1 00:00:00,800 --> 00:00:03,680 Speaker 1: Consumed is a production of iHeart Podcasts and Grimm and 2 00:00:03,720 --> 00:00:08,720 Speaker 1: Mild from Aaron Maky. Headphones Recommended Listener discretion advised. 3 00:00:16,000 --> 00:00:20,560 Speaker 2: It's happening. That's what the voice on the phone said. 4 00:00:21,239 --> 00:00:23,720 Speaker 2: Means someone already knew got to call a couple. 5 00:00:23,560 --> 00:00:26,040 Speaker 3: Of days ago. Wouldn't say who it was, though, that 6 00:00:26,239 --> 00:00:28,480 Speaker 3: proves it aliens not. 7 00:00:28,600 --> 00:00:30,240 Speaker 2: Exactly the scientific method. 8 00:00:30,600 --> 00:00:32,520 Speaker 3: Who also know about the thirty one years? 9 00:00:32,720 --> 00:00:33,680 Speaker 4: That's not what it said. 10 00:00:33,840 --> 00:00:37,040 Speaker 3: But there's something unnatural going on here, and you know 11 00:00:37,120 --> 00:00:39,040 Speaker 3: it it was you. 12 00:00:39,440 --> 00:00:42,839 Speaker 2: Wasn't it what you bastards called me? Didn't you know? 13 00:00:43,479 --> 00:00:45,080 Speaker 2: That's an outrageous accusation. 14 00:00:45,560 --> 00:00:48,479 Speaker 4: No, the only thing at rageous is you expecting me 15 00:00:48,560 --> 00:00:50,199 Speaker 4: to believe your bedtime stories. 16 00:00:50,240 --> 00:00:54,600 Speaker 3: And besides, we're here. You can get out now. I 17 00:00:54,720 --> 00:00:55,920 Speaker 3: swear it wasn't us. 18 00:00:56,040 --> 00:00:59,240 Speaker 2: We're not making this up. Call me again when you're 19 00:00:59,240 --> 00:01:01,960 Speaker 2: not too absorbed in your story to see the facts. 20 00:01:02,080 --> 00:01:08,479 Speaker 2: But for no, get out. Yeah, yeah, we got it. Oh, 21 00:01:08,480 --> 00:01:10,679 Speaker 2: there's one step forward, two step back with that one. 22 00:01:10,800 --> 00:01:13,279 Speaker 3: It's really so hard to believe that there's something bigger 23 00:01:13,319 --> 00:01:14,000 Speaker 3: at play here. 24 00:01:14,400 --> 00:01:17,240 Speaker 2: I don't blame her. We did sound kind of kooky, 25 00:01:18,640 --> 00:01:19,679 Speaker 2: and by we I mean. 26 00:01:19,560 --> 00:01:22,679 Speaker 3: You come on. Please don't tell me I'm losing you 27 00:01:22,720 --> 00:01:23,520 Speaker 3: to the dark side. 28 00:01:23,680 --> 00:01:26,320 Speaker 2: No, you are losing me to common sense. Is there 29 00:01:26,360 --> 00:01:29,959 Speaker 2: a pattern? Sure? But does correlation equal causation? You're damn 30 00:01:29,959 --> 00:01:32,400 Speaker 2: sure it doesn't. I already got that test question wrong once. 31 00:01:33,920 --> 00:01:37,920 Speaker 3: What if I told you I knew something that was prove? Oh? 32 00:01:37,959 --> 00:01:39,479 Speaker 2: Yeah? Like what? 33 00:01:41,160 --> 00:01:41,240 Speaker 1: Like? 34 00:01:41,319 --> 00:01:44,880 Speaker 3: How I sometimes hear things in that library when there's 35 00:01:44,880 --> 00:01:54,600 Speaker 3: no one else there, So the wind no, I mean whispers, right. 36 00:01:55,560 --> 00:01:56,760 Speaker 2: And sometimes I see dead. 37 00:01:56,600 --> 00:02:18,520 Speaker 5: People And. 38 00:02:50,400 --> 00:02:52,400 Speaker 2: It's all right not to know the answers. 39 00:02:53,000 --> 00:02:58,240 Speaker 6: So we'll come to you when you least expected. 40 00:03:27,440 --> 00:03:29,320 Speaker 4: God, damn it, kid, where are you? 41 00:03:30,880 --> 00:03:32,160 Speaker 7: Nice to see you finally? 42 00:03:32,240 --> 00:03:34,880 Speaker 3: Remember you have a job. Sorry, boss, I was. 43 00:03:34,800 --> 00:03:35,640 Speaker 7: Just doesn't matter. 44 00:03:35,760 --> 00:03:36,760 Speaker 2: Grab those markers. 45 00:03:37,240 --> 00:03:38,960 Speaker 7: We're going to have to divvy up this map to 46 00:03:39,000 --> 00:03:41,119 Speaker 7: set up search grids, and I need you to get 47 00:03:41,120 --> 00:03:42,360 Speaker 7: started on volunteers. 48 00:03:42,720 --> 00:03:43,520 Speaker 3: What's this about. 49 00:03:43,640 --> 00:03:45,880 Speaker 7: It's about the child we allow to go missing under 50 00:03:45,920 --> 00:03:49,680 Speaker 7: our watch or don't tell me you've already forgotten being fooled. 51 00:03:50,760 --> 00:03:51,800 Speaker 4: However it happened. 52 00:03:52,560 --> 00:03:55,119 Speaker 7: It happened, and that's not going to change. So now 53 00:03:55,120 --> 00:03:56,800 Speaker 7: it's our job to fix it. 54 00:03:57,400 --> 00:03:59,360 Speaker 4: We need to get central in on this ivery. 55 00:03:59,400 --> 00:04:01,720 Speaker 2: Could be hard even worse out there. 56 00:04:02,520 --> 00:04:04,160 Speaker 4: Something happened to that kid. 57 00:04:04,240 --> 00:04:06,440 Speaker 3: I know it, I can feel it, Sheriff. 58 00:04:06,520 --> 00:04:10,280 Speaker 6: I'm telling you what. Avery's fine. He's with his family. 59 00:04:12,280 --> 00:04:14,960 Speaker 6: Oh that's what I've been trying to say, Sheriff. Avery 60 00:04:15,000 --> 00:04:20,000 Speaker 6: went right on home after his escape. The kid's fine department. 