WEBVTT - The Ballad of High Times Magazine

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<v Speaker 1>Welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's

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<v Speaker 2>Chuck and Jerry's here too, and we're just hanging out

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<v Speaker 2>feeling irie. You're in Stuff you should Know?

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<v Speaker 3>Did you ever I mean, I'm gonna ask you two questions.

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<v Speaker 3>Did you ever read High Times much? And did you

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<v Speaker 3>ever subscribe?

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<v Speaker 2>I never subscribed. I was way too paranoid to do

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<v Speaker 2>something like that. But yes, I read it. I looked

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<v Speaker 2>at the pictures.

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<v Speaker 3>Yeah, I think for one year in college I actually

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<v Speaker 3>subscribed because and this is High Times magazine. We're talking

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<v Speaker 3>about everybody the I was gonna say notorious, but not

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<v Speaker 3>really notorious, the infamous weed magazine. Sure, but I subscribed

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<v Speaker 3>for I think a year because it just seemed like,

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<v Speaker 3>you know, I wanted to have that house, so that

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<v Speaker 3>like that had that on the coffee table with our

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<v Speaker 3>dress on it. I just thought it was like the

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<v Speaker 3>cool thing to do, you know.

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<v Speaker 2>Yeah, Oh, I mean it was legitimately cool during a

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<v Speaker 2>certain period of life. Yeah, Like, if you were fifty

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<v Speaker 2>doing that, it's kind of sad. But if you're like

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<v Speaker 2>twenty or nineteen or twenty one or twenty and a half.

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<v Speaker 2>Let's say, then, yeah, I get it.

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<v Speaker 3>Watch what you say. Though, I've learned from recent emails

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<v Speaker 3>there may be a fifty year old out there that

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<v Speaker 3>think Sidetime is cool. That's gonna be very upset.

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<v Speaker 2>Yeah, it's true, But I mean, do they have it

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<v Speaker 2>on their coffee table?

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<v Speaker 3>I don't know.

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<v Speaker 2>I think that's the thing that's kidding me.

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<v Speaker 3>Even when I did read it occasionally, I even at

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<v Speaker 3>the time was like, this is the articles, the way

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<v Speaker 3>they're written. There were so many puns, so kind of corny.

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<v Speaker 3>Yeah uh, and so it never felt like as good

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<v Speaker 3>as I think they might have thought it was. Does

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<v Speaker 3>that make sense?

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<v Speaker 2>Yeah. And also one of the other things too, I

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<v Speaker 2>was going to say you could sense it, but no,

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<v Speaker 2>it was just really overt was they had an agenda

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<v Speaker 2>in every single one of their articles. There was a

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<v Speaker 2>way they wanted you to think, which is their position

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<v Speaker 2>on it, and they would like mock the other position

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<v Speaker 2>on it, typically the government's position on like legalization or

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<v Speaker 2>something like that.

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<v Speaker 3>Yeah. Good point.

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<v Speaker 2>Over time, though, I mean, it became it's an iconic magazine, like, yeah,

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<v Speaker 2>pretty much everybody's heard of High Times. If you've never

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<v Speaker 2>even picked one up, there's a good chance you've heard

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<v Speaker 2>of High Times or somebody referencing High Times. It's like

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<v Speaker 2>it insinuated itself into American pop culture. And the reason

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<v Speaker 2>why it became iconic is it survived all sorts of

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<v Speaker 2>drug culture transitions. Yeah, like, throughout all these different ways

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<v Speaker 2>of thinking and looking at drugs and different drugs people

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<v Speaker 2>were doing, High Times managed to just keep plodding along

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<v Speaker 2>and stay relevant, I guess, is the best way to

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<v Speaker 2>put it. I didn't think I was going to say

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<v Speaker 2>that out loud, but here we are.

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<v Speaker 3>Yeah, for sure from the Yeah, let's just get into

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<v Speaker 3>it then, Okay, no more needs to be I agree.

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<v Speaker 2>I agree. So High Times was founded by a guy

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<v Speaker 2>named Thomas King for sad, and I just realized I

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<v Speaker 2>didn't look up any videos of people pronouncing his name,

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<v Speaker 2>but I'm pretty sure that's how it's spelled.

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<v Speaker 3>Because I was so ray to roll with four kade.

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<v Speaker 2>Well, I've seen the little French version of the umlaut

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<v Speaker 2>the little devil's tail coming off of the bottom of

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<v Speaker 2>the sea. Oh okay, and that indicates a sound if

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<v Speaker 2>my high school French doesn't fail me. So I think

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<v Speaker 2>his name was Thomas King for sad.

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<v Speaker 3>All right, great, he looks like if you look up

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<v Speaker 3>this guy, and you know, when I went to look up,

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<v Speaker 3>I'd never seen a picture of him. I expected. I

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<v Speaker 3>didn't expect to see someone so cool looking. I mean,

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<v Speaker 3>he looks like he stepped right out of the Almond

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<v Speaker 3>Brothers band or something.

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<v Speaker 2>I was gonna say, it looks like the Almond Brothers

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<v Speaker 2>Satanic advisor.

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<v Speaker 3>Yeah, for sure. And if you're thinking, like, what do

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<v Speaker 3>you mean it was like a pot magazine? Why do

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<v Speaker 3>you think it'd be cool? It's because I usually expect

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<v Speaker 3>them to look sort of like a wavy any like

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<v Speaker 3>weed activists, to be just decked out in tied eye

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<v Speaker 3>and kind of just wearing some sort of wacky handmade hat.

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<v Speaker 3>And this guy like he looked like he could jump

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<v Speaker 3>off of a chopper and like hit the stage or something.

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<v Speaker 3>You know.

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<v Speaker 2>Yeah, and you know that same fifty year old who's

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<v Speaker 2>upset because I said something about high times on his

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<v Speaker 2>coffee table, it's pretty much a wavy gravy lookalike too.

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<v Speaker 3>Yeah, he's wearing own handmade knit hat.

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<v Speaker 2>Right. So this guy Thomas King for SAD. It's a

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<v Speaker 2>pretty cool name. And if it sounds made up, it

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<v Speaker 2>is made up. His real name was Gary Goodson, and

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<v Speaker 2>it's not because his name was Gary Goodson that he

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<v Speaker 2>ditched that name in favor of Thomas King. For sad uh.

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<v Speaker 2>He was actually a big, big time pot dealer. Like,

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<v Speaker 2>not only did he sell literal tons of pot in

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<v Speaker 2>like the I think, starting in the late sixties and

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<v Speaker 2>going well in the past the time he was had

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<v Speaker 2>started publishing high times, he smuggled it himself. He flew

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<v Speaker 2>planes and he went to Mexico, he went to Jamaica,

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<v Speaker 2>and he smuggled pot tons of pot at a time

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<v Speaker 2>into the United States. There was a quote I found

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<v Speaker 2>of his that he said, there's two types of pot dealers,

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<v Speaker 2>those who need a forklift and those who don't. I

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<v Speaker 2>need a forklift, And like he wasn't joking, like he

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<v Speaker 2>really don't that much pot.

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<v Speaker 3>Yeah, So, I mean, regardless of how you feel about

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<v Speaker 3>that or him or any of it, he wasn't just

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<v Speaker 3>some guy saying, like, hey, let's try and make a

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<v Speaker 3>little dough off of this marijuana people are smoking. Like

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<v Speaker 3>he was knee deep in the business right. This was

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<v Speaker 3>after coming out of seemingly to avoid the Vietnam Draft,

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<v Speaker 3>a short stint in the Air Guard where he was

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<v Speaker 3>discharged after convincing them that he had schizophrenia. And at

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<v Speaker 3>that point he went back to Arizona and Phoenix changed

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<v Speaker 3>that name, which was his mother's I'm sorry, grandmother's maiden name,

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<v Speaker 3>and you know, got into the underground zine scene. You know,

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<v Speaker 3>that was a big thing back in the late sixties

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<v Speaker 3>because of the ubiquity of like being able to print

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<v Speaker 3>her own stuff in an office or a I don't

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<v Speaker 3>know if they had Kinkos back then, but he got

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<v Speaker 3>into those and founded his own first underground magazine called Orpheus,

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<v Speaker 3>which had some politics to it, but it was kind

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<v Speaker 3>of just a little groovy psychedelic thing that covered like

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<v Speaker 3>music and pot and stuff.

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<v Speaker 2>Tell them about the issue with the peace sign in

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<v Speaker 2>the bullet hole.

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<v Speaker 3>Yeah, there was a peace sign on the cover that

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<v Speaker 3>actually had a real bullet hole. So instead of just

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<v Speaker 3>drawing a bullet hole, he shot them up.

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<v Speaker 2>Yeah, he himself shot bundles the stacks wrapped together with

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<v Speaker 2>a Colt forty five handgun to really kind of drive

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<v Speaker 2>the point home.

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<v Speaker 3>I mean, it's creative.

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<v Speaker 2>That is an underground zine right there. If it has

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<v Speaker 2>a bullet hole in it, that the publisher put there,

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<v Speaker 2>that's really.

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<v Speaker 3>Something with real blood.

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<v Speaker 2>Right, you said something that I think is really worth

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<v Speaker 2>pointing out because there's a whole camp of people who

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<v Speaker 2>tell this origin story of High Times, and Thomas King

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<v Speaker 2>farsade that it was like just some money making scheme

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<v Speaker 2>or just a lark or something like that. This guy,

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<v Speaker 2>in actuality was a dedicated First Amendment warrior, like dedicated.

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<v Speaker 2>And also he was very committed to the counterculture, not

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<v Speaker 2>just because he sold tons of weed, but he genuinely

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<v Speaker 2>believed in legalizing marijuana, that that was a crucial thing

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<v Speaker 2>to do in the United States. And he put his

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<v Speaker 2>money where his mouth is. And like you said, he

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<v Speaker 2>started with underground zines and then he took up I

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<v Speaker 2>saw that he joined or he founded. I couldn't tell

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<v Speaker 2>which one was correct. What it's basically like an associated

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<v Speaker 2>press for underground magazines. It was called the Underground Press Syndicate,

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<v Speaker 2>and I think it changed its name to something else, right,

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<v Speaker 2>I'm not sure.

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<v Speaker 3>I always saw it called UPS.

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<v Speaker 2>Well, we'll just call it that. But it was, like

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<v Speaker 2>I said, the ap where you could you could like

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<v Speaker 2>get all sorts of news about drug busts or about

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<v Speaker 2>you know, some spectacular pot harvest or something to do

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<v Speaker 2>with underground culture, and you could just print it in

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<v Speaker 2>your your local mag and the people in Phoenix are

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<v Speaker 2>reading the same thing as the people in Denver, but

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<v Speaker 2>they don't know that. They just think it's like part

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<v Speaker 2>of your magazine.

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<v Speaker 3>Yeah, And he eventually worked his way up to national

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<v Speaker 3>coordinator for the Underground Press Syndicate, and that's where he

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<v Speaker 3>learned how to run a magazine basically, as how he

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<v Speaker 3>learned about ad deals, distribution, printing like efficient printing, real

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<v Speaker 3>printing for a little while, and I figured we should

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<v Speaker 3>probably do something on Abby Hoffman and the yippies at

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<v Speaker 3>some point. All right, as you know, want to highlight boomers.

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<v Speaker 2>Do you know it's That's not that I just think

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<v Speaker 2>that guy's gotten more than enough of his spotlight. But yes,

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<v Speaker 2>it's all right, you know what, then forget it? Okay, Wow,

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<v Speaker 2>I didn't think I was going to talk you out

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<v Speaker 2>on that one.

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<v Speaker 3>Hey, if you want to learn about Abby Hoffman, you're

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<v Speaker 3>not going to learn about it here. Everybody go steal

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<v Speaker 3>his book, yeah, or read very nice. I got that one.

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<v Speaker 3>Uh So he did join up with Hoffman though and

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<v Speaker 3>his yippies. Again, if you want to read about them.

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<v Speaker 3>They were a group that did a lot of like

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<v Speaker 3>kind of social pranks and media grab you know, activist

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<v Speaker 3>stuff for their radical causes. In nineteen seventy, for said

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<v Speaker 3>for sad.

