1 00:00:00,680 --> 00:00:17,279 Speaker 1: I am all in. Oh that's just you. I am 2 00:00:17,320 --> 00:00:20,599 Speaker 1: all in with Scott Patterson, an I Heeart radio podcast. 3 00:00:20,920 --> 00:00:24,600 Speaker 1: Everybody's Scott Patterson. I'm all in podcast pop Culture episode 4 00:00:24,640 --> 00:00:27,720 Speaker 1: season five, episode one, say goodbye to Daisy Miller. I 5 00:00:27,720 --> 00:00:32,320 Speaker 1: am joined by my intrepid Krutaros Soup Danielle Romo, who's 6 00:00:32,400 --> 00:00:40,320 Speaker 1: making crank phone calls to Amy Sugarman, who is probably 7 00:00:40,360 --> 00:00:43,360 Speaker 1: won a cracker for some reason. I'm fired up about 8 00:00:43,400 --> 00:00:47,000 Speaker 1: pop culture because it's like, we haven't done. We haven't 9 00:00:47,080 --> 00:00:49,959 Speaker 1: done pop culture and like a bit and I love 10 00:00:50,000 --> 00:00:52,360 Speaker 1: I love it. I couldn't forget how much I love it. 11 00:00:52,920 --> 00:00:59,360 Speaker 1: Pop culture rules, and yeah, did the crack staff find anything? Um, 12 00:01:00,360 --> 00:01:03,760 Speaker 1: I'm gonna look, I'm gonna look. They always do. But 13 00:01:03,960 --> 00:01:05,960 Speaker 1: let's see, let's see, let's start it out. Let's not 14 00:01:06,080 --> 00:01:08,640 Speaker 1: start out with crackstaff because I gotta search totally because 15 00:01:08,640 --> 00:01:13,960 Speaker 1: it's the best. Yeah. So so we'll save Crackstaff and Tara. 16 00:01:14,040 --> 00:01:16,600 Speaker 1: Why don't you lead things off here with Emily and 17 00:01:16,760 --> 00:01:20,560 Speaker 1: Richard fighting in the house? All right, So Richard says Emily, 18 00:01:20,680 --> 00:01:23,840 Speaker 1: this feud of ours has now reached comical heights. That 19 00:01:24,040 --> 00:01:29,039 Speaker 1: Charlie Chaplin himself would find hilarious, and he's dead. Charlie 20 00:01:29,120 --> 00:01:32,240 Speaker 1: Chaplin is a comic actor, filmmaker, and composer who rose 21 00:01:32,319 --> 00:01:34,640 Speaker 1: to fame in the era of silent film and is 22 00:01:34,680 --> 00:01:38,480 Speaker 1: considered one of the film industry's most important figures. Did 23 00:01:38,520 --> 00:01:41,240 Speaker 1: you guys ever see that Robert Downey Junior movie which 24 00:01:41,319 --> 00:01:48,000 Speaker 1: one oh, where he played Chaplin? Yeah, stupid question. I'm sorry. 25 00:01:55,920 --> 00:01:57,880 Speaker 1: They are back in rare form and you want to 26 00:01:57,960 --> 00:02:00,400 Speaker 1: miss pop culture. We're giving it to you. We're coming 27 00:02:00,440 --> 00:02:05,000 Speaker 1: out hot because we're on the ball, ready to go. 28 00:02:06,080 --> 00:02:09,440 Speaker 1: Nothing gets by us mind like a steel trap. Yes 29 00:02:09,520 --> 00:02:13,760 Speaker 1: it is. You know. I think Chaplin mentioned on Gilmore Girls, 30 00:02:13,760 --> 00:02:16,600 Speaker 1: because I remember I did like a weird Wikipedia deep 31 00:02:16,720 --> 00:02:19,840 Speaker 1: dive on Chaplain not that long ago. But anyway, I 32 00:02:19,919 --> 00:02:23,040 Speaker 1: never saw the Robert Downey movie. It was good. He 33 00:02:23,200 --> 00:02:30,920 Speaker 1: really acted like him. I clearly didn't know who you played, 34 00:02:31,040 --> 00:02:55,760 Speaker 1: Charlie Chaplin. That's my Oh my god. Waddled along like 35 00:02:55,919 --> 00:03:02,359 Speaker 1: a little penguin and it was great. A little hot me. 36 00:03:02,800 --> 00:03:05,200 Speaker 1: Craig gave a hundred interviews about how much weight he 37 00:03:05,320 --> 00:03:10,799 Speaker 1: lost and how much footage he watched and oh is 38 00:03:10,840 --> 00:03:17,079 Speaker 1: there more to talk about Charlie? That was it. Oh 39 00:03:17,280 --> 00:03:22,959 Speaker 1: my goodness, they found out his research