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Speaker 1: We just started with the I am stuck on band

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Speaker 1: aid brand because band aids stuck on me, and you

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Speaker 1: said it's a waste of brain space.

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Speaker 2: So what's the jingle that will forever live rent free

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Speaker 2: in your head?

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Speaker 3: Bouncing babies?

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Speaker 2: What's bouncing babies?

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Speaker 3: Bouncing babies? Bouncing babies? It was some It was like

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Speaker 3: some doll. I don't know if you bounced or what,

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Speaker 3: but I just and then it was bound and then

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Speaker 3: it went from loop at.

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Speaker 2: The end like I don't know that one at all.

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Speaker 3: And then my buddy, you remember my buddy climb up

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Speaker 3: kids sister.

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Speaker 4: Kids, Yeah, I like kid sister. What about one eight

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Speaker 4: hundred cars for kids?

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Speaker 3: Oh god?

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Speaker 4: That one keys keys.

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Speaker 3: Screw that person who ever came up with that. But

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Speaker 3: they're genius. They work because it's like, it's not one

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Speaker 3: seven seven cars. I will never not know that number.

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Speaker 3: I don't know that a r s cars for kids?

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Speaker 4: What about what about the commercial for raging waters which

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Speaker 4: is located where the ten the two.

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Speaker 5: I know that for?

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Speaker 3: Oh my god?

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Speaker 2: How about oh what's the other one is? Oh?

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Speaker 1: The I don't want to grow up because baby, if

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Speaker 1: I did toys, r US is like the old school one.

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Speaker 1: Oh yeah, the Empire carpet one. That's not everyone's chiming in.

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Speaker 4: Two three hundred Empire.

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Speaker 3: I like the toys r us one. I will say,

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Speaker 3: I get genuine emotional. It's like sweet.

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Speaker 1: Yeah, yeah, yes, how about double a m C o

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Speaker 1: oh yeah, I am of course.

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Speaker 3: What is it like the famous will? Do you know?

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Speaker 3: Wasn't there like a famous East Coast like got it?

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Speaker 3: We never got it over here? But it was like,

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Speaker 3: I'm totally gonna screw this up because I can't remember

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Speaker 3: what it was. It's like some yeah, hold on, I

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Speaker 3: gotta look. I don't know what the reference is.

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Speaker 2: I love.

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Speaker 4: I just pictured when he said we never got it

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Speaker 4: over here. I pictured like a wave, you know, of

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Speaker 4: something happening. And then it just like.

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Speaker 3: Mississippi. Ye, just like.

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Speaker 4: The people on the other side of the Mississippi were like,

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Speaker 4: keep that one keeping.

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Speaker 2: We don't want it, we don't need it. We're fine.

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Speaker 2: He's still he looks like he's frozen, but he's not.

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Speaker 4: He's not.

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Speaker 3: You have I do have the bouncing baby.

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Speaker 2: If you want it, you have bouncing baby.

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Speaker 3: Yeah, it's a real thing. All right, let's let's hear it.

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Speaker 4: Oh, I've never seen this.

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Speaker 3: I haven't either.

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Speaker 6: Creepy are they premies in their nursery?

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Speaker 4: Thousand babies can do it all, walk, snuggle, fuss and crawl.

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Speaker 3: Cute, though I like these super creepy.

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Speaker 1: Those things come alive at night, kill you.

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Speaker 3: Oh my god. There were the micromachines guy, of course machines. Yeah,

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Speaker 3: that guy was awesome.

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Speaker 7: Yeah.

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Speaker 4: I could have taken over his job for sure.

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Speaker 3: Yeah you could have absolutely easily could Yeah.

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Speaker 2: No, the we had a guy.

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Speaker 1: Also was Carvel ice cream, which is out here now,

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Speaker 1: but it was just the East coast thing.

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Speaker 2: What is that ice cream too?

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Speaker 4: That's also ice cream, and but I don't again, it's

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Speaker 4: not really what they You can get it at the

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Speaker 4: grocery store, but it's like I thought of as being

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Speaker 4: the best ice cream in other places, and we just

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Speaker 4: never really had a blue bunny thing.

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Speaker 1: The Carvel guy originally would do his own ads, and

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Speaker 1: he always sounded like he was sick. Oh, so he

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Speaker 1: go like, you gotta try cookie Puss and cookie o Puss.

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Speaker 3: And you know, yes, it's the best. Remember, Yeah that's

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Speaker 3: car cookie Puss. Right, Try Fudgie the whale. Fudgie the

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Speaker 3: Whale is gonna be the best thing.

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Speaker 4: It was like, I have chills anytime that you.

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Speaker 3: Try to find original, original Carvel ads.

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Speaker 2: They're the great. And then for St.

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Speaker 1: Patrick's Day, we have Saint Patrick's Cookie o Puss.

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Speaker 3: You gonna love that.

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Speaker 2: It's the.

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Speaker 3: When I was thinking of Cookie Puss ice cream cake

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Speaker 3: character created by Carvel in the nineteen seventies. There you go,

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Speaker 3: we went. That's what I was like, it's a cookie something.

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Speaker 1: But I'm sorry, I'm not even We're not gonna go

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Speaker 1: down the rabbit hole of the jokes of cookie Puss

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Speaker 1: and cookie That's.

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Speaker 3: Why I didn't want to say it, because I was like,

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Speaker 3: it's something vaguely like uncomfortable with the word itself. But

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Speaker 3: it's like I don't want to say the wrong word exactly.

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Speaker 1: It was.

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Speaker 2: It was so funny.

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Speaker 1: Yeah, Cookie Puss, Cookie o Puss, Fudgie the whale.

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Speaker 3: But he was always gonna.

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Speaker 2: Say, fun try fudging the whale.

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Speaker 3: You don't I need a party? Not a party.

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Speaker 2: It sounds like they released him from the hospital just

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Speaker 2: to do the ad.

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Speaker 4: Are you saying that cookie Puss and cookie Opus is

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Speaker 4: three different things?

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Speaker 7: It is?

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Speaker 3: Cookie Opus was for uh St Patrick's Day. That's why St.

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Speaker 3: Patrick's day, everybody celebrates cookie o pus.

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Speaker 2: It was then mint chocolate chip, ice cream cookie. It

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Speaker 2: was an ice cream cake. Yeah, they were the best.

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Speaker 2: Let's see what happens when you google cookie cookie puss.

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Speaker 1: Oh, I can't believe you were trying to find cookie puss.

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Speaker 2: That's what you're looking.

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Speaker 3: That's what I knew. I was like, but I didn't

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Speaker 3: want to say it. I was like, it's like some guy.

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Speaker 4: Who talks is cooked.

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Speaker 1: I'd like to reject all cookie o pusses. Please?

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Speaker 3: Are we getting h sponsorship money from each one of

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Speaker 3: these companies? I'm I'm assuming we will, right, I mean,

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Speaker 3: unfortunately Galube is no longer in business. It's not they're

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Speaker 3: now owned by his Amazon subsidiary of Google.

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Speaker 1: Well, they're owned by Big Doll. Everybody knows that it's

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Speaker 1: a little doll.

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Speaker 3: This one's for Fudgie the whale.

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Speaker 7: Fudgie.

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Speaker 3: The whale is beck.

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Speaker 7: That's the whale of a cake for whale of a

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Speaker 7: dad that you're participating carave Alis cream story. Yep, and

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Speaker 7: this year your caravel Neila makes him loaded with fudge

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Speaker 7: and nuts and you can get fudging with an ocean

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Speaker 7: to serve twenty people. But if you want to send

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Speaker 7: fudge the whale to a whale of a dad anywhere

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Speaker 7: in the Caravel territory, you call him the phone number

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Speaker 7: that you're seeing here. Thank you, and have a happy

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Speaker 7: day dad.

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Speaker 3: I mean, he just sounds like he's hungover, and that's

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Speaker 3: what he was doing well there as it was towards

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Speaker 3: the end where they were like wheeling him out.

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Speaker 4: Is he like the owner of the companies of the games,

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Speaker 4: Tom Carvel?

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Speaker 2: Yeah, basically it's the bag your dad here.

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Speaker 3: I got rushed its day, second ice cream heart.

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Speaker 1: To mom, like, yeah, it was there. Those are every

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Speaker 1: other ad when I grew up, it was that, and

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Speaker 1: then I was like get back to g I Joe.

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Speaker 2: Yeah.

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Speaker 4: Welcome to Pod Meets World. I'm Daniel Fischel.

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Speaker 3: I'm rather strong, and.

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Speaker 1: I'm one at seven seven will Fredell one at seven

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Speaker 1: seven will.

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Speaker 2: Be in your head all day.

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Speaker 4: Welcome to this episode of Pod Meets World. Today we

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Speaker 4: are recapping season seven, episode thirteen, The Provider It original

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Speaker 4: year January seventh, two thousand.

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Speaker 3: We are in the job, We're out of the night.

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Speaker 3: We survived y two k nineties recap show. Guys, We're

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Speaker 3: an oughts Yeah, cap show everything's.

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Speaker 4: Different, everything changes.

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Speaker 3: Now I'm gonna have a goatee.

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Speaker 1: Oh god, how many episodes did we have in the

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Speaker 1: can by the time we finished? What do you mean

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Speaker 1: meaning like when we when we read, did we still

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Speaker 1: have five or six left to air? Like?

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Speaker 3: How many had we Well?

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Speaker 4: I think we wrapped in March, and I think it

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Speaker 4: I think the finale episode aired in May, so it

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Speaker 4: would have been some months seven or eight episode maybe

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Speaker 4: depending on curious Gotcha? What did you guys do for

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Speaker 4: y two K New Year's.

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Speaker 3: We had the legendary party at Redwoods Shire, Like I

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Speaker 3: think all of Sebastopol came. I still have people that

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Speaker 3: I like, like we're like, oh yeah, I was there

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Speaker 3: that night. It started as like kind of it just

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Speaker 3: like we made flyers and it was like, oh, we're

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Speaker 3: gonna all get dressed up in like really nice outfits,

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Speaker 3: like uh suits, and we rented uh tents and set

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Speaker 3: them up and we had a DJ and you know,

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Speaker 3: I think we were imagining like fifth do you do?

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Speaker 3: One hundred people of friends? And then we even said

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Speaker 3: like anyone can stay over, and like basically the entire

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Speaker 3: town of Sebastiboll found out about it, and like cars

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Speaker 3: were just pulling up all throughout. It went until like

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Speaker 3: five or six in the morning. I remember my parents

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Speaker 3: just like went to bed. They were there and they

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Speaker 3: just went to bed, and then yeah, like a window

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Speaker 3: got broken.

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Speaker 4: Sounds like a red weather material.

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Speaker 3: Yeah, I'm telling you everything was okay, Like I mean,

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Speaker 3: it worked out like it was a great party, like

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Speaker 3: it was super fun. But yeah, I remember it getting

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Speaker 3: like crazy out of hand at one point, just being like, wow,

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Speaker 3: there are so many people here. Yeah, so there's there's

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Speaker 3: a lot of people out there who probably have memories

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Speaker 3: of being at my property with them. I don't haven't

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Speaker 3: even met them. Yeah, it was great.

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Speaker 4: What did you do? Well?

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Speaker 1: I was in my prepper shelter, surrounded by MRI's rifles

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Speaker 1: and clean water, as everyone should have been.

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Speaker 2: I honestly have no memory whatsoever of what I did.

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Speaker 3: And are you serious?

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Speaker 2: I don't.

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Speaker 3: I think you just stayed at home and like just

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Speaker 3: didn't celebrate or no.

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Speaker 1: I mean may again, this is like kind of peak

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Speaker 1: anxiety or right towards beginning of anxiety. So knowing me,

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Speaker 1: I probably didn't do much of anything, but maybe I

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Speaker 1: did something with Mars, And I honestly have no memory

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Speaker 1: of it whatsoever.

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Speaker 2: I really don't.

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Speaker 7: Wow.

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Speaker 3: What's so weird to me is that in my mind

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Speaker 3: it was after boying me to world ended, but this

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Speaker 3: was like in the middle of our season. Yeah, but

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Speaker 3: I must have just already known that we were ending,

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Speaker 3: because in my mind I was like moving on, like

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Speaker 3: I was ready to go. I was probably already No,

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Speaker 3: I guess I probably hadn't. I was applying to colleges

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Speaker 3: in New York's already knew I was going there if

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Speaker 3: I got in. So yeah, I was just like so

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Speaker 3: in a different mindset. And as you can tell from

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Speaker 3: my performance this entire season, I was not there. Yea.

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Speaker 4: And after talking to Manel, I actually feel better about it,

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Speaker 4: because even for them, it sounds like you can everyone knew,

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Speaker 4: we all knew that this was the last season, and

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Speaker 4: they everyone had just kind of given up.

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Speaker 1: So I was giant senior writists. This whole season was

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Speaker 1: giant senior writists. And I was going to make fun

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Speaker 1: of you, writer for neither Danielle and I being at

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Speaker 1: this awesome party. But knowing you, I'm sure you invited

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Speaker 1: all of us.

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Speaker 3: No, I bet you. I bet you did, Yes, I did, Yes,

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Speaker 3: you bet you because Danielle, you would have already been

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Speaker 3: up to redd Shard. Both of you were will not

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Speaker 3: been there. No, I don't think you had been there

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Speaker 3: because it was after Yeah, I was in I was

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Speaker 3: living in New York when you came, because my friend

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Speaker 3: Alyssa was there when you finally came to a Red Richard.

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Speaker 3: So it would have been like two thousand and one,

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Speaker 3: it would have been later this year, two thousand's You

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Speaker 3: would have never been there, Danielle. You had been there

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Speaker 3: for when we shot Grinders and been there for a

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Speaker 3: meadow party rope swinging that that day time. So I

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Speaker 3: probably would have invited you or maybe not. Just I

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Speaker 3: don't know.

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Speaker 1: I just every time I hear Grinders, I just really

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Speaker 1: wish you guys had done a video about making really

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Speaker 1: good sandwiches.

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Speaker 3: I like that would have been the best Grinders. Oh yeah,

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Speaker 3: I still watch that.

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Speaker 2: I'd still watch that. Wait, you didn't answer, what did

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Speaker 2: you do?

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Speaker 3: Oh?

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Speaker 4: I was in Hawaii within sink and Britney spears.

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Speaker 2: Oh that's about right.

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Speaker 3: You don't want to come to the Redwoods, And like,

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Speaker 3: I mean, I didn't do a kegstand. I would have

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Speaker 3: liked it was Britney spears. You were dating Lance?

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Speaker 4: No, you know, Lance and I had broken up, but

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Speaker 4: I was still really hoping that we were going to

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Speaker 4: get back together.

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Speaker 2: I I'd still hold out hope.

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Speaker 4: Yes, it was an actual concert or just a just

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Speaker 4: a just head they were performing, No, they were performing

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Speaker 4: not I don't think, not on New Year's Eve. But

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Speaker 4: they did have a concert there and then I think

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Speaker 4: it was like maybe the twenty ninth or something. And

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Speaker 4: then we all just stayed and yeah, it was really

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Speaker 4: really fun. That's the that's the trip where Brittany got

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Speaker 4: her belly button pierced. We all everyone wanted to get

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Speaker 4: their belly buttons pierced, and so we all went as

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Speaker 4: a group. All the girls went as a group, All

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Speaker 4: the guys went as a group and got tattoos, and

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Speaker 4: all the girls went as a group and got belly

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Speaker 4: button piercings. But I already had a belly button piercing.

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Speaker 4: So I was like, well, this is kind of a bummer.

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Speaker 4: What am I going to do? And so I got

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Speaker 4: my tongue pierced. My mom was furious. My plan all

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Speaker 4: along was that I was just I just wanted to

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Speaker 4: know what it felt like. And then I took it

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Speaker 4: out and so, but my mom had only let me

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Speaker 4: get my belly button pierced when I was either fifteen

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Speaker 4: or sixteen. I was maybe fifteen and a half or something,

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Speaker 4: And the whole thing was she was like, because I

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Speaker 4: had already been talking about fifteen wanting to get my

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Speaker 4: tongue pierced, and she was like, absolutely not. I will

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Speaker 4: let you get your belly button pierced if you promise

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Speaker 4: me that you'll never get your tongue pierced. And I

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Speaker 4: was like, deal. I didn't think having it pierced and

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Speaker 4: then taking it out counted.

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Speaker 3: Like like immediately it out later that day, it was

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Speaker 3: the same way. Why would you go through the pain

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Speaker 3: of that just to take it out.

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Speaker 4: Well, I had heard it didn't hurt, so I was curious.

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Speaker 4: I was like, Oh, they say it doesn't hurt, and

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Speaker 4: it doesn't. It feels like absolutely nothing. You don't feel

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Speaker 4: single thing shocking. I mean, like you you bite your

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Speaker 4: tongue and it's so bad. This is like through the

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Speaker 4: middle of your tongue and the best way I know

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Speaker 4: how to describe.

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Speaker 3: It is so uncomfortable. Jesus, me too, me too.

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Speaker 4: It feels like a hot knife going through. But nothing

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Speaker 4: like pay no pain, like a real like god just

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Speaker 4: nothing didn't feeld me. And and anyway, then when I

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Speaker 4: told my mom, I just I got I have one

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Speaker 4: picture of me with a tongue ring. And when I

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Speaker 4: told my mom I had done it, she was like,

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Speaker 4: you went back on our day.

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Speaker 3: Yeah, you betrayed me.

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Speaker 7: Yeah.

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Speaker 3: Yeah.

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Speaker 4: And I didn't mean to betray her. I really truly

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Speaker 4: thought it didn't count.

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Speaker 3: But she says, no, well, obviously because you even you

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Speaker 3: told her. I told her. I could have just told her.

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Speaker 4: Right, because I didn't. I didn't think anything of it.

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Speaker 4: I was just like yeah, And then of course I

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Speaker 4: took it out. I thought she just didn't to me.

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Speaker 4: What I thought she cared about is that I walked

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Speaker 4: around in the universe with a pierced tongue, you know,

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Speaker 4: like I don't want.

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Speaker 3: You existing in this it's a weird old thing. Like

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Speaker 3: do you think if you had come back and had

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Speaker 3: a tongue piercing it would have affected boy meet's world?

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Speaker 3: Like could you could? She couldn't have said, son, come on,

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Speaker 3: it affects your speech, and it does? It does it

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Speaker 3: first girlfriend at.

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Speaker 4: First, because your tongue is swollen later and so it does.

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Speaker 4: It does just been No, I wouldn't have been I

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Speaker 4: wouldn't have been able to keep it. Michael would have

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Speaker 4: lost his mind, lost is mine.

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Speaker 1: Whereas piercings and tattoos and stuff like that, you can

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Speaker 1: kind of see if they took original Topanga to her

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Speaker 1: more extreme that could easily have.

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Speaker 2: Been a way that Topanga would have gone. Yeah, it's

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Speaker 2: kind of like almost emo, but like earthy emo. You

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Speaker 2: can totally see that for Panga for sure.

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Speaker 4: Okay the synopsis, Corey and Topanga have their first fight.

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Speaker 2: Nope, seen a bunch of them.

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Speaker 4: And Eric finds a lucky Penny.

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Speaker 3: This was Penny.

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Speaker 1: Had no idea.

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Speaker 2: I had no idea. Really, I had no idea none.

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Speaker 2: What's whatever?

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Speaker 3: I was like, oh my god, this is Penny.

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Speaker 2: Yeah?

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Speaker 3: Wait, so you remembered something about Penny.

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Speaker 1: Oh, I remember the entire storyline once I saw that

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Speaker 1: this was Penny, but I had not remembered that.

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Speaker 4: This episode was provider. You called it Penny.

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Speaker 2: Huh, yeah, Oh that's what this episode was in my head?

351
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Speaker 2: Was this is Eric Penny episode Penny?

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Speaker 6: Yeah?

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Speaker 4: It was directed by Lynn M. McCracken. Yeah, that's all

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Speaker 4: written by Jeff manel So two of our faves before

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00:16:06,400 --> 00:16:09,640
Speaker 4: I jump into our guest stars. Do we want to

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Speaker 4: share our overall thoughts?

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Speaker 3: Well, I have I have an audio clip to share

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00:16:14,080 --> 00:16:18,280
Speaker 3: because uh, Indy Strong watched an episode of Boy Meets

359
00:16:18,280 --> 00:16:22,120
Speaker 3: World for the first time in years and we decided

360
00:16:22,160 --> 00:16:25,480
Speaker 3: to do a too much shirts. So Tara, can we

361
00:16:25,560 --> 00:16:28,040
Speaker 3: pull up the too much shirts? I'm gonna tell me

362
00:16:28,120 --> 00:16:28,520
Speaker 3: what you thought.

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Speaker 8: I thought that it was weird Topanga and the Cory guy, right, yeah,

364
00:16:35,080 --> 00:16:35,600
Speaker 8: that's his name.