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<v Speaker 2>He said, yeah, because if you take out the oh

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<v Speaker 2>and change or no, if you change the O to

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<v Speaker 2>and A and take out the R, you've got facade

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<v Speaker 2>like the reund of a building. H So I'm making

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<v Speaker 2>an educated guess here.

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<v Speaker 3>I think you're probably right, but I'm just I've been

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<v Speaker 3>saying it wrong all day so in my head, so

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<v Speaker 3>it's going to take a minute.

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<v Speaker 2>It's okay. I was reading the High Times archives and

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<v Speaker 2>I guess they had some like sixth grade trained ai

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<v Speaker 2>scan and altar or turn all of their magazine photos

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<v Speaker 2>into text, and boy, it came up with some creative

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<v Speaker 2>ways of spelling that guy's name.

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<v Speaker 3>Well, you also sent me a lot of fun ads

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<v Speaker 3>for cocaine paraphernalia. Dude, that was crazy.

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<v Speaker 2>There is few things that are funner but also more

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<v Speaker 2>shocking then looking at vintage cocaine paraphernalia ads that appeared

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<v Speaker 2>in the likes of High Times and other magazines. Yeah,

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<v Speaker 2>and there was one that I pointed out to you

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<v Speaker 2>that was just like this thing should be in the Smithsonian.

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<v Speaker 2>It was a metal probably like a gold plated coke tube.

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<v Speaker 2>So you put one end in the coke and you

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<v Speaker 2>put the other end up your nose and you sniff,

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<v Speaker 2>right just in case you didn't know how to jest cocaine.

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<v Speaker 3>How that worked.

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<v Speaker 2>It shaped like an old school vacuum cleaner, and so

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<v Speaker 2>the coke goes into the bottom of the vacuum cleaner

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<v Speaker 2>and comes out the handle, which is up in your nose.

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<v Speaker 2>They call it the finger instead of the hoover. Like,

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<v Speaker 2>whoever came up with this is just that's dedication right there,

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<v Speaker 2>because that's the kind of idea you'd just be like, man,

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<v Speaker 2>we should totally make this. But then the person actually

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<v Speaker 2>went and made it and sold it.

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<v Speaker 3>Yeah, and then McDonald tired them to develop their happy

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<v Speaker 3>Meil prices. Right, they're like, this guy's really good at

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<v Speaker 3>these tiny little bubbles.

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<v Speaker 2>Exactly, And if you knew what you were doing, you

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<v Speaker 2>could clip the ends off of all those prizes and

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<v Speaker 2>then as.

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<v Speaker 3>Cooks charge all right, So in nineteen seventy that's where

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<v Speaker 3>we were. Four Sad testified before Nixon's Presidential Commission on

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<v Speaker 3>obscenity and pornography. And this is when he got a

0:11:39.280 --> 0:11:42.360
<v Speaker 3>real chance to you know, take the national stage and

0:11:42.520 --> 0:11:46.400
<v Speaker 3>talked about well, he the quote was the only obscenity

0:11:46.520 --> 0:11:49.800
<v Speaker 3>is censorship, and it's the first and I feel like

0:11:49.840 --> 0:11:51.440
<v Speaker 3>we talked about this in our pie in the face

0:11:51.480 --> 0:11:55.440
<v Speaker 3>episode it had, But it's the first incident that we

0:11:55.520 --> 0:11:59.240
<v Speaker 3>know of where a protest pie in the face happened.

0:11:59.240 --> 0:12:04.079
<v Speaker 3>When he pulled out a cream pie and face pied

0:12:04.320 --> 0:12:07.640
<v Speaker 3>doctor doctor Larson, doctor Otto Larson.

0:12:08.120 --> 0:12:11.000
<v Speaker 2>Yeah, who was the chairman of that committee on Obscenity

0:12:11.040 --> 0:12:12.000
<v Speaker 2>in Pornography?

0:12:12.080 --> 0:12:15.160
<v Speaker 3>Right, Yeah, and that must be the first one. I

0:12:15.200 --> 0:12:17.240
<v Speaker 3>mean it's cited as the first time. Yeah, you know,

0:12:17.320 --> 0:12:19.360
<v Speaker 3>not in a Marx Brothers movie. Somebody's like, let me

0:12:19.400 --> 0:12:20.120
<v Speaker 3>make a point with this.

0:12:20.240 --> 0:12:22.240
<v Speaker 2>Yeah. It was a form of protest that picked up

0:12:22.240 --> 0:12:24.400
<v Speaker 2>really quick. I mean, there's few things you can do

0:12:24.480 --> 0:12:28.760
<v Speaker 2>to somebody publicly that is more disrespectful and humiliating but

0:12:28.840 --> 0:12:33.640
<v Speaker 2>also non injurious than the face. But he did that.

0:12:33.720 --> 0:12:34.680
<v Speaker 3>He didn't happen anymore.

0:12:34.679 --> 0:12:37.840
<v Speaker 2>He was called to testify, and not only did he

0:12:37.920 --> 0:12:42.880
<v Speaker 2>say that censorship is the true obscenity, he said he

0:12:42.960 --> 0:12:46.439
<v Speaker 2>said f censorship and f you, and then he pied

0:12:46.440 --> 0:12:49.600
<v Speaker 2>the guy in the face and a congressional hearing this

0:12:49.760 --> 0:12:51.560
<v Speaker 2>is what he did. This is just the kind of

0:12:51.679 --> 0:12:54.760
<v Speaker 2>person he was, like. He wasn't somebody who just talked

0:12:54.800 --> 0:12:57.440
<v Speaker 2>a big game like this guy followed through on the

0:12:57.480 --> 0:12:59.360
<v Speaker 2>stuff that he really believed in.

0:13:00.360 --> 0:13:02.599
<v Speaker 3>Yeah, and he also let that pie sit out the

0:13:02.679 --> 0:13:04.679
<v Speaker 3>day before in Phoenix. So it was Ryan green.

0:13:06.160 --> 0:13:06.480
<v Speaker 2>Yick.

0:13:07.520 --> 0:13:12.120
<v Speaker 3>Should we take a break? Sure? All right, let's take

0:13:12.120 --> 0:13:14.480
<v Speaker 3>a break and we'll talk about the beginnings of the

0:13:14.520 --> 0:13:15.800
<v Speaker 3>magazine right after this.

0:13:19.280 --> 0:13:28.080
<v Speaker 1>Stuff you should know, Josh and shock stuff you should know.

0:13:39.679 --> 0:13:43.280
<v Speaker 3>All right, So we've introduced our protagonist. I guess in

0:13:43.320 --> 0:13:46.840
<v Speaker 3>the in the first act we we can't And you know,

0:13:46.960 --> 0:13:50.120
<v Speaker 3>Dave helped us put together this article and he he

0:13:50.200 --> 0:13:51.720
<v Speaker 3>points out that if you tried to get I mean,

0:13:51.720 --> 0:13:53.840
<v Speaker 3>you could do a whole article on this guy and

0:13:53.920 --> 0:13:56.319
<v Speaker 3>talk about all the all the wacky things he did

0:13:56.320 --> 0:14:01.760
<v Speaker 3>over the years, like concert festival promotion. He snuck allegedly

0:14:01.840 --> 0:14:04.600
<v Speaker 3>pipe bombs into the seventy two Republican Convention.

0:14:05.120 --> 0:14:08.199
<v Speaker 2>Later on, he followed the sex pistols around and co

0:14:08.320 --> 0:14:11.319
<v Speaker 2>produced a documentary on them called doa Yeah.

0:14:11.360 --> 0:14:14.439
<v Speaker 3>So he was a busy guy. Doing a lot of stuff,

0:14:14.440 --> 0:14:17.520
<v Speaker 3>but this is about High Time. So the origin story

0:14:17.559 --> 0:14:20.520
<v Speaker 3>officially for High Times magazine is that he thought of

0:14:20.600 --> 0:14:25.480
<v Speaker 3>it with his friends while he was huffing nitrous oxide.

0:14:26.200 --> 0:14:28.240
<v Speaker 3>Other people say it might have been an acid trip,

0:14:28.760 --> 0:14:33.600
<v Speaker 3>but either way, the early idea was, hey, how about

0:14:33.920 --> 0:14:37.440
<v Speaker 3>how about a magazine like a marijuana theme magazine. They've

0:14:37.440 --> 0:14:41.040
<v Speaker 3>got Playboy, and some people say, like the initial idea

0:14:41.080 --> 0:14:42.840
<v Speaker 3>was just a one off kind of spoof of Playboy,

0:14:42.880 --> 0:14:45.680
<v Speaker 3>but everyone that worked there said, no, no, no. The idea

0:14:45.760 --> 0:14:48.800
<v Speaker 3>was always to have like a real magazine that was

0:14:48.920 --> 0:14:53.240
<v Speaker 3>cheeky and fun but also like real journalism and tackled

0:14:53.280 --> 0:14:56.480
<v Speaker 3>real topics about activism and marijuana and growing it and

0:14:56.480 --> 0:14:57.360
<v Speaker 3>all that stuff.

0:14:57.120 --> 0:15:02.160
<v Speaker 2>Right exactly. Michael Kennedy, who for Sad's personal attorney and

0:15:02.160 --> 0:15:05.120
<v Speaker 2>then came on as High Times legal counsel from like

0:15:05.200 --> 0:15:08.520
<v Speaker 2>the beginning until I think twenty sixteen when he died,

0:15:09.560 --> 0:15:13.080
<v Speaker 2>he explained it that High Times was meant to be

0:15:13.640 --> 0:15:18.520
<v Speaker 2>a way to use free speech to teach people how

0:15:18.560 --> 0:15:21.880
<v Speaker 2>to grow pot, and that like they basically had found

0:15:21.880 --> 0:15:26.280
<v Speaker 2>a loophole thanks to the First Amendment that they could

0:15:26.560 --> 0:15:29.120
<v Speaker 2>disseminate all of this information as far and as wide

0:15:29.120 --> 0:15:31.600
<v Speaker 2>as they possibly could, and in teaching people to grow

0:15:31.640 --> 0:15:36.520
<v Speaker 2>their own pot, that would eventually change attitudes about pot

0:15:36.880 --> 0:15:40.640
<v Speaker 2>and potentially lead to legalization. And as we'll see that

0:15:40.720 --> 0:15:43.840
<v Speaker 2>they were successful in that quest that they started back

0:15:43.880 --> 0:15:44.920
<v Speaker 2>in nineteen seventy four.

0:15:45.320 --> 0:15:48.080
<v Speaker 3>Yeah, that's right, and I think, I mean, I think

0:15:48.080 --> 0:15:52.920
<v Speaker 3>it absolutely did that. I think one of the missions was, hey,

0:15:53.360 --> 0:15:58.200
<v Speaker 3>let's really convince people. Not convinced, but let's really show

0:15:58.200 --> 0:16:00.000
<v Speaker 3>people what the truth is, which is that this is

0:16:00.080 --> 0:16:04.120
<v Speaker 3>a plant that can be grown like plant versus you know,

0:16:05.920 --> 0:16:07.200
<v Speaker 3>illicit drug, you know.

0:16:07.400 --> 0:16:11.600
<v Speaker 2>Right, or illicit drug versus illicit drug. Like at the time,

0:16:12.240 --> 0:16:15.280
<v Speaker 2>the Controlled Substances Act of nineteen seventy had just been

0:16:15.320 --> 0:16:20.240
<v Speaker 2>passed thanks to Richard Nixon and marijuana, which, by the way,

0:16:20.280 --> 0:16:22.920
<v Speaker 2>I read is not at all racist. There was a

0:16:23.040 --> 0:16:27.120
<v Speaker 2>Latino i think historian who researched it and he's like, yeah,

0:16:27.160 --> 0:16:32.720
<v Speaker 2>it's actually myth, so good for him. That it was

0:16:33.360 --> 0:16:37.560
<v Speaker 2>a schedule one, which I think it still was until

0:16:37.600 --> 0:16:41.680
<v Speaker 2>like this year, which means that it has, according to

0:16:41.760 --> 0:16:46.960
<v Speaker 2>the government, no medicinal value whatsoever, and the high potential

0:16:47.000 --> 0:16:50.120
<v Speaker 2>for abuse, and both of those are just absolute lies.

