Speaker 1: Consumed is a production of iHeart Podcasts and Grimm and
Speaker 1: Mild from Aaron Maky. Headphones Recommended Listener discretion advised.
Speaker 2: It's happening. That's what the voice on the phone said.
Speaker 2: Means someone already knew got to call a couple.
Speaker 3: Of days ago. Wouldn't say who it was, though, that
Speaker 3: proves it aliens not.
Speaker 2: Exactly the scientific method.
Speaker 3: Who also know about the thirty one years?
Speaker 4: That's not what it said.
Speaker 3: But there's something unnatural going on here, and you know
Speaker 3: it it was you.
Speaker 2: Wasn't it what you bastards called me? Didn't you know?
Speaker 2: That's an outrageous accusation.
Speaker 4: No, the only thing at rageous is you expecting me
Speaker 4: to believe your bedtime stories.
Speaker 3: And besides, we're here. You can get out now. I
Speaker 3: swear it wasn't us.
Speaker 2: We're not making this up. Call me again when you're
Speaker 2: not too absorbed in your story to see the facts.
Speaker 2: But for no, get out. Yeah, yeah, we got it. Oh,
Speaker 2: there's one step forward, two step back with that one.
Speaker 3: It's really so hard to believe that there's something bigger
Speaker 3: at play here.
Speaker 2: I don't blame her. We did sound kind of kooky,
Speaker 2: and by we I mean.
Speaker 3: You come on. Please don't tell me I'm losing you
Speaker 3: to the dark side.
Speaker 2: No, you are losing me to common sense. Is there
Speaker 2: a pattern? Sure? But does correlation equal causation? You're damn
Speaker 2: sure it doesn't. I already got that test question wrong once.
Speaker 3: What if I told you I knew something that was prove? Oh?
Speaker 2: Yeah? Like what?
Speaker 1: Like?
Speaker 3: How I sometimes hear things in that library when there's
Speaker 3: no one else there, So the wind no, I mean whispers, right.
Speaker 2: And sometimes I see dead.
Speaker 5: People And.
Speaker 2: It's all right not to know the answers.
Speaker 6: So we'll come to you when you least expected.
Speaker 4: God, damn it, kid, where are you?
Speaker 7: Nice to see you finally?
Speaker 3: Remember you have a job. Sorry, boss, I was.
Speaker 7: Just doesn't matter.
Speaker 2: Grab those markers.
Speaker 7: We're going to have to divvy up this map to
Speaker 7: set up search grids, and I need you to get
Speaker 7: started on volunteers.
Speaker 3: What's this about.
Speaker 7: It's about the child we allow to go missing under
Speaker 7: our watch or don't tell me you've already forgotten being fooled.
Speaker 4: However it happened.
Speaker 7: It happened, and that's not going to change. So now
Speaker 7: it's our job to fix it.
Speaker 4: We need to get central in on this ivery.
Speaker 2: Could be hard even worse out there.
Speaker 4: Something happened to that kid.
Speaker 3: I know it, I can feel it, Sheriff.
Speaker 6: I'm telling you what. Avery's fine. He's with his family.
Speaker 6: Oh that's what I've been trying to say, Sheriff. Avery
Speaker 6: went right on home after his escape. The kid's fine department.
Speaker 8: Can I help you?
Speaker 4: He went straight home.
Speaker 6: Yeah, hit out by the shed for a bit. I
Speaker 6: guess he was embarrassed or something, but he came out
Speaker 6: pretty quick.
Speaker 7: And you're sure that's what happened.
Speaker 3: Yeah, just came.
Speaker 4: From there, so he didn't go into the woods.
Speaker 3: Why would you think that thought?
Speaker 4: I saw traces there must have been in my head,
Speaker 4: I suppose. So why didn't you bring him back?
Speaker 6: Kid's been through a lot. Thought it better he'd be
Speaker 6: with family for the time being.
Speaker 2: You know, doesn't seem like that was your choice to make.
Speaker 6: Yeah, but with all the stuff that went down with Rama,
Speaker 6: I felt like there wasn't enough to hold.
Speaker 2: Him that stuff right.
Speaker 4: Well, I'll be sure to straighten it all out when
Speaker 4: I stopped by.
Speaker 6: To check on every sounds good, boss. I'm sure they're
Speaker 6: expecting you.
