WEBVTT - The Steve Trevino Episode

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<v Speaker 1>Get get no boys, it's back and reloaded all in

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<v Speaker 1>your mind. Yeah and now deep throating. This is for

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<v Speaker 1>the streets, the reel, the railroading, the disanfranchise, the truth,

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<v Speaker 1>the scapegoating, and they ain't knowing we speak the truth,

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<v Speaker 1>so they ain't quoted because we wrote it. The North

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<v Speaker 1>South East Coat g b my for keeping your head bobbing.

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<v Speaker 1>It ain't no stopping and wants to be try head

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<v Speaker 1>by then the system is so corrupt they throw the

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<v Speaker 1>rock out their heads and then blame it on us.

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<v Speaker 1>Don't get it twisted on code and we danceing for

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<v Speaker 1>no buttament biscuits. It's Willie d y'all scar faces in

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<v Speaker 1>the building. Collectively we are the ghetto boys, and reloaded,

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<v Speaker 1>reloaded with another episode of information and instructions to help

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<v Speaker 1>you navigate through this wild, crazy, beautiful world. In the studio,

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<v Speaker 1>Steve Travino, I'm not clapping for that guy, No, thank you.

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<v Speaker 1>I like that y'all have Mexican uh producers. That ship

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<v Speaker 1>made me feel comfortable. What we do, man, is that

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<v Speaker 1>we bring in We bring in the producers based on

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<v Speaker 1>who the guest. That's what I was thinking. You know, yeah,

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<v Speaker 1>you guys went to home, Deepo picked up Mato and Louise.

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<v Speaker 1>You're like, hey, hey, you want to work today? And

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<v Speaker 1>the lake to and then motherfucker's will jump in your car. Dude,

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<v Speaker 1>have you ever got Mexicans at home? Depot? Uh? You

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<v Speaker 1>know you gotta lock the doors. I'm gonna teach use

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<v Speaker 1>y'all gotta lock the doors. When you're asking to hire Mexicans.

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<v Speaker 1>Just jump in the back seat and they're like, I'm

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<v Speaker 1>hiring you just hired me. I'm in the back seat now.

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<v Speaker 1>I'm figured that's how you Hey, how how did you

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<v Speaker 1>do it? Man? How did you get into the first place? Man?

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<v Speaker 1>You know it? I thought I didn't. I didn't want

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<v Speaker 1>to do anything else growing up. I just knew that

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<v Speaker 1>that was for me. Eight you were eight when you

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<v Speaker 1>so did the family Like we used to come over

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<v Speaker 1>and gather around and your mom say, Steve, no, you

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<v Speaker 1>know what. I always tell this story because it's it's

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<v Speaker 1>you know, it's a trippy story. And I remember so

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<v Speaker 1>you know, you know how you remember times in your life.

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<v Speaker 1>You know, drink um. So we always have barbecues at

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<v Speaker 1>our house and always the men were outside, women inside, right,

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<v Speaker 1>and you know, man, my dad, refinery worker, welder, pipe fitter.

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<v Speaker 1>I mean they're tough dudes, man, you know, tough Mexican dudes.

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<v Speaker 1>And they'd be outside hanging out. I remember one time

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<v Speaker 1>the men and the women were inside and I'm like,

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<v Speaker 1>I remember thinking, this is different. You know, these husbands

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<v Speaker 1>don't hang out with these wives. And it was, by

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<v Speaker 1>the way, my bad trips out because I'm like, we're

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<v Speaker 1>having game night. It's like game night, yeah, my wife

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<v Speaker 1>other wives like what are you fucking gay? And I'm like, no,

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<v Speaker 1>like we hang out, man. But it was they were

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<v Speaker 1>watching they were watching Richard Pryor and they were all laughing, man,

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<v Speaker 1>And I thought to myself, I've never seen my dad

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<v Speaker 1>and my mom sit down together and laugh like that.

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<v Speaker 1>And it changed my life that right there. I was like,

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<v Speaker 1>that's what I'm gonna do. Shot out like Jack and

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<v Speaker 1>Richard jokes like, did you Eddie Murphy's because I know

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<v Speaker 1>I used to do that toot Eddie Murphy raw. Man.

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<v Speaker 1>I started watching Eddie Murphy rall your funny motherfucker bro

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<v Speaker 1>for real, man, like a funny motherfucker for real. We

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<v Speaker 1>look man, and I ain't bullshitting you guys. I learned

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<v Speaker 1>so much from listening to you guys, And that's not bullshit.

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<v Speaker 1>And I tell you why, y'all's lyrics and I wanted

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<v Speaker 1>to talk about this. Y'all's lyrics are so honest and

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<v Speaker 1>you show you you guys show weakness, and most rappers

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<v Speaker 1>don't show weakness. Well, you know, you know the walk

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<v Speaker 1>around well when you know what he's talking about, you know,

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<v Speaker 1>like vulnerability and talking about being scared and wanted to

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<v Speaker 1>get out of the game and and you know, making mistakes, right,

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<v Speaker 1>making mistakes. And to me, that's why y'all's music connected

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<v Speaker 1>to me so much. It's because to me, it felt

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<v Speaker 1>more real than just going hard all the time. Yeah,

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<v Speaker 1>you know those lyrics in my mind is playing tricks

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<v Speaker 1>on me. When you talk about you know, you know

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<v Speaker 1>I want I didn't want to be with her, and

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<v Speaker 1>you realize you sucked up, you know, or when you're

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<v Speaker 1>in church asking God to get you, you know, all

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<v Speaker 1>that stuff. And so I take that to my stand up.

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<v Speaker 1>I try to be vulnerable in my stand up. I

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<v Speaker 1>try to be I try to be sometimes I'm losing.

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<v Speaker 1>You know, a lot of comics they always want to win, right,

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<v Speaker 1>And my stand up man I lose all the time.

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<v Speaker 1>My wife wins, you know what I mean? How but

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<v Speaker 1>how how do your wife wins so much? When you

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<v Speaker 1>speak wife? Because at the end of the day, I'm

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<v Speaker 1>still with it, you know what I mean, At the

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<v Speaker 1>end of the day, I'm still with her. At the

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<v Speaker 1>end of the day, I love her. And at the

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<v Speaker 1>end of the day she always gets what she wants anyway,

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<v Speaker 1>you know. So it is a happy life, happy life.

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<v Speaker 1>It feels that it seems like it seems like it is.

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<v Speaker 1>I tell people all the time, like, man, I don't

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<v Speaker 1>need ship. We're talking about earlier. I don't need ship,

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<v Speaker 1>you know, I want the same bullshit. But but are

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<v Speaker 1>you happy though? I mean, I'm very happy, man, Okay.

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<v Speaker 1>And you know what I didn't know. No, Well, here's

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<v Speaker 1>what's tripping. I don't know if you guys, uh, talent wise.

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<v Speaker 1>I didn't start be I started changing in my stand

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<v Speaker 1>up because I fell in love with this girl and

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<v Speaker 1>I fucking hated her for it. I for real hated

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<v Speaker 1>her for it because I'm like, man, I'm I'm on

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<v Speaker 1>the road, I'm a comic, I'm a fucking pirate. I'm

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<v Speaker 1>crushing ass everywhere I go. I'm drinking. I'm doing whatever

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<v Speaker 1>I want. What's a pirate but fucking raping and pillaging

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<v Speaker 1>and fucking going from town to town um and then

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<v Speaker 1>all sadden. I meet this girl and I'm fall in

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<v Speaker 1>love with her, and I hated her for it. So

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<v Speaker 1>I walked on stage and started talking about hating her

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<v Speaker 1>for it, and it was funny, but it wasn't connecting

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<v Speaker 1>because I was angry. And then once I decided, once

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<v Speaker 1>I felt okay with being that guy and being with her,

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<v Speaker 1>then the love came into the jokes them. Ship really

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<v Speaker 1>changed for me, and we did Relatable in Corpus Christie

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<v Speaker 1>for Netflix, and that thing blew up Man and everybody.

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<v Speaker 1>You know, they couldn't see the love I had from

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<v Speaker 1>my wife in it when before it was just angry. Yeah,

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<v Speaker 1>So were you cognizant of putting the funny in it?

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<v Speaker 1>Make it? Because I always here, I hit comedians that

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<v Speaker 1>was that a serious? Sometimes they go through certain things

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<v Speaker 1>and they want to bring that out in the comedy.

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<v Speaker 1>And I've always respected comedians who awoke who who who

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<v Speaker 1>would go there and talk about social issues. But you know,

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<v Speaker 1>did you ever did you ever get to a point

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<v Speaker 1>to where you you thought that um, you know, perhaps

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<v Speaker 1>I need need to make it. I need to stick

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<v Speaker 1>to funny first and then talk about serious away exactly,

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<v Speaker 1>you know. And I remember hearing Richard Prior talking about that, right, Like,

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<v Speaker 1>at the end of the day, we're our comics and

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<v Speaker 1>the idea is to be funny. But nowadays, man, it's

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<v Speaker 1>gotten deep for me. My act is about family, being

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<v Speaker 1>a family man, trying to be a better dad, a

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<v Speaker 1>better husband, you know, And I get deep in that way.

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<v Speaker 1>I don't do politics, I don't do religion. I get

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<v Speaker 1>deep in the you know, man. I I work every

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<v Speaker 1>day to be a good dad. I work every day

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<v Speaker 1>to be a good husband to my wife. And it's

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<v Speaker 1>a it's a growth process. So while I'm telling these

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<v Speaker 1>stories that are funny, I kind of like, like I

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<v Speaker 1>said that that premise that I'm working on right now.

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<v Speaker 1>How do you raise a privileged kid? Right, because the

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<v Speaker 1>three of us here, well, I don't have ship growing up.

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<v Speaker 1>I had hard working dad and me and me and

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<v Speaker 1>we just talked about each other. We didn't really have right,

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<v Speaker 1>So how do you raise a prevous job? Don't know? Man,

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<v Speaker 1>you know, that's that's a struggle to me and my

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<v Speaker 1>wife for having are you privileged? Now twenty years of

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<v Speaker 1>doing stand up man? Now you know I got a

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<v Speaker 1>bank rom I'm rich. I mean, I mean yeah, but

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<v Speaker 1>you know you know that that's interesting that you would

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<v Speaker 1>do you have the joke? Do you have it formattic

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<v Speaker 1>as a joke? Get how do you raise a previous chime? Yeah?

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<v Speaker 1>So right now, you know, I I bring up the

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<v Speaker 1>fact that and we'll do some of the you know,

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<v Speaker 1>talk about some of it. Now, all of us, all

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<v Speaker 1>our kids have way more than we had. Right My

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<v Speaker 1>son can watch cartoons anywhere anywhere in the world. Tell

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<v Speaker 1>me more. I got a son that's sitting in here

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<v Speaker 1>right now. That's minus one Kidney. I didn't know that

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<v Speaker 1>kid game Christney. So yeah, he don't have more. He

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<v Speaker 1>got list because he looked out for his dad. We're Chris.

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<v Speaker 1>I love you, bro, Thank you man. And I heard

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<v Speaker 1>I heard you're gonna be a grandpa again. You got

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<v Speaker 1>another baby on the way. I got It's not him,

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<v Speaker 1>not me, isn't him? Chris? Yeah? And Christmas? I got

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<v Speaker 1>four and I going I'm the Mexican. I got two kids.

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<v Speaker 1>I'm very white. We gotta we gotta sign and a daughter.

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<v Speaker 1>Obviously he's talking about material things, you know, like they

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<v Speaker 1>them having more than we have the material things and

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<v Speaker 1>access and options, right and and those kids that they

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<v Speaker 1>got a lot more, and also not being aware. You know,

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<v Speaker 1>we live in this neighborhood where I have to try

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<v Speaker 1>to make him aware that, hey, man, like we're so

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<v Speaker 1>lucky to be here. So I make him volunteer, we

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<v Speaker 1>do stuff. You know, if he gets a new toy,

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<v Speaker 1>I make him give up a new toy, you know,

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<v Speaker 1>stuff like that, right, because you know, I mean I

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<v Speaker 1>grew up going to church all the time, you know,

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<v Speaker 1>so and and we I grew up in a little town, man,

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<v Speaker 1>I mean nobody really had much. You grew up in Gregory, Portland, Portland, Texas.

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<v Speaker 1>Right man? How is CHRISTI Hey, yeah, you're twenty minutes

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<v Speaker 1>away from corporate So how what's that? Dude? That look?

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<v Speaker 1>But I'm country as fun and and that was what

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<v Speaker 1>that was. What's cool about about being a Texan is

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<v Speaker 1>I always tell people, man, when you're texting, you're Texan.

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<v Speaker 1>You live in Texas? Yeah, I live in your Braunfels, Texas.

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<v Speaker 1>Now how do you live out there? I'm just asking

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<v Speaker 1>because I need an airport. So I got Austin San

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<v Speaker 1>Antonio Airport. My wife's parents are from the same little town, Greggory, Portland,

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<v Speaker 1>so we wanted our kids to have access to their

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<v Speaker 1>their grandpa's, you know, grandma's. So you know, we picked

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<v Speaker 1>just North. They're good job. That's David J. David J.

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<v Speaker 1>Is half Puerto Rican and half Pakistani, which is fucked up.

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<v Speaker 1>It's gotta be fucked up. Um, but no, you know

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<v Speaker 1>it is. But but you know, and and my son,

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<v Speaker 1>you know, and you guys are on the road like me.

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<v Speaker 1>I mean, that boy goes to he's he's a gold

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<v Speaker 1>member on American Airlines. You know, he sits first alas

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<v Speaker 1>it took me. I didn't get first class till I

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<v Speaker 1>was thirty five. This kid's fucking five in first class.

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<v Speaker 1>We got a hotel rooms and he's like, Dad, do

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<v Speaker 1>they have room service? I'm like, fuck you? How about

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<v Speaker 1>fuck you? You know what I mean, that's what you

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<v Speaker 1>work for, right, That's what That's what you work for

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<v Speaker 1>me because I oftentimes I just look at my kids. Man,

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<v Speaker 1>I'm thinking, wow, man, it's it happened for real, you know,

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<v Speaker 1>because I envisioned that before they were born, and them

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<v Speaker 1>actually live that type of lifestyle and had that type

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<v Speaker 1>of access that they have. I love that you said

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<v Speaker 1>in rewarding you have to envision it, man. I've always

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<v Speaker 1>envisioned being a comic. I always envisioned having success. I've

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<v Speaker 1>always envisioned working hard and having these things. I will

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<v Speaker 1>say that that you know, I have become now famous,

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<v Speaker 1>and it's not what I thought it was gonna be.

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<v Speaker 1>Like it is. It's harder. Yeah, my phone rings all

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<v Speaker 1>the time, you know, and I try not to change

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<v Speaker 1>my cell phone. But you got motherfucker's that that you

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<v Speaker 1>gave your the number to ten fifteen years ago. And

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<v Speaker 1>now all of a sudden, like, hey, I'm in talking

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<v Speaker 1>on who the fund is it? Like, you know, can

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<v Speaker 1>I get a hook up? Can I get a picture?

0:12:10.360 --> 0:12:12.320
<v Speaker 1>Can I? You know? And and it's arm Me and

0:12:12.360 --> 0:12:14.840
<v Speaker 1>my wife were We're eating dinner and and people like,

0:12:14.840 --> 0:12:17.079
<v Speaker 1>oh can I get a picture? And you know, and

0:12:17.080 --> 0:12:19.800
<v Speaker 1>and you start giving up your privacy that I had

0:12:20.120 --> 0:12:24.240
<v Speaker 1>that I didn't realize I enjoyed so much before. I

0:12:24.280 --> 0:12:25.840
<v Speaker 1>mean sure, I was at home DEEPO the other day

0:12:26.000 --> 0:12:28.559
<v Speaker 1>talking to the dude and this lady was like, can

0:12:28.600 --> 0:12:32.320
<v Speaker 1>you talk again? I go, excuse me? She was talking again?

0:12:33.400 --> 0:12:36.000
<v Speaker 1>What do you mean talking again? You're him, You're the

0:12:36.040 --> 0:12:39.120
<v Speaker 1>guy from TikTok. So then once she freaked out, then

0:12:39.120 --> 0:12:41.680
<v Speaker 1>other people. So now I'm at home, people taking pictures,

0:12:41.679 --> 0:12:44.480
<v Speaker 1>which I'm happy to do, right because I'm honored and

0:12:44.520 --> 0:12:47.319
<v Speaker 1>I feel proven. You know, I feel very lucky. But

0:12:47.440 --> 0:12:51.559
<v Speaker 1>I thought fame was different, and I feel exactly the same.

0:12:51.920 --> 0:12:55.520
<v Speaker 1>I just have more problems, yeah, more money, more problems, yeah, man,

0:12:55.559 --> 0:12:59.920
<v Speaker 1>for real. And it's it's and the privacy. You know

0:13:00.040 --> 0:13:02.200
<v Speaker 1>what I do when it comes to that, the privacy thing,

0:13:02.920 --> 0:13:05.880
<v Speaker 1>I make sure that I don't. If I leave my house,

0:13:06.120 --> 0:13:10.280
<v Speaker 1>I'm prepared for being accosted. I'm a I'm a prepared.

0:13:11.520 --> 0:13:14.840
<v Speaker 1>I'm prepared. I'm prepared for somebody walking up to me

0:13:15.160 --> 0:13:17.319
<v Speaker 1>and asking for an autograph or a picture or whatever,

0:13:17.440 --> 0:13:19.840
<v Speaker 1>even just to try to have a small conversation. I'm

0:13:19.920 --> 0:13:22.800
<v Speaker 1>prepared for that. Now, I can't always accommodate them, but

0:13:23.160 --> 0:13:25.640
<v Speaker 1>when I when I step out that door, I understand

0:13:25.640 --> 0:13:28.280
<v Speaker 1>who I am and what I mean to certain people.

0:13:28.559 --> 0:13:30.880
<v Speaker 1>So when I come across them and they get that moment,

0:13:30.920 --> 0:13:33.920
<v Speaker 1>I give it to him. So yeah, and if I

0:13:34.000 --> 0:13:36.600
<v Speaker 1>don't feel like it, if I don't really feel like

0:13:36.840 --> 0:13:40.040
<v Speaker 1>being bothered at all by anybody, you know, just anybody,

0:13:40.120 --> 0:13:42.520
<v Speaker 1>not necessarily fans. It's just anybody. I just stay at home,

0:13:42.600 --> 0:13:44.959
<v Speaker 1>right But and Brat Garrett told me that from everybody

0:13:44.960 --> 0:13:48.040
<v Speaker 1>loves Raymond. He told me, He'll Steve, we chose this life.

