24:14,160 --> 00:24:17,960
Speaker 1: what happened here? I don't know. No capris sons though

365
00:24:18,000 --> 00:24:21,800
Speaker 1: anywhere in side. Non. Oh, this is a shame too.

366
00:24:22,320 --> 00:24:26,840
Speaker 1: Look at this. Look on it right the the birthday.

367
00:24:30,040 --> 00:24:32,919
Speaker 1: What a bummer, I know, geez, But they pulled us

368
00:24:32,920 --> 00:24:35,080
Speaker 1: off of that crime seemed to go to this crime scene.

369
00:24:35,280 --> 00:24:38,840
Speaker 1: It's weird, right, like weird. It's almost like with Chase

370
00:24:38,920 --> 00:24:41,920
Speaker 1: in the same Wait a minute, you think with Chase

371
00:24:42,000 --> 00:24:47,040
Speaker 1: in the same killer around town? I think this is connected? No,

372
00:24:48,200 --> 00:24:51,120
Speaker 1: I mean could? I mean it could be two murders

373
00:24:51,480 --> 00:24:57,080
Speaker 1: identical on the same night in the same town. Made

374
00:24:57,160 --> 00:25:03,320
Speaker 1: this since six o eighties? Eggs? Oh sorry, hey, boss,

375
00:25:03,400 --> 00:25:09,440
Speaker 1: I slept at the office tonight. Just wanted to know.

376
00:25:09,520 --> 00:25:13,160
Speaker 1: It's a little weird. The initiative. Barry problems at home,

377
00:25:13,280 --> 00:25:16,800
Speaker 1: So I forgere to be okay if I just crashed here?

378
00:25:16,840 --> 00:25:22,960
Speaker 1: Nobody's sure? Sure? Hm, hey boss, what do you want

379
00:25:22,960 --> 00:25:25,000
Speaker 1: me and uh me and Andy to put this ladder

380
00:25:26,520 --> 00:25:31,480
Speaker 1: uh closer to the room next to my office? I think, well, sure,

381
00:25:31,520 --> 00:25:33,840
Speaker 1: we're swinging around here. Hey, watch out the pal duck

382
00:25:34,880 --> 00:25:40,200
Speaker 1: duck duck. Most myth sit there on that one. Maybe

383
00:25:40,320 --> 00:25:42,840
Speaker 1: maybe bring it around a little closer to it, going

384
00:25:42,880 --> 00:25:46,000
Speaker 1: it the other way, okay, turning around? Okay, everybody, duck duck.

385
00:25:46,280 --> 00:25:51,480
Speaker 1: I can't take it. I can't take it. Boston Berry,

386
00:25:51,480 --> 00:25:56,080
Speaker 1: what what are you doing with that knife? Jesus Christ? Mad?

387
00:25:57,920 --> 00:26:00,240
Speaker 1: What are these movers have to do with anything? I

388
00:26:00,280 --> 00:26:05,440
Speaker 1: don't know? How's it connected? Three more bodies, three more bodies.

389
00:26:06,880 --> 00:26:09,720
Speaker 1: We are terrible detectives. If we can't figure this out.

390
00:26:10,080 --> 00:26:12,359
Speaker 1: I feel like we're just always a step behind. You know,

391
00:26:13,080 --> 00:26:15,040
Speaker 1: you know what? You know? What always helps me think?

392
00:26:15,440 --> 00:26:18,520
Speaker 1: What's that? Those little animal shape boats out on Echo

393
00:26:18,600 --> 00:26:21,360
Speaker 1: Park Lake? Yeah? You want to go get on those

394
00:26:21,400 --> 00:26:24,040
Speaker 1: little boats? You bet? I love? That would be fun.

395
00:26:24,400 --> 00:26:28,959
Speaker 1: Let's do that. So what do you want to push up?

396
00:26:29,040 --> 00:26:32,880
Speaker 1: You want a strawberry shortcake? I gotta I gotta get

397
00:26:33,880 --> 00:26:37,159
Speaker 1: I'll get a waffle cone with like vanilla ice cream

398
00:26:37,480 --> 00:26:43,399
Speaker 1: and um just fudge. Alright, boring, Okay, boring, it's after

399
00:26:43,440 --> 00:26:54,960
Speaker 1: the hardwords from top gun ghost. What's your problem? Bell?

400
00:26:56,440 --> 00:27:02,200
Speaker 1: Poor ice cream never had a chance. Unbelievable. It was

401
00:27:02,240 --> 00:27:04,119
Speaker 1: so close to the boats were about to go on.