Speaker 3: Hey, quick question, how much longer do we have to
Speaker 3: do this? Please?
Speaker 2: Don't make me make the chicken sound. It's not my
Speaker 2: best impression.
Speaker 3: I'm not scared so much as wondering when something's going
Speaker 3: to rush down this tunnel and a viceratus.
Speaker 2: No, biggie, there is something up with these tunnels, and
Speaker 2: I'm not stopping until I figure out what that is,
Speaker 2: unless you want to fess up and admit it was
Speaker 2: you who left Aaron's phone.
Speaker 3: There, tuche. Hey, I think we already took this turn.
Speaker 2: Oh yeah, did the whispers tell you that?
Speaker 8: Really?
Speaker 3: That's how we're doing this?
Speaker 2: Doing what you said? You hear magical whispers? Then, okay,
Speaker 2: you hear magical whispers?
Speaker 3: Pretty sure I didn't use the word magical. Now I'm
Speaker 3: starting to think it doesn't matter what word I use,
Speaker 3: because you wouldn't believed me. Anyways.
Speaker 2: Let me tell you what my options look like. Either one,
Speaker 2: you do hear voices in your head, in which case
Speaker 2: you need immediate psychiatric care, or two you're lying to
Speaker 2: me again, which wouldn't be out of character, except this
Speaker 2: time I must look gullible enough to buy this sixth sense.
Speaker 2: I hear dead people bullshit?
Speaker 3: Hey, can you slow down?
Speaker 2: And there goes our light?
Speaker 3: There can you at least hear me out.
Speaker 2: Well, I'm not gagging you am I thanky?
Speaker 3: I'm gonna put up in that I'm waiting. It sound
Speaker 3: like I've always heard them, So you.
Speaker 2: Were normal once. That's comforting.
Speaker 3: It started in January of this year. At first I
Speaker 3: thought it was just a wind, you know, old buildings,
Speaker 3: creepy sounds. It's in the ballpark.
Speaker 2: So what made you change your mind?
Speaker 3: When the wind stops sounding like the weather and more
Speaker 3: like someone was inside? Because then came the nightmares. I
Speaker 3: spent hours on end in that library, wide awake in bed,
Speaker 3: unable and unwilling to go to sleep because I was
Speaker 3: so genuinely terrified of what I'd say. What was it
Speaker 3: on a good night? The worst memories of my life?
Speaker 3: But on a bad night, Oh, those were things even
Speaker 3: my imagination couldn't conjure.
Speaker 2: You should take an edible before bed might take the
Speaker 2: edge off.
Speaker 3: I know this all sounds crazy. I mean, hell, there's
Speaker 3: a reason I didn't lead with HI. My name is Gordon.
Speaker 3: I'm haunted.
Speaker 2: It doesn't just sound crazy, it sounds impossible.
Speaker 3: So what about all the bizarro murders going on in
Speaker 3: this town? Two weeks ago? I would have said that
Speaker 3: was impossible. Can't you just believe me, Gordon?
Speaker 2: You were asking me to believe a lot.
Speaker 3: Yeah, but it's me. Do you know when the first
Speaker 3: time I had an actual good night's sleep was in
Speaker 3: a long time?
Speaker 2: I don't.
Speaker 3: It was the day I met you, when I saw
Speaker 3: you standing there under the nave, surrounded by all those books,
Speaker 3: and it just felt right. That night I just slept.
Speaker 3: No monsters beneath the bed, no shadows in the closet,
Speaker 3: only rest.
Speaker 2: That's not the creepiest pickup line I've ever heard, But
Speaker 2: I'm a creepy doesn't cut it.
Speaker 3: You want the story, right? What if this is part
Speaker 3: of it? What do you mean there's something I need
Speaker 3: to show you?
Speaker 2: Wow? A book in a library? How mind blowing?
Speaker 3: Not just any book, okay. This is a transcribed copy
Speaker 3: of the journals kept by the Jesuit priests who were
Speaker 3: originally settled in the area.
Speaker 2: So an antique diary, bingo, but darker.
Speaker 3: These aren't just records of prayers in daily life. These
Speaker 3: texts go into detail about the conquering process. And yes,
Speaker 3: I'm saying conquering in quotes.
Speaker 2: How bad was it?
Speaker 8: Well?