0:16:50.200 --> 0:16:52.800
<v Speaker 2>They're just not correct, they're not true. They knew this

0:16:52.840 --> 0:16:57.040
<v Speaker 2>back in nineteen seventy and that this Controlled Substances Act

0:16:57.480 --> 0:17:01.480
<v Speaker 2>kicked off the War on Drugs, which in retrospect most

0:17:01.520 --> 0:17:04.520
<v Speaker 2>people now agree was misguided in a huge waste of

0:17:04.560 --> 0:17:08.240
<v Speaker 2>money and killed a lot of people. And this was

0:17:08.280 --> 0:17:11.640
<v Speaker 2>the era that they incarcerated, Yes, incarcerated. It's a big

0:17:11.680 --> 0:17:15.440
<v Speaker 2>one too. But it was in this era, the beginning

0:17:15.440 --> 0:17:18.159
<v Speaker 2>of this era, that High Times started to kind of

0:17:19.720 --> 0:17:23.560
<v Speaker 2>become not just an idea but an actuality. So they

0:17:23.600 --> 0:17:25.760
<v Speaker 2>wanted to fight that, which was part of the reason

0:17:25.760 --> 0:17:29.240
<v Speaker 2>they were willing to like use mockery or just all

0:17:29.240 --> 0:17:31.160
<v Speaker 2>of their articles had a slant to it because they

0:17:31.160 --> 0:17:35.159
<v Speaker 2>felt like they were taking on liars, and that's a

0:17:35.240 --> 0:17:37.840
<v Speaker 2>legitimate way to respond to liars is through mockery or

0:17:38.280 --> 0:17:41.280
<v Speaker 2>really kind of pushing your agenda against them. But that

0:17:41.440 --> 0:17:45.760
<v Speaker 2>was a huge, I think, impetus for creating High Times

0:17:45.800 --> 0:17:46.240
<v Speaker 2>for sure.

0:17:47.240 --> 0:17:50.480
<v Speaker 3>Yeah, absolutely so. That very first issue came out summer

0:17:50.480 --> 0:17:54.000
<v Speaker 3>of seventy fours when it debuted, had a ten thousand

0:17:54.000 --> 0:17:57.920
<v Speaker 3>copy print run, and it didn't really light the world

0:17:57.920 --> 0:18:00.800
<v Speaker 3>on fire. I guess no pun intended. First it was

0:18:01.680 --> 0:18:04.399
<v Speaker 3>it had like an excerpt from a Timothy Leary novel.

0:18:05.400 --> 0:18:08.679
<v Speaker 3>Of course, articles about hempen marijuana and how great they

0:18:08.680 --> 0:18:13.160
<v Speaker 3>thought it was. There were some interviews, and very importantly

0:18:13.200 --> 0:18:16.119
<v Speaker 3>they had a something that would, you know, stay in

0:18:16.160 --> 0:18:18.600
<v Speaker 3>the magazine, which was a feature called the trans high

0:18:19.040 --> 0:18:24.560
<v Speaker 3>market market Quotation, which is a listing of like, hey,

0:18:24.560 --> 0:18:26.760
<v Speaker 3>in Chicago, this is how much a dimebag costs. This

0:18:26.800 --> 0:18:28.440
<v Speaker 3>is how much it costs in New York. This is

0:18:28.440 --> 0:18:31.479
<v Speaker 3>what announced we'd cost in Phoenix. You know what they

0:18:31.680 --> 0:18:33.320
<v Speaker 3>I guess they still call it street value, which I

0:18:33.320 --> 0:18:36.760
<v Speaker 3>always thought was really funny. Yeah, but that's that's what

0:18:36.800 --> 0:18:38.920
<v Speaker 3>it was. And it stayed in there for a long time,

0:18:38.920 --> 0:18:40.600
<v Speaker 3>even though, as we'll talk about later, it changed a

0:18:40.640 --> 0:18:43.439
<v Speaker 3>little bit over the years. But this first issue, like

0:18:43.480 --> 0:18:46.080
<v Speaker 3>I said, was not I mean, they did eventually sell

0:18:46.119 --> 0:18:50.040
<v Speaker 3>out of that ten thousand, but it wasn't through It

0:18:50.080 --> 0:18:52.480
<v Speaker 3>was through a lot of hustling. It wasn't like, hey,

0:18:52.520 --> 0:18:55.720
<v Speaker 3>it's on your news stand for sad said here, let

0:18:55.720 --> 0:18:58.199
<v Speaker 3>me get it into headshops, let me send them to

0:18:58.240 --> 0:19:01.479
<v Speaker 3>record stores. Apparently drug dealers bought copies and gave them

0:19:01.520 --> 0:19:05.280
<v Speaker 3>away to people. So it eventually did sell out the

0:19:05.280 --> 0:19:09.080
<v Speaker 3>two printings, but it was The second issue is when

0:19:09.119 --> 0:19:11.679
<v Speaker 3>it really really took off because of their you know,

0:19:11.840 --> 0:19:13.040
<v Speaker 3>kind of ingenious promotion.

0:19:13.600 --> 0:19:16.280
<v Speaker 2>Well, yeah, they threw a launch party at the Grammercy

0:19:16.320 --> 0:19:18.680
<v Speaker 2>Park Hotel in New York and invited like a bunch

0:19:18.680 --> 0:19:24.080
<v Speaker 2>of media and just got them messed up, like straight

0:19:24.280 --> 0:19:29.840
<v Speaker 2>button down media types, journalists, some like TV news people

0:19:30.400 --> 0:19:32.720
<v Speaker 2>showed up and we're like giving brownies and like here

0:19:32.760 --> 0:19:36.000
<v Speaker 2>trying nitrous oxide and have you ever had cocaine? And

0:19:36.040 --> 0:19:39.080
<v Speaker 2>I read a quote from Michael Kennedy, the legal council

0:19:39.119 --> 0:19:42.159
<v Speaker 2>for High Times. He said that he remembers three or

0:19:42.200 --> 0:19:45.840
<v Speaker 2>four lawsuits being brought against High Times from people who

0:19:45.880 --> 0:19:48.639
<v Speaker 2>got so wasted for the first time in their lives

0:19:48.680 --> 0:19:51.840
<v Speaker 2>that they decided to sue the magazine for it.

0:19:52.920 --> 0:19:55.800
<v Speaker 3>I could see that. Apparently. It was also, if not

0:19:55.880 --> 0:19:59.639
<v Speaker 3>the first, one of the first times like live television

0:19:59.640 --> 0:20:02.760
<v Speaker 3>showed people doing drugs. That was one of the local

0:20:02.800 --> 0:20:06.840
<v Speaker 3>news stations, according to Rolling Stone, showed people on camera

0:20:07.200 --> 0:20:10.399
<v Speaker 3>on the news snorting cocaine. And I'm sure people at

0:20:10.400 --> 0:20:12.320
<v Speaker 3>home are watching this just going on, like what is

0:20:12.400 --> 0:20:17.120
<v Speaker 3>going on? But it was huge publicity and they sold

0:20:17.119 --> 0:20:19.840
<v Speaker 3>out their fifty this time fifty thousand copy run in

0:20:19.920 --> 0:20:24.000
<v Speaker 3>four weeks and it became like a genuine sensation. That's

0:20:24.040 --> 0:20:27.280
<v Speaker 3>when also the second issues when they started also as

0:20:27.280 --> 0:20:30.119
<v Speaker 3>an homage to Playboy magazine their centerfold ye, but of

0:20:30.160 --> 0:20:34.800
<v Speaker 3>course their centerfold was always these these big, beautifully photographed

0:20:34.800 --> 0:20:37.480
<v Speaker 3>pictures of buds marijuana Budd.

0:20:37.600 --> 0:20:40.800
<v Speaker 2>The first one. I would take issue with the idea

0:20:40.840 --> 0:20:43.040
<v Speaker 2>that it was beautiful. It was a twenty pound brick

0:20:43.200 --> 0:20:48.359
<v Speaker 2>of schwag, just brown and compressed and ugly bit. But

0:20:48.480 --> 0:20:52.040
<v Speaker 2>at the time it was like their premier weed, Colombian

0:20:52.720 --> 0:20:57.120
<v Speaker 2>and just another aside. I'm sorry about this, but I

0:20:57.720 --> 0:21:00.640
<v Speaker 2>so I've always wondered in Hey nineteen, the Steely Dan

0:21:00.680 --> 0:21:04.000
<v Speaker 2>song when he says the Cuervo gold and the fine Colombian,

0:21:04.480 --> 0:21:07.360
<v Speaker 2>is he talking about cocaine or is he talking about pot?

0:21:07.480 --> 0:21:09.720
<v Speaker 2>And I went and researched this and I stumbled into

0:21:09.760 --> 0:21:11.280
<v Speaker 2>like a long standing argument.

0:21:11.720 --> 0:21:12.680
<v Speaker 3>Oh really, yeah.

0:21:12.720 --> 0:21:16.240
<v Speaker 2>I read an explanation from one person and it sounded

0:21:16.240 --> 0:21:19.520
<v Speaker 2>pretty legit. They said, it's one hundred percent pot that

0:21:19.560 --> 0:21:22.000
<v Speaker 2>they were talking about. That's what you called really good

0:21:22.040 --> 0:21:26.639
<v Speaker 2>pot back in the seventies. It was Colombian and it

0:21:26.680 --> 0:21:29.080
<v Speaker 2>wouldn't have referred to cocaine in the first place, because

0:21:29.119 --> 0:21:31.919
<v Speaker 2>at that time most of the cocaine came from Peru.

0:21:32.280 --> 0:21:36.520
<v Speaker 2>Colombian farmers hadn't really taken up coca production, and so

0:21:37.200 --> 0:21:40.600
<v Speaker 2>most people, if you were aware of cocaine, you were like,

0:21:40.840 --> 0:21:43.080
<v Speaker 2>this is some fine Peruvian. You wouldn't say this is

0:21:43.119 --> 0:21:45.960
<v Speaker 2>some fine Colombian. So it seems like that guy settled it,

0:21:46.040 --> 0:21:47.080
<v Speaker 2>at least in my mind.

0:21:48.440 --> 0:21:50.080
<v Speaker 3>Hey, that could have been the original lyric. You never

0:21:50.119 --> 0:21:51.120
<v Speaker 3>know what. It depends on the day.

0:21:51.119 --> 0:21:52.240
<v Speaker 2>Probably, I guess it does.

0:21:52.280 --> 0:21:56.159
<v Speaker 3>Sure, have you seen the yacht Rock documentary yet? On Max?

0:21:57.040 --> 0:22:00.520
<v Speaker 2>No? It's pretty good, Like about the people who came

0:22:00.600 --> 0:22:01.320
<v Speaker 2>up with yacht rock.

0:22:02.359 --> 0:22:04.960
<v Speaker 3>Well, I mean, the people who came up with the

0:22:05.560 --> 0:22:07.800
<v Speaker 3>term yacht rock are featured in it, But it's about

0:22:07.840 --> 0:22:08.919
<v Speaker 3>the genre of music.

0:22:09.080 --> 0:22:12.160
<v Speaker 2>Oh okay, Like it goes back to the seventies and eighties.

0:22:13.119 --> 0:22:14.600
<v Speaker 3>Well yeah, what else would it be about.

0:22:15.760 --> 0:22:18.359
<v Speaker 2>Well, there's a there's a band called yacht rock that

0:22:18.520 --> 0:22:20.959
<v Speaker 2>kicked it all off, and I don't know, Oh, oh.

0:22:20.920 --> 0:22:24.280
<v Speaker 3>You mean like the yacht rock review? Yes, no, no,

0:22:24.280 --> 0:22:28.960
<v Speaker 3>no, no could with them. The term yacht rock was came

0:22:29.000 --> 0:22:32.600
<v Speaker 3>about in early two thousands from a web comedy series Okay,

0:22:32.880 --> 0:22:35.320
<v Speaker 3>which I never knew until I saw this documentary. But no,

0:22:35.400 --> 0:22:38.120
<v Speaker 3>it's about just you know, Christopher Cross and Michael McDonald

0:22:38.160 --> 0:22:42.760
<v Speaker 3>and Seals and Croft, all the great people. You'd enjoy it.