that Charlie was 40 00:03:23,000 --> 00:03:31,720 Speaker 1: really quiet. Yeah, I don't know, can't breath. That was it. 41 00:03:31,840 --> 00:03:34,600 Speaker 1: We can move on? Hey, can we just move on? 42 00:03:41,920 --> 00:03:44,600 Speaker 1: All right? Amy? You take a stuff, Siggy, I can 43 00:03:44,680 --> 00:03:46,280 Speaker 1: do it. I can do Oh. I love this one. Okay, 44 00:03:46,360 --> 00:03:49,120 Speaker 1: lor l Lucer downstairs with Kirk after he ran outside 45 00:03:49,200 --> 00:03:52,680 Speaker 1: during his nighttare and landed in a bush. Hey, it's 46 00:03:52,680 --> 00:03:56,560 Speaker 1: a party. What's everybody doing that, Suki lor l Hey 47 00:03:57,640 --> 00:04:02,400 Speaker 1: good timing. Squiggy first of all, so funny. Squiggy reverse 48 00:04:02,640 --> 00:04:08,240 Speaker 1: refers to uh Lenny and Squiggy from Lavernon Shirley. David 49 00:04:08,280 --> 00:04:12,960 Speaker 1: el Lander portrayed him in the sitcom Laverna and Shirley. 50 00:04:13,120 --> 00:04:16,680 Speaker 1: David passed Away in twenty twenty. Squiggy was identified by 51 00:04:16,800 --> 00:04:18,760 Speaker 1: the black curl in the middle of his forehead of 52 00:04:18,760 --> 00:04:21,800 Speaker 1: black leather jacket and his distinctive nasal voice, which, by 53 00:04:21,839 --> 00:04:26,520 Speaker 1: the way, Laverne has passed away, Shirley has passed away, Squiggy, 54 00:04:26,839 --> 00:04:31,920 Speaker 1: but Lenny is alive. Squiggy's timing because it was always 55 00:04:32,000 --> 00:04:34,200 Speaker 1: hilarious on Lavernon Shirley. He would walk in and say 56 00:04:34,560 --> 00:04:39,680 Speaker 1: hello girls or hello after a joke. Here are some examples, Um, 57 00:04:40,560 --> 00:04:43,720 Speaker 1: squirrell it wait, I didn't know we had examples? Do 58 00:04:43,839 --> 00:04:46,039 Speaker 1: we have? Oh? Clip, here are examples. Okay, I don't 59 00:04:46,040 --> 00:04:51,320 Speaker 1: need the examples. And anyway, I liked la Vernon Shirley, 60 00:04:51,360 --> 00:04:55,000 Speaker 1: but I was a Happy Days girl and uh, I 61 00:04:55,080 --> 00:05:00,160 Speaker 1: would say Morkan Mindy probably more than Lavernon Shirley. Who 62 00:05:00,240 --> 00:05:02,560 Speaker 1: can think sing that theme song? Lavern and Shirley theme 63 00:05:02,640 --> 00:05:07,520 Speaker 1: song Easton. If you give me a little, I'll get it. God, 64 00:05:07,560 --> 00:05:13,480 Speaker 1: it was a good one. Though, we're gonna make on 65 00:05:13,720 --> 00:05:22,320 Speaker 1: our own. I knew good. Yeah, I really there needs 66 00:05:22,360 --> 00:05:26,760 Speaker 1: to be more fifties diner culture antimes. I do, I 67 00:05:26,880 --> 00:05:30,120 Speaker 1: think not Happy Days more than lavern and Shirley. That's 68 00:05:30,160 --> 00:05:33,200 Speaker 1: a good theme song. Yeah, Monday, do you say happy Day? 69 00:05:33,680 --> 00:05:45,520 Speaker 1: It was say happy shit for you. In the very 70 00:05:45,640 --> 00:05:49,120 Speaker 1: first season of Happy Days, the theme song was rock 71 00:05:49,200 --> 00:05:54,640 Speaker 1: around the Clock. Oh, I didn't know that really, that 72 00:05:54,960 --> 00:05:57,680 Speaker 1: is how did you know that was a copyright issue? 73 00:05:57,760 --> 00:06:01,200 Speaker 1: Watched so much television as there were I'll bet you, 74 00:06:01,480 --> 00:06:04,040 Speaker 1: I'll bet you the fee was too high. Yeah, that's 75 00:06:04,080 --> 00:06:06,960 Speaker 1: a big hit song. So so there's Monday, Tuesday, Heavy Days. 76 00:06:07,000 --> 00:06:10,600 Speaker 1: It's an original song written by you know whoever? Right right? Yeah? 77 00:06:11,080 --> 00:06:13,120 Speaker 1: So yeah, that's gonna save you a bundle. In the 78 00:06:13,360 --> 00:06:17,800 Speaker 1: very beginning, it was rock around the clock. Yeah