1 00:00:01,400 --> 00:00:05,640 Speaker 1: The Jewbil Show on demand. It's another Jebil phone frame 2 00:00:05,800 --> 00:00:16,480 Speaker 1: Heday Mornings on the twenties. Hello, Hi, this is jan Jan. 3 00:00:16,640 --> 00:00:21,320 Speaker 1: I was looking for Miranda. This is Miranda. Yes, this 4 00:00:21,400 --> 00:00:27,560 Speaker 1: is hi Miranda. Hi. Who is this? This is yan 5 00:00:27,840 --> 00:00:33,080 Speaker 1: Yan Yan Yan. All right, is there something that I 6 00:00:33,080 --> 00:00:36,199 Speaker 1: can help you with? Well, it's not about how you 7 00:00:36,240 --> 00:00:38,840 Speaker 1: can help me, It's about how I can help you. Hi. 8 00:00:39,040 --> 00:00:40,879 Speaker 1: I'm the new director of the production that you're in. 9 00:00:41,360 --> 00:00:42,920 Speaker 1: I know they let Terry go the other day and 10 00:00:43,080 --> 00:00:45,280 Speaker 1: opening night is two days away, and I want to 11 00:00:45,320 --> 00:00:46,919 Speaker 1: let you know that you are in good hands with me, 12 00:00:47,280 --> 00:00:50,240 Speaker 1: and it's more about how I can help you really 13 00:00:50,400 --> 00:00:54,640 Speaker 1: sell the role of Donna in this production of Mamma Mia. Oh. Well, 14 00:00:55,320 --> 00:00:58,120 Speaker 1: I heard that they had let Terry go, and honestly 15 00:00:58,560 --> 00:01:00,600 Speaker 1: was a little bit nerve racking. I'm we're two days 16 00:01:00,600 --> 00:01:02,680 Speaker 1: away from one of the nerve wracking to work with 17 00:01:02,840 --> 00:01:05,400 Speaker 1: such a director, wouldn't it. I'm glad that I was 18 00:01:05,440 --> 00:01:10,240 Speaker 1: able to step in. Well, yeah, you got us as far, 19 00:01:10,440 --> 00:01:13,440 Speaker 1: and I think that we have some really good set 20 00:01:13,520 --> 00:01:16,119 Speaker 1: to present, so I think we're in good shape as 21 00:01:16,160 --> 00:01:19,160 Speaker 1: long as we can just have Okay, you're going to 22 00:01:19,200 --> 00:01:21,040 Speaker 1: stop you right there. I'm going to stop you right 23 00:01:21,080 --> 00:01:22,959 Speaker 1: there for just a second. I'd like to give you 24 00:01:23,000 --> 00:01:24,760 Speaker 1: a note and what you just said, Can I give 25 00:01:24,800 --> 00:01:29,759 Speaker 1: you a note? Sure? Okay, I'm going to go back 26 00:01:29,760 --> 00:01:31,280 Speaker 1: to that part where you said we have some really 27 00:01:31,319 --> 00:01:36,880 Speaker 1: good stuff, okay, And my note for that is absolutely 28 00:01:37,120 --> 00:01:39,720 Speaker 1: not no. And I've realized that we have no chance 29 00:01:39,920 --> 00:01:42,399 Speaker 1: of being successful on Opening Night in two days. We 30 00:01:42,440 --> 00:01:43,800 Speaker 1: have a lot of work to do. We've got to 31 00:01:43,800 --> 00:01:47,400 Speaker 1: completely change everything. So that's my note. That's my note 32 00:01:47,440 --> 00:01:51,240 Speaker 1: on that. You know, we've been all working our asses 33 00:01:51,240 --> 00:01:53,880 Speaker 1: off since the beginning. You've not been here, and I 34 00:01:53,920 --> 00:01:55,480 Speaker 1: just think it's really rude for you to come in 35 00:01:55,480 --> 00:01:58,480 Speaker 1: and just say you know all of this stuff and I, again, 36 00:01:58,560 --> 00:02:01,200 Speaker 1: I don't know you. And Hi, I'm gonna stop you 37 00:02:01,240 --> 00:02:03,000 Speaker 1: real quick because I have a note on that thing 38 00:02:03,040 --> 00:02:07,280 Speaker 1: you just said there. I am so absurd. That's it, Okay. 39 00:02:07,280 --> 00:02:09,880 Speaker 1: An attitude like that, you are out of Opening Night, 40 00:02:09,919 --> 00:02:12,640 Speaker 1: the under this under person, the one that's been working 41 00:02:13,080 --> 00:02:15,360 Speaker 1: learning your lines so that in case you are sick, 42 00:02:15,520 --> 00:02:17,359 Speaker 1: they are going to have the lead role on Opening Night. 