Speaker 3: According to this, not bad at all. The priests were
Speaker 3: Mother Teresa, while the native Algonquin tribe essentially played the
Speaker 3: role of lemmings in one widely misconceived mass cliff diving.
Speaker 2: Video from the White Wilderness.
Speaker 3: Dark Yes, and a very fitting name for our current subject.
Speaker 3: These so called settlers pushed this tribe to the brink
Speaker 3: of extension in ways that they cannot even be called human.
Speaker 3: See here, Well, that.
Speaker 2: Just says the food supplies were redistributed.
Speaker 3: Which is code for look right here.
Speaker 2: What is this hunting log?
Speaker 3: I wish no. This is a log of the refuse,
Speaker 3: the hundreds, if not thousands of heads of cattle skin
Speaker 3: for their hides and left to boil in the sun.
Speaker 3: It's every bit of food they made to rot and
Speaker 3: fester for the sole purpose of starving out the native
Speaker 3: inhabitants of this land.
Speaker 2: Gordon, that's horrible, But I still don't understand what any
Speaker 2: of this has to do with you hearing voices.
Speaker 3: This is just a tip of the Titanic singing iceberg
Speaker 3: and all that ice that they couldn't see on the water,
Speaker 3: aka the brunt of it. None of that is recorded,
Speaker 3: trust me, I've looked, But that doesn't mean it didn't happen.
Speaker 3: And how do I know that?
Speaker 2: The whispers?
Speaker 3: Well, let's just say that once I stopped trying to
Speaker 3: shut them out and actually listen instead, those creepy ass
Speaker 3: nightmares didn't seem all that bad by comparison. Dare I ask,
Speaker 3: what do you think happens when you corral human beings
Speaker 3: as if they're animals and then starve them to the brink,
Speaker 3: leaving them no other way to survive except for each other.
Speaker 2: Gosh Jesus, that's what you've been hearing.
Speaker 3: Could be worse. I could hear traumatizing voices and be
Speaker 3: lactose intolerant. But I'm not.
Speaker 2: Okay say everything you're telling me is true.
Speaker 3: Ooh, progress, I like it.
Speaker 2: Then what the hell are you still doing here?
Speaker 3: Well?
Speaker 2: I don't say it's complicated.
Speaker 3: Remember when you asked me why I wasn't at the
Speaker 3: Boston Public Library, or, better yet, the Benecke.
Speaker 2: Oh that bit of foreplay.
Speaker 3: Anywhere else, I'm just another super sexy librarian, But here
Speaker 3: I get a chance to do this journal. Your feelings,
Speaker 3: not mine, theirs, and not feelings. It's their history, their stories,
Speaker 3: not everything's black and white and blood and gloom. They
Speaker 3: deserve to be remembered for more. Pardon this? Would you
Speaker 3: figure it out of the thirty one year pattern? You
Speaker 3: know what was the first thing I thought of?
Speaker 2: What?
Speaker 3: What if I'm not the first to hear these voices
Speaker 3: in the library.
Speaker 2: Either you're talking predecessors.
Speaker 3: I'm talking employment records.
Speaker 2: Hit me with it. Who is here before you?
Speaker 3: Old man Cahill? But it says here he wasn't hired
Speaker 3: until ninety three.
Speaker 2: That's too late. What about the one before him?
Speaker 3: Ninety one ninety one? Howard Gillies, He was on from
Speaker 3: sixty seven until uh February of ninety one, a twenty
Speaker 3: four year veteran of the job. And he didn't even
Speaker 3: pick up his last check, just left.
Speaker 2: Yeah, because he probably high tailed it out of here
Speaker 2: after he started hearing voices, which is what you should
Speaker 2: have done.
Speaker 3: Oh why would you punch my arm? Wait? Does this
Speaker 3: mean you believe me? Because if so, the pain was
Speaker 3: worth it.
Speaker 2: I believe you're a martyr for putting yourself through this.
Speaker 3: Gillies left, and I'm sure, however far back this goes,
Speaker 3: they all left too. So sure it's no benecky. But
Speaker 3: if I don't fit the bill, then who will.
Speaker 2: You vexed me, Gordon, you vexed me.
Speaker 3: Besides, if I wasn't here, then you might have had
Speaker 3: to do this whole two hander thing with old man Khill,
Speaker 3: and I doubt you'd have the same rapport and definitely
Speaker 3: not the same sexual attention. I hope.