365
00:16:36,000 --> 00:16:40,040
Speaker 4: Yeah, that they were married at eighteen ye, what is it?

366
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Speaker 3: Yeah, you skipped a lot, but.

367
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Speaker 8: What happened they got married is their wedding yep.

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Speaker 3: So I guess you haven't seen anything since. Like I

369
00:16:51,600 --> 00:16:53,200
Speaker 3: don't know. I feel like you dropped in on a

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00:16:53,280 --> 00:16:56,400
Speaker 3: season five episode at one point said nothing funny is happening.

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Speaker 5: This episode was weird?

372
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Speaker 4: Why, I don't know.

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Speaker 5: I like the lucky Penny idea, Yeah, that was funny.

374
00:17:04,680 --> 00:17:09,399
Speaker 8: Was pretty funny, and the lightning, But then it was

375
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Speaker 8: weird how they said it was their first fight, because

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Speaker 8: they have a fight every episode.

377
00:17:14,840 --> 00:17:17,359
Speaker 3: That is. I thought the same thing. They said that

378
00:17:17,440 --> 00:17:18,760
Speaker 3: one time and I was like, oh, but then they

379
00:17:18,800 --> 00:17:21,119
Speaker 3: say it like three times in the episode. Yeah, and

380
00:17:21,240 --> 00:17:22,960
Speaker 3: you know that they fight every episode when they haven't

381
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Speaker 3: watched anything.

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Speaker 4: Since season Yeah, it just doesn't make sense.

383
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Speaker 5: It always ends with like a lesson, right, Yeah, but

384
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Speaker 5: then they make it so weird because now that there's

385
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Speaker 5: seven seasons, it gets so complicated, and the lessons are

386
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Speaker 5: like don't go looking in your dirty couch, and the

387
00:17:42,040 --> 00:17:46,200
Speaker 5: whole season is like about that one lesson.

388
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Speaker 3: Did you ever think they would not get back together?

389
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Speaker 5: Yeah?

390
00:17:50,160 --> 00:17:52,200
Speaker 8: I thought she was not gonna be there in the house.

391
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Speaker 8: I thought I thought it would be like, oh no,

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Speaker 8: and there's gonna be another wedding where they were actually

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Speaker 8: appropriately aged.

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Speaker 3: So I think what he's getting at, You know, it's

395
00:18:08,720 --> 00:18:10,920
Speaker 3: just so convoluted the lesson. But I don't know what

396
00:18:11,480 --> 00:18:14,040
Speaker 3: I honestly like, even thinking about it now, I still

397
00:18:14,080 --> 00:18:17,359
Speaker 3: can't remember. What did Coreyt Pangle learn that they have

398
00:18:17,520 --> 00:18:19,760
Speaker 3: to learn how to fight? I guess if there's a

399
00:18:19,840 --> 00:18:23,240
Speaker 3: healthy way to fight? Okay, no, what is that a

400
00:18:23,320 --> 00:18:25,680
Speaker 3: healthy way? Because like, I don't know.

401
00:18:25,800 --> 00:18:28,840
Speaker 4: No, I think that Tapega should stop being so good

402
00:18:28,920 --> 00:18:32,640
Speaker 4: at things because it makes Corey feel bad about himself.

403
00:18:32,880 --> 00:18:36,040
Speaker 3: Which is where we started. Like that, I don't like nothing.

404
00:18:36,240 --> 00:18:40,880
Speaker 3: I didn't know, yeah, it's so yeah. Anyway, I thought

405
00:18:41,040 --> 00:18:43,639
Speaker 3: the fact that he was just as confused as I

406
00:18:43,920 --> 00:18:46,359
Speaker 3: was and kind of bored by the ending. But like

407
00:18:46,440 --> 00:18:48,119
Speaker 3: the lucky penny storyline, which I agreed that.

408
00:18:48,160 --> 00:18:50,399
Speaker 4: Was funny, fun I would have liked for something to

409
00:18:50,480 --> 00:18:53,760
Speaker 4: happen in the lucky penny storyline, you know, like he

410
00:18:53,920 --> 00:18:57,560
Speaker 4: has this lucky penny. And then I really did try

411
00:18:57,600 --> 00:19:01,919
Speaker 4: to work out how the football player storyline was going

412
00:19:02,000 --> 00:19:04,440
Speaker 4: to plan was going to play into the lucky penny

413
00:19:04,480 --> 00:19:08,800
Speaker 4: other than the idea that I guess I don't. We

414
00:19:08,880 --> 00:19:10,719
Speaker 4: can talk about it when we get to it. I'd

415
00:19:10,880 --> 00:19:13,399
Speaker 4: like the lucky penny storyline too, I just wish there

416
00:19:13,480 --> 00:19:15,600
Speaker 4: was more to it, that there was actually like something

417
00:19:15,640 --> 00:19:18,240
Speaker 4: that really happens, not just that something bad happens when

418
00:19:18,280 --> 00:19:21,280
Speaker 4: he doesn't have the penny, which was very cute. What

419
00:19:21,359 --> 00:19:22,760
Speaker 4: did you think, will I.

420
00:19:22,840 --> 00:19:26,520
Speaker 1: Don't know, Okay, again, a lot of it. It's just

421
00:19:26,600 --> 00:19:30,640
Speaker 1: everybody's every they're phoning in the storylines. It's clearly not core.

422
00:19:30,720 --> 00:19:32,600
Speaker 1: People have watched seven years of course to hang a fight.

423
00:19:32,680 --> 00:19:34,800
Speaker 1: Why write a line this is our first fight? What

424
00:19:35,560 --> 00:19:37,560
Speaker 1: why he's their first fight as.

425
00:19:37,440 --> 00:19:39,640
Speaker 3: A married couple, or this is our first public fight.

426
00:19:41,119 --> 00:19:42,760
Speaker 3: But they do that all the time, all the time.

427
00:19:42,800 --> 00:19:45,000
Speaker 1: I know. It's like it's like they don't watch their

428
00:19:45,040 --> 00:19:46,800
Speaker 1: own show. They're just one of you said this.

429
00:19:46,880 --> 00:19:47,600
Speaker 2: I don't know who it was.

430
00:19:47,960 --> 00:19:51,040
Speaker 1: I was listening to an older episode for a whole

431
00:19:51,080 --> 00:19:53,280
Speaker 1: nother reason, but one of you said, and I can't

432
00:19:53,280 --> 00:19:58,119
Speaker 1: remember who. It seems like season seven was just for

433
00:19:58,680 --> 00:20:00,760
Speaker 1: let's let people who didn't get it ans to write right,

434
00:20:00,840 --> 00:20:02,280
Speaker 1: and let's get a people who didn't get a chance

435
00:20:02,320 --> 00:20:04,359
Speaker 1: to direct direct, And we were just kind of the

436
00:20:04,400 --> 00:20:07,200
Speaker 1: puppets of Hey, let's start a whole bunch of people's careers.

437
00:20:07,280 --> 00:20:09,080
Speaker 1: It's going to be rough going, but you guys make

438
00:20:09,119 --> 00:20:11,440
Speaker 1: the best of whatever we give you, right, That's kind

439
00:20:11,440 --> 00:20:13,800
Speaker 1: of what it seems like to me. And so when

440
00:20:13,840 --> 00:20:16,680
Speaker 1: I watched this episode, I had fun watching this episode

441
00:20:17,080 --> 00:20:20,800
Speaker 1: as an actor and as Wilfredell because I see myself

442
00:20:21,000 --> 00:20:22,000
Speaker 1: trying to break you writer.

443
00:20:22,440 --> 00:20:24,520
Speaker 3: Oh you actually broke Ben at the break Ben.

444
00:20:24,880 --> 00:20:28,480
Speaker 1: Also, so as for me as a person watching, I'm like, wow,

445
00:20:28,600 --> 00:20:31,520
Speaker 1: this is a lot of fun. As a television fan,

446
00:20:31,720 --> 00:20:33,320
Speaker 1: I don't know what is happening. Ye.

447
00:20:33,640 --> 00:20:35,960
Speaker 3: Yeah, to me, the problem is the resolution, because actually

448
00:20:35,960 --> 00:20:38,000
Speaker 3: I think the first half. I'm willing to accept that, like, oh,

449
00:20:38,040 --> 00:20:39,800
Speaker 3: we live in a world where this is the first fight.

450
00:20:40,520 --> 00:20:42,760
Speaker 3: You know, I'm just taking out the rest of that sentence,

451
00:20:42,800 --> 00:20:46,040
Speaker 3: which as a married couple fine, But man, I just

452
00:20:46,160 --> 00:20:49,240
Speaker 3: that the whole like second half of this episode is

453
00:20:49,280 --> 00:20:54,000
Speaker 3: that montage of conversations in the in the apartment, and

454
00:20:54,080 --> 00:20:56,399
Speaker 3: I just don't know what they're talking about. I'm literally like,

455
00:20:56,640 --> 00:20:59,920
Speaker 3: we're reiterating the same points where swapping points of views

456
00:21:00,119 --> 00:21:02,359
Speaker 3: for moments. It just wasn't funny. It wasn't I was

457
00:21:02,440 --> 00:21:04,080
Speaker 3: just like, I don't know what this is. And then

458
00:21:04,160 --> 00:21:05,399
Speaker 3: it was like, oh, and now we're going to work

459
00:21:05,400 --> 00:21:06,520
Speaker 3: together to sell a magazine.

460
00:21:06,720 --> 00:21:11,240
Speaker 1: Okay, yeah, but Danielle, do you I already know the

461
00:21:11,240 --> 00:21:13,320
Speaker 1: answer to this before I asked, But do you remember

462
00:21:14,240 --> 00:21:17,880
Speaker 1: was the original scene at the end one long fight

463
00:21:18,440 --> 00:21:21,320
Speaker 1: that you guys shot or did you shoot little vignettes

464
00:21:21,440 --> 00:21:21,639
Speaker 1: like that.

465
00:21:22,119 --> 00:21:24,359
Speaker 2: To then be edited together like it's a montage of

466
00:21:24,400 --> 00:21:24,680
Speaker 2: a fight.

467
00:21:25,000 --> 00:21:27,480
Speaker 4: I think it was little vignettes. I think we shot

468
00:21:27,520 --> 00:21:29,359
Speaker 4: it as like individual little scenes.

469
00:21:29,640 --> 00:21:31,000
Speaker 2: Okay, yeah, I don't.

470
00:21:31,080 --> 00:21:34,480
Speaker 4: I mean, I agree with everything you're saying. Don't don't

471
00:21:34,520 --> 00:21:36,600
Speaker 4: really know what the point was. I couldn't stand the

472
00:21:36,680 --> 00:21:40,040
Speaker 4: fact that uh Tipega just all of a sudden breaks

473
00:21:40,119 --> 00:21:43,640
Speaker 4: down in tears and says, I've broken your spirit. Yep,

474
00:21:44,080 --> 00:21:48,040
Speaker 4: even though all he says is because you're so good

475
00:21:48,119 --> 00:21:51,879
Speaker 4: at things, you make me feel bad. Well, no, I

476
00:21:52,240 --> 00:21:56,840
Speaker 4: don't do that. You feel bad because you're not cure

477
00:21:57,119 --> 00:21:59,000
Speaker 4: your insecure. That has nothing to do with it.

478
00:21:59,160 --> 00:22:01,480
Speaker 3: All it is is your insect here and you're yeah,

479
00:22:01,640 --> 00:22:03,320
Speaker 3: and it seems to be The resolution is that Corey

480
00:22:03,359 --> 00:22:04,760
Speaker 3: has just got to get over himself, you know, Like

481
00:22:04,880 --> 00:22:07,640
Speaker 3: it's pretty basic, like and which is great because it's

482
00:22:07,960 --> 00:22:10,880
Speaker 3: that there is this this is a storyline. It's true

483
00:22:10,920 --> 00:22:13,480
Speaker 3: to Corey, right, Like it's the average Corey. It's like

484
00:22:13,560 --> 00:22:15,600
Speaker 3: and he's spinning his wheels and he has to learn

485
00:22:15,760 --> 00:22:18,879
Speaker 3: to just deal with that and the fact that no,

486
00:22:19,040 --> 00:22:22,399
Speaker 3: Tapanga's got to like somehow work with the fact that

487
00:22:22,560 --> 00:22:25,800
Speaker 3: she's married to this average guy and that he's going

488
00:22:25,880 --> 00:22:29,560
Speaker 3: to moan about that and that's like part of being married.

489
00:22:29,600 --> 00:22:31,240
Speaker 3: It's like, no, just stop moaning, dude.

490
00:22:31,320 --> 00:22:34,040
Speaker 1: Yeah, Like, when you marry an extraordinary person, this is

491
00:22:34,040 --> 00:22:35,919
Speaker 1: somebody you've known for your entire life, and they've clearly

492
00:22:36,000 --> 00:22:38,680
Speaker 1: made to Panga good at everything she does. You can't

493
00:22:38,680 --> 00:22:40,280
Speaker 1: all of a sudden be shocked that that She's then

494
00:22:40,400 --> 00:22:41,680
Speaker 1: good at everything she does.

495
00:22:41,840 --> 00:22:44,120
Speaker 2: I mean that's part of her character. That being said

496
00:22:44,400 --> 00:22:49,280
Speaker 2: the start of the fight, I blame Tapanga because the very.

497
00:22:49,880 --> 00:22:50,679
Speaker 4: She wouldn't leave him.

498
00:22:50,960 --> 00:22:52,520
Speaker 1: Corey says, if you listen to your partner and if

499
00:22:52,520 --> 00:22:54,040
Speaker 1: your partner's like, look, I'm in a mood and I

500
00:22:54,119 --> 00:22:56,400
Speaker 1: just don't want to do this right now, then walk away.

501
00:22:58,600 --> 00:22:58,959
Speaker 2: Completely.

502
00:22:59,480 --> 00:23:01,520
Speaker 4: I don't want to say something I regret and she's

503
00:23:01,600 --> 00:23:03,560
Speaker 4: like now now, now, now, I agree with you. You

504
00:23:03,680 --> 00:23:05,800
Speaker 4: have to say, Okay, I just want you to know

505
00:23:05,920 --> 00:23:08,480
Speaker 4: I'm here. Whenever you are ready to talk about it.

506
00:23:08,840 --> 00:23:11,679
Speaker 4: Please come to me. Love you, take whatever time you need.

507
00:23:11,800 --> 00:23:12,000
Speaker 3: Yep.

508
00:23:12,080 --> 00:23:12,280
Speaker 1: Yeah.

509
00:23:12,440 --> 00:23:14,160
Speaker 2: Other than that, it's one hundred percent on him.

510
00:23:14,440 --> 00:23:17,920
Speaker 4: Yeah. Jumping into our guest stars, we have Brandon Malalay.

511
00:23:18,080 --> 00:23:19,560
Speaker 4: I think that's how you say his name, Either that

512
00:23:19,720 --> 00:23:22,360
Speaker 4: or it's molayal As rock.

513
00:23:22,200 --> 00:23:23,480
Speaker 1: Though, Oh God, I thought you're gonna go for the

514
00:23:23,560 --> 00:23:26,000
Speaker 1: joke and say or it's brained.

515
00:23:27,720 --> 00:23:29,000
Speaker 4: Well, I'm not as quick as you.

516
00:23:29,160 --> 00:23:29,879
Speaker 3: I'm sorry.

517
00:23:31,240 --> 00:23:34,040
Speaker 4: As Rocko Boy Meets World was an early stop for

518
00:23:34,240 --> 00:23:37,280
Speaker 4: brain Down, but over the past twenty five years he's

519
00:23:37,359 --> 00:23:39,320
Speaker 4: been in a ton of stuff a ton.

520
00:23:39,680 --> 00:23:41,240
Speaker 3: Yes, recognize him instantly.

521
00:23:41,600 --> 00:23:44,440
Speaker 4: Yes, he's been in movies like Dodgeball, The Longest Yard

522
00:23:44,640 --> 00:23:47,919
Speaker 4: or Mister Deed's or TV shows like I Carly, Agents

523
00:23:47,960 --> 00:23:51,320
Speaker 4: of Shield or Reno nine one one. We have Ivory

524
00:23:51,440 --> 00:23:55,439
Speaker 4: Hunter as football player number one and John Knight as

525
00:23:55,520 --> 00:23:58,240
Speaker 4: football player number two. He only acted for a few

526
00:23:58,320 --> 00:24:00,920
Speaker 4: years in the late nineties early two thousands, but you

527
00:24:01,160 --> 00:24:04,760
Speaker 4: still may have seen him on a few popular shows Sabrina, Buffy,

528
00:24:04,840 --> 00:24:08,000
Speaker 4: The Steve Harvey Show, and Hang Time. His last credit

529
00:24:08,160 --> 00:24:23,840
Speaker 4: was in two thousand and one. So jumping into our recap,

530
00:24:23,960 --> 00:24:27,280
Speaker 4: we start in the student union. Corey waltzes up to

531
00:24:27,320 --> 00:24:30,560
Speaker 4: Sean with a huge grin on his face. You'll never guess.

532
00:24:31,040 --> 00:24:34,760
Speaker 4: Sean immediately blurts out t Fang is pregnant. Corey is shocked.

533
00:24:35,000 --> 00:24:38,119
Speaker 4: She is, why'd she tell you and not me? Are

534
00:24:38,160 --> 00:24:42,000
Speaker 4: you the father of my child? Writer's face?

535
00:24:43,240 --> 00:24:46,040
Speaker 1: Well, it's all we're all full on what here? So

536
00:24:46,240 --> 00:24:50,840
Speaker 1: I came up or figured out something writer? Sean hasn't

537
00:24:50,920 --> 00:24:56,920
Speaker 1: changed all that much. We're all doing caricatures around what

538
00:24:57,119 --> 00:24:59,840
Speaker 1: you used to do as Sean, which makes you seem

539
00:24:59,880 --> 00:25:03,080
Speaker 1: like you're really mellow and phoning it in when really

540
00:25:03,280 --> 00:25:04,560
Speaker 1: it's all like Ben doing it?

541
00:25:04,680 --> 00:25:06,280
Speaker 3: Are you to father my child?

542
00:25:06,520 --> 00:25:08,920
Speaker 1: And I'm doing this huge stuff. Go back and watch

543
00:25:09,000 --> 00:25:12,280
Speaker 1: Sean from season three. You're essentially doing the same thing. Yeah,

544
00:25:12,359 --> 00:25:15,520
Speaker 1: you're just but it does interest like that because we're

545
00:25:15,680 --> 00:25:17,359
Speaker 1: all ramping everything to eleven.

546
00:25:17,560 --> 00:25:19,680
Speaker 4: Right, You're the only grounded human being.

547
00:25:19,680 --> 00:25:25,000
Speaker 3: Exactly, So it's when you've got Ben and yeah, it's crazy.

548
00:25:25,080 --> 00:25:26,920
Speaker 3: I actually did feel good about the scene with me

549
00:25:27,000 --> 00:25:29,160
Speaker 3: and Ben later on the couch because I was playing

550
00:25:29,240 --> 00:25:31,119
Speaker 3: we're actually listening to him and like talking to him,

551
00:25:31,160 --> 00:25:33,480
Speaker 3: and I was like, oh, okay, I was yeah, that's true,

552
00:25:33,520 --> 00:25:36,760
Speaker 3: that's fine. But this I feel it's whenever it's whenever

553
00:25:36,880 --> 00:25:39,400
Speaker 3: Sean is doing like a bit with Corey that I'm

554
00:25:39,440 --> 00:25:41,480
Speaker 3: a little like like, all, I don't know, I just

555
00:25:41,680 --> 00:25:44,000
Speaker 3: I hate these I get so uncomfortable. When I realized

556
00:25:44,000 --> 00:25:46,520
Speaker 3: it's because I felt like I was being pressured to

557
00:25:47,560 --> 00:25:50,040
Speaker 3: do zingers like when I do, and I just didn't

558
00:25:50,200 --> 00:25:51,680
Speaker 3: have the energy for it. You can see it in

559
00:25:51,720 --> 00:25:56,879
Speaker 3: my face. I'm like half ironically like oh, Corey. But

560
00:25:56,920 --> 00:25:58,359
Speaker 3: then I just sort of had this sense of like,

561
00:25:58,480 --> 00:25:59,440
Speaker 3: do we really have to do this?

562
00:25:59,560 --> 00:25:59,680
Speaker 7: You know?

563
00:26:00,080 --> 00:26:02,840
Speaker 4: Well, but like Will said, A large extent of that

564
00:26:03,040 --> 00:26:07,600
Speaker 4: is that you're playing opposite a very broad version of

565
00:26:07,720 --> 00:26:10,840
Speaker 4: someone who had been your best friend this time so

566
00:26:11,160 --> 00:26:13,600
Speaker 4: like a new and so you're like, oh, I guess

567
00:26:13,680 --> 00:26:17,440
Speaker 4: I have to interact differently with you exactly.