0:22:42.800 --> 0:22:46.080
<v Speaker 2>I think have you seen the limited series Black Doves

0:22:46.640 --> 0:22:47.359
<v Speaker 2>with No?

0:22:47.400 --> 0:22:47.800
<v Speaker 3>I have not.

0:22:48.680 --> 0:22:53.520
<v Speaker 2>It's a British spy thriller like Theater ten episode.

0:22:53.400 --> 0:22:54.160
<v Speaker 3>Say No More, Sho.

0:22:54.440 --> 0:22:55.240
<v Speaker 2>It's really good.

0:22:56.080 --> 0:22:57.479
<v Speaker 3>I mean you can say more, but I just mean

0:22:57.520 --> 0:22:58.560
<v Speaker 3>I'm into that kind of thing.

0:22:58.760 --> 0:23:01.639
<v Speaker 2>No, I'm with you. Just go watch it. I recommend it.

0:23:02.520 --> 0:23:04.359
<v Speaker 3>Elsee. I always say these things in we're recording and

0:23:04.359 --> 0:23:05.640
<v Speaker 3>then I don't remember afterwards.

0:23:06.280 --> 0:23:07.760
<v Speaker 2>Just text me and be like, what was the thing

0:23:07.840 --> 0:23:08.320
<v Speaker 2>with the thing?

0:23:09.600 --> 0:23:09.840
<v Speaker 1>Once?

0:23:09.880 --> 0:23:12.320
<v Speaker 3>You text me? Right now while I talk Black does.

0:23:12.320 --> 0:23:14.280
<v Speaker 2>I don't have my phone on me. It's in the charger.

0:23:15.720 --> 0:23:17.440
<v Speaker 2>I'm sorry, that's right.

0:23:17.840 --> 0:23:22.160
<v Speaker 3>So mid seventies when High Times rolls out, those very

0:23:22.160 --> 0:23:26.040
<v Speaker 3>first years, the magazine was doing really well, but as

0:23:26.080 --> 0:23:27.800
<v Speaker 3>a as a you know, sort of a new magazine.

0:23:27.800 --> 0:23:32.840
<v Speaker 3>But Forsad was not. He was on the FBI surveillance list.

0:23:33.359 --> 0:23:35.960
<v Speaker 3>He was very paranoid because of the massive amounts of

0:23:36.000 --> 0:23:37.000
<v Speaker 3>drugs that he was taking.

0:23:37.200 --> 0:23:40.080
<v Speaker 2>Well but also rightfully so, the FBI impossibly even the

0:23:40.119 --> 0:23:44.840
<v Speaker 2>CIA was infiltrating the counterculture and playing informants. And there

0:23:44.920 --> 0:23:46.680
<v Speaker 2>was a time where he was like, there's an informant

0:23:46.680 --> 0:23:48.240
<v Speaker 2>here of the High Time staff, and I don't know

0:23:48.280 --> 0:23:49.400
<v Speaker 2>which one of you it is.

0:23:49.520 --> 0:23:50.240
<v Speaker 3>There may have been.

0:23:50.560 --> 0:23:53.119
<v Speaker 2>Yeah, it's possible, like he had reason to be paranoid

0:23:53.240 --> 0:23:56.480
<v Speaker 2>at the very least, but it was definitely fueled to

0:23:56.680 --> 0:23:58.840
<v Speaker 2>extremes through his drug use, for sure.

0:23:59.080 --> 0:24:02.800
<v Speaker 3>Yeah. Absolutely, the magazine itself was doing well. Like I

0:24:02.840 --> 0:24:05.159
<v Speaker 3>said that, the staff, I mean, it was just I mean,

0:24:05.200 --> 0:24:07.320
<v Speaker 3>if you think that, like the Lampoon and Mad magazine

0:24:07.400 --> 0:24:09.960
<v Speaker 3>was kind of crazy in their office, Like everybody in

0:24:10.000 --> 0:24:13.160
<v Speaker 3>the High Times office was huffing nitrous and smoking weed

0:24:13.400 --> 0:24:18.080
<v Speaker 3>and snorting blow like as they were working. But it was,

0:24:18.119 --> 0:24:20.679
<v Speaker 3>you know, it was creating like some really relevant journalism.

0:24:20.720 --> 0:24:24.720
<v Speaker 3>They were exposing, you know, government activities as far as

0:24:24.800 --> 0:24:30.000
<v Speaker 3>the drug war goes. Like when putting paraquat, which I

0:24:30.000 --> 0:24:33.320
<v Speaker 3>cannot help but think of Big Lebowski when I hear

0:24:33.359 --> 0:24:33.720
<v Speaker 3>that word.

0:24:34.280 --> 0:24:35.480
<v Speaker 2>Remember that part.

0:24:35.680 --> 0:24:40.320
<v Speaker 3>It's when Jeff when the dude called the real Lebowski

0:24:40.560 --> 0:24:45.240
<v Speaker 3>a human paraquat when he was mad. I think you

0:24:45.280 --> 0:24:49.080
<v Speaker 3>said human even human paraquat. Yeah, but paraquat was the

0:24:49.119 --> 0:24:53.399
<v Speaker 3>pesticide that was in marijuana fields under orders from the

0:24:53.520 --> 0:24:58.600
<v Speaker 3>US and that this article helped promote a congressional investigation.

0:24:59.840 --> 0:25:02.840
<v Speaker 3>The interviewed the Dalai Lama about drugs. That was Hunter S.

0:25:02.880 --> 0:25:06.240
<v Speaker 3>Thompson and of course William S. Burrows doing writing. That

0:25:06.440 --> 0:25:10.200
<v Speaker 3>was Truman Capoti, did a guest interview with Andy Warhol.

0:25:10.320 --> 0:25:12.639
<v Speaker 3>Bob Marley was in it. Like it was really the

0:25:13.080 --> 0:25:16.080
<v Speaker 3>heyday of that magazine as far as being like a

0:25:16.160 --> 0:25:19.240
<v Speaker 3>real like they achieved what they wanted to achieve in

0:25:19.280 --> 0:25:20.440
<v Speaker 3>the first few years.

0:25:20.720 --> 0:25:24.840
<v Speaker 2>Yeah, I mean that's like some heavyweight underground stuff right

0:25:24.840 --> 0:25:28.120
<v Speaker 2>there that they got into their pages for sure. And yeah,

0:25:28.160 --> 0:25:31.320
<v Speaker 2>I think the latest thing you mentioned was nineteen seventy

0:25:31.400 --> 0:25:34.040
<v Speaker 2>eight with Truman Capodi and Andy Warhol. So this is

0:25:34.040 --> 0:25:36.040
<v Speaker 2>all in like the first four years that they're cramming

0:25:36.080 --> 0:25:39.080
<v Speaker 2>all this stuff in there. So yeah, right out of

0:25:39.080 --> 0:25:42.800
<v Speaker 2>the gate, it was. It was very successful in part, Chuck,

0:25:43.400 --> 0:25:49.640
<v Speaker 2>because there was nothing like this in existence before, I mean,

0:25:49.640 --> 0:25:53.200
<v Speaker 2>aside from some underground zines that fifty people read before

0:25:53.320 --> 0:25:57.520
<v Speaker 2>High Times. It became a national magazine, a national magazine

0:25:57.520 --> 0:26:00.000
<v Speaker 2>about pot and people who love pot and loved drugs.

0:26:00.040 --> 0:26:02.399
<v Speaker 2>And want to see them legalized, and here's how you

0:26:02.440 --> 0:26:04.919
<v Speaker 2>do it, and here's how you grow this stuff. And

0:26:05.000 --> 0:26:07.360
<v Speaker 2>today it seems like it's not a really big thing

0:26:07.400 --> 0:26:10.119
<v Speaker 2>to talk about pod or to find an article about

0:26:10.240 --> 0:26:13.840
<v Speaker 2>people smoking pot and Newsweek or whatever, right, And that

0:26:14.000 --> 0:26:17.639
<v Speaker 2>is because High Times existed and laid the groundwork for it.

0:26:18.520 --> 0:26:20.560
<v Speaker 3>Yeah, I mean they by year four they had a

0:26:20.640 --> 0:26:24.000
<v Speaker 3>subscribership that was about the same as Rolling Stone magazine.

0:26:24.400 --> 0:26:27.679
<v Speaker 3>Yeah that's crazy, which is yeah, it's just nuts. In

0:26:27.800 --> 0:26:34.359
<v Speaker 3>nineteen seventy eight, Forsyde had previous attempts at suicide, but

0:26:34.480 --> 0:26:37.360
<v Speaker 3>he succeeded in November of nineteen seventy eight, very sadly,

0:26:37.880 --> 0:26:40.880
<v Speaker 3>when he was just thirty three years old. I saw

0:26:41.280 --> 0:26:43.840
<v Speaker 3>different things that he know. It was after the death

0:26:43.840 --> 0:26:46.760
<v Speaker 3>of a friend that had him really upset. And like

0:26:46.800 --> 0:26:48.800
<v Speaker 3>I said, there were previous attempts, so he was a

0:26:48.800 --> 0:26:53.360
<v Speaker 3>troubled guy to say the least. But they held his

0:26:53.440 --> 0:26:56.439
<v Speaker 3>memorial atop the World Trade Center at the windows of

0:26:56.480 --> 0:27:02.320
<v Speaker 3>the World Restaurant, and as legend has it, smoked. I

0:27:02.320 --> 0:27:05.720
<v Speaker 3>think Keith Richards snorted his dad's ashes supposedly, but they

0:27:06.359 --> 0:27:10.040
<v Speaker 3>rolled up some of Forsade's ashes in joints and smoked

0:27:10.040 --> 0:27:10.840
<v Speaker 3>them as a staff.

0:27:11.119 --> 0:27:13.440
<v Speaker 2>That always reminds me of that episode from Six Feet

0:27:13.520 --> 0:27:17.679
<v Speaker 2>Under where the daughter finds some actors who are snorting

0:27:17.720 --> 0:27:24.000
<v Speaker 2>like their co Their co stars ashes jodita like cocaine

0:27:24.080 --> 0:27:26.280
<v Speaker 2>or something like that and died. And I can't remember

0:27:26.320 --> 0:27:28.240
<v Speaker 2>the daughter's name from Six Feet Under, but she finds

0:27:28.280 --> 0:27:32.160
<v Speaker 2>them doing this and just Claire, she just goes bonkers

0:27:32.200 --> 0:27:35.680
<v Speaker 2>on them, like what is wrong with you? It's really good,

0:27:35.720 --> 0:27:36.760
<v Speaker 2>it's very satisfying.

0:27:37.480 --> 0:27:39.159
<v Speaker 3>That's weird for Claire to be judging like that.

0:27:39.840 --> 0:27:44.840
<v Speaker 2>She was so morally offended by what she was seeing

0:27:44.880 --> 0:27:47.959
<v Speaker 2>that she just unleashed on them. It was weird for her,

0:27:48.000 --> 0:27:49.760
<v Speaker 2>but it fit, yeah the moment.

0:27:51.160 --> 0:27:52.920
<v Speaker 3>I wonder if she was upset about her art class

0:27:52.920 --> 0:27:53.399
<v Speaker 3>at the time.

0:27:53.760 --> 0:27:55.479
<v Speaker 2>I don't think she was there yet. I think she

0:27:55.560 --> 0:27:56.080
<v Speaker 2>was younger.

0:27:56.480 --> 0:28:01.840
<v Speaker 3>Yeah, so High Times. This is before as far as

0:28:01.840 --> 0:28:04.600
<v Speaker 3>the magazine itself, before Foresad died, they did start to

0:28:04.640 --> 0:28:07.880
<v Speaker 3>sort of stray from their mission statement a little bit.