yeah, 79 00:06:18,400 --> 00:06:21,520 Speaker 1: what was that Bill Hilly in the comments? Uh correct, 80 00:06:22,080 --> 00:06:26,280 Speaker 1: thank you think so? Yeah, that's the payments to that state. No, 81 00:06:26,440 --> 00:06:28,800 Speaker 1: thank you. They also had a brother in the first 82 00:06:28,839 --> 00:06:33,520 Speaker 1: season that disappeared. It was never mentioned again. Who did 83 00:06:35,000 --> 00:06:38,320 Speaker 1: Richie and Joanie? They had a brother that disappeared an 84 00:06:38,360 --> 00:06:41,279 Speaker 1: older brother. He was just never heard from again after 85 00:06:41,360 --> 00:06:48,760 Speaker 1: season one for that guy. That's uh yeah, sad for 86 00:06:48,839 --> 00:06:55,960 Speaker 1: that guy. Yeah, jeez, m happens happens. That's not h Danielle. 87 00:06:56,000 --> 00:06:58,000 Speaker 1: You want to take this one? Yeah? Sure. The night 88 00:06:58,360 --> 00:07:00,400 Speaker 1: I think I should. I think Luke is talking to 89 00:07:00,520 --> 00:07:06,560 Speaker 1: Suki about and now I invited in. I'm kicking you, 90 00:07:06,800 --> 00:07:09,960 Speaker 1: all right, Lucas. I'm sorry. It's bad manners on my part. 91 00:07:10,000 --> 00:07:13,960 Speaker 1: I'm so sorry. Lucas talking to Suki about kissing loreli Um. 92 00:07:15,680 --> 00:07:19,720 Speaker 1: She knows, well, I think we should add Lucas talking 93 00:07:20,800 --> 00:07:25,760 Speaker 1: to Suki about perhaps the greatest kiss in television history. 94 00:07:28,000 --> 00:07:31,760 Speaker 1: She knows because Kirk said something. Suki call me Belinda, 95 00:07:32,640 --> 00:07:35,080 Speaker 1: because my lips are sealed. Suki is referring to Belinda 96 00:07:35,160 --> 00:07:38,880 Speaker 1: Carlisle songs Our Lips are sealed. Belinda Carlisle is a 97 00:07:38,920 --> 00:07:42,480 Speaker 1: singer who gained fame as the lead vocalist of The 98 00:07:42,640 --> 00:07:49,080 Speaker 1: Go Gos, which have sold over seven million records. That's 99 00:07:49,320 --> 00:07:52,920 Speaker 1: a lot of records. Who wants to chime in on this? 100 00:07:54,480 --> 00:07:59,000 Speaker 1: I was songs you go, Danielle and I are going 101 00:07:59,080 --> 00:08:04,360 Speaker 1: to say the same exa thing totally redid this and 102 00:08:04,480 --> 00:08:08,320 Speaker 1: it was so catchy. Redid this with their sister, their 103 00:08:08,360 --> 00:08:11,520 Speaker 1: sisters Hillary and movie. Yeah, yeah, it was like, I 104 00:08:11,560 --> 00:08:16,520 Speaker 1: don't know, fifteen years ago that was, and so you know, 105 00:08:16,560 --> 00:08:18,920 Speaker 1: it's crazy about it. My very first Wingo tango I've 106 00:08:18,920 --> 00:08:23,600 Speaker 1: ever been to my entire life. They performed at No Way. Yeah, 107 00:08:24,760 --> 00:08:30,920 Speaker 1: that's cool. What's this? Love the Go Gos? I'm like 108 00:08:31,200 --> 00:08:35,240 Speaker 1: vacation all I haven't wanted. And that reminds me of Rugrats. 109 00:08:37,880 --> 00:08:41,040 Speaker 1: That was the like it started the Rugrats movie. Were 110 00:08:41,080 --> 00:08:44,160 Speaker 1: they the queens of putting the top down and just 111 00:08:44,720 --> 00:08:47,040 Speaker 1: blasting the radio? And yeah, they kind of were. And 112 00:08:47,080 --> 00:08:52,360 Speaker 1: then remember we got the beat, we got the yeah, 113 00:08:52,480 --> 00:08:58,960 Speaker 1: ye oh my gosh. Here was another one, Head over Heels, 114 00:08:59,120 --> 00:09:02,640 Speaker 1: No Time. Remember that one? You want to know what's 115 00:09:02,720 --> 00:09:07,280 Speaker 1: kind of sad is when you google, our lips are sealed, 116 00:09:07,520 --> 00:09:10,480 Speaker 1: the Hailey and Hillary Duff version comes up first. First 117 00:09:10,520 --> 00:09:14,080 Speaker 1: of all, what, yeah, it