568
00:26:17,760 --> 00:26:20,480
Speaker 3: It's weird energy though it doesn't. Yeah, it's like I

569
00:26:20,560 --> 00:26:24,040
Speaker 3: should have just matched his energy right, like I don't know,

570
00:26:24,640 --> 00:26:27,320
Speaker 3: or maybe Sean should have been written to comatch the

571
00:26:27,440 --> 00:26:29,080
Speaker 3: energy in a little better way, or you know, like

572
00:26:29,480 --> 00:26:31,840
Speaker 3: have my own character instead, I'm just the sounding board.

573
00:26:32,119 --> 00:26:34,920
Speaker 4: Or even if you have an acknowledgment that you were

574
00:26:35,080 --> 00:26:37,159
Speaker 4: that you guys were about to do a bit, we're like, oh,

575
00:26:37,200 --> 00:26:40,879
Speaker 4: I love this game, Oh what you know something? But

576
00:26:41,080 --> 00:26:47,440
Speaker 4: instead you're you are a grounded character playing opposite Michael Jacobs,

577
00:26:48,280 --> 00:26:49,760
Speaker 4: and you're like, okay.

578
00:26:50,520 --> 00:26:53,320
Speaker 1: So it just really seems like we're all kind of going,

579
00:26:53,440 --> 00:26:55,200
Speaker 1: let's see how far we can push it until the

580
00:26:55,240 --> 00:26:57,639
Speaker 1: network literally comes and just takes the furniture.

581
00:27:00,840 --> 00:27:01,439
Speaker 7: Exactly.

582
00:27:01,960 --> 00:27:02,960
Speaker 2: That's what it seems like.

583
00:27:05,960 --> 00:27:09,640
Speaker 4: Sean reminds him, Hey, idiot, you had news. Corey takes

584
00:27:09,680 --> 00:27:12,280
Speaker 4: a seat. I got a job. Sean congratulates him, but

585
00:27:12,359 --> 00:27:15,040
Speaker 4: Corey dares him, ask me what my hours are go ahead,

586
00:27:15,480 --> 00:27:18,119
Speaker 4: Shawn obliges, and Corey happily answers, it's up to me.

587
00:27:18,680 --> 00:27:21,399
Speaker 4: Now ask me who I work for. Sean continues to

588
00:27:21,480 --> 00:27:23,920
Speaker 4: play along. You know what I wonder? Who do you

589
00:27:24,080 --> 00:27:26,159
Speaker 4: work for? Corey happily answers me.

590
00:27:26,560 --> 00:27:27,440
Speaker 3: I work for me.

591
00:27:28,200 --> 00:27:31,720
Speaker 4: My boss is mister Me. It's all me. Isn't that great?

592
00:27:32,520 --> 00:27:35,440
Speaker 4: Sean admits he wouldn't like it, but it's great for Corey.

593
00:27:36,040 --> 00:27:38,320
Speaker 4: Now was that line supposed to be that you wouldn't

594
00:27:38,359 --> 00:27:41,439
Speaker 4: like it if Corey was your boss, or you wouldn't

595
00:27:41,560 --> 00:27:42,840
Speaker 4: like being your own boss?

596
00:27:43,920 --> 00:27:45,639
Speaker 3: I yeah, I don't know.

597
00:27:45,760 --> 00:27:46,640
Speaker 2: I think it was Corey.

598
00:27:46,720 --> 00:27:48,800
Speaker 4: I think that's what I thought too, You wouldn't like

599
00:27:48,800 --> 00:27:51,120
Speaker 4: it if Corey was yours. I'm like Sean would love

600
00:27:51,200 --> 00:27:54,480
Speaker 4: to be his own boss. Sean only wants jobs where

601
00:27:54,480 --> 00:27:58,760
Speaker 4: he gets creative freedom. And you know so anyway, okay,

602
00:27:58,960 --> 00:28:04,200
Speaker 4: as a poet, photographer, yes exactly, but also business person,

603
00:28:04,200 --> 00:28:07,320
Speaker 4: remember business one coachographer.

604
00:28:06,520 --> 00:28:06,679
Speaker 1: In the.

605
00:28:11,720 --> 00:28:14,359
Speaker 4: Cory agrees, and I can make between four hundred and

606
00:28:14,480 --> 00:28:18,240
Speaker 4: five thousand dollars a month. Sean knows this isn't good.

607
00:28:18,520 --> 00:28:21,400
Speaker 4: Oh no, but Corey continues, You see, I'm the lord

608
00:28:21,480 --> 00:28:23,879
Speaker 4: of my castle. And as the lord, I think it's

609
00:28:24,000 --> 00:28:26,639
Speaker 4: up to me to provide and it's up to Tapanga

610
00:28:26,720 --> 00:28:31,320
Speaker 4: to be my grateful French chambermaid Fifi Labanza.

611
00:28:31,680 --> 00:28:31,880
Speaker 1: Yep.

612
00:28:33,960 --> 00:28:39,240
Speaker 4: So when he presented this idea, I thought, Oh, I

613
00:28:39,600 --> 00:28:42,840
Speaker 4: like this idea that we're going to have an episode

614
00:28:42,880 --> 00:28:45,480
Speaker 4: where Correy has to come to terms with being uncomfortable

615
00:28:45,600 --> 00:28:47,120
Speaker 4: not being the bread Great.

616
00:28:47,360 --> 00:28:49,160
Speaker 3: Wouldn't that be great? That would have been a good

617
00:28:49,520 --> 00:28:52,440
Speaker 3: that's the lesson, but that would be the lesson. It's like, Coy,

618
00:28:52,840 --> 00:28:54,240
Speaker 3: I'm the one who's going to make the money, and

619
00:28:54,320 --> 00:28:56,080
Speaker 3: I can do this, and you know I'm not going

620
00:28:56,160 --> 00:28:58,280
Speaker 3: to be waiting at home and instead it's like, no,

621
00:28:58,480 --> 00:28:59,959
Speaker 3: I'm also going to have to be waiting at home

622
00:29:00,400 --> 00:29:01,600
Speaker 3: and helping you with your job.

623
00:29:02,400 --> 00:29:04,480
Speaker 2: And wouldn't it.

624
00:29:04,560 --> 00:29:09,240
Speaker 4: Be great for Topega and her character development to say

625
00:29:09,720 --> 00:29:12,280
Speaker 4: just because I didn't go to Yale doesn't mean I'm

626
00:29:12,320 --> 00:29:15,960
Speaker 4: still not going to be a successful lawyer. I've got

627
00:29:16,120 --> 00:29:18,960
Speaker 4: I've got all. I've got all this great potential and

628
00:29:19,040 --> 00:29:21,640
Speaker 4: I'm working hard toward it and I don't need Yale.

629
00:29:21,800 --> 00:29:25,240
Speaker 4: I can be successful anywhere. If that was who Tapega was,

630
00:29:25,360 --> 00:29:27,800
Speaker 4: because why would she ever have stopped being that way,

631
00:29:28,040 --> 00:29:31,200
Speaker 4: instead of being like on a bus randomly getting offered

632
00:29:31,200 --> 00:29:33,240
Speaker 4: a job and then being like, I'll take it. Why

633
00:29:33,360 --> 00:29:34,400
Speaker 4: isn't she? Why where?

634
00:29:35,160 --> 00:29:35,280
Speaker 7: Well?

635
00:29:35,320 --> 00:29:39,600
Speaker 4: Who is this character that isn't like anyway? So I

636
00:29:39,760 --> 00:29:41,640
Speaker 4: thought it first, Oh great, and then.

637
00:29:41,960 --> 00:29:42,520
Speaker 2: Yeah, and then not.

638
00:29:42,880 --> 00:29:46,360
Speaker 4: No, that's not what happens. Then, so Sean asks, you

639
00:29:46,560 --> 00:29:49,040
Speaker 4: haven't actually said any of this to Tapanga, have you?

640
00:29:49,400 --> 00:29:51,960
Speaker 4: Corey admits he hasn't. This is just crap floating around

641
00:29:51,960 --> 00:29:54,160
Speaker 4: in my head. But that's the beauty of marriage. That's

642
00:29:54,240 --> 00:29:58,120
Speaker 4: the golden nugget. Nobody has to know nothing. Just then

643
00:29:58,240 --> 00:30:01,240
Speaker 4: Topanga arrives with a pep in her step. I have news.

644
00:30:01,680 --> 00:30:05,720
Speaker 4: Corey jumps in too. I have news. What is this

645
00:30:06,560 --> 00:30:07,480
Speaker 4: outfit I'm wearing?

646
00:30:08,680 --> 00:30:10,680
Speaker 3: Giant they put you in? They put you in a

647
00:30:10,880 --> 00:30:12,280
Speaker 3: giant coke Jack.

648
00:30:12,320 --> 00:30:16,480
Speaker 4: Has a hood that's fake leather and also is kind

649
00:30:16,560 --> 00:30:20,200
Speaker 4: of the fake is a vegan leather that Maitland is wearing. Later,

650
00:30:20,440 --> 00:30:24,760
Speaker 4: we have the ugliest jackets on in this episode.

651
00:30:24,880 --> 00:30:27,480
Speaker 3: It's rock and roll shirt kind of.

652
00:30:27,680 --> 00:30:32,640
Speaker 4: No, it's not rock and roll. It's very yoga. It's

653
00:30:32,640 --> 00:30:35,000
Speaker 4: a little hippie to peg. It's a little like yoga

654
00:30:35,080 --> 00:30:37,520
Speaker 4: thing in the middle and I have my which of

655
00:30:37,600 --> 00:30:39,280
Speaker 4: course they touched it up with like a curling iron,

656
00:30:39,320 --> 00:30:42,400
Speaker 4: but it's mostly my natural waves, like that's my naturally

657
00:30:42,600 --> 00:30:46,680
Speaker 4: kind of curly hair. I saw this jacket and I

658
00:30:46,800 --> 00:30:49,000
Speaker 4: was like, what is this?

659
00:30:49,520 --> 00:30:49,680
Speaker 7: Act?

660
00:30:50,120 --> 00:30:51,920
Speaker 3: Can't act in a jacket. It's also four size is

661
00:30:51,920 --> 00:30:52,240
Speaker 3: too big.

662
00:30:52,560 --> 00:30:56,440
Speaker 4: It's disgusting. Just would like to say that it's absolutely disgusting.

663
00:30:57,440 --> 00:30:58,920
Speaker 2: So you didn't buy that one when the show ended,

664
00:30:58,960 --> 00:30:59,320
Speaker 2: I take.

665
00:30:59,240 --> 00:30:59,840
Speaker 3: It did not?

666
00:31:00,520 --> 00:31:00,800
Speaker 7: Did not?

667
00:31:02,200 --> 00:31:05,920
Speaker 4: So she asks me first, he answers, like always, and

668
00:31:06,040 --> 00:31:08,280
Speaker 4: she begins to tell her story. She took the train

669
00:31:08,360 --> 00:31:10,840
Speaker 4: downtown to look at some shoes, not to buy, just

670
00:31:10,960 --> 00:31:12,760
Speaker 4: to look at. And she was sitting next to a

671
00:31:12,840 --> 00:31:16,240
Speaker 4: woman who was looking at fashion photos, so to Panga,

672
00:31:16,520 --> 00:31:19,880
Speaker 4: and Topanga commented, oh, I love that outfit, and the

673
00:31:19,920 --> 00:31:25,240
Speaker 4: woman agreed. All I could think of was Devilwaar's praduct yea.

674
00:31:25,640 --> 00:31:27,800
Speaker 4: No one would offer to Pega a job in this

675
00:31:27,920 --> 00:31:31,400
Speaker 4: outfit for fashion. No one would look at the tapenga

676
00:31:31,520 --> 00:31:31,760
Speaker 4: and go.

677
00:31:32,440 --> 00:31:33,680
Speaker 3: You got a style.

678
00:31:33,880 --> 00:31:36,840
Speaker 4: I know they would be like, ma'am, this isn't Rby's.

679
00:31:36,960 --> 00:31:39,480
Speaker 3: But also all of the things to celebrate about Topanga,

680
00:31:40,600 --> 00:31:43,360
Speaker 3: that she has fashion sense and that she's going to

681
00:31:43,400 --> 00:31:47,520
Speaker 3: become a fashion person. No, The point is she's always

682
00:31:47,520 --> 00:31:50,360
Speaker 3: been out of step with culture and progress, like interestingly

683
00:31:50,480 --> 00:31:53,560
Speaker 3: progressive in her own marching to her own drummer. There's

684
00:31:53,600 --> 00:31:55,640
Speaker 3: like a million she could be. You know, she could

685
00:31:55,680 --> 00:31:57,120
Speaker 3: have solved a problem that.

686
00:31:58,480 --> 00:31:58,920
Speaker 2: Thought about it.

687
00:31:59,240 --> 00:32:01,040
Speaker 1: There's an argument that happens on the train that she

688
00:32:01,200 --> 00:32:03,320
Speaker 1: mediates and argues down. The one guy, a lawyer's on

689
00:32:03,400 --> 00:32:05,160
Speaker 1: the train goes, oh my god, that's amazing. I want

690
00:32:05,160 --> 00:32:05,880
Speaker 1: you as an intern.

691
00:32:05,800 --> 00:32:08,440
Speaker 3: Exactly a super simple but we're going to celebrate the

692
00:32:08,480 --> 00:32:11,480
Speaker 3: fact that she's a fashion person now. It's like it's

693
00:32:11,480 --> 00:32:14,600
Speaker 3: like it's it's so random and and and she's so

694
00:32:14,680 --> 00:32:16,520
Speaker 3: happy to do it. She's like, I'm so happy to

695
00:32:16,600 --> 00:32:19,880
Speaker 3: be there. It's it's frankly, it's it's completely sexist with

696
00:32:21,040 --> 00:32:24,560
Speaker 3: isst Yes, it's just like, what can we celebrate about

697
00:32:24,680 --> 00:32:28,680
Speaker 3: this female character that can threaten him without actually threatening him.

698
00:32:29,080 --> 00:32:31,360
Speaker 3: And it's like, because if she were actually doing something

699
00:32:31,840 --> 00:32:35,040
Speaker 3: like really sophisticated and hard, it would he would have

700
00:32:35,160 --> 00:32:38,040
Speaker 3: no argument, right, But instead he can demean it because

701
00:32:38,280 --> 00:32:41,120
Speaker 3: her job is superficial and it's about looks, right, right,

702
00:32:41,960 --> 00:32:44,640
Speaker 3: So her success is about that, right, it's it is.

703
00:32:45,160 --> 00:32:47,240
Speaker 4: I really do think even if we even if we

704
00:32:47,520 --> 00:32:51,760
Speaker 4: say taking out the sexism aspect of it, the idea

705
00:32:51,880 --> 00:32:54,640
Speaker 4: that if Tapanga were doing something like interning at a

706
00:32:54,760 --> 00:32:57,040
Speaker 4: law firm because and she got the job because of

707
00:32:57,080 --> 00:33:01,160
Speaker 4: her brain, and she got and her skill, Corey taking

708
00:33:01,240 --> 00:33:05,200
Speaker 4: a job as a magazine salesperson from home would make

709
00:33:05,440 --> 00:33:09,160
Speaker 4: him would to the audience, Yes, make it seem like,

710
00:33:09,560 --> 00:33:11,680
Speaker 4: what is this woman doing with this guy?

711
00:33:12,120 --> 00:33:12,280
Speaker 1: Right?

712
00:33:12,600 --> 00:33:20,000
Speaker 4: And they at all costs protect the boy. Tapega commented, Oh,

713
00:33:20,080 --> 00:33:22,560
Speaker 4: I love that outfit, and the woman agreed. The woman

714
00:33:22,680 --> 00:33:25,280
Speaker 4: turned out to be the editor for a fashion magazine,

715
00:33:25,320 --> 00:33:27,160
Speaker 4: and they hit it off so well that she offered

716
00:33:27,200 --> 00:33:30,920
Speaker 4: her a job. Topanga is now her assistant. Corey stares

717
00:33:30,960 --> 00:33:34,280
Speaker 4: in disbelief. Without any emotion, he musters out, I'm really

718
00:33:34,400 --> 00:33:37,000
Speaker 4: very proud of you. Tapanga is still smiling. When she

719
00:33:37,040 --> 00:33:40,200
Speaker 4: shifts to his news. He says, I got a job

720
00:33:40,320 --> 00:33:43,200
Speaker 4: to Tapega jumps up with excitement. That's great. We're a

721
00:33:43,240 --> 00:33:46,360
Speaker 4: two income family. Tell me everything. What's the job? So

722
00:33:46,720 --> 00:33:49,320
Speaker 4: he begins his story. He's walking down the street when

723
00:33:49,360 --> 00:33:51,880
Speaker 4: a flyer with dollar signs on it catches his eye,

724
00:33:52,120 --> 00:33:56,440
Speaker 4: so he called the number. Topanga applauds his initiative, and

725
00:33:56,600 --> 00:34:00,840
Speaker 4: Corey announces, now I'm an entrepreneur, but he's still confused.

726
00:34:01,080 --> 00:34:04,320
Speaker 4: What exactly are you doing, sweetie? He boasts selling magazine

727
00:34:04,360 --> 00:34:07,160
Speaker 4: subscriptions over the phone. It deflated to Panga lets out

728
00:34:07,200 --> 00:34:11,520
Speaker 4: a half hearted oh. Sean suggests that she'd try again.

729
00:34:11,680 --> 00:34:13,799
Speaker 4: So she tries, and more excited, clearly fake.

730
00:34:13,920 --> 00:34:16,200
Speaker 2: Oh, this is a funny. This is a good runner.

731
00:34:16,600 --> 00:34:17,000
Speaker 1: I liked it.

732
00:34:17,680 --> 00:34:19,000
Speaker 2: Unmotivated, but a good runner.

733
00:34:19,320 --> 00:34:21,960
Speaker 4: Yes, Corey braggs, I can wear what I want, go

734
00:34:22,040 --> 00:34:23,799
Speaker 4: to the bathroom when I want, I can eat lunch

735
00:34:23,880 --> 00:34:25,680
Speaker 4: when I want, and I can make as much as

736
00:34:25,719 --> 00:34:28,359
Speaker 4: I choose, between four hundred and five thousand a month.

737
00:34:28,640 --> 00:34:32,279
Speaker 4: I choose five thousand. Thank you. To Panga asks, so

738
00:34:32,600 --> 00:34:35,440
Speaker 4: where are you working? Where are your offices? Corey braggs

739
00:34:35,600 --> 00:34:39,319
Speaker 4: in our living room to Panga lets out another unenthusiastic oh,

740
00:34:39,400 --> 00:34:41,920
Speaker 4: and Sean nudges her to try again. She tries, but

741
00:34:42,000 --> 00:34:45,640
Speaker 4: can only muster up another disappointed oh, and Sean notes

742
00:34:45,880 --> 00:34:50,320
Speaker 4: not as good. This made me laugh because now everybody

743
00:34:50,400 --> 00:34:53,720
Speaker 4: works from home. Yeah, and at the time, it doesn't

744
00:34:53,719 --> 00:34:55,960
Speaker 4: at all have yeah to say, like, oh, no, I've

745
00:34:56,000 --> 00:34:58,040
Speaker 4: get to work from home. It's the polar opposite response.

746
00:34:58,120 --> 00:35:02,279
Speaker 4: Oh that's amazing, right, you were working from home. It

747
00:35:02,400 --> 00:35:03,680
Speaker 4: really said something at all job.

748
00:35:05,360 --> 00:35:07,359
Speaker 1: I also love how he was raised by Alan, who

749
00:35:07,480 --> 00:35:09,759
Speaker 1: was in the military, first because he wanted to get

750
00:35:09,840 --> 00:35:13,000
Speaker 1: better lease on life. Then ran the grocery store, then

751
00:35:13,080 --> 00:35:15,120
Speaker 1: opened his own business, but has no work ethic of

752
00:35:15,160 --> 00:35:15,640
Speaker 1: his none.

753
00:35:16,280 --> 00:35:17,360
Speaker 3: If you don't realize to just.

754
00:35:17,360 --> 00:35:18,960
Speaker 2: Go and get a job, go get a job at Arby's,

755
00:35:18,960 --> 00:35:20,040
Speaker 2: Go get get.

756
00:35:19,719 --> 00:35:22,120
Speaker 4: A job at I don't think so.

757
00:35:22,640 --> 00:35:25,120
Speaker 6: Cory's never had a We never did an episode about

758
00:35:25,160 --> 00:35:28,520
Speaker 6: Corey getting a Joe journalism. You know, him having like school,

759
00:35:28,800 --> 00:35:32,160
Speaker 6: you know those were school projects, the care and then

760
00:35:32,320 --> 00:35:35,360
Speaker 6: Eric got a job, Eric at the local place, and also.

761
00:35:35,160 --> 00:35:39,399
Speaker 3: Worked for his parents. Yes, Eric worked at never had

762
00:35:39,400 --> 00:35:39,759
Speaker 3: a job.