0:13:48.559 --> 0:13:51.679
<v Speaker 1>It's the minute you walk out your door, approach somebody

0:13:51.720 --> 0:13:56.800
<v Speaker 1>boldly and aggressively. It's what the cosputers. Now, Yeah, I

0:13:56.840 --> 0:14:01.320
<v Speaker 1>got you. I mean people text me, hey, what times

0:14:01.320 --> 0:14:03.480
<v Speaker 1>the show tonight? I'm like, motherfucker and the time it

0:14:03.520 --> 0:14:08.679
<v Speaker 1>took you to text me and figured it out. It's

0:14:08.720 --> 0:14:11.120
<v Speaker 1>on the internet. It's on the internet. So I started

0:14:11.120 --> 0:14:15.360
<v Speaker 1>getting these um these words for the day, like Willie

0:14:15.360 --> 0:14:18.320
<v Speaker 1>get and I'm gonna get y'all one, give me one.

0:14:18.520 --> 0:14:20.880
<v Speaker 1>We're gonna mix it, We're gonna work it in. Now

0:14:20.960 --> 0:14:24.320
<v Speaker 1>let me ask you about so my top two favorite

0:14:24.520 --> 0:14:28.920
<v Speaker 1>rap songs of all time are Notorious Thugs, which is

0:14:29.240 --> 0:14:33.200
<v Speaker 1>Biggie and Bone Thugs, right and bring it On? They

0:14:33.360 --> 0:14:36.840
<v Speaker 1>bring it on? Okay, now, how did that? I'm so

0:14:37.720 --> 0:14:42.520
<v Speaker 1>enamored with that song because it's nine. Willie was on

0:14:42.520 --> 0:14:48.120
<v Speaker 1>a hiatus. He wouldn't back then. So I picture all

0:14:48.160 --> 0:14:51.320
<v Speaker 1>you dude in the studio dropping versus. Is that how

0:14:51.360 --> 0:14:54.960
<v Speaker 1>it went down? And and did you plan on making

0:14:55.000 --> 0:14:58.400
<v Speaker 1>it a nine minute song? I did not. As a

0:14:58.400 --> 0:15:00.880
<v Speaker 1>matter of fact, we had a we had the songs

0:15:00.920 --> 0:15:03.120
<v Speaker 1>that we had, uh, we had songs that we call

0:15:03.200 --> 0:15:06.520
<v Speaker 1>posse cuts, and it was just like everybody on the label,

0:15:06.800 --> 0:15:10.160
<v Speaker 1>we're getting and spirited verse from what I can remember,

0:15:10.160 --> 0:15:11.920
<v Speaker 1>because you know that it was like two d years ago,

0:15:11.960 --> 0:15:16.040
<v Speaker 1>two hundred years ago. So um, we we all wrapped

0:15:16.080 --> 0:15:18.480
<v Speaker 1>on it. It It was nine minutes. It's about nine minutes.

0:15:18.560 --> 0:15:24.520
<v Speaker 1>Ship more more Producer Mario, how long is that song?

0:15:25.080 --> 0:15:35.720
<v Speaker 1>Say it in Spanish? Bro, Mario? Beat your Mario mix? No,

0:15:35.880 --> 0:15:37.640
<v Speaker 1>that song is? It is like nine and it's one

0:15:37.680 --> 0:15:41.440
<v Speaker 1>of my favorite songs. Man. We we had some It's

0:15:41.480 --> 0:15:45.200
<v Speaker 1>a lot of people that would on that song because

0:15:45.200 --> 0:15:47.160
<v Speaker 1>I'm like, well, who's this and who's that? And then

0:15:47.160 --> 0:15:48.800
<v Speaker 1>somebody would come in on the verse. I'm like, oh funk,

0:15:48.800 --> 0:15:50.760
<v Speaker 1>I gotta figure out who the funk that was? Who

0:15:50.840 --> 0:15:59.920
<v Speaker 1>passed on that? We know? Bellow see O three two

0:16:00.040 --> 0:16:02.200
<v Speaker 1>was three to I think I don't think he was

0:16:02.240 --> 0:16:04.040
<v Speaker 1>on there. Let me see what was on bring it on?

0:16:04.600 --> 0:16:10.080
<v Speaker 1>But yeah, um, what song is bringing on? Chris? Yeah? Hey,

0:16:10.160 --> 0:16:12.120
<v Speaker 1>so I got a new word. Were not a new word,

0:16:12.240 --> 0:16:17.640
<v Speaker 1>but it's called temporize. It means avoid making decision, a

0:16:17.760 --> 0:16:21.640
<v Speaker 1>decision or committing oneself in order to gain time. Will

0:16:21.720 --> 0:16:25.600
<v Speaker 1>I'm going to temporize on this? Im a temporizing? Read

0:16:25.640 --> 0:16:27.160
<v Speaker 1>that again? What the fund is it? I don't think

0:16:27.160 --> 0:16:33.880
<v Speaker 1>I understand it. I don't either temporize avoid making a

0:16:33.920 --> 0:16:38.080
<v Speaker 1>decision or committing oneself in order to gain time. Does

0:16:38.120 --> 0:16:46.440
<v Speaker 1>that mean temporarily? Is it in the sentence? I don't

0:16:46.440 --> 0:16:48.840
<v Speaker 1>even know how. It was a lot of traffic on

0:16:48.880 --> 0:16:53.200
<v Speaker 1>the freeway. So really temporized a rival. That's just like

0:16:53.240 --> 0:17:00.520
<v Speaker 1>fucking manual season. That's pretty good, a little temporized. Steve,

0:17:00.680 --> 0:17:02.560
<v Speaker 1>you said you were eight years old when you started

0:17:02.680 --> 0:17:06.720
<v Speaker 1>your your comedy run, when you got into comedy, Second

0:17:06.720 --> 0:17:09.280
<v Speaker 1>Greade talent. Okay, I was going to ask, did you

0:17:09.320 --> 0:17:12.240
<v Speaker 1>tell some jokes? Well, I mean I would assume you

0:17:12.240 --> 0:17:14.280
<v Speaker 1>guys grew up a lot like me. I mean I

0:17:14.280 --> 0:17:17.920
<v Speaker 1>had a talented family too, you know, I mean my cousins.

0:17:17.920 --> 0:17:20.720
<v Speaker 1>We all get together and we put on talent shows.

0:17:21.119 --> 0:17:23.439
<v Speaker 1>We would sing, you know, we we you know, and

0:17:23.480 --> 0:17:25.399
<v Speaker 1>I always wanted to make people laugh, you know. And

0:17:25.440 --> 0:17:27.720
<v Speaker 1>I was like, wow, do comedy. I would do Eddie

0:17:27.760 --> 0:17:30.399
<v Speaker 1>Murphy Row, you know, and everybody, and you know, a

0:17:30.440 --> 0:17:33.040
<v Speaker 1>lot of my ts were like, oh my god, why

0:17:33.160 --> 0:17:35.040
<v Speaker 1>is he saying those things? He's eight, you know. And

0:17:35.040 --> 0:17:37.520
<v Speaker 1>I'd be like, you ever take a ship and that

0:17:37.600 --> 0:17:41.200
<v Speaker 1>ship come back? What does that ship want? My dad's

0:17:41.240 --> 0:17:44.280
<v Speaker 1>laughing all the men I got. I got my grandma

0:17:44.280 --> 0:17:47.520
<v Speaker 1>over there, like what the fun was? Eight? Oh? Man?

0:17:47.520 --> 0:17:50.040
<v Speaker 1>I would run my mouth man, and I mean we were,

0:17:50.040 --> 0:17:52.080
<v Speaker 1>you know, like I said, man, blue collar family, a

0:17:52.119 --> 0:17:55.880
<v Speaker 1>bunch of you know, welder's pipe fitters. I mean, tough

0:17:55.960 --> 0:17:59.480
<v Speaker 1>motherfucker's man, and we were just My mom had nine

0:17:59.520 --> 0:18:03.400
<v Speaker 1>brothers and sisters. So we had forty cousins right there,

0:18:04.119 --> 0:18:05.919
<v Speaker 1>you know. And then my dad's won a four so

0:18:05.960 --> 0:18:08.440
<v Speaker 1>we had another twenty cousins over here. We all get

0:18:08.480 --> 0:18:10.880
<v Speaker 1>together and it was talent show time. Man, So did

0:18:10.880 --> 0:18:13.360
<v Speaker 1>you win a talent show? In second grade? Second grade?

0:18:13.359 --> 0:18:15.440
<v Speaker 1>I walked up to the teacher and I'm like, hey,

0:18:15.440 --> 0:18:17.439
<v Speaker 1>I'm gonna do stand up and She's like, okay, what

0:18:17.480 --> 0:18:20.880
<v Speaker 1>are your jokes? And uh, you ever take a ship? Like?

0:18:21.040 --> 0:18:24.480
<v Speaker 1>You know? As I dropping any murro, No, I didn't,

0:18:24.480 --> 0:18:28.000
<v Speaker 1>but I was. It was pretty rough and she was like, um,

0:18:28.040 --> 0:18:29.680
<v Speaker 1>I'll let you be a stand up, but we gotta

0:18:29.680 --> 0:18:33.120
<v Speaker 1>work on your jokes. So then from then on I

0:18:33.160 --> 0:18:36.800
<v Speaker 1>was doing stand up. And then you step into a

0:18:36.880 --> 0:18:40.560
<v Speaker 1>comedy club at what nineteen the first time when when

0:18:40.600 --> 0:18:43.480
<v Speaker 1>you grew up in Gregory, Portland, Texas. I mean, and

0:18:43.560 --> 0:18:46.000
<v Speaker 1>you know, we didn't when we didn't go on vacations.

0:18:46.040 --> 0:18:48.680
<v Speaker 1>We I mean we went to Astra World. That was

0:18:48.720 --> 0:18:51.040
<v Speaker 1>a big deal for us here. You know, yeah, for

0:18:51.119 --> 0:18:53.240
<v Speaker 1>like a day, you know, it comes to actual world

0:18:53.640 --> 0:18:55.240
<v Speaker 1>and my dad like, hey, we ain't eating ship, we

0:18:55.240 --> 0:18:57.160
<v Speaker 1>ain't doing ship. You're gonna ride the rides. We're gonna

0:18:57.160 --> 0:19:02.000
<v Speaker 1>fuck home right stout in the back. You know, you

0:19:02.440 --> 0:19:05.600
<v Speaker 1>gotta bring the food. You know, you gotta leave the

0:19:05.640 --> 0:19:08.600
<v Speaker 1>park to go to the truck to get you know. Um.

0:19:08.640 --> 0:19:10.040
<v Speaker 1>But you when you when you don't know where to go,

0:19:10.680 --> 0:19:12.200
<v Speaker 1>when you grow up like that, you're like, I don't

0:19:12.680 --> 0:19:14.040
<v Speaker 1>you know, I don't know where to go, man. And

0:19:14.080 --> 0:19:16.800
<v Speaker 1>then my cousin, My cousin calls me up. He's like, hey, man,

0:19:16.800 --> 0:19:19.120
<v Speaker 1>I just moved to Dallas and there's a comedy club

0:19:19.160 --> 0:19:22.760
<v Speaker 1>across the street. I said, fucking I'm on my way. Uh.

0:19:22.800 --> 0:19:26.000
<v Speaker 1>The Addison Improv The Addison Improv and and man, I

0:19:26.080 --> 0:19:28.840
<v Speaker 1>drove there. I got there on a Tuesday. I walked

0:19:28.840 --> 0:19:32.720
<v Speaker 1>in on Wednesday. All you know, when your young ignorance

0:19:32.760 --> 0:19:34.159
<v Speaker 1>is bliss right. I walked there. I'm like, hey, I'm

0:19:34.200 --> 0:19:37.400
<v Speaker 1>a comedian, man, and they're like, oh, you're a comedian. Yeah,

0:19:37.440 --> 0:19:39.080
<v Speaker 1>I'm a comedian. I need to I need to be

0:19:39.080 --> 0:19:41.760
<v Speaker 1>on your stage. And the manager was like, oh shit,

0:19:41.840 --> 0:19:45.119
<v Speaker 1>all right, well we gotta open mic tonight. And Jamie

0:19:45.160 --> 0:19:49.320
<v Speaker 1>Kennedy was headlining the open mic from screen, you know, Jamie.

0:19:49.960 --> 0:19:52.680
<v Speaker 1>And I remember thinking, you know, man, I just met

0:19:52.680 --> 0:19:56.159
<v Speaker 1>a celebrity like this dude's from Scream. You know. He

0:19:56.200 --> 0:19:58.560
<v Speaker 1>was hosting the open mic. I did all right, and

0:19:58.600 --> 0:20:01.159
<v Speaker 1>then uh, I thought minutes five minutes. I told the manager.

0:20:01.160 --> 0:20:03.320
<v Speaker 1>I said, hey, man, you know I need to be headlining.

0:20:03.359 --> 0:20:05.200
<v Speaker 1>I need to be you know, I need to be

0:20:05.520 --> 0:20:10.679
<v Speaker 1>I need to be working the weekend. He goes, yeah, because, man,

0:20:10.680 --> 0:20:13.320
<v Speaker 1>why don't you get a job here. I'm a comedian.

0:20:13.320 --> 0:20:15.240
<v Speaker 1>I don't need a job. He's like, no, why don't

0:20:15.240 --> 0:20:17.800
<v Speaker 1>you get a job here. So I was a door guy.

0:20:18.000 --> 0:20:21.280
<v Speaker 1>I met people like Kevin Hart, Dave Chappelle was coming

0:20:21.280 --> 0:20:25.840
<v Speaker 1>through those days. You know, um, all the blue collar guys.

0:20:26.480 --> 0:20:31.240
<v Speaker 1>Um Joe Rogan was was just headlining back then. You know, yeah,

0:20:31.280 --> 0:20:33.200
<v Speaker 1>he wouldn't even you know, I remember meeting him and

0:20:33.440 --> 0:20:36.600
<v Speaker 1>Joey Diaz and you know, he was selling out Friday Saturday,

0:20:36.640 --> 0:20:39.200
<v Speaker 1>but he wasn't selling out Thursday when I met him

0:20:39.480 --> 0:20:41.760
<v Speaker 1>when I was twenty years ago. Man, Ralph, he may

0:20:41.840 --> 0:20:44.720
<v Speaker 1>got rest his soul. He was an opening act for

0:20:44.920 --> 0:20:48.159
<v Speaker 1>Jay Moore. Um, Bobby Lee. I mean, all these dudes, man,

0:20:48.200 --> 0:20:51.040
<v Speaker 1>they come to and and my goal, my goal was

0:20:51.600 --> 0:20:53.000
<v Speaker 1>you know. I told the manager said, hey, man, who

0:20:53.000 --> 0:20:55.560
<v Speaker 1>takes him to radio in the morning? And He's like,

0:20:55.560 --> 0:20:57.119
<v Speaker 1>why do And I'm like, what can I do it?

0:20:57.760 --> 0:20:59.200
<v Speaker 1>He was happy because he's like, well, funk, I don't

0:20:59.240 --> 0:21:01.400
<v Speaker 1>gotta wake up a five in the morning to pick

0:21:01.440 --> 0:21:03.960
<v Speaker 1>these dudes up. I'm like, I'll do it. I picked

0:21:04.000 --> 0:21:06.080
<v Speaker 1>these dudes up, talk to him, try to get to

0:21:06.080 --> 0:21:09.320
<v Speaker 1>know him, picked their brains, you know. Chappelle, I remember

0:21:09.320 --> 0:21:13.000
<v Speaker 1>I had Chris Rock in my car man Monique, you

0:21:13.000 --> 0:21:15.520
<v Speaker 1>know Monique in my car, uh and Chris is. I

0:21:15.600 --> 0:21:17.760
<v Speaker 1>was so excited to meet Chris. I go pick him up.

0:21:17.840 --> 0:21:20.240
<v Speaker 1>I'm like, oh ship, Chris Rock. You know what I mean.

0:21:20.840 --> 0:21:23.399
<v Speaker 1>I picked him up. He says zero words to me.

0:21:24.520 --> 0:21:26.919
<v Speaker 1>He puts his hat down in the car, puts his

0:21:26.960 --> 0:21:29.960
<v Speaker 1>hoodie over his head. I take him to radio. Still

0:21:29.960 --> 0:21:32.679
<v Speaker 1>says no words to me, walks on the radio and

0:21:32.800 --> 0:21:35.960
<v Speaker 1>just turns into Chris Rock. I mean, I'm like, oh,

0:21:36.720 --> 0:21:40.440
<v Speaker 1>get back in the car, turns his hand. I took

0:21:40.520 --> 0:21:42.960
<v Speaker 1>him back to the hotel. Mother said zero words to me.

0:21:43.960 --> 0:21:49.960
<v Speaker 1>But anyway, I mean, that's hilarious. Man. I remember Bruce Bruce, Man,

0:21:50.040 --> 0:21:53.400
<v Speaker 1>the hotel's right here, the comic clothes right here. They

0:21:53.400 --> 0:21:55.480
<v Speaker 1>share a parking lot. That's how fucking clothes they are.

0:21:56.080 --> 0:21:58.080
<v Speaker 1>And Bruce Bruce was like, because most comics would just

0:21:58.080 --> 0:22:02.040
<v Speaker 1>walk because no, bull Ship, it's just parking. Yeah, Bruce, like,

0:22:02.080 --> 0:22:05.240
<v Speaker 1>come to me up. I had a nine six and

0:22:05.240 --> 0:22:08.160
<v Speaker 1>a half Nissan pickup truck. He got in the back

0:22:08.240 --> 0:22:12.680
<v Speaker 1>and the airport. Bro, He's trying to get in that truck.

0:22:12.720 --> 0:22:14.159
<v Speaker 1>I'm like, dude, by the time you get in this

0:22:14.200 --> 0:22:17.199
<v Speaker 1>truck and you could have walked to the impron and

0:22:17.240 --> 0:22:19.439
<v Speaker 1>then his security was holding onto my truck as we

0:22:19.520 --> 0:22:25.440
<v Speaker 1>walked through the parking lot. But Ship like that, man,

0:22:25.440 --> 0:22:27.879
<v Speaker 1>it was it was cool. Man. And when you're around

0:22:27.880 --> 0:22:30.880
<v Speaker 1>it all the time, you know, and I'm watching these dudes. Man.

0:22:31.400 --> 0:22:34.520
<v Speaker 1>Kevin Hart was my camps opener when I met him.

0:22:34.680 --> 0:22:37.520
<v Speaker 1>Kevin harton you know a lot of comedy clubs have

0:22:37.560 --> 0:22:41.320
<v Speaker 1>comedy condos. A comedy condo. Yeah, so they rent an

0:22:41.359 --> 0:22:45.080
<v Speaker 1>apartment for the comedians to stay at. You have to

0:22:45.119 --> 0:22:47.919
<v Speaker 1>call him comedy condos. And Kevin Hart was like, hey, man,

0:22:47.960 --> 0:22:50.480
<v Speaker 1>they got a comedy condo. I go, no, man, we

0:22:50.520 --> 0:22:52.640
<v Speaker 1>don't have a comedy condos. Like, man, I got nowhere

0:22:52.640 --> 0:22:55.000
<v Speaker 1>to stay because I came out here to open from

0:22:55.000 --> 0:22:57.280
<v Speaker 1>my camps, but I don't get a room. And I

0:22:57.359 --> 0:23:00.720
<v Speaker 1>was like, man, you crashing my couch. And Kevin crashed

0:23:00.720 --> 0:23:05.520
<v Speaker 1>on my couch man twenty years ago, Man, no ship

0:23:05.840 --> 0:23:08.240
<v Speaker 1>have you spoken to him since? I see him? I

0:23:08.320 --> 0:23:11.200
<v Speaker 1>see many once. That motherfucker. Man. We were doing a

0:23:11.200 --> 0:23:14.359
<v Speaker 1>show together at the end prov several years ago. I

0:23:14.440 --> 0:23:18.320
<v Speaker 1>was it was me than him. First show, second show.