was good. I'm not gonna 118 00:09:14,120 --> 00:09:18,199 Speaker 1: lie Scott. I would agree that ain't right, and I 119 00:09:18,280 --> 00:09:23,760 Speaker 1: do love the Deffs, right, Tara, I think it's your 120 00:09:23,840 --> 00:09:25,760 Speaker 1: turn after that. It's like it's like when you when 121 00:09:25,800 --> 00:09:28,200 Speaker 1: you when you google the out of towners or something 122 00:09:28,320 --> 00:09:31,400 Speaker 1: up comes like the latest version, not the original. It 123 00:09:31,520 --> 00:09:34,920 Speaker 1: ain't right. Let's do A section is called that ain't right? 124 00:09:35,760 --> 00:09:39,360 Speaker 1: But ain't right is good? That's not bad. That ain't bad, 125 00:09:40,840 --> 00:09:44,800 Speaker 1: That ain't right, ain't that bad? Tara. See if you 126 00:09:44,840 --> 00:09:50,720 Speaker 1: can top your chaplain, Well Danielle doesn't go. You're right. 127 00:09:50,840 --> 00:09:53,679 Speaker 1: I think Danielle, our lips are sealed. You got in 128 00:09:54,880 --> 00:10:01,719 Speaker 1: your chaplain. Nothing will top that at this ring, all right. 129 00:10:01,840 --> 00:10:04,360 Speaker 1: The night after opening, even though Emily and Richard left, 130 00:10:04,440 --> 00:10:06,920 Speaker 1: Emily still shows up for lunch the next day, which 131 00:10:07,000 --> 00:10:11,520 Speaker 1: surprises Lola and Loralai says, you scared me. Emily says, like, 132 00:10:11,720 --> 00:10:16,040 Speaker 1: I'm Dracula. Count Dracula is a horror vampire in the 133 00:10:16,200 --> 00:10:21,800 Speaker 1: novel Bram Stoker Um. Emily is referring to by Bram Stoker. Yeah, 134 00:10:21,880 --> 00:10:26,439 Speaker 1: the novel by Bram Stoker. Um Emily is referring to 135 00:10:26,520 --> 00:10:30,400 Speaker 1: Dracula beings scary and quiet. I actually think they could 136 00:10:30,440 --> 00:10:34,040 Speaker 1: have stepped that up, Like I'm Freddy Krueger, you know 137 00:10:34,080 --> 00:10:44,440 Speaker 1: what I mean. Mike Myers, Mike Myers, Michael Myers. Mike 138 00:10:44,559 --> 00:10:48,160 Speaker 1: Myers is in Wayne's World, Michael Myers is from House. 139 00:10:48,200 --> 00:10:51,000 Speaker 1: What are the Halloween guy? Like he's always like lurking 140 00:10:51,400 --> 00:10:58,880 Speaker 1: with like the creepy knife. Amy, I think you're up. No, 141 00:10:59,040 --> 00:11:01,480 Speaker 1: I think it's Tara Be. I think Tara like I said, 142 00:11:02,600 --> 00:11:06,960 Speaker 1: like I said, all right, Ssuki is asking Lorila off 143 00:11:07,000 --> 00:11:09,800 Speaker 1: her and if her and Luke had sex, but they didn't. 144 00:11:09,960 --> 00:11:13,880 Speaker 1: Say grammar flag, it's Suki asking Lorila. It's she and 145 00:11:14,160 --> 00:11:17,319 Speaker 1: Luke had sex? If her and Luke, Yeah, yeah, she 146 00:11:17,840 --> 00:11:21,840 Speaker 1: terrible grammar. Whoever wrote what is happening? They made the correction. 147 00:11:25,000 --> 00:11:35,280 Speaker 1: Thank you? All right, I'll read it both love Suki. 148 00:11:35,760 --> 00:11:38,640 Speaker 1: Suki was asking Lorala if she and Luke had sex, 149 00:11:38,760 --> 00:11:42,000 Speaker 1: but they didn't. Suki says, you know, was it on 150 00:11:42,160 --> 00:11:44,200 Speaker 1: top of a table? Because I always thought it would 151 00:11:44,200 --> 00:11:46,079 Speaker 1: be on top of a table, on top of a table. 