Speaker 2: Oh you don't know my tastes.
Speaker 3: I know me.
Speaker 2: I did not wake up this morning prepared to deal
Speaker 2: with forces beyond my understanding.
Speaker 3: Please I call that breakfast.
Speaker 2: You realize this doesn't just open the floodgates, this is
Speaker 2: the whole deluge.
Speaker 3: Then I guess I'll grab the raincoats.
Speaker 2: Okay, you said this was an Algonquin tribe, right, Any
Speaker 2: chance those whispers of yours ever mentioned an old legend
Speaker 2: about the wind to Go?
Speaker 3: You mean slender Man with andlers?
Speaker 2: No, that would be the One to Go two thousand
Speaker 2: and one movie. I'm talking about the cannibalistic and endlessly
Speaker 2: famished monster found in folklore of the Algonquin speaking First Nations.
Speaker 3: Are you telling me that's what's been running around out
Speaker 3: there ripping people apart?
Speaker 2: I'm saying it fits the pattern and the history. Jesus,
Speaker 2: where the fuck?
Speaker 3: Sorry? I got it? Anderson Memorial Library, How may I
Speaker 3: help you?
Speaker 2: How may I help you?
Speaker 3: Okay? Thanks? Max?
Speaker 2: What that was, Sheriff Allan? Yeah, no, I got that.
Speaker 2: What I want to know is have you had a
Speaker 2: working phone here the entire time?
Speaker 3: Calling it a working phone is an overreach. I have
Speaker 3: as much control over that phone working as I do
Speaker 3: over my cholesterol when I eat at Shaw's.
Speaker 2: That's concerning. But fine, What did she want?
Speaker 3: Said? Avery's fine? Supposedly unless she's gonna go check in
Speaker 3: on him at home. But I don't know. Something felt off.
Speaker 2: If you're done with that, then I really need to
Speaker 2: make a call.
Speaker 8: Sheriff Allen. I thought we'd be seeing you Jack, Come in,
Speaker 8: Come in. We're just having a little family dinner to
Speaker 8: celebrate our son's homecoming.
Speaker 4: Heard about that that he'd been hiding out in the shed.
Speaker 8: Kids. You know how it is. I remember hiding in
Speaker 8: my father's attic for hours after I broke his window
Speaker 8: playing ball. Please take a seat.
Speaker 4: I'm fine, thank you. I don't see Avery.
Speaker 8: He's upstairs getting ready. Rema should be bringing him down.
Speaker 8: You're welcome to join us for our meal if you'd like.
Speaker 2: I already eat.
Speaker 7: Oh, but I promise my pow roast will make you
Speaker 7: forget about any meal you've had before.
Speaker 4: Rema, Sheriff Avery close behind almost though.
Speaker 2: I can pour you some lemonade while we wait. Sure
Speaker 2: would love to hear how the investigation is going. Soothe
Speaker 2: a lot of nerves around town.
Speaker 4: I'm only here check on Avery the table set?
Speaker 2: Does he always take this long?
Speaker 8: He might be resting. It's been a tough couple of days.
Speaker 4: You mind if I go check?
Speaker 8: Rather? You didn't? And why is that?
Speaker 3: Here's the food? Ready? Avery?
Speaker 9: Sir?
Speaker 3: If Alan's here to see you, what do you say?
Speaker 8: Hey?
Speaker 4: Hey, Avery, how are you feeling fine? Your prison breaks?
Speaker 4: Sit you?
Speaker 3: Well? It's a joke. Oh right, Can I have a moment?
Speaker 4: I was hoping to ask you a few questions? Is
Speaker 4: that necessary right now?
Speaker 8: Like I said, the kids had a rough day.
Speaker 4: It won't take long, Avery, Dad, would you like to
Speaker 4: speak in private?
Speaker 3: I don't.
Speaker 4: I promise you can talk to me.
Speaker 8: And he will, but not tonight. Avery, go sit down, yes, sir? Now,
Speaker 8: if that's everything, like to enjoy one final meal in
Speaker 8: peace with my son, Rema, show the sheriff out.
Speaker 4: What does final mean?
Speaker 3: Rema?
Speaker 2: Please, Sheriff just go. He'll tell you whatever you need
Speaker 2: to hear tomorrow. Okay, tomorrow, I promise, come on, come on.