61 00:04:20,400 --> 00:04:21,039 Speaker 8: Can I help you? 62 00:04:21,880 --> 00:04:23,039 Speaker 4: He went straight home. 63 00:04:23,760 --> 00:04:25,480 Speaker 6: Yeah, hit out by the shed for a bit. I 64 00:04:25,560 --> 00:04:27,840 Speaker 6: guess he was embarrassed or something, but he came out 65 00:04:27,880 --> 00:04:28,440 Speaker 6: pretty quick. 66 00:04:29,320 --> 00:04:31,800 Speaker 7: And you're sure that's what happened. 67 00:04:32,240 --> 00:04:33,599 Speaker 3: Yeah, just came. 68 00:04:33,400 --> 00:04:36,680 Speaker 4: From there, so he didn't go into the woods. 69 00:04:36,880 --> 00:04:38,440 Speaker 3: Why would you think that thought? 70 00:04:38,480 --> 00:04:40,880 Speaker 4: I saw traces there must have been in my head, 71 00:04:41,000 --> 00:04:44,159 Speaker 4: I suppose. So why didn't you bring him back? 72 00:04:44,600 --> 00:04:46,719 Speaker 6: Kid's been through a lot. Thought it better he'd be 73 00:04:46,760 --> 00:04:47,960 Speaker 6: with family for the time being. 74 00:04:48,080 --> 00:04:50,880 Speaker 2: You know, doesn't seem like that was your choice to make. 75 00:04:51,240 --> 00:04:53,559 Speaker 6: Yeah, but with all the stuff that went down with Rama, 76 00:04:53,640 --> 00:04:55,320 Speaker 6: I felt like there wasn't enough to hold. 77 00:04:55,240 --> 00:04:56,719 Speaker 2: Him that stuff right. 78 00:04:56,800 --> 00:05:00,200 Speaker 4: Well, I'll be sure to straighten it all out when 79 00:05:00,240 --> 00:05:01,000 Speaker 4: I stopped by. 80 00:05:00,920 --> 00:05:03,640 Speaker 6: To check on every sounds good, boss. I'm sure they're 81 00:05:03,680 --> 00:05:04,200 Speaker 6: expecting you. 82 00:05:11,880 --> 00:05:15,640 Speaker 3: Hey, quick question, how much longer do we have to 83 00:05:15,680 --> 00:05:16,520 Speaker 3: do this? Please? 84 00:05:16,520 --> 00:05:18,159 Speaker 2: Don't make me make the chicken sound. It's not my 85 00:05:18,200 --> 00:05:18,839 Speaker 2: best impression. 86 00:05:19,720 --> 00:05:23,120 Speaker 3: I'm not scared so much as wondering when something's going 87 00:05:23,160 --> 00:05:24,800 Speaker 3: to rush down this tunnel and a viceratus. 88 00:05:25,400 --> 00:05:28,039 Speaker 2: No, biggie, there is something up with these tunnels, and 89 00:05:28,040 --> 00:05:29,880 Speaker 2: I'm not stopping until I figure out what that is, 90 00:05:31,640 --> 00:05:33,560 Speaker 2: unless you want to fess up and admit it was 91 00:05:33,560 --> 00:05:34,880 Speaker 2: you who left Aaron's phone. 92 00:05:34,640 --> 00:05:39,799 Speaker 3: There, tuche. Hey, I think we already took this turn. 93 00:05:40,360 --> 00:05:42,120 Speaker 2: Oh yeah, did the whispers tell you that? 94 00:05:42,560 --> 00:05:42,960 Speaker 8: Really? 95 00:05:43,320 --> 00:05:44,240 Speaker 3: That's how we're doing this? 96 00:05:44,440 --> 00:05:47,799 Speaker 2: Doing what you said? You hear magical whispers? Then, okay, 97 00:05:48,040 --> 00:05:49,359 Speaker 2: you hear magical whispers? 98 00:05:49,520 --> 00:05:53,200 Speaker 3: Pretty sure I didn't use the word magical. Now I'm 99 00:05:53,240 --> 00:05:55,320 Speaker 3: starting to think it doesn't matter what word I use, 100 00:05:55,400 --> 00:05:57,120 Speaker 3: because you wouldn't believed me. Anyways. 101 00:05:58,560 --> 00:06:01,080 Speaker 2: Let me tell you what my options look like. Either one, 102 00:06:01,480 --> 00:06:03,520 Speaker 2: you do hear voices in your head, in which case 103 00:06:03,600 --> 00:06:07,120 Speaker 2: you need immediate psychiatric care, or two you're lying to 104 00:06:07,160 --> 00:06:10,880 Speaker 2: me again, which wouldn't be out of character, except this 105 00:06:10,960 --> 00:06:13,960 Speaker 2: time I must look gullible enough to buy this sixth sense. 106 00:06:14,120 --> 00:06:15,440 Speaker 2: I hear dead people bullshit? 107 00:06:16,320 --> 00:06:18,400 Speaker 3: Hey, can you slow down? 108 00:06:19,240 --> 00:06:20,280 Speaker 2: And there goes our light? 109 00:06:21,880 --> 00:06:24,240 Speaker 3: There can you at least hear me out. 110 00:06:24,440 --> 00:06:26,440 Speaker 2: Well, I'm not gagging you am I thanky? 111 00:06:26,520 --> 00:06:29,200 Speaker 3: I'm gonna put up in that I'm waiting. It sound 112 00:06:29,279 --> 00:06:31,720 Speaker 3: like I've always heard them, So you. 113 00:06:31,400 --> 00:06:33,760 Speaker 2: Were normal once. That's comforting. 114 00:06:33,839 --> 00:06:36,839 Speaker 3: It started in January of this year. At first I 115 00:06:36,839 --> 00:06:39,600 Speaker 3: thought it was just a wind, you know, old buildings, 116 00:06:39,680 --> 00:06:41,719 Speaker 3: creepy sounds. It's in the ballpark. 