152 00:11:46,200 --> 00:11:52,080 Speaker 1: Oh like in Bull Durham. See that was a raunchy, yeah, 153 00:11:52,920 --> 00:11:55,959 Speaker 1: kind of fun movie. No, but I mean um and 154 00:11:56,160 --> 00:11:58,920 Speaker 1: I actually played in Durham. So I played for the 155 00:11:59,000 --> 00:12:02,679 Speaker 1: Durham Bullham first half Luke and Lauraa, we're gonna like 156 00:12:02,840 --> 00:12:05,520 Speaker 1: have sex on the first right. But it's like the 157 00:12:05,679 --> 00:12:10,000 Speaker 1: description of it was the level. So bul Durham is 158 00:12:10,160 --> 00:12:14,480 Speaker 1: a nineteen eighty eight comic romantic comedy sports film. It's 159 00:12:14,520 --> 00:12:18,400 Speaker 1: partly based on minor league baseball experiences and depicts the 160 00:12:18,480 --> 00:12:22,079 Speaker 1: players and fans of the Durham Bulls, a minor league 161 00:12:22,280 --> 00:12:26,760 Speaker 1: baseball team in Durham, North Carolina. There's a popular passionate 162 00:12:26,840 --> 00:12:29,120 Speaker 1: love seeing that takes place on a kitchen table between 163 00:12:29,200 --> 00:12:33,240 Speaker 1: Kevin Costner and Susan Sarandon's characters Annie and Crash, and 164 00:12:33,360 --> 00:12:36,000 Speaker 1: a bowl is thrown and milk is spilled on the table. 165 00:12:36,800 --> 00:12:39,840 Speaker 1: Emily getting excited because Rory just agreed to go to Europe. 166 00:12:40,320 --> 00:12:42,559 Speaker 1: That is just wonderful. I'll call Ralphie right away and 167 00:12:42,600 --> 00:12:45,440 Speaker 1: tell him to bump another baptist. We'll have a wonderful time, 168 00:12:45,520 --> 00:12:48,720 Speaker 1: you and I. It'll be just like gig Laurel. I'm 169 00:12:48,760 --> 00:12:52,120 Speaker 1: gonna use Your Phone Gig is a nineteen fifty eight 170 00:12:52,240 --> 00:12:54,640 Speaker 1: music romantic comedy that I've never heard of about the 171 00:12:54,720 --> 00:12:58,680 Speaker 1: conventions of Parisian society. In the film, gas Stone spends 172 00:12:58,720 --> 00:13:02,040 Speaker 1: time with Madame Alvarez and her care free granddaughter. Never 173 00:13:02,200 --> 00:13:03,559 Speaker 1: heard of it. At first, I thought it was a 174 00:13:03,600 --> 00:13:06,160 Speaker 1: type one that it meant to say, Geelie. Remember that 175 00:13:06,440 --> 00:13:12,360 Speaker 1: crappy ben Affleck. Emily is referencing the movie because of 176 00:13:12,440 --> 00:13:16,240 Speaker 1: the madam and granddaughter relationship. In the film, all right, 177 00:13:16,640 --> 00:13:25,240 Speaker 1: fair enough, Rory agrees to go on a European vacation 178 00:13:25,360 --> 00:13:30,600 Speaker 1: with Emily to run away from dealing with Dean Rory. 179 00:13:32,280 --> 00:13:35,160 Speaker 1: So what is it? Henry James novel, Young Lady Acts 180 00:13:35,240 --> 00:13:37,200 Speaker 1: Up and her family Ships Are Off to Your Henry 181 00:13:37,280 --> 00:13:40,160 Speaker 1: James was an American British author. He is considered by 182 00:13:40,200 --> 00:13:44,160 Speaker 1: many to be among the greatest novelists in the English language. 183 00:13:45,800 --> 00:13:48,440 Speaker 1: The novel Rory is referring to as Daisy Miller, which 184 00:13:48,440 --> 00:13:51,079 Speaker 1: is about a young American woman traveling in Europe with 185 00:13:51,720 --> 00:13:57,400 Speaker 1: her mother. There, she is accorded by Winterborne, an American 186 00:13:57,880 --> 00:14:01,880 Speaker 1: living abroad, but in her since days, he's compromised by 187 00:14:01,960 --> 00:14:14,240 Speaker 1: her friendship with an Italian man m mmmmm, Joba Jobla h. 188 00:14:14,600 --> 00:14:20,400 Speaker 1: Who's up? I think it's me, Lorline. Luke trying to 189 00:14:20,560 --> 00:14:24,720 Speaker 1: talk on the phone while he's well, he that's the 190 00:14:24,800 --> 00:14:27,480 Speaker 1: type of phone while he is driving to help Liz 191 00:14:27,600 --> 00:14:30,280 Speaker 1: with the renaissance fair. I think, I think, I think 192 00:14:30,400 --> 00:14:33,480 Speaker 1: Luke should have been pulled over and ticketed me, just 193 00:14:33,720 --> 00:14:39,360 Speaker 1: to show a good example, because you know what, that 194 00:14:39,520 --> 00:14:44,080 Speaker 1: ain't