Speaker 3: Again. I told you that phone has a will of
Speaker 3: its own.
Speaker 2: Try pulling that cable a little higher and remember, lift
Speaker 2: with your legs.
Speaker 3: Yeah, I'm the issue here, right. How important is this call?
Speaker 2: Well, it might just save her lives, so pray for signal.
Speaker 2: Oh yeah, oh it's your daddy.
Speaker 3: Now, okay, please don't sexualize my telephone.
Speaker 2: I think he's going through.
Speaker 3: Hello, Professor Bradshaw, Yeah, the one and the same.
Speaker 9: Listen. I'm sorry, but I told Vippin to put an
Speaker 9: the syllabus that I can't take calls after hours. I
Speaker 9: have office hours.
Speaker 2: No, no, no, this is Sarah, Sarah Simmons. We spoke about
Speaker 2: a month ago regarding my story on the Succubus of
Speaker 2: Streatham Hill.
Speaker 9: Oh oh, how, but I'm so sorry. I thought you
Speaker 9: were one of my students, right, you had the tale
Speaker 9: of the local demonic paramour. I was thinking after we
Speaker 9: met that that is aptly the Latin linguistic rig.
Speaker 2: Yes, yes, it's going great, very feisty, but that's actually
Speaker 2: not why I'm calling. Oh, Professor Bradshaw, what can you
Speaker 2: tell me about windigoes?
Speaker 8: Wow?
Speaker 9: You're changing your subject matter.
Speaker 8: Huh.
Speaker 2: One could say that.
Speaker 9: Well, I guess considering the area you're in, it doesn't
Speaker 9: really surprise me. How So, when you study folklore for
Speaker 9: as long as I have, you start to pick up
Speaker 9: on these lower specific hotspots. So if someone goes missing,
Speaker 9: there it's a whin to go, but forty miles east
Speaker 9: it's a witch, and forty miles self it's a I
Speaker 9: don't know something else. It's so on and so on.
Speaker 2: You know, So there have been sightings, Well, it's the
Speaker 2: northern wilderness.
Speaker 9: I could hop on social media and find you a
Speaker 9: siting of pretty much anything.
Speaker 3: But with When to.
Speaker 9: Goes, it's not as simple as just you know, seeing
Speaker 9: a shadow in the woods. And why is that Well,
Speaker 9: because it could be a shadow with the ravenous monster
Speaker 9: just out of sight, or it could be your neighbor
Speaker 9: who's developed an insatiable craving for human flesh. Because when
Speaker 9: to Goes appear either in physical form or as a
Speaker 9: malevolent spirit capable of possessing men. It depends on which
Speaker 9: branch of lore you find the most appealing.
Speaker 2: So how would you know which one you're dealing with?
Speaker 3: Well, if not.
Speaker 9: By sight, then I suppose by cause the spirit form
Speaker 9: is attracted to those overcome by selfishness and greed, hence
Speaker 9: the result of man consuming man, or rather the unwilling
Speaker 9: sacrifice of one for the survival.
Speaker 2: Of the other. And say someone suspected there was a
Speaker 2: when to go? How would said someone go about killing it?
Speaker 3: Exactly?
Speaker 5: And the more detailed of better, Sarah, is this still
Speaker 5: for your story?
Speaker 2: No, of course, But as a student of folklore, you,
Speaker 2: of all people, must understand the importance of presenting hope
Speaker 2: alongside the horror.
Speaker 3: Yeah, if you frame it that way.
Speaker 2: So the juicy bits you were saying.
Speaker 9: That's the simple part. You either burn the creature to
Speaker 9: its core or dismember.
Speaker 3: It with silver. Oh? Is that all?
Speaker 9: That's what they say? Legends do mix and mingle over time,
Speaker 9: and some accounts claim that the creature is only vulnerable
Speaker 9: after a meal, but others warn against believing that. But
Speaker 9: there is one thing that is consistent across the lore.
Speaker 2: Please do tell I'll take anything.
Speaker 3: At this point.
Speaker 9: The when to go strikes the hardest.
Speaker 2: Come the season of starvation, and when exactly is that?
Speaker 2: A date would be helpful?
Speaker 9: Well? When do animals migrate when the fields dry up?