43 00:02:17,520 --> 00:02:21,160 Speaker 1: Because nobody gets a diva attitude with yan Yon. I'm 44 00:02:21,200 --> 00:02:26,720 Speaker 1: the director of this production, right, you even come right there? 45 00:02:26,760 --> 00:02:33,240 Speaker 1: Do you even know who you are? Obviously? Study This 46 00:02:33,360 --> 00:02:35,960 Speaker 1: is how it goes when you work with community theater divas. 47 00:02:36,120 --> 00:02:38,040 Speaker 1: I remember this from back when I was starting off. 48 00:02:38,280 --> 00:02:41,680 Speaker 1: That pause was for dramatical effect. And for your information, 49 00:02:41,720 --> 00:02:44,400 Speaker 1: I know exactly what a study ender is, exactly what 50 00:02:44,440 --> 00:02:49,880 Speaker 1: a study ender is under study yaw yon I, you 51 00:02:49,919 --> 00:02:51,600 Speaker 1: know what. I wish you the best of luck. I'm 52 00:02:51,639 --> 00:02:54,280 Speaker 1: sure it's gonna go great. I'm so excited for you 53 00:02:54,320 --> 00:02:56,800 Speaker 1: to see what the production is going to be without me. 54 00:02:57,120 --> 00:03:00,239 Speaker 1: And you know what, I really hope that Harry's okay, 55 00:03:00,240 --> 00:03:02,160 Speaker 1: I really do well. I guess it shows that the 56 00:03:02,200 --> 00:03:04,160 Speaker 1: old saying is true. You can't take the diva out 57 00:03:04,160 --> 00:03:05,560 Speaker 1: of the woman, but you could take the woman out 58 00:03:05,600 --> 00:03:07,840 Speaker 1: of the theater. Fine. I will be filling in for 59 00:03:07,919 --> 00:03:10,680 Speaker 1: your opening night as the role of Donna in this 60 00:03:10,720 --> 00:03:13,080 Speaker 1: performance of Mamma Mia. I will give you two tickets, 61 00:03:13,080 --> 00:03:15,200 Speaker 1: and I'd like you to be front and center so 62 00:03:15,240 --> 00:03:18,520 Speaker 1: I can show you how it's done. All right. I 63 00:03:18,560 --> 00:03:21,680 Speaker 1: will just use my experience of working at a pizza 64 00:03:21,720 --> 00:03:23,760 Speaker 1: restaurant when I was young and coming up. Mamma me 65 00:03:23,960 --> 00:03:27,679 Speaker 1: is pizza. This production is about a pizza place, and 66 00:03:27,760 --> 00:03:29,920 Speaker 1: I have all of the knowledge in my head already 67 00:03:30,080 --> 00:03:34,239 Speaker 1: to be able to perform it perfectly. Do you think 68 00:03:34,280 --> 00:03:37,520 Speaker 1: that Mamma Mia is about a pizza place? Is that? 69 00:03:37,760 --> 00:03:42,560 Speaker 1: Is that what you think? Mammy is pizza and the Bronx? Yes, yeah, 70 00:03:42,640 --> 00:03:47,400 Speaker 1: it's a it's official. I quite so. Good luck on 71 00:03:47,480 --> 00:03:50,720 Speaker 1: opening night. Well, I'll also tell you that this is 72 00:03:50,760 --> 00:03:52,720 Speaker 1: actually Jewel from Jewels Show doing a phone break on 73 00:03:52,800 --> 00:03:57,240 Speaker 1: you and your cast mate Nicholas set you up. Oh 74 00:03:57,320 --> 00:04:03,240 Speaker 1: my god, are you serious? Yeah, it's a joke. He 75 00:04:03,240 --> 00:04:05,720 Speaker 1: said that you guys have opening night for your play 76 00:04:05,760 --> 00:04:08,000 Speaker 1: coming up this weekend, and he wanted to mess with you, 77 00:04:10,200 --> 00:04:14,880 Speaker 1: all right, get you like loosen up for relax stress 78 00:04:14,920 --> 00:04:18,320 Speaker 1: coming up? So yeah, okay, hey I have I'm sorry, 79 00:04:18,360 --> 00:04:20,039 Speaker 1: I have a note on that. I have a note 80 00:04:20,080 --> 00:04:24,440 Speaker 1: real quick. If I could give you a note on that, no, no, 81 00:04:24,440 --> 00:04:30,120 Speaker 1: no more no, then Jewels Show on Demand