763
00:35:39,840 --> 00:35:41,480
Speaker 2: As far as we know, Corey has never had a job.

764
00:35:41,520 --> 00:35:44,400
Speaker 4: He's been babed his entire life, his entire life. And

765
00:35:44,840 --> 00:35:48,440
Speaker 4: then he went from his parents' house to living with

766
00:35:48,560 --> 00:35:50,640
Speaker 4: Tapanga and now allowing her to take care of him.

767
00:35:50,960 --> 00:35:51,839
Speaker 2: Yeah pretty much.

768
00:35:52,920 --> 00:35:56,160
Speaker 1: Wow, Well he still thinks salami just magically appears in

769
00:35:56,200 --> 00:35:56,880
Speaker 1: the refrigerator.

770
00:35:57,200 --> 00:35:59,800
Speaker 4: Of course, he got married. We go to a commercial

771
00:36:00,160 --> 00:36:03,440
Speaker 4: and we returned to the student Union. While cleaning, Eric

772
00:36:03,560 --> 00:36:05,920
Speaker 4: sniff's a customer who we only see from behind and

773
00:36:06,080 --> 00:36:07,800
Speaker 4: is a redhead, so I assumed it was Maitland.

774
00:36:09,040 --> 00:36:11,399
Speaker 1: No, no, no, I what I do is I look,

775
00:36:11,520 --> 00:36:15,040
Speaker 1: so if I went back and watch it, I walk

776
00:36:15,200 --> 00:36:17,920
Speaker 1: past her, I see something on her shoulder and I

777
00:36:18,080 --> 00:36:18,840
Speaker 1: spit clean it.

778
00:36:19,280 --> 00:36:21,239
Speaker 4: I know, on her shoulder, but we only we don't

779
00:36:21,280 --> 00:36:24,239
Speaker 4: see her face until the very end when she but

780
00:36:24,400 --> 00:36:27,800
Speaker 4: it's a redheaded woman that you do it your spit cleaning,

781
00:36:27,920 --> 00:36:30,680
Speaker 4: and so I'm like, oh, it's Rachel, and then it's

782
00:36:30,760 --> 00:36:31,280
Speaker 4: not Rachel.

783
00:36:31,800 --> 00:36:33,280
Speaker 3: Could you discover this in rehearsal?

784
00:36:33,680 --> 00:36:35,399
Speaker 2: I'm sure, yeah yeah, And I'm sure.

785
00:36:36,440 --> 00:36:36,920
Speaker 3: Excuse me?

786
00:36:37,080 --> 00:36:39,560
Speaker 2: Can I can I spit something off of your shoulder

787
00:36:39,640 --> 00:36:39,920
Speaker 2: kind of thing?

788
00:36:40,239 --> 00:36:41,959
Speaker 4: Yeah, there's no way. They were like, Eric, is spit

789
00:36:42,080 --> 00:36:43,560
Speaker 4: cleaning a background actors?

790
00:36:43,719 --> 00:36:43,759
Speaker 1: No?

791
00:36:44,160 --> 00:36:44,279
Speaker 4: Right?

792
00:36:45,320 --> 00:36:45,440
Speaker 3: Uh?

793
00:36:45,680 --> 00:36:48,239
Speaker 4: He sniffs a customer. Okay, so you you wipe her

794
00:36:48,320 --> 00:36:50,800
Speaker 4: down and then notice something on the floor. He circles

795
00:36:50,840 --> 00:36:52,799
Speaker 4: it for a second, then picks it up. Hey, look

796
00:36:53,080 --> 00:36:56,160
Speaker 4: a penny. Jack examines the coin. Was it heads up?

797
00:36:56,480 --> 00:36:58,839
Speaker 4: Eric needs clarification? Is that the side with the head

798
00:36:58,880 --> 00:37:02,080
Speaker 4: on it? Jack nod and Eric reveals it was heads up?

799
00:37:02,520 --> 00:37:04,799
Speaker 4: Jack lets him know, you, my friend, are the proud

800
00:37:04,840 --> 00:37:08,120
Speaker 4: owner of a lucky penny. Eric begins to freak out, Really,

801
00:37:08,360 --> 00:37:11,360
Speaker 4: he's never had one before. What are the rules? Jack laughs,

802
00:37:11,520 --> 00:37:15,120
Speaker 4: it's only a superstition, but Eric insists, no, I felt

803
00:37:15,200 --> 00:37:18,400
Speaker 4: something the second I touched this penny. Jack grabs him

804
00:37:18,440 --> 00:37:21,000
Speaker 4: and wonders, why can you never just react like a

805
00:37:21,080 --> 00:37:24,640
Speaker 4: normal person, and unaffected, Eric holds the penny in the

806
00:37:24,719 --> 00:37:28,400
Speaker 4: air and screams, I am lucky. Rachel walks up and

807
00:37:28,440 --> 00:37:30,919
Speaker 4: wonders what's going on, and Eric graciously asks if she'd

808
00:37:31,000 --> 00:37:33,440
Speaker 4: like to see his lucky penny. He offers it to her,

809
00:37:33,520 --> 00:37:35,920
Speaker 4: but then instantly pulls it back and screams, no, my

810
00:37:36,200 --> 00:37:36,840
Speaker 4: lucky penny.

811
00:37:37,160 --> 00:37:40,359
Speaker 3: Big, just be big, same loud, same fast, big.

812
00:37:40,760 --> 00:37:43,520
Speaker 4: I do I do feel like I watched this episode

813
00:37:43,560 --> 00:37:47,320
Speaker 4: for you and thought they they just said you have

814
00:37:47,320 --> 00:37:48,000
Speaker 4: a lucky penny.

815
00:37:48,200 --> 00:37:50,800
Speaker 2: Go yep, pretty much, Jo, that's it.

816
00:37:51,120 --> 00:37:54,879
Speaker 4: You ground a lucky penny. Be go do something, say

817
00:37:54,960 --> 00:37:58,960
Speaker 4: things whatever you want, and we will not in any

818
00:37:59,040 --> 00:38:02,400
Speaker 4: way story for you. It's just whatever you want to

819
00:38:02,480 --> 00:38:04,759
Speaker 4: do with this knowledge that you have a lucky penny

820
00:38:04,800 --> 00:38:06,400
Speaker 4: around your neck, we will accept.

821
00:38:06,560 --> 00:38:08,239
Speaker 1: Yeah, you know what I did not hear once this

822
00:38:08,320 --> 00:38:11,120
Speaker 1: season as a note was maybe pull it back.

823
00:38:11,360 --> 00:38:14,520
Speaker 3: Pull it back. Never never, You never never got that note.

824
00:38:14,719 --> 00:38:18,000
Speaker 1: Never got that I got bigger shirts. Let's get them

825
00:38:18,040 --> 00:38:20,000
Speaker 1: in a bigger shirt if possible. Let's can we can

826
00:38:20,040 --> 00:38:21,879
Speaker 1: we pull the camera back to get them all on camera.

827
00:38:22,120 --> 00:38:25,440
Speaker 3: I got that, but never, Hey, will maybe toe it down.

828
00:38:25,920 --> 00:38:26,640
Speaker 3: But it was great?

829
00:38:26,680 --> 00:38:26,839
Speaker 7: Man?

830
00:38:26,960 --> 00:38:30,000
Speaker 3: Is that having seen the pilot? And I don't think Danielle,

831
00:38:30,040 --> 00:38:31,959
Speaker 3: you didn't do the recap with us of the show

832
00:38:32,000 --> 00:38:34,200
Speaker 3: that Will did after that was the Random Years? Is

833
00:38:34,239 --> 00:38:36,680
Speaker 3: that what you were so subtle in that show?

834
00:38:36,960 --> 00:38:37,120
Speaker 7: Yeah?

835
00:38:37,480 --> 00:38:39,800
Speaker 3: So like it was clearly within this context that you

836
00:38:39,880 --> 00:38:42,400
Speaker 3: were going crazy. Yeah, and you adjusted different when you

837
00:38:42,480 --> 00:38:44,680
Speaker 3: got into a different thing, a different setting, you adjusted

838
00:38:45,000 --> 00:38:47,560
Speaker 3: like perfectly. So it's a tribute. It's a credit to you.

839
00:38:47,640 --> 00:38:49,279
Speaker 3: It's not like you were you were going off the

840
00:38:49,360 --> 00:38:51,680
Speaker 3: rails because that was the only place.

841
00:38:52,200 --> 00:38:54,160
Speaker 1: Yeah, in your mid car crash, you just you let

842
00:38:54,239 --> 00:38:55,640
Speaker 1: go of the let go, let god.

843
00:38:55,760 --> 00:38:56,440
Speaker 2: That's what you see.

844
00:38:56,480 --> 00:38:57,680
Speaker 3: What happens is the car rolls over.

845
00:38:58,040 --> 00:39:02,759
Speaker 4: Jesus take the wheel exactly. She sarcastically responds, Wow, this

846
00:39:02,920 --> 00:39:05,920
Speaker 4: must be your lucky day. Eric, Eric corrects her, No, no, no, no, no,

847
00:39:06,120 --> 00:39:09,719
Speaker 4: not my lucky day, my lucky life. She admits it

848
00:39:09,840 --> 00:39:12,520
Speaker 4: is a nice penny, and this immediately sets him off.

849
00:39:12,719 --> 00:39:15,560
Speaker 4: He squints his eyes with intensity. I see what you're

850
00:39:15,640 --> 00:39:19,000
Speaker 4: trying to do. You're trying to seduce me for my penny.

851
00:39:19,480 --> 00:39:23,080
Speaker 4: Rachel scoffs. You caught me. I'm hot for your penny.

852
00:39:23,640 --> 00:39:27,800
Speaker 4: Eric scolds her, evil temptress. Rachel plays along, Well, that's me.

853
00:39:28,280 --> 00:39:30,920
Speaker 4: If you had a nickel, I'd probably marry you. She

854
00:39:31,080 --> 00:39:33,719
Speaker 4: caresses his face and sexually pleads with him. That's how

855
00:39:33,800 --> 00:39:36,879
Speaker 4: badly I want you. This is her storyline for the week.

856
00:39:37,239 --> 00:39:40,319
Speaker 1: Yeah, which was better than Trina's, who literally just sits

857
00:39:40,360 --> 00:39:44,920
Speaker 1: there and with her mouth open like wow, that's it.

858
00:39:45,200 --> 00:39:50,400
Speaker 3: And resting Betsy Whore and Bill and Bill all have

859
00:39:50,560 --> 00:39:51,359
Speaker 3: finals this week.

860
00:39:51,840 --> 00:39:52,080
Speaker 1: I know.

861
00:39:52,600 --> 00:39:56,160
Speaker 4: A startled Eric puts his hand in Jack's direction and bags, dude.

862
00:39:56,200 --> 00:39:58,640
Speaker 3: Give me a nickel, which is funny, but it's also

863
00:39:58,719 --> 00:40:02,240
Speaker 3: just I just like, we're still trying to get Rachel.

864
00:40:02,360 --> 00:40:03,239
Speaker 4: We're there.

865
00:40:03,480 --> 00:40:06,080
Speaker 2: I'm like, this is really like the still on this thing.

866
00:40:06,320 --> 00:40:11,680
Speaker 4: Yep, that's it though, That's that's their entire storyline. Was

867
00:40:11,719 --> 00:40:17,520
Speaker 4: that conversation again talking about the sexism that in this episode,

868
00:40:17,840 --> 00:40:24,680
Speaker 4: the women all were put in positions that are like, Okay,

869
00:40:25,000 --> 00:40:27,759
Speaker 4: Eric assumes it's because he's got a penny, and she

870
00:40:27,920 --> 00:40:30,160
Speaker 4: plays into it. Oh and if you had five cents,

871
00:40:30,200 --> 00:40:35,200
Speaker 4: I I want you. That's her role. Angela's role is

872
00:40:35,280 --> 00:40:38,440
Speaker 4: literally just hey, what's going on with your lucky penny?

873
00:40:39,840 --> 00:40:43,240
Speaker 4: And and looking off in weird directions, and to Panga

874
00:40:43,400 --> 00:40:47,759
Speaker 4: has been relegated to some fashion assistant, even though that's

875
00:40:47,880 --> 00:40:51,160
Speaker 4: never been an interest of hers at all. And and

876
00:40:51,280 --> 00:40:55,319
Speaker 4: then also just realizing apparently that because she is good

877
00:40:55,400 --> 00:40:59,640
Speaker 4: at things, it has broken Corey's spirit and she doesn't

878
00:40:59,640 --> 00:41:00,320
Speaker 4: want to do that.

879
00:41:01,200 --> 00:41:01,600
Speaker 3: Mm hmm.

880
00:41:02,600 --> 00:41:06,719
Speaker 2: Yeah. They're playing a lot of tennis this week, last

881
00:41:06,760 --> 00:41:08,920
Speaker 2: couple of weeks tennis.

882
00:41:09,120 --> 00:41:24,720
Speaker 4: Yeah, a lot of tennis going on. Corey is slouched

883
00:41:24,800 --> 00:41:27,600
Speaker 4: on the couch wearing a white headset and robotically talking

884
00:41:27,680 --> 00:41:29,279
Speaker 4: to a person on the other end of the line.

885
00:41:30,239 --> 00:41:35,320
Speaker 4: Is this, mister Leon Shnazi, can you read good for you?

886
00:41:35,960 --> 00:41:38,440
Speaker 4: Because I'm going to read you our list of magazines.

887
00:41:38,800 --> 00:41:41,719
Speaker 4: He explains there are seven hundred magazines, so don't hang

888
00:41:41,800 --> 00:41:44,560
Speaker 4: up before he finishes the list, because he doesn't like

889
00:41:44,680 --> 00:41:48,840
Speaker 4: it and it's mean to him, and so he starts, Ready,

890
00:41:49,280 --> 00:41:53,440
Speaker 4: here we go, hard Vark. He flips the page for

891
00:41:53,520 --> 00:41:55,440
Speaker 4: the next title, but before he can spit it out,

892
00:41:55,640 --> 00:41:58,480
Speaker 4: the customer hangs up. He furiously calls.

893
00:41:58,320 --> 00:42:00,960
Speaker 2: Back, it's one title of page. I I just wrote

894
00:42:01,400 --> 00:42:02,200
Speaker 2: on one page and then you.

895
00:42:02,239 --> 00:42:03,000
Speaker 3: Got to go to the next one.

896
00:42:03,120 --> 00:42:07,480
Speaker 4: No, no, that was just bad. Whatever the version of

897
00:42:08,320 --> 00:42:16,600
Speaker 4: adacting it's he furiously calls back, and when he answers,

898
00:42:16,680 --> 00:42:19,120
Speaker 4: Corey reminds him, I told you not to do that.

899
00:42:19,840 --> 00:42:20,600
Speaker 2: This was funny to me.

900
00:42:20,760 --> 00:42:21,000
Speaker 6: It was.

901
00:42:21,719 --> 00:42:23,600
Speaker 3: Yeah, it's not Corey at all, but it's so ben

902
00:42:24,120 --> 00:42:24,920
Speaker 3: I know that.

903
00:42:25,080 --> 00:42:29,520
Speaker 4: I do love the idea of him being like cable guy. Yeah,

904
00:42:29,560 --> 00:42:31,320
Speaker 4: where he's like a psycho phone.

905
00:42:32,400 --> 00:42:34,279
Speaker 3: And is that a real thing that he has? Is

906
00:42:34,320 --> 00:42:36,480
Speaker 3: that like a consumer phone thing?

907
00:42:36,719 --> 00:42:39,479
Speaker 4: I'm assuming that's how it used to be? This dial pad,

908
00:42:40,200 --> 00:42:44,800
Speaker 4: yeah thing, the dial pad thing was crazy. Yeah, I

909
00:42:44,920 --> 00:42:46,840
Speaker 4: told you not to do that, Shnazi. Now we're going

910
00:42:46,920 --> 00:42:48,200
Speaker 4: to have to start all over again.

911
00:42:48,400 --> 00:42:52,040
Speaker 3: Here we go, var And I just got to say,

912
00:42:52,480 --> 00:42:55,759
Speaker 3: the names and Boy Meets World are so good, Like

913
00:42:56,360 --> 00:42:59,480
Speaker 3: Michael has such an ear which names are funny?

914
00:42:59,840 --> 00:43:00,239
Speaker 1: You know.

915
00:43:00,480 --> 00:43:04,280
Speaker 3: It's all the way back to Feeni and to Penga

916
00:43:04,520 --> 00:43:10,200
Speaker 3: and everybody's name just reflects like a quality of that

917
00:43:10,400 --> 00:43:11,200
Speaker 3: just is perfect.

918
00:43:11,239 --> 00:43:13,759
Speaker 4: And like you remember the amount of attention Michael gave

919
00:43:13,840 --> 00:43:15,319
Speaker 4: to names when we did go Meet's World.

920
00:43:15,440 --> 00:43:18,839
Speaker 3: Yeah, yeah, because I think it's brilliant. I think it's

921
00:43:18,920 --> 00:43:21,200
Speaker 3: truly like you have an ear or you don't, and

922
00:43:21,280 --> 00:43:23,399
Speaker 3: he has the ear for names, and he's so good.

923
00:43:23,480 --> 00:43:25,920
Speaker 3: It's like it's just a it's just an understanding language,

924
00:43:25,960 --> 00:43:30,000
Speaker 3: you know, like that quality, and like this whole bit doesn't.

925
00:43:29,719 --> 00:43:32,320
Speaker 1: Work unless you have the name Shannazi and there's something

926
00:43:32,360 --> 00:43:34,040
Speaker 1: that reynolds it doesn't work.

927
00:43:34,080 --> 00:43:36,440
Speaker 3: Oh my god, there's nothing funny y, it's not funny.

928
00:43:36,600 --> 00:43:40,520
Speaker 3: It's it's musical language. It's it's perfect. It's just brilliant.

929
00:43:40,800 --> 00:43:44,560
Speaker 4: You're right, And again the man hangs up, so Cory

930
00:43:44,600 --> 00:43:46,800
Speaker 4: golshim back one more time, but now the customer is

931
00:43:46,840 --> 00:43:49,719
Speaker 4: smart enough not to answer. He leaves mister Shannazi a

932
00:43:49,840 --> 00:43:54,080
Speaker 4: voicemail about how stupid his name is. Then Tapega enters,

933
00:43:54,320 --> 00:43:57,600
Speaker 4: wearing a cute pink sweater. Finally I have something cute

934
00:43:57,600 --> 00:44:00,399
Speaker 4: little going on. She's a look an extra chipper, she says.

935
00:44:00,480 --> 00:44:02,680
Speaker 4: Corey will never guess what happened to her. At work today.

936
00:44:02,960 --> 00:44:06,600
Speaker 4: Corey rolls his eyes and informs Sha Nazi's voicemail, I can't.

937
00:44:06,440 --> 00:44:07,160
Speaker 3: Talk right now.

938
00:44:07,480 --> 00:44:11,720
Speaker 4: My wife just got home. I'll call you later. Topenga

939
00:44:11,800 --> 00:44:13,640
Speaker 4: is still gushing. She can't wait to tell him the

940
00:44:13,680 --> 00:44:15,719
Speaker 4: great news, but he interrupts her. This is going to

941
00:44:15,760 --> 00:44:18,359
Speaker 4: be the kind of job where I take aspirin a lot.

942
00:44:18,760 --> 00:44:19,359
Speaker 1: How you doing?

943
00:44:20,120 --> 00:44:22,239
Speaker 4: He walks off and to Panga decides to try out

944
00:44:22,280 --> 00:44:25,480
Speaker 4: the headset. She dials a number and cheerfully introduces herself

945
00:44:25,560 --> 00:44:29,880
Speaker 4: to Donna Sentangelo. Tapanga's transparent, very positive. I'm one of

946
00:44:29,920 --> 00:44:32,359
Speaker 4: those annoying magazine people who call it the warst time.

947
00:44:32,440 --> 00:44:34,720
Speaker 3: Why does Topanga do this? I don't understand, no idea.

948
00:44:34,840 --> 00:44:37,120
Speaker 3: I know why we have to have this happen right,

949
00:44:37,200 --> 00:44:39,279
Speaker 3: like she's got to be better at his job too,

950
00:44:39,719 --> 00:44:43,880
Speaker 3: But why does she decide it's the most unmotivated, weird

951
00:44:44,000 --> 00:44:46,400
Speaker 3: like little bit. I was like, uh, okay, you know what.

952
00:44:46,440 --> 00:44:49,719
Speaker 4: Would have been better is if he when he puts

953
00:44:49,760 --> 00:44:53,120
Speaker 4: the headset down, accidentally dialed someone or called someone, and

954
00:44:53,239 --> 00:44:57,399
Speaker 4: so she she hears something and oh my gosh, I'm

955
00:44:57,480 --> 00:45:02,160
Speaker 4: so sorry. Yes I'm weird selling magazines, you know, and then.