right. That ain't right. Get a speaker phone, ain't right? Um, 195 00:14:44,760 --> 00:14:48,120 Speaker 1: And Loralae says, well, if it isn't Dean Moriarty. So. 196 00:14:48,400 --> 00:14:51,400 Speaker 1: Dean Moriarty is a character from the nineteen fifty seven 197 00:14:51,480 --> 00:14:54,160 Speaker 1: novel On the Road, a story about friends traveling across 198 00:14:54,200 --> 00:14:57,920 Speaker 1: the United States. Um. He is enthusiastic about everything and 199 00:14:58,000 --> 00:15:00,360 Speaker 1: always willing to have a good time. He is also 200 00:15:00,400 --> 00:15:03,000 Speaker 1: a womanizer who falls in love with women all over 201 00:15:03,080 --> 00:15:06,880 Speaker 1: the country and marries three. Lorelai is referencing Dean because 202 00:15:07,080 --> 00:15:09,920 Speaker 1: Luke is traveling across the US to help his sister Liz. 203 00:15:11,000 --> 00:15:15,040 Speaker 1: M What a guy, What a guy? What a guy? 204 00:15:15,760 --> 00:15:19,320 Speaker 1: Oh God, please say we're finishing with Tara miche we 205 00:15:19,480 --> 00:15:24,720 Speaker 1: sure are all right. In the same scene, Luke and 206 00:15:24,800 --> 00:15:26,800 Speaker 1: Lorela are on the phone and Luke is telling her 207 00:15:26,960 --> 00:15:29,600 Speaker 1: he is heading to the Renaissance Fair to help his sister. 208 00:15:29,760 --> 00:15:34,160 Speaker 1: Liz m Lorelai says, very chivalrous of you. Luke says, yeah, 209 00:15:34,160 --> 00:15:39,120 Speaker 1: I'm a regular Lancelot. Lancelot is a character from Arthurian 210 00:15:39,560 --> 00:15:43,560 Speaker 1: legend from an Arthurian legend, typically depicted as King Arthur's 211 00:15:43,880 --> 00:15:46,240 Speaker 1: close companion and one of the greatest nights of the 212 00:15:46,400 --> 00:15:51,480 Speaker 1: round table. Jarren't Tuton, Okay, so let's get into some 213 00:15:51,640 --> 00:15:55,560 Speaker 1: crack staff. What did they find. There's not really much 214 00:15:55,680 --> 00:15:59,880 Speaker 1: on this one, but the phone number that Luke gave 215 00:16:00,080 --> 00:16:04,200 Speaker 1: out right, his cell phone number. Now this has to 216 00:16:04,360 --> 00:16:10,440 Speaker 1: do with wa has no wait before you tell us this, Danielle, 217 00:16:10,560 --> 00:16:17,720 Speaker 1: did anyone ever call you back? Straight ghosted? Not even 218 00:16:18,160 --> 00:16:23,800 Speaker 1: a shot, not back, not a little nothing. No wonder 219 00:16:23,960 --> 00:16:26,320 Speaker 1: maybe maybe the girlfriend or the wife got a hold 220 00:16:26,360 --> 00:16:29,240 Speaker 1: of it first and wasn't buying it even with that 221 00:16:29,400 --> 00:16:32,240 Speaker 1: sweet message you left. Okay, Scott, talk to us, tell 222 00:16:32,360 --> 00:16:35,840 Speaker 1: us that's all right. So that phone number I approached, 223 00:16:38,240 --> 00:16:39,960 Speaker 1: it was just going to be like a five five 224 00:16:40,080 --> 00:16:45,520 Speaker 1: five garbage number, right, So I approached the producers in 225 00:16:45,680 --> 00:16:48,720 Speaker 1: the studio and I said, listen, you know, why don't 226 00:16:48,720 --> 00:16:51,560 Speaker 1: we try to raise some money with his phone number. So, um, 227 00:16:52,720 --> 00:16:55,720 Speaker 1: my brother in law, who since retired, was the head 228 00:16:55,720 --> 00:16:59,480 Speaker 1: of pediatrics at Johns Hopkins University for thirty years, thirty 229 00:16:59,520 --> 00:17:03,720 Speaker 1: five years, and he and my sister, my older sister, 230 00:17:04,640 --> 00:17:07,000 Speaker 1: were raising money for their new children's hospitals. So they 231 00:17:07,000 --> 00:17:09,440 Speaker 1: were going around Washington, DCLA, all over the place, you know, 232 00:17:09,520 --> 00:17:13,080 Speaker 1: hitting up the big donors to try to raise money. 