117 00:06:42,120 --> 00:06:43,400 Speaker 2: So what made you change your mind? 118 00:06:43,600 --> 00:06:46,200 Speaker 3: When the wind stops sounding like the weather and more 119 00:06:46,240 --> 00:06:51,919 Speaker 3: like someone was inside? Because then came the nightmares. I 120 00:06:51,960 --> 00:06:55,080 Speaker 3: spent hours on end in that library, wide awake in bed, 121 00:06:55,480 --> 00:06:57,599 Speaker 3: unable and unwilling to go to sleep because I was 122 00:06:57,680 --> 00:07:01,400 Speaker 3: so genuinely terrified of what I'd say. What was it 123 00:07:01,920 --> 00:07:04,599 Speaker 3: on a good night? The worst memories of my life? 124 00:07:05,120 --> 00:07:08,479 Speaker 3: But on a bad night, Oh, those were things even 125 00:07:08,520 --> 00:07:10,080 Speaker 3: my imagination couldn't conjure. 126 00:07:11,240 --> 00:07:13,640 Speaker 2: You should take an edible before bed might take the 127 00:07:13,720 --> 00:07:14,120 Speaker 2: edge off. 128 00:07:14,160 --> 00:07:16,320 Speaker 3: I know this all sounds crazy. I mean, hell, there's 129 00:07:16,320 --> 00:07:18,960 Speaker 3: a reason I didn't lead with HI. My name is Gordon. 130 00:07:19,080 --> 00:07:19,679 Speaker 3: I'm haunted. 131 00:07:20,320 --> 00:07:23,280 Speaker 2: It doesn't just sound crazy, it sounds impossible. 132 00:07:23,480 --> 00:07:25,560 Speaker 3: So what about all the bizarro murders going on in 133 00:07:25,600 --> 00:07:27,680 Speaker 3: this town? Two weeks ago? I would have said that 134 00:07:27,800 --> 00:07:32,120 Speaker 3: was impossible. Can't you just believe me, Gordon? 135 00:07:32,200 --> 00:07:33,600 Speaker 2: You were asking me to believe a lot. 136 00:07:33,960 --> 00:07:38,520 Speaker 3: Yeah, but it's me. Do you know when the first 137 00:07:38,520 --> 00:07:41,120 Speaker 3: time I had an actual good night's sleep was in 138 00:07:41,160 --> 00:07:41,920 Speaker 3: a long time? 139 00:07:42,200 --> 00:07:42,560 Speaker 2: I don't. 140 00:07:42,560 --> 00:07:44,640 Speaker 3: It was the day I met you, when I saw 141 00:07:44,680 --> 00:07:48,080 Speaker 3: you standing there under the nave, surrounded by all those books, 142 00:07:48,480 --> 00:07:51,200 Speaker 3: and it just felt right. That night I just slept. 143 00:07:51,520 --> 00:07:54,240 Speaker 3: No monsters beneath the bed, no shadows in the closet, 144 00:07:54,760 --> 00:07:55,920 Speaker 3: only rest. 145 00:07:56,440 --> 00:07:58,920 Speaker 2: That's not the creepiest pickup line I've ever heard, But 146 00:07:59,440 --> 00:08:01,960 Speaker 2: I'm a creepy doesn't cut it. 147 00:08:02,520 --> 00:08:05,160 Speaker 3: You want the story, right? What if this is part 148 00:08:05,200 --> 00:08:08,560 Speaker 3: of it? What do you mean there's something I need 149 00:08:08,600 --> 00:08:09,080 Speaker 3: to show you? 150 00:08:11,160 --> 00:08:14,240 Speaker 2: Wow? A book in a library? How mind blowing? 151 00:08:14,640 --> 00:08:17,840 Speaker 3: Not just any book, okay. This is a transcribed copy 152 00:08:17,880 --> 00:08:20,120 Speaker 3: of the journals kept by the Jesuit priests who were 153 00:08:20,160 --> 00:08:21,559 Speaker 3: originally settled in the area. 154 00:08:21,760 --> 00:08:25,520 Speaker 2: So an antique diary, bingo, but darker. 155 00:08:26,080 --> 00:08:29,000 Speaker 3: These aren't just records of prayers in daily life. These 156 00:08:29,040 --> 00:08:33,120 Speaker 3: texts go into detail about the conquering process. And yes, 157 00:08:33,280 --> 00:08:35,079 Speaker 3: I'm saying conquering in quotes. 158 00:08:35,240 --> 00:08:36,000 Speaker 2: How bad was it? 159 00:08:36,360 --> 00:08:36,480 Speaker 8: Well? 160 00:08:36,480 --> 00:08:38,959 Speaker 3: According to this, not bad at all. The priests were 161 00:08:39,000 --> 00:08:42,360 Speaker 3: Mother Teresa, while the native Algonquin tribe essentially played the 162 00:08:42,440 --> 00:08:46,040 Speaker 3: role of lemmings in one widely misconceived mass cliff diving. 163 00:08:45,880 --> 00:08:47,800 Speaker 2: Video from the White Wilderness. 164 00:08:47,880 --> 00:08:50,840 Speaker 3: Dark Yes, and a very fitting name for our current subject. 165 00:08:51,920 --> 00:08:54,920 Speaker 3: These so called settlers pushed this tribe to the brink 166 00:08:54,960 --> 00:08:58,720 Speaker 3: of extension in ways that they cannot even be called human. 167 00:08:59,280 --> 00:09:01,880 Speaker 3: See here, Well, that. 168 00:09:02,480 --> 00:09:06,079 Speaker 2: Just says the food supplies were redistributed. 169 00:09:05,920 --> 00:09:10,480 Speaker 3: Which is code for look right here. 170 00:09:11,200 --> 00:09:13,200 Speaker 2: What is this hunting log? 171 00:09:13,880 --> 00:09:16,960 Speaker 3: I wish no. This is a log of the refuse, 172 00:09:17,480 --> 00:09:20,680 Speaker 3: the hundreds, if not thousands of heads of cattle skin 173 00:09:20,800 --> 00:09:23,320 Speaker 3: for their hides and left to boil in the sun. 174 00:09:23,800 --> 00:09:25,920 Speaker 3: It's every bit of food they made to rot and 175 00:09:25,960 --> 00:09:29,040 Speaker 3: fester for the sole purpose of starving out the native 176 00:09:29,080 --> 00:09:30,280 Speaker 3: inhabitants of this land. 177 00:09:30,520 --> 00:09:34,160 Speaker 2: Gordon, that's horrible, But I still don't understand what any 178 00:09:34,160 --> 00:09:35,720 Speaker 2: of this has to do with you hearing voices. 