956
00:45:02,239 --> 00:45:05,319
Speaker 3: Stop my job is hard, and she said, oh, let

957
00:45:05,360 --> 00:45:07,480
Speaker 3: me try or you know whatever, which also would have

958
00:45:07,520 --> 00:45:09,640
Speaker 3: played into the conflict more because then it's like, yeah,

959
00:45:09,760 --> 00:45:12,160
Speaker 3: she oversteps her bounds by like doing something when he

960
00:45:12,200 --> 00:45:14,359
Speaker 3: says no, no, no, don't you know. But instead it's

961
00:45:14,400 --> 00:45:17,320
Speaker 3: like she just randomly decides to have fun doing a

962
00:45:17,440 --> 00:45:18,040
Speaker 3: job that's.

963
00:45:17,920 --> 00:45:21,600
Speaker 4: Not hers and she suddenly knows how to use it.

964
00:45:21,960 --> 00:45:27,239
Speaker 4: It picks up the headset and so to Panga. Corey

965
00:45:27,320 --> 00:45:28,920
Speaker 4: has now re entered the room and is struggling to

966
00:45:28,960 --> 00:45:31,279
Speaker 4: open an aspirin bottle. He scoffs at to Panga. Yeah,

967
00:45:31,360 --> 00:45:34,080
Speaker 4: like you're gonna sell a magazine. I couldn't sell one

968
00:45:34,160 --> 00:45:37,240
Speaker 4: magazine and I'm in the business, so right on cue,

969
00:45:37,440 --> 00:45:40,920
Speaker 4: Donna does buy a magazine. She actually decides to buy

970
00:45:41,040 --> 00:45:44,399
Speaker 4: eight of them. Topanga is thrilled. She tells Donna she'll

971
00:45:44,440 --> 00:45:48,279
Speaker 4: be billed without getting any of her information, and then

972
00:45:48,560 --> 00:45:51,880
Speaker 4: takes off the headset. That was fun. Corey is disturbed

973
00:45:52,280 --> 00:45:56,600
Speaker 4: you sold a magazine, She clarifies eight. She assumes Corey

974
00:45:56,719 --> 00:45:58,640
Speaker 4: must have sold like eight hundred and wants to know

975
00:45:58,760 --> 00:46:03,160
Speaker 4: his total. Frowns and calmly explains, perhaps you didn't hear

976
00:46:03,239 --> 00:46:05,920
Speaker 4: me when I said, I didn't sell one magazine and

977
00:46:06,080 --> 00:46:08,279
Speaker 4: I'm in the business seventeen seconds ago.

978
00:46:08,520 --> 00:46:11,160
Speaker 3: Great line. I love that line is one of the

979
00:46:11,200 --> 00:46:11,839
Speaker 3: funniest lines.

980
00:46:12,160 --> 00:46:16,160
Speaker 4: So good. Topenga doesn't even flinch. Right, So Judy, she's

981
00:46:16,239 --> 00:46:18,080
Speaker 4: my boss. She calls me into her office today with

982
00:46:18,160 --> 00:46:20,840
Speaker 4: two other associate editors. She asks me for my opinion

983
00:46:20,920 --> 00:46:23,480
Speaker 4: on what our first cover should be. Corey's gnawing on

984
00:46:23,520 --> 00:46:25,839
Speaker 4: the aspirin bottle at this point, desperate to get it open,

985
00:46:25,880 --> 00:46:28,959
Speaker 4: while Topanga continues. The other two hated the one I picked,

986
00:46:29,000 --> 00:46:31,439
Speaker 4: but Judy loved the one I picked, and we're gonna

987
00:46:31,480 --> 00:46:34,719
Speaker 4: use the one I picked. Corey isn't enthused, so she

988
00:46:34,920 --> 00:46:38,360
Speaker 4: promoted you to Pega nods, yes, isn't that something?

989
00:46:38,880 --> 00:46:39,120
Speaker 1: With that?

990
00:46:39,280 --> 00:46:41,840
Speaker 4: She walks right up to Corey and removes the aspirin

991
00:46:41,880 --> 00:46:43,160
Speaker 4: bottle lid with ease.

992
00:46:44,239 --> 00:46:46,000
Speaker 2: Good at everything, Good at everything?

993
00:46:46,360 --> 00:46:48,520
Speaker 4: And then we're back at the student union. Eric and

994
00:46:48,600 --> 00:46:52,600
Speaker 4: Jack enter and Eric announces everyone relax, nothing bad can happen.

995
00:46:52,800 --> 00:46:53,640
Speaker 3: You're with me.

996
00:46:54,440 --> 00:46:56,799
Speaker 4: He reveals the Lucky Penny, which is now tied around

997
00:46:56,840 --> 00:46:59,680
Speaker 4: his neck. Sean wonders, you really believe in that stuff?

998
00:47:00,480 --> 00:47:01,560
Speaker 4: I love so writer?

999
00:47:03,440 --> 00:47:06,359
Speaker 3: What luck?

1000
00:47:10,000 --> 00:47:11,960
Speaker 2: Eric there's no lucky Penny or God.

1001
00:47:15,920 --> 00:47:18,960
Speaker 4: The right really believe that.

1002
00:47:28,719 --> 00:47:32,160
Speaker 3: Do better, you will do better, think harder, so perfect.

1003
00:47:34,800 --> 00:47:38,000
Speaker 4: Eric responds, Yes, I do. I'm the chosen one. I'm protected.

1004
00:47:38,000 --> 00:47:40,920
Speaker 4: I've got an invisible shield all over my body, and

1005
00:47:41,040 --> 00:47:44,400
Speaker 4: now he wants to prove it. Watch this. Eric calls

1006
00:47:44,480 --> 00:47:47,880
Speaker 4: out Rocco and approaches a big group of football players

1007
00:47:47,920 --> 00:47:50,160
Speaker 4: in the middle of a game of pool. Big star

1008
00:47:50,280 --> 00:47:53,520
Speaker 4: player Rocco notices Eric, you better have a good reason

1009
00:47:53,600 --> 00:47:55,840
Speaker 4: for bothering me. I wasn't wearing a leather jacket, so

1010
00:47:55,840 --> 00:47:57,319
Speaker 4: I don't know why we're scared of him, but whatever.

1011
00:47:57,920 --> 00:47:59,839
Speaker 4: Jack begs his friend to walk away, but Eric isn't

1012
00:47:59,840 --> 00:48:02,000
Speaker 4: here it I just want Roco to clear something up

1013
00:48:02,040 --> 00:48:05,160
Speaker 4: for me. Rocco retorts, if it's your complexion, then no

1014
00:48:05,480 --> 00:48:08,520
Speaker 4: can do. Oh yeah, nineteen fifty.

1015
00:48:08,400 --> 00:48:11,960
Speaker 3: Jokes, remember acting jokes from seasons one, two, and three.

1016
00:48:12,120 --> 00:48:14,319
Speaker 3: They're back, baby, back back.

1017
00:48:16,200 --> 00:48:20,160
Speaker 4: He lets out a roasted and five five's his boys

1018
00:48:20,200 --> 00:48:22,640
Speaker 4: were just a reminder in college.

1019
00:48:23,000 --> 00:48:27,279
Speaker 3: Yeah, in college, Eric's like an eighth year senior by

1020
00:48:27,360 --> 00:48:31,560
Speaker 3: this point. I mean, my god, thirty, it's just it's

1021
00:48:31,719 --> 00:48:35,600
Speaker 3: so nineteen fifties. It's just grease it's it's grease.

1022
00:48:35,800 --> 00:48:37,640
Speaker 2: It's the best.

1023
00:48:38,200 --> 00:48:41,120
Speaker 4: Eric pretends to laugh along as Jack continues to try

1024
00:48:41,160 --> 00:48:44,280
Speaker 4: and usher him away, but Eric doesn't budge. He asks Rocco,

1025
00:48:44,640 --> 00:48:47,160
Speaker 4: as an athlete on the football team, is it a

1026
00:48:47,320 --> 00:48:51,480
Speaker 4: distraction being gay? Gay Panic? Gay Panic? Gay Panic?

1027
00:48:51,800 --> 00:48:54,520
Speaker 3: But you kind of dug the way they do it? Though, Well,

1028
00:48:54,600 --> 00:48:56,960
Speaker 3: this is. I thought it was great, this is but

1029
00:48:57,080 --> 00:48:59,239
Speaker 3: when it happened, I was like, oh, really, we're going there?

1030
00:48:59,320 --> 00:48:59,480
Speaker 4: Huh?

1031
00:48:59,600 --> 00:49:03,120
Speaker 3: And was like, why is that a bad thing? Genuinely asked,

1032
00:49:03,160 --> 00:49:05,319
Speaker 3: and I was like, oh yeah, dude, like back then

1033
00:49:05,600 --> 00:49:08,200
Speaker 3: and I was. I was explaining gay panic to Indy

1034
00:49:08,520 --> 00:49:10,480
Speaker 3: and then the joke went all full circle. I was like,

1035
00:49:10,520 --> 00:49:11,560
Speaker 3: oh good for good for.

1036
00:49:15,360 --> 00:49:18,600
Speaker 4: Jack screams and horror as the inmates let out a massive,

1037
00:49:18,920 --> 00:49:25,480
Speaker 4: big gay panic. They are terrified of what's next. Rocco

1038
00:49:25,600 --> 00:49:28,399
Speaker 4: looks at his boys, then grabs Eric to earnestly beam

1039
00:49:29,040 --> 00:49:31,759
Speaker 4: thank you. I've been holding it in for so long.

1040
00:49:32,320 --> 00:49:36,320
Speaker 4: I would like to say it's not appropriate to out people,

1041
00:49:38,200 --> 00:49:41,480
Speaker 4: just because he appreciates it in this moment, and we

1042
00:49:41,640 --> 00:49:44,240
Speaker 4: are happy, but do not out people.

1043
00:49:44,400 --> 00:49:47,560
Speaker 3: But the joke gets even better. Two guys agreed that

1044
00:49:47,640 --> 00:49:50,880
Speaker 3: they're gay too. I was like, the whole team, but

1045
00:49:50,920 --> 00:49:52,640
Speaker 3: they're just gonna do it to go along with him

1046
00:49:52,840 --> 00:49:56,319
Speaker 3: or you know, I almost pressure. They're just like, oh, sure,

1047
00:49:56,400 --> 00:49:59,919
Speaker 3: now we're gay. I guess that's too. I love that joke.

1048
00:50:00,239 --> 00:50:03,520
Speaker 4: The audience erupts in laughter, arguably one of the biggest

1049
00:50:03,800 --> 00:50:07,120
Speaker 4: in the show's history. There's even a spattering of applause.

1050
00:50:07,719 --> 00:50:11,720
Speaker 4: Rocco turns to his teammates, fellas, I'm gay. The audience

1051
00:50:11,840 --> 00:50:15,440
Speaker 4: loves this. One of his teammates lovingly respond that's okay, Rocco,

1052
00:50:15,880 --> 00:50:19,919
Speaker 4: so are we. Rocco is shocked but relieved. The entire

1053
00:50:20,000 --> 00:50:23,440
Speaker 4: team nods their heads in agreement. All of them are gays,

1054
00:50:24,160 --> 00:50:26,000
Speaker 4: and Eric is satisfied.

1055
00:50:27,760 --> 00:50:31,160
Speaker 2: Once again, Eric can't really do anything wrong.

1056
00:50:31,320 --> 00:50:33,560
Speaker 1: No, no, Like, even when it's something that you kind

1057
00:50:33,560 --> 00:50:36,080
Speaker 1: of cringe at first, it turns out great because it's Eric.

1058
00:50:36,840 --> 00:50:37,920
Speaker 2: He is the Lucky Penny.

1059
00:50:38,160 --> 00:50:39,279
Speaker 3: He is true.

1060
00:50:39,400 --> 00:50:42,360
Speaker 4: He is our lucky Penny. Boy meets World Luck Penny.

1061
00:50:43,440 --> 00:50:46,680
Speaker 4: Outside the student union, Corey is deadlocked while playing solitaire.

1062
00:50:47,040 --> 00:50:50,200
Speaker 4: When Tapanga arrives, she looks at the cards and immediately

1063
00:50:50,239 --> 00:50:52,839
Speaker 4: figures it out. She shows him what moves he needs

1064
00:50:52,920 --> 00:50:56,239
Speaker 4: to make and wins. Corey gives her a death stare

1065
00:50:56,280 --> 00:50:59,200
Speaker 4: as to Panga pacifies him with praise, good job, Corey.

1066
00:50:59,400 --> 00:51:01,000
Speaker 2: He also just put up one ace. He didn't win.

1067
00:51:01,480 --> 00:51:02,399
Speaker 4: I didn't win at all.

1068
00:51:02,600 --> 00:51:03,120
Speaker 2: I don't get it.

1069
00:51:03,640 --> 00:51:06,680
Speaker 4: I don't get it either. She's also she knows that. Yeah,

1070
00:51:06,800 --> 00:51:11,080
Speaker 4: of course, he sarcastically responds, Yeah, I'm brilliant. I do

1071
00:51:11,239 --> 00:51:14,160
Speaker 4: think maybe this is playing into that competitive nature of her,

1072
00:51:14,440 --> 00:51:17,919
Speaker 4: like her just saying I win, even though she hasn't

1073
00:51:17,960 --> 00:51:20,840
Speaker 4: really won. But I wish they would have taken it

1074
00:51:20,920 --> 00:51:24,400
Speaker 4: all the way where her saying she has, where her

1075
00:51:24,480 --> 00:51:27,759
Speaker 4: rubbing it in his face is a little more true,

1076
00:51:28,239 --> 00:51:32,839
Speaker 4: like like she not only shows him what he needs

1077
00:51:32,880 --> 00:51:35,040
Speaker 4: to do, but instead of just saying I win, what

1078
00:51:35,239 --> 00:51:38,040
Speaker 4: if she is like one for me, zero for you?

1079
00:51:39,360 --> 00:51:42,840
Speaker 4: Where are they just in every time I did get promoted?

1080
00:51:42,920 --> 00:51:43,800
Speaker 4: Did you get promoted?

1081
00:51:44,520 --> 00:51:47,040
Speaker 3: There's more of a competition, Like she turns it into

1082
00:51:47,120 --> 00:51:48,680
Speaker 3: like a ha I got it.

1083
00:51:48,920 --> 00:51:49,120
Speaker 1: Yeah.

1084
00:51:49,520 --> 00:51:53,960
Speaker 4: Where it's because right now it's just kind of waffling in.

1085
00:51:53,920 --> 00:51:54,719
Speaker 2: The right I think so too.

1086
00:51:54,760 --> 00:51:55,440
Speaker 3: Do you also think it?

1087
00:51:55,520 --> 00:51:57,000
Speaker 1: I was thinking, do you think it would have been

1088
00:51:57,080 --> 00:51:59,880
Speaker 1: interesting for the character if at the end she got fired?

1089
00:52:01,080 --> 00:52:04,360
Speaker 2: Hmmm, like something bad happened to her. She wasn't perfect,

1090
00:52:04,480 --> 00:52:06,239
Speaker 2: and it's like I did some blah blah blah and

1091
00:52:06,280 --> 00:52:07,440
Speaker 2: I lost my job.

1092
00:52:08,239 --> 00:52:11,279
Speaker 4: Only no, because I think that then Corey would have

1093
00:52:11,360 --> 00:52:14,400
Speaker 4: been like, oh that makes me feel better about myself.

1094
00:52:14,520 --> 00:52:18,360
Speaker 4: You got fired too, whereas she shouldn't. Something bad shouldn't

1095
00:52:18,400 --> 00:52:20,360
Speaker 4: need to happen to Tapanga. No, no, no.

1096
00:52:20,480 --> 00:52:22,320
Speaker 3: But what I like about where Will's going is that

1097
00:52:22,440 --> 00:52:24,960
Speaker 3: what if Tapanga fell apart because she was bad at something?

1098
00:52:25,000 --> 00:52:26,799
Speaker 3: Like she she remember how she used to fall apart

1099
00:52:26,800 --> 00:52:28,520
Speaker 3: because she didn't get all the a's and like she

1100
00:52:28,640 --> 00:52:31,760
Speaker 3: was obsessive. And what she could learn is that Corey

1101
00:52:31,880 --> 00:52:34,400
Speaker 3: has a resilience because he never like he you know,

1102
00:52:34,760 --> 00:52:38,280
Speaker 3: and like that could failures. Failures have made him strong

1103
00:52:38,520 --> 00:52:40,720
Speaker 3: and like made him more resist where She's just always

1104
00:52:40,760 --> 00:52:42,719
Speaker 3: has to be a high achiever and when she gets

1105
00:52:42,760 --> 00:52:45,600
Speaker 3: knocked down a bag, she falls apart and together they

1106
00:52:45,640 --> 00:52:47,239
Speaker 3: make a good team. They learn from each other.

1107
00:52:47,440 --> 00:52:49,719
Speaker 4: That's a good idea, yeah, the idea that Tapanga is

1108
00:52:49,760 --> 00:52:52,759
Speaker 4: afraid after she fails. She's now afraid to try because

1109
00:52:52,840 --> 00:52:55,040
Speaker 4: not if I fail, And Corey is just always willing

1110
00:52:55,080 --> 00:52:57,520
Speaker 4: to try something new because failures never meant to me.

1111
00:52:58,000 --> 00:52:59,359
Speaker 2: It doesn't fail.

1112
00:52:59,640 --> 00:53:04,880
Speaker 4: Yeah, was fail fail fail Okay, yeah, okay, but it's

1113
00:53:04,920 --> 00:53:08,319
Speaker 4: win win win anyway. Tabanga tries to light in the mood.

1114
00:53:08,600 --> 00:53:10,560
Speaker 4: Work must be going well if you can take a break.

1115
00:53:10,800 --> 00:53:14,400
Speaker 4: Corey reveals he's taking a long break. He quit. Unlike you.

1116
00:53:14,719 --> 00:53:17,480
Speaker 4: I wasn't enjoying it, Unlike you, I wasn't good at it,

1117
00:53:17,760 --> 00:53:20,959
Speaker 4: unlike you. I don't shine at everything. He walks away,

1118
00:53:21,160 --> 00:53:24,600
Speaker 4: muttering I don't shine it anything. She follows close behind

1119
00:53:24,680 --> 00:53:27,400
Speaker 4: and asks what's wrong. He brushes her off. It's nothing.

1120
00:53:27,880 --> 00:53:30,719
Speaker 4: They walk inside the Union as Corey insists he's just

1121
00:53:30,800 --> 00:53:33,560
Speaker 4: in a mood. Topanga pulls him close. Is there anything

1122
00:53:33,600 --> 00:53:36,040
Speaker 4: I can do to cheer you up to? Panga knows

1123
00:53:36,120 --> 00:53:37,080
Speaker 4: what Corey like.

1124
00:53:38,640 --> 00:53:42,919
Speaker 2: Sex, baby, that's what you meant, Yes, not sex.

1125
00:53:43,080 --> 00:53:49,640
Speaker 4: Pooky, Oh god, pooky pook. I think pooky pook.

1126
00:53:50,080 --> 00:53:55,479
Speaker 2: Yes, some nookie, some pooky poo, pooky pook, pooky pook.

1127
00:53:55,680 --> 00:53:58,000
Speaker 3: I did it all for the pooky pook. It didn't work.

1128
00:53:58,520 --> 00:54:02,000
Speaker 2: Yeah, yeah, oh I'm pretty shuddering.

1129
00:54:03,440 --> 00:54:05,800
Speaker 4: She tries to kiss him, but he says no to

1130
00:54:05,920 --> 00:54:09,040
Speaker 4: Panga pleads, but I love you want to go home.

1131
00:54:09,239 --> 00:54:13,600
Speaker 4: You want to go home and have pooky pook again.

1132
00:54:13,920 --> 00:54:17,640
Speaker 4: Corey turns her down. No to Panga, no pooky poop.

1133
00:54:18,239 --> 00:54:21,080
Speaker 4: She asks why not, and he laughs, because you're better

1134
00:54:21,120 --> 00:54:24,399
Speaker 4: at pooky pook than I am too. He walks away

1135
00:54:24,480 --> 00:54:27,360
Speaker 4: from her again, as Rachel and Eric look on. Rachel beams.

1136
00:54:27,480 --> 00:54:29,960
Speaker 4: Look how cute they're having their first fight.

1137
00:54:30,360 --> 00:54:32,720
Speaker 2: Nope, we actually haven't.

1138
00:54:32,760 --> 00:54:36,400
Speaker 4: We had. We had a fight at Rachel's apartment at

1139
00:54:36,440 --> 00:54:39,640
Speaker 4: their first dinner party where we stormed out into the

1140
00:54:39,680 --> 00:54:42,560
Speaker 4: hallway and I had to show him my butt. Yes,

1141
00:54:42,760 --> 00:54:44,560
Speaker 4: so that was a great episode too.

1142
00:54:46,239 --> 00:54:48,280
Speaker 2: That was pretty pooky pook, Yes, exactly.