402
00:27:04,440 --> 00:27:07,760
Speaker 1: You know, it's weird like we were on our way

403
00:27:07,840 --> 00:27:12,000
Speaker 1: to the duck boats and he is, can I can

404
00:27:12,040 --> 00:27:14,880
Speaker 1: I help in any way here? Officers? I I did

405
00:27:14,920 --> 00:27:20,880
Speaker 1: play a surgeon on E. R. Fords, huge fan, very

406
00:27:21,000 --> 00:27:28,880
Speaker 1: underrated Revenge Revenge thee Well that's a classic. Sure did

407
00:27:28,920 --> 00:27:31,760
Speaker 1: you see anything weird around here? And you happen to

408
00:27:31,800 --> 00:27:35,639
Speaker 1: notice the murderer? Well, I you know, I walk, you know,

409
00:27:36,040 --> 00:27:39,000
Speaker 1: two laps around the Echo Park Lake, you know the

410
00:27:39,320 --> 00:27:42,000
Speaker 1: day you know, I gotta state stand shape to be

411
00:27:42,040 --> 00:27:46,480
Speaker 1: on TV. Uh. And now that I've you know, I've

412
00:27:46,840 --> 00:27:50,479
Speaker 1: I've found uh new love with mayor winning him uh

413
00:27:50,680 --> 00:27:54,280
Speaker 1: later in life. Congratulations than you. And hey heard you

414
00:27:54,280 --> 00:27:56,680
Speaker 1: stepped in for the sick actor with COVID and grow

415
00:27:56,760 --> 00:27:59,840
Speaker 1: from the North Country last week. Hey you read the book.

416
00:28:00,119 --> 00:28:03,280
Speaker 1: That's fantastic. I did you know there's a lot going

417
00:28:03,320 --> 00:28:10,520
Speaker 1: on with me these days. But yeah, yeah, I mean basically, yeah, yeah,

418
00:28:10,560 --> 00:28:13,360
Speaker 1: you said you wanted to help with the murders. There

419
00:28:13,440 --> 00:28:15,640
Speaker 1: was a guy yelling goose at me, which I get

420
00:28:15,640 --> 00:28:19,280
Speaker 1: a lot. I get that, you know, sure, sometimes people

421
00:28:19,320 --> 00:28:22,560
Speaker 1: just yell you are yeah, that's not your name though,

422
00:28:22,760 --> 00:28:26,520
Speaker 1: that's not my name. Your name was your name. You

423
00:28:26,600 --> 00:28:30,640
Speaker 1: might if we call you goose. Oh that's that's that's

424
00:28:30,720 --> 00:28:35,080
Speaker 1: so fun, that's real fun. You got to see Top Gun, Maverick,

425
00:28:35,200 --> 00:28:38,480
Speaker 1: Are you interested in that? They invited me to the premier.

426
00:28:38,600 --> 00:28:41,040
Speaker 1: I'm mayor and I have plans that night, so I'm

427
00:28:41,080 --> 00:28:43,840
Speaker 1: I'm not sure, but you know, I have to be

428
00:28:43,880 --> 00:28:45,680
Speaker 1: ready for a girl for the North Country. You know.

429
00:28:46,120 --> 00:28:50,120
Speaker 1: You know there was a guy with a knife. Yeah yeah,

430
00:28:50,400 --> 00:28:52,240
Speaker 1: that gout after that guy was I don't know why,

431
00:28:52,240 --> 00:28:53,680
Speaker 1: I'm just thinking of it now, but after the guy

432
00:28:53,760 --> 00:28:56,920
Speaker 1: yelled goose at me, there was a guy standing right

433
00:28:56,960 --> 00:28:59,440
Speaker 1: next to him with a knife. But then I turned

434
00:28:59,440 --> 00:29:02,240
Speaker 1: the corner and up walking around the lake was seven

435
00:29:02,240 --> 00:29:05,240
Speaker 1: minutes standing ovation. That can top gun average? Seven minutes.

436
00:29:05,320 --> 00:29:08,600
Speaker 1: Oh yeah, I'll believe those kids. Those kids got twelve,

437
00:29:08,640 --> 00:29:11,560
Speaker 1: they got twelve Yeah, yeah, yeah, well they did. I

438
00:29:11,600 --> 00:29:13,840
Speaker 1: mean the movie they made was at Juliet, but ocean

439
00:29:14,120 --> 00:29:19,360
Speaker 1: uh never never better. She's always good, she's always good.

440
00:29:19,480 --> 00:29:22,560
Speaker 1: So good. All right, So you turn the corner the

441
00:29:22,600 --> 00:29:24,280
Speaker 1: guy with to night, all right, we'll go that direction.