0:28:07.920 --> 0:28:11.439
<v Speaker 3>As far as coverage of harder drugs, they started writing

0:28:11.440 --> 0:28:15.400
<v Speaker 3>a lot about cocaine, like in a big, big way.

0:28:15.440 --> 0:28:19.879
<v Speaker 3>They even started including cocaine and meth and LSD in

0:28:19.920 --> 0:28:23.480
<v Speaker 3>that trans high market quotation as far as how much

0:28:23.480 --> 0:28:26.400
<v Speaker 3>it should cost in different cities, and it was sort

0:28:26.400 --> 0:28:30.320
<v Speaker 3>of like, I think the adherence of the magazine even

0:28:30.320 --> 0:28:32.679
<v Speaker 3>were a little bit like, hey, this is not what

0:28:32.760 --> 0:28:35.160
<v Speaker 3>I signed up for, Like this was a weed magazine.

0:28:35.520 --> 0:28:37.960
<v Speaker 3>So they kind of got back to the weed thing more.

0:28:38.080 --> 0:28:41.760
<v Speaker 3>In the eighties, cocaine, you know, the reputation started to

0:28:41.760 --> 0:28:43.400
<v Speaker 3>get a little bit more like hey, wait a minute,

0:28:43.520 --> 0:28:45.360
<v Speaker 3>this stuff is like really dangerous and there's a lot

0:28:45.400 --> 0:28:49.160
<v Speaker 3>of violence attached to it, yea, and the trade, and

0:28:49.240 --> 0:28:52.520
<v Speaker 3>so they really got back to the pot thing again

0:28:52.600 --> 0:28:55.480
<v Speaker 3>in a big way, and they were just getting going

0:28:55.520 --> 0:28:58.280
<v Speaker 3>again in the eighties back to their mission statement, when

0:28:58.800 --> 0:29:03.120
<v Speaker 3>the DEA launched something called Operation Green Merchant, in which

0:29:03.160 --> 0:29:08.280
<v Speaker 3>they really wanted to target marijuana growth and not the

0:29:08.320 --> 0:29:12.880
<v Speaker 3>growth of marijuana, like growing marijuana plants and advertisements for

0:29:12.920 --> 0:29:15.800
<v Speaker 3>this equipment that was sort of thinly veiled as like

0:29:16.120 --> 0:29:18.760
<v Speaker 3>oh no, this these lights just help you grow your

0:29:19.120 --> 0:29:22.680
<v Speaker 3>letting your regano at home or whatever, garryer lettuce. And

0:29:22.720 --> 0:29:26.640
<v Speaker 3>so Operation Green Merchant was to target those ads and

0:29:26.680 --> 0:29:30.360
<v Speaker 3>the publications that sort of taught you step by step

0:29:30.360 --> 0:29:31.480
<v Speaker 3>how to do this right.

0:29:31.560 --> 0:29:34.360
<v Speaker 2>And so that. I mean, the DEA had tried to

0:29:34.400 --> 0:29:37.680
<v Speaker 2>take down High Times many times. This is the one

0:29:37.760 --> 0:29:42.560
<v Speaker 2>they almost got them with because it took out their advertisers.

0:29:42.560 --> 0:29:46.480
<v Speaker 2>Their advertisers went to jail or were run out of business,

0:29:46.960 --> 0:29:49.400
<v Speaker 2>and all of a sudden, a huge amount of High

0:29:49.440 --> 0:29:54.240
<v Speaker 2>Times regular advertising dollars just vanished, like overnight because of

0:29:54.280 --> 0:29:59.360
<v Speaker 2>Operation Green Merchant. It went up and smoked this right, sorry,

0:29:59.720 --> 0:30:03.360
<v Speaker 2>no worth it for sure. And they I read a

0:30:03.440 --> 0:30:06.040
<v Speaker 2>quote there they were saying like, at this point, High

0:30:06.040 --> 0:30:09.880
<v Speaker 2>Times was the verge of bankruptcy. The DA almost got them,

0:30:10.080 --> 0:30:12.160
<v Speaker 2>but they managed to just kind of slowly climb their

0:30:12.160 --> 0:30:15.520
<v Speaker 2>way back and get back into it in the nineties.

0:30:16.080 --> 0:30:19.680
<v Speaker 2>This is when I started reading High Times. It was

0:30:19.760 --> 0:30:24.600
<v Speaker 2>saved by hip hop. Yeah. Before Doctor Dre's The Chronic

0:30:24.880 --> 0:30:28.520
<v Speaker 2>album came out, Pot was just viewed as like, you know,

0:30:29.080 --> 0:30:32.680
<v Speaker 2>people who listening to like hippies or burnouts like Judas

0:30:32.760 --> 0:30:37.440
<v Speaker 2>Priest fans stuff like that. Yeah, that wo smoked pot

0:30:37.840 --> 0:30:40.400
<v Speaker 2>and they were just as likely to sniff glue at

0:30:40.440 --> 0:30:43.920
<v Speaker 2>the same time. Right then the Chronic came along and

0:30:44.160 --> 0:30:48.960
<v Speaker 2>it was it just exploded, like overnight, pot was totally

0:30:48.960 --> 0:30:53.040
<v Speaker 2>in fashion again and a whole new generation just got

0:30:53.080 --> 0:30:54.720
<v Speaker 2>into it, like really quickly.

0:30:55.880 --> 0:30:58.320
<v Speaker 3>Yeah, and High Times magazine, I mean they rolled right

0:30:58.320 --> 0:31:00.160
<v Speaker 3>with it, I mean right into the nineties. All of

0:31:00.200 --> 0:31:02.240
<v Speaker 3>a sudden, it's like, oh, well, now we can put

0:31:02.280 --> 0:31:05.800
<v Speaker 3>ice cube on the cover, and you know, right about

0:31:05.800 --> 0:31:08.959
<v Speaker 3>this other sort of I mean, I guess you call

0:31:09.000 --> 0:31:11.440
<v Speaker 3>it a subculture that you know, we hadn't been highlighting

0:31:11.480 --> 0:31:15.160
<v Speaker 3>in the past, and you know, beyond making it relevant again,

0:31:15.200 --> 0:31:17.640
<v Speaker 3>I think they they found out they were missing out

0:31:17.720 --> 0:31:21.520
<v Speaker 3>on an entire like readership that they had never targeted.

0:31:21.120 --> 0:31:25.760
<v Speaker 2>Before, right for sure. And the one other impact that

0:31:25.800 --> 0:31:29.720
<v Speaker 2>it had too is they helped instruct people how to

0:31:29.800 --> 0:31:33.640
<v Speaker 2>set up your home grow system. So as like hydroponic

0:31:33.720 --> 0:31:37.400
<v Speaker 2>systems started kind of going from a thing you had

0:31:37.440 --> 0:31:41.320
<v Speaker 2>to put together by going to fifty different stores right too,

0:31:41.360 --> 0:31:45.640
<v Speaker 2>Like you can buy this entire hydroponic system through the

0:31:45.640 --> 0:31:48.400
<v Speaker 2>pages of High Times. They helped people learn how to

0:31:48.440 --> 0:31:51.880
<v Speaker 2>do that along the way, and as a result, POTT

0:31:52.080 --> 0:31:55.240
<v Speaker 2>just started. At the same time, when it became fashionable

0:31:55.280 --> 0:31:59.800
<v Speaker 2>again in the early nineties, it got exponentially better than

0:31:59.840 --> 0:32:03.360
<v Speaker 2>it had been leading up to that. It was like

0:32:03.400 --> 0:32:05.840
<v Speaker 2>somebody threw a switch and all of a sudden, pot

0:32:05.880 --> 0:32:07.760
<v Speaker 2>was what you see or think of it now, like

0:32:07.840 --> 0:32:11.680
<v Speaker 2>just sticky buds and gorgeous like beautiful flowers and all

0:32:11.720 --> 0:32:15.440
<v Speaker 2>that stuff like that really was much more potent. Like

0:32:15.640 --> 0:32:19.640
<v Speaker 2>that happened at about the exact same time as as

0:32:19.680 --> 0:32:22.440
<v Speaker 2>like the Chronic and Snoop Dogg coming out and all that,

0:32:22.520 --> 0:32:25.040
<v Speaker 2>Like ninety two ninety three is when it really changed.

0:32:25.640 --> 0:32:28.440
<v Speaker 3>I was talking to my friend Clay the other day

0:32:28.880 --> 0:32:31.640
<v Speaker 3>because he is who introduced us to the Chronic. When

0:32:31.640 --> 0:32:34.240
<v Speaker 3>we would I think I've said this before, but we

0:32:34.280 --> 0:32:36.600
<v Speaker 3>went over to his house and play like the Nintendo

0:32:37.760 --> 0:32:39.680
<v Speaker 3>whatever the system was. What was the one back then?

0:32:40.080 --> 0:32:43.040
<v Speaker 2>It wasn't the sixty four. Was it super nice?

0:32:43.080 --> 0:32:43.840
<v Speaker 3>Yeah? The sixty four?

0:32:43.960 --> 0:32:44.640
<v Speaker 2>Was it sixty four?

0:32:45.080 --> 0:32:46.800
<v Speaker 3>Yeah? So we go over there and play Street Fighter

0:32:46.840 --> 0:32:49.600
<v Speaker 3>and Mortal Kombat, and Clay one day was like, dude,

0:32:49.760 --> 0:32:53.560
<v Speaker 3>listen to this. Yeah, puts on the Chronic and Snoop

0:32:53.560 --> 0:32:55.360
<v Speaker 3>Dogg's voice came out of the speaker and we were

0:32:55.400 --> 0:32:57.200
<v Speaker 3>all into hip hop at the time, but Snoop Dogg,

0:32:57.480 --> 0:33:00.040
<v Speaker 3>he didn't sound like anybody else at the time, but

0:33:00.160 --> 0:33:02.239
<v Speaker 3>when his voice came out, we were like, who is

0:33:02.400 --> 0:33:06.000
<v Speaker 3>this guy? It's like, oh my god, and like how funny.

0:33:06.040 --> 0:33:07.080
<v Speaker 3>And I was talking to him the other day. I

0:33:07.080 --> 0:33:09.280
<v Speaker 3>was like, how funny and back then, like, would you

0:33:09.320 --> 0:33:13.080
<v Speaker 3>ever think that? Now Snoop Dogg is like this. I

0:33:13.120 --> 0:33:15.479
<v Speaker 3>mean one of the most famous people in the world.

0:33:16.160 --> 0:33:18.240
<v Speaker 2>I know, the mascot of USA Olympics.

0:33:18.560 --> 0:33:21.480
<v Speaker 3>Yeah, I mean working with Martha Stewart. It's like, I

0:33:21.720 --> 0:33:23.080
<v Speaker 3>don't think anybody saw that coming.

0:33:23.280 --> 0:33:25.280
<v Speaker 2>Oh that was a good documentary too, by the way.

0:33:25.720 --> 0:33:26.840
<v Speaker 3>Oh, I haven't seen that one yet.

0:33:26.840 --> 0:33:27.160
<v Speaker 2>It's good.

0:33:27.240 --> 0:33:30.040
<v Speaker 3>Is it good? Hey? I don't know if everyone knows this.

0:33:30.480 --> 0:33:32.040
<v Speaker 3>Jerry's been to Martha Stewart's house.

0:33:32.760 --> 0:33:33.960
<v Speaker 2>I didn't know that, did I.

0:33:34.560 --> 0:33:36.800
<v Speaker 3>Yeah, she told us a while ago. At one point

0:33:36.840 --> 0:33:40.640
<v Speaker 3>she was doing something with the company. I don't know

0:33:40.640 --> 0:33:43.360
<v Speaker 3>if whatever happened with that, but Jerry like went to

0:33:43.400 --> 0:33:45.840
<v Speaker 3>her house. She said it was a real mess.

0:33:46.560 --> 0:33:49.680
<v Speaker 2>That's crazy. I believe it though. It's probably like felt

0:33:49.680 --> 0:33:53.840
<v Speaker 2>scraps everywhere, and yeah, half half bone chicken and things

0:33:53.880 --> 0:33:54.880
<v Speaker 2>like that, just sitting around.