Speaker 2: Are you telling me that winter is coming?
Speaker 1: Now?
Speaker 9: I promise you. Winter was feared in New England long
Speaker 9: before there was any talk of night walkers going around,
Speaker 9: and with the dread of their own food supplies, dwindling
Speaker 9: came the even.
Speaker 2: Scarier Hello, Hey, can you hear me? Professor?
Speaker 9: When grow stronger? When it snows?
Speaker 8: Shit?
Speaker 3: Well, what do you say?
Speaker 2: Do you want the good news or the eyelide? There
Speaker 2: is no good news?
Speaker 8: Uh?
Speaker 3: The first? Okay, fire and silver. That's a pretty run
Speaker 3: of the mill monstercule.
Speaker 2: Yeah for Buffy, maybe never a struggling journalist in a
Speaker 2: winded librarian.
Speaker 3: Hey, I'm not that one, Gordon.
Speaker 2: We are barely halfway to the police station.
Speaker 3: Yeah, you might need to carry me.
Speaker 2: Hey didn't you say Shaws was closed tonight?
Speaker 3: It's supposed to be.
Speaker 2: Then, why are all the lights still on?
Speaker 3: Oh? Duck?
Speaker 2: Did they see us?
Speaker 3: I can barely see us.
Speaker 2: Okay, Seal Team six training, go? What we're crawling?
Speaker 5: Is this?
Speaker 3: Is this really necessary?
Speaker 2: About to find out? Can you see inside?
Speaker 3: I could if you would just screech over? Oh my god.
Speaker 2: Okay, I've never seen a sacrificial altar before, but I'm
Speaker 2: one hundred percent sure that is one.
Speaker 3: So many things make sense. Now, Holy shit, here's that jack,
Speaker 3: the one's sharpening that knife. Yeah, that's him.
Speaker 2: They're gonna kill someone, They're gonna feed the creature. What
Speaker 2: the hell is with that chanting? Got a chorus in
Speaker 2: there or what?
Speaker 3: I don't think that's coming from in there? And it
Speaker 3: gets worse?
Speaker 2: How could it possibly be any worse?
Speaker 3: WOSI Professor Bradshaw said about the snow.
Speaker 2: Something about the whend to go striking hardest from snows.
Speaker 3: I just felt the plate on the back of my neck.
Speaker 1: Consumed. Episode ten, The Whispers written by Carlos Folia and
Speaker 1: Alessandra Hara del Castillo. Editing and sound design by Noahmy Griffin.
Speaker 1: Starring Rachel Rosenbloom and Arturo Castro, with Ruth Connell, Sam Rod,
Speaker 1: Genevieve Padalaki, Benjamin Stockholm, Charlie David Newell, Mike Korich, Anna
Speaker 1: east Fairweather, Junior A labby Alma Martinez, Tracy Martin, Laura Shine,
Speaker 1: George Vincent, and Rafael Corkil guest starring Misha Collins as
Speaker 1: Jeremy Bradshaw. Directed by Alexander Williams, Assistant director Trevor Young.
Speaker 1: Casting by Sunday Bowling CSA and Meg Mormon CSA. Production
Speaker 1: coordinator Wayna Calderon. Music by Carlos Folia Consumed the season
Speaker 1: one score available now on Apple Music, Spotify, or wherever
Speaker 1: music is streamed. Executive producers Aaron Manky, Carlos Folia, Matt
Speaker 1: Frederick and Alexander Williams. Supervising producers Trevor Young and Josh Thain.
Speaker 1: Producers Jesse Funk and Rima Ilkali. Recorded at This Is
Speaker 1: Sound Design Studios, Burbank, California, engineered by Ross Arono, east
Speaker 1: Side Studios, Austin, Texas, engineered by Austin Sisler and Aros
Speaker 1: Creative In Sound Ohi, California, engineered by Ken Aros. Consumed
Speaker 1: was created by Carlos Folia, inspired by the novel by
Speaker 1: Aaron Manky. Consumed is the newest chapter in the Bridgewater universe.
Speaker 1: To learn more and catch up, visit Grimandmild dot com
Speaker 1: Slash Bridgewater. Learn more about Consumed at grimmanmile dot com,
Speaker 1: Flash Consumed and find more podcasts from iHeartRadio by visiting
Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you listen to
Speaker 1: your favorite shows.