442
00:29:24,280 --> 00:29:26,360
Speaker 1: What were we trace the staff? Well, I'm gonna get

443
00:29:26,360 --> 00:29:30,360
Speaker 1: on one of the duck boats. Who's that running at us?

444
00:29:31,600 --> 00:29:33,640
Speaker 1: Oh jeesus? Hey, hey, Anthony, is that the guy that

445
00:29:33,720 --> 00:29:36,240
Speaker 1: you saw? The guy you saw? I think I think

446
00:29:36,240 --> 00:29:38,720
Speaker 1: it's that guy. Put us right now? Which one of

447
00:29:38,800 --> 00:29:45,720
Speaker 1: you guys said? It said? What the D word? It's

448
00:29:45,840 --> 00:29:52,280
Speaker 1: driving me crazy? It's driving me crazy? All right, sir?

449
00:29:52,360 --> 00:29:55,040
Speaker 1: Put down the knife. Put it down. I can't put

450
00:29:55,080 --> 00:29:58,680
Speaker 1: it down. I can't. I need to put it in.

451
00:29:59,440 --> 00:30:02,000
Speaker 1: I need to put it in. The guy who just

452
00:30:02,120 --> 00:30:09,040
Speaker 1: said duck well, you just said it. Oh wow, God,

453
00:30:11,520 --> 00:30:14,600
Speaker 1: before are you the squeeze killer? We're using squeeze killer,

454
00:30:14,640 --> 00:30:26,320
Speaker 1: pleez killing. And that's scene number two. And here is

455
00:30:26,440 --> 00:30:29,640
Speaker 1: scene number three coming in from the emails. It's from

456
00:30:29,720 --> 00:30:34,000
Speaker 1: Robert Williams. This scene suggestion just came to me as

457
00:30:34,040 --> 00:30:36,320
Speaker 1: I was getting out of the shower. And if I

458
00:30:36,360 --> 00:30:39,080
Speaker 1: don't tell it to you now, I'll never remember it again.

459
00:30:39,840 --> 00:30:45,080
Speaker 1: The fifty seven Annual Shampoo Taste Maker Awards, and why

460
00:30:45,160 --> 00:30:48,520
Speaker 1: yes I did swallow some raw shampoo, and yes it

461
00:30:48,640 --> 00:30:52,680
Speaker 1: did have the same consistency as Joey's favorite beverage, all

462
00:30:52,760 --> 00:31:06,000
Speaker 1: the best. God, what are you getting, coconut m Honestly,

463
00:31:06,040 --> 00:31:12,000
Speaker 1: this tastes more like a conditioner than a shampoo. Let

464
00:31:12,000 --> 00:31:15,880
Speaker 1: me let me swirl it around for a bit. That's

465
00:31:15,920 --> 00:31:19,760
Speaker 1: kind of a milky consistency. Is it possible this is

466
00:31:19,760 --> 00:31:24,160
Speaker 1: a shampoo conditional combination? It is, and which I thought

467
00:31:24,160 --> 00:31:27,840
Speaker 1: we had ruled them ineligible. No, it's that's not eligible

468
00:31:27,880 --> 00:31:32,480
Speaker 1: at all. I just want pure pooh. Yeah, pure pooh,

469
00:31:32,800 --> 00:31:38,520
Speaker 1: pure pooh. You know everything is so fruity and so

470
00:31:39,040 --> 00:31:45,000
Speaker 1: perfume and flowery. Why don't we ever get any savory shampoos? Gentlemen?

471
00:31:45,480 --> 00:31:53,200
Speaker 1: All he said, p L classic. That was a good year.

472
00:31:53,320 --> 00:31:58,680
Speaker 1: That was a good year. Mm hmm. Pirate ion zinc

473
00:31:59,040 --> 00:32:04,320
Speaker 1: in a shampoo bay some water llly good? That like good?

474
00:32:04,600 --> 00:32:06,600
Speaker 1: You don't that you could spit. You don't have to

475
00:32:06,600 --> 00:32:10,400
Speaker 1: swallow it if you do nothing. Well, I like to swallow,

476
00:32:10,480 --> 00:32:12,640
Speaker 1: So if I don't swallow, I don't know how it

477
00:32:12,680 --> 00:32:16,600
Speaker 1: goes down. And what kind of taste maker judge would

478
00:32:16,600 --> 00:32:20,280
Speaker 1: I be then m yes, yes, Well, the new varietas

479
00:32:20,360 --> 00:32:22,600
Speaker 1: that you will be judging will be coming in momentarily.