179 00:09:36,080 --> 00:09:38,240 Speaker 3: This is just a tip of the Titanic singing iceberg 180 00:09:38,559 --> 00:09:40,360 Speaker 3: and all that ice that they couldn't see on the water, 181 00:09:40,559 --> 00:09:43,360 Speaker 3: aka the brunt of it. None of that is recorded, 182 00:09:43,679 --> 00:09:47,040 Speaker 3: trust me, I've looked, But that doesn't mean it didn't happen. 183 00:09:47,240 --> 00:09:48,200 Speaker 3: And how do I know that? 184 00:09:49,280 --> 00:09:50,319 Speaker 2: The whispers? 185 00:09:50,600 --> 00:09:52,920 Speaker 3: Well, let's just say that once I stopped trying to 186 00:09:52,960 --> 00:09:56,840 Speaker 3: shut them out and actually listen instead, those creepy ass 187 00:09:56,920 --> 00:10:01,320 Speaker 3: nightmares didn't seem all that bad by comparison. Dare I ask, 188 00:10:02,520 --> 00:10:04,640 Speaker 3: what do you think happens when you corral human beings 189 00:10:04,640 --> 00:10:07,320 Speaker 3: as if they're animals and then starve them to the brink, 190 00:10:07,880 --> 00:10:12,800 Speaker 3: leaving them no other way to survive except for each other. 191 00:10:14,520 --> 00:10:17,880 Speaker 2: Gosh Jesus, that's what you've been hearing. 192 00:10:18,160 --> 00:10:20,840 Speaker 3: Could be worse. I could hear traumatizing voices and be 193 00:10:20,880 --> 00:10:22,439 Speaker 3: lactose intolerant. But I'm not. 194 00:10:22,760 --> 00:10:28,120 Speaker 2: Okay say everything you're telling me is true. 195 00:10:28,240 --> 00:10:30,240 Speaker 3: Ooh, progress, I like it. 196 00:10:30,400 --> 00:10:32,280 Speaker 2: Then what the hell are you still doing here? 197 00:10:32,559 --> 00:10:32,880 Speaker 3: Well? 198 00:10:33,000 --> 00:10:34,199 Speaker 2: I don't say it's complicated. 199 00:10:34,360 --> 00:10:36,000 Speaker 3: Remember when you asked me why I wasn't at the 200 00:10:36,040 --> 00:10:38,760 Speaker 3: Boston Public Library, or, better yet, the Benecke. 201 00:10:39,160 --> 00:10:40,360 Speaker 2: Oh that bit of foreplay. 202 00:10:40,480 --> 00:10:44,640 Speaker 3: Anywhere else, I'm just another super sexy librarian, But here 203 00:10:44,720 --> 00:10:49,640 Speaker 3: I get a chance to do this journal. Your feelings, 204 00:10:50,120 --> 00:10:55,720 Speaker 3: not mine, theirs, and not feelings. It's their history, their stories, 205 00:10:56,320 --> 00:10:59,440 Speaker 3: not everything's black and white and blood and gloom. They 206 00:10:59,480 --> 00:11:06,240 Speaker 3: deserve to be remembered for more. Pardon this? Would you 207 00:11:06,240 --> 00:11:08,360 Speaker 3: figure it out of the thirty one year pattern? You 208 00:11:08,400 --> 00:11:09,920 Speaker 3: know what was the first thing I thought of? 209 00:11:10,280 --> 00:11:11,079 Speaker 2: What? 210 00:11:11,080 --> 00:11:13,000 Speaker 3: What if I'm not the first to hear these voices 211 00:11:13,000 --> 00:11:14,080 Speaker 3: in the library. 212 00:11:13,679 --> 00:11:16,120 Speaker 2: Either you're talking predecessors. 213 00:11:15,640 --> 00:11:17,360 Speaker 3: I'm talking employment records. 214 00:11:17,840 --> 00:11:24,040 Speaker 2: Hit me with it. Who is here before you? 215 00:11:25,000 --> 00:11:28,319 Speaker 3: Old man Cahill? But it says here he wasn't hired 216 00:11:28,400 --> 00:11:29,320 Speaker 3: until ninety three. 217 00:11:29,520 --> 00:11:31,520 Speaker 2: That's too late. What about the one before him? 218 00:11:31,679 --> 00:11:35,160 Speaker 3: Ninety one ninety one? Howard Gillies, He was on from 219 00:11:35,160 --> 00:11:39,319 Speaker 3: sixty seven until uh February of ninety one, a twenty 220 00:11:39,320 --> 00:11:41,640 Speaker 3: four year veteran of the job. And he didn't even 221 00:11:41,640 --> 00:11:43,520 Speaker 3: pick up his last check, just left. 222 00:11:43,960 --> 00:11:45,880 Speaker 2: Yeah, because he probably high tailed it out of here 223 00:11:45,920 --> 00:11:48,679 Speaker 2: after he started hearing voices, which is what you should 224 00:11:48,679 --> 00:11:49,079 Speaker 2: have done. 225 00:11:49,280 --> 00:11:52,880 Speaker 3: Oh why would you punch my arm? Wait? Does this 226 00:11:52,960 --> 00:11:55,480 Speaker 3: mean you believe me? Because if so, the pain was 227 00:11:55,520 --> 00:11:55,920 Speaker 3: worth it. 228 00:11:56,360 --> 00:11:58,800 Speaker 2: I believe you're a martyr for putting yourself through this. 229 00:11:59,280 --> 00:12:02,440 Speaker 3: Gillies left, and I'm sure, however far back this goes, 230 00:12:02,559 --> 00:12:05,840 Speaker 3: they all left too. So sure it's no benecky. But 231 00:12:05,920 --> 00:12:08,199 Speaker 3: if I don't fit the bill, then who will. 232 00:12:08,640 --> 00:12:10,560 Speaker 2: You vexed me, Gordon, you vexed me. 233 00:12:11,080 --> 00:12:13,040 Speaker 3: Besides, if I wasn't here, then you might have had 234 00:12:13,080 --> 00:12:15,200 Speaker 3: to do this whole two hander thing with old man Khill, 235 00:12:15,600 --> 00:12:18,720 Speaker 3: and I doubt you'd have the same rapport and definitely 236 00:12:18,800 --> 00:12:21,200 Speaker 3: not the same sexual attention. I hope. 237 00:12:21,280 --> 00:12:22,520 Speaker 2: Oh you don't know my tastes. 