1143
00:54:50,520 --> 00:54:52,880
Speaker 4: Topanga isn't letting Corey leave. I don't like that you

1144
00:54:52,960 --> 00:54:55,080
Speaker 4: can't talk to me about this, he tells her, which,

1145
00:54:55,120 --> 00:54:56,400
Speaker 4: by the way, you weren't trying to talk. You were

1146
00:54:56,440 --> 00:54:58,960
Speaker 4: trying to distract him with sex. So this isn't even

1147
00:54:59,120 --> 00:54:59,840
Speaker 4: what your plan is.

1148
00:55:00,000 --> 00:55:02,480
Speaker 2: If your partner says, leave me alone, right now, leave

1149
00:55:02,520 --> 00:55:03,239
Speaker 2: them alone.

1150
00:55:03,080 --> 00:55:05,839
Speaker 4: Leave them alone, Swiss supportant listen to your partner, which

1151
00:55:05,920 --> 00:55:07,960
Speaker 4: is something Corey and to Panga have never done.

1152
00:55:08,080 --> 00:55:08,239
Speaker 7: Never.

1153
00:55:08,560 --> 00:55:12,439
Speaker 4: Nope, he tells her, I just don't want to say

1154
00:55:12,520 --> 00:55:17,000
Speaker 4: anything that I'm gonna regret. Okay, now, realizing it's serious.

1155
00:55:17,160 --> 00:55:21,560
Speaker 4: Rachel asks Eric if they should leave the public space,

1156
00:55:22,680 --> 00:55:25,480
Speaker 4: but he says no, I want to see Topanga make

1157
00:55:25,560 --> 00:55:29,279
Speaker 4: Corey cry. Tapanga asks Corey, whatever bug you have up

1158
00:55:29,320 --> 00:55:32,400
Speaker 4: your butt, why are you blaming it on me? He says.

1159
00:55:32,640 --> 00:55:35,319
Speaker 4: If you're as smart as your a streak says you are,

1160
00:55:35,560 --> 00:55:38,560
Speaker 4: you'd know to just leave me alone right now. To

1161
00:55:38,680 --> 00:55:42,960
Speaker 4: Panga wonders, this is about my grades. Angela pops up

1162
00:55:42,960 --> 00:55:46,000
Speaker 4: and assures her this is not about her grades. Corey

1163
00:55:46,120 --> 00:55:48,759
Speaker 4: is now frustrated, Yes, it is. It's about how you

1164
00:55:48,920 --> 00:55:51,640
Speaker 4: shove your stupid grades in my face, or how you

1165
00:55:51,920 --> 00:55:57,120
Speaker 4: get promoted, or you sell one of my subscriptions. She scoffs. Wow, well,

1166
00:55:57,400 --> 00:55:59,479
Speaker 4: I'm sorry. I tried to help you with your little

1167
00:55:59,560 --> 00:56:03,480
Speaker 4: magazine project. He shouts back, It's not a project, okay,

1168
00:56:04,040 --> 00:56:07,799
Speaker 4: Sticker books are a project. This is my career now.

1169
00:56:07,880 --> 00:56:10,520
Speaker 4: Sean tries to intervene. Come on, it wasn't your career.

1170
00:56:11,000 --> 00:56:13,879
Speaker 4: Corey snaps, shut up. Sean slithers away.

1171
00:56:14,239 --> 00:56:14,439
Speaker 7: Yow.

1172
00:56:15,400 --> 00:56:18,480
Speaker 4: Corey returns to Tapanga. My life is just as important

1173
00:56:18,520 --> 00:56:20,439
Speaker 4: as your life, even if I don't do my life

1174
00:56:20,440 --> 00:56:23,319
Speaker 4: as good as you, Tapanka corrects him, As well as

1175
00:56:23,400 --> 00:56:32,239
Speaker 4: you yes, This extremely emotive audience gasps. He asks what,

1176
00:56:32,880 --> 00:56:35,920
Speaker 4: and she stammers, I was just saying that it's not

1177
00:56:36,160 --> 00:56:39,880
Speaker 4: as good as you. He angrily interrupts her correction, Are

1178
00:56:39,920 --> 00:56:42,239
Speaker 4: you crazy, Topanga? Are you kidding me that you would

1179
00:56:42,239 --> 00:56:42,960
Speaker 4: say something like.

1180
00:56:43,000 --> 00:56:43,520
Speaker 1: That right now?

1181
00:56:44,080 --> 00:56:46,480
Speaker 4: She raises her voice. Corey, this whole thing is crazy.

1182
00:56:46,880 --> 00:56:49,759
Speaker 4: Angela jumps in to back her up. Yeah, it really is.

1183
00:56:50,280 --> 00:56:54,920
Speaker 4: To Pega, screams, sit down. Angela winces yow and scampers

1184
00:56:54,960 --> 00:56:57,839
Speaker 4: off to Sean. Corey yells at his wife, at least

1185
00:56:57,960 --> 00:57:01,960
Speaker 4: I'm not a hoity toity photo assistant kiss Judy's tushy.

1186
00:57:03,000 --> 00:57:06,920
Speaker 4: The audience is basically tissues back, and the audience is

1187
00:57:06,960 --> 00:57:09,680
Speaker 4: basically at a Jerry Springer taping now with their constant ooh.

1188
00:57:10,800 --> 00:57:12,560
Speaker 4: To Pega looks ready to rip him a new one.

1189
00:57:12,880 --> 00:57:16,280
Speaker 4: Maybe I have to kiss Judy's tushy because you can't

1190
00:57:16,320 --> 00:57:19,800
Speaker 4: sell one stinking magazine, And now the audience is just

1191
00:57:20,040 --> 00:57:25,000
Speaker 4: cooking with another ooh. Sean knows when to leave. Okay,

1192
00:57:25,280 --> 00:57:27,640
Speaker 4: that's it, and the rest of the friends dispersed to

1193
00:57:28,280 --> 00:57:31,440
Speaker 4: Corey gets serious, What did you just say to Pega?

1194
00:57:31,520 --> 00:57:34,680
Speaker 4: Isn't as confident now, I just said that you haven't

1195
00:57:34,720 --> 00:57:37,920
Speaker 4: been doing all that well. Corey screams, no, no, no,

1196
00:57:38,280 --> 00:57:41,360
Speaker 4: that's not what you said. You said I'm a loser,

1197
00:57:41,560 --> 00:57:46,600
Speaker 4: which also is She's I know you said it because

1198
00:57:46,640 --> 00:57:49,360
Speaker 4: I heard it. I heard it from your big mouth.

1199
00:57:49,920 --> 00:57:54,720
Speaker 4: And again this audience to Panga doesn't back down, yelling oh,

1200
00:57:55,080 --> 00:57:59,600
Speaker 4: I have a big mouth. Now you can't even play solitaire, imbecile.

1201
00:58:04,280 --> 00:58:08,400
Speaker 4: Did you hear that, okay? From my big mouth? Corey explains,

1202
00:58:08,560 --> 00:58:10,320
Speaker 4: I used to be able to I used to be

1203
00:58:10,360 --> 00:58:12,520
Speaker 4: able to do a lot of things before I married you.

1204
00:58:13,280 --> 00:58:21,640
Speaker 4: Oh congratulations, you killed my spirit. Tapenga stares in him

1205
00:58:21,680 --> 00:58:24,920
Speaker 4: and disbelief and eventually walks away without another word. Breaking

1206
00:58:24,960 --> 00:58:28,240
Speaker 4: the silence, he yells after her, I win, you leave,

1207
00:58:28,680 --> 00:58:29,120
Speaker 4: I win.

1208
00:58:29,720 --> 00:58:29,959
Speaker 1: Bye.

1209
00:58:30,720 --> 00:58:32,840
Speaker 4: His friends look at him in disappointment, and he mutters,

1210
00:58:33,360 --> 00:58:37,520
Speaker 4: oh man. Somehow the audience is silent long enough for

1211
00:58:37,600 --> 00:58:39,960
Speaker 4: us to get a commercial break, and when we return,

1212
00:58:40,120 --> 00:58:56,280
Speaker 4: we are still in the student union. A depressed Cory

1213
00:58:56,400 --> 00:58:59,160
Speaker 4: is sitting with Sean. I said she killed my spirit.

1214
00:59:00,120 --> 00:59:02,240
Speaker 4: Reminds him that marriage is a new situation and there's

1215
00:59:02,240 --> 00:59:05,120
Speaker 4: a lot of new stress on him. Corey says, you know,

1216
00:59:05,680 --> 00:59:07,840
Speaker 4: this is our first fight ever.

1217
00:59:08,280 --> 00:59:11,280
Speaker 2: Nope, No, it's not. No, I know because I've watched

1218
00:59:11,320 --> 00:59:11,880
Speaker 2: every episode.

1219
00:59:12,400 --> 00:59:14,000
Speaker 3: No first fight.

1220
00:59:15,880 --> 00:59:19,520
Speaker 4: What am I supposed to do? Sean responds, Well, she

1221
00:59:19,720 --> 00:59:23,880
Speaker 4: left crying, did she? My mother and father fought all

1222
00:59:23,960 --> 00:59:26,880
Speaker 4: their lives, and one of them always walked out one day.

1223
00:59:27,080 --> 00:59:29,400
Speaker 4: One of them never came back. It's bad in my

1224
00:59:29,520 --> 00:59:34,080
Speaker 4: experience when someone walks out crying. Corey asks, so what

1225
00:59:34,160 --> 00:59:37,960
Speaker 4: do I do? Sean suggests you go home? You hope

1226
00:59:38,000 --> 00:59:42,560
Speaker 4: she's still there. Corey's eyes widen. Oh no, Sean continues,

1227
00:59:42,960 --> 00:59:45,160
Speaker 4: and if she is, you lock the door and have

1228
00:59:45,320 --> 00:59:48,280
Speaker 4: it out. Corey gets it like a steel cage match.

1229
00:59:48,760 --> 00:59:52,600
Speaker 4: Sean nods. No one leaves until the fight's over. Corey

1230
00:59:52,680 --> 00:59:54,920
Speaker 4: wishes he hadn't said what he said, and Sean shrugs,

1231
00:59:55,440 --> 00:59:59,080
Speaker 4: but she did so, obviously. Some thing's bothering you.

1232
00:59:59,320 --> 01:00:00,640
Speaker 2: Good scene the way, so far.

1233
01:00:00,880 --> 01:00:04,480
Speaker 4: Great scene, but Corey doesn't know what. Sean shakes his head.

1234
01:00:04,800 --> 01:00:07,120
Speaker 4: Don't figure it out with me. I love this, Don't

1235
01:00:07,160 --> 01:00:09,600
Speaker 4: figure it out with me. Those days are long gone.

1236
01:00:10,080 --> 01:00:12,960
Speaker 4: There's only one person who can help you here. Suddenly

1237
01:00:13,600 --> 01:00:18,000
Speaker 4: Eric appears and it's me. Sean's golden Eric.

1238
01:00:18,800 --> 01:00:20,080
Speaker 3: No, it's like a dog.

1239
01:00:22,760 --> 01:00:25,360
Speaker 4: Eric snaps back, why don't you cram it? Talk boy?

1240
01:00:25,560 --> 01:00:27,920
Speaker 4: That's all you're good for is talk talky talk talky,

1241
01:00:27,960 --> 01:00:29,680
Speaker 4: talk talky talk. Trailer boys.

1242
01:00:32,920 --> 01:00:33,240
Speaker 7: Trying.

1243
01:00:33,960 --> 01:00:35,800
Speaker 3: I know I did some point.

1244
01:00:40,280 --> 01:00:43,040
Speaker 4: They picked the one takee or you did not? Because

1245
01:00:43,080 --> 01:00:45,240
Speaker 4: I was looking and you were as solid as a wrong.

1246
01:00:46,720 --> 01:00:47,720
Speaker 3: Yeah, proud of myself.

1247
01:00:47,880 --> 01:00:50,040
Speaker 1: It's even because it was the second look back at you.

1248
01:00:50,480 --> 01:00:51,960
Speaker 1: When I look away and then I look back at you,

1249
01:00:51,960 --> 01:00:55,320
Speaker 1: I'm I go get him. I'm gonna, God damn it.

1250
01:00:56,320 --> 01:00:58,800
Speaker 4: You know what, trawler boy, there's something you don't have.

1251
01:00:59,080 --> 01:01:01,040
Speaker 4: And with that, he pulled out his lucky penny and

1252
01:01:01,160 --> 01:01:04,800
Speaker 4: shoves it in his face. Maam penny. He calmly turns

1253
01:01:04,840 --> 01:01:07,320
Speaker 4: to his brother. I love you, Corey, You're my brother.

1254
01:01:07,720 --> 01:01:10,560
Speaker 4: That's why I'm going to give you my penny. And

1255
01:01:10,880 --> 01:01:15,560
Speaker 4: this audience is shopped on sugar, going on people, what

1256
01:01:15,680 --> 01:01:16,640
Speaker 4: did we give them before?

1257
01:01:16,760 --> 01:01:17,880
Speaker 2: It's release day?

1258
01:01:18,160 --> 01:01:18,360
Speaker 1: Oh.

1259
01:01:20,200 --> 01:01:22,880
Speaker 4: Cory is surprised that Penny's been so lucky for you.

1260
01:01:24,400 --> 01:01:27,720
Speaker 4: What just the just the how has it been so lucky?

1261
01:01:28,160 --> 01:01:29,919
Speaker 3: You're out in an entire football team.

1262
01:01:30,040 --> 01:01:30,760
Speaker 2: That's gotta be it.

1263
01:01:31,440 --> 01:01:31,880
Speaker 4: I guess.

1264
01:01:32,160 --> 01:01:34,280
Speaker 2: Okay, Yeah, we didn't really show him being lucky. In

1265
01:01:34,320 --> 01:01:34,920
Speaker 2: any other way.

1266
01:01:35,240 --> 01:01:37,080
Speaker 4: No, I would have loved it if there was a

1267
01:01:37,160 --> 01:01:38,160
Speaker 4: bunch of amazing.

1268
01:01:39,000 --> 01:01:41,920
Speaker 1: The only the one thing, of course, nothing. It was

1269
01:01:42,080 --> 01:01:45,480
Speaker 1: just Eric walking in and saying, I'm lucky. Here's my penny.

1270
01:01:45,600 --> 01:01:46,280
Speaker 3: I've been lucky.

1271
01:01:46,320 --> 01:01:48,520
Speaker 2: They don't show him actually being lucky in any way,

1272
01:01:48,600 --> 01:01:49,160
Speaker 2: shape or form.

1273
01:01:49,480 --> 01:01:52,720
Speaker 3: No, that's a kind of a missed opportunity. Been a

1274
01:01:52,840 --> 01:01:56,000
Speaker 3: visual gag, right, like walking under a ladder, stepping on

1275
01:01:56,120 --> 01:01:57,960
Speaker 3: you know, and like whatever it is, you just magically

1276
01:01:58,080 --> 01:01:59,000
Speaker 3: walk through life.

1277
01:01:59,440 --> 01:02:01,760
Speaker 1: Missing Did you see why he falls behind the couch

1278
01:02:01,800 --> 01:02:03,840
Speaker 1: and you just hear hey bag of money? Like it?

1279
01:02:04,280 --> 01:02:06,080
Speaker 3: You know, stuff like that is all you need.

1280
01:02:06,800 --> 01:02:11,000
Speaker 4: But I also thought the football player being gay, Rocko

1281
01:02:11,120 --> 01:02:14,280
Speaker 4: being gay is a little hard for me, Like I

1282
01:02:14,640 --> 01:02:16,880
Speaker 4: having watched every episode now of the show up to

1283
01:02:16,960 --> 01:02:20,960
Speaker 4: this point. Eric is so good at knowing people and

1284
01:02:21,080 --> 01:02:23,520
Speaker 4: at reading people. There was a part of me that

1285
01:02:23,640 --> 01:02:26,800
Speaker 4: felt like he's not randomly going up to this guy

1286
01:02:27,000 --> 01:02:30,720
Speaker 4: saying he's gay. He knows he's gay, he's been right.

1287
01:02:30,960 --> 01:02:31,960
Speaker 3: He's doing it to help him.

1288
01:02:32,080 --> 01:02:35,400
Speaker 4: He was doing it to help him. But I think

1289
01:02:35,520 --> 01:02:39,280
Speaker 4: the point was how lucky are you You're gonna make

1290
01:02:39,400 --> 01:02:43,160
Speaker 4: this wild leap of an assumption and then it turns

1291
01:02:43,200 --> 01:02:45,680
Speaker 4: out you were right. But like knowing Eric the way

1292
01:02:45,760 --> 01:02:48,200
Speaker 4: we do, it wasn't luck. It was that I felt

1293
01:02:48,280 --> 01:02:49,040
Speaker 4: like he knew this.

1294
01:02:49,280 --> 01:02:50,880
Speaker 1: And I think what they were doing with Jack was

1295
01:02:50,920 --> 01:02:52,560
Speaker 1: he's gonna show I'm gonna show you how lucky I am.

1296
01:02:52,560 --> 01:02:54,040
Speaker 1: I'm going to walk up to the biggest guy here,

1297
01:02:54,120 --> 01:02:56,200
Speaker 1: say the biggest insult and he's not gonna punch me.

1298
01:02:56,320 --> 01:02:59,439
Speaker 2: That's how lucky, how lucky, pretetive, bubble.

1299
01:03:00,840 --> 01:03:03,880
Speaker 3: Pooh pooh. The idea that that was progressive is the

1300
01:03:04,040 --> 01:03:07,440
Speaker 3: idea that it's lucky because you did it to gay

1301
01:03:07,480 --> 01:03:07,800
Speaker 3: guys and.

1302
01:03:07,800 --> 01:03:10,600
Speaker 2: They're not going to fight you. That's what I think.

1303
01:03:10,640 --> 01:03:12,280
Speaker 2: That's what I think it is. Isn't that what they're

1304
01:03:12,320 --> 01:03:12,600
Speaker 2: going for?

1305
01:03:13,000 --> 01:03:14,840
Speaker 3: I thought I thought it was that you're saying the

1306
01:03:14,880 --> 01:03:19,120
Speaker 3: most insulting thing, going to get out of it somehow,

1307
01:03:20,480 --> 01:03:23,840
Speaker 3: But I don't think. I think that, like Danielle, I'm

1308
01:03:23,880 --> 01:03:27,080
Speaker 3: with you that it's actually to Eric's character that he

1309
01:03:27,120 --> 01:03:29,960
Speaker 3: would have known this person's gay. But I don't think

1310
01:03:30,000 --> 01:03:32,720
Speaker 3: that's what they intended. That's how I read it now,

1311
01:03:33,000 --> 01:03:34,760
Speaker 3: and I think that's the better reading. But I think

1312
01:03:34,760 --> 01:03:36,920
Speaker 3: what they intended was I'm going to go call this

1313
01:03:37,080 --> 01:03:39,360
Speaker 3: person fat and nothing's going to happen. And it's just

1314
01:03:39,400 --> 01:03:42,040
Speaker 3: the equation of her said is gay and and and

1315
01:03:42,240 --> 01:03:43,800
Speaker 3: Eric could get away with anything, and he's not.

1316
01:03:45,720 --> 01:03:49,439
Speaker 4: But I wish it had been something more like true luck,

1317
01:03:49,680 --> 01:03:53,400
Speaker 4: as opposed to something that could be read as like

1318
01:03:53,520 --> 01:03:59,959
Speaker 4: I have picked up on all I've been, you know anyway, okay, gods,

1319
01:04:00,920 --> 01:04:03,080
Speaker 4: Eric nods, Now it's going to be lucky for you.

1320
01:04:03,520 --> 01:04:05,840
Speaker 4: He just wants one more second with it. He looks

1321
01:04:05,920 --> 01:04:08,560
Speaker 4: down at it with sadness. Thank you, penny for all

1322
01:04:08,640 --> 01:04:11,920
Speaker 4: you've taught me. For you have taught me confidence, and

1323
01:04:12,080 --> 01:04:15,000
Speaker 4: with that confidence, I know that I no longer need luck,

1324
01:04:15,440 --> 01:04:18,520
Speaker 4: So I intend to go on with my life penniless.

1325
01:04:19,320 --> 01:04:21,480
Speaker 4: He takes off the necklace, fighting off tears to place

1326
01:04:21,560 --> 01:04:23,880
Speaker 4: it on Corey. Corey asks if be sure about this,

1327
01:04:23,960 --> 01:04:26,520
Speaker 4: and an emotional Eric nods his head. He grabs the

1328
01:04:26,560 --> 01:04:29,760
Speaker 4: penny one last time. Good luck, old gal. He tells Corey,

1329
01:04:30,160 --> 01:04:33,120
Speaker 4: you take care of her and yourself, and brings him

1330
01:04:33,120 --> 01:04:35,800
Speaker 4: in for a hug. This is so long to say

1331
01:04:35,840 --> 01:04:39,040
Speaker 4: goodbye to the penny. Now with the penny, Corey and

1332
01:04:39,160 --> 01:04:41,600
Speaker 4: John walk out, leaving Eric alone on the couch. Then

1333
01:04:41,640 --> 01:04:43,960
Speaker 4: all of a sudden, out of nowhere, lightning flashes.