480
00:32:22,760 --> 00:32:25,200
Speaker 1: I just wanted to give you a good riot to

481
00:32:25,240 --> 00:32:28,760
Speaker 1: try it first, and I would like to introduce you

482
00:32:28,800 --> 00:32:31,520
Speaker 1: to some as it make us. Tell them I'm not

483
00:32:31,600 --> 00:32:33,840
Speaker 1: ready yet. Tell them the new varietals will be there

484
00:32:33,840 --> 00:32:39,520
Speaker 1: in a few minutes. Thank god, damnit, thank god, damnit. Savory, savory, savory.

485
00:32:39,520 --> 00:32:42,840
Speaker 1: No one's ever made a savory sampoo, and that does

486
00:32:42,840 --> 00:32:46,640
Speaker 1: them to be Yeah, please, you must make it quickly. Look,

487
00:32:46,680 --> 00:32:52,280
Speaker 1: I've tried everything. I've tried rosemary, I've tried garlic. Nothing

488
00:32:52,640 --> 00:32:57,760
Speaker 1: seems to work. This is not this, say is yours?

489
00:32:57,800 --> 00:32:59,120
Speaker 1: If you want to is this said? What do you

490
00:32:59,160 --> 00:33:04,200
Speaker 1: have to produce? Fine? Fine, I didn't want to have

491
00:33:04,240 --> 00:33:07,479
Speaker 1: to do this, but I'm I'm going to have to

492
00:33:07,520 --> 00:33:12,640
Speaker 1: call the big gun in. Well you sure you want

493
00:33:12,680 --> 00:33:15,680
Speaker 1: to do this? Yeah, there's nothing else I can do.

494
00:33:17,080 --> 00:33:20,400
Speaker 1: I gotta call him in. Okay, May God to have

495
00:33:20,480 --> 00:33:25,120
Speaker 1: miss May God have mercy on the souls of everyone here. Yes,

496
00:33:27,440 --> 00:33:29,920
Speaker 1: all right, let me just aim this light at the sky.

497
00:33:30,120 --> 00:33:34,000
Speaker 1: That's how I call him. Oh, the hold on, let

498
00:33:34,040 --> 00:33:36,160
Speaker 1: me I gotta If I am you got have to

499
00:33:36,160 --> 00:33:38,520
Speaker 1: aim it with the shampoo bottle is face up so

500
00:33:38,560 --> 00:33:41,479
Speaker 1: we can see that. Okay, there there, there it is

501
00:33:42,800 --> 00:33:45,840
Speaker 1: be here any minute. I feel like a failure for

502
00:33:45,880 --> 00:33:50,160
Speaker 1: having to call him in another failure. It is me,

503
00:33:50,800 --> 00:33:58,360
Speaker 1: Suave Shampoo, taste maker, extraordinary suave swave. Oh thank god

504
00:33:58,360 --> 00:34:01,840
Speaker 1: you're here, sir. We we we have an emergency. They

505
00:34:01,880 --> 00:34:05,040
Speaker 1: want savory shampoo and we cannot figure out how to

506
00:34:05,120 --> 00:34:09,560
Speaker 1: make one shavory shampoo. Who who asks for such a thing?

507
00:34:10,080 --> 00:34:13,719
Speaker 1: The people that the tastemaker rewards, the ones making all

508
00:34:13,719 --> 00:34:16,719
Speaker 1: the calls. People are tired of sweet and fruity shampoos.

509
00:34:16,719 --> 00:34:20,359
Speaker 1: They've had their fill of herbal essences. They want spice essences,

510
00:34:20,520 --> 00:34:25,120
Speaker 1: spice essences and vegetable essences and perhaps even new Mommy

511
00:34:25,280 --> 00:34:30,919
Speaker 1: meet essences. Actually makes sense. The industry has been going

512
00:34:31,000 --> 00:34:33,960
Speaker 1: this way for a long time. Maybe what we should

513
00:34:34,000 --> 00:34:42,560
Speaker 1: do is locally sourced some meats, Deli meats. You're saying, wow, well,

514
00:34:42,600 --> 00:34:45,200
Speaker 1: the herbal essences is fine, but it's not giving me

515
00:34:45,239 --> 00:34:49,840
Speaker 1: an orgasm like the woman in the commercial. Yes, it

516
00:34:49,960 --> 00:34:56,239
Speaker 1: says that is very extreme interptation, but it sounds like

517
00:34:56,239 --> 00:35:00,759
Speaker 1: you're describing false advertising all are you saying that it

518
00:35:00,800 --> 00:35:05,080
Speaker 1: doesn't give you an orgasm. I'm saying it doesn't give