238 00:12:22,840 --> 00:12:23,240 Speaker 3: I know me. 239 00:12:24,440 --> 00:12:26,520 Speaker 2: I did not wake up this morning prepared to deal 240 00:12:26,559 --> 00:12:28,160 Speaker 2: with forces beyond my understanding. 241 00:12:28,960 --> 00:12:30,760 Speaker 3: Please I call that breakfast. 242 00:12:30,920 --> 00:12:33,719 Speaker 2: You realize this doesn't just open the floodgates, this is 243 00:12:33,760 --> 00:12:34,600 Speaker 2: the whole deluge. 244 00:12:34,880 --> 00:12:37,280 Speaker 3: Then I guess I'll grab the raincoats. 245 00:12:40,760 --> 00:12:44,480 Speaker 2: Okay, you said this was an Algonquin tribe, right, Any 246 00:12:44,559 --> 00:12:47,320 Speaker 2: chance those whispers of yours ever mentioned an old legend 247 00:12:47,360 --> 00:12:48,520 Speaker 2: about the wind to Go? 248 00:12:49,720 --> 00:12:51,640 Speaker 3: You mean slender Man with andlers? 249 00:12:52,040 --> 00:12:53,679 Speaker 2: No, that would be the One to Go two thousand 250 00:12:53,679 --> 00:12:57,760 Speaker 2: and one movie. I'm talking about the cannibalistic and endlessly 251 00:12:57,800 --> 00:13:01,600 Speaker 2: famished monster found in folklore of the Algonquin speaking First Nations. 252 00:13:01,920 --> 00:13:04,000 Speaker 3: Are you telling me that's what's been running around out 253 00:13:04,000 --> 00:13:05,120 Speaker 3: there ripping people apart? 254 00:13:05,360 --> 00:13:10,320 Speaker 2: I'm saying it fits the pattern and the history. Jesus, 255 00:13:10,440 --> 00:13:11,120 Speaker 2: where the fuck? 256 00:13:11,440 --> 00:13:17,480 Speaker 3: Sorry? I got it? Anderson Memorial Library, How may I 257 00:13:17,559 --> 00:13:17,800 Speaker 3: help you? 258 00:13:17,960 --> 00:13:18,760 Speaker 2: How may I help you? 259 00:13:20,040 --> 00:13:21,960 Speaker 3: Okay? Thanks? Max? 260 00:13:22,080 --> 00:13:27,440 Speaker 2: What that was, Sheriff Allan? Yeah, no, I got that. 261 00:13:28,080 --> 00:13:29,600 Speaker 2: What I want to know is have you had a 262 00:13:29,640 --> 00:13:31,880 Speaker 2: working phone here the entire time? 263 00:13:32,480 --> 00:13:35,120 Speaker 3: Calling it a working phone is an overreach. I have 264 00:13:35,200 --> 00:13:37,240 Speaker 3: as much control over that phone working as I do 265 00:13:37,320 --> 00:13:39,040 Speaker 3: over my cholesterol when I eat at Shaw's. 266 00:13:39,320 --> 00:13:41,360 Speaker 2: That's concerning. But fine, What did she want? 267 00:13:41,520 --> 00:13:44,240 Speaker 3: Said? Avery's fine? Supposedly unless she's gonna go check in 268 00:13:44,280 --> 00:13:47,240 Speaker 3: on him at home. But I don't know. Something felt off. 269 00:13:47,880 --> 00:13:49,760 Speaker 2: If you're done with that, then I really need to 270 00:13:49,760 --> 00:13:50,200 Speaker 2: make a call. 271 00:14:00,160 --> 00:14:04,839 Speaker 8: Sheriff Allen. I thought we'd be seeing you Jack, Come in, 272 00:14:05,000 --> 00:14:07,920 Speaker 8: Come in. We're just having a little family dinner to 273 00:14:08,000 --> 00:14:09,840 Speaker 8: celebrate our son's homecoming. 274 00:14:12,679 --> 00:14:16,000 Speaker 4: Heard about that that he'd been hiding out in the shed. 275 00:14:17,080 --> 00:14:20,320 Speaker 8: Kids. You know how it is. I remember hiding in 276 00:14:20,360 --> 00:14:23,120 Speaker 8: my father's attic for hours after I broke his window 277 00:14:23,160 --> 00:14:25,520 Speaker 8: playing ball. Please take a seat. 278 00:14:25,800 --> 00:14:30,200 Speaker 4: I'm fine, thank you. I don't see Avery. 279 00:14:30,440 --> 00:14:33,960 Speaker 8: He's upstairs getting ready. Rema should be bringing him down. 280 00:14:34,880 --> 00:14:37,080 Speaker 8: You're welcome to join us for our meal if you'd like. 281 00:14:37,680 --> 00:14:38,880 Speaker 2: I already eat. 282 00:14:39,320 --> 00:14:42,240 Speaker 7: Oh, but I promise my pow roast will make you 283 00:14:42,280 --> 00:14:44,760 Speaker 7: forget about any meal you've had before. 284 00:14:45,080 --> 00:14:50,200 Speaker 4: Rema, Sheriff Avery close behind almost though. 