0:33:55.000 --> 0:33:58.360
<v Speaker 3>Hodge Podge bottles just spilled all over the place. No,

0:33:58.680 --> 0:34:02.440
<v Speaker 3>it's perfect. So High Times back to High Times from

0:34:02.480 --> 0:34:04.680
<v Speaker 3>eighty eight to twenty thirteen. That was an editor in

0:34:04.760 --> 0:34:09.000
<v Speaker 3>chief named Stephen Hager that ran the Joint and he

0:34:09.120 --> 0:34:12.760
<v Speaker 3>was God, man, I'm not even meaning to I swear

0:34:12.760 --> 0:34:17.080
<v Speaker 3>I'm not. He ran High Times magazine. This is when

0:34:17.120 --> 0:34:20.319
<v Speaker 3>they I mean, they had always talked about legalization, but

0:34:20.440 --> 0:34:23.360
<v Speaker 3>this is when they really really got into writing and

0:34:23.440 --> 0:34:29.120
<v Speaker 3>beating that drum about not decriminalizing but like legalizing weed

0:34:29.360 --> 0:34:30.480
<v Speaker 3>for everybody.

0:34:31.000 --> 0:34:35.360
<v Speaker 2>Yeah, Like they moved that overton window and made just

0:34:35.480 --> 0:34:41.040
<v Speaker 2>the concept of legal weed something. They took it from

0:34:41.040 --> 0:34:44.560
<v Speaker 2>something like a dorm room conversation to this is how

0:34:44.600 --> 0:34:47.400
<v Speaker 2>you would do it. Here's a path to legalization, right states,

0:34:47.480 --> 0:34:50.480
<v Speaker 2>you know. Yeah, Yeah, And they just made it like

0:34:50.560 --> 0:34:55.520
<v Speaker 2>a potential thing, like a real concept. They brought it

0:34:55.560 --> 0:34:58.200
<v Speaker 2>into existence and helped push it along. I should say

0:34:58.200 --> 0:35:00.680
<v Speaker 2>they covered the people who were out there, like yeah,

0:35:00.719 --> 0:35:03.760
<v Speaker 2>coming into or bringing it into existence or really thinking

0:35:03.760 --> 0:35:06.200
<v Speaker 2>about it. But through covering them and exposing them to

0:35:06.239 --> 0:35:09.440
<v Speaker 2>millions of people every month, that kind of got the

0:35:09.480 --> 0:35:10.880
<v Speaker 2>whole idea out there.

0:35:11.480 --> 0:35:14.319
<v Speaker 3>Yeah, the normal n r m L.

0:35:14.840 --> 0:35:18.120
<v Speaker 2>That was it, right, Yeah. Thomas Farsad helped bankroll them

0:35:18.200 --> 0:35:23.800
<v Speaker 2>in their early days, the National Organization for the Rethinking

0:35:23.840 --> 0:35:29.000
<v Speaker 2>of Marijuana Legislation, Reform of Marijuana.

0:35:28.600 --> 0:35:32.400
<v Speaker 3>Realization Reform, Yeah, reform. I went to one of the

0:35:33.040 --> 0:35:35.680
<v Speaker 3>norm the Atlanta Pimont Park used to have in the nineties,

0:35:35.680 --> 0:35:39.680
<v Speaker 3>the normal pot rally concerts you went to that. I

0:35:39.719 --> 0:35:41.319
<v Speaker 3>went to one of them one year when the Black

0:35:41.360 --> 0:35:44.680
<v Speaker 3>Crows played, and it was a lot of fun. It

0:35:44.719 --> 0:35:46.279
<v Speaker 3>was a great show. I liked them for a little

0:35:46.280 --> 0:35:47.759
<v Speaker 3>while back then, and it was really good.

0:35:48.200 --> 0:35:51.040
<v Speaker 2>You were sitting amid a sea of brass bowls with

0:35:51.120 --> 0:35:53.520
<v Speaker 2>like the Tai Die little plastic middles that you would

0:35:53.520 --> 0:35:54.040
<v Speaker 2>hold onto.

0:35:54.440 --> 0:35:56.439
<v Speaker 3>Yeah, well, nobody was smoking weed. It was really weird.

0:35:56.920 --> 0:35:58.640
<v Speaker 2>That's a little weird. That's so Atlanta.

0:35:59.040 --> 0:36:01.239
<v Speaker 3>So yeah, they were advocate it such that there was

0:36:01.280 --> 0:36:04.000
<v Speaker 3>an article in twenty thirteen and the Nation that said

0:36:04.280 --> 0:36:07.319
<v Speaker 3>High Times magazine may be the most influential publication of

0:36:07.360 --> 0:36:12.799
<v Speaker 3>our era. So it wasn't just you know, cheeky articles

0:36:12.880 --> 0:36:15.520
<v Speaker 3>and pictures of beautiful buds. It was like they were

0:36:15.560 --> 0:36:18.880
<v Speaker 3>doing real, real work toward sea change.

0:36:19.000 --> 0:36:22.520
<v Speaker 2>And it worked, yes, And yet at the same time,

0:36:22.640 --> 0:36:25.760
<v Speaker 2>especially in like the magazine industry, they're just dismissed as

0:36:26.239 --> 0:36:29.879
<v Speaker 2>you know, they're just stoners. They're potheads, right, and they

0:36:29.880 --> 0:36:33.400
<v Speaker 2>don't care. They don't seem to. They don't go after awards,

0:36:33.640 --> 0:36:36.880
<v Speaker 2>they don't like submit their their writer's work for awards

0:36:36.880 --> 0:36:39.080
<v Speaker 2>and stuff like that. They genuinely don't seem to care

0:36:39.080 --> 0:36:42.120
<v Speaker 2>about that kind of stuff because they're off doing like

0:36:42.160 --> 0:36:44.360
<v Speaker 2>their own thing and they're actually doing it. But I

0:36:44.400 --> 0:36:47.719
<v Speaker 2>saw a citation of how popular culture thinks of High

0:36:47.800 --> 0:36:52.400
<v Speaker 2>Times from They cited a Sarait Live skit featuring Jack Black,

0:36:52.960 --> 0:36:56.960
<v Speaker 2>and he played High Times top reporter and he was like,

0:36:57.320 --> 0:36:59.840
<v Speaker 2>I think at a press conference or whatever, and he

0:37:00.040 --> 0:37:01.800
<v Speaker 2>would stand up to ask a question and then he

0:37:01.840 --> 0:37:05.839
<v Speaker 2>would forget what he was gonna say every time. Yeah,

0:37:05.880 --> 0:37:08.120
<v Speaker 2>of course, Oh, I thought it was hilarious. I didn't

0:37:08.120 --> 0:37:08.320
<v Speaker 2>even know.

0:37:08.360 --> 0:37:10.680
<v Speaker 3>No, no, no, it's funny. I'm not saying it wasn't. I'm

0:37:10.719 --> 0:37:13.280
<v Speaker 3>just saying like, yeah, that's got to be the sketches

0:37:13.360 --> 0:37:15.279
<v Speaker 3>that he has no memory.

0:37:15.400 --> 0:37:19.200
<v Speaker 2>Right, But I could not find it anywhere, And it's uh,

0:37:19.640 --> 0:37:21.640
<v Speaker 2>I just read about it, like all the other stuff

0:37:21.640 --> 0:37:24.399
<v Speaker 2>I'm talking about. I didn't experience a first hand. I've

0:37:24.440 --> 0:37:25.440
<v Speaker 2>just read about it.

0:37:25.880 --> 0:37:27.520
<v Speaker 3>I feel like I saw it back then. But I

0:37:27.560 --> 0:37:30.040
<v Speaker 3>do remember that one of the issues I had, and

0:37:30.120 --> 0:37:32.880
<v Speaker 3>this had to be from the two thousands, was Tenacious

0:37:32.920 --> 0:37:33.719
<v Speaker 3>D was on the cover.

0:37:34.400 --> 0:37:37.399
<v Speaker 2>Yeah, and I think Jack Black himself was as well.

0:37:38.360 --> 0:37:40.520
<v Speaker 3>Well, I mean he is one half of Tenacious D,

0:37:40.719 --> 0:37:42.680
<v Speaker 3>but I mean just without Kyle. He's like, let me

0:37:42.719 --> 0:37:47.680
<v Speaker 3>do one without that guy. Yes, all right, we have

0:37:47.760 --> 0:37:50.600
<v Speaker 3>been remiss and not taking a second break. So we're

0:37:50.600 --> 0:37:52.640
<v Speaker 3>gonna do that now, and we're going to talk about

0:37:52.640 --> 0:37:56.319
<v Speaker 3>what has happened over the last decade or twenty years

0:37:56.440 --> 0:37:57.320
<v Speaker 3>or so right after.

0:37:57.120 --> 0:38:09.640
<v Speaker 1>This stuff you should know, Yash and shock stuff you

0:38:09.680 --> 0:38:10.080
<v Speaker 1>should know.

0:38:22.239 --> 0:38:26.480
<v Speaker 2>Okay, Chuck. So we were talking about how Stephen Hager

0:38:26.719 --> 0:38:30.359
<v Speaker 2>guided High Times through like a really prolific era. This

0:38:30.440 --> 0:38:32.600
<v Speaker 2>is like in the nineties. I feel like, and I

0:38:32.600 --> 0:38:35.239
<v Speaker 2>don't Maybe I'm just talking because that was the time

0:38:35.280 --> 0:38:37.319
<v Speaker 2>I came in contact with it. It feels like that's when

0:38:37.360 --> 0:38:40.600
<v Speaker 2>it really transitioned into like an iconic thing that was

0:38:40.680 --> 0:38:43.640
<v Speaker 2>never really gonna go away, even if it went away,

0:38:43.680 --> 0:38:44.359
<v Speaker 2>you know what I'm saying.

0:38:44.800 --> 0:38:45.440
<v Speaker 3>Yeah, agreed.

0:38:45.960 --> 0:38:49.160
<v Speaker 2>So in two thousand and four, as I understand it,

0:38:49.200 --> 0:38:52.960
<v Speaker 2>I believe Hager retired in two thousand and three, and

0:38:53.000 --> 0:38:55.640
<v Speaker 2>so the replacement they brought in for editor in chief.

0:38:56.640 --> 0:38:58.520
<v Speaker 2>As far as I know, I think we've both seen

0:38:58.560 --> 0:38:59.719
<v Speaker 2>conflicting stuff, right.

0:39:00.400 --> 0:39:02.399
<v Speaker 3>Yeah, I might have said twenty thirteen to two, which

0:39:02.480 --> 0:39:03.879
<v Speaker 3>was it was probably two thousand and three.

0:39:04.040 --> 0:39:07.480
<v Speaker 2>Oh, gotcha. Okay, So Richard Stratton came in as the

0:39:07.600 --> 0:39:09.800
<v Speaker 2>editor in chief and he had bona fides. He served

0:39:09.800 --> 0:39:12.360
<v Speaker 2>eight years in federal prison for dealing pot.

0:39:13.040 --> 0:39:17.640
<v Speaker 3>Oh I thought you get talking about editor in chief bonafides.

0:39:19.920 --> 0:39:21.640
<v Speaker 2>No, he didn't have those. That was the other thing.

0:39:21.640 --> 0:39:24.400
<v Speaker 2>He was a journalist. He'd reinvented himself as a journalist.

0:39:24.880 --> 0:39:27.840
<v Speaker 2>I think he had some books under his belt. He

0:39:27.920 --> 0:39:31.920
<v Speaker 2>wasn't like a bad pick. He made a bad pick. Yeah,

0:39:31.960 --> 0:39:34.600
<v Speaker 2>he was very good friends with Norman Mayler, and in fact,

0:39:34.840 --> 0:39:36.480
<v Speaker 2>one of the reasons he went to prison is he

0:39:36.560 --> 0:39:40.279
<v Speaker 2>refused to implicate Norman Mahler in his pot dealing activities.

0:39:41.000 --> 0:39:44.160
<v Speaker 2>And when he became editor in chief of High Times,

0:39:44.400 --> 0:39:48.000
<v Speaker 2>he hired Norman Mahler's son, John Buffalo Mailer, who's twenty

0:39:48.040 --> 0:39:51.240
<v Speaker 2>five at the time. Yeah, hired him as executive editor.