519
00:35:05,080 --> 00:35:07,120
Speaker 1: me an orgasm. It's not giving me an orgasm. But

520
00:35:07,200 --> 00:35:13,160
Speaker 1: you're saying that's an extreme interpretation. They'll they have this

521
00:35:13,800 --> 00:35:20,480
Speaker 1: Eilish splink. Riet will make you come. Uh. Yeah, I'd

522
00:35:20,480 --> 00:35:23,120
Speaker 1: like to hire you to represent me in court. You're

523
00:35:23,160 --> 00:35:25,200
Speaker 1: that lawyer I've been hearing so much about about the

524
00:35:25,520 --> 00:35:28,799
Speaker 1: false advertising claims. Yeah, I took a knife and I

525
00:35:28,840 --> 00:35:31,319
Speaker 1: whittled off a little chunk of this Irish spring. And

526
00:35:31,360 --> 00:35:34,799
Speaker 1: guess what I was not standing underneath the waterfall in Ireland.

527
00:35:35,120 --> 00:35:37,480
Speaker 1: So I would like my three dollars and fifty nine

528
00:35:37,480 --> 00:35:40,160
Speaker 1: cents back. Please, do you think you can represent me

529
00:35:40,160 --> 00:35:45,640
Speaker 1: in my case? Well, I I think I could just

530
00:35:45,840 --> 00:35:48,840
Speaker 1: give you three dollars fifty cents, because I gotta be honest,

531
00:35:48,880 --> 00:35:51,640
Speaker 1: My fees are much higher than three dollars fifty cents.

532
00:35:52,200 --> 00:35:56,600
Speaker 1: But this is about the principle of false advertising. And

533
00:35:56,680 --> 00:35:59,359
Speaker 1: may I say I drank nasty and I never once

534
00:35:59,400 --> 00:36:02,520
Speaker 1: fell backward into a pool. All right, well maybe now,

535
00:36:03,080 --> 00:36:04,840
Speaker 1: maybe now we've got a couple of different things that

536
00:36:04,920 --> 00:36:08,759
Speaker 1: we can put into one class action suit. Wait, I

537
00:36:08,800 --> 00:36:11,240
Speaker 1: thought class action was a bunch of people suing one company,

538
00:36:11,239 --> 00:36:17,200
Speaker 1: not one person suing a bunch of companies traditionally. Well,

539
00:36:17,280 --> 00:36:20,760
Speaker 1: I guess what we have here today, ladies and gentlemen,

540
00:36:20,800 --> 00:36:27,360
Speaker 1: is a reverse class action. Uh we have one man

541
00:36:27,560 --> 00:36:34,320
Speaker 1: is suing a hundred and companies. That's right, your honor. Okay,

542
00:36:34,800 --> 00:36:37,319
Speaker 1: head count to see if the companies are all represented here?

543
00:36:38,840 --> 00:36:47,799
Speaker 1: Uh starbursts here, great Pringles, Yeah, yeah, I was able

544
00:36:47,840 --> 00:36:52,480
Speaker 1: to stop, Pringles. I was able to stop. All right,

545
00:36:53,000 --> 00:36:59,160
Speaker 1: heyday he again. Alright, wait are you representing all of

546
00:36:59,200 --> 00:37:03,640
Speaker 1: the bar? Well? Are they all like subsidiarias of craft

547
00:37:03,760 --> 00:37:08,160
Speaker 1: or something? Many of them are, yes, and I we

548
00:37:08,239 --> 00:37:10,239
Speaker 1: could probably cut run into the chase and a lot

549
00:37:10,280 --> 00:37:14,640
Speaker 1: of these you can't stop popping, Pringles. Uh, there just

550
00:37:14,719 --> 00:37:17,560
Speaker 1: hasn't been enough time that's gone by until the next

551
00:37:17,560 --> 00:37:21,799
Speaker 1: time you pop. And what what possible problem? Could you have?

552
00:37:21,840 --> 00:37:27,760
Speaker 1: A pay day? Sir? Yes, the title itself. I opened

553
00:37:27,840 --> 00:37:29,959
Speaker 1: up the package and you know what was in there?

554
00:37:30,160 --> 00:37:35,280
Speaker 1: Not a check? Also, you expected to Actually I expected

555
00:37:35,320 --> 00:37:38,160
Speaker 1: a paycheck. If it's pay day, I'm what am I gonna?

556
00:37:38,160 --> 00:37:40,520
Speaker 1: What am I working for? Peanuts? What am I an elephant?