285 00:14:50,320 --> 00:14:53,160 Speaker 2: I can pour you some lemonade while we wait. Sure 286 00:14:53,200 --> 00:14:56,520 Speaker 2: would love to hear how the investigation is going. Soothe 287 00:14:56,520 --> 00:14:58,200 Speaker 2: a lot of nerves around town. 288 00:14:59,120 --> 00:15:02,960 Speaker 4: I'm only here check on Avery the table set? 289 00:15:04,720 --> 00:15:06,000 Speaker 2: Does he always take this long? 290 00:15:06,640 --> 00:15:09,920 Speaker 8: He might be resting. It's been a tough couple of days. 291 00:15:10,240 --> 00:15:11,480 Speaker 4: You mind if I go check? 292 00:15:11,840 --> 00:15:13,640 Speaker 8: Rather? You didn't? And why is that? 293 00:15:15,480 --> 00:15:17,040 Speaker 3: Here's the food? Ready? Avery? 294 00:15:18,400 --> 00:15:18,600 Speaker 9: Sir? 295 00:15:18,680 --> 00:15:21,880 Speaker 3: If Alan's here to see you, what do you say? 296 00:15:22,320 --> 00:15:22,560 Speaker 8: Hey? 297 00:15:23,160 --> 00:15:27,720 Speaker 4: Hey, Avery, how are you feeling fine? Your prison breaks? 298 00:15:27,680 --> 00:15:28,080 Speaker 4: Sit you? 299 00:15:28,120 --> 00:15:35,440 Speaker 3: Well? It's a joke. Oh right, Can I have a moment? 300 00:15:35,520 --> 00:15:37,840 Speaker 4: I was hoping to ask you a few questions? Is 301 00:15:38,000 --> 00:15:40,480 Speaker 4: that necessary right now? 302 00:15:40,720 --> 00:15:43,040 Speaker 8: Like I said, the kids had a rough day. 303 00:15:43,240 --> 00:15:47,760 Speaker 4: It won't take long, Avery, Dad, would you like to 304 00:15:47,800 --> 00:15:48,600 Speaker 4: speak in private? 305 00:15:49,120 --> 00:15:49,560 Speaker 3: I don't. 306 00:15:49,800 --> 00:15:51,360 Speaker 4: I promise you can talk to me. 307 00:15:51,560 --> 00:15:58,800 Speaker 8: And he will, but not tonight. Avery, go sit down, yes, sir? Now, 308 00:15:58,840 --> 00:16:02,040 Speaker 8: if that's everything, like to enjoy one final meal in 309 00:16:02,120 --> 00:16:05,920 Speaker 8: peace with my son, Rema, show the sheriff out. 310 00:16:09,040 --> 00:16:10,360 Speaker 4: What does final mean? 311 00:16:11,160 --> 00:16:11,480 Speaker 3: Rema? 312 00:16:12,120 --> 00:16:15,880 Speaker 2: Please, Sheriff just go. He'll tell you whatever you need 313 00:16:15,920 --> 00:16:26,840 Speaker 2: to hear tomorrow. Okay, tomorrow, I promise, come on, come on. 314 00:16:29,000 --> 00:16:33,520 Speaker 3: Again. I told you that phone has a will of 315 00:16:33,560 --> 00:16:34,000 Speaker 3: its own. 316 00:16:34,360 --> 00:16:37,440 Speaker 2: Try pulling that cable a little higher and remember, lift 317 00:16:37,440 --> 00:16:38,160 Speaker 2: with your legs. 318 00:16:38,520 --> 00:16:42,000 Speaker 3: Yeah, I'm the issue here, right. How important is this call? 319 00:16:42,320 --> 00:16:44,920 Speaker 2: Well, it might just save her lives, so pray for signal. 320 00:16:47,680 --> 00:16:49,160 Speaker 2: Oh yeah, oh it's your daddy. 321 00:16:49,200 --> 00:16:51,480 Speaker 3: Now, okay, please don't sexualize my telephone. 322 00:16:51,960 --> 00:16:52,760 Speaker 2: I think he's going through. 323 00:16:54,040 --> 00:16:56,760 Speaker 3: Hello, Professor Bradshaw, Yeah, the one and the same. 324 00:16:56,840 --> 00:16:59,960 Speaker 9: Listen. I'm sorry, but I told Vippin to put an 325 00:17:00,080 --> 00:17:02,720 Speaker 9: the syllabus that I can't take calls after hours. I 326 00:17:02,760 --> 00:17:03,640 Speaker 9: have office hours. 327 00:17:03,760 --> 00:17:08,920 Speaker 2: No, no, no, this is Sarah, Sarah Simmons. We spoke about 328 00:17:08,920 --> 00:17:11,240 Speaker 2: a month ago regarding my story on the Succubus of 329 00:17:11,240 --> 00:17:11,840 Speaker 2: Streatham Hill. 330 00:17:13,760 --> 00:17:17,639 Speaker 9: Oh oh, how, but I'm so sorry. I thought you 331 00:17:17,640 --> 00:17:19,760 Speaker 9: were one of my students, right, you had the tale 332 00:17:19,760 --> 00:17:23,200 Speaker 9: of the local demonic paramour. I was thinking after we 333 00:17:23,240 --> 00:17:26,919 Speaker 9: met that that is aptly the Latin linguistic rig. 334 00:17:27,160 --> 00:17:31,960 Speaker 2: Yes, yes, it's going great, very feisty, but that's actually 335 00:17:32,000 --> 00:17:35,439 Speaker 2: not why I'm calling. Oh, Professor Bradshaw, what can you 336 00:17:35,480 --> 00:17:37,360 Speaker 2: tell me about windigoes? 337 00:17:39,600 --> 00:17:39,800 Speaker 8: Wow? 338 00:17:39,960 --> 00:17:41,600 Speaker 9: You're changing your subject matter. 339 00:17:41,640 --> 00:17:41,800 Speaker 8: Huh. 340 00:17:41,920 --> 00:17:42,640 Speaker 2: One could say that. 341 00:17:43,000 --> 00:17:45,840 Speaker 9: Well, I guess considering the area you're in, it doesn't 342 00:17:45,840 --> 00:17:49,439 Speaker 9: really surprise me. How So, when you study folklore for 343 00:17:49,480 --> 00:17:51,040 Speaker 9: as long as I have, you start to pick up 344 00:17:51,080 --> 00:17:54,679 Speaker 9: on these lower specific hotspots. So if someone goes missing, 345 00:17:54,840 --> 00:17:58,640 Speaker 9: there it's a whin to go, but forty miles east 346 00:17:58,720 --> 00:18:02,119 Speaker 9: it's a witch, and forty miles self it's a I 347 00:18:02,119 --> 00:18:04,479 Speaker 9: don't know something else. It's so on and so on. 348 00:18:04,600 --> 00:18:07,800 Speaker 2: You know, So there have been sightings, Well, it's the 349 00:18:07,840 --> 00:18:08,760 Speaker 2: northern wilderness. 