0:39:51.600 --> 0:39:56.319
<v Speaker 2>And yeah, I like his name. John Buffalo Mailer had

0:39:56.480 --> 0:40:00.560
<v Speaker 2>zero publishing experience whatsoever. And the whole thing it was

0:40:00.680 --> 0:40:03.359
<v Speaker 2>just this is a bad time for High Times.

0:40:03.600 --> 0:40:06.840
<v Speaker 3>Yeah. It was ill conceived. I think they didn't quite

0:40:06.920 --> 0:40:10.440
<v Speaker 3>know where to go after the sort of it's not

0:40:10.480 --> 0:40:13.399
<v Speaker 3>like the hip hop era ended any you know, mention

0:40:13.520 --> 0:40:16.640
<v Speaker 3>of weed or anything like that, but it was sort

0:40:16.680 --> 0:40:19.160
<v Speaker 3>of past that. You know, everything changes from decade to

0:40:19.200 --> 0:40:21.120
<v Speaker 3>decade culturally, and they didn't quite know what to do,

0:40:21.160 --> 0:40:25.120
<v Speaker 3>I think, so they said, hey, why don't we do this,

0:40:25.280 --> 0:40:27.440
<v Speaker 3>Why don't we try and sort of change the image

0:40:27.440 --> 0:40:29.960
<v Speaker 3>of the magazine and become just more of a sort

0:40:30.000 --> 0:40:36.160
<v Speaker 3>of a cultural magazine, like essentially, let's stop writing about

0:40:36.200 --> 0:40:40.480
<v Speaker 3>weed exclusively and let's really stop writing about weed almost

0:40:40.480 --> 0:40:44.160
<v Speaker 3>all together. And that lasted for about a year. They

0:40:44.560 --> 0:40:47.359
<v Speaker 3>did not like that. The readership was like, what are

0:40:47.360 --> 0:40:49.920
<v Speaker 3>you doing. The whole point of this magazine is that

0:40:49.960 --> 0:40:53.720
<v Speaker 3>it's high times and it's not, you know, about freedom,

0:40:53.840 --> 0:40:58.080
<v Speaker 3>it's about freedom to smoke weed specifically and grow it specifically.

0:40:58.680 --> 0:41:01.600
<v Speaker 3>And like I said, about a year later, in fact

0:41:01.640 --> 0:41:03.279
<v Speaker 3>it was one year later. I think they were like,

0:41:03.360 --> 0:41:05.879
<v Speaker 3>we really screwed up here. And so they went back

0:41:05.920 --> 0:41:08.960
<v Speaker 3>in two thousand and five with a big cover that

0:41:09.000 --> 0:41:13.279
<v Speaker 3>said the Buds are back and thirty pages of pot

0:41:13.320 --> 0:41:16.480
<v Speaker 3>picks on the inside, and everyone was like, oh, thank god,

0:41:16.560 --> 0:41:18.440
<v Speaker 3>and it was one of their best selling issues of

0:41:18.480 --> 0:41:18.879
<v Speaker 3>all time.

0:41:19.120 --> 0:41:22.040
<v Speaker 2>Yeah, and they brought Steve Hager back in to kind

0:41:22.040 --> 0:41:25.080
<v Speaker 2>of right the ship again. Ah okay, and he did.

0:41:25.840 --> 0:41:29.960
<v Speaker 2>Like this, High Times started the idea that we should

0:41:30.040 --> 0:41:35.200
<v Speaker 2>legalize marijuana, worked at it ceaselessly for decades, and finally

0:41:35.360 --> 0:41:41.840
<v Speaker 2>was still around when that change started happening. States started

0:41:41.880 --> 0:41:48.320
<v Speaker 2>talking about actually legalizing pot, not decriminalizing, but legalizing pot.

0:41:48.400 --> 0:41:50.959
<v Speaker 2>Like you said, not just for medicinal purposes, but hey,

0:41:51.040 --> 0:41:52.560
<v Speaker 2>if you're an adult and you want to smoke pot,

0:41:52.560 --> 0:41:54.080
<v Speaker 2>go ahead and smoke pot. You're not going to get

0:41:54.120 --> 0:41:56.640
<v Speaker 2>in trouble because we don't have any laws against it anymore.

0:41:57.040 --> 0:41:59.759
<v Speaker 2>Like this was starting to happen, and High Times was

0:42:00.040 --> 0:42:04.120
<v Speaker 2>right there, totally poised to just just step up and

0:42:04.200 --> 0:42:09.120
<v Speaker 2>accept its kudos and it's huge, like rise to prominence.

0:42:09.200 --> 0:42:13.160
<v Speaker 2>As this new changed culture around pot was about to

0:42:13.200 --> 0:42:17.920
<v Speaker 2>just explode. And around this time private equity got involved

0:42:18.080 --> 0:42:19.760
<v Speaker 2>and everything went down the toilet.

0:42:20.480 --> 0:42:22.520
<v Speaker 3>Yeah, I mean, that's the irony of this whole thing,

0:42:22.600 --> 0:42:24.520
<v Speaker 3>is right when they achieved all that is when they

0:42:25.320 --> 0:42:29.239
<v Speaker 3>tanked because of what's called the green gold rush Wall Street.

0:42:29.320 --> 0:42:31.880
<v Speaker 3>Of course, anytime they're like, oh wait a minute, somebody's

0:42:31.880 --> 0:42:34.799
<v Speaker 3>making money over they're doing something a lot of money. Well,

0:42:34.800 --> 0:42:37.360
<v Speaker 3>how can we get involved? And that's exactly what happened.

0:42:37.360 --> 0:42:40.760
<v Speaker 3>They started investors started throwing money money at every cannabis

0:42:40.800 --> 0:42:43.759
<v Speaker 3>startup you could think of, as states were rolling out

0:42:44.040 --> 0:42:47.960
<v Speaker 3>legalization and making tons and tons of money, and so

0:42:48.680 --> 0:42:52.120
<v Speaker 3>they realize, hey, this High Times magazine is just sitting there.

0:42:52.480 --> 0:42:56.960
<v Speaker 3>It's a very recognizable brand. The magazine's okay, their website's

0:42:56.960 --> 0:42:59.359
<v Speaker 3>all right, but they make like eighty percent of their

0:42:59.400 --> 0:43:02.000
<v Speaker 3>dough from what's called the Cannabis Cup, which is I

0:43:02.040 --> 0:43:04.799
<v Speaker 3>think it started out as a smaller thing in Amsterdam

0:43:04.840 --> 0:43:08.080
<v Speaker 3>but then became like the official High Times Cannabis Cup

0:43:08.120 --> 0:43:10.920
<v Speaker 3>in the United States in twenty ten, which is a

0:43:11.680 --> 0:43:14.040
<v Speaker 3>you know, a weed growing competition. So like bring in

0:43:14.080 --> 0:43:18.279
<v Speaker 3>your new strains of like exotic cross breeds and like

0:43:18.480 --> 0:43:23.080
<v Speaker 3>high potency buds and you can win the Cannabis Cup

0:43:23.120 --> 0:43:24.680
<v Speaker 3>and it's a big deal. It received a lot of

0:43:24.719 --> 0:43:28.279
<v Speaker 3>coverage there were they did concerts, they did festivals, they

0:43:28.280 --> 0:43:30.960
<v Speaker 3>did trade shows, and it was, you know, a big

0:43:31.000 --> 0:43:33.200
<v Speaker 3>money maker. So I think they were like, hey, we

0:43:33.280 --> 0:43:37.040
<v Speaker 3>can invest in High Times. We can open up a

0:43:37.160 --> 0:43:41.080
<v Speaker 3>casino in Vegas. Maybe they bought up a dozen dispensaries

0:43:41.120 --> 0:43:44.479
<v Speaker 3>and made them High Times smoke shops, they talked about

0:43:44.480 --> 0:43:48.600
<v Speaker 3>delivery services and all they talked about an IPO for

0:43:48.640 --> 0:43:51.920
<v Speaker 3>a while, which never happened. But all of this stuff,

0:43:53.480 --> 0:43:55.560
<v Speaker 3>a lot of these big deals never came to fruition,

0:43:55.840 --> 0:44:00.480
<v Speaker 3>and so they found themselves eventually one hundred million in

0:44:00.560 --> 0:44:03.600
<v Speaker 3>debt as these deals fell apart after going through just

0:44:03.640 --> 0:44:06.719
<v Speaker 3>a string of CEOs, which is never it's always a

0:44:06.719 --> 0:44:08.520
<v Speaker 3>bad sign for a company, you know, when you have

0:44:08.560 --> 0:44:12.120
<v Speaker 3>that kind of CEO turnover. Yeah, and a lot of

0:44:12.120 --> 0:44:15.920
<v Speaker 3>those dispensaries closed, and in the in the middle of

0:44:16.040 --> 0:44:19.920
<v Speaker 3>the boom of the real marijuana industry, High Times was

0:44:20.560 --> 0:44:22.200
<v Speaker 3>struggling and basically dead.

0:44:22.400 --> 0:44:24.880
<v Speaker 2>Again because private equity got involved.

0:44:25.280 --> 0:44:26.000
<v Speaker 3>That's right.

0:44:26.160 --> 0:44:29.000
<v Speaker 2>There's a really good political article called The Long Fall

0:44:29.040 --> 0:44:32.680
<v Speaker 2>of High Times by Ben Schrekinger. Yeah, and it's really

0:44:32.719 --> 0:44:35.680
<v Speaker 2>worth three It's very long, but it's good. And that

0:44:35.840 --> 0:44:41.719
<v Speaker 2>article puts the blame on Adam Levin, who ran Oreva Capital.

0:44:42.280 --> 0:44:44.440
<v Speaker 2>He's the one who came in as the private equity

0:44:44.480 --> 0:44:48.040
<v Speaker 2>guy and made all of these terrible decisions, did shady

0:44:48.120 --> 0:44:51.839
<v Speaker 2>stuff like the announcements for you know, some of these

0:44:51.880 --> 0:44:55.759
<v Speaker 2>business ventures, like they would announce them publicly and then

0:44:55.800 --> 0:44:58.640
<v Speaker 2>the other company involved would have to come out publicly

0:44:58.680 --> 0:45:00.799
<v Speaker 2>and be like, they haven't even a just about this.

0:45:00.960 --> 0:45:03.680
<v Speaker 2>What they just said is not true, So that's not

0:45:03.960 --> 0:45:07.080
<v Speaker 2>a good thing to do. That IPO was a big

0:45:07.120 --> 0:45:10.799
<v Speaker 2>deal too, because if you have investors, they want you

0:45:10.880 --> 0:45:12.919
<v Speaker 2>to go public and then they can really start making

0:45:12.960 --> 0:45:16.000
<v Speaker 2>money off the company. He just couldn't get it together

0:45:16.120 --> 0:45:19.640
<v Speaker 2>to get the IPO out the door. Yet that didn't

0:45:19.719 --> 0:45:23.400
<v Speaker 2>keep them from selling pre sale shares at eleven dollars

0:45:23.480 --> 0:45:26.359
<v Speaker 2>a piece to High Times readers, promising them they were

0:45:26.360 --> 0:45:29.840
<v Speaker 2>getting in on the bottom floor before the IPO even happened.

0:45:30.239 --> 0:45:33.520
<v Speaker 2>Just shady stuff, and so this lasted for just a

0:45:33.560 --> 0:45:38.200
<v Speaker 2>couple of years before the magazine. The whole brand went

0:45:38.200 --> 0:45:41.840
<v Speaker 2>into receivership, meaning that there was a corner pointed person

0:45:41.840 --> 0:45:43.680
<v Speaker 2>who was in charge of their assets who would try

0:45:43.680 --> 0:45:45.480
<v Speaker 2>to figure out how to help them get out of

0:45:45.480 --> 0:45:47.319
<v Speaker 2>bankruptcy or how to help them get out of a

0:45:47.360 --> 0:45:50.200
<v Speaker 2>hole without going into bankruptcy while at the same time

0:45:50.239 --> 0:45:53.399
<v Speaker 2>paying off their creditors. And I guess it didn't really

0:45:53.440 --> 0:45:57.000
<v Speaker 2>work because in I guess May of last year, the

0:45:57.120 --> 0:45:59.960
<v Speaker 2>receiver said, Hey, we're going to have a fire sale.