0:23:18.320 --> 0:23:21.639
<v Speaker 1>He's like, man, fuck you, I'm going after you. He's like,

0:23:21.680 --> 0:23:23.480
<v Speaker 1>you're going last. I ain't following you no more. I'm

0:23:23.480 --> 0:23:25.720
<v Speaker 1>working on new material. You're over here trying to murder me. Mother,

0:23:27.040 --> 0:23:30.240
<v Speaker 1>Like Kevin spid people. Man, and that's what's hard about

0:23:30.280 --> 0:23:37.480
<v Speaker 1>this business man is sometimes you meet your heroes. Yeah,

0:23:37.520 --> 0:23:40.680
<v Speaker 1>and I let you down. Man that I met that

0:23:40.800 --> 0:23:44.159
<v Speaker 1>was a hero man was j J. Yeah, Jimmy Walker.

0:23:44.200 --> 0:23:48.760
<v Speaker 1>He's a he's a fun he's a mess sucker, first

0:23:48.800 --> 0:23:55.280
<v Speaker 1>of all. Under the any other condition, I would say

0:23:55.760 --> 0:23:58.680
<v Speaker 1>you out of pocket. But you're absolutely right. When I

0:23:58.760 --> 0:24:01.199
<v Speaker 1>met when I was, when I met him, straight up,

0:24:02.280 --> 0:24:10.959
<v Speaker 1>she did, asked Nick. Everybody else coolande The dude went

0:24:11.000 --> 0:24:13.879
<v Speaker 1>out of his way to be an asked. And the

0:24:14.000 --> 0:24:16.840
<v Speaker 1>only reason why I didn't drop him, it's because I

0:24:16.920 --> 0:24:19.200
<v Speaker 1>don't hit j J. I didn't want it on my record.

0:24:19.760 --> 0:24:21.600
<v Speaker 1>I didn't. I didn't want have been more fucked up.

0:24:21.600 --> 0:24:25.760
<v Speaker 1>You would have been like I know, Mike, I didn't

0:24:25.760 --> 0:24:28.800
<v Speaker 1>want on my record that I noted. You know, I

0:24:29.080 --> 0:24:32.439
<v Speaker 1>didn't want that on my record. Just fighters straight up

0:24:32.440 --> 0:24:35.720
<v Speaker 1>slip is ass. But he's got to be seventies, No,

0:24:35.840 --> 0:24:39.800
<v Speaker 1>you gotta be nineties. I don't give an you met,

0:24:39.840 --> 0:24:41.680
<v Speaker 1>then you meet your heroes, and then I'll send your

0:24:41.680 --> 0:24:45.600
<v Speaker 1>friends with him, like, oh ship that I'm a friend

0:24:45.760 --> 0:24:54.879
<v Speaker 1>that I'm friend with. Uh Steve Harrington, Uh uh Brown?

0:24:56.359 --> 0:25:00.520
<v Speaker 1>I mean I mean for me. Remember, you know be sleeping.

0:25:01.280 --> 0:25:04.560
<v Speaker 1>You know who Tom Wilson is. Tom Wilson though he's

0:25:04.600 --> 0:25:08.840
<v Speaker 1>a Biff from Back to the Future. Oh, no, dude.

0:25:09.160 --> 0:25:12.160
<v Speaker 1>And that dude, man, I meet him as an opening

0:25:12.240 --> 0:25:16.160
<v Speaker 1>act door guy. We hang out in Dallas. He's like, hey, man,

0:25:16.240 --> 0:25:17.960
<v Speaker 1>you know I want to go see Deely Plaza bub

0:25:17.960 --> 0:25:19.520
<v Speaker 1>Blaes Like, will you take me? I'm like, yeah, man,

0:25:19.520 --> 0:25:22.119
<v Speaker 1>I'm on it super cool with me and I'm just

0:25:22.160 --> 0:25:24.480
<v Speaker 1>sitting there going, man, I'm hanging out with Biff from

0:25:24.600 --> 0:25:27.920
<v Speaker 1>Back to the Future. And this was forever ago. Fast

0:25:27.920 --> 0:25:30.480
<v Speaker 1>forward ten years. Man, I'm walking through the airport and

0:25:30.560 --> 0:25:34.120
<v Speaker 1>I hear Trevino. Trevino. I turned around, it's it's him,

0:25:35.080 --> 0:25:36.720
<v Speaker 1>and I'm like, man, I never in a million years

0:25:36.800 --> 0:25:39.600
<v Speaker 1>thought I've been walking through an airport and Biff from

0:25:39.640 --> 0:25:42.239
<v Speaker 1>Back to the Future calling me over to say what's up?

0:25:42.480 --> 0:25:46.400
<v Speaker 1>You know you trip out? Man? But oh I met

0:25:46.440 --> 0:25:48.760
<v Speaker 1>Mike Tyson. He did. I would do a show in

0:25:48.880 --> 0:25:52.119
<v Speaker 1>Vegas and then he would do the show afterwards. That

0:25:52.240 --> 0:25:56.240
<v Speaker 1>dude shook my hand but wouldn't let go. You know,

0:25:56.320 --> 0:25:59.439
<v Speaker 1>that uncomfortable ship and it's Mike. Yeah, you don't want

0:25:59.480 --> 0:26:01.360
<v Speaker 1>him to actually only snap and thank you so I'm

0:26:01.359 --> 0:26:02.879
<v Speaker 1>just letting him shake my hand as long as he

0:26:02.920 --> 0:26:06.360
<v Speaker 1>wants to shake my hand. He's I mean, he's making

0:26:06.400 --> 0:26:09.359
<v Speaker 1>eye contact with me, and he goes, I love what

0:26:09.440 --> 0:26:12.040
<v Speaker 1>you did up there, he goes, I'm the baddest man

0:26:12.119 --> 0:26:14.879
<v Speaker 1>on the planet. He goes, and I'm scared shitless of

0:26:14.960 --> 0:26:18.920
<v Speaker 1>my wife. And he's still holding my hand, and I'm

0:26:18.960 --> 0:26:23.000
<v Speaker 1>like trying to pull away, but not not aggressive, because

0:26:23.040 --> 0:26:24.480
<v Speaker 1>you don't want no ship. I don't want no ship

0:26:24.560 --> 0:26:27.920
<v Speaker 1>with my typon, you know, speaking of that that vulnerability

0:26:28.040 --> 0:26:32.280
<v Speaker 1>you was talking about, that's Mike got that. Yeah, that's

0:26:32.280 --> 0:26:34.600
<v Speaker 1>why Mike ha is beloved. I mean, you know, it's

0:26:34.760 --> 0:26:37.760
<v Speaker 1>you know, yeah, you know, he whooped ass and all

0:26:37.800 --> 0:26:41.160
<v Speaker 1>that kind of stuff, and yeah, kick ass, take names,

0:26:41.280 --> 0:26:45.080
<v Speaker 1>and he's carved out a nice career for himself and

0:26:45.400 --> 0:26:48.480
<v Speaker 1>put itself into history books. But that was a time

0:26:48.520 --> 0:26:51.600
<v Speaker 1>when he was not beloved. People just loved what he did.

0:26:51.960 --> 0:26:56.120
<v Speaker 1>But I admire growth, Yeah, like I admire people who

0:26:56.240 --> 0:26:58.800
<v Speaker 1>who have grown, and you can tell that Mike has

0:26:58.880 --> 0:27:02.280
<v Speaker 1>grown absolutely, you know, and and his humility and his

0:27:02.440 --> 0:27:04.760
<v Speaker 1>ability to go, hey man, I know who I am

0:27:05.600 --> 0:27:07.639
<v Speaker 1>and I know that I want to be better, and

0:27:07.920 --> 0:27:10.160
<v Speaker 1>that's what I think I admire about about all people. Man'

0:27:11.000 --> 0:27:13.080
<v Speaker 1>That's why I get mad about this cancel culture bullshit,

0:27:13.160 --> 0:27:14.879
<v Speaker 1>Like you're gonna go back twenty years to cancel the

0:27:14.960 --> 0:27:17.840
<v Speaker 1>motherfucker I was. I was a different person twenty years ago.

0:27:18.760 --> 0:27:20.600
<v Speaker 1>You know, some of the stuff I found funny twenty

0:27:20.680 --> 0:27:23.960
<v Speaker 1>years ago, I don't funny today. Do you ever think

0:27:24.040 --> 0:27:27.919
<v Speaker 1>I think to temper your your comedy, you know, because

0:27:27.960 --> 0:27:30.240
<v Speaker 1>of cancel culture? No? I mean I'm lucky. You know.

0:27:30.320 --> 0:27:33.359
<v Speaker 1>I talk about my wife, my family, you know, And

0:27:33.440 --> 0:27:34.840
<v Speaker 1>I tell you about the time the only person you

0:27:34.880 --> 0:27:38.080
<v Speaker 1>can cancel me is my wife. And as long as

0:27:38.160 --> 0:27:41.400
<v Speaker 1>my wife is cool, I'm good and nobody can cancel me. Man,

0:27:41.800 --> 0:27:44.119
<v Speaker 1>you know, and you know, right like right now, and

0:27:44.200 --> 0:27:47.480
<v Speaker 1>you'll see tonight I do a bit where my dad

0:27:47.560 --> 0:27:55.280
<v Speaker 1>calls me, uh right, But it's him telling me back

0:27:55.320 --> 0:27:57.879
<v Speaker 1>when I was a kid, right, you'll see it tonight.

0:27:58.320 --> 0:28:01.200
<v Speaker 1>That's all out of context right now, But I need

0:28:01.320 --> 0:28:06.040
<v Speaker 1>that word so that you can understand who my dad was. Yeah,

0:28:06.480 --> 0:28:11.200
<v Speaker 1>you know, my dad's this hard Vietnam vet um military man,

0:28:12.160 --> 0:28:15.520
<v Speaker 1>refinery worker. He used words like that. Now Do I

0:28:15.640 --> 0:28:18.960
<v Speaker 1>like those words? Do I use that word? No? But

0:28:19.080 --> 0:28:21.480
<v Speaker 1>you can't take that away from me when I'm telling

0:28:21.520 --> 0:28:24.160
<v Speaker 1>a story. You know what I mean? Well, I think

0:28:24.240 --> 0:28:27.000
<v Speaker 1>context is everything, and I think most people can appreciate

0:28:27.160 --> 0:28:30.440
<v Speaker 1>that when it's put into proper context. Any word, any word,

0:28:30.920 --> 0:28:34.040
<v Speaker 1>an I do believe. I mean, you got people like

0:28:34.119 --> 0:28:37.320
<v Speaker 1>Dave Chappelle, you know who I think is a genius. Man.

0:28:39.000 --> 0:28:41.480
<v Speaker 1>I'm sure you saw the Last Special right, So watching

0:28:41.520 --> 0:28:45.440
<v Speaker 1>that Last Special man, the way he it was like

0:28:46.000 --> 0:28:49.560
<v Speaker 1>a sermon, like a preaching preaching man, a sermon, I'm

0:28:49.640 --> 0:28:51.760
<v Speaker 1>telling you. And and and if you listen, I mean,

0:28:51.800 --> 0:28:55.239
<v Speaker 1>if you're listen and you watch it again, watch how

0:28:55.320 --> 0:28:58.320
<v Speaker 1>he brings all that ship around in that full circle.

0:28:59.240 --> 0:29:04.480
<v Speaker 1>And and and and he says, man, I don't want

0:29:04.480 --> 0:29:07.680
<v Speaker 1>to talk about this no more, you know, but stop

0:29:07.800 --> 0:29:12.360
<v Speaker 1>punching down on my people. Right that's right there. It was.

0:29:12.840 --> 0:29:15.400
<v Speaker 1>I was like, brilliant. It was brilliant. But I think

0:29:15.440 --> 0:29:18.200
<v Speaker 1>that you, as an artist or I don't think the

0:29:18.320 --> 0:29:23.040
<v Speaker 1>regular person, regular civilian sees the art. They don't, they don't,

0:29:23.280 --> 0:29:25.920
<v Speaker 1>they don't peep it. And the main point was, here's

0:29:25.960 --> 0:29:28.440
<v Speaker 1>this small community that has the ability to change things

0:29:28.480 --> 0:29:33.240
<v Speaker 1>in cancel, yet my black community can't. Bro And we've

0:29:33.400 --> 0:29:36.840
<v Speaker 1>we've been fighting for centuries, get shit changed and to

0:29:37.000 --> 0:29:40.480
<v Speaker 1>kill me. No, yeah, you're right, you're right. But I

0:29:40.600 --> 0:29:44.160
<v Speaker 1>just found something. You know, I'm a sucking worring, so

0:29:44.240 --> 0:29:49.120
<v Speaker 1>I just found something. You're ready. A bundle of sticks

0:29:49.320 --> 0:29:53.080
<v Speaker 1>are twigs bound together as fuel? See, we're just talking

0:29:53.080 --> 0:29:59.400
<v Speaker 1>about fuel. Yeah. Uh, the Peanut Gallery likes that ship

0:30:02.640 --> 0:30:17.920
<v Speaker 1>Mario and Louisa they're making. Going back to Dave Chappelle,

0:30:18.480 --> 0:30:21.239
<v Speaker 1>you know, one of the things that I admire by

0:30:21.360 --> 0:30:29.320
<v Speaker 1>comedians so much, is there uh there intelligence most comedians,

0:30:29.680 --> 0:30:33.280
<v Speaker 1>most comedians, I know, the good ones are intelligent, and

0:30:34.840 --> 0:30:40.600
<v Speaker 1>it is very difficult to craft jokes. Like really, I'm

0:30:40.600 --> 0:30:42.440
<v Speaker 1>talking about when you I may do real comment I

0:30:42.440 --> 0:30:45.080
<v Speaker 1>ain't talking about just joking jokes. I'm talking about that

0:30:46.240 --> 0:30:48.240
<v Speaker 1>It's easy to be funny, but to craft a joke

0:30:49.760 --> 0:30:53.760
<v Speaker 1>has a great degree of difficulty and how hard I mean,

0:30:54.240 --> 0:30:58.320
<v Speaker 1>how how amazed are you when you see somebody like

0:30:58.480 --> 0:31:01.520
<v Speaker 1>Dave Chappelle do that ship put on three specials in

0:31:01.640 --> 0:31:05.160
<v Speaker 1>one year to three specials in one year when most people,

0:31:05.360 --> 0:31:09.200
<v Speaker 1>most most comedians cannot do that type of thing. Will

0:31:09.200 --> 0:31:12.400
<v Speaker 1>get jealous five six, seven years. A lot of comics

0:31:12.480 --> 0:31:15.600
<v Speaker 1>get jealous, get fired up. Yeah, man, I see somebody

0:31:15.680 --> 0:31:18.320
<v Speaker 1>like Dave Chappelle do something like that. And by the way,

0:31:18.320 --> 0:31:19.880
<v Speaker 1>I don't watch stand up because I don't want to

0:31:19.880 --> 0:31:22.520
<v Speaker 1>be influenced. But then you get somebody like Dave Chappelle,

0:31:22.600 --> 0:31:26.280
<v Speaker 1>who he's so above me. His mother's not gonna influence me.

0:31:26.400 --> 0:31:29.040
<v Speaker 1>He's so amazing. I mean where his head's at right now.

0:31:29.600 --> 0:31:31.959
<v Speaker 1>And that's what tripped people out about Dave. We got

0:31:32.040 --> 0:31:35.200
<v Speaker 1>to remember that Dave was famous in his early thirties.

0:31:35.920 --> 0:31:38.200
<v Speaker 1>Then the man disappeared and came back as a grown

0:31:38.240 --> 0:31:41.640
<v Speaker 1>ass man. So we all remember Day was famous in

0:31:41.680 --> 0:31:45.760
<v Speaker 1>his twenties. What was that ship where he was missed?

0:31:45.760 --> 0:31:48.600
<v Speaker 1>A nice guy? And then he was talking about the

0:31:48.680 --> 0:31:56.280
<v Speaker 1>doctor said I need to back out of me. So

0:31:56.640 --> 0:32:00.800
<v Speaker 1>he's already famous as in his twenties. Yeah, the man disappears,

0:32:01.280 --> 0:32:03.680
<v Speaker 1>comes back as a grown ass man with real opinions,

0:32:04.000 --> 0:32:06.680
<v Speaker 1>with kids, with a wife, and all of a sudden

0:32:07.080 --> 0:32:09.480
<v Speaker 1>that changed for for us as a community, Like, whoa,

0:32:09.840 --> 0:32:13.160
<v Speaker 1>what is that crazy high dude that we remember as

0:32:13.200 --> 0:32:15.800
<v Speaker 1>a kid. He's still in there. He's still in there,

0:32:15.880 --> 0:32:18.000
<v Speaker 1>but now he's a grown ass man and he's got

0:32:18.040 --> 0:32:21.680
<v Speaker 1>grown ass man opinions. He's evolved and he's grown man

0:32:21.800 --> 0:32:25.560
<v Speaker 1>and man said, I had to try to save him.

0:32:25.840 --> 0:32:29.360
<v Speaker 1>Uh huh, whatever, because at the end of the night

0:32:30.760 --> 0:32:32.400
<v Speaker 1>it was probably gonna be aswing up for us to

0:32:32.480 --> 0:32:40.000
<v Speaker 1>pussy that she didn't have joke up. But that's another

0:32:40.040 --> 0:32:42.959
<v Speaker 1>thing about this. He'll drop you some knowledge and then

0:32:43.040 --> 0:32:46.840
<v Speaker 1>he'll hit you with a stupid as. That's a kid funny,

0:32:47.000 --> 0:32:51.040
<v Speaker 1>you know, but it's but it's not coincidental. When he

0:32:51.280 --> 0:32:53.680
<v Speaker 1>dropped the knowledge and hit you with the stupid ass,

0:32:53.760 --> 0:32:55.680
<v Speaker 1>he knows exactly what he's doing. It's to set up

0:32:55.720 --> 0:33:00.920
<v Speaker 1>brilliant man. I mean, and same with you guys. When

0:33:00.920 --> 0:33:03.840
<v Speaker 1>you're coming up, there's a million rappers on the streets.

0:33:04.560 --> 0:33:06.720
<v Speaker 1>When I was coming up, there's a million stand up

0:33:07.280 --> 0:33:09.840
<v Speaker 1>I mean, this motherfucker. And every city I go to

0:33:10.400 --> 0:33:13.520
<v Speaker 1>there's a community of stand ups. Houston probably has a thousand.