350 00:18:08,800 --> 00:18:10,800 Speaker 9: I could hop on social media and find you a 351 00:18:10,840 --> 00:18:11,960 Speaker 9: siting of pretty much anything. 352 00:18:12,000 --> 00:18:13,040 Speaker 3: But with When to. 353 00:18:13,000 --> 00:18:15,520 Speaker 9: Goes, it's not as simple as just you know, seeing 354 00:18:15,520 --> 00:18:17,840 Speaker 9: a shadow in the woods. And why is that Well, 355 00:18:17,840 --> 00:18:21,879 Speaker 9: because it could be a shadow with the ravenous monster 356 00:18:22,160 --> 00:18:24,840 Speaker 9: just out of sight, or it could be your neighbor 357 00:18:24,920 --> 00:18:29,360 Speaker 9: who's developed an insatiable craving for human flesh. Because when 358 00:18:29,400 --> 00:18:34,000 Speaker 9: to Goes appear either in physical form or as a 359 00:18:34,040 --> 00:18:37,960 Speaker 9: malevolent spirit capable of possessing men. It depends on which 360 00:18:37,960 --> 00:18:39,520 Speaker 9: branch of lore you find the most appealing. 361 00:18:39,800 --> 00:18:41,639 Speaker 2: So how would you know which one you're dealing with? 362 00:18:42,000 --> 00:18:42,600 Speaker 3: Well, if not. 363 00:18:42,560 --> 00:18:47,720 Speaker 9: By sight, then I suppose by cause the spirit form 364 00:18:47,800 --> 00:18:53,240 Speaker 9: is attracted to those overcome by selfishness and greed, hence 365 00:18:53,320 --> 00:18:59,800 Speaker 9: the result of man consuming man, or rather the unwilling 366 00:18:59,840 --> 00:19:03,119 Speaker 9: sacrifice of one for the survival. 367 00:19:02,640 --> 00:19:06,840 Speaker 2: Of the other. And say someone suspected there was a 368 00:19:06,880 --> 00:19:12,359 Speaker 2: when to go? How would said someone go about killing it? 369 00:19:12,480 --> 00:19:12,920 Speaker 3: Exactly? 370 00:19:13,560 --> 00:19:16,040 Speaker 5: And the more detailed of better, Sarah, is this still 371 00:19:16,040 --> 00:19:16,719 Speaker 5: for your story? 372 00:19:16,840 --> 00:19:20,480 Speaker 2: No, of course, But as a student of folklore, you, 373 00:19:20,640 --> 00:19:23,399 Speaker 2: of all people, must understand the importance of presenting hope 374 00:19:23,760 --> 00:19:24,880 Speaker 2: alongside the horror. 375 00:19:25,200 --> 00:19:26,360 Speaker 3: Yeah, if you frame it that way. 376 00:19:26,600 --> 00:19:28,560 Speaker 2: So the juicy bits you were saying. 377 00:19:29,359 --> 00:19:32,600 Speaker 9: That's the simple part. You either burn the creature to 378 00:19:32,720 --> 00:19:35,840 Speaker 9: its core or dismember. 379 00:19:35,400 --> 00:19:37,080 Speaker 3: It with silver. Oh? Is that all? 380 00:19:37,720 --> 00:19:40,680 Speaker 9: That's what they say? Legends do mix and mingle over time, 381 00:19:40,720 --> 00:19:43,719 Speaker 9: and some accounts claim that the creature is only vulnerable 382 00:19:43,920 --> 00:19:48,960 Speaker 9: after a meal, but others warn against believing that. But 383 00:19:49,080 --> 00:19:54,440 Speaker 9: there is one thing that is consistent across the lore. 384 00:19:54,960 --> 00:19:56,240 Speaker 2: Please do tell I'll take anything. 385 00:19:56,280 --> 00:19:56,840 Speaker 3: At this point. 386 00:19:57,400 --> 00:19:59,560 Speaker 9: The when to go strikes the hardest. 387 00:20:00,800 --> 00:20:04,760 Speaker 2: Come the season of starvation, and when exactly is that? 388 00:20:05,160 --> 00:20:06,360 Speaker 2: A date would be helpful? 389 00:20:07,080 --> 00:20:12,240 Speaker 9: Well? When do animals migrate when the fields dry up? 390 00:20:13,000 --> 00:20:16,280 Speaker 2: Are you telling me that winter is coming? 391 00:20:18,720 --> 00:20:18,800 Speaker 1: Now? 392 00:20:18,920 --> 00:20:22,040 Speaker 9: I promise you. Winter was feared in New England long 393 00:20:22,080 --> 00:20:25,200 Speaker 9: before there was any talk of night walkers going around, 394 00:20:25,960 --> 00:20:28,240 Speaker 9: and with the dread of their own food supplies, dwindling 395 00:20:28,800 --> 00:20:30,440 Speaker 9: came the even. 396 00:20:30,359 --> 00:20:33,080 Speaker 2: Scarier Hello, Hey, can you hear me? Professor? 397 00:20:33,280 --> 00:20:37,719 Speaker 9: When grow stronger? When it snows? 398 00:20:38,080 --> 00:20:38,399 Speaker 8: Shit? 399 00:20:39,520 --> 00:20:41,040 Speaker 3: Well, what do you say? 400 00:20:41,280 --> 00:20:43,200 Speaker 2: Do you want the good news or the eyelide? There 401 00:20:43,240 --> 00:20:44,040 Speaker 2: is no good news? 402 00:20:44,960 --> 00:20:45,080 Speaker 8: Uh? 403 00:20:45,240 --> 00:20:57,120 Speaker 3: The first? Okay, fire and silver. That's a pretty run 404 00:20:57,119 --> 00:20:58,080 Speaker 3: of the mill monstercule. 