233 00:17:13,080 --> 00:17:15,080 Speaker 1: They eventually did it opened and it's a big success. 234 00:17:15,160 --> 00:17:19,040 Speaker 1: But um, I did my little part, and that number 235 00:17:19,160 --> 00:17:22,600 Speaker 1: was linked to that fundraising effort. No way, So if 236 00:17:22,640 --> 00:17:25,200 Speaker 1: you called it back then, twenty years ago, it would 237 00:17:25,200 --> 00:17:28,480 Speaker 1: say like thanks for calling, you get you get me 238 00:17:29,040 --> 00:17:32,879 Speaker 1: answering on the on the answering machine saying hey Scott 239 00:17:32,920 --> 00:17:35,040 Speaker 1: Pattern and hey it's Luke Danes and all this and 240 00:17:35,520 --> 00:17:38,280 Speaker 1: thanks for calling. This is you can donate money to 241 00:17:38,400 --> 00:17:43,119 Speaker 1: John's Hopkins Children's Hospital in the following ways. Yeah. So, 242 00:17:43,400 --> 00:17:45,320 Speaker 1: and we raised a lot of money that way. So 243 00:17:45,359 --> 00:17:47,679 Speaker 1: the fans were really And then I wonder when they 244 00:17:47,800 --> 00:17:51,520 Speaker 1: switched it looks so crazy is they switched it, but 245 00:17:51,680 --> 00:17:54,560 Speaker 1: the numbers still in there that the poor guy that 246 00:17:54,680 --> 00:17:58,159 Speaker 1: has a right now, it's just some guy that the 247 00:17:58,280 --> 00:18:00,960 Speaker 1: number some guy works at the racetrack. You know, I 248 00:18:01,080 --> 00:18:03,199 Speaker 1: feel strongly we aren't the only people that have ever 249 00:18:03,359 --> 00:18:06,720 Speaker 1: called it, and specifically not this week. I bet you 250 00:18:06,800 --> 00:18:10,399 Speaker 1: he's gotten multiple calls this week. So does he just 251 00:18:10,560 --> 00:18:16,040 Speaker 1: not answer his phone ever? Don't know? Random number, random 252 00:18:16,160 --> 00:18:19,439 Speaker 1: callers he doesn't return. I thought it kind of did 253 00:18:19,480 --> 00:18:21,159 Speaker 1: it ring or did it go straight to voicemail? I 254 00:18:21,200 --> 00:18:24,359 Speaker 1: felt like the phone voicemail ringing, right, but I think 255 00:18:24,400 --> 00:18:26,760 Speaker 1: it was off, like it went straight to voicemail, Like 256 00:18:26,800 --> 00:18:30,200 Speaker 1: you know, when your phone's off, do not disturb? Maybe, Danielle, 257 00:18:30,240 --> 00:18:34,240 Speaker 1: do you want to try it one more time? Also, 258 00:18:34,320 --> 00:18:36,800 Speaker 1: he might be someone who doesn't check his voicemails, like 259 00:18:36,920 --> 00:18:38,840 Speaker 1: I always check mine, but I have friends who are like, 260 00:18:38,920 --> 00:18:40,639 Speaker 1: if you left me a voicemail, I'll never check it. 261 00:18:40,920 --> 00:18:42,800 Speaker 1: I'm telling you it went straight to voicemail. That guy's 262 00:18:42,840 --> 00:18:47,800 Speaker 1: phone is not on voicemail? Is so eight? Six? So right? Yeah? 263 00:18:48,359 --> 00:18:53,239 Speaker 1: Last it's last decades? Is it six? So Connecticut? Did 264 00:18:53,280 --> 00:18:57,119 Speaker 1: we decide? Yes? I think it is? Yes? Wow Connecticut? 265 00:18:57,600 --> 00:19:06,719 Speaker 1: Its it rings? Maybe he'll pick up. Okay, so stressful, 266 00:19:09,560 --> 00:19:15,719 Speaker 1: it's so stressful, good, Danielle, she's shripping. He's never going 267 00:19:15,760 --> 00:19:17,800 Speaker 1: to answer us. He knows we're up to no good. 268 00:19:19,280 --> 00:19:21,680 Speaker 1: He's like blocking this number. Wouldn't that be really cool 269 00:19:21,720 --> 00:19:27,480 Speaker 1: if Teddy Mellencamp answered. What would be really cool is 270 00:19:27,520 --> 00:19:32,000 Speaker 1: if it said Luke's Diner when they answered good try. 271 00:19:32,720 --> 00:19:35,000 Speaker 1: He's also not even sending it's a voicemail. He's just 272 00:19:35,119 --> 00:19:38,680 Speaker 1: letting it ring. Yeah, yeah, it did not ring that 273 00:19:38,800 --> 00:19:42,680 Speaker 1: many times before, So I think you were screened before. Yeah, 274 00:19:42,720 --> 00:19:49,520 Speaker 1: I agree. Well, anyway, there you go go. That's crack 275 00:19:49,640 --> 00:19:54,080 Speaker 1: staff for you. That was a home run worth doing, right. 