0:33:14.440 --> 0:33:19.800
<v Speaker 1>It's some. It's a community of stand ups. But the

0:33:19.880 --> 0:33:25.280
<v Speaker 1>elites the cream, right, Yeah, the cream is going to

0:33:25.440 --> 0:33:27.120
<v Speaker 1>rise to the top every time. You could be in

0:33:27.160 --> 0:33:29.880
<v Speaker 1>a bundle in the circle of a ton of rappers.

0:33:30.200 --> 0:33:32.000
<v Speaker 1>Like when I find a young comedian. If I find

0:33:32.000 --> 0:33:34.280
<v Speaker 1>a young comedian, I like like like Dave J for example,

0:33:34.640 --> 0:33:36.760
<v Speaker 1>I tell him, I look, dude, you're the best of

0:33:36.840 --> 0:33:45.880
<v Speaker 1>all the shitty ones. You're you're the best comedian. But

0:33:45.960 --> 0:33:47.960
<v Speaker 1>he's only but he's only two years in the game.

0:33:48.040 --> 0:33:51.920
<v Speaker 1>And it's like Dave where they talk about you like that. Man,

0:33:54.800 --> 0:33:59.000
<v Speaker 1>come in, man, can we get him a chair? But

0:34:00.000 --> 0:34:03.400
<v Speaker 1>are you funny? I think so? Are you? Uh? Uh?

0:34:03.760 --> 0:34:07.840
<v Speaker 1>What is Puerto Rican? And in Pakistani? Oh goddamn, this

0:34:07.960 --> 0:34:10.279
<v Speaker 1>is gonna be good. I'm telling you that this dude's

0:34:10.280 --> 0:34:16.120
<v Speaker 1>a mess and his and his Pakistani daddy left him. Yeah,

0:34:16.360 --> 0:34:19.200
<v Speaker 1>that's why I'm a comedian. Yeah. So, so how do

0:34:19.280 --> 0:34:21.920
<v Speaker 1>you feel? How do you how do you feel with

0:34:22.800 --> 0:34:29.560
<v Speaker 1>when Steve's the best of the shitty comedian? Well, Steve's

0:34:29.600 --> 0:34:35.240
<v Speaker 1>my boss, so I like it. No, good answer, good answer.

0:34:35.800 --> 0:34:37.560
<v Speaker 1>If you wouldn't, if you wouldn't get fired. Would you

0:34:37.560 --> 0:34:40.160
<v Speaker 1>say some ship about him right now? No? No, he

0:34:40.200 --> 0:34:41.799
<v Speaker 1>said his wife is the only one who can cancel him.

0:34:41.800 --> 0:34:43.080
<v Speaker 1>But I got some ship on Stieve two. I can

0:34:43.080 --> 0:34:48.640
<v Speaker 1>cancel show like canceled. Steve's asked Trevino, you can take

0:34:48.640 --> 0:34:52.040
<v Speaker 1>your MinC now, babe. But what what he is saying

0:34:52.160 --> 0:34:54.560
<v Speaker 1>is like and he was talking about before other comedians

0:34:54.840 --> 0:34:57.880
<v Speaker 1>is like, there's a thousand comedians in Houston. I live

0:34:57.920 --> 0:35:01.400
<v Speaker 1>in Austin example from the the Comedian's there's a thousand

0:35:01.400 --> 0:35:03.960
<v Speaker 1>competing in every city. But like, if you wanna do

0:35:04.120 --> 0:35:06.920
<v Speaker 1>it at this level, you have to compete with Dave Chapelle,

0:35:07.880 --> 0:35:09.600
<v Speaker 1>You have to compete with these huge guys, you know

0:35:09.640 --> 0:35:11.120
<v Speaker 1>what I mean. Well, that's when these young these young

0:35:11.160 --> 0:35:13.480
<v Speaker 1>cats don't know, right, It's like, you're not competing against

0:35:13.480 --> 0:35:16.560
<v Speaker 1>that open micro that you're standing next to. If you

0:35:16.640 --> 0:35:19.239
<v Speaker 1>want the job, you're competing with Chris Rock and the

0:35:19.320 --> 0:35:22.560
<v Speaker 1>best in the world. You're competing against me, You're competing

0:35:22.560 --> 0:35:25.399
<v Speaker 1>against Bert Kreisher, You're competing against all these dudes. Man,

0:35:26.320 --> 0:35:30.439
<v Speaker 1>you know so, so why are you worried about these folds? Right?

0:35:30.920 --> 0:35:32.759
<v Speaker 1>You know, stop trying to compete with these dudes when

0:35:32.800 --> 0:35:35.520
<v Speaker 1>you should be competing with the very best. Go ahead

0:35:35.520 --> 0:35:39.000
<v Speaker 1>and go reach for it, go ahead and hit that way, right, Yeah,

0:35:39.040 --> 0:35:40.960
<v Speaker 1>don't stay out here with us, out of here, go

0:35:41.160 --> 0:35:43.520
<v Speaker 1>go go. And a lot of young comics because of

0:35:43.600 --> 0:35:47.360
<v Speaker 1>the local scene, they're concerned about that that comedian in

0:35:47.480 --> 0:35:50.879
<v Speaker 1>town that thinks he's the big ship. And it's like, dude,

0:35:50.920 --> 0:35:53.120
<v Speaker 1>this there ain't nobody. You need to be worried about

0:35:53.120 --> 0:35:55.880
<v Speaker 1>the motherfucker's that are nationally headlining, the dudes that are

0:35:55.880 --> 0:35:58.160
<v Speaker 1>getting on TV. I mean, we're not competing against I

0:35:58.200 --> 0:36:03.239
<v Speaker 1>don't compete against him. I'm competing against Kevin Hart. He's

0:36:03.239 --> 0:36:10.000
<v Speaker 1>a funny, he's hilarious. But you know what, sometimes so

0:36:10.120 --> 0:36:16.520
<v Speaker 1>you would agree that being a comedian is, um, it's competitive.

0:36:17.320 --> 0:36:19.840
<v Speaker 1>Very well, it doesn't have to be And I was

0:36:19.880 --> 0:36:21.759
<v Speaker 1>gonna say that it doesn't have to be competitive, but

0:36:21.840 --> 0:36:23.920
<v Speaker 1>it is competitive. In the beginning for me, it was

0:36:24.040 --> 0:36:26.600
<v Speaker 1>very competitive, right and as I got older, That's what

0:36:26.680 --> 0:36:28.400
<v Speaker 1>I'm trying to tell you know, Dave too, I'm like, man,

0:36:28.440 --> 0:36:30.920
<v Speaker 1>you gotta not worry about these dudes. Man, don't compete

0:36:30.920 --> 0:36:34.279
<v Speaker 1>against these dudes. Go out there, do you do what

0:36:34.440 --> 0:36:36.080
<v Speaker 1>you know how to do the way you do it,

0:36:36.800 --> 0:36:40.200
<v Speaker 1>and don't worry about it because it's all subjective. It's hard. Okay, day,

0:36:40.320 --> 0:36:43.799
<v Speaker 1>what's the best piece of advice Steve's giving you so far? Well,

0:36:43.840 --> 0:36:46.120
<v Speaker 1>I mean we talked about comedy from a whole bunch

0:36:46.200 --> 0:36:49.399
<v Speaker 1>of different sides, right, Like, there's like the technical parts

0:36:49.440 --> 0:36:52.360
<v Speaker 1>of it. There's about you know, individual like jokes and

0:36:52.440 --> 0:36:54.640
<v Speaker 1>tags and speed and things like that. But you know

0:36:54.680 --> 0:36:59.600
<v Speaker 1>what he's talking about. Uh, just now like having the

0:36:59.640 --> 0:37:03.200
<v Speaker 1>ability to kind of see past little jokes, just like

0:37:03.239 --> 0:37:05.600
<v Speaker 1>you're seeing past the scene and go like, what are

0:37:05.640 --> 0:37:07.719
<v Speaker 1>you really talking about? You know what I mean? You

0:37:07.800 --> 0:37:10.640
<v Speaker 1>can put together a bunch of popsicle stick jokes, um,

0:37:10.800 --> 0:37:12.200
<v Speaker 1>but what are you gonna make with them? Are you

0:37:12.280 --> 0:37:15.399
<v Speaker 1>gonna have a message that matters or is expressive who

0:37:15.440 --> 0:37:18.359
<v Speaker 1>you are? Or is it just goofy and again talking

0:37:18.400 --> 0:37:20.920
<v Speaker 1>about like what you guys do, man, is is is

0:37:21.120 --> 0:37:24.160
<v Speaker 1>being vulnerable, you know, and and digging deep inside of

0:37:24.200 --> 0:37:27.880
<v Speaker 1>yourself to too. That's what people connect to, man. You know,

0:37:28.000 --> 0:37:30.279
<v Speaker 1>people people walk out and I got I got grown man.

0:37:30.360 --> 0:37:32.400
<v Speaker 1>At the end of my shows. Now with this new

0:37:32.440 --> 0:37:34.520
<v Speaker 1>set I'm doing, they come up to me and they're

0:37:34.520 --> 0:37:36.759
<v Speaker 1>they're crying, man, I mean they're they just have the

0:37:36.800 --> 0:37:38.920
<v Speaker 1>comedy show and then that's the best comedy show I've

0:37:38.920 --> 0:37:41.279
<v Speaker 1>ever been to. But you made me think of my dad.

0:37:42.680 --> 0:37:44.799
<v Speaker 1>You made me think about how hard my dad works,

0:37:45.680 --> 0:37:48.920
<v Speaker 1>you know, And that's the stuff that make people go, hey,

0:37:49.000 --> 0:37:51.279
<v Speaker 1>Trevino is my comic. That's my dude. You know what

0:37:51.360 --> 0:37:53.959
<v Speaker 1>that this just made me think about something like you're

0:37:54.080 --> 0:38:00.160
<v Speaker 1>the everyday guys guy that the politicians pretend to be

0:38:00.239 --> 0:38:03.960
<v Speaker 1>when they're running on the campaign trail, right, because they

0:38:04.040 --> 0:38:07.920
<v Speaker 1>always come up where you know, my dad he raised

0:38:09.600 --> 0:38:13.040
<v Speaker 1>and a little cabin in Yeah, and it was just us.

0:38:13.200 --> 0:38:17.360
<v Speaker 1>We didn't have food. Sometimes you had two million dollars

0:38:17.400 --> 0:38:24.480
<v Speaker 1>in the bank, legalized, legalized staff, legalized legalized staff. So

0:38:25.000 --> 0:38:28.200
<v Speaker 1>you know, I am. But and again going back to

0:38:28.960 --> 0:38:31.880
<v Speaker 1>the privileged part in the celebrity part, you know, it's

0:38:31.920 --> 0:38:34.279
<v Speaker 1>hard to stay grounded too. I gotta make sure I

0:38:34.320 --> 0:38:38.120
<v Speaker 1>stay grounded. I gotta make sure that I am aware.

0:38:38.719 --> 0:38:41.239
<v Speaker 1>And I saw my same friends from high school man too.

0:38:41.680 --> 0:38:44.440
<v Speaker 1>You know, no new friends, no friends, no old business.

0:38:45.560 --> 0:38:47.200
<v Speaker 1>Did you lose at least one of them, one or

0:38:47.200 --> 0:38:50.000
<v Speaker 1>two after the thame you lose a couple. Yeah, and

0:38:50.160 --> 0:38:53.680
<v Speaker 1>that's because they don't quite get it. They changed before

0:38:53.760 --> 0:38:55.799
<v Speaker 1>you change, dude. I'm so glad you said that, man,

0:38:55.880 --> 0:38:57.640
<v Speaker 1>And I hate when they tell me that you changed

0:38:57.680 --> 0:38:59.759
<v Speaker 1>the arena and I'm like, no, dude, you changed towards me.

0:39:00.840 --> 0:39:03.000
<v Speaker 1>I'm the same dude. My road manager, Kyle and I

0:39:03.360 --> 0:39:06.200
<v Speaker 1>have been together since elementary school. That's my homie from

0:39:06.239 --> 0:39:09.880
<v Speaker 1>elementary school, and we're still working together right now, you know,

0:39:10.120 --> 0:39:18.879
<v Speaker 1>and cows the Yellowstone looking the Yellowstone looking dude ump.

0:39:19.280 --> 0:39:22.040
<v Speaker 1>But I also have to stay around it, you know

0:39:22.080 --> 0:39:24.000
<v Speaker 1>when you look at Martin Lawrence and I remember being

0:39:24.040 --> 0:39:25.960
<v Speaker 1>at the comedy store when Martin Lawrence was making a

0:39:26.040 --> 0:39:29.440
<v Speaker 1>comeback and stand up man. He was so unfucking relatable

0:39:30.640 --> 0:39:33.800
<v Speaker 1>because he's different. I mean, the dude is a huge celebrity.

0:39:34.640 --> 0:39:36.879
<v Speaker 1>And you could tell that that first couple of months

0:39:36.920 --> 0:39:40.440
<v Speaker 1>that he was up there, he couldn't find it, couldn't

0:39:40.480 --> 0:39:43.960
<v Speaker 1>find that that relatability. I mean, you know, Martin was

0:39:44.080 --> 0:39:47.320
<v Speaker 1>the every dude man, you know, and and after months

0:39:47.360 --> 0:39:49.520
<v Speaker 1>of watching him work, watching him work, he started seeing

0:39:49.560 --> 0:39:52.239
<v Speaker 1>that he started really changing the way he would word

0:39:52.280 --> 0:39:54.239
<v Speaker 1>things or the way and because words matter, man, you

0:39:54.320 --> 0:39:56.640
<v Speaker 1>know that words matter and the way you say things

0:39:56.680 --> 0:39:58.279
<v Speaker 1>and the way you have to be aware. I want

0:39:58.280 --> 0:40:00.800
<v Speaker 1>to make sure I don't ever lose that. So you

0:40:00.920 --> 0:40:04.320
<v Speaker 1>hit at seventeen, nineteen years old, you hit the scene,

0:40:04.680 --> 0:40:07.799
<v Speaker 1>started doing your comedy. At some point you started riding

0:40:07.880 --> 0:40:12.840
<v Speaker 1>for uh Carlos Carlos Carlo Spencer picks me up and

0:40:12.960 --> 0:40:15.160
<v Speaker 1>we what did you? What do you meet? We met?

0:40:15.239 --> 0:40:18.480
<v Speaker 1>We met in Corpus Christie senior year in high school.

0:40:18.800 --> 0:40:21.279
<v Speaker 1>I'm driving to school with my buddy Joey, who who

0:40:21.400 --> 0:40:23.560
<v Speaker 1>introduced me to you guys. Joey introduced me to the

0:40:23.680 --> 0:40:29.560
<v Speaker 1>ghetto boys. Joey had an old ask copy tape and

0:40:29.680 --> 0:40:31.400
<v Speaker 1>he put it in. He got, dude, we listen to

0:40:31.400 --> 0:40:33.799
<v Speaker 1>this ship man's fucking badass, you know. And he put

0:40:33.880 --> 0:40:35.759
<v Speaker 1>it in and he's one introduced me to the ghetto boys.

0:40:36.280 --> 0:40:38.960
<v Speaker 1>And we're driving. We're driving high school. I turned on

0:40:39.000 --> 0:40:41.200
<v Speaker 1>the radio and I hear Carlo Spency on the radio.

0:40:41.880 --> 0:40:46.160
<v Speaker 1>He's coming to Corpus. I'm like, oh, ship, Joey, Fox School,

0:40:46.480 --> 0:40:48.880
<v Speaker 1>Let's go to the radio station. And I left a

0:40:48.960 --> 0:40:51.399
<v Speaker 1>skipped school, went to the radio station and Seel walks

0:40:51.400 --> 0:40:53.719
<v Speaker 1>out like I'm a comedian, and he goes, I'll tell

0:40:53.719 --> 0:40:55.680
<v Speaker 1>you what, man, you sell fifty tickets tonight, I'll put

0:40:55.719 --> 0:40:58.840
<v Speaker 1>you on stage. I said, give me the tickets this

0:40:58.960 --> 0:41:01.960
<v Speaker 1>so I sold them, my fucking man, and he led

0:41:02.000 --> 0:41:04.239
<v Speaker 1>me on stage. And then he came back the next

0:41:04.320 --> 0:41:05.719
<v Speaker 1>year and he was like, hey, if you can sell

0:41:05.920 --> 0:41:08.840
<v Speaker 1>a Hunter tickets, I'll let you do more time. I'm

0:41:08.880 --> 0:41:12.000
<v Speaker 1>on it sound tickets. I moved to Dallas. He comes

0:41:12.040 --> 0:41:14.640
<v Speaker 1>through Dallas and he's like, oh, ship, you're doing it.

0:41:14.880 --> 0:41:16.880
<v Speaker 1>I'm like, yeah, man, I'm doing it, and he goes,

0:41:16.920 --> 0:41:18.480
<v Speaker 1>I'll tell you what I'm working on this tour called

0:41:18.520 --> 0:41:23.080
<v Speaker 1>the Three A Meagles Tour. Paul Rodriguez, George Lopez, Carlo Spinca.

0:41:23.600 --> 0:41:26.120
<v Speaker 1>Here's I'll make you the opener. And I was like,

0:41:26.200 --> 0:41:31.320
<v Speaker 1>that's it. I'm rich, I made it. I'm sorry. You know.

0:41:32.080 --> 0:41:33.759
<v Speaker 1>Ever since then, man, I was twenty years old. Many

0:41:33.800 --> 0:41:37.319
<v Speaker 1>day and we did and you guys would love this. Man.

0:41:37.360 --> 0:41:41.759
<v Speaker 1>We did the Bronco Bowl. Oh that's a skate and

0:41:41.800 --> 0:41:43.440
<v Speaker 1>drink or some remember that ship back in the day,

0:41:44.520 --> 0:41:46.759
<v Speaker 1>skate rink or something. Cliff I was like a skate

0:41:46.960 --> 0:41:50.920
<v Speaker 1>crank the Bronco Bowl, Man, Cliff Dallas was it a

0:41:53.320 --> 0:41:55.839
<v Speaker 1>or some ship? Think you with the bowl? We all

0:41:55.920 --> 0:41:58.719
<v Speaker 1>did shows back over there, Man did Broco bo. But

0:41:58.880 --> 0:42:00.560
<v Speaker 1>but you know we we I'm on the road with

0:42:00.600 --> 0:42:04.040
<v Speaker 1>these guys. Carlo Spencia, George and Paul hated each other.

0:42:04.440 --> 0:42:07.279
<v Speaker 1>They man, they couldn't get along. They're fighting with each other.

0:42:07.360 --> 0:42:12.000
<v Speaker 1>They're fighting each other they are. We're doing arenas and

0:42:12.160 --> 0:42:13.920
<v Speaker 1>I'm the opening act and I'm like, oh, shoot, this

0:42:13.920 --> 0:42:16.520
<v Speaker 1>is the best ever happened to me. That breaks up,

0:42:17.280 --> 0:42:20.759
<v Speaker 1>and then Mencia puts together a new three Meals tour.