557
00:37:40,760 --> 00:37:45,799
Speaker 1: Do I look like an elephant? Your honor. You don't

558
00:37:45,800 --> 00:37:49,839
Speaker 1: look like an elephant. Mr Prescott. Uh, great, we will

559
00:37:49,840 --> 00:37:54,799
Speaker 1: have got a hundred companies to go. Yep, all right,

560
00:37:55,520 --> 00:37:59,840
Speaker 1: let's see here cheese. It's are these all snack related?

561
00:38:00,000 --> 00:38:02,960
Speaker 1: By the way, most of them are snacks, many of

562
00:38:03,000 --> 00:38:06,960
Speaker 1: them are snacks. A few of them are airlines. Well,

563
00:38:07,040 --> 00:38:12,239
Speaker 1: let's let's jump ahead. What what exactly, quantis? What's your

564
00:38:12,239 --> 00:38:17,200
Speaker 1: problem with quantas? Uh, there's no you. And it looks

565
00:38:17,239 --> 00:38:20,000
Speaker 1: like it's weird. That is weird. It looks like cantus.

566
00:38:20,040 --> 00:38:23,120
Speaker 1: And you know what, my mom always told me that, uh,

567
00:38:23,280 --> 00:38:25,920
Speaker 1: it's not about what you can't do, it's about what

568
00:38:26,000 --> 00:38:28,719
Speaker 1: you can do. And it also kind of implies that

569
00:38:28,760 --> 00:38:33,000
Speaker 1: you're gonna get a koala hugging you on the flight, right, Yeah,

570
00:38:33,239 --> 00:38:38,960
Speaker 1: and the advertisement siding with him, it doesn't sea. I'm

571
00:38:39,040 --> 00:38:44,640
Speaker 1: just talking the witness right now. Well, speaking of feeding,

572
00:38:44,640 --> 00:38:47,839
Speaker 1: I am hungry. So if if we could get if

573
00:38:47,920 --> 00:38:50,439
Speaker 1: I could get some of those pringles, No, no, no,

574
00:38:50,719 --> 00:38:53,920
Speaker 1: be careful, no no, no, you know what, It'll be

575
00:38:53,960 --> 00:38:59,239
Speaker 1: fine because apparently you can stop you can't stop false advertising,

576
00:38:59,280 --> 00:39:03,920
Speaker 1: false advertise, saying I rest my case your honor favor

577
00:39:04,000 --> 00:39:09,959
Speaker 1: of the plaintiff and now we've got ham, ham and cloven.

578
00:39:10,000 --> 00:39:13,480
Speaker 1: It will go inside of the shampool. I want you

579
00:39:13,560 --> 00:39:17,000
Speaker 1: to bring this ham clothes shampoo to the taste makers.

580
00:39:17,719 --> 00:39:23,359
Speaker 1: Let's just I will do. This is valu levolutionary. Let's

581
00:39:23,360 --> 00:39:26,920
Speaker 1: see how it goes in it. So some of has

582
00:39:26,960 --> 00:39:29,560
Speaker 1: just crossed the ass off of this bottle of shampoo

583
00:39:29,640 --> 00:39:35,320
Speaker 1: to make hampoo collect This is a valley flash made

584
00:39:35,360 --> 00:39:39,880
Speaker 1: on the pembasis. So take this week is let us

585
00:39:39,920 --> 00:39:44,400
Speaker 1: know yourself right and we're actual pigs slaughtered for the

586
00:39:44,440 --> 00:39:51,160
Speaker 1: shampoo this there's no wrong there's no wrong answer this.

587
00:39:51,239 --> 00:39:55,799
Speaker 1: I do not know. It's a fair flash, fat flash.

588
00:39:56,280 --> 00:40:01,080
Speaker 1: Well it is there. It is savory. It's salty. Mm hmm.

589
00:40:01,640 --> 00:40:04,280
Speaker 1: I'm getting you know, I'm getting it all over my tongue.

590
00:40:04,760 --> 00:40:14,080
Speaker 1: Huh um. Yeah, there's a new mommy burst there. If

591
00:40:14,120 --> 00:40:20,520
Speaker 1: the initial salty for it's got like a thick salty

592
00:40:20,640 --> 00:40:25,279
Speaker 1: texture and I'm swallowing it. It's um hm. It's gotta

593
00:40:26,320 --> 00:40:31,719
Speaker 1: texture that's reminiscent of something. Does it also clean your hair?

594
00:40:31,840 --> 00:40:34,680
Speaker 1: Is it just like shampoo? The taste like hands? You

595
00:40:34,760 --> 00:40:36,600
Speaker 1: know it does clean your hair. It clean your hair.