276 00:19:55,840 --> 00:19:59,040 Speaker 1: I wonder if people remember in its first run, like, 277 00:19:59,280 --> 00:20:02,040 Speaker 1: did they ever call all like people who watch back then? 278 00:20:02,840 --> 00:20:05,800 Speaker 1: Of course they did, and then donated. I got it. 279 00:20:05,960 --> 00:20:08,720 Speaker 1: I bet you there is somebody. I got an excited 280 00:20:08,800 --> 00:20:11,520 Speaker 1: phone call from my brother in law saying, you know, 281 00:20:12,040 --> 00:20:16,440 Speaker 1: your fans are really generous. We raised a pile of 282 00:20:16,520 --> 00:20:19,200 Speaker 1: money off of this. Thank you. So yeah, yeah, I 283 00:20:19,320 --> 00:20:25,400 Speaker 1: better find somebody who donated back then. Yeah, to whoever donated, 284 00:20:25,520 --> 00:20:28,960 Speaker 1: thank you, and they call us, will take their call. 285 00:20:30,320 --> 00:20:33,480 Speaker 1: They're doing some incredible things at Johns Hopkins for kids. 286 00:20:33,520 --> 00:20:38,120 Speaker 1: That's awesome, just incredible, Scott right, not bad, right, Yeah, 287 00:20:38,600 --> 00:20:41,760 Speaker 1: Once in a while, I come through. I know, try 288 00:20:41,800 --> 00:20:44,760 Speaker 1: and top it next week. Okay, I'm gonna get on 289 00:20:44,880 --> 00:20:48,680 Speaker 1: that right now, ladies and gentlemen. That brings us to 290 00:20:48,800 --> 00:20:52,639 Speaker 1: the end of another rollicking episode of Top Culture. The 291 00:20:52,800 --> 00:20:56,960 Speaker 1: next one is season five, episode two, A Messenger nothing more. 292 00:20:57,760 --> 00:21:02,000 Speaker 1: Hope to see everybody there, and I also hope to 293 00:21:02,040 --> 00:21:05,560 Speaker 1: see everybody in Louisville June sixteen through eighteen at Louisville Poppe. 294 00:21:07,440 --> 00:21:11,679 Speaker 1: Nice job, Thank you very much, um season five people, 295 00:21:11,800 --> 00:21:15,520 Speaker 1: I'm loving it. One episode in season five pretty stellar 296 00:21:16,000 --> 00:21:19,119 Speaker 1: and if you want to check out how we felt 297 00:21:19,160 --> 00:21:23,280 Speaker 1: about that episode, we made it a two parter, so 298 00:21:23,920 --> 00:21:30,240 Speaker 1: it's uh you haven't heard it already, there's a lot more. Yeah, 299 00:21:30,400 --> 00:21:34,920 Speaker 1: go back and get the experience anyway. Love you guys, 300 00:21:35,480 --> 00:21:39,040 Speaker 1: Thanks for downloading. Best fans on the planet. You proved 301 00:21:39,080 --> 00:21:44,200 Speaker 1: to get in Toronto, um and uh we will. We'll 302 00:21:44,240 --> 00:21:48,760 Speaker 1: catch you on the backside. And I always remember we 303 00:21:50,320 --> 00:22:23,679 Speaker 1: I am all in. Stay safe everyone, dot Hey, everybody, 304 00:22:23,720 --> 00:22:27,040 Speaker 1: and don't forget follow us on Instagram at I Am 305 00:22:27,119 --> 00:22:32,040 Speaker 1: all In podcast and email us at Gilmore at iHeartRadio 306 00:22:32,400 --> 00:22:34,879 Speaker 1: dot com. Oh you're Gilmore fans. If you're looking for 307 00:22:34,960 --> 00:22:36,760 Speaker 1: the best cup of coffee in the world. Go to 308 00:22:37,000 --> 00:22:40,639 Speaker 1: my website from my company scott ep dot com, s 309 00:22:40,680 --> 00:22:43,480 Speaker 1: c O. T. T YP dot com, scottip dot com 310 00:22:43,960 --> 00:22:46,199 Speaker 1: Grade one Specialty Coffee