1334
01:04:44,200 --> 01:04:49,680
Speaker 3: Everyone leaves. First of all, special effect.

1335
01:04:49,720 --> 01:04:53,160
Speaker 4: Ye remember it says aloud, that's weird, looks like rain.

1336
01:04:53,640 --> 01:04:59,000
Speaker 4: Good thing I'm inside. Then bas lightning enters the student

1337
01:04:59,160 --> 01:05:01,959
Speaker 4: union and manag just to strike him not only once

1338
01:05:02,640 --> 01:05:03,240
Speaker 4: but twice.

1339
01:05:03,760 --> 01:05:06,880
Speaker 2: And it's just Lin McCracken going lightning.

1340
01:05:07,920 --> 01:05:11,800
Speaker 3: Light was so fine. I was really proud of Indy because,

1341
01:05:12,080 --> 01:05:13,920
Speaker 3: you know, he laughed and then he was like, but

1342
01:05:14,000 --> 01:05:17,360
Speaker 3: the audience wouldn't see the lightning. Yeah, he knew that

1343
01:05:17,480 --> 01:05:20,440
Speaker 3: the live audience was reaction couldn't be natural to what

1344
01:05:20,480 --> 01:05:22,640
Speaker 3: we were seeing. I was like, oh, yeah, you're right, dude.

1345
01:05:23,240 --> 01:05:25,520
Speaker 3: Effects were added afterwards the fact, and you know that,

1346
01:05:25,720 --> 01:05:27,360
Speaker 3: and so how could the audience that was live be

1347
01:05:27,440 --> 01:05:29,080
Speaker 3: laughing at I was like, right, they had to add

1348
01:05:29,160 --> 01:05:30,440
Speaker 3: the act reaction.

1349
01:05:30,320 --> 01:05:33,040
Speaker 4: Tell you what they were laughing at the chart version

1350
01:05:33,240 --> 01:05:36,240
Speaker 4: the act. They had care to do that, of.

1351
01:05:36,320 --> 01:05:38,880
Speaker 3: Course, so you'd have been an actual spontaneous laughter the

1352
01:05:38,880 --> 01:05:40,320
Speaker 3: way it's presented, which is.

1353
01:05:40,320 --> 01:05:43,160
Speaker 4: What he was, it would have been black black screen

1354
01:05:43,200 --> 01:05:45,920
Speaker 4: for the audience. Okay, they don't see. Then they put

1355
01:05:46,000 --> 01:05:49,080
Speaker 4: him out there and they reveal him. They laugh at it.

1356
01:05:49,400 --> 01:05:51,280
Speaker 1: And they would have used that, and they used that

1357
01:05:51,560 --> 01:05:54,480
Speaker 1: for that moment when the or I think probably more

1358
01:05:54,560 --> 01:05:57,080
Speaker 1: accurately because of the change and all the stuff. This

1359
01:05:57,240 --> 01:06:00,880
Speaker 1: was pre tamed, and then show all shone back so

1360
01:06:01,000 --> 01:06:03,360
Speaker 1: they saw they saw then the lightning shreck because again

1361
01:06:03,360 --> 01:06:05,520
Speaker 1: I would have had that dressed. We had the bucket thing,

1362
01:06:05,600 --> 01:06:07,880
Speaker 1: we had the lightning. So my guess is we shot

1363
01:06:07,920 --> 01:06:09,680
Speaker 1: this on Wednesday and just showed it to the audience.

1364
01:06:10,000 --> 01:06:13,000
Speaker 4: Yeah right, yeah, you're right, making his hair stick straight up.

1365
01:06:13,080 --> 01:06:16,360
Speaker 4: He is destroyed, dazed, He stares off into the distance.

1366
01:06:16,640 --> 01:06:19,880
Speaker 4: At least I didn't get wet on cue. Janitor runs

1367
01:06:19,920 --> 01:06:22,320
Speaker 4: over and dumps a bucket of water on his head.

1368
01:06:22,680 --> 01:06:25,720
Speaker 3: We're just gonna say it's Janitor bud right, right. They

1369
01:06:25,760 --> 01:06:26,600
Speaker 3: made it look like it.

1370
01:06:28,360 --> 01:06:29,120
Speaker 2: Does it does?

1371
01:06:30,080 --> 01:06:32,240
Speaker 4: It sizzles off his body and he thinks the man.

1372
01:06:32,720 --> 01:06:35,600
Speaker 4: Small shocks of lightning continue to sizzle off his body

1373
01:06:35,640 --> 01:06:36,560
Speaker 4: as he sits alone.

1374
01:06:37,280 --> 01:06:37,360
Speaker 1: Uh.

1375
01:06:37,920 --> 01:06:41,000
Speaker 4: Is this the first special effect we've seen since Mincus

1376
01:06:41,040 --> 01:06:42,520
Speaker 4: disappeared at the end of season one?

1377
01:06:42,960 --> 01:06:45,920
Speaker 3: My god, has it really been that long? No, We've

1378
01:06:45,920 --> 01:06:47,280
Speaker 3: done other magical.

1379
01:06:47,680 --> 01:06:50,760
Speaker 4: Like what is was there anything in Witches of Penbrook?

1380
01:06:51,720 --> 01:06:54,520
Speaker 1: Yes, laser beam on the tush I turned into a

1381
01:06:54,600 --> 01:06:56,120
Speaker 1: frog and you turned into a frog.

1382
01:06:56,680 --> 01:06:57,760
Speaker 2: And then was there anything in the.

1383
01:06:57,760 --> 01:07:01,479
Speaker 3: World War Two episodes like when he got oh, time hoole,

1384
01:07:03,280 --> 01:07:05,959
Speaker 3: time hoole, there's a time hoole when we went through time,

1385
01:07:06,200 --> 01:07:09,560
Speaker 3: Remember the whole screen was Oh yeah, okay time.

1386
01:07:09,440 --> 01:07:12,520
Speaker 2: Brand Just adding the word hole the things really throws me.

1387
01:07:12,680 --> 01:07:18,680
Speaker 4: Yeah, stinkhole time hoole. Cory and Tapega's apartment. Corey walks

1388
01:07:18,720 --> 01:07:21,400
Speaker 4: in to find no sign of Topanga. Oh no. He

1389
01:07:21,560 --> 01:07:23,080
Speaker 4: calls out for her a couple of times, and she

1390
01:07:23,120 --> 01:07:26,000
Speaker 4: eventually walks out of their bedroom. I'm here. She takes

1391
01:07:26,040 --> 01:07:27,560
Speaker 4: a seat on the couch and picks up her game

1392
01:07:27,600 --> 01:07:32,240
Speaker 4: of Solitaire. Corey cautiously approaches her. You're playing Solitaire? She responds, yeah,

1393
01:07:32,320 --> 01:07:36,040
Speaker 4: because I was alone. I played nineteen games. Corey condescendingly

1394
01:07:36,120 --> 01:07:38,240
Speaker 4: asks did you win them all? She gives him a

1395
01:07:38,280 --> 01:07:40,760
Speaker 4: look and he apologizes. He asks, could you put the

1396
01:07:40,800 --> 01:07:43,480
Speaker 4: cards away? I need to talk to you. She wonders, Oh,

1397
01:07:43,760 --> 01:07:45,080
Speaker 4: you have something you want to say to me now.

1398
01:07:45,480 --> 01:07:49,520
Speaker 4: Corey responds, I'm sorry about what happened. I'm deeply, deeply sorry,

1399
01:07:49,800 --> 01:07:51,320
Speaker 4: and I do take back what I said to you.

1400
01:07:51,880 --> 01:07:53,960
Speaker 4: She stands up and crosses her arms, looking for more.

1401
01:07:54,680 --> 01:07:59,440
Speaker 4: Uh huh, he's confused. That's all I get, is uh huh, Tapanga,

1402
01:07:59,480 --> 01:08:02,280
Speaker 4: I just appologize. Now it's your turn. She yels. Yeah, no,

1403
01:08:02,600 --> 01:08:05,400
Speaker 4: that's not the way it works. Corey's anger flares up again.

1404
01:08:05,440 --> 01:08:09,000
Speaker 4: I don't apologize good enough for you either, She yells back, is.

1405
01:08:09,040 --> 01:08:09,800
Speaker 7: That what that was?

1406
01:08:10,360 --> 01:08:12,520
Speaker 4: And then we get a time lapse. We're still in

1407
01:08:12,640 --> 01:08:15,720
Speaker 4: Corey and Tapega's apartment later that afternoon, to Panga is

1408
01:08:15,800 --> 01:08:18,120
Speaker 4: now pacing as a frustrated Corey lays on the couch.

1409
01:08:18,400 --> 01:08:20,320
Speaker 4: She points out, you haven't said anything for an hour.

1410
01:08:20,600 --> 01:08:24,519
Speaker 4: He responds, I'm afraid to say anything. There's music playing

1411
01:08:24,600 --> 01:08:25,880
Speaker 4: under this, which I'm not sure.

1412
01:08:26,160 --> 01:08:27,719
Speaker 2: The guitar, the awesome guitar.

1413
01:08:27,920 --> 01:08:30,400
Speaker 1: I even said to Sue, I would love for them

1414
01:08:30,439 --> 01:08:33,360
Speaker 1: to just cut over to a guy sitting there literally

1415
01:08:33,439 --> 01:08:35,920
Speaker 1: playing guitar in their apartment, because it was so.

1416
01:08:36,479 --> 01:08:38,160
Speaker 3: It was just like, oh my god, I just wanted to.

1417
01:08:40,600 --> 01:08:40,760
Speaker 7: There.

1418
01:08:43,840 --> 01:08:49,200
Speaker 1: It was so distracting, just like, please, please just pan

1419
01:08:49,280 --> 01:08:51,799
Speaker 1: over to a guy playing guitar, please, that's funny.

1420
01:08:52,080 --> 01:08:54,280
Speaker 3: I didn't notice it, but I did feel that this

1421
01:08:54,520 --> 01:08:58,040
Speaker 3: whole like the the conceit that we're going to get

1422
01:08:58,120 --> 01:09:00,759
Speaker 3: this like endless montage of them fire and like cutting

1423
01:09:01,000 --> 01:09:04,120
Speaker 3: didn't work for me stylistically, I agree, and I like

1424
01:09:04,240 --> 01:09:06,080
Speaker 3: the idea, Like I like the idea of like set

1425
01:09:06,160 --> 01:09:08,640
Speaker 3: up the cage mat and when I think about how

1426
01:09:08,720 --> 01:09:11,280
Speaker 3: this season went in the direction, like the episode where

1427
01:09:11,280 --> 01:09:13,519
Speaker 3: you guys were talking to camera and like I like

1428
01:09:13,640 --> 01:09:15,800
Speaker 3: those kind of bold choices where it's like we're going

1429
01:09:15,880 --> 01:09:18,880
Speaker 3: to formally change the sort of sitcom structure, but this

1430
01:09:19,000 --> 01:09:21,599
Speaker 3: one didn't work for me. Like, I think that's part

1431
01:09:21,600 --> 01:09:23,519
Speaker 3: of the problem with the episode, is like if it

1432
01:09:23,600 --> 01:09:25,439
Speaker 3: had been more stylized, and I'm not sure what that

1433
01:09:25,520 --> 01:09:27,600
Speaker 3: would have been, but if it had been more stylized

1434
01:09:28,800 --> 01:09:30,240
Speaker 3: to you know, I think the only thing they can

1435
01:09:30,280 --> 01:09:32,600
Speaker 3: do is have this music and then the dissolves, the

1436
01:09:32,680 --> 01:09:35,160
Speaker 3: cross fades, and it just doesn't work, like not enough.

1437
01:09:35,439 --> 01:09:36,400
Speaker 3: So they should have felt.

1438
01:09:36,240 --> 01:09:37,760
Speaker 4: The same way. I felt like it should have been

1439
01:09:37,800 --> 01:09:40,519
Speaker 4: more because I love the idea that actually one of

1440
01:09:40,600 --> 01:09:45,519
Speaker 4: the lessons is in relationships where you've made a commitment

1441
01:09:45,600 --> 01:09:48,160
Speaker 4: to somebody both a friendship and a marriage or whatever,

1442
01:09:49,439 --> 01:09:53,320
Speaker 4: sometimes that does just mean you as long as it

1443
01:09:53,400 --> 01:09:53,840
Speaker 4: takes it.

1444
01:09:53,880 --> 01:09:56,479
Speaker 3: Stick it out and it's going to flip flop, it's

1445
01:09:56,479 --> 01:09:58,280
Speaker 3: going to go through different phases. Maybe that's all it

1446
01:09:58,320 --> 01:10:00,120
Speaker 3: would have been. It should have been more cutting and

1447
01:10:00,240 --> 01:10:01,800
Speaker 3: like cut to like just the two of you eating

1448
01:10:01,840 --> 01:10:05,960
Speaker 3: hot dogs and talking, you know, just like random exactly.

1449
01:10:06,000 --> 01:10:08,479
Speaker 3: It's been more erratic and energy wise because as it is,

1450
01:10:08,560 --> 01:10:10,479
Speaker 3: it just feels like a therapy session. You don't want

1451
01:10:10,479 --> 01:10:12,560
Speaker 3: to be a part of me. Yes, just like this

1452
01:10:12,680 --> 01:10:14,439
Speaker 3: is what couple's therapy is like, and I they have

1453
01:10:14,520 --> 01:10:15,080
Speaker 3: to sit through it.

1454
01:10:15,360 --> 01:10:18,760
Speaker 1: The idea of Tipega and Corey having a really big

1455
01:10:18,960 --> 01:10:22,880
Speaker 1: fight is very interesting, And I was thinking back to

1456
01:10:22,960 --> 01:10:25,680
Speaker 1: there's a famous episode of Family Ties where Michael J.

1457
01:10:25,800 --> 01:10:29,000
Speaker 1: Fox's best friend dies and the entire episode is Michael J.

1458
01:10:29,120 --> 01:10:33,000
Speaker 1: Fox on a black stage going from little vignette to

1459
01:10:33,000 --> 01:10:36,439
Speaker 1: little vignette playing himself throughout his entire life. So he's

1460
01:10:36,479 --> 01:10:38,840
Speaker 1: playing himself at four where they first met, and the

1461
01:10:39,120 --> 01:10:41,640
Speaker 1: other actor who's actually his age in his twenties, comes on,

1462
01:10:41,720 --> 01:10:43,280
Speaker 1: but they're four year olds who met at this thing.

1463
01:10:43,320 --> 01:10:46,040
Speaker 1: It's really stylized, really cool. Wow, yeah, Oh, it's amazing.

1464
01:10:46,120 --> 01:10:47,679
Speaker 1: Some of the stuff they did on that show is great.

1465
01:10:48,080 --> 01:10:50,680
Speaker 1: So the idea to me where it was like, do

1466
01:10:50,840 --> 01:10:53,960
Speaker 1: a play, Yeah, do Corey and don't have anybody else

1467
01:10:54,000 --> 01:10:56,920
Speaker 1: in the episode. Do Corey intopanga for twenty two minutes

1468
01:10:56,960 --> 01:10:57,360
Speaker 1: in a fight?

1469
01:10:57,880 --> 01:10:58,479
Speaker 2: It's in there are.

1470
01:10:58,439 --> 01:11:00,519
Speaker 1: Parts everything you guys are saying you're having because you know,

1471
01:11:00,800 --> 01:11:02,240
Speaker 1: you get in a fight with your partner, it's like,

1472
01:11:02,400 --> 01:11:04,600
Speaker 1: you're not going to leave each other, so you're what

1473
01:11:04,720 --> 01:11:05,479
Speaker 1: are we having for dinner?

1474
01:11:05,479 --> 01:11:07,280
Speaker 2: All right, let's share a pizza, Let's do this, let's

1475
01:11:07,320 --> 01:11:09,400
Speaker 2: do It's like that for twenty two minutes would have

1476
01:11:09,439 --> 01:11:11,000
Speaker 2: been a pretty in threadible episode.

1477
01:11:11,000 --> 01:11:13,080
Speaker 3: It's you know, it's interesting, is that, Michael, if you

1478
01:11:13,120 --> 01:11:14,600
Speaker 3: had been in the writer's room and you pitched that,

1479
01:11:14,720 --> 01:11:17,880
Speaker 3: Michael would have done that, because that's a very Michael idea. Actually,

1480
01:11:17,960 --> 01:11:20,000
Speaker 3: Like I think she would have liked to go that far.

1481
01:11:20,560 --> 01:11:21,680
Speaker 3: It just never occurred to him.

1482
01:11:21,680 --> 01:11:21,800
Speaker 1: You know.

1483
01:11:22,120 --> 01:11:23,880
Speaker 3: I feel like it's a nudge in that direction with

1484
01:11:23,960 --> 01:11:26,479
Speaker 3: this this sequence, And I bet if you had suggested,

1485
01:11:26,560 --> 01:11:28,559
Speaker 3: if you were one of the writers, he probably would

1486
01:11:28,560 --> 01:11:30,640
Speaker 3: have gone for it, because that's very Michael. You know.

1487
01:11:30,760 --> 01:11:33,880
Speaker 1: Actually, just give it, give it Danielle, Give it to Danielle,

1488
01:11:33,880 --> 01:11:34,360
Speaker 1: and give its Ben.

1489
01:11:34,439 --> 01:11:35,640
Speaker 2: Everybody else takes the week off.

1490
01:11:35,800 --> 01:11:37,080
Speaker 3: We're going to literally shoot.

1491
01:11:37,080 --> 01:11:39,040
Speaker 2: The black guy theater where it is you are guy,

1492
01:11:39,120 --> 01:11:41,519
Speaker 2: you're fighting for twenty two minutes. Could have been really cool.

1493
01:11:41,680 --> 01:11:45,280
Speaker 4: That's a great idea, really good idea. She wonders why,

1494
01:11:45,439 --> 01:11:48,600
Speaker 4: and he says he doesn't know. She insists he does know,

1495
01:11:48,720 --> 01:11:51,160
Speaker 4: but he explains, I think I know better whether I

1496
01:11:51,280 --> 01:11:53,840
Speaker 4: know or not. Okay, she doubles down. Well, then I

1497
01:11:53,880 --> 01:11:56,000
Speaker 4: guess I know you better than you do. Corey throws

1498
01:11:56,040 --> 01:11:58,200
Speaker 4: his arms in the air. Of course you do to Manga,

1499
01:11:58,840 --> 01:12:01,160
Speaker 4: and then we get another time, still in Corey, into

1500
01:12:01,160 --> 01:12:04,320
Speaker 4: Panga's apartment. Later that night, they're still arguing to Pega

1501
01:12:04,400 --> 01:12:06,479
Speaker 4: reminds him, unless we tell each other what's going on,

1502
01:12:06,640 --> 01:12:09,080
Speaker 4: then we cannot be truthful. This is our first fight.

1503
01:12:10,680 --> 01:12:14,519
Speaker 4: He nods, no, ever, Nope, She begs, then let's make

1504
01:12:14,560 --> 01:12:17,759
Speaker 4: it mean something. Tell me what's going on? He asks,

1505
01:12:18,120 --> 01:12:21,080
Speaker 4: you want the truth, sit down, I'll be happy to

1506
01:12:21,160 --> 01:12:23,640
Speaker 4: tell you the truth. I don't. In no point did

1507
01:12:23,680 --> 01:12:26,120
Speaker 4: I think he had been lying. He's he doesn't say

1508
01:12:26,160 --> 01:12:29,679
Speaker 4: anything different here than what he had been saying, which

1509
01:12:29,720 --> 01:12:32,479
Speaker 4: is also another way they could have gone with the episode,

1510
01:12:32,920 --> 01:12:37,040
Speaker 4: that there is a problem. He does tell her what

1511
01:12:37,200 --> 01:12:39,439
Speaker 4: it is, and it's not. He doesn't tell her the truth.

1512
01:12:39,680 --> 01:12:40,559
Speaker 2: He's like, he.

1513
01:12:42,720 --> 01:12:45,720
Speaker 4: Says something else and she's like, oh, okay, and and

1514
01:12:45,840 --> 01:12:47,960
Speaker 4: then and then he's like, okay, you actually want to

1515
01:12:48,000 --> 01:12:49,920
Speaker 4: know what it is. I'm insecure around you. I don't

1516
01:12:49,920 --> 01:12:51,760
Speaker 4: want good about myself. And then that's the point of it,

1517
01:12:51,920 --> 01:12:55,920
Speaker 4: is like, Oh, I'm I guess if now that we're married,

1518
01:12:56,600 --> 01:12:58,360
Speaker 4: I have to tell you the truth about even like

1519
01:12:58,439 --> 01:13:00,439
Speaker 4: even things that are embarrassing for me. Would that be

1520
01:13:00,520 --> 01:13:02,640
Speaker 4: great for him to be embarrassed by the fact that

1521
01:13:02,680 --> 01:13:03,800
Speaker 4: he's insecure around Yes.