596
00:40:38,160 --> 00:40:42,960
Speaker 1: That's a lesser concern. Did may I ask, did you ejaculate?

597
00:40:44,360 --> 00:40:48,040
Speaker 1: Actually a little bit? A little bit? This is good,

598
00:40:48,160 --> 00:40:49,960
Speaker 1: This is good. We all says this to have us

599
00:40:50,040 --> 00:40:55,360
Speaker 1: insists then, ah, that good. This is a very positive feedback.

600
00:40:56,160 --> 00:41:00,239
Speaker 1: We hope it. It's a place as well as it was. Yes,

601
00:41:00,280 --> 00:41:03,400
Speaker 1: this is the fifty seven year, so we hope since

602
00:41:03,440 --> 00:41:08,879
Speaker 1: this is a work place. Well, there's a long, long

603
00:41:08,920 --> 00:41:12,320
Speaker 1: tradition of shampoo tasting, and I'm honored to be a

604
00:41:12,360 --> 00:41:14,719
Speaker 1: part of it in any way, shape or form. But

605
00:41:14,880 --> 00:41:17,680
Speaker 1: I must say, as part of the same tradition, this

606
00:41:17,760 --> 00:41:23,680
Speaker 1: is wildly new. It's wildly new on my tongue, because

607
00:41:23,719 --> 00:41:29,480
Speaker 1: this is a fantastic This is a definitely ac creation

608
00:41:29,600 --> 00:41:34,160
Speaker 1: that there is not outsourced to anyone else. This is

609
00:41:34,520 --> 00:41:38,440
Speaker 1: from in the house, and this was not not added

610
00:41:39,480 --> 00:41:43,240
Speaker 1: by and one, wait a minute, did somebod these shine

611
00:41:43,320 --> 00:41:47,120
Speaker 1: the shampoo signal into the sky? What is this? What

612
00:41:47,320 --> 00:41:50,920
Speaker 1: shampool thing? I do not know what you speak? No, no,

613
00:41:51,080 --> 00:41:54,239
Speaker 1: I see it's actually still up against the clouds. Yes,

614
00:41:54,320 --> 00:41:58,239
Speaker 1: that's silhouette of an itchy scalp. No, we have been

615
00:41:58,280 --> 00:42:03,560
Speaker 1: found out to hold Then I will be what happened

616
00:42:03,560 --> 00:42:05,839
Speaker 1: auf there? Do they like? It's? They did but they

617
00:42:05,840 --> 00:42:07,759
Speaker 1: saw the signal. You did not take the single down,

618
00:42:09,480 --> 00:42:12,080
Speaker 1: Mr Swap. What do we do? Really is too late?

619
00:42:12,280 --> 00:42:14,680
Speaker 1: The Dan Drift will shake it down now like snow

620
00:42:14,800 --> 00:42:17,799
Speaker 1: upon New York and Christmas? Is that a metaphor? Well?

621
00:42:17,920 --> 00:42:21,920
Speaker 1: Actual Dan truly? What is going to happen? Oh God,

622
00:42:23,239 --> 00:42:28,719
Speaker 1: Dad Driff is raining down, Duck Duck. And that's our

623
00:42:28,760 --> 00:42:33,200
Speaker 1: show for the day. Thank you alchemists for joining me

624
00:42:33,320 --> 00:42:36,080
Speaker 1: this week. What a fun time. Let's find out what

625
00:42:36,160 --> 00:42:39,720
Speaker 1: the alchemists are doing. I'm gonna go in reverse order. Craig,

626
00:42:40,360 --> 00:42:45,759
Speaker 1: what's up? What's up? Thanks for joining? What's going on

627
00:42:45,880 --> 00:42:50,919
Speaker 1: in Craig's life? Oh? Man? So much? Uh? I don't

628
00:42:50,920 --> 00:42:54,759
Speaker 1: know when this will air, but I did a little

629
00:42:54,800 --> 00:42:56,759
Speaker 1: part for History of the World Part two, the mel

630
00:42:56,880 --> 00:43:02,040
Speaker 1: Brooks TV series. What playing playing Joseph Stalin, who I

631
00:43:02,080 --> 00:43:05,400
Speaker 1: also played in Drunk History? So I guess I have

632
00:43:05,520 --> 00:43:14,640
Speaker 1: a type. Wow, that's incredible. The type is fascist dictators alright? Uh?

633
00:43:14,719 --> 00:43:19,840
Speaker 1: And then Market Cagliardi, what is going on in the hissy?