0:46:00.040 --> 0:46:02.520
<v Speaker 2>Everybody step up, get out your check books. Let's do

0:46:02.640 --> 0:46:03.040
<v Speaker 2>this thing.

0:46:03.840 --> 0:46:06.719
<v Speaker 3>Yeah, seven million bucks will get you the magazine, the

0:46:06.719 --> 0:46:12.239
<v Speaker 3>cannabis cup, the dispensaries that we still have open. Nobody

0:46:12.280 --> 0:46:17.480
<v Speaker 3>came forward, which is shocking. I think the most shocking

0:46:17.560 --> 0:46:19.520
<v Speaker 3>thing to me that I'm going to say this publicly.

0:46:19.880 --> 0:46:23.920
<v Speaker 3>I'm going to call out publicly even why hasn't Snoop

0:46:23.960 --> 0:46:29.839
<v Speaker 3>Dogg and freaking Martha Stewart they would miss seven million dollars.

0:46:29.880 --> 0:46:32.120
<v Speaker 3>They wouldn't even know it's gone. Why have they not

0:46:32.200 --> 0:46:36.040
<v Speaker 3>bought this brand? Because that sort of public like purchase

0:46:36.239 --> 0:46:38.239
<v Speaker 3>with those two names, or even if it's just a

0:46:38.239 --> 0:46:40.560
<v Speaker 3>Snoop Dogg, but Martha Stewart would add a funny sort

0:46:40.560 --> 0:46:43.160
<v Speaker 3>of cachet to it. Yeah, like it would all of

0:46:43.200 --> 0:46:46.120
<v Speaker 3>a sudden be a relevant thing again. And I don't know,

0:46:46.200 --> 0:46:49.200
<v Speaker 3>it's just it's shocking that nobody came forward to buy it.

0:46:49.640 --> 0:46:52.879
<v Speaker 2>I hope that that ends up being like your Sharknado thing,

0:46:53.239 --> 0:46:55.799
<v Speaker 2>or like good Jared from Subway thing, or like your

0:46:55.880 --> 0:46:59.800
<v Speaker 2>Hugh Jackman Greatest Showman thing. I hope that to you.

0:47:00.000 --> 0:47:03.600
<v Speaker 3>Oh, maybe somebody who knows Snoop hears this and they're like, hey, Snoop,

0:47:04.000 --> 0:47:05.319
<v Speaker 3>he may not even know it's for sale.

0:47:05.360 --> 0:47:08.480
<v Speaker 2>You know, it's possible he's been on the cover a bunch,

0:47:08.560 --> 0:47:10.840
<v Speaker 2>but he might not be paying attention, you know.

0:47:11.440 --> 0:47:13.399
<v Speaker 3>Yeah, they could say snoop, High Times is for sale,

0:47:13.400 --> 0:47:15.320
<v Speaker 3>you should buy it, and he would say for snizzle.

0:47:16.320 --> 0:47:23.759
<v Speaker 2>Right. So I read a great quote from pot Culture magazine,

0:47:24.719 --> 0:47:27.680
<v Speaker 2>So High Times has just stopped. They put out their

0:47:27.760 --> 0:47:31.600
<v Speaker 2>last published issue in twenty twenty four, and the fact

0:47:31.600 --> 0:47:33.880
<v Speaker 2>that they were still putting out a print magazine actually

0:47:33.880 --> 0:47:36.920
<v Speaker 2>says how strong the brand was at Oneman, Yeah, because

0:47:37.320 --> 0:47:39.920
<v Speaker 2>they went right through that time where magazines were just

0:47:39.960 --> 0:47:42.960
<v Speaker 2>folding print, anything was just folding left and right. And

0:47:43.040 --> 0:47:45.600
<v Speaker 2>yet they still had the print magazine and they had

0:47:45.640 --> 0:47:51.560
<v Speaker 2>a pretty heavyweight website too. High Times dot com their

0:47:51.560 --> 0:47:55.080
<v Speaker 2>whole archive, all the magazines on it, and yet the

0:47:55.160 --> 0:47:58.600
<v Speaker 2>website hasn't been updated since June twenty twenty four. The

0:47:58.680 --> 0:48:01.400
<v Speaker 2>last issue was September two, twenty twenty four. If you

0:48:01.480 --> 0:48:04.080
<v Speaker 2>go on to the site, none of the images work.

0:48:04.080 --> 0:48:10.040
<v Speaker 2>They're all great, Yeah, rectangle disappointing. And pot Culture magazine

0:48:10.080 --> 0:48:13.080
<v Speaker 2>put it that the once mighty High Times dot com

0:48:13.160 --> 0:48:16.520
<v Speaker 2>is gone, reduced to an error message that is reminiscent

0:48:16.800 --> 0:48:19.120
<v Speaker 2>of finding your favorite uncle dead on the floor.

0:48:20.440 --> 0:48:21.520
<v Speaker 3>I saw that quote.

0:48:21.600 --> 0:48:23.680
<v Speaker 2>I don't think anybody could have put it better than that.

0:48:24.480 --> 0:48:28.920
<v Speaker 3>Yeah, for sure. I also just realize as the ultimate

0:48:29.000 --> 0:48:31.160
<v Speaker 3>fifty something year old white guy, I think it would

0:48:31.160 --> 0:48:34.600
<v Speaker 3>probably be for shizzle and not for shnizzle, because for

0:48:34.719 --> 0:48:36.280
<v Speaker 3>sure would be for shizzle, right.

0:48:36.880 --> 0:48:39.799
<v Speaker 2>Sure, it would be for sure. But I think that

0:48:39.840 --> 0:48:44.600
<v Speaker 2>the things have evolved so much that that you're fine, Okay, okay, good,

0:48:45.560 --> 0:48:49.080
<v Speaker 2>so yeah, snoop, Martha, please do buy High Times because

0:48:49.120 --> 0:48:52.560
<v Speaker 2>the it's such an ignominious and is that the right

0:48:52.560 --> 0:48:56.360
<v Speaker 2>word or was I just deletrious to my own vocabulary?

0:48:56.440 --> 0:48:59.959
<v Speaker 3>Ignominious, ignominious, ignoramus, I think is what you meant.

0:49:00.160 --> 0:49:06.000
<v Speaker 2>No, such an unclassy end. Yeah, it's just like that

0:49:06.120 --> 0:49:07.560
<v Speaker 2>magazine deserves better than that.

0:49:08.520 --> 0:49:10.480
<v Speaker 3>Yeah, maybe Jack Black, you're not going to miss seven

0:49:10.480 --> 0:49:11.680
<v Speaker 3>million bucks.

0:49:11.719 --> 0:49:13.399
<v Speaker 2>Maybe maybe, I.

0:49:13.320 --> 0:49:15.399
<v Speaker 3>Mean he might miss it for the afternoon, but then

0:49:15.440 --> 0:49:17.279
<v Speaker 3>he would say, but I've got this magazine now.

0:49:17.560 --> 0:49:19.680
<v Speaker 2>No, I'm with you. I think Martha Stewart has that

0:49:19.760 --> 0:49:22.600
<v Speaker 2>much laying under her and piles under her hodge Podge

0:49:22.640 --> 0:49:23.960
<v Speaker 2>bottles as you were talking.

0:49:23.680 --> 0:49:25.879
<v Speaker 3>About, you know, yeah, you're probably right.

0:49:26.680 --> 0:49:29.319
<v Speaker 2>Okay, Well that's it. About high Times. If you want

0:49:29.360 --> 0:49:32.200
<v Speaker 2>to know more about there's tons of tribute articles all

0:49:32.239 --> 0:49:34.640
<v Speaker 2>over the web to read. They're kind of fun. And

0:49:34.680 --> 0:49:37.239
<v Speaker 2>while you're doing that, it's time for listener mail.

0:49:39.960 --> 0:49:42.520
<v Speaker 3>Yeah. This is from Rosa Lee and it's just a

0:49:42.600 --> 0:49:45.560
<v Speaker 3>very kind, sort of gentle reminder, which is always nice

0:49:45.560 --> 0:49:48.040
<v Speaker 3>to hear. Hey, guys, just taking me a while to

0:49:48.040 --> 0:49:50.160
<v Speaker 3>get this into words, and I hope it comes across

0:49:50.160 --> 0:49:51.239
<v Speaker 3>with care. It does.

0:49:51.640 --> 0:49:53.200
<v Speaker 2>But why do you suck so much?

0:49:54.080 --> 0:49:57.640
<v Speaker 3>Yeah? Exactly. As a woman in science who does science

0:49:57.640 --> 0:49:59.640
<v Speaker 3>every day, I just want to point out that technicians

0:50:00.080 --> 0:50:02.360
<v Speaker 3>are still scientists. In your episode on chemistry sets, you

0:50:02.440 --> 0:50:04.960
<v Speaker 3>rightly pointed out all the sexism in the past and

0:50:05.880 --> 0:50:08.360
<v Speaker 3>present and how science has presented to girls versus boys,

0:50:08.800 --> 0:50:10.399
<v Speaker 3>But you also feed into it a little bit when

0:50:10.440 --> 0:50:13.400
<v Speaker 3>you said that girls were funneled into technician jobs instead

0:50:13.400 --> 0:50:15.359
<v Speaker 3>of being the scientist. There are a lot of ways

0:50:15.360 --> 0:50:17.640
<v Speaker 3>to be a scientist, and technician is definitely one of them.

0:50:18.000 --> 0:50:21.359
<v Speaker 3>That's like saying that nurses aren't healers like doctors are.

0:50:21.360 --> 0:50:23.839
<v Speaker 3>A more accurate description is that women were and are

0:50:23.880 --> 0:50:27.440
<v Speaker 3>funneled into technician and now communication jobs and the sciences

0:50:27.480 --> 0:50:31.840
<v Speaker 3>and men to the professors and principal investigators. It is

0:50:31.880 --> 0:50:33.560
<v Speaker 3>better than it has ever been, I have to say,

0:50:33.560 --> 0:50:37.440
<v Speaker 3>but academia still hasn't figured it out, among other things.

0:50:37.480 --> 0:50:40.080
<v Speaker 3>And I'm glad to know that, Rosalie. And that's from

0:50:40.160 --> 0:50:41.280
<v Speaker 3>Rosalie Maltip.

0:50:41.800 --> 0:50:44.239
<v Speaker 2>That was a great reminder. We love love love being

0:50:44.280 --> 0:50:47.279
<v Speaker 2>reminded when it's pointed out to us that yes, we

0:50:47.400 --> 0:50:49.960
<v Speaker 2>fed into something that we were just totally unaware of,

0:50:50.239 --> 0:50:51.680
<v Speaker 2>especially if it's unjust.

0:50:51.800 --> 0:50:55.160
<v Speaker 3>You know, yeah, technicians are scientists. Of course they are.

0:50:55.280 --> 0:50:58.640
<v Speaker 2>That's right. That should be a teachhert Maybe it will

0:50:58.640 --> 0:51:01.359
<v Speaker 2>be well. Thanks a lot, Rosie. We appreciate that big time.

0:51:01.360 --> 0:51:03.000
<v Speaker 2>And if you want to be like Rosalie and send

0:51:03.080 --> 0:51:05.239
<v Speaker 2>us an email like that, you can send it off

0:51:05.239 --> 0:51:07.920
<v Speaker 2>to Stuff podcast at iHeartRadio.

0:51:07.280 --> 0:51:13.080
<v Speaker 3>Dot Stuff you Should Know is a production of iHeartRadio.

0:51:13.560 --> 0:51:17.920
<v Speaker 3>For more podcasts myheart Radio, visit the iHeartRadio app, Apple Podcasts,

0:51:18.040 --> 0:51:19.880
<v Speaker 3>or wherever you listen to your favorite shows.