1522
01:13:04,240 --> 01:13:06,280
Speaker 2: Yes, yes, I feel bad about myself and I'm around you,

1523
01:13:06,400 --> 01:13:07,040
Speaker 2: and that's not on you.

1524
01:13:07,120 --> 01:13:10,280
Speaker 4: That's not your fault, and I feel dumb that way.

1525
01:13:10,479 --> 01:13:12,400
Speaker 2: Yes, would have been great.

1526
01:13:12,760 --> 01:13:14,280
Speaker 4: They take a seat on the couch and he lays

1527
01:13:14,280 --> 01:13:16,439
Speaker 4: it all out. Ever since I've known you, I had

1528
01:13:16,479 --> 01:13:18,560
Speaker 4: an idea. You had a better one. I got a

1529
01:13:18,600 --> 01:13:21,120
Speaker 4: good grade, you get a better one. I got into Penbrooke,

1530
01:13:21,240 --> 01:13:23,640
Speaker 4: you get into Yale. She reminds him, I didn't go

1531
01:13:23,800 --> 01:13:27,000
Speaker 4: because of you. He assures her he understands. So I

1532
01:13:27,120 --> 01:13:29,599
Speaker 4: got a job, but you, of course get a better one.

1533
01:13:29,760 --> 01:13:32,400
Speaker 4: What's next. I mean, I understand that you're better than me,

1534
01:13:32,720 --> 01:13:35,240
Speaker 4: but Why why do you have to shove it in

1535
01:13:35,320 --> 01:13:39,439
Speaker 4: my face? She can't believe what she's hearing. You think

1536
01:13:39,520 --> 01:13:42,479
Speaker 4: I'm better than you? Go please?

1537
01:13:45,200 --> 01:13:45,759
Speaker 3: Yeah, missus.

1538
01:13:46,000 --> 01:13:48,320
Speaker 2: Yeah, unless you're wearing a jacket, and then I'm better

1539
01:13:48,400 --> 01:13:50,040
Speaker 2: than you. That's what to say.

1540
01:13:51,640 --> 01:13:54,400
Speaker 4: Corey says he knows she is. You make me not

1541
01:13:54,680 --> 01:13:56,280
Speaker 4: think very much of myself.

1542
01:13:57,120 --> 01:14:00,719
Speaker 3: Just dare you make me myself?

1543
01:14:01,520 --> 01:14:06,519
Speaker 4: She's completely stunned. I do want another time. Last we're

1544
01:14:06,520 --> 01:14:08,679
Speaker 4: still in Corriy into Pega's apartment later on to Panga's,

1545
01:14:08,720 --> 01:14:10,080
Speaker 4: now lying on the floor tearing up.

1546
01:14:10,240 --> 01:14:11,519
Speaker 3: I've killed your spirit.

1547
01:14:12,120 --> 01:14:16,080
Speaker 4: I've caused you pain. He takes a seat next to her. No, look,

1548
01:14:16,200 --> 01:14:19,040
Speaker 4: I'm okay, she insists. I would never want to cause

1549
01:14:19,080 --> 01:14:21,640
Speaker 4: you pain. I want you to be happy. Everything I

1550
01:14:21,720 --> 01:14:24,920
Speaker 4: ever did was just shining this way is what I do.

1551
01:14:25,680 --> 01:14:26,439
Speaker 4: That's what I'm saying.

1552
01:14:26,680 --> 01:14:31,720
Speaker 1: I don't know, because she says, I think it's it's

1553
01:14:31,760 --> 01:14:36,000
Speaker 1: the first time she's realizing that she's causing her partner pain.

1554
01:14:36,400 --> 01:14:39,280
Speaker 1: But he said that, he said that in the frosts,

1555
01:14:39,320 --> 01:14:41,800
Speaker 1: how he ran out. You may killed my spirit, So

1556
01:14:42,000 --> 01:14:44,200
Speaker 1: it doesn't That's why none of it makes any sense.

1557
01:14:44,680 --> 01:14:46,560
Speaker 1: It's the equivalent It's the fight equivalent of saying, this

1558
01:14:46,640 --> 01:14:48,400
Speaker 1: is our first fight where you just have to suspend

1559
01:14:48,479 --> 01:14:51,240
Speaker 1: reality because we know that it's not clearly.

1560
01:14:51,280 --> 01:14:54,799
Speaker 2: We've seen him fifty times now, so yeah, it's just weird.

1561
01:14:55,320 --> 01:14:57,640
Speaker 4: Everything I ever did was just trying to impress you.

1562
01:14:58,280 --> 01:15:01,880
Speaker 4: He perks up, unnecessarily excited. Really, she shakes her head.

1563
01:15:02,240 --> 01:15:02,280
Speaker 1: No.

1564
01:15:03,240 --> 01:15:07,880
Speaker 4: Sometimes, sometimes for me, mostly for me, twice for you.

1565
01:15:08,479 --> 01:15:10,840
Speaker 4: She looks at him and admits a lot for you.

1566
01:15:11,560 --> 01:15:15,080
Speaker 4: Corey asks why for me? She explains, because I always

1567
01:15:15,160 --> 01:15:17,360
Speaker 4: knew you were worth it, because you believed in us.

1568
01:15:17,800 --> 01:15:19,960
Speaker 4: You were the one who held this relationship together when

1569
01:15:19,960 --> 01:15:22,320
Speaker 4: I was afraid of this relationship. You were the one

1570
01:15:22,360 --> 01:15:24,639
Speaker 4: who taught me to have faith in love. Corey can't

1571
01:15:24,680 --> 01:15:28,120
Speaker 4: believe it me and she nods. We cut to even later,

1572
01:15:28,200 --> 01:15:30,840
Speaker 4: and now Tapanga's lying on top of Corey. I don't

1573
01:15:30,880 --> 01:15:33,400
Speaker 4: want you to ever feel bad about yourself, he adds,

1574
01:15:33,560 --> 01:15:35,400
Speaker 4: and I don't want you to ever hold yourself back

1575
01:15:35,479 --> 01:15:38,240
Speaker 4: because of me. Tapega wonders, so what do we do?

1576
01:15:38,840 --> 01:15:42,800
Speaker 4: He decides we have to support each other. I thought

1577
01:15:42,880 --> 01:15:47,840
Speaker 4: that's what That's definitely what Tapanga was doing now before

1578
01:15:47,880 --> 01:15:48,639
Speaker 4: they got into this fight.

1579
01:15:49,120 --> 01:15:53,000
Speaker 3: Yeah, she was helping him, and you got a job

1580
01:15:53,120 --> 01:15:53,760
Speaker 3: and not making him.

1581
01:15:54,320 --> 01:15:57,880
Speaker 2: They support each other the whole time, kind of, she adds.

1582
01:15:58,120 --> 01:15:59,840
Speaker 4: And we can't be afraid to fight with each other,

1583
01:16:00,240 --> 01:16:03,320
Speaker 4: Corey admits, But I'm scared of you, Tapanga assures him.

1584
01:16:03,439 --> 01:16:05,519
Speaker 4: Sometimes in our lives, you're going to be doing better

1585
01:16:05,600 --> 01:16:08,880
Speaker 4: than me. He wonders when, and she clarifies, Or I'm

1586
01:16:08,960 --> 01:16:11,000
Speaker 4: going to be doing better than you, he says, And

1587
01:16:11,240 --> 01:16:14,200
Speaker 4: we're pa We're back, she continues. But if either one

1588
01:16:14,240 --> 01:16:16,320
Speaker 4: of us is doing well at all, it's because we

1589
01:16:16,439 --> 01:16:18,880
Speaker 4: love each other. We have to always remember that we're

1590
01:16:18,920 --> 01:16:21,680
Speaker 4: not competing. We're a team. I would never want to

1591
01:16:21,760 --> 01:16:24,960
Speaker 4: kill your spirit because I love your spirit. He smiles.

1592
01:16:25,360 --> 01:16:27,800
Speaker 4: And now there's one last time, laps. It's even later.

1593
01:16:28,160 --> 01:16:31,000
Speaker 4: Now Topanga and Corey are sharing the headset, and Corey demands,

1594
01:16:31,360 --> 01:16:35,040
Speaker 4: all right, Shannazi, you're gonna buy a magazine. You know why,

1595
01:16:35,400 --> 01:16:38,400
Speaker 4: because I'm bringing in the wife. You know why, because

1596
01:16:38,400 --> 01:16:40,880
Speaker 4: when the two of us work together, ain't nothing gonna

1597
01:16:40,880 --> 01:16:45,000
Speaker 4: stop us. Tapanga chimes in with a much nicer tone. Hello, Hi,

1598
01:16:45,479 --> 01:16:50,200
Speaker 4: I'm the wife, Topanga what Her tone quickly changes, Well,

1599
01:16:50,280 --> 01:16:53,639
Speaker 4: what kind of a name is Shnazi. Corey covers the mic.

1600
01:16:53,800 --> 01:16:56,400
Speaker 4: That's what I said. Tapanga hands the headset to Corey.

1601
01:16:56,600 --> 01:16:57,880
Speaker 4: He doesn't want to talk to me. He wants to

1602
01:16:57,880 --> 01:17:01,040
Speaker 4: talk to you. Corey takes over right, Sha Nazi, Let's

1603
01:17:01,080 --> 01:17:06,559
Speaker 4: have it. Yes, yeah, uh huh, goodbye. He is shocked.

1604
01:17:06,760 --> 01:17:09,439
Speaker 4: He just bought a one year subscription to Ardvark. He said,

1605
01:17:09,439 --> 01:17:12,639
Speaker 4: I was the most persistent person he's ever met. Tapanga

1606
01:17:12,720 --> 01:17:16,280
Speaker 4: asks he did, huh. Corey nods, yeah, you know. I

1607
01:17:16,360 --> 01:17:18,960
Speaker 4: think it was a compliment. And with that she gives

1608
01:17:19,000 --> 01:17:22,880
Speaker 4: him a congratulatory kiss and we're in the tag.

1609
01:17:23,439 --> 01:17:24,680
Speaker 3: So he's persistent.

1610
01:17:26,920 --> 01:17:27,920
Speaker 2: He's a persistent writer.

1611
01:17:28,720 --> 01:17:30,599
Speaker 3: That's okay.

1612
01:17:33,720 --> 01:17:42,160
Speaker 4: So the lesson I guess is that in a marriage,

1613
01:17:42,760 --> 01:17:47,400
Speaker 4: sometimes one person may be in a in a surge

1614
01:17:47,439 --> 01:17:51,800
Speaker 4: of good luck and and doing great and succeeding, and

1615
01:17:52,200 --> 01:17:56,000
Speaker 4: if they are, it's only because they're in love and

1616
01:17:56,120 --> 01:17:59,720
Speaker 4: being supported and the other person at that same time

1617
01:17:59,800 --> 01:18:02,599
Speaker 4: my be down in the dumps and that's okay, that's okay,

1618
01:18:02,680 --> 01:18:04,519
Speaker 4: And then that might change at some point the other

1619
01:18:04,600 --> 01:18:06,600
Speaker 4: person is doing great and the other person's down in

1620
01:18:06,600 --> 01:18:09,080
Speaker 4: the dumps. So you have to not be afraid to fight,

1621
01:18:09,680 --> 01:18:13,160
Speaker 4: and that if you love each other and are supporting

1622
01:18:13,200 --> 01:18:16,479
Speaker 4: each other. It doesn't matter. It's a partnership all the

1623
01:18:16,520 --> 01:18:18,840
Speaker 4: way around. That's what they would say, And.

1624
01:18:18,920 --> 01:18:21,200
Speaker 3: That's exactly where Tapega started this episode.

1625
01:18:21,400 --> 01:18:21,759
Speaker 4: Correct.

1626
01:18:22,000 --> 01:18:25,120
Speaker 2: Yeah, yes, So the only.

1627
01:18:25,000 --> 01:18:27,240
Speaker 3: Person who had a lesson to learn was Corey and

1628
01:18:28,640 --> 01:18:33,640
Speaker 3: he had his little freak out and moans, and then

1629
01:18:33,680 --> 01:18:36,200
Speaker 3: the episode ends and they both say we've learned something,

1630
01:18:36,560 --> 01:18:38,800
Speaker 3: but really, there's only one person who went on a

1631
01:18:38,880 --> 01:18:41,240
Speaker 3: journey at all. If then by next week, I'm sure

1632
01:18:41,320 --> 01:18:45,679
Speaker 3: he forgot all about it, Tushy.

1633
01:18:53,040 --> 01:18:55,719
Speaker 4: There's a knock on Corey into Panga's door. Corey opens

1634
01:18:55,760 --> 01:18:59,880
Speaker 4: it to find a completely burnt Eric Matthews. Eric simply grunts,

1635
01:19:00,400 --> 01:19:02,600
Speaker 4: penny so pours out of his.

1636
01:19:02,720 --> 01:19:05,320
Speaker 3: Mouth and no, so funny.

1637
01:19:05,520 --> 01:19:08,479
Speaker 1: This is I for the first and only time on

1638
01:19:08,560 --> 01:19:11,000
Speaker 1: the set of Boy Mel I got to smoke a cigarette.

1639
01:19:12,080 --> 01:19:14,559
Speaker 1: So as as we're sitting there, as I'm getting there,

1640
01:19:14,640 --> 01:19:16,880
Speaker 1: like the scene starts, I'm out there just puffing a

1641
01:19:16,920 --> 01:19:19,320
Speaker 1: butt and I remember at one point, like by the

1642
01:19:19,400 --> 01:19:21,679
Speaker 1: second take, I light another one and Bob.

1643
01:19:21,560 --> 01:19:23,639
Speaker 3: Young just comes up and he just goes easy.

1644
01:19:24,560 --> 01:19:26,960
Speaker 1: I'm like sucking him down into and I'm like I'm

1645
01:19:27,000 --> 01:19:29,679
Speaker 1: taking advantage of this, I get to smoke on stage

1646
01:19:31,080 --> 01:19:34,599
Speaker 1: the sound god, so it was awesome. I'm just like, ah, yes,

1647
01:19:34,720 --> 01:19:37,719
Speaker 1: I don't have to go outside. So yeah, I'm halfway

1648
01:19:37,760 --> 01:19:39,280
Speaker 1: through a cigarette at this point.

1649
01:19:39,240 --> 01:19:44,040
Speaker 3: I can't believe it is Penny.

1650
01:19:44,560 --> 01:19:47,360
Speaker 4: The Panga is horrified, and Corey quickly pulls the penny

1651
01:19:47,439 --> 01:19:49,720
Speaker 4: necklace out of his pocket. Eric can't move his arms,

1652
01:19:49,760 --> 01:19:51,240
Speaker 4: so he opens his mouth and Corey.

1653
01:19:53,680 --> 01:19:55,360
Speaker 1: He always hand We always just handed it to me,

1654
01:19:55,479 --> 01:19:56,840
Speaker 1: So this time I just ope my mouth and luckily

1655
01:19:56,920 --> 01:19:59,880
Speaker 1: Ben like saw it right away, right away.

1656
01:20:00,000 --> 01:20:00,519
Speaker 2: That was great.

1657
01:20:01,920 --> 01:20:04,360
Speaker 4: Eric twitches as he walks out, making his way over

1658
01:20:04,400 --> 01:20:06,320
Speaker 4: to the telephone in the hallway. He picks up the

1659
01:20:06,439 --> 01:20:08,240
Speaker 4: receiver and says, hello.

1660
01:20:08,600 --> 01:20:09,400
Speaker 2: That was all again.

1661
01:20:09,520 --> 01:20:11,720
Speaker 1: I just so I walk out and I saw the

1662
01:20:11,760 --> 01:20:13,320
Speaker 1: phone there, and I just slammed into the phone and

1663
01:20:13,360 --> 01:20:14,479
Speaker 1: then I just look it up and I go hello,

1664
01:20:14,600 --> 01:20:15,160
Speaker 1: and I just heard.

1665
01:20:15,120 --> 01:20:15,600
Speaker 3: Ben lose it.

1666
01:20:15,920 --> 01:20:19,400
Speaker 4: Let you exactly. Ben lets out a real laugh before

1667
01:20:19,479 --> 01:20:22,720
Speaker 4: closing the door. He turns to Tapanga, who also me

1668
01:20:23,000 --> 01:20:25,600
Speaker 4: has a huge smile on my face. I mean, this

1669
01:20:25,840 --> 01:20:28,240
Speaker 4: is technically a little bit of a blooper.

1670
01:20:28,080 --> 01:20:30,160
Speaker 3: Totally, Yes, yeah, it's a bit of.

1671
01:20:30,120 --> 01:20:34,400
Speaker 4: A blooper episode or not episode? Uh blooper taking Yeah.

1672
01:20:34,520 --> 01:20:37,600
Speaker 4: Oh well, thank you all for joining us for this

1673
01:20:37,760 --> 01:20:39,720
Speaker 4: episode of Pod Meets World. You can join us for

1674
01:20:39,760 --> 01:20:42,880
Speaker 4: our next episode, which is season seven, episode fourteen, I'm

1675
01:20:42,960 --> 01:20:47,280
Speaker 4: Gonna Be Like You Dad, which originally here January twenty eighth,

1676
01:20:47,520 --> 01:20:52,160
Speaker 4: So we skipped three weeks wow before we aired again. Huh.

1677
01:20:52,800 --> 01:20:56,439
Speaker 1: I wonder if there was something like the Olympics or

1678
01:20:57,240 --> 01:21:00,880
Speaker 1: something big sporting thing or uh, it's.

1679
01:21:00,720 --> 01:21:02,880
Speaker 3: Going to be something like this is got to be

1680
01:21:02,920 --> 01:21:07,920
Speaker 3: a Sean Chet episode. Probably yeah, because it's yeah, because

1681
01:21:07,920 --> 01:21:09,320
Speaker 3: we'll have a good time. Then was the name of

1682
01:21:09,320 --> 01:21:11,040
Speaker 3: the episode that he died? And that's the line from

1683
01:21:11,120 --> 01:21:12,719
Speaker 3: Cat's Cradle and this is the response.

1684
01:21:15,240 --> 01:21:18,639
Speaker 1: This would have been our last episode of boy Meets

1685
01:21:18,640 --> 01:21:21,519
Speaker 1: World had had we not gotten picked up episode thirteen,

1686
01:21:21,640 --> 01:21:22,280
Speaker 1: season seven.

1687
01:21:22,520 --> 01:21:24,000
Speaker 2: Oh, what's going to be the end?

1688
01:21:24,200 --> 01:21:27,080
Speaker 4: So this is uh yeah, all right, well, thank you

1689
01:21:27,120 --> 01:21:29,400
Speaker 4: all for joining us for this episode of Pod Meets World.

1690
01:21:29,439 --> 01:21:31,479
Speaker 4: As always, you can follow us on Instagram pod meets

1691
01:21:31,520 --> 01:21:34,040
Speaker 4: World Show. You can send us your emails pod meets

1692
01:21:34,080 --> 01:21:35,760
Speaker 4: World Show at gmail dot com.

1693
01:21:36,160 --> 01:21:40,000
Speaker 3: And we've got merch, so make sure you're trying merch.

1694
01:21:40,080 --> 01:21:44,680
Speaker 1: O Puss check it out, irregular cookie Puss Puss and

1695
01:21:44,720 --> 01:21:47,559
Speaker 1: you're really thanks, thanks Dad.

1696
01:21:49,280 --> 01:21:52,559
Speaker 4: Oh, Pod Meets Worldshow dot com. I hope that doesn't

1697
01:21:52,560 --> 01:21:56,040
Speaker 4: scare you off, writer, send us out.

1698
01:21:56,280 --> 01:22:00,800
Speaker 3: We love you all, Bob dismissed. Odd Meeats World is

1699
01:22:00,800 --> 01:22:04,040
Speaker 3: an iHeart podcast producer hosted by Danielle Fischel, Wilfridell and

1700
01:22:04,200 --> 01:22:08,160
Speaker 3: Ryder Strong executive producers, Jensen Karp and Amy Sugarman Executive

1701
01:22:08,160 --> 01:22:11,120
Speaker 3: in charge of production, Danielle Romo, producer and editor, Taras

1702
01:22:11,120 --> 01:22:14,799
Speaker 3: Subasch producer, Maddy Moore engineer and boy Meets World Superman

1703
01:22:14,960 --> 01:22:18,320
Speaker 3: Easton Allen. Our theme song is by Kyle Morton of Typhoon.

1704
01:22:18,640 --> 01:22:21,559
Speaker 3: Follow us on Instagram at Podmeats World Show or email

1705
01:22:21,680 --> 01:22:24,479
Speaker 3: us at Podmeats World Show at gmail dot com