0:42:21.320 --> 0:42:24.399
<v Speaker 1>Paul goes and does Latin Kings of Comedy instead, Paul

0:42:24.440 --> 0:42:27.440
<v Speaker 1>and George do Latin Kings of Comedy. Mencia brings on

0:42:27.520 --> 0:42:32.399
<v Speaker 1>Pablo Francisco, Freddy Soto who's dead now, and myself, which

0:42:32.480 --> 0:42:34.400
<v Speaker 1>is another hard thing in this business. Man. You you

0:42:34.680 --> 0:42:37.320
<v Speaker 1>get to know all these comics and then you know

0:42:37.400 --> 0:42:42.800
<v Speaker 1>drug abuse takes them, suicide takes the cocaine, cocaine, you know,

0:42:43.480 --> 0:42:45.680
<v Speaker 1>and that breaks your heart too. Man, I'm I'm you know,

0:42:46.000 --> 0:42:48.800
<v Speaker 1>I know so many people who have committed suicide, you know,

0:42:49.000 --> 0:42:51.600
<v Speaker 1>whether it was intentional they put a gun to their

0:42:51.640 --> 0:42:55.840
<v Speaker 1>head or the drugs and alcohol, you know. Um. So

0:42:55.920 --> 0:42:58.600
<v Speaker 1>then Mencia was like, hey, man, three Megal tours over.

0:42:59.000 --> 0:43:01.279
<v Speaker 1>I'll take you on the road for time and and

0:43:01.360 --> 0:43:04.439
<v Speaker 1>if there's any young cats out there listening. My goal,

0:43:05.080 --> 0:43:10.080
<v Speaker 1>like my dad taught me, be irreplaceable. Absolutely be irreplaceable.

0:43:10.600 --> 0:43:13.400
<v Speaker 1>So as soon as Mena gave me the opportunity and

0:43:13.520 --> 0:43:17.000
<v Speaker 1>I sold fucking merch best I could. If that I

0:43:17.080 --> 0:43:19.239
<v Speaker 1>knew he drank diet cokes, I'd have a diet coke

0:43:19.320 --> 0:43:21.239
<v Speaker 1>waiting for him when he got off stage, you know.

0:43:21.320 --> 0:43:23.040
<v Speaker 1>I mean, I was sucking on it, man, and I'm like,

0:43:23.120 --> 0:43:26.920
<v Speaker 1>this dude cannot go on without me. I gotta make

0:43:26.960 --> 0:43:29.120
<v Speaker 1>sure that I'm gonna be with this fucking dude, because

0:43:29.120 --> 0:43:31.439
<v Speaker 1>this guy's give me an opportunity. And then we ended

0:43:31.520 --> 0:43:33.560
<v Speaker 1>up h he ended up getting mind him and c

0:43:33.760 --> 0:43:37.200
<v Speaker 1>on Comedy Central, and he started writing, started writing for him,

0:43:37.239 --> 0:43:41.040
<v Speaker 1>and ship went real bad between me and him? Did

0:43:41.120 --> 0:43:44.359
<v Speaker 1>things go bad between you and him? But first of all,

0:43:44.440 --> 0:43:48.400
<v Speaker 1>why did things go back? You know? And and I

0:43:48.480 --> 0:43:50.440
<v Speaker 1>got nothing against Carlos man. I want to make that

0:43:50.560 --> 0:43:52.640
<v Speaker 1>very clear. Like I have forgiven him, forgiven us is

0:43:52.680 --> 0:43:54.840
<v Speaker 1>such a valuable thing in life. Man, I have forgiven

0:43:54.920 --> 0:43:57.840
<v Speaker 1>him um for and I always say I got I

0:43:57.920 --> 0:44:01.160
<v Speaker 1>got kind of me too. If you with you know

0:44:01.239 --> 0:44:03.440
<v Speaker 1>I was, I was twenty years old. He made me

0:44:03.520 --> 0:44:06.200
<v Speaker 1>all these promises, you know, And and he would be like,

0:44:06.280 --> 0:44:09.759
<v Speaker 1>hey man, you know he paid me no money. I

0:44:09.800 --> 0:44:12.160
<v Speaker 1>mean when I tell you no money, no money, I

0:44:12.239 --> 0:44:14.560
<v Speaker 1>mean even when you was writing, even when I was

0:44:14.640 --> 0:44:19.399
<v Speaker 1>writing that the writers Guild didn't look a zero money

0:44:20.160 --> 0:44:22.279
<v Speaker 1>like no money like I would. I would make about

0:44:22.320 --> 0:44:25.560
<v Speaker 1>three fty dollars a week that ain't no money, no

0:44:25.719 --> 0:44:28.640
<v Speaker 1>money money. And he was the type of dude that'd

0:44:28.640 --> 0:44:30.040
<v Speaker 1>be like, hey man, if you need money, just hit

0:44:30.120 --> 0:44:33.719
<v Speaker 1>me up. I got money. I'll help you. Yeah. And

0:44:33.719 --> 0:44:35.640
<v Speaker 1>I'd be like, well how about you just paying me? Man?

0:44:36.200 --> 0:44:38.080
<v Speaker 1>Like you know what I mean? Um, And that's why

0:44:38.120 --> 0:44:40.680
<v Speaker 1>we with with David J. You know, he gets the

0:44:40.760 --> 0:44:43.960
<v Speaker 1>opener money and the middle money. And I paid for

0:44:44.040 --> 0:44:46.799
<v Speaker 1>his flight and I paid for everything while we're here

0:44:47.560 --> 0:44:50.120
<v Speaker 1>because of that experience, right, I wanted this dude to

0:44:50.160 --> 0:44:53.200
<v Speaker 1>make some money. I mean I deserved I'm the one

0:44:53.239 --> 0:44:55.600
<v Speaker 1>selling the tickets. I deserve this. But hey man, you

0:44:55.640 --> 0:44:58.200
<v Speaker 1>deserve a good life. You know you're doing a good job.

0:44:58.480 --> 0:45:01.200
<v Speaker 1>You were best. They kind of open up for you. Bro,

0:45:01.440 --> 0:45:07.319
<v Speaker 1>come on, baby up for you. Tell a joke right now.

0:45:08.440 --> 0:45:09.840
<v Speaker 1>Let's see if you can make it. Let's see if

0:45:09.880 --> 0:45:11.480
<v Speaker 1>you can cut it as a comedian. Let's see if

0:45:11.480 --> 0:45:14.840
<v Speaker 1>you're the shittiest comedian, the best of all the city comedian.

0:45:15.719 --> 0:45:19.560
<v Speaker 1>Come on, let's hear a joke. But it ain't nothing

0:45:19.560 --> 0:45:22.840
<v Speaker 1>funny right now? Didn't go back and and and I

0:45:22.960 --> 0:45:27.280
<v Speaker 1>saw you know, uh, it was just weird man ego

0:45:27.400 --> 0:45:31.560
<v Speaker 1>ship you So so all of this stuff started happening

0:45:31.960 --> 0:45:37.200
<v Speaker 1>before Joe Rogan exposed him. Oh yeah, man, you don't know.

0:45:37.320 --> 0:45:41.840
<v Speaker 1>That's a Joe Rogan confronted him at the Comedy Store

0:45:42.640 --> 0:45:45.480
<v Speaker 1>on while he was on stage, said Yo, dude, you've

0:45:45.520 --> 0:45:50.399
<v Speaker 1>been stealing jokes, and he had backup. You know, Joe

0:45:50.520 --> 0:45:53.160
<v Speaker 1>Rogan talks about cancel culture. That's the first motherfucker to

0:45:53.200 --> 0:45:57.239
<v Speaker 1>cancel somebody, Joe. Let me tell you something broke Joe.

0:45:58.239 --> 0:46:00.120
<v Speaker 1>Joe took him out. Bro So I want to be

0:46:00.200 --> 0:46:03.520
<v Speaker 1>on your podcast. Okay, go ahead, you know, Joe coming

0:46:03.520 --> 0:46:06.279
<v Speaker 1>to do the podcast. Yeah, but but yeah, Joe, I

0:46:06.320 --> 0:46:07.880
<v Speaker 1>want to do his I want him to want to

0:46:07.880 --> 0:46:10.560
<v Speaker 1>do too. Okay. So it was a trip. So I

0:46:10.719 --> 0:46:12.960
<v Speaker 1>get Mencia and I have a fallen out first season

0:46:13.040 --> 0:46:17.440
<v Speaker 1>Minu Mencia and and he does this like, hey, you know, um,

0:46:18.320 --> 0:46:19.759
<v Speaker 1>you know, I hope you don't mind, but you're not

0:46:19.800 --> 0:46:22.880
<v Speaker 1>gonna write on second season of Minna. And I'm like,

0:46:23.000 --> 0:46:25.600
<v Speaker 1>well why not. He's like, whoa, why don't you go headline?

0:46:25.800 --> 0:46:29.040
<v Speaker 1>Go a headline? That mean, go be the headliner at

0:46:29.040 --> 0:46:31.239
<v Speaker 1>the clubs, you know, be the top bill, you know.

0:46:31.800 --> 0:46:34.200
<v Speaker 1>And I was like, yeah, but I mean I want

0:46:34.200 --> 0:46:35.560
<v Speaker 1>to write on the show. Why would I not want

0:46:35.560 --> 0:46:37.560
<v Speaker 1>to be on the show, and he's like, no, man,

0:46:37.719 --> 0:46:39.960
<v Speaker 1>you know, just go do your thing, which turned out

0:46:40.000 --> 0:46:41.920
<v Speaker 1>to be a blessing for me because they canceled the

0:46:42.000 --> 0:46:45.600
<v Speaker 1>second season. Well, the third season got canceled, but Rogan

0:46:45.680 --> 0:46:49.279
<v Speaker 1>got into it with him second second season, so I

0:46:49.360 --> 0:46:53.080
<v Speaker 1>had already disassociated myself with him when But still, I

0:46:53.239 --> 0:46:55.320
<v Speaker 1>mean a lot of that Shrapnell got me. Man. A

0:46:55.400 --> 0:46:58.439
<v Speaker 1>lot of people were like, well, Trevino's men see his boy,

0:46:58.600 --> 0:47:01.160
<v Speaker 1>you know. And and for me, I don't think people

0:47:01.239 --> 0:47:03.400
<v Speaker 1>realize how young I was, you know. I think I

0:47:03.560 --> 0:47:08.040
<v Speaker 1>was writing on the minor Mencia. I was a kid,

0:47:08.760 --> 0:47:10.440
<v Speaker 1>you know, And I don't know any better. Did they

0:47:10.560 --> 0:47:12.840
<v Speaker 1>ever try to connect any of your jokes that you

0:47:12.920 --> 0:47:16.560
<v Speaker 1>wrote for him as plagiarism? Not not well the way

0:47:16.640 --> 0:47:20.600
<v Speaker 1>Mencia would do it? And and two things. Number one,

0:47:20.719 --> 0:47:23.879
<v Speaker 1>Mencia is a very good stand up comedian Number one.

0:47:24.520 --> 0:47:29.080
<v Speaker 1>Number two does he steal? Yes? Number three, I don't

0:47:29.120 --> 0:47:32.960
<v Speaker 1>know if he knows he steals like for real, like

0:47:33.120 --> 0:47:35.759
<v Speaker 1>he's like. But some people would argue that how can

0:47:35.840 --> 0:47:37.960
<v Speaker 1>he be a very good stand up comedian if he's

0:47:38.000 --> 0:47:41.560
<v Speaker 1>not using his own words, if those are not his

0:47:41.640 --> 0:47:44.080
<v Speaker 1>own jokes? How can he be a stand up a

0:47:44.160 --> 0:47:47.480
<v Speaker 1>good stand up comedian. It's like somebody says, somebody just

0:47:47.600 --> 0:47:49.279
<v Speaker 1>know how to deliver that ship. Bro, he knows how

0:47:49.320 --> 0:47:51.839
<v Speaker 1>to fix up some ship for some motherfuckers they knew

0:47:51.840 --> 0:47:53.400
<v Speaker 1>how to deliver. No, but you know how you like

0:47:53.520 --> 0:47:55.560
<v Speaker 1>you fix it like you know how you You hear

0:47:55.680 --> 0:47:58.160
<v Speaker 1>somebody throw a verse out and you're like, nah, this

0:47:58.320 --> 0:48:01.319
<v Speaker 1>goes over here, change take that out like you guys

0:48:01.360 --> 0:48:04.240
<v Speaker 1>already know your pros. Yeah, I remember when he remember

0:48:05.120 --> 0:48:07.279
<v Speaker 1>I remember when he when he when he said that

0:48:07.400 --> 0:48:11.080
<v Speaker 1>he didn't know that he hadn't heard the Bill Cosby

0:48:11.200 --> 0:48:15.600
<v Speaker 1>joke before about about his son becoming a star football player,

0:48:16.800 --> 0:48:21.040
<v Speaker 1>Like that's no fucking wor you didn't hear that joke before?

0:48:21.160 --> 0:48:23.440
<v Speaker 1>So I worked on that. Wait a minute, Yeah, I'm

0:48:23.480 --> 0:48:25.600
<v Speaker 1>gonna go so wait wait, wait, time out, time out,

0:48:26.080 --> 0:48:28.919
<v Speaker 1>hold on. So he said, want to be jokes man?

0:48:30.360 --> 0:48:33.759
<v Speaker 1>Straight how it robbed him without a gun straight up him.

0:48:33.840 --> 0:48:35.680
<v Speaker 1>We're talking about loan joke. We're talking about like a

0:48:35.719 --> 0:48:38.399
<v Speaker 1>little quick We're talking about a loan jo the whole joke,

0:48:38.480 --> 0:48:43.080
<v Speaker 1>talking about three minute joke. Come here, I teach him

0:48:43.120 --> 0:48:46.879
<v Speaker 1>to play football and then at the end, Hi momo.

0:48:48.560 --> 0:48:50.799
<v Speaker 1>It's the joke. It's the joke where he talked about

0:48:51.040 --> 0:48:53.560
<v Speaker 1>teaching his son how to play football from Dave from

0:48:53.880 --> 0:48:58.399
<v Speaker 1>from two years old, going going into pee wee, going

0:48:58.480 --> 0:49:02.120
<v Speaker 1>into high school, college, then the Pros, and then they

0:49:02.160 --> 0:49:06.000
<v Speaker 1>win the Super Bowl and he says, Mom, ha, mom,

0:49:06.360 --> 0:49:10.960
<v Speaker 1>you know that I'm working on that special, right. I

0:49:11.080 --> 0:49:12.719
<v Speaker 1>go up to the other writers, I go up to

0:49:12.840 --> 0:49:14.279
<v Speaker 1>his agent, I go up to his manager, and I go,

0:49:14.440 --> 0:49:17.200
<v Speaker 1>he can't do that joke. Huh, I go, I go,

0:49:17.360 --> 0:49:20.160
<v Speaker 1>I go, we gotta talk to him. We're gonna film.

0:49:20.200 --> 0:49:23.520
<v Speaker 1>We're already gonna film that night in San Francisco at

0:49:23.520 --> 0:49:25.600
<v Speaker 1>the I think we're at the war for the war Field,

0:49:26.200 --> 0:49:30.239
<v Speaker 1>and I go the special, the special. So I pull

0:49:30.280 --> 0:49:32.279
<v Speaker 1>all the team together. I go, I go, that's Bill

0:49:32.320 --> 0:49:35.439
<v Speaker 1>Cosby's joke. Oh no, I go, I go. We can't

0:49:35.520 --> 0:49:37.800
<v Speaker 1>let him do it. Do not let him do it.

0:49:38.480 --> 0:49:41.200
<v Speaker 1>So then we have a meeting agents, managers, the whole thing.

0:49:41.560 --> 0:49:44.440
<v Speaker 1>They tell men see Ned, his name is Ned. They

0:49:44.520 --> 0:49:47.200
<v Speaker 1>tell Ned. They go, hey, man, um, you know, let's

0:49:47.239 --> 0:49:49.960
<v Speaker 1>not do that joke. And he defended himself. He's like,

0:49:50.040 --> 0:49:52.920
<v Speaker 1>I fun that I wrote that joke. And we're like

0:49:53.200 --> 0:49:54.440
<v Speaker 1>you know, I don't care if you wrote it or not,

0:49:55.280 --> 0:49:59.640
<v Speaker 1>don't do it. Sure ship, he starts doing it. So

0:49:59.760 --> 0:50:05.200
<v Speaker 1>in the edit room that got edited out first, Well,

0:50:06.440 --> 0:50:10.759
<v Speaker 1>they re release an unedited version. Joe Rogan calls him

0:50:10.760 --> 0:50:14.520
<v Speaker 1>out that joke's on there and to me, that was

0:50:14.560 --> 0:50:17.879
<v Speaker 1>the nail and the coffin for him, everything's coffin, nail shut.

0:50:18.000 --> 0:50:20.319
<v Speaker 1>Now they can't open their back up. I don't think

0:50:20.360 --> 0:50:22.879
<v Speaker 1>so man. You know, well, he I think he will

0:50:22.960 --> 0:50:26.360
<v Speaker 1>be able to do small venues because he does have

0:50:27.160 --> 0:50:31.520
<v Speaker 1>I guess the following. He has a following, but Arena, Yeah,

0:50:31.560 --> 0:50:34.239
<v Speaker 1>but the Arena ship is over. But yeah, but how

0:50:34.280 --> 0:50:39.120
<v Speaker 1>do you dudes feel about TikTok? Now? Like TikTok, people

0:50:39.160 --> 0:50:45.760
<v Speaker 1>are doing my bits and becoming influencers by doing my bits,

0:50:46.040 --> 0:50:50.480
<v Speaker 1>so they're getting paid. You should bang TikTok. You can't. Yes,

0:50:50.600 --> 0:50:54.600
<v Speaker 1>you can, but that's a hard one because it sells tickets.

0:50:56.840 --> 0:50:58.840
<v Speaker 1>What they're doing is that that like he's saying that

0:50:59.040 --> 0:51:02.480
<v Speaker 1>taking the Joe some rearranging and changing a little, this,

0:51:02.640 --> 0:51:07.960
<v Speaker 1>a little that, my bit. They're gonna stroke for stroke,

0:51:08.040 --> 0:51:11.120
<v Speaker 1>joke for joke, my bit, and they pant a moment.

0:51:11.800 --> 0:51:14.400
<v Speaker 1>You know, these dude yeah, but you know what you know.