405 00:20:58,240 --> 00:21:00,520 Speaker 2: Yeah for Buffy, maybe never a struggling journalist in a 406 00:21:00,560 --> 00:21:01,359 Speaker 2: winded librarian. 407 00:21:01,560 --> 00:21:04,040 Speaker 3: Hey, I'm not that one, Gordon. 408 00:21:04,080 --> 00:21:05,800 Speaker 2: We are barely halfway to the police station. 409 00:21:06,200 --> 00:21:08,119 Speaker 3: Yeah, you might need to carry me. 410 00:21:10,119 --> 00:21:12,639 Speaker 2: Hey didn't you say Shaws was closed tonight? 411 00:21:12,960 --> 00:21:13,840 Speaker 3: It's supposed to be. 412 00:21:15,600 --> 00:21:16,840 Speaker 2: Then, why are all the lights still on? 413 00:21:17,680 --> 00:21:19,520 Speaker 3: Oh? Duck? 414 00:21:20,880 --> 00:21:21,600 Speaker 2: Did they see us? 415 00:21:21,920 --> 00:21:22,919 Speaker 3: I can barely see us. 416 00:21:23,000 --> 00:21:26,320 Speaker 2: Okay, Seal Team six training, go? What we're crawling? 417 00:21:28,200 --> 00:21:28,919 Speaker 5: Is this? 418 00:21:28,960 --> 00:21:30,040 Speaker 3: Is this really necessary? 419 00:21:30,040 --> 00:21:32,320 Speaker 2: About to find out? Can you see inside? 420 00:21:32,800 --> 00:21:35,399 Speaker 3: I could if you would just screech over? Oh my god. 421 00:21:37,040 --> 00:21:39,400 Speaker 2: Okay, I've never seen a sacrificial altar before, but I'm 422 00:21:39,400 --> 00:21:41,520 Speaker 2: one hundred percent sure that is one. 423 00:21:41,760 --> 00:21:45,080 Speaker 3: So many things make sense. Now, Holy shit, here's that jack, 424 00:21:45,400 --> 00:21:48,200 Speaker 3: the one's sharpening that knife. Yeah, that's him. 425 00:21:48,320 --> 00:21:53,160 Speaker 2: They're gonna kill someone, They're gonna feed the creature. What 426 00:21:53,200 --> 00:21:55,960 Speaker 2: the hell is with that chanting? Got a chorus in 427 00:21:56,000 --> 00:21:56,560 Speaker 2: there or what? 428 00:21:57,520 --> 00:22:00,280 Speaker 3: I don't think that's coming from in there? And it 429 00:22:00,320 --> 00:22:00,879 Speaker 3: gets worse? 430 00:22:01,760 --> 00:22:03,520 Speaker 2: How could it possibly be any worse? 431 00:22:03,920 --> 00:22:06,440 Speaker 3: WOSI Professor Bradshaw said about the snow. 432 00:22:07,000 --> 00:22:10,400 Speaker 2: Something about the whend to go striking hardest from snows. 433 00:22:10,840 --> 00:22:12,640 Speaker 3: I just felt the plate on the back of my neck. 434 00:22:19,800 --> 00:22:24,400 Speaker 1: Consumed. Episode ten, The Whispers written by Carlos Folia and 435 00:22:24,480 --> 00:22:29,560 Speaker 1: Alessandra Hara del Castillo. Editing and sound design by Noahmy Griffin. 436 00:22:30,080 --> 00:22:35,480 Speaker 1: Starring Rachel Rosenbloom and Arturo Castro, with Ruth Connell, Sam Rod, 437 00:22:35,840 --> 00:22:41,640 Speaker 1: Genevieve Padalaki, Benjamin Stockholm, Charlie David Newell, Mike Korich, Anna 438 00:22:41,720 --> 00:22:47,520 Speaker 1: east Fairweather, Junior A labby Alma Martinez, Tracy Martin, Laura Shine, 439 00:22:47,920 --> 00:22:52,800 Speaker 1: George Vincent, and Rafael Corkil guest starring Misha Collins as 440 00:22:52,880 --> 00:22:58,240 Speaker 1: Jeremy Bradshaw. Directed by Alexander Williams, Assistant director Trevor Young. 441 00:22:58,560 --> 00:23:03,200 Speaker 1: Casting by Sunday Bowling CSA and Meg Mormon CSA. Production 442 00:23:03,320 --> 00:23:08,679 Speaker 1: coordinator Wayna Calderon. Music by Carlos Folia Consumed the season 443 00:23:08,720 --> 00:23:12,760 Speaker 1: one score available now on Apple Music, Spotify, or wherever 444 00:23:12,880 --> 00:23:17,800 Speaker 1: music is streamed. Executive producers Aaron Manky, Carlos Folia, Matt 445 00:23:17,800 --> 00:23:22,880 Speaker 1: Frederick and Alexander Williams. Supervising producers Trevor Young and Josh Thain. 446 00:23:23,280 --> 00:23:28,879 Speaker 1: Producers Jesse Funk and Rima Ilkali. Recorded at This Is 447 00:23:28,960 --> 00:23:34,240 Speaker 1: Sound Design Studios, Burbank, California, engineered by Ross Arono, east 448 00:23:34,240 --> 00:23:39,360 Speaker 1: Side Studios, Austin, Texas, engineered by Austin Sisler and Aros 449 00:23:39,400 --> 00:23:44,480 Speaker 1: Creative In Sound Ohi, California, engineered by Ken Aros. Consumed 450 00:23:44,560 --> 00:23:48,000 Speaker 1: was created by Carlos Folia, inspired by the novel by 451 00:23:48,040 --> 00:23:52,200 Speaker 1: Aaron Manky. Consumed is the newest chapter in the Bridgewater universe. 452 00:23:52,359 --> 00:23:55,720 Speaker 1: To learn more and catch up, visit Grimandmild dot com 453 00:23:55,760 --> 00:23:59,840 Speaker 1: Slash Bridgewater. Learn more about Consumed at grimmanmile dot com, 454 00:24:00,040 --> 00:24:03,919 Speaker 1: Flash Consumed and find more podcasts from iHeartRadio by visiting 455 00:24:03,960 --> 00:24:07,600 Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you listen to 456 00:24:07,640 --> 00:24:08,520 Speaker 1: your favorite shows.