634
00:43:20,400 --> 00:43:24,960
Speaker 1: Well here in this hissy, it's uh, no fascisy up

635
00:43:25,040 --> 00:43:29,399
Speaker 1: in this hissy like in the KIZZI. Um, we got

636
00:43:29,440 --> 00:43:32,680
Speaker 1: this with Mark and how weekly dropping on the Maximum

637
00:43:32,760 --> 00:43:35,719
Speaker 1: Fund Network. We settle all of your arguments. Uh. And

638
00:43:35,840 --> 00:43:39,279
Speaker 1: then also UM season two, Blood and Treasure coming out

639
00:43:39,440 --> 00:43:44,920
Speaker 1: July sev on Paramount Plus our New Home. And if

640
00:43:45,000 --> 00:43:47,200
Speaker 1: you live in the l A area, First Thursday of

641
00:43:47,239 --> 00:43:49,960
Speaker 1: every month, I'm sorry, Second Thursday of every month, we

642
00:43:50,080 --> 00:43:53,080
Speaker 1: are at Lineage Performing Arts Center with what you will

643
00:43:53,239 --> 00:43:55,640
Speaker 1: a Shakespearean unplay. And if you don't know what that is,

644
00:43:56,000 --> 00:44:01,040
Speaker 1: come see the show. I cannot wait. Cool, what's going on?

645
00:44:01,760 --> 00:44:05,239
Speaker 1: Well at Cold Stratton, Rat Stratton, Cool and Socials. No

646
00:44:05,480 --> 00:44:09,360
Speaker 1: spiders were harmed in this episode. Thank god, we're freaking

647
00:44:09,400 --> 00:44:12,160
Speaker 1: out for once, I know, right. Uh So when the

648
00:44:12,200 --> 00:44:15,320
Speaker 1: pandemic started back in I put out this list of

649
00:44:15,360 --> 00:44:18,759
Speaker 1: a hundred lesser known movies to stream because every list

650
00:44:18,840 --> 00:44:20,719
Speaker 1: I looked at was like Blade Runner, and I was like,

651
00:44:20,840 --> 00:44:24,359
Speaker 1: I know, so that's on my website cold Stratton dot com.

652
00:44:24,480 --> 00:44:27,160
Speaker 1: But I've been working on a supplemental list, which is

653
00:44:27,160 --> 00:44:29,680
Speaker 1: almost done. So it's gonna be a hundred additional movies

654
00:44:30,120 --> 00:44:32,839
Speaker 1: that you can stream at home that are lesser known.

655
00:44:33,000 --> 00:44:34,719
Speaker 1: So there are things that you might not be aware of,

656
00:44:34,840 --> 00:44:37,239
Speaker 1: you may have not seen before, that will hopefully be

657
00:44:37,440 --> 00:44:39,560
Speaker 1: done in the next week or so. So by the

658
00:44:39,600 --> 00:44:41,560
Speaker 1: time this comes out, hopeflly it will be out there.

659
00:44:41,640 --> 00:44:44,160
Speaker 1: So if not, it will be there soon. Uh cold

660
00:44:44,160 --> 00:44:46,640
Speaker 1: Stratton dot comment on socials and stuff too, so you

661
00:44:46,680 --> 00:44:50,800
Speaker 1: can find some new stuff to stream. It sounds exciting.

662
00:44:51,400 --> 00:44:53,480
Speaker 1: There's still ride ups and photos and stuff too. It's

663
00:44:53,520 --> 00:44:55,680
Speaker 1: not just like a list, it's it's very in depth.

664
00:44:56,120 --> 00:44:58,239
Speaker 1: There should be like a movie watching club that goes

665
00:44:58,280 --> 00:45:01,520
Speaker 1: along with it to follow an order. It seems like

666
00:45:01,560 --> 00:45:03,160
Speaker 1: it would be a nice it would be a nice

667
00:45:03,200 --> 00:45:05,920
Speaker 1: group to join. I'm gonna have to gather some friends

668
00:45:06,000 --> 00:45:10,239
Speaker 1: to get that going. There we go and uh, well,

669
00:45:10,440 --> 00:45:13,520
Speaker 1: let's thank our engineer and producer to the stars, Mr

670
00:45:13,640 --> 00:45:19,200
Speaker 1: Doug Babe, and the fine folks at I Heart Media.

671
00:45:19,600 --> 00:45:22,560
Speaker 1: I'm your guest host James Heeney, and I thank you

672
00:45:22,640 --> 00:45:24,879
Speaker 1: for listening to the Alchemy this it didn't tell next

673
00:45:24,920 --> 00:45:26,239
Speaker 1: time o