0:51:14.520 --> 0:51:18.239
<v Speaker 1>But you know what TikTok could do. TikTok could put

0:51:18.560 --> 0:51:22.000
<v Speaker 1>a disclaimer on there every time every time somebody does

0:51:22.080 --> 0:51:24.719
<v Speaker 1>a voice over like that, they could put a disclaimer

0:51:24.800 --> 0:51:26.800
<v Speaker 1>saying who it is. They could do that, just like

0:51:26.880 --> 0:51:29.400
<v Speaker 1>they do with music. If you play somebody's music, it

0:51:29.480 --> 0:51:31.800
<v Speaker 1>shows the the song up there at the time of

0:51:31.800 --> 0:51:33.800
<v Speaker 1>the title. And so this is something, this is the

0:51:33.880 --> 0:51:36.920
<v Speaker 1>fight that that you guys should take on as comedians

0:51:37.320 --> 0:51:40.319
<v Speaker 1>because because they are messing with your lives. Tiffany Howes,

0:51:40.360 --> 0:51:42.680
<v Speaker 1>she's starting to do it. Uh there, she's starting to

0:51:42.760 --> 0:51:44.800
<v Speaker 1>fight with that and saying, hey, how are we not

0:51:44.880 --> 0:51:47.839
<v Speaker 1>getting paid for these clips? Right? It's it's our it's

0:51:47.880 --> 0:51:50.799
<v Speaker 1>our property. Yeah, and that's what I'm saying. You can,

0:51:50.880 --> 0:51:54.080
<v Speaker 1>you can, you can. But the average person look at

0:51:54.120 --> 0:51:56.440
<v Speaker 1>it like, oh, it's just funny. It's funny, but they

0:51:56.480 --> 0:51:58.879
<v Speaker 1>don't realize it's our art. It's yeah, you know, It's

0:51:58.880 --> 0:52:00.600
<v Speaker 1>like I told my wife, you know, when I first

0:52:00.680 --> 0:52:03.480
<v Speaker 1>met her, she would read magazines in the grocery store

0:52:03.480 --> 0:52:07.000
<v Speaker 1>aisle and put them back and I said, baby, buy it,

0:52:08.880 --> 0:52:12.239
<v Speaker 1>buy it. It's three dollars. Just but I just wanted

0:52:12.239 --> 0:52:16.440
<v Speaker 1>to read that one thing. How do somebody gets paid

0:52:16.560 --> 0:52:20.799
<v Speaker 1>to write that? Uh? Just buy it. It's three dollars, man,

0:52:21.160 --> 0:52:22.960
<v Speaker 1>you know. And now she has a different attitude where

0:52:22.960 --> 0:52:24.839
<v Speaker 1>she's like, you know what, you're right, like, I will

0:52:24.920 --> 0:52:28.160
<v Speaker 1>buy it because it's gonna go away. So at first

0:52:28.320 --> 0:52:30.680
<v Speaker 1>she was Captain Evil and then she's still Captain Evil.

0:52:30.719 --> 0:52:44.759
<v Speaker 1>She se Trovigno and captain how did that podcast come

0:52:44.800 --> 0:52:48.279
<v Speaker 1>to be? And Captain Evil that's what he called his wife.

0:52:48.560 --> 0:52:51.600
<v Speaker 1>You know. I called her Captain Evil and my relatable special.

0:52:51.800 --> 0:52:55.120
<v Speaker 1>That ship stuck. We sell merchandise, Captain Evil merchandise. It

0:52:55.320 --> 0:52:59.719
<v Speaker 1>fucking kills. And man, the pandemic hit and I had been,

0:53:00.040 --> 0:53:01.360
<v Speaker 1>like I said earlier, I've been on the roads, and

0:53:01.400 --> 0:53:04.600
<v Speaker 1>I was twenty full time, forty six weeks a year.

0:53:06.000 --> 0:53:10.239
<v Speaker 1>You know. The pandemic hits, and I'm sitting at home,

0:53:11.680 --> 0:53:14.840
<v Speaker 1>you know. And and man, I never had dealt with depression.

0:53:15.080 --> 0:53:18.160
<v Speaker 1>I got depressed. I used to talk about depressed people.

0:53:18.719 --> 0:53:20.080
<v Speaker 1>I used to be like, man, get the funk up,

0:53:20.360 --> 0:53:24.320
<v Speaker 1>go to work. I should ain't really right, dude. That

0:53:24.320 --> 0:53:27.200
<v Speaker 1>ship hit me. I mean, I don't want to leave

0:53:27.239 --> 0:53:30.520
<v Speaker 1>my bed. Man and my wife came in. Thank God

0:53:30.560 --> 0:53:31.920
<v Speaker 1>for my wife and she was like, this, ain't you.

0:53:33.200 --> 0:53:35.680
<v Speaker 1>She's like, stop being a bit, get the funk up,

0:53:35.760 --> 0:53:38.960
<v Speaker 1>let's do something. Did she she use those words, so

0:53:39.120 --> 0:53:42.759
<v Speaker 1>let's do something? And I said no, she said, don't

0:53:42.800 --> 0:53:45.320
<v Speaker 1>be a bit. She said this ain't you because she

0:53:45.400 --> 0:53:47.440
<v Speaker 1>knows me. I'm a motivated motherfucker man, and she was

0:53:47.480 --> 0:53:49.200
<v Speaker 1>like this, ain't you. Stop being a bitch. It's called

0:53:49.280 --> 0:53:51.399
<v Speaker 1>let's do something. I go, what the funk you want

0:53:51.400 --> 0:53:53.880
<v Speaker 1>me to do? And she's, well, we gotta do something.

0:53:54.400 --> 0:53:56.839
<v Speaker 1>So we started this. Uh, I'm a big sports fan.

0:53:56.920 --> 0:53:59.840
<v Speaker 1>So there's the part of the interruption, you know that

0:54:00.040 --> 0:54:04.400
<v Speaker 1>show two minutes topics. We started doing part in the

0:54:04.480 --> 0:54:07.480
<v Speaker 1>bitching and she would get to pick something a bit

0:54:07.560 --> 0:54:09.680
<v Speaker 1>about and I would get pick something a bit about,

0:54:10.040 --> 0:54:12.800
<v Speaker 1>and then we'd bitch and we would go live on Facebook.

0:54:13.200 --> 0:54:14.800
<v Speaker 1>And then before you know it, man, we were getting

0:54:15.600 --> 0:54:19.279
<v Speaker 1>you know, thousands and thousands of yews and we're like, well,

0:54:19.560 --> 0:54:22.359
<v Speaker 1>we gotta do this every week. So through the start

0:54:22.480 --> 0:54:26.319
<v Speaker 1>doing the sports comedy. Sports marriage and comedy is yeah, yeah,

0:54:26.360 --> 0:54:27.719
<v Speaker 1>came up with that. That's when I came up with

0:54:27.760 --> 0:54:30.280
<v Speaker 1>the sports marriage and comedy because I'm such a sports

0:54:30.360 --> 0:54:33.400
<v Speaker 1>fan and I love talking about marriage and comedy, so

0:54:33.560 --> 0:54:36.520
<v Speaker 1>we put it together. We had a deal with NFL

0:54:36.600 --> 0:54:39.400
<v Speaker 1>Network that we're still trying to work out. Um, but

0:54:40.520 --> 0:54:42.719
<v Speaker 1>the podcast for me. And it's crazy that people come

0:54:42.800 --> 0:54:43.960
<v Speaker 1>up to me the day and they go, I got

0:54:44.000 --> 0:54:45.879
<v Speaker 1>I got through the pandemic because of you and your wife.

0:54:46.800 --> 0:54:49.920
<v Speaker 1>We were able to watch every Wednesday or every Friday.

0:54:49.920 --> 0:54:52.080
<v Speaker 1>You guys would put your episode out and that helped

0:54:52.120 --> 0:54:54.360
<v Speaker 1>us get through the pandemic. And I'm like, you helped

0:54:54.440 --> 0:54:58.279
<v Speaker 1>us get through the pandemic. You helped me because I

0:54:58.440 --> 0:55:02.080
<v Speaker 1>was done. Man, I was depressed. I was unhappy, you

0:55:02.160 --> 0:55:04.400
<v Speaker 1>know how sad. You know, I wasn't even a good dad.

0:55:04.440 --> 0:55:07.239
<v Speaker 1>I want a good husband because man, I'm taking the

0:55:07.280 --> 0:55:09.560
<v Speaker 1>stage away from me and I used to talk ship. Man,

0:55:09.560 --> 0:55:10.520
<v Speaker 1>I'll be like, you know what, one of these days

0:55:10.560 --> 0:55:13.360
<v Speaker 1>I'll retire. I don't need the stage. And after that,

0:55:13.760 --> 0:55:16.720
<v Speaker 1>I'm like, I can't ever retiree. I love the stage

0:55:16.760 --> 0:55:19.839
<v Speaker 1>too much. I love to create too much. I love

0:55:19.880 --> 0:55:22.799
<v Speaker 1>to be on stage too much. The quarantine is over

0:55:22.920 --> 0:55:24.560
<v Speaker 1>right now for at least for the time being. So

0:55:24.840 --> 0:55:27.880
<v Speaker 1>are you still doing my life in quarantine? We we

0:55:28.000 --> 0:55:30.560
<v Speaker 1>filled my life in quarantine. We just filmed um I

0:55:30.680 --> 0:55:32.719
<v Speaker 1>speak wife. That's another thing too, man. Me and my

0:55:32.760 --> 0:55:35.800
<v Speaker 1>wife decided to produce all our own ship. You know

0:55:36.040 --> 0:55:38.840
<v Speaker 1>once I once I got the special on Showtime and

0:55:38.920 --> 0:55:43.080
<v Speaker 1>I and I only own thirty and it's when it clicked,

0:55:43.680 --> 0:55:47.840
<v Speaker 1>I gotta I got my first royalty check from Grandpa

0:55:47.920 --> 0:55:51.000
<v Speaker 1>Joe's son from Showtime, and it was a fatass check.

0:55:51.360 --> 0:55:56.840
<v Speaker 1>And I'm like, wait a minute, this is only what's

0:55:56.880 --> 0:56:01.560
<v Speaker 1>the seventy I need to own this ship. So my

0:56:01.680 --> 0:56:05.600
<v Speaker 1>next special, Relatable, we filmed in Corpus Christie every penny

0:56:05.640 --> 0:56:08.240
<v Speaker 1>I had. Man, when I was done filming that special,

0:56:08.520 --> 0:56:11.799
<v Speaker 1>me and my wife together had four dollars. We put

0:56:11.960 --> 0:56:14.600
<v Speaker 1>everything we had. That was our wedding money. We were

0:56:14.640 --> 0:56:16.880
<v Speaker 1>going to use that money for our wedding. And I

0:56:17.040 --> 0:56:20.320
<v Speaker 1>convinced the wife. I said, fuget will self produce, and

0:56:20.400 --> 0:56:22.440
<v Speaker 1>we threw every fucking penny we had. Man not to

0:56:22.520 --> 0:56:27.080
<v Speaker 1>mention the ticket sales money had to go towards production too.

0:56:28.000 --> 0:56:30.680
<v Speaker 1>So we left that day with four dollars. I said, baby,

0:56:30.719 --> 0:56:33.560
<v Speaker 1>this has to work. We gotta get this ship to work.

0:56:34.040 --> 0:56:38.600
<v Speaker 1>It hits Netflix, nothing happens, I don't sell another fucking ticket.

0:56:39.680 --> 0:56:41.440
<v Speaker 1>That's what I told the wife. I said, you know,

0:56:41.800 --> 0:56:44.160
<v Speaker 1>we gotta let people know it's there. And we started

0:56:44.200 --> 0:56:48.080
<v Speaker 1>doing these little clips with with the punchline on it,

0:56:48.280 --> 0:56:52.400
<v Speaker 1>you know, and then boom viral. And when I tell

0:56:52.440 --> 0:56:56.120
<v Speaker 1>you viral, I would refresh my Facebook and then every

0:56:56.200 --> 0:57:01.600
<v Speaker 1>time I'd refreshed, they were coming in by the It

0:57:01.719 --> 0:57:04.800
<v Speaker 1>was crazy. Man. That video today has a hundred and

0:57:04.840 --> 0:57:07.719
<v Speaker 1>sixty seventy million views. On one of those videos, there's

0:57:07.760 --> 0:57:11.279
<v Speaker 1>four versions of it all my we we calculated the

0:57:11.320 --> 0:57:14.239
<v Speaker 1>other day all my videos together have a billion views

0:57:14.960 --> 0:57:18.440
<v Speaker 1>with a B And that's what changed my life. And

0:57:18.480 --> 0:57:20.160
<v Speaker 1>I tell you all the time. So I was headlining

0:57:20.720 --> 0:57:24.800
<v Speaker 1>and I'm making you know bucks for the week, you know,

0:57:24.840 --> 0:57:28.760
<v Speaker 1>which ain't bad, right, I call up the Improv. I

0:57:28.800 --> 0:57:30.760
<v Speaker 1>started going viral. I call up the Improv and bray,

0:57:30.800 --> 0:57:33.440
<v Speaker 1>I'm living in l A. I tell the manager. I'm like, hey, dude,

0:57:33.440 --> 0:57:36.280
<v Speaker 1>can I have a Wednesday? And he's like, same deal? Like, no,

0:57:36.400 --> 0:57:38.920
<v Speaker 1>I'm not the same deal because on Wednesdays he'd give

0:57:38.920 --> 0:57:42.200
<v Speaker 1>me two hundred bucks. I said, I can have a

0:57:42.240 --> 0:57:45.880
<v Speaker 1>door deal. Here's here's last time you were here. Man,

0:57:45.960 --> 0:57:48.600
<v Speaker 1>we papered the room. You sold nine tickets. Last time

0:57:48.640 --> 0:57:56.640
<v Speaker 1>you were there nine exactly. Are you sure you don't

0:57:56.640 --> 0:58:01.000
<v Speaker 1>want the two hundreds? I I go, now, man, I'll

0:58:01.040 --> 0:58:03.840
<v Speaker 1>take the door. It sold out in forty five minutes.

0:58:04.760 --> 0:58:07.960
<v Speaker 1>Forty five minutes, we sold every ticket. We added another

0:58:07.960 --> 0:58:10.120
<v Speaker 1>show Wednesday night. I ended up selling out two shows

0:58:10.160 --> 0:58:13.080
<v Speaker 1>on a Wednesday night, made more money and that night

0:58:13.640 --> 0:58:16.400
<v Speaker 1>that I hadn't made in a year, and my life

0:58:16.480 --> 0:58:22.600
<v Speaker 1>changed forever. That's it. That's hilarious. Tell us about helicopters

0:58:22.640 --> 0:58:27.800
<v Speaker 1>for heroes. Man, my dad's Vietnam bat, my dad desperate,

0:58:27.840 --> 0:58:29.720
<v Speaker 1>and and A's and and as a Latino man, as

0:58:29.760 --> 0:58:33.760
<v Speaker 1>a Mexicano, you know, um, and people always trip out

0:58:33.760 --> 0:58:35.640
<v Speaker 1>because they're like, man, your favorite comedian was Eddie Murphy.

0:58:35.640 --> 0:58:38.360
<v Speaker 1>I go, yeah, but I relate more to black people

0:58:38.400 --> 0:58:41.000
<v Speaker 1>than I do white people. And I'm not being racist.

0:58:41.160 --> 0:58:44.560
<v Speaker 1>I just I just do you know comic wise, right?

0:58:44.640 --> 0:58:47.200
<v Speaker 1>And when I was coming up, there were no Latino comedians.

0:58:47.760 --> 0:58:50.920
<v Speaker 1>It was just Paul Rodriguez, you know, I remember, and

0:58:51.120 --> 0:58:53.000
<v Speaker 1>now ships all sucked up, But I remember I wanted

0:58:53.040 --> 0:58:55.200
<v Speaker 1>Bill Cosby to be my dad. You know when you

0:58:55.240 --> 0:58:57.040
<v Speaker 1>watched the Cosby shows, like man, I wish that was

0:58:57.120 --> 0:59:00.320
<v Speaker 1>my dad. You know what I mean, Ummerica's favorite dad.

0:59:01.240 --> 0:59:04.120
<v Speaker 1>So how is that sucked up? Won't Bill Coomy to

0:59:04.160 --> 0:59:06.440
<v Speaker 1>be your dad? Well, because now he's now he's a

0:59:06.560 --> 0:59:13.280
<v Speaker 1>fucking convicted you know. Uh Jello, Uh she puts a

0:59:13.360 --> 0:59:18.480
<v Speaker 1>little h but but but you know, when I was

0:59:18.560 --> 0:59:21.320
<v Speaker 1>a kid, you know, that's who I related to it.

0:59:21.400 --> 0:59:26.760
<v Speaker 1>As a Latino, we didn't have any comedians and we

0:59:26.840 --> 0:59:30.520
<v Speaker 1>still don't. That's what's sucking trippy, y'all? Do who we got?

0:59:31.400 --> 0:59:40.760
<v Speaker 1>George Ship? Yeah, dude, that's still go the jokes wine?

0:59:43.840 --> 0:59:46.760
<v Speaker 1>What about cheat? Cheach is in the stand up But

0:59:46.840 --> 0:59:48.360
<v Speaker 1>we'll take him, you know what, for the sake of

0:59:48.400 --> 0:59:53.760
<v Speaker 1>the conversation, will take him cheat. We got three he

0:59:53.840 --> 0:59:59.720
<v Speaker 1>wouldn't know man so so now named black comics, it's

0:59:59.720 --> 1:00:03.840
<v Speaker 1>still right. So as a Latino, as Latino growing up,

1:00:04.400 --> 1:00:08.240
<v Speaker 1>that was my influence, you know, was was um what

1:00:08.920 --> 1:00:14.240
<v Speaker 1>now I got off track? Was the original question? You know,

1:00:14.360 --> 1:00:17.680
<v Speaker 1>So as a Latino and having my dad, my dad

1:00:17.760 --> 1:00:20.760
<v Speaker 1>loves this country, man, I mean, my dad fucking loves

1:00:20.800 --> 1:00:24.520
<v Speaker 1>this country. And fourth of July he puts his flag out,

1:00:25.120 --> 1:00:27.560
<v Speaker 1>you know, and he served in Vietnam. You know, my

1:00:27.680 --> 1:00:30.560
<v Speaker 1>dad desperately wanted me to serve I broke my back

1:00:30.600 --> 1:00:34.640
<v Speaker 1>in high school. I wasn't able to serve how football

1:00:35.640 --> 1:00:37.919
<v Speaker 1>play football. I got spired in the back. You didn't

1:00:37.960 --> 1:00:41.080
<v Speaker 1>break it. Your opponent broke in the back, and that

1:00:41.200 --> 1:00:44.600
<v Speaker 1>spirit in the back when you paralyzed. I was not paralyzed,

1:00:44.680 --> 1:00:49.320
<v Speaker 1>but it shattered my lumbar five, which is the connector.

1:00:49.440 --> 1:00:51.280
<v Speaker 1>You got your spine, and then you got a connector.

1:00:51.760 --> 1:00:58.160
<v Speaker 1>That connector was broken. Always I'm always in pain. Hamstrings

1:00:58.280 --> 1:01:04.520
<v Speaker 1>leg forty two. Yep, it's gonna really get sucked up around. No,

1:01:04.640 --> 1:01:09.280
<v Speaker 1>I'm already getting there. We're getting close. When it's cold,

1:01:09.320 --> 1:01:11.240
<v Speaker 1>I'm fucked. Man. I gotta have that hot tub at home.

1:01:11.280 --> 1:01:13.720
<v Speaker 1>I got getting a hot tub. Um. But you know,

1:01:13.800 --> 1:01:16.240
<v Speaker 1>my dad wanted me to serve. I couldn't serve. I

1:01:16.520 --> 1:01:19.520
<v Speaker 1>always felt like he was really bummed about it, you know.

1:01:20.000 --> 1:01:21.760
<v Speaker 1>So now I serve in other ways. I raised money,

1:01:22.240 --> 1:01:25.560
<v Speaker 1>you know, um with Helicopters for Heroes, which is my organization.

1:01:26.240 --> 1:01:30.440
<v Speaker 1>We're volunteer and what we do is we raise the

1:01:30.480 --> 1:01:33.280
<v Speaker 1>money and then organizations come to us and they pitched

1:01:33.280 --> 1:01:35.920
<v Speaker 1>to us why we should give them our money. This year,

1:01:35.960 --> 1:01:37.760
<v Speaker 1>we picked one from right here in Houston. They're called

1:01:37.880 --> 1:01:41.120
<v Speaker 1>us vets um. And by the way, again going back

1:01:41.160 --> 1:01:43.480
<v Speaker 1>to the black and Latino thing. You know, blacks and

1:01:43.600 --> 1:01:46.640
<v Speaker 1>Latinos have served this country since the very first war

1:01:46.760 --> 1:01:50.200
<v Speaker 1>this country ever had. You know, we love this country, man,

1:01:50.320 --> 1:01:52.720
<v Speaker 1>we we we died for this country. Are people, you know.

1:01:53.360 --> 1:01:55.880
<v Speaker 1>And that's another reason I'm involved with veterans because a

1:01:55.920 --> 1:01:58.360
<v Speaker 1>lot of us are Latino and black. Man. And the

1:01:58.440 --> 1:02:01.800
<v Speaker 1>guy that runs US vets he takes veterans off the

1:02:01.840 --> 1:02:05.400
<v Speaker 1>streets and he because they're homeless. One and one and

1:02:05.480 --> 1:02:08.080
<v Speaker 1>every nine homeless people in your city right now is

1:02:08.120 --> 1:02:11.880
<v Speaker 1>a veteran and he grabs them, gives him a home,

1:02:12.360 --> 1:02:15.400
<v Speaker 1>rehabilitates them, get some a job, and put them back

1:02:15.440 --> 1:02:19.240
<v Speaker 1>into into society. And he has an eight percent success

1:02:19.440 --> 1:02:22.040
<v Speaker 1>rate right here in Houston. So we're gonna be writing

1:02:23.280 --> 1:02:27.880
<v Speaker 1>us US vets man. If you ever get a chance,

1:02:28.360 --> 1:02:31.440
<v Speaker 1>go visit these dudes. Man. They got a spot right

1:02:31.520 --> 1:02:34.400
<v Speaker 1>here in Houston, and it's an old hotel that they

1:02:34.480 --> 1:02:37.960
<v Speaker 1>have turned into a halfway house between the streets and

1:02:38.040 --> 1:02:40.400
<v Speaker 1>getting them their apartment. I went and visited them. I

1:02:40.520 --> 1:02:43.120
<v Speaker 1>helped him feed him last actually last time I was

1:02:43.160 --> 1:02:45.120
<v Speaker 1>in town. That's how I met the dude. I'm always

1:02:45.160 --> 1:02:47.080
<v Speaker 1>looking for for something in the town that I go

1:02:47.200 --> 1:02:49.959
<v Speaker 1>to where I could help out. And I met this dude.

1:02:50.720 --> 1:02:52.280
<v Speaker 1>I saw what he was doing, and I'm like, man,

1:02:53.240 --> 1:02:56.640
<v Speaker 1>you need better ship. You know, this dude's in old

1:02:56.720 --> 1:03:00.720
<v Speaker 1>travel in you know, in the hood. You know it's

1:03:00.760 --> 1:03:03.240
<v Speaker 1>got Yeah, Man, you need money? How can I help?

1:03:03.920 --> 1:03:06.440
<v Speaker 1>So this year already, man, we're at almost eight hundred

1:03:06.440 --> 1:03:09.600
<v Speaker 1>thousand dollars raised. And last year last year I raised

1:03:09.600 --> 1:03:14.560
<v Speaker 1>half a million man d dollars in two days. We

1:03:14.840 --> 1:03:17.840
<v Speaker 1>all year, we raised all year. You know we got

1:03:18.000 --> 1:03:24.040
<v Speaker 1>in year new year last year, right, right? So so,

1:03:25.560 --> 1:03:31.320
<v Speaker 1>uh going back to your dad, uh serving having faithfully

1:03:31.400 --> 1:03:35.320
<v Speaker 1>served this country, being a proud American. First of all,

1:03:35.960 --> 1:03:39.840
<v Speaker 1>are you first a second generation? I am? It's it's

1:03:39.960 --> 1:03:44.160
<v Speaker 1>kind of complicated. I am. I am my dad's family

1:03:44.440 --> 1:03:48.600
<v Speaker 1>in Texas generations. My great great grandmother was born in Portland,

1:03:48.680 --> 1:03:53.280
<v Speaker 1>Texas in the eight hundreds. Um the panyard side, which

1:03:53.320 --> 1:03:56.000
<v Speaker 1>is my mom. My mom has nine brothers and sisters.

1:03:56.360 --> 1:03:59.560
<v Speaker 1>The three youngest ones were born in the States. All

1:03:59.600 --> 1:04:02.160
<v Speaker 1>the other six were born in Mexico. So, and I

1:04:02.200 --> 1:04:03.800
<v Speaker 1>always making fun of my mom. I'm like, hey, Mom,

1:04:03.840 --> 1:04:06.480
<v Speaker 1>you're a wet backman. And she's like, she's like, no, no, no,

1:04:06.600 --> 1:04:09.080
<v Speaker 1>you're Theos and theaz are I'm not. I'm not they

1:04:09.120 --> 1:04:12.600
<v Speaker 1>are they are right? Um? But so, so your father

1:04:12.720 --> 1:04:14.720
<v Speaker 1>was born in the US. Yes, my father born in

1:04:14.720 --> 1:04:17.920
<v Speaker 1>the US. His father born in the US, his grandfather

1:04:18.040 --> 1:04:21.040
<v Speaker 1>born in the US. So, having faithfully served this country,

1:04:21.360 --> 1:04:24.320
<v Speaker 1>how did your father feel when you had people in

1:04:24.480 --> 1:04:28.680
<v Speaker 1>this country saying build the wall and stopped to stop

1:04:28.760 --> 1:04:33.280
<v Speaker 1>other Mexican people from coming. He uh, he and my

1:04:33.400 --> 1:04:36.040
<v Speaker 1>mom are not very political, you know. And I asked

1:04:36.120 --> 1:04:37.920
<v Speaker 1>him the same question, you know, I said, hey, dad,

1:04:37.920 --> 1:04:39.840
<v Speaker 1>how do you how do you feel about that? And

1:04:39.960 --> 1:04:42.800
<v Speaker 1>my dad says, he goes, I worry about the Mexican

1:04:42.880 --> 1:04:45.840
<v Speaker 1>Americans that are here. Is how can we how can

1:04:45.920 --> 1:04:49.040
<v Speaker 1>we make sure that the Mexican Americans that are here

1:04:49.760 --> 1:04:52.280
<v Speaker 1>have a better life, because I don't worry about them

1:04:52.320 --> 1:04:54.280
<v Speaker 1>coming over, I worry about the ones that are here.

1:04:54.320 --> 1:04:57.240
<v Speaker 1>And I thought that was a good perspective from him,

1:04:58.040 --> 1:04:59.600
<v Speaker 1>to be like, look, I'm trying to bring up our

1:04:59.640 --> 1:05:02.520
<v Speaker 1>people here. You know, whatever we gotta do over there,

1:05:02.640 --> 1:05:05.040
<v Speaker 1>they gotta do. But right now, I'm worried about right

1:05:05.080 --> 1:05:07.800
<v Speaker 1>here where I'm at right now, you know. And I

1:05:07.920 --> 1:05:09.680
<v Speaker 1>have to agree with it, man, I mean, you know,

1:05:10.560 --> 1:05:13.400
<v Speaker 1>it makes me sad. I fly first class everywhere I go.

1:05:13.720 --> 1:05:15.920
<v Speaker 1>I'm not bragging, I'm proud, and it's part of the story.

1:05:16.680 --> 1:05:19.960
<v Speaker 1>I always look for the other Latino in first class.

1:05:20.760 --> 1:05:23.240
<v Speaker 1>I always, I always look for the other black person

1:05:23.320 --> 1:05:26.760
<v Speaker 1>in first class. And ninety percent of the time I'm

1:05:26.840 --> 1:05:32.240
<v Speaker 1>the only fucking brown person Latino in first class. And

1:05:32.360 --> 1:05:36.120
<v Speaker 1>it makes me go, what are we doing wrong? We

1:05:36.200 --> 1:05:39.400
<v Speaker 1>gotta do something different because I'm the only one in

1:05:39.440 --> 1:05:44.200
<v Speaker 1>first class here, you know, and especially as a Latino too.

1:05:44.280 --> 1:05:47.240
<v Speaker 1>I'm like, I'm at you know. I go to the lounge,

1:05:47.440 --> 1:05:50.120
<v Speaker 1>you know, the American Airlines lounge. I'm a member. I

1:05:50.240 --> 1:05:52.680
<v Speaker 1>go in there. The only Latinos I see are serving me,

1:05:55.720 --> 1:05:57.640
<v Speaker 1>Ain't none of them were Ain't none of them enjoying

1:05:57.720 --> 1:06:00.960
<v Speaker 1>like me? So so what, you know what I mean,

1:06:01.000 --> 1:06:05.680
<v Speaker 1>I'm always thinking, how do we change it? And by

1:06:05.720 --> 1:06:07.240
<v Speaker 1>the way, that's why my stand up is the way

1:06:07.280 --> 1:06:09.800
<v Speaker 1>my stand up is. I don't I don't. I don't

1:06:09.840 --> 1:06:13.600
<v Speaker 1>make it about being Latino. I make it about this

1:06:13.800 --> 1:06:18.880
<v Speaker 1>is my wife, my kids, my dad, my life. If

1:06:18.920 --> 1:06:20.880
<v Speaker 1>you relate to us a Latinos, because I am Latino,

1:06:21.000 --> 1:06:24.280
<v Speaker 1>not because I'm making it about being Latino. But you know,

1:06:24.400 --> 1:06:29.240
<v Speaker 1>clearly we live in a country where there different groups

1:06:29.360 --> 1:06:35.720
<v Speaker 1>experience different things, right, So when you think about comedy,

1:06:36.600 --> 1:06:40.040
<v Speaker 1>in your opinion, are there you need like special challenges

1:06:40.200 --> 1:06:47.320
<v Speaker 1>that Mexican Americans face that black comedians don't face being

1:06:47.440 --> 1:06:51.560
<v Speaker 1>marginal groups. That's a great question. I I am not

1:06:51.920 --> 1:06:54.360
<v Speaker 1>in a movie, i am not on a TV show.

1:06:55.200 --> 1:06:57.680
<v Speaker 1>I can't tell you how many times. And I'm with UT,

1:06:57.840 --> 1:07:01.640
<v Speaker 1>a biggest comedy agency in the car Tree. Um My

1:07:01.800 --> 1:07:05.320
<v Speaker 1>Management is a huge management company. And I used to

1:07:05.360 --> 1:07:09.480
<v Speaker 1>get auditions all the time and it was always accent required.

1:07:11.040 --> 1:07:13.400
<v Speaker 1>And I would walk into these auditions and they would

1:07:13.400 --> 1:07:17.560
<v Speaker 1>be like, oh, you're not Mexican, And I'm like, what

1:07:17.680 --> 1:07:21.240
<v Speaker 1>then does that mean? Well? Can you do this with

1:07:21.320 --> 1:07:23.840
<v Speaker 1>an accent? You know? I mean I gotta I got,

1:07:23.920 --> 1:07:26.600
<v Speaker 1>you know. Will and Grace came back and my my

1:07:26.640 --> 1:07:30.000
<v Speaker 1>agent calls me, Steve Man. You you're going straight to producers.

1:07:30.640 --> 1:07:32.720
<v Speaker 1>They think you're great. And I'm like, oh, Ship, all right,

1:07:32.880 --> 1:07:35.280
<v Speaker 1>like send me the script. And it was all I

1:07:35.400 --> 1:07:38.080
<v Speaker 1>was I was to play a gay Latino with an accent.

1:07:39.360 --> 1:07:41.959
<v Speaker 1>And instead of Jack, I would say it said Yak

1:07:42.160 --> 1:07:46.480
<v Speaker 1>with a y hey yack, you know. And so then

1:07:47.120 --> 1:07:48.880
<v Speaker 1>when I would go in to pitch my TV shows,

1:07:48.960 --> 1:07:51.840
<v Speaker 1>which I've had several opportunities to do, so they would

1:07:51.840 --> 1:07:53.680
<v Speaker 1>look at me and go, well, how is this Mexican?

1:07:54.760 --> 1:07:56.480
<v Speaker 1>And I'm like, I'm sorry, I don't happening out the

1:07:56.560 --> 1:08:00.200
<v Speaker 1>jokes for you, but this is my life. So what

1:08:00.320 --> 1:08:03.320
<v Speaker 1>So what happened when they gave you the pitch? When

1:08:03.360 --> 1:08:04.920
<v Speaker 1>they gave you the pitch and say that we want

1:08:05.000 --> 1:08:07.320
<v Speaker 1>you to play a gay Latino? Were you receptive of that.

1:08:09.080 --> 1:08:12.040
<v Speaker 1>I'm not doing that. I'm sorry, I ain't doing I'm

1:08:12.040 --> 1:08:14.080
<v Speaker 1>I'm not gonna put on an accent. I'm not gonna

1:08:14.120 --> 1:08:16.760
<v Speaker 1>make fun of my people. You know, I'm just not

1:08:16.920 --> 1:08:21.320
<v Speaker 1>doing it. Put on that dress? Yeah, but but it

1:08:21.479 --> 1:08:24.519
<v Speaker 1>is on a dress. No no, no, no no, but

1:08:24.760 --> 1:08:27.040
<v Speaker 1>but I mean it depends. Was it a cute dress though?

1:08:27.120 --> 1:08:32.040
<v Speaker 1>Was it a cute dress? But but you know, so

1:08:32.280 --> 1:08:34.200
<v Speaker 1>those are the issues that as a as a Latino

1:08:34.280 --> 1:08:37.760
<v Speaker 1>comedian that I deal with constantly. Is they have a

1:08:37.840 --> 1:08:41.479
<v Speaker 1>box for me? You know. I was so excited to

1:08:41.640 --> 1:08:44.880
<v Speaker 1>film my first special for Showtime. I called it Grandpa

1:08:44.960 --> 1:08:48.240
<v Speaker 1>Joe Son. I get this opportunity, I'm like oh my god, man, like,

1:08:49.040 --> 1:08:51.160
<v Speaker 1>my first ever special. It's gonna be on showtimes, will

1:08:51.200 --> 1:08:54.200
<v Speaker 1>be huge. They played it for Single to Mile and

1:08:54.520 --> 1:08:58.439
<v Speaker 1>that was it. They literally played it for the Single

1:08:58.479 --> 1:09:01.679
<v Speaker 1>to Mile Month and then the and and their defense.

1:09:01.960 --> 1:09:06.160
<v Speaker 1>They played it again in September for Mexican Heritage Month

1:09:06.600 --> 1:09:09.720
<v Speaker 1>and that was it. Meanwhile, all the other dudes I

1:09:09.840 --> 1:09:13.360
<v Speaker 1>filmed with that weekend, they were being aired all year long,

1:09:14.560 --> 1:09:16.280
<v Speaker 1>and they put me on Seakal the Mile and they

1:09:16.360 --> 1:09:19.120
<v Speaker 1>put me on on you know, and early on my career,

1:09:19.520 --> 1:09:24.400
<v Speaker 1>my agents Ultraeno Man, CBS has a diversity showcase. We're

1:09:24.400 --> 1:09:27.720
<v Speaker 1>gonna get you in the diversity showcase. And I'm like,

1:09:28.000 --> 1:09:29.960
<v Speaker 1>all right, I guess And I'm like, wait a minute,

1:09:30.000 --> 1:09:32.280
<v Speaker 1>why do I can't they just get on a damn showcase?

1:09:32.360 --> 1:09:34.320
<v Speaker 1>Well this has to be a diversity Well you gotta

1:09:34.320 --> 1:09:36.519
<v Speaker 1>put me again in a box again, you know. And

1:09:36.560 --> 1:09:37.960
<v Speaker 1>I can't tell how many times I walked into a

1:09:38.040 --> 1:09:40.920
<v Speaker 1>studio and they go, well, we already have a Latino project.

1:09:41.080 --> 1:09:43.840
<v Speaker 1>What does that mean? Do you tell white people you

1:09:43.880 --> 1:09:47.360
<v Speaker 1>already have a white project? You know what I mean?

1:09:47.400 --> 1:09:49.040
<v Speaker 1>I'm like, wait, what the are you talking about? Black

1:09:49.080 --> 1:09:51.160
<v Speaker 1>people still get it some but not to the extent

1:09:51.240 --> 1:09:54.800
<v Speaker 1>that you gonts get it, and and and white people

1:09:54.800 --> 1:09:57.560
<v Speaker 1>don't get it at all. It's just like, you know,

1:09:57.640 --> 1:09:59.960
<v Speaker 1>and you know, I talked about this on Berk Chrisher's podcast,

1:10:00.280 --> 1:10:01.519
<v Speaker 1>and then all of a sudden, I get all these

1:10:01.560 --> 1:10:04.920
<v Speaker 1>comics and comments of people going, damn, dude, get over it.

1:10:05.080 --> 1:10:09.360
<v Speaker 1>Maybe Mexicans aren't talented, and all kinds of ship, and oh,

1:10:09.439 --> 1:10:11.080
<v Speaker 1>here we go with race card again, and I'm like,

1:10:11.520 --> 1:10:15.000
<v Speaker 1>it's not race card, it's facts. Look it up. You know,

1:10:15.120 --> 1:10:17.120
<v Speaker 1>out of out of all the movies and all the

1:10:17.200 --> 1:10:20.680
<v Speaker 1>TV that was out in two thousand and eighteen, the

1:10:20.800 --> 1:10:24.040
<v Speaker 1>Mexican American had only a hundred rolls, one hundred out

1:10:24.080 --> 1:10:28.479
<v Speaker 1>of all of it. Not only that just put fourth perspective,

1:10:28.560 --> 1:10:33.959
<v Speaker 1>how many roles were there? Thousands To put it into perspective,

1:10:34.240 --> 1:10:37.519
<v Speaker 1>we were point oh five percent of on screen rolls

1:10:37.800 --> 1:10:41.160
<v Speaker 1>in two thousand and eighteen, point oh five percent. Now,

1:10:41.640 --> 1:10:46.439
<v Speaker 1>six of those hundred played an accent, played rapists, murderers,

1:10:46.560 --> 1:10:50.760
<v Speaker 1>drug dealers, valet parkers are maids. So now you've only

1:10:50.800 --> 1:10:53.599
<v Speaker 1>got forty left. That means there's only forty rolls, right,

1:10:53.960 --> 1:10:56.800
<v Speaker 1>and there's only there's only very few famous Latino people.

1:10:57.439 --> 1:10:59.559
<v Speaker 1>So Michael Penny, I probably got two of those roles.

1:11:00.040 --> 1:11:03.000
<v Speaker 1>Sophia Vagara j Low, you know, I mean, there's only

1:11:03.040 --> 1:11:06.280
<v Speaker 1>a few of us, so you know I'm not pulling

1:11:06.320 --> 1:11:08.120
<v Speaker 1>the race card. I'm telling you how my life is

1:11:09.000 --> 1:11:12.280
<v Speaker 1>and what I It is safe for you to play

1:11:12.479 --> 1:11:16.000
<v Speaker 1>the race card any time you want. But but it's

1:11:16.040 --> 1:11:18.639
<v Speaker 1>real ship. But it's real ship. You can play any

1:11:18.960 --> 1:11:22.559
<v Speaker 1>you too, Willie, you too, you can play. You got

1:11:22.600 --> 1:11:25.200
<v Speaker 1>all kinds of race going out here. You got too

1:11:25.200 --> 1:11:31.240
<v Speaker 1>many cards because you know why we didn't invent race, right,

1:11:32.120 --> 1:11:34.640
<v Speaker 1>I mean we didn't. We didn't invent race, and we

1:11:34.720 --> 1:11:39.280
<v Speaker 1>definitely didn't invent race to be separated. I think that

1:11:39.320 --> 1:11:43.280
<v Speaker 1>the people responsible for race period and responsible for separating

1:11:43.400 --> 1:11:46.240
<v Speaker 1>race to allow us to play that race card any

1:11:46.600 --> 1:11:47.960
<v Speaker 1>time we want to. But that's what I love. That's

1:11:48.000 --> 1:11:49.880
<v Speaker 1>what I mean. To say that they should allow us

1:11:49.960 --> 1:11:52.280
<v Speaker 1>to play the car would be like asking for probition.

1:11:53.080 --> 1:12:00.479
<v Speaker 1>We just do just race card right now. But but

1:12:00.560 --> 1:12:02.040
<v Speaker 1>that's what I love about, you know. I always tell

1:12:02.040 --> 1:12:04.920
<v Speaker 1>people like you know, I didn't feel racism growing up

1:12:04.960 --> 1:12:07.439
<v Speaker 1>in Texas until I moved to California. And when I

1:12:07.520 --> 1:12:11.080
<v Speaker 1>moved to California, Black people here, Asian people here, white

1:12:11.120 --> 1:12:14.080
<v Speaker 1>people here, Latinos here, and I go, man, growing up

1:12:14.080 --> 1:12:17.240
<v Speaker 1>in Texas, we're just Texans, and nobody gave a funk,

1:12:17.520 --> 1:12:21.000
<v Speaker 1>at least where I grew up. You know, nobody. Well, Houston,

1:12:21.520 --> 1:12:23.439
<v Speaker 1>they give a funk. But it's still it's still, it's

1:12:23.439 --> 1:12:25.800
<v Speaker 1>still a very a melting pie here though it's a

1:12:25.920 --> 1:12:29.400
<v Speaker 1>it's a it's me, but let the powers that be

1:12:30.520 --> 1:12:32.599
<v Speaker 1>give a fuck. Well, I mean, and that's what would

1:12:32.600 --> 1:12:34.240
<v Speaker 1>bump me out right, because I'd be like, wait a minute,

1:12:34.560 --> 1:12:37.240
<v Speaker 1>when I'm getting standing innovations in the o R at

1:12:37.280 --> 1:12:41.720
<v Speaker 1>the comedy store, nobody else's you know, I'm I'm I'm

1:12:42.320 --> 1:12:44.200
<v Speaker 1>touring the I'm not even right now. Man. I got

1:12:44.240 --> 1:12:48.000
<v Speaker 1>I got one point three million followers on Facebook right now.

1:12:48.320 --> 1:12:51.760
<v Speaker 1>I got almost a million on TikTok. I got, um,

1:12:52.080 --> 1:12:55.920
<v Speaker 1>you know, a successful podcast, my specials do well. I

1:12:55.960 --> 1:12:58.400
<v Speaker 1>don't have a deal. You don't have a deal. I

1:12:58.439 --> 1:12:59.960
<v Speaker 1>don't have a deal. I don't have a TV show.

1:13:00.240 --> 1:13:03.320
<v Speaker 1>I don't have you know. And it's like it's and

1:13:03.600 --> 1:13:07.160
<v Speaker 1>I assure you if I played the vacto, if I

1:13:07.240 --> 1:13:09.599
<v Speaker 1>walked on stage and played the a what's up? Bro.

1:13:10.640 --> 1:13:15.120
<v Speaker 1>You know, I assure you, because it's all about formula. Right,

1:13:15.439 --> 1:13:17.800
<v Speaker 1>we all know formulas, and we see the formulas and

1:13:17.840 --> 1:13:21.200
<v Speaker 1>the patterns. Right. Four Latinos have ever been on HBO

1:13:21.520 --> 1:13:25.000
<v Speaker 1>four All right, Carlo's Vencia, Paul Rodrigez, George Lopez, and

1:13:25.040 --> 1:13:28.880
<v Speaker 1>Felippez Parza. They all have the exact same things in common.

1:13:29.600 --> 1:13:32.280
<v Speaker 1>They're all from Los Angeles, they all grew up on

1:13:32.720 --> 1:13:37.360
<v Speaker 1>welfare with immigrant parents. They all have an accent. It's

1:13:37.479 --> 1:13:41.200
<v Speaker 1>they're all the same. But when they see a texting

1:13:41.280 --> 1:13:44.160
<v Speaker 1>like me in South Texan, like me who wears cowboy

1:13:44.240 --> 1:13:46.880
<v Speaker 1>boots and jeans and a T shirt, they don't know

1:13:46.880 --> 1:13:49.960
<v Speaker 1>what the funk? I am comedian? You dressed like a comedian.

1:13:50.560 --> 1:13:54.800
<v Speaker 1>I'm a I'm a comment. You know. You may have

1:13:54.960 --> 1:13:59.800
<v Speaker 1>to just I have to. Just you fund it, mad,

1:14:00.000 --> 1:14:03.880
<v Speaker 1>fund that ship yourself because and I'm happy because because

1:14:03.920 --> 1:14:08.320
<v Speaker 1>they're there are a lot of platforms out there that

1:14:08.479 --> 1:14:13.160
<v Speaker 1>are begging for content they need, and they're competing for content.

1:14:14.479 --> 1:14:16.880
<v Speaker 1>And you shoot your own ship and then you put

1:14:16.920 --> 1:14:18.679
<v Speaker 1>it in their face and it'll be a lot easier

1:14:18.760 --> 1:14:20.200
<v Speaker 1>for them to pick it up once they see it,

1:14:20.240 --> 1:14:23.479
<v Speaker 1>as opposed to them trying to envision that your vision is,

1:14:23.600 --> 1:14:25.800
<v Speaker 1>and that's exactly what we've been doing. Yeah, And I'm

1:14:25.800 --> 1:14:27.479
<v Speaker 1>happy to do it and I love doing it. And

1:14:27.520 --> 1:14:29.519
<v Speaker 1>I have a great life, and I have a great career,

1:14:30.160 --> 1:14:31.840
<v Speaker 1>and I have this beer, and and that was my goal,

1:14:32.320 --> 1:14:34.519
<v Speaker 1>you know when I when Another reason the podcast to

1:14:34.560 --> 1:14:36.600
<v Speaker 1>me is important because me and my wife are on

1:14:36.680 --> 1:14:40.800
<v Speaker 1>this podcast. She's Latina, I'm Latino, and we're able to

1:14:40.880 --> 1:14:44.400
<v Speaker 1>show the world who we are for real, no stereotypes,

1:14:44.479 --> 1:14:48.280
<v Speaker 1>no bullshit, no no, uh can you have an accent?

1:14:48.360 --> 1:14:50.640
<v Speaker 1>Which just us right. So I just keep doing it

1:14:50.760 --> 1:14:53.439
<v Speaker 1>myself and I love doing it myself. Do your wife

1:14:53.520 --> 1:14:56.040
<v Speaker 1>ever get mad at you when you tell jokes about it,

1:14:56.120 --> 1:15:00.679
<v Speaker 1>because she is like, you know, the sin to many

1:15:00.760 --> 1:15:03.240
<v Speaker 1>of your jokes. She she's never been upset with me.

1:15:03.479 --> 1:15:06.080
<v Speaker 1>And I did one thing and she goes up to me.

1:15:06.160 --> 1:15:08.000
<v Speaker 1>She was, that's the most disgusting ship, she was, don't

1:15:08.040 --> 1:15:10.280
<v Speaker 1>do it right. And I would I would say that

1:15:10.360 --> 1:15:13.160
<v Speaker 1>when when we were delivering our baby, that the doctor

1:15:13.200 --> 1:15:17.040
<v Speaker 1>would come in and go, and she was like, that's

1:15:17.080 --> 1:15:19.880
<v Speaker 1>the most disgusting ship. She was, don't do it anymore.

1:15:20.960 --> 1:15:24.280
<v Speaker 1>She people think it's gross, right, And the nurse would

1:15:24.320 --> 1:15:28.960
<v Speaker 1>come in. But that's what I'm saying. And my wife

1:15:29.040 --> 1:15:32.760
<v Speaker 1>was like, that's it. Don't do that ship, what's what

1:15:32.960 --> 1:15:35.240
<v Speaker 1>is that noise symbolize? What is that? Well, you know

1:15:35.320 --> 1:15:39.599
<v Speaker 1>it's all wet down there. Thank you the Peanut Gallery,

1:15:39.720 --> 1:15:46.840
<v Speaker 1>thank you, thank you. Sound like sound like the sound again.

1:15:47.400 --> 1:15:51.800
<v Speaker 1>Don't do that again. You know where you know where

1:15:51.840 --> 1:15:55.120
<v Speaker 1>I got that from when we were when we were

1:15:55.120 --> 1:15:57.880
<v Speaker 1>a kids. When we were kids, you grab somebody's head

1:15:58.120 --> 1:16:02.160
<v Speaker 1>and go right and then you start fighting. That's where

1:16:02.200 --> 1:16:04.760
<v Speaker 1>we got it from. When we were kids. You grab somebody. Hey, man,

1:16:04.760 --> 1:16:11.280
<v Speaker 1>what's up? Are you moving? Touching me there? To thank

1:16:11.320 --> 1:16:15.840
<v Speaker 1>you for coming on the show. You know, I can't

1:16:15.880 --> 1:16:18.519
<v Speaker 1>tell you, man, how influential you guys are on my life.

1:16:19.000 --> 1:16:21.040
<v Speaker 1>And when when I got when you guys reached out, man,

1:16:21.120 --> 1:16:24.720
<v Speaker 1>it tripped me out because you know, like I said, man,

1:16:24.840 --> 1:16:27.760
<v Speaker 1>Joey was like, dude, listen to this ship. And as

1:16:27.800 --> 1:16:31.720
<v Speaker 1>I got older, man, y'all's lyrics are I mean, I

1:16:31.840 --> 1:16:35.840
<v Speaker 1>think you guys lyrically are are the best. I mean again,

1:16:36.520 --> 1:16:40.360
<v Speaker 1>really diving deep into you hear minus playing tricks on

1:16:40.479 --> 1:16:43.240
<v Speaker 1>me and talking all the stuff you guys talking about.

1:16:43.360 --> 1:16:47.720
<v Speaker 1>It's like wow, man, Wow, I mean, and I don't

1:16:47.720 --> 1:16:50.920
<v Speaker 1>think people realize, you know. I think every a lot

1:16:50.960 --> 1:16:54.599
<v Speaker 1>of people got introduced to you guys because of office space,

1:16:56.080 --> 1:16:57.960
<v Speaker 1>you know. But when we were kids and where I

1:16:58.040 --> 1:17:00.400
<v Speaker 1>grew up in Corpus Christie, Granted, Portland, we were all

1:17:00.479 --> 1:17:04.000
<v Speaker 1>listening to you guys daily. You know. But then as

1:17:04.040 --> 1:17:05.719
<v Speaker 1>you get older and you start listening to the lyrics,

1:17:05.760 --> 1:17:09.000
<v Speaker 1>you're like, wow, man, Like that ship is deep, man,

1:17:09.040 --> 1:17:10.800
<v Speaker 1>and you gotta be smart to come up with that ship.

1:17:11.200 --> 1:17:13.120
<v Speaker 1>And you got you know, like I said, I think

1:17:13.960 --> 1:17:17.360
<v Speaker 1>hit my time. I mean Notorious Dougs. It's a really

1:17:17.400 --> 1:17:20.639
<v Speaker 1>great song with bone thugs and harmony. And then bring

1:17:20.760 --> 1:17:22.960
<v Speaker 1>it on and minus playing tricks on me? Is is

1:17:23.160 --> 1:17:25.280
<v Speaker 1>way up there for me? Man, Because and that's then

1:17:25.280 --> 1:17:26.880
<v Speaker 1>nothing about being a Texan. I'm here. I am this

1:17:26.920 --> 1:17:29.400
<v Speaker 1>country boy, you know. I mean we got corn fields

1:17:29.479 --> 1:17:31.560
<v Speaker 1>and ship like that. I mean, I grew up in

1:17:31.600 --> 1:17:34.920
<v Speaker 1>a town of two thousand people, you know, but we

1:17:35.000 --> 1:17:38.559
<v Speaker 1>were all listening. I ain't doing that ship. You got

1:17:38.600 --> 1:17:42.519
<v Speaker 1>so many skeletons, Homi. I'm get divorced, for sure, get

1:17:42.600 --> 1:17:45.200
<v Speaker 1>divorced for sure. Um, But you know, I just I'm

1:17:45.240 --> 1:17:47.639
<v Speaker 1>so happy to be here man, And it's it's really cool.

1:17:48.040 --> 1:17:51.400
<v Speaker 1>We appreciate how you dudes, man, because and hopefully you

1:17:51.439 --> 1:17:53.640
<v Speaker 1>come to the show tonight. Can you can you can

1:17:53.680 --> 1:18:01.639
<v Speaker 1>you make sure I get there? Absolutely? To Christ that's

1:18:01.680 --> 1:18:04.640
<v Speaker 1>not good. How can people get in contact with you?

1:18:04.760 --> 1:18:06.320
<v Speaker 1>Or how can they don't don't give me a phone number,

1:18:06.320 --> 1:18:08.040
<v Speaker 1>but how can they get to see you? Yes? Trip

1:18:08.160 --> 1:18:11.240
<v Speaker 1>you man. It's everywhere. You put Steve too in the

1:18:11.280 --> 1:18:15.559
<v Speaker 1>search everywhere, Instagram and the Instagram's blown up TikTok Texas

1:18:15.600 --> 1:18:21.240
<v Speaker 1>Trevino TikTok Facebook Man, I'm Texas Trevino, Texas Trevino. By

1:18:21.280 --> 1:18:23.679
<v Speaker 1>the way, that was some ship. Before I even knew

1:18:24.439 --> 1:18:28.559
<v Speaker 1>TikTok was gonna be, before I had fans, I was like, oh,

1:18:28.600 --> 1:18:31.040
<v Speaker 1>I'll just be Texas Trevino. And then now I'm like, man,

1:18:31.240 --> 1:18:33.160
<v Speaker 1>stupid ship. Why did I do that? I'm glad you

1:18:33.240 --> 1:18:36.200
<v Speaker 1>went with Steve. Steve, I'm glad. I'm glad. Well, my

1:18:36.240 --> 1:18:40.920
<v Speaker 1>real name is at stab Yeah, that Steve name. This

1:18:41.000 --> 1:18:43.960
<v Speaker 1>Steve was Steve Ghetto boys. I'm glad you went with Steve.

1:18:44.560 --> 1:18:50.120
<v Speaker 1>Here's how trippy it is, Steve, yes too. I didn't

1:18:50.120 --> 1:18:52.519
<v Speaker 1>know so when I was a little kid, when I

1:18:52.640 --> 1:18:56.280
<v Speaker 1>was living around like Copus Area. No, he lived in baytam.

1:18:56.760 --> 1:18:59.080
<v Speaker 1>When I was a little kid, I was always Steve, right, yeah,

1:18:59.240 --> 1:19:00.960
<v Speaker 1>he was too. Then I when I go to school,

1:19:01.439 --> 1:19:04.920
<v Speaker 1>they're like and I'm like, man, who then is this

1:19:05.160 --> 1:19:07.920
<v Speaker 1>there's another Threno here? What are the fun And they

1:19:07.960 --> 1:19:09.600
<v Speaker 1>were like is that your name? And I'm like, I

1:19:09.680 --> 1:19:15.680
<v Speaker 1>don't know, right, I'm Steve. So then so then my

1:19:15.840 --> 1:19:19.000
<v Speaker 1>dad's apparently my mom made me a step on. My

1:19:19.160 --> 1:19:21.200
<v Speaker 1>dad hated it, so he was like, fuck you bitch,

1:19:21.240 --> 1:19:24.320
<v Speaker 1>I'm gonna call him Steve. So he always called me Steve.

1:19:24.360 --> 1:19:27.200
<v Speaker 1>They're divorced now, as you can imagine, and he always

1:19:27.200 --> 1:19:30.360
<v Speaker 1>call me Steve. So you know, I was only Steve.

1:19:31.280 --> 1:19:33.160
<v Speaker 1>But I was the best part about it is and

1:19:33.240 --> 1:19:35.160
<v Speaker 1>not anymore. But if I got a phone call and

1:19:35.200 --> 1:19:36.600
<v Speaker 1>they're like can we speak with a step And I'm like,

1:19:36.640 --> 1:19:43.000
<v Speaker 1>oh no, that dude ain't here. That's some legal let

1:19:44.280 --> 1:19:46.920
<v Speaker 1>Steve's here. He's good. But that is step On. Guy's

1:19:46.920 --> 1:19:51.720
<v Speaker 1>been sucking up. Well you said aoutful man. Steve's here

1:19:51.800 --> 1:19:55.760
<v Speaker 1>and he's good. Thank you for having me. Absolutely, that's

1:19:55.800 --> 1:20:02.160
<v Speaker 1>a wrap, y'all funny as fun mmmm. This episode was

1:20:02.240 --> 1:20:05.000
<v Speaker 1>produced by Aching and brought to you by The Black

1:20:05.080 --> 1:20:08.880
<v Speaker 